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"content": "\u003cp>Outside Lands ended on a particularly festive note on Halloween, which brought the most people out of the three days, the majority of them in costume. A group of guys wore bowties and diapers in what I gathered was a “man baby” costume. A couple dressed as a lit-up Golden Gate Bridge complete with tulle fog. There was an AOC in a “Tax the Rich” dress from the Met Gala, some KISS members, obligatory \u003ci>Squid Game\u003c/i> contestants in tracksuits, space cowboys and many different kinds of aliens.[aside postid='arts_13905544']\u003c/p>\n\u003cp>The scene was as close as a mainstream festival gets to what people imagine when they think of San Franciscans letting their freak flags fly and setting aside differences to have fun. These are the musical acts that stood out on the final day of the festival’s pandemic-era return.\u003c/p>\n\u003cfigure id=\"attachment_13905598\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Kehlani-performs-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905598\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Kehlani-performs-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Kehlani-performs-at-Outside-Lands-on-Sunday-Oct.-31-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Kehlani-performs-at-Outside-Lands-on-Sunday-Oct.-31-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kehlani performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kehlani plays an intimate hometown show\u003c/h2>\n\u003cp>Most people packed out the Lands End stage to see headliner Tame Impala, who sounded great but projected such distorted, trippy visuals that it was impossible to see what was happening on stage unless you decided to brave the crowds and get up close. The vibe at Kehlani’s Sutro Stage set at the same time was much more intimate, and she embraced it. “I know y’all came to a festival to dance and be crazy and mosh pit, but you know I make love songs,” she told the audience, which contained a notable number of couples in embrace. They began to sway when Kehlani sang the opening bars of the syrupy R&B track “Hate the Club.” \u003c/p>\n\u003cp>The Oakland native interspersed more recent radio singles like “Nights Like This” and “Ring,” her track with Cardi B, with earlier work that put her on the map. Tracks like “Distraction” and “CRZY” got big cheers from her hometown fans, many of whom have followed her since before her mixtape era. Kehlani performed with a full band, but rather than wow us with huge crescendos and guitar solos, they let her singularly warm voice be the star. The down-to-earth approach worked well, especially for the tender, queer love song “Honey,” which she introduced, in true Town fashion, by yelling “Where my gay bitches at?!”\u003c/p>\n\u003cfigure id=\"attachment_13905621\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-Egyptian-Lover-performs-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905621\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-Egyptian-Lover-performs-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-Egyptian-Lover-performs-at-Outside-Lands-on-Sunday-Oct.-31-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-Egyptian-Lover-performs-at-Outside-Lands-on-Sunday-Oct.-31-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Egyptian Lover performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Egyptian Lover works his vinyl wizardry\u003c/h2>\n\u003cp>[aside postid='arts_13905536']A DJ set from Egyptian Lover, an elder statesman of the first pillar of hip-hop, made a trip to the House by Heineken tent worth it, even if it meant missing the action on the big music stages. At his concerts, Egyptian Lover typically raps live and does tricks on his 808, but at Outside Lands he let the ones and twos do the talking. He spun b-boy classics from the electrofunk era he came up in, like “Planet Rock” and “Rock It, Don’t Stop It.” But he never played them straight, scratching, fading vocals in and out and creating a sonic collage by putting the needle to the groove. The 50 person or so audience was dancing it out—someone dressed as Mrs. Doubtfire was shaking their butt pads, a \u003ci>Squid Game\u003c/i> guy was doing the most and another person twerked so hard they slipped in the mud.\u003c/p>\n\u003cfigure id=\"attachment_13905593\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Burna-Boy-performs-at-Outside-Lands-on-Sunday-Oct.-31.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Burna-Boy-performs-at-Outside-Lands-on-Sunday-Oct.-31.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Burna-Boy-performs-at-Outside-Lands-on-Sunday-Oct.-31-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Burna-Boy-performs-at-Outside-Lands-on-Sunday-Oct.-31-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Burna Boy performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Burna Boy leaves a powerful message\u003c/h2>\n\u003cp>The mood was sunny during Burna Boy’s set at the Twin Peaks stage, where he performed with a full band that got the crowd winding their hips to Afrobeats. The guitarist played breezy melodies; the horns ushered in a celebratory atmosphere. Thunderous drums added gravitas as the Nigerian superstar sang in his big, booming voice, and rapped on tracks that shared a vernacular with American hip-hop. Within the uptempo set, some songs in Burna Boy’s catalogue introduced a darker edge. “20 10 20,” a song he wrote in response to \u003ca href=\"https://www.kqed.org/arts/13888379/oakland-artists-join-nigerias-endsars-movement-against-police-violence-from-afar\" rel=\"noopener noreferrer\" target=\"_blank\">Nigeria’s movement against corruption and police brutality\u003c/a>, marked an especially powerful moment as visuals depicting the country’s colonial history flashed on-screen. “Put one fist up and pump that shit because this is protest music,” Burna Boy said. \u003c/p>\n\u003cfigure id=\"attachment_13905589\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Brittany-Howard-performs-at-Outside-Lands-on-Sunday-Oct.-31-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905589\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Brittany-Howard-performs-at-Outside-Lands-on-Sunday-Oct.-31-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Brittany-Howard-performs-at-Outside-Lands-on-Sunday-Oct.-31-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Brittany-Howard-performs-at-Outside-Lands-on-Sunday-Oct.-31-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brittany Howard performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Brittany Howard’s sunset groove\u003c/h2>\n\u003cp>Outside Lands felt like \u003ca href=\"https://www.npr.org/2021/07/01/1010306918/summer-of-soul-questlove-movie-review-harlem-cultural-festival\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cem>Summer of Soul\u003c/em>\u003c/a> during Brittany Howard’s set, which took place at Lands End during the golden hour. Even though Howard performed on the big stage, she managed to convey the relaxed atmosphere of a block party. She and her band took their time to settle into the groove of each track, weaving together elements of R&B, funk and blues as the audience two-stepped along. Howard belted in her low alto, let out high notes in a falsetto and shouted impassioned ad libs in the vein of James Brown as gospel-style backup singers supported her with an angelic chorus. She ended the set with the uplifting track “Give It To Love,” a manifesto about kindness and connection that I’m pretty sure inspired everyone in the audience to do at least one good deed as they continued their day. \u003c/p>\n\u003cfigure id=\"attachment_13905596\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Cam-backstage-at-Outside-Lands-on-Sunday-Oct.-31_.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905596\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Cam-backstage-at-Outside-Lands-on-Sunday-Oct.-31_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Cam-backstage-at-Outside-Lands-on-Sunday-Oct.-31_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Cam-backstage-at-Outside-Lands-on-Sunday-Oct.-31_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cam backstage at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905601\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/mxmtoon-performs-at-Outside-Lands-on-Sunday-Oct.-31-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/mxmtoon-performs-at-Outside-Lands-on-Sunday-Oct.-31-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/mxmtoon-performs-at-Outside-Lands-on-Sunday-Oct.-31-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/mxmtoon-performs-at-Outside-Lands-on-Sunday-Oct.-31-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">mxmtoon performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905611\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-5.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905611\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-5.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-5-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905623\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Yves-Tumor-and-Its-Band-perform-at-Outside-Lands-on-Sunday-Oct.-31_.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905623\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Yves-Tumor-and-Its-Band-perform-at-Outside-Lands-on-Sunday-Oct.-31_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Yves-Tumor-and-Its-Band-perform-at-Outside-Lands-on-Sunday-Oct.-31_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Yves-Tumor-and-Its-Band-perform-at-Outside-Lands-on-Sunday-Oct.-31_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yves Tumor and Its Band perform at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905603\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Sofi-Tukker-backstage-at-Outside-Lands-on-Sunday-Oct.-3_.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905603\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Sofi-Tukker-backstage-at-Outside-Lands-on-Sunday-Oct.-3_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Sofi-Tukker-backstage-at-Outside-Lands-on-Sunday-Oct.-3_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Sofi-Tukker-backstage-at-Outside-Lands-on-Sunday-Oct.-3_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sofi Tukker backstage at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905609\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905609\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905617\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-11.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905617\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-11.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-11-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-11-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905613\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-7.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905613\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-7.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-7-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905606\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Tame-Impala-performs-at-Outside-Lands-on-Sunday-Oct.-31.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905606\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Tame-Impala-performs-at-Outside-Lands-on-Sunday-Oct.-31.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Tame-Impala-performs-at-Outside-Lands-on-Sunday-Oct.-31-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Tame-Impala-performs-at-Outside-Lands-on-Sunday-Oct.-31-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905607\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31_.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905607\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "Halloween saw the biggest crowds and lots of costumes on the final day of Outside Lands.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Outside Lands ended on a particularly festive note on Halloween, which brought the most people out of the three days, the majority of them in costume. A group of guys wore bowties and diapers in what I gathered was a “man baby” costume. A couple dressed as a lit-up Golden Gate Bridge complete with tulle fog. There was an AOC in a “Tax the Rich” dress from the Met Gala, some KISS members, obligatory \u003ci>Squid Game\u003c/i> contestants in tracksuits, space cowboys and many different kinds of aliens.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The scene was as close as a mainstream festival gets to what people imagine when they think of San Franciscans letting their freak flags fly and setting aside differences to have fun. These are the musical acts that stood out on the final day of the festival’s pandemic-era return.\u003c/p>\n\u003cfigure id=\"attachment_13905598\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Kehlani-performs-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905598\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Kehlani-performs-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Kehlani-performs-at-Outside-Lands-on-Sunday-Oct.-31-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Kehlani-performs-at-Outside-Lands-on-Sunday-Oct.-31-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kehlani performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kehlani plays an intimate hometown show\u003c/h2>\n\u003cp>Most people packed out the Lands End stage to see headliner Tame Impala, who sounded great but projected such distorted, trippy visuals that it was impossible to see what was happening on stage unless you decided to brave the crowds and get up close. The vibe at Kehlani’s Sutro Stage set at the same time was much more intimate, and she embraced it. “I know y’all came to a festival to dance and be crazy and mosh pit, but you know I make love songs,” she told the audience, which contained a notable number of couples in embrace. They began to sway when Kehlani sang the opening bars of the syrupy R&B track “Hate the Club.” \u003c/p>\n\u003cp>The Oakland native interspersed more recent radio singles like “Nights Like This” and “Ring,” her track with Cardi B, with earlier work that put her on the map. Tracks like “Distraction” and “CRZY” got big cheers from her hometown fans, many of whom have followed her since before her mixtape era. Kehlani performed with a full band, but rather than wow us with huge crescendos and guitar solos, they let her singularly warm voice be the star. The down-to-earth approach worked well, especially for the tender, queer love song “Honey,” which she introduced, in true Town fashion, by yelling “Where my gay bitches at?!”\u003c/p>\n\u003cfigure id=\"attachment_13905621\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-Egyptian-Lover-performs-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905621\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-Egyptian-Lover-performs-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-Egyptian-Lover-performs-at-Outside-Lands-on-Sunday-Oct.-31-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-Egyptian-Lover-performs-at-Outside-Lands-on-Sunday-Oct.-31-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Egyptian Lover performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Egyptian Lover works his vinyl wizardry\u003c/h2>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>A DJ set from Egyptian Lover, an elder statesman of the first pillar of hip-hop, made a trip to the House by Heineken tent worth it, even if it meant missing the action on the big music stages. At his concerts, Egyptian Lover typically raps live and does tricks on his 808, but at Outside Lands he let the ones and twos do the talking. He spun b-boy classics from the electrofunk era he came up in, like “Planet Rock” and “Rock It, Don’t Stop It.” But he never played them straight, scratching, fading vocals in and out and creating a sonic collage by putting the needle to the groove. The 50 person or so audience was dancing it out—someone dressed as Mrs. Doubtfire was shaking their butt pads, a \u003ci>Squid Game\u003c/i> guy was doing the most and another person twerked so hard they slipped in the mud.\u003c/p>\n\u003cfigure id=\"attachment_13905593\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Burna-Boy-performs-at-Outside-Lands-on-Sunday-Oct.-31.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Burna-Boy-performs-at-Outside-Lands-on-Sunday-Oct.-31.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Burna-Boy-performs-at-Outside-Lands-on-Sunday-Oct.-31-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Burna-Boy-performs-at-Outside-Lands-on-Sunday-Oct.-31-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Burna Boy performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Burna Boy leaves a powerful message\u003c/h2>\n\u003cp>The mood was sunny during Burna Boy’s set at the Twin Peaks stage, where he performed with a full band that got the crowd winding their hips to Afrobeats. The guitarist played breezy melodies; the horns ushered in a celebratory atmosphere. Thunderous drums added gravitas as the Nigerian superstar sang in his big, booming voice, and rapped on tracks that shared a vernacular with American hip-hop. Within the uptempo set, some songs in Burna Boy’s catalogue introduced a darker edge. “20 10 20,” a song he wrote in response to \u003ca href=\"https://www.kqed.org/arts/13888379/oakland-artists-join-nigerias-endsars-movement-against-police-violence-from-afar\" rel=\"noopener noreferrer\" target=\"_blank\">Nigeria’s movement against corruption and police brutality\u003c/a>, marked an especially powerful moment as visuals depicting the country’s colonial history flashed on-screen. “Put one fist up and pump that shit because this is protest music,” Burna Boy said. \u003c/p>\n\u003cfigure id=\"attachment_13905589\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Brittany-Howard-performs-at-Outside-Lands-on-Sunday-Oct.-31-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905589\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Brittany-Howard-performs-at-Outside-Lands-on-Sunday-Oct.-31-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Brittany-Howard-performs-at-Outside-Lands-on-Sunday-Oct.-31-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Brittany-Howard-performs-at-Outside-Lands-on-Sunday-Oct.-31-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brittany Howard performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Brittany Howard’s sunset groove\u003c/h2>\n\u003cp>Outside Lands felt like \u003ca href=\"https://www.npr.org/2021/07/01/1010306918/summer-of-soul-questlove-movie-review-harlem-cultural-festival\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cem>Summer of Soul\u003c/em>\u003c/a> during Brittany Howard’s set, which took place at Lands End during the golden hour. Even though Howard performed on the big stage, she managed to convey the relaxed atmosphere of a block party. She and her band took their time to settle into the groove of each track, weaving together elements of R&B, funk and blues as the audience two-stepped along. Howard belted in her low alto, let out high notes in a falsetto and shouted impassioned ad libs in the vein of James Brown as gospel-style backup singers supported her with an angelic chorus. She ended the set with the uplifting track “Give It To Love,” a manifesto about kindness and connection that I’m pretty sure inspired everyone in the audience to do at least one good deed as they continued their day. \u003c/p>\n\u003cfigure id=\"attachment_13905596\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Cam-backstage-at-Outside-Lands-on-Sunday-Oct.-31_.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905596\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Cam-backstage-at-Outside-Lands-on-Sunday-Oct.-31_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Cam-backstage-at-Outside-Lands-on-Sunday-Oct.-31_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Cam-backstage-at-Outside-Lands-on-Sunday-Oct.-31_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cam backstage at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905601\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/mxmtoon-performs-at-Outside-Lands-on-Sunday-Oct.-31-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/mxmtoon-performs-at-Outside-Lands-on-Sunday-Oct.-31-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/mxmtoon-performs-at-Outside-Lands-on-Sunday-Oct.-31-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/mxmtoon-performs-at-Outside-Lands-on-Sunday-Oct.-31-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">mxmtoon performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905611\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-5.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905611\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-5.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-5-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905623\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Yves-Tumor-and-Its-Band-perform-at-Outside-Lands-on-Sunday-Oct.-31_.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905623\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Yves-Tumor-and-Its-Band-perform-at-Outside-Lands-on-Sunday-Oct.-31_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Yves-Tumor-and-Its-Band-perform-at-Outside-Lands-on-Sunday-Oct.-31_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Yves-Tumor-and-Its-Band-perform-at-Outside-Lands-on-Sunday-Oct.-31_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yves Tumor and Its Band perform at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905603\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Sofi-Tukker-backstage-at-Outside-Lands-on-Sunday-Oct.-3_.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905603\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Sofi-Tukker-backstage-at-Outside-Lands-on-Sunday-Oct.-3_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Sofi-Tukker-backstage-at-Outside-Lands-on-Sunday-Oct.-3_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Sofi-Tukker-backstage-at-Outside-Lands-on-Sunday-Oct.-3_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sofi Tukker backstage at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905609\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905609\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905617\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-11.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905617\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-11.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-11-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-11-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905613\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-7.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905613\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-7.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-7-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905606\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Tame-Impala-performs-at-Outside-Lands-on-Sunday-Oct.-31.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905606\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Tame-Impala-performs-at-Outside-Lands-on-Sunday-Oct.-31.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Tame-Impala-performs-at-Outside-Lands-on-Sunday-Oct.-31-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Tame-Impala-performs-at-Outside-Lands-on-Sunday-Oct.-31-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905607\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31_.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905607\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "PHOTOS: Lizzo’s Sex-Positive Charisma Lights Up Outside Lands Saturday",
"headTitle": "PHOTOS: Lizzo’s Sex-Positive Charisma Lights Up Outside Lands Saturday | KQED",
"content": "\u003cp>After a high-energy opening day, Outside Lands continued its pandemic-era return on an even more packed Saturday, with tens of thousands of fans flocking to Golden Gate Park. The genre-agnostic fest offered nonstop stimuli between the four music stages, culinary offerings, live art, DJ sets and other diversions. And with everything happening at once, it was easy to log several days worth of steps in your health app trying to do it all. Here’s who impressed on day two. [aside postid='arts_13905536'] \u003c/p>\n\u003ch2>Lizzo brings powerhouse vocals and a few laughs\u003c/h2>\n\u003cp>Lizzo makes everyone feel like she could be their bestie. She might be the headliner of Outside Lands, belting out megawatt vocal runs with a full band and cadre of stylish, spandex-wearing dancers. But she’ll also tell you her thong leotard is riding up to uncomfortable places from all the twerking happening on stage. It’s this mix of five-star talent and humor that made her set so endearing. (At one point, she even came out dressed as the creepy doll from \u003cem>Squid Game\u003c/em>.)\u003c/p>\n\u003cfigure id=\"attachment_13905558\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Lizzo-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905558\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Lizzo-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Lizzo-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Lizzo-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lizzo Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pausing to reflect on the pandemic, Lizzo told the crowd, “That’s what music is about, bringing us back together so we can grieve and heal and grow together,” she said before pivoting to a gag. “In these unprecedented times, nothing is for certain. Except that I’ll always have good pussy.” \u003c/p>\n\u003cp>Between sex-positive self-love tracks like “Soulmate” and “Boys,” Lizzo sang snippets of covers of Aretha Franklin and Whitney Houston. These are artists no one should touch unless they really, \u003cem>really\u003c/em> know what they’re doing, and Lizzo did. She remade and remixed “Respect” and “I’m Every Woman” into her own versions, and strategically positioned herself as an heiress to a lineage of all-time greats. It was a bold move matched by her powerhouse voice. \u003c/p>\n\u003cfigure id=\"attachment_13905564\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Rico-Nasty-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905564\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rico-Nasty-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rico-Nasty-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rico-Nasty-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rico Nasty Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Rico Nasty lets out her rage\u003c/h2>\n\u003cp>Rico Nasty’s early evening set at the Twin Peaks stage was a chaotic good. “Y’all got a lot of energy for me and I appreciate that,” she told the crowd. That was an understatement. As she launched into her rambunctious diss track “STFU,” rapping in the gruffest end of her register, people climbed on metal barricades and sprayed water into the air. The crowd pulsed up and down like an enormous organism—if the area in front of Twin Peaks was especially muddy, this was why. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Rico turned her goth aesthetic up a notch for the Halloween weekend show, taking the stage in a red and black tutu and corset like a sexy-yet-evil harlequin. Dancers in inflatable gremlin outfits hyped her as she rapped hits like “Cold,” “Poppin’” and “Rage.” The latter, with the screamo refrain “I like bad bitches who be ragin’,” unleashed fury in the crowd like a modern-day “Knuck If You Buck,” giving the women in particular permission to let it all out in the mosh pit.\u003c/p>\n\u003cfigure id=\"attachment_13905560\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Reggie-Watts-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Reggie-Watts-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Reggie-Watts-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Reggie-Watts-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Reggie Watts Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Reggie Watts fits dad jokes between beatboxing\u003c/h2>\n\u003cp>Comedian-with-a-drum machine Marc Rebillet had to bow out of his Sutro Stage set because of an injury, but the festival replaced him with another electronic music star with a sense of humor: Reggie Watts. Though taking the stage completely solo, Watts performed with the power of a three- or four-piece band, beatboxing, looping his voice, rapping, singing into a vocoder and somehow fitting in some stand-up material. Watching him, you get the sensation that his brain has a processing power several times greater than that of an average human. Oh, did I mention he has a four-and-a-half-octave vocal range? \u003c/p>\n\u003cp>Watts says his sets are 100% improvised, which would explain some of the bizarro directions of his lyrics and monologues. He cracked the audience up with dad jokes when he referred to Vampire Weekend as Werewolf Weekday. At one point, he acted like he was about to perform a magic trick with a cloth but used it to clean his glasses, and then sang about how fans give him crap when his lenses are dirty. Ketamine came up as a topic several times—he told the audience to try it while laying in bed and listening to Brian Eno to “allow reality to reveal itself in its natural, unfettered state.” Not sure how many people took him up on that, but his goofy humor and rare abilities left big grins on people’s faces.\u003c/p>\n\u003cfigure id=\"attachment_13905576\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905576\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Vampire Weekend Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Vampire Weekend’s polished indie rock\u003c/h2>\n\u003cp>Vampire Weekend’s set design was like something you’d see on bumper stickers in the Berkeley Bowl parking lot: a big, hanging globe and a background of symbols alluding to nature, unity and peace. It matched the cheerful vibe of their jangly, hook-driven indie rock, which the mostly 20-something crowd knew word for word even though the band’s heyday was in the late 2000s and early 2010s music blog era.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Vampire Weekend was incredibly efficient and tightly rehearsed, with two guitars and a keyboard often playing in unison like an Olympic synchronized swimming team. The shekere and other African percussion instruments enhanced their clean-cut tracks, and occasionally they broke loose from their structure, like when Brian Robert Jones unleashed a Slash-worthy guitar solo during “Sunshine,” a track from their 2019 album \u003cem>Father of the Bride\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13905548\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/24kGolden-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905548\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/24kGolden-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/24kGolden-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/24kGolden-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">24kGolden Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905549\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Amin%C3%A9-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905549\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Aminé-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Aminé-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Aminé-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Aminé Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905552\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Angel-Olsen-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Angel-Olsen-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Angel-Olsen-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Angel-Olsen-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Angel Olsen Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905570\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-6.-CR2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905570\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-6.-CR2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-6.-CR2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-6.-CR2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905577\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/D7A7588.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905577\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/D7A7588.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/D7A7588-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/D7A7588-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brijean Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905561\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Rexx-Life-Raj-backstage-at-Outisde-Lands-on-Saturday-Oct.-30-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905561\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rexx-Life-Raj-backstage-at-Outisde-Lands-on-Saturday-Oct.-30-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rexx-Life-Raj-backstage-at-Outisde-Lands-on-Saturday-Oct.-30-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rexx-Life-Raj-backstage-at-Outisde-Lands-on-Saturday-Oct.-30-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rexx Life Raj backstage at Outisde Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905569\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-5.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905569\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-5.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-5-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905574\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905574\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Vampire Weekend Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905573\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905573\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "The headliner’s performance put her in a lineage of all-time greats; Rico Nasty, Reggie Watts and Vampire Weekend all impressed.",
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"description": "The headliner’s performance put her in a lineage of all-time greats; Rico Nasty, Reggie Watts and Vampire Weekend all impressed.",
"title": "PHOTOS: Lizzo’s Sex-Positive Charisma Lights Up Outside Lands Saturday | KQED",
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"headline": "PHOTOS: Lizzo’s Sex-Positive Charisma Lights Up Outside Lands Saturday",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After a high-energy opening day, Outside Lands continued its pandemic-era return on an even more packed Saturday, with tens of thousands of fans flocking to Golden Gate Park. The genre-agnostic fest offered nonstop stimuli between the four music stages, culinary offerings, live art, DJ sets and other diversions. And with everything happening at once, it was easy to log several days worth of steps in your health app trying to do it all. Here’s who impressed on day two. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp> \u003c/p>\n\u003ch2>Lizzo brings powerhouse vocals and a few laughs\u003c/h2>\n\u003cp>Lizzo makes everyone feel like she could be their bestie. She might be the headliner of Outside Lands, belting out megawatt vocal runs with a full band and cadre of stylish, spandex-wearing dancers. But she’ll also tell you her thong leotard is riding up to uncomfortable places from all the twerking happening on stage. It’s this mix of five-star talent and humor that made her set so endearing. (At one point, she even came out dressed as the creepy doll from \u003cem>Squid Game\u003c/em>.)\u003c/p>\n\u003cfigure id=\"attachment_13905558\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Lizzo-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905558\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Lizzo-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Lizzo-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Lizzo-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lizzo Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pausing to reflect on the pandemic, Lizzo told the crowd, “That’s what music is about, bringing us back together so we can grieve and heal and grow together,” she said before pivoting to a gag. “In these unprecedented times, nothing is for certain. Except that I’ll always have good pussy.” \u003c/p>\n\u003cp>Between sex-positive self-love tracks like “Soulmate” and “Boys,” Lizzo sang snippets of covers of Aretha Franklin and Whitney Houston. These are artists no one should touch unless they really, \u003cem>really\u003c/em> know what they’re doing, and Lizzo did. She remade and remixed “Respect” and “I’m Every Woman” into her own versions, and strategically positioned herself as an heiress to a lineage of all-time greats. It was a bold move matched by her powerhouse voice. \u003c/p>\n\u003cfigure id=\"attachment_13905564\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Rico-Nasty-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905564\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rico-Nasty-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rico-Nasty-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rico-Nasty-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rico Nasty Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Rico Nasty lets out her rage\u003c/h2>\n\u003cp>Rico Nasty’s early evening set at the Twin Peaks stage was a chaotic good. “Y’all got a lot of energy for me and I appreciate that,” she told the crowd. That was an understatement. As she launched into her rambunctious diss track “STFU,” rapping in the gruffest end of her register, people climbed on metal barricades and sprayed water into the air. The crowd pulsed up and down like an enormous organism—if the area in front of Twin Peaks was especially muddy, this was why. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Rico turned her goth aesthetic up a notch for the Halloween weekend show, taking the stage in a red and black tutu and corset like a sexy-yet-evil harlequin. Dancers in inflatable gremlin outfits hyped her as she rapped hits like “Cold,” “Poppin’” and “Rage.” The latter, with the screamo refrain “I like bad bitches who be ragin’,” unleashed fury in the crowd like a modern-day “Knuck If You Buck,” giving the women in particular permission to let it all out in the mosh pit.\u003c/p>\n\u003cfigure id=\"attachment_13905560\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Reggie-Watts-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Reggie-Watts-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Reggie-Watts-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Reggie-Watts-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Reggie Watts Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Reggie Watts fits dad jokes between beatboxing\u003c/h2>\n\u003cp>Comedian-with-a-drum machine Marc Rebillet had to bow out of his Sutro Stage set because of an injury, but the festival replaced him with another electronic music star with a sense of humor: Reggie Watts. Though taking the stage completely solo, Watts performed with the power of a three- or four-piece band, beatboxing, looping his voice, rapping, singing into a vocoder and somehow fitting in some stand-up material. Watching him, you get the sensation that his brain has a processing power several times greater than that of an average human. Oh, did I mention he has a four-and-a-half-octave vocal range? \u003c/p>\n\u003cp>Watts says his sets are 100% improvised, which would explain some of the bizarro directions of his lyrics and monologues. He cracked the audience up with dad jokes when he referred to Vampire Weekend as Werewolf Weekday. At one point, he acted like he was about to perform a magic trick with a cloth but used it to clean his glasses, and then sang about how fans give him crap when his lenses are dirty. Ketamine came up as a topic several times—he told the audience to try it while laying in bed and listening to Brian Eno to “allow reality to reveal itself in its natural, unfettered state.” Not sure how many people took him up on that, but his goofy humor and rare abilities left big grins on people’s faces.\u003c/p>\n\u003cfigure id=\"attachment_13905576\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905576\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Vampire Weekend Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Vampire Weekend’s polished indie rock\u003c/h2>\n\u003cp>Vampire Weekend’s set design was like something you’d see on bumper stickers in the Berkeley Bowl parking lot: a big, hanging globe and a background of symbols alluding to nature, unity and peace. It matched the cheerful vibe of their jangly, hook-driven indie rock, which the mostly 20-something crowd knew word for word even though the band’s heyday was in the late 2000s and early 2010s music blog era.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Vampire Weekend was incredibly efficient and tightly rehearsed, with two guitars and a keyboard often playing in unison like an Olympic synchronized swimming team. The shekere and other African percussion instruments enhanced their clean-cut tracks, and occasionally they broke loose from their structure, like when Brian Robert Jones unleashed a Slash-worthy guitar solo during “Sunshine,” a track from their 2019 album \u003cem>Father of the Bride\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13905548\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/24kGolden-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905548\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/24kGolden-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/24kGolden-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/24kGolden-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">24kGolden Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905549\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Amin%C3%A9-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905549\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Aminé-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Aminé-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Aminé-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Aminé Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905552\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Angel-Olsen-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Angel-Olsen-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Angel-Olsen-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Angel-Olsen-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Angel Olsen Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905570\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-6.-CR2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905570\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-6.-CR2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-6.-CR2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-6.-CR2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905577\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/D7A7588.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905577\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/D7A7588.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/D7A7588-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/D7A7588-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brijean Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905561\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Rexx-Life-Raj-backstage-at-Outisde-Lands-on-Saturday-Oct.-30-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905561\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rexx-Life-Raj-backstage-at-Outisde-Lands-on-Saturday-Oct.-30-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rexx-Life-Raj-backstage-at-Outisde-Lands-on-Saturday-Oct.-30-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rexx-Life-Raj-backstage-at-Outisde-Lands-on-Saturday-Oct.-30-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rexx Life Raj backstage at Outisde Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905569\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-5.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905569\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-5.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-5-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905574\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905574\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Vampire Weekend Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905573\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905573\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"title": "PHOTOS: An Electric Return for Outside Lands with Tyler, the Creator and More",
"headTitle": "PHOTOS: An Electric Return for Outside Lands with Tyler, the Creator and More | KQED",
"content": "\u003cp>“This really is beautiful,” Tyler, the Creator wondered out loud in the silence in between songs. “The fog came in, that shit was cute. And the trees,” he said, looking out into the thousands of faces jostling in the muddy grounds of Golden Gate Park on Friday.\u003c/p>\n\u003cp>It was true: there was something especially beautiful about the scene set by the first day of Outside Lands. Sometime during Puerto Rican synthpop duo’s Buscabulla’s set the fog rolled in, like the Bay’s natural smoke machine. The haze wrapped around the glowing mushroom sculptures and windmill decor, giving everything an autumnal, Ren Faire look. This was the first time the festival, usually held in August, has taken place this late in the year, and even the park dressed appropriately for the season.\u003c/p>\n\u003cp>In this special Halloween edition of Outside Lands, the festival continued its tilt away from its indie rock origins to its current big-tent incarnation, with acts as disparate as Glass Animals, Kaytranada and Sharon Van Etten sharing space in the lineup.\u003c/p>\n\u003cp>Here’s who impressed the most during the opening day of the festival.\u003c/p>\n\u003cfigure id=\"attachment_13905521\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905521\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-8.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-8.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-8-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-8-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Flo Milli’s short but mighty raps\u003c/h2>\n\u003cp>I arrived to Flo Milli’s set after checking out Khruangbin, the Houston trio whose psychedelic, dub-inflected instrumental rock got an initially stiff and awkward audience reaction—this isn’t the Acid Test era of San Francisco anymore. The crowd at Flo Milli, however, was bouncing and screaming her tagline (“Ho, Flo Milli Shit, ho!”) over bass so deep that it made my ribcage vibrate like a tuning fork.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Flo Milli’s debut album, and so far, her only album, has exactly 30 minutes of music on it, so it was hard to imagine how she would fill up the 40 minutes of her allotted stage time. It turns out, she chose to perform a lean, 20 minute set with only her biggest hits. But, hey, it’s hard to complain when the crowd could sing every word of her schoolyard-taunt raps at the top of their lungs.\u003c/p>\n\u003cfigure id=\"attachment_13905525\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905525\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-Soul-Rebels-perform-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Soul-Rebels-perform-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Soul-Rebels-perform-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Soul-Rebels-perform-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Soul Rebels perform at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The Soul Rebels brought NOLA to the Bay\u003c/h2>\n\u003cp>This New Orleans eight-piece bass band was a surprise hit with festival-goers. Sure, they don’t have the Gold records or Billboard toppers, but who cares when they’re this good? They’re NOLA through and through: their set is accompanied by B-roll featuring the band posing in front of shotgun houses and shopping in the French Quarter. Everyone was dressed up in their best George Clinton funk outfits, and they played their original work mixed in with crowd-pleasing covers of Ice Cube and Thundercat. Though they’ve headlined their own tours for years, some fans know The Soul Rebels as a backing band \u003ca href=\"http://freshisthepodcast.com/breakin-recordz-8-the-soul-rebels/\" target=\"_blank\" rel=\"noopener noreferrer\">for other people’s concerts\u003c/a>. But at Outside Lands, they showed they can hold their own as a main act.\u003c/p>\n\u003cfigure id=\"attachment_13905497\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905497\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/EARTHGANG-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/EARTHGANG-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/EARTHGANG-performs-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/EARTHGANG-performs-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">EARTHGANG performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>EARTHGANG’s stripped-down set wowed without distractions\u003c/h2>\n\u003cp>No vocal backing track. No razzle-dazzle. Olu and Wowgr8, the duo behind EARTHGANG, kept it simple: a static logo on screen, one DJ and themselves. I admit, I wondered how these two minor stars managed to secure a prime-time slot on one of the big stages, but they made me swallow my words. By the end of the night, the word on the shuttle bus was that they had Friday’s best set.\u003c/p>\n\u003cp>Their recipe for success is simple: get the crowd hyped, get the music going hard, and then let their talent rip. I mean, these guys are the equivalent of kids who go on \u003cem>America’s Got Talent\u003c/em> and tear through “Flight of the Bumblebee” on the violin—they’re rap virtuosos who aren’t afraid to show it off. Triplet flow, double time, freestyle: EARTHGANG could switch it up on a dime, which they did on almost every track.\u003c/p>\n\u003cp>They even premiered a new single, “Ghetto Gods,” and everyone can check it out via \u003ca href=\"https://www.youtube.com/watch?v=LqG5_Hlkrmo\">surreptitious upload on YouTube\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13905502\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905502\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/JPEGMAFIA-performs-at-Outside-Lands-on-Friday-Oct.-29-3.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/JPEGMAFIA-performs-at-Outside-Lands-on-Friday-Oct.-29-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/JPEGMAFIA-performs-at-Outside-Lands-on-Friday-Oct.-29-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/JPEGMAFIA-performs-at-Outside-Lands-on-Friday-Oct.-29-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">JPEGMAFIA performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>JPEGMafia didn’t water down his weirdness\u003c/h2>\n\u003cp>The last time I saw Peggy was at 2018’s Treasure Island Music Festival, where he played an early slot on a tiny stage to maybe 50 people. And those 50 people were really into it, thrashing and crashing their bodies into each other like football players on the line of scrimmage. At one point Peggy jumped off the stage, started moshing just as hard as his fans, and looked like he was about to fight one of them (his backstage team seemed to talk him out of it).\u003c/p>\n\u003cp>A few more critically acclaimed albums later, and JPEGMafia’s gotten enough clout to score a prominent spot in Friday’s schedule. But even in the major leagues, Peggy’s punk-y, D.I.Y. ethos remains unchanged. If EARTHGANG’s set was stripped down, I’m not sure what to call JPEGMafia’s performance. There was literally nothing besides his MacBook and the man himself on stage. I mean, he had to walk to his laptop between every song to hit play on the next track. After his first song, a rough and unintelligible performance of “Jesus Forgive Me, I am a Thot,” he took a hard look at his computer screen and announced, a little sheepishly: “Sorry, everyone, I had two layers of autotune on.”\u003c/p>\n\u003cp>Not that Peggy’s experimental hip-hop needs an audio slip-up to sound harsh and dissonant. Parts of the audience kept on peeling off with every song, pushed away by the unfriendly sound (this is an artist, after all, that makes “\u003ca href=\"https://www.vice.com/en/article/kzjpka/jpegmafia-explains-why-he-makes-music-to-be-hated\">Music to be Hated\u003c/a>”). Who was left by the end of the set was the faithful Peggy fans, and for them, they wouldn’t have it any other way.\u003c/p>\n\u003cfigure id=\"attachment_13905533\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905533\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-9.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-9.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-9-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-9-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, The Creator performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Tyler, the Creator embraced his evolution in a powerful closer\u003c/h2>\n\u003cp>The less said about The Strokes, who played Outside Lands like they were their own cover band, the better. Tyler, the Creator was the better headliner of the night; he played a downscaled version of his critically \u003ca href=\"https://www.vulture.com/2021/08/watch-tyler-the-creators-cinematic-lollapalooza-set.html\" target=\"_blank\" rel=\"noopener noreferrer\">acclaimed Lollapalooza set from July\u003c/a>.\u003c/p>\n\u003cp>Like that earlier show, Tyler’s Outside Lands performance was a sentimental look back at his decade-long career, from his beginnings as an scrappy blogazine favorite to his current softboy pop star aesthetic. He dressed the Land’s End stage up in plastic rocks and projected pine trees to look like a lakeside pier, complete with prop speedboat rocking on fake water. It was all very reminiscent of “\u003ca href=\"https://www.youtube.com/watch?v=fXJc2NYwHjw&ab_channel=SoulsOfMischiefVEVO\" target=\"_blank\" rel=\"noopener noreferrer\">93 ’Til Infinity\u003c/a>,” tapping into a Bay Area tradition of flexing on picturesque scenery.\u003c/p>\n\u003cp>Tyler was relaxed and casual during his set, chatting with his audience between tracks. “A lot of you found me through \u003cem>Call Me If You Get Lost\u003c/em>, \u003cem>Igor\u003c/em>, \u003cem>Flower Boy\u003c/em> … but [there was] a time where [people] were cancelling me in real life,” Tyler said, referring to his controversial and \u003ca href=\"https://genius.com/a/tyler-the-creator-says-his-2011-album-goblin-is-horrible-in-hindsight\" target=\"_blank\" rel=\"noopener noreferrer\">now partially disowned early work\u003c/a>. “Can I do songs from that album?”\u003c/p>\n\u003cp>As he went deeper into his back catalog, the scenery on stage got darker, from a sunny day to the evening to a starry night, and finally, during a performance of “She,” to a blank, pitch-black void. It’s a reflection of the complicated relationship that Tyler has with his past persona of a homophobic, misogynist edgelord—he acknowledges that it came from a dark place in his life, but he’s reluctant to distance himself from his breakout hits any further than that.\u003c/p>\n\u003cp>I’m ambivalent about this gambit, but I can acknowledge that Tyler’s stagecraft is setting a high bar. I mean, how many festival sets are artfully composed enough to allow a glimpse into an artist’s psyche? In the end, the sun rises on stage, and Tyler starts performing songs off his latest album, \u003cem>Call Me If You Get Lost\u003c/em>. The message is clear: whatever you think about his past, for Tyler at least, it’s a new day—a fresh start.\u003c/p>\n\u003cfigure id=\"attachment_13905506\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905506\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Khruangbin performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905505\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905505\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-2.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Khruangbin performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905528\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905528\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-Strokes-perform-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Strokes-perform-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Strokes-perform-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Strokes-perform-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Strokes perform at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905520\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905520\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-7.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-7.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-7-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905508\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905508\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Madeline-Kenney-backstage-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Madeline-Kenney-backstage-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Madeline-Kenney-backstage-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Madeline-Kenney-backstage-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Madeline Kenney backstage at Outside Lands on Friday Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905509\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905509\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Moses-Sumney-performs-at-Outside-Lands-on-Friday-Oct.-29-2.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Moses-Sumney-performs-at-Outside-Lands-on-Friday-Oct.-29-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Moses-Sumney-performs-at-Outside-Lands-on-Friday-Oct.-29-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Moses-Sumney-performs-at-Outside-Lands-on-Friday-Oct.-29-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Moses Sumney performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905513\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905513\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Sharon-Van-Etten-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Sharon-Van-Etten-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Sharon-Van-Etten-performs-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Sharon-Van-Etten-performs-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sharon Van Etten performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905515\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905515\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-copy.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-copy.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-copy-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-copy-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905529\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905529\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-3.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, The Creator performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905535\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905535\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-11-1.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-11-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-11-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-11-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, The Creator performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905518\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905518\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-4.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-4.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-4-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-4-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905499\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905499\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Glass-Animals-perform-at-Outside-Lands-on-Friday-Oct.-29-6.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Glass-Animals-perform-at-Outside-Lands-on-Friday-Oct.-29-6.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Glass-Animals-perform-at-Outside-Lands-on-Friday-Oct.-29-6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Glass-Animals-perform-at-Outside-Lands-on-Friday-Oct.-29-6-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Glass Animals perform at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905514\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905514\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-Crowd-at-Outside-Lands-on-Friday-Oct-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Crowd-at-Outside-Lands-on-Friday-Oct-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Crowd-at-Outside-Lands-on-Friday-Oct-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Crowd-at-Outside-Lands-on-Friday-Oct-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"excerpt": "EARTHGANG wowed with virtuosic rapping; Nola funk band The Soul Rebels held their own. ",
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"title": "PHOTOS: An Electric Return for Outside Lands with Tyler, the Creator and More | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“This really is beautiful,” Tyler, the Creator wondered out loud in the silence in between songs. “The fog came in, that shit was cute. And the trees,” he said, looking out into the thousands of faces jostling in the muddy grounds of Golden Gate Park on Friday.\u003c/p>\n\u003cp>It was true: there was something especially beautiful about the scene set by the first day of Outside Lands. Sometime during Puerto Rican synthpop duo’s Buscabulla’s set the fog rolled in, like the Bay’s natural smoke machine. The haze wrapped around the glowing mushroom sculptures and windmill decor, giving everything an autumnal, Ren Faire look. This was the first time the festival, usually held in August, has taken place this late in the year, and even the park dressed appropriately for the season.\u003c/p>\n\u003cp>In this special Halloween edition of Outside Lands, the festival continued its tilt away from its indie rock origins to its current big-tent incarnation, with acts as disparate as Glass Animals, Kaytranada and Sharon Van Etten sharing space in the lineup.\u003c/p>\n\u003cp>Here’s who impressed the most during the opening day of the festival.\u003c/p>\n\u003cfigure id=\"attachment_13905521\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905521\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-8.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-8.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-8-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-8-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Flo Milli’s short but mighty raps\u003c/h2>\n\u003cp>I arrived to Flo Milli’s set after checking out Khruangbin, the Houston trio whose psychedelic, dub-inflected instrumental rock got an initially stiff and awkward audience reaction—this isn’t the Acid Test era of San Francisco anymore. The crowd at Flo Milli, however, was bouncing and screaming her tagline (“Ho, Flo Milli Shit, ho!”) over bass so deep that it made my ribcage vibrate like a tuning fork.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Flo Milli’s debut album, and so far, her only album, has exactly 30 minutes of music on it, so it was hard to imagine how she would fill up the 40 minutes of her allotted stage time. It turns out, she chose to perform a lean, 20 minute set with only her biggest hits. But, hey, it’s hard to complain when the crowd could sing every word of her schoolyard-taunt raps at the top of their lungs.\u003c/p>\n\u003cfigure id=\"attachment_13905525\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905525\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-Soul-Rebels-perform-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Soul-Rebels-perform-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Soul-Rebels-perform-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Soul-Rebels-perform-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Soul Rebels perform at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The Soul Rebels brought NOLA to the Bay\u003c/h2>\n\u003cp>This New Orleans eight-piece bass band was a surprise hit with festival-goers. Sure, they don’t have the Gold records or Billboard toppers, but who cares when they’re this good? They’re NOLA through and through: their set is accompanied by B-roll featuring the band posing in front of shotgun houses and shopping in the French Quarter. Everyone was dressed up in their best George Clinton funk outfits, and they played their original work mixed in with crowd-pleasing covers of Ice Cube and Thundercat. Though they’ve headlined their own tours for years, some fans know The Soul Rebels as a backing band \u003ca href=\"http://freshisthepodcast.com/breakin-recordz-8-the-soul-rebels/\" target=\"_blank\" rel=\"noopener noreferrer\">for other people’s concerts\u003c/a>. But at Outside Lands, they showed they can hold their own as a main act.\u003c/p>\n\u003cfigure id=\"attachment_13905497\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905497\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/EARTHGANG-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/EARTHGANG-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/EARTHGANG-performs-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/EARTHGANG-performs-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">EARTHGANG performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>EARTHGANG’s stripped-down set wowed without distractions\u003c/h2>\n\u003cp>No vocal backing track. No razzle-dazzle. Olu and Wowgr8, the duo behind EARTHGANG, kept it simple: a static logo on screen, one DJ and themselves. I admit, I wondered how these two minor stars managed to secure a prime-time slot on one of the big stages, but they made me swallow my words. By the end of the night, the word on the shuttle bus was that they had Friday’s best set.\u003c/p>\n\u003cp>Their recipe for success is simple: get the crowd hyped, get the music going hard, and then let their talent rip. I mean, these guys are the equivalent of kids who go on \u003cem>America’s Got Talent\u003c/em> and tear through “Flight of the Bumblebee” on the violin—they’re rap virtuosos who aren’t afraid to show it off. Triplet flow, double time, freestyle: EARTHGANG could switch it up on a dime, which they did on almost every track.\u003c/p>\n\u003cp>They even premiered a new single, “Ghetto Gods,” and everyone can check it out via \u003ca href=\"https://www.youtube.com/watch?v=LqG5_Hlkrmo\">surreptitious upload on YouTube\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13905502\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905502\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/JPEGMAFIA-performs-at-Outside-Lands-on-Friday-Oct.-29-3.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/JPEGMAFIA-performs-at-Outside-Lands-on-Friday-Oct.-29-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/JPEGMAFIA-performs-at-Outside-Lands-on-Friday-Oct.-29-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/JPEGMAFIA-performs-at-Outside-Lands-on-Friday-Oct.-29-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">JPEGMAFIA performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>JPEGMafia didn’t water down his weirdness\u003c/h2>\n\u003cp>The last time I saw Peggy was at 2018’s Treasure Island Music Festival, where he played an early slot on a tiny stage to maybe 50 people. And those 50 people were really into it, thrashing and crashing their bodies into each other like football players on the line of scrimmage. At one point Peggy jumped off the stage, started moshing just as hard as his fans, and looked like he was about to fight one of them (his backstage team seemed to talk him out of it).\u003c/p>\n\u003cp>A few more critically acclaimed albums later, and JPEGMafia’s gotten enough clout to score a prominent spot in Friday’s schedule. But even in the major leagues, Peggy’s punk-y, D.I.Y. ethos remains unchanged. If EARTHGANG’s set was stripped down, I’m not sure what to call JPEGMafia’s performance. There was literally nothing besides his MacBook and the man himself on stage. I mean, he had to walk to his laptop between every song to hit play on the next track. After his first song, a rough and unintelligible performance of “Jesus Forgive Me, I am a Thot,” he took a hard look at his computer screen and announced, a little sheepishly: “Sorry, everyone, I had two layers of autotune on.”\u003c/p>\n\u003cp>Not that Peggy’s experimental hip-hop needs an audio slip-up to sound harsh and dissonant. Parts of the audience kept on peeling off with every song, pushed away by the unfriendly sound (this is an artist, after all, that makes “\u003ca href=\"https://www.vice.com/en/article/kzjpka/jpegmafia-explains-why-he-makes-music-to-be-hated\">Music to be Hated\u003c/a>”). Who was left by the end of the set was the faithful Peggy fans, and for them, they wouldn’t have it any other way.\u003c/p>\n\u003cfigure id=\"attachment_13905533\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905533\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-9.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-9.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-9-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-9-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, The Creator performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Tyler, the Creator embraced his evolution in a powerful closer\u003c/h2>\n\u003cp>The less said about The Strokes, who played Outside Lands like they were their own cover band, the better. Tyler, the Creator was the better headliner of the night; he played a downscaled version of his critically \u003ca href=\"https://www.vulture.com/2021/08/watch-tyler-the-creators-cinematic-lollapalooza-set.html\" target=\"_blank\" rel=\"noopener noreferrer\">acclaimed Lollapalooza set from July\u003c/a>.\u003c/p>\n\u003cp>Like that earlier show, Tyler’s Outside Lands performance was a sentimental look back at his decade-long career, from his beginnings as an scrappy blogazine favorite to his current softboy pop star aesthetic. He dressed the Land’s End stage up in plastic rocks and projected pine trees to look like a lakeside pier, complete with prop speedboat rocking on fake water. It was all very reminiscent of “\u003ca href=\"https://www.youtube.com/watch?v=fXJc2NYwHjw&ab_channel=SoulsOfMischiefVEVO\" target=\"_blank\" rel=\"noopener noreferrer\">93 ’Til Infinity\u003c/a>,” tapping into a Bay Area tradition of flexing on picturesque scenery.\u003c/p>\n\u003cp>Tyler was relaxed and casual during his set, chatting with his audience between tracks. “A lot of you found me through \u003cem>Call Me If You Get Lost\u003c/em>, \u003cem>Igor\u003c/em>, \u003cem>Flower Boy\u003c/em> … but [there was] a time where [people] were cancelling me in real life,” Tyler said, referring to his controversial and \u003ca href=\"https://genius.com/a/tyler-the-creator-says-his-2011-album-goblin-is-horrible-in-hindsight\" target=\"_blank\" rel=\"noopener noreferrer\">now partially disowned early work\u003c/a>. “Can I do songs from that album?”\u003c/p>\n\u003cp>As he went deeper into his back catalog, the scenery on stage got darker, from a sunny day to the evening to a starry night, and finally, during a performance of “She,” to a blank, pitch-black void. It’s a reflection of the complicated relationship that Tyler has with his past persona of a homophobic, misogynist edgelord—he acknowledges that it came from a dark place in his life, but he’s reluctant to distance himself from his breakout hits any further than that.\u003c/p>\n\u003cp>I’m ambivalent about this gambit, but I can acknowledge that Tyler’s stagecraft is setting a high bar. I mean, how many festival sets are artfully composed enough to allow a glimpse into an artist’s psyche? In the end, the sun rises on stage, and Tyler starts performing songs off his latest album, \u003cem>Call Me If You Get Lost\u003c/em>. The message is clear: whatever you think about his past, for Tyler at least, it’s a new day—a fresh start.\u003c/p>\n\u003cfigure id=\"attachment_13905506\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905506\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Khruangbin performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905505\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905505\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-2.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Khruangbin performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905528\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905528\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-Strokes-perform-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Strokes-perform-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Strokes-perform-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Strokes-perform-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Strokes perform at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905520\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905520\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-7.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-7.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-7-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905508\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905508\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Madeline-Kenney-backstage-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Madeline-Kenney-backstage-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Madeline-Kenney-backstage-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Madeline-Kenney-backstage-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Madeline Kenney backstage at Outside Lands on Friday Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905509\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905509\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Moses-Sumney-performs-at-Outside-Lands-on-Friday-Oct.-29-2.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Moses-Sumney-performs-at-Outside-Lands-on-Friday-Oct.-29-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Moses-Sumney-performs-at-Outside-Lands-on-Friday-Oct.-29-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Moses-Sumney-performs-at-Outside-Lands-on-Friday-Oct.-29-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Moses Sumney performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905513\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905513\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Sharon-Van-Etten-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Sharon-Van-Etten-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Sharon-Van-Etten-performs-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Sharon-Van-Etten-performs-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sharon Van Etten performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905515\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905515\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-copy.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-copy.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-copy-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-copy-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905529\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905529\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-3.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, The Creator performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905535\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905535\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-11-1.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-11-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-11-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-11-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, The Creator performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905518\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905518\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-4.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-4.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-4-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-4-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905499\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905499\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Glass-Animals-perform-at-Outside-Lands-on-Friday-Oct.-29-6.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Glass-Animals-perform-at-Outside-Lands-on-Friday-Oct.-29-6.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Glass-Animals-perform-at-Outside-Lands-on-Friday-Oct.-29-6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Glass-Animals-perform-at-Outside-Lands-on-Friday-Oct.-29-6-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Glass Animals perform at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905514\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905514\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-Crowd-at-Outside-Lands-on-Friday-Oct-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Crowd-at-Outside-Lands-on-Friday-Oct-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Crowd-at-Outside-Lands-on-Friday-Oct-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Crowd-at-Outside-Lands-on-Friday-Oct-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>With headlining sets from Lizzo, The Strokes and Tame Impala, \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> is making its long-awaited comeback on Halloween weekend after a year off because of COVID. The festival’s curation features a savvy mix of mainstream stars (reggaeton’s J Balvin, rap trendsetter Tyler, the Creator and indie rock favorites Vampire Weekend) and artists on the rise, many of whom are local. [aside postid='arts_13901835']\u003c/p>\n\u003cp>Between the three main stages, a new club-like \u003ca href=\"https://www.sfoutsidelands.com/soma-tent\" target=\"_blank\" rel=\"noopener noreferrer\">Soma Tent\u003c/a>, the \u003ca href=\"https://www.sfoutsidelands.com/gastro-magic/\" target=\"_blank\" rel=\"noopener noreferrer\">GastroMagic culinary programming\u003c/a> and the \u003ca href=\"https://www.sfoutsidelands.com/news/grass-lands-presented-by-eaze/\" target=\"_blank\" rel=\"noopener noreferrer\">Grass Lands cannabis expo\u003c/a>, choosing what to see and do can feel overwhelming. So to help you with your planning, we have a short list of five must-see Bay Area artists to catch this year.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3439415137/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cb>Salami Rose Joe Louis\u003c/b>\u003cbr>\n\u003ci>Friday, Oct. 29\u003cbr>\nPanhandle Stage, 1:25pm\u003cbr>\nGrass Lands, 6pm\u003c/i>\u003cbr>\nInstead of singing about worldly matters, Salami Rose Joe Louis brings an extraterrestrial perspective. The Oakland vocalist, multi-instrumentalist and composer’s albums play like sci-fi novels where alien beings and human characters undertake interdimensional odysseys. Her recent \u003cem>Zdenka\u003c/em> album series conceals a prescient commentary on class, climate change and the state of the environment. Salami Rose sometimes performs alone with a menagerie of keyboards, and other times with her jazz ensemble Science Band, but either way her live shows always spark the imagination.\u003c/p>\n\u003cp>https://youtu.be/yi3OlzYSP2c\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>Zhu\u003c/b>\u003cbr>\n\u003ci>Saturday, Oct. 30\u003cbr>\nTwin Peaks Stage, 8:35pm\u003c/i>\u003cbr>\nZhu’s take on EDM is sleek like the engine of a sports car, with sophisticated, low-end-heavy beats that radiate a dark aura. The San Francisco native used to keep his face and identity hidden, and managed to captivate international dance floors on the strength of his sound alone. With his latest album, \u003cem>DREAMLAND 2021\u003c/em>, Zhu reaches for a crossover pop appeal with features from Yuna and Channel Tres. The tracks celebrate the urge to dance and create that unites all people, so expect his Outside Lands performance to turn Golden Gate Park into a rave.\u003c/p>\n\u003cp>https://youtu.be/GrAchTdepsU\u003c/p>\n\u003cp>\u003cb>24kGoldn\u003c/b>\u003cbr>\n\u003ci>Saturday, Oct. 30\u003cbr>\nTwin Peaks Stage, 6:55pm\u003c/i>\u003cbr>\n24kGoldn bypassed the typical Bay Area rapper trajectory of playing small, local clubs and working his way up. Instead, in true Gen Z fashion, the 20-year-old San Francisco artist went viral on TikTok in his freshman year as a USC business major. Online fame catapulted him into a major-label deal, and he’s now an in-demand hitmaker working with the likes of Justin Beiber, Quavo and Jack Harlow. Equally comfortable swag-rapping over trap beats and singing to post-rock melodies (more in the vein of The Killers than Xanned-out emo), Goldn embraces a genreless, borderless style that’s earning him mainstream acclaim.\u003c/p>\n\u003cp>https://youtu.be/j8ykx_PLPNg\u003c/p>\n\u003cp>\u003cb>Brijean\u003c/b>\u003cbr>\n\u003ci>Saturday, Oct. 30\u003cbr>\nPanhandle Stage, 3pm\u003c/i>\u003cbr>\nBrijean makes percussion-forward disco- and house-pop, but not the glossy, overproduced variety you might hear on the radio. Instead, the duo (comprised of Brijean Murphy and Doug Stuart) specializes in fat grooves with a retro tinge and iridescent layers of instrumental complexity. At the center of it all is Murphy’s nimble conga playing, guiding Brijean’s hypnotic songs from dream space to dance floor. After years of playing the congas for artists like Poolside and Toro y Moi, here Murphy lets her drumming shine as the star of the show—not just the auxiliary percussion.\u003c/p>\n\u003cp>https://youtu.be/XfKYd_8CMJU\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Cam\u003c/b>\u003cbr>\n\u003ci>Sunday, Oct. 31\u003cbr>\nSutro Stage, 1:55pm\u003c/i>\u003cbr>\nCam’s emotionally rich country-pop took her from playing cafes in Oakland to penning hits for Miley Cyrus and Sam Smith. Once a psychology researcher at Stanford by day, she pivoted into a successful solo music career in Nashville, eventually signing with RCA and collaborating with pop hitmakers like Jack Antonoff and Diplo. With her big, expressive voice and delicate guitar playing, she tells vulnerable stories of love and loss, unafraid to speak truth to power and connect with listeners on a soul level.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Zhu\u003c/b>\u003cbr>\n\u003ci>Saturday, Oct. 30\u003cbr>\nTwin Peaks Stage, 8:35pm\u003c/i>\u003cbr>\nZhu’s take on EDM is sleek like the engine of a sports car, with sophisticated, low-end-heavy beats that radiate a dark aura. The San Francisco native used to keep his face and identity hidden, and managed to captivate international dance floors on the strength of his sound alone. With his latest album, \u003cem>DREAMLAND 2021\u003c/em>, Zhu reaches for a crossover pop appeal with features from Yuna and Channel Tres. The tracks celebrate the urge to dance and create that unites all people, so expect his Outside Lands performance to turn Golden Gate Park into a rave.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GrAchTdepsU'\n title='//www.youtube.com/embed/GrAchTdepsU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cb>24kGoldn\u003c/b>\u003cbr>\n\u003ci>Saturday, Oct. 30\u003cbr>\nTwin Peaks Stage, 6:55pm\u003c/i>\u003cbr>\n24kGoldn bypassed the typical Bay Area rapper trajectory of playing small, local clubs and working his way up. Instead, in true Gen Z fashion, the 20-year-old San Francisco artist went viral on TikTok in his freshman year as a USC business major. Online fame catapulted him into a major-label deal, and he’s now an in-demand hitmaker working with the likes of Justin Beiber, Quavo and Jack Harlow. Equally comfortable swag-rapping over trap beats and singing to post-rock melodies (more in the vein of The Killers than Xanned-out emo), Goldn embraces a genreless, borderless style that’s earning him mainstream acclaim.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/j8ykx_PLPNg'\n title='//www.youtube.com/embed/j8ykx_PLPNg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cb>Brijean\u003c/b>\u003cbr>\n\u003ci>Saturday, Oct. 30\u003cbr>\nPanhandle Stage, 3pm\u003c/i>\u003cbr>\nBrijean makes percussion-forward disco- and house-pop, but not the glossy, overproduced variety you might hear on the radio. Instead, the duo (comprised of Brijean Murphy and Doug Stuart) specializes in fat grooves with a retro tinge and iridescent layers of instrumental complexity. At the center of it all is Murphy’s nimble conga playing, guiding Brijean’s hypnotic songs from dream space to dance floor. After years of playing the congas for artists like Poolside and Toro y Moi, here Murphy lets her drumming shine as the star of the show—not just the auxiliary percussion.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/XfKYd_8CMJU'\n title='//www.youtube.com/embed/XfKYd_8CMJU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>\u003cb>Cam\u003c/b>\u003cbr>\n\u003ci>Sunday, Oct. 31\u003cbr>\nSutro Stage, 1:55pm\u003c/i>\u003cbr>\nCam’s emotionally rich country-pop took her from playing cafes in Oakland to penning hits for Miley Cyrus and Sam Smith. Once a psychology researcher at Stanford by day, she pivoted into a successful solo music career in Nashville, eventually signing with RCA and collaborating with pop hitmakers like Jack Antonoff and Diplo. With her big, expressive voice and delicate guitar playing, she tells vulnerable stories of love and loss, unafraid to speak truth to power and connect with listeners on a soul level.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>If you want to see Tame Impala, Lizzo or The Strokes light up San Francisco’s Golden Gate Park at \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> in October, you’ll need to bring proof of vaccination or a negative COVID test alongside your tickets and clear plastic backpacks.\u003c/p>\n\u003cp>“Our most important role as festival producers is to provide a safe environment during Outside Lands weekend,” reads the festival’s statement announcing the policy change. “Vaccinations are strongly encouraged to protect from the spread of COVID-19.”\u003c/p>\n\u003cp>https://twitter.com/sfoutsidelands/status/1430245264602943500\u003c/p>\n\u003cp>Earlier in the year, Outside Lands \u003ca href=\"https://www.kqed.org/arts/13894172/outside-lands-scheduled-to-return-on-halloween-weekend\">announced\u003c/a> it would postpone the festival from its traditional August date until October’s Halloween weekend out of an abundance of caution for developments in the pandemic. Though an outdoor festival like Outside Lands doesn’t have to comply with San Francisco’s \u003ca href=\"https://www.kqed.org/news/11884778/san-franciscos-new-vaccine-mandate-when-it-starts-what-it-covers\">new vaccine mandate\u003c/a> for public indoor spaces, the new restrictions mirror the Bay Area live music scene’s voluntary acceptance of safety measures in light of the spread of the Delta variant of COVID-19. [aside postID='arts_13900368']\u003c/p>\n\u003cp>Performers at this year’s Outside Lands include Bay Area stars like Kehlani and 24kGoldn and big names like J Balvin, Vampire Weekend and Young Thug. Other guests include rap sensation Rico Nasty, psychedelic aficionados Khruangbin and avant-pop star Caroline Polachek.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003cem>Outside Lands runs Oct. 29 to 31. \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you want to see Tame Impala, Lizzo or The Strokes light up San Francisco’s Golden Gate Park at \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> in October, you’ll need to bring proof of vaccination or a negative COVID test alongside your tickets and clear plastic backpacks.\u003c/p>\n\u003cp>“Our most important role as festival producers is to provide a safe environment during Outside Lands weekend,” reads the festival’s statement announcing the policy change. “Vaccinations are strongly encouraged to protect from the spread of COVID-19.”\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Earlier in the year, Outside Lands \u003ca href=\"https://www.kqed.org/arts/13894172/outside-lands-scheduled-to-return-on-halloween-weekend\">announced\u003c/a> it would postpone the festival from its traditional August date until October’s Halloween weekend out of an abundance of caution for developments in the pandemic. Though an outdoor festival like Outside Lands doesn’t have to comply with San Francisco’s \u003ca href=\"https://www.kqed.org/news/11884778/san-franciscos-new-vaccine-mandate-when-it-starts-what-it-covers\">new vaccine mandate\u003c/a> for public indoor spaces, the new restrictions mirror the Bay Area live music scene’s voluntary acceptance of safety measures in light of the spread of the Delta variant of COVID-19. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Performers at this year’s Outside Lands include Bay Area stars like Kehlani and 24kGoldn and big names like J Balvin, Vampire Weekend and Young Thug. Other guests include rap sensation Rico Nasty, psychedelic aficionados Khruangbin and avant-pop star Caroline Polachek.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003cem>Outside Lands runs Oct. 29 to 31. \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "To Save Live Music, We Need to Get Vaccinated",
"headTitle": "To Save Live Music, We Need to Get Vaccinated | KQED",
"content": "\u003cp>Offspring drummer Pete Parada received an \u003ca href=\"https://www.instagram.com/p/CSE_rkVnIgL/\" target=\"_blank\" rel=\"noopener noreferrer\">outpouring of support\u003c/a> earlier this week after he announced he would be unable to tour for the foreseeable future. In an emotional Instagram post, Parada said that a medical condition he has been living with since childhood—\u003ca href=\"https://www.ninds.nih.gov/Disorders/Patient-Caregiver-Education/Fact-Sheets/Guillain-Barr%C3%A9-Syndrome-Fact-Sheet\" target=\"_blank\" rel=\"noopener noreferrer\">Guillain-Barré Syndrome\u003c/a> (GBS)—prevented him from receiving a COVID-19 vaccine, and that his band now considered him “unsafe” to work with. GBS is a rare and incurable condition that causes the body’s immune system to attack its nerves.\u003c/p>\n\u003cp>“Given my personal history and the side-effect profile of these jabs,” Parada wrote, “my doctor has advised me not to get a shot at this time. Unfortunately for me (and my family—who is hoping to keep me around a bit longer), the risks far outweigh the benefits.”\u003c/p>\n\u003cp>Recent figures suggest there may an increased risk of suffering a bout of GBS after receiving the Johnson & Johnson COVID-19 vaccine. “There have been 100 preliminary reports of GBS following vaccination,” the \u003ca href=\"https://www.fda.gov/news-events/press-announcements/coronavirus-covid-19-update-july-13-2021\" target=\"_blank\" rel=\"noopener noreferrer\">FDA reports\u003c/a>, “after approximately 12.5 million doses administered.” However, there is \u003ca href=\"https://health.clevelandclinic.org/guillain-barre-syndrome-and-covid-vaccine/\" target=\"_blank\" rel=\"noopener noreferrer\">no evidence\u003c/a> that the Pfizer or Moderna vaccines carry increased risks for GBS patients.\u003c/p>\n\u003cp>https://www.instagram.com/p/CSE_rkVnIgL/\u003c/p>\n\u003cp>“Since I am unable to comply with what is increasingly becoming an industry mandate,” Parada wrote, “it has recently been decided that I am unsafe to be around, in the studio, and on tour. I mention this because you won’t be seeing me at these upcoming shows. I also want to share my story so that anyone else experiencing the agony and isolation of getting left behind right now knows they’re not entirely alone.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>By Wednesday, Parada’s post had been liked almost 18,000 times, and prompted comments of love, support and vaccine-related outrage. One fan wrote, “The fear, the manipulation and coercion around [vaccines] are truly what is frightening.” Five Finger Death Punch drummer Charlie Engen commented that it was “sickening you even have to explain yourself.” Bad Wolves vocalist Tommy Vext called Parada’s predicament “a fucking disgrace,” and opined that “this all feels like the beginnings of a medical apartheid.”\u003c/p>\n\u003cp>Those are strong words in a live-music landscape that is still accommodating unvaccinated people. Parada’s announcement (and the outpouring that it prompted) directly followed a weekend in which 100,000 fans a day—including the unvaccinated—descended on the Lollapalooza festival in Chicago. Ticket holders without vaccines were permitted at the event with proof of a negative COVID test.\u003c/p>\n\u003cp>https://twitter.com/lollapalooza/status/1420865743269339143\u003c/p>\n\u003cp>The weekend before, Miami’s Rolling Loud Festival attracted daily crowds of 75,000 and had zero COVID-related restrictions for entry. “Fans will have the choice, whether or not they want to be vaccinated or mask,” festival co-founder \u003ca href=\"https://www.miamiherald.com/news/local/community/miami-dade/miami-gardens/article252927603.html\" target=\"_blank\" rel=\"noopener noreferrer\">Tariq Cheriff told the \u003cem>Miami Herald\u003c/em>\u003c/a>. “That’s basically what we believe in. You got the choice and that’s it.”\u003c/p>\n\u003cp>[aside postID='arts_13900368,arts_13900770']While some of America’s most popular festivals—including Coachella, Burning Man and SXSW—have opted to postpone until 2022, many others are still forging ahead this year. COVID restrictions for attendees at each event vary and are at the discretion of the organizers. So, for example, while Napa’s \u003ca href=\"https://www.bottlerocknapavalley.com/health-safety/\" target=\"_blank\" rel=\"noopener noreferrer\">BottleRock\u003c/a> will require proof of vaccination or a negative COVID test, \u003ca href=\"https://www.sfoutsidelands.com/health-and-safety/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> is—for the moment, at least—merely saying it “will follow the recommended health and safety guidelines put forth by the authorities.” \u003ca href=\"https://www.sterngrove.org/covid\" target=\"_blank\" rel=\"noopener noreferrer\">Stern Grove\u003c/a> says it will have a reservation-only policy and a perimeter, but no requirement to show vaccine status at this time. It is unclear what restrictions will be in place for performers.\u003c/p>\n\u003cp>As for music venues, in California at least, the National Independent Venue Association (NIVA) reports that most of the music venues checking vaccine cards are also accepting negative COVID tests.\u003c/p>\n\u003cp>While Parada claimed that his decision to not get vaccinated was a medical one, he also shared clear anti-vax opinions later in his post. “I do not find it ethical or wise,” he wrote, “to allow those with the most power (government, corporations, organizations, employers) to dictate medical procedures to those with the least power.” Parada continued: “If it looks like half the population is having a shockingly different reaction to these jabs than was expected—it’s probably because their life experiences have actually been shockingly different.”\u003c/p>\n\u003cp>As the music industry scrambles to bring back live music, the very least fans and musicians should be doing before heading out to venues is getting vaccinated and/or checking their COVID status regularly with tests. Even then, an abundance of caution should still be exercised. The Netherlands’ Verknipt festival, which took place in mid-July, offers a cautionary example. The two-day outdoor festival required proof of vaccine or a negative test to enter, but still led to \u003ca href=\"https://www.cnbc.com/2021/07/15/music-festival-in-holland-leads-to-over-1000-covid-infections.html\" target=\"_blank\" rel=\"noopener noreferrer\">1,050 COVID infections\u003c/a>—5% of attendees caught the virus.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Make no mistake, the social and personal freedoms we have successfully wrangled back in recent months are a direct result of the vaccine rollout. What most threatens those freedoms now is the highly transmissible delta variant which, data proves, vaccines protect against. (“The rate of breakthrough cases reported among those fully vaccinated is well below 1% in all reporting states,” according to the \u003ca href=\"https://www.nytimes.com/2021/08/03/well/live/covid-delta-variant-vaccine-symptoms.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>New York Times\u003c/em>\u003c/a>.) The larger barriers to the freedom of immunocompromised people aren’t COVID safety measures—they’re the dangers posed by a virus that spreads further and faster the less people are vaccinated.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Offspring drummer Pete Parada received an \u003ca href=\"https://www.instagram.com/p/CSE_rkVnIgL/\" target=\"_blank\" rel=\"noopener noreferrer\">outpouring of support\u003c/a> earlier this week after he announced he would be unable to tour for the foreseeable future. In an emotional Instagram post, Parada said that a medical condition he has been living with since childhood—\u003ca href=\"https://www.ninds.nih.gov/Disorders/Patient-Caregiver-Education/Fact-Sheets/Guillain-Barr%C3%A9-Syndrome-Fact-Sheet\" target=\"_blank\" rel=\"noopener noreferrer\">Guillain-Barré Syndrome\u003c/a> (GBS)—prevented him from receiving a COVID-19 vaccine, and that his band now considered him “unsafe” to work with. GBS is a rare and incurable condition that causes the body’s immune system to attack its nerves.\u003c/p>\n\u003cp>“Given my personal history and the side-effect profile of these jabs,” Parada wrote, “my doctor has advised me not to get a shot at this time. Unfortunately for me (and my family—who is hoping to keep me around a bit longer), the risks far outweigh the benefits.”\u003c/p>\n\u003cp>Recent figures suggest there may an increased risk of suffering a bout of GBS after receiving the Johnson & Johnson COVID-19 vaccine. “There have been 100 preliminary reports of GBS following vaccination,” the \u003ca href=\"https://www.fda.gov/news-events/press-announcements/coronavirus-covid-19-update-july-13-2021\" target=\"_blank\" rel=\"noopener noreferrer\">FDA reports\u003c/a>, “after approximately 12.5 million doses administered.” However, there is \u003ca href=\"https://health.clevelandclinic.org/guillain-barre-syndrome-and-covid-vaccine/\" target=\"_blank\" rel=\"noopener noreferrer\">no evidence\u003c/a> that the Pfizer or Moderna vaccines carry increased risks for GBS patients.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“Since I am unable to comply with what is increasingly becoming an industry mandate,” Parada wrote, “it has recently been decided that I am unsafe to be around, in the studio, and on tour. I mention this because you won’t be seeing me at these upcoming shows. I also want to share my story so that anyone else experiencing the agony and isolation of getting left behind right now knows they’re not entirely alone.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>While some of America’s most popular festivals—including Coachella, Burning Man and SXSW—have opted to postpone until 2022, many others are still forging ahead this year. COVID restrictions for attendees at each event vary and are at the discretion of the organizers. So, for example, while Napa’s \u003ca href=\"https://www.bottlerocknapavalley.com/health-safety/\" target=\"_blank\" rel=\"noopener noreferrer\">BottleRock\u003c/a> will require proof of vaccination or a negative COVID test, \u003ca href=\"https://www.sfoutsidelands.com/health-and-safety/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> is—for the moment, at least—merely saying it “will follow the recommended health and safety guidelines put forth by the authorities.” \u003ca href=\"https://www.sterngrove.org/covid\" target=\"_blank\" rel=\"noopener noreferrer\">Stern Grove\u003c/a> says it will have a reservation-only policy and a perimeter, but no requirement to show vaccine status at this time. It is unclear what restrictions will be in place for performers.\u003c/p>\n\u003cp>As for music venues, in California at least, the National Independent Venue Association (NIVA) reports that most of the music venues checking vaccine cards are also accepting negative COVID tests.\u003c/p>\n\u003cp>While Parada claimed that his decision to not get vaccinated was a medical one, he also shared clear anti-vax opinions later in his post. “I do not find it ethical or wise,” he wrote, “to allow those with the most power (government, corporations, organizations, employers) to dictate medical procedures to those with the least power.” Parada continued: “If it looks like half the population is having a shockingly different reaction to these jabs than was expected—it’s probably because their life experiences have actually been shockingly different.”\u003c/p>\n\u003cp>As the music industry scrambles to bring back live music, the very least fans and musicians should be doing before heading out to venues is getting vaccinated and/or checking their COVID status regularly with tests. Even then, an abundance of caution should still be exercised. The Netherlands’ Verknipt festival, which took place in mid-July, offers a cautionary example. The two-day outdoor festival required proof of vaccine or a negative test to enter, but still led to \u003ca href=\"https://www.cnbc.com/2021/07/15/music-festival-in-holland-leads-to-over-1000-covid-infections.html\" target=\"_blank\" rel=\"noopener noreferrer\">1,050 COVID infections\u003c/a>—5% of attendees caught the virus.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Make no mistake, the social and personal freedoms we have successfully wrangled back in recent months are a direct result of the vaccine rollout. What most threatens those freedoms now is the highly transmissible delta variant which, data proves, vaccines protect against. (“The rate of breakthrough cases reported among those fully vaccinated is well below 1% in all reporting states,” according to the \u003ca href=\"https://www.nytimes.com/2021/08/03/well/live/covid-delta-variant-vaccine-symptoms.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>New York Times\u003c/em>\u003c/a>.) The larger barriers to the freedom of immunocompromised people aren’t COVID safety measures—they’re the dangers posed by a virus that spreads further and faster the less people are vaccinated.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Outside Lands Daily Lineups Announced; Single-Day Tickets on Sale Thursday",
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"content": "\u003cp>Outside Lands \u003ca href=\"https://www.kqed.org/arts/13894172/outside-lands-scheduled-to-return-on-halloween-weekend\" rel=\"noopener noreferrer\" target=\"_blank\">returns\u003c/a> to Golden Gate Park in October, and daily lineups have been announced. \u003c/p>\n\u003cp>The Strokes and Tyler the Creator headline Friday; Lizzo, Vampire Weekend and Young Thug headline Saturday; and Tame Impala, J Balvin and Kehlani headline Sunday. A full lineup broken down by day is below. \u003c/p>\n\u003cp>Single-day tickets, starting at $165 each, \u003ca href=\"https://www.sfoutsidelands.com/tickets/\" rel=\"noopener noreferrer\" target=\"_blank\">go on sale Thursday\u003c/a>, April 29, at 10am. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/04/OLByDay-1020x1127.jpg\" alt=\"\" width=\"640\" height=\"707\" class=\"aligncenter size-large wp-image-13896368\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-1020x1127.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-800x884.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-160x177.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-768x848.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-1391x1536.jpg 1391w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay.jpg 1800w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Outside Lands \u003ca href=\"https://www.kqed.org/arts/13894172/outside-lands-scheduled-to-return-on-halloween-weekend\" rel=\"noopener noreferrer\" target=\"_blank\">returns\u003c/a> to Golden Gate Park in October, and daily lineups have been announced. \u003c/p>\n\u003cp>The Strokes and Tyler the Creator headline Friday; Lizzo, Vampire Weekend and Young Thug headline Saturday; and Tame Impala, J Balvin and Kehlani headline Sunday. A full lineup broken down by day is below. \u003c/p>\n\u003cp>Single-day tickets, starting at $165 each, \u003ca href=\"https://www.sfoutsidelands.com/tickets/\" rel=\"noopener noreferrer\" target=\"_blank\">go on sale Thursday\u003c/a>, April 29, at 10am. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/04/OLByDay-1020x1127.jpg\" alt=\"\" width=\"640\" height=\"707\" class=\"aligncenter size-large wp-image-13896368\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-1020x1127.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-800x884.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-160x177.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-768x848.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-1391x1536.jpg 1391w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay.jpg 1800w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "California Reopens in June. When Can We See Live Music Again?",
"headTitle": "California Reopens in June. When Can We See Live Music Again? | KQED",
"content": "\u003cp>Governor Gavin Newsom announced yesterday that California would fully open its economy on June 15, provided there’s enough vaccine supply and COVID-19 hospitalizations remain low. Counties will abandon the color-coded tier system that allows certain businesses to operate at limited capacity, and instead will adopt a \u003ca href=\"https://www.cdph.ca.gov/Programs/CID/DCDC/Pages/COVID-19/beyond_memo.aspx\" target=\"_blank\" rel=\"noopener noreferrer\">statewide reopening model\u003c/a>.\u003c/p>\n\u003cp>Theoretically, that means clubs, concert halls and ballrooms can invite guests at full capacity in two months—and put musicians, stage crews and venue staff back to work. (The new state guidelines stipulate that masks will still be mandatory, and conventions with over 5,000 attendees will require proof of vaccination or a negative COVID test.) [aside postid='news_11867934']\u003c/p>\n\u003cp>If all goes according to plan, \u003ca href=\"https://www.sterngrove.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Stern Grove Festival\u003c/a>, the free, outdoor live music series that takes place on weekends in San Francisco every summer, is planning to do just that. Executive director Bob Fiedler tells KQED he’s hopeful the festival can relaunch on June 20 with some COVID safety modifications.\u003c/p>\n\u003cp>Instead of allowing guests to come and go freely, there will be a fenced perimeter around the Stern Grove meadow and designated entry points. Reservations will be required, social distancing will be enforced and capacity will be down to about 3,000 from 10,000 in previous years. Pending approval from the San Francisco Department of Public Health, Stern Grove plans to announce its lineup and dates in about a month.\u003c/p>\n\u003cp>“As far as a bigger music festival, there’s a chance we’re going to be one of first ones back and we’re excited for that,” says Fiedler. “Music heals and it’s medicine, and the Bay Area and people in general can use that right now.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The \u003ca href=\"https://www.sfsymphony.org/About-SFS\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Symphony\u003c/a> may also see an earlier return to live performances than anticipated. CEO Mark Hanson tells KQED that the orchestra will likely give several outdoor concerts in June, July and August, and that program details will be released in the coming month or two. Indoor performances may resume in the fall. “O\u003cspan class=\"s1\">ur planning continues now with an increased sense of confidence and belief that this will actually happen,” he says, adding that digital programming will continue on the orchestra’s streaming service, \u003ca href=\"https://www.sfsymphonyplus.org/?npclid=CjwKCAjw07qDBhBxEiwA6pPbHmNgUj3r3vHeGVNbjrnN6x9uJ8B-mzK0cDBqYoscy_vTAvopOqYuaxoCFgoQAvD_BwE&utm_source=google&utm_medium=cpc&utm_term=sf%20symphony%20plus&utm_campaign=Brand+-+SFS%2B&gclid=CjwKCAjw07qDBhBxEiwA6pPbHmNgUj3r3vHeGVNbjrnN6x9uJ8B-mzK0cDBqYoscy_vTAvopOqYuaxoCFgoQAvD_BwE\" target=\"_blank\" rel=\"noopener noreferrer\">SFSymphony+\u003c/a>. \u003c/span>\u003c/p>\n\u003cp>For many indoor music venue owners, getting back to business may be a slower process. “The idea of reopening that soon is as scary as closing was a year ago,” says Lynn Schwarz, co-owner and talent buyer at \u003ca href=\"http://www.bottomofthehill.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Bottom of the Hill\u003c/a>, an intimate, dive-y San Francisco rock club with a capacity of 250 people.\u003c/p>\n\u003cfigure id=\"attachment_13852010\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852010\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/03/MG_0601-800x533.jpg\" alt=\"Super Unison's Meghan O'Neil belts out powerful post-punk vocals on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0601-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0601-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Super Unison’s Meghan O’Neil belts out powerful post-punk vocals on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Schwarz and her partners need capital to reopen. They’re applying to the \u003ca href=\"https://www.sba.gov/funding-programs/loans/covid-19-relief-options/shuttered-venue-operators-grant\" target=\"_blank\" rel=\"noopener noreferrer\">Shuttered Venue Operators Grant\u003c/a> from the federal government, which would help take care of some of the bills and debt. They also need another Payroll Protection Program loan to rehire their staff and give them enough hours. That’s in addition to a litany of logistical tasks, like making sure appliances and sound equipment still work after a year of disuse, installing plastic barriers and better ventilation and switching from a cash-only to a touchless payment system. [aside postid='arts_13894097']\u003c/p>\n\u003cp>“We will be [financially] vulnerable for the whole of next year,” says Schwarz, adding that many of her venue owner peers have expressed similar concerns.\u003c/p>\n\u003cp>Schwarz has booked a handful of concerts for August with bands like Surfer Blood and King Buffalo, and is in the process of finalizing a few other dates before announcing an official grand reopening. “It’s going to be a mad dash to get the best local bands on the bill,” she says, adding that out-of-town acts may be slow to organize national tours.\u003c/p>\n\u003cp>Venues that book primarily touring acts may take even longer to get off the ground. “When we—our community, meaning music venues, promoters, artists, agents and managers—all feel that it makes sense to start up the tours and to tour the country, then it starts to become real and viable,” says David Mayeri, CEO of \u003ca href=\"https://theuctheatre.org/\" target=\"_blank\" rel=\"noopener noreferrer\">The UC Theatre\u003c/a>, adding that concerts will likely resume in his 1,400-capacity Berkeley ballroom in September, possibly August. “A lot can happen between now and June 15 that will be positive; some things can happen that will be setbacks. We don’t know what to predict.”\u003c/p>\n\u003cp>Mayeri is an organizer with \u003ca href=\"https://nivacalifornia.org/\" target=\"_blank\" rel=\"noopener noreferrer\">NIVA California\u003c/a>, the regional branch of the National Independent Venue Association that came together to advocate for the concert industry during the pandemic. NIVA California sees the governor’s announcement as a step in the right direction, and is also advocating for more financial support at the state level.\u003c/p>\n\u003cfigure id=\"attachment_13863765\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863765\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/08/MG_7198-1-800x533.jpg\" alt=\"Toro y Moi performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7198-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7198-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7198-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Toro y Moi performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A big argument for state funding is that the arts are an economic engine; NIVA California estimates that independent venues generated $13 billion for the state economy in 2019. “We are still hoping for financial support from the state of California so venues can once again be economic drivers and contribute to the cultural fabric of our communities,” Sarah Fink Dempsey, spokesperson for \u003ca href=\"http://apeconcerts.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Another Planet Entertainment\u003c/a>, another NIVA member, tells KQED in an email.\u003c/p>\n\u003cp>Another Planet has already announced the return of its big festival, \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a>, in October. Fink Dempsey says that the company is hopeful that its venues—which include Oakland’s Fox Theater and San Francisco’s Bill Graham Civic Auditorium and The Independent—will be back in business in August. “Obviously this is all still unfolding and is a dynamic situation, and [we] will only do so when it is deemed safe,” she adds. [aside postid='arts_13894172']\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfjazz.org/\" target=\"_blank\" rel=\"noopener noreferrer\">SFJAZZ\u003c/a>, which is a nonprofit like The UC Theatre, may not host live shows until January 2022, says founder and executive artistic director Randall Kline. “It’s all fluid right now. If this were a linear, straight, directed path, it’d be easy to do,” he says. “But this virus in particular is unpredictable and we’re not sure where it’s all going to go. The variables are still huge in this—what is safe and how people are going to be able to gather.”\u003c/p>\n\u003cp>SFJAZZ books its programming a year out, and Kline predicts a challenge may be securing the big-name, touring artists who are already reeling from having numerous tours canceled over the last year. Those performers may wait until things stabilize. “We’re looking at artists in our backyard,“ says Kline, adding that numerous venues will be competing to book high-caliber Bay Area and California acts. “We’re going to be a little more regional for a little bit.”\u003c/p>\n\u003cfigure id=\"attachment_13895353\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13895353\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-800x533.jpg\" alt=\"A jazz quartet performs onstage in a modern theater with purple lighting.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taj Mahal Quartet performs on the SFJAZZ Center’s Robert N. Miner Auditorium stage in San Francisco, CA on March 1, 2020. \u003ccite>(Bill Evans)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Difficult as it may be to wrangle touring acts, Rob Ready of San Francisco cabaret \u003ca href=\"https://www.pianofight.com/\" target=\"_blank\" rel=\"noopener noreferrer\">PianoFight\u003c/a> points out that many local artists may also need time to rehearse and perfect performances. “For most bands and most theater acts—or burlesque or drag performers or magicians—none of these folks have been able to be in same room as each other for over a year,” he says. While, before the pandemic, PianoFight typically hosted a wide variety of music and theater shows in its three rooms on a single night, it will likely scale down its offerings when it reopens in late summer or early fall because there may be fewer performers available.\u003c/p>\n\u003cp>So, when will fans be able to enjoy live music? And when will an industry that was the first to close and last to reopen be fully functional again? Each venue has a different answer, but it’s safe to expect that in a few months’ time—and with enough vaccines—we may be able to safely gather again.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>This story was updated to include details about the San Francisco Symphony and a quote from Mark Hanson. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Governor Gavin Newsom announced yesterday that California would fully open its economy on June 15, provided there’s enough vaccine supply and COVID-19 hospitalizations remain low. Counties will abandon the color-coded tier system that allows certain businesses to operate at limited capacity, and instead will adopt a \u003ca href=\"https://www.cdph.ca.gov/Programs/CID/DCDC/Pages/COVID-19/beyond_memo.aspx\" target=\"_blank\" rel=\"noopener noreferrer\">statewide reopening model\u003c/a>.\u003c/p>\n\u003cp>Theoretically, that means clubs, concert halls and ballrooms can invite guests at full capacity in two months—and put musicians, stage crews and venue staff back to work. (The new state guidelines stipulate that masks will still be mandatory, and conventions with over 5,000 attendees will require proof of vaccination or a negative COVID test.) \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If all goes according to plan, \u003ca href=\"https://www.sterngrove.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Stern Grove Festival\u003c/a>, the free, outdoor live music series that takes place on weekends in San Francisco every summer, is planning to do just that. Executive director Bob Fiedler tells KQED he’s hopeful the festival can relaunch on June 20 with some COVID safety modifications.\u003c/p>\n\u003cp>Instead of allowing guests to come and go freely, there will be a fenced perimeter around the Stern Grove meadow and designated entry points. Reservations will be required, social distancing will be enforced and capacity will be down to about 3,000 from 10,000 in previous years. Pending approval from the San Francisco Department of Public Health, Stern Grove plans to announce its lineup and dates in about a month.\u003c/p>\n\u003cp>“As far as a bigger music festival, there’s a chance we’re going to be one of first ones back and we’re excited for that,” says Fiedler. “Music heals and it’s medicine, and the Bay Area and people in general can use that right now.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.sfsymphony.org/About-SFS\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Symphony\u003c/a> may also see an earlier return to live performances than anticipated. CEO Mark Hanson tells KQED that the orchestra will likely give several outdoor concerts in June, July and August, and that program details will be released in the coming month or two. Indoor performances may resume in the fall. “O\u003cspan class=\"s1\">ur planning continues now with an increased sense of confidence and belief that this will actually happen,” he says, adding that digital programming will continue on the orchestra’s streaming service, \u003ca href=\"https://www.sfsymphonyplus.org/?npclid=CjwKCAjw07qDBhBxEiwA6pPbHmNgUj3r3vHeGVNbjrnN6x9uJ8B-mzK0cDBqYoscy_vTAvopOqYuaxoCFgoQAvD_BwE&utm_source=google&utm_medium=cpc&utm_term=sf%20symphony%20plus&utm_campaign=Brand+-+SFS%2B&gclid=CjwKCAjw07qDBhBxEiwA6pPbHmNgUj3r3vHeGVNbjrnN6x9uJ8B-mzK0cDBqYoscy_vTAvopOqYuaxoCFgoQAvD_BwE\" target=\"_blank\" rel=\"noopener noreferrer\">SFSymphony+\u003c/a>. \u003c/span>\u003c/p>\n\u003cp>For many indoor music venue owners, getting back to business may be a slower process. “The idea of reopening that soon is as scary as closing was a year ago,” says Lynn Schwarz, co-owner and talent buyer at \u003ca href=\"http://www.bottomofthehill.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Bottom of the Hill\u003c/a>, an intimate, dive-y San Francisco rock club with a capacity of 250 people.\u003c/p>\n\u003cfigure id=\"attachment_13852010\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852010\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/03/MG_0601-800x533.jpg\" alt=\"Super Unison's Meghan O'Neil belts out powerful post-punk vocals on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0601-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0601-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Super Unison’s Meghan O’Neil belts out powerful post-punk vocals on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Schwarz and her partners need capital to reopen. They’re applying to the \u003ca href=\"https://www.sba.gov/funding-programs/loans/covid-19-relief-options/shuttered-venue-operators-grant\" target=\"_blank\" rel=\"noopener noreferrer\">Shuttered Venue Operators Grant\u003c/a> from the federal government, which would help take care of some of the bills and debt. They also need another Payroll Protection Program loan to rehire their staff and give them enough hours. That’s in addition to a litany of logistical tasks, like making sure appliances and sound equipment still work after a year of disuse, installing plastic barriers and better ventilation and switching from a cash-only to a touchless payment system. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We will be [financially] vulnerable for the whole of next year,” says Schwarz, adding that many of her venue owner peers have expressed similar concerns.\u003c/p>\n\u003cp>Schwarz has booked a handful of concerts for August with bands like Surfer Blood and King Buffalo, and is in the process of finalizing a few other dates before announcing an official grand reopening. “It’s going to be a mad dash to get the best local bands on the bill,” she says, adding that out-of-town acts may be slow to organize national tours.\u003c/p>\n\u003cp>Venues that book primarily touring acts may take even longer to get off the ground. “When we—our community, meaning music venues, promoters, artists, agents and managers—all feel that it makes sense to start up the tours and to tour the country, then it starts to become real and viable,” says David Mayeri, CEO of \u003ca href=\"https://theuctheatre.org/\" target=\"_blank\" rel=\"noopener noreferrer\">The UC Theatre\u003c/a>, adding that concerts will likely resume in his 1,400-capacity Berkeley ballroom in September, possibly August. “A lot can happen between now and June 15 that will be positive; some things can happen that will be setbacks. We don’t know what to predict.”\u003c/p>\n\u003cp>Mayeri is an organizer with \u003ca href=\"https://nivacalifornia.org/\" target=\"_blank\" rel=\"noopener noreferrer\">NIVA California\u003c/a>, the regional branch of the National Independent Venue Association that came together to advocate for the concert industry during the pandemic. NIVA California sees the governor’s announcement as a step in the right direction, and is also advocating for more financial support at the state level.\u003c/p>\n\u003cfigure id=\"attachment_13863765\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863765\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/08/MG_7198-1-800x533.jpg\" alt=\"Toro y Moi performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7198-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7198-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7198-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Toro y Moi performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A big argument for state funding is that the arts are an economic engine; NIVA California estimates that independent venues generated $13 billion for the state economy in 2019. “We are still hoping for financial support from the state of California so venues can once again be economic drivers and contribute to the cultural fabric of our communities,” Sarah Fink Dempsey, spokesperson for \u003ca href=\"http://apeconcerts.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Another Planet Entertainment\u003c/a>, another NIVA member, tells KQED in an email.\u003c/p>\n\u003cp>Another Planet has already announced the return of its big festival, \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a>, in October. Fink Dempsey says that the company is hopeful that its venues—which include Oakland’s Fox Theater and San Francisco’s Bill Graham Civic Auditorium and The Independent—will be back in business in August. “Obviously this is all still unfolding and is a dynamic situation, and [we] will only do so when it is deemed safe,” she adds. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfjazz.org/\" target=\"_blank\" rel=\"noopener noreferrer\">SFJAZZ\u003c/a>, which is a nonprofit like The UC Theatre, may not host live shows until January 2022, says founder and executive artistic director Randall Kline. “It’s all fluid right now. If this were a linear, straight, directed path, it’d be easy to do,” he says. “But this virus in particular is unpredictable and we’re not sure where it’s all going to go. The variables are still huge in this—what is safe and how people are going to be able to gather.”\u003c/p>\n\u003cp>SFJAZZ books its programming a year out, and Kline predicts a challenge may be securing the big-name, touring artists who are already reeling from having numerous tours canceled over the last year. Those performers may wait until things stabilize. “We’re looking at artists in our backyard,“ says Kline, adding that numerous venues will be competing to book high-caliber Bay Area and California acts. “We’re going to be a little more regional for a little bit.”\u003c/p>\n\u003cfigure id=\"attachment_13895353\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13895353\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-800x533.jpg\" alt=\"A jazz quartet performs onstage in a modern theater with purple lighting.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taj Mahal Quartet performs on the SFJAZZ Center’s Robert N. Miner Auditorium stage in San Francisco, CA on March 1, 2020. \u003ccite>(Bill Evans)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Difficult as it may be to wrangle touring acts, Rob Ready of San Francisco cabaret \u003ca href=\"https://www.pianofight.com/\" target=\"_blank\" rel=\"noopener noreferrer\">PianoFight\u003c/a> points out that many local artists may also need time to rehearse and perfect performances. “For most bands and most theater acts—or burlesque or drag performers or magicians—none of these folks have been able to be in same room as each other for over a year,” he says. While, before the pandemic, PianoFight typically hosted a wide variety of music and theater shows in its three rooms on a single night, it will likely scale down its offerings when it reopens in late summer or early fall because there may be fewer performers available.\u003c/p>\n\u003cp>So, when will fans be able to enjoy live music? And when will an industry that was the first to close and last to reopen be fully functional again? Each venue has a different answer, but it’s safe to expect that in a few months’ time—and with enough vaccines—we may be able to safely gather again.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was updated to include details about the San Francisco Symphony and a quote from Mark Hanson. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>After over a year without festivals or concerts, music lovers may have something to look forward to this fall. The iconic \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> festival, which typically takes place in San Francisco’s Golden Gate Park every August, has moved to Halloween weekend in the hopes that a later date will allow for greater safety and a more widely vaccinated audience.\u003c/p>\n\u003cp>“The shift in dates allows us to work collectively to determine any new safety measures necessary to implement during the festival weekend,” said festival co-producer Allen Scott. “We ask fans to use this time before the festival to continue exercising common sense COVID safety practices and we look forward to being together again soon.” Current ticket holders who are unable to attend the new dates can request refunds until Apr. 15.\u003c/p>\n\u003cp>This year’s star-studded lineup includes a few Bay Area artists, like Oakland’s Kehlani and San Francisco’s 24kGolden, in addition to huge names like Lizzo, Tame Impala, The Strokes, Young Thug and Tyler, the Creator. Recent double Grammy winner Kaytranada and female rap sensations Flo Milli and Rico Nasty are set to perform as well.\u003c/p>\n\u003cp>Outside Lands is one of the first major music festivals to announce a post-COVID return, and may set a precedent for others to do the same. The pandemic was particularly hard on the \u003ca href=\"https://www.kqed.org/arts/13890093/2020-decimated-the-concert-industry-and-it-cant-rebuild-without-government-help\" target=\"_blank\" rel=\"noopener noreferrer\">live music industry\u003c/a>, and while many venues had to permanently close their doors, concert-goers are eager to return, and the future of live music seems bright.\u003c/p>\n\u003cp>While individual passes are not yet for sale, three-day passes are currently available on the \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> website. The festival will take place Oct. 29-31.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After over a year without festivals or concerts, music lovers may have something to look forward to this fall. The iconic \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> festival, which typically takes place in San Francisco’s Golden Gate Park every August, has moved to Halloween weekend in the hopes that a later date will allow for greater safety and a more widely vaccinated audience.\u003c/p>\n\u003cp>“The shift in dates allows us to work collectively to determine any new safety measures necessary to implement during the festival weekend,” said festival co-producer Allen Scott. “We ask fans to use this time before the festival to continue exercising common sense COVID safety practices and we look forward to being together again soon.” Current ticket holders who are unable to attend the new dates can request refunds until Apr. 15.\u003c/p>\n\u003cp>This year’s star-studded lineup includes a few Bay Area artists, like Oakland’s Kehlani and San Francisco’s 24kGolden, in addition to huge names like Lizzo, Tame Impala, The Strokes, Young Thug and Tyler, the Creator. Recent double Grammy winner Kaytranada and female rap sensations Flo Milli and Rico Nasty are set to perform as well.\u003c/p>\n\u003cp>Outside Lands is one of the first major music festivals to announce a post-COVID return, and may set a precedent for others to do the same. The pandemic was particularly hard on the \u003ca href=\"https://www.kqed.org/arts/13890093/2020-decimated-the-concert-industry-and-it-cant-rebuild-without-government-help\" target=\"_blank\" rel=\"noopener noreferrer\">live music industry\u003c/a>, and while many venues had to permanently close their doors, concert-goers are eager to return, and the future of live music seems bright.\u003c/p>\n\u003cp>While individual passes are not yet for sale, three-day passes are currently available on the \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> website. The festival will take place Oct. 29-31.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Outside Lands, one of San Francisco’s most popular music festivals, has been postponed to 2021—for obvious reasons. But for eager fans who can’t wait to see Lizzo, the Strokes and Tame Impala in Golden Gate Park next summer, the fest hosts a digital event on Aug. 28–29 via \u003ca href=\"https://www.twitch.tv/sfoutsidelands\" target=\"_blank\" rel=\"noopener noreferrer\">Twitch\u003c/a>. It’ll have live performances, archival footage of past headliners, artist interviews and a small business showcase. Artists include Gorillaz, LCD Soundsystem, J. Cole, Jack White, Anderson .Paak & The Free Nationals, Above & Beyond, Haim, Major Lazer, Leon Bridges, Louis the Child, alt-J, Cage The Elephant, Kehlani, ZHU, Beach House, Brittany Howard, SOFI TUKKER and Sharon Van Etten.\u003c/p>\n\u003cp>This year’s online version of Outside Lands is called \u003ca href=\"http://www.sfoutsidelands.com/insidelands\" target=\"_blank\" rel=\"noopener noreferrer\">Inside Lands\u003c/a>, which is also the name of a \u003ca href=\"https://www.kqed.org/arts/13878987/a-nightly-zoom-party-of-music-laughter-and-generosity-at-inside-lands\" target=\"_blank\" rel=\"noopener noreferrer\">popular Zoom party\u003c/a> that’s been going on since the start of California’s shelter-in-place orders in March.\u003c/p>\n\u003cp>Outside Lands joins a spate of large-scale music festivals that have gone digital as the fate of California’s concert industry hangs in limbo. \u003ca href=\"http://www.hardlystrictlybluegrass.com/2020/\" target=\"_blank\" rel=\"noopener noreferrer\">Hardly Strictly\u003c/a>, also a fan favorite that happens annually in Golden Gate Park, will have an online event in October and has launched a \u003ca href=\"http://www.hardlystrictlybluegrass.com/2020/music-relief/\" target=\"_blank\" rel=\"noopener noreferrer\">COVID-19 relief fund\u003c/a> for artists.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Outside Lands, one of San Francisco’s most popular music festivals, has been postponed to 2021—for obvious reasons. But for eager fans who can’t wait to see Lizzo, the Strokes and Tame Impala in Golden Gate Park next summer, the fest hosts a digital event on Aug. 28–29 via \u003ca href=\"https://www.twitch.tv/sfoutsidelands\" target=\"_blank\" rel=\"noopener noreferrer\">Twitch\u003c/a>. It’ll have live performances, archival footage of past headliners, artist interviews and a small business showcase. Artists include Gorillaz, LCD Soundsystem, J. Cole, Jack White, Anderson .Paak & The Free Nationals, Above & Beyond, Haim, Major Lazer, Leon Bridges, Louis the Child, alt-J, Cage The Elephant, Kehlani, ZHU, Beach House, Brittany Howard, SOFI TUKKER and Sharon Van Etten.\u003c/p>\n\u003cp>This year’s online version of Outside Lands is called \u003ca href=\"http://www.sfoutsidelands.com/insidelands\" target=\"_blank\" rel=\"noopener noreferrer\">Inside Lands\u003c/a>, which is also the name of a \u003ca href=\"https://www.kqed.org/arts/13878987/a-nightly-zoom-party-of-music-laughter-and-generosity-at-inside-lands\" target=\"_blank\" rel=\"noopener noreferrer\">popular Zoom party\u003c/a> that’s been going on since the start of California’s shelter-in-place orders in March.\u003c/p>\n\u003cp>Outside Lands joins a spate of large-scale music festivals that have gone digital as the fate of California’s concert industry hangs in limbo. \u003ca href=\"http://www.hardlystrictlybluegrass.com/2020/\" target=\"_blank\" rel=\"noopener noreferrer\">Hardly Strictly\u003c/a>, also a fan favorite that happens annually in Golden Gate Park, will have an online event in October and has launched a \u003ca href=\"http://www.hardlystrictlybluegrass.com/2020/music-relief/\" target=\"_blank\" rel=\"noopener noreferrer\">COVID-19 relief fund\u003c/a> for artists.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
},
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"title": "Forum",
"tagline": "The conversation starts here",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"meta": {
"site": "radio",
"source": "WNYC"
},
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
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"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
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"officialWebsiteLink": "/perspectives/",
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
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