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"content": "\u003cp>It’s time for the weekend!\u003c/p>\n\u003cp>Looking for things to do in the Bay Area? Listen to KQED Arts’ Gabe Meline and Nastia Voynovskaya discuss their critic’s picks for this weekend at the audio link above, and read about each event below.\u003c/p>\n\u003cp>\u003cstrong>Outside Lands\u003c/strong>: We’ve got your \u003ca href=\"https://www.kqed.org/arts/13862534/headed-to-outside-lands-heres-everything-you-need-to-know\" rel=\"noopener\" target=\"_blank\">all-purpose online guide\u003c/a> to surviving the city’s biggest music festival, including how to get there, what to wear and how to navigate the crowds. And since you probably already know about the big headliners (Childish Gambino, Paul Simon, Twenty-One Pilots), we’ll take you on a brief tour of some of the lineup’s rising stars and local acts, like Yaeji, P-Lo and The Seshen. That’s Friday–Sunday, Aug. 9–11, in Golden Gate Park. \u003ca href=\"https://www.sfoutsidelands.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Satinder Sartaaj\u003c/strong>: Over the course of 10 albums, this Punjabi singer has made a big splash, not just at home in India, but around the globe. He also recently made his film debut, and with his charismatic style, it’s easy to imagine him as next year’s Bollywood star. He performs Saturday, Aug. 10, at the California Theatre in San Jose. \u003ca href=\"https://sanjosetheaters.org/event/satinder-sartaaj-aug10/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘Mama’s Babies: An Account of Black Matriarchy in America’\u003c/strong>: For a Vallejo filmmaker and photographer, Adrian Burrell has a wide impact Bay Area-wide. After working on the acclaimed film \u003cem>Licks\u003c/em>, he’s turned his lens to social issues and people fighting for change. This exhibition, focusing on black mothers, runs Aug. 7–24, with an opening reception Aug. 10, at SHOH Gallery in Berkeley. \u003ca href=\"https://www.shohgallery.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>‘Those Dancin’ Feet’\u003c/strong>: There’s something special about the Transcendence Theatre Company, made up of Broadway professionals on summertime leave from New York. For starters, their shows are in a gorgeous outdoor setting: under the stars, inside old stone ruins at Jack London State Park. Secondly, they raise money for state parks. But the main thing is the productions are always a hell of a good time. Their latest show opens Aug. 9, at Jack London State Park in Glen Ellen. \u003ca href=\"https://transcendencetheatre.org/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s time for the weekend!\u003c/p>\n\u003cp>Looking for things to do in the Bay Area? Listen to KQED Arts’ Gabe Meline and Nastia Voynovskaya discuss their critic’s picks for this weekend at the audio link above, and read about each event below.\u003c/p>\n\u003cp>\u003cstrong>Outside Lands\u003c/strong>: We’ve got your \u003ca href=\"https://www.kqed.org/arts/13862534/headed-to-outside-lands-heres-everything-you-need-to-know\" rel=\"noopener\" target=\"_blank\">all-purpose online guide\u003c/a> to surviving the city’s biggest music festival, including how to get there, what to wear and how to navigate the crowds. And since you probably already know about the big headliners (Childish Gambino, Paul Simon, Twenty-One Pilots), we’ll take you on a brief tour of some of the lineup’s rising stars and local acts, like Yaeji, P-Lo and The Seshen. That’s Friday–Sunday, Aug. 9–11, in Golden Gate Park. \u003ca href=\"https://www.sfoutsidelands.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Satinder Sartaaj\u003c/strong>: Over the course of 10 albums, this Punjabi singer has made a big splash, not just at home in India, but around the globe. He also recently made his film debut, and with his charismatic style, it’s easy to imagine him as next year’s Bollywood star. He performs Saturday, Aug. 10, at the California Theatre in San Jose. \u003ca href=\"https://sanjosetheaters.org/event/satinder-sartaaj-aug10/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘Mama’s Babies: An Account of Black Matriarchy in America’\u003c/strong>: For a Vallejo filmmaker and photographer, Adrian Burrell has a wide impact Bay Area-wide. After working on the acclaimed film \u003cem>Licks\u003c/em>, he’s turned his lens to social issues and people fighting for change. This exhibition, focusing on black mothers, runs Aug. 7–24, with an opening reception Aug. 10, at SHOH Gallery in Berkeley. \u003ca href=\"https://www.shohgallery.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Headed to Outside Lands? Here's Everything You Need to Know",
"headTitle": "Headed to Outside Lands? Here’s Everything You Need to Know | KQED",
"content": "\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/news/11957290/outside-lands-2023-tickets-parking-public-transit-road-closures-bart-muni\">\u003cem>Please see KQED’s updated guide to Outside Lands 2023\u003c/em>\u003c/a>.\u003c/strong>\u003c/p>\n\u003cp>One of the Bay Area’s most popular festivals, Outside Lands, has grown into a celebration of music, comedy, art and gastronomy that draws tens of thousands of attendees every year. Here’s our handy guide to navigating the big weekend coming up at Golden Gate Park.\u003c/p>\n\u003cp>\u003cstrong>Who To See\u003c/strong>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.sfoutsidelands.com/lineup/\" target=\"_blank\" rel=\"noopener\">eclectic curation\u003c/a> at Outside Lands hits all the right notes, with nostalgic acts, reigning chart-toppers and buzzed-about new talent. This year’s lineup stars classic rock legend Paul Simon, Grammy-winning pop acts Twenty One Pilots and Childish Gambino, rap icon Lil Wayne, rising club music luminary Yaeji, raunchy up-and-coming rapper Cupcakke and local neo-soul band the Seshen. 2000s pop punk heroes Blink-182 also perform, as well as Berkeley ’90s alternative rockers Counting Crows.\u003c/p>\n\u003cp>Music is the centerpiece of the experience, but there’s a lot more to see and do. An underrated part of the fest is the \u003ca href=\"https://www.sfoutsidelands.com/experience/gastromagic/\" target=\"_blank\" rel=\"noopener\">Gastromagic\u003c/a> stage, where chefs get silly in the kitchen with comedians, drag stars and musicians. It’s an opportunity to see your faves in a more intimate setting, with plenty of crowd participation. This year, Cupcakke pairs up with chef and \u003cem>Bon Appetit\u003c/em> editor Andy Baraghani to make slurpable food and drinks (an homage to some of the dirtier acts the rapper describes in her lyrics). \u003cem>Drag Race\u003c/em> star Alyssa Edwards and Counting Crows’ Adam Duritz are also among the entertainers rolling their sleeves up at Gastromagic.\u003c/p>\n\u003cfigure id=\"attachment_13838860\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838860\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8552-800x533.jpg\" alt=\"Janet Jackson performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janet Jackson performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Getting There\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Unless you want to waste gas driving around in circles for hours and then parking 20 blocks away, we strongly suggest leaving your car at home for Outside Lands. The festival has a \u003ca href=\"https://outsidelands.frontgatetickets.com/event/smenw2zlix4g6ffk\" target=\"_blank\" rel=\"noopener\">shuttle\u003c/a> from Bill Graham Civic Auditorium, just a stone’s throw from Civic Center BART, with passes going for $49.50 for all three days.\u003c/p>\n\u003cp>A little-known pro-tip for those who live in the East Bay, North Bay or South Bay? For a steeper price ($112 and up for a three-day pass, depending on where you’re coming from) you can take one of the \u003ca href=\"https://festdrive.busbank.com/outside-lands-festival/\" target=\"_blank\" rel=\"noopener\">regional shuttles\u003c/a> that pick up and drop off in Sacramento, Palo Alto, San Jose, Mill Valley or Oakland.\u003c/p>\n\u003cp>Uber and Lyft will likely have crazy surge pricing—plus, phone reception is spotty in the main festival zone. MUNI is a solid and much cheaper option for traveling within San Francisco, with \u003ca href=\"https://www.sfmta.com/muni\" target=\"_blank\" rel=\"noopener\">several lines\u003c/a> walking distance from festival gates. Another pro-tip: MUNI buses are going to be packed with festivalgoers by the end of the night, so ride a few stops in the outbound direction and get back on where it’s less crowded. And of course, you can always bike, or rent a scooter. The festival partners with JUMP bikes and SKIP scooters this year, and JUMP has a promo code (\u003cstrong>OSL19D\u003c/strong>) for a free ride.\u003c/p>\n\u003cfigure id=\"attachment_13838870\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838870\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8586-800x533.jpg\" alt=\"The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What to Wear\u003c/strong>\u003c/p>\n\u003cp>Racist fashion choices are to music festivals as plastic trash is to the ocean. The positive news is that Outside Lands banned appropriative Native American headdresses, so you won’t be seeing them paired with furry raver boots or bro tanks there (shudder). Otherwise, wear whatever you want—just make sure to bring layers. You might feel silly carrying a puffer jacket when it’s a warm 68 degrees in the afternoon, but once that Pacific wind and fog hit when it gets dark, you’ll thank yourself for planning ahead.\u003c/p>\n\u003cp>\u003cstrong>Bag Policy\u003c/strong>\u003c/p>\n\u003cp>Like many mass gatherings these days, Outside Lands requires backpacks and larger bags to be made out of clear plastic. Fortunately, you can find those at major retailers like Target and Amazon. H&M, Top Shop, Zara and other fast-fashion brands have a bunch of cute clear purses too.\u003c/p>\n\u003cp>Bags and fanny packs smaller than 6″ x 8″ x 3″ don’t have to be clear, and drawstring bags with only one openings (up to 13″ x 16″) are fine too.\u003c/p>\n\u003cfigure id=\"attachment_13838748\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838748\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7615-800x533.jpg\" alt=\"Lizzo performs at the Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lizzo performs at the Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What to Eat and Drink\u003c/strong>\u003c/p>\n\u003cp>San Francisco is all about fine dining, and Outside Lands has plenty of \u003ca href=\"https://www.sfoutsidelands.com/taste/\" target=\"_blank\" rel=\"noopener\">gourmet food trucks and vendors\u003c/a> lining the paths to most of the stages. But for those on a budget, it’s perfectly fine to bring your own food—or at least snacks to keep you fortified while you do laps around the festival grounds to catch all your favorite acts. You can save money on water too. Outside Lands allows you to bring two factory-sealed water bottles, or an empty container to get your H2O from one of their many free dispensers.\u003c/p>\n\u003cp>Beer and wine lovers will find some of Northern California’s best offerings at \u003ca href=\"https://www.sfoutsidelands.com/beer-lands/\" target=\"_blank\" rel=\"noopener\">Beer Lands\u003c/a> and \u003ca href=\"https://www.sfoutsidelands.com/wine-lands/\" target=\"_blank\" rel=\"noopener\">Wine Lands\u003c/a> (which is a hop and a skip away from Cheese Lands, who knew!) Those who like something boozier can find craft cocktails in the \u003ca href=\"https://www.sfoutsidelands.com/cocktail-magic/\" target=\"_blank\" rel=\"noopener\">Cocktail Magic\u003c/a> section in McLaren Pass, where you can catch magic shows and intimate performances between mixology demos.\u003c/p>\n\u003cfigure id=\"attachment_13805291\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805291\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-800x533.jpg\" alt=\"Empire Of The Sun performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Empire Of The Sun performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>When You Need a Break from Crowds\u003c/strong>\u003c/p>\n\u003cp>Though marijuana is legal in California, smoking isn’t permitted in Golden Gate Park. (However, that says nothing about edibles—which are technically food.) Cannabis enthusiasts can learn more about the local weed industry at \u003ca href=\"https://www.sfoutsidelands.com/experience/grass-lands/\" target=\"_blank\" rel=\"noopener\">Grass Lands\u003c/a>, an educational and multi-sensory showcase with lots to smell south of Polo Field.\u003c/p>\n\u003cp>The festival has a Sober Lands tent for those who are in substance recovery and want to attend a quick meeting to stay sane among all party people.\u003c/p>\n\u003cfigure id=\"attachment_13805242\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805242\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_4623-800x533.jpg\" alt=\"The crowd at the Outside Lands music festival in San Francisco, Aug. 11, 2017.The crowd at the Outside Lands music festival in San Francisco, Aug. 11, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the Outside Lands music festival in San Francisco, Aug. 11, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.sfoutsidelands.com/experience/comedy-and-talks/\" target=\"_blank\" rel=\"noopener\">The Barbary\u003c/a> comedy and improv stage is definitely worth a visit when you get tired of jostling through crowds. (It’s indoors! And has ample seating and a bar!) Alyssa Edwards has a headlining comedy set there, and Tony Danza and \u003cem>Crazy Rich Asians\u003c/em> and \u003cem>Silicon Valley\u003c/em> star Jimmy O. Yang are slated to perform too.\u003c/p>\n\u003cp>\u003cstrong>Remember to Have Fun\u003c/strong>\u003c/p>\n\u003cp>With all there is to see and do, Outside Lands can be overwhelming. The festival’s official app is helpful for scheduling your days. But don’t plan too strict of an itinerary—leaving room to explore off the beaten path is what it’s all about.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/news/11957290/outside-lands-2023-tickets-parking-public-transit-road-closures-bart-muni\">\u003cem>Please see KQED’s updated guide to Outside Lands 2023\u003c/em>\u003c/a>.\u003c/strong>\u003c/p>\n\u003cp>One of the Bay Area’s most popular festivals, Outside Lands, has grown into a celebration of music, comedy, art and gastronomy that draws tens of thousands of attendees every year. Here’s our handy guide to navigating the big weekend coming up at Golden Gate Park.\u003c/p>\n\u003cp>\u003cstrong>Who To See\u003c/strong>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.sfoutsidelands.com/lineup/\" target=\"_blank\" rel=\"noopener\">eclectic curation\u003c/a> at Outside Lands hits all the right notes, with nostalgic acts, reigning chart-toppers and buzzed-about new talent. This year’s lineup stars classic rock legend Paul Simon, Grammy-winning pop acts Twenty One Pilots and Childish Gambino, rap icon Lil Wayne, rising club music luminary Yaeji, raunchy up-and-coming rapper Cupcakke and local neo-soul band the Seshen. 2000s pop punk heroes Blink-182 also perform, as well as Berkeley ’90s alternative rockers Counting Crows.\u003c/p>\n\u003cp>Music is the centerpiece of the experience, but there’s a lot more to see and do. An underrated part of the fest is the \u003ca href=\"https://www.sfoutsidelands.com/experience/gastromagic/\" target=\"_blank\" rel=\"noopener\">Gastromagic\u003c/a> stage, where chefs get silly in the kitchen with comedians, drag stars and musicians. It’s an opportunity to see your faves in a more intimate setting, with plenty of crowd participation. This year, Cupcakke pairs up with chef and \u003cem>Bon Appetit\u003c/em> editor Andy Baraghani to make slurpable food and drinks (an homage to some of the dirtier acts the rapper describes in her lyrics). \u003cem>Drag Race\u003c/em> star Alyssa Edwards and Counting Crows’ Adam Duritz are also among the entertainers rolling their sleeves up at Gastromagic.\u003c/p>\n\u003cfigure id=\"attachment_13838860\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838860\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8552-800x533.jpg\" alt=\"Janet Jackson performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janet Jackson performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Getting There\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Unless you want to waste gas driving around in circles for hours and then parking 20 blocks away, we strongly suggest leaving your car at home for Outside Lands. The festival has a \u003ca href=\"https://outsidelands.frontgatetickets.com/event/smenw2zlix4g6ffk\" target=\"_blank\" rel=\"noopener\">shuttle\u003c/a> from Bill Graham Civic Auditorium, just a stone’s throw from Civic Center BART, with passes going for $49.50 for all three days.\u003c/p>\n\u003cp>A little-known pro-tip for those who live in the East Bay, North Bay or South Bay? For a steeper price ($112 and up for a three-day pass, depending on where you’re coming from) you can take one of the \u003ca href=\"https://festdrive.busbank.com/outside-lands-festival/\" target=\"_blank\" rel=\"noopener\">regional shuttles\u003c/a> that pick up and drop off in Sacramento, Palo Alto, San Jose, Mill Valley or Oakland.\u003c/p>\n\u003cp>Uber and Lyft will likely have crazy surge pricing—plus, phone reception is spotty in the main festival zone. MUNI is a solid and much cheaper option for traveling within San Francisco, with \u003ca href=\"https://www.sfmta.com/muni\" target=\"_blank\" rel=\"noopener\">several lines\u003c/a> walking distance from festival gates. Another pro-tip: MUNI buses are going to be packed with festivalgoers by the end of the night, so ride a few stops in the outbound direction and get back on where it’s less crowded. And of course, you can always bike, or rent a scooter. The festival partners with JUMP bikes and SKIP scooters this year, and JUMP has a promo code (\u003cstrong>OSL19D\u003c/strong>) for a free ride.\u003c/p>\n\u003cfigure id=\"attachment_13838870\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838870\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8586-800x533.jpg\" alt=\"The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What to Wear\u003c/strong>\u003c/p>\n\u003cp>Racist fashion choices are to music festivals as plastic trash is to the ocean. The positive news is that Outside Lands banned appropriative Native American headdresses, so you won’t be seeing them paired with furry raver boots or bro tanks there (shudder). Otherwise, wear whatever you want—just make sure to bring layers. You might feel silly carrying a puffer jacket when it’s a warm 68 degrees in the afternoon, but once that Pacific wind and fog hit when it gets dark, you’ll thank yourself for planning ahead.\u003c/p>\n\u003cp>\u003cstrong>Bag Policy\u003c/strong>\u003c/p>\n\u003cp>Like many mass gatherings these days, Outside Lands requires backpacks and larger bags to be made out of clear plastic. Fortunately, you can find those at major retailers like Target and Amazon. H&M, Top Shop, Zara and other fast-fashion brands have a bunch of cute clear purses too.\u003c/p>\n\u003cp>Bags and fanny packs smaller than 6″ x 8″ x 3″ don’t have to be clear, and drawstring bags with only one openings (up to 13″ x 16″) are fine too.\u003c/p>\n\u003cfigure id=\"attachment_13838748\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838748\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7615-800x533.jpg\" alt=\"Lizzo performs at the Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lizzo performs at the Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What to Eat and Drink\u003c/strong>\u003c/p>\n\u003cp>San Francisco is all about fine dining, and Outside Lands has plenty of \u003ca href=\"https://www.sfoutsidelands.com/taste/\" target=\"_blank\" rel=\"noopener\">gourmet food trucks and vendors\u003c/a> lining the paths to most of the stages. But for those on a budget, it’s perfectly fine to bring your own food—or at least snacks to keep you fortified while you do laps around the festival grounds to catch all your favorite acts. You can save money on water too. Outside Lands allows you to bring two factory-sealed water bottles, or an empty container to get your H2O from one of their many free dispensers.\u003c/p>\n\u003cp>Beer and wine lovers will find some of Northern California’s best offerings at \u003ca href=\"https://www.sfoutsidelands.com/beer-lands/\" target=\"_blank\" rel=\"noopener\">Beer Lands\u003c/a> and \u003ca href=\"https://www.sfoutsidelands.com/wine-lands/\" target=\"_blank\" rel=\"noopener\">Wine Lands\u003c/a> (which is a hop and a skip away from Cheese Lands, who knew!) Those who like something boozier can find craft cocktails in the \u003ca href=\"https://www.sfoutsidelands.com/cocktail-magic/\" target=\"_blank\" rel=\"noopener\">Cocktail Magic\u003c/a> section in McLaren Pass, where you can catch magic shows and intimate performances between mixology demos.\u003c/p>\n\u003cfigure id=\"attachment_13805291\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805291\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-800x533.jpg\" alt=\"Empire Of The Sun performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Empire Of The Sun performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>When You Need a Break from Crowds\u003c/strong>\u003c/p>\n\u003cp>Though marijuana is legal in California, smoking isn’t permitted in Golden Gate Park. (However, that says nothing about edibles—which are technically food.) Cannabis enthusiasts can learn more about the local weed industry at \u003ca href=\"https://www.sfoutsidelands.com/experience/grass-lands/\" target=\"_blank\" rel=\"noopener\">Grass Lands\u003c/a>, an educational and multi-sensory showcase with lots to smell south of Polo Field.\u003c/p>\n\u003cp>The festival has a Sober Lands tent for those who are in substance recovery and want to attend a quick meeting to stay sane among all party people.\u003c/p>\n\u003cfigure id=\"attachment_13805242\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805242\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_4623-800x533.jpg\" alt=\"The crowd at the Outside Lands music festival in San Francisco, Aug. 11, 2017.The crowd at the Outside Lands music festival in San Francisco, Aug. 11, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the Outside Lands music festival in San Francisco, Aug. 11, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.sfoutsidelands.com/experience/comedy-and-talks/\" target=\"_blank\" rel=\"noopener\">The Barbary\u003c/a> comedy and improv stage is definitely worth a visit when you get tired of jostling through crowds. (It’s indoors! And has ample seating and a bar!) Alyssa Edwards has a headlining comedy set there, and Tony Danza and \u003cem>Crazy Rich Asians\u003c/em> and \u003cem>Silicon Valley\u003c/em> star Jimmy O. Yang are slated to perform too.\u003c/p>\n\u003cp>\u003cstrong>Remember to Have Fun\u003c/strong>\u003c/p>\n\u003cp>With all there is to see and do, Outside Lands can be overwhelming. The festival’s official app is helpful for scheduling your days. But don’t plan too strict of an itinerary—leaving room to explore off the beaten path is what it’s all about.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Paul Simon is one of the headliners at this year’s Outside Lands festival, but let’s be honest: the typical fan of the “Bridge Over Troubled Water” singer is not exactly the all-day-partyin’, substance-inbibin’, stage-hoppin’, flower-crown-wearin’ festival maniac.\u003c/p>\n\u003cp>So it’s good news that Simon has added a one-off show while he’s in the Bay Area, to be held Friday, Aug. 9 at the Fox Theater in Oakland—a relatively small venue for the twelve-time Grammy winner and Rock and Roll Hall of Fame inductee. \u003c/p>\n\u003cp>Billed as an “Outside Lands pop-up show,” the concert will feature a complete headlining set by Simon, who is among the many stars in recent years to announce so-called “farewell tours.” (Simon has made exemptions for special concerts and charity causes.)\u003c/p>\n\u003cp>Tickets for the Fox Theater show run $68.50 to $128.50, and will be made available first to Outside Lands ticket holders on Thursday, Aug. 1, at 10am. Tickets to the general public go on sale Friday, Aug. 2, at 10am. \u003ca href=\"http://apeconcerts.com/events/paul-simon-outside-lands-pop-up/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Paul Simon is one of the headliners at this year’s Outside Lands festival, but let’s be honest: the typical fan of the “Bridge Over Troubled Water” singer is not exactly the all-day-partyin’, substance-inbibin’, stage-hoppin’, flower-crown-wearin’ festival maniac.\u003c/p>\n\u003cp>So it’s good news that Simon has added a one-off show while he’s in the Bay Area, to be held Friday, Aug. 9 at the Fox Theater in Oakland—a relatively small venue for the twelve-time Grammy winner and Rock and Roll Hall of Fame inductee. \u003c/p>\n\u003cp>Billed as an “Outside Lands pop-up show,” the concert will feature a complete headlining set by Simon, who is among the many stars in recent years to announce so-called “farewell tours.” (Simon has made exemptions for special concerts and charity causes.)\u003c/p>\n\u003cp>Tickets for the Fox Theater show run $68.50 to $128.50, and will be made available first to Outside Lands ticket holders on Thursday, Aug. 1, at 10am. Tickets to the general public go on sale Friday, Aug. 2, at 10am. \u003ca href=\"http://apeconcerts.com/events/paul-simon-outside-lands-pop-up/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Summer in the Bay Area has no shortage of outdoor concerts and music festivals—some practically in our backyards, and others worth a scenic road trip to a gorgeous vineyard or beachside park. Whether you’re into low-key community gatherings or large-scale productions with stacked lineups, we’ve got you covered with our list of this summer’s must-see shows.\u003c/p>\n\u003cfigure id=\"attachment_13857335\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857335\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg\" alt=\"Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City. \u003ccite>(Theo Wargo/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>BottleRock\u003c/strong>\u003cbr>\n\u003cem>May 24–26, 2019\u003cbr>\nNapa Valley Expo, Napa\u003cbr>\n\u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>A wine-country summer staple, BottleRock returns with electro-pop band Imagine Dragons, rock’n’roll great Neil Young and indie-folk group Mumford & Sons as daily headliners. The rest of the lineup is even more eclectic, with highlights including guitar god Carlos Santana, super-producer Pharrell Williams and rapper Big Boi of Outkast. Local artists such as garage rock revivalist Shannon Shaw (plus her hand, Shannon and the Clams), Town legend Too Short and soul band Con Brio will rep the Bay.\u003c/p>\n\u003cfigure id=\"attachment_13857750\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857750\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-800x552.jpg\" alt=\"Musicians from the band Slightly Stoopid perform during day 1 of the Coachella Valley Music And Arts Festival held at the Empire Polo Field on April 25, 2008 in Indio, California. \" width=\"800\" height=\"552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-768x530.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Musicians from the band Slightly Stoopid perform during day 1 of the Coachella Valley Music And Arts Festival held at the Empire Polo Field on April 25, 2008 in Indio, California. \u003ccite>(Kevin Winter/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>California Roots\u003c/strong>\u003cbr>\n\u003cem>May 24–26, 2019\u003cbr>\nMonterey County Fairgrounds, Monterey\u003cbr>\n\u003ca href=\"https://californiarootsfestival.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sunshine, reggae and camping less than a mile from the beach? Say no more. This year’s California Roots Music and Arts Festival stars California bands Stick Figure and Slightly Stoopid, who both fuse elements of reggae, pop-punk and funk into their sound, as well as the Grammy-nominated Rebelution. For out-of-town guests who prefer not to stay in hotels, the festival offers on-site, luxury glamping. Attendees who prefer the much cheaper option of regular camping can pitch their tents at Laguna Seca, where a shuttle will take them to and from Cali Roots.\u003c/p>\n\u003cfigure id=\"attachment_13805318\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805318\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg\" alt=\"Thundercat performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Thundercat performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Live at Lagunitas\u003c/strong>\u003cbr>\n\u003cem>May 27–Oct. 7, 2019\u003cbr>\nLagunitas Brewery, Petaluma\u003cbr>\n\u003ca href=\"https://lagunitas.com/music\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Lagunitas Brewery’s Petaluma Amphitheater has shaped up to be one of the North Bay’s most popular outdoor music venues, hosting a wide variety of up-and-coming and established artists. This summer’s highlights include the high-energy pop-punk band Fidlar on June 4, virtuoso bassist Thundercat on June 24 and folk-rock singer-songwriter James McMurtry on Aug. 5. Bonus for beer lovers: Lagunitas offers plenty of locally brewed beverages to choose from.\u003c/p>\n\u003cfigure id=\"attachment_13835712\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13835712 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/lumerians_table-01-800x450.jpeg\" alt=\"The members of Lumerians say their ideas often start in the kitchen.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-800x450.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-160x90.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-768x432.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1020x574.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1200x675.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1180x664.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-960x540.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-240x135.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-375x211.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-520x293.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01.jpeg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lumerians. \u003ccite>(Courtesy of Lumerians)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Huichica Music Festival\u003c/strong>\u003cbr>\n\u003cem>June 7–8, 2019\u003cbr>\nGundlach Bundschu Winery, Sonoma\u003cbr>\n\u003ca href=\"https://www.huichica.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>As mega-festivals such as Coachella get more popular every year, Huichica provides a low-key alternative for those who want to see great live music in a less crowded setting. Set against the stunning backdrop of a historic winery, this year’s Huichica features indie disco experimentalist Connan Mockasin, psych rockers Lumerians, SF treasure Chuck Prophet, indie rock outfit Real Estate and more.\u003c/p>\n\u003cfigure id=\"attachment_13839071\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839071\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/Sol_horiz2-800x571.jpg\" alt=\"Sol Development.\" width=\"800\" height=\"571\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1020x729.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1200x857.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1180x843.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-960x686.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-520x371.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2.jpg 1512w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sol Development. \u003ccite>(Jean Melesaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Phono del Sol\u003c/strong>\u003cbr>\n\u003cem>June 15, 2019\u003cbr>\nPotrero del Sol Park, San Francisco\u003cbr>\n\u003ca href=\"https://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Back from a year-long hiatus, the free festival Phono Del Sol boasts a stacked lineup of must-see Bay Area rising stars. Hip-hop band Sol Development, whose uplifting work features social-justice themes and a rollicking instrumental section, performs, as well as experimental singer and loop pedal wiz Spellling. Ah-Mer-Ah-Su, whose delicate electropop soundtracked \u003ca href=\"https://www.kqed.org/arts/13844019/ah-mer-ah-sus-major-soundtrack-feeds-the-spirit-of-trans-resistance\" target=\"_blank\" rel=\"noopener\">a recent documentary\u003c/a> about trans activist Miss Major, is also slated to grace the stage, plus feminist rapper Queens D.Light and psych band Salami Rose Joe Lewis, who recently toured with Toro y Moi.\u003c/p>\n\u003cfigure id=\"attachment_13854290\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854290\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-800x450.jpg\" alt=\"Mitski performs onstage during the 2017 Panorama Music Festival - Day 2 at Randall's Island on July 29, 2017 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mitski performs during the 2017 Panorama Music Festival at Randall’s Island on July 29, 2017 in New York City. \u003ccite>(Nicholas Hunt/Getty Images for Panorama)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Stern Grove Festival\u003c/strong>\u003cbr>\n\u003cem>June 16–Aug. 18, 2019\u003cbr>\n19th Ave and Sloat Blvd., San Francisco\u003cbr>\n\u003ca href=\"http://www.sterngrove.org/#concerts\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>One of the Bay Area’s most beloved free concert series, Stern Grove features a slate of rising stars, local talent and all-time greats. Indie rocker Mitski, whose \u003cem>Be the Cowboy \u003c/em>was one of KQED Arts’ \u003ca href=\"https://www.kqed.org/arts/13846693/listen-kqed-arts-top-20-albums-of-2018\" target=\"_blank\" rel=\"noopener\">favorite 2018 albums\u003c/a>, performs July 14 (local singer-songwriter Madeline Kenney opens). The ’90s rap trio Digable Planets perform on June 16 with local bilingual hip-hop group Bang Data. July 7 presents a rare opportunity to see the San Francisco Symphony in a casual, outdoor setting, and the festival wraps up on Aug. 18 with a performance from soul music stars the Isley Brothers.\u003c/p>\n\u003cfigure id=\"attachment_11316316\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11316316\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg\" alt=\"John Waters at Burger Boogaloo 2015.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_.jpg 913w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Waters at Burger Boogaloo 2015. \u003ccite>(Wild About You Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Burger Boogaloo\u003c/strong>\u003cbr>\n\u003cem>July 6–7, 2019\u003cbr>\nMosswood Park, Oakland\u003cbr>\n\u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Now in its 10th year, Burger Boogaloo brings garage-punk weirdness to Oakland’s Mosswood Park, with filmmaker and counterculture icon John Waters as host. The festival provides a chance to catch old-school cult favorites such as the Jesus & Mary Chain, the Scientists and Dead Boys, plus newer acts such as Sheer Mag and Terry & Louie. Burger Boogaloo partners with the \u003ca href=\"http://homelessactioncenter.org/\" target=\"_blank\" rel=\"noopener\">Homeless Action Center\u003c/a> this year and encourages showgoers to donate to the nonprofit with their ticket purchase or at the festival.\u003c/p>\n\u003cfigure id=\"attachment_13857755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857755\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-800x566.jpg\" alt=\"Alex Davis and Phunne Stone of The Family Stone performs at the UAA Funk Break on Day 2 of the IEBA 2015 Conference on October 12, 2015 in Nashville, Tennessee. \" width=\"800\" height=\"566\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-768x543.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alex Davis and Phunne Stone of The Family Stone performs at the UAA Funk Break on Day 2 of the IEBA 2015 Conference on October 12, 2015 in Nashville, Tennessee. \u003ccite>(Jason Davis/Getty Images for IEBA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>San Jose Jazz Summer Fest\u003c/strong>\u003cbr>\n\u003cem>Aug. 9–11, 2019\u003cbr>\nPlaza de Cezar Chavez, San Jose\u003cbr>\n\u003ca href=\"http://summerfest.sanjosejazz.org/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>The San Jose Jazz Summer Fest is one of the South Bay’s most highly anticipated live music events, with a lineup of jazz, soul and blues legends, mid-career artists and up-and-comers alike. One of this year’s headliners is the Family Stone, born out of the pioneering Oakland funk band, with Sly Stone’s daughter Phunne Stone as bandleader. Rock’n’roll-Hall-of-Famers the O’Jays are set to perform as well, in addition to Afrofuturist psychedelic jazz sensations Sons of Kemet, Grammy-winning jazz contralto Dianne Reeves and Oakland’s well-loved and uplifting Interfaith Gospel Choir.\u003c/p>\n\u003cfigure id=\"attachment_13805124\" class=\"wp-caption aligncenter\" style=\"max-width: 700px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13805124\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/5.OL_.jpg\" alt=\"Kacey Musgraves at Outside Lands in 2014.\" width=\"700\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-520x371.jpg 520w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003cfigcaption class=\"wp-caption-text\">Kacey Musgraves at Outside Lands in 2014. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Outside Lands\u003c/strong>\u003cbr>\n\u003cem>Aug. 9–11, 2019\u003cbr>\nGolden Gate Park, San Francisco\u003cbr>\n\u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Paul Simon came out of retirement to headline this year’s Outside Lands, so you know it’s gonna be good. The long-running festival is one of the Bay Area’s largest and most popular, with Twenty One Pilots and Childish Gambino as 2019’s other big headliners. More acts to look forward to include country star Kacey Musgraves, Southern rap icon Lil Wayne, “Boo’d Up” singer Ella Mai and R&B and gospel legend Mavis Staples. Plus, up-and-coming Bay Area artists the Seshen, P-Lo and ALLBLACK also perform.\u003c/p>\n\u003cfigure id=\"attachment_13833809\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833809\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg\" alt=\"Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017.\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-520x325.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017. \u003ccite>(Samuel Reyes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sonido Clash\u003c/strong>\u003cbr>\n\u003cem>Sept. 1, 2019\u003cbr>\nMexican Heritage Plaza, San Jose\u003cbr>\n\u003ca href=\"http://sonidoclash.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sonido Clash celebrates left-of-center Chicanx and Latinx culture with live cumbia, twerk-worthy DJ sets, punk, indie and experimental bands, poetry readings and more. The fest was founded in 2016 by a party collective of the same name—one that’s been championing eclectic underground sounds in San Jose’s nightlife scene since the 2000s. Although this year’s festival lineup has yet to be announced, previous years have boasted self-described “Cholo goth” band Prayers, indie crooner Helado Negro and reggaeton producer Rosa Pistola.\u003c/p>\n\u003cfigure id=\"attachment_13840221\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840221\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_9400-800x533.jpg\" alt=\"Dj Fresh vs Traxamillion play Hiero Day in Oakland on Monday, September 3, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">DJ Fresh vs Traxamillion play Hiero Day in Oakland on Monday, September 3, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Hiero Day\u003c/strong>\u003cbr>\n\u003cem>Sept. 2, 2019\u003cbr>\nOakland\u003cbr>\n\u003ca href=\"https://www.hieroday.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Hiero Day is an Oakland staple, celebrating Bay Area rappers and R&B singers who hold it down for their community, as well as like-minded artists from across the country. The grassroots festival is curated by the influential hip-hop collective Hieroglyphics, who brought us hits like “You Never Know” and Souls of Mischief’s “93 Til Infinity.” The 2019 lineup hasn’t been released yet (that usually happens after the $19.93 tickets are sold out), but if the inclusion of Bun B, Goapele, Mistah Fab and Richie Rich in previous years is any indication, Hiero Day is always a good time for West Coast hip-hop lovers.\u003c/p>\n\n",
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"title": "Hot Summer Guide 2019: The Bay Area's Best Outdoor Concerts | KQED",
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"headline": "Hot Summer Guide 2019: The Bay Area's Best Outdoor Concerts",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Summer in the Bay Area has no shortage of outdoor concerts and music festivals—some practically in our backyards, and others worth a scenic road trip to a gorgeous vineyard or beachside park. Whether you’re into low-key community gatherings or large-scale productions with stacked lineups, we’ve got you covered with our list of this summer’s must-see shows.\u003c/p>\n\u003cfigure id=\"attachment_13857335\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857335\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg\" alt=\"Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City. \u003ccite>(Theo Wargo/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>BottleRock\u003c/strong>\u003cbr>\n\u003cem>May 24–26, 2019\u003cbr>\nNapa Valley Expo, Napa\u003cbr>\n\u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>A wine-country summer staple, BottleRock returns with electro-pop band Imagine Dragons, rock’n’roll great Neil Young and indie-folk group Mumford & Sons as daily headliners. The rest of the lineup is even more eclectic, with highlights including guitar god Carlos Santana, super-producer Pharrell Williams and rapper Big Boi of Outkast. Local artists such as garage rock revivalist Shannon Shaw (plus her hand, Shannon and the Clams), Town legend Too Short and soul band Con Brio will rep the Bay.\u003c/p>\n\u003cfigure id=\"attachment_13857750\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857750\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-800x552.jpg\" alt=\"Musicians from the band Slightly Stoopid perform during day 1 of the Coachella Valley Music And Arts Festival held at the Empire Polo Field on April 25, 2008 in Indio, California. \" width=\"800\" height=\"552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-768x530.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Musicians from the band Slightly Stoopid perform during day 1 of the Coachella Valley Music And Arts Festival held at the Empire Polo Field on April 25, 2008 in Indio, California. \u003ccite>(Kevin Winter/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>California Roots\u003c/strong>\u003cbr>\n\u003cem>May 24–26, 2019\u003cbr>\nMonterey County Fairgrounds, Monterey\u003cbr>\n\u003ca href=\"https://californiarootsfestival.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sunshine, reggae and camping less than a mile from the beach? Say no more. This year’s California Roots Music and Arts Festival stars California bands Stick Figure and Slightly Stoopid, who both fuse elements of reggae, pop-punk and funk into their sound, as well as the Grammy-nominated Rebelution. For out-of-town guests who prefer not to stay in hotels, the festival offers on-site, luxury glamping. Attendees who prefer the much cheaper option of regular camping can pitch their tents at Laguna Seca, where a shuttle will take them to and from Cali Roots.\u003c/p>\n\u003cfigure id=\"attachment_13805318\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805318\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg\" alt=\"Thundercat performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Thundercat performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Live at Lagunitas\u003c/strong>\u003cbr>\n\u003cem>May 27–Oct. 7, 2019\u003cbr>\nLagunitas Brewery, Petaluma\u003cbr>\n\u003ca href=\"https://lagunitas.com/music\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Lagunitas Brewery’s Petaluma Amphitheater has shaped up to be one of the North Bay’s most popular outdoor music venues, hosting a wide variety of up-and-coming and established artists. This summer’s highlights include the high-energy pop-punk band Fidlar on June 4, virtuoso bassist Thundercat on June 24 and folk-rock singer-songwriter James McMurtry on Aug. 5. Bonus for beer lovers: Lagunitas offers plenty of locally brewed beverages to choose from.\u003c/p>\n\u003cfigure id=\"attachment_13835712\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13835712 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/lumerians_table-01-800x450.jpeg\" alt=\"The members of Lumerians say their ideas often start in the kitchen.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-800x450.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-160x90.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-768x432.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1020x574.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1200x675.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1180x664.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-960x540.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-240x135.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-375x211.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-520x293.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01.jpeg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lumerians. \u003ccite>(Courtesy of Lumerians)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Huichica Music Festival\u003c/strong>\u003cbr>\n\u003cem>June 7–8, 2019\u003cbr>\nGundlach Bundschu Winery, Sonoma\u003cbr>\n\u003ca href=\"https://www.huichica.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>As mega-festivals such as Coachella get more popular every year, Huichica provides a low-key alternative for those who want to see great live music in a less crowded setting. Set against the stunning backdrop of a historic winery, this year’s Huichica features indie disco experimentalist Connan Mockasin, psych rockers Lumerians, SF treasure Chuck Prophet, indie rock outfit Real Estate and more.\u003c/p>\n\u003cfigure id=\"attachment_13839071\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839071\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/Sol_horiz2-800x571.jpg\" alt=\"Sol Development.\" width=\"800\" height=\"571\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1020x729.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1200x857.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1180x843.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-960x686.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-520x371.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2.jpg 1512w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sol Development. \u003ccite>(Jean Melesaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Phono del Sol\u003c/strong>\u003cbr>\n\u003cem>June 15, 2019\u003cbr>\nPotrero del Sol Park, San Francisco\u003cbr>\n\u003ca href=\"https://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Back from a year-long hiatus, the free festival Phono Del Sol boasts a stacked lineup of must-see Bay Area rising stars. Hip-hop band Sol Development, whose uplifting work features social-justice themes and a rollicking instrumental section, performs, as well as experimental singer and loop pedal wiz Spellling. Ah-Mer-Ah-Su, whose delicate electropop soundtracked \u003ca href=\"https://www.kqed.org/arts/13844019/ah-mer-ah-sus-major-soundtrack-feeds-the-spirit-of-trans-resistance\" target=\"_blank\" rel=\"noopener\">a recent documentary\u003c/a> about trans activist Miss Major, is also slated to grace the stage, plus feminist rapper Queens D.Light and psych band Salami Rose Joe Lewis, who recently toured with Toro y Moi.\u003c/p>\n\u003cfigure id=\"attachment_13854290\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854290\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-800x450.jpg\" alt=\"Mitski performs onstage during the 2017 Panorama Music Festival - Day 2 at Randall's Island on July 29, 2017 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mitski performs during the 2017 Panorama Music Festival at Randall’s Island on July 29, 2017 in New York City. \u003ccite>(Nicholas Hunt/Getty Images for Panorama)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Stern Grove Festival\u003c/strong>\u003cbr>\n\u003cem>June 16–Aug. 18, 2019\u003cbr>\n19th Ave and Sloat Blvd., San Francisco\u003cbr>\n\u003ca href=\"http://www.sterngrove.org/#concerts\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>One of the Bay Area’s most beloved free concert series, Stern Grove features a slate of rising stars, local talent and all-time greats. Indie rocker Mitski, whose \u003cem>Be the Cowboy \u003c/em>was one of KQED Arts’ \u003ca href=\"https://www.kqed.org/arts/13846693/listen-kqed-arts-top-20-albums-of-2018\" target=\"_blank\" rel=\"noopener\">favorite 2018 albums\u003c/a>, performs July 14 (local singer-songwriter Madeline Kenney opens). The ’90s rap trio Digable Planets perform on June 16 with local bilingual hip-hop group Bang Data. July 7 presents a rare opportunity to see the San Francisco Symphony in a casual, outdoor setting, and the festival wraps up on Aug. 18 with a performance from soul music stars the Isley Brothers.\u003c/p>\n\u003cfigure id=\"attachment_11316316\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11316316\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg\" alt=\"John Waters at Burger Boogaloo 2015.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_.jpg 913w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Waters at Burger Boogaloo 2015. \u003ccite>(Wild About You Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Burger Boogaloo\u003c/strong>\u003cbr>\n\u003cem>July 6–7, 2019\u003cbr>\nMosswood Park, Oakland\u003cbr>\n\u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Now in its 10th year, Burger Boogaloo brings garage-punk weirdness to Oakland’s Mosswood Park, with filmmaker and counterculture icon John Waters as host. The festival provides a chance to catch old-school cult favorites such as the Jesus & Mary Chain, the Scientists and Dead Boys, plus newer acts such as Sheer Mag and Terry & Louie. Burger Boogaloo partners with the \u003ca href=\"http://homelessactioncenter.org/\" target=\"_blank\" rel=\"noopener\">Homeless Action Center\u003c/a> this year and encourages showgoers to donate to the nonprofit with their ticket purchase or at the festival.\u003c/p>\n\u003cfigure id=\"attachment_13857755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857755\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-800x566.jpg\" alt=\"Alex Davis and Phunne Stone of The Family Stone performs at the UAA Funk Break on Day 2 of the IEBA 2015 Conference on October 12, 2015 in Nashville, Tennessee. \" width=\"800\" height=\"566\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-768x543.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alex Davis and Phunne Stone of The Family Stone performs at the UAA Funk Break on Day 2 of the IEBA 2015 Conference on October 12, 2015 in Nashville, Tennessee. \u003ccite>(Jason Davis/Getty Images for IEBA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>San Jose Jazz Summer Fest\u003c/strong>\u003cbr>\n\u003cem>Aug. 9–11, 2019\u003cbr>\nPlaza de Cezar Chavez, San Jose\u003cbr>\n\u003ca href=\"http://summerfest.sanjosejazz.org/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>The San Jose Jazz Summer Fest is one of the South Bay’s most highly anticipated live music events, with a lineup of jazz, soul and blues legends, mid-career artists and up-and-comers alike. One of this year’s headliners is the Family Stone, born out of the pioneering Oakland funk band, with Sly Stone’s daughter Phunne Stone as bandleader. Rock’n’roll-Hall-of-Famers the O’Jays are set to perform as well, in addition to Afrofuturist psychedelic jazz sensations Sons of Kemet, Grammy-winning jazz contralto Dianne Reeves and Oakland’s well-loved and uplifting Interfaith Gospel Choir.\u003c/p>\n\u003cfigure id=\"attachment_13805124\" class=\"wp-caption aligncenter\" style=\"max-width: 700px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13805124\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/5.OL_.jpg\" alt=\"Kacey Musgraves at Outside Lands in 2014.\" width=\"700\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-520x371.jpg 520w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003cfigcaption class=\"wp-caption-text\">Kacey Musgraves at Outside Lands in 2014. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Outside Lands\u003c/strong>\u003cbr>\n\u003cem>Aug. 9–11, 2019\u003cbr>\nGolden Gate Park, San Francisco\u003cbr>\n\u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Paul Simon came out of retirement to headline this year’s Outside Lands, so you know it’s gonna be good. The long-running festival is one of the Bay Area’s largest and most popular, with Twenty One Pilots and Childish Gambino as 2019’s other big headliners. More acts to look forward to include country star Kacey Musgraves, Southern rap icon Lil Wayne, “Boo’d Up” singer Ella Mai and R&B and gospel legend Mavis Staples. Plus, up-and-coming Bay Area artists the Seshen, P-Lo and ALLBLACK also perform.\u003c/p>\n\u003cfigure id=\"attachment_13833809\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833809\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg\" alt=\"Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017.\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-520x325.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017. \u003ccite>(Samuel Reyes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sonido Clash\u003c/strong>\u003cbr>\n\u003cem>Sept. 1, 2019\u003cbr>\nMexican Heritage Plaza, San Jose\u003cbr>\n\u003ca href=\"http://sonidoclash.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sonido Clash celebrates left-of-center Chicanx and Latinx culture with live cumbia, twerk-worthy DJ sets, punk, indie and experimental bands, poetry readings and more. The fest was founded in 2016 by a party collective of the same name—one that’s been championing eclectic underground sounds in San Jose’s nightlife scene since the 2000s. Although this year’s festival lineup has yet to be announced, previous years have boasted self-described “Cholo goth” band Prayers, indie crooner Helado Negro and reggaeton producer Rosa Pistola.\u003c/p>\n\u003cfigure id=\"attachment_13840221\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840221\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_9400-800x533.jpg\" alt=\"Dj Fresh vs Traxamillion play Hiero Day in Oakland on Monday, September 3, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">DJ Fresh vs Traxamillion play Hiero Day in Oakland on Monday, September 3, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Hiero Day\u003c/strong>\u003cbr>\n\u003cem>Sept. 2, 2019\u003cbr>\nOakland\u003cbr>\n\u003ca href=\"https://www.hieroday.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Hiero Day is an Oakland staple, celebrating Bay Area rappers and R&B singers who hold it down for their community, as well as like-minded artists from across the country. The grassroots festival is curated by the influential hip-hop collective Hieroglyphics, who brought us hits like “You Never Know” and Souls of Mischief’s “93 Til Infinity.” The 2019 lineup hasn’t been released yet (that usually happens after the $19.93 tickets are sold out), but if the inclusion of Bun B, Goapele, Mistah Fab and Richie Rich in previous years is any indication, Hiero Day is always a good time for West Coast hip-hop lovers.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "SF Sets No Maximum Volume, Extends Outside Lands Permit Through 2031",
"headTitle": "SF Sets No Maximum Volume, Extends Outside Lands Permit Through 2031 | KQED",
"content": "\u003cp>The San Francisco Board of Supervisors approved a 10-year permit extension for the \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">Outside Lands\u003c/a> music festival on Tuesday, extending the city’s contract with event production company \u003ca href=\"http://apeconcerts.com/\" target=\"_blank\" rel=\"noopener\">Another Planet Entertainment\u003c/a> through 2031.\u003c/p>\n\u003cp>The popular festival, which debuted in 2008, draws hundreds of thousands of attendees to Golden Gate Park every year. According to Dana Ketcham, the Recreation and Parks Departments’ permit director, last year’s festival resulted in an estimated $66 million economic impact on the city and created 700 jobs. \u003cspan style=\"font-weight: 400\"> [aside postID='arts_13853701']\u003c/span>\u003c/p>\n\u003cp>The board’s decision to extend Outside Lands’ permit came after an \u003ca href=\"https://www.sfchronicle.com/bayarea/article/SF-residents-appeal-Outside-Lands-permit-seeking-13632102.php\" target=\"_blank\" rel=\"noopener\">appeal from two residents\u003c/a>, Andrew Solow and Stephen Somerstein, who lobbied for a maximum decibel limit as required by the California Environmental Quality Act (CEQA). Their attorney cited an increase in noise complaints about the festival; indeed, there were 212 Outside Lands-related noise complaints in 2018, a big jump from 80 in 2017—though it’s unclear whether the festival got louder, or neighbors became less tolerant.\u003c/p>\n\u003cp>“We don’t want to shut it down. We want it to continue, we want to continue those good jobs, we want to continue the tax revenues coming into the city,” said the appellants’ attorney, Richard Drury. “We just want a noise policy that’s enforceable and reasonable.”\u003c/p>\n\u003cp>The Board of Supervisors opted not to impose a decibel limit as part of the permit extension.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Ketcham said that Outside Lands’ sound engineers who adjust the volume on site worked to mitigate the issue last year, and complaints dropped from 118 on Friday to only 31 on Sunday. Still, she said the festival and city plan to do more. The permit extension requires a minimum amount of noise monitors, who will report out the adjustments they make after the festival is over.\u003c/p>\n\u003cp>“When questions come in saying ‘You don’t know if they did anything,’ we’ll have a report showing exactly what they did,” Ketcham said.\u003c/p>\n\u003cp>Several local residents spoke at the hearing in support of Outside Lands, including musicians, parents, teachers, business owners and union workers.\u003c/p>\n\u003cp>“Every single year [the festival] has improved. They’ve gotten better at traffic, noise, litter, the cleanup,” said longtime Richmond District resident Jason Hancock.\u003c/p>\n\u003cp>“Outside Lands is a continuation of the history of rock ‘n’ roll going on in San Francisco since 1968,” said Douglas Taylor, a stagehand who works at the festival. “Outside Lands goes above and beyond anyone I’ve ever seen in dealing with complaints.”\u003c/p>\n\u003cp>The Board of Supervisors voted unanimously to extend the festival’s permit. Outside Lands is slated to return to Golden Gate Park Aug. 9–11 with Paul Simon, Childish Gambino and Twenty One Pilots as headliners.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"excerpt": "In voting unanimously in favor of the festival, the Board of Supervisors imposed no decibel restrictions. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The San Francisco Board of Supervisors approved a 10-year permit extension for the \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">Outside Lands\u003c/a> music festival on Tuesday, extending the city’s contract with event production company \u003ca href=\"http://apeconcerts.com/\" target=\"_blank\" rel=\"noopener\">Another Planet Entertainment\u003c/a> through 2031.\u003c/p>\n\u003cp>The popular festival, which debuted in 2008, draws hundreds of thousands of attendees to Golden Gate Park every year. According to Dana Ketcham, the Recreation and Parks Departments’ permit director, last year’s festival resulted in an estimated $66 million economic impact on the city and created 700 jobs. \u003cspan style=\"font-weight: 400\"> \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>The board’s decision to extend Outside Lands’ permit came after an \u003ca href=\"https://www.sfchronicle.com/bayarea/article/SF-residents-appeal-Outside-Lands-permit-seeking-13632102.php\" target=\"_blank\" rel=\"noopener\">appeal from two residents\u003c/a>, Andrew Solow and Stephen Somerstein, who lobbied for a maximum decibel limit as required by the California Environmental Quality Act (CEQA). Their attorney cited an increase in noise complaints about the festival; indeed, there were 212 Outside Lands-related noise complaints in 2018, a big jump from 80 in 2017—though it’s unclear whether the festival got louder, or neighbors became less tolerant.\u003c/p>\n\u003cp>“We don’t want to shut it down. We want it to continue, we want to continue those good jobs, we want to continue the tax revenues coming into the city,” said the appellants’ attorney, Richard Drury. “We just want a noise policy that’s enforceable and reasonable.”\u003c/p>\n\u003cp>The Board of Supervisors opted not to impose a decibel limit as part of the permit extension.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Ketcham said that Outside Lands’ sound engineers who adjust the volume on site worked to mitigate the issue last year, and complaints dropped from 118 on Friday to only 31 on Sunday. Still, she said the festival and city plan to do more. The permit extension requires a minimum amount of noise monitors, who will report out the adjustments they make after the festival is over.\u003c/p>\n\u003cp>“When questions come in saying ‘You don’t know if they did anything,’ we’ll have a report showing exactly what they did,” Ketcham said.\u003c/p>\n\u003cp>Several local residents spoke at the hearing in support of Outside Lands, including musicians, parents, teachers, business owners and union workers.\u003c/p>\n\u003cp>“Every single year [the festival] has improved. They’ve gotten better at traffic, noise, litter, the cleanup,” said longtime Richmond District resident Jason Hancock.\u003c/p>\n\u003cp>“Outside Lands is a continuation of the history of rock ‘n’ roll going on in San Francisco since 1968,” said Douglas Taylor, a stagehand who works at the festival. “Outside Lands goes above and beyond anyone I’ve ever seen in dealing with complaints.”\u003c/p>\n\u003cp>The Board of Supervisors voted unanimously to extend the festival’s permit. Outside Lands is slated to return to Golden Gate Park Aug. 9–11 with Paul Simon, Childish Gambino and Twenty One Pilots as headliners.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Jackson, Monáe Connect Past and Present of Feminist Pop at Outside Lands' Close",
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"headTitle": "Jackson, Monáe Connect Past and Present of Feminist Pop at Outside Lands’ Close | KQED",
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"content": "\u003cp>With songs speaking out against sexual harassment and domestic violence dating back to the ’80s and ’90s, Janet Jackson was lightyears ahead of the current conversations about gender equality as far as pop stars are concerned. Her headlining set at Outside Lands Sunday night was not only an expertly crafted spectacle, but a powerful, timely statement that vindicated her legacy and reignited her relevance in the current political moment.\u003c/p>\n\u003cp>[contextly_sidebar id=”aS0D4cEJIv3NvCXBJ9mQDpYYtEn0DmTJ”]\u003c/p>\n\u003cp>As white supremacist “Unite the Right” rallies took place around the country over the weekend, Jackson opened her set with her 1989 song “The Knowledge,” declaring, “Prejudice—no! / Ignorance—no! Bigotry—no!” over a funky breakbeat as a giant Black Power fist flashed onscreen.\u003c/p>\n\u003cp>Her strong opening statement set the tone for the rest of the show: throughout, Jackson celebrated female sexuality (did you know 1986’s seemingly PG “When I Think of You” is actually about masturbation?) and decried abuses against women through a potent combination of lyrics, choreo and multimedia.\u003c/p>\n\u003cp>Over the course of the energetic 90-minute performance spanning three decades of hits, Jackson never stopped moving her feet. She channeled rage, vulnerability and sensuality, bringing the audience to giddy, nostalgic highs and plunging them into deep moments of catharsis.\u003c/p>\n\u003cfigure id=\"attachment_13838861\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838861\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8564-800x533.jpg\" alt=\"Janet Jackson performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8564.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8564-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8564-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8564-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8564-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8564-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janet Jackson performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While much of Jackson’s music coats her feminist message in sassiness and humor (“No, my first name ain’t ‘baby’ / It’s Janet / Miss Jackson if you’re nasty,” she sings in 1986’s hip-shaking hit, “Nasty”), her set also occasionally treaded into shocking territory. During Jackson’s performance of “What About,” her angry 1997 ballad about an abusive relationship, a white, male dancer mimed attacking a black, female dancer, even putting his hands on her face. As Jackson sang the chorus (“What about the times you lied to me / What about the times you said no one would want me”), she sat the man in a chair as she danced fiercely behind him, mimicking knocking him to the ground.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When Jackson finished the song, tears flooded her eyes and trickled down her cheeks. For a second, she looked overcome with emotion—a touching, genuine moment. “I am done with you,” she declared to the male dancer—and what felt like the patriarchy as a whole—as she shoved him out of his chair.\u003c/p>\n\u003cp>It seemed like no accident that at this point in the show, Jackson changed into an Alexander Wang football jersey, evoking the 2004 Super Bowl halftime show that many critics \u003ca href=\"https://www.usatoday.com/story/life/entertainthis/2017/10/23/why-justin-timberlake-owes-janet-jackson-super-bowl-sized-apology/790290001/\" target=\"_blank\" rel=\"noopener\">now argue\u003c/a> unfairly sidelined her from the music industry in a case of sexist double standards. Jackson appears keenly self-aware of how perceptions of her music have shifted in today’s cultural moment of reckoning with misogyny and abuse. Her forthcoming single, also announced Sunday, is called “Made For Now.” Riding on a high of headlining festivals and receiving the Billboard Icon Award this year, she knows the time for her comeback is ripe, and rightfully so.\u003c/p>\n\u003cfigure id=\"attachment_13838834\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838834\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8235-800x533.jpg\" alt=\"Janelle Monáe performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8235.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8235-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8235-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8235-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8235-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8235-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jackson’s Outside Lands set was also a reminder of how she’s inspired younger generations. Just a few hours earlier on the main stage, Janelle Monáe delivered a boldly feminist performance of her own, taking her seat atop a red, velvet throne as she rapped “Django Jane” from her new album, \u003cem>Dirty Computer\u003c/em>, with her Kansas drawl: “Black girl magic, y’all can’t stand it / Y’all can’t ban it, made out like a bandit.” Witnessing her ultra-confident body language as she regally took her seat was contagiously empowering, and her screaming fans seemed just about ready to hail her as their queen.\u003c/p>\n\u003cp>With her tight choreography, androgynous, wide-shouldered outfit and funky, all-woman band that included an expert horn section, Monáe’s set channeled a legacy of futuristic black pop that Janet and Michael Jackson and Prince pioneered over thirty years prior. In many ways, Monáe’s body of work builds on the themes Janet Jackson put forth in her music; Monáe’s work expands upon that legacy, adding queerness to the conversation as well.\u003c/p>\n\u003cp>\u003cem>Dirty Computer\u003c/em> (the album and short film) is arguably the most impactful pro-LGBTQ statement we’ve seen in mainstream pop all year, and Monáe’s expressions of queerness also celebrate and center blackness and femininity. That mindfulness of the intersections of our identities and how they shape life experience translated to her set. “You all learned about how I choose to love,” Monáe declared, alluding to the \u003cem>Rolling Stone\u003c/em> interview where she formally came out as pansexual. “No matter how you choose to love, what god you serve or what class you come from, you are welcome here.”\u003c/p>\n\u003cfigure id=\"attachment_13838833\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838833\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8229-800x533.jpg\" alt=\"Janelle Monáe performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8229.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8229-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8229-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8229-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8229-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8229-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jackson and Monáe’s sets, hours apart on the big Lands End stage, connected a legacy of black feminism past and present. And as Jackson later revealed on her Instagram, Monáe was in the audience cheering her on in a “Made For Now” T-shirt—a sweet display of camaraderie between the two artists.\u003c/p>\n\u003cp>Just a few years ago, it would have been hard to believe that Outside Lands—a fest traditionally associated with mostly white, male indie rock—would become the site of these powerful black feminist performances. But this year, as the festival put forth its most diverse lineup yet, it set the stage for a impactful statement, and Jackson and Monáe went above and beyond, eclipsing the rest of the day’s sets with their larger-than-life shows and empowering messages.\u003c/p>\n\u003cp>“With music by our side / To break the color lines / Let’s work together / To improve our way of life,” Jackson sang in her closing number, 1989’s “Rhythm Nation.” On Sunday at Outside Lands, she offered a glimmer of hope that that dream is still possible.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>More photos from Outside Lands\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13838872\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838872\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8495-800x533.jpg\" alt=\"Janet Jackson performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8495-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8495-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8495-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8495-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8495-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janet Jackson performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838855\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838855\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8481-800x533.jpg\" alt=\"Salt N Pepa performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8481.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8481-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8481-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8481-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8481-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8481-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Salt N Pepa performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838852\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838852\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8442-Edit-800x533.jpg\" alt=\"James Blake performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8442-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8442-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8442-Edit-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8442-Edit-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8442-Edit-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8442-Edit-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">James Blake performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838841\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838841\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8332-800x533.jpg\" alt=\"The Internet performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8332.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8332-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8332-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8332-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8332-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8332-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Internet performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838839\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838839\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8316-800x533.jpg\" alt=\"The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8316.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8316-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8316-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8316-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8316-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8316-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838848\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838848\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8385-800x533.jpg\" alt=\"LP performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8385.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8385-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8385-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8385-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8385-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8385-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">LP backstage at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838863\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838863\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8588-800x533.jpg\" alt=\"The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8588.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8588-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8588-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8588-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8588-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8588-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838846\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8379-800x533.jpg\" alt=\"Portugal. The Man performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8379.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8379-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8379-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8379-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8379-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8379-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Portugal. The Man performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "Jackson's headlining set on Sunday was a powerful, timely statement that vindicated her legacy and reignited her relevance in the current political moment.",
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"title": "Jackson, Monáe Connect Past and Present of Feminist Pop at Outside Lands' Close | KQED",
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"headline": "Jackson, Monáe Connect Past and Present of Feminist Pop at Outside Lands' Close",
"datePublished": "2018-08-13T10:26:49-07:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>With songs speaking out against sexual harassment and domestic violence dating back to the ’80s and ’90s, Janet Jackson was lightyears ahead of the current conversations about gender equality as far as pop stars are concerned. Her headlining set at Outside Lands Sunday night was not only an expertly crafted spectacle, but a powerful, timely statement that vindicated her legacy and reignited her relevance in the current political moment.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>As white supremacist “Unite the Right” rallies took place around the country over the weekend, Jackson opened her set with her 1989 song “The Knowledge,” declaring, “Prejudice—no! / Ignorance—no! Bigotry—no!” over a funky breakbeat as a giant Black Power fist flashed onscreen.\u003c/p>\n\u003cp>Her strong opening statement set the tone for the rest of the show: throughout, Jackson celebrated female sexuality (did you know 1986’s seemingly PG “When I Think of You” is actually about masturbation?) and decried abuses against women through a potent combination of lyrics, choreo and multimedia.\u003c/p>\n\u003cp>Over the course of the energetic 90-minute performance spanning three decades of hits, Jackson never stopped moving her feet. She channeled rage, vulnerability and sensuality, bringing the audience to giddy, nostalgic highs and plunging them into deep moments of catharsis.\u003c/p>\n\u003cfigure id=\"attachment_13838861\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838861\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8564-800x533.jpg\" alt=\"Janet Jackson performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8564.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8564-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8564-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8564-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8564-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8564-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janet Jackson performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While much of Jackson’s music coats her feminist message in sassiness and humor (“No, my first name ain’t ‘baby’ / It’s Janet / Miss Jackson if you’re nasty,” she sings in 1986’s hip-shaking hit, “Nasty”), her set also occasionally treaded into shocking territory. During Jackson’s performance of “What About,” her angry 1997 ballad about an abusive relationship, a white, male dancer mimed attacking a black, female dancer, even putting his hands on her face. As Jackson sang the chorus (“What about the times you lied to me / What about the times you said no one would want me”), she sat the man in a chair as she danced fiercely behind him, mimicking knocking him to the ground.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When Jackson finished the song, tears flooded her eyes and trickled down her cheeks. For a second, she looked overcome with emotion—a touching, genuine moment. “I am done with you,” she declared to the male dancer—and what felt like the patriarchy as a whole—as she shoved him out of his chair.\u003c/p>\n\u003cp>It seemed like no accident that at this point in the show, Jackson changed into an Alexander Wang football jersey, evoking the 2004 Super Bowl halftime show that many critics \u003ca href=\"https://www.usatoday.com/story/life/entertainthis/2017/10/23/why-justin-timberlake-owes-janet-jackson-super-bowl-sized-apology/790290001/\" target=\"_blank\" rel=\"noopener\">now argue\u003c/a> unfairly sidelined her from the music industry in a case of sexist double standards. Jackson appears keenly self-aware of how perceptions of her music have shifted in today’s cultural moment of reckoning with misogyny and abuse. Her forthcoming single, also announced Sunday, is called “Made For Now.” Riding on a high of headlining festivals and receiving the Billboard Icon Award this year, she knows the time for her comeback is ripe, and rightfully so.\u003c/p>\n\u003cfigure id=\"attachment_13838834\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838834\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8235-800x533.jpg\" alt=\"Janelle Monáe performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8235.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8235-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8235-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8235-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8235-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8235-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jackson’s Outside Lands set was also a reminder of how she’s inspired younger generations. Just a few hours earlier on the main stage, Janelle Monáe delivered a boldly feminist performance of her own, taking her seat atop a red, velvet throne as she rapped “Django Jane” from her new album, \u003cem>Dirty Computer\u003c/em>, with her Kansas drawl: “Black girl magic, y’all can’t stand it / Y’all can’t ban it, made out like a bandit.” Witnessing her ultra-confident body language as she regally took her seat was contagiously empowering, and her screaming fans seemed just about ready to hail her as their queen.\u003c/p>\n\u003cp>With her tight choreography, androgynous, wide-shouldered outfit and funky, all-woman band that included an expert horn section, Monáe’s set channeled a legacy of futuristic black pop that Janet and Michael Jackson and Prince pioneered over thirty years prior. In many ways, Monáe’s body of work builds on the themes Janet Jackson put forth in her music; Monáe’s work expands upon that legacy, adding queerness to the conversation as well.\u003c/p>\n\u003cp>\u003cem>Dirty Computer\u003c/em> (the album and short film) is arguably the most impactful pro-LGBTQ statement we’ve seen in mainstream pop all year, and Monáe’s expressions of queerness also celebrate and center blackness and femininity. That mindfulness of the intersections of our identities and how they shape life experience translated to her set. “You all learned about how I choose to love,” Monáe declared, alluding to the \u003cem>Rolling Stone\u003c/em> interview where she formally came out as pansexual. “No matter how you choose to love, what god you serve or what class you come from, you are welcome here.”\u003c/p>\n\u003cfigure id=\"attachment_13838833\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838833\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8229-800x533.jpg\" alt=\"Janelle Monáe performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8229.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8229-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8229-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8229-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8229-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8229-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jackson and Monáe’s sets, hours apart on the big Lands End stage, connected a legacy of black feminism past and present. And as Jackson later revealed on her Instagram, Monáe was in the audience cheering her on in a “Made For Now” T-shirt—a sweet display of camaraderie between the two artists.\u003c/p>\n\u003cp>Just a few years ago, it would have been hard to believe that Outside Lands—a fest traditionally associated with mostly white, male indie rock—would become the site of these powerful black feminist performances. But this year, as the festival put forth its most diverse lineup yet, it set the stage for a impactful statement, and Jackson and Monáe went above and beyond, eclipsing the rest of the day’s sets with their larger-than-life shows and empowering messages.\u003c/p>\n\u003cp>“With music by our side / To break the color lines / Let’s work together / To improve our way of life,” Jackson sang in her closing number, 1989’s “Rhythm Nation.” On Sunday at Outside Lands, she offered a glimmer of hope that that dream is still possible.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>More photos from Outside Lands\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13838872\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838872\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8495-800x533.jpg\" alt=\"Janet Jackson performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8495-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8495-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8495-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8495-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8495-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janet Jackson performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838855\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838855\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8481-800x533.jpg\" alt=\"Salt N Pepa performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8481.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8481-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8481-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8481-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8481-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8481-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Salt N Pepa performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838852\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838852\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8442-Edit-800x533.jpg\" alt=\"James Blake performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8442-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8442-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8442-Edit-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8442-Edit-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8442-Edit-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8442-Edit-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">James Blake performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838841\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838841\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8332-800x533.jpg\" alt=\"The Internet performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8332.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8332-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8332-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8332-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8332-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8332-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Internet performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838839\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838839\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8316-800x533.jpg\" alt=\"The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8316.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8316-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8316-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8316-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8316-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8316-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838848\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838848\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8385-800x533.jpg\" alt=\"LP performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8385.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8385-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8385-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8385-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8385-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8385-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">LP backstage at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838863\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838863\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8588-800x533.jpg\" alt=\"The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8588.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8588-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8588-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8588-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8588-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8588-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838846\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8379-800x533.jpg\" alt=\"Portugal. The Man performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8379.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8379-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8379-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8379-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8379-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8379-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Portugal. The Man performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"title": "Future Reigns at Outside Lands on Saturday",
"headTitle": "Future Reigns at Outside Lands on Saturday | KQED",
"content": "\u003cp style=\"text-align: left\">For all the songs by Future about abusing painkillers and depressants, his Saturday Outside Lands performance was so high-energy and cleanly executed that the Atlanta rapper either has to be lying (because who wants to hear an album about gym reps and green juice?), or he simply has superhuman stamina.[contextly_sidebar id=”Dc2aHjqmZVgfmnNSPaCzOO1IeYMVD5xG”]\u003c/p>\n\u003cp>Though booked at the same time as headliner Florence + the Machine, Future’s set at the Twin Peaks stage packed just as large of a crowd, if not bigger. Future wasted no time getting to his hits, getting the crowd jumping with his triumphant hook on Ace Hood’s “Bugatti.” He then quickly shifted gears to “Thought It Was a Drought,” the ode to fast money and prescription cough syrup, with thousands singing along to the infamous line about infidelity in Gucci flip-flops.\u003c/p>\n\u003cfigure id=\"attachment_13838791\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838791\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8180-800x533.jpg\" alt=\"Future performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8180.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8180-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8180-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8180-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8180-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8180-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Future performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While more novice rappers often over-rely on vocal backing tracks and yell into the mic, Future’s voice sounded rich and full throughout his 75-minute set. Future is a pioneer of the contemporary trap style currently ruling radio, and listeners often associate him with Autotune. But in reality, his unique delivery comes from his lilting inflection and vocal range, projected from the diaphragm like someone who really knows how to \u003cem>sing\u003c/em>.\u003c/p>\n\u003cp>Future’s set was the highpoint of day two of Outside Lands, which felt somewhat lackluster between Friday’s \u003ca href=\"https://www.kqed.org/arts/13838662/at-outside-lands-on-friday-lgbtq-performers-steal-the-show\" target=\"_blank\" rel=\"noopener\">exhilarating opening day\u003c/a> and Sunday’s stacked bill of Janet Jackson, Janelle Monae, The Internet and James Blake. Saturday’s heavy hitters included indie rock and pop stalwarts Bon Iver and CHVRCHES, who’ve both been fixtures of festival lineups for years. Their sets harked back to the old guard of Outside Lands, when white and mostly male musicians dominated the lineup.\u003c/p>\n\u003cfigure id=\"attachment_13838785\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838785\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8008-800x533.jpg\" alt=\"Jamie xx performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8008.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8008-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8008-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8008-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8008-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8008-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jamie xx performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There were a couple other disappointments: the schedule didn’t emphasize that Jamie xx, the producer, vocalist and guitarist from The xx, would play a DJ set during the day’s penultimate time slot; audience members murmured in confusion, having expected a live show. And “Crew” rapper Goldlink canceled his set due to travel issues. (San Francisco rapper Berner filled the slot at short notice, however, with a fun performance bursting with Bay Area pride.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>All of which set the conditions for Future to jolt the audience awake from the low-key afternoon. With his bold stage presence and expert command of the mic, Future focused the majority of his set on songs from \u003cem>DS2\u003c/em>, the album that elevated him from cult artist to rap’s favorite antihero. Washes of pink and blue projected on the screen as Future commanded the stage from a tunnel-like cylinder with light projections that looked like slime-green lightning.\u003c/p>\n\u003cfigure id=\"attachment_13838792\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838792\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8185-800x533.jpg\" alt=\"Future performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8185.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8185-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8185-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8185-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8185-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8185-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Future performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Though Future’s current fame and wealth is far removed from the trap houses he once knew, he’s stayed stubbornly consistent in his lyrical content over the years—and that’s because fans want lean-sipping Future, the Future of drug abuse, risky sex and depression. During “Stick Talk,” the mostly white and affluent crowd shouted along like they were right alongside him in the trenches.\u003c/p>\n\u003ch2>Other Highlights\u003c/h2>\n\u003cfigure id=\"attachment_13838750\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838750\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7626-800x533.jpg\" alt=\"Lizzo performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7626.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7626-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7626-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7626-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7626-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7626-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lizzo performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Lizzo Took Outside Lands to the Church of Girl Power and Self-Love\u003c/strong>\u003c/p>\n\u003cp>Minneapolis singer Lizzo brings a gospel delivery to twerk-worthy trap beats, and on the Lands End stage on Saturday, she preached a message of self-love and acceptance. Dressed in a flouncy tulle leotard, she reminded audience members of their personal power between tracks: “You should hire me as your motivational speaker,” she implored jokingly, “I’ll wake up and pop out of the closet like, ‘Good morning, bitch! You’re beautiful!”\u003c/p>\n\u003cp>During her closing song, “Good As Hell,” she busted out a bottle of Patrón during the line “All the big fights, long nights / That you’ve been through / I got a bottle of tequila / That I’ve been savin’ for you.” Lizzo is like a best friend who always understands—it’s no wonder her words resonate with a generation of women attempting to break free from old standards of beauty and sexual purity, and trying to embrace the messiness that makes them unique.\u003c/p>\n\u003cfigure id=\"attachment_13838771\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838771\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7876-800x533.jpg\" alt=\"SOB X RBE performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7876.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7876-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7876-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7876-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7876-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7876-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">SOB X RBE performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>SOB x RBE Brought Vallejo Out to Golden Gate Park\u003c/strong>\u003c/p>\n\u003cp>Along with Lizzo and Future, SOB x RBE, the boisterous Vallejo rap group, were one of Saturday’s emotional high points. Similarly to Caleborate the day before, they brought out an enthusiastic hometown crowd that sang along to every word of breakout hits “Anti” and “Lane Switching,” as well as deeper cuts like the Eazy-E–sampling “Calvin Cambridge.”\u003c/p>\n\u003cp>While the four-piece was mesmerizing with their aggressive flows, spat at a rapid clip, their set turned into a real party when Nef the Pharaoh turned up to perform his “Bling Blaow” featuring SOB’s Slimmy B. The crew also brought out Lil Sheik and a posse of hype men, who all turned up with the audience, visibly ecstatic to go from Vallejo’s underground scene to the big stage.\u003c/p>\n\u003cp>\u003cstrong>More photos below.\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13838755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838755\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7688-800x533.jpg\" alt=\"Jonathan Van Ness performs at The Barbary with special guest Florence Welch and Michelle Wolf at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7688.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7688-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7688-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7688-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7688-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7688-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jonathan Van Ness performs at The Barbary with special guest Florence Welch and Michelle Wolf at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838754\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838754\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7667-800x533.jpg\" alt=\"Cuco performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7667.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7667-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7667-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7667-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7667-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7667-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cuco performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838789\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838789\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8156-800x533.jpg\" alt=\"Florence and the Machine performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8156.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8156-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8156-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8156-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8156-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8156-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Florence and the Machine performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838777\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838777\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7928-800x533.jpg\" alt=\"Tycho performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7928.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7928-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7928-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7928-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7928-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7928-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tycho performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838767\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838767\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7809-800x533.jpg\" alt=\"CHVRCHES performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7809.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7809-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7809-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7809-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7809-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7809-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">CHVRCHES performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838798\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838798\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7877-800x533.jpg\" alt=\"SOB X RBE performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7877.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7877-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7877-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7877-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7877-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7877-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">SOB X RBE performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838748\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838748\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7615-800x533.jpg\" alt=\"Lizzo performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lizzo performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838757\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838757\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7698-800x533.jpg\" alt=\"Jonathan Van Ness performs at The Barbary with special guest Florence Welch at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7698.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7698-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7698-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7698-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7698-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7698-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jonathan Van Ness performs at The Barbary with special guest Florence Welch at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838758\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838758\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7728-800x533.jpg\" alt=\"CHVRCHES performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7728.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7728-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7728-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7728-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7728-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7728-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">CHVRCHES performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838768\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838768\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7824-800x533.jpg\" alt=\"The crowd at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7824.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7824-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7824-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7824-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7824-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7824-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838762\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838762\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7742-800x533.jpg\" alt=\"Cuco performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7742.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7742-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7742-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7742-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7742-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7742-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cuco performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838770\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838770\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7874-800x533.jpg\" alt=\"SOB X RBE performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7874.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7874-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7874-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7874-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7874-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7874-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">SOB X RBE performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838783\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838783\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7989-800x533.jpg\" alt=\"The crowd at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7989.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7989-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7989-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7989-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7989-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7989-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838788\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838788\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8123-800x533.jpg\" alt=\"Florence and the Machine performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8123.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8123-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8123-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8123-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8123-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8123-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Florence and the Machine performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838799\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838799\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7881-800x533.jpg\" alt=\"SOB X RBE performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7881.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7881-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7881-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7881-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7881-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7881-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">SOB X RBE performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838796\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838796\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7832-800x533.jpg\" alt=\"The crowd at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7832.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7832-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7832-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7832-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7832-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7832-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 11, 2018.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838787\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838787\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8090-800x533.jpg\" alt=\"Florence and the Machine performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8090.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8090-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8090-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8090-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8090-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8090-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Florence and the Machine performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Correction:\u003c/strong> This article originally mentioned that Father John Misty was on Saturday’s Outside Lands lineup, when he actually performed on Friday Aug. 10.\u003c/em>\u003c/p>\n\n",
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"excerpt": "The Atlanta chart-topper jolted the Outside Lands audience awake after an afternoon of mellow indie rock on Saturday. ",
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"title": "Future Reigns at Outside Lands on Saturday | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp style=\"text-align: left\">For all the songs by Future about abusing painkillers and depressants, his Saturday Outside Lands performance was so high-energy and cleanly executed that the Atlanta rapper either has to be lying (because who wants to hear an album about gym reps and green juice?), or he simply has superhuman stamina.\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Though booked at the same time as headliner Florence + the Machine, Future’s set at the Twin Peaks stage packed just as large of a crowd, if not bigger. Future wasted no time getting to his hits, getting the crowd jumping with his triumphant hook on Ace Hood’s “Bugatti.” He then quickly shifted gears to “Thought It Was a Drought,” the ode to fast money and prescription cough syrup, with thousands singing along to the infamous line about infidelity in Gucci flip-flops.\u003c/p>\n\u003cfigure id=\"attachment_13838791\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838791\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8180-800x533.jpg\" alt=\"Future performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8180.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8180-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8180-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8180-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8180-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8180-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Future performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While more novice rappers often over-rely on vocal backing tracks and yell into the mic, Future’s voice sounded rich and full throughout his 75-minute set. Future is a pioneer of the contemporary trap style currently ruling radio, and listeners often associate him with Autotune. But in reality, his unique delivery comes from his lilting inflection and vocal range, projected from the diaphragm like someone who really knows how to \u003cem>sing\u003c/em>.\u003c/p>\n\u003cp>Future’s set was the highpoint of day two of Outside Lands, which felt somewhat lackluster between Friday’s \u003ca href=\"https://www.kqed.org/arts/13838662/at-outside-lands-on-friday-lgbtq-performers-steal-the-show\" target=\"_blank\" rel=\"noopener\">exhilarating opening day\u003c/a> and Sunday’s stacked bill of Janet Jackson, Janelle Monae, The Internet and James Blake. Saturday’s heavy hitters included indie rock and pop stalwarts Bon Iver and CHVRCHES, who’ve both been fixtures of festival lineups for years. Their sets harked back to the old guard of Outside Lands, when white and mostly male musicians dominated the lineup.\u003c/p>\n\u003cfigure id=\"attachment_13838785\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838785\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8008-800x533.jpg\" alt=\"Jamie xx performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8008.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8008-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8008-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8008-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8008-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8008-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jamie xx performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There were a couple other disappointments: the schedule didn’t emphasize that Jamie xx, the producer, vocalist and guitarist from The xx, would play a DJ set during the day’s penultimate time slot; audience members murmured in confusion, having expected a live show. And “Crew” rapper Goldlink canceled his set due to travel issues. (San Francisco rapper Berner filled the slot at short notice, however, with a fun performance bursting with Bay Area pride.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>All of which set the conditions for Future to jolt the audience awake from the low-key afternoon. With his bold stage presence and expert command of the mic, Future focused the majority of his set on songs from \u003cem>DS2\u003c/em>, the album that elevated him from cult artist to rap’s favorite antihero. Washes of pink and blue projected on the screen as Future commanded the stage from a tunnel-like cylinder with light projections that looked like slime-green lightning.\u003c/p>\n\u003cfigure id=\"attachment_13838792\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838792\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8185-800x533.jpg\" alt=\"Future performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8185.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8185-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8185-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8185-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8185-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8185-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Future performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Though Future’s current fame and wealth is far removed from the trap houses he once knew, he’s stayed stubbornly consistent in his lyrical content over the years—and that’s because fans want lean-sipping Future, the Future of drug abuse, risky sex and depression. During “Stick Talk,” the mostly white and affluent crowd shouted along like they were right alongside him in the trenches.\u003c/p>\n\u003ch2>Other Highlights\u003c/h2>\n\u003cfigure id=\"attachment_13838750\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838750\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7626-800x533.jpg\" alt=\"Lizzo performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7626.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7626-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7626-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7626-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7626-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7626-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lizzo performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Lizzo Took Outside Lands to the Church of Girl Power and Self-Love\u003c/strong>\u003c/p>\n\u003cp>Minneapolis singer Lizzo brings a gospel delivery to twerk-worthy trap beats, and on the Lands End stage on Saturday, she preached a message of self-love and acceptance. Dressed in a flouncy tulle leotard, she reminded audience members of their personal power between tracks: “You should hire me as your motivational speaker,” she implored jokingly, “I’ll wake up and pop out of the closet like, ‘Good morning, bitch! You’re beautiful!”\u003c/p>\n\u003cp>During her closing song, “Good As Hell,” she busted out a bottle of Patrón during the line “All the big fights, long nights / That you’ve been through / I got a bottle of tequila / That I’ve been savin’ for you.” Lizzo is like a best friend who always understands—it’s no wonder her words resonate with a generation of women attempting to break free from old standards of beauty and sexual purity, and trying to embrace the messiness that makes them unique.\u003c/p>\n\u003cfigure id=\"attachment_13838771\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838771\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7876-800x533.jpg\" alt=\"SOB X RBE performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7876.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7876-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7876-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7876-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7876-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7876-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">SOB X RBE performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>SOB x RBE Brought Vallejo Out to Golden Gate Park\u003c/strong>\u003c/p>\n\u003cp>Along with Lizzo and Future, SOB x RBE, the boisterous Vallejo rap group, were one of Saturday’s emotional high points. Similarly to Caleborate the day before, they brought out an enthusiastic hometown crowd that sang along to every word of breakout hits “Anti” and “Lane Switching,” as well as deeper cuts like the Eazy-E–sampling “Calvin Cambridge.”\u003c/p>\n\u003cp>While the four-piece was mesmerizing with their aggressive flows, spat at a rapid clip, their set turned into a real party when Nef the Pharaoh turned up to perform his “Bling Blaow” featuring SOB’s Slimmy B. The crew also brought out Lil Sheik and a posse of hype men, who all turned up with the audience, visibly ecstatic to go from Vallejo’s underground scene to the big stage.\u003c/p>\n\u003cp>\u003cstrong>More photos below.\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13838755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838755\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7688-800x533.jpg\" alt=\"Jonathan Van Ness performs at The Barbary with special guest Florence Welch and Michelle Wolf at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7688.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7688-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7688-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7688-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7688-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7688-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jonathan Van Ness performs at The Barbary with special guest Florence Welch and Michelle Wolf at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838754\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838754\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7667-800x533.jpg\" alt=\"Cuco performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7667.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7667-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7667-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7667-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7667-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7667-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cuco performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838789\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838789\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8156-800x533.jpg\" alt=\"Florence and the Machine performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8156.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8156-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8156-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8156-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8156-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8156-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Florence and the Machine performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838777\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838777\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7928-800x533.jpg\" alt=\"Tycho performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7928.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7928-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7928-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7928-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7928-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7928-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tycho performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838767\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838767\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7809-800x533.jpg\" alt=\"CHVRCHES performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7809.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7809-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7809-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7809-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7809-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7809-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">CHVRCHES performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838798\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838798\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7877-800x533.jpg\" alt=\"SOB X RBE performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7877.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7877-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7877-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7877-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7877-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7877-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">SOB X RBE performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838748\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838748\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7615-800x533.jpg\" alt=\"Lizzo performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lizzo performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838757\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838757\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7698-800x533.jpg\" alt=\"Jonathan Van Ness performs at The Barbary with special guest Florence Welch at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7698.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7698-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7698-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7698-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7698-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7698-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jonathan Van Ness performs at The Barbary with special guest Florence Welch at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838758\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838758\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7728-800x533.jpg\" alt=\"CHVRCHES performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7728.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7728-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7728-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7728-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7728-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7728-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">CHVRCHES performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838768\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838768\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7824-800x533.jpg\" alt=\"The crowd at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7824.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7824-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7824-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7824-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7824-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7824-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838762\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838762\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7742-800x533.jpg\" alt=\"Cuco performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7742.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7742-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7742-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7742-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7742-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7742-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cuco performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838770\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838770\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7874-800x533.jpg\" alt=\"SOB X RBE performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7874.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7874-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7874-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7874-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7874-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7874-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">SOB X RBE performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838783\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838783\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7989-800x533.jpg\" alt=\"The crowd at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7989.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7989-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7989-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7989-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7989-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7989-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838788\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838788\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8123-800x533.jpg\" alt=\"Florence and the Machine performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8123.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8123-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8123-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8123-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8123-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8123-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Florence and the Machine performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838799\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838799\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7881-800x533.jpg\" alt=\"SOB X RBE performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7881.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7881-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7881-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7881-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7881-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7881-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">SOB X RBE performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838796\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838796\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7832-800x533.jpg\" alt=\"The crowd at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7832.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7832-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7832-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7832-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7832-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7832-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 11, 2018.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838787\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838787\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8090-800x533.jpg\" alt=\"Florence and the Machine performs at the at Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8090.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8090-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8090-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8090-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8090-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8090-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Florence and the Machine performs at Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Correction:\u003c/strong> This article originally mentioned that Father John Misty was on Saturday’s Outside Lands lineup, when he actually performed on Friday Aug. 10.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "At Outside Lands on Friday, LGBTQ Performers Steal the Show",
"headTitle": "At Outside Lands on Friday, LGBTQ Performers Steal the Show | KQED",
"content": "\u003cp>On the GastroMagic stage at Outside Lands on Friday, Aug. 10, drag performer Shangela of \u003cem>RuPaul’s Drag Race\u003c/em> fame marveled at the number of LGBTQ people who came to her cooking demonstration-turned-drag show.[contextly_sidebar id=”fvFDOVbB2fBk21rqpRjgzcfitzF3oRU6″]\u003c/p>\n\u003cp>“That’s why I love being home,” said San Francisco-raised chef Tiffani Faison, onstage teaching Shangela to make fried fish while the drag queen cracked cheeky, innuendo-filled one-liners.\u003c/p>\n\u003cp>“And I love being \u003cem>homo\u003c/em>,” Shangela retorted without missing a beat.\u003c/p>\n\u003cfigure id=\"attachment_13838695\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838695\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7424-800x533.jpg\" alt=\"Tiffani Faison and Shangela perform at the at Outside Lands in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7424.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7424-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7424-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7424-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7424-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7424-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tiffani Faison and Shangela perform at the Outside Lands in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Outside Lands’ \u003ca href=\"https://www.kqed.org/arts/13828348/janet-jackson-to-play-outside-lands-ending-10-year-run-of-no-female-headliners\" target=\"_blank\" rel=\"noopener\">first-time inclusion of female headliners\u003c/a> (with Florence + the Machine on Saturday and Janet Jackson on Sunday) has been a hot topic since the lineup was announced in April. But as the fest kicked off on Friday in Golden Gate Park, it became apparent that the many LGBTQ artists and performers at this year’s Outside Lands attracted a queerer, more diverse audience, changing the tone from the bro-y vibe of years past.\u003c/p>\n\u003cp>After Faison laid the fried fish onto an enormous, baking pan-sized biscuit for an impossibly huge sandwich, the DJ hit play on RuPaul’s vogue house tune, “Call Me Mother,” and Shangela stripped off her chef outfit, revealing a Beyoncé-esque gold beaded leotard that glistened in the afternoon sun. The audience erupted with cheers and shouts of “yaaasss” as Shangela lip synced, twirled, kicked and death-dropped to the floor.\u003c/p>\n\u003cfigure id=\"attachment_13838675\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838675\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7034-800x533.jpg\" alt=\"Perfume Genius performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7034.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7034-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7034-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7034-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7034-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7034-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Perfume Genius performs at the Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In addition to Shangela’s second set at the Barbary, the festival’s comedy tent, Friday’s lineup also included a sultry performance by Perfume Genius, the queer electronic pop balladeer. Perfume Genius, clad in vintage dress pants and a loud, blue-and-white button-down, sauntered across the stage like a sexy cowboy to reverb-laden guitar that evoked a Quentin Tarantino soundtrack. As his band built up instrumental layers to a crescendo of synths, he popped his hips and writhed suggestively on the floor as the many gender non-conforming, creatively dressed audience members cheered.\u003c/p>\n\u003cfigure id=\"attachment_13838689\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838689\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7327-800x533.jpg\" alt=\"Carly Rae Jepsen performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7327.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7327-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7327-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7327-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7327-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7327-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Carly Rae Jepsen performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Later in the afternoon, pop singer Carly Rae Jepsen, who has a massive, loyal following in the LGBTQ community, ignited an epic dance party consisting mostly of gay guys and their gal pals at the Twin Peaks stage. Groups of teenagers skipped and tossed their ponytails to “Boy Problems” and “Call Me Maybe.” Jepsen’s cotton-candy tunes, delivered with the bubbly attitude of a modern-day Cindy Lauper, elevated the mood with their uncomplicated expressions of infatuation and joy.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/nananastia/status/1028085739580346370\u003c/p>\n\u003cp>To close out her set, a buff, shirtless go-go dancer with a rainbow cape joined Jepsen on stage. He pulled at least five technicolor wigs off his head one by one, the final wig exploding with gold glitter, as Jepsen and the audience watched in awe and delight.\u003c/p>\n\u003cp>Shangela, Perfume Genius and Carly Rae Jepsen centered queerness in a way I haven’t seen at previous editions of Outside Lands, which has only recently begun to meaningfully shift its focus from white- and male-dominated rock to more inclusive lineups. Judging by the smiling faces all around, the LGBTQ people in the audience were feeling the love.\u003c/p>\n\u003cfigure id=\"attachment_13838669\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838669\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_6904-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6904.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6904-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6904-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6904-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6904-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6904-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With \u003cem>Queer Eye\u003c/em>‘s Jonathan Van Ness doing a live podcast Saturday and Janelle Monae (who recently came out as pansexual) and R&B band The Internet (whose singer Syd openly sings about gay themes) performing on Sunday, this might just be the most LGTBQ-friendly Outside Lands yet. Let’s hope the trend continues.\u003c/p>\n\u003ch2>Other Highlights\u003c/h2>\n\u003cfigure id=\"attachment_13838708\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838708\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7586-800x533.jpg\" alt=\"The Weekend performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7586.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7586-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7586-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7586-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7586-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7586-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Weekend performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>The Weeknd’s Moody Hit Parade \u003c/strong>\u003c/p>\n\u003cp>Canadian chart-topper The Weeknd closed out Friday night at Outside Lands with a set that wove tracks from his debut mixtape, \u003cem>House of Balloons\u003c/em>, to his latest album, \u003cem>My Dear Melancholy\u003c/em>. While singing about feeling empty in the club on tracks like “Starboy,” “I Can’t Feel My Face” and “Low Life,” he sounded surprisingly soulful under cinematic, sunset-hued stage lights and heavy fog while the crowd never stopped moving their feet.\u003c/p>\n\u003cfigure id=\"attachment_13838677\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838677\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7076-800x533.jpg\" alt=\"Caleborate performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7076.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7076-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7076-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7076-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7076-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7076-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Caleborate performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Caleborate’s Set Was a Win for the Home Team\u003c/strong>\u003c/p>\n\u003cp>It was only three years ago that Caleborate came onto the East Bay music scene with his endearingly confessional debut, \u003cem>Hella Good. \u003c/em>Now with three albums under his belt, the breakout artist has quickly ascended to headlining small clubs like The New Parish and lighting up the Panhandle stage at Outside Lands, where legions of hometown fans chanted “Caleb! Caleb!”\u003c/p>\n\u003cp>As he performed the danceable, house-inflected jam “SMH” and the hyped-up confessional “Bankrobber,” Caleborate danced on top of the speakers and ran through the photo pit to high-five the front row. His set felt like a triumph for the Bay Area’s underground rap scene.\u003c/p>\n\u003cp>\u003cstrong>See more photos from Friday at Outside Lands below.\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13838705\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838705\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7536-800x533.jpg\" alt=\"The Weekend performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7536.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7536-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7536-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7536-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7536-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7536-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Weekend performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838696\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838696\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7426-800x533.jpg\" alt=\"Tiffani Faison and Shangela perform at the at Outside Lands in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7426.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7426-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7426-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7426-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7426-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7426-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tiffani Faison and Shangela perform at Outside Lands in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838703\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838703\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7488-800x533.jpg\" alt=\"Mac DeMarco performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7488.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7488-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7488-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7488-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7488-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7488-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mac DeMarco performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838684\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838684\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7275-800x533.jpg\" alt=\"Chicano Batman performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7275.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7275-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7275-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7275-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7275-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7275-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chicano Batman performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838680\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838680\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7177-800x533.jpg\" alt=\"N.E.R.D performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7177.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7177-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7177-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7177-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7177-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7177-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">N.E.R.D performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838671\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838671\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_6946-800x533.jpg\" alt=\"Billie Eilish performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Billie Eilish performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838693\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838693\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7389-800x533.jpg\" alt=\"ODESZA performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7389.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7389-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7389-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7389-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7389-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7389-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">ODESZA performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838678\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838678\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7111-800x533.jpg\" alt=\"Caleborate performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7111.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7111-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7111-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7111-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7111-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7111-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Caleborate performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838667\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838667\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_6894-800x533.jpg\" alt=\"Mikky Ekko at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6894.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6894-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6894-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6894-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6894-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6894-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mikky Ekko at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838702\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838702\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7471-800x533.jpg\" alt=\"Mac DeMarco performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7471.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7471-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7471-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7471-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7471-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7471-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mac DeMarco performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838701\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838701\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7454-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7454.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7454-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7454-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7454-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7454-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7454-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838698\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838698\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7440-800x533.jpg\" alt=\"The Growlers perform at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7440.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7440-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7440-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7440-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7440-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7440-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Growlers perform at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838700\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838700\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7452-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7452.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7452-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7452-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7452-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7452-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7452-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838697\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838697\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7432-800x533.jpg\" alt=\"Tiffani Faison and Shangela perform at the at Outside Lands in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7432.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7432-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7432-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7432-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7432-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7432-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tiffani Faison and Shangela perform at Outside Lands in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838694\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838694\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7409-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7409.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7409-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7409-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7409-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7409-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7409-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838691\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838691\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7358-800x533.jpg\" alt=\"ODESZA performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7358.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7358-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7358-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7358-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7358-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7358-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">ODESZA performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838688\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838688\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7302-800x533.jpg\" alt=\"Chicano Batman performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7302.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7302-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7302-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7302-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7302-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7302-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chicano Batman performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838683\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838683\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7252-800x533.jpg\" alt=\"N.E.R.D performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7252.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7252-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7252-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7252-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7252-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7252-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">N.E.R.D performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838687\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838687\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7297-800x533.jpg\" alt=\"Chicano Batman performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7297.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7297-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7297-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7297-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7297-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7297-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chicano Batman performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838681\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838681\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7203-800x533.jpg\" alt=\"N.E.R.D performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7203.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7203-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7203-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7203-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7203-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7203-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">N.E.R.D performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838673\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838673\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_6959-800x533.jpg\" alt=\"Billie Eilish performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6959.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6959-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6959-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6959-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6959-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6959-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Billie Eilish performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838668\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838668\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_6896-800x533.jpg\" alt=\"Mikky Ekko at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6896.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6896-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6896-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6896-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6896-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6896-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mikky Ekko at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838670\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838670\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_6912-800x533.jpg\" alt=\"Billie Eilish performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6912.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6912-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6912-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6912-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6912-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6912-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Billie Eilish performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838672\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838672\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_6951-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6951.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6951-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6951-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6951-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6951-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6951-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Outside Lands continues through Sunday, Aug. 12. For tips, guides, food and more, see \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\" target=\"_blank\" rel=\"noopener\">all of KQED’s Outside Lands coverage here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"excerpt": "Carly Rae Jepsen, Perfume Genius and Shangela centered queerness on stage in a way Outside Lands has never seen. ",
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"description": "Carly Rae Jepsen, Perfume Genius and Shangela centered queerness on stage in a way Outside Lands has never seen. ",
"title": "At Outside Lands on Friday, LGBTQ Performers Steal the Show | KQED",
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"headline": "At Outside Lands on Friday, LGBTQ Performers Steal the Show",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On the GastroMagic stage at Outside Lands on Friday, Aug. 10, drag performer Shangela of \u003cem>RuPaul’s Drag Race\u003c/em> fame marveled at the number of LGBTQ people who came to her cooking demonstration-turned-drag show.\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“That’s why I love being home,” said San Francisco-raised chef Tiffani Faison, onstage teaching Shangela to make fried fish while the drag queen cracked cheeky, innuendo-filled one-liners.\u003c/p>\n\u003cp>“And I love being \u003cem>homo\u003c/em>,” Shangela retorted without missing a beat.\u003c/p>\n\u003cfigure id=\"attachment_13838695\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838695\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7424-800x533.jpg\" alt=\"Tiffani Faison and Shangela perform at the at Outside Lands in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7424.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7424-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7424-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7424-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7424-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7424-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tiffani Faison and Shangela perform at the Outside Lands in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Outside Lands’ \u003ca href=\"https://www.kqed.org/arts/13828348/janet-jackson-to-play-outside-lands-ending-10-year-run-of-no-female-headliners\" target=\"_blank\" rel=\"noopener\">first-time inclusion of female headliners\u003c/a> (with Florence + the Machine on Saturday and Janet Jackson on Sunday) has been a hot topic since the lineup was announced in April. But as the fest kicked off on Friday in Golden Gate Park, it became apparent that the many LGBTQ artists and performers at this year’s Outside Lands attracted a queerer, more diverse audience, changing the tone from the bro-y vibe of years past.\u003c/p>\n\u003cp>After Faison laid the fried fish onto an enormous, baking pan-sized biscuit for an impossibly huge sandwich, the DJ hit play on RuPaul’s vogue house tune, “Call Me Mother,” and Shangela stripped off her chef outfit, revealing a Beyoncé-esque gold beaded leotard that glistened in the afternoon sun. The audience erupted with cheers and shouts of “yaaasss” as Shangela lip synced, twirled, kicked and death-dropped to the floor.\u003c/p>\n\u003cfigure id=\"attachment_13838675\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838675\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7034-800x533.jpg\" alt=\"Perfume Genius performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7034.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7034-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7034-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7034-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7034-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7034-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Perfume Genius performs at the Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In addition to Shangela’s second set at the Barbary, the festival’s comedy tent, Friday’s lineup also included a sultry performance by Perfume Genius, the queer electronic pop balladeer. Perfume Genius, clad in vintage dress pants and a loud, blue-and-white button-down, sauntered across the stage like a sexy cowboy to reverb-laden guitar that evoked a Quentin Tarantino soundtrack. As his band built up instrumental layers to a crescendo of synths, he popped his hips and writhed suggestively on the floor as the many gender non-conforming, creatively dressed audience members cheered.\u003c/p>\n\u003cfigure id=\"attachment_13838689\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838689\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7327-800x533.jpg\" alt=\"Carly Rae Jepsen performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7327.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7327-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7327-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7327-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7327-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7327-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Carly Rae Jepsen performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Later in the afternoon, pop singer Carly Rae Jepsen, who has a massive, loyal following in the LGBTQ community, ignited an epic dance party consisting mostly of gay guys and their gal pals at the Twin Peaks stage. Groups of teenagers skipped and tossed their ponytails to “Boy Problems” and “Call Me Maybe.” Jepsen’s cotton-candy tunes, delivered with the bubbly attitude of a modern-day Cindy Lauper, elevated the mood with their uncomplicated expressions of infatuation and joy.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>To close out her set, a buff, shirtless go-go dancer with a rainbow cape joined Jepsen on stage. He pulled at least five technicolor wigs off his head one by one, the final wig exploding with gold glitter, as Jepsen and the audience watched in awe and delight.\u003c/p>\n\u003cp>Shangela, Perfume Genius and Carly Rae Jepsen centered queerness in a way I haven’t seen at previous editions of Outside Lands, which has only recently begun to meaningfully shift its focus from white- and male-dominated rock to more inclusive lineups. Judging by the smiling faces all around, the LGBTQ people in the audience were feeling the love.\u003c/p>\n\u003cfigure id=\"attachment_13838669\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838669\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_6904-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6904.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6904-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6904-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6904-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6904-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6904-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With \u003cem>Queer Eye\u003c/em>‘s Jonathan Van Ness doing a live podcast Saturday and Janelle Monae (who recently came out as pansexual) and R&B band The Internet (whose singer Syd openly sings about gay themes) performing on Sunday, this might just be the most LGTBQ-friendly Outside Lands yet. Let’s hope the trend continues.\u003c/p>\n\u003ch2>Other Highlights\u003c/h2>\n\u003cfigure id=\"attachment_13838708\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838708\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7586-800x533.jpg\" alt=\"The Weekend performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7586.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7586-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7586-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7586-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7586-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7586-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Weekend performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>The Weeknd’s Moody Hit Parade \u003c/strong>\u003c/p>\n\u003cp>Canadian chart-topper The Weeknd closed out Friday night at Outside Lands with a set that wove tracks from his debut mixtape, \u003cem>House of Balloons\u003c/em>, to his latest album, \u003cem>My Dear Melancholy\u003c/em>. While singing about feeling empty in the club on tracks like “Starboy,” “I Can’t Feel My Face” and “Low Life,” he sounded surprisingly soulful under cinematic, sunset-hued stage lights and heavy fog while the crowd never stopped moving their feet.\u003c/p>\n\u003cfigure id=\"attachment_13838677\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838677\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7076-800x533.jpg\" alt=\"Caleborate performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7076.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7076-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7076-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7076-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7076-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7076-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Caleborate performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Caleborate’s Set Was a Win for the Home Team\u003c/strong>\u003c/p>\n\u003cp>It was only three years ago that Caleborate came onto the East Bay music scene with his endearingly confessional debut, \u003cem>Hella Good. \u003c/em>Now with three albums under his belt, the breakout artist has quickly ascended to headlining small clubs like The New Parish and lighting up the Panhandle stage at Outside Lands, where legions of hometown fans chanted “Caleb! Caleb!”\u003c/p>\n\u003cp>As he performed the danceable, house-inflected jam “SMH” and the hyped-up confessional “Bankrobber,” Caleborate danced on top of the speakers and ran through the photo pit to high-five the front row. His set felt like a triumph for the Bay Area’s underground rap scene.\u003c/p>\n\u003cp>\u003cstrong>See more photos from Friday at Outside Lands below.\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13838705\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838705\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7536-800x533.jpg\" alt=\"The Weekend performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7536.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7536-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7536-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7536-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7536-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7536-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Weekend performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838696\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838696\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7426-800x533.jpg\" alt=\"Tiffani Faison and Shangela perform at the at Outside Lands in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7426.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7426-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7426-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7426-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7426-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7426-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tiffani Faison and Shangela perform at Outside Lands in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838703\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838703\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7488-800x533.jpg\" alt=\"Mac DeMarco performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7488.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7488-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7488-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7488-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7488-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7488-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mac DeMarco performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838684\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838684\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7275-800x533.jpg\" alt=\"Chicano Batman performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7275.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7275-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7275-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7275-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7275-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7275-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chicano Batman performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838680\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838680\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7177-800x533.jpg\" alt=\"N.E.R.D performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7177.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7177-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7177-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7177-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7177-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7177-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">N.E.R.D performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838671\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838671\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_6946-800x533.jpg\" alt=\"Billie Eilish performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Billie Eilish performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838693\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838693\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7389-800x533.jpg\" alt=\"ODESZA performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7389.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7389-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7389-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7389-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7389-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7389-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">ODESZA performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838678\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838678\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7111-800x533.jpg\" alt=\"Caleborate performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7111.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7111-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7111-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7111-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7111-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7111-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Caleborate performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838667\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838667\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_6894-800x533.jpg\" alt=\"Mikky Ekko at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6894.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6894-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6894-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6894-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6894-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6894-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mikky Ekko at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838702\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838702\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7471-800x533.jpg\" alt=\"Mac DeMarco performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7471.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7471-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7471-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7471-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7471-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7471-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mac DeMarco performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838701\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838701\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7454-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7454.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7454-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7454-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7454-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7454-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7454-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838698\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838698\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7440-800x533.jpg\" alt=\"The Growlers perform at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7440.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7440-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7440-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7440-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7440-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7440-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Growlers perform at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838700\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838700\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7452-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7452.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7452-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7452-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7452-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7452-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7452-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838697\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838697\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7432-800x533.jpg\" alt=\"Tiffani Faison and Shangela perform at the at Outside Lands in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7432.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7432-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7432-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7432-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7432-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7432-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tiffani Faison and Shangela perform at Outside Lands in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838694\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838694\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7409-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7409.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7409-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7409-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7409-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7409-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7409-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838691\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838691\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7358-800x533.jpg\" alt=\"ODESZA performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7358.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7358-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7358-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7358-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7358-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7358-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">ODESZA performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838688\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838688\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7302-800x533.jpg\" alt=\"Chicano Batman performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7302.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7302-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7302-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7302-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7302-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7302-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chicano Batman performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838683\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838683\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7252-800x533.jpg\" alt=\"N.E.R.D performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7252.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7252-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7252-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7252-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7252-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7252-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">N.E.R.D performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838687\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838687\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7297-800x533.jpg\" alt=\"Chicano Batman performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7297.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7297-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7297-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7297-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7297-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7297-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chicano Batman performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838681\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838681\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7203-800x533.jpg\" alt=\"N.E.R.D performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7203.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7203-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7203-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7203-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7203-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7203-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">N.E.R.D performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838673\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838673\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_6959-800x533.jpg\" alt=\"Billie Eilish performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6959.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6959-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6959-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6959-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6959-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6959-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Billie Eilish performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838668\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838668\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_6896-800x533.jpg\" alt=\"Mikky Ekko at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6896.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6896-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6896-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6896-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6896-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6896-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mikky Ekko at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838670\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838670\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_6912-800x533.jpg\" alt=\"Billie Eilish performs at the at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6912.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6912-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6912-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6912-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6912-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6912-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Billie Eilish performs at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13838672\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838672\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_6951-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6951.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6951-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6951-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6951-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6951-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6951-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Outside Lands continues through Sunday, Aug. 12. For tips, guides, food and more, see \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\" target=\"_blank\" rel=\"noopener\">all of KQED’s Outside Lands coverage here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Five Local Bands Not to Miss at Outside Lands—And Other Essential Tips",
"headTitle": "Five Local Bands Not to Miss at Outside Lands—And Other Essential Tips | KQED",
"content": "\u003cp>A lot is different about \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/\" target=\"_blank\" rel=\"noopener\">Outside Lands\u003c/a> this year. The music and arts festival kicks off its 11th edition on Aug. 10, when thousands of concertgoers will descend upon Golden Gate Park for three days of music, comedy, food, beer and art.\u003c/p>\n\u003cp>For one, the fest finally booked female headliners for the first time in its history: Florence + the Machine on Saturday and Janet Jackson on Sunday.\u003c/p>\n\u003cp>And in addition to its food and beverage offerings, this year’s edition will introduce \u003ca href=\"https://www.sfoutsidelands.com/grass-lands/\" target=\"_blank\" rel=\"noopener\">Grass Lands\u003c/a>, a town square-style showcase of Northern California’s cannabis offerings. (This is just to look and smell. You still can’t buy weed at the fest—sorry.)\u003c/p>\n\u003cp>Entertainment other than music is becoming more prominent at Outside Lands as well: \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/lineup_groupings/the-barbary\" target=\"_blank\" rel=\"noopener\">The Barbary\u003c/a>, its improv and comedy stage, stars \u003cem>Brooklyn Nine-Nine\u003c/em>‘s Chelsea Peretti, as well as Michelle Wolf, the \u003cem>Daily Show\u003c/em> contributor and \u003ca href=\"https://www.washingtonpost.com/news/reliable-source/wp/2018/04/29/the-many-reactions-to-michelle-wolfs-speech-from-trump-saying-she-bombed-to-kumail-nanjianis-support/?utm_term=.cd5626d5420f\" target=\"_blank\" rel=\"noopener\">nemesis of the Trump administration\u003c/a>. And the \u003ca href=\"https://www.sfoutsidelands.com/gastromagic/\" target=\"_blank\" rel=\"noopener\">Gastro Magic Stage\u003c/a>, which is all about food, features outspoken Brooklyn chef and author Eddie Huang (whose memoir inspired the hit series \u003cem>Fresh Off the Boat\u003c/em>) and Matty Matheson, whose Vice show makes him seem like an extremely entertaining dining companion.\u003c/p>\n\u003cp>While dressing for the cold and dusty terrain of Golden Gate Park and the struggle to find parking are givens (check out our \u003ca href=\"https://www.kqed.org/arts/10139926/how-to-survive-outside-lands-a-veterans-guide\" target=\"_blank\" rel=\"noopener\">Outside Lands survival guide\u003c/a>), there’s another big change: this year, Outside Lands has introduced a clear bag policy. Word to the wise: either bring your PKW (that’s phone, keys and wallet) in your pockets, or invest in a clear backpack or purse from Amazon, Target or just about any school supply store. The clear bag policy is becoming a staple of other festivals, including June’s Clusterfest in Civic Center, so it will likely come in handy again.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But, back to the music. In addition to tons of exciting mainstream acts at \u003ca href=\"https://www.kqed.org/arts/13828518/outside-lands-lineup-announced-janet-jackson-the-weeknd-headline\" target=\"_blank\" rel=\"noopener\">this year’s Outside Lands\u003c/a> (Janelle Monae! Future! The Internet! N.E.R.D.!), there’s a wealth of local talent represented on the lineup.\u003c/p>\n\u003cp>https://youtu.be/WM5yCRiSQPY\u003c/p>\n\u003cp>Don’t miss SOB x RBE, the Vallejo upstarts whose “Anti” blasted from what sounded like every car window throughout 2016 and 2017. The four-piece has since risen to national prominence through their fiery track on the \u003cem>Black Panther\u003c/em> soundtrack, “\u003ca href=\"https://youtu.be/W2_A89qTgwM\" target=\"_blank\" rel=\"noopener\">Paramedic\u003c/a>.” Recently, the group’s biggest star, Yhung T.O., inked a solo deal with Interscope. It’s unclear what lies ahead for SOB x RBE as a collective, so Outside Lands will be a good opportunity to catch them live as a unit. They perform at the Twin Peaks stage on Saturday, Aug. 11, at 5:20pm.\u003c/p>\n\u003cp>https://youtu.be/Hm3cf3jsWNw\u003c/p>\n\u003cp>Shannon and the Clams are also hitting the Outside Lands stage for the first time this year. The group came up in Oakland’s warehouse scene, performing in clandestine venues and dusty basements for years before getting their big break. Recently, they worked with Dan Auerbach of the Black Keys at his Easy Eye Sound label. Shannon and the Clams’ Outside Lands set will be a victory for these mainstays of the local punk scene. They perform at the Twin Peaks stage on Friday, Aug. 10, at 12:40 pm.\u003c/p>\n\u003cp>https://youtu.be/tJBqGe88-9A\u003c/p>\n\u003cp>Similar to Shannon and the Clams’ retro sensibilities, Oakland’s Dick Stusso lends a modern twist to his blues and rock’n’roll guitar stylings, which conjure long road trips in an old-school Cadillac. He performs Sunday, Aug. 12 at noon at the Panhandle Stage.\u003c/p>\n\u003cp>https://youtu.be/N4nhBG8NDC0\u003c/p>\n\u003cp>The T Sisters have been blessing the Bay Area with their beautiful three-part harmonies and bluegrass, folk and indie instrumentation for years now. They perform on the Sutro Stage on Sunday, Aug. 12, at noon.\u003c/p>\n\u003cp>https://youtu.be/8dHAWTzD5SE\u003c/p>\n\u003cp>Caleborate has been winning Bay Area hip-hop fans’ hearts and minds since 2015, when he came onto the scene with his confessional debut, \u003cem>Hella Good\u003c/em>. The Sacramento native raps about coming of age in his adopted home of Berkeley. His latest album, \u003cem>Real Person\u003c/em>, is endearingly confessional and candid. After slaying local clubs, he’s ready for the big festival stage. Caleborate performs on the Panhandle Stage on Friday, Aug. 10, at 4:30pm.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Outside Lands takes place Aug. 10–12 in Golden Gate Park. Details \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A lot is different about \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/\" target=\"_blank\" rel=\"noopener\">Outside Lands\u003c/a> this year. The music and arts festival kicks off its 11th edition on Aug. 10, when thousands of concertgoers will descend upon Golden Gate Park for three days of music, comedy, food, beer and art.\u003c/p>\n\u003cp>For one, the fest finally booked female headliners for the first time in its history: Florence + the Machine on Saturday and Janet Jackson on Sunday.\u003c/p>\n\u003cp>And in addition to its food and beverage offerings, this year’s edition will introduce \u003ca href=\"https://www.sfoutsidelands.com/grass-lands/\" target=\"_blank\" rel=\"noopener\">Grass Lands\u003c/a>, a town square-style showcase of Northern California’s cannabis offerings. (This is just to look and smell. You still can’t buy weed at the fest—sorry.)\u003c/p>\n\u003cp>Entertainment other than music is becoming more prominent at Outside Lands as well: \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/lineup_groupings/the-barbary\" target=\"_blank\" rel=\"noopener\">The Barbary\u003c/a>, its improv and comedy stage, stars \u003cem>Brooklyn Nine-Nine\u003c/em>‘s Chelsea Peretti, as well as Michelle Wolf, the \u003cem>Daily Show\u003c/em> contributor and \u003ca href=\"https://www.washingtonpost.com/news/reliable-source/wp/2018/04/29/the-many-reactions-to-michelle-wolfs-speech-from-trump-saying-she-bombed-to-kumail-nanjianis-support/?utm_term=.cd5626d5420f\" target=\"_blank\" rel=\"noopener\">nemesis of the Trump administration\u003c/a>. And the \u003ca href=\"https://www.sfoutsidelands.com/gastromagic/\" target=\"_blank\" rel=\"noopener\">Gastro Magic Stage\u003c/a>, which is all about food, features outspoken Brooklyn chef and author Eddie Huang (whose memoir inspired the hit series \u003cem>Fresh Off the Boat\u003c/em>) and Matty Matheson, whose Vice show makes him seem like an extremely entertaining dining companion.\u003c/p>\n\u003cp>While dressing for the cold and dusty terrain of Golden Gate Park and the struggle to find parking are givens (check out our \u003ca href=\"https://www.kqed.org/arts/10139926/how-to-survive-outside-lands-a-veterans-guide\" target=\"_blank\" rel=\"noopener\">Outside Lands survival guide\u003c/a>), there’s another big change: this year, Outside Lands has introduced a clear bag policy. Word to the wise: either bring your PKW (that’s phone, keys and wallet) in your pockets, or invest in a clear backpack or purse from Amazon, Target or just about any school supply store. The clear bag policy is becoming a staple of other festivals, including June’s Clusterfest in Civic Center, so it will likely come in handy again.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But, back to the music. In addition to tons of exciting mainstream acts at \u003ca href=\"https://www.kqed.org/arts/13828518/outside-lands-lineup-announced-janet-jackson-the-weeknd-headline\" target=\"_blank\" rel=\"noopener\">this year’s Outside Lands\u003c/a> (Janelle Monae! Future! The Internet! N.E.R.D.!), there’s a wealth of local talent represented on the lineup.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/WM5yCRiSQPY'\n title='//www.youtube.com/embed/WM5yCRiSQPY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Don’t miss SOB x RBE, the Vallejo upstarts whose “Anti” blasted from what sounded like every car window throughout 2016 and 2017. The four-piece has since risen to national prominence through their fiery track on the \u003cem>Black Panther\u003c/em> soundtrack, “\u003ca href=\"https://youtu.be/W2_A89qTgwM\" target=\"_blank\" rel=\"noopener\">Paramedic\u003c/a>.” Recently, the group’s biggest star, Yhung T.O., inked a solo deal with Interscope. It’s unclear what lies ahead for SOB x RBE as a collective, so Outside Lands will be a good opportunity to catch them live as a unit. They perform at the Twin Peaks stage on Saturday, Aug. 11, at 5:20pm.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Hm3cf3jsWNw'\n title='//www.youtube.com/embed/Hm3cf3jsWNw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Shannon and the Clams are also hitting the Outside Lands stage for the first time this year. The group came up in Oakland’s warehouse scene, performing in clandestine venues and dusty basements for years before getting their big break. Recently, they worked with Dan Auerbach of the Black Keys at his Easy Eye Sound label. Shannon and the Clams’ Outside Lands set will be a victory for these mainstays of the local punk scene. They perform at the Twin Peaks stage on Friday, Aug. 10, at 12:40 pm.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tJBqGe88-9A'\n title='//www.youtube.com/embed/tJBqGe88-9A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Similar to Shannon and the Clams’ retro sensibilities, Oakland’s Dick Stusso lends a modern twist to his blues and rock’n’roll guitar stylings, which conjure long road trips in an old-school Cadillac. He performs Sunday, Aug. 12 at noon at the Panhandle Stage.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/N4nhBG8NDC0'\n title='//www.youtube.com/embed/N4nhBG8NDC0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The T Sisters have been blessing the Bay Area with their beautiful three-part harmonies and bluegrass, folk and indie instrumentation for years now. They perform on the Sutro Stage on Sunday, Aug. 12, at noon.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8dHAWTzD5SE'\n title='//www.youtube.com/embed/8dHAWTzD5SE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Caleborate has been winning Bay Area hip-hop fans’ hearts and minds since 2015, when he came onto the scene with his confessional debut, \u003cem>Hella Good\u003c/em>. The Sacramento native raps about coming of age in his adopted home of Berkeley. His latest album, \u003cem>Real Person\u003c/em>, is endearingly confessional and candid. After slaying local clubs, he’s ready for the big festival stage. Caleborate performs on the Panhandle Stage on Friday, Aug. 10, at 4:30pm.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Outside Lands takes place Aug. 10–12 in Golden Gate Park. Details \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">While some groups might sideline their keys or situate them behind strings,\u003c/span>\u003ca href=\"http://www.monophonics.com/\" target=\"_blank\" rel=\"noopener\"> \u003cspan style=\"font-weight: 400\">Monophonics\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">’ Kelly Finnigan sits squarely center stage and commands the room. At the San Francisco band’s recent show at Mercury Lounge in New York, sweat drops fall onto his organ as he sings Eddie & Ernie’s 1972 soul sleeper, “\u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=HMXkBvSfIhQ\" target=\"_blank\" rel=\"noopener\">\u003cspan style=\"font-weight: 400\">Bullets Don’t Have Eyes\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.” He’s flanked by members of various West Coast soul groups, who are standing in for the band’s usual horn players. A member of Brooklyn soul revival band The Dap-Kings is on guitar, but the sound is undeniably San Francisco, dripping with the primordial ooze of Sly Stone.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics are a true showcase of the heavy, but often under-recognized, California brand of modern funk. The style takes influence from multiple genres but remains steeped in the state’s history of psychedelics, jamming and experimentation. Amid growing national and international recognition, Monophonics’ undeniable funkiness, keen interpretation of ’60s and ’70s sounds and intense live shows have remained a driving force in the Bay Area scene.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The six-piece band will perform at Outside Lands for the first time with two sets on Aug. 11 and 12—a feat for a homegrown act operating on the fringes of mainstream pop sensibility. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics’ fifth studio album is due out in early 2019 and promises a similar aesthetic to 2012’s mind-melting \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">In Your Brain\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, which tapped into the region’s psychedelic, funky heritage and kicked opened the door for more local, modern funk and soul bands like Con Brio and Baby and the Luvies.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=t4u83UD2YdQ\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“In 2009-2010, there were a lot of bands popping up that wanted to be Sharon Jones [and The Dap-Kings] and, ‘Let’s wear a suit and two step.’ We love that band and love what they do, but there really was a void of people playing psychedelic soul,” says Finnigan, adding that the band knew \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">In Your Brain\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> would make a statement. “One thing that excited us about being from the Bay was how the music was connected to the history of that culture, and the scene and the soul that people don’t know.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics are an easy link between the Bay’s musical past and present, where Tower of Power, Sly and the Family Stone, Tony! Toni! Toné!, Con Funk Shun and Darondo intermingle with the sounds of ’60s counterculture and lingering acid jazz. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Sound of Sinning,\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> the band’s third record, conjured The Grateful Dead, Jimi Hendrix and Janis Joplin’s soulful, Summer-of-Love psychedelia.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“There’s a weird little brand of funk, soul and R&B from the Bay,” says trumpet player, percussionist and founding member Ryan Scott. “I think it has to do with the liberal weirdness in the Bay Area and how it’s OK to be different.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yet the Bay didn’t feel like a very funky place when Monophonics, originally an instrumental group, formed circa 2010, when garage rock reigned the San Francisco scene. At the time, old friends and founding members Scott, drummer Austin Bohlman and guitarist Ian McDonald combined their interests in prog metal, blues, soul and world music like Fela Kuti to create Monophonics’ depth of sound. The band would reach new heights with the addition of Los Angeles-born Finnigan.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“We streamed away from the jam improvisation, instrumental kind of stuff and into more songwriting, paying homage to Bay Area bands that we were influenced by and trying to take on the Bay Area psychedelic soul approach,” Scott says from the band’s North Bay headquarters.\u003c/span>\u003c/p>\n\u003cp>https://youtu.be/xyWHRC8A_uU\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The band’s big break came in the form of a soulfully cinematic cover of the 1966 song “\u003c/span>\u003cspan style=\"font-weight: 400\">Bang Bang (My Baby Shot Me Down)\u003c/span>,”\u003cspan style=\"font-weight: 400\"> originally recorded by Nancy Sinatra and later by Cher. Finnigan’s pleading vocals, laid over a fantastically paired-down guitar and heavy organ, gained traction in Europe and exposed Monophonics to an international audience. The band has since toured multiple continents and has a large fan base in Greece.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics’ songwriting capabilities may be their greatest differentiator, particularly among other West Coast cinematic soul groups. “We wanted a groove that was heavy and lo-fi,” says Finnigan. “I want the melody to be stuck in your head; I want to put an earworm in you.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On 2015’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Sound of Sinning\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, Monophonics put their songwriting to the test with a 12-track album of shorter, poppier songs that reflect the Bay’s ’67 sound as well as the cultural context that created records like The Temptations’ \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Psychedelic Shack\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. Their latest, an 2018 EP of covers titled \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Mirrors\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, pays tribute to The Isley Brothers, The Mamas and The Papas and even Frankie Valli. All the while, Finnigan has done guest vocals on friends’ records, including a covers album by Los Angeles’ Orgone. And Monophonics have opened their Marin County studio, Transistor Sound, to other local bands looking for places to record.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4QxssN_ZKmw\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics have become trendsetters in Bay Area funk and soul while connecting Northern and Southern California scenes. As a result, Finnigan believes the larger musical community has embraced the state’s musical movement.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Whereas a lot of people looked at New York and Brooklyn as the epicenter [of soul and funk], I think it’s safe to say that there’s something happening in California,” Finnigan says. “California is strong. We have Surefire Soul Ensemble and Orgone and Soul Scratch and The Humidors. The Grease Traps and The M-Tet. We feed off each other and feed off other bands from around the country.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Finnigan says their forthcoming record will be more reflective of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">In Your Brain \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">while employing more falsetto vocals in the style of Curtis Mayfield. The new “Last Man Standing,” for example, melds soulful vocals over a heavy bass line, while songs such as “Battle Cry” employ political messages.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics’ solid brand of psychedelic soul is the result of little demoing and what Scott calls a “shitty is pretty” aesthetic that relies on vintage gear and analogue recording processes. For their as-yet-untitled album, Monophonics went deeper into Northern California’s serenity and spent some time writing at a friend’s 19th-century school house in Sonoma. Although the band will continue to pull from a well of California sounds, Finnigan says Monophonics never intended to be the torch-bearing “big fish” funk band in the San Francisco Bay.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“If that is the case, then I’m proud. That’s why we’re all here: because music moves us,” he says. “If in any way we encouraged people to get up off the butts and start a band, I’d be proud.”\u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Monophonics perform at Outside Lands on Sunday, Aug. 12 at 4:20pm on the Panhandle Stage, with an additional, shorter set at 4:20pm on Aug. 11 on the GastroMagic Stage.\u003c/span>\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">While some groups might sideline their keys or situate them behind strings,\u003c/span>\u003ca href=\"http://www.monophonics.com/\" target=\"_blank\" rel=\"noopener\"> \u003cspan style=\"font-weight: 400\">Monophonics\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">’ Kelly Finnigan sits squarely center stage and commands the room. At the San Francisco band’s recent show at Mercury Lounge in New York, sweat drops fall onto his organ as he sings Eddie & Ernie’s 1972 soul sleeper, “\u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=HMXkBvSfIhQ\" target=\"_blank\" rel=\"noopener\">\u003cspan style=\"font-weight: 400\">Bullets Don’t Have Eyes\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.” He’s flanked by members of various West Coast soul groups, who are standing in for the band’s usual horn players. A member of Brooklyn soul revival band The Dap-Kings is on guitar, but the sound is undeniably San Francisco, dripping with the primordial ooze of Sly Stone.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics are a true showcase of the heavy, but often under-recognized, California brand of modern funk. The style takes influence from multiple genres but remains steeped in the state’s history of psychedelics, jamming and experimentation. Amid growing national and international recognition, Monophonics’ undeniable funkiness, keen interpretation of ’60s and ’70s sounds and intense live shows have remained a driving force in the Bay Area scene.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The six-piece band will perform at Outside Lands for the first time with two sets on Aug. 11 and 12—a feat for a homegrown act operating on the fringes of mainstream pop sensibility. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics’ fifth studio album is due out in early 2019 and promises a similar aesthetic to 2012’s mind-melting \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">In Your Brain\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, which tapped into the region’s psychedelic, funky heritage and kicked opened the door for more local, modern funk and soul bands like Con Brio and Baby and the Luvies.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/t4u83UD2YdQ'\n title='//www.youtube.com/embed/t4u83UD2YdQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“In 2009-2010, there were a lot of bands popping up that wanted to be Sharon Jones [and The Dap-Kings] and, ‘Let’s wear a suit and two step.’ We love that band and love what they do, but there really was a void of people playing psychedelic soul,” says Finnigan, adding that the band knew \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">In Your Brain\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> would make a statement. “One thing that excited us about being from the Bay was how the music was connected to the history of that culture, and the scene and the soul that people don’t know.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics are an easy link between the Bay’s musical past and present, where Tower of Power, Sly and the Family Stone, Tony! Toni! Toné!, Con Funk Shun and Darondo intermingle with the sounds of ’60s counterculture and lingering acid jazz. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Sound of Sinning,\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> the band’s third record, conjured The Grateful Dead, Jimi Hendrix and Janis Joplin’s soulful, Summer-of-Love psychedelia.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“There’s a weird little brand of funk, soul and R&B from the Bay,” says trumpet player, percussionist and founding member Ryan Scott. “I think it has to do with the liberal weirdness in the Bay Area and how it’s OK to be different.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yet the Bay didn’t feel like a very funky place when Monophonics, originally an instrumental group, formed circa 2010, when garage rock reigned the San Francisco scene. At the time, old friends and founding members Scott, drummer Austin Bohlman and guitarist Ian McDonald combined their interests in prog metal, blues, soul and world music like Fela Kuti to create Monophonics’ depth of sound. The band would reach new heights with the addition of Los Angeles-born Finnigan.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“We streamed away from the jam improvisation, instrumental kind of stuff and into more songwriting, paying homage to Bay Area bands that we were influenced by and trying to take on the Bay Area psychedelic soul approach,” Scott says from the band’s North Bay headquarters.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/xyWHRC8A_uU'\n title='//www.youtube.com/embed/xyWHRC8A_uU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">The band’s big break came in the form of a soulfully cinematic cover of the 1966 song “\u003c/span>\u003cspan style=\"font-weight: 400\">Bang Bang (My Baby Shot Me Down)\u003c/span>,”\u003cspan style=\"font-weight: 400\"> originally recorded by Nancy Sinatra and later by Cher. Finnigan’s pleading vocals, laid over a fantastically paired-down guitar and heavy organ, gained traction in Europe and exposed Monophonics to an international audience. The band has since toured multiple continents and has a large fan base in Greece.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics’ songwriting capabilities may be their greatest differentiator, particularly among other West Coast cinematic soul groups. “We wanted a groove that was heavy and lo-fi,” says Finnigan. “I want the melody to be stuck in your head; I want to put an earworm in you.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On 2015’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Sound of Sinning\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, Monophonics put their songwriting to the test with a 12-track album of shorter, poppier songs that reflect the Bay’s ’67 sound as well as the cultural context that created records like The Temptations’ \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Psychedelic Shack\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. Their latest, an 2018 EP of covers titled \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Mirrors\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, pays tribute to The Isley Brothers, The Mamas and The Papas and even Frankie Valli. All the while, Finnigan has done guest vocals on friends’ records, including a covers album by Los Angeles’ Orgone. And Monophonics have opened their Marin County studio, Transistor Sound, to other local bands looking for places to record.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4QxssN_ZKmw'\n title='//www.youtube.com/embed/4QxssN_ZKmw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics have become trendsetters in Bay Area funk and soul while connecting Northern and Southern California scenes. As a result, Finnigan believes the larger musical community has embraced the state’s musical movement.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Whereas a lot of people looked at New York and Brooklyn as the epicenter [of soul and funk], I think it’s safe to say that there’s something happening in California,” Finnigan says. “California is strong. We have Surefire Soul Ensemble and Orgone and Soul Scratch and The Humidors. The Grease Traps and The M-Tet. We feed off each other and feed off other bands from around the country.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Finnigan says their forthcoming record will be more reflective of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">In Your Brain \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">while employing more falsetto vocals in the style of Curtis Mayfield. The new “Last Man Standing,” for example, melds soulful vocals over a heavy bass line, while songs such as “Battle Cry” employ political messages.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics’ solid brand of psychedelic soul is the result of little demoing and what Scott calls a “shitty is pretty” aesthetic that relies on vintage gear and analogue recording processes. For their as-yet-untitled album, Monophonics went deeper into Northern California’s serenity and spent some time writing at a friend’s 19th-century school house in Sonoma. Although the band will continue to pull from a well of California sounds, Finnigan says Monophonics never intended to be the torch-bearing “big fish” funk band in the San Francisco Bay.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“If that is the case, then I’m proud. That’s why we’re all here: because music moves us,” he says. “If in any way we encouraged people to get up off the butts and start a band, I’d be proud.”\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Monophonics perform at Outside Lands on Sunday, Aug. 12 at 4:20pm on the Panhandle Stage, with an additional, shorter set at 4:20pm on Aug. 11 on the GastroMagic Stage.\u003c/span>\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>With the debut of the \u003ca href=\"https://www.kqed.org/arts/13832104/sza-brockhampton-kamaiyah-bring-blurry-vision-into-focus-in-oakland\" target=\"_blank\" rel=\"noopener\">Blurry Vision Fest\u003c/a> in Oakland earlier this month and \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">Bottlerock Napa Valley\u003c/a> and \u003ca href=\"http://www.carnavalsanfrancisco.org/\" target=\"_blank\" rel=\"noopener\">Carnaval San Francisco\u003c/a> around the corner, \u003ca href=\"https://www.kqed.org/arts/13831900/summertime-feeling-9-outdoor-concerts-and-festivals-in-the-bay-area\" target=\"_blank\" rel=\"noopener\">music festival season\u003c/a> is officially underway in the Bay Area.\u003c/p>\n\u003cp>This mixtape features music from local artists performing at festivals around the region in the coming months. San Francisco’s \u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">Outside Lands\u003c/a> is certainly the biggest summer music festival in the area; its 2018 lineup is particularly notable for its overdue inclusion of \u003ca href=\"https://www.kqed.org/arts/13828348/janet-jackson-to-play-outside-lands-ending-10-year-run-of-no-female-headliners\" target=\"_blank\" rel=\"noopener\">female headliners\u003c/a> (Janet Jackson!) and a ton of local performers. But the Bay Area has many other festivals to offer, and this mix reflects the variety of concert-going experiences available in Northern California.\u003c/p>\n\u003cp>Between now and the end of the summer, one can check out beloved legacy events \u003ca href=\"https://www.sterngrove.org/\" target=\"_blank\" rel=\"noopener\">Stern Grove Festival\u003c/a> and Carnaval, exciting new fests like \u003ca href=\"https://www.feels6.tv/\" target=\"_blank\" rel=\"noopener\">Feels 6\u003c/a> and \u003ca href=\"http://www.theuniverseislit.com/\" target=\"_blank\" rel=\"noopener\">The Multivrs Is Illuminated\u003c/a> and the road trip-worthy \u003ca href=\"https://sonoma.huichica.com/\" target=\"_blank\" rel=\"noopener\">Huichica Music Festival\u003c/a> and \u003ca href=\"http://hickeyfest.com/\" target=\"_blank\" rel=\"noopener\">Hickey Fest\u003c/a>.\u003c/p>\n\u003cp>Listen to the mixtape to learn more about all eleven bands and their corresponding festivals.\u003c/p>\n\u003cp>\u003cstrong>Track List\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://www.thaoandthegetdownstaydown.com/\" target=\"_blank\" rel=\"noopener\">Thao & The Get Down Stay Down\u003c/a>, “Astonished Man”\u003cbr>\n\u003cem>The beloved local indie rock band opens for M. Ward at the \u003ca href=\"https://www.sterngrove.org/\" target=\"_blank\" rel=\"noopener\">Stern Grove Festival\u003c/a> on July 1.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/thatblackkidthatraps/\" target=\"_blank\" rel=\"noopener\">Caleborate\u003c/a>, “Soul”\u003cbr>\n\u003cem>Berkeley’s Caleborate is one of many local artists at \u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">Outside Lands 2018\u003c/a>, joining SOB x RBE, Shannon and the Clams, Monophonics and more Aug. 10–12.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.martyoreilly.com/\" target=\"_blank\" rel=\"noopener\">Marty O’Reilly & the Old Soul Orchestra\u003c/a>, “Off and On Again”\u003cbr>\n\u003cem>The Santa Cruz quartet plays on May 27 at \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">Bottlerock Napa Valley\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">La Clandestina\u003c/a>, “Voy Para Arriba”\u003cbr>\n\u003cem>The Latin jazz ensemble performs at the 40th annual \u003ca href=\"http://www.carnavalsanfrancisco.org/\" target=\"_blank\" rel=\"noopener\">Carnaval San Francisco\u003c/a> on May 27 with LoCura, Bayonics, Bang Data and more.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://omgdrama.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Drama\u003c/a>, “Parking Meter”\u003cbr>\n\u003cem>The punk band plays \u003ca href=\"http://www.theuniverseislit.com/\" target=\"_blank\" rel=\"noopener\">The Multivrs Is Illuminated\u003c/a>, which runs from August 9–12 in San Francisco and Oakland.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://www.birdmanrecords.com/grisgris/index.html\" target=\"_blank\" rel=\"noopener\">Gris Gris\u003c/a>, “Year Zero”\u003cbr>\n\u003cem>On July 1, the Bay Area psych band joins The Damned, Le Shok and many more at Oakland’s \u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">Burger Boogaloo\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://spellling.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Spelling\u003c/a>, “Blue (American Dream)”\u003cbr>\n\u003cem>Performing with Siri, AllBlack, Raxx Life Raj and more at \u003ca href=\"https://www.feels6.tv/\" target=\"_blank\" rel=\"noopener\">Feels 6\u003c/a> on June 16 at the Craneway Pavilion in Richmond.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://www.sonnysmith.com/\" target=\"_blank\" rel=\"noopener\">Sonny Smith\u003c/a>, “Pictures of You”\u003cbr>\n\u003cem>The San Francisco musician heads to Sonoma Valley to join Wooden Shjips, Jonathan Richman and Steve Gunn at the \u003ca href=\"https://sonoma.huichica.com/\" target=\"_blank\" rel=\"noopener\">Huichica Music Festival\u003c/a> on June 9.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://soldevelopmentmusic.com/\" target=\"_blank\" rel=\"noopener\">Sol Development\u003c/a>, “Sunny Days (ft. Mark Knoxx)”\u003cbr>\n\u003cem>The hip-hop-jazz ensemble performs alongside Mino Yanci on Aug. 2 at the \u003ca href=\"https://ybgfestival.org/\" target=\"_blank\" rel=\"noopener\">Yerba Buena Gardens Festival\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://meernaa.com/\" target=\"_blank\" rel=\"noopener\">Meernaa\u003c/a>, “Good Luck”\u003cbr>\n\u003cem>Oakland’s Meernaa travels to Mendocino to perform at \u003ca href=\"http://hickeyfest.com/\" target=\"_blank\" rel=\"noopener\">Hickey Fest\u003c/a> on June 15.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.trebuchetmusic.com/\" target=\"_blank\" rel=\"noopener\">Trebuchet\u003c/a>, “A Confession”\u003cbr>\n\u003cem>The Petaluma band joins Frankie Boots, Mickelson, Ismay and 20 other artists at Santa Rosa’s \u003ca href=\"http://www.railroadsquaremusicfestival.com/\" target=\"_blank\" rel=\"noopener\">Railroad Square Music Festival\u003c/a> on June 10.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>With the debut of the \u003ca href=\"https://www.kqed.org/arts/13832104/sza-brockhampton-kamaiyah-bring-blurry-vision-into-focus-in-oakland\" target=\"_blank\" rel=\"noopener\">Blurry Vision Fest\u003c/a> in Oakland earlier this month and \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">Bottlerock Napa Valley\u003c/a> and \u003ca href=\"http://www.carnavalsanfrancisco.org/\" target=\"_blank\" rel=\"noopener\">Carnaval San Francisco\u003c/a> around the corner, \u003ca href=\"https://www.kqed.org/arts/13831900/summertime-feeling-9-outdoor-concerts-and-festivals-in-the-bay-area\" target=\"_blank\" rel=\"noopener\">music festival season\u003c/a> is officially underway in the Bay Area.\u003c/p>\n\u003cp>This mixtape features music from local artists performing at festivals around the region in the coming months. San Francisco’s \u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">Outside Lands\u003c/a> is certainly the biggest summer music festival in the area; its 2018 lineup is particularly notable for its overdue inclusion of \u003ca href=\"https://www.kqed.org/arts/13828348/janet-jackson-to-play-outside-lands-ending-10-year-run-of-no-female-headliners\" target=\"_blank\" rel=\"noopener\">female headliners\u003c/a> (Janet Jackson!) and a ton of local performers. But the Bay Area has many other festivals to offer, and this mix reflects the variety of concert-going experiences available in Northern California.\u003c/p>\n\u003cp>Between now and the end of the summer, one can check out beloved legacy events \u003ca href=\"https://www.sterngrove.org/\" target=\"_blank\" rel=\"noopener\">Stern Grove Festival\u003c/a> and Carnaval, exciting new fests like \u003ca href=\"https://www.feels6.tv/\" target=\"_blank\" rel=\"noopener\">Feels 6\u003c/a> and \u003ca href=\"http://www.theuniverseislit.com/\" target=\"_blank\" rel=\"noopener\">The Multivrs Is Illuminated\u003c/a> and the road trip-worthy \u003ca href=\"https://sonoma.huichica.com/\" target=\"_blank\" rel=\"noopener\">Huichica Music Festival\u003c/a> and \u003ca href=\"http://hickeyfest.com/\" target=\"_blank\" rel=\"noopener\">Hickey Fest\u003c/a>.\u003c/p>\n\u003cp>Listen to the mixtape to learn more about all eleven bands and their corresponding festivals.\u003c/p>\n\u003cp>\u003cstrong>Track List\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.thaoandthegetdownstaydown.com/\" target=\"_blank\" rel=\"noopener\">Thao & The Get Down Stay Down\u003c/a>, “Astonished Man”\u003cbr>\n\u003cem>The beloved local indie rock band opens for M. Ward at the \u003ca href=\"https://www.sterngrove.org/\" target=\"_blank\" rel=\"noopener\">Stern Grove Festival\u003c/a> on July 1.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/thatblackkidthatraps/\" target=\"_blank\" rel=\"noopener\">Caleborate\u003c/a>, “Soul”\u003cbr>\n\u003cem>Berkeley’s Caleborate is one of many local artists at \u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">Outside Lands 2018\u003c/a>, joining SOB x RBE, Shannon and the Clams, Monophonics and more Aug. 10–12.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.martyoreilly.com/\" target=\"_blank\" rel=\"noopener\">Marty O’Reilly & the Old Soul Orchestra\u003c/a>, “Off and On Again”\u003cbr>\n\u003cem>The Santa Cruz quartet plays on May 27 at \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">Bottlerock Napa Valley\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">La Clandestina\u003c/a>, “Voy Para Arriba”\u003cbr>\n\u003cem>The Latin jazz ensemble performs at the 40th annual \u003ca href=\"http://www.carnavalsanfrancisco.org/\" target=\"_blank\" rel=\"noopener\">Carnaval San Francisco\u003c/a> on May 27 with LoCura, Bayonics, Bang Data and more.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://omgdrama.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Drama\u003c/a>, “Parking Meter”\u003cbr>\n\u003cem>The punk band plays \u003ca href=\"http://www.theuniverseislit.com/\" target=\"_blank\" rel=\"noopener\">The Multivrs Is Illuminated\u003c/a>, which runs from August 9–12 in San Francisco and Oakland.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://www.birdmanrecords.com/grisgris/index.html\" target=\"_blank\" rel=\"noopener\">Gris Gris\u003c/a>, “Year Zero”\u003cbr>\n\u003cem>On July 1, the Bay Area psych band joins The Damned, Le Shok and many more at Oakland’s \u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">Burger Boogaloo\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://spellling.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Spelling\u003c/a>, “Blue (American Dream)”\u003cbr>\n\u003cem>Performing with Siri, AllBlack, Raxx Life Raj and more at \u003ca href=\"https://www.feels6.tv/\" target=\"_blank\" rel=\"noopener\">Feels 6\u003c/a> on June 16 at the Craneway Pavilion in Richmond.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://www.sonnysmith.com/\" target=\"_blank\" rel=\"noopener\">Sonny Smith\u003c/a>, “Pictures of You”\u003cbr>\n\u003cem>The San Francisco musician heads to Sonoma Valley to join Wooden Shjips, Jonathan Richman and Steve Gunn at the \u003ca href=\"https://sonoma.huichica.com/\" target=\"_blank\" rel=\"noopener\">Huichica Music Festival\u003c/a> on June 9.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://soldevelopmentmusic.com/\" target=\"_blank\" rel=\"noopener\">Sol Development\u003c/a>, “Sunny Days (ft. Mark Knoxx)”\u003cbr>\n\u003cem>The hip-hop-jazz ensemble performs alongside Mino Yanci on Aug. 2 at the \u003ca href=\"https://ybgfestival.org/\" target=\"_blank\" rel=\"noopener\">Yerba Buena Gardens Festival\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://meernaa.com/\" target=\"_blank\" rel=\"noopener\">Meernaa\u003c/a>, “Good Luck”\u003cbr>\n\u003cem>Oakland’s Meernaa travels to Mendocino to perform at \u003ca href=\"http://hickeyfest.com/\" target=\"_blank\" rel=\"noopener\">Hickey Fest\u003c/a> on June 15.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.trebuchetmusic.com/\" target=\"_blank\" rel=\"noopener\">Trebuchet\u003c/a>, “A Confession”\u003cbr>\n\u003cem>The Petaluma band joins Frankie Boots, Mickelson, Ismay and 20 other artists at Santa Rosa’s \u003ca href=\"http://www.railroadsquaremusicfestival.com/\" target=\"_blank\" rel=\"noopener\">Railroad Square Music Festival\u003c/a> on June 10.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Ah, summer — when we make the switch from winter coats to light jackets, post up with beers and picnics on our favorite grassy knolls and, of course, hit up the many day parties, festivals and outdoor concerts the Bay Area has to offer.\u003c/p>\n\u003cp>While some multi-day festivals require bigger budgets, there are plenty of ways to see good music for free or cheap in the Bay Area, whether you’re looking to party or enjoy some family-friendly entertainment. We’ve rounded up a variety of our favorite outdoor music experiences to help you plan your summer calendar.\u003c/p>\n\u003ch2>Festivals\u003c/h2>\n\u003cfigure id=\"attachment_13832386\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832386\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Recording artist Bruno Mars performs during the 60th Annual GRAMMY Awards at Madison Square Garden on January 28, 2018 in New York City. \u003ccite>( Kevin Winter/Getty Images for NARAS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>BottleRock\u003c/h3>\n\u003cp>\u003cem>May 25–27. Napa County Fairgrounds, Napa. Details \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nBottleRock is a festival with intergenerational, cross-genre appeal; this year’s edition features chart-toppers like Bruno Mars, the Chainsmokers, Bleachers and Halsey alongside Incubus, Earth Wind & Fire, Billy Idol, E-40 and Snoop Dogg. Rising artists not to miss also include Tank and the Bangas, the whimsical, soulful band that won NPR’s 2017 Tiny Desk Concert, plus Colombian electronic duo Bomba Estereo and pianist-turned-producer Nombe.\u003c/p>\n\u003cfigure id=\"attachment_10902418\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10902418\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4-800x450.jpg\" alt=\"Vetiver's Andy Cabic. (Photo: Terri Loewenthal)\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Vetiver’s Andy Cabic. (Photo: Terri Loewenthal) \u003ccite>(Terri Loewenthal)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Huichica Music Festival\u003c/h3>\n\u003cp>\u003cem>June 8 and 9. Gundlach Bundschu Winery, Sonoma. Details \u003ca href=\"https://huichica.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nTaking place in a rural, wine-country setting, Huichica Music Festival is a relaxing antidote to more popular fests like Outside Lands, where wading through crowds is a prerequisite to catching your favorite bands. The lineup generally revolves around indie rock and folk, and acts to look forward to this year include Vetiver performing their album \u003cem>Thing of the Past\u003c/em> in full; Jonathan Richman of proto-punk band the Modern Lovers; psychedelic jam band Wooden Shjips; and longtime San Francisco indie rockers the Fresh & Onlys and Sonny Smith.\u003c/p>\n\u003cfigure id=\"attachment_10820718\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10820718\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/TheMummies1-800x450.jpg\" alt=\"Garage punk band The Mummies headlined the July 4 lineup at Burger Boogaloo.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Garage-punk band The Mummies play the 2016 edition of Burger Boogaloo. \u003ccite>((Photo: Rebecca Bowe/KQED))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Burger Boogaloo\u003c/h3>\n\u003cp>\u003cem>June 30 – July 1. Mosswood Park, Oakland. Details \u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nHosted by gay icon and filmmaker John Waters, Burger Boogaloo is a punk and garage extravaganza that Burger Records throws each summer at Mosswood Park, a location that normally gets little action other than pick-up basketball games on weekends. This year’s headliners are synth-pop greats Devo and early punk band the Damned, plus performances by the Traditional Fools (featuring central garage rock revivalist Ty Segall), Hunx and his Punx, electropunk band Le Shok and Boogaloo mainstay the Mummies.\u003c/p>\n\u003cfigure id=\"attachment_13832377\" class=\"wp-caption alignleft\" style=\"max-width: 750px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13832377\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/universe-is-lit.jpg\" alt=\"Provoke performing at The Universe Is Lit in 2017.\" width=\"750\" height=\"581\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit-240x186.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit-375x291.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit-520x403.jpg 520w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003cfigcaption class=\"wp-caption-text\">Provoke performing at The Universe Is Lit in 2017. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The Multivrs is Illuminated\u003c/h3>\n\u003cp>\u003cem>Aug. 9–12. Various locations, San Francisco and Oakland. Details \u003ca href=\"http://www.theuniverseislit.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nLast year’s The Universe Is Lit brought an eclectic lineup of underground punk, noise, hardcore and experimental bands from all over the country for a weekend-long fest that took place at venues like The Lab in the Mission and One Fam in Oakland. All of the acts on the bill were fronted by people of color, aligning today’s punk scene with a long history of black and brown avant-garde. The party continues this year with The Multivrs is Illuminated, a four-day fest featuring bands, DJs, a film screening, panels and workshops. Artists announced so far include Drama (Bay Area), Precolumbian (Philadelphia), Sister Mantos (Los Angeles), JAX (Haiti), Softie (New Orleans), Squid Ink (Fresno) and No Babies (Oakland). The festival is donation-based, with no one turned away for lack of funds.\u003c/p>\n\u003cfigure id=\"attachment_13828384\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13828384\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-800x450.jpg\" alt=\"Janet Jackson performing in 2016 in the United Arab Emirate of Dubai. Janet Jackson has been announced as a performer at the 2018 Outside Lands festival in San Francisco.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janet Jackson performing in 2016 in the United Arab Emirate of Dubai. Janet Jackson has been announced as a performer at the 2018 Outside Lands festival in San Francisco. \u003ccite>(KARIM SAHIB/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Outside Lands\u003c/h3>\n\u003cp>\u003cem>Aug. 10–12. Golden Gate Park, San Francisco. Details \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nJanet Jackson makes a welcome return into the public eye with a headlining set at this year’s Outside Lands, topping the bill alongside The Weeknd and indie favorites Florence & the Machine. Janelle Monae, whose newest album \u003cem>Dirty Computer\u003c/em> challenges pop’s depictions of queerness, is also on the bill, along with Atlanta rap star Future, Pharrell’s recently revived N.E.R.D., rising Vallejo rap group SOB x RBE, Oakland garage rockers Shannon & the Clams, super-producer DJ Snake, cult pop star Carly Rae Jepson and more. This is one of the most diverse Outside Lands lineups yet.\u003c/p>\n\u003cfigure id=\"attachment_13832399\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832399\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kool & the Gang perform at Gabrielle’s Angel Foundation’s Angel Ball 2017 at Cipriani Wall Street on Oct. 23, 2017 in New York City. \u003ccite>(Dimitrios Kambouris/Getty Images for Gabrielle's Angel Foundation For Cancer Research)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>San Jose Jazz Summer Fest\u003c/h3>\n\u003cp>\u003cem>Aug. 10–12. Plaza de César Chavez Park, San Jose. Details \u003ca href=\"https://summerfest.sanjosejazz.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nSan Jose Jazz Summer Fest is a playground for those who appreciate the instrumental virtuosity and eclecticism of one of America’s finest musical traditions. Taking place over three days and featuring 12 stages, the festival includes contemporary jazz, big band, salsa, R&B, funk, soul and more. “Closer” singer Goapele headlines on Aug. 10; organist and producer Booker T. performs with a 10-piece band, showcasing his storied career at Stax Records; funk superstars Kool & the Gang close out the festival on Aug. 12.\u003c/p>\n\u003ch2>Day Parties\u003c/h2>\n\u003cfigure id=\"attachment_13832379\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832379\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/atrak-800x533.jpg\" alt=\"A-Trak performs on February 11, 2017 in Los Angeles, California. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A-Trak performs on Feb. 11, 2017 in Los Angeles, California. \u003ccite>(Christopher Polk/Getty Images for Mastercard)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Poolside Day Parties at the Phoenix Hotel\u003c/h3>\n\u003cp>\u003cem>May 6 – Sept. 30. Phoenix Hotel, San Francisco. Details \u003ca href=\"https://www.phoenixsf.com/culture/hotel-events/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nHip electronic acts one might see at clubs like 1015 Folsom get a chance to perform in a more relaxed environment at the Phoenix Hotel’s poolside parties, which take place on select Sundays through the end of summer. Snakehips, a UK production duo that makes dreamy R&B, perform on May 27, followed by Andre Power, co-founder of influential indie label Soulection, on July 15. Cult house act Crystal Waters of “Gypsy Woman (She’s Homeless)” fame performs a special live set for Pride weekend on June 24. A-Trak, co-founder of hip-hop and electronic label Fool’s Gold, closes out the series on Sept. 30; he’s known for mixing everything from Jimi Hendrix to Kanye West on his turntables.\u003c/p>\n\u003cfigure id=\"attachment_13832381\" class=\"wp-caption alignleft\" style=\"max-width: 553px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13832381\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/lady-ryan.jpg\" alt=\"\" width=\"553\" height=\"317\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan.jpg 553w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan-160x92.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan-240x138.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan-375x215.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan-520x298.jpg 520w\" sizes=\"(max-width: 553px) 100vw, 553px\">\u003cfigcaption class=\"wp-caption-text\">DJ LadyRyan. \u003ccite>(Artist photo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Souloveley\u003c/h3>\n\u003cp>\u003cem>Second Sundays, May 13 – Oct. 14. Lost & Found, Oakland. Details \u003ca href=\"https://www.facebook.com/wearesoulovely/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nSoulovely is a feel-good daytime dance party that centers queer and trans women of color, and everyone is welcome. Veteran Bay Area DJs Lady Ryan and Emancipacion heat the dance floor with hip-hop, R&B and house, with a good dose of nostalgic throwbacks. The DJs intentionally avoid music with misogynistic lyrics, and the party attracts an intergenerational, diverse crowd, with rapper Aima the Dreamer as the host. This year’s edition of Soulovely takes place at the beer garden Lost and Found; pop-up Tacos y Chelas has food for sale, and there are plenty of craft beers on tap and games to play in the garden.\u003c/p>\n\u003ch2>Free Stuff\u003c/h2>\n\u003cfigure id=\"attachment_13832395\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832395\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/gamelan-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gamelan Sekar Jaya. \u003ccite>(YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Yerba Buena Gardens Festival\u003c/h3>\n\u003cp>\u003cem>May 12 – Oct. 31. Yerba Buena Gardens, San Francisco. Details \u003ca href=\"https://ybgfestival.org/events/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nYerba Buena Gardens festival is a free event series jam-packed with music, dance and performing arts from many international traditions. Grammy-winning percussionist Jose Cabanillas performs with his Latin jazz, mambo and salsa orchestra Cabanijazz Project on May 17. On June 9, Gamelan Sekar Jaya plays enchanting, percussion-driven Balinese music. And on June 30, Iranian-born musician Dina Zarif presents Music of the Banned, featuring artists from Muslim-majority countries affected by Trump’s travel ban as a gesture of defiance and solidarity. For the dozens of other events, make sure to check \u003ca href=\"https://ybgfestival.org/event/music-of-the-banned/\" target=\"_blank\" rel=\"noopener\">Yerba Buena’s calendar\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13832392\" class=\"wp-caption alignleft\" style=\"max-width: 738px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13832392\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/carnaval.jpg\" alt=\"\" width=\"738\" height=\"415\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval.jpg 738w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval-520x292.jpg 520w\" sizes=\"(max-width: 738px) 100vw, 738px\">\u003cfigcaption class=\"wp-caption-text\">Carnaval. \u003ccite>(Trinibwoy Rog)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Carnaval San Francisco\u003c/h3>\n\u003cp>\u003cem>May 26 and 27. Harrison Street between 16th and 24th Streets. Details \u003ca href=\"http://www.carnavalsanfrancisco.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nCarnaval San Francisco started in the ’70s as a celebration of Latin American culture from all over the diaspora, with music, food, dance ensembles and more. This year, Latin soul band El Chicano, known for classics like “Sabor a Mi” and “Tell Her She’s Lovely,” performs, along with Latin Grammy-winning salsa singer India, Latin rock band Malo of “Suavecito” fame and more. There’s still time to brush up on your dance moves.\u003c/p>\n\u003cfigure id=\"attachment_13830792\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13830792\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ziggy Marley performs at Stern Grove Festival on June 24. \u003ccite>(Gregory Bojorquez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Stern Grove Festival\u003c/h3>\n\u003cp>\u003cem>June 17 – Aug. 19. 19th Avenue and Sloat Boulevard, San Francisco. Details \u003ca href=\"https://www.sterngrove.org/2018-concerts/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nFor the past 81 summers, San Franciscans have gathered in Balboa Terrace for Stern Grove, a free festival with a roster of A-list live acts one would normally catch at the Regency Ballroom or Fox Theater. Acts to look forward to include Ziggy Marley on June 24, indie rockers Thao & the Get Down Stay Down on July 1 and Afrobeat band Femi Kuti and the Positive Force (along with Oakland hip-hop jazz ensemble Sol Development) on Aug. 5.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "From multi-day festivals to free outdoor concerts, we've got your summer music calendar covered.",
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"title": "Summertime Feeling: 9 Outdoor Concerts and Festivals in the Bay Area | KQED",
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"headline": "Summertime Feeling: 9 Outdoor Concerts and Festivals in the Bay Area",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ah, summer — when we make the switch from winter coats to light jackets, post up with beers and picnics on our favorite grassy knolls and, of course, hit up the many day parties, festivals and outdoor concerts the Bay Area has to offer.\u003c/p>\n\u003cp>While some multi-day festivals require bigger budgets, there are plenty of ways to see good music for free or cheap in the Bay Area, whether you’re looking to party or enjoy some family-friendly entertainment. We’ve rounded up a variety of our favorite outdoor music experiences to help you plan your summer calendar.\u003c/p>\n\u003ch2>Festivals\u003c/h2>\n\u003cfigure id=\"attachment_13832386\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832386\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Recording artist Bruno Mars performs during the 60th Annual GRAMMY Awards at Madison Square Garden on January 28, 2018 in New York City. \u003ccite>( Kevin Winter/Getty Images for NARAS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>BottleRock\u003c/h3>\n\u003cp>\u003cem>May 25–27. Napa County Fairgrounds, Napa. Details \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nBottleRock is a festival with intergenerational, cross-genre appeal; this year’s edition features chart-toppers like Bruno Mars, the Chainsmokers, Bleachers and Halsey alongside Incubus, Earth Wind & Fire, Billy Idol, E-40 and Snoop Dogg. Rising artists not to miss also include Tank and the Bangas, the whimsical, soulful band that won NPR’s 2017 Tiny Desk Concert, plus Colombian electronic duo Bomba Estereo and pianist-turned-producer Nombe.\u003c/p>\n\u003cfigure id=\"attachment_10902418\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10902418\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4-800x450.jpg\" alt=\"Vetiver's Andy Cabic. (Photo: Terri Loewenthal)\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Vetiver’s Andy Cabic. (Photo: Terri Loewenthal) \u003ccite>(Terri Loewenthal)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Huichica Music Festival\u003c/h3>\n\u003cp>\u003cem>June 8 and 9. Gundlach Bundschu Winery, Sonoma. Details \u003ca href=\"https://huichica.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nTaking place in a rural, wine-country setting, Huichica Music Festival is a relaxing antidote to more popular fests like Outside Lands, where wading through crowds is a prerequisite to catching your favorite bands. The lineup generally revolves around indie rock and folk, and acts to look forward to this year include Vetiver performing their album \u003cem>Thing of the Past\u003c/em> in full; Jonathan Richman of proto-punk band the Modern Lovers; psychedelic jam band Wooden Shjips; and longtime San Francisco indie rockers the Fresh & Onlys and Sonny Smith.\u003c/p>\n\u003cfigure id=\"attachment_10820718\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10820718\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/TheMummies1-800x450.jpg\" alt=\"Garage punk band The Mummies headlined the July 4 lineup at Burger Boogaloo.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Garage-punk band The Mummies play the 2016 edition of Burger Boogaloo. \u003ccite>((Photo: Rebecca Bowe/KQED))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Burger Boogaloo\u003c/h3>\n\u003cp>\u003cem>June 30 – July 1. Mosswood Park, Oakland. Details \u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nHosted by gay icon and filmmaker John Waters, Burger Boogaloo is a punk and garage extravaganza that Burger Records throws each summer at Mosswood Park, a location that normally gets little action other than pick-up basketball games on weekends. This year’s headliners are synth-pop greats Devo and early punk band the Damned, plus performances by the Traditional Fools (featuring central garage rock revivalist Ty Segall), Hunx and his Punx, electropunk band Le Shok and Boogaloo mainstay the Mummies.\u003c/p>\n\u003cfigure id=\"attachment_13832377\" class=\"wp-caption alignleft\" style=\"max-width: 750px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13832377\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/universe-is-lit.jpg\" alt=\"Provoke performing at The Universe Is Lit in 2017.\" width=\"750\" height=\"581\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit-240x186.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit-375x291.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit-520x403.jpg 520w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003cfigcaption class=\"wp-caption-text\">Provoke performing at The Universe Is Lit in 2017. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The Multivrs is Illuminated\u003c/h3>\n\u003cp>\u003cem>Aug. 9–12. Various locations, San Francisco and Oakland. Details \u003ca href=\"http://www.theuniverseislit.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nLast year’s The Universe Is Lit brought an eclectic lineup of underground punk, noise, hardcore and experimental bands from all over the country for a weekend-long fest that took place at venues like The Lab in the Mission and One Fam in Oakland. All of the acts on the bill were fronted by people of color, aligning today’s punk scene with a long history of black and brown avant-garde. The party continues this year with The Multivrs is Illuminated, a four-day fest featuring bands, DJs, a film screening, panels and workshops. Artists announced so far include Drama (Bay Area), Precolumbian (Philadelphia), Sister Mantos (Los Angeles), JAX (Haiti), Softie (New Orleans), Squid Ink (Fresno) and No Babies (Oakland). The festival is donation-based, with no one turned away for lack of funds.\u003c/p>\n\u003cfigure id=\"attachment_13828384\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13828384\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-800x450.jpg\" alt=\"Janet Jackson performing in 2016 in the United Arab Emirate of Dubai. Janet Jackson has been announced as a performer at the 2018 Outside Lands festival in San Francisco.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janet Jackson performing in 2016 in the United Arab Emirate of Dubai. Janet Jackson has been announced as a performer at the 2018 Outside Lands festival in San Francisco. \u003ccite>(KARIM SAHIB/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Outside Lands\u003c/h3>\n\u003cp>\u003cem>Aug. 10–12. Golden Gate Park, San Francisco. Details \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nJanet Jackson makes a welcome return into the public eye with a headlining set at this year’s Outside Lands, topping the bill alongside The Weeknd and indie favorites Florence & the Machine. Janelle Monae, whose newest album \u003cem>Dirty Computer\u003c/em> challenges pop’s depictions of queerness, is also on the bill, along with Atlanta rap star Future, Pharrell’s recently revived N.E.R.D., rising Vallejo rap group SOB x RBE, Oakland garage rockers Shannon & the Clams, super-producer DJ Snake, cult pop star Carly Rae Jepson and more. This is one of the most diverse Outside Lands lineups yet.\u003c/p>\n\u003cfigure id=\"attachment_13832399\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832399\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kool & the Gang perform at Gabrielle’s Angel Foundation’s Angel Ball 2017 at Cipriani Wall Street on Oct. 23, 2017 in New York City. \u003ccite>(Dimitrios Kambouris/Getty Images for Gabrielle's Angel Foundation For Cancer Research)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>San Jose Jazz Summer Fest\u003c/h3>\n\u003cp>\u003cem>Aug. 10–12. Plaza de César Chavez Park, San Jose. Details \u003ca href=\"https://summerfest.sanjosejazz.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nSan Jose Jazz Summer Fest is a playground for those who appreciate the instrumental virtuosity and eclecticism of one of America’s finest musical traditions. Taking place over three days and featuring 12 stages, the festival includes contemporary jazz, big band, salsa, R&B, funk, soul and more. “Closer” singer Goapele headlines on Aug. 10; organist and producer Booker T. performs with a 10-piece band, showcasing his storied career at Stax Records; funk superstars Kool & the Gang close out the festival on Aug. 12.\u003c/p>\n\u003ch2>Day Parties\u003c/h2>\n\u003cfigure id=\"attachment_13832379\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832379\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/atrak-800x533.jpg\" alt=\"A-Trak performs on February 11, 2017 in Los Angeles, California. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A-Trak performs on Feb. 11, 2017 in Los Angeles, California. \u003ccite>(Christopher Polk/Getty Images for Mastercard)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Poolside Day Parties at the Phoenix Hotel\u003c/h3>\n\u003cp>\u003cem>May 6 – Sept. 30. Phoenix Hotel, San Francisco. Details \u003ca href=\"https://www.phoenixsf.com/culture/hotel-events/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nHip electronic acts one might see at clubs like 1015 Folsom get a chance to perform in a more relaxed environment at the Phoenix Hotel’s poolside parties, which take place on select Sundays through the end of summer. Snakehips, a UK production duo that makes dreamy R&B, perform on May 27, followed by Andre Power, co-founder of influential indie label Soulection, on July 15. Cult house act Crystal Waters of “Gypsy Woman (She’s Homeless)” fame performs a special live set for Pride weekend on June 24. A-Trak, co-founder of hip-hop and electronic label Fool’s Gold, closes out the series on Sept. 30; he’s known for mixing everything from Jimi Hendrix to Kanye West on his turntables.\u003c/p>\n\u003cfigure id=\"attachment_13832381\" class=\"wp-caption alignleft\" style=\"max-width: 553px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13832381\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/lady-ryan.jpg\" alt=\"\" width=\"553\" height=\"317\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan.jpg 553w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan-160x92.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan-240x138.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan-375x215.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan-520x298.jpg 520w\" sizes=\"(max-width: 553px) 100vw, 553px\">\u003cfigcaption class=\"wp-caption-text\">DJ LadyRyan. \u003ccite>(Artist photo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Souloveley\u003c/h3>\n\u003cp>\u003cem>Second Sundays, May 13 – Oct. 14. Lost & Found, Oakland. Details \u003ca href=\"https://www.facebook.com/wearesoulovely/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nSoulovely is a feel-good daytime dance party that centers queer and trans women of color, and everyone is welcome. Veteran Bay Area DJs Lady Ryan and Emancipacion heat the dance floor with hip-hop, R&B and house, with a good dose of nostalgic throwbacks. The DJs intentionally avoid music with misogynistic lyrics, and the party attracts an intergenerational, diverse crowd, with rapper Aima the Dreamer as the host. This year’s edition of Soulovely takes place at the beer garden Lost and Found; pop-up Tacos y Chelas has food for sale, and there are plenty of craft beers on tap and games to play in the garden.\u003c/p>\n\u003ch2>Free Stuff\u003c/h2>\n\u003cfigure id=\"attachment_13832395\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832395\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/gamelan-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gamelan Sekar Jaya. \u003ccite>(YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Yerba Buena Gardens Festival\u003c/h3>\n\u003cp>\u003cem>May 12 – Oct. 31. Yerba Buena Gardens, San Francisco. Details \u003ca href=\"https://ybgfestival.org/events/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nYerba Buena Gardens festival is a free event series jam-packed with music, dance and performing arts from many international traditions. Grammy-winning percussionist Jose Cabanillas performs with his Latin jazz, mambo and salsa orchestra Cabanijazz Project on May 17. On June 9, Gamelan Sekar Jaya plays enchanting, percussion-driven Balinese music. And on June 30, Iranian-born musician Dina Zarif presents Music of the Banned, featuring artists from Muslim-majority countries affected by Trump’s travel ban as a gesture of defiance and solidarity. For the dozens of other events, make sure to check \u003ca href=\"https://ybgfestival.org/event/music-of-the-banned/\" target=\"_blank\" rel=\"noopener\">Yerba Buena’s calendar\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13832392\" class=\"wp-caption alignleft\" style=\"max-width: 738px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13832392\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/carnaval.jpg\" alt=\"\" width=\"738\" height=\"415\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval.jpg 738w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval-520x292.jpg 520w\" sizes=\"(max-width: 738px) 100vw, 738px\">\u003cfigcaption class=\"wp-caption-text\">Carnaval. \u003ccite>(Trinibwoy Rog)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Carnaval San Francisco\u003c/h3>\n\u003cp>\u003cem>May 26 and 27. Harrison Street between 16th and 24th Streets. Details \u003ca href=\"http://www.carnavalsanfrancisco.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nCarnaval San Francisco started in the ’70s as a celebration of Latin American culture from all over the diaspora, with music, food, dance ensembles and more. This year, Latin soul band El Chicano, known for classics like “Sabor a Mi” and “Tell Her She’s Lovely,” performs, along with Latin Grammy-winning salsa singer India, Latin rock band Malo of “Suavecito” fame and more. There’s still time to brush up on your dance moves.\u003c/p>\n\u003cfigure id=\"attachment_13830792\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13830792\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ziggy Marley performs at Stern Grove Festival on June 24. \u003ccite>(Gregory Bojorquez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Stern Grove Festival\u003c/h3>\n\u003cp>\u003cem>June 17 – Aug. 19. 19th Avenue and Sloat Boulevard, San Francisco. Details \u003ca href=\"https://www.sterngrove.org/2018-concerts/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nFor the past 81 summers, San Franciscans have gathered in Balboa Terrace for Stern Grove, a free festival with a roster of A-list live acts one would normally catch at the Regency Ballroom or Fox Theater. Acts to look forward to include Ziggy Marley on June 24, indie rockers Thao & the Get Down Stay Down on July 1 and Afrobeat band Femi Kuti and the Positive Force (along with Oakland hip-hop jazz ensemble Sol Development) on Aug. 5.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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},
"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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