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"slug": "new-almaden-the-mercury-mine-that-built-a-boomtown-south-of-san-jose",
"title": "New Almaden: The Mercury Mine That Built a Boomtown South of San José",
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"headTitle": "New Almaden: The Mercury Mine That Built a Boomtown South of San José | KQED",
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"content": "\u003cp>\u003ca href=\"#Viewthefullepisodetranscript\">View\u003c/a>\u003cem>\u003ca href=\"#Viewthefullepisodetranscript\"> the full episode transcript.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Visitors to the Almaden Quicksilver County Park may well wonder what the heck accounts for the name.\u003c/p>\n\u003cp>Who or what was Almaden? What is quicksilver? Why is there a 27-room Classical Revival mansion nestled in more than 4,000 acres in the hills south of San José? So many questions!\u003c/p>\n\u003cp>It beggars belief today, given how bucolic the park is, but New Almaden once hummed with a busy mining operation in the late 19th and early 20th centuries.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In its heyday, 1,800 miners and their families lived here, primarily in a couple of self-contained villages. Imagine churches, saloons, a school, a post office, and more. Now there are just a few moldering cemeteries and the old mine supervisor’s mansion, which has been turned into a \u003ca href=\"https://parks.santaclaracounty.gov/learn/visit-historic-sites/almaden-quicksilver-mining-museum\">museum\u003c/a>.\u003c/p>\n\u003ch2>\u003cstrong>How quicksilver is used to extract gold\u003c/strong>\u003c/h2>\n\u003cp>Before we get to our audience questions sent in about Almaden Quicksilver Park, let’s get a handle on why this place was once so valuable.\u003c/p>\n\u003cp>The South Bay is full of cinnabar, a bright red rock the color of a stop sign. It formed 10 million to 12 million years ago during a time of intense volcanic and hydrothermal activity. Chemically speaking, cinnabar is mercury bonded to sulfur, and mercury is the more proper name for the silver-colored quicksilver. To get mercury out of cinnabar, you heat the rocks up and the mercury essentially sweats out.\u003c/p>\n\u003cfigure id=\"attachment_12062447\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00307_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12062447\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00307_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00307_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00307_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00307_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Exhibits at The New Almaden Quicksilver Mining Museum, south of San José, on Oct. 27, 2025, paint a picture of the dangerous but lucrative craft of mining quicksilver from cinnabar. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mercury was super important during the Gold Rush, because in its liquid form, gold and silver miners used the quicksilver to extract precious metals from the crushed rocks they were trapped in.\u003c/p>\n\u003cp>“The mercury kind of grabs on to any precious metal,” said Lynda Will, parks program coordinator at Santa Clara County Parks and Recreation. “All the sand and other waste rock is left alone and left behind. And then you have a kinda of silver putty.”\u003c/p>\n\u003cp>Miners call that an amalgam. You heat that amalgam to 1,076 degrees Fahrenheit, the mercury vapor goes off into the air, leaving you with your precious metal.\u003c/p>\n\u003cp>“It usually looks like spun sugar,” Will said. “It has all these holes where the mercury had been. So then you can take that spun gold, as we call it, and so you can make nuggets or even bars.”\u003c/p>\n\u003ch2>\u003cstrong>How a Mexican cavalry officer discovered the cinnabar deposit in 1845\u003c/strong>\u003c/h2>\n\u003cp>Just a few years prior to the discovery of gold at Sutter’s Mill near Sacramento in 1848, California was a Mexican territory. The Mexican government sent a cavalry officer named Andrés Castillero to catalogue strategic assets, and as was the practice at that time, officers and citizens could claim mines they discovered for themselves.\u003c/p>\n\u003cp>Castillero was traveling in the South Bay when he noticed a fiery red-orange paint local Indigenous people were using on the walls of nearby missions. Castillero knew exactly what he was looking at. He knew that red paint had to have come from cinnabar.\u003c/p>\n\u003cfigure id=\"attachment_12062440\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00156_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12062440\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00156_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00156_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00156_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00156_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The New Almaden Quicksilver Mining Museum features different kinds of ore in a display on Oct. 27, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the time, the world’s main source of mercury was in Almadén, Spain. Spain controlled the supply, which meant they could charge what they wanted. Castillero, just from reading the newspapers, would have understood he was looking at a potential fortune in the hills south of San José.\u003c/p>\n\u003cp>As you can imagine, it wasn’t long after Castillero discovered the cinnabar that other people wanted to take the mine from him, especially after the Gold Rush kicked off in 1848 and sent demand for quicksilver soaring. Multiple parties, including private investors and mining companies, tried to claim the land, and the case went all the way to the U.S. Supreme Court. In 1859, the Supreme Court recognized Castillero’s claim, but the mine’s ownership remained split among several parties.\u003c/p>\n\u003cp>And then in 1861, the U.S. Civil War started. During the Civil War, the federal government briefly attempted to seize the New Almaden mine because mercury was essential for extracting gold used to finance the Union war effort.\u003c/p>\n\u003cp>And this is where we get to Bay Curious listener Kiera O’Hara’s question:\u003c/p>\n\u003ch2>\u003cstrong>What was the Civil War history behind the Almaden mercury mine in San José? I remember hearing Abraham Lincoln was involved?! \u003c/strong>\u003c/h2>\n\u003cp>At the museum, parks program coordinator Will told of an aide to President Lincoln who thought, “There’s enough questionability about who owns this land, so maybe it’s owned by the U.S. government.”\u003c/p>\n\u003cp>Again, the quicksilver mine is an obvious money maker, and war is expensive. California gold was vital to the Union’s war effort, providing more than $170 million (roughly $7 billion today), in gold mostly, that stabilized the federal currency and paid for roughly 10% of things like weapons and supplies.\u003c/p>\n\u003cfigure id=\"attachment_12062439\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00110_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12062439\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00110_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00110_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00110_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00110_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The New Almaden Quicksilver Mining Museum features photos of village life for quicksilver miners and their families during the late 19th and early 20th centuries. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This aide was thinking something along the lines of, “Why not claim the New Almaden mine and its profits for the Union side of the Civil War?”\u003c/p>\n\u003cp>“And so he came down with a marshal and even a cavalry behind him to say, ‘Lincoln’s going to take over this mine. And, you know, you’re supposed to just surrender it to me.’” Will said. The mine manager at the time, John Young, rallied the miners working for him by saying something akin to “If they take over the mines, you’re going to be out of a job. So come down with, you know, your best rifles and your guns and, you know, help me defend this,” Will said.\u003c/p>\n\u003cp>Young also fired off urgent telegraphs, not only to other mine operators across California, but to a former New Almaden manager who happened to be working inside Lincoln’s administration.\u003c/p>\n\u003cp>Young warned the well-placed friend that the federal government was about to set off a destructive chain reaction across the West, at a moment when the Union depended on the support of California’s gold miners. There were people in the state who sympathized with the South during the Civil War. So it would be really, really dumb to piss off Union supporters and drive them into the waiting arms of the Confederacy.\u003c/p>\n\u003cp>Will thinks it’s possible Lincoln didn’t even know this whole fight was going on, given how distracted he was with the Civil War. Whatever the case, John Young’s quick thinking stopped a bright idea from a government man that could have thrown California and the rest of the Western U.S. to the Confederate side.\u003c/p>\n\u003ch2>Has the mercury in San José caused environmental problems?\u003c/h2>\n\u003cp>You don’t have to be a geologist to know mercury is a neurotoxin and an environmental hazard.\u003c/p>\n\u003cp>Some of the mercury dug up at New Almaden \u003ca href=\"https://www.kqed.org/quest/17411/mercury-in-the-bay-part-1\">made its way downstream\u003c/a>, into the San Francisco Bay. Mining continued into the 1970s, and in 2002, scientists identified this mine as the \u003ca href=\"https://www.sfgate.com/bayarea/article/tracking-a-toxic-trail-long-closed-mine-2709557.php\">single largest source\u003c/a> of mercury in the Bay, making the fish unsafe to eat for humans and birds alike.\u003c/p>\n\u003cfigure id=\"attachment_12062445\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00255_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12062445\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00255_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00255_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00255_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00255_TV-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A statue of a miner is featured at The New Almaden Quicksilver Mining Museum south of San Joséon Oct. 27, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“When we acquired the land in the mid-1970s, there was quite a bit of mercury contamination of the land,” Will said. “Under the furnace yards were pools of mercury. They had paved roads with cinnabar waste rock, which we call calcines. They had just dumped it over the sides of the hills. They had dumped it into the creeks. And so we have been remediating it ever since.”\u003c/p>\n\u003cp>Local governments, including Santa Clara County, purchased part of the mine property for parkland, found themselves partially on the hook for a multimillion-dollar \u003ca href=\"https://dtsc.ca.gov/dtsc-oversees-environmental-cleanup-of-mercury-contaminated-park/\">cleanup effort\u003c/a> to comply with the federal Clean Water Act. They did get help from the state and federal agencies. Additional work and monitoring continue, but authorities say it’s safe to picnic, hike, ride horses and otherwise recreate.\u003c/p>\n\u003ch2>\u003cstrong>Is it safe to eat fish from the San Francisco Bay?\u003c/strong>\u003c/h2>\n\u003cp>As recently as 10 years ago, two years into the big effort to clean up the Bay, \u003ca href=\"https://youtu.be/cpwQ5OFIZRQ?si=SP5B4deyax67I7iR&t=356\">KQED explored this question\u003c/a>.\u003c/p>\n\u003cp>https://youtu.be/cpwQ5OFIZRQ?si=SP5B4deyax67I7iR&t=356 \u003c/p>\n\u003cp>Because mercury converts into methylmercury, which bioaccumulates up the food chain, fish, especially large fish, can carry high levels.\u003c/p>\n\u003cp>“The Bay is slowly cleaning itself, washing 3,100 pounds a year out to sea, but because so much has built up over time, it needs a helping hand,” the story said. “At a minimum, three generations will be impacted by the potent and long-lasting poison still lingering in the Bay mud. It may take more than 100 years for the Bay to recover.”\u003c/p>\n\u003cp>In 2023, California’s Office of Environmental Health Hazard Assessment recommended that children and women of childbearing age steer clear of fish like \u003ca href=\"https://oehha.ca.gov/sites/default/files/media/downloads/advisories/fishadvisorysfbayreport2023.pdf\">sharks and striped bass\u003c/a>. Ocean-going fish like Chinook salmon would be the safer bet.\u003c/p>\n\u003ch2>\u003cstrong>Has Cornish culture survived in the region?\u003c/strong>\u003c/h2>\n\u003cp>Our final listener question comes from Andrew Long, who lives all the way over in Cornwall, on the far southwest tip of England. He came to the Bay Area some time ago to visit a relative and had some questions.\u003c/p>\n\u003cp>“I’m Cornish from the U.K. I know of the Cornish Camp at the Alamaden Quicksilver Mine. It would be great to know if Cornish culture survived, and is growing, like it is here with our language,” Long said.\u003c/p>\n\u003cfigure id=\"attachment_12062446\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00296_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12062446\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00296_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00296_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00296_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00296_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The New Almaden Quicksilver Mining Museum features a Cinnabar display south of San Joséon Oct. 27, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Long filled me in on the long, rich history of mining tin and copper in Cornwall, which extends all the way back to the early Bronze Age, circa 2200 B.C.\u003c/p>\n\u003cp>Some of you may be thinking about the British TV series “\u003ca href=\"https://www.youtube.com/watch?v=7A0U6kQNCN0\">Poldark,\u003c/a>” and you’d be in the right territory. There were more than 300 active mines in Cornwall in the 1860s. But by the late 19th century, the industry had largely collapsed, and Cornish miners left in droves, traveling across the world to places like New Almaden in search of work.\u003c/p>\n\u003cp>“There is a saying, ‘If you go to the bottom of a mine, a hole in the ground, at the bottom of it you’ll find a Cornishman,’” Long said.\u003c/p>\n\u003cp>They took a bit of Cornwall with them and left cultural evidence everywhere they went. In central Mexico, they introduced the Cornish pasty, which became, in Spanish, the paste. Over in \u003ca href=\"https://califcornishcousins.org/\">Grass Valley\u003c/a>, home to a lot of gold mining back in the day, there’s an annual Cornish Christmas Celebration. But in the South Bay, the history’s more subtle, almost hiding in plain sight. Like cinnabar.[aside postID=news_12076973 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-07-KQED.jpg']“I just did a very cursory search of your phone book in San José, and I saw a scattering of Cornish surnames,” Long said. Also on his trip to San José not too long ago, he spotted the \u003ca href=\"https://www.vta.org/go/stations/ohlone-chynoweth\">Ohlone-Chynoweth\u003c/a> station sign for the Santa Clara Valley Transportation Authority.\u003c/p>\n\u003cp>“Chynoweth in Cornish means ‘new house.’ So that got me thinking, well, there’s got to be a reason you have a Cornish name for a Cornish railway station in South San José,” Long said.\u003c/p>\n\u003cp>The two most prominent settlements at New Almaden were Spanish Town and English Camp, but that was really Cornish Camp, if you ask him.\u003c/p>\n\u003cp>A 1960 documentary collaboration entitled \u003ca href=\"https://archive.org/details/casjhsj_000081\">Quicksilver!\u003c/a> noted that, even then, in the mid-20th century, the mine was fading into the mists of time.\u003c/p>\n\u003cp>“The international flavor of the old mining camp is shown by the names that survive. Manyales. Danielson. Castro. At one time, 26 nationalities were represented in New Almaden, and they helped fill two other cemeteries up on Mine Hill, which have long since been swept bare by souvenir hunters and the ravages of time.”\u003c/p>\n\u003cp>Cornish culture has largely faded into the rearview mirror in the South Bay, but Long has an idea related to his membership in a Cornish chorus. The Cornish are big singers. Here’s Barrett’s Privateers singing \u003ca href=\"https://open.spotify.com/track/60i1cJcq1fCNgolbUc67Xn\">The Miners’ Anthem\u003c/a>.\u003c/p>\n\u003cp>Long wants to take the band on tour to the South Bay, to reintroduce locals to our Cornish connections and light a fire under our interest in the history.\u003c/p>\n\u003cp>“Maybe to link up with a museum and do some promotional singing in shopping malls and that sort of stuff, to give people an idea that where they’re living has a history that is maybe something they never knew about,” Long said.\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\u003ch2>\u003ca id=\"Viewthefullepisodetranscript\">\u003c/a>Episode transcript\u003c/h2>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>This story starts with three things that don’t seem like they belong together: Cornish miners, mercury poisoning, and Abraham Lincoln. They are, however, all connected to a mine in the foothills south of San José. We’re talking about the Almaden Quicksilver mine. Its glory days are long gone, and so Bay Curious gets a lot of questions about it. KQED’s Rachael Myrow knows all sorts of things South Bay, so we called her up to answer some of your questions. Hey, Rachael!\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Hey, Olivia!\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>So the Almaden Quicksilver mine sits in what is today Almaden Quicksilver County Park. I visited some years ago, and I remember a sprawling park with rolling hills. I think I went in the summertime, so it was very, very, very hot and quite dry. But I can’t say I remember the mine.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> That could be because there’s not a lot of the mining apparatus left. But in its heyday, in the 19th century, 1,800 miners and their families populated these hills, primarily in a couple of self-contained villages. Imagine churches, saloons, a school, and much, much more. Now there’s just a few moldering cemeteries …and the old mine supervisor’s mansion, which has been turned into a museum, with really restricted hours. I’m going to guess it was closed when you hiked or drove past.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Hmmm, yeah. Must have been. Now, over the years on Bay Curious, we have done quite a few stories that touch on the California Gold Rush, less about the Silver Rushes that followed, but really nothing about quicksilver. To be honest, I don’t even really know what quicksilver is …\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>To be honest, Olivia, neither did I before reporting this story out. But mining it was a lucrative hustle during the Gold Rush.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>OK, well, before we dive in, then, could we do a little quicksilver 101?\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Of course! The South Bay is full of \u003cem>cinnabar\u003c/em>, a bright red rock the color of a stop sign. It formed 10-12 million years ago during a time of intense volcanic and hydrothermal activity. Chemically speaking, cinnabar is mercury bonded to sulfur. Mercury being a more proper name for quicksilver, by the way …\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>This is really taking me back to high school chemistry class.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> As it should! And what do you remember about mercury, Olivia?\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> OK, well, it’s a liquid at room temperature, and that’s unusual for a metal. And it’s a silvery color…\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> You’ve got it! To get mercury out of cinnabar, you heat the rocks up and the mercury essentially sweats out. Now, mercury was super important during the Gold Rush because it was used by gold and silver miners to extract the precious metals from the crushed rocks they were trapped in. Here’s Lynda Will, parks program coordinator at Santa Clara County Parks and Recreation, to explain further.\u003c/p>\n\u003cp>\u003cstrong>Lynda Will: \u003c/strong>So you pour your mercury over that sand. The mercury kind of grabs onto any precious metal. All the sand and other waste rock is left alone and left behind. And then you have — uh — looks kinda of like a silver putty. So it’s called an amalgam, and then you heat that amalgam to 1,076 degrees, the mercury vapor goes off into the air, and then you are left with your precious metal, which could be gold or silver. It usually looks like spun sugar, almost. It has all these holes where the mercury had been. So then you can take that spun gold, as we call it, and so you can make nuggets or even bars.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> All right, I get it. And this stuff must have been in high demand after the Gold Rush kicked off in 1848. I imagine?\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> Exactly. In 1845, California is still a Mexican territory. A Mexican cavalry officer named Andrés Castillero was riding through these foothills when he noticed something unusual — a fiery red-orange paint that local Indigenous people were using on the walls of nearby missions. Castillero knew exactly what he was looking at. He knew that red paint had to have come from cinnabar.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> But how did he know?\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> At the time Castillero made his discovery, the world’s main source of mercury was in Almadén, Spain. So Spain controlled the supply. Which meant they could charge what they wanted. Castillero, just from reading the newspapers, would have understood mercury’s importance in economic terms. So when Castillero saw that cinnabar in 1845, he understood he was looking at a potential fortune.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> What was Castillero doing in San José anyway?\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>He was sent by the Mexican government to catalogue strategic assets. Now, under Mexican law, officers and citizens could claim mines they discovered for themselves. So when Castillero saw the cinnabar, his life changed forever.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> And this brings us to one of our Almaden Quicksilver listener questions! It comes from Kiera O’Hara of Santa Clara, who joined you, Rachael, on her \u003cem>second\u003c/em> tour of the Almaden Quicksilver Museum. Second, because she first visited when she was seven or eight years old. The museum is a regular pit stop for South Bay school children.\u003c/p>\n\u003cp>\u003cstrong>Kiera O’Hara:\u003c/strong> What was the Civil War history behind the Almaden mercury mine in San José? I remember hearing Abraham Lincoln was involved?!\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>The museum sits in the Casa Grande, or big house, a 27-room Classical Revival mansion the mine’s superintendents used to live in. As you can imagine, it wasn’t long after Castillero discovered the cinnabar that other people wanted to take the mine from him, especially after the Gold Rush sent demand for quicksilver soaring.\u003c/p>\n\u003cp>So multiple parties, including private investors and mining companies, tried to claim the land, and the case went all the way to the U.S. Supreme Court. In 1859, SCOTUS recognized Castillero’s claim, but the mine’s ownership remained split among several parties. And then in 1861, the U.S. Civil War started. And this is where we get to Kiera’s question, about whether Abraham Lincoln was involved.\u003c/p>\n\u003cp>\u003cstrong>Lynda Will: \u003c/strong>There was an aide to President Lincoln who went, “Oh, there’s enough questionability about who owns this land, so maybe it’s owned by the U.S. government.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> Again, the quicksilver mine is an obvious money maker, and war is expensive. California gold was vital to the Union’s war effort, providing more than $170 million dollars in gold mostly that stabilized the federal currency and paid for roughly 10% of things like weapons and supplies. For those of you wondering, $170 million dollars in the 1860s would be worth roughly $7 billion dollars today.\u003c/p>\n\u003cp>So this aide is thinking, ‘Why not claim the New Almaden mine and its profits for the Union side of the U.S. civil war?”\u003c/p>\n\u003cp>\u003cstrong>Lynda Will: \u003c/strong>And so he came down with a marshal and even a cavalry behind him to say, “Lincoln’s going to take over this mine. And, you know, you’re supposed to just surrender it to me, the aide.” Then, mine manager, John Young, said ‘no!’\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>So, just put yourself in John Young’s shoes. Who the heck is this aide showing up all of a sudden with troops behind him and a half-baked plan to take over the mine, because says who?\u003c/p>\n\u003cp>\u003cstrong>Lynda Will: \u003c/strong>He got the miners and said, “If they take over the mines, you’re going to be out of a job. So come down with, you know, your best rifles and your guns and, you know, help me defend this.”\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>First, Young rallies his workers. And he fires off urgent telegraphs, not only to other mine operators across California, but to a former Almaden manager who now sits inside Lincoln’s administration.\u003c/p>\n\u003cp>\u003cstrong>Lynda Will: \u003c/strong>And said, “This is what’s happening out here. If he takes this mine, there’s the potential that he could take over every mine in California and the western United States.”\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> Young was essentially saying, if the federal government seizes this mine, it could set off a chain reaction across the West, and at a moment when the Union depends on the support of California’s gold miners. There \u003cem>were\u003c/em> people in the state who sympathized with the South during the Civil War. So it would be really, really dumb to piss off Union supporters and drive them into the waiting arms of the Confederacy.\u003c/p>\n\u003cp>Kiera, our question asker, asked if Abraham Lincoln was involved. Lynda told us it’s possible Lincoln didn’t even know this whole fight was going on, given how distracted he was with the Civil War. Whatever the case, John Young’s quick thinking — his calculated warning framed as patriotism — stopped a bright idea from a government man that could have thrown California and the rest of the Western U.S. to the Confederate side.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>When we return, we dig in on the environmental impacts of this mine. Plus a listener question about the miners who once worked there. Stay with us.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Sponsor Message\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>So we’ve learned that mercury comes from cinnabar. It was super valuable during the Gold Rush because it helps separate gold from ore. And there was a big kerfuffle over the ownership of the Almaden mine that could have changed California’s posture during the Civil War.\u003c/p>\n\u003cp>Next, I want to touch on the environment … because you don’t have to be a geologist to know mercury is a neurotoxin, and a huge environmental hazard.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Yes. Unfortunately, some of that mercury made its way downstream, into the San Francisco Bay. In 2002 — not that long ago — scientists identified \u003cem>this\u003c/em> mine as the single largest source of mercury in the Bay, making the fish unsafe to eat for humans and birds alike. I asked Lynda Will, parks program coordinator at Santa Clara County Parks and Recreation, about this very question …\u003c/p>\n\u003cp>\u003cstrong>Lynda Will: \u003c/strong>I can tell you a little bit about it. Yeah. When we acquired the land in the mid-70s, 1970s, there was quite a bit of mercury contamination of the land. Under the furnace yards was, you know, pools of mercury. They had paved roads with cinnabar waste rock, which we call calcines. They had just dumped it over the sides of the hills. They had dumped it into the creeks. And so we have been remediating it ever since.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Local governments, including Santa Clara County, which purchased part of the mine property for parkland, found themselves partially on the hook for a multimillion-dollar cleanup effort to comply with the federal Clean Water Act. They did, I should mention, get help from the state and the feds.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Is it safe for us to be in this park?\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> Additional work and monitoring continues, but authorities say it’s safe to picnic, hike, ride horses, et cetera.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>And what about the fish in the Bay, can we eat them?\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> Errr, that’s a different story, more complicated. As recently as 10 years ago, 2 years then into the big effort to clean up the Bay, KQED explored this very question. Let’s just say, they were still describing it as problematic, not just because of the direct legacy from mining days, but from stormwater runoff and air pollution. Because mercury converts into methylmercury, which bioaccumulates up the food chain, fish … especially large fish … can carry high levels.\u003c/p>\n\u003cp>\u003cstrong>Clip from documentary: \u003c/strong>The Bay is slowly cleaning itself, washing 3,100 pounds a year out to sea, but because so much has built up over time, it needs a helping hand. … At a minimum, three generations will be impacted by the potent and long-lasting poison still lingering in the Bay mud.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> So that old adage, “Don’t fish off the pier,” sounds like it remains true today.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> Well, the longer-lived, big fish, especially. In 2023, California’s Office of Environmental Health Hazard Assessment, or OEHHA, recommended children and women of childbearing age steer clear of fish like sharks and striped bass. Ocean-going fish like Chinook salmon would be the safer bet.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Alright, so that’s two questions dispatched. Let’s move on to question number three. It comes from Andrew Long, who lives all the way over in Cornwall — the county at the far south west tip of England. He came to the Bay Area some time ago to visit a relative and had some questions.\u003c/p>\n\u003cp>\u003cstrong>Andrew Long: \u003c/strong>I’m Cornish from the U.K. I know of the Cornish Camp at the Alamaden Quicksilver Mine. It would be great to know if Cornish culture survived, and is growing, like it is here with our language.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Andrew filled me in on the long, rich history of mining tin and copper in Cornwall, which extends all the way back to the early Bronze Age, circa 2200 BC.\u003c/p>\n\u003cp>Some of you may be thinking about the British TV series “Poldark,” and you’d be in the right territory. There were more than 300 active mines in Cornwall in the 1860s.\u003c/p>\n\u003cp>But by the late 19th century, the industry had largely collapsed … and Cornish miners left in droves, traveling across the world to places like New Almaden in search of work.\u003c/p>\n\u003cp>\u003cstrong>Andrew Long: \u003c/strong>So there is a saying, if you go to the bottom of a mine, a hole in the ground, at the bottom of it you’ll find a Cornishman.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>They took a bit of Cornwall with them and left cultural evidence everywhere they went. In central Mexico, they introduced the Cornish \u003cem>pasty\u003c/em>, which became, in Spanish, the \u003cem>paste. \u003c/em>Over in Grass Valley, home to a lot of gold mining back in the day, there’s an annual Cornish Christmas Celebration. But in the South Bay, the history’s more subtle, almost hiding in plain sight. Like cinnabar.\u003c/p>\n\u003cp>\u003cstrong>Andrew Long: \u003c/strong>I just did a very cursory search of your — the phone book in San José — and I saw a scattering of Cornish surnames.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Cornish surnames like “Hicks” and even “Cornish.” Also, on his trip to San José, not too long ago, and he spotted a curious station sign for the Santa Clara Valley Transportation Authority.\u003c/p>\n\u003cp>\u003cstrong>Andrew Long: \u003c/strong>There’s a station called Ohlone-Chy-NO-weth. Or CHIN-oh-weth, as you call it. Well, Chynoweth in Cornish means “new house.” So that got me thinking, well, there’s got to be a reason you have a Cornish name for a Cornish railway station in South San José.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>The two most prominent settlements at New Almaden were Spanish Town and English Camp, but that was really Cornish Camp, if you ask Andrew. Today, little remains of the area’s once-bustling village life. Aside from the large mansion that now houses the museum, the only hints are the nonnative cypress and poplar trees, and the spreading vinca ground cover … green survivors of gardens long since forgotten.\u003c/p>\n\u003cp>Here’s a bit from a 1960 documentary collaboration I dug up between the Museum and Channel 11 News.\u003c/p>\n\u003cp>\u003cstrong>Clip from documentary: \u003c/strong>The international flavor of the old mining camp is shown by the names that survive. Manyales. Danielson. Castro. At one time, 26 nationalities were represented in New Almaden, and they helped fill two other cemeteries up on Mine Hill, that have long since been swept bare by souvenir hunters and the ravages of time.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Cornish culture has largely faded into the rearview mirror in the South Bay, but Andrew has an idea, related to his membership in a Cornish chorus called Barrett’s Privateers. The Cornish are big singers. Here’s Barrett’s Privateers singing The Miners’ Anthem.\u003c/p>\n\u003cp>\u003cstrong>Clip of The Miners Anthem\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Andrew wants to take the band on tour to the South Bay, to reintroduce locals to our Cornish connections and light a fire under our interest in the history.\u003c/p>\n\u003cp>\u003cstrong>Andrew Long: \u003c/strong>Maybe to link up with the museum and do some promotional singing in shopping malls and that sort of stuff, to give people an idea that where they’re living has a history that is maybe something they never knew about.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Thanks to Andrew, Kiera and to you, Rachael.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> My pleasure, as always!\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>It’s the start of a month, and that means a new voting round is up at \u003ca href=\"http://baycurious.org\">BayCurious.org\u003c/a>. Let’s hear your choices …\u003c/p>\n\u003cp>Voice 1: Why is there a taco truck on every corner in San Francisco and San Mateo? They seem to have sprung up in the last year or two.\u003c/p>\n\u003cp>Voice 2: Why are there huge fans over the tunnels near the Golden Gate Bridge?\u003c/p>\n\u003cp>Voice 3: What’s the story with the abandoned cop car in front of the airport off 101? Everyone knows no actual cop is in it, so what’s the scoop with leaving it there?\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Tally a vote for your favorite of those questions at \u003ca href=\"http://baycurious.org\">BayCurious.org\u003c/a>.\u003c/p>\n\u003cp>We’ve still got space in our upcoming Bay Curious Trivia game. Snag some tickets for you and your friends at KQED.org/live.\u003c/p>\n\u003cp>Bay Curious is made in San Francisco at member-supported KQED.\u003c/p>\n\u003cp>Our show is made by Katrina Schwartz, Christopher Beale and me, Olivia Allen-Price. With extra support from Maha Sanad, Jen Chien, Katie Sprenger, Ethan Toven-Lindsey and everyone on Team KQED.\u003c/p>\n\u003cp>Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco Northern California Local.\u003c/p>\n\u003cp>I’m Olivia Allen-Price. Thanks for listening!\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"title": "New Almaden: The Mercury Mine That Built a Boomtown South of San José | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#Viewthefullepisodetranscript\">View\u003c/a>\u003cem>\u003ca href=\"#Viewthefullepisodetranscript\"> the full episode transcript.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Visitors to the Almaden Quicksilver County Park may well wonder what the heck accounts for the name.\u003c/p>\n\u003cp>Who or what was Almaden? What is quicksilver? Why is there a 27-room Classical Revival mansion nestled in more than 4,000 acres in the hills south of San José? So many questions!\u003c/p>\n\u003cp>It beggars belief today, given how bucolic the park is, but New Almaden once hummed with a busy mining operation in the late 19th and early 20th centuries.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In its heyday, 1,800 miners and their families lived here, primarily in a couple of self-contained villages. Imagine churches, saloons, a school, a post office, and more. Now there are just a few moldering cemeteries and the old mine supervisor’s mansion, which has been turned into a \u003ca href=\"https://parks.santaclaracounty.gov/learn/visit-historic-sites/almaden-quicksilver-mining-museum\">museum\u003c/a>.\u003c/p>\n\u003ch2>\u003cstrong>How quicksilver is used to extract gold\u003c/strong>\u003c/h2>\n\u003cp>Before we get to our audience questions sent in about Almaden Quicksilver Park, let’s get a handle on why this place was once so valuable.\u003c/p>\n\u003cp>The South Bay is full of cinnabar, a bright red rock the color of a stop sign. It formed 10 million to 12 million years ago during a time of intense volcanic and hydrothermal activity. Chemically speaking, cinnabar is mercury bonded to sulfur, and mercury is the more proper name for the silver-colored quicksilver. To get mercury out of cinnabar, you heat the rocks up and the mercury essentially sweats out.\u003c/p>\n\u003cfigure id=\"attachment_12062447\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00307_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12062447\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00307_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00307_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00307_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00307_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Exhibits at The New Almaden Quicksilver Mining Museum, south of San José, on Oct. 27, 2025, paint a picture of the dangerous but lucrative craft of mining quicksilver from cinnabar. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mercury was super important during the Gold Rush, because in its liquid form, gold and silver miners used the quicksilver to extract precious metals from the crushed rocks they were trapped in.\u003c/p>\n\u003cp>“The mercury kind of grabs on to any precious metal,” said Lynda Will, parks program coordinator at Santa Clara County Parks and Recreation. “All the sand and other waste rock is left alone and left behind. And then you have a kinda of silver putty.”\u003c/p>\n\u003cp>Miners call that an amalgam. You heat that amalgam to 1,076 degrees Fahrenheit, the mercury vapor goes off into the air, leaving you with your precious metal.\u003c/p>\n\u003cp>“It usually looks like spun sugar,” Will said. “It has all these holes where the mercury had been. So then you can take that spun gold, as we call it, and so you can make nuggets or even bars.”\u003c/p>\n\u003ch2>\u003cstrong>How a Mexican cavalry officer discovered the cinnabar deposit in 1845\u003c/strong>\u003c/h2>\n\u003cp>Just a few years prior to the discovery of gold at Sutter’s Mill near Sacramento in 1848, California was a Mexican territory. The Mexican government sent a cavalry officer named Andrés Castillero to catalogue strategic assets, and as was the practice at that time, officers and citizens could claim mines they discovered for themselves.\u003c/p>\n\u003cp>Castillero was traveling in the South Bay when he noticed a fiery red-orange paint local Indigenous people were using on the walls of nearby missions. Castillero knew exactly what he was looking at. He knew that red paint had to have come from cinnabar.\u003c/p>\n\u003cfigure id=\"attachment_12062440\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00156_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12062440\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00156_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00156_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00156_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00156_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The New Almaden Quicksilver Mining Museum features different kinds of ore in a display on Oct. 27, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the time, the world’s main source of mercury was in Almadén, Spain. Spain controlled the supply, which meant they could charge what they wanted. Castillero, just from reading the newspapers, would have understood he was looking at a potential fortune in the hills south of San José.\u003c/p>\n\u003cp>As you can imagine, it wasn’t long after Castillero discovered the cinnabar that other people wanted to take the mine from him, especially after the Gold Rush kicked off in 1848 and sent demand for quicksilver soaring. Multiple parties, including private investors and mining companies, tried to claim the land, and the case went all the way to the U.S. Supreme Court. In 1859, the Supreme Court recognized Castillero’s claim, but the mine’s ownership remained split among several parties.\u003c/p>\n\u003cp>And then in 1861, the U.S. Civil War started. During the Civil War, the federal government briefly attempted to seize the New Almaden mine because mercury was essential for extracting gold used to finance the Union war effort.\u003c/p>\n\u003cp>And this is where we get to Bay Curious listener Kiera O’Hara’s question:\u003c/p>\n\u003ch2>\u003cstrong>What was the Civil War history behind the Almaden mercury mine in San José? I remember hearing Abraham Lincoln was involved?! \u003c/strong>\u003c/h2>\n\u003cp>At the museum, parks program coordinator Will told of an aide to President Lincoln who thought, “There’s enough questionability about who owns this land, so maybe it’s owned by the U.S. government.”\u003c/p>\n\u003cp>Again, the quicksilver mine is an obvious money maker, and war is expensive. California gold was vital to the Union’s war effort, providing more than $170 million (roughly $7 billion today), in gold mostly, that stabilized the federal currency and paid for roughly 10% of things like weapons and supplies.\u003c/p>\n\u003cfigure id=\"attachment_12062439\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00110_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12062439\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00110_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00110_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00110_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00110_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The New Almaden Quicksilver Mining Museum features photos of village life for quicksilver miners and their families during the late 19th and early 20th centuries. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This aide was thinking something along the lines of, “Why not claim the New Almaden mine and its profits for the Union side of the Civil War?”\u003c/p>\n\u003cp>“And so he came down with a marshal and even a cavalry behind him to say, ‘Lincoln’s going to take over this mine. And, you know, you’re supposed to just surrender it to me.’” Will said. The mine manager at the time, John Young, rallied the miners working for him by saying something akin to “If they take over the mines, you’re going to be out of a job. So come down with, you know, your best rifles and your guns and, you know, help me defend this,” Will said.\u003c/p>\n\u003cp>Young also fired off urgent telegraphs, not only to other mine operators across California, but to a former New Almaden manager who happened to be working inside Lincoln’s administration.\u003c/p>\n\u003cp>Young warned the well-placed friend that the federal government was about to set off a destructive chain reaction across the West, at a moment when the Union depended on the support of California’s gold miners. There were people in the state who sympathized with the South during the Civil War. So it would be really, really dumb to piss off Union supporters and drive them into the waiting arms of the Confederacy.\u003c/p>\n\u003cp>Will thinks it’s possible Lincoln didn’t even know this whole fight was going on, given how distracted he was with the Civil War. Whatever the case, John Young’s quick thinking stopped a bright idea from a government man that could have thrown California and the rest of the Western U.S. to the Confederate side.\u003c/p>\n\u003ch2>Has the mercury in San José caused environmental problems?\u003c/h2>\n\u003cp>You don’t have to be a geologist to know mercury is a neurotoxin and an environmental hazard.\u003c/p>\n\u003cp>Some of the mercury dug up at New Almaden \u003ca href=\"https://www.kqed.org/quest/17411/mercury-in-the-bay-part-1\">made its way downstream\u003c/a>, into the San Francisco Bay. Mining continued into the 1970s, and in 2002, scientists identified this mine as the \u003ca href=\"https://www.sfgate.com/bayarea/article/tracking-a-toxic-trail-long-closed-mine-2709557.php\">single largest source\u003c/a> of mercury in the Bay, making the fish unsafe to eat for humans and birds alike.\u003c/p>\n\u003cfigure id=\"attachment_12062445\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00255_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12062445\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00255_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00255_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00255_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00255_TV-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A statue of a miner is featured at The New Almaden Quicksilver Mining Museum south of San Joséon Oct. 27, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“When we acquired the land in the mid-1970s, there was quite a bit of mercury contamination of the land,” Will said. “Under the furnace yards were pools of mercury. They had paved roads with cinnabar waste rock, which we call calcines. They had just dumped it over the sides of the hills. They had dumped it into the creeks. And so we have been remediating it ever since.”\u003c/p>\n\u003cp>Local governments, including Santa Clara County, purchased part of the mine property for parkland, found themselves partially on the hook for a multimillion-dollar \u003ca href=\"https://dtsc.ca.gov/dtsc-oversees-environmental-cleanup-of-mercury-contaminated-park/\">cleanup effort\u003c/a> to comply with the federal Clean Water Act. They did get help from the state and federal agencies. Additional work and monitoring continue, but authorities say it’s safe to picnic, hike, ride horses and otherwise recreate.\u003c/p>\n\u003ch2>\u003cstrong>Is it safe to eat fish from the San Francisco Bay?\u003c/strong>\u003c/h2>\n\u003cp>As recently as 10 years ago, two years into the big effort to clean up the Bay, \u003ca href=\"https://youtu.be/cpwQ5OFIZRQ?si=SP5B4deyax67I7iR&t=356\">KQED explored this question\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cpwQ5OFIZRQ'\n title='//www.youtube.com/embed/cpwQ5OFIZRQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Because mercury converts into methylmercury, which bioaccumulates up the food chain, fish, especially large fish, can carry high levels.\u003c/p>\n\u003cp>“The Bay is slowly cleaning itself, washing 3,100 pounds a year out to sea, but because so much has built up over time, it needs a helping hand,” the story said. “At a minimum, three generations will be impacted by the potent and long-lasting poison still lingering in the Bay mud. It may take more than 100 years for the Bay to recover.”\u003c/p>\n\u003cp>In 2023, California’s Office of Environmental Health Hazard Assessment recommended that children and women of childbearing age steer clear of fish like \u003ca href=\"https://oehha.ca.gov/sites/default/files/media/downloads/advisories/fishadvisorysfbayreport2023.pdf\">sharks and striped bass\u003c/a>. Ocean-going fish like Chinook salmon would be the safer bet.\u003c/p>\n\u003ch2>\u003cstrong>Has Cornish culture survived in the region?\u003c/strong>\u003c/h2>\n\u003cp>Our final listener question comes from Andrew Long, who lives all the way over in Cornwall, on the far southwest tip of England. He came to the Bay Area some time ago to visit a relative and had some questions.\u003c/p>\n\u003cp>“I’m Cornish from the U.K. I know of the Cornish Camp at the Alamaden Quicksilver Mine. It would be great to know if Cornish culture survived, and is growing, like it is here with our language,” Long said.\u003c/p>\n\u003cfigure id=\"attachment_12062446\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00296_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12062446\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00296_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00296_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00296_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251027-ALMADENQUICKSILVER00296_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The New Almaden Quicksilver Mining Museum features a Cinnabar display south of San Joséon Oct. 27, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Long filled me in on the long, rich history of mining tin and copper in Cornwall, which extends all the way back to the early Bronze Age, circa 2200 B.C.\u003c/p>\n\u003cp>Some of you may be thinking about the British TV series “\u003ca href=\"https://www.youtube.com/watch?v=7A0U6kQNCN0\">Poldark,\u003c/a>” and you’d be in the right territory. There were more than 300 active mines in Cornwall in the 1860s. But by the late 19th century, the industry had largely collapsed, and Cornish miners left in droves, traveling across the world to places like New Almaden in search of work.\u003c/p>\n\u003cp>“There is a saying, ‘If you go to the bottom of a mine, a hole in the ground, at the bottom of it you’ll find a Cornishman,’” Long said.\u003c/p>\n\u003cp>They took a bit of Cornwall with them and left cultural evidence everywhere they went. In central Mexico, they introduced the Cornish pasty, which became, in Spanish, the paste. Over in \u003ca href=\"https://califcornishcousins.org/\">Grass Valley\u003c/a>, home to a lot of gold mining back in the day, there’s an annual Cornish Christmas Celebration. But in the South Bay, the history’s more subtle, almost hiding in plain sight. Like cinnabar.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“I just did a very cursory search of your phone book in San José, and I saw a scattering of Cornish surnames,” Long said. Also on his trip to San José not too long ago, he spotted the \u003ca href=\"https://www.vta.org/go/stations/ohlone-chynoweth\">Ohlone-Chynoweth\u003c/a> station sign for the Santa Clara Valley Transportation Authority.\u003c/p>\n\u003cp>“Chynoweth in Cornish means ‘new house.’ So that got me thinking, well, there’s got to be a reason you have a Cornish name for a Cornish railway station in South San José,” Long said.\u003c/p>\n\u003cp>The two most prominent settlements at New Almaden were Spanish Town and English Camp, but that was really Cornish Camp, if you ask him.\u003c/p>\n\u003cp>A 1960 documentary collaboration entitled \u003ca href=\"https://archive.org/details/casjhsj_000081\">Quicksilver!\u003c/a> noted that, even then, in the mid-20th century, the mine was fading into the mists of time.\u003c/p>\n\u003cp>“The international flavor of the old mining camp is shown by the names that survive. Manyales. Danielson. Castro. At one time, 26 nationalities were represented in New Almaden, and they helped fill two other cemeteries up on Mine Hill, which have long since been swept bare by souvenir hunters and the ravages of time.”\u003c/p>\n\u003cp>Cornish culture has largely faded into the rearview mirror in the South Bay, but Long has an idea related to his membership in a Cornish chorus. The Cornish are big singers. Here’s Barrett’s Privateers singing \u003ca href=\"https://open.spotify.com/track/60i1cJcq1fCNgolbUc67Xn\">The Miners’ Anthem\u003c/a>.\u003c/p>\n\u003cp>Long wants to take the band on tour to the South Bay, to reintroduce locals to our Cornish connections and light a fire under our interest in the history.\u003c/p>\n\u003cp>“Maybe to link up with a museum and do some promotional singing in shopping malls and that sort of stuff, to give people an idea that where they’re living has a history that is maybe something they never knew about,” Long said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca id=\"Viewthefullepisodetranscript\">\u003c/a>Episode transcript\u003c/h2>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>This story starts with three things that don’t seem like they belong together: Cornish miners, mercury poisoning, and Abraham Lincoln. They are, however, all connected to a mine in the foothills south of San José. We’re talking about the Almaden Quicksilver mine. Its glory days are long gone, and so Bay Curious gets a lot of questions about it. KQED’s Rachael Myrow knows all sorts of things South Bay, so we called her up to answer some of your questions. Hey, Rachael!\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Hey, Olivia!\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>So the Almaden Quicksilver mine sits in what is today Almaden Quicksilver County Park. I visited some years ago, and I remember a sprawling park with rolling hills. I think I went in the summertime, so it was very, very, very hot and quite dry. But I can’t say I remember the mine.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> That could be because there’s not a lot of the mining apparatus left. But in its heyday, in the 19th century, 1,800 miners and their families populated these hills, primarily in a couple of self-contained villages. Imagine churches, saloons, a school, and much, much more. Now there’s just a few moldering cemeteries …and the old mine supervisor’s mansion, which has been turned into a museum, with really restricted hours. I’m going to guess it was closed when you hiked or drove past.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Hmmm, yeah. Must have been. Now, over the years on Bay Curious, we have done quite a few stories that touch on the California Gold Rush, less about the Silver Rushes that followed, but really nothing about quicksilver. To be honest, I don’t even really know what quicksilver is …\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>To be honest, Olivia, neither did I before reporting this story out. But mining it was a lucrative hustle during the Gold Rush.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>OK, well, before we dive in, then, could we do a little quicksilver 101?\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Of course! The South Bay is full of \u003cem>cinnabar\u003c/em>, a bright red rock the color of a stop sign. It formed 10-12 million years ago during a time of intense volcanic and hydrothermal activity. Chemically speaking, cinnabar is mercury bonded to sulfur. Mercury being a more proper name for quicksilver, by the way …\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>This is really taking me back to high school chemistry class.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> As it should! And what do you remember about mercury, Olivia?\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> OK, well, it’s a liquid at room temperature, and that’s unusual for a metal. And it’s a silvery color…\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> You’ve got it! To get mercury out of cinnabar, you heat the rocks up and the mercury essentially sweats out. Now, mercury was super important during the Gold Rush because it was used by gold and silver miners to extract the precious metals from the crushed rocks they were trapped in. Here’s Lynda Will, parks program coordinator at Santa Clara County Parks and Recreation, to explain further.\u003c/p>\n\u003cp>\u003cstrong>Lynda Will: \u003c/strong>So you pour your mercury over that sand. The mercury kind of grabs onto any precious metal. All the sand and other waste rock is left alone and left behind. And then you have — uh — looks kinda of like a silver putty. So it’s called an amalgam, and then you heat that amalgam to 1,076 degrees, the mercury vapor goes off into the air, and then you are left with your precious metal, which could be gold or silver. It usually looks like spun sugar, almost. It has all these holes where the mercury had been. So then you can take that spun gold, as we call it, and so you can make nuggets or even bars.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> All right, I get it. And this stuff must have been in high demand after the Gold Rush kicked off in 1848. I imagine?\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> Exactly. In 1845, California is still a Mexican territory. A Mexican cavalry officer named Andrés Castillero was riding through these foothills when he noticed something unusual — a fiery red-orange paint that local Indigenous people were using on the walls of nearby missions. Castillero knew exactly what he was looking at. He knew that red paint had to have come from cinnabar.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> But how did he know?\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> At the time Castillero made his discovery, the world’s main source of mercury was in Almadén, Spain. So Spain controlled the supply. Which meant they could charge what they wanted. Castillero, just from reading the newspapers, would have understood mercury’s importance in economic terms. So when Castillero saw that cinnabar in 1845, he understood he was looking at a potential fortune.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> What was Castillero doing in San José anyway?\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>He was sent by the Mexican government to catalogue strategic assets. Now, under Mexican law, officers and citizens could claim mines they discovered for themselves. So when Castillero saw the cinnabar, his life changed forever.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> And this brings us to one of our Almaden Quicksilver listener questions! It comes from Kiera O’Hara of Santa Clara, who joined you, Rachael, on her \u003cem>second\u003c/em> tour of the Almaden Quicksilver Museum. Second, because she first visited when she was seven or eight years old. The museum is a regular pit stop for South Bay school children.\u003c/p>\n\u003cp>\u003cstrong>Kiera O’Hara:\u003c/strong> What was the Civil War history behind the Almaden mercury mine in San José? I remember hearing Abraham Lincoln was involved?!\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>The museum sits in the Casa Grande, or big house, a 27-room Classical Revival mansion the mine’s superintendents used to live in. As you can imagine, it wasn’t long after Castillero discovered the cinnabar that other people wanted to take the mine from him, especially after the Gold Rush sent demand for quicksilver soaring.\u003c/p>\n\u003cp>So multiple parties, including private investors and mining companies, tried to claim the land, and the case went all the way to the U.S. Supreme Court. In 1859, SCOTUS recognized Castillero’s claim, but the mine’s ownership remained split among several parties. And then in 1861, the U.S. Civil War started. And this is where we get to Kiera’s question, about whether Abraham Lincoln was involved.\u003c/p>\n\u003cp>\u003cstrong>Lynda Will: \u003c/strong>There was an aide to President Lincoln who went, “Oh, there’s enough questionability about who owns this land, so maybe it’s owned by the U.S. government.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> Again, the quicksilver mine is an obvious money maker, and war is expensive. California gold was vital to the Union’s war effort, providing more than $170 million dollars in gold mostly that stabilized the federal currency and paid for roughly 10% of things like weapons and supplies. For those of you wondering, $170 million dollars in the 1860s would be worth roughly $7 billion dollars today.\u003c/p>\n\u003cp>So this aide is thinking, ‘Why not claim the New Almaden mine and its profits for the Union side of the U.S. civil war?”\u003c/p>\n\u003cp>\u003cstrong>Lynda Will: \u003c/strong>And so he came down with a marshal and even a cavalry behind him to say, “Lincoln’s going to take over this mine. And, you know, you’re supposed to just surrender it to me, the aide.” Then, mine manager, John Young, said ‘no!’\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>So, just put yourself in John Young’s shoes. Who the heck is this aide showing up all of a sudden with troops behind him and a half-baked plan to take over the mine, because says who?\u003c/p>\n\u003cp>\u003cstrong>Lynda Will: \u003c/strong>He got the miners and said, “If they take over the mines, you’re going to be out of a job. So come down with, you know, your best rifles and your guns and, you know, help me defend this.”\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>First, Young rallies his workers. And he fires off urgent telegraphs, not only to other mine operators across California, but to a former Almaden manager who now sits inside Lincoln’s administration.\u003c/p>\n\u003cp>\u003cstrong>Lynda Will: \u003c/strong>And said, “This is what’s happening out here. If he takes this mine, there’s the potential that he could take over every mine in California and the western United States.”\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> Young was essentially saying, if the federal government seizes this mine, it could set off a chain reaction across the West, and at a moment when the Union depends on the support of California’s gold miners. There \u003cem>were\u003c/em> people in the state who sympathized with the South during the Civil War. So it would be really, really dumb to piss off Union supporters and drive them into the waiting arms of the Confederacy.\u003c/p>\n\u003cp>Kiera, our question asker, asked if Abraham Lincoln was involved. Lynda told us it’s possible Lincoln didn’t even know this whole fight was going on, given how distracted he was with the Civil War. Whatever the case, John Young’s quick thinking — his calculated warning framed as patriotism — stopped a bright idea from a government man that could have thrown California and the rest of the Western U.S. to the Confederate side.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>When we return, we dig in on the environmental impacts of this mine. Plus a listener question about the miners who once worked there. Stay with us.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Sponsor Message\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>So we’ve learned that mercury comes from cinnabar. It was super valuable during the Gold Rush because it helps separate gold from ore. And there was a big kerfuffle over the ownership of the Almaden mine that could have changed California’s posture during the Civil War.\u003c/p>\n\u003cp>Next, I want to touch on the environment … because you don’t have to be a geologist to know mercury is a neurotoxin, and a huge environmental hazard.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Yes. Unfortunately, some of that mercury made its way downstream, into the San Francisco Bay. In 2002 — not that long ago — scientists identified \u003cem>this\u003c/em> mine as the single largest source of mercury in the Bay, making the fish unsafe to eat for humans and birds alike. I asked Lynda Will, parks program coordinator at Santa Clara County Parks and Recreation, about this very question …\u003c/p>\n\u003cp>\u003cstrong>Lynda Will: \u003c/strong>I can tell you a little bit about it. Yeah. When we acquired the land in the mid-70s, 1970s, there was quite a bit of mercury contamination of the land. Under the furnace yards was, you know, pools of mercury. They had paved roads with cinnabar waste rock, which we call calcines. They had just dumped it over the sides of the hills. They had dumped it into the creeks. And so we have been remediating it ever since.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Local governments, including Santa Clara County, which purchased part of the mine property for parkland, found themselves partially on the hook for a multimillion-dollar cleanup effort to comply with the federal Clean Water Act. They did, I should mention, get help from the state and the feds.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Is it safe for us to be in this park?\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> Additional work and monitoring continues, but authorities say it’s safe to picnic, hike, ride horses, et cetera.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>And what about the fish in the Bay, can we eat them?\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> Errr, that’s a different story, more complicated. As recently as 10 years ago, 2 years then into the big effort to clean up the Bay, KQED explored this very question. Let’s just say, they were still describing it as problematic, not just because of the direct legacy from mining days, but from stormwater runoff and air pollution. Because mercury converts into methylmercury, which bioaccumulates up the food chain, fish … especially large fish … can carry high levels.\u003c/p>\n\u003cp>\u003cstrong>Clip from documentary: \u003c/strong>The Bay is slowly cleaning itself, washing 3,100 pounds a year out to sea, but because so much has built up over time, it needs a helping hand. … At a minimum, three generations will be impacted by the potent and long-lasting poison still lingering in the Bay mud.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> So that old adage, “Don’t fish off the pier,” sounds like it remains true today.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> Well, the longer-lived, big fish, especially. In 2023, California’s Office of Environmental Health Hazard Assessment, or OEHHA, recommended children and women of childbearing age steer clear of fish like sharks and striped bass. Ocean-going fish like Chinook salmon would be the safer bet.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Alright, so that’s two questions dispatched. Let’s move on to question number three. It comes from Andrew Long, who lives all the way over in Cornwall — the county at the far south west tip of England. He came to the Bay Area some time ago to visit a relative and had some questions.\u003c/p>\n\u003cp>\u003cstrong>Andrew Long: \u003c/strong>I’m Cornish from the U.K. I know of the Cornish Camp at the Alamaden Quicksilver Mine. It would be great to know if Cornish culture survived, and is growing, like it is here with our language.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Andrew filled me in on the long, rich history of mining tin and copper in Cornwall, which extends all the way back to the early Bronze Age, circa 2200 BC.\u003c/p>\n\u003cp>Some of you may be thinking about the British TV series “Poldark,” and you’d be in the right territory. There were more than 300 active mines in Cornwall in the 1860s.\u003c/p>\n\u003cp>But by the late 19th century, the industry had largely collapsed … and Cornish miners left in droves, traveling across the world to places like New Almaden in search of work.\u003c/p>\n\u003cp>\u003cstrong>Andrew Long: \u003c/strong>So there is a saying, if you go to the bottom of a mine, a hole in the ground, at the bottom of it you’ll find a Cornishman.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>They took a bit of Cornwall with them and left cultural evidence everywhere they went. In central Mexico, they introduced the Cornish \u003cem>pasty\u003c/em>, which became, in Spanish, the \u003cem>paste. \u003c/em>Over in Grass Valley, home to a lot of gold mining back in the day, there’s an annual Cornish Christmas Celebration. But in the South Bay, the history’s more subtle, almost hiding in plain sight. Like cinnabar.\u003c/p>\n\u003cp>\u003cstrong>Andrew Long: \u003c/strong>I just did a very cursory search of your — the phone book in San José — and I saw a scattering of Cornish surnames.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Cornish surnames like “Hicks” and even “Cornish.” Also, on his trip to San José, not too long ago, and he spotted a curious station sign for the Santa Clara Valley Transportation Authority.\u003c/p>\n\u003cp>\u003cstrong>Andrew Long: \u003c/strong>There’s a station called Ohlone-Chy-NO-weth. Or CHIN-oh-weth, as you call it. Well, Chynoweth in Cornish means “new house.” So that got me thinking, well, there’s got to be a reason you have a Cornish name for a Cornish railway station in South San José.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>The two most prominent settlements at New Almaden were Spanish Town and English Camp, but that was really Cornish Camp, if you ask Andrew. Today, little remains of the area’s once-bustling village life. Aside from the large mansion that now houses the museum, the only hints are the nonnative cypress and poplar trees, and the spreading vinca ground cover … green survivors of gardens long since forgotten.\u003c/p>\n\u003cp>Here’s a bit from a 1960 documentary collaboration I dug up between the Museum and Channel 11 News.\u003c/p>\n\u003cp>\u003cstrong>Clip from documentary: \u003c/strong>The international flavor of the old mining camp is shown by the names that survive. Manyales. Danielson. Castro. At one time, 26 nationalities were represented in New Almaden, and they helped fill two other cemeteries up on Mine Hill, that have long since been swept bare by souvenir hunters and the ravages of time.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Cornish culture has largely faded into the rearview mirror in the South Bay, but Andrew has an idea, related to his membership in a Cornish chorus called Barrett’s Privateers. The Cornish are big singers. Here’s Barrett’s Privateers singing The Miners’ Anthem.\u003c/p>\n\u003cp>\u003cstrong>Clip of The Miners Anthem\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Andrew wants to take the band on tour to the South Bay, to reintroduce locals to our Cornish connections and light a fire under our interest in the history.\u003c/p>\n\u003cp>\u003cstrong>Andrew Long: \u003c/strong>Maybe to link up with the museum and do some promotional singing in shopping malls and that sort of stuff, to give people an idea that where they’re living has a history that is maybe something they never knew about.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Thanks to Andrew, Kiera and to you, Rachael.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow:\u003c/strong> My pleasure, as always!\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>It’s the start of a month, and that means a new voting round is up at \u003ca href=\"http://baycurious.org\">BayCurious.org\u003c/a>. Let’s hear your choices …\u003c/p>\n\u003cp>Voice 1: Why is there a taco truck on every corner in San Francisco and San Mateo? They seem to have sprung up in the last year or two.\u003c/p>\n\u003cp>Voice 2: Why are there huge fans over the tunnels near the Golden Gate Bridge?\u003c/p>\n\u003cp>Voice 3: What’s the story with the abandoned cop car in front of the airport off 101? Everyone knows no actual cop is in it, so what’s the scoop with leaving it there?\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Tally a vote for your favorite of those questions at \u003ca href=\"http://baycurious.org\">BayCurious.org\u003c/a>.\u003c/p>\n\u003cp>We’ve still got space in our upcoming Bay Curious Trivia game. Snag some tickets for you and your friends at KQED.org/live.\u003c/p>\n\u003cp>Bay Curious is made in San Francisco at member-supported KQED.\u003c/p>\n\u003cp>Our show is made by Katrina Schwartz, Christopher Beale and me, Olivia Allen-Price. With extra support from Maha Sanad, Jen Chien, Katie Sprenger, Ethan Toven-Lindsey and everyone on Team KQED.\u003c/p>\n\u003cp>Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco Northern California Local.\u003c/p>\n\u003cp>I’m Olivia Allen-Price. Thanks for listening!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Women have dramatically influenced San Francisco Bay Area history since before the Gold Rush, but their stories are often far less well known. Rae Alexandra’s new book, \u003ca href=\"https://citylights.com/city-lights-published/unsung-heroines35-women-who-changed/\">\u003cem>Unsung Heroines: 35 Women Who Changed the Bay Area\u003c/em> \u003c/a>shines a light on these untold stories, highlight these women’s impact on the social, cultural and political life of the Bay Area.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC8955735736&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Rae Alexandra, an arts and culture reporter here at KQED was frustrated.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>I think I learned there were no statues of women. \u003cspan style=\"font-weight: 400;\">Or, there were very few.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">It was 2018 and she had just found out that just 12 percent of San Francisco’s street names, statues, parks and public art honored women.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">And that made me angry.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Meanwhile, the names of important men were everywhere. Anza, Coit, Sutro, Sutter, Polk, Taylor, Fillmore. I could go on. So for Women’s History Month, she made a pledge to find and honor five women from local history to write about for KQED.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">So that just in case somebody wants to add a statue later, they might have an easy list to look at.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">It seemed like a simple idea, but once she started looking, she found troves of stories to tell. Countless women whose impact on local life, culture, and politics was profound yet overlooked.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">Then I kept dipping back in because I kept finding more women. Couple. I’ll just do another couple.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">What started as a month-long project grew into an ongoing series, and now a book. It’s out this month. It’s called Unsung Heroines, 35 Women Who Changed the Bay Area. Rae Alexandra is here to talk with us about it. Welcome, Rae. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">\u003cb>Rae Alexandra: \u003c/b>Hello. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">\u003cb>Olivia Allen-Price: \u003c/b>I think for a long time, people would look back on history and see a lack of women and think, well, women weren’t able to participate. They often didn’t have as much education as their male counterparts. It’s no wonder they couldn’t contribute as much. But that isn’t really true, is it? \u003c/span>\u003c/p>\n\u003cp>[baycuriouspodcastinfo]\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">People kept saying to me, well, San Francisco is a gold rush town, and maybe there just weren’t many women here, and maybe the women here weren’t in a position to do anything, and I just, it didn’t ring true to me. Because where there is life, there are women, and where there are woman, there are useful things being done. So I just didn’t believe it. And, of course, now that I’ve done the digging, that’s absolutely not true. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">So many of the people who you profiled in this book are names that are new to me. And I work on a podcast that does a fair amount of history stories. How did you find these women and their stories? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003cspan style=\"font-weight: 400;\">I was literally at one point g\u003c/span>\u003c/b>\u003cspan style=\"font-weight: 400;\">oing through the indexes at the back of books and finding a woman who’d been mentioned twice and then trying to do some research on newspapers.com in newspaper archives to see, did they do anything else? And sometimes they did and sometimes they didn’t. The oral histories that libraries have online and archives have online were very useful. I was constantly looking, I got obsessive about looking for. Teeny-tiny plaques on the side of buildings. Is there a woman on that? Is there a woman that? So there were an awful lot of dead ends but when you find a good one it’s a real joy.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Do you feel like this book, do you hope that it will create sort of a more complete history of the Bay Area? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003cspan style=\"font-weight: 400;\">Absolutely. \u003c/span>\u003c/b>\u003cspan style=\"font-weight: 400;\">The thing that I found in the course of writing this is that now that the book has put the women in chronological order, you kind of do get an overview of the Bay Area from the very beginning up to the present day, and it does reflect the social and cultural events of our entire history. But once I started looking at even major events that we think we all know, like the 1906 earthquake, when you start looking at it from an individual working class woman’s perspective, it gave me a completely different idea of what that whole crisis was at the time. Breaking history down to small individual people is very different to hearing it from fancy historians perspective.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">I love that. And that’s part of what makes your book, I think, so compelling is really, you know, looking at everything through that individual female lens. Yeah. I’d love to get into one of these stories now. Can you tell us about Tianfu Wu, whose contributions in Chinatown have led San Francisco city leaders to rename a street in her honor just this month? So this is very topical.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">She was trafficked from China in the early 1890s. She was sold by her father to pay off gambling debts. She wasn’t told anything that was happening. She was just, she was told that she was gonna be going to visit her grandmother. She was dropped off, put in a boat. She was left with her supper and a toothbrush and her father just said, you know, stay here, be quiet, didn’t say goodbye. And that was it and she never saw her family again. And it wasn’t for lack of trying years later, she did try and track them down and was unable to. And she found herself in San Francisco. She was under the age of 10 at the time. She was basically a domestic slave and the second place that she found herself was a gambling den and the owner of that gambling den was very physically abusive to her. So she wound up getting rescued in 1894 by a group of Presbyterian missionaries who operated out of the Occidental Mission House. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">I found a newspaper report about it, and the reporters said that she was in such a bad way that the police officers who were escorting the missionaries had tears in their eyes when they found her. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">And what was the Occidental Mission home? What was their larger purpose at the time?\u003c/span>\u003c/p>\n\u003cp>[aside postID=news_11700225 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2018/10/10062018_AW_GhostStory_103-e1540151366310.jpg']\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">I mean, it was literally taking in children and young women, because what happened to the trafficked children is that once they reached a certain age, once they got to be adolescents, then they’re sold into the brothel system. And the girls working in the brothels had very short life expectancies because of what they were coping with physically. So the missionaries would take the girls. They were giving them Christian educations. There was an element here of trying to rescue these people from a life of sin, as they saw it. But they were educated, they were housed, they had playtime. So Tien ended up going there. She was raised in the mission house. Within about 15 months of her being there, there was a new superintendent who came in named Donaldina Cameron. And she became a mentor and a teacher to Tien. When Tien was little and she first got there and Donaldina was quite a strict teacher and Tien was quite strong-willed, they would butt heads a lot. And they somehow met in the middle. And it became a very mother-daughter relationship. And the two of them wound up, as Tien reached her teens, they wound up working together. She started off as Donaldina’s aide, just because Donaldina needed a translator. She didn’t speak Chinese. And when they were on rescue missions, it was really important that someone be able to communicate clearly with the poor girls in these situations. The two started working more and more closely together. She was going on rescue mission. She was a travel guardian for any girls trying to get out of the country. She went to court against brothel owners, which was extremely dangerous. She got death threats all the time. And she even, as the girls got older and were trying to leave the home, she would even vet fiancees. She’d bring in the grooms and interview them about whether or not they were appropriate and financially stable enough for her young ones. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">\u003cb>Olivia Allen-Price: \u003c/b>Truly an auntie in that way. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">\u003cb>Rae Alexandra: \u003c/b>They called her Auntie Wu. Donaldina retired at a certain point and Tien basically took over the whole running of the Mission House. She was working as a fundraiser as well by that point. She didn’t retire until 1951 and at the time that she did retire from the Mission House, Donaldina was living down in Palo Alto and offered Tien the cottage next door to hers that she also owned and they lived side by side for the rest of their and they’re even buried next to each other. In Los Angeles, which I think is quite remarkable. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cb>Olivia Allen-Price: \u003cspan style=\"font-weight: 400;\">Yeah, quite a partner o\u003c/span>\u003c/b>\u003cspan style=\"font-weight: 400;\">ver many, many years, and get us to modern times. I mean, Tien was an unsung heroine, perhaps getting a little bit of flowers now. What’s happening with her naming in the city? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cb>Rae Alexandra: \u003cspan style=\"font-weight: 400;\">So, t\u003c/span>\u003c/b>\u003cspan style=\"font-weight: 400;\">he old Mission House is still at 920 Sacramento Street, they still work with women dealing with domestic violence every day. I mean, if you go in there in the afternoon, it’s full of kids having the time of their lives. They’re still doing great work. And last year, at the end of last summer, the manager of special projects at Cameron House, her name’s Leanne Mar came up with the idea of trying to get a street named after Tien And then they roped in District 3 Supervisor Daniel Sauter. And they now, the street behind the mission house where all of the children used to play is now named for Tien. It’s part of Joy Street. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">When we come back, we meet another unsung heroine from Bay Area history. Stick around. \u003c/span>\u003c/p>\n\u003cp>\u003cem>Sponsor message\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">\u003cb>Olivia Allen-Price: \u003c/b>Rae, last night I attended one of your book launch events, a night of bingo here at KQED, where you told stories of the unsung heroines between each round. It was super fun, even though I didn’t win a single game, and I’m a little salty about it. But of the women you spoke about, one that especially stuck with me was the story of Charlotte Brown, who you suggested should be as much of a household name as Rosa Parks. Can you tell us about her? \u003c/span>\u003c/p>\n\u003cp>[aside postID=news_12069545 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/HAZEL_S-BUILDING_1966-KQED.jpg']\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003cspan style=\"font-weight: 400;\">Charlotte L. \u003c/span>\u003c/b>\u003cspan style=\"font-weight: 400;\">Brown. I can’t remember how I stumbled across her exactly but as soon as I found her I was like why? Why do we not know who this woman is? And I do think that there was an active effort to erase her in some ways. So Charlotte took San Francisco’s omnibus railroad and cable company to court all the way back in 1863. So that’s almost a full century before Rosa Parks and it’s two years before slavery was officially abolished by the 13th amendment. So she was way ahead of her time. And taking on a large company at a time when black people only made up 2% of San Francisco’s population, this was really scary. But she had been traveling in April of 1863. She already had a ticket. She got onto the streetcar. And a conductor told her that she could not be there because there were white passengers.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">In your book you included some of her affidavit that she presented in court. Could you read from that so we can kind of hear her voice?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra reading: \u003c/b>\u003cspan style=\"font-weight: 400;\">I lived one block from where I took the car. When the conductor first came to me and refused to take my ticket, I told him I thought I had a right to ride. It was a public conveyance. I told him I had long distance to go. I told him I would not get out. He took hold of my arm. I made no resistance. I knew it was of no use to resist. And therefore I went out and he kept hold of me until I was out of the car, holding on to me until I struck the walk. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400;\"> Wow.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">She went home and she told her family and she had really formidable parents. Her father, James E. Brown, had been enslaved until her mother, Charlotte Sr., who was a seamstress, had raised enough money to buy his freedom. So these were two both very determined people. And so her father and her took the cable car company to court and they won. And then her award got reduced to five cents, which was just the cost of the ticket. At the end of that, she got removed from another bus. So she and her father went back to court, and that time they had a much more sympathetic judge and she wound up winning $500. It was a definitive win.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">I love how bold it is. Like you’ve just finished this long drawn out court case with Omnibus Railroad, and then you go a couple of days later and you get back on the railroad.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">They just were not having it. This family was not having it. They knew that somebody had to stand up and do something about it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">And what impact did this case ultimately have on the ability for black people to ride streetcars in San Francisco?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">Honestly, it kind of didn’t help. That problem persisted. People of color continued to be removed from cable cars for many years afterwards. there wasn’t a state ban on street car segregation until 1893. Thirty years after Charlotte brought her case.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">The book, by the way, is beautiful. I don’t know what this texture is on the cover, but it’s very pleasing to touch. Along with your 35 profiles, there were very nice illustrations of most of the women in the book. What was the process like to create those illustrations?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">Adrienne Simms is a fine artist and illustrator. And I am astonished by what I gave her and what she produced from it, because one of the biggest challenges for this entire series was finding usable images. Sometimes that was impossible. Sometimes it’s me making a copy of a copy of a newspaper that’s 120 years old. So I was giving her like the worst, grainiest images in some cases, and she just sat with them and got to know the women and managed to, I think, give them the shine that they’ve deserved this whole time. I found it very moving to see her illustrations for the first time.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Well, it adds such a nice layer to be able to read these stories that have kind of been forgotten, but also see these women’s faces.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">Some of these women I’m seeing for the first time with these illustrations. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Rae Alexandra, congratulations on your book.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">Thank you so much, Olivia. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Thank you for coming to talk to us. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra:\u003c/b>\u003cspan style=\"font-weight: 400;\"> Thank you. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Rae’s new book, \u003c/span>\u003ca href=\"https://citylights.com/city-lights-published/unsung-heroines35-women-who-changed/\">\u003ci>\u003cspan style=\"font-weight: 400;\">Unsung Heroines: 35 Women Who Changed the Bay Area\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400;\">, is available wherever books are sold. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">We are partway through our limited experiment with dropping two episodes each week, and we’d love to know, what do you think? Write to us at Baycurious at kqed.org. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Bay Curious Trivia is coming up on April 8th. Join us at KQED’s headquarters for a rousing game of trivia, where all the questions are related to the Nine County Bay Area. \u003ca href=\"https://www.kqed.org/event/6151\">Tickets and details at kqed.org/live. \u003c/a>\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Bay Curious is made in San Francisco at member-supported KQED. You can support shows like Bay Curious and projects like Rae’s Rebel Girls series with a donation at kqed.org slash donate. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Our show is produced by Katrina Schwartz, Christopher Beale and me, Olivia Allen-Price. Extra support from Maha Sanad, Katie Sprenger, Jen Chien, Ethan Toven-Lindsey and everyone on Team KQED. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Some members of the KQed podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco, Northern California Local. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">I’m Olivia Ellen-Price. I hope you have a great day.\u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\n",
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"excerpt": "San Francisco Bay Area history is full of women who had a powerful impact on the social, cultural and political life here. Rae Alexandra's new book Unsung Heroines: 35 Women Who Changed the Bay Area highlights the little known stories of these women.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Women have dramatically influenced San Francisco Bay Area history since before the Gold Rush, but their stories are often far less well known. Rae Alexandra’s new book, \u003ca href=\"https://citylights.com/city-lights-published/unsung-heroines35-women-who-changed/\">\u003cem>Unsung Heroines: 35 Women Who Changed the Bay Area\u003c/em> \u003c/a>shines a light on these untold stories, highlight these women’s impact on the social, cultural and political life of the Bay Area.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC8955735736&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Rae Alexandra, an arts and culture reporter here at KQED was frustrated.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>I think I learned there were no statues of women. \u003cspan style=\"font-weight: 400;\">Or, there were very few.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">It was 2018 and she had just found out that just 12 percent of San Francisco’s street names, statues, parks and public art honored women.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">And that made me angry.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Meanwhile, the names of important men were everywhere. Anza, Coit, Sutro, Sutter, Polk, Taylor, Fillmore. I could go on. So for Women’s History Month, she made a pledge to find and honor five women from local history to write about for KQED.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">So that just in case somebody wants to add a statue later, they might have an easy list to look at.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">It seemed like a simple idea, but once she started looking, she found troves of stories to tell. Countless women whose impact on local life, culture, and politics was profound yet overlooked.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">Then I kept dipping back in because I kept finding more women. Couple. I’ll just do another couple.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">What started as a month-long project grew into an ongoing series, and now a book. It’s out this month. It’s called Unsung Heroines, 35 Women Who Changed the Bay Area. Rae Alexandra is here to talk with us about it. Welcome, Rae. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">\u003cb>Rae Alexandra: \u003c/b>Hello. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">\u003cb>Olivia Allen-Price: \u003c/b>I think for a long time, people would look back on history and see a lack of women and think, well, women weren’t able to participate. They often didn’t have as much education as their male counterparts. It’s no wonder they couldn’t contribute as much. But that isn’t really true, is it? \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">People kept saying to me, well, San Francisco is a gold rush town, and maybe there just weren’t many women here, and maybe the women here weren’t in a position to do anything, and I just, it didn’t ring true to me. Because where there is life, there are women, and where there are woman, there are useful things being done. So I just didn’t believe it. And, of course, now that I’ve done the digging, that’s absolutely not true. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">So many of the people who you profiled in this book are names that are new to me. And I work on a podcast that does a fair amount of history stories. How did you find these women and their stories? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003cspan style=\"font-weight: 400;\">I was literally at one point g\u003c/span>\u003c/b>\u003cspan style=\"font-weight: 400;\">oing through the indexes at the back of books and finding a woman who’d been mentioned twice and then trying to do some research on newspapers.com in newspaper archives to see, did they do anything else? And sometimes they did and sometimes they didn’t. The oral histories that libraries have online and archives have online were very useful. I was constantly looking, I got obsessive about looking for. Teeny-tiny plaques on the side of buildings. Is there a woman on that? Is there a woman that? So there were an awful lot of dead ends but when you find a good one it’s a real joy.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Do you feel like this book, do you hope that it will create sort of a more complete history of the Bay Area? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003cspan style=\"font-weight: 400;\">Absolutely. \u003c/span>\u003c/b>\u003cspan style=\"font-weight: 400;\">The thing that I found in the course of writing this is that now that the book has put the women in chronological order, you kind of do get an overview of the Bay Area from the very beginning up to the present day, and it does reflect the social and cultural events of our entire history. But once I started looking at even major events that we think we all know, like the 1906 earthquake, when you start looking at it from an individual working class woman’s perspective, it gave me a completely different idea of what that whole crisis was at the time. Breaking history down to small individual people is very different to hearing it from fancy historians perspective.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">I love that. And that’s part of what makes your book, I think, so compelling is really, you know, looking at everything through that individual female lens. Yeah. I’d love to get into one of these stories now. Can you tell us about Tianfu Wu, whose contributions in Chinatown have led San Francisco city leaders to rename a street in her honor just this month? So this is very topical.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">She was trafficked from China in the early 1890s. She was sold by her father to pay off gambling debts. She wasn’t told anything that was happening. She was just, she was told that she was gonna be going to visit her grandmother. She was dropped off, put in a boat. She was left with her supper and a toothbrush and her father just said, you know, stay here, be quiet, didn’t say goodbye. And that was it and she never saw her family again. And it wasn’t for lack of trying years later, she did try and track them down and was unable to. And she found herself in San Francisco. She was under the age of 10 at the time. She was basically a domestic slave and the second place that she found herself was a gambling den and the owner of that gambling den was very physically abusive to her. So she wound up getting rescued in 1894 by a group of Presbyterian missionaries who operated out of the Occidental Mission House. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">I found a newspaper report about it, and the reporters said that she was in such a bad way that the police officers who were escorting the missionaries had tears in their eyes when they found her. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">And what was the Occidental Mission home? What was their larger purpose at the time?\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">I mean, it was literally taking in children and young women, because what happened to the trafficked children is that once they reached a certain age, once they got to be adolescents, then they’re sold into the brothel system. And the girls working in the brothels had very short life expectancies because of what they were coping with physically. So the missionaries would take the girls. They were giving them Christian educations. There was an element here of trying to rescue these people from a life of sin, as they saw it. But they were educated, they were housed, they had playtime. So Tien ended up going there. She was raised in the mission house. Within about 15 months of her being there, there was a new superintendent who came in named Donaldina Cameron. And she became a mentor and a teacher to Tien. When Tien was little and she first got there and Donaldina was quite a strict teacher and Tien was quite strong-willed, they would butt heads a lot. And they somehow met in the middle. And it became a very mother-daughter relationship. And the two of them wound up, as Tien reached her teens, they wound up working together. She started off as Donaldina’s aide, just because Donaldina needed a translator. She didn’t speak Chinese. And when they were on rescue missions, it was really important that someone be able to communicate clearly with the poor girls in these situations. The two started working more and more closely together. She was going on rescue mission. She was a travel guardian for any girls trying to get out of the country. She went to court against brothel owners, which was extremely dangerous. She got death threats all the time. And she even, as the girls got older and were trying to leave the home, she would even vet fiancees. She’d bring in the grooms and interview them about whether or not they were appropriate and financially stable enough for her young ones. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">\u003cb>Olivia Allen-Price: \u003c/b>Truly an auntie in that way. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">\u003cb>Rae Alexandra: \u003c/b>They called her Auntie Wu. Donaldina retired at a certain point and Tien basically took over the whole running of the Mission House. She was working as a fundraiser as well by that point. She didn’t retire until 1951 and at the time that she did retire from the Mission House, Donaldina was living down in Palo Alto and offered Tien the cottage next door to hers that she also owned and they lived side by side for the rest of their and they’re even buried next to each other. In Los Angeles, which I think is quite remarkable. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cb>Olivia Allen-Price: \u003cspan style=\"font-weight: 400;\">Yeah, quite a partner o\u003c/span>\u003c/b>\u003cspan style=\"font-weight: 400;\">ver many, many years, and get us to modern times. I mean, Tien was an unsung heroine, perhaps getting a little bit of flowers now. What’s happening with her naming in the city? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cb>Rae Alexandra: \u003cspan style=\"font-weight: 400;\">So, t\u003c/span>\u003c/b>\u003cspan style=\"font-weight: 400;\">he old Mission House is still at 920 Sacramento Street, they still work with women dealing with domestic violence every day. I mean, if you go in there in the afternoon, it’s full of kids having the time of their lives. They’re still doing great work. And last year, at the end of last summer, the manager of special projects at Cameron House, her name’s Leanne Mar came up with the idea of trying to get a street named after Tien And then they roped in District 3 Supervisor Daniel Sauter. And they now, the street behind the mission house where all of the children used to play is now named for Tien. It’s part of Joy Street. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">When we come back, we meet another unsung heroine from Bay Area history. Stick around. \u003c/span>\u003c/p>\n\u003cp>\u003cem>Sponsor message\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">\u003cb>Olivia Allen-Price: \u003c/b>Rae, last night I attended one of your book launch events, a night of bingo here at KQED, where you told stories of the unsung heroines between each round. It was super fun, even though I didn’t win a single game, and I’m a little salty about it. But of the women you spoke about, one that especially stuck with me was the story of Charlotte Brown, who you suggested should be as much of a household name as Rosa Parks. Can you tell us about her? \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003cspan style=\"font-weight: 400;\">Charlotte L. \u003c/span>\u003c/b>\u003cspan style=\"font-weight: 400;\">Brown. I can’t remember how I stumbled across her exactly but as soon as I found her I was like why? Why do we not know who this woman is? And I do think that there was an active effort to erase her in some ways. So Charlotte took San Francisco’s omnibus railroad and cable company to court all the way back in 1863. So that’s almost a full century before Rosa Parks and it’s two years before slavery was officially abolished by the 13th amendment. So she was way ahead of her time. And taking on a large company at a time when black people only made up 2% of San Francisco’s population, this was really scary. But she had been traveling in April of 1863. She already had a ticket. She got onto the streetcar. And a conductor told her that she could not be there because there were white passengers.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">In your book you included some of her affidavit that she presented in court. Could you read from that so we can kind of hear her voice?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra reading: \u003c/b>\u003cspan style=\"font-weight: 400;\">I lived one block from where I took the car. When the conductor first came to me and refused to take my ticket, I told him I thought I had a right to ride. It was a public conveyance. I told him I had long distance to go. I told him I would not get out. He took hold of my arm. I made no resistance. I knew it was of no use to resist. And therefore I went out and he kept hold of me until I was out of the car, holding on to me until I struck the walk. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400;\"> Wow.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">She went home and she told her family and she had really formidable parents. Her father, James E. Brown, had been enslaved until her mother, Charlotte Sr., who was a seamstress, had raised enough money to buy his freedom. So these were two both very determined people. And so her father and her took the cable car company to court and they won. And then her award got reduced to five cents, which was just the cost of the ticket. At the end of that, she got removed from another bus. So she and her father went back to court, and that time they had a much more sympathetic judge and she wound up winning $500. It was a definitive win.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">I love how bold it is. Like you’ve just finished this long drawn out court case with Omnibus Railroad, and then you go a couple of days later and you get back on the railroad.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">They just were not having it. This family was not having it. They knew that somebody had to stand up and do something about it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">And what impact did this case ultimately have on the ability for black people to ride streetcars in San Francisco?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">Honestly, it kind of didn’t help. That problem persisted. People of color continued to be removed from cable cars for many years afterwards. there wasn’t a state ban on street car segregation until 1893. Thirty years after Charlotte brought her case.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">The book, by the way, is beautiful. I don’t know what this texture is on the cover, but it’s very pleasing to touch. Along with your 35 profiles, there were very nice illustrations of most of the women in the book. What was the process like to create those illustrations?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">Adrienne Simms is a fine artist and illustrator. And I am astonished by what I gave her and what she produced from it, because one of the biggest challenges for this entire series was finding usable images. Sometimes that was impossible. Sometimes it’s me making a copy of a copy of a newspaper that’s 120 years old. So I was giving her like the worst, grainiest images in some cases, and she just sat with them and got to know the women and managed to, I think, give them the shine that they’ve deserved this whole time. I found it very moving to see her illustrations for the first time.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Well, it adds such a nice layer to be able to read these stories that have kind of been forgotten, but also see these women’s faces.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">Some of these women I’m seeing for the first time with these illustrations. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Rae Alexandra, congratulations on your book.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra: \u003c/b>\u003cspan style=\"font-weight: 400;\">Thank you so much, Olivia. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Thank you for coming to talk to us. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rae Alexandra:\u003c/b>\u003cspan style=\"font-weight: 400;\"> Thank you. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Rae’s new book, \u003c/span>\u003ca href=\"https://citylights.com/city-lights-published/unsung-heroines35-women-who-changed/\">\u003ci>\u003cspan style=\"font-weight: 400;\">Unsung Heroines: 35 Women Who Changed the Bay Area\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400;\">, is available wherever books are sold. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">We are partway through our limited experiment with dropping two episodes each week, and we’d love to know, what do you think? Write to us at Baycurious at kqed.org. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Bay Curious Trivia is coming up on April 8th. Join us at KQED’s headquarters for a rousing game of trivia, where all the questions are related to the Nine County Bay Area. \u003ca href=\"https://www.kqed.org/event/6151\">Tickets and details at kqed.org/live. \u003c/a>\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Bay Curious is made in San Francisco at member-supported KQED. You can support shows like Bay Curious and projects like Rae’s Rebel Girls series with a donation at kqed.org slash donate. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Our show is produced by Katrina Schwartz, Christopher Beale and me, Olivia Allen-Price. Extra support from Maha Sanad, Katie Sprenger, Jen Chien, Ethan Toven-Lindsey and everyone on Team KQED. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Some members of the KQed podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco, Northern California Local. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">I’m Olivia Ellen-Price. I hope you have a great day.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Who Is the Bear on the California Flag? A Story Bigger Than One Legend",
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"content": "\u003cp>\u003ca href=\"#Viewthefullepisodetranscript\">View\u003c/a>\u003cem>\u003ca href=\"#Viewthefullepisodetranscript\"> the full episode transcript.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Many state flags stick to geometric designs. Wyoming has a buffalo, Louisiana has a pelican. But the \u003ca href=\"https://www.kqed.org/news/tag/california\">California\u003c/a> flag has a grizzly bear.\u003c/p>\n\u003cp>\u003cem>Bay Curious\u003c/em> listener Mark Karn was researching the flag one day when he found an unexpected story behind it, one that has been repeated for many years in newspapers, videos, and websites. He read that the bear on California’s flag was modeled after a famous bear named Monarch.\u003c/p>\n\u003cp>But as he looked into the history further, Karn started to have doubts. He noticed some inconsistencies in the story that made him question whether Monarch was indeed the bear on our flag.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2>California used to have thousands of grizzlies\u003c/h2>\n\u003cp>Before the Gold Rush, historians estimate there were \u003ca href=\"https://nhmlac.org/california-grizzly-bear#:~:text=Some%20have%20estimated%20that%20California,skins%20and%20skeletons%20in%20existence.\">10,000 grizzly bears\u003c/a> in California, living alongside hundreds of thousands of Native Americans.\u003c/p>\n\u003cp>But Spanish ranchers and then gold miners who flooded into California in the 1800s portrayed the animals as brutal, bloodthirsty killers, even though grizzlies mostly minded their own business unless provoked.\u003c/p>\n\u003cfigure id=\"attachment_12076801\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12076801\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-04-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1339\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-04-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-04-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-04-KQED-1536x1028.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">It is often said that the bear on the modern California state flag is based on “Monarch,” one of the last grizzly bears to live in the state. But researchers now believe it was based on the drawing of another bear, Samson. \u003ccite>(Joseph Sohm/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“You see the bear being really cast as this obstacle to progress, much like the wolves and much like native people,” said Devlin Gandy, tribal liaison for the California Grizzly Alliance. “As something that has to be done away with.”\u003c/p>\n\u003cp>Bounties on grizzlies became common. Ranchers often put strychnine onto the carcasses of dead cows. By the late 1800s, very few grizzlies were left in the state.\u003c/p>\n\u003ch2>Monarch the bear’s infamous life\u003c/h2>\n\u003cp>In 1887, after getting kicked out of Harvard for bad behavior, William Randolph Hearst landed back in his hometown of San Francisco, where his father gave him a small newspaper called the \u003cem>San Francisco Examiner\u003c/em>.\u003c/p>\n\u003cp>He was in his 20s and thought it would be great publicity if someone from the Examiner could capture one of the last California grizzly bears and bring it back to San Francisco alive. So, he tasked one of his reporters, Allen Kelly, with the assignment.\u003c/p>\n\u003cp>Kelly had never actually hunted a bear before. But he strapped on a bandolier of ammunition and struck out for the mountains of Southern California, where it was rumored there were still a few grizzlies left.\u003c/p>\n\u003cfigure id=\"attachment_12076803\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12076803\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-06-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-06-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-06-KQED-160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-06-KQED-1536x1229.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The taxidermied form of Monarch the bear is part of an exhibit called California: State of Nature on display at the California Academy of Sciences. \u003ccite>(Gayle Laird/California Academy of Sciences)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With help from local hunters, Kelly spent months hiking around the mountains looking for bears with no luck. But eventually, a monstrous grizzly came to his camp and walked into one of the traps he had set.\u003c/p>\n\u003cp>At least, that’s how \u003ca href=\"https://www.newspapers.com/image/460837694/?match=1&terms=monarch%20the%20bear\">Kelly reported\u003c/a> it in the \u003cem>Examiner \u003c/em>at the time.\u003c/p>\n\u003cp>But Gandy thinks there was no trap. “[Monarch] was actually probably captured by some of the vaqueros using lassos,” he said.\u003c/p>\n\u003cp>Sure enough, Kelly later \u003ca href=\"https://www.gutenberg.org/files/15276/15276-h/15276-h.htm#chap02\">retold his story\u003c/a> in a book, this time saying that some Mexicans caught the bear, and he heard about it and went and bought it from them.\u003c/p>\n\u003cfigure id=\"attachment_12076813\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12076813\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-08-KQED.jpg\" alt=\"\" width=\"800\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-08-KQED.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-08-KQED-160x96.jpg 160w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An 1875 image of Woodward’s Gardens, an attraction that was open in the Mission District from 1866 to 189. It featured a museum, art gallery, zoo, rides and more. \u003ccite>(Public Domain)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kelly called the bear “Monarch,” as an advertisement for the \u003cem>Examiner\u003c/em>, which had the slogan: “The Monarch of the Dailies.” He brought Monarch, via sled, wagon and train, to a place called Woodward’s Garden in San Francisco.\u003c/p>\n\u003cp>In the late 1800’s, \u003ca href=\"https://www.foundsf.org/Woodward%27s_Gardens,_c._1860s\">Woodward’s Garden \u003c/a>was an amusement park in the Mission, near where the Armory is now. It had an aquatic carousel, balloon rides, camel rides and an 8-foot-3-inch-tall man who was billed as a giant. It was kind of a carnival, and a sign of its times.\u003c/p>\n\u003cp>Monarch stayed there for five years, in a cage so small he could barely turn around in it. Then he was moved to the World’s Fair in Golden Gate Park.\u003c/p>\n\u003cp>The fair, called the \u003ca href=\"https://www.foundsf.org/California_Midwinter_Fair_of_1894:_An_Orientalist_Exposition\">California Midwinter International Exposition of 1894\u003c/a>, took up 200 acres in Golden Gate Park. It was built like an amusement park, with large outdoor attractions. There were Inuit people on display — real people — in a village of papier-mache igloos. \u003ca href=\"https://www.sfgate.com/sfhistory/article/the-racist-fair-that-almost-ruined-golden-gate-16770528.php\">There was a Japanese village\u003c/a>, which is now the Japanese Tea Garden. And a \u003ca href=\"https://www.newspapers.com/image/378308351/?match=1&terms=%2749%20mining%20camp\">pretend mining camp\u003c/a>, where you could go to a saloon and see a grizzly bear — Monarch.\u003c/p>\n\u003cp>After the fair, Monarch was moved to his final home — a cage in Golden Gate Park’s menagerie — where the AIDS Memorial Grove is now. The menagerie had bison, kangaroos, elk, an aviary and now a grizzly bear.\u003c/p>\n\u003cp>“You could walk up to the enclosure [and] stick your arm in if you wanted to,” said Rebekah Kim, head librarian at the California Academy of Sciences. “You could throw peanuts or whatever snacks you wanted to.”\u003c/p>\n\u003cfigure id=\"attachment_12076816\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12076816\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-09-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-09-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-09-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-09-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A young guest inspects Monarch the bear, on view for the first time since 2012 at Cal Academy’s “California: State of Nature” exhibition. \u003ccite>(Gayle Laird/California Academy of Sciences)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And Monarch lived there for the rest of his life.\u003c/p>\n\u003cp>“You can see many times he looks pretty sad behind bars,” said Kim, referencing a historic photograph of Monarch resting his head against the side of his cage, staring, it seems, at nothing. And in 1911, after over two decades in captivity, Monarch died.\u003c/p>\n\u003cp>“At that point, he was very overweight; he was paralyzed,” said Kim, “Their way of euthanasia was like a policeman coming and shooting him in the head.”\u003c/p>\n\u003cp>Monarch was one of the last of his kind. California grizzlies were classified as a distinct subspecies, and for over half a century, they had been relentlessly, systematically poisoned, hunted and trapped. By the 1920s, scientists believed them to be extinct.\u003c/p>\n\u003ch2>How California ended up with a bear on its flag\u003c/h2>\n\u003cp>In 1846, grizzly bears were all over California, which was still part of Mexico. That year, a group of about 30 American settlers rebelled against the Mexican government and took over the town of Sonoma.\u003c/p>\n\u003cp>They painted a bear and a star on a sheet, raised it above town, and proclaimed themselves an independent nation: “the California Republic.” They said the grizzly \u003ca href=\"https://bearflagmuseum.blogspot.com/2009/08/william-b-ide-on-creation-of-bear-flag.html\">symbolized\u003c/a> “strength and unyielding resistance.”\u003c/p>\n\u003cfigure id=\"attachment_12076800\" class=\"wp-caption aligncenter\" style=\"max-width: 1474px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12076800\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-03-KQED.jpg\" alt=\"\" width=\"1474\" height=\"848\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-03-KQED.jpg 1474w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-03-KQED-160x92.jpg 160w\" sizes=\"auto, (max-width: 1474px) 100vw, 1474px\">\u003cfigcaption class=\"wp-caption-text\">This 1855 illustration of the grizzly bear, Samson, was made by artist Charles Nahl. \u003ccite>(Public Domain)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The bear on that flag bore little resemblance to our current flag’s bear. “[It looks like] maybe a bear or a pig or a dog, right? It’s so hard to tell,” Kim said.\u003c/p>\n\u003cp>The independent republic didn’t last; California soon became part of the United States. The bear flag stuck around, but everybody was drawing it in a different way. Some versions had the bear standing up, on others it was perched up at the top of the flag.\u003c/p>\n\u003cp>In 1911, California adopted the bear flag as its state flag, and the legislature set guidelines, saying the bear must be in the middle, walking toward the left, and dark brown. In 1953, the state decided to standardize the flag further and try to make the bear look more like a bear, rather than a wolf or a pig. A zoologist was brought in to advise.\u003c/p>\n\u003cfigure id=\"attachment_12076799\" class=\"wp-caption alignleft\" style=\"max-width: 1099px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12076799 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-02-KQED.jpg\" alt=\"\" width=\"1099\" height=\"621\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-02-KQED.jpg 1099w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-02-KQED-160x90.jpg 160w\" sizes=\"auto, (max-width: 1099px) 100vw, 1099px\">\u003cfigcaption class=\"wp-caption-text\">Photograph of an illustration showing the raising of the Bear Flag over Sonoma, June 14, 1846. The California Republic flag, complete with grizzly bear, star and stripe, is being raised on the pole. In the background is the home of General Vallejo, an army barracks and a church. \u003ccite>(Public Domain)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Here’s where the urban legend begins. Many sources report that since all the California grizzlies were dead by then, the flag’s artist used the taxidermied form of Monarch, which was even then on display at the California Academy of Sciences, as a reference.\u003c/p>\n\u003cp>But Kim doesn’t buy it. She studied the relevant historical documents, especially the correspondence between the zoologist and the flag’s artist. According to the letters, the men used as their main reference a different grizzly.\u003c/p>\n\u003cp>Back in the 1850s, a man named James Capen Adams, better known as Grizzly Adams, opened the Mountaineer Museum in San Francisco. It was on Clay Street, just a few blocks from where the Ferry Building is today. It had several live grizzlies chained to the floor, as well as elk, mountain lions, and a few eagles.\u003c/p>\n\u003cp>At the rear, in a very large iron cage, was a massive grizzly named Samson.\u003c/p>\n\u003cp>A painter called Charles Nahl made illustrations for \u003ca href=\"https://archive.org/details/adventuresofjame00hittrich/page/n9/mode/2up\">a book\u003c/a> about Adams, and one of his paintings was of \u003ca href=\"https://bancroftlibrarycara.wordpress.com/nahl_grizzly_monterey_image_cropped/\">Samson\u003c/a>. It’s \u003cem>that\u003c/em> painting, of Samson, that was consistently used as a reference for the California state flag.\u003c/p>\n\u003ch2>The California grizzly’s undeserved reputation\u003c/h2>\n\u003cp>Not only did Monarch’s story get distorted and manipulated, but so did the story of all the California grizzlies.\u003c/p>\n\u003cp>“The most wrong part of it was the idea that the extinction of grizzly bears in California was inevitable and the recovery of them is impossible,” said Peter Alagona, a professor in the environmental studies program at UC Santa Barbara.\u003c/p>\n\u003cp>Together with a team of researchers, Alagona analyzed Monarch’s bones and fur, along with those of other grizzlies. He found startling results.\u003c/p>\n\u003cfigure id=\"attachment_12076817\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12076817\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-10-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-10-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-10-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-10-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fran Ritchie of the California Academy of Sciences works to restore Monarch’s fur. \u003ccite>(Gayle Laird/California Academy of Sciences)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It turns out, California grizzlies were mostly vegetarian and averaged around 500 pounds, much smaller than the monstrous sizes attributed to them. Perhaps most surprisingly, they are genetically indistinguishable from modern-day grizzlies in Yellowstone and Montana.\u003c/p>\n\u003cp>“They’re gone from California, but they’re not really extinct,” said Alagona. “They just kind of live in Montana right now. It’s the same bear. It’s just not here at the moment.”\u003c/p>\n\u003cp>Now Alagona is working with the California Grizzly Alliance, which proposes \u003ca href=\"https://www.calgrizzly.org/\">bringing grizzlies back\u003c/a> to the state.[aside postID=news_12076077 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251212-JET-PLAYGROUND-MD-09-KQED.jpg']He’s aware that to many people this sounds like a very bad idea. But the concept is to start with just a couple of animals, very closely monitored, in a very remote area.\u003c/p>\n\u003cp>“They do a lot of amazing things,” he said. “They turn over soil and enrich the soil. They are by far the biggest seed dispersers of any animal out there in the world on a per capita basis.”\u003c/p>\n\u003cp>Alagona’s research suggests that with sufficient numbers and time, grizzlies could even change the state’s vegetation and create firebreaks. But to him, the most important benefit is less tangible.\u003c/p>\n\u003cp>“They’re more about imagination,” Alagona said. “They’re more about this idea that yes, we can restore things that seem unrestorable. To me, that’s what the bear does for us is it enables you to see a different kind of future by showing you a little bit more about yourself.”\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\u003ch2>\u003ca id=\"Viewthefullepisodetranscript\">\u003c/a>Episode transcript\u003c/h2>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Out of the 50 states that make up the union, California is considered pretty cool. We’ve got the good weather, the stunning coastline, those laid-back vibes. And we’ve definitely got a cool state flag. If you’ve looked at other flags, many stick to geometric designs. Wyoming does have a buffalo. Louisiana’s got a pelican. But California? Our flag has a grizzly bear.\u003c/p>\n\u003cp>\u003cem>Bay Curious\u003c/em> listener Mark Karn was researching the flag one day,\u003c/p>\n\u003cp>\u003cstrong>Mark Karn: \u003c/strong>I like to read a lot, and whenever I read, I like to, um, go off on tangents.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>He found an unexpected story behind it — one that has been repeated for many years in newspapers, videos, and websites. He read that the bear on our flag was modeled after a famous bear named Monarch.\u003c/p>\n\u003cp>Monarch was one of California’s last grizzlies, captured in the mountains and then put on display in San Francisco.\u003c/p>\n\u003cp>\u003cstrong>Mark Karn: \u003c/strong>I kind of deep dived into Monarch the bear. I was fascinated by it.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Mark has always had a passion for wild animals.\u003c/p>\n\u003cp>\u003cstrong>Mark Karn: \u003c/strong>I was born in Nigeria and grew up in South Africa. I love looking at nature in its wild state.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>As a teenager, he would take a book out to a remote watering hole where he’d read and wait for animals to come and drink.\u003c/p>\n\u003cp>\u003cstrong>Mark Karn: \u003c/strong>And I used to see a little, uh, a duiker. A duiker is a very small antelope. I used to watch the duiker come and, and drink water at the water hole. Definitely one of my most memorable moments, and you know, my happy memories. \u003cem>(Laughs.)\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>So, Mark was dismayed to learn that Monarch, this big, powerful grizzly, was kept behind bars for most of his life.\u003c/p>\n\u003cp>\u003cstrong>Mark Karn: \u003c/strong>I kind of cringe at animals in zoos. You know, they supposedly live longer, but to me there’s a, a beauty that they lack when they’re in a cage.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>And while he was doing his own research, he noticed some inconsistencies in Monarch’s story that made him question if Monarch was indeed the bear on our flag. So he reached out to \u003cem>Bay Curious\u003c/em>.\u003c/p>\n\u003cp>\u003cstrong>Mark Karn: \u003c/strong>The bear on the California flag, is it the actual Monarch the Bear that they claim it is?\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>To find out if it really was, and to sort through some of the other legends around the bear, reporter Katherine Monahan went to meet Monarch. Or rather, his taxidermied form, more than a century old, on display at the California Academy of Sciences.\u003c/p>\n\u003cp>\u003cem>Sounds of chatter and kids in an echoey space\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> It’s a weekday afternoon, and the academy is packed with kids and families, mostly checking out the aquarium or the T-rex. They don’t all head for this dimly lit corner of the California exhibit. But those who do\u003c/p>\n\u003cp>\u003cstrong>Museum visitor: \u003c/strong>\u003cstrong> \u003c/strong>Wow. That is crazy. Man.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Get to see a California grizzly.\u003c/p>\n\u003cp>\u003cstrong>Museum visitor 2: \u003c/strong>Did you know we had grizzly bears?\u003c/p>\n\u003cp>\u003cstrong>Museum visitor 3: \u003c/strong>We don’t have ’em anymore, do we?\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Monarch is powerful-looking, with a muscular hump above his shoulders. He’s dark and shaggy and bigger than a black bear for sure, but not nearly as big as, say, a two-ton polar bear. His claws, though\u003c/p>\n\u003cp>\u003cstrong>Museum visitor 2: \u003c/strong>They look lethal.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> They’re easily as long as my fingers. There’s a cast paw print where people can put their own hand in to compare.\u003c/p>\n\u003cp>\u003cstrong>Museum visitor 4: \u003c/strong>Go put your hand in.\u003c/p>\n\u003cp>\u003cstrong>Museum visitor 5: \u003c/strong>Oh my goodness. That’s just the palm.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Monarch is standing flat on all fours with kind of a Mona Lisa smile.\u003c/p>\n\u003cp>\u003cstrong>Museum visitor 6: \u003c/strong>Was he old?\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> He looks peaceful. But then, he is taxidermied, quite literally a puppet. And we could have made him look however we wanted. Which, in many ways, is what we did.\u003c/p>\n\u003cp>\u003cem>Music starts\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy:\u003c/strong> So much of what we know about grizzlies is a myth. It’s fictitious, it’s fear-based.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> That’s Devlin Gandy, tribal liaison for the California Grizzly Alliance.\u003c/p>\n\u003cp>He says it’s estimated there were ten thousand grizzly bears in the state before the California Gold Rush. And, hundreds of thousands of Native Americans.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>It’s very abundantly clear that they not only existed alongside grizzlies, but they thrived with grizzlies.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> But the Spanish ranchers and then the gold miners who flooded into California in the 1800s saw the bears differently. They told sensational stories that featured the animals as brutal, bloodthirsty killers — even though grizzlies mostly minded their own business unless provoked.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>You see the bear being really cast as this, um, obstacle to progress, much like the wolves and much like native people, and as something that, you know, has to be done away with.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Bounties on grizzlies became common. Mostly, they were killed with poison. Ranchers put strychnine onto the carcasses of dead cows. By the late 1800s, very few grizzlies were left in the state.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>It’s a time of extreme ecological degradation, and you start to get this romanticism for the West, this romantic notion of Native Americans and wildlife. And Monarch falls right into that narrative.\u003c/p>\n\u003cp>\u003cem>Music\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Enter William Randolph Hearst. In 1887, after getting kicked out of Harvard for bad behavior, he landed back in his hometown of San Francisco. Where his father gave him a small newspaper called the San Francisco Examiner.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>Hearst is leading this new wave of journalism that has a lot of sensationalism tied to it.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> He was about 25 years old. And he thought it would be great publicity if someone from the Examiner could capture a live grizzly bear.\u003c/p>\n\u003cp>So he asked one of his reporters, Allen Kelly, to do it. Kelly clearly got right into character, as you can see in his portrait from the time.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>He has these bandoliers of ammunition on both sides of his chest.\u003c/p>\n\u003cp>And it’s just like he’s trying to be Rambo. You’re like, what are you doing, dude?\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Kelly had never actually hunted a bear before. So when he struck out for the mountains of Southern California, where it was rumored there were still a few grizzlies left, he hired local helpers. They were happy to oblige.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>A man coming from San Francisco with a blank check from one of the richest men in California to go on a bear hunt? That sounds absolutely great.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> They led this city-slicker journalist around in circles, all the while camping and eating well and seeing plenty of bear sign, but not trapping any bears. Kelly eventually caught on.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>He starts to realize that all these grizzly bear tracks that he’s seeing are actually probably not being made by a grizzly bear.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> So he fired his crew. But by then he’d been gone for five months, and he was getting desperate.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>Like, I need a bear.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Just then, a monstrous grizzly came to his camp, conquered a cinnamon bear called Six-Toed Pete in an epic moonlit battle, and walked into his trap. At least, that’s how Kelly reported it in the Examiner.\u003c/p>\n\u003cp>\u003cstrong>Voice over reads newspaper clipping: \u003c/strong>A great ripping and tearing was heard going on inside. The Monarch was caught at last. Upon the approach of men, the grizzly became furious and made the heavy logs tremble and shake in his efforts to get out and resent the indignity that had been put upon him.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> But Gandy thinks there was no trap.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>He was actually probably captured by some of the vaqueros using lassos. And when they’re able to use four different horses to pull the bear’s arms and legs in four different directions, you have a bear that basically is stuck.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> About fifteen years later, Kelly \u003ca href=\"https://www.gutenberg.org/files/15276/15276-h/15276-h.htm#chap02\">retold his story\u003c/a> in a book, this time saying that some Mexicans caught the bear, and he heard about it and went and bought it from them.\u003c/p>\n\u003cp>Regardless, he still had to transport it to San Francisco. Which he reports in swashbuckling, self-aggrandizing detail.\u003c/p>\n\u003cp>\u003cstrong>Voice over reads newspaper clipping: \u003c/strong>The Monarch was now bound, gagged, and utterly helpless, but he never ceased roaring with rage at his captors and struggling to get just one swipe at them with his paw.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Naming the bear “Monarch” was kind of an advertisement for the Examiner, which had the slogan “The Monarch of the Dailies.”\u003c/p>\n\u003cp>Kelly describes how the grizzly broke his teeth trying to gnaw through his chains. How he tied Monarch to a kind of sled and hauled him down the mountain, and then built a cage and mounted it on a wagon and then a train for San Francisco … to a place called Woodward’s Garden.\u003c/p>\n\u003cp>\u003cem>Music\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> In the late 1800’s, Woodward’s Garden was an amusement park in the Mission, near where the Armory is now. It had an aquatic carousel, balloon rides, camel rides, an eight foot three inch tall man who was billed as a giant . . . It was kind of a carnival. And a sign of its time.\u003c/p>\n\u003cp>California Academy of Sciences head librarian Rebekah Kim shows me a picture of it.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>They had, like, live bears jumping from like a diving board.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan: \u003c/strong>Whoa.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim:\u003c/strong> Oh, and then bears in captivity.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> The Examiner covered Monarch’s arrival at the garden with great drama: how one of the black bears died of fright when he arrived. How he tore through his cage into the hyena enclosure and rolled up sheets of iron like they were paper. How he was the only grizzly bear in captivity (which is not true. There was another one at the Oregon Zoo). How he weighed a thousand pounds (also not true).\u003c/p>\n\u003cp>\u003cem>Ambi of chatter at the Academy of Sciences\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Back at Monarch’s taxidermy display, we talk about how the fabled massiveness of grizzly bears was yet another tall tale\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> I have never seen a grizzly, and I thought they’d be a lot bigger.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>No, actually, technically. Monarch is a little overweight.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Kim explains that despite grizzlies’ reputation for being huge and vicious\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>They were mostly vegan. And they probably weighed close to like 500 ish pounds.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan: \u003c/strong>Why would you bother being vegan with a body like that? Look at those claws.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>I don’t know. I mean, and that’s the thing, it’s like a dispelling a myth. I think California grizzlies were hunted down because they were thought to be, um, apex predators and a threat to livestock and people, but they really weren’t going after those things.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> It turns out the claws, along with the muscular hump on the shoulders, are really for digging. Grizzlies are omnivores, and eat mostly vegetarian. In captivity, however,\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>Monarch’s diet consisted of biscuits, sugar, peanuts, not his natural diet.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> No wonder he is portly.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>He is. He was like, um, I don’t know exactly, around 900 pounds. So double the normal size of a grizzly.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Monarch stayed in Woodward’s Garden for five years, in a cage so small he could barely turn around in it.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>And then he moved to the World’s Fair in Golden Gate Park as part of like the 49 ERs camp.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Wait a second. \u003ca href=\"https://www.newspapers.com/image/457584756/?match=1&terms=monarch%20the%20bear\">As a live bear. He was in the World Fair?\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>Yeah, he was. There’s, oh, I have a picture somewhere. He’s like in a pit. It’s actually really sad.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> The 1894 World’s Fair took up 200 acres in Golden Gate Park. It was built like an amusement park, with large outdoor attractions. There were Inuit people on display, real people, in a village of papier-mache igloos. There was a Japanese village, which is now the Japanese Tea Garden. And a \u003ca href=\"https://www.newspapers.com/image/378308351/?match=1&terms=%2749%20mining%20camp\">pretend mining camp\u003c/a>, where you could go to a saloon and see a grizzly bear. Here’s, once again, the San Francisco Examiner:\u003c/p>\n\u003cp>\u003cstrong>Voice over reads newspaper clipping: \u003c/strong>Monarch, the Examiner bear, is a wild and untamed beast, and has not yet been told that one of the lion tribe is likely to invade his home.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Fairgoers were clamouring for a lion to be dropped into Monarch’s concrete pit so they’d fight. But the fair managers, in a rare moment of good taste, refused.\u003c/p>\n\u003cp>After the World’s Fair, Monarch was moved to his final home — a cage in Golden Gate Park’s menagerie, where the AIDS Memorial Grove is now.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>You could see a bunch of different animals. It was free.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> This was the late 1800s, well before the San Francisco Zoo, and really before any real understanding of how to run a zoo. The park had bison, as it still does, but also kangaroos and elk and an aviary. And a grizzly bear.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>You could walk up to the enclosure, stick your arm in if you wanted to. Um, and you could throw peanuts or whatever snacks you wanted to.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> And Monarch lived there for the rest of his life.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>There’s a lot of historic photos. You can see many times he looks pretty sad behind bars.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> She shows me one of Monarch resting his head against the side of his cage, staring, it seems, into nothing. After the first decade, his keepers became concerned by his apparent depression and brought a female grizzly called Montana Babe. Over time, they had several cubs. Some of them died. And in 1911, after over two decades in captivity, Monarch died too.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>At that point. He was very overweight, he was like paralyzed and not moving, and so the, I think their way of euthanasia was like a policeman coming and shooting him in the head.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Monarch was one of the last of his kind. California grizzlies were classified as a distinct subspecies. And for over half a century, they had been relentlessly, systematically poisoned, hunted and trapped. By the 1920s, they were extinct … or so we believed.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> When we come back, we turn to Mark’s question. \u003cem>Is Monarch\u003c/em> the bear on the California flag? Stay with us.\u003c/p>\n\u003cp>\u003cem>Sponsor break\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Now we come to the question of our state flag, featuring a strong and proud-looking grizzly bear. Our question asker, Mark Karn, wanted to know if, as the legend goes, \u003cem>Monarch\u003c/em> is the bear on the flag.\u003c/p>\n\u003cp>Here’s Katherine Monahan again.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> The history of the bear flag goes way back – to before California was even a state.\u003c/p>\n\u003cp>In 1846, grizzly bears were all over California, which was still part of Mexico. That year, a group of about thirty American settlers rebelled against the Mexican government and took over the town of Sonoma.\u003c/p>\n\u003cp>They painted a bear and a star on a sheet, raised it above town, and proclaimed themselves an independent nation. The California Republic.\u003c/p>\n\u003cp>Academy of Sciences head librarian Rebekah Kim shows me a picture of their flag.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>The first one is just like a silhouette of a. You think maybe a bear or a pig or a dog, right? It’s so hard to tell.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> To the rebels, the grizzly \u003ca href=\"https://bearflagmuseum.blogspot.com/2009/08/william-b-ide-on-creation-of-bear-flag.html\">symbolized\u003c/a> “strength and unyielding resistance.” Their new republic didn’t last – California soon became part of the United States. But the bear flag stuck around. Only everybody was drawing it in a different way.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>There’s another variation where the bear is up on its hind legs and kind of standing up.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> In 1911, California decided to make it the state flag. And the state legislature set guidelines, saying the bear must be in the middle, walking toward the left, and it must be dark brown\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>But there are no specific specifications about what it’s supposed to look like, so then, depending on the printer, you can get a different version.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> So, in 1953, the legislature decided we needed to standardize the flag and try to make the bear look more reliably like a bear.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>And so there is a zoologist who is an expert on California grizzlies, who’s sort of informing the designer about how to change the image to make it less like either a wolf or like a pig.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> The problem was, all the California grizzlies were dead by then. So what could the artist look at for a reference? The taxidermied form of Monarch could have been helpful, and there is a 1953 article in the San Francisco Chronicle that suggests it was part of the process. But Kim doesn’t buy it.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>No. Looking at the historical documents of the illustrator. All the back and forth is not about Monarch. The references he uses is a different illustration and some, um, images of other grizzlies in other states.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> So it’s. Kind of an urban legend.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>It is, and it is perpetuated by lots of sources.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Kim herself was one of them, until she did this research.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong> I was like, oh no, I’ve told people, like I’ve told the wrong thing to people. Cause that has been the narrative that we’ve been fed.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> The real model for the California state flag, as it turns out, was Samson, another famous grizzly that spent time in San Francisco long before Monarch showed up.\u003c/p>\n\u003cp>Back in the 1850s, a man named James Capen Adams, better known as Grizzly Adams, opened the Mountaineer Museum in San Francisco. It was on Clay Street, just a few blocks from where the Ferry Building is today. A newspaper reporter described a dingy basement with several live grizzlies chained to the floor. There were also elk, mountain lions, and a few eagles.\u003c/p>\n\u003cp>\u003cstrong>Voice over reads newspaper clipping:\u003c/strong> At the rear, in a very large iron cage, was the monster grizzly Samson. He was an immense creature weighing some three-quarters of a ton.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> A painter called Charles Nahl made a detailed portrait of Samson. And \u003cem>that\u003c/em> painting of \u003cem>that\u003c/em> bear was consistently used as a reference for the California state flag.\u003c/p>\n\u003cp>\u003cstrong>Peter Alagona: \u003c/strong>The entire story was, was wrong in a lot of ways.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Pete Alagona is a professor in the environmental studies program at UC Santa Barbara. He says not only did \u003cem>Monarch’s \u003c/em>story get distorted and manipulated, but so did the story of all the California grizzlies.\u003c/p>\n\u003cp>\u003cstrong>Peter Alagona: \u003c/strong>And the most wrong part of it was the idea that the extinction of grizzly bears in California was inevitable, and the recovery of them is impossible.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> To get closer to the truth, Alagona analyzed Monarch’s bones and fur, along with those of other grizzlies. His team found startling results. It turns out California grizzlies are genetically indistinguishable from modern-day grizzlies in Yellowstone and Montana.\u003c/p>\n\u003cp>\u003cstrong>Peter Alagona: \u003c/strong>They’re gone from California, but they’re not really extinct. They just kind of live in Montana right now. It’s the same bear. It’s just not here at the moment.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Now, Alagona is working with the California Grizzly Alliance, which proposes \u003ca href=\"https://www.calgrizzly.org/\">bringing grizzlies back\u003c/a> to the state. The idea is to start with just a couple of animals, very closely monitored, in a very remote area.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> You are aware that to a lot of people, the idea of reintroducing grizzlies sounds pretty nuts.\u003c/p>\n\u003cp>\u003cstrong>Peter Alagona: \u003c/strong>Um, yeah.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> What’s, what’s your response to that?\u003c/p>\n\u003cp>\u003cstrong>Peter Alagona: \u003c/strong>So, you know, when I started this project, it sounded nuts to me too. I wasn’t interested in that. I was just interested in learning about them. And as I went further along, I realized, it’s totally possible. Which means it’s a choice.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> And if it’s a choice, he figures, we should make it an informed one by learning more about grizzlies. And not, this time, from what people have said about them, but by studying the animals themselves.\u003c/p>\n\u003cp>\u003cstrong>Peter Alagona: \u003c/strong>They do a lot of amazing things. They turn over soil and enrich the soil. They are by far the biggest seed dispersers of any animal out there in the world on a per capita basis.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> He says the biggest benefits that grizzlies might bring back to California, though, are not really about the ecosystem.\u003c/p>\n\u003cp>\u003cstrong>Peter Alagona: \u003c/strong>They’re more about. Imagination. They’re more about this idea that yes, we can restore things that seem unrestorable. Yes, there is a possibility for things that seem impossible. To me, that’s what the bear does for us is it enables you to see a different kind of future by showing you a little bit more about yourself.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Maybe Monarch’s story is a kind of allegory for our present moment. On one hand, we live in a time of severe environmental loss, and many of us, to some extent, feel it and can relate to the depressed, overweight captive bear. On the other hand, this is a time of incredible possibility. When enough of our natural world still lives that it may be able to make a comeback.\u003c/p>\n\u003cp>Who knows if we’ll ever find grizzlies in California again? But for now, we have our flag — adorned with an image of the fierce, proud, mostly vegetarian bear — named Samson.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>That was KQED’s Katherine Monahan.\u003c/p>\n\u003cp>We are in the middle of our experiment of dropping two episodes a week, and we want to know what you think! Share your feedback with us by emailing \u003ca href=\"mailto:baycurious@kqed.org\">baycurious@kqed.org\u003c/a>.\u003c/p>\n\u003cp>This question came from listener Mark Karn, and hey, who knows, a future episode could come from YOUR question. Our show is only possible because you keep asking them. Head to \u003ca href=\"http://baycurious.org\">BayCurious.org\u003c/a> and submit a question right at the top of the page.\u003c/p>\n\u003cp>\u003cem>Bay Curious\u003c/em> is made in San Francisco at member-supported KQED.\u003c/p>\n\u003cp>Our show is made by Katrina Schwartz, Gabriella Glueck, Christopher Beale and me, Olivia Allen-Price.\u003c/p>\n\u003cp>Extra support from Maha Sanad, Katie Sprenger, Jen Chien, Ethan Toven-Lindsey and everyone on team KQED.\u003c/p>\n\u003cp>Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco Northern California Local.\u003c/p>\n\u003cp>I’m Olivia Allen-Price. Have a good one.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#Viewthefullepisodetranscript\">View\u003c/a>\u003cem>\u003ca href=\"#Viewthefullepisodetranscript\"> the full episode transcript.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Many state flags stick to geometric designs. Wyoming has a buffalo, Louisiana has a pelican. But the \u003ca href=\"https://www.kqed.org/news/tag/california\">California\u003c/a> flag has a grizzly bear.\u003c/p>\n\u003cp>\u003cem>Bay Curious\u003c/em> listener Mark Karn was researching the flag one day when he found an unexpected story behind it, one that has been repeated for many years in newspapers, videos, and websites. He read that the bear on California’s flag was modeled after a famous bear named Monarch.\u003c/p>\n\u003cp>But as he looked into the history further, Karn started to have doubts. He noticed some inconsistencies in the story that made him question whether Monarch was indeed the bear on our flag.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>California used to have thousands of grizzlies\u003c/h2>\n\u003cp>Before the Gold Rush, historians estimate there were \u003ca href=\"https://nhmlac.org/california-grizzly-bear#:~:text=Some%20have%20estimated%20that%20California,skins%20and%20skeletons%20in%20existence.\">10,000 grizzly bears\u003c/a> in California, living alongside hundreds of thousands of Native Americans.\u003c/p>\n\u003cp>But Spanish ranchers and then gold miners who flooded into California in the 1800s portrayed the animals as brutal, bloodthirsty killers, even though grizzlies mostly minded their own business unless provoked.\u003c/p>\n\u003cfigure id=\"attachment_12076801\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12076801\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-04-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1339\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-04-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-04-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-04-KQED-1536x1028.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">It is often said that the bear on the modern California state flag is based on “Monarch,” one of the last grizzly bears to live in the state. But researchers now believe it was based on the drawing of another bear, Samson. \u003ccite>(Joseph Sohm/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“You see the bear being really cast as this obstacle to progress, much like the wolves and much like native people,” said Devlin Gandy, tribal liaison for the California Grizzly Alliance. “As something that has to be done away with.”\u003c/p>\n\u003cp>Bounties on grizzlies became common. Ranchers often put strychnine onto the carcasses of dead cows. By the late 1800s, very few grizzlies were left in the state.\u003c/p>\n\u003ch2>Monarch the bear’s infamous life\u003c/h2>\n\u003cp>In 1887, after getting kicked out of Harvard for bad behavior, William Randolph Hearst landed back in his hometown of San Francisco, where his father gave him a small newspaper called the \u003cem>San Francisco Examiner\u003c/em>.\u003c/p>\n\u003cp>He was in his 20s and thought it would be great publicity if someone from the Examiner could capture one of the last California grizzly bears and bring it back to San Francisco alive. So, he tasked one of his reporters, Allen Kelly, with the assignment.\u003c/p>\n\u003cp>Kelly had never actually hunted a bear before. But he strapped on a bandolier of ammunition and struck out for the mountains of Southern California, where it was rumored there were still a few grizzlies left.\u003c/p>\n\u003cfigure id=\"attachment_12076803\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12076803\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-06-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-06-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-06-KQED-160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-06-KQED-1536x1229.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The taxidermied form of Monarch the bear is part of an exhibit called California: State of Nature on display at the California Academy of Sciences. \u003ccite>(Gayle Laird/California Academy of Sciences)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With help from local hunters, Kelly spent months hiking around the mountains looking for bears with no luck. But eventually, a monstrous grizzly came to his camp and walked into one of the traps he had set.\u003c/p>\n\u003cp>At least, that’s how \u003ca href=\"https://www.newspapers.com/image/460837694/?match=1&terms=monarch%20the%20bear\">Kelly reported\u003c/a> it in the \u003cem>Examiner \u003c/em>at the time.\u003c/p>\n\u003cp>But Gandy thinks there was no trap. “[Monarch] was actually probably captured by some of the vaqueros using lassos,” he said.\u003c/p>\n\u003cp>Sure enough, Kelly later \u003ca href=\"https://www.gutenberg.org/files/15276/15276-h/15276-h.htm#chap02\">retold his story\u003c/a> in a book, this time saying that some Mexicans caught the bear, and he heard about it and went and bought it from them.\u003c/p>\n\u003cfigure id=\"attachment_12076813\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12076813\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-08-KQED.jpg\" alt=\"\" width=\"800\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-08-KQED.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-08-KQED-160x96.jpg 160w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An 1875 image of Woodward’s Gardens, an attraction that was open in the Mission District from 1866 to 189. It featured a museum, art gallery, zoo, rides and more. \u003ccite>(Public Domain)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kelly called the bear “Monarch,” as an advertisement for the \u003cem>Examiner\u003c/em>, which had the slogan: “The Monarch of the Dailies.” He brought Monarch, via sled, wagon and train, to a place called Woodward’s Garden in San Francisco.\u003c/p>\n\u003cp>In the late 1800’s, \u003ca href=\"https://www.foundsf.org/Woodward%27s_Gardens,_c._1860s\">Woodward’s Garden \u003c/a>was an amusement park in the Mission, near where the Armory is now. It had an aquatic carousel, balloon rides, camel rides and an 8-foot-3-inch-tall man who was billed as a giant. It was kind of a carnival, and a sign of its times.\u003c/p>\n\u003cp>Monarch stayed there for five years, in a cage so small he could barely turn around in it. Then he was moved to the World’s Fair in Golden Gate Park.\u003c/p>\n\u003cp>The fair, called the \u003ca href=\"https://www.foundsf.org/California_Midwinter_Fair_of_1894:_An_Orientalist_Exposition\">California Midwinter International Exposition of 1894\u003c/a>, took up 200 acres in Golden Gate Park. It was built like an amusement park, with large outdoor attractions. There were Inuit people on display — real people — in a village of papier-mache igloos. \u003ca href=\"https://www.sfgate.com/sfhistory/article/the-racist-fair-that-almost-ruined-golden-gate-16770528.php\">There was a Japanese village\u003c/a>, which is now the Japanese Tea Garden. And a \u003ca href=\"https://www.newspapers.com/image/378308351/?match=1&terms=%2749%20mining%20camp\">pretend mining camp\u003c/a>, where you could go to a saloon and see a grizzly bear — Monarch.\u003c/p>\n\u003cp>After the fair, Monarch was moved to his final home — a cage in Golden Gate Park’s menagerie — where the AIDS Memorial Grove is now. The menagerie had bison, kangaroos, elk, an aviary and now a grizzly bear.\u003c/p>\n\u003cp>“You could walk up to the enclosure [and] stick your arm in if you wanted to,” said Rebekah Kim, head librarian at the California Academy of Sciences. “You could throw peanuts or whatever snacks you wanted to.”\u003c/p>\n\u003cfigure id=\"attachment_12076816\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12076816\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-09-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-09-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-09-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-09-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A young guest inspects Monarch the bear, on view for the first time since 2012 at Cal Academy’s “California: State of Nature” exhibition. \u003ccite>(Gayle Laird/California Academy of Sciences)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And Monarch lived there for the rest of his life.\u003c/p>\n\u003cp>“You can see many times he looks pretty sad behind bars,” said Kim, referencing a historic photograph of Monarch resting his head against the side of his cage, staring, it seems, at nothing. And in 1911, after over two decades in captivity, Monarch died.\u003c/p>\n\u003cp>“At that point, he was very overweight; he was paralyzed,” said Kim, “Their way of euthanasia was like a policeman coming and shooting him in the head.”\u003c/p>\n\u003cp>Monarch was one of the last of his kind. California grizzlies were classified as a distinct subspecies, and for over half a century, they had been relentlessly, systematically poisoned, hunted and trapped. By the 1920s, scientists believed them to be extinct.\u003c/p>\n\u003ch2>How California ended up with a bear on its flag\u003c/h2>\n\u003cp>In 1846, grizzly bears were all over California, which was still part of Mexico. That year, a group of about 30 American settlers rebelled against the Mexican government and took over the town of Sonoma.\u003c/p>\n\u003cp>They painted a bear and a star on a sheet, raised it above town, and proclaimed themselves an independent nation: “the California Republic.” They said the grizzly \u003ca href=\"https://bearflagmuseum.blogspot.com/2009/08/william-b-ide-on-creation-of-bear-flag.html\">symbolized\u003c/a> “strength and unyielding resistance.”\u003c/p>\n\u003cfigure id=\"attachment_12076800\" class=\"wp-caption aligncenter\" style=\"max-width: 1474px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12076800\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-03-KQED.jpg\" alt=\"\" width=\"1474\" height=\"848\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-03-KQED.jpg 1474w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-03-KQED-160x92.jpg 160w\" sizes=\"auto, (max-width: 1474px) 100vw, 1474px\">\u003cfigcaption class=\"wp-caption-text\">This 1855 illustration of the grizzly bear, Samson, was made by artist Charles Nahl. \u003ccite>(Public Domain)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The bear on that flag bore little resemblance to our current flag’s bear. “[It looks like] maybe a bear or a pig or a dog, right? It’s so hard to tell,” Kim said.\u003c/p>\n\u003cp>The independent republic didn’t last; California soon became part of the United States. The bear flag stuck around, but everybody was drawing it in a different way. Some versions had the bear standing up, on others it was perched up at the top of the flag.\u003c/p>\n\u003cp>In 1911, California adopted the bear flag as its state flag, and the legislature set guidelines, saying the bear must be in the middle, walking toward the left, and dark brown. In 1953, the state decided to standardize the flag further and try to make the bear look more like a bear, rather than a wolf or a pig. A zoologist was brought in to advise.\u003c/p>\n\u003cfigure id=\"attachment_12076799\" class=\"wp-caption alignleft\" style=\"max-width: 1099px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12076799 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-02-KQED.jpg\" alt=\"\" width=\"1099\" height=\"621\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-02-KQED.jpg 1099w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-02-KQED-160x90.jpg 160w\" sizes=\"auto, (max-width: 1099px) 100vw, 1099px\">\u003cfigcaption class=\"wp-caption-text\">Photograph of an illustration showing the raising of the Bear Flag over Sonoma, June 14, 1846. The California Republic flag, complete with grizzly bear, star and stripe, is being raised on the pole. In the background is the home of General Vallejo, an army barracks and a church. \u003ccite>(Public Domain)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Here’s where the urban legend begins. Many sources report that since all the California grizzlies were dead by then, the flag’s artist used the taxidermied form of Monarch, which was even then on display at the California Academy of Sciences, as a reference.\u003c/p>\n\u003cp>But Kim doesn’t buy it. She studied the relevant historical documents, especially the correspondence between the zoologist and the flag’s artist. According to the letters, the men used as their main reference a different grizzly.\u003c/p>\n\u003cp>Back in the 1850s, a man named James Capen Adams, better known as Grizzly Adams, opened the Mountaineer Museum in San Francisco. It was on Clay Street, just a few blocks from where the Ferry Building is today. It had several live grizzlies chained to the floor, as well as elk, mountain lions, and a few eagles.\u003c/p>\n\u003cp>At the rear, in a very large iron cage, was a massive grizzly named Samson.\u003c/p>\n\u003cp>A painter called Charles Nahl made illustrations for \u003ca href=\"https://archive.org/details/adventuresofjame00hittrich/page/n9/mode/2up\">a book\u003c/a> about Adams, and one of his paintings was of \u003ca href=\"https://bancroftlibrarycara.wordpress.com/nahl_grizzly_monterey_image_cropped/\">Samson\u003c/a>. It’s \u003cem>that\u003c/em> painting, of Samson, that was consistently used as a reference for the California state flag.\u003c/p>\n\u003ch2>The California grizzly’s undeserved reputation\u003c/h2>\n\u003cp>Not only did Monarch’s story get distorted and manipulated, but so did the story of all the California grizzlies.\u003c/p>\n\u003cp>“The most wrong part of it was the idea that the extinction of grizzly bears in California was inevitable and the recovery of them is impossible,” said Peter Alagona, a professor in the environmental studies program at UC Santa Barbara.\u003c/p>\n\u003cp>Together with a team of researchers, Alagona analyzed Monarch’s bones and fur, along with those of other grizzlies. He found startling results.\u003c/p>\n\u003cfigure id=\"attachment_12076817\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12076817\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-10-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-10-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-10-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260317-MONARCH-THE-BEAR-10-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fran Ritchie of the California Academy of Sciences works to restore Monarch’s fur. \u003ccite>(Gayle Laird/California Academy of Sciences)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It turns out, California grizzlies were mostly vegetarian and averaged around 500 pounds, much smaller than the monstrous sizes attributed to them. Perhaps most surprisingly, they are genetically indistinguishable from modern-day grizzlies in Yellowstone and Montana.\u003c/p>\n\u003cp>“They’re gone from California, but they’re not really extinct,” said Alagona. “They just kind of live in Montana right now. It’s the same bear. It’s just not here at the moment.”\u003c/p>\n\u003cp>Now Alagona is working with the California Grizzly Alliance, which proposes \u003ca href=\"https://www.calgrizzly.org/\">bringing grizzlies back\u003c/a> to the state.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>He’s aware that to many people this sounds like a very bad idea. But the concept is to start with just a couple of animals, very closely monitored, in a very remote area.\u003c/p>\n\u003cp>“They do a lot of amazing things,” he said. “They turn over soil and enrich the soil. They are by far the biggest seed dispersers of any animal out there in the world on a per capita basis.”\u003c/p>\n\u003cp>Alagona’s research suggests that with sufficient numbers and time, grizzlies could even change the state’s vegetation and create firebreaks. But to him, the most important benefit is less tangible.\u003c/p>\n\u003cp>“They’re more about imagination,” Alagona said. “They’re more about this idea that yes, we can restore things that seem unrestorable. To me, that’s what the bear does for us is it enables you to see a different kind of future by showing you a little bit more about yourself.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca id=\"Viewthefullepisodetranscript\">\u003c/a>Episode transcript\u003c/h2>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Out of the 50 states that make up the union, California is considered pretty cool. We’ve got the good weather, the stunning coastline, those laid-back vibes. And we’ve definitely got a cool state flag. If you’ve looked at other flags, many stick to geometric designs. Wyoming does have a buffalo. Louisiana’s got a pelican. But California? Our flag has a grizzly bear.\u003c/p>\n\u003cp>\u003cem>Bay Curious\u003c/em> listener Mark Karn was researching the flag one day,\u003c/p>\n\u003cp>\u003cstrong>Mark Karn: \u003c/strong>I like to read a lot, and whenever I read, I like to, um, go off on tangents.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>He found an unexpected story behind it — one that has been repeated for many years in newspapers, videos, and websites. He read that the bear on our flag was modeled after a famous bear named Monarch.\u003c/p>\n\u003cp>Monarch was one of California’s last grizzlies, captured in the mountains and then put on display in San Francisco.\u003c/p>\n\u003cp>\u003cstrong>Mark Karn: \u003c/strong>I kind of deep dived into Monarch the bear. I was fascinated by it.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Mark has always had a passion for wild animals.\u003c/p>\n\u003cp>\u003cstrong>Mark Karn: \u003c/strong>I was born in Nigeria and grew up in South Africa. I love looking at nature in its wild state.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>As a teenager, he would take a book out to a remote watering hole where he’d read and wait for animals to come and drink.\u003c/p>\n\u003cp>\u003cstrong>Mark Karn: \u003c/strong>And I used to see a little, uh, a duiker. A duiker is a very small antelope. I used to watch the duiker come and, and drink water at the water hole. Definitely one of my most memorable moments, and you know, my happy memories. \u003cem>(Laughs.)\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>So, Mark was dismayed to learn that Monarch, this big, powerful grizzly, was kept behind bars for most of his life.\u003c/p>\n\u003cp>\u003cstrong>Mark Karn: \u003c/strong>I kind of cringe at animals in zoos. You know, they supposedly live longer, but to me there’s a, a beauty that they lack when they’re in a cage.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>And while he was doing his own research, he noticed some inconsistencies in Monarch’s story that made him question if Monarch was indeed the bear on our flag. So he reached out to \u003cem>Bay Curious\u003c/em>.\u003c/p>\n\u003cp>\u003cstrong>Mark Karn: \u003c/strong>The bear on the California flag, is it the actual Monarch the Bear that they claim it is?\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>To find out if it really was, and to sort through some of the other legends around the bear, reporter Katherine Monahan went to meet Monarch. Or rather, his taxidermied form, more than a century old, on display at the California Academy of Sciences.\u003c/p>\n\u003cp>\u003cem>Sounds of chatter and kids in an echoey space\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> It’s a weekday afternoon, and the academy is packed with kids and families, mostly checking out the aquarium or the T-rex. They don’t all head for this dimly lit corner of the California exhibit. But those who do\u003c/p>\n\u003cp>\u003cstrong>Museum visitor: \u003c/strong>\u003cstrong> \u003c/strong>Wow. That is crazy. Man.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Get to see a California grizzly.\u003c/p>\n\u003cp>\u003cstrong>Museum visitor 2: \u003c/strong>Did you know we had grizzly bears?\u003c/p>\n\u003cp>\u003cstrong>Museum visitor 3: \u003c/strong>We don’t have ’em anymore, do we?\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Monarch is powerful-looking, with a muscular hump above his shoulders. He’s dark and shaggy and bigger than a black bear for sure, but not nearly as big as, say, a two-ton polar bear. His claws, though\u003c/p>\n\u003cp>\u003cstrong>Museum visitor 2: \u003c/strong>They look lethal.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> They’re easily as long as my fingers. There’s a cast paw print where people can put their own hand in to compare.\u003c/p>\n\u003cp>\u003cstrong>Museum visitor 4: \u003c/strong>Go put your hand in.\u003c/p>\n\u003cp>\u003cstrong>Museum visitor 5: \u003c/strong>Oh my goodness. That’s just the palm.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Monarch is standing flat on all fours with kind of a Mona Lisa smile.\u003c/p>\n\u003cp>\u003cstrong>Museum visitor 6: \u003c/strong>Was he old?\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> He looks peaceful. But then, he is taxidermied, quite literally a puppet. And we could have made him look however we wanted. Which, in many ways, is what we did.\u003c/p>\n\u003cp>\u003cem>Music starts\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy:\u003c/strong> So much of what we know about grizzlies is a myth. It’s fictitious, it’s fear-based.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> That’s Devlin Gandy, tribal liaison for the California Grizzly Alliance.\u003c/p>\n\u003cp>He says it’s estimated there were ten thousand grizzly bears in the state before the California Gold Rush. And, hundreds of thousands of Native Americans.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>It’s very abundantly clear that they not only existed alongside grizzlies, but they thrived with grizzlies.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> But the Spanish ranchers and then the gold miners who flooded into California in the 1800s saw the bears differently. They told sensational stories that featured the animals as brutal, bloodthirsty killers — even though grizzlies mostly minded their own business unless provoked.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>You see the bear being really cast as this, um, obstacle to progress, much like the wolves and much like native people, and as something that, you know, has to be done away with.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Bounties on grizzlies became common. Mostly, they were killed with poison. Ranchers put strychnine onto the carcasses of dead cows. By the late 1800s, very few grizzlies were left in the state.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>It’s a time of extreme ecological degradation, and you start to get this romanticism for the West, this romantic notion of Native Americans and wildlife. And Monarch falls right into that narrative.\u003c/p>\n\u003cp>\u003cem>Music\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Enter William Randolph Hearst. In 1887, after getting kicked out of Harvard for bad behavior, he landed back in his hometown of San Francisco. Where his father gave him a small newspaper called the San Francisco Examiner.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>Hearst is leading this new wave of journalism that has a lot of sensationalism tied to it.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> He was about 25 years old. And he thought it would be great publicity if someone from the Examiner could capture a live grizzly bear.\u003c/p>\n\u003cp>So he asked one of his reporters, Allen Kelly, to do it. Kelly clearly got right into character, as you can see in his portrait from the time.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>He has these bandoliers of ammunition on both sides of his chest.\u003c/p>\n\u003cp>And it’s just like he’s trying to be Rambo. You’re like, what are you doing, dude?\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Kelly had never actually hunted a bear before. So when he struck out for the mountains of Southern California, where it was rumored there were still a few grizzlies left, he hired local helpers. They were happy to oblige.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>A man coming from San Francisco with a blank check from one of the richest men in California to go on a bear hunt? That sounds absolutely great.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> They led this city-slicker journalist around in circles, all the while camping and eating well and seeing plenty of bear sign, but not trapping any bears. Kelly eventually caught on.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>He starts to realize that all these grizzly bear tracks that he’s seeing are actually probably not being made by a grizzly bear.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> So he fired his crew. But by then he’d been gone for five months, and he was getting desperate.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>Like, I need a bear.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Just then, a monstrous grizzly came to his camp, conquered a cinnamon bear called Six-Toed Pete in an epic moonlit battle, and walked into his trap. At least, that’s how Kelly reported it in the Examiner.\u003c/p>\n\u003cp>\u003cstrong>Voice over reads newspaper clipping: \u003c/strong>A great ripping and tearing was heard going on inside. The Monarch was caught at last. Upon the approach of men, the grizzly became furious and made the heavy logs tremble and shake in his efforts to get out and resent the indignity that had been put upon him.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> But Gandy thinks there was no trap.\u003c/p>\n\u003cp>\u003cstrong>Devlin Gandy: \u003c/strong>He was actually probably captured by some of the vaqueros using lassos. And when they’re able to use four different horses to pull the bear’s arms and legs in four different directions, you have a bear that basically is stuck.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> About fifteen years later, Kelly \u003ca href=\"https://www.gutenberg.org/files/15276/15276-h/15276-h.htm#chap02\">retold his story\u003c/a> in a book, this time saying that some Mexicans caught the bear, and he heard about it and went and bought it from them.\u003c/p>\n\u003cp>Regardless, he still had to transport it to San Francisco. Which he reports in swashbuckling, self-aggrandizing detail.\u003c/p>\n\u003cp>\u003cstrong>Voice over reads newspaper clipping: \u003c/strong>The Monarch was now bound, gagged, and utterly helpless, but he never ceased roaring with rage at his captors and struggling to get just one swipe at them with his paw.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Naming the bear “Monarch” was kind of an advertisement for the Examiner, which had the slogan “The Monarch of the Dailies.”\u003c/p>\n\u003cp>Kelly describes how the grizzly broke his teeth trying to gnaw through his chains. How he tied Monarch to a kind of sled and hauled him down the mountain, and then built a cage and mounted it on a wagon and then a train for San Francisco … to a place called Woodward’s Garden.\u003c/p>\n\u003cp>\u003cem>Music\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> In the late 1800’s, Woodward’s Garden was an amusement park in the Mission, near where the Armory is now. It had an aquatic carousel, balloon rides, camel rides, an eight foot three inch tall man who was billed as a giant . . . It was kind of a carnival. And a sign of its time.\u003c/p>\n\u003cp>California Academy of Sciences head librarian Rebekah Kim shows me a picture of it.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>They had, like, live bears jumping from like a diving board.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan: \u003c/strong>Whoa.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim:\u003c/strong> Oh, and then bears in captivity.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> The Examiner covered Monarch’s arrival at the garden with great drama: how one of the black bears died of fright when he arrived. How he tore through his cage into the hyena enclosure and rolled up sheets of iron like they were paper. How he was the only grizzly bear in captivity (which is not true. There was another one at the Oregon Zoo). How he weighed a thousand pounds (also not true).\u003c/p>\n\u003cp>\u003cem>Ambi of chatter at the Academy of Sciences\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Back at Monarch’s taxidermy display, we talk about how the fabled massiveness of grizzly bears was yet another tall tale\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> I have never seen a grizzly, and I thought they’d be a lot bigger.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>No, actually, technically. Monarch is a little overweight.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Kim explains that despite grizzlies’ reputation for being huge and vicious\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>They were mostly vegan. And they probably weighed close to like 500 ish pounds.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan: \u003c/strong>Why would you bother being vegan with a body like that? Look at those claws.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>I don’t know. I mean, and that’s the thing, it’s like a dispelling a myth. I think California grizzlies were hunted down because they were thought to be, um, apex predators and a threat to livestock and people, but they really weren’t going after those things.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> It turns out the claws, along with the muscular hump on the shoulders, are really for digging. Grizzlies are omnivores, and eat mostly vegetarian. In captivity, however,\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>Monarch’s diet consisted of biscuits, sugar, peanuts, not his natural diet.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> No wonder he is portly.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>He is. He was like, um, I don’t know exactly, around 900 pounds. So double the normal size of a grizzly.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Monarch stayed in Woodward’s Garden for five years, in a cage so small he could barely turn around in it.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>And then he moved to the World’s Fair in Golden Gate Park as part of like the 49 ERs camp.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Wait a second. \u003ca href=\"https://www.newspapers.com/image/457584756/?match=1&terms=monarch%20the%20bear\">As a live bear. He was in the World Fair?\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>Yeah, he was. There’s, oh, I have a picture somewhere. He’s like in a pit. It’s actually really sad.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> The 1894 World’s Fair took up 200 acres in Golden Gate Park. It was built like an amusement park, with large outdoor attractions. There were Inuit people on display, real people, in a village of papier-mache igloos. There was a Japanese village, which is now the Japanese Tea Garden. And a \u003ca href=\"https://www.newspapers.com/image/378308351/?match=1&terms=%2749%20mining%20camp\">pretend mining camp\u003c/a>, where you could go to a saloon and see a grizzly bear. Here’s, once again, the San Francisco Examiner:\u003c/p>\n\u003cp>\u003cstrong>Voice over reads newspaper clipping: \u003c/strong>Monarch, the Examiner bear, is a wild and untamed beast, and has not yet been told that one of the lion tribe is likely to invade his home.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Fairgoers were clamouring for a lion to be dropped into Monarch’s concrete pit so they’d fight. But the fair managers, in a rare moment of good taste, refused.\u003c/p>\n\u003cp>After the World’s Fair, Monarch was moved to his final home — a cage in Golden Gate Park’s menagerie, where the AIDS Memorial Grove is now.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>You could see a bunch of different animals. It was free.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> This was the late 1800s, well before the San Francisco Zoo, and really before any real understanding of how to run a zoo. The park had bison, as it still does, but also kangaroos and elk and an aviary. And a grizzly bear.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>You could walk up to the enclosure, stick your arm in if you wanted to. Um, and you could throw peanuts or whatever snacks you wanted to.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> And Monarch lived there for the rest of his life.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>There’s a lot of historic photos. You can see many times he looks pretty sad behind bars.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> She shows me one of Monarch resting his head against the side of his cage, staring, it seems, into nothing. After the first decade, his keepers became concerned by his apparent depression and brought a female grizzly called Montana Babe. Over time, they had several cubs. Some of them died. And in 1911, after over two decades in captivity, Monarch died too.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>At that point. He was very overweight, he was like paralyzed and not moving, and so the, I think their way of euthanasia was like a policeman coming and shooting him in the head.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Monarch was one of the last of his kind. California grizzlies were classified as a distinct subspecies. And for over half a century, they had been relentlessly, systematically poisoned, hunted and trapped. By the 1920s, they were extinct … or so we believed.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> When we come back, we turn to Mark’s question. \u003cem>Is Monarch\u003c/em> the bear on the California flag? Stay with us.\u003c/p>\n\u003cp>\u003cem>Sponsor break\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Now we come to the question of our state flag, featuring a strong and proud-looking grizzly bear. Our question asker, Mark Karn, wanted to know if, as the legend goes, \u003cem>Monarch\u003c/em> is the bear on the flag.\u003c/p>\n\u003cp>Here’s Katherine Monahan again.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> The history of the bear flag goes way back – to before California was even a state.\u003c/p>\n\u003cp>In 1846, grizzly bears were all over California, which was still part of Mexico. That year, a group of about thirty American settlers rebelled against the Mexican government and took over the town of Sonoma.\u003c/p>\n\u003cp>They painted a bear and a star on a sheet, raised it above town, and proclaimed themselves an independent nation. The California Republic.\u003c/p>\n\u003cp>Academy of Sciences head librarian Rebekah Kim shows me a picture of their flag.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>The first one is just like a silhouette of a. You think maybe a bear or a pig or a dog, right? It’s so hard to tell.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> To the rebels, the grizzly \u003ca href=\"https://bearflagmuseum.blogspot.com/2009/08/william-b-ide-on-creation-of-bear-flag.html\">symbolized\u003c/a> “strength and unyielding resistance.” Their new republic didn’t last – California soon became part of the United States. But the bear flag stuck around. Only everybody was drawing it in a different way.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>There’s another variation where the bear is up on its hind legs and kind of standing up.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> In 1911, California decided to make it the state flag. And the state legislature set guidelines, saying the bear must be in the middle, walking toward the left, and it must be dark brown\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>But there are no specific specifications about what it’s supposed to look like, so then, depending on the printer, you can get a different version.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> So, in 1953, the legislature decided we needed to standardize the flag and try to make the bear look more reliably like a bear.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>And so there is a zoologist who is an expert on California grizzlies, who’s sort of informing the designer about how to change the image to make it less like either a wolf or like a pig.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> The problem was, all the California grizzlies were dead by then. So what could the artist look at for a reference? The taxidermied form of Monarch could have been helpful, and there is a 1953 article in the San Francisco Chronicle that suggests it was part of the process. But Kim doesn’t buy it.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>No. Looking at the historical documents of the illustrator. All the back and forth is not about Monarch. The references he uses is a different illustration and some, um, images of other grizzlies in other states.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> So it’s. Kind of an urban legend.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong>It is, and it is perpetuated by lots of sources.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Kim herself was one of them, until she did this research.\u003c/p>\n\u003cp>\u003cstrong>Rebekah Kim: \u003c/strong> I was like, oh no, I’ve told people, like I’ve told the wrong thing to people. Cause that has been the narrative that we’ve been fed.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> The real model for the California state flag, as it turns out, was Samson, another famous grizzly that spent time in San Francisco long before Monarch showed up.\u003c/p>\n\u003cp>Back in the 1850s, a man named James Capen Adams, better known as Grizzly Adams, opened the Mountaineer Museum in San Francisco. It was on Clay Street, just a few blocks from where the Ferry Building is today. A newspaper reporter described a dingy basement with several live grizzlies chained to the floor. There were also elk, mountain lions, and a few eagles.\u003c/p>\n\u003cp>\u003cstrong>Voice over reads newspaper clipping:\u003c/strong> At the rear, in a very large iron cage, was the monster grizzly Samson. He was an immense creature weighing some three-quarters of a ton.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> A painter called Charles Nahl made a detailed portrait of Samson. And \u003cem>that\u003c/em> painting of \u003cem>that\u003c/em> bear was consistently used as a reference for the California state flag.\u003c/p>\n\u003cp>\u003cstrong>Peter Alagona: \u003c/strong>The entire story was, was wrong in a lot of ways.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Pete Alagona is a professor in the environmental studies program at UC Santa Barbara. He says not only did \u003cem>Monarch’s \u003c/em>story get distorted and manipulated, but so did the story of all the California grizzlies.\u003c/p>\n\u003cp>\u003cstrong>Peter Alagona: \u003c/strong>And the most wrong part of it was the idea that the extinction of grizzly bears in California was inevitable, and the recovery of them is impossible.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> To get closer to the truth, Alagona analyzed Monarch’s bones and fur, along with those of other grizzlies. His team found startling results. It turns out California grizzlies are genetically indistinguishable from modern-day grizzlies in Yellowstone and Montana.\u003c/p>\n\u003cp>\u003cstrong>Peter Alagona: \u003c/strong>They’re gone from California, but they’re not really extinct. They just kind of live in Montana right now. It’s the same bear. It’s just not here at the moment.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Now, Alagona is working with the California Grizzly Alliance, which proposes \u003ca href=\"https://www.calgrizzly.org/\">bringing grizzlies back\u003c/a> to the state. The idea is to start with just a couple of animals, very closely monitored, in a very remote area.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> You are aware that to a lot of people, the idea of reintroducing grizzlies sounds pretty nuts.\u003c/p>\n\u003cp>\u003cstrong>Peter Alagona: \u003c/strong>Um, yeah.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> What’s, what’s your response to that?\u003c/p>\n\u003cp>\u003cstrong>Peter Alagona: \u003c/strong>So, you know, when I started this project, it sounded nuts to me too. I wasn’t interested in that. I was just interested in learning about them. And as I went further along, I realized, it’s totally possible. Which means it’s a choice.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> And if it’s a choice, he figures, we should make it an informed one by learning more about grizzlies. And not, this time, from what people have said about them, but by studying the animals themselves.\u003c/p>\n\u003cp>\u003cstrong>Peter Alagona: \u003c/strong>They do a lot of amazing things. They turn over soil and enrich the soil. They are by far the biggest seed dispersers of any animal out there in the world on a per capita basis.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> He says the biggest benefits that grizzlies might bring back to California, though, are not really about the ecosystem.\u003c/p>\n\u003cp>\u003cstrong>Peter Alagona: \u003c/strong>They’re more about. Imagination. They’re more about this idea that yes, we can restore things that seem unrestorable. Yes, there is a possibility for things that seem impossible. To me, that’s what the bear does for us is it enables you to see a different kind of future by showing you a little bit more about yourself.\u003c/p>\n\u003cp>\u003cstrong>Katherine Monahan:\u003c/strong> Maybe Monarch’s story is a kind of allegory for our present moment. On one hand, we live in a time of severe environmental loss, and many of us, to some extent, feel it and can relate to the depressed, overweight captive bear. On the other hand, this is a time of incredible possibility. When enough of our natural world still lives that it may be able to make a comeback.\u003c/p>\n\u003cp>Who knows if we’ll ever find grizzlies in California again? But for now, we have our flag — adorned with an image of the fierce, proud, mostly vegetarian bear — named Samson.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>That was KQED’s Katherine Monahan.\u003c/p>\n\u003cp>We are in the middle of our experiment of dropping two episodes a week, and we want to know what you think! Share your feedback with us by emailing \u003ca href=\"mailto:baycurious@kqed.org\">baycurious@kqed.org\u003c/a>.\u003c/p>\n\u003cp>This question came from listener Mark Karn, and hey, who knows, a future episode could come from YOUR question. Our show is only possible because you keep asking them. Head to \u003ca href=\"http://baycurious.org\">BayCurious.org\u003c/a> and submit a question right at the top of the page.\u003c/p>\n\u003cp>\u003cem>Bay Curious\u003c/em> is made in San Francisco at member-supported KQED.\u003c/p>\n\u003cp>Our show is made by Katrina Schwartz, Gabriella Glueck, Christopher Beale and me, Olivia Allen-Price.\u003c/p>\n\u003cp>Extra support from Maha Sanad, Katie Sprenger, Jen Chien, Ethan Toven-Lindsey and everyone on team KQED.\u003c/p>\n\u003cp>Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco Northern California Local.\u003c/p>\n\u003cp>I’m Olivia Allen-Price. Have a good one.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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},
"link": "/radio/program/bbc-world-service",
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},
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"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1MDAyODE4NTgz",
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},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
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"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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},
"closealltabs": {
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"order": 1
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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},
"freakonomics-radio": {
"id": "freakonomics-radio",
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"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
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"officialWebsiteLink": "http://freakonomics.com/",
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"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"here-and-now": {
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
"id": "hidden-brain",
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
"meta": {
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},
"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"order": 18
},
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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