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"content": "\u003cp>If you want to see Tame Impala, Lizzo or The Strokes light up San Francisco’s Golden Gate Park at \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> in October, you’ll need to bring proof of vaccination or a negative COVID test alongside your tickets and clear plastic backpacks.\u003c/p>\n\u003cp>“Our most important role as festival producers is to provide a safe environment during Outside Lands weekend,” reads the festival’s statement announcing the policy change. “Vaccinations are strongly encouraged to protect from the spread of COVID-19.”\u003c/p>\n\u003cp>https://twitter.com/sfoutsidelands/status/1430245264602943500\u003c/p>\n\u003cp>Earlier in the year, Outside Lands \u003ca href=\"https://www.kqed.org/arts/13894172/outside-lands-scheduled-to-return-on-halloween-weekend\">announced\u003c/a> it would postpone the festival from its traditional August date until October’s Halloween weekend out of an abundance of caution for developments in the pandemic. Though an outdoor festival like Outside Lands doesn’t have to comply with San Francisco’s \u003ca href=\"https://www.kqed.org/news/11884778/san-franciscos-new-vaccine-mandate-when-it-starts-what-it-covers\">new vaccine mandate\u003c/a> for public indoor spaces, the new restrictions mirror the Bay Area live music scene’s voluntary acceptance of safety measures in light of the spread of the Delta variant of COVID-19. [aside postID='arts_13900368']\u003c/p>\n\u003cp>Performers at this year’s Outside Lands include Bay Area stars like Kehlani and 24kGoldn and big names like J Balvin, Vampire Weekend and Young Thug. Other guests include rap sensation Rico Nasty, psychedelic aficionados Khruangbin and avant-pop star Caroline Polachek.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003cem>Outside Lands runs Oct. 29 to 31. \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you want to see Tame Impala, Lizzo or The Strokes light up San Francisco’s Golden Gate Park at \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> in October, you’ll need to bring proof of vaccination or a negative COVID test alongside your tickets and clear plastic backpacks.\u003c/p>\n\u003cp>“Our most important role as festival producers is to provide a safe environment during Outside Lands weekend,” reads the festival’s statement announcing the policy change. “Vaccinations are strongly encouraged to protect from the spread of COVID-19.”\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Earlier in the year, Outside Lands \u003ca href=\"https://www.kqed.org/arts/13894172/outside-lands-scheduled-to-return-on-halloween-weekend\">announced\u003c/a> it would postpone the festival from its traditional August date until October’s Halloween weekend out of an abundance of caution for developments in the pandemic. Though an outdoor festival like Outside Lands doesn’t have to comply with San Francisco’s \u003ca href=\"https://www.kqed.org/news/11884778/san-franciscos-new-vaccine-mandate-when-it-starts-what-it-covers\">new vaccine mandate\u003c/a> for public indoor spaces, the new restrictions mirror the Bay Area live music scene’s voluntary acceptance of safety measures in light of the spread of the Delta variant of COVID-19. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Performers at this year’s Outside Lands include Bay Area stars like Kehlani and 24kGoldn and big names like J Balvin, Vampire Weekend and Young Thug. Other guests include rap sensation Rico Nasty, psychedelic aficionados Khruangbin and avant-pop star Caroline Polachek.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003cem>Outside Lands runs Oct. 29 to 31. \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "To Save Live Music, We Need to Get Vaccinated",
"headTitle": "To Save Live Music, We Need to Get Vaccinated | KQED",
"content": "\u003cp>Offspring drummer Pete Parada received an \u003ca href=\"https://www.instagram.com/p/CSE_rkVnIgL/\" target=\"_blank\" rel=\"noopener noreferrer\">outpouring of support\u003c/a> earlier this week after he announced he would be unable to tour for the foreseeable future. In an emotional Instagram post, Parada said that a medical condition he has been living with since childhood—\u003ca href=\"https://www.ninds.nih.gov/Disorders/Patient-Caregiver-Education/Fact-Sheets/Guillain-Barr%C3%A9-Syndrome-Fact-Sheet\" target=\"_blank\" rel=\"noopener noreferrer\">Guillain-Barré Syndrome\u003c/a> (GBS)—prevented him from receiving a COVID-19 vaccine, and that his band now considered him “unsafe” to work with. GBS is a rare and incurable condition that causes the body’s immune system to attack its nerves.\u003c/p>\n\u003cp>“Given my personal history and the side-effect profile of these jabs,” Parada wrote, “my doctor has advised me not to get a shot at this time. Unfortunately for me (and my family—who is hoping to keep me around a bit longer), the risks far outweigh the benefits.”\u003c/p>\n\u003cp>Recent figures suggest there may an increased risk of suffering a bout of GBS after receiving the Johnson & Johnson COVID-19 vaccine. “There have been 100 preliminary reports of GBS following vaccination,” the \u003ca href=\"https://www.fda.gov/news-events/press-announcements/coronavirus-covid-19-update-july-13-2021\" target=\"_blank\" rel=\"noopener noreferrer\">FDA reports\u003c/a>, “after approximately 12.5 million doses administered.” However, there is \u003ca href=\"https://health.clevelandclinic.org/guillain-barre-syndrome-and-covid-vaccine/\" target=\"_blank\" rel=\"noopener noreferrer\">no evidence\u003c/a> that the Pfizer or Moderna vaccines carry increased risks for GBS patients.\u003c/p>\n\u003cp>https://www.instagram.com/p/CSE_rkVnIgL/\u003c/p>\n\u003cp>“Since I am unable to comply with what is increasingly becoming an industry mandate,” Parada wrote, “it has recently been decided that I am unsafe to be around, in the studio, and on tour. I mention this because you won’t be seeing me at these upcoming shows. I also want to share my story so that anyone else experiencing the agony and isolation of getting left behind right now knows they’re not entirely alone.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>By Wednesday, Parada’s post had been liked almost 18,000 times, and prompted comments of love, support and vaccine-related outrage. One fan wrote, “The fear, the manipulation and coercion around [vaccines] are truly what is frightening.” Five Finger Death Punch drummer Charlie Engen commented that it was “sickening you even have to explain yourself.” Bad Wolves vocalist Tommy Vext called Parada’s predicament “a fucking disgrace,” and opined that “this all feels like the beginnings of a medical apartheid.”\u003c/p>\n\u003cp>Those are strong words in a live-music landscape that is still accommodating unvaccinated people. Parada’s announcement (and the outpouring that it prompted) directly followed a weekend in which 100,000 fans a day—including the unvaccinated—descended on the Lollapalooza festival in Chicago. Ticket holders without vaccines were permitted at the event with proof of a negative COVID test.\u003c/p>\n\u003cp>https://twitter.com/lollapalooza/status/1420865743269339143\u003c/p>\n\u003cp>The weekend before, Miami’s Rolling Loud Festival attracted daily crowds of 75,000 and had zero COVID-related restrictions for entry. “Fans will have the choice, whether or not they want to be vaccinated or mask,” festival co-founder \u003ca href=\"https://www.miamiherald.com/news/local/community/miami-dade/miami-gardens/article252927603.html\" target=\"_blank\" rel=\"noopener noreferrer\">Tariq Cheriff told the \u003cem>Miami Herald\u003c/em>\u003c/a>. “That’s basically what we believe in. You got the choice and that’s it.”\u003c/p>\n\u003cp>[aside postID='arts_13900368,arts_13900770']While some of America’s most popular festivals—including Coachella, Burning Man and SXSW—have opted to postpone until 2022, many others are still forging ahead this year. COVID restrictions for attendees at each event vary and are at the discretion of the organizers. So, for example, while Napa’s \u003ca href=\"https://www.bottlerocknapavalley.com/health-safety/\" target=\"_blank\" rel=\"noopener noreferrer\">BottleRock\u003c/a> will require proof of vaccination or a negative COVID test, \u003ca href=\"https://www.sfoutsidelands.com/health-and-safety/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> is—for the moment, at least—merely saying it “will follow the recommended health and safety guidelines put forth by the authorities.” \u003ca href=\"https://www.sterngrove.org/covid\" target=\"_blank\" rel=\"noopener noreferrer\">Stern Grove\u003c/a> says it will have a reservation-only policy and a perimeter, but no requirement to show vaccine status at this time. It is unclear what restrictions will be in place for performers.\u003c/p>\n\u003cp>As for music venues, in California at least, the National Independent Venue Association (NIVA) reports that most of the music venues checking vaccine cards are also accepting negative COVID tests.\u003c/p>\n\u003cp>While Parada claimed that his decision to not get vaccinated was a medical one, he also shared clear anti-vax opinions later in his post. “I do not find it ethical or wise,” he wrote, “to allow those with the most power (government, corporations, organizations, employers) to dictate medical procedures to those with the least power.” Parada continued: “If it looks like half the population is having a shockingly different reaction to these jabs than was expected—it’s probably because their life experiences have actually been shockingly different.”\u003c/p>\n\u003cp>As the music industry scrambles to bring back live music, the very least fans and musicians should be doing before heading out to venues is getting vaccinated and/or checking their COVID status regularly with tests. Even then, an abundance of caution should still be exercised. The Netherlands’ Verknipt festival, which took place in mid-July, offers a cautionary example. The two-day outdoor festival required proof of vaccine or a negative test to enter, but still led to \u003ca href=\"https://www.cnbc.com/2021/07/15/music-festival-in-holland-leads-to-over-1000-covid-infections.html\" target=\"_blank\" rel=\"noopener noreferrer\">1,050 COVID infections\u003c/a>—5% of attendees caught the virus.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Make no mistake, the social and personal freedoms we have successfully wrangled back in recent months are a direct result of the vaccine rollout. What most threatens those freedoms now is the highly transmissible delta variant which, data proves, vaccines protect against. (“The rate of breakthrough cases reported among those fully vaccinated is well below 1% in all reporting states,” according to the \u003ca href=\"https://www.nytimes.com/2021/08/03/well/live/covid-delta-variant-vaccine-symptoms.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>New York Times\u003c/em>\u003c/a>.) The larger barriers to the freedom of immunocompromised people aren’t COVID safety measures—they’re the dangers posed by a virus that spreads further and faster the less people are vaccinated.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Offspring drummer Pete Parada received an \u003ca href=\"https://www.instagram.com/p/CSE_rkVnIgL/\" target=\"_blank\" rel=\"noopener noreferrer\">outpouring of support\u003c/a> earlier this week after he announced he would be unable to tour for the foreseeable future. In an emotional Instagram post, Parada said that a medical condition he has been living with since childhood—\u003ca href=\"https://www.ninds.nih.gov/Disorders/Patient-Caregiver-Education/Fact-Sheets/Guillain-Barr%C3%A9-Syndrome-Fact-Sheet\" target=\"_blank\" rel=\"noopener noreferrer\">Guillain-Barré Syndrome\u003c/a> (GBS)—prevented him from receiving a COVID-19 vaccine, and that his band now considered him “unsafe” to work with. GBS is a rare and incurable condition that causes the body’s immune system to attack its nerves.\u003c/p>\n\u003cp>“Given my personal history and the side-effect profile of these jabs,” Parada wrote, “my doctor has advised me not to get a shot at this time. Unfortunately for me (and my family—who is hoping to keep me around a bit longer), the risks far outweigh the benefits.”\u003c/p>\n\u003cp>Recent figures suggest there may an increased risk of suffering a bout of GBS after receiving the Johnson & Johnson COVID-19 vaccine. “There have been 100 preliminary reports of GBS following vaccination,” the \u003ca href=\"https://www.fda.gov/news-events/press-announcements/coronavirus-covid-19-update-july-13-2021\" target=\"_blank\" rel=\"noopener noreferrer\">FDA reports\u003c/a>, “after approximately 12.5 million doses administered.” However, there is \u003ca href=\"https://health.clevelandclinic.org/guillain-barre-syndrome-and-covid-vaccine/\" target=\"_blank\" rel=\"noopener noreferrer\">no evidence\u003c/a> that the Pfizer or Moderna vaccines carry increased risks for GBS patients.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>While some of America’s most popular festivals—including Coachella, Burning Man and SXSW—have opted to postpone until 2022, many others are still forging ahead this year. COVID restrictions for attendees at each event vary and are at the discretion of the organizers. So, for example, while Napa’s \u003ca href=\"https://www.bottlerocknapavalley.com/health-safety/\" target=\"_blank\" rel=\"noopener noreferrer\">BottleRock\u003c/a> will require proof of vaccination or a negative COVID test, \u003ca href=\"https://www.sfoutsidelands.com/health-and-safety/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> is—for the moment, at least—merely saying it “will follow the recommended health and safety guidelines put forth by the authorities.” \u003ca href=\"https://www.sterngrove.org/covid\" target=\"_blank\" rel=\"noopener noreferrer\">Stern Grove\u003c/a> says it will have a reservation-only policy and a perimeter, but no requirement to show vaccine status at this time. It is unclear what restrictions will be in place for performers.\u003c/p>\n\u003cp>As for music venues, in California at least, the National Independent Venue Association (NIVA) reports that most of the music venues checking vaccine cards are also accepting negative COVID tests.\u003c/p>\n\u003cp>While Parada claimed that his decision to not get vaccinated was a medical one, he also shared clear anti-vax opinions later in his post. “I do not find it ethical or wise,” he wrote, “to allow those with the most power (government, corporations, organizations, employers) to dictate medical procedures to those with the least power.” Parada continued: “If it looks like half the population is having a shockingly different reaction to these jabs than was expected—it’s probably because their life experiences have actually been shockingly different.”\u003c/p>\n\u003cp>As the music industry scrambles to bring back live music, the very least fans and musicians should be doing before heading out to venues is getting vaccinated and/or checking their COVID status regularly with tests. Even then, an abundance of caution should still be exercised. The Netherlands’ Verknipt festival, which took place in mid-July, offers a cautionary example. The two-day outdoor festival required proof of vaccine or a negative test to enter, but still led to \u003ca href=\"https://www.cnbc.com/2021/07/15/music-festival-in-holland-leads-to-over-1000-covid-infections.html\" target=\"_blank\" rel=\"noopener noreferrer\">1,050 COVID infections\u003c/a>—5% of attendees caught the virus.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Make no mistake, the social and personal freedoms we have successfully wrangled back in recent months are a direct result of the vaccine rollout. What most threatens those freedoms now is the highly transmissible delta variant which, data proves, vaccines protect against. (“The rate of breakthrough cases reported among those fully vaccinated is well below 1% in all reporting states,” according to the \u003ca href=\"https://www.nytimes.com/2021/08/03/well/live/covid-delta-variant-vaccine-symptoms.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>New York Times\u003c/em>\u003c/a>.) The larger barriers to the freedom of immunocompromised people aren’t COVID safety measures—they’re the dangers posed by a virus that spreads further and faster the less people are vaccinated.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Outside Lands Daily Lineups Announced; Single-Day Tickets on Sale Thursday",
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"content": "\u003cp>Outside Lands \u003ca href=\"https://www.kqed.org/arts/13894172/outside-lands-scheduled-to-return-on-halloween-weekend\" rel=\"noopener noreferrer\" target=\"_blank\">returns\u003c/a> to Golden Gate Park in October, and daily lineups have been announced. \u003c/p>\n\u003cp>The Strokes and Tyler the Creator headline Friday; Lizzo, Vampire Weekend and Young Thug headline Saturday; and Tame Impala, J Balvin and Kehlani headline Sunday. A full lineup broken down by day is below. \u003c/p>\n\u003cp>Single-day tickets, starting at $165 each, \u003ca href=\"https://www.sfoutsidelands.com/tickets/\" rel=\"noopener noreferrer\" target=\"_blank\">go on sale Thursday\u003c/a>, April 29, at 10am. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/04/OLByDay-1020x1127.jpg\" alt=\"\" width=\"640\" height=\"707\" class=\"aligncenter size-large wp-image-13896368\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-1020x1127.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-800x884.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-160x177.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-768x848.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-1391x1536.jpg 1391w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay.jpg 1800w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Outside Lands \u003ca href=\"https://www.kqed.org/arts/13894172/outside-lands-scheduled-to-return-on-halloween-weekend\" rel=\"noopener noreferrer\" target=\"_blank\">returns\u003c/a> to Golden Gate Park in October, and daily lineups have been announced. \u003c/p>\n\u003cp>The Strokes and Tyler the Creator headline Friday; Lizzo, Vampire Weekend and Young Thug headline Saturday; and Tame Impala, J Balvin and Kehlani headline Sunday. A full lineup broken down by day is below. \u003c/p>\n\u003cp>Single-day tickets, starting at $165 each, \u003ca href=\"https://www.sfoutsidelands.com/tickets/\" rel=\"noopener noreferrer\" target=\"_blank\">go on sale Thursday\u003c/a>, April 29, at 10am. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/04/OLByDay-1020x1127.jpg\" alt=\"\" width=\"640\" height=\"707\" class=\"aligncenter size-large wp-image-13896368\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-1020x1127.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-800x884.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-160x177.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-768x848.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay-1391x1536.jpg 1391w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/OLByDay.jpg 1800w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "California Reopens in June. When Can We See Live Music Again?",
"headTitle": "California Reopens in June. When Can We See Live Music Again? | KQED",
"content": "\u003cp>Governor Gavin Newsom announced yesterday that California would fully open its economy on June 15, provided there’s enough vaccine supply and COVID-19 hospitalizations remain low. Counties will abandon the color-coded tier system that allows certain businesses to operate at limited capacity, and instead will adopt a \u003ca href=\"https://www.cdph.ca.gov/Programs/CID/DCDC/Pages/COVID-19/beyond_memo.aspx\" target=\"_blank\" rel=\"noopener noreferrer\">statewide reopening model\u003c/a>.\u003c/p>\n\u003cp>Theoretically, that means clubs, concert halls and ballrooms can invite guests at full capacity in two months—and put musicians, stage crews and venue staff back to work. (The new state guidelines stipulate that masks will still be mandatory, and conventions with over 5,000 attendees will require proof of vaccination or a negative COVID test.) [aside postid='news_11867934']\u003c/p>\n\u003cp>If all goes according to plan, \u003ca href=\"https://www.sterngrove.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Stern Grove Festival\u003c/a>, the free, outdoor live music series that takes place on weekends in San Francisco every summer, is planning to do just that. Executive director Bob Fiedler tells KQED he’s hopeful the festival can relaunch on June 20 with some COVID safety modifications.\u003c/p>\n\u003cp>Instead of allowing guests to come and go freely, there will be a fenced perimeter around the Stern Grove meadow and designated entry points. Reservations will be required, social distancing will be enforced and capacity will be down to about 3,000 from 10,000 in previous years. Pending approval from the San Francisco Department of Public Health, Stern Grove plans to announce its lineup and dates in about a month.\u003c/p>\n\u003cp>“As far as a bigger music festival, there’s a chance we’re going to be one of first ones back and we’re excited for that,” says Fiedler. “Music heals and it’s medicine, and the Bay Area and people in general can use that right now.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The \u003ca href=\"https://www.sfsymphony.org/About-SFS\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Symphony\u003c/a> may also see an earlier return to live performances than anticipated. CEO Mark Hanson tells KQED that the orchestra will likely give several outdoor concerts in June, July and August, and that program details will be released in the coming month or two. Indoor performances may resume in the fall. “O\u003cspan class=\"s1\">ur planning continues now with an increased sense of confidence and belief that this will actually happen,” he says, adding that digital programming will continue on the orchestra’s streaming service, \u003ca href=\"https://www.sfsymphonyplus.org/?npclid=CjwKCAjw07qDBhBxEiwA6pPbHmNgUj3r3vHeGVNbjrnN6x9uJ8B-mzK0cDBqYoscy_vTAvopOqYuaxoCFgoQAvD_BwE&utm_source=google&utm_medium=cpc&utm_term=sf%20symphony%20plus&utm_campaign=Brand+-+SFS%2B&gclid=CjwKCAjw07qDBhBxEiwA6pPbHmNgUj3r3vHeGVNbjrnN6x9uJ8B-mzK0cDBqYoscy_vTAvopOqYuaxoCFgoQAvD_BwE\" target=\"_blank\" rel=\"noopener noreferrer\">SFSymphony+\u003c/a>. \u003c/span>\u003c/p>\n\u003cp>For many indoor music venue owners, getting back to business may be a slower process. “The idea of reopening that soon is as scary as closing was a year ago,” says Lynn Schwarz, co-owner and talent buyer at \u003ca href=\"http://www.bottomofthehill.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Bottom of the Hill\u003c/a>, an intimate, dive-y San Francisco rock club with a capacity of 250 people.\u003c/p>\n\u003cfigure id=\"attachment_13852010\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852010\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/03/MG_0601-800x533.jpg\" alt=\"Super Unison's Meghan O'Neil belts out powerful post-punk vocals on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0601-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0601-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Super Unison’s Meghan O’Neil belts out powerful post-punk vocals on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Schwarz and her partners need capital to reopen. They’re applying to the \u003ca href=\"https://www.sba.gov/funding-programs/loans/covid-19-relief-options/shuttered-venue-operators-grant\" target=\"_blank\" rel=\"noopener noreferrer\">Shuttered Venue Operators Grant\u003c/a> from the federal government, which would help take care of some of the bills and debt. They also need another Payroll Protection Program loan to rehire their staff and give them enough hours. That’s in addition to a litany of logistical tasks, like making sure appliances and sound equipment still work after a year of disuse, installing plastic barriers and better ventilation and switching from a cash-only to a touchless payment system. [aside postid='arts_13894097']\u003c/p>\n\u003cp>“We will be [financially] vulnerable for the whole of next year,” says Schwarz, adding that many of her venue owner peers have expressed similar concerns.\u003c/p>\n\u003cp>Schwarz has booked a handful of concerts for August with bands like Surfer Blood and King Buffalo, and is in the process of finalizing a few other dates before announcing an official grand reopening. “It’s going to be a mad dash to get the best local bands on the bill,” she says, adding that out-of-town acts may be slow to organize national tours.\u003c/p>\n\u003cp>Venues that book primarily touring acts may take even longer to get off the ground. “When we—our community, meaning music venues, promoters, artists, agents and managers—all feel that it makes sense to start up the tours and to tour the country, then it starts to become real and viable,” says David Mayeri, CEO of \u003ca href=\"https://theuctheatre.org/\" target=\"_blank\" rel=\"noopener noreferrer\">The UC Theatre\u003c/a>, adding that concerts will likely resume in his 1,400-capacity Berkeley ballroom in September, possibly August. “A lot can happen between now and June 15 that will be positive; some things can happen that will be setbacks. We don’t know what to predict.”\u003c/p>\n\u003cp>Mayeri is an organizer with \u003ca href=\"https://nivacalifornia.org/\" target=\"_blank\" rel=\"noopener noreferrer\">NIVA California\u003c/a>, the regional branch of the National Independent Venue Association that came together to advocate for the concert industry during the pandemic. NIVA California sees the governor’s announcement as a step in the right direction, and is also advocating for more financial support at the state level.\u003c/p>\n\u003cfigure id=\"attachment_13863765\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863765\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/08/MG_7198-1-800x533.jpg\" alt=\"Toro y Moi performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7198-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7198-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7198-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Toro y Moi performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A big argument for state funding is that the arts are an economic engine; NIVA California estimates that independent venues generated $13 billion for the state economy in 2019. “We are still hoping for financial support from the state of California so venues can once again be economic drivers and contribute to the cultural fabric of our communities,” Sarah Fink Dempsey, spokesperson for \u003ca href=\"http://apeconcerts.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Another Planet Entertainment\u003c/a>, another NIVA member, tells KQED in an email.\u003c/p>\n\u003cp>Another Planet has already announced the return of its big festival, \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a>, in October. Fink Dempsey says that the company is hopeful that its venues—which include Oakland’s Fox Theater and San Francisco’s Bill Graham Civic Auditorium and The Independent—will be back in business in August. “Obviously this is all still unfolding and is a dynamic situation, and [we] will only do so when it is deemed safe,” she adds. [aside postid='arts_13894172']\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfjazz.org/\" target=\"_blank\" rel=\"noopener noreferrer\">SFJAZZ\u003c/a>, which is a nonprofit like The UC Theatre, may not host live shows until January 2022, says founder and executive artistic director Randall Kline. “It’s all fluid right now. If this were a linear, straight, directed path, it’d be easy to do,” he says. “But this virus in particular is unpredictable and we’re not sure where it’s all going to go. The variables are still huge in this—what is safe and how people are going to be able to gather.”\u003c/p>\n\u003cp>SFJAZZ books its programming a year out, and Kline predicts a challenge may be securing the big-name, touring artists who are already reeling from having numerous tours canceled over the last year. Those performers may wait until things stabilize. “We’re looking at artists in our backyard,“ says Kline, adding that numerous venues will be competing to book high-caliber Bay Area and California acts. “We’re going to be a little more regional for a little bit.”\u003c/p>\n\u003cfigure id=\"attachment_13895353\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13895353\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-800x533.jpg\" alt=\"A jazz quartet performs onstage in a modern theater with purple lighting.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taj Mahal Quartet performs on the SFJAZZ Center’s Robert N. Miner Auditorium stage in San Francisco, CA on March 1, 2020. \u003ccite>(Bill Evans)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Difficult as it may be to wrangle touring acts, Rob Ready of San Francisco cabaret \u003ca href=\"https://www.pianofight.com/\" target=\"_blank\" rel=\"noopener noreferrer\">PianoFight\u003c/a> points out that many local artists may also need time to rehearse and perfect performances. “For most bands and most theater acts—or burlesque or drag performers or magicians—none of these folks have been able to be in same room as each other for over a year,” he says. While, before the pandemic, PianoFight typically hosted a wide variety of music and theater shows in its three rooms on a single night, it will likely scale down its offerings when it reopens in late summer or early fall because there may be fewer performers available.\u003c/p>\n\u003cp>So, when will fans be able to enjoy live music? And when will an industry that was the first to close and last to reopen be fully functional again? Each venue has a different answer, but it’s safe to expect that in a few months’ time—and with enough vaccines—we may be able to safely gather again.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>This story was updated to include details about the San Francisco Symphony and a quote from Mark Hanson. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Governor Gavin Newsom announced yesterday that California would fully open its economy on June 15, provided there’s enough vaccine supply and COVID-19 hospitalizations remain low. Counties will abandon the color-coded tier system that allows certain businesses to operate at limited capacity, and instead will adopt a \u003ca href=\"https://www.cdph.ca.gov/Programs/CID/DCDC/Pages/COVID-19/beyond_memo.aspx\" target=\"_blank\" rel=\"noopener noreferrer\">statewide reopening model\u003c/a>.\u003c/p>\n\u003cp>Theoretically, that means clubs, concert halls and ballrooms can invite guests at full capacity in two months—and put musicians, stage crews and venue staff back to work. (The new state guidelines stipulate that masks will still be mandatory, and conventions with over 5,000 attendees will require proof of vaccination or a negative COVID test.) \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If all goes according to plan, \u003ca href=\"https://www.sterngrove.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Stern Grove Festival\u003c/a>, the free, outdoor live music series that takes place on weekends in San Francisco every summer, is planning to do just that. Executive director Bob Fiedler tells KQED he’s hopeful the festival can relaunch on June 20 with some COVID safety modifications.\u003c/p>\n\u003cp>Instead of allowing guests to come and go freely, there will be a fenced perimeter around the Stern Grove meadow and designated entry points. Reservations will be required, social distancing will be enforced and capacity will be down to about 3,000 from 10,000 in previous years. Pending approval from the San Francisco Department of Public Health, Stern Grove plans to announce its lineup and dates in about a month.\u003c/p>\n\u003cp>“As far as a bigger music festival, there’s a chance we’re going to be one of first ones back and we’re excited for that,” says Fiedler. “Music heals and it’s medicine, and the Bay Area and people in general can use that right now.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.sfsymphony.org/About-SFS\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Symphony\u003c/a> may also see an earlier return to live performances than anticipated. CEO Mark Hanson tells KQED that the orchestra will likely give several outdoor concerts in June, July and August, and that program details will be released in the coming month or two. Indoor performances may resume in the fall. “O\u003cspan class=\"s1\">ur planning continues now with an increased sense of confidence and belief that this will actually happen,” he says, adding that digital programming will continue on the orchestra’s streaming service, \u003ca href=\"https://www.sfsymphonyplus.org/?npclid=CjwKCAjw07qDBhBxEiwA6pPbHmNgUj3r3vHeGVNbjrnN6x9uJ8B-mzK0cDBqYoscy_vTAvopOqYuaxoCFgoQAvD_BwE&utm_source=google&utm_medium=cpc&utm_term=sf%20symphony%20plus&utm_campaign=Brand+-+SFS%2B&gclid=CjwKCAjw07qDBhBxEiwA6pPbHmNgUj3r3vHeGVNbjrnN6x9uJ8B-mzK0cDBqYoscy_vTAvopOqYuaxoCFgoQAvD_BwE\" target=\"_blank\" rel=\"noopener noreferrer\">SFSymphony+\u003c/a>. \u003c/span>\u003c/p>\n\u003cp>For many indoor music venue owners, getting back to business may be a slower process. “The idea of reopening that soon is as scary as closing was a year ago,” says Lynn Schwarz, co-owner and talent buyer at \u003ca href=\"http://www.bottomofthehill.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Bottom of the Hill\u003c/a>, an intimate, dive-y San Francisco rock club with a capacity of 250 people.\u003c/p>\n\u003cfigure id=\"attachment_13852010\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852010\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/03/MG_0601-800x533.jpg\" alt=\"Super Unison's Meghan O'Neil belts out powerful post-punk vocals on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0601-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0601-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Super Unison’s Meghan O’Neil belts out powerful post-punk vocals on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Schwarz and her partners need capital to reopen. They’re applying to the \u003ca href=\"https://www.sba.gov/funding-programs/loans/covid-19-relief-options/shuttered-venue-operators-grant\" target=\"_blank\" rel=\"noopener noreferrer\">Shuttered Venue Operators Grant\u003c/a> from the federal government, which would help take care of some of the bills and debt. They also need another Payroll Protection Program loan to rehire their staff and give them enough hours. That’s in addition to a litany of logistical tasks, like making sure appliances and sound equipment still work after a year of disuse, installing plastic barriers and better ventilation and switching from a cash-only to a touchless payment system. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We will be [financially] vulnerable for the whole of next year,” says Schwarz, adding that many of her venue owner peers have expressed similar concerns.\u003c/p>\n\u003cp>Schwarz has booked a handful of concerts for August with bands like Surfer Blood and King Buffalo, and is in the process of finalizing a few other dates before announcing an official grand reopening. “It’s going to be a mad dash to get the best local bands on the bill,” she says, adding that out-of-town acts may be slow to organize national tours.\u003c/p>\n\u003cp>Venues that book primarily touring acts may take even longer to get off the ground. “When we—our community, meaning music venues, promoters, artists, agents and managers—all feel that it makes sense to start up the tours and to tour the country, then it starts to become real and viable,” says David Mayeri, CEO of \u003ca href=\"https://theuctheatre.org/\" target=\"_blank\" rel=\"noopener noreferrer\">The UC Theatre\u003c/a>, adding that concerts will likely resume in his 1,400-capacity Berkeley ballroom in September, possibly August. “A lot can happen between now and June 15 that will be positive; some things can happen that will be setbacks. We don’t know what to predict.”\u003c/p>\n\u003cp>Mayeri is an organizer with \u003ca href=\"https://nivacalifornia.org/\" target=\"_blank\" rel=\"noopener noreferrer\">NIVA California\u003c/a>, the regional branch of the National Independent Venue Association that came together to advocate for the concert industry during the pandemic. NIVA California sees the governor’s announcement as a step in the right direction, and is also advocating for more financial support at the state level.\u003c/p>\n\u003cfigure id=\"attachment_13863765\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863765\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/08/MG_7198-1-800x533.jpg\" alt=\"Toro y Moi performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7198-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7198-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7198-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Toro y Moi performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A big argument for state funding is that the arts are an economic engine; NIVA California estimates that independent venues generated $13 billion for the state economy in 2019. “We are still hoping for financial support from the state of California so venues can once again be economic drivers and contribute to the cultural fabric of our communities,” Sarah Fink Dempsey, spokesperson for \u003ca href=\"http://apeconcerts.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Another Planet Entertainment\u003c/a>, another NIVA member, tells KQED in an email.\u003c/p>\n\u003cp>Another Planet has already announced the return of its big festival, \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a>, in October. Fink Dempsey says that the company is hopeful that its venues—which include Oakland’s Fox Theater and San Francisco’s Bill Graham Civic Auditorium and The Independent—will be back in business in August. “Obviously this is all still unfolding and is a dynamic situation, and [we] will only do so when it is deemed safe,” she adds. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfjazz.org/\" target=\"_blank\" rel=\"noopener noreferrer\">SFJAZZ\u003c/a>, which is a nonprofit like The UC Theatre, may not host live shows until January 2022, says founder and executive artistic director Randall Kline. “It’s all fluid right now. If this were a linear, straight, directed path, it’d be easy to do,” he says. “But this virus in particular is unpredictable and we’re not sure where it’s all going to go. The variables are still huge in this—what is safe and how people are going to be able to gather.”\u003c/p>\n\u003cp>SFJAZZ books its programming a year out, and Kline predicts a challenge may be securing the big-name, touring artists who are already reeling from having numerous tours canceled over the last year. Those performers may wait until things stabilize. “We’re looking at artists in our backyard,“ says Kline, adding that numerous venues will be competing to book high-caliber Bay Area and California acts. “We’re going to be a little more regional for a little bit.”\u003c/p>\n\u003cfigure id=\"attachment_13895353\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13895353\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-800x533.jpg\" alt=\"A jazz quartet performs onstage in a modern theater with purple lighting.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/Taj-Mahal-Quartet-at-the-SFJAZZ-Center-in-San-Francisco-CA-on-March-1-2020-credit-Bill-Evans.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taj Mahal Quartet performs on the SFJAZZ Center’s Robert N. Miner Auditorium stage in San Francisco, CA on March 1, 2020. \u003ccite>(Bill Evans)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Difficult as it may be to wrangle touring acts, Rob Ready of San Francisco cabaret \u003ca href=\"https://www.pianofight.com/\" target=\"_blank\" rel=\"noopener noreferrer\">PianoFight\u003c/a> points out that many local artists may also need time to rehearse and perfect performances. “For most bands and most theater acts—or burlesque or drag performers or magicians—none of these folks have been able to be in same room as each other for over a year,” he says. While, before the pandemic, PianoFight typically hosted a wide variety of music and theater shows in its three rooms on a single night, it will likely scale down its offerings when it reopens in late summer or early fall because there may be fewer performers available.\u003c/p>\n\u003cp>So, when will fans be able to enjoy live music? And when will an industry that was the first to close and last to reopen be fully functional again? Each venue has a different answer, but it’s safe to expect that in a few months’ time—and with enough vaccines—we may be able to safely gather again.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was updated to include details about the San Francisco Symphony and a quote from Mark Hanson. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>After over a year without festivals or concerts, music lovers may have something to look forward to this fall. The iconic \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> festival, which typically takes place in San Francisco’s Golden Gate Park every August, has moved to Halloween weekend in the hopes that a later date will allow for greater safety and a more widely vaccinated audience.\u003c/p>\n\u003cp>“The shift in dates allows us to work collectively to determine any new safety measures necessary to implement during the festival weekend,” said festival co-producer Allen Scott. “We ask fans to use this time before the festival to continue exercising common sense COVID safety practices and we look forward to being together again soon.” Current ticket holders who are unable to attend the new dates can request refunds until Apr. 15.\u003c/p>\n\u003cp>This year’s star-studded lineup includes a few Bay Area artists, like Oakland’s Kehlani and San Francisco’s 24kGolden, in addition to huge names like Lizzo, Tame Impala, The Strokes, Young Thug and Tyler, the Creator. Recent double Grammy winner Kaytranada and female rap sensations Flo Milli and Rico Nasty are set to perform as well.\u003c/p>\n\u003cp>Outside Lands is one of the first major music festivals to announce a post-COVID return, and may set a precedent for others to do the same. The pandemic was particularly hard on the \u003ca href=\"https://www.kqed.org/arts/13890093/2020-decimated-the-concert-industry-and-it-cant-rebuild-without-government-help\" target=\"_blank\" rel=\"noopener noreferrer\">live music industry\u003c/a>, and while many venues had to permanently close their doors, concert-goers are eager to return, and the future of live music seems bright.\u003c/p>\n\u003cp>While individual passes are not yet for sale, three-day passes are currently available on the \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> website. The festival will take place Oct. 29-31.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After over a year without festivals or concerts, music lovers may have something to look forward to this fall. The iconic \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> festival, which typically takes place in San Francisco’s Golden Gate Park every August, has moved to Halloween weekend in the hopes that a later date will allow for greater safety and a more widely vaccinated audience.\u003c/p>\n\u003cp>“The shift in dates allows us to work collectively to determine any new safety measures necessary to implement during the festival weekend,” said festival co-producer Allen Scott. “We ask fans to use this time before the festival to continue exercising common sense COVID safety practices and we look forward to being together again soon.” Current ticket holders who are unable to attend the new dates can request refunds until Apr. 15.\u003c/p>\n\u003cp>This year’s star-studded lineup includes a few Bay Area artists, like Oakland’s Kehlani and San Francisco’s 24kGolden, in addition to huge names like Lizzo, Tame Impala, The Strokes, Young Thug and Tyler, the Creator. Recent double Grammy winner Kaytranada and female rap sensations Flo Milli and Rico Nasty are set to perform as well.\u003c/p>\n\u003cp>Outside Lands is one of the first major music festivals to announce a post-COVID return, and may set a precedent for others to do the same. The pandemic was particularly hard on the \u003ca href=\"https://www.kqed.org/arts/13890093/2020-decimated-the-concert-industry-and-it-cant-rebuild-without-government-help\" target=\"_blank\" rel=\"noopener noreferrer\">live music industry\u003c/a>, and while many venues had to permanently close their doors, concert-goers are eager to return, and the future of live music seems bright.\u003c/p>\n\u003cp>While individual passes are not yet for sale, three-day passes are currently available on the \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> website. The festival will take place Oct. 29-31.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Outside Lands, one of San Francisco’s most popular music festivals, has been postponed to 2021—for obvious reasons. But for eager fans who can’t wait to see Lizzo, the Strokes and Tame Impala in Golden Gate Park next summer, the fest hosts a digital event on Aug. 28–29 via \u003ca href=\"https://www.twitch.tv/sfoutsidelands\" target=\"_blank\" rel=\"noopener noreferrer\">Twitch\u003c/a>. It’ll have live performances, archival footage of past headliners, artist interviews and a small business showcase. Artists include Gorillaz, LCD Soundsystem, J. Cole, Jack White, Anderson .Paak & The Free Nationals, Above & Beyond, Haim, Major Lazer, Leon Bridges, Louis the Child, alt-J, Cage The Elephant, Kehlani, ZHU, Beach House, Brittany Howard, SOFI TUKKER and Sharon Van Etten.\u003c/p>\n\u003cp>This year’s online version of Outside Lands is called \u003ca href=\"http://www.sfoutsidelands.com/insidelands\" target=\"_blank\" rel=\"noopener noreferrer\">Inside Lands\u003c/a>, which is also the name of a \u003ca href=\"https://www.kqed.org/arts/13878987/a-nightly-zoom-party-of-music-laughter-and-generosity-at-inside-lands\" target=\"_blank\" rel=\"noopener noreferrer\">popular Zoom party\u003c/a> that’s been going on since the start of California’s shelter-in-place orders in March.\u003c/p>\n\u003cp>Outside Lands joins a spate of large-scale music festivals that have gone digital as the fate of California’s concert industry hangs in limbo. \u003ca href=\"http://www.hardlystrictlybluegrass.com/2020/\" target=\"_blank\" rel=\"noopener noreferrer\">Hardly Strictly\u003c/a>, also a fan favorite that happens annually in Golden Gate Park, will have an online event in October and has launched a \u003ca href=\"http://www.hardlystrictlybluegrass.com/2020/music-relief/\" target=\"_blank\" rel=\"noopener noreferrer\">COVID-19 relief fund\u003c/a> for artists.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Outside Lands, one of San Francisco’s most popular music festivals, has been postponed to 2021—for obvious reasons. But for eager fans who can’t wait to see Lizzo, the Strokes and Tame Impala in Golden Gate Park next summer, the fest hosts a digital event on Aug. 28–29 via \u003ca href=\"https://www.twitch.tv/sfoutsidelands\" target=\"_blank\" rel=\"noopener noreferrer\">Twitch\u003c/a>. It’ll have live performances, archival footage of past headliners, artist interviews and a small business showcase. Artists include Gorillaz, LCD Soundsystem, J. Cole, Jack White, Anderson .Paak & The Free Nationals, Above & Beyond, Haim, Major Lazer, Leon Bridges, Louis the Child, alt-J, Cage The Elephant, Kehlani, ZHU, Beach House, Brittany Howard, SOFI TUKKER and Sharon Van Etten.\u003c/p>\n\u003cp>This year’s online version of Outside Lands is called \u003ca href=\"http://www.sfoutsidelands.com/insidelands\" target=\"_blank\" rel=\"noopener noreferrer\">Inside Lands\u003c/a>, which is also the name of a \u003ca href=\"https://www.kqed.org/arts/13878987/a-nightly-zoom-party-of-music-laughter-and-generosity-at-inside-lands\" target=\"_blank\" rel=\"noopener noreferrer\">popular Zoom party\u003c/a> that’s been going on since the start of California’s shelter-in-place orders in March.\u003c/p>\n\u003cp>Outside Lands joins a spate of large-scale music festivals that have gone digital as the fate of California’s concert industry hangs in limbo. \u003ca href=\"http://www.hardlystrictlybluegrass.com/2020/\" target=\"_blank\" rel=\"noopener noreferrer\">Hardly Strictly\u003c/a>, also a fan favorite that happens annually in Golden Gate Park, will have an online event in October and has launched a \u003ca href=\"http://www.hardlystrictlybluegrass.com/2020/music-relief/\" target=\"_blank\" rel=\"noopener noreferrer\">COVID-19 relief fund\u003c/a> for artists.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>After initially postponing its May 2020 dates to October of this year, \u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener noreferrer\">BottleRock Napa Valley\u003c/a> announced today that the music, arts and culinary festival will take place on May 28—30, 2021 at the Napa Valley Expo. Headliners Stevie Nicks, Red Hot Chili Peppers and Dave Matthews Band will still perform, and all 2020 passes will be honored for the new dates. Ticket holders can also request refunds.\u003c/p>\n\u003cp>The move comes as COVID-19 cases continue to rise across California. Earlier this week, the state scaled back some of its reopening efforts with an order to close all indoor bars and restaurants. New COVID-19 cases in California exceeded \u003ca href=\"https://www.nytimes.com/2020/07/16/us/california-coronavirus-cases.html\" target=\"_blank\" rel=\"noopener noreferrer\">10,000 a day\u003c/a> for the first time on Tuesday.\u003c/p>\n\u003cp>\u003ca href=\"https://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Burger Boogaloo\u003c/a>, the punk and garage rock festival hosted in Oakland’s Mosswood Park every year, also rescheduled for the second time this week. Featuring Bikini Kill and the Circle Jerks, the festival was originally postponed from July 2020 to October 2020, and is now postponed again to July 2021. Likewise, the \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands Music and Arts Festival\u003c/a>, which draws tens of thousands of fans to San Francisco’s Golden Gate Park every August, moved its dates to August 2021 with Lizzo, Tame Impala and the Strokes as headliners. Refunds are available to Outside Lands and Burger Boogaloo ticket holders as well.\u003c/p>\n\u003cp>\u003cem>—Nastia Voynovskaya (\u003ca href=\"https://twitter.com/nananastia\" target=\"_blank\" rel=\"noopener noreferrer\">@nananastia\u003c/a>)\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After initially postponing its May 2020 dates to October of this year, \u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener noreferrer\">BottleRock Napa Valley\u003c/a> announced today that the music, arts and culinary festival will take place on May 28—30, 2021 at the Napa Valley Expo. Headliners Stevie Nicks, Red Hot Chili Peppers and Dave Matthews Band will still perform, and all 2020 passes will be honored for the new dates. Ticket holders can also request refunds.\u003c/p>\n\u003cp>The move comes as COVID-19 cases continue to rise across California. Earlier this week, the state scaled back some of its reopening efforts with an order to close all indoor bars and restaurants. New COVID-19 cases in California exceeded \u003ca href=\"https://www.nytimes.com/2020/07/16/us/california-coronavirus-cases.html\" target=\"_blank\" rel=\"noopener noreferrer\">10,000 a day\u003c/a> for the first time on Tuesday.\u003c/p>\n\u003cp>\u003ca href=\"https://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Burger Boogaloo\u003c/a>, the punk and garage rock festival hosted in Oakland’s Mosswood Park every year, also rescheduled for the second time this week. Featuring Bikini Kill and the Circle Jerks, the festival was originally postponed from July 2020 to October 2020, and is now postponed again to July 2021. Likewise, the \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands Music and Arts Festival\u003c/a>, which draws tens of thousands of fans to San Francisco’s Golden Gate Park every August, moved its dates to August 2021 with Lizzo, Tame Impala and the Strokes as headliners. Refunds are available to Outside Lands and Burger Boogaloo ticket holders as well.\u003c/p>\n\u003cp>\u003cem>—Nastia Voynovskaya (\u003ca href=\"https://twitter.com/nananastia\" target=\"_blank\" rel=\"noopener noreferrer\">@nananastia\u003c/a>)\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Outside Lands Postponed Until 2021; Lineup Announced",
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"content": "\u003cp>\u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a>, the music and arts festival that brings tens of thousands of music fans to San Francisco’s Golden Gate Park every August, has been rescheduled to 2021 due to the pandemic. Bay Area concert promoter Another Planet Entertainment announced the move today along with the lineup, which features Tame Impala, Lizzo and The Strokes at the top of the bill. (Fans caught a glimpse of the headliners, originally scheduled for this year, when Outside Lands published and then deleted the lineup from its website in April.)\u003c/p>\n\u003cp>Now taking place August 6–8, 2021, the festival also features genre-bending rapper and producer Tyler, the Creator, Oakland-raised R&B singer Kehlani, Colombian reggaeton-pop superstar J Balvin, indie rock band The 1975, singer-producer Zhu and hit-making rapper Young Thug.\u003c/p>\n\u003cp>Of course, the festival’s new dates are contingent upon California reaching phase four of its reopening plan, which would require the development of therapeutics to treat COVID-19. “We are in close contact with local and state officials, working together to create the safest possible environment for you, our fans,” the Outside Lands team wrote in a statement.\u003c/p>\n\u003cp>For those who already purchased early-bird passes, tickets for this year’s event will roll over to next year, and fans who can’t make the new dates have until July 24 to request a refund.\u003c/p>\n\u003cp>See the full lineup and more details \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>— Nastia Voynovskaya (\u003ca href=\"https://twitter.com/nananastia\" rel=\"noopener noreferrer\" target=\"_blank\">@nananastia\u003c/a>)\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a>, the music and arts festival that brings tens of thousands of music fans to San Francisco’s Golden Gate Park every August, has been rescheduled to 2021 due to the pandemic. Bay Area concert promoter Another Planet Entertainment announced the move today along with the lineup, which features Tame Impala, Lizzo and The Strokes at the top of the bill. (Fans caught a glimpse of the headliners, originally scheduled for this year, when Outside Lands published and then deleted the lineup from its website in April.)\u003c/p>\n\u003cp>Now taking place August 6–8, 2021, the festival also features genre-bending rapper and producer Tyler, the Creator, Oakland-raised R&B singer Kehlani, Colombian reggaeton-pop superstar J Balvin, indie rock band The 1975, singer-producer Zhu and hit-making rapper Young Thug.\u003c/p>\n\u003cp>Of course, the festival’s new dates are contingent upon California reaching phase four of its reopening plan, which would require the development of therapeutics to treat COVID-19. “We are in close contact with local and state officials, working together to create the safest possible environment for you, our fans,” the Outside Lands team wrote in a statement.\u003c/p>\n\u003cp>For those who already purchased early-bird passes, tickets for this year’s event will roll over to next year, and fans who can’t make the new dates have until July 24 to request a refund.\u003c/p>\n\u003cp>See the full lineup and more details \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Toro y Moi Shows Oakland Love, Paul Simon Dazzles: Outside Lands Day 3 Highlights",
"headTitle": "Toro y Moi Shows Oakland Love, Paul Simon Dazzles: Outside Lands Day 3 Highlights | KQED",
"content": "\u003cp>After shouting out Oakland, Berkeley and the East Bay, Toro y Moi’s Chaz Bear got a packed Sunday afternoon Outside Lands crowd grooving with “Ordinary Pleasure,” the single from last year’s funkified album \u003cem>Outer Peace\u003c/em>. In the capable hands of his band—which includes conga queen Brijean Murphy and keyboardist Anthony Ferraro of Astronauts Etc.—the track felt alive and wiggly, and the audience moved their feet and swung their hips in appreciation during one of the day’s most memorable sets. [aside postid='arts_13863632']\u003c/p>\n\u003cp>As Bear momentarily brought down the energy with the downtempo “Monte Carlo,” couples winding down from a weekend’s worth of substances made out and slow danced. Audience members greeted the local references in the lyrics (“I can’t take the BART, makes me paranoid”) with whoops of appreciation.\u003c/p>\n\u003cp>After that brief reverie, Bear cranked up the energy again with “Kawasaki,” another two-stepping party track, shouting, “San Francisco, let’s get freaky!”\u003c/p>\n\u003cfigure id=\"attachment_13863766\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863766\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7206-1-800x533.jpg\" alt=\"Toro y Moi performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7206-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7206-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7206-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Toro y Moi performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bear, who is originally from South Carolina, has \u003ca href=\"https://www.kqed.org/arts/13848868/tory-y-moi-is-the-most-regular-famous-person-youll-ever-meet\" target=\"_blank\" rel=\"noopener\">made the East Bay his adopted home\u003c/a> for nearly a decade, bringing talented local musicians into his orbit and sharing his platform with them through collaboration. That dynamic was apparent in his quintet’s synergy on Sunday, as their passionate playing expanded the neatly produced tracks from Toro y Moi’s discography into juicy jam sessions. Bear had fun on his vintage synth, whose \u003cem>bloops\u003c/em> and \u003cem>bleeps\u003c/em> sounded like a cartoon spaceship, while Murphy pitter-pattered on her congas with graceful dexterity.\u003c/p>\n\u003cp>Between songs, Bear fondly remembered his first show in San Francisco 10 years ago at Bottom of the Hill. “I just gotta say, that made me wanna move here,” he told the audience sentimentally. With his spirited and skilled performance, he made the Bay Area proud.\u003c/p>\n\u003ch2>Other highlights\u003c/h2>\n\u003cfigure id=\"attachment_13863779\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863779\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7523-Edit-1-800x499.jpg\" alt=\"Paul Simon performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"499\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7523-Edit-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7523-Edit-1-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7523-Edit-1-768x479.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Paul Simon performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Paul Simon\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A national treasure, folk-rock legend Paul Simon reimagined some of his best-known songs with the help of \u003ca href=\"https://www.ymusicensemble.com/\" target=\"_blank\" rel=\"noopener\">yMusic\u003c/a>, a string and woodwind sextet, during his Sunday headlining set. The stripped-down version of his classic “Bridge Over Troubled Water,” with weeping cellos and an airy, sparse arrangement, was especially touching.\u003c/p>\n\u003cp>When Simon wrote the track at 28 years old in 1969, he confessed, he underestimated its power. “I didn’t know music could course through you like a conduit,” he said, giving fans a glimpse into his thought process. He talked about how the song has taken on many forms: Aretha Franklin recorded her soulful rendition of it at the Fillmore West in San Francisco in 1971. [aside postid='arts_13863549']\u003c/p>\n\u003cp>Though Simon’s headlining set wasn’t as well-attended as Childish Gambino’s the day before (the festival audience this year skewed very young), his refreshing takes on familiar songs (and dad jokes) warmed fans’ hearts. “Me and Julio Down By the Schoolyard,” which he performed with his full 11-piece band, got the crowd doesy-doeing with wild abandon. Before performing his ballad “Rene and Georgette Magritte with their Dog After the War,” he told the audience a story of visiting Joan Baez’ house in the Bay Area in the ’80s and picking up a surrealist art book that inspired the song.\u003c/p>\n\u003cfigure id=\"attachment_13863778\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863778\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7519-1-800x533.jpg\" alt=\"Paul Simon performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7519-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7519-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7519-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Paul Simon performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After an almost two-hour set, the audience demanded an encore, and Simon obliged, performing “The Boxer” with a special guest: the Grateful Dead’s Bob Weir. It was special to see Simon come out of retirement to play Outside Lands, and the fact that he donated his fee to San Francisco Parks Alliance and Friends of the Urban Forest made it even better.\u003c/p>\n\u003cfigure id=\"attachment_13863756\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863756\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7007-1-800x533.jpg\" alt=\"Kacey Musgraves performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7007-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7007-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7007-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kacey Musgraves performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Kacey Musgraves\u003c/strong>\u003c/p>\n\u003cp>Fox News recently got on Kacey Musgraves’ case for saying “somebody f-cking do something” about the United States’ gun violence epidemic, the channel’s talking heads feigning outrage at Musgraves’ swearing. During her charming Outside Lands performance, she seemed to troll those who want her to play the part of a prim-and-proper country singer, asking the audience to lift their middle fingers in the air before launching into a set of sweetly strummed songs from her Grammy-winning \u003cem>Golden Hour. \u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13863775\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863775\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7349-Edit-1-800x533.jpg\" alt=\"Anderson .Paak performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7349-Edit-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7349-Edit-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7349-Edit-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Anderson .Paak performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Anderson .Paak & the Free Nationals\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>While Paul Simon played the large Lands End stage, Anderson .Paak fans overflowed the field at the smaller Sutro Stage, where the rapper, drummer and producer regaled them with a neo-funk dance party with the help of a band and three soulful backup singers. Paak has a knack for making party songs that prompt listeners to contemplate deeper social issues while they dance, as was the case with “King James,” a track that pays homage to Lebron’s philanthropy (“You can’t gentrify the heart of a king”). With “Tints” and “Glowed Up,” Paak got his legions of fans moving. The only downside was that there were so many of them. Hundreds of people were stuck in the back, where the music wasn’t quite audible—a recurring issue during Outside Lands’ most packed edition yet.\u003c/p>\n\u003cfigure id=\"attachment_13863776\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863776\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7487-1-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7487-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7487-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7487-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863774\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863774\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7334-1-800x533.jpg\" alt=\"Bebe Rexha performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7334-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7334-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7334-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bebe Rexha performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863761\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863761\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7108-1-800x533.jpg\" alt=\"Leon Bridges performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7108-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7108-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7108-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Leon Bridges performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863768\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863768\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7249-1-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7249-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7249-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7249-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863752\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863752\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6951-1-800x533.jpg\" alt=\"Anderson .Paak and Roy Choi cook vegan dishes at the Outside Lands GastroMagic stage on Aug. 11,2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6951-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6951-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6951-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Anderson .Paak and Roy Choi cook vegan dishes at the Outside Lands GastroMagic stage on Aug. 11,2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863757\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863757\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7045-1-800x533.jpg\" alt=\"Bob Moses performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7045-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7045-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7045-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bob Moses performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "Kacey Musgraves and Anderson .Paak also impressed on the festival's closing day.",
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"title": "Toro y Moi Shows Oakland Love, Paul Simon Dazzles: Outside Lands Day 3 Highlights | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After shouting out Oakland, Berkeley and the East Bay, Toro y Moi’s Chaz Bear got a packed Sunday afternoon Outside Lands crowd grooving with “Ordinary Pleasure,” the single from last year’s funkified album \u003cem>Outer Peace\u003c/em>. In the capable hands of his band—which includes conga queen Brijean Murphy and keyboardist Anthony Ferraro of Astronauts Etc.—the track felt alive and wiggly, and the audience moved their feet and swung their hips in appreciation during one of the day’s most memorable sets. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As Bear momentarily brought down the energy with the downtempo “Monte Carlo,” couples winding down from a weekend’s worth of substances made out and slow danced. Audience members greeted the local references in the lyrics (“I can’t take the BART, makes me paranoid”) with whoops of appreciation.\u003c/p>\n\u003cp>After that brief reverie, Bear cranked up the energy again with “Kawasaki,” another two-stepping party track, shouting, “San Francisco, let’s get freaky!”\u003c/p>\n\u003cfigure id=\"attachment_13863766\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863766\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7206-1-800x533.jpg\" alt=\"Toro y Moi performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7206-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7206-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7206-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Toro y Moi performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bear, who is originally from South Carolina, has \u003ca href=\"https://www.kqed.org/arts/13848868/tory-y-moi-is-the-most-regular-famous-person-youll-ever-meet\" target=\"_blank\" rel=\"noopener\">made the East Bay his adopted home\u003c/a> for nearly a decade, bringing talented local musicians into his orbit and sharing his platform with them through collaboration. That dynamic was apparent in his quintet’s synergy on Sunday, as their passionate playing expanded the neatly produced tracks from Toro y Moi’s discography into juicy jam sessions. Bear had fun on his vintage synth, whose \u003cem>bloops\u003c/em> and \u003cem>bleeps\u003c/em> sounded like a cartoon spaceship, while Murphy pitter-pattered on her congas with graceful dexterity.\u003c/p>\n\u003cp>Between songs, Bear fondly remembered his first show in San Francisco 10 years ago at Bottom of the Hill. “I just gotta say, that made me wanna move here,” he told the audience sentimentally. With his spirited and skilled performance, he made the Bay Area proud.\u003c/p>\n\u003ch2>Other highlights\u003c/h2>\n\u003cfigure id=\"attachment_13863779\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863779\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7523-Edit-1-800x499.jpg\" alt=\"Paul Simon performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"499\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7523-Edit-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7523-Edit-1-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7523-Edit-1-768x479.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Paul Simon performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Paul Simon\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A national treasure, folk-rock legend Paul Simon reimagined some of his best-known songs with the help of \u003ca href=\"https://www.ymusicensemble.com/\" target=\"_blank\" rel=\"noopener\">yMusic\u003c/a>, a string and woodwind sextet, during his Sunday headlining set. The stripped-down version of his classic “Bridge Over Troubled Water,” with weeping cellos and an airy, sparse arrangement, was especially touching.\u003c/p>\n\u003cp>When Simon wrote the track at 28 years old in 1969, he confessed, he underestimated its power. “I didn’t know music could course through you like a conduit,” he said, giving fans a glimpse into his thought process. He talked about how the song has taken on many forms: Aretha Franklin recorded her soulful rendition of it at the Fillmore West in San Francisco in 1971. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Though Simon’s headlining set wasn’t as well-attended as Childish Gambino’s the day before (the festival audience this year skewed very young), his refreshing takes on familiar songs (and dad jokes) warmed fans’ hearts. “Me and Julio Down By the Schoolyard,” which he performed with his full 11-piece band, got the crowd doesy-doeing with wild abandon. Before performing his ballad “Rene and Georgette Magritte with their Dog After the War,” he told the audience a story of visiting Joan Baez’ house in the Bay Area in the ’80s and picking up a surrealist art book that inspired the song.\u003c/p>\n\u003cfigure id=\"attachment_13863778\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863778\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7519-1-800x533.jpg\" alt=\"Paul Simon performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7519-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7519-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7519-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Paul Simon performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After an almost two-hour set, the audience demanded an encore, and Simon obliged, performing “The Boxer” with a special guest: the Grateful Dead’s Bob Weir. It was special to see Simon come out of retirement to play Outside Lands, and the fact that he donated his fee to San Francisco Parks Alliance and Friends of the Urban Forest made it even better.\u003c/p>\n\u003cfigure id=\"attachment_13863756\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863756\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7007-1-800x533.jpg\" alt=\"Kacey Musgraves performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7007-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7007-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7007-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kacey Musgraves performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Kacey Musgraves\u003c/strong>\u003c/p>\n\u003cp>Fox News recently got on Kacey Musgraves’ case for saying “somebody f-cking do something” about the United States’ gun violence epidemic, the channel’s talking heads feigning outrage at Musgraves’ swearing. During her charming Outside Lands performance, she seemed to troll those who want her to play the part of a prim-and-proper country singer, asking the audience to lift their middle fingers in the air before launching into a set of sweetly strummed songs from her Grammy-winning \u003cem>Golden Hour. \u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13863775\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863775\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7349-Edit-1-800x533.jpg\" alt=\"Anderson .Paak performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7349-Edit-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7349-Edit-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7349-Edit-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Anderson .Paak performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Anderson .Paak & the Free Nationals\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>While Paul Simon played the large Lands End stage, Anderson .Paak fans overflowed the field at the smaller Sutro Stage, where the rapper, drummer and producer regaled them with a neo-funk dance party with the help of a band and three soulful backup singers. Paak has a knack for making party songs that prompt listeners to contemplate deeper social issues while they dance, as was the case with “King James,” a track that pays homage to Lebron’s philanthropy (“You can’t gentrify the heart of a king”). With “Tints” and “Glowed Up,” Paak got his legions of fans moving. The only downside was that there were so many of them. Hundreds of people were stuck in the back, where the music wasn’t quite audible—a recurring issue during Outside Lands’ most packed edition yet.\u003c/p>\n\u003cfigure id=\"attachment_13863776\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863776\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7487-1-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7487-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7487-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7487-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863774\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863774\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7334-1-800x533.jpg\" alt=\"Bebe Rexha performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7334-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7334-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7334-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bebe Rexha performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863761\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863761\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7108-1-800x533.jpg\" alt=\"Leon Bridges performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7108-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7108-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7108-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Leon Bridges performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863768\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863768\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7249-1-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7249-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7249-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7249-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863752\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863752\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6951-1-800x533.jpg\" alt=\"Anderson .Paak and Roy Choi cook vegan dishes at the Outside Lands GastroMagic stage on Aug. 11,2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6951-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6951-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6951-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Anderson .Paak and Roy Choi cook vegan dishes at the Outside Lands GastroMagic stage on Aug. 11,2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863757\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863757\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_7045-1-800x533.jpg\" alt=\"Bob Moses performs at Outside Lands music festival in San Francisco, Aug. 11, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7045-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7045-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_7045-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bob Moses performs at Outside Lands music festival in San Francisco, Aug. 11, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"slug": "tierra-whacks-weirdness-childish-gambinos-doctrine-outside-lands-day-two-highlights",
"title": "Tierra Whack's Weirdness, Childish Gambino's Doctrine: Outside Lands Day Two Highlights",
"publishDate": 1565535536,
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"headTitle": "Tierra Whack’s Weirdness, Childish Gambino’s Doctrine: Outside Lands Day Two Highlights | KQED",
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"content": "\u003cp>Tierra Whack’s 2018 debut, \u003cem>Whack World\u003c/em>, gave a taste of the breakout star’s weird imagination in 15 one-minute-long, bite-sized pieces. Without such stringent time constraints, her hour-long Outside Lands set allowed her oddball, colorful personality to flourish in one of the day’s most dynamic performances.\u003c/p>\n\u003cp>Whack took the stage Saturday in a \u003cem>Cat in the Hat \u003c/em>T-shirt dress draped in tassels, plus matching red-and-white socks and Jordans. Opening with her propulsive trap single “Westbound Eastbound,” she worked the crowd, running back and forth and imploring the audience to turn up with her cartoonish facial expressions.\u003c/p>\n\u003cp>The packed crowd happily obeyed. After asking if there were any birthdays in the house, Whack climbed onto the barrier as if about to crowdsurf, and then, endearingly, handed out cupcakes. (When she was finished, her DJ revealed that it was actually Whack’s birthday, and the audience sang to her.)\u003c/p>\n\u003cfigure id=\"attachment_13863641\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6704-800x533.jpg\" alt=\"Tierra Whack performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863641\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6704.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6704-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6704-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tierra Whack performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The rapper then ran through her \u003cem>Whack World\u003c/em> tracks, each one distilling a different emotion in 60 seconds—a testament to her effectiveness as a songwriter and performer. The twangy “F-ck Off” gave the audience an opportunity for catharsis as they jumped up and down with middle fingers raised, cursing their “deadbeat dads.” During the sexy, winding R&B joint “Hungry Hippo,” she walked offstage in a pseudo-diva moment because the audience didn’t sing along loudly enough. She returned more hyped than ever when they yelled the lyrics to her satisfaction.\u003c/p>\n\u003cp>After a call and response of “Whack! Whack!,” Whack had her audience repeat weird noises—the kind little kids might make when they think adults aren’t listening to their game of pretend. It was the sound of Tierra Whack taking Outside Lands to the wonderful, wacky world of her imagination.\u003c/p>\n\u003ch2>Other Highlights\u003c/h2>\n\u003cfigure id=\"attachment_13863653\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6854-Edit-800x533.jpg\" alt=\"Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863653\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6854-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6854-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6854-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Childish Gambino\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Backed by gospel singers in church robes, Childish Gambino told the Outside Lands audience to put their phones away because “this is church.” Though he commanded the largest crowd in the festival’s history, as he announced, he took care to make the show feel as intimate as possible during Saturday’s headlining set, which he began by singing a cappella in the middle of the audience and giving high fives on the way to the main stage.\u003c/p>\n\u003cp>Calling Oakland his second home, he sang his 2013 pop-rap homage to the Bay Area, “Telegraph Ave. (“Oakland” by Lloyd).” When it came time to perform “This is America,” Gambino—shirtless and in white pants, just like in the music video—broke out in a frenzied dance that underscored the song’s frenetic tempo changes and message of spiritual and political upheaval.\u003c/p>\n\u003cfigure id=\"attachment_13863639\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6646-800x533.jpg\" alt=\"Altın Gün performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863639\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6646.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6646-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6646-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Altın Gün performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Altin Gün\u003c/strong>\u003c/p>\n\u003cp>Hailing from Amsterdam, the multicultural, psychedelic sextet Altin Gün fused Turkish folk sounds with well-placed electronics and oozing funk-rock instrumentation. Singer, keyboardist and \u003cem>baglama\u003c/em> player Erdinc Yildiz Ecevit proved to be the star of the show with his breathy, dramatic vocal delivery and impressive dexterity on keys and strings alike. Though the audience couldn’t understand the band’s Turkish lyrics, they happily danced and snapped along in the sun.\u003c/p>\n\u003cfigure id=\"attachment_13863645\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6764-Edit-800x533.jpg\" alt=\"Big Wild performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863645\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6764-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6764-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6764-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Big Wild performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Big Wild\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Indie pop singer Jackson Stell, a.k.a. Big Wild, showed off his many abilities as his big, wild hair billowed in the wind. Electronic drumming? Check. Singing anthemic hooks? Check. Not one, but two whistle solos?! Check. Accompanied by an all-woman band in matching jumpsuits and red lipstick, Stell’s soul and disco-infused tracks took the audience to ecstatic heights.\u003c/p>\n\u003ch2>More Photos from Outside Lands 2019 Day Two\u003c/h2>\n\u003cfigure id=\"attachment_13863654\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6878-Edit-800x533.jpg\" alt=\"Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863654\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6878-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6878-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6878-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863648\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6792-800x533.jpg\" alt=\"Ella Mai performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863648\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6792.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6792-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6792-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ella Mai performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863647\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6782-Edit-800x533.jpg\" alt=\"CupcakKe performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863647\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6782-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6782-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6782-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">CupcakKe performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863638\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6644-Edit-800x533.jpg\" alt=\"Delacey at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863638\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6644-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6644-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6644-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Delacey at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863655\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6882-800x533.jpg\" alt=\"Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863655\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6882.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6882-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6882-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863649\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6799-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863649\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6799.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6799-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6799-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863642\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6720-Edit-800x533.jpg\" alt=\"Hozier at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863642\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6720-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6720-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6720-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hozier at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863644\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6742-800x533.jpg\" alt=\"Alina Baraz performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863644\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6742.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6742-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6742-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alina Baraz performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863650\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6803-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863650\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6803.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6803-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6803-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863660\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6888-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863660\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6888.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6888-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6888-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863636\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6629-Edit-800x533.jpg\" alt=\"Wallows perform at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863636\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6629-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6629-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6629-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wallows perform at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863637\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6633-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863637\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6633.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6633-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6633-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863643\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6722-800x533.jpg\" alt=\"Caamp at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863643\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6722.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6722-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6722-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Caamp at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863646\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6773-Edit-800x533.jpg\" alt=\"Big Wild performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863646\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6773-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6773-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6773-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Big Wild performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863657\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6893-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863657\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6893.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6893-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6893-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "Gambino led a sermon, Whack handed out cupcakes, and Saturday's Outside Lands crowd was reportedly the largest in the festival's history.",
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"title": "Tierra Whack's Weirdness, Childish Gambino's Doctrine: Outside Lands Day Two Highlights | KQED",
"description": "Gambino led a sermon, Whack handed out cupcakes, and Saturday's Outside Lands crowd was reportedly the largest in the festival's history.",
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"headline": "Tierra Whack's Weirdness, Childish Gambino's Doctrine: Outside Lands Day Two Highlights",
"datePublished": "2019-08-11T07:58:56-07:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Tierra Whack’s 2018 debut, \u003cem>Whack World\u003c/em>, gave a taste of the breakout star’s weird imagination in 15 one-minute-long, bite-sized pieces. Without such stringent time constraints, her hour-long Outside Lands set allowed her oddball, colorful personality to flourish in one of the day’s most dynamic performances.\u003c/p>\n\u003cp>Whack took the stage Saturday in a \u003cem>Cat in the Hat \u003c/em>T-shirt dress draped in tassels, plus matching red-and-white socks and Jordans. Opening with her propulsive trap single “Westbound Eastbound,” she worked the crowd, running back and forth and imploring the audience to turn up with her cartoonish facial expressions.\u003c/p>\n\u003cp>The packed crowd happily obeyed. After asking if there were any birthdays in the house, Whack climbed onto the barrier as if about to crowdsurf, and then, endearingly, handed out cupcakes. (When she was finished, her DJ revealed that it was actually Whack’s birthday, and the audience sang to her.)\u003c/p>\n\u003cfigure id=\"attachment_13863641\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6704-800x533.jpg\" alt=\"Tierra Whack performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863641\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6704.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6704-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6704-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tierra Whack performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The rapper then ran through her \u003cem>Whack World\u003c/em> tracks, each one distilling a different emotion in 60 seconds—a testament to her effectiveness as a songwriter and performer. The twangy “F-ck Off” gave the audience an opportunity for catharsis as they jumped up and down with middle fingers raised, cursing their “deadbeat dads.” During the sexy, winding R&B joint “Hungry Hippo,” she walked offstage in a pseudo-diva moment because the audience didn’t sing along loudly enough. She returned more hyped than ever when they yelled the lyrics to her satisfaction.\u003c/p>\n\u003cp>After a call and response of “Whack! Whack!,” Whack had her audience repeat weird noises—the kind little kids might make when they think adults aren’t listening to their game of pretend. It was the sound of Tierra Whack taking Outside Lands to the wonderful, wacky world of her imagination.\u003c/p>\n\u003ch2>Other Highlights\u003c/h2>\n\u003cfigure id=\"attachment_13863653\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6854-Edit-800x533.jpg\" alt=\"Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863653\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6854-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6854-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6854-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Childish Gambino\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Backed by gospel singers in church robes, Childish Gambino told the Outside Lands audience to put their phones away because “this is church.” Though he commanded the largest crowd in the festival’s history, as he announced, he took care to make the show feel as intimate as possible during Saturday’s headlining set, which he began by singing a cappella in the middle of the audience and giving high fives on the way to the main stage.\u003c/p>\n\u003cp>Calling Oakland his second home, he sang his 2013 pop-rap homage to the Bay Area, “Telegraph Ave. (“Oakland” by Lloyd).” When it came time to perform “This is America,” Gambino—shirtless and in white pants, just like in the music video—broke out in a frenzied dance that underscored the song’s frenetic tempo changes and message of spiritual and political upheaval.\u003c/p>\n\u003cfigure id=\"attachment_13863639\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6646-800x533.jpg\" alt=\"Altın Gün performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863639\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6646.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6646-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6646-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Altın Gün performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Altin Gün\u003c/strong>\u003c/p>\n\u003cp>Hailing from Amsterdam, the multicultural, psychedelic sextet Altin Gün fused Turkish folk sounds with well-placed electronics and oozing funk-rock instrumentation. Singer, keyboardist and \u003cem>baglama\u003c/em> player Erdinc Yildiz Ecevit proved to be the star of the show with his breathy, dramatic vocal delivery and impressive dexterity on keys and strings alike. Though the audience couldn’t understand the band’s Turkish lyrics, they happily danced and snapped along in the sun.\u003c/p>\n\u003cfigure id=\"attachment_13863645\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6764-Edit-800x533.jpg\" alt=\"Big Wild performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863645\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6764-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6764-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6764-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Big Wild performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Big Wild\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Indie pop singer Jackson Stell, a.k.a. Big Wild, showed off his many abilities as his big, wild hair billowed in the wind. Electronic drumming? Check. Singing anthemic hooks? Check. Not one, but two whistle solos?! Check. Accompanied by an all-woman band in matching jumpsuits and red lipstick, Stell’s soul and disco-infused tracks took the audience to ecstatic heights.\u003c/p>\n\u003ch2>More Photos from Outside Lands 2019 Day Two\u003c/h2>\n\u003cfigure id=\"attachment_13863654\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6878-Edit-800x533.jpg\" alt=\"Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863654\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6878-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6878-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6878-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863648\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6792-800x533.jpg\" alt=\"Ella Mai performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863648\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6792.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6792-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6792-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ella Mai performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863647\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6782-Edit-800x533.jpg\" alt=\"CupcakKe performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863647\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6782-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6782-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6782-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">CupcakKe performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863638\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6644-Edit-800x533.jpg\" alt=\"Delacey at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863638\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6644-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6644-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6644-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Delacey at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863655\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6882-800x533.jpg\" alt=\"Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863655\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6882.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6882-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6882-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863649\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6799-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863649\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6799.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6799-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6799-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863642\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6720-Edit-800x533.jpg\" alt=\"Hozier at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863642\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6720-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6720-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6720-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hozier at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863644\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6742-800x533.jpg\" alt=\"Alina Baraz performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863644\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6742.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6742-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6742-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alina Baraz performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863650\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6803-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863650\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6803.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6803-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6803-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863660\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6888-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863660\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6888.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6888-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6888-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863636\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6629-Edit-800x533.jpg\" alt=\"Wallows perform at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863636\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6629-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6629-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6629-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wallows perform at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863637\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6633-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863637\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6633.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6633-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6633-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863643\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6722-800x533.jpg\" alt=\"Caamp at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863643\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6722.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6722-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6722-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Caamp at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863646\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6773-Edit-800x533.jpg\" alt=\"Big Wild performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863646\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6773-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6773-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6773-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Big Wild performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863657\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6893-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863657\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6893.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6893-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6893-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"slug": "lil-wayne-bodied-outside-lands-day-one-and-other-highlights",
"title": "Lil Wayne Bodied Outside Lands Day One—And Other Highlights",
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"headTitle": "Lil Wayne Bodied Outside Lands Day One—And Other Highlights | KQED",
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"content": "\u003cp>“Music!” yelled Lil Wayne on Friday night, ordering his band to play with the tone of a cartoon villain demanding the hounds be released. After pausing for a moment to humbly bask in applause, his face flashed a mischievous, Joker-like grin of diamond grills as the DJ dropped the instantly recognizable drum roll of “A Milli,” one of the many hits that defined his reign over the 2000s rap charts.\u003c/p>\n\u003cp>Humor and theatrics came naturally to Wayne on the opening day of Outside Lands on Aug. 9, where his early-evening performance was indisputably one of the day’s strongest. Like a big little kid in his oversized, multicolored Gucci sweatsuit, he gleefully frolicked on stage while delivering dynamic, arena-scale renditions of sex songs like “Bed Rock” and “Lollipop,” rap braggadocio like “6 Foot 7 Foot,” and testaments to resilience and survival like “Can’t Be Broken.”\u003c/p>\n\u003cfigure id=\"attachment_13863565\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6328-800x533.jpg\" alt=\"Lil Wayne performs at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863565\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6328.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6328-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6328-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil Wayne performs at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At 36 years old, Lil Wayne is still young for a rap veteran, though influential and successful enough to have a decade-defining resume of hits, and to have spawned a legion of successors (Nicki Minaj, Drake, Young Thug) who’ve carried his zany, raunchy style into the present. While some of his peers barely rap along to their backing vocal tracks, at Outside Lands, Wayne went full rockstar in his live show, flexing his vocal abilities with a DJ, a mighty drummer and a solo-happy guitarist with a top hat like Slash from Guns N’ Roses. It was a dynamic format for his hit parade, and Lil Wayne joyfully presided over the party.\u003c/p>\n\u003cp>All in all, Wayne exuded an uplifting, centered energy. He implored the audience to love and celebrate themselves, to applaud (and to tip) the festival staff. Throughout the show, he reminded us of his gratitude with his self-effacing refrain: “We all ain’t shit without the love, and I ain’t shit without you.”\u003c/p>\n\u003ch2>Other Highlights\u003c/h2>\n\u003cfigure id=\"attachment_13863567\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6366-800x533.jpg\" alt=\"Yaeji performs at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863567\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6366.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6366-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6366-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yaeji performs at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Yaeji\u003c/strong>\u003cbr>\nThere are fewer indie rock bands at Outside Lands than usual this year, and the festival lineup includes a noticeable increase in dance music acts. One of the standouts of that genre is Yaeji, whose hard-to-classify style encompasses club bangers like “Raingurl”—which sparked an unselfconscious dance party—and slower, more contemplative songs like “One More,” which had the English-speaking Outside Lands audience singing along in Korean. A one-woman band, she switched between singing on the mic, dancing at the front of the stage like a pop star, and working her magic behind the decks. Her minimal cover of Drake’s “Passionfruit” inspired dreamy sways and sentimental embraces among lovers and friends.\u003c/p>\n\u003cfigure id=\"attachment_13863576\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6460-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863576\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6460.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6460-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6460-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Still Woozy\u003c/strong>\u003cbr>\nOakland’s Still Woozy proved himself a promising up-and-coming performer, commanding a surprisingly full and enthusiastic early crowd with his charming, awkward exuberance. His lo-fi R&B and indie pop tracks gained new dimensions with the accompaniment of live drums, bass, guitar and keys as Still Woozy wiggled around the stage like an inflatable tube man, bending his knees and shaking his hips with unbridled enthusiasm.\u003c/p>\n\u003cfigure id=\"attachment_13863571\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6423-800x533.jpg\" alt=\"Blink 182 perform at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863571\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6423.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6423-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6423-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Blink 182 perform at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Blink-182\u003c/strong>\u003cbr>\nPop-punk idols Blink-182 took the Outside Lands audience back to 1999 with “Adam’s Song” and “All the Small Things,” peppering their angsty anthems with sarcastic asides that kept the mood light—essential for a bunch of adults (both on stage and in the audience) channeling their whiniest middle school selves.\u003c/p>\n\u003cfigure id=\"attachment_13863577\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6464-800x533.jpg\" alt=\"Luttrell performs at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863577\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6464.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6464-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6464-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Luttrell performs at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Luttrell\u003c/strong>\u003cbr>\nSan Francisco techno producer Luttrell is better known in the Burning Man circuit than the festival scene. At Outside Lands, he sparked a small yet enthusiastic dance party with his euphoric grooves during the lull before headliners Twenty One Pilots. Grandiose, soaring synths carried listeners away like the wings of a pegasus, while pounding bass grounded them back down to earth.\u003c/p>\n\u003cfigure id=\"attachment_13863594\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6613-1-800x533.jpg\" alt=\"Flying Lotus performs at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863594\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6613-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6613-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6613-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Flying Lotus performs at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Flying Lotus\u003c/strong>\u003cbr>\nFlying Lotus’ sculptural DJ booth looked like an outer-space submarine as he spun his golden threads of jazz, hip-hop and experimental beats. Transfixed festival-goers in 3D glasses bobbed along, vapes in hand, to his heady music and biomorphic, neon visuals.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>More Photos from Outside Lands 2019 Day One\u003c/h2>\n\u003cfigure id=\"attachment_13863592\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6524-Edit-1-800x533.jpg\" alt=\"Twenty One Pilots perform at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863592\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6524-Edit-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6524-Edit-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6524-Edit-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Twenty One Pilots perform at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863556\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6267-800x533.jpg\" alt=\"Miya Folick performs at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863556\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6267-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6267-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Miya Folick performs at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863555\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6224-800x533.jpg\" alt=\"K. Flay at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863555\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6224.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6224-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6224-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">K. Flay at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863589\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6499-1-800x533.jpg\" alt=\"Twenty One Pilots perform at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863589\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6499-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6499-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6499-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Twenty One Pilots perform at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863575\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6452-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863575\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6452.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6452-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6452-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863568\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6370-800x533.jpg\" alt=\"Yaeji performs at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863568\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6370.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6370-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6370-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yaeji performs at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863593\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6590-1-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6590-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6590-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6590-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863570\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6406-800x533.jpg\" alt=\"Blink 182 perform at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863570\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6406.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6406-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6406-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Blink 182 perform at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863559\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6288-800x533.jpg\" alt=\"P-Lo at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863559\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6288.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6288-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6288-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">P-Lo at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863569\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6376-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863569\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6376.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6376-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6376-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863595\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6619-1-800x533.jpg\" alt=\"Flying Lotus performs at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863595\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6619-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6619-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6619-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Flying Lotus performs at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863573\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6440-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863573\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6440.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6440-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6440-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "At Outside Lands on Friday, electronic musicians, such as Yaeji, Flying Lotus and Luttrell, also shined in Golden Gate Park. ",
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"title": "Lil Wayne Bodied Outside Lands Day One—And Other Highlights | KQED",
"description": "At Outside Lands on Friday, electronic musicians, such as Yaeji, Flying Lotus and Luttrell, also shined in Golden Gate Park. ",
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"headline": "Lil Wayne Bodied Outside Lands Day One—And Other Highlights",
"datePublished": "2019-08-10T09:14:46-07:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“Music!” yelled Lil Wayne on Friday night, ordering his band to play with the tone of a cartoon villain demanding the hounds be released. After pausing for a moment to humbly bask in applause, his face flashed a mischievous, Joker-like grin of diamond grills as the DJ dropped the instantly recognizable drum roll of “A Milli,” one of the many hits that defined his reign over the 2000s rap charts.\u003c/p>\n\u003cp>Humor and theatrics came naturally to Wayne on the opening day of Outside Lands on Aug. 9, where his early-evening performance was indisputably one of the day’s strongest. Like a big little kid in his oversized, multicolored Gucci sweatsuit, he gleefully frolicked on stage while delivering dynamic, arena-scale renditions of sex songs like “Bed Rock” and “Lollipop,” rap braggadocio like “6 Foot 7 Foot,” and testaments to resilience and survival like “Can’t Be Broken.”\u003c/p>\n\u003cfigure id=\"attachment_13863565\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6328-800x533.jpg\" alt=\"Lil Wayne performs at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863565\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6328.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6328-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6328-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil Wayne performs at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At 36 years old, Lil Wayne is still young for a rap veteran, though influential and successful enough to have a decade-defining resume of hits, and to have spawned a legion of successors (Nicki Minaj, Drake, Young Thug) who’ve carried his zany, raunchy style into the present. While some of his peers barely rap along to their backing vocal tracks, at Outside Lands, Wayne went full rockstar in his live show, flexing his vocal abilities with a DJ, a mighty drummer and a solo-happy guitarist with a top hat like Slash from Guns N’ Roses. It was a dynamic format for his hit parade, and Lil Wayne joyfully presided over the party.\u003c/p>\n\u003cp>All in all, Wayne exuded an uplifting, centered energy. He implored the audience to love and celebrate themselves, to applaud (and to tip) the festival staff. Throughout the show, he reminded us of his gratitude with his self-effacing refrain: “We all ain’t shit without the love, and I ain’t shit without you.”\u003c/p>\n\u003ch2>Other Highlights\u003c/h2>\n\u003cfigure id=\"attachment_13863567\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6366-800x533.jpg\" alt=\"Yaeji performs at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863567\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6366.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6366-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6366-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yaeji performs at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Yaeji\u003c/strong>\u003cbr>\nThere are fewer indie rock bands at Outside Lands than usual this year, and the festival lineup includes a noticeable increase in dance music acts. One of the standouts of that genre is Yaeji, whose hard-to-classify style encompasses club bangers like “Raingurl”—which sparked an unselfconscious dance party—and slower, more contemplative songs like “One More,” which had the English-speaking Outside Lands audience singing along in Korean. A one-woman band, she switched between singing on the mic, dancing at the front of the stage like a pop star, and working her magic behind the decks. Her minimal cover of Drake’s “Passionfruit” inspired dreamy sways and sentimental embraces among lovers and friends.\u003c/p>\n\u003cfigure id=\"attachment_13863576\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6460-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863576\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6460.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6460-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6460-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Still Woozy\u003c/strong>\u003cbr>\nOakland’s Still Woozy proved himself a promising up-and-coming performer, commanding a surprisingly full and enthusiastic early crowd with his charming, awkward exuberance. His lo-fi R&B and indie pop tracks gained new dimensions with the accompaniment of live drums, bass, guitar and keys as Still Woozy wiggled around the stage like an inflatable tube man, bending his knees and shaking his hips with unbridled enthusiasm.\u003c/p>\n\u003cfigure id=\"attachment_13863571\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6423-800x533.jpg\" alt=\"Blink 182 perform at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863571\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6423.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6423-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6423-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Blink 182 perform at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Blink-182\u003c/strong>\u003cbr>\nPop-punk idols Blink-182 took the Outside Lands audience back to 1999 with “Adam’s Song” and “All the Small Things,” peppering their angsty anthems with sarcastic asides that kept the mood light—essential for a bunch of adults (both on stage and in the audience) channeling their whiniest middle school selves.\u003c/p>\n\u003cfigure id=\"attachment_13863577\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6464-800x533.jpg\" alt=\"Luttrell performs at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863577\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6464.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6464-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6464-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Luttrell performs at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Luttrell\u003c/strong>\u003cbr>\nSan Francisco techno producer Luttrell is better known in the Burning Man circuit than the festival scene. At Outside Lands, he sparked a small yet enthusiastic dance party with his euphoric grooves during the lull before headliners Twenty One Pilots. Grandiose, soaring synths carried listeners away like the wings of a pegasus, while pounding bass grounded them back down to earth.\u003c/p>\n\u003cfigure id=\"attachment_13863594\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6613-1-800x533.jpg\" alt=\"Flying Lotus performs at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863594\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6613-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6613-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6613-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Flying Lotus performs at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Flying Lotus\u003c/strong>\u003cbr>\nFlying Lotus’ sculptural DJ booth looked like an outer-space submarine as he spun his golden threads of jazz, hip-hop and experimental beats. Transfixed festival-goers in 3D glasses bobbed along, vapes in hand, to his heady music and biomorphic, neon visuals.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>More Photos from Outside Lands 2019 Day One\u003c/h2>\n\u003cfigure id=\"attachment_13863592\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6524-Edit-1-800x533.jpg\" alt=\"Twenty One Pilots perform at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863592\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6524-Edit-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6524-Edit-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6524-Edit-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Twenty One Pilots perform at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863556\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6267-800x533.jpg\" alt=\"Miya Folick performs at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863556\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6267-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6267-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Miya Folick performs at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863555\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6224-800x533.jpg\" alt=\"K. Flay at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863555\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6224.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6224-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6224-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">K. Flay at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863589\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6499-1-800x533.jpg\" alt=\"Twenty One Pilots perform at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863589\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6499-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6499-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6499-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Twenty One Pilots perform at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863575\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6452-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863575\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6452.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6452-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6452-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863568\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6370-800x533.jpg\" alt=\"Yaeji performs at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863568\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6370.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6370-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6370-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yaeji performs at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863593\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6590-1-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6590-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6590-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6590-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863570\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6406-800x533.jpg\" alt=\"Blink 182 perform at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863570\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6406.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6406-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6406-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Blink 182 perform at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863559\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6288-800x533.jpg\" alt=\"P-Lo at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863559\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6288.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6288-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6288-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">P-Lo at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863569\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6376-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863569\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6376.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6376-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6376-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863595\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6619-1-800x533.jpg\" alt=\"Flying Lotus performs at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863595\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6619-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6619-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6619-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Flying Lotus performs at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863573\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6440-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863573\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6440.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6440-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6440-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"title": "Music Fans Scared to Attend Outside Lands, Other Festivals After Mass Shootings",
"headTitle": "Music Fans Scared to Attend Outside Lands, Other Festivals After Mass Shootings | KQED",
"content": "\u003cp>Rebecca Macias was looking forward to seeing Blink-182 and Twenty One Pilots at Outside Lands so much that she splurged on a three-day VIP pass and a place to stay in San Francisco—a big expense for a fourth-grade teacher from Davis. But after the July 28 mass shooting in nearby Gilroy, and the ones that followed in El Paso, Texas and Dayton, Ohio, she’s spent the week deliberating whether she should go at all. [aside postid='arts_13862605']\u003c/p>\n\u003cp>“My anxiety is through the roof,” she says days ahead of the festival, which takes place in Golden Gate Park Aug. 9–11. “It feels like we’re going and we’re hoping there’s not a mass shooter, and that shouldn’t be on our minds.”\u003c/p>\n\u003cp>According to new research from Chapman University, \u003ca href=\"https://www.usatoday.com/story/news/2019/07/31/california-gilroy-garlic-festival-shooting-gun/1870808001/\" target=\"_blank\" rel=\"noopener\">41 percent of Americans\u003c/a> are afraid of mass shootings—and for good reason, as the incidents have become \u003ca href=\"https://www.latimes.com/business/hiltzik/la-fi-hiltzik-mass-shootings-20171120-story.html\" target=\"_blank\" rel=\"noopener\">more common\u003c/a>, and deadlier, in the last two decades.\u003c/p>\n\u003cp>That fear has only increased as politicians continue to offer \u003ca href=\"http://www.markfiore.com/april-june-2016/2016/6/15/thoughts-and-prayers\" target=\"_blank\" rel=\"noopener\">thoughts and prayers\u003c/a> for victims of shootings without passing legislation to curb civilian access to military-grade assault weapons. And on Aug. 7, Amnesty International issued a \u003ca href=\"https://www.amnestyusa.org/our-work/government-relations/advocacy/travel-advisory-united-states-of-america/\" target=\"_blank\" rel=\"noopener\">travel advisory\u003c/a> for the United States, urging international visitors to exercise caution and avoid cultural events, places of worship, malls and schools.\u003c/p>\n\u003cp>[\u003cem>My colleague Pendarvis Harshaw and I asked our Twitter followings about whether people are hesitant to attend large events after mass shootings. We heard from \u003ca href=\"https://twitter.com/OGpenn/status/1158968816639995904?s=20\" target=\"_blank\" rel=\"noopener\">dozens\u003c/a> of \u003ca href=\"https://twitter.com/nananastia/status/1158832418993819648?s=20\" target=\"_blank\" rel=\"noopener\">readers\u003c/a>, some who stayed home from events or found themselves coming up with evacuation plans while trying to enjoy themselves.\u003c/em>]\u003c/p>\n\u003cp>Emily Watkins, a data scientist from Napa, says she became unsure about attending Outside Lands after reading about a \u003ca href=\"https://www.latimes.com/california/story/2019-08-05/gilroy-man-arrested-after-online-threat\" target=\"_blank\" rel=\"noopener\">Gilroy man who was arrested\u003c/a> for posting on Facebook that “my goal is to kill 500, not three” after the mass shooting in his city.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Anytime you hear about any of this, it makes you not want to go to any events ever,” says Watkins, adding that she goes back and forth on giving up the tickets her boyfriend gave her as a graduation gift.\u003c/p>\n\u003cfigure id=\"attachment_13862630\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13862630\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/07/07292019_Gilroy-qut-1020x680-800x533.jpg\" alt=\"People leave mementos at a makeshift memorial outside the site of the Gilroy Garlic Festival after a mass shooting took place at the event yesterday on July 29, 2019 in Gilroy.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/07292019_Gilroy-qut-1020x680-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/07292019_Gilroy-qut-1020x680-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/07292019_Gilroy-qut-1020x680-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/07292019_Gilroy-qut-1020x680.jpg 1020w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">People leave mementos at a makeshift memorial outside the site of the Gilroy Garlic Festival after a mass shooting took place at the event yesterday on July 29, 2019 in Gilroy. \u003ccite>(Mario Tama/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Outside Lands has implemented an emergency alert system that attendees can sign up for by texting “OUTSIDELANDS” to 888-777. In a statement, festival producer Another Planet Entertainment told KQED that Outside Lands will include heightened security and police presence this year. “While for obvious reasons we do not provide specific information regarding our procedures, staffing or security measures, we do work closely with local, state and federal agencies when planning throughout the year and are continually addressing the current incidences that have occurred around the state, country and world,” the statement reads.\u003c/p>\n\u003cp>The producers of San Jose Jazz Summer Fest, which also takes place Aug. 9–11, say that they’ve reduced the number of entrances and increased the number of exits to the event, and are also working with law enforcement. “Since the tragedy in Gilroy, we have been in close communication with the Mayor’s Office and the San Jose Police Department regarding additional measures that will be implemented this year,” San Jose Jazz Executive Director Brendan Rawson told KQED in an email. [aside postid='arts_13862534']\u003c/p>\n\u003cp>Despite these reassurances, some festival-goers are still reluctant to attend. \u003ca href=\"https://www.latimes.com/world-nation/story/2019-08-03/united-states-mass-shootings\" target=\"_blank\" rel=\"noopener\">Recent mass shootings\u003c/a> have taken place at such a wide variety of locations, and affected people across so many demographic lines, that it’s impossible to predict when and where the next one will happen.\u003c/p>\n\u003cp>“Pop concerts, rock concerts, country concerts, gay clubs, regular nightclubs, elementary schools, high schools, college campuses, f-ckin’ post offices—everybody and everything is a target,” says Guillermo Hayes, a show producer at ALT 105.3 FM. He plans to attend Outside Lands for the first time this weekend, albeit with plans to mind the exits and stay aware of his surroundings.\u003c/p>\n\u003cp>“They can have all the screening they want. They talked about bringing clear bags and backpacks, and you’re going to go through a metal detector and body search,” says Macias. “In this email, they have all these ways they’re going to protect us with more police. But to me, that doesn’t make me feel any more safe, because some other places have had that as well, and there’s been shootings.”\u003c/p>\n\u003cfigure id=\"attachment_13863065\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863065\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/RS38403_2016SummerFest-FunkyMetersAudience-JeromeBrunet-qut-800x518.jpg\" alt=\"Funky Meters perform for a packed Main Stage audience during the 2016 San Jose Jazz Summer Fest.\" width=\"800\" height=\"518\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38403_2016SummerFest-FunkyMetersAudience-JeromeBrunet-qut-800x518.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38403_2016SummerFest-FunkyMetersAudience-JeromeBrunet-qut-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38403_2016SummerFest-FunkyMetersAudience-JeromeBrunet-qut-768x497.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38403_2016SummerFest-FunkyMetersAudience-JeromeBrunet-qut-1020x660.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38403_2016SummerFest-FunkyMetersAudience-JeromeBrunet-qut-1200x776.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38403_2016SummerFest-FunkyMetersAudience-JeromeBrunet-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Funky Meters perform for a packed Main Stage audience during the 2016 San Jose Jazz Summer Fest. \u003ccite>(Photo: Courtesy of Jerome Brunet)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jarvis Neely, a San Francisco startup employee and musician, is considering selling his three-day Outside Lands pass. Neely is frustrated with government inaction in the face of white supremacist violence. While the FBI is investigating the Gilroy shooting as domestic terrorism, \u003ca href=\"https://www.forbes.com/sites/niallmccarthy/2019/08/01/report-hate-crime-is-rising-in-30-major-american-cities-infographic/#4e3f5cb8b8d0\" target=\"_blank\" rel=\"noopener\">hate crimes have been on the rise for five consecutive years\u003c/a>.\u003c/p>\n\u003cp>“It’s a blind eye that gets turned—this is coming from a pure Black kid in the city,” Neely says. “In my eyes, nothing is changing with racism. It’s getting worse, and it’s getting easier to conceal it.”\u003c/p>\n\u003cp>Macias agrees.\u003c/p>\n\u003cp>“I feel like with the president we have now, it’s fueling the flames to where [white supremacists] feel like they’re a part of something,” says Macias. “Just like the Taliban and ISIS, I think we’re having these suicide missions for the cause. The gunmen that go in, they know there’s a high chance they’ll be killed, but they don’t care.”\u003c/p>\n\u003cp>Still, despite her anxiety, Macias says that she’ll still most likely attend Outside Lands anyway. That’s what Dr. Melissa Brymer, director of the terrorism and disaster programs at UCLA, advises people to do. Bringing a friend for emotional support helps, she says, as well as reading up on the festival’s official safety guidelines.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Having fun is important for our well-being,” Brymer says. “That also has to be the message in this.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Rebecca Macias was looking forward to seeing Blink-182 and Twenty One Pilots at Outside Lands so much that she splurged on a three-day VIP pass and a place to stay in San Francisco—a big expense for a fourth-grade teacher from Davis. But after the July 28 mass shooting in nearby Gilroy, and the ones that followed in El Paso, Texas and Dayton, Ohio, she’s spent the week deliberating whether she should go at all. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“My anxiety is through the roof,” she says days ahead of the festival, which takes place in Golden Gate Park Aug. 9–11. “It feels like we’re going and we’re hoping there’s not a mass shooter, and that shouldn’t be on our minds.”\u003c/p>\n\u003cp>According to new research from Chapman University, \u003ca href=\"https://www.usatoday.com/story/news/2019/07/31/california-gilroy-garlic-festival-shooting-gun/1870808001/\" target=\"_blank\" rel=\"noopener\">41 percent of Americans\u003c/a> are afraid of mass shootings—and for good reason, as the incidents have become \u003ca href=\"https://www.latimes.com/business/hiltzik/la-fi-hiltzik-mass-shootings-20171120-story.html\" target=\"_blank\" rel=\"noopener\">more common\u003c/a>, and deadlier, in the last two decades.\u003c/p>\n\u003cp>That fear has only increased as politicians continue to offer \u003ca href=\"http://www.markfiore.com/april-june-2016/2016/6/15/thoughts-and-prayers\" target=\"_blank\" rel=\"noopener\">thoughts and prayers\u003c/a> for victims of shootings without passing legislation to curb civilian access to military-grade assault weapons. And on Aug. 7, Amnesty International issued a \u003ca href=\"https://www.amnestyusa.org/our-work/government-relations/advocacy/travel-advisory-united-states-of-america/\" target=\"_blank\" rel=\"noopener\">travel advisory\u003c/a> for the United States, urging international visitors to exercise caution and avoid cultural events, places of worship, malls and schools.\u003c/p>\n\u003cp>[\u003cem>My colleague Pendarvis Harshaw and I asked our Twitter followings about whether people are hesitant to attend large events after mass shootings. We heard from \u003ca href=\"https://twitter.com/OGpenn/status/1158968816639995904?s=20\" target=\"_blank\" rel=\"noopener\">dozens\u003c/a> of \u003ca href=\"https://twitter.com/nananastia/status/1158832418993819648?s=20\" target=\"_blank\" rel=\"noopener\">readers\u003c/a>, some who stayed home from events or found themselves coming up with evacuation plans while trying to enjoy themselves.\u003c/em>]\u003c/p>\n\u003cp>Emily Watkins, a data scientist from Napa, says she became unsure about attending Outside Lands after reading about a \u003ca href=\"https://www.latimes.com/california/story/2019-08-05/gilroy-man-arrested-after-online-threat\" target=\"_blank\" rel=\"noopener\">Gilroy man who was arrested\u003c/a> for posting on Facebook that “my goal is to kill 500, not three” after the mass shooting in his city.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Anytime you hear about any of this, it makes you not want to go to any events ever,” says Watkins, adding that she goes back and forth on giving up the tickets her boyfriend gave her as a graduation gift.\u003c/p>\n\u003cfigure id=\"attachment_13862630\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13862630\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/07/07292019_Gilroy-qut-1020x680-800x533.jpg\" alt=\"People leave mementos at a makeshift memorial outside the site of the Gilroy Garlic Festival after a mass shooting took place at the event yesterday on July 29, 2019 in Gilroy.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/07292019_Gilroy-qut-1020x680-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/07292019_Gilroy-qut-1020x680-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/07292019_Gilroy-qut-1020x680-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/07292019_Gilroy-qut-1020x680.jpg 1020w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">People leave mementos at a makeshift memorial outside the site of the Gilroy Garlic Festival after a mass shooting took place at the event yesterday on July 29, 2019 in Gilroy. \u003ccite>(Mario Tama/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Outside Lands has implemented an emergency alert system that attendees can sign up for by texting “OUTSIDELANDS” to 888-777. In a statement, festival producer Another Planet Entertainment told KQED that Outside Lands will include heightened security and police presence this year. “While for obvious reasons we do not provide specific information regarding our procedures, staffing or security measures, we do work closely with local, state and federal agencies when planning throughout the year and are continually addressing the current incidences that have occurred around the state, country and world,” the statement reads.\u003c/p>\n\u003cp>The producers of San Jose Jazz Summer Fest, which also takes place Aug. 9–11, say that they’ve reduced the number of entrances and increased the number of exits to the event, and are also working with law enforcement. “Since the tragedy in Gilroy, we have been in close communication with the Mayor’s Office and the San Jose Police Department regarding additional measures that will be implemented this year,” San Jose Jazz Executive Director Brendan Rawson told KQED in an email. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Despite these reassurances, some festival-goers are still reluctant to attend. \u003ca href=\"https://www.latimes.com/world-nation/story/2019-08-03/united-states-mass-shootings\" target=\"_blank\" rel=\"noopener\">Recent mass shootings\u003c/a> have taken place at such a wide variety of locations, and affected people across so many demographic lines, that it’s impossible to predict when and where the next one will happen.\u003c/p>\n\u003cp>“Pop concerts, rock concerts, country concerts, gay clubs, regular nightclubs, elementary schools, high schools, college campuses, f-ckin’ post offices—everybody and everything is a target,” says Guillermo Hayes, a show producer at ALT 105.3 FM. He plans to attend Outside Lands for the first time this weekend, albeit with plans to mind the exits and stay aware of his surroundings.\u003c/p>\n\u003cp>“They can have all the screening they want. They talked about bringing clear bags and backpacks, and you’re going to go through a metal detector and body search,” says Macias. “In this email, they have all these ways they’re going to protect us with more police. But to me, that doesn’t make me feel any more safe, because some other places have had that as well, and there’s been shootings.”\u003c/p>\n\u003cfigure id=\"attachment_13863065\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863065\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/RS38403_2016SummerFest-FunkyMetersAudience-JeromeBrunet-qut-800x518.jpg\" alt=\"Funky Meters perform for a packed Main Stage audience during the 2016 San Jose Jazz Summer Fest.\" width=\"800\" height=\"518\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38403_2016SummerFest-FunkyMetersAudience-JeromeBrunet-qut-800x518.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38403_2016SummerFest-FunkyMetersAudience-JeromeBrunet-qut-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38403_2016SummerFest-FunkyMetersAudience-JeromeBrunet-qut-768x497.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38403_2016SummerFest-FunkyMetersAudience-JeromeBrunet-qut-1020x660.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38403_2016SummerFest-FunkyMetersAudience-JeromeBrunet-qut-1200x776.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38403_2016SummerFest-FunkyMetersAudience-JeromeBrunet-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Funky Meters perform for a packed Main Stage audience during the 2016 San Jose Jazz Summer Fest. \u003ccite>(Photo: Courtesy of Jerome Brunet)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jarvis Neely, a San Francisco startup employee and musician, is considering selling his three-day Outside Lands pass. Neely is frustrated with government inaction in the face of white supremacist violence. While the FBI is investigating the Gilroy shooting as domestic terrorism, \u003ca href=\"https://www.forbes.com/sites/niallmccarthy/2019/08/01/report-hate-crime-is-rising-in-30-major-american-cities-infographic/#4e3f5cb8b8d0\" target=\"_blank\" rel=\"noopener\">hate crimes have been on the rise for five consecutive years\u003c/a>.\u003c/p>\n\u003cp>“It’s a blind eye that gets turned—this is coming from a pure Black kid in the city,” Neely says. “In my eyes, nothing is changing with racism. It’s getting worse, and it’s getting easier to conceal it.”\u003c/p>\n\u003cp>Macias agrees.\u003c/p>\n\u003cp>“I feel like with the president we have now, it’s fueling the flames to where [white supremacists] feel like they’re a part of something,” says Macias. “Just like the Taliban and ISIS, I think we’re having these suicide missions for the cause. The gunmen that go in, they know there’s a high chance they’ll be killed, but they don’t care.”\u003c/p>\n\u003cp>Still, despite her anxiety, Macias says that she’ll still most likely attend Outside Lands anyway. That’s what Dr. Melissa Brymer, director of the terrorism and disaster programs at UCLA, advises people to do. Bringing a friend for emotional support helps, she says, as well as reading up on the festival’s official safety guidelines.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Having fun is important for our well-being,” Brymer says. “That also has to be the message in this.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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},
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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