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"slug": "best-fits-photos-fashion-outside-lands-2026",
"title": "The Best Fits We Saw at Outside Lands",
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"content": "\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> always poses a unique challenge to festivalgoers: How can you look cute without freezing in foggy fields of Golden Gate Park? This weekend’s attendees were up to the test, and photographer Estefany Gonzalez was on the scene to capture the best in festival fashion.\u003c/p>\n\n\n\n\u003cp>\u003cem>\u003cstrong>See more photos and highlights from Outside Lands on \u003ca href=\"https://www.kqed.org/arts/13992518/outside-lands-charli-xcx-panties-glorilla-wet-leg\">Friday\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13992542/malcolm-todd-pink-pantheress-silvana-estrada-strokes-outside-lands\">Saturday\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13992579/outside-lands-mariah-the-scientist-kwn-destin-conrad\">Sunday\u003c/a>.\u003c/strong>\u003c/em>\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_005_qed.jpg\" alt=\"\" class=\"wp-image-13992606\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_005_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_005_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_005_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_005_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">DJ Lynna Rodriguez watches Papi Payaso perform during the Hot Goth GF takeover of the Dolores’ stage at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cfigure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"889\" height=\"1333\" data-id=\"13992619\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_002_qed.jpg\" alt=\"\" class=\"wp-image-13992619\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_002_qed.jpg 889w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_002_qed-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_002_qed-768x1152.jpg 768w\" sizes=\"auto, (max-width: 889px) 100vw, 889px\">\u003cfigcaption class=\"wp-element-caption\">Ellen Winter, 18, left, and friend Zoe Dvorin, 17, wear unintentionally matching outfits to Outside Lands on Sunday, Aug. 9, 2026. The pair were both inspired by Empire of the Sun’s aesthetic.\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"889\" height=\"1333\" data-id=\"13992621\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_027_qed.jpg\" alt=\"\" class=\"wp-image-13992621\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_027_qed.jpg 889w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_027_qed-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_027_qed-768x1152.jpg 768w\" sizes=\"auto, (max-width: 889px) 100vw, 889px\">\u003cfigcaption class=\"wp-element-caption\">Crystal Weber, 23, takes lipstick to the next level by bedazzling her lips during Outside Lands on Sunday, Aug. 9, 2026.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_021_qed.jpg\" alt=\"\" class=\"wp-image-13992620\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_021_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_021_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_021_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_021_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Brittney Vazquez, center, Katie Szabados and friends dance as kwn performs at Outside Lands on Sunday, Aug. 9, 2026.\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/OSL_Plantz.jpg\" alt=\"\" class=\"wp-image-13992640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/OSL_Plantz.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/OSL_Plantz-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/OSL_Plantz-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/OSL_Plantz-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Aaron Plantz, 31, wears a fringe western shirt with fun pops of color to Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_029_qed.jpg\" alt=\"\" class=\"wp-image-13992617\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_029_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_029_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_029_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_029_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Jon Aguayo, 27, and partner Nadine Aderhold, 27, watch Silvana Estrada perform at Outside Lands on Saturday, Aug. 8, 2026. The two have attended the festival together for the past five years. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_003_qed.jpg\" alt=\"\" class=\"wp-image-13992583\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_003_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_003_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_003_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_003_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Rachael Wilson, 31, shows off her baby bump in a crop top at Outside Lands on Sunday, Aug. 9, 2026. Wilson attended the festival with her husband Patrick Wilson. The pair live San Francisco’s Richmond District and regularly attend the festival. This year marks their first Outside Lands as expecting parents. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_010_qed.jpg\" alt=\"\" class=\"wp-image-13992608\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_010_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_010_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_010_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_010_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Hex the Deceased, left, performs during the Hot Goth GF takeover of the Dolores’ stage at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_031_qed.jpg\" alt=\"\" class=\"wp-image-13992592\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_031_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_031_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_031_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_031_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Married couple Ryan and Hep Durham wear matching space suits to Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cfigure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" data-id=\"13992614\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_022_qed.jpg\" alt=\"\" class=\"wp-image-13992614\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_022_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_022_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_022_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_022_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">From left, Alana Kapust, Chelsea Geyer and Andrew George wear matching butterfly outfits to Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" data-id=\"13992615\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_023_qed.jpg\" alt=\"\" class=\"wp-image-13992615\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_023_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_023_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_023_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_023_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">The friends show off their hair decorations. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed.jpg\" alt=\"\" class=\"wp-image-13992544\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Nicki Jizz host Reparations during the Oasis takeover of the Dolores’ stage at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_007_qed.jpg\" alt=\"\" class=\"wp-image-13992611\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_007_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_007_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_007_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_007_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Papria Bhuiyan, 26, left, and bestie Mel Malithong, 26, pick up free flowers at Flower Lands, an interactive floral experience at Outside Lands on Saturday, Aug. 8, 2026. The pair traveled from Texas to attend the festival. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_026_qed.jpg\" alt=\"\" class=\"wp-image-13992616\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_026_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_026_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_026_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_026_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Imani Thomas, 32, wears special hair clips her friend custom made for her to sport at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_003_qed.jpg\" alt=\"\" class=\"wp-image-13992610\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_003_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_003_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_003_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_003_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Alex Jones, left, watches Reparations hosted by Nicki Jizz and DJ Newoncé during the Oasis takeover of the Dolores’ stage at Outside Lands on Saturday, Aug. 8, 2026. Jones traveled from North Carolina to attend the festival. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_022_qed.jpg\" alt=\"\" class=\"wp-image-13992588\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_022_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_022_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_022_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_022_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-element-caption\">Jacob Sytsma, 30, and Hannah Yee, 29, watch kwn perform at Outside Lands on Sunday, Aug. 9, 2026. The two were one of the many couples in the crowd as the British songwriter performed. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_014_qed.jpg\" alt=\"\" class=\"wp-image-13992613\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_014_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_014_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_014_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_014_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Iman Serag, 29, dresses as the Lorax at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed.jpg\" alt=\"\" class=\"wp-image-13992530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Adrian Aguinaldo, 25, dances to Tinashe at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"innerHTML": "\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> always poses a unique challenge to festivalgoers: How can you look cute without freezing in foggy fields of Golden Gate Park? This weekend’s attendees were up to the test, and photographer Estefany Gonzalez was on the scene to capture the best in festival fashion.\u003c/p>\n",
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"\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> always poses a unique challenge to festivalgoers: How can you look cute without freezing in foggy fields of Golden Gate Park? This weekend’s attendees were up to the test, and photographer Estefany Gonzalez was on the scene to capture the best in festival fashion.\u003c/p>\n"
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"innerHTML": "\n\u003cp>\u003cem>\u003cstrong>See more photos and highlights from Outside Lands on \u003ca href=\"https://www.kqed.org/arts/13992518/outside-lands-charli-xcx-panties-glorilla-wet-leg\">Friday\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13992542/malcolm-todd-pink-pantheress-silvana-estrada-strokes-outside-lands\">Saturday\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13992579/outside-lands-mariah-the-scientist-kwn-destin-conrad\">Sunday\u003c/a>.\u003c/strong>\u003c/em>\u003c/p>\n",
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"\n\u003cp>\u003cem>\u003cstrong>See more photos and highlights from Outside Lands on \u003ca href=\"https://www.kqed.org/arts/13992518/outside-lands-charli-xcx-panties-glorilla-wet-leg\">Friday\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13992542/malcolm-todd-pink-pantheress-silvana-estrada-strokes-outside-lands\">Saturday\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13992579/outside-lands-mariah-the-scientist-kwn-destin-conrad\">Sunday\u003c/a>.\u003c/strong>\u003c/em>\u003c/p>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_005_qed.jpg\" alt=\"\" class=\"wp-image-13992606\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_005_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_005_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_005_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_005_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">DJ Lynna Rodriguez watches Papi Payaso perform during the Hot Goth GF takeover of the Dolores’ stage at Outside Lands on Friday, Aug. 7, 2026.\u003c/figcaption>\u003c/figure>\n",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_002_qed.jpg\" alt=\"\" class=\"wp-image-13992619\"/>\u003cfigcaption class=\"wp-element-caption\">Ellen Winter, 18, left, and friend Zoe Dvorin, 17, wear unintentionally matching outfits to Outside Lands on Sunday, Aug. 9, 2026. The pair were both inspired by Empire of the Sun’s aesthetic.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_002_qed.jpg\" alt=\"\" class=\"wp-image-13992619\"/>\u003cfigcaption class=\"wp-element-caption\">Ellen Winter, 18, left, and friend Zoe Dvorin, 17, wear unintentionally matching outfits to Outside Lands on Sunday, Aug. 9, 2026. The pair were both inspired by Empire of the Sun’s aesthetic.\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-large\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_021_qed.jpg\" alt=\"\" class=\"wp-image-13992620\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_021_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_021_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_021_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_021_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Brittney Vazquez, center, Katie Szabados and friends dance as kwn performs at Outside Lands on Sunday, Aug. 9, 2026.\u003c/figcaption>\u003c/figure>\n",
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"excerpt": "Music lovers at the 2026 festival turned out in hot looks, fun costumes and bedazzled accessories.",
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"title": "Photos: The Best Fits at Outside Lands 2026 | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> always poses a unique challenge to festivalgoers: How can you look cute without freezing in foggy fields of Golden Gate Park? This weekend’s attendees were up to the test, and photographer Estefany Gonzalez was on the scene to capture the best in festival fashion.\u003c/p>\n\n\n\n\u003cp>\u003cem>\u003cstrong>See more photos and highlights from Outside Lands on \u003ca href=\"https://www.kqed.org/arts/13992518/outside-lands-charli-xcx-panties-glorilla-wet-leg\">Friday\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13992542/malcolm-todd-pink-pantheress-silvana-estrada-strokes-outside-lands\">Saturday\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13992579/outside-lands-mariah-the-scientist-kwn-destin-conrad\">Sunday\u003c/a>.\u003c/strong>\u003c/em>\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_005_qed.jpg\" alt=\"\" class=\"wp-image-13992606\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_005_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_005_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_005_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_005_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">DJ Lynna Rodriguez watches Papi Payaso perform during the Hot Goth GF takeover of the Dolores’ stage at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cfigure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"889\" height=\"1333\" data-id=\"13992619\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_002_qed.jpg\" alt=\"\" class=\"wp-image-13992619\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_002_qed.jpg 889w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_002_qed-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_002_qed-768x1152.jpg 768w\" sizes=\"auto, (max-width: 889px) 100vw, 889px\">\u003cfigcaption class=\"wp-element-caption\">Ellen Winter, 18, left, and friend Zoe Dvorin, 17, wear unintentionally matching outfits to Outside Lands on Sunday, Aug. 9, 2026. The pair were both inspired by Empire of the Sun’s aesthetic.\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"889\" height=\"1333\" data-id=\"13992621\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_027_qed.jpg\" alt=\"\" class=\"wp-image-13992621\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_027_qed.jpg 889w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_027_qed-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_027_qed-768x1152.jpg 768w\" sizes=\"auto, (max-width: 889px) 100vw, 889px\">\u003cfigcaption class=\"wp-element-caption\">Crystal Weber, 23, takes lipstick to the next level by bedazzling her lips during Outside Lands on Sunday, Aug. 9, 2026.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_021_qed.jpg\" alt=\"\" class=\"wp-image-13992620\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_021_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_021_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_021_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_021_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Brittney Vazquez, center, Katie Szabados and friends dance as kwn performs at Outside Lands on Sunday, Aug. 9, 2026.\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/OSL_Plantz.jpg\" alt=\"\" class=\"wp-image-13992640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/OSL_Plantz.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/OSL_Plantz-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/OSL_Plantz-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/OSL_Plantz-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Aaron Plantz, 31, wears a fringe western shirt with fun pops of color to Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_029_qed.jpg\" alt=\"\" class=\"wp-image-13992617\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_029_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_029_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_029_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_029_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Jon Aguayo, 27, and partner Nadine Aderhold, 27, watch Silvana Estrada perform at Outside Lands on Saturday, Aug. 8, 2026. The two have attended the festival together for the past five years. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_003_qed.jpg\" alt=\"\" class=\"wp-image-13992583\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_003_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_003_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_003_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_003_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Rachael Wilson, 31, shows off her baby bump in a crop top at Outside Lands on Sunday, Aug. 9, 2026. Wilson attended the festival with her husband Patrick Wilson. The pair live San Francisco’s Richmond District and regularly attend the festival. This year marks their first Outside Lands as expecting parents. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_010_qed.jpg\" alt=\"\" class=\"wp-image-13992608\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_010_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_010_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_010_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_010_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Hex the Deceased, left, performs during the Hot Goth GF takeover of the Dolores’ stage at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_031_qed.jpg\" alt=\"\" class=\"wp-image-13992592\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_031_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_031_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_031_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_031_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Married couple Ryan and Hep Durham wear matching space suits to Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cfigure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" data-id=\"13992614\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_022_qed.jpg\" alt=\"\" class=\"wp-image-13992614\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_022_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_022_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_022_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_022_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">From left, Alana Kapust, Chelsea Geyer and Andrew George wear matching butterfly outfits to Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" data-id=\"13992615\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_023_qed.jpg\" alt=\"\" class=\"wp-image-13992615\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_023_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_023_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_023_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_023_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">The friends show off their hair decorations. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed.jpg\" alt=\"\" class=\"wp-image-13992544\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Nicki Jizz host Reparations during the Oasis takeover of the Dolores’ stage at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_007_qed.jpg\" alt=\"\" class=\"wp-image-13992611\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_007_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_007_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_007_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_007_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Papria Bhuiyan, 26, left, and bestie Mel Malithong, 26, pick up free flowers at Flower Lands, an interactive floral experience at Outside Lands on Saturday, Aug. 8, 2026. The pair traveled from Texas to attend the festival. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_026_qed.jpg\" alt=\"\" class=\"wp-image-13992616\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_026_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_026_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_026_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_026_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Imani Thomas, 32, wears special hair clips her friend custom made for her to sport at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_003_qed.jpg\" alt=\"\" class=\"wp-image-13992610\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_003_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_003_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_003_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_003_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Alex Jones, left, watches Reparations hosted by Nicki Jizz and DJ Newoncé during the Oasis takeover of the Dolores’ stage at Outside Lands on Saturday, Aug. 8, 2026. Jones traveled from North Carolina to attend the festival. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_022_qed.jpg\" alt=\"\" class=\"wp-image-13992588\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_022_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_022_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_022_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_022_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-element-caption\">Jacob Sytsma, 30, and Hannah Yee, 29, watch kwn perform at Outside Lands on Sunday, Aug. 9, 2026. The two were one of the many couples in the crowd as the British songwriter performed. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_014_qed.jpg\" alt=\"\" class=\"wp-image-13992613\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_014_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_014_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_014_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_014_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Iman Serag, 29, dresses as the Lorax at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed.jpg\" alt=\"\" class=\"wp-image-13992530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Adrian Aguinaldo, 25, dances to Tinashe at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\u003cp>\u003c/p>\u003c/div>",
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"slug": "outside-lands-mariah-the-scientist-kwn-destin-conrad",
"title": "We Found the Queer R&B Sanctuary at Outside Lands",
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"headTitle": "We Found the Queer R&B Sanctuary at Outside Lands | KQED",
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"content": "\u003cp>After two days packed with \u003ca href=\"https://www.kqed.org/arts/13992518/outside-lands-charli-xcx-panties-glorilla-wet-leg\">high-adrenaline\u003c/a> \u003ca href=\"https://www.kqed.org/arts/13992542/malcolm-todd-pink-pantheress-silvana-estrada-strokes-outside-lands\">performances\u003c/a>, Sunday at \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> offered festivalgoers an oasis to recharge before the work week.\u003c/p>\n\n\n\n\u003cp>The day began with the San Francisco Gay Men’s Chorus honoring those who lost their lives to HIV/AIDS. Death Cab for Cutie treated fans with their soulful and somber anthems. And RÜFÜS DU SOL closed the main stage with their hypnotic brand of electronic music.\u003c/p>\n\n\n\n\u003cp>But the stage that nourished the soul throughout the day was Twin Peaks, graced by back-to-back R&B performances and powered by a loud and proud queer energy from the audience. While the festival promoted the \u003ca href=\"https://sfoutsidelands.com/music/dolores/\">Dolores’ dance floor\u003c/a> as the space celebrating LGBTQ+ communities, the Twin Peaks stage became another haven for queer fans.\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed.jpg\" alt=\"\" class=\"wp-image-13992597\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Mariah the Scientist performs at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>And yes — in typical Outside Lands fashion — it was very cold. Mariah the Scientist certainly thought so.\u003c/p>\n\n\n\n\u003cp>“You owe me a warm night, honey,” the Atlanta-raised R&B superstar joked with the crowd. “I don’t even know if I get that in this town.”\u003c/p>\n\n\n\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But the air sweeping in from the Pacific Ocean felt a little warmer when Mariah delivered the chorus of “Like You Never” from her 2025 album \u003cem>Hearts Sold Separately\u003c/em>. \u003c/p>\n\n\n\n\u003cp>Mariah’s soft, intimate vocals make a perfect match with her fluid, enchanting melodies. Wearing a pink general’s cap adorned with a pussy bow that rippled in the wind, she rallied fans with “2 You” — her anthem to an impossible love. Fans responded by putting two fingers in the air.\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed.jpg\" alt=\"\" class=\"wp-image-13992593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-element-caption\">Fans put two fingers in the air as Mariah the Scientist performs her hit song ‘2 You’ at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>A sensual choreography that included fabulous back-up dancers sporting pink bedazzled military-inspired uniforms (epaulettes and all), Mariah commanded the audience to channel their own sensuality. And of course, to embrace and savor all the feelings that come with heartbreak.\u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">Kwn had the crowd twerking\u003c/h2>\n\n\n\n\u003cp>While Mariah’s lyrics suggest intimacy, British performer kwn (pronounced kay-one) drives it to the front. Since first coming onto the scene in 2022, kwn has worked to make space for queer female love in R&B. Her performance style is fueled by her charisma, confidence and swag.\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed.jpg\" alt=\"\" class=\"wp-image-13992585\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Kwn performs at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>In her latest album \u003cem>and all pride aside\u003c/em>, she makes sapphic desire tangible and her fans match that energy. As soon as she began singing “risk it all” — a song about finding a baddie at the club — the crowd was already twerking. Just one smile from kwn sparked screams from hundreds of fans. \u003c/p>\n\n\n\n\u003cp>Kwn’ songs dig into the nuances that come with being a heartthrob. She’s very attentive of her partner’s sexual needs in “‘til u cry.” She’s a player showing off her game in “five more.” Devoted and adoring in “eyes wide open.”\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed.jpg\" alt=\"\" class=\"wp-image-13992586\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-element-caption\">Tay Burley, 29, watches kwn perform on the Twin Peaks stage at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>With a taper fade, a gold chain, a flannel button-up and a wallet chain to complete the player persona, kwn kept her look sleek and clean. But the ’90s R&B aesthetic — denim shorts, track suits and big, clunky jewelry — could be spotted all over the crowd. \u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">Destin Conrad made his Outside Lands debut\u003c/h2>\n\n\n\n\u003cp>Perhaps no one embraced the ’90s aesthetic more than Destin Conrad, the Florida-bred singer-songwriter who built a massive following on Vine in the 2010s and whose latest album \u003cem>Love on Digital\u003c/em> was nominated for a Grammy. The 26-year-old rocked a two-toned Canadian tuxedo and snake-print shoes for his Outside Lands debut.\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_010_qed.jpg\" alt=\"\" class=\"wp-image-13992584\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_010_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_010_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_010_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_010_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Destin Conrad performs at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>“I’ve got an alter ego,” he told the crowd with a smile before singing “MR. E,” where he showed off his vocal style: a silky, airy whisper that moves effortlessly between ranges. And he got the crowd hyped with the more upbeat “JUMPIN’,” a rallying cry for “bad bitches and pretty boys, they/thems, non-binary hoes.”\u003c/p>\n\n\n\n\u003cp>\u003c/p>\n\u003cp>But the loudest cheers came when Conrad sang “KISSING IN PUBLIC” — a celebration of kissing a male love interest without fear. “I see a lot of cute boys here,” he told the crowd with a smile.\u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">More Sunday highlights\u003c/h2>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_023_qed.jpg\" alt=\"\" class=\"wp-image-13992589\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_023_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_023_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_023_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_023_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Aaliyah Rhodes, 27, wears fuzzy alien earmuffs to stay warm at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_028_qed.jpg\" alt=\"\" class=\"wp-image-13992591\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_028_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_028_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_028_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_028_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Infinity Song performs at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_024_qed.jpg\" alt=\"\" class=\"wp-image-13992590\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_024_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_024_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_024_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_024_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Sharmane Fulgado, 30, wears an Oakland hat wrapped in a colorful scarf at Outside Lands on Sunday, Aug. 9, 2026. Fulgado was one of the many people who were both fashionable and bundled up. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_035_qed.jpg\" alt=\"\" class=\"wp-image-13992594\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_035_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_035_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_035_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_035_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Mariah the Scientist performs at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_042_qed.jpg\" alt=\"\" class=\"wp-image-13992595\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_042_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_042_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_042_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_042_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Death Cab for Cutie performs at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_036_qed.jpg\" alt=\"\" class=\"wp-image-13992599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_036_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_036_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_036_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_036_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Death Cab for Cutie performs at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_049_qed.jpg\" alt=\"\" class=\"wp-image-13992596\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_049_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_049_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_049_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_049_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Thousands of festival goers party late into the night as Rüfüs Du Sol headlines Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n",
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"innerHTML": "\n\u003cp>After two days packed with \u003ca href=\"https://www.kqed.org/arts/13992518/outside-lands-charli-xcx-panties-glorilla-wet-leg\">high-adrenaline\u003c/a> \u003ca href=\"https://www.kqed.org/arts/13992542/malcolm-todd-pink-pantheress-silvana-estrada-strokes-outside-lands\">performances\u003c/a>, Sunday at \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> offered festivalgoers an oasis to recharge before the work week.\u003c/p>\n",
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"\n\u003cp>After two days packed with \u003ca href=\"https://www.kqed.org/arts/13992518/outside-lands-charli-xcx-panties-glorilla-wet-leg\">high-adrenaline\u003c/a> \u003ca href=\"https://www.kqed.org/arts/13992542/malcolm-todd-pink-pantheress-silvana-estrada-strokes-outside-lands\">performances\u003c/a>, Sunday at \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> offered festivalgoers an oasis to recharge before the work week.\u003c/p>\n"
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"innerHTML": "\n\u003cp>The day began with the San Francisco Gay Men’s Chorus honoring those who lost their lives to HIV/AIDS. Death Cab for Cutie treated fans with their soulful and somber anthems. And RÜFÜS DU SOL closed the main stage with their hypnotic brand of electronic music.\u003c/p>\n",
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"\n\u003cp>The day began with the San Francisco Gay Men’s Chorus honoring those who lost their lives to HIV/AIDS. Death Cab for Cutie treated fans with their soulful and somber anthems. And RÜFÜS DU SOL closed the main stage with their hypnotic brand of electronic music.\u003c/p>\n"
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"innerHTML": "\n\u003cp>But the stage that nourished the soul throughout the day was Twin Peaks, graced by back-to-back R&B performances and powered by a loud and proud queer energy from the audience. While the festival promoted the \u003ca href=\"https://sfoutsidelands.com/music/dolores/\">Dolores’ dance floor\u003c/a> as the space celebrating LGBTQ+ communities, the Twin Peaks stage became another haven for queer fans.\u003c/p>\n",
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"\n\u003cp>But the stage that nourished the soul throughout the day was Twin Peaks, graced by back-to-back R&B performances and powered by a loud and proud queer energy from the audience. While the festival promoted the \u003ca href=\"https://sfoutsidelands.com/music/dolores/\">Dolores’ dance floor\u003c/a> as the space celebrating LGBTQ+ communities, the Twin Peaks stage became another haven for queer fans.\u003c/p>\n"
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"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed-1536x1024.jpg 1536w",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed.jpg\" alt=\"\" class=\"wp-image-13992597\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Mariah the Scientist performs at Outside Lands on Sunday, Aug. 9, 2026.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed.jpg\" alt=\"\" class=\"wp-image-13992597\"/>\u003cfigcaption class=\"wp-element-caption\">Mariah the Scientist performs at Outside Lands on Sunday, Aug. 9, 2026.\u003c/figcaption>\u003c/figure>\n"
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"blockName": "core/paragraph",
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"innerHTML": "\n\u003cp>And yes — in typical Outside Lands fashion — it was very cold. Mariah the Scientist certainly thought so.\u003c/p>\n",
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"\n\u003cp>And yes — in typical Outside Lands fashion — it was very cold. Mariah the Scientist certainly thought so.\u003c/p>\n"
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"innerHTML": "\n\u003cp>“You owe me a warm night, honey,” the Atlanta-raised R&B superstar joked with the crowd. “I don’t even know if I get that in this town.”\u003c/p>\n",
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"\n\u003cp>“You owe me a warm night, honey,” the Atlanta-raised R&B superstar joked with the crowd. “I don’t even know if I get that in this town.”\u003c/p>\n"
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"innerHTML": "\n\u003cp>But the air sweeping in from the Pacific Ocean felt a little warmer when Mariah delivered the chorus of “Like You Never” from her 2025 album \u003cem>Hearts Sold Separately\u003c/em>. \u003c/p>\n",
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"\n\u003cp>But the air sweeping in from the Pacific Ocean felt a little warmer when Mariah delivered the chorus of “Like You Never” from her 2025 album \u003cem>Hearts Sold Separately\u003c/em>. \u003c/p>\n"
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"innerHTML": "\n\u003cp>Mariah’s soft, intimate vocals make a perfect match with her fluid, enchanting melodies. Wearing a pink general’s cap adorned with a pussy bow that rippled in the wind, she rallied fans with “2 You” — her anthem to an impossible love. Fans responded by putting two fingers in the air.\u003c/p>\n",
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"\n\u003cp>Mariah’s soft, intimate vocals make a perfect match with her fluid, enchanting melodies. Wearing a pink general’s cap adorned with a pussy bow that rippled in the wind, she rallied fans with “2 You” — her anthem to an impossible love. Fans responded by putting two fingers in the air.\u003c/p>\n"
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"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed-1536x1024.jpg 1536w",
"sizes": "(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed.jpg\" alt=\"\" class=\"wp-image-13992593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Fans put two fingers in the air as Mariah the Scientist performs her hit song ‘2 You’ at Outside Lands on Sunday, Aug. 9, 2026.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed.jpg\" alt=\"\" class=\"wp-image-13992593\"/>\u003cfigcaption class=\"wp-element-caption\">Fans put two fingers in the air as Mariah the Scientist performs her hit song ‘2 You’ at Outside Lands on Sunday, Aug. 9, 2026.\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>A sensual choreography that included fabulous back-up dancers sporting pink bedazzled military-inspired uniforms (epaulettes and all), Mariah commanded the audience to channel their own sensuality. And of course, to embrace and savor all the feelings that come with heartbreak.\u003c/p>\n",
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"\n\u003cp>A sensual choreography that included fabulous back-up dancers sporting pink bedazzled military-inspired uniforms (epaulettes and all), Mariah commanded the audience to channel their own sensuality. And of course, to embrace and savor all the feelings that come with heartbreak.\u003c/p>\n"
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"blockName": "core/heading",
"attrs": {
"text": "Kwn had the crowd twerking",
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"innerHTML": "\n\u003ch2 class=\"wp-block-heading\">Kwn had the crowd twerking\u003c/h2>\n",
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"\n\u003ch2 class=\"wp-block-heading\">Kwn had the crowd twerking\u003c/h2>\n"
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"innerHTML": "\n\u003cp>While Mariah’s lyrics suggest intimacy, British performer kwn (pronounced kay-one) drives it to the front. Since first coming onto the scene in 2022, kwn has worked to make space for queer female love in R&B. Her performance style is fueled by her charisma, confidence and swag.\u003c/p>\n",
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"\n\u003cp>While Mariah’s lyrics suggest intimacy, British performer kwn (pronounced kay-one) drives it to the front. Since first coming onto the scene in 2022, kwn has worked to make space for queer female love in R&B. Her performance style is fueled by her charisma, confidence and swag.\u003c/p>\n"
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"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed-1536x1024.jpg 1536w",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed.jpg\" alt=\"\" class=\"wp-image-13992585\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Kwn performs at Outside Lands on Sunday, Aug. 9, 2026.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed.jpg\" alt=\"\" class=\"wp-image-13992585\"/>\u003cfigcaption class=\"wp-element-caption\">Kwn performs at Outside Lands on Sunday, Aug. 9, 2026.\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>In her latest album \u003cem>and all pride aside\u003c/em>, she makes sapphic desire tangible and her fans match that energy. As soon as she began singing “risk it all” — a song about finding a baddie at the club — the crowd was already twerking. Just one smile from kwn sparked screams from hundreds of fans. \u003c/p>\n",
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"\n\u003cp>In her latest album \u003cem>and all pride aside\u003c/em>, she makes sapphic desire tangible and her fans match that energy. As soon as she began singing “risk it all” — a song about finding a baddie at the club — the crowd was already twerking. Just one smile from kwn sparked screams from hundreds of fans. \u003c/p>\n"
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"innerHTML": "\n\u003cp>Kwn’ songs dig into the nuances that come with being a heartthrob. She’s very attentive of her partner’s sexual needs in “‘til u cry.” She’s a player showing off her game in “five more.” Devoted and adoring in “eyes wide open.”\u003c/p>\n",
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"\n\u003cp>Kwn’ songs dig into the nuances that come with being a heartthrob. She’s very attentive of her partner’s sexual needs in “‘til u cry.” She’s a player showing off her game in “five more.” Devoted and adoring in “eyes wide open.”\u003c/p>\n"
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"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed-1536x1024.jpg 1536w",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed.jpg\" alt=\"\" class=\"wp-image-13992586\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Tay Burley, 29, watches kwn perform on the Twin Peaks stage at Outside Lands on Sunday, Aug. 9, 2026.\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed.jpg\" alt=\"\" class=\"wp-image-13992586\"/>\u003cfigcaption class=\"wp-element-caption\">Tay Burley, 29, watches kwn perform on the Twin Peaks stage at Outside Lands on Sunday, Aug. 9, 2026.\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>With a taper fade, a gold chain, a flannel button-up and a wallet chain to complete the player persona, kwn kept her look sleek and clean. But the ’90s R&B aesthetic — denim shorts, track suits and big, clunky jewelry — could be spotted all over the crowd. \u003c/p>\n",
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"\n\u003cp>With a taper fade, a gold chain, a flannel button-up and a wallet chain to complete the player persona, kwn kept her look sleek and clean. But the ’90s R&B aesthetic — denim shorts, track suits and big, clunky jewelry — could be spotted all over the crowd. \u003c/p>\n"
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"attrs": {
"text": "Destin Conrad made his Outside Lands debut",
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"innerHTML": "\n\u003ch2 class=\"wp-block-heading\">Destin Conrad made his Outside Lands debut\u003c/h2>\n",
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"innerHTML": "\n\u003cp>Perhaps no one embraced the ’90s aesthetic more than Destin Conrad, the Florida-bred singer-songwriter who built a massive following on Vine in the 2010s and whose latest album \u003cem>Love on Digital\u003c/em> was nominated for a Grammy. The 26-year-old rocked a two-toned Canadian tuxedo and snake-print shoes for his Outside Lands debut.\u003c/p>\n",
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"innerHTML": "\n\u003cp>“I’ve got an alter ego,” he told the crowd with a smile before singing “MR. E,” where he showed off his vocal style: a silky, airy whisper that moves effortlessly between ranges. And he got the crowd hyped with the more upbeat “JUMPIN’,” a rallying cry for “bad bitches and pretty boys, they/thems, non-binary hoes.”\u003c/p>\n",
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"innerHTML": "\n\u003cp>But the loudest cheers came when Conrad sang “KISSING IN PUBLIC” — a celebration of kissing a male love interest without fear. “I see a lot of cute boys here,” he told the crowd with a smile.\u003c/p>\n",
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"text": "More Sunday highlights",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_023_qed.jpg\" alt=\"\" class=\"wp-image-13992589\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_023_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_023_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_023_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_023_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Aaliyah Rhodes, 27, wears fuzzy alien earmuffs to stay warm at Outside Lands on Sunday, Aug. 9, 2026.\u003c/figcaption>\u003c/figure>\n",
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"excerpt": "Mariah the Scientist, kwn and Destin Conrad turned the Twin Peaks stage into a haven for LGBTQ+ fans.",
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"title": "Outside Lands Sunday Highlights: Mariah the Scientist, kwn & Destin Conrad | KQED",
"description": "Mariah the Scientist, kwn and Destin Conrad turned the Twin Peaks stage into a haven for LGBTQ+ fans.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After two days packed with \u003ca href=\"https://www.kqed.org/arts/13992518/outside-lands-charli-xcx-panties-glorilla-wet-leg\">high-adrenaline\u003c/a> \u003ca href=\"https://www.kqed.org/arts/13992542/malcolm-todd-pink-pantheress-silvana-estrada-strokes-outside-lands\">performances\u003c/a>, Sunday at \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> offered festivalgoers an oasis to recharge before the work week.\u003c/p>\n\n\n\n\u003cp>The day began with the San Francisco Gay Men’s Chorus honoring those who lost their lives to HIV/AIDS. Death Cab for Cutie treated fans with their soulful and somber anthems. And RÜFÜS DU SOL closed the main stage with their hypnotic brand of electronic music.\u003c/p>\n\n\n\n\u003cp>But the stage that nourished the soul throughout the day was Twin Peaks, graced by back-to-back R&B performances and powered by a loud and proud queer energy from the audience. While the festival promoted the \u003ca href=\"https://sfoutsidelands.com/music/dolores/\">Dolores’ dance floor\u003c/a> as the space celebrating LGBTQ+ communities, the Twin Peaks stage became another haven for queer fans.\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed.jpg\" alt=\"\" class=\"wp-image-13992597\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_032_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Mariah the Scientist performs at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>And yes — in typical Outside Lands fashion — it was very cold. Mariah the Scientist certainly thought so.\u003c/p>\n\n\n\n\u003cp>“You owe me a warm night, honey,” the Atlanta-raised R&B superstar joked with the crowd. “I don’t even know if I get that in this town.”\u003c/p>\n\n\n\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But the air sweeping in from the Pacific Ocean felt a little warmer when Mariah delivered the chorus of “Like You Never” from her 2025 album \u003cem>Hearts Sold Separately\u003c/em>. \u003c/p>\n\n\n\n\u003cp>Mariah’s soft, intimate vocals make a perfect match with her fluid, enchanting melodies. Wearing a pink general’s cap adorned with a pussy bow that rippled in the wind, she rallied fans with “2 You” — her anthem to an impossible love. Fans responded by putting two fingers in the air.\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed.jpg\" alt=\"\" class=\"wp-image-13992593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_033_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-element-caption\">Fans put two fingers in the air as Mariah the Scientist performs her hit song ‘2 You’ at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>A sensual choreography that included fabulous back-up dancers sporting pink bedazzled military-inspired uniforms (epaulettes and all), Mariah commanded the audience to channel their own sensuality. And of course, to embrace and savor all the feelings that come with heartbreak.\u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">Kwn had the crowd twerking\u003c/h2>\n\n\n\n\u003cp>While Mariah’s lyrics suggest intimacy, British performer kwn (pronounced kay-one) drives it to the front. Since first coming onto the scene in 2022, kwn has worked to make space for queer female love in R&B. Her performance style is fueled by her charisma, confidence and swag.\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed.jpg\" alt=\"\" class=\"wp-image-13992585\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_017_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Kwn performs at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>In her latest album \u003cem>and all pride aside\u003c/em>, she makes sapphic desire tangible and her fans match that energy. As soon as she began singing “risk it all” — a song about finding a baddie at the club — the crowd was already twerking. Just one smile from kwn sparked screams from hundreds of fans. \u003c/p>\n\n\n\n\u003cp>Kwn’ songs dig into the nuances that come with being a heartthrob. She’s very attentive of her partner’s sexual needs in “‘til u cry.” She’s a player showing off her game in “five more.” Devoted and adoring in “eyes wide open.”\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed.jpg\" alt=\"\" class=\"wp-image-13992586\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_019_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-element-caption\">Tay Burley, 29, watches kwn perform on the Twin Peaks stage at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>With a taper fade, a gold chain, a flannel button-up and a wallet chain to complete the player persona, kwn kept her look sleek and clean. But the ’90s R&B aesthetic — denim shorts, track suits and big, clunky jewelry — could be spotted all over the crowd. \u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">Destin Conrad made his Outside Lands debut\u003c/h2>\n\n\n\n\u003cp>Perhaps no one embraced the ’90s aesthetic more than Destin Conrad, the Florida-bred singer-songwriter who built a massive following on Vine in the 2010s and whose latest album \u003cem>Love on Digital\u003c/em> was nominated for a Grammy. The 26-year-old rocked a two-toned Canadian tuxedo and snake-print shoes for his Outside Lands debut.\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_010_qed.jpg\" alt=\"\" class=\"wp-image-13992584\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_010_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_010_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_010_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_010_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Destin Conrad performs at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>“I’ve got an alter ego,” he told the crowd with a smile before singing “MR. E,” where he showed off his vocal style: a silky, airy whisper that moves effortlessly between ranges. And he got the crowd hyped with the more upbeat “JUMPIN’,” a rallying cry for “bad bitches and pretty boys, they/thems, non-binary hoes.”\u003c/p>\n\n\n\n\u003cp>\u003c/p>\n\u003cp>But the loudest cheers came when Conrad sang “KISSING IN PUBLIC” — a celebration of kissing a male love interest without fear. “I see a lot of cute boys here,” he told the crowd with a smile.\u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">More Sunday highlights\u003c/h2>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_023_qed.jpg\" alt=\"\" class=\"wp-image-13992589\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_023_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_023_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_023_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_023_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Aaliyah Rhodes, 27, wears fuzzy alien earmuffs to stay warm at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_028_qed.jpg\" alt=\"\" class=\"wp-image-13992591\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_028_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_028_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_028_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_028_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Infinity Song performs at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_024_qed.jpg\" alt=\"\" class=\"wp-image-13992590\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_024_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_024_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_024_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_024_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Sharmane Fulgado, 30, wears an Oakland hat wrapped in a colorful scarf at Outside Lands on Sunday, Aug. 9, 2026. Fulgado was one of the many people who were both fashionable and bundled up. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_035_qed.jpg\" alt=\"\" class=\"wp-image-13992594\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_035_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_035_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_035_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_035_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Mariah the Scientist performs at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_042_qed.jpg\" alt=\"\" class=\"wp-image-13992595\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_042_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_042_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_042_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_042_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Death Cab for Cutie performs at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_036_qed.jpg\" alt=\"\" class=\"wp-image-13992599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_036_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_036_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_036_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_036_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Death Cab for Cutie performs at Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_049_qed.jpg\" alt=\"\" class=\"wp-image-13992596\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_049_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_049_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_049_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260809_OutsideLandsDay3_EG_049_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Thousands of festival goers party late into the night as Rüfüs Du Sol headlines Outside Lands on Sunday, Aug. 9, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\u003c/div>\u003c/p>",
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"slug": "malcolm-todd-pink-pantheress-silvana-estrada-strokes-outside-lands",
"title": "Malcolm Todd Proved He’s Bigger Than TikTok at Outside Lands",
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"headTitle": "Malcolm Todd Proved He’s Bigger Than TikTok at Outside Lands | KQED",
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"content": "\u003cp>Malcolm Todd’s softly strummed music is best known from TikToks by young people talking about who or what they love the most, but this charismatic performance at \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> Saturday afternoon showed another side of the 22-year-old singer-songwriter. Todd stood on stage with his guitar painted with red, green and yellow stripes and sang songs about love and lust. \u003c/p>\n\n\n\n\u003cp>As the show progressed, Todd showed his sense of humor and personality. He did the Macarena during a song, shaking his butt to the crowd, and constantly gushed about how much he loves San Francisco. “This is a really great city,” he told the sea of people. “Beautiful place, beautiful weather.”\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_016_qed.jpg\" alt=\"\" class=\"wp-image-13992546\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_016_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_016_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_016_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_016_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">From left, Ethan Marquez, Rachel Burnett and Evan O’Connell sing along as Malcolm Todd performs at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>Throughout his hour-long set, “Bleed,” his collaboration with Omar Apollo, was a crowd favorite. He also brought out his older sister, Audrey Hobert, who performed earlier in the day on the main stage, to sing “Phoebe” off her 2025 album \u003cem>Who’s the Clown?\u003c/em> The two shared hugs and praise for each other — a heartwarming moment in the chilly weather. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_021_qed.jpg\" alt=\"\" class=\"wp-image-13992549\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_021_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_021_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_021_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_021_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Audrey Hobert performs with her brother Malcolm Todd at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003ch2 class=\"wp-block-heading\">PinkPantheress’ charming pop moved the crowd\u003c/h2>\n\n\n\n\u003cp>PinkPantheress closed out Outside Lands with a confident set. Once a shy teen making music in her bedroom, she fully broke out of her shell on the smaller Sutro stage while the Strokes headlined the main stage nearby. \u003c/p>\n\n\n\n\u003cp>Pink came out wearing her signature hairstyle of honey-colored bangs, a blue pencil skirt and red ballet flats. (In \u003ca href=\"https://x.com/pinkpantheress2/status/1915922240308449590\">memes\u003c/a>, fans have jokingly compared her look to that of a JCPenney manager — which Pink herself does not dispute.) She opened the set with her hit “Stateside,” accompanied by DJ Joe and a live drummer. She performed songs from her recent projects, \u003cem>Fancy That\u003c/em> and \u003cem>Heaven Knows\u003c/em>, as well as earlier deep cuts that were once only available on SoundCloud. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_050_qed.jpg\" alt=\"\" class=\"wp-image-13992557\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_050_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_050_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_050_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_050_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Thousands of festival goers gather to watch PinkPantheress perform at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>PinkPantheress’ sweet ode to a crush, “Just For Me,” and breakup anthem, “Pain,” first made people tune into her music five years ago, and at Outside Lands, these tracks felt as fresh as when they first came out. \u003c/p>\n\n\n\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“San Francisco, it’s you and me,” PinkPantheress told the crowd in her British accent, with tone much lower than her soft singing voice. \u003c/p>\n\n\n\n\u003cp>During her house-inflected hit “Stars,” she did some head banging while the drums took the audience to a place just as foggy as San Francisco. \u003c/p>\n\n\n\n\u003cp>“It’s pretty cold,” she said. “It’s like the U.K.” \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed.jpg\" alt=\"\" class=\"wp-image-13992550\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Silvana Estrada performs at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003ch2 class=\"wp-block-heading\">Silvana Estrada made hearts melt with her soulful voice\u003c/h2>\n\n\n\n\u003cp>Mexican singer-songwriter Silvana Estrada captivated the crowd with lyrics about nature, love and loss before turning the Panhandle stage into one big party. \u003c/p>\n\n\n\n\u003cp>From the beginning, her soulful vocals commanded attention from the audience, whether they spoke Spanish or not. She used her voice in a way that resembled a yodel, each note full of emotion, at times as if she was close to tears. Jazz improvisation made her style of folk music all the more dynamic. \u003c/p>\n\n\n\n\u003cp>Estrada expressed her heartfelt gratitude and love for the Latin American diaspora, and got a lot of cheers when she exclaimed, “Fuck ICE!”\u003c/p>\n\n\n\n\u003cp>\u003c/p>\n\u003cp>Estrada closed her set with a cumbia song, shouting out the genre’s roots in Colombia. The entire crowd began to move their bodies while Estrada sang and danced, grabbing her skirt. \u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">More Saturday highlights\u003c/h2>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed.jpg\" alt=\"\" class=\"wp-image-13992543\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-element-caption\">Silvana Estrada poses for a portrait at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_049_qed.jpg\" alt=\"\" class=\"wp-image-13992556\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_049_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_049_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_049_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_049_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">The Strokes headline Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_047_qed.jpg\" alt=\"\" class=\"wp-image-13992553\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_047_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_047_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_047_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_047_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">The Strokes headline Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_045_qed.jpg\" alt=\"\" class=\"wp-image-13992554\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_045_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_045_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_045_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_045_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Festival goers dance at the Duboce Triangle stage at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_042_qed.jpg\" alt=\"\" class=\"wp-image-13992555\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_042_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_042_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_042_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_042_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Trixie Mattel performs at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_004_qed.jpg\" alt=\"\" class=\"wp-image-13992545\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_004_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_004_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_004_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_004_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">DJ Newoncé , left, and Nicki Jizz perform during the Oasis takeover of the Dolores’ stage at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_031_qed.jpg\" alt=\"\" class=\"wp-image-13992551\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_031_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_031_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_031_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_031_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-element-caption\">Dijon performs at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_035_qed.jpg\" alt=\"\" class=\"wp-image-13992552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_035_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_035_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_035_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_035_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Djo performs at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_018_qed.jpg\" alt=\"\" class=\"wp-image-13992547\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_018_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_018_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_018_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_018_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Thousands of people gather Malcolm Todd perform at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n",
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"innerHTML": "\n\u003cp>Malcolm Todd’s softly strummed music is best known from TikToks by young people talking about who or what they love the most, but this charismatic performance at \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> Saturday afternoon showed another side of the 22-year-old singer-songwriter. Todd stood on stage with his guitar painted with red, green and yellow stripes and sang songs about love and lust. \u003c/p>\n",
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"\n\u003cp>Malcolm Todd’s softly strummed music is best known from TikToks by young people talking about who or what they love the most, but this charismatic performance at \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> Saturday afternoon showed another side of the 22-year-old singer-songwriter. Todd stood on stage with his guitar painted with red, green and yellow stripes and sang songs about love and lust. \u003c/p>\n"
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"innerHTML": "\n\u003cp>As the show progressed, Todd showed his sense of humor and personality. He did the Macarena during a song, shaking his butt to the crowd, and constantly gushed about how much he loves San Francisco. “This is a really great city,” he told the sea of people. “Beautiful place, beautiful weather.”\u003c/p>\n",
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"\n\u003cp>As the show progressed, Todd showed his sense of humor and personality. He did the Macarena during a song, shaking his butt to the crowd, and constantly gushed about how much he loves San Francisco. “This is a really great city,” he told the sea of people. “Beautiful place, beautiful weather.”\u003c/p>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_016_qed.jpg\" alt=\"\" class=\"wp-image-13992546\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_016_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_016_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_016_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_016_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">From left, Ethan Marquez, Rachel Burnett and Evan O’Connell sing along as Malcolm Todd performs at Outside Lands on Saturday, Aug. 8, 2026.\u003c/figcaption>\u003c/figure>\n",
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"innerHTML": "\n\u003cp>Throughout his hour-long set, “Bleed,” his collaboration with Omar Apollo, was a crowd favorite. He also brought out his older sister, Audrey Hobert, who performed earlier in the day on the main stage, to sing “Phoebe” off her 2025 album \u003cem>Who’s the Clown?\u003c/em> The two shared hugs and praise for each other — a heartwarming moment in the chilly weather. \u003c/p>\n",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_021_qed.jpg\" alt=\"\" class=\"wp-image-13992549\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_021_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_021_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_021_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_021_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">Audrey Hobert performs with her brother Malcolm Todd at Outside Lands on Saturday, Aug. 8, 2026.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_021_qed.jpg\" alt=\"\" class=\"wp-image-13992549\" />\u003cfigcaption class=\"wp-element-caption\">Audrey Hobert performs with her brother Malcolm Todd at Outside Lands on Saturday, Aug. 8, 2026.\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>PinkPantheress closed out Outside Lands with a confident set. Once a shy teen making music in her bedroom, she fully broke out of her shell on the smaller Sutro stage while the Strokes headlined the main stage nearby. \u003c/p>\n",
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"innerHTML": "\n\u003cp>Pink came out wearing her signature hairstyle of honey-colored bangs, a blue pencil skirt and red ballet flats. (In \u003ca href=\"https://x.com/pinkpantheress2/status/1915922240308449590\">memes\u003c/a>, fans have jokingly compared her look to that of a JCPenney manager — which Pink herself does not dispute.) She opened the set with her hit “Stateside,” accompanied by DJ Joe and a live drummer. She performed songs from her recent projects, \u003cem>Fancy That\u003c/em> and \u003cem>Heaven Knows\u003c/em>, as well as earlier deep cuts that were once only available on SoundCloud. \u003c/p>\n",
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"\n\u003cp>Pink came out wearing her signature hairstyle of honey-colored bangs, a blue pencil skirt and red ballet flats. (In \u003ca href=\"https://x.com/pinkpantheress2/status/1915922240308449590\">memes\u003c/a>, fans have jokingly compared her look to that of a JCPenney manager — which Pink herself does not dispute.) She opened the set with her hit “Stateside,” accompanied by DJ Joe and a live drummer. She performed songs from her recent projects, \u003cem>Fancy That\u003c/em> and \u003cem>Heaven Knows\u003c/em>, as well as earlier deep cuts that were once only available on SoundCloud. \u003c/p>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_050_qed.jpg\" alt=\"\" class=\"wp-image-13992557\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_050_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_050_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_050_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_050_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">Thousands of festival goers gather to watch PinkPantheress perform at Outside Lands on Saturday, Aug. 8, 2026.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_050_qed.jpg\" alt=\"\" class=\"wp-image-13992557\" />\u003cfigcaption class=\"wp-element-caption\">Thousands of festival goers gather to watch PinkPantheress perform at Outside Lands on Saturday, Aug. 8, 2026.\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>PinkPantheress’ sweet ode to a crush, “Just For Me,” and breakup anthem, “Pain,” first made people tune into her music five years ago, and at Outside Lands, these tracks felt as fresh as when they first came out. \u003c/p>\n",
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"\n\u003cp>PinkPantheress’ sweet ode to a crush, “Just For Me,” and breakup anthem, “Pain,” first made people tune into her music five years ago, and at Outside Lands, these tracks felt as fresh as when they first came out. \u003c/p>\n"
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"innerHTML": "\n\u003cp>“San Francisco, it’s you and me,” PinkPantheress told the crowd in her British accent, with tone much lower than her soft singing voice. \u003c/p>\n",
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"\n\u003cp>“San Francisco, it’s you and me,” PinkPantheress told the crowd in her British accent, with tone much lower than her soft singing voice. \u003c/p>\n"
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"innerHTML": "\n\u003cp>During her house-inflected hit “Stars,” she did some head banging while the drums took the audience to a place just as foggy as San Francisco. \u003c/p>\n",
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"\n\u003cp>During her house-inflected hit “Stars,” she did some head banging while the drums took the audience to a place just as foggy as San Francisco. \u003c/p>\n"
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"innerHTML": "\n\u003cp>“It’s pretty cold,” she said. “It’s like the U.K.” \u003c/p>\n",
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"\n\u003cp>“It’s pretty cold,” she said. “It’s like the U.K.” \u003c/p>\n"
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"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed-1536x1024.jpg 1536w",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed.jpg\" alt=\"\" class=\"wp-image-13992550\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">Silvana Estrada performs at Outside Lands on Saturday, Aug. 8, 2026.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed.jpg\" alt=\"\" class=\"wp-image-13992550\" />\u003cfigcaption class=\"wp-element-caption\">Silvana Estrada performs at Outside Lands on Saturday, Aug. 8, 2026.\u003c/figcaption>\u003c/figure>\n"
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"text": "Silvana Estrada made hearts melt with her soulful voice",
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"innerHTML": "\n\u003cp>Mexican singer-songwriter Silvana Estrada captivated the crowd with lyrics about nature, love and loss before turning the Panhandle stage into one big party. \u003c/p>\n",
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"innerHTML": "\n\u003cp>From the beginning, her soulful vocals commanded attention from the audience, whether they spoke Spanish or not. She used her voice in a way that resembled a yodel, each note full of emotion, at times as if she was close to tears. Jazz improvisation made her style of folk music all the more dynamic. \u003c/p>\n",
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"\n\u003cp>From the beginning, her soulful vocals commanded attention from the audience, whether they spoke Spanish or not. She used her voice in a way that resembled a yodel, each note full of emotion, at times as if she was close to tears. Jazz improvisation made her style of folk music all the more dynamic. \u003c/p>\n"
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"innerHTML": "\n\u003cp>Estrada expressed her heartfelt gratitude and love for the Latin American diaspora, and got a lot of cheers when she exclaimed, “Fuck ICE!”\u003c/p>\n",
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"\n\u003cp>Estrada expressed her heartfelt gratitude and love for the Latin American diaspora, and got a lot of cheers when she exclaimed, “Fuck ICE!”\u003c/p>\n"
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"innerHTML": "\n\u003cp>Estrada closed her set with a cumbia song, shouting out the genre’s roots in Colombia. The entire crowd began to move their bodies while Estrada sang and danced, grabbing her skirt. \u003c/p>\n",
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"\n\u003cp>Estrada closed her set with a cumbia song, shouting out the genre’s roots in Colombia. The entire crowd began to move their bodies while Estrada sang and danced, grabbing her skirt. \u003c/p>\n"
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"text": "More Saturday highlights",
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"innerHTML": "\n\u003ch2 class=\"wp-block-heading\">More Saturday highlights\u003c/h2>\n",
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"\n\u003ch2 class=\"wp-block-heading\">More Saturday highlights\u003c/h2>\n"
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"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed-1536x1024.jpg 1536w",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed.jpg\" alt=\"\" class=\"wp-image-13992543\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">Silvana Estrada poses for a portrait at Outside Lands on Saturday, Aug. 8, 2026.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed.jpg\" alt=\"\" class=\"wp-image-13992543\" />\u003cfigcaption class=\"wp-element-caption\">Silvana Estrada poses for a portrait at Outside Lands on Saturday, Aug. 8, 2026.\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_049_qed.jpg\" alt=\"\" class=\"wp-image-13992556\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_049_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_049_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_049_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_049_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">The Strokes headline Outside Lands on Saturday, Aug. 8, 2026.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_049_qed.jpg\" alt=\"\" class=\"wp-image-13992556\" />\u003cfigcaption class=\"wp-element-caption\">The Strokes headline Outside Lands on Saturday, Aug. 8, 2026.\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_047_qed.jpg\" alt=\"\" class=\"wp-image-13992553\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_047_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_047_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_047_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_047_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">The Strokes headline Outside Lands on Saturday, Aug. 8, 2026.\u003c/figcaption>\u003c/figure>\n",
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"excerpt": "PinkPantheress set off a dance party and Silvana Estrada melted hearts at the festival Saturday. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Malcolm Todd’s softly strummed music is best known from TikToks by young people talking about who or what they love the most, but this charismatic performance at \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> Saturday afternoon showed another side of the 22-year-old singer-songwriter. Todd stood on stage with his guitar painted with red, green and yellow stripes and sang songs about love and lust. \u003c/p>\n\n\n\n\u003cp>As the show progressed, Todd showed his sense of humor and personality. He did the Macarena during a song, shaking his butt to the crowd, and constantly gushed about how much he loves San Francisco. “This is a really great city,” he told the sea of people. “Beautiful place, beautiful weather.”\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_016_qed.jpg\" alt=\"\" class=\"wp-image-13992546\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_016_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_016_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_016_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_016_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">From left, Ethan Marquez, Rachel Burnett and Evan O’Connell sing along as Malcolm Todd performs at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>Throughout his hour-long set, “Bleed,” his collaboration with Omar Apollo, was a crowd favorite. He also brought out his older sister, Audrey Hobert, who performed earlier in the day on the main stage, to sing “Phoebe” off her 2025 album \u003cem>Who’s the Clown?\u003c/em> The two shared hugs and praise for each other — a heartwarming moment in the chilly weather. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_021_qed.jpg\" alt=\"\" class=\"wp-image-13992549\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_021_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_021_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_021_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_021_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Audrey Hobert performs with her brother Malcolm Todd at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003ch2 class=\"wp-block-heading\">PinkPantheress’ charming pop moved the crowd\u003c/h2>\n\n\n\n\u003cp>PinkPantheress closed out Outside Lands with a confident set. Once a shy teen making music in her bedroom, she fully broke out of her shell on the smaller Sutro stage while the Strokes headlined the main stage nearby. \u003c/p>\n\n\n\n\u003cp>Pink came out wearing her signature hairstyle of honey-colored bangs, a blue pencil skirt and red ballet flats. (In \u003ca href=\"https://x.com/pinkpantheress2/status/1915922240308449590\">memes\u003c/a>, fans have jokingly compared her look to that of a JCPenney manager — which Pink herself does not dispute.) She opened the set with her hit “Stateside,” accompanied by DJ Joe and a live drummer. She performed songs from her recent projects, \u003cem>Fancy That\u003c/em> and \u003cem>Heaven Knows\u003c/em>, as well as earlier deep cuts that were once only available on SoundCloud. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_050_qed.jpg\" alt=\"\" class=\"wp-image-13992557\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_050_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_050_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_050_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_050_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Thousands of festival goers gather to watch PinkPantheress perform at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>PinkPantheress’ sweet ode to a crush, “Just For Me,” and breakup anthem, “Pain,” first made people tune into her music five years ago, and at Outside Lands, these tracks felt as fresh as when they first came out. \u003c/p>\n\n\n\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“San Francisco, it’s you and me,” PinkPantheress told the crowd in her British accent, with tone much lower than her soft singing voice. \u003c/p>\n\n\n\n\u003cp>During her house-inflected hit “Stars,” she did some head banging while the drums took the audience to a place just as foggy as San Francisco. \u003c/p>\n\n\n\n\u003cp>“It’s pretty cold,” she said. “It’s like the U.K.” \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed.jpg\" alt=\"\" class=\"wp-image-13992550\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_028_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Silvana Estrada performs at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003ch2 class=\"wp-block-heading\">Silvana Estrada made hearts melt with her soulful voice\u003c/h2>\n\n\n\n\u003cp>Mexican singer-songwriter Silvana Estrada captivated the crowd with lyrics about nature, love and loss before turning the Panhandle stage into one big party. \u003c/p>\n\n\n\n\u003cp>From the beginning, her soulful vocals commanded attention from the audience, whether they spoke Spanish or not. She used her voice in a way that resembled a yodel, each note full of emotion, at times as if she was close to tears. Jazz improvisation made her style of folk music all the more dynamic. \u003c/p>\n\n\n\n\u003cp>Estrada expressed her heartfelt gratitude and love for the Latin American diaspora, and got a lot of cheers when she exclaimed, “Fuck ICE!”\u003c/p>\n\n\n\n\u003cp>\u003c/p>\n\u003cp>Estrada closed her set with a cumbia song, shouting out the genre’s roots in Colombia. The entire crowd began to move their bodies while Estrada sang and danced, grabbing her skirt. \u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">More Saturday highlights\u003c/h2>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed.jpg\" alt=\"\" class=\"wp-image-13992543\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_001_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-element-caption\">Silvana Estrada poses for a portrait at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_049_qed.jpg\" alt=\"\" class=\"wp-image-13992556\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_049_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_049_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_049_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_049_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">The Strokes headline Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_047_qed.jpg\" alt=\"\" class=\"wp-image-13992553\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_047_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_047_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_047_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_047_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">The Strokes headline Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_045_qed.jpg\" alt=\"\" class=\"wp-image-13992554\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_045_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_045_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_045_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_045_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Festival goers dance at the Duboce Triangle stage at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_042_qed.jpg\" alt=\"\" class=\"wp-image-13992555\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_042_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_042_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_042_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_042_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Trixie Mattel performs at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_004_qed.jpg\" alt=\"\" class=\"wp-image-13992545\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_004_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_004_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_004_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_004_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">DJ Newoncé , left, and Nicki Jizz perform during the Oasis takeover of the Dolores’ stage at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_031_qed.jpg\" alt=\"\" class=\"wp-image-13992551\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_031_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_031_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_031_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_031_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-element-caption\">Dijon performs at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_035_qed.jpg\" alt=\"\" class=\"wp-image-13992552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_035_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_035_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_035_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_035_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Djo performs at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_018_qed.jpg\" alt=\"\" class=\"wp-image-13992547\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_018_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_018_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_018_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_018_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Thousands of people gather Malcolm Todd perform at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\u003c/div>\u003c/p>",
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"slug": "outside-lands-charli-xcx-panties-glorilla-wet-leg",
"title": "Charli xcx Made Panties Rain From the Sky at Outside Lands",
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"headTitle": "Charli xcx Made Panties Rain From the Sky at Outside Lands | KQED",
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"content": "\u003cp>Charli xcx is a pop star fully in control — obsessive, even. During her taut headlining set at \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> Friday night, every vocal inflection, outfit change and firework explosion felt meticulously placed as she took her audience on an 85-minute ride through her mind, a hall of mirrors where existential questions about music, fame and greatness — and whether any of it really even matters — have become the art itself.\u003c/p>\n\n\n\n\u003cp>Charli emerged onto the dark stage, standing on a massive pyramid made up of metal cages, her back facing the audience. Strobe lights revealed her band, who launched into the guitar-heavy tracks from her latest album, \u003cem>Music, Fashion, Film\u003c/em>. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_055_qed.jpg\" alt=\"\" class=\"wp-image-13992523\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_055_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_055_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_055_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_055_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Charli xcx headlines Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>True to the ultra self-referential record, Charli came off like a rock star \u003cem>playing \u003c/em>a rock star as she head banged while singing the tongue-in-cheek lyrics of “Rock Music.” She followed it up with “Yeah,” a euphoric song about the “a-ha” moment in the songwriting process, when an idea finally clicks. The audience vibrated with palpable joy as they jumped up and down, losing themselves in the deluge of distorted power chords. \u003c/p>\n\n\n\n\u003cp>The concepts in Charli’s \u003cem>Music, Fashion, Film\u003c/em> are heady; it’s an homage to the creative process itself. Yet she turned out a high-energy, sexy spectacle, interweaving the album’s philosophical musings with revamped versions of her club bangers from \u003cem>Brat\u003c/em>, \u003ca href=\"https://www.kqed.org/arts/13966893/charli-xcx-troye-sivan-chase-center-san-francisco-review\">the 2024 album\u003c/a> that catapulted her to pop A-lister after years on the periphery of the mainstream. \u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" data-id=\"13992522\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_052_qed.jpg\" alt=\"\" class=\"wp-image-13992522\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_052_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_052_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_052_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_052_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Charli xcx and backup dancers wearing branded T-Shirts at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" data-id=\"13992524\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_053_qed.jpg\" alt=\"\" class=\"wp-image-13992524\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_053_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_053_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_053_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_053_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">The shirts come off. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\n\n\n\u003cp>A cavalcade of runway models joined her for “Card Declined,” stripping off white T-shirts emblazoned with the names of high-end designers and revealing black bras and tight abs. They marched behind Charli as she strutted down the catwalk, singing depressive lyrics about whether her \u003cem>Brat \u003c/em>money can buy her luxury brands, a new life and a new personality. Amid elaborate pyrotechnics and sensual choreography, these self-deprecating moments offered glimmers of vulnerability that allowed the audience to emotionally connect with her. \u003c/p>\n\n\n\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>With no banter between tracks, Charli performed at a rapid clip, her vocals strong as she writhed on the stage alongside athletic backup dancers or stationed herself at her mic stand, hitting dramatic model-esque poses as her band played. \u003cem>Brat\u003c/em> favorite “365 Party Girl” got a tech house revamp, and panties (specifically, black thongs) rained down from the sky during “Guess,” her flirty song with Billie Eilish. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_048_qed.jpg\" alt=\"\" class=\"wp-image-13992525\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_048_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_048_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_048_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_048_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-element-caption\">Charli xcx headlines Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>Charli closed her set with “Nothing Lasts Forever,” the final track on \u003cem>Music, Fashion, Film\u003c/em>. It felt like a full-circle moment. After pondering the point of it all (“We’re walking on a runway that goes straight to hell,” she sang on “SS26”), her upbeat live rendition of “Nothing Lasts Forever” was a liberatory reminder that all of this is temporary, and we can do whatever we want. \u003c/p>\n\n\n\n\u003cp>This was Charli shedding the weight of massive expectations in her follow-up to \u003cem>Brat\u003c/em>. The full main stage crowd, tens of thousands of fans deep, danced as if shaking their worries off, too. I left with the itch to go home and make something myself — encouraged to fall back in love with the act of creating. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_019_qed.jpg\" alt=\"\" class=\"wp-image-13992526\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_019_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_019_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_019_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_019_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-element-caption\">GloRilla performs at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003ch2 class=\"wp-block-heading\">\u003cstrong>GloRilla brought Memphis to San Francisco\u003c/strong>\u003c/h2>\n\n\n\n\u003cp>In her charming \u003ca href=\"https://www.tiktok.com/@complex/video/7423859703387573535\">Memphis accent\u003c/a>, GloRilla remarked that Outside Lands brought out a “burrtiful” crowd. “I ain’t gon lie, I did not know y’all would be lit and turnt up like this,” she told the audience, pleasantly surprised. \u003c/p>\n\n\n\n\u003cp>Her set of back-to-back baddie anthems kicked off with “Tomorrow 2,” her Cardi B-featuring track that put her on the map four years ago. During “All Dere,” her insanely fit dancers jumped into splits and back handsprings as GloRilla’s ode to booty shaking (“She deserve some hundreds, not no motherfucking ones”) hyped them up.\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_024_qed.jpg\" alt=\"\" class=\"wp-image-13992527\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_024_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_024_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_024_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_024_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">GloRilla performs at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>GloRilla’s confident rapping made me wish she didn’t have such an audible backing track of her vocals. Nonetheless, her sweet, down-to-earth vibe and high-energy performance of hits like “Whatchu Kno About Me” and “TGIF” made Golden Gate Park feel like a big, Southern house party, and the good mood was contagious. \u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">\u003cstrong>A show of strength from Wet Leg\u003c/strong>\u003c/h2>\n\n\n\n\u003cp>Wet Leg frontwoman Rhian Tisdale flexed her impressive biceps as guitars roared during “catch these fists,” the British indie rock band’s track about fending off creeps at a club. On stage Friday afternoon, Tisdale paired her strong voice with irrepressible charisma that made Wet Leg one of the most fun sets of the afternoon to watch. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_016_qed.jpg\" alt=\"\" class=\"wp-image-13992536\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_016_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_016_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_016_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_016_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Wet Leg performs at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>\u003c/p>\n\u003cp>Whether rocking out on her clear green guitar or wetting her hair and headbanging, she continued to stay in the pocket as the incredibly tight band performed high-octane renditions of “CPR” and “mangetout.” During the latter track, Tisdale invited the audience to scream and let out their frustrations, and they happily obliged, shrieking into the ether. \u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">More Friday highlights\u003c/h2>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_047_qed.jpg\" alt=\"\" class=\"wp-image-13992534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_047_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_047_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_047_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_047_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-element-caption\">Turnstile performs at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_040_qed.jpg\" alt=\"\" class=\"wp-image-13992533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_040_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_040_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_040_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_040_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Turnstile performs at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_033_qed.jpg\" alt=\"\" class=\"wp-image-13992531\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_033_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_033_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_033_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_033_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Thousands of people gather at the Twin Peaks stage as Clipse performs at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_035_qed.jpg\" alt=\"\" class=\"wp-image-13992532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_035_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_035_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_035_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_035_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Malice performs in his project Clipse at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_028_qed.jpg\" alt=\"\" class=\"wp-image-13992537\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_028_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_028_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_028_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_028_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Tinashe performs at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed.jpg\" alt=\"\" class=\"wp-image-13992530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Adrian Aguinaldo, 25, dances to Tinashe at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1910\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_011_qed.jpg\" alt=\"\" class=\"wp-image-13992535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_011_qed.jpg 1910w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_011_qed-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_011_qed-768x536.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_011_qed-1536x1072.jpg 1536w\" sizes=\"auto, (max-width: 1910px) 100vw, 1910px\">\u003cfigcaption class=\"wp-element-caption\">From left, Liping Huang, Shah Khan, Sara Harris and Dana Wang wear matching outfits and bedazzled crosses at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n",
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"innerHTML": "\n\u003cp>Charli xcx is a pop star fully in control — obsessive, even. During her taut headlining set at \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> Friday night, every vocal inflection, outfit change and firework explosion felt meticulously placed as she took her audience on an 85-minute ride through her mind, a hall of mirrors where existential questions about music, fame and greatness — and whether any of it really even matters — have become the art itself.\u003c/p>\n",
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"\n\u003cp>Charli xcx is a pop star fully in control — obsessive, even. During her taut headlining set at \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> Friday night, every vocal inflection, outfit change and firework explosion felt meticulously placed as she took her audience on an 85-minute ride through her mind, a hall of mirrors where existential questions about music, fame and greatness — and whether any of it really even matters — have become the art itself.\u003c/p>\n"
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"innerHTML": "\n\u003cp>Charli emerged onto the dark stage, standing on a massive pyramid made up of metal cages, her back facing the audience. Strobe lights revealed her band, who launched into the guitar-heavy tracks from her latest album, \u003cem>Music, Fashion, Film\u003c/em>. \u003c/p>\n",
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"\n\u003cp>Charli emerged onto the dark stage, standing on a massive pyramid made up of metal cages, her back facing the audience. Strobe lights revealed her band, who launched into the guitar-heavy tracks from her latest album, \u003cem>Music, Fashion, Film\u003c/em>. \u003c/p>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_055_qed.jpg\" alt=\"\" class=\"wp-image-13992523\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_055_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_055_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_055_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_055_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">Charli xcx headlines Outside Lands on Friday, Aug. 7, 2026.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_055_qed.jpg\" alt=\"\" class=\"wp-image-13992523\" />\u003cfigcaption class=\"wp-element-caption\">Charli xcx headlines Outside Lands on Friday, Aug. 7, 2026.\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>True to the ultra self-referential record, Charli came off like a rock star \u003cem>playing \u003c/em>a rock star as she head banged while singing the tongue-in-cheek lyrics of “Rock Music.” She followed it up with “Yeah,” a euphoric song about the “a-ha” moment in the songwriting process, when an idea finally clicks. The audience vibrated with palpable joy as they jumped up and down, losing themselves in the deluge of distorted power chords. \u003c/p>\n",
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"\n\u003cp>True to the ultra self-referential record, Charli came off like a rock star \u003cem>playing \u003c/em>a rock star as she head banged while singing the tongue-in-cheek lyrics of “Rock Music.” She followed it up with “Yeah,” a euphoric song about the “a-ha” moment in the songwriting process, when an idea finally clicks. The audience vibrated with palpable joy as they jumped up and down, losing themselves in the deluge of distorted power chords. \u003c/p>\n"
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"innerHTML": "\n\u003cp>The concepts in Charli’s \u003cem>Music, Fashion, Film\u003c/em> are heady; it’s an homage to the creative process itself. Yet she turned out a high-energy, sexy spectacle, interweaving the album’s philosophical musings with revamped versions of her club bangers from \u003cem>Brat\u003c/em>, \u003ca href=\"https://www.kqed.org/arts/13966893/charli-xcx-troye-sivan-chase-center-san-francisco-review\">the 2024 album\u003c/a> that catapulted her to pop A-lister after years on the periphery of the mainstream. \u003c/p>\n",
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"\n\u003cp>The concepts in Charli’s \u003cem>Music, Fashion, Film\u003c/em> are heady; it’s an homage to the creative process itself. Yet she turned out a high-energy, sexy spectacle, interweaving the album’s philosophical musings with revamped versions of her club bangers from \u003cem>Brat\u003c/em>, \u003ca href=\"https://www.kqed.org/arts/13966893/charli-xcx-troye-sivan-chase-center-san-francisco-review\">the 2024 album\u003c/a> that catapulted her to pop A-lister after years on the periphery of the mainstream. \u003c/p>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_052_qed.jpg\" alt=\"\" class=\"wp-image-13992522\" />\u003cfigcaption class=\"wp-element-caption\">Charli xcx and backup dancers wearing branded T-Shirts at Outside Lands on Friday, Aug. 7, 2026.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_052_qed.jpg\" alt=\"\" class=\"wp-image-13992522\" />\u003cfigcaption class=\"wp-element-caption\">Charli xcx and backup dancers wearing branded T-Shirts at Outside Lands on Friday, Aug. 7, 2026.\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>A cavalcade of runway models joined her for “Card Declined,” stripping off white T-shirts emblazoned with the names of high-end designers and revealing black bras and tight abs. They marched behind Charli as she strutted down the catwalk, singing depressive lyrics about whether her \u003cem>Brat \u003c/em>money can buy her luxury brands, a new life and a new personality. Amid elaborate pyrotechnics and sensual choreography, these self-deprecating moments offered glimmers of vulnerability that allowed the audience to emotionally connect with her. \u003c/p>\n",
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"innerHTML": "\n\u003cp>With no banter between tracks, Charli performed at a rapid clip, her vocals strong as she writhed on the stage alongside athletic backup dancers or stationed herself at her mic stand, hitting dramatic model-esque poses as her band played. \u003cem>Brat\u003c/em> favorite “365 Party Girl” got a tech house revamp, and panties (specifically, black thongs) rained down from the sky during “Guess,” her flirty song with Billie Eilish. \u003c/p>\n",
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"\n\u003cp>With no banter between tracks, Charli performed at a rapid clip, her vocals strong as she writhed on the stage alongside athletic backup dancers or stationed herself at her mic stand, hitting dramatic model-esque poses as her band played. \u003cem>Brat\u003c/em> favorite “365 Party Girl” got a tech house revamp, and panties (specifically, black thongs) rained down from the sky during “Guess,” her flirty song with Billie Eilish. \u003c/p>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_048_qed.jpg\" alt=\"\" class=\"wp-image-13992525\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_048_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_048_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_048_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_048_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">Charli xcx headlines Outside Lands on Friday, Aug. 7, 2026.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_048_qed.jpg\" alt=\"\" class=\"wp-image-13992525\" />\u003cfigcaption class=\"wp-element-caption\">Charli xcx headlines Outside Lands on Friday, Aug. 7, 2026.\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>Charli closed her set with “Nothing Lasts Forever,” the final track on \u003cem>Music, Fashion, Film\u003c/em>. It felt like a full-circle moment. After pondering the point of it all (“We’re walking on a runway that goes straight to hell,” she sang on “SS26”), her upbeat live rendition of “Nothing Lasts Forever” was a liberatory reminder that all of this is temporary, and we can do whatever we want. \u003c/p>\n",
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"\n\u003cp>Charli closed her set with “Nothing Lasts Forever,” the final track on \u003cem>Music, Fashion, Film\u003c/em>. It felt like a full-circle moment. After pondering the point of it all (“We’re walking on a runway that goes straight to hell,” she sang on “SS26”), her upbeat live rendition of “Nothing Lasts Forever” was a liberatory reminder that all of this is temporary, and we can do whatever we want. \u003c/p>\n"
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"innerHTML": "\n\u003cp>This was Charli shedding the weight of massive expectations in her follow-up to \u003cem>Brat\u003c/em>. The full main stage crowd, tens of thousands of fans deep, danced as if shaking their worries off, too. I left with the itch to go home and make something myself — encouraged to fall back in love with the act of creating. \u003c/p>\n",
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"\n\u003cp>This was Charli shedding the weight of massive expectations in her follow-up to \u003cem>Brat\u003c/em>. The full main stage crowd, tens of thousands of fans deep, danced as if shaking their worries off, too. I left with the itch to go home and make something myself — encouraged to fall back in love with the act of creating. \u003c/p>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_019_qed.jpg\" alt=\"\" class=\"wp-image-13992526\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_019_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_019_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_019_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_019_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">GloRilla performs at Outside Lands on Friday, Aug. 7, 2026.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_019_qed.jpg\" alt=\"\" class=\"wp-image-13992526\" />\u003cfigcaption class=\"wp-element-caption\">GloRilla performs at Outside Lands on Friday, Aug. 7, 2026.\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>In her charming \u003ca href=\"https://www.tiktok.com/@complex/video/7423859703387573535\">Memphis accent\u003c/a>, GloRilla remarked that Outside Lands brought out a “burrtiful” crowd. “I ain’t gon lie, I did not know y’all would be lit and turnt up like this,” she told the audience, pleasantly surprised. \u003c/p>\n",
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"\n\u003cp>In her charming \u003ca href=\"https://www.tiktok.com/@complex/video/7423859703387573535\">Memphis accent\u003c/a>, GloRilla remarked that Outside Lands brought out a “burrtiful” crowd. “I ain’t gon lie, I did not know y’all would be lit and turnt up like this,” she told the audience, pleasantly surprised. \u003c/p>\n"
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"innerHTML": "\n\u003cp>Her set of back-to-back baddie anthems kicked off with “Tomorrow 2,” her Cardi B-featuring track that put her on the map four years ago. During “All Dere,” her insanely fit dancers jumped into splits and back handsprings as GloRilla’s ode to booty shaking (“She deserve some hundreds, not no motherfucking ones”) hyped them up.\u003c/p>\n",
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"\n\u003cp>Her set of back-to-back baddie anthems kicked off with “Tomorrow 2,” her Cardi B-featuring track that put her on the map four years ago. During “All Dere,” her insanely fit dancers jumped into splits and back handsprings as GloRilla’s ode to booty shaking (“She deserve some hundreds, not no motherfucking ones”) hyped them up.\u003c/p>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_024_qed.jpg\" alt=\"\" class=\"wp-image-13992527\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_024_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_024_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_024_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_024_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">GloRilla performs at Outside Lands on Friday, Aug. 7, 2026.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_024_qed.jpg\" alt=\"\" class=\"wp-image-13992527\" />\u003cfigcaption class=\"wp-element-caption\">GloRilla performs at Outside Lands on Friday, Aug. 7, 2026.\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>GloRilla’s confident rapping made me wish she didn’t have such an audible backing track of her vocals. Nonetheless, her sweet, down-to-earth vibe and high-energy performance of hits like “Whatchu Kno About Me” and “TGIF” made Golden Gate Park feel like a big, Southern house party, and the good mood was contagious. \u003c/p>\n",
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"\n\u003cp>GloRilla’s confident rapping made me wish she didn’t have such an audible backing track of her vocals. Nonetheless, her sweet, down-to-earth vibe and high-energy performance of hits like “Whatchu Kno About Me” and “TGIF” made Golden Gate Park feel like a big, Southern house party, and the good mood was contagious. \u003c/p>\n"
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"text": "A show of strength from Wet Leg",
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"innerHTML": "\n\u003ch2 class=\"wp-block-heading\">\u003cstrong>A show of strength from Wet Leg\u003c/strong>\u003c/h2>\n",
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"innerHTML": "\n\u003cp>Wet Leg frontwoman Rhian Tisdale flexed her impressive biceps as guitars roared during “catch these fists,” the British indie rock band’s track about fending off creeps at a club. On stage Friday afternoon, Tisdale paired her strong voice with irrepressible charisma that made Wet Leg one of the most fun sets of the afternoon to watch. \u003c/p>\n",
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"\n\u003cp>Wet Leg frontwoman Rhian Tisdale flexed her impressive biceps as guitars roared during “catch these fists,” the British indie rock band’s track about fending off creeps at a club. On stage Friday afternoon, Tisdale paired her strong voice with irrepressible charisma that made Wet Leg one of the most fun sets of the afternoon to watch. \u003c/p>\n"
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"innerHTML": "\n\u003cp>Whether rocking out on her clear green guitar or wetting her hair and headbanging, she continued to stay in the pocket as the incredibly tight band performed high-octane renditions of “CPR” and “mangetout.” During the latter track, Tisdale invited the audience to scream and let out their frustrations, and they happily obliged, shrieking into the ether. \u003c/p>\n",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_047_qed.jpg\" alt=\"\" class=\"wp-image-13992534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_047_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_047_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_047_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_047_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">Turnstile performs at Outside Lands on Friday, Aug. 7, 2026.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_047_qed.jpg\" alt=\"\" class=\"wp-image-13992534\" />\u003cfigcaption class=\"wp-element-caption\">Turnstile performs at Outside Lands on Friday, Aug. 7, 2026.\u003c/figcaption>\u003c/figure>\n"
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"excerpt": "The pop star headlined the festival’s opening day, alongside strong sets from GloRilla and Wet Leg.",
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"title": "Outside Lands Friday Highlights: Charli xcx, GloRilla & Wet Leg | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Charli xcx is a pop star fully in control — obsessive, even. During her taut headlining set at \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> Friday night, every vocal inflection, outfit change and firework explosion felt meticulously placed as she took her audience on an 85-minute ride through her mind, a hall of mirrors where existential questions about music, fame and greatness — and whether any of it really even matters — have become the art itself.\u003c/p>\n\n\n\n\u003cp>Charli emerged onto the dark stage, standing on a massive pyramid made up of metal cages, her back facing the audience. Strobe lights revealed her band, who launched into the guitar-heavy tracks from her latest album, \u003cem>Music, Fashion, Film\u003c/em>. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_055_qed.jpg\" alt=\"\" class=\"wp-image-13992523\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_055_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_055_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_055_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_055_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Charli xcx headlines Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>True to the ultra self-referential record, Charli came off like a rock star \u003cem>playing \u003c/em>a rock star as she head banged while singing the tongue-in-cheek lyrics of “Rock Music.” She followed it up with “Yeah,” a euphoric song about the “a-ha” moment in the songwriting process, when an idea finally clicks. The audience vibrated with palpable joy as they jumped up and down, losing themselves in the deluge of distorted power chords. \u003c/p>\n\n\n\n\u003cp>The concepts in Charli’s \u003cem>Music, Fashion, Film\u003c/em> are heady; it’s an homage to the creative process itself. Yet she turned out a high-energy, sexy spectacle, interweaving the album’s philosophical musings with revamped versions of her club bangers from \u003cem>Brat\u003c/em>, \u003ca href=\"https://www.kqed.org/arts/13966893/charli-xcx-troye-sivan-chase-center-san-francisco-review\">the 2024 album\u003c/a> that catapulted her to pop A-lister after years on the periphery of the mainstream. \u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" data-id=\"13992522\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_052_qed.jpg\" alt=\"\" class=\"wp-image-13992522\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_052_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_052_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_052_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_052_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Charli xcx and backup dancers wearing branded T-Shirts at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" data-id=\"13992524\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_053_qed.jpg\" alt=\"\" class=\"wp-image-13992524\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_053_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_053_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_053_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_053_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">The shirts come off. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\n\n\n\u003cp>A cavalcade of runway models joined her for “Card Declined,” stripping off white T-shirts emblazoned with the names of high-end designers and revealing black bras and tight abs. They marched behind Charli as she strutted down the catwalk, singing depressive lyrics about whether her \u003cem>Brat \u003c/em>money can buy her luxury brands, a new life and a new personality. Amid elaborate pyrotechnics and sensual choreography, these self-deprecating moments offered glimmers of vulnerability that allowed the audience to emotionally connect with her. \u003c/p>\n\n\n\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>With no banter between tracks, Charli performed at a rapid clip, her vocals strong as she writhed on the stage alongside athletic backup dancers or stationed herself at her mic stand, hitting dramatic model-esque poses as her band played. \u003cem>Brat\u003c/em> favorite “365 Party Girl” got a tech house revamp, and panties (specifically, black thongs) rained down from the sky during “Guess,” her flirty song with Billie Eilish. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_048_qed.jpg\" alt=\"\" class=\"wp-image-13992525\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_048_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_048_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_048_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_048_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-element-caption\">Charli xcx headlines Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>Charli closed her set with “Nothing Lasts Forever,” the final track on \u003cem>Music, Fashion, Film\u003c/em>. It felt like a full-circle moment. After pondering the point of it all (“We’re walking on a runway that goes straight to hell,” she sang on “SS26”), her upbeat live rendition of “Nothing Lasts Forever” was a liberatory reminder that all of this is temporary, and we can do whatever we want. \u003c/p>\n\n\n\n\u003cp>This was Charli shedding the weight of massive expectations in her follow-up to \u003cem>Brat\u003c/em>. The full main stage crowd, tens of thousands of fans deep, danced as if shaking their worries off, too. I left with the itch to go home and make something myself — encouraged to fall back in love with the act of creating. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_019_qed.jpg\" alt=\"\" class=\"wp-image-13992526\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_019_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_019_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_019_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_019_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-element-caption\">GloRilla performs at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003ch2 class=\"wp-block-heading\">\u003cstrong>GloRilla brought Memphis to San Francisco\u003c/strong>\u003c/h2>\n\n\n\n\u003cp>In her charming \u003ca href=\"https://www.tiktok.com/@complex/video/7423859703387573535\">Memphis accent\u003c/a>, GloRilla remarked that Outside Lands brought out a “burrtiful” crowd. “I ain’t gon lie, I did not know y’all would be lit and turnt up like this,” she told the audience, pleasantly surprised. \u003c/p>\n\n\n\n\u003cp>Her set of back-to-back baddie anthems kicked off with “Tomorrow 2,” her Cardi B-featuring track that put her on the map four years ago. During “All Dere,” her insanely fit dancers jumped into splits and back handsprings as GloRilla’s ode to booty shaking (“She deserve some hundreds, not no motherfucking ones”) hyped them up.\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_024_qed.jpg\" alt=\"\" class=\"wp-image-13992527\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_024_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_024_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_024_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_024_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">GloRilla performs at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>GloRilla’s confident rapping made me wish she didn’t have such an audible backing track of her vocals. Nonetheless, her sweet, down-to-earth vibe and high-energy performance of hits like “Whatchu Kno About Me” and “TGIF” made Golden Gate Park feel like a big, Southern house party, and the good mood was contagious. \u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">\u003cstrong>A show of strength from Wet Leg\u003c/strong>\u003c/h2>\n\n\n\n\u003cp>Wet Leg frontwoman Rhian Tisdale flexed her impressive biceps as guitars roared during “catch these fists,” the British indie rock band’s track about fending off creeps at a club. On stage Friday afternoon, Tisdale paired her strong voice with irrepressible charisma that made Wet Leg one of the most fun sets of the afternoon to watch. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_016_qed.jpg\" alt=\"\" class=\"wp-image-13992536\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_016_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_016_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_016_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_016_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Wet Leg performs at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>\u003c/p>\n\u003cp>Whether rocking out on her clear green guitar or wetting her hair and headbanging, she continued to stay in the pocket as the incredibly tight band performed high-octane renditions of “CPR” and “mangetout.” During the latter track, Tisdale invited the audience to scream and let out their frustrations, and they happily obliged, shrieking into the ether. \u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">More Friday highlights\u003c/h2>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_047_qed.jpg\" alt=\"\" class=\"wp-image-13992534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_047_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_047_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_047_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_047_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-element-caption\">Turnstile performs at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_040_qed.jpg\" alt=\"\" class=\"wp-image-13992533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_040_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_040_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_040_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_040_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Turnstile performs at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_033_qed.jpg\" alt=\"\" class=\"wp-image-13992531\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_033_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_033_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_033_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_033_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Thousands of people gather at the Twin Peaks stage as Clipse performs at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_035_qed.jpg\" alt=\"\" class=\"wp-image-13992532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_035_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_035_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_035_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_035_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Malice performs in his project Clipse at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_028_qed.jpg\" alt=\"\" class=\"wp-image-13992537\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_028_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_028_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_028_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_028_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Tinashe performs at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed.jpg\" alt=\"\" class=\"wp-image-13992530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_030_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Adrian Aguinaldo, 25, dances to Tinashe at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1910\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_011_qed.jpg\" alt=\"\" class=\"wp-image-13992535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_011_qed.jpg 1910w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_011_qed-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_011_qed-768x536.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay1_EG_011_qed-1536x1072.jpg 1536w\" sizes=\"auto, (max-width: 1910px) 100vw, 1910px\">\u003cfigcaption class=\"wp-element-caption\">From left, Liping Huang, Shah Khan, Sara Harris and Dana Wang wear matching outfits and bedazzled crosses at Outside Lands on Friday, Aug. 7, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\u003c/div>\u003c/p>",
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"slug": "bay-area-oakland-san-francisco-napa-music-festivals-summer-2026",
"title": "8 Bay Area Music Festivals You Don't Want to Miss This Summer",
"publishDate": 1778594425,
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"headTitle": "8 Bay Area Music Festivals You Don’t Want to Miss This Summer | KQED",
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"content": "\u003cp>\u003cem>Be sure to check out our full \u003ca href=\"https://www.kqed.org/arts/tag/summer-guide-2026\">2026 Summer Arts Guide to live music, movies, art, theater, festivals and more\u003c/a> in the Bay Area.\u003c/em>\u003c/p>\n\u003cp>Whether you prefer huge multi-day \u003ca href=\"https://www.kqed.org/arts/tag/music-festivals\">music festivals\u003c/a> or small, genre-specific, curated experiences, the Bay Area has no shortage of live music this summer.\u003c/p>\n\u003cp>And while Latin music festival \u003ca href=\"https://www.kqed.org/arts/13987034/la-onda-music-festival-canceled-in-napa\">La Onda\u003c/a> and the jazz- and hip-hop-focused \u003ca href=\"https://www.kqed.org/arts/13932390/blue-note-robert-glasper-rakim-chance-nas-mary-j-blige\">Black Radio Experience\u003c/a> are canceled this year, new events like Total Accord Fest have popped up to celebrate the Bay Area’s wealth of diverse talent.\u003c/p>\n\u003cp>Below you’ll find our summer music festival picks, ranging from the free and budget-friendly to splurge-worthy experiences.\u003c/p>\n\u003cfigure id=\"attachment_13981573\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13981573\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">LCD Soundsystem performing in 2025 at the Portola Festival in San Francisco. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.bottlerocknapavalley.com/experiences/#aftershows\">BottleRock After Dark\u003c/a>\u003c/h2>\n\u003cp>\u003cem>May 19–24\u003cbr>\nVarious venues, Bay Area\u003cbr>\n$55–$357 per day\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>BottleRock, the Napa Valley festival with Foo Fighters, Backstreet Boys, Lorde, Sombr, Lil Wayne and Teddy Swims, is sold out. But the Napa Valley festival has two dozen After Dark concerts at venues in all corners of the Bay Area, each featuring an artist from its vast, intergenerational lineup. A few highlights: Ludacris headlines the Graton Resort in Rohnert Park on May 23, and synth-pop veterans Cut Copy take the stage at Berkeley’s UC Theatre on May 21. Southern rock sister duo Larkin Poe performs at the Guild Theatre in Menlo Park on May 22. As of this writing, LCD Soundsystem’s After Dark show at Napa Music Hall on May 22 is sold out. \u003c/p>\n\u003cfigure id=\"attachment_13905554\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905554\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Brijean-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Brijean-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Brijean-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Brijean-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brijean performing in 2021 at Outside Lands in San Francisco’s Golden Gate Park. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.totalaccordagency.com/public-programming\">Total Accord Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 3–20\u003cbr>\nVarious venues, San Francisco\u003cbr>\nFree–$30 per day\u003c/em>\u003c/p>\n\u003cp>For those looking to get to know the Bay Area’s independent music scene, the Total Accord Festival is a roadmap to the region’s homegrown artists, storied nightclubs and eclectic dives. Local talent agency Total Accord takes over San Francisco clubs starting June 3 at the Bottom of the Hill with local rockers For Horses. On June 7, electronic pop band The Seshen performs with experimental singer-songwriter Aroma at the Richmond District’s classic 4 Star Theatre. (The evening will features a drag show and premiere of Total Accord’s documentary.) Conga-forward dance-pop duo Brijean headlines the Rickshaw Stop on June 11, and R&B singer Elujay, rapper Lovey and Family Not a Group vocalist SundaY perform at The Independent on June 13. Each show costs less than $30, and a few of them are free.\u003c/p>\n\u003cfigure id=\"attachment_13917881\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13917881\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694.jpg\" alt=\"\" width=\"1024\" height=\"657\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694-800x513.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694-1020x654.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694-768x493.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Colombian band Bomba Estéreo perform during the ‘Jungla’ Tour at The Plaza Live on August 10, 2018 in Orlando, Florida. \u003ccite>(Gerardo Mora/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sterngrove.org/\">Stern Grove Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 14–Aug. 16\u003cbr>\nSigmund Stern Grove, San Francisco\u003cbr>\nFree\u003c/em>\u003c/p>\n\u003cp>Each summer, nearly 10,000 music fans fill the sloping, eucalyptus-lined hillside of Sigmund Stern Grove every Sunday for free live music. The concert series, now in its 89th year, gets underway on June 14 with Indian rock band Peter Cat Recording Co., followed by Colombian electro-pop outfit Bomba Estéreo on June 21. Dancehall-inspired EDM trio Major Lazer arrives with support from Richmond rapper Fijiana on July 5. Stern Grove concludes with its Big Picnic grand finale weekend, with Public Enemy headlining Aug. 15 and Al Green on Aug. 16. Although Stern Grove is free, fans must \u003ca href=\"https://www.sterngrove.org/galotterytickets\">enter a lottery\u003c/a> to secure tickets.\u003c/p>\n\u003cfigure id=\"attachment_13934346\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13934346\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mistah F.A.B. in 2023 at Hiero Day in Frank Ogawa Plaza, Oakland. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://lakefestoakland.com/\">LakeFest\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 27\u003cbr>\nLake Merritt, Oakland\u003cbr>\n$12–$23\u003c/em>\u003c/p>\n\u003cp>LakeFest is the type of event where you can bring your friends, your toddler or your grandma — and actually, why not all of the above? The day of music and culture at Lake Merritt returns with headlining performances from R&B singers Vedo and Eric Bellinger, plus some top-tier East Bay rap talent: \u003ca href=\"https://www.kqed.org/arts/13972539/mani-draper-richmond-grand-nationxl\">Mani Draper\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13967001/paris-nights-east-oakland-rapper-videos-90s-throwbacks\">Paris Nights\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/tag/mistah-fab\">Mistah F.A.B\u003c/a>. New at the festival this year is the Gospel Circle, a Christian-themed stage with a gospel choir “sing-off” competition, live music, stand-up comedy and more. Expect local vendors, barbecue and other delicious cuisine, all in a laid-back, family-friendly atmosphere.\u003c/p>\n\u003cfigure id=\"attachment_13976929\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13976929\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk.jpg\" alt=\"A Black man in glasses and a roll-up beanie smiles and gestures in front of a cluttered bookshelf\" width=\"2000\" height=\"1125\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-1920x1080.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">E-40 performing in 2025 at NPR’s Tiny Desk in Washington, D.C. \u003ccite>(Zayrha Rodriguez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.tixr.com/groups/midwaysf/events/nelly-e-40-july-4th-weekend-block-party-184141?utm_source=themidway&utm_medium=venuewebsite\">4th of July Weekend Block Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>July 5\u003cbr>\nThe Midway, San Francisco\u003cbr>\n$49–$149\u003c/em>\u003c/p>\n\u003cp>Bay Area rap fans have a place to go dumb on Independence Day when Vallejo rap titan E-40 co-headlines a 4th of July bash at the Midway with “Hot In Herre” hitmaker Nelly. In addition to the chance to hear “Tell Me When To Go” and “Function” live, the party offers a stacked lineup of some of the Bay’s best DJs. Kehlani’s official selector Noodles will be behind the decks, along with the Valkyries’ own DJ Shellheart, the Warriors’ D-Sharp, Knowpa Slaps, DJ Mind Motion, Slowpoke and more.\u003c/p>\n\u003cfigure id=\"attachment_13915730\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13915730\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Bikini Kill performing in 2022 at Mosswood Meltdown in Oakland. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://mosswoodmeltdown.com/\">Mosswood Meltdown\u003c/a>\u003c/h2>\n\u003cp>\u003cem>July 17–19\u003cbr>\nMosswood Park, Oakland\u003cbr>\n$99–$129 per day\u003c/em>\u003c/p>\n\u003cp>John Waters just celebrated his 80th birthday with a \u003ca href=\"https://www.reddit.com/r/Fauxmoi/comments/1sssveb/john_waters_celebrates_his_80th_birthday_with/\">poppers-themed cake\u003c/a>, so you know the filmmaker, provocateur and so-called “Pope of Trash” has no plans of slowing down. He returns to Oakland this July to host the punk festival Mosswood Meltdown, which kicks off via a Friday pre-party with indie rockers \u003ca href=\"https://www.kqed.org/arts/13985125/pavement-mosswood-meltdown-2026\">Pavement\u003c/a> and Vivian Girls. The fun continues Saturday with sets from the 79-year-old “godfather of Punk” Iggy Pop, plus Japan’s Otoboke Beaver and Philly’s Mannequin Pussy. Riot grrrl icons Bikini Kill headline Sunday, after sets from the Return of Jackie and Judy (Fred Armisen and Carrie Brownstein’s Ramones tribute band), the Dead Milkmen and more.\u003c/p>\n\u003cfigure id=\"attachment_13919608\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13919608\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Charli XCX performs in 2022 at Portola Music Festival in San Francisco. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://sfoutsidelands.com/\">Outside Lands\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Aug. 7–9\u003cbr>\nGolden Gate Park, San Francisco\u003cbr>\n$269+ per day\u003c/em>\u003c/p>\n\u003cp>Outside Lands is one of the Bay Area’s most popular festivals, in part because of its range. This year, pop it-girls Charli XCX and PinkPantheress share the stage with rap stars like GloRilla and Baby Keem, and buzzy rock bands Wet Leg, Turnstile and Geese. The Strokes, the XX and Modest Mouse offer a dose of indie nostalgia; Mariah the Scientist, Kwn and Destin Conrad represent the new school of R&B; and rap veterans Clipse promise razor-sharp lyrical prowess. On top of the packed musical lineup, Outside Lands also has a wealth of food, beverage and cannabis options, an open-air queer nightclub with drag shows and even a wedding chapel.\u003c/p>\n\u003cfigure id=\"attachment_13989440\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989440\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-scaled.jpeg\" alt=\"\" width=\"2560\" height=\"1760\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-2000x1375.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-160x110.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-768x528.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-1536x1056.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-2048x1408.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Paper Jam. \u003ccite>(Courtesy of the artists)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://sfbaypopfest.com/\">SF Bay Popfest\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Aug. 20–23\u003cbr>\nBottom of the Hill, San Francisco\u003cbr>\n$20–$30 per day\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>San Francisco’s Bottom of the Hill has been a proving ground for new talent for 35 years; Oasis, Lizzo and Alanis Morissette all played the charmingly divey nightclub before they blew up. Unfortunately, as the surrounding neighborhood changes, it’ll \u003ca href=\"https://www.coyotemedia.org/san-francisco-club-bottom-of-the-hill-to-close-at-the-end-of-2026/\">close its doors for the final time at the end of this year\u003c/a>. Before the venue says goodbye, it has a packed calendar of shows, including SF Bay Popfest. The mini festival features four days of stacked indie rock, punk and pop acts, including the Aislers Set, Tony Molina, Dear Nora, The Umbrellas, Paper Jam and many more.\u003c/p>\n\n",
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"excerpt": "Parks, concert halls and dive bars are lighting up with live music, from Oakland to San Francisco to Napa. ",
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"title": "8 Bay Area Music Festivals You Don't Want to Miss This Summer | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Be sure to check out our full \u003ca href=\"https://www.kqed.org/arts/tag/summer-guide-2026\">2026 Summer Arts Guide to live music, movies, art, theater, festivals and more\u003c/a> in the Bay Area.\u003c/em>\u003c/p>\n\u003cp>Whether you prefer huge multi-day \u003ca href=\"https://www.kqed.org/arts/tag/music-festivals\">music festivals\u003c/a> or small, genre-specific, curated experiences, the Bay Area has no shortage of live music this summer.\u003c/p>\n\u003cp>And while Latin music festival \u003ca href=\"https://www.kqed.org/arts/13987034/la-onda-music-festival-canceled-in-napa\">La Onda\u003c/a> and the jazz- and hip-hop-focused \u003ca href=\"https://www.kqed.org/arts/13932390/blue-note-robert-glasper-rakim-chance-nas-mary-j-blige\">Black Radio Experience\u003c/a> are canceled this year, new events like Total Accord Fest have popped up to celebrate the Bay Area’s wealth of diverse talent.\u003c/p>\n\u003cp>Below you’ll find our summer music festival picks, ranging from the free and budget-friendly to splurge-worthy experiences.\u003c/p>\n\u003cfigure id=\"attachment_13981573\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13981573\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">LCD Soundsystem performing in 2025 at the Portola Festival in San Francisco. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.bottlerocknapavalley.com/experiences/#aftershows\">BottleRock After Dark\u003c/a>\u003c/h2>\n\u003cp>\u003cem>May 19–24\u003cbr>\nVarious venues, Bay Area\u003cbr>\n$55–$357 per day\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>BottleRock, the Napa Valley festival with Foo Fighters, Backstreet Boys, Lorde, Sombr, Lil Wayne and Teddy Swims, is sold out. But the Napa Valley festival has two dozen After Dark concerts at venues in all corners of the Bay Area, each featuring an artist from its vast, intergenerational lineup. A few highlights: Ludacris headlines the Graton Resort in Rohnert Park on May 23, and synth-pop veterans Cut Copy take the stage at Berkeley’s UC Theatre on May 21. Southern rock sister duo Larkin Poe performs at the Guild Theatre in Menlo Park on May 22. As of this writing, LCD Soundsystem’s After Dark show at Napa Music Hall on May 22 is sold out. \u003c/p>\n\u003cfigure id=\"attachment_13905554\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905554\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Brijean-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Brijean-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Brijean-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Brijean-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brijean performing in 2021 at Outside Lands in San Francisco’s Golden Gate Park. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.totalaccordagency.com/public-programming\">Total Accord Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 3–20\u003cbr>\nVarious venues, San Francisco\u003cbr>\nFree–$30 per day\u003c/em>\u003c/p>\n\u003cp>For those looking to get to know the Bay Area’s independent music scene, the Total Accord Festival is a roadmap to the region’s homegrown artists, storied nightclubs and eclectic dives. Local talent agency Total Accord takes over San Francisco clubs starting June 3 at the Bottom of the Hill with local rockers For Horses. On June 7, electronic pop band The Seshen performs with experimental singer-songwriter Aroma at the Richmond District’s classic 4 Star Theatre. (The evening will features a drag show and premiere of Total Accord’s documentary.) Conga-forward dance-pop duo Brijean headlines the Rickshaw Stop on June 11, and R&B singer Elujay, rapper Lovey and Family Not a Group vocalist SundaY perform at The Independent on June 13. Each show costs less than $30, and a few of them are free.\u003c/p>\n\u003cfigure id=\"attachment_13917881\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13917881\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694.jpg\" alt=\"\" width=\"1024\" height=\"657\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694-800x513.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694-1020x654.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694-768x493.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Colombian band Bomba Estéreo perform during the ‘Jungla’ Tour at The Plaza Live on August 10, 2018 in Orlando, Florida. \u003ccite>(Gerardo Mora/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sterngrove.org/\">Stern Grove Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 14–Aug. 16\u003cbr>\nSigmund Stern Grove, San Francisco\u003cbr>\nFree\u003c/em>\u003c/p>\n\u003cp>Each summer, nearly 10,000 music fans fill the sloping, eucalyptus-lined hillside of Sigmund Stern Grove every Sunday for free live music. The concert series, now in its 89th year, gets underway on June 14 with Indian rock band Peter Cat Recording Co., followed by Colombian electro-pop outfit Bomba Estéreo on June 21. Dancehall-inspired EDM trio Major Lazer arrives with support from Richmond rapper Fijiana on July 5. Stern Grove concludes with its Big Picnic grand finale weekend, with Public Enemy headlining Aug. 15 and Al Green on Aug. 16. Although Stern Grove is free, fans must \u003ca href=\"https://www.sterngrove.org/galotterytickets\">enter a lottery\u003c/a> to secure tickets.\u003c/p>\n\u003cfigure id=\"attachment_13934346\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13934346\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mistah F.A.B. in 2023 at Hiero Day in Frank Ogawa Plaza, Oakland. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://lakefestoakland.com/\">LakeFest\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 27\u003cbr>\nLake Merritt, Oakland\u003cbr>\n$12–$23\u003c/em>\u003c/p>\n\u003cp>LakeFest is the type of event where you can bring your friends, your toddler or your grandma — and actually, why not all of the above? The day of music and culture at Lake Merritt returns with headlining performances from R&B singers Vedo and Eric Bellinger, plus some top-tier East Bay rap talent: \u003ca href=\"https://www.kqed.org/arts/13972539/mani-draper-richmond-grand-nationxl\">Mani Draper\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13967001/paris-nights-east-oakland-rapper-videos-90s-throwbacks\">Paris Nights\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/tag/mistah-fab\">Mistah F.A.B\u003c/a>. New at the festival this year is the Gospel Circle, a Christian-themed stage with a gospel choir “sing-off” competition, live music, stand-up comedy and more. Expect local vendors, barbecue and other delicious cuisine, all in a laid-back, family-friendly atmosphere.\u003c/p>\n\u003cfigure id=\"attachment_13976929\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13976929\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk.jpg\" alt=\"A Black man in glasses and a roll-up beanie smiles and gestures in front of a cluttered bookshelf\" width=\"2000\" height=\"1125\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-1920x1080.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">E-40 performing in 2025 at NPR’s Tiny Desk in Washington, D.C. \u003ccite>(Zayrha Rodriguez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.tixr.com/groups/midwaysf/events/nelly-e-40-july-4th-weekend-block-party-184141?utm_source=themidway&utm_medium=venuewebsite\">4th of July Weekend Block Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>July 5\u003cbr>\nThe Midway, San Francisco\u003cbr>\n$49–$149\u003c/em>\u003c/p>\n\u003cp>Bay Area rap fans have a place to go dumb on Independence Day when Vallejo rap titan E-40 co-headlines a 4th of July bash at the Midway with “Hot In Herre” hitmaker Nelly. In addition to the chance to hear “Tell Me When To Go” and “Function” live, the party offers a stacked lineup of some of the Bay’s best DJs. Kehlani’s official selector Noodles will be behind the decks, along with the Valkyries’ own DJ Shellheart, the Warriors’ D-Sharp, Knowpa Slaps, DJ Mind Motion, Slowpoke and more.\u003c/p>\n\u003cfigure id=\"attachment_13915730\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13915730\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Bikini Kill performing in 2022 at Mosswood Meltdown in Oakland. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://mosswoodmeltdown.com/\">Mosswood Meltdown\u003c/a>\u003c/h2>\n\u003cp>\u003cem>July 17–19\u003cbr>\nMosswood Park, Oakland\u003cbr>\n$99–$129 per day\u003c/em>\u003c/p>\n\u003cp>John Waters just celebrated his 80th birthday with a \u003ca href=\"https://www.reddit.com/r/Fauxmoi/comments/1sssveb/john_waters_celebrates_his_80th_birthday_with/\">poppers-themed cake\u003c/a>, so you know the filmmaker, provocateur and so-called “Pope of Trash” has no plans of slowing down. He returns to Oakland this July to host the punk festival Mosswood Meltdown, which kicks off via a Friday pre-party with indie rockers \u003ca href=\"https://www.kqed.org/arts/13985125/pavement-mosswood-meltdown-2026\">Pavement\u003c/a> and Vivian Girls. The fun continues Saturday with sets from the 79-year-old “godfather of Punk” Iggy Pop, plus Japan’s Otoboke Beaver and Philly’s Mannequin Pussy. Riot grrrl icons Bikini Kill headline Sunday, after sets from the Return of Jackie and Judy (Fred Armisen and Carrie Brownstein’s Ramones tribute band), the Dead Milkmen and more.\u003c/p>\n\u003cfigure id=\"attachment_13919608\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13919608\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Charli XCX performs in 2022 at Portola Music Festival in San Francisco. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://sfoutsidelands.com/\">Outside Lands\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Aug. 7–9\u003cbr>\nGolden Gate Park, San Francisco\u003cbr>\n$269+ per day\u003c/em>\u003c/p>\n\u003cp>Outside Lands is one of the Bay Area’s most popular festivals, in part because of its range. This year, pop it-girls Charli XCX and PinkPantheress share the stage with rap stars like GloRilla and Baby Keem, and buzzy rock bands Wet Leg, Turnstile and Geese. The Strokes, the XX and Modest Mouse offer a dose of indie nostalgia; Mariah the Scientist, Kwn and Destin Conrad represent the new school of R&B; and rap veterans Clipse promise razor-sharp lyrical prowess. On top of the packed musical lineup, Outside Lands also has a wealth of food, beverage and cannabis options, an open-air queer nightclub with drag shows and even a wedding chapel.\u003c/p>\n\u003cfigure id=\"attachment_13989440\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989440\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-scaled.jpeg\" alt=\"\" width=\"2560\" height=\"1760\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-2000x1375.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-160x110.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-768x528.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-1536x1056.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-2048x1408.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Paper Jam. \u003ccite>(Courtesy of the artists)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://sfbaypopfest.com/\">SF Bay Popfest\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Aug. 20–23\u003cbr>\nBottom of the Hill, San Francisco\u003cbr>\n$20–$30 per day\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>San Francisco’s Bottom of the Hill has been a proving ground for new talent for 35 years; Oasis, Lizzo and Alanis Morissette all played the charmingly divey nightclub before they blew up. Unfortunately, as the surrounding neighborhood changes, it’ll \u003ca href=\"https://www.coyotemedia.org/san-francisco-club-bottom-of-the-hill-to-close-at-the-end-of-2026/\">close its doors for the final time at the end of this year\u003c/a>. Before the venue says goodbye, it has a packed calendar of shows, including SF Bay Popfest. The mini festival features four days of stacked indie rock, punk and pop acts, including the Aislers Set, Tony Molina, Dear Nora, The Umbrellas, Paper Jam and many more.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Charli XCX, Rüfüs Du Sol and the Strokes Will Headline Outside Lands 2026",
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"content": "\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> returns to \u003ca href=\"https://sfoutsidelands.com/\">Golden Gate Park Aug. 7–9\u003c/a>, with headlining sets from \u003cem>Brat \u003c/em>hitmaker Charli XCX, dance music giants Rüfüs Du Sol and indie rock greats the Strokes.\u003c/p>\n\u003cp>The extensive lineup of 80-plus acts also features rising rapper (and Kendrick Lamar collaborator) Baby Keem; singer-songwriter Djo, the alter ego of \u003ci>Stranger Things\u003c/i> actor Joseph David Keery; R&B and jazz singer Destin Conrad; hip-hop icons Clipse; English rockers Wet Leg; and R&B vocalist Mariah the Scientist.\u003c/p>\n\u003cp>Other lineup highlights include Lucy Dacus of Boygenius fame; Memphis rap princess Glorilla; rising rock band Geese; British R&B star Kwn; indie rockers the XX; and Aughts electro-pop hitmakers Empire of the Sun.\u003c/p>\n\u003cp>The sprawling festival draws tens of thousands of fans per day to Golden Gate Park, with four main live music stages — plus the open-air SOMA nightclub for electronic acts; Dolores’, for drag and queer programming; and intimate performances among the eucalyptus trees at the Duboce Triangle stage. The festival also features dedicated wine and cannabis sections, a vast array of food vendors and other experiences, including a wedding chapel.\u003c/p>\n\u003cp>Fans looking to secure \u003ca href=\"https://sfoutsidelands.com/news/presale-details/\">tickets\u003c/a> early have a couple options. The loyalty presale, for those who’ve bought festival tickets in the past five years, begins March 3, and fans must \u003ca href=\"https://laylo.com/outsidelands/presale-signup-2026\">register\u003c/a> before 11 a.m. to get access. A second presale begins March 4 at noon, and fans must sign up for it by March 3 at 4 p.m. Chase cardholders also get presale access March 3 at noon.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Tickets go on sale to the general public March 5 at 12 p.m., and begin at $509 for a three-day pass.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> returns to \u003ca href=\"https://sfoutsidelands.com/\">Golden Gate Park Aug. 7–9\u003c/a>, with headlining sets from \u003cem>Brat \u003c/em>hitmaker Charli XCX, dance music giants Rüfüs Du Sol and indie rock greats the Strokes.\u003c/p>\n\u003cp>The extensive lineup of 80-plus acts also features rising rapper (and Kendrick Lamar collaborator) Baby Keem; singer-songwriter Djo, the alter ego of \u003ci>Stranger Things\u003c/i> actor Joseph David Keery; R&B and jazz singer Destin Conrad; hip-hop icons Clipse; English rockers Wet Leg; and R&B vocalist Mariah the Scientist.\u003c/p>\n\u003cp>Other lineup highlights include Lucy Dacus of Boygenius fame; Memphis rap princess Glorilla; rising rock band Geese; British R&B star Kwn; indie rockers the XX; and Aughts electro-pop hitmakers Empire of the Sun.\u003c/p>\n\u003cp>The sprawling festival draws tens of thousands of fans per day to Golden Gate Park, with four main live music stages — plus the open-air SOMA nightclub for electronic acts; Dolores’, for drag and queer programming; and intimate performances among the eucalyptus trees at the Duboce Triangle stage. The festival also features dedicated wine and cannabis sections, a vast array of food vendors and other experiences, including a wedding chapel.\u003c/p>\n\u003cp>Fans looking to secure \u003ca href=\"https://sfoutsidelands.com/news/presale-details/\">tickets\u003c/a> early have a couple options. The loyalty presale, for those who’ve bought festival tickets in the past five years, begins March 3, and fans must \u003ca href=\"https://laylo.com/outsidelands/presale-signup-2026\">register\u003c/a> before 11 a.m. to get access. A second presale begins March 4 at noon, and fans must sign up for it by March 3 at 4 p.m. Chase cardholders also get presale access March 3 at noon.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Tickets go on sale to the general public March 5 at 12 p.m., and begin at $509 for a three-day pass.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Photos: Fan Fashions and Hot Looks at Outside Lands 2025",
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"headTitle": "Photos: Fan Fashions and Hot Looks at Outside Lands 2025 | KQED",
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"content": "\u003cfigure id=\"attachment_13979888\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979888\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed.jpg\" alt=\"A woman puckers her lips while showing off pink and red knit gloves and hat, wearing earrings and small sparkly adornments on her face\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Gina Lomeli, “electric fairy,” 40, wears colorful knit wear to Outside Lands on Sunday, August 10, 2025. Lomeli made the gloves, hat and her cardigan by hand. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Music festivals like \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> always bring out hot fits — even in Golden Gate Park’s chilly, foggy mist. This past weekend, photographer Estefany Gonzalez was on the scene at Outside Lands for photos of fans and their festival fashion.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>See more photos and highlights from Outside Lands on \u003ca href=\"https://www.kqed.org/arts/13979757/outside-lands-2025-review-recap-photos-doechii-tyler-the-creator\">Friday\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13979822/outside-lands-review-tyler-the-creator-larussell-gracie-abrams\">Saturday\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13979849/outside-lands-review-photos-anderson-paak-jorja-smith-hozier-ca7riel-paco-amoroso\">Sunday\u003c/a>.\u003c/strong>\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13979893\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979893\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(L–R) Courtney Willoughby, 18, and her sister Sydney Willoughby, 22, wear coordinated orange outfits at Outside Lands on Sunday, August 10, 2025. The pair wanted to match for their first-ever Outside Lands. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979884\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13979884 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Digital KitKat, 34, a Bay Area based DJ, wears a studded Virgin Mary hat to Outside Lands on Saturday, August 9, 2025. Digital KitKat is one of the many local DJ’ who performed at Casa Bacardí during the three day festival. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979876\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979876\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Angel Moua, 31, wears a bandana and large sunglasses to Outside Lands on Saturday, August 9, 2025. Moua traveled to Golden Gate Park from Sacramento to attend the festival. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979891\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979891\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nori Nakayama, right, poses for a portrait as Glass Animals performs at Outside Lands on Saturday, August 9, 2025. Singer Dave Bayley pointed to Nakayama during Glass Animals’ set and and made note that Nakayama attended the bands first ever Bay Area concert several years ago. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979871\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979871\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Oakland’s Christie O’ Neill, 35, wears a disco ball helmet at Outside Lands on Friday, August 8, 2025. O’ Neill bought the helmet during a trip to Massachusetts and liked it so much she wore it on the plane ride back to California when it didn’t fit in her luggage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979878\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979878\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">LaRussell poses for a portrait backstage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979882\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979882\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Daniel Sherman, 36, wears a thrifted fringe jacket to Outside Lands on Saturday, August 9, 2025. Sherman, a regular Oasis patron, was one of the many people enjoying drag performances at the Dolores’ stage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979875\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979875\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mario Gonzalez, 23, and partner Sara Ramirez, 22, wear bucket hats Ramirez made by hand to Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979879\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979879\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Steffi Espinosa, 26, left, and Darby Shore, 26, hold ‘Wicked’ dolls at the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979889\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979889\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">From left, Nico Cerda, Cami Castro, and Alex Favela, wear matching party hats at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979869\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Baalti poses for a portrait at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979894\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979894\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Courtney Willoughby, 18, wears layered necklaces at Outside Lands on Sunday, August 10, 2025. Willoughby attended the festival with her holder sister Sydney Willoughby, and wore coordinated orange outfits. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979895\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979895\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">EJ Viray, 33, dances as Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979890\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979890\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Paco Amoroso poses for a portrait at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979886\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979886\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ben Van Deusen, center left, and Victoria Edwards watch Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. The two wore fuzzy blue hats inspired by the one Paco Amoroso had on during Ca7riel and Paco Amoroso’s NPR Tiny Desk performance. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979883\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979883\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Les Tran, 35, cuddles with Joshua Tree, 29, at Outside Lands on Saturday, August 9, 2025. The two met on Grindr an hour before catching a drag performance at Dolores’ stage together. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979881\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979881\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">People cheer as Kitty Litter and Évian perform on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979874\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979874\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tommy Gaerlan, 30, center left, and Jordan Castro, 26, dance as LaRussell performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979870\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979870\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Oakland Christie O’ Neill, 35, wears a disco ball helmet at Outside Lands on Friday, August 8, 2025. O’ Neill bought the helmet during a trip to Massachusetts and liked it so much she wore it on the plane ride back to California when it didn’t fit in her luggage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979880\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979880\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Noah Ketterer, 26, fans himself as he dances at the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979872\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979872\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Festival goers dance along the Panhandle stage as Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979873\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979873\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fans dance in the front of the Lands End Stage as LaRussell performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "At Outside Lands, fans showed up in their freshest festival fits.",
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"title": "Photos: Fan Fashions and Hot Looks at Outside Lands 2025 | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13979888\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979888\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed.jpg\" alt=\"A woman puckers her lips while showing off pink and red knit gloves and hat, wearing earrings and small sparkly adornments on her face\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Gina Lomeli, “electric fairy,” 40, wears colorful knit wear to Outside Lands on Sunday, August 10, 2025. Lomeli made the gloves, hat and her cardigan by hand. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Music festivals like \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> always bring out hot fits — even in Golden Gate Park’s chilly, foggy mist. This past weekend, photographer Estefany Gonzalez was on the scene at Outside Lands for photos of fans and their festival fashion.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>See more photos and highlights from Outside Lands on \u003ca href=\"https://www.kqed.org/arts/13979757/outside-lands-2025-review-recap-photos-doechii-tyler-the-creator\">Friday\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13979822/outside-lands-review-tyler-the-creator-larussell-gracie-abrams\">Saturday\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13979849/outside-lands-review-photos-anderson-paak-jorja-smith-hozier-ca7riel-paco-amoroso\">Sunday\u003c/a>.\u003c/strong>\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13979893\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979893\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(L–R) Courtney Willoughby, 18, and her sister Sydney Willoughby, 22, wear coordinated orange outfits at Outside Lands on Sunday, August 10, 2025. The pair wanted to match for their first-ever Outside Lands. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979884\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13979884 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Digital KitKat, 34, a Bay Area based DJ, wears a studded Virgin Mary hat to Outside Lands on Saturday, August 9, 2025. Digital KitKat is one of the many local DJ’ who performed at Casa Bacardí during the three day festival. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979876\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979876\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Angel Moua, 31, wears a bandana and large sunglasses to Outside Lands on Saturday, August 9, 2025. Moua traveled to Golden Gate Park from Sacramento to attend the festival. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979891\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979891\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nori Nakayama, right, poses for a portrait as Glass Animals performs at Outside Lands on Saturday, August 9, 2025. Singer Dave Bayley pointed to Nakayama during Glass Animals’ set and and made note that Nakayama attended the bands first ever Bay Area concert several years ago. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979871\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979871\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Oakland’s Christie O’ Neill, 35, wears a disco ball helmet at Outside Lands on Friday, August 8, 2025. O’ Neill bought the helmet during a trip to Massachusetts and liked it so much she wore it on the plane ride back to California when it didn’t fit in her luggage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979878\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979878\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">LaRussell poses for a portrait backstage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979882\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979882\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Daniel Sherman, 36, wears a thrifted fringe jacket to Outside Lands on Saturday, August 9, 2025. Sherman, a regular Oasis patron, was one of the many people enjoying drag performances at the Dolores’ stage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979875\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979875\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mario Gonzalez, 23, and partner Sara Ramirez, 22, wear bucket hats Ramirez made by hand to Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979879\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979879\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Steffi Espinosa, 26, left, and Darby Shore, 26, hold ‘Wicked’ dolls at the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979889\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979889\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">From left, Nico Cerda, Cami Castro, and Alex Favela, wear matching party hats at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979869\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Baalti poses for a portrait at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979894\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979894\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Courtney Willoughby, 18, wears layered necklaces at Outside Lands on Sunday, August 10, 2025. Willoughby attended the festival with her holder sister Sydney Willoughby, and wore coordinated orange outfits. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979895\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979895\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">EJ Viray, 33, dances as Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979890\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979890\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Paco Amoroso poses for a portrait at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979886\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979886\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ben Van Deusen, center left, and Victoria Edwards watch Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. The two wore fuzzy blue hats inspired by the one Paco Amoroso had on during Ca7riel and Paco Amoroso’s NPR Tiny Desk performance. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979883\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979883\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Les Tran, 35, cuddles with Joshua Tree, 29, at Outside Lands on Saturday, August 9, 2025. The two met on Grindr an hour before catching a drag performance at Dolores’ stage together. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979881\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979881\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">People cheer as Kitty Litter and Évian perform on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979874\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979874\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tommy Gaerlan, 30, center left, and Jordan Castro, 26, dance as LaRussell performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979870\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979870\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Oakland Christie O’ Neill, 35, wears a disco ball helmet at Outside Lands on Friday, August 8, 2025. O’ Neill bought the helmet during a trip to Massachusetts and liked it so much she wore it on the plane ride back to California when it didn’t fit in her luggage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979880\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979880\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Noah Ketterer, 26, fans himself as he dances at the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979872\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979872\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Festival goers dance along the Panhandle stage as Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979873\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979873\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fans dance in the front of the Lands End Stage as LaRussell performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "outside-lands-review-photos-anderson-paak-jorja-smith-hozier-ca7riel-paco-amoroso",
"title": "At Outside Lands, Anderson .Paak Pays Homage to the Bay With E-40",
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"headTitle": "At Outside Lands, Anderson .Paak Pays Homage to the Bay With E-40 | KQED",
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"content": "\u003cp>It turns out Anderson .Paak is an honorary Baydestrian. “What the fuck is poppin’? I’m finally home,” the Oxnard-raised MC told the Sunday night \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> crowd, as mist set over \u003ca href=\"https://www.kqed.org/arts/tag/golden-gate-park\">Golden Gate Park\u003c/a>. “I never play around in the Bay ‘cause you guys show me so much love.”\u003c/p>\n\u003cp>Rocking a red plaid kilt and a “Fuck ICE” pin on his beanie, Paak took his perch atop his drum kit, presiding over a funky set that was equal parts laid-back house-party feel and instrumental excellence. He and the Free Nationals were locked in, flowing out of Paak’s drum solos into jazzy keyboard crescendos and sunbursts of brass.\u003c/p>\n\u003cp>[aside postID='arts_13979757']While Hozier headlined the main stage, Paak’s legions of fans at the Twin Peaks stage two-stepped to the provocative “Am I Wrong” (“If she can’t dance / then she can’t — ooh”), puffed their chests to to “Come Down” and turned up as Paak brought out surprise guest Cordae for “RNP.” A particularly vibey moment came when the Free Nationals’ keyboardist, Ron Jerome Arvant, delivered a Zapp-esque cover of Sade’s “\u003ca href=\"https://www.youtube.com/watch?v=C0BLKudnyNo\">Paradise\u003c/a>” on the vocoder, making everyone’s lips involuntarily curl into a stank face.\u003c/p>\n\u003cp>In Paak’s ultimate show of love to the Bay, he brought out none other than \u003ca href=\"https://www.kqed.org/arts/tag/e-40\">E-40\u003c/a> to perform “Tell Me When To Go” so his Outside Lands crowd could go dumb together as the festival closed out its final night.\u003c/p>\n\u003cfigure id=\"attachment_13979853\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979853\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Ca7riel & Paco Amoroso prove they’re on their way to stardom\u003c/h2>\n\u003cp>Ca7riel & Paco Amoroso aren’t household names in the States, but at Outside Lands, their high-wattage star power proved they will be soon. The lovably weird Argentinian rappers took the stage accompanied by a jazz-meets-hip-hop live band with a big brass section, trading verses with a trap cadence while pulling goofy moves like action-figure poses and campy, Mick Jagger-esque hip pops.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Much of their set drew from their EP \u003cem>Papota\u003c/em>, an absurdist parody of their rise to fame since their \u003ca href=\"https://www.youtube.com/watch?v=9kqnsoY94L8\">Tiny Desk concert\u003c/a> blew up earlier this year. “#Tetas,” about a gringo A&R pushing plastic surgery on them to make them marketable, got the audience jumping and rapping along in Spanish. Fans demanded more when their afternoon set was over, and they obliged with an encore, performing “El Único,” their conversational hit about each realizing they’re hooking up with the same girl. As fans held up the Argentinian flag and posters inscribed with lyrics, Ca7riel and Paco shared a smooch and flexed their biceps for an epic finale.\u003c/p>\n\u003cfigure id=\"attachment_13979858\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979858\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jorja Smith performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Jorja Smith’s phenomenal vocals\u003c/h2>\n\u003cp>Jorja Smith transported Outside Lands to a jazz speakeasy with her rich, exquisite voice on Sunday afternoon, opening with a moody take on “Try Me,” whose lyrics are self-protective like a rose’s thorn. During “Feelings,” she sang a duet with one of her angel-voiced backing vocalists. The fresh takes on her discography were a treat for the devoted fans who lined up early for for the British star.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Smith’s performance picked up energy at the end when she sang two of her dance hits, “On My Mind” and “Little Things,” changing the vibe from awestruck appreciation to uninhibited dance party.\u003c/p>\n\u003ch2>More photos and highlights below.\u003c/h2>\n\u003cfigure id=\"attachment_13979861\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979861\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979854\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979854\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Clara Wade, 30, waves an Argentinian flag as Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. Wade traveled from Seattle to see the Argentinian duo perform at Outside Lands. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979857\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979857\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Glass Animals performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979856\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979856\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">David Harness performs on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979864\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979864\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979865\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979865\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Carmella Truel, center, and friend Noah Gould dance as Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979862\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979862\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Attendees watch Black Coffee perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979855\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979855\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">David Harness performs on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979852\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979852\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979859\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979859\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979860\" class=\"wp-caption aligncenter\" style=\"max-width: 888px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979860\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed.jpg\" alt=\"\" width=\"888\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed.jpg 888w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed-768x1153.jpg 768w\" sizes=\"auto, (max-width: 888px) 100vw, 888px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "Other highlights from Outside Lands on Sunday included Ca7riel & Paco Amoroso and Jorja Smith. ",
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"title": "At Outside Lands, Anderson .Paak Pays Homage to the Bay With E-40 | KQED",
"description": "Other highlights from Outside Lands on Sunday included Ca7riel & Paco Amoroso and Jorja Smith. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It turns out Anderson .Paak is an honorary Baydestrian. “What the fuck is poppin’? I’m finally home,” the Oxnard-raised MC told the Sunday night \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> crowd, as mist set over \u003ca href=\"https://www.kqed.org/arts/tag/golden-gate-park\">Golden Gate Park\u003c/a>. “I never play around in the Bay ‘cause you guys show me so much love.”\u003c/p>\n\u003cp>Rocking a red plaid kilt and a “Fuck ICE” pin on his beanie, Paak took his perch atop his drum kit, presiding over a funky set that was equal parts laid-back house-party feel and instrumental excellence. He and the Free Nationals were locked in, flowing out of Paak’s drum solos into jazzy keyboard crescendos and sunbursts of brass.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>While Hozier headlined the main stage, Paak’s legions of fans at the Twin Peaks stage two-stepped to the provocative “Am I Wrong” (“If she can’t dance / then she can’t — ooh”), puffed their chests to to “Come Down” and turned up as Paak brought out surprise guest Cordae for “RNP.” A particularly vibey moment came when the Free Nationals’ keyboardist, Ron Jerome Arvant, delivered a Zapp-esque cover of Sade’s “\u003ca href=\"https://www.youtube.com/watch?v=C0BLKudnyNo\">Paradise\u003c/a>” on the vocoder, making everyone’s lips involuntarily curl into a stank face.\u003c/p>\n\u003cp>In Paak’s ultimate show of love to the Bay, he brought out none other than \u003ca href=\"https://www.kqed.org/arts/tag/e-40\">E-40\u003c/a> to perform “Tell Me When To Go” so his Outside Lands crowd could go dumb together as the festival closed out its final night.\u003c/p>\n\u003cfigure id=\"attachment_13979853\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979853\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Ca7riel & Paco Amoroso prove they’re on their way to stardom\u003c/h2>\n\u003cp>Ca7riel & Paco Amoroso aren’t household names in the States, but at Outside Lands, their high-wattage star power proved they will be soon. The lovably weird Argentinian rappers took the stage accompanied by a jazz-meets-hip-hop live band with a big brass section, trading verses with a trap cadence while pulling goofy moves like action-figure poses and campy, Mick Jagger-esque hip pops.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Much of their set drew from their EP \u003cem>Papota\u003c/em>, an absurdist parody of their rise to fame since their \u003ca href=\"https://www.youtube.com/watch?v=9kqnsoY94L8\">Tiny Desk concert\u003c/a> blew up earlier this year. “#Tetas,” about a gringo A&R pushing plastic surgery on them to make them marketable, got the audience jumping and rapping along in Spanish. Fans demanded more when their afternoon set was over, and they obliged with an encore, performing “El Único,” their conversational hit about each realizing they’re hooking up with the same girl. As fans held up the Argentinian flag and posters inscribed with lyrics, Ca7riel and Paco shared a smooch and flexed their biceps for an epic finale.\u003c/p>\n\u003cfigure id=\"attachment_13979858\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979858\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jorja Smith performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Jorja Smith’s phenomenal vocals\u003c/h2>\n\u003cp>Jorja Smith transported Outside Lands to a jazz speakeasy with her rich, exquisite voice on Sunday afternoon, opening with a moody take on “Try Me,” whose lyrics are self-protective like a rose’s thorn. During “Feelings,” she sang a duet with one of her angel-voiced backing vocalists. The fresh takes on her discography were a treat for the devoted fans who lined up early for for the British star.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Smith’s performance picked up energy at the end when she sang two of her dance hits, “On My Mind” and “Little Things,” changing the vibe from awestruck appreciation to uninhibited dance party.\u003c/p>\n\u003ch2>More photos and highlights below.\u003c/h2>\n\u003cfigure id=\"attachment_13979861\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979861\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979854\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979854\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Clara Wade, 30, waves an Argentinian flag as Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. Wade traveled from Seattle to see the Argentinian duo perform at Outside Lands. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979857\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979857\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Glass Animals performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979856\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979856\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">David Harness performs on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979864\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979864\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979865\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979865\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Carmella Truel, center, and friend Noah Gould dance as Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979862\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979862\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Attendees watch Black Coffee perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979855\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979855\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">David Harness performs on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979852\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979852\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979859\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979859\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979860\" class=\"wp-caption aligncenter\" style=\"max-width: 888px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979860\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed.jpg\" alt=\"\" width=\"888\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed.jpg 888w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed-768x1153.jpg 768w\" sizes=\"auto, (max-width: 888px) 100vw, 888px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"slug": "outside-lands-review-tyler-the-creator-larussell-gracie-abrams",
"title": "LaRussell Turned Outside Lands Into a Bay Area Block Party",
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"headTitle": "LaRussell Turned Outside Lands Into a Bay Area Block Party | KQED",
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"content": "\u003cp>At \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a>, LaRussell channeled the spirit of his beloved backyard concerts into a massive Saturday afternoon main-stage set.\u003c/p>\n\u003cp>“I’m a Bay Area kid,” the Vallejo star told the crowd, visibly moved. “I haven’t witnessed too many people be from here and make it on this stage.”[aside postid='arts_13979757,arts_13979494']\u003c/p>\n\u003cp>Repping his Good Compenny jersey, with a cow-print beanie, LaRussell commanded the audience as big, bass-heavy beats kept the energy high. At one point, he paid homage to the hyphy movement with Bay Area classics like E-40’s “Yay Area” — and even mobbed through the audience himself.\u003c/p>\n\u003cp>A hometown “collab choir” backed LaRussell, and the refreshing addition of a live flute and harp sent chills throughout the crowd. By the end, the audience was grabbing their collars, doing the thizzle dance and smeezing. It was a party on the westside, for real.\u003c/p>\n\u003cfigure id=\"attachment_13979826\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979826\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">LaRussell performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>More Outside Lands highlights\u003c/h2>\n\u003cfigure id=\"attachment_13979832\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979832\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Gracie Abrams performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Gracie Abrams’ set was full of heart\u003c/h2>\n\u003cp>Gracie Abrams created an intimate vibe on Saturday night, her gut-wrenching lyrics blending seamlessly with San Francisco’s misty air. The singer-songwriter came out dressed in a flowing, pink floor-length dress, immediately captivating the audience’s attention.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>While some of the crowd was quieter during her deeper cuts, they lit up for fan favorites like “I Love You, I’m Sorry” and “That’s So True.” Yet devoted fans held one another and sang along to every song. Abrams notably switched out her champagne-colored guitar for a silver sparkly one for her final song “Close to You,” drawing fan speculation that with her \u003cem>Secret of Us\u003c/em> era ending, a new era is unfolding.\u003c/p>\n\u003cfigure id=\"attachment_13979833\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979833\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, the Creator performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Tyler, The Creator performed an instant classic\u003c/h2>\n\u003cp>Sparks ignited the night; flames shot upwards in fierce bursts; and strobe lights sliced through the darkness as Tyler, The Creator took command of the stage. His headlining set was pure electricity. Fresh tracks from \u003cem>Don’t Tap the Glass\u003c/em>, released just weeks ago, felt like instant classics as the crowd belted every word.\u003c/p>\n\u003cfigure id=\"attachment_13979834\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979834\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, The Creator performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>You could see the fire in Tyler’s eyes, his music practically possessing him, as he became a vessel for raw passion and unfiltered emotion. The crisp 57-degree air at Land’s End didn’t stand a chance, with the heat from the pyrotechnics matching the blaze in his voice and beats. When “EARFQUAKE” dropped, the ground pulsed. Fans’ energy bubbled up between songs, chanting “Tyler” back at him, echoing the fierce passion burning in his performance.\u003c/p>\n\u003cfigure id=\"attachment_13979836\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979836\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fans singalong as Tyler, The Creator performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979830\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979830\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kitty Litter, left, and Évian perform on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979828\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979828\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">D’Arcy Drollinger speaks at the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979827\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979827\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ludacris performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979835\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979835\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sisters Cora Thompson, left, and Shelby Thompson watch Tyler, The Creator perform at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "Tyler, The Creator also gave a strong performance of his instant classic album 'Don't Tap the Glass.'",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a>, LaRussell channeled the spirit of his beloved backyard concerts into a massive Saturday afternoon main-stage set.\u003c/p>\n\u003cp>“I’m a Bay Area kid,” the Vallejo star told the crowd, visibly moved. “I haven’t witnessed too many people be from here and make it on this stage.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Repping his Good Compenny jersey, with a cow-print beanie, LaRussell commanded the audience as big, bass-heavy beats kept the energy high. At one point, he paid homage to the hyphy movement with Bay Area classics like E-40’s “Yay Area” — and even mobbed through the audience himself.\u003c/p>\n\u003cp>A hometown “collab choir” backed LaRussell, and the refreshing addition of a live flute and harp sent chills throughout the crowd. By the end, the audience was grabbing their collars, doing the thizzle dance and smeezing. It was a party on the westside, for real.\u003c/p>\n\u003cfigure id=\"attachment_13979826\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979826\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">LaRussell performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>More Outside Lands highlights\u003c/h2>\n\u003cfigure id=\"attachment_13979832\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979832\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Gracie Abrams performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Gracie Abrams’ set was full of heart\u003c/h2>\n\u003cp>Gracie Abrams created an intimate vibe on Saturday night, her gut-wrenching lyrics blending seamlessly with San Francisco’s misty air. The singer-songwriter came out dressed in a flowing, pink floor-length dress, immediately captivating the audience’s attention.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>While some of the crowd was quieter during her deeper cuts, they lit up for fan favorites like “I Love You, I’m Sorry” and “That’s So True.” Yet devoted fans held one another and sang along to every song. Abrams notably switched out her champagne-colored guitar for a silver sparkly one for her final song “Close to You,” drawing fan speculation that with her \u003cem>Secret of Us\u003c/em> era ending, a new era is unfolding.\u003c/p>\n\u003cfigure id=\"attachment_13979833\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979833\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, the Creator performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Tyler, The Creator performed an instant classic\u003c/h2>\n\u003cp>Sparks ignited the night; flames shot upwards in fierce bursts; and strobe lights sliced through the darkness as Tyler, The Creator took command of the stage. His headlining set was pure electricity. Fresh tracks from \u003cem>Don’t Tap the Glass\u003c/em>, released just weeks ago, felt like instant classics as the crowd belted every word.\u003c/p>\n\u003cfigure id=\"attachment_13979834\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979834\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, The Creator performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>You could see the fire in Tyler’s eyes, his music practically possessing him, as he became a vessel for raw passion and unfiltered emotion. The crisp 57-degree air at Land’s End didn’t stand a chance, with the heat from the pyrotechnics matching the blaze in his voice and beats. When “EARFQUAKE” dropped, the ground pulsed. Fans’ energy bubbled up between songs, chanting “Tyler” back at him, echoing the fierce passion burning in his performance.\u003c/p>\n\u003cfigure id=\"attachment_13979836\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979836\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fans singalong as Tyler, The Creator performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979830\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979830\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kitty Litter, left, and Évian perform on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979828\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979828\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">D’Arcy Drollinger speaks at the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979827\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979827\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ludacris performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979835\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979835\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sisters Cora Thompson, left, and Shelby Thompson watch Tyler, The Creator perform at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"slug": "outside-lands-2025-review-recap-photos-doechii-tyler-the-creator",
"title": "So Doechii Pretty Much Killed It at Outside Lands",
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"headTitle": "So Doechii Pretty Much Killed It at Outside Lands | KQED",
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"content": "\u003cp>Friday night at \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a>, Doechii called a masterclass into session.\u003c/p>\n\u003cp>[aside postID='arts_13979687']\u003c/p>\n\u003cp>As her dancers dressed in high-fashion school uniforms writhed around student desks, Doechii strutted out to a boom-bap beat with daggers in her eyes, rapping in a pleated micro miniskirt: “Doechii the don / Doechii the dean / Doechii supreme / The swamp ruler.” Just like that, we were officially enrolled in Doechii’s School of Hip-Hop.\u003c/p>\n\u003cp>Perched atop a massive boom box, Doechii exuded poise and determination. Continuing the academic theme, cheeky narration broke the show down into chapters like “good bars and great bars” and “the aspect of flow.” Doechii excelled in every curriculum, demonstrating otherworldly breath control while rapping and dancing with athletic precision. Fans danced and jumped, but their eyes were laser-focused on the stage, afraid to miss a moment.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cfigure id=\"attachment_13979796\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979796\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_14.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_14.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_14-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_14-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_14-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Doechii performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Doechii’s DJ, Miss Milan, interlaced the set with samples that positioned Doechii’s discography as part of a venerable lineage. “Persuasive” bled into Missy Elliott’s “She’s a Bitch”; “Boiled Peanuts” morphed into the beat of “C.R.E.A.M” by Wu-Tang Clan. Throughout the show, we caught snippets of Paul Wall, Doug E. Fresh and Crime Mob’s “Knuck If You Buck.”[aside postid='arts_13979494']After the boom-bap portion of the show, Doechii paid homage to the queer art of ballroom. “Alter Ego,” which she rapped with enough energy to light your hair on fire, was blended with a Crystal Waters sample as her dancers vogued, practically levitating off the stage. Doechii proclaimed, “Where my gays at?” to loud cheers from the main-stage crowd, tens of thousands deep.\u003c/p>\n\u003cp>The 45-minute set went from twerking to head banging during “Catfish,” with Doechii declaring, “Free Palestine, what the fuck is you talkin’ about?” As her cheeky, self-reflective breakout hit “Denial Is a River” closed out the show, she heartily thanked the people in the back, her dancers, her band and production.\u003c/p>\n\u003cfigure id=\"attachment_13979798\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979798\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Doechii performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Doechii delivered nothing but excellence, and she wasn’t even the festival headliner at Outside Lands. She returns to San Francisco on \u003ca href=\"https://www.kqed.org/arts/13979484/doechii-presale-tickets-code-bill-graham-civic-san-francisco-live-from-the-swamp-tour\">Friday, Nov. 7 for a show at the Bill Graham Civic Auditorium\u003c/a>; expect tickets to sell out quickly when they go on sale to the general public Monday morning.\u003c/p>\n\u003ch2>More Outside Lands highlights\u003c/h2>\n\u003cfigure id=\"attachment_13979800\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979800\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Doja Cat performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Doja Cat, the queen of camp\u003c/h2>\n\u003cp>Doechii was a tough act to follow, and Doja Cat’s ensuing set as Friday’s headliner drew a noticeably sparser crowd. Dressed in ultra-kitschy head-to-toe zebra print with huge, teased-out blond hair, Doja came on stage singing “Woman” in an ’80s hair metal look that glowed in the dark. Throughout her 90-minute set, she teased the crowd with sexy songs like “Juicy” and got people jumping during the rambunctious “Tia Tamara.” With fireworks and pyrotechnics, but without dancers, a costume change or much set design, the performance left me wanting more — especially for one of the most highly anticipated sets of the night.\u003c/p>\n\u003cfigure id=\"attachment_13979799\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979799\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Doja Cat performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979793\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979793\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Fcukers were the breakout act of the evening\u003c/h2>\n\u003cp>Almost every year at Outside Lands, there’s someone who kills it at the smaller Panhandle stage, and this year it was Fcukers. Deadpan valley-girl vocals, punchy drums, dreamy synths and DJ scratching fused into sheerly fun party music that packed in teens and 20-somethings eager for more post-\u003ci>Brat\u003c/i> hedonism. Their Friday afternoon set proved Fcukers will be ready for bigger stages soon.\u003c/p>\n\u003cfigure id=\"attachment_13979792\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979792\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979794\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979794\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival goers dance along the Panhandle stage as Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979786\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979786\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Still Woozy poses for a portrait at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979788\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979788\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thundercat performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979789\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979789\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jessica Pratt performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979784\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979784\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Baalti performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979785\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979785\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Dylan Dubeau, 27, (right) dances with a handmade sign as Baalti performs at Outside Lands on Friday, August 8, 2025. Dubeau made 15 signs with the faces of the duo and passed them out for other fans to dance with. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979787\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979787\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Baalti poses for a portrait at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979790\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979790\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Oakland Christie O’ Neill, 35, wears a disco ball helmet at Outside Lands on Friday, August 8, 2025. O’ Neill bought the helmet during a trip to Massachusetts and liked it so much she wore it on the plane ride back to California when it didn’t fit in her luggage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979801\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979801\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Beck performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979802\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979802\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fans watch Beck perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979803\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979803\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of people gather as Beck closes out the Sutro Stage at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n",
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"excerpt": "Doechii’s school of hip-hop was in session at Outside Lands during an electrifying and dominant set.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Friday night at \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a>, Doechii called a masterclass into session.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As her dancers dressed in high-fashion school uniforms writhed around student desks, Doechii strutted out to a boom-bap beat with daggers in her eyes, rapping in a pleated micro miniskirt: “Doechii the don / Doechii the dean / Doechii supreme / The swamp ruler.” Just like that, we were officially enrolled in Doechii’s School of Hip-Hop.\u003c/p>\n\u003cp>Perched atop a massive boom box, Doechii exuded poise and determination. Continuing the academic theme, cheeky narration broke the show down into chapters like “good bars and great bars” and “the aspect of flow.” Doechii excelled in every curriculum, demonstrating otherworldly breath control while rapping and dancing with athletic precision. Fans danced and jumped, but their eyes were laser-focused on the stage, afraid to miss a moment.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cfigure id=\"attachment_13979796\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979796\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_14.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_14.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_14-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_14-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_14-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Doechii performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Doechii’s DJ, Miss Milan, interlaced the set with samples that positioned Doechii’s discography as part of a venerable lineage. “Persuasive” bled into Missy Elliott’s “She’s a Bitch”; “Boiled Peanuts” morphed into the beat of “C.R.E.A.M” by Wu-Tang Clan. Throughout the show, we caught snippets of Paul Wall, Doug E. Fresh and Crime Mob’s “Knuck If You Buck.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>After the boom-bap portion of the show, Doechii paid homage to the queer art of ballroom. “Alter Ego,” which she rapped with enough energy to light your hair on fire, was blended with a Crystal Waters sample as her dancers vogued, practically levitating off the stage. Doechii proclaimed, “Where my gays at?” to loud cheers from the main-stage crowd, tens of thousands deep.\u003c/p>\n\u003cp>The 45-minute set went from twerking to head banging during “Catfish,” with Doechii declaring, “Free Palestine, what the fuck is you talkin’ about?” As her cheeky, self-reflective breakout hit “Denial Is a River” closed out the show, she heartily thanked the people in the back, her dancers, her band and production.\u003c/p>\n\u003cfigure id=\"attachment_13979798\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979798\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Doechii performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Doechii delivered nothing but excellence, and she wasn’t even the festival headliner at Outside Lands. She returns to San Francisco on \u003ca href=\"https://www.kqed.org/arts/13979484/doechii-presale-tickets-code-bill-graham-civic-san-francisco-live-from-the-swamp-tour\">Friday, Nov. 7 for a show at the Bill Graham Civic Auditorium\u003c/a>; expect tickets to sell out quickly when they go on sale to the general public Monday morning.\u003c/p>\n\u003ch2>More Outside Lands highlights\u003c/h2>\n\u003cfigure id=\"attachment_13979800\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979800\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Doja Cat performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Doja Cat, the queen of camp\u003c/h2>\n\u003cp>Doechii was a tough act to follow, and Doja Cat’s ensuing set as Friday’s headliner drew a noticeably sparser crowd. Dressed in ultra-kitschy head-to-toe zebra print with huge, teased-out blond hair, Doja came on stage singing “Woman” in an ’80s hair metal look that glowed in the dark. Throughout her 90-minute set, she teased the crowd with sexy songs like “Juicy” and got people jumping during the rambunctious “Tia Tamara.” With fireworks and pyrotechnics, but without dancers, a costume change or much set design, the performance left me wanting more — especially for one of the most highly anticipated sets of the night.\u003c/p>\n\u003cfigure id=\"attachment_13979799\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979799\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Doja Cat performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979793\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979793\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Fcukers were the breakout act of the evening\u003c/h2>\n\u003cp>Almost every year at Outside Lands, there’s someone who kills it at the smaller Panhandle stage, and this year it was Fcukers. Deadpan valley-girl vocals, punchy drums, dreamy synths and DJ scratching fused into sheerly fun party music that packed in teens and 20-somethings eager for more post-\u003ci>Brat\u003c/i> hedonism. Their Friday afternoon set proved Fcukers will be ready for bigger stages soon.\u003c/p>\n\u003cfigure id=\"attachment_13979792\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979792\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979794\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979794\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival goers dance along the Panhandle stage as Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979786\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979786\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Still Woozy poses for a portrait at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979788\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979788\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thundercat performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979789\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979789\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jessica Pratt performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979784\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979784\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Baalti performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979785\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979785\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Dylan Dubeau, 27, (right) dances with a handmade sign as Baalti performs at Outside Lands on Friday, August 8, 2025. Dubeau made 15 signs with the faces of the duo and passed them out for other fans to dance with. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979787\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979787\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Baalti poses for a portrait at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979790\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979790\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Oakland Christie O’ Neill, 35, wears a disco ball helmet at Outside Lands on Friday, August 8, 2025. O’ Neill bought the helmet during a trip to Massachusetts and liked it so much she wore it on the plane ride back to California when it didn’t fit in her luggage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979801\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979801\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Beck performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979802\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979802\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fans watch Beck perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979803\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979803\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of people gather as Beck closes out the Sutro Stage at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"slug": "outside-lands-2025-san-francisco-lineup-schedule",
"title": "5 Bay Area Artists Not to Miss at Outside Lands This Year",
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"content": "\u003cp>[aside postid='arts_13979494']More than 200,000 fans are expected to descend onto Golden Gate Park Aug. 8–10 for \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a>. In addition to stars like Doja Cat, Doechii, Hozier and Tyler, The Creator, the massive festival features a sizable offering of local talent.\u003c/p>\n\u003cp>Here are five Bay Area artists you shouldn’t miss.\u003c/p>\n\u003cp>https://youtu.be/SKh4ZProKvE?si=EAhzUFptmIxh67yO\u003c/p>\n\u003cp>\u003cstrong>LaRussell\u003c/strong>\u003cbr>\n\u003cem>Saturday, Aug. 9, 2:45 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/larussell/?hl=en\">LaRussell\u003c/a>’s bars overflow with joy and rambunctious energy, but he’s just as quick to offer earnest reflections on personal struggles and growth as he is to hit listeners with a clever punchline. Rooting for this rising Vallejo rap star feels like watching the ascent of an underdog home team, and big names like Lil Jon, Wiz Khalifa and E-40 have taken notice. (For those who can’t make it to Outside Lands, \u003ca href=\"https://www.kqed.org/event/5448\">LaRussell and his Good Compenny crew team up with KQED for a local music showcase in Vallejo on Aug. 21\u003c/a>.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://youtu.be/B2g-3M3CiHU?si=8XvzjUWslUhrXBrR\u003c/p>\n\u003cp>\u003cstrong>Destroy Boys\u003c/strong>\u003cbr>\n\u003cem>Friday, Aug. 8, 1:35 p.m.\u003c/em>\u003c/p>\n\u003cp>Since their first big single “I Threw Glass at My Friend’s Eyes and Now I’m on Probation,” \u003ca href=\"https://www.funeralsoundtrack4.com/\">Destroy Boys\u003c/a>’ dark humor and chainsawing guitar riffs have earned the band a following well outside their Northern California home base. Originally from Sacramento, Destroy Boys cut their teeth in the Bay Area. Their 2024 album, \u003ci>Funeral Soundtrack #4\u003c/i>, showcases their versatility as they blend punk with indie rock grooves and even offer a bit of Argentine-inflected rock en español.\u003c/p>\n\u003cp>https://youtu.be/8P2cjP7o3Gw?si=gGedLlKRLRvprp8P\u003c/p>\n\u003cp>\u003cstrong>Baalti\u003c/strong>\u003cbr>\n\u003cem>Friday, Aug. 8, 12 p.m. and 2:20 p.m.\u003c/em>\u003c/p>\n\u003cp>Electronic music duo \u003ca href=\"https://www.instagram.com/baalti.mp3/?hl=en\">Baalti\u003c/a> are crate digger extraordinaires. The two producers cull samples from Bollywood and South Asian classics, and mix them into global club bangers that draw from house, U.K. garage and more. That fusion has attracted an international audience in nightlife meccas like Berlin, New York and, of course, their home base of San Francisco.\u003c/p>\n\u003cp>https://youtu.be/u6KvsPikRYU?si=5hDFrgkV3ebMZWbh\u003c/p>\n\u003cp>\u003cstrong>Claude VonStroke\u003c/strong>\u003cbr>\n\u003cem>Saturday, Aug. 9, 8:10 p.m.\u003c/em>\u003c/p>\n\u003cp>The idea for Dirtybird Records came to \u003ca href=\"https://claudevonstroke.com/\">Claude VonStroke\u003c/a> after he hauled his sound system to Golden Gate Park and threw a guerrilla-style party 20 years ago. Since then, his gritty, booty-shaking take on house music, like his most recent single with Reggie Watts, “This MFing Beat,” has drawn a passionate cult following.\u003c/p>\n\u003cp>https://youtu.be/nMavmk_jbwc?si=f5cthh_JxhToTJdR\u003c/p>\n\u003cp>\u003cstrong>Still Woozy\u003c/strong>\u003cbr>\n\u003cem>Friday, Aug. 8, 5:30 p.m.\u003c/em>\u003c/p>\n\u003cp>True to his name, \u003ca href=\"https://www.woozystill.com/\">Still Woozy\u003c/a> pens dreamy melodies for reflective lyrics that float like clouds over fuzzy guitar riffs. The Moraga-raised singer-songwriter, now based in Portland, has spent this year bringing his charming grooves to festival stages like Coachella before he hits the stage at Outside Lands.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Outside Lands takes place at Golden Gate Park in San Francisco Aug. 8-10. \u003ca href=\"https://sfoutsidelands.com/\">Full schedule and lineup here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>More than 200,000 fans are expected to descend onto Golden Gate Park Aug. 8–10 for \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a>. In addition to stars like Doja Cat, Doechii, Hozier and Tyler, The Creator, the massive festival features a sizable offering of local talent.\u003c/p>\n\u003cp>Here are five Bay Area artists you shouldn’t miss.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/SKh4ZProKvE'\n title='//www.youtube.com/embed/SKh4ZProKvE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>LaRussell\u003c/strong>\u003cbr>\n\u003cem>Saturday, Aug. 9, 2:45 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/larussell/?hl=en\">LaRussell\u003c/a>’s bars overflow with joy and rambunctious energy, but he’s just as quick to offer earnest reflections on personal struggles and growth as he is to hit listeners with a clever punchline. Rooting for this rising Vallejo rap star feels like watching the ascent of an underdog home team, and big names like Lil Jon, Wiz Khalifa and E-40 have taken notice. (For those who can’t make it to Outside Lands, \u003ca href=\"https://www.kqed.org/event/5448\">LaRussell and his Good Compenny crew team up with KQED for a local music showcase in Vallejo on Aug. 21\u003c/a>.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/B2g-3M3CiHU'\n title='//www.youtube.com/embed/B2g-3M3CiHU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Destroy Boys\u003c/strong>\u003cbr>\n\u003cem>Friday, Aug. 8, 1:35 p.m.\u003c/em>\u003c/p>\n\u003cp>Since their first big single “I Threw Glass at My Friend’s Eyes and Now I’m on Probation,” \u003ca href=\"https://www.funeralsoundtrack4.com/\">Destroy Boys\u003c/a>’ dark humor and chainsawing guitar riffs have earned the band a following well outside their Northern California home base. Originally from Sacramento, Destroy Boys cut their teeth in the Bay Area. Their 2024 album, \u003ci>Funeral Soundtrack #4\u003c/i>, showcases their versatility as they blend punk with indie rock grooves and even offer a bit of Argentine-inflected rock en español.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8P2cjP7o3Gw'\n title='//www.youtube.com/embed/8P2cjP7o3Gw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Baalti\u003c/strong>\u003cbr>\n\u003cem>Friday, Aug. 8, 12 p.m. and 2:20 p.m.\u003c/em>\u003c/p>\n\u003cp>Electronic music duo \u003ca href=\"https://www.instagram.com/baalti.mp3/?hl=en\">Baalti\u003c/a> are crate digger extraordinaires. The two producers cull samples from Bollywood and South Asian classics, and mix them into global club bangers that draw from house, U.K. garage and more. That fusion has attracted an international audience in nightlife meccas like Berlin, New York and, of course, their home base of San Francisco.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/u6KvsPikRYU'\n title='//www.youtube.com/embed/u6KvsPikRYU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Claude VonStroke\u003c/strong>\u003cbr>\n\u003cem>Saturday, Aug. 9, 8:10 p.m.\u003c/em>\u003c/p>\n\u003cp>The idea for Dirtybird Records came to \u003ca href=\"https://claudevonstroke.com/\">Claude VonStroke\u003c/a> after he hauled his sound system to Golden Gate Park and threw a guerrilla-style party 20 years ago. Since then, his gritty, booty-shaking take on house music, like his most recent single with Reggie Watts, “This MFing Beat,” has drawn a passionate cult following.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nMavmk_jbwc'\n title='//www.youtube.com/embed/nMavmk_jbwc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Still Woozy\u003c/strong>\u003cbr>\n\u003cem>Friday, Aug. 8, 5:30 p.m.\u003c/em>\u003c/p>\n\u003cp>True to his name, \u003ca href=\"https://www.woozystill.com/\">Still Woozy\u003c/a> pens dreamy melodies for reflective lyrics that float like clouds over fuzzy guitar riffs. The Moraga-raised singer-songwriter, now based in Portland, has spent this year bringing his charming grooves to festival stages like Coachella before he hits the stage at Outside Lands.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Outside Lands takes place at Golden Gate Park in San Francisco Aug. 8-10. \u003ca href=\"https://sfoutsidelands.com/\">Full schedule and lineup here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Big Freedia Is Ready to Take San Francisco to Church",
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"headTitle": "Big Freedia Is Ready to Take San Francisco to Church | KQED",
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"content": "\u003cfigure id=\"attachment_13979529\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979529\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy.jpeg\" alt=\"Big Freedia holds her hands together in prayer in a church illuminated by a purple glow.\" width=\"1200\" height=\"1799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy-160x240.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy-768x1151.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy-1025x1536.jpeg 1025w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Big Freedia’s new album ‘Pressing Onward,’ named after her childhood church, blends gospel and bounce music with an inclusive message. \u003ccite>(Hunter Holder)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>We’d be living in a different world today if \u003ca href=\"https://www.kqed.org/arts/13843920/big-freedia-is-the-21st-centurys-ambassador-of-freedom\">Big Freedia\u003c/a>’s life hadn’t taken the turn that it did. Back in the ’90s, when the Queen Diva of bounce music was still in high school in New Orleans, church was her life. Not only did she spend Sundays at Pressing Onward Baptist for service and Bible study, but she went on Saturdays for choir practice and Friday nights for musicals.\u003c/p>\n\u003cp>“Growing up in the hood, it helped me to survive,” she tells KQED during a video call, as makeup artists’ hands flit around her cheekbones.\u003c/p>\n\u003cp>\u003ca href=\"https://www.bigfreedia.com/\">Big Freedia\u003c/a> had dreams of becoming a choir director, but found another calling when a high-energy, booty-shaking new sound began to explode out of her neighborhood. In the 25 years since, Freedia has brought bounce from New Orleans’ underground queer scene to the mainstream. As she’s performed at every major festival and collaborated with Drake and Beyoncé, opening doors for other LGBTQ+ artists along the way, her faith has kept her grounded.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/track/2XGIyjB0IiePf5uTSGt9Wt?utm_source=generator\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>On her new album \u003ci>Pressing Onward\u003c/i>, out Aug. 8, Big Freedia returns to her roots, bringing gospel harmonies and hopeful messages of faith together with bounce beats. The album draws a throughline between the ecstasy music can create both in the church and in the club. This synergy has a long history in queer Black music, going back to church-trained, genderfluid San Francisco disco star \u003ca href=\"https://www.kqed.org/arts/13854644/how-the-world-caught-up-to-sylvester\">Sylvester\u003c/a>, one of Big Freedia’s early inspirations.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At San Francisco’s \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> festival on Sunday, Aug. 10, Freedia will perform \u003ci>Pressing Onward\u003c/i> with the \u003ca href=\"https://www.sfgmc.org/\">San Francisco Gay Men’s Chorus\u003c/a>, offering an uplifting moment of praise for fans of all walks of life — including queer listeners who grew up feeling excluded from their religious communities, and those currently reeling from a hostile political climate and rollbacks to trans rights.\u003c/p>\n\u003cp>“Music is messaging, and music is what feeds the soul. And I’m definitely using my platform to be able to speak on trans rights, and just all of the rights of people in the LGBTQ+ community,” Freedia says.\u003c/p>\n\u003cfigure id=\"attachment_13902527\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13902527\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A1503.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A1503.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A1503-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A1503-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Big Freedia backstage at BottleRock Napa Valley festival on Friday, Sept. 3, 2021. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gospel has held Big Freedia up during some of the toughest moments of her life, including the recent death of her longtime partner Devon, who passed away from diabetes complications in May. For her, performing this music at recent gigs like Nashville Pride and the Newport Folk Festival has been healing.\u003c/p>\n\u003cp>“When I’m on stage, I’m able to forget all the troubles of the world and lay down all of my burden,” Freedia says.\u003c/p>\n\u003cp>In addition to her Sunday gospel set on Outside Lands’ main stage, Big Freedia will DJ on Saturday, Aug. 9 at Dolores’, Outside Lands’ open-air queer club. She’ll share the stage with drag performers from the venerable San Francisco parties Princess and Reparations, which both take place regularly at the Oasis nightclub in SOMA. That night, Freedia will hit the Oasis stage for her \u003ca href=\"https://www.eventbrite.com/e/big-freedia-live-official-album-release-party-tickets-1493433332299\">official release party of \u003ci>Pressing Onward\u003c/i>\u003c/a>, with support from drag artists like Nicki Jizz, Tyson Checkin and more.\u003c/p>\n\u003cp>“[Fans] have been rockin’ with me for a long time in the Bay Area, and I think it’s going to be even better this year,” she says.\u003c/p>\n\u003cfigure id=\"attachment_13962482\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962482\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Nicki Jizz and the Oasis Reparations cast perform on the Dolores’ Stage at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jacob Stensberg, the artistic director and conductor of the San Francisco Gay Men’s Chorus, is currently preparing to lead 75 singers of all faiths and backgrounds to join Big Freedia at Outside Lands on Sunday. While SFGMC doesn’t often sing religious music, Stensberg says, Big Freedia’s inclusive message transcends boundaries.\u003c/p>\n\u003cp>“She is fearless. She does not let the social confines of our culture define who she is,” says Stensberg. “And that comes through in her music. I think it is the farthest out-of-the box thinking to take gospel music and bounce music and create this spiritual sanctuary where people can be themselves through the lens of Christianity. She is the leader for us in the way we develop our own self-identity, our own journey of self-determination.”\u003c/p>\n\u003cp>Outside Lands’ commitment to LGBTQ+ programming stands out during a year that’s seen corporate sponsors pull out of Pride celebrations around the country; the National Endowment for the Arts align itself with President Trump’s anti-trans executive order; and private funders back away from LGBTQ+ organizations. (Even \u003ca href=\"https://www.kqed.org/arts/13978983/oasis-closing-drag-club-san-francisco-lgbtq-shutting-down-closed\">Oasis is closing its nightclub\u003c/a> at the end of the year because of financial issues.)\u003c/p>\n\u003cfigure id=\"attachment_13962428\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962428\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees watch Mel 4Ever perform on the Dolores’ Stage at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In addition to Big Freedia, Outside Lands features other queer artists on the main stage, including Tyler, The Creator and Doechii. Dolores’ spotlights three major LGBTQ+ event producers — Oasis Arts, Polyglamorous and Fake and Gay — who have all booked packed lineups featuring some of San Francisco’s best-known drag artists and DJs.\u003c/p>\n\u003cp>Asked about the festival’s commitment to its queer artists and fans, Nick Barrie, a talent buyer for the festival, has a simple answer: “It’s wrong not to,” he says.\u003c/p>\n\u003cp>For Big Freedia’s part, amid the many ongoing fights for LGBTQ+ rights, she wants to leave fans with a feeling of happiness — much like how she felt on those Sundays spent at Pressing Onward Baptist Church.\u003c/p>\n\u003cp>“That whole weekend,” she says, “I’m excited to … just bring joy to people so they can have that moment to just lay their hair down and just party with me.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Big Freedia performs at \u003ca href=\"https://sfoutsidelands.com/\">Outside Lands\u003c/a> in San Francisco’s Golden Gate Park on Aug. 9 and 10, and \u003ca href=\"https://www.eventbrite.com/e/big-freedia-live-official-album-release-party-tickets-1493433332299\">at Oasis\u003c/a> (298 11th St., San Francisco) on Aug. 9. Her album ‘\u003ca href=\"https://lnk.to/PRESSINGONWARD\">Pressing Onward\u003c/a>‘ releases Aug. 8. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13979529\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979529\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy.jpeg\" alt=\"Big Freedia holds her hands together in prayer in a church illuminated by a purple glow.\" width=\"1200\" height=\"1799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy-160x240.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy-768x1151.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy-1025x1536.jpeg 1025w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Big Freedia’s new album ‘Pressing Onward,’ named after her childhood church, blends gospel and bounce music with an inclusive message. \u003ccite>(Hunter Holder)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>We’d be living in a different world today if \u003ca href=\"https://www.kqed.org/arts/13843920/big-freedia-is-the-21st-centurys-ambassador-of-freedom\">Big Freedia\u003c/a>’s life hadn’t taken the turn that it did. Back in the ’90s, when the Queen Diva of bounce music was still in high school in New Orleans, church was her life. Not only did she spend Sundays at Pressing Onward Baptist for service and Bible study, but she went on Saturdays for choir practice and Friday nights for musicals.\u003c/p>\n\u003cp>“Growing up in the hood, it helped me to survive,” she tells KQED during a video call, as makeup artists’ hands flit around her cheekbones.\u003c/p>\n\u003cp>\u003ca href=\"https://www.bigfreedia.com/\">Big Freedia\u003c/a> had dreams of becoming a choir director, but found another calling when a high-energy, booty-shaking new sound began to explode out of her neighborhood. In the 25 years since, Freedia has brought bounce from New Orleans’ underground queer scene to the mainstream. As she’s performed at every major festival and collaborated with Drake and Beyoncé, opening doors for other LGBTQ+ artists along the way, her faith has kept her grounded.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/track/2XGIyjB0IiePf5uTSGt9Wt?utm_source=generator\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>On her new album \u003ci>Pressing Onward\u003c/i>, out Aug. 8, Big Freedia returns to her roots, bringing gospel harmonies and hopeful messages of faith together with bounce beats. The album draws a throughline between the ecstasy music can create both in the church and in the club. This synergy has a long history in queer Black music, going back to church-trained, genderfluid San Francisco disco star \u003ca href=\"https://www.kqed.org/arts/13854644/how-the-world-caught-up-to-sylvester\">Sylvester\u003c/a>, one of Big Freedia’s early inspirations.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At San Francisco’s \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> festival on Sunday, Aug. 10, Freedia will perform \u003ci>Pressing Onward\u003c/i> with the \u003ca href=\"https://www.sfgmc.org/\">San Francisco Gay Men’s Chorus\u003c/a>, offering an uplifting moment of praise for fans of all walks of life — including queer listeners who grew up feeling excluded from their religious communities, and those currently reeling from a hostile political climate and rollbacks to trans rights.\u003c/p>\n\u003cp>“Music is messaging, and music is what feeds the soul. And I’m definitely using my platform to be able to speak on trans rights, and just all of the rights of people in the LGBTQ+ community,” Freedia says.\u003c/p>\n\u003cfigure id=\"attachment_13902527\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13902527\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A1503.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A1503.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A1503-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A1503-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Big Freedia backstage at BottleRock Napa Valley festival on Friday, Sept. 3, 2021. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gospel has held Big Freedia up during some of the toughest moments of her life, including the recent death of her longtime partner Devon, who passed away from diabetes complications in May. For her, performing this music at recent gigs like Nashville Pride and the Newport Folk Festival has been healing.\u003c/p>\n\u003cp>“When I’m on stage, I’m able to forget all the troubles of the world and lay down all of my burden,” Freedia says.\u003c/p>\n\u003cp>In addition to her Sunday gospel set on Outside Lands’ main stage, Big Freedia will DJ on Saturday, Aug. 9 at Dolores’, Outside Lands’ open-air queer club. She’ll share the stage with drag performers from the venerable San Francisco parties Princess and Reparations, which both take place regularly at the Oasis nightclub in SOMA. That night, Freedia will hit the Oasis stage for her \u003ca href=\"https://www.eventbrite.com/e/big-freedia-live-official-album-release-party-tickets-1493433332299\">official release party of \u003ci>Pressing Onward\u003c/i>\u003c/a>, with support from drag artists like Nicki Jizz, Tyson Checkin and more.\u003c/p>\n\u003cp>“[Fans] have been rockin’ with me for a long time in the Bay Area, and I think it’s going to be even better this year,” she says.\u003c/p>\n\u003cfigure id=\"attachment_13962482\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962482\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Nicki Jizz and the Oasis Reparations cast perform on the Dolores’ Stage at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jacob Stensberg, the artistic director and conductor of the San Francisco Gay Men’s Chorus, is currently preparing to lead 75 singers of all faiths and backgrounds to join Big Freedia at Outside Lands on Sunday. While SFGMC doesn’t often sing religious music, Stensberg says, Big Freedia’s inclusive message transcends boundaries.\u003c/p>\n\u003cp>“She is fearless. She does not let the social confines of our culture define who she is,” says Stensberg. “And that comes through in her music. I think it is the farthest out-of-the box thinking to take gospel music and bounce music and create this spiritual sanctuary where people can be themselves through the lens of Christianity. She is the leader for us in the way we develop our own self-identity, our own journey of self-determination.”\u003c/p>\n\u003cp>Outside Lands’ commitment to LGBTQ+ programming stands out during a year that’s seen corporate sponsors pull out of Pride celebrations around the country; the National Endowment for the Arts align itself with President Trump’s anti-trans executive order; and private funders back away from LGBTQ+ organizations. (Even \u003ca href=\"https://www.kqed.org/arts/13978983/oasis-closing-drag-club-san-francisco-lgbtq-shutting-down-closed\">Oasis is closing its nightclub\u003c/a> at the end of the year because of financial issues.)\u003c/p>\n\u003cfigure id=\"attachment_13962428\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962428\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees watch Mel 4Ever perform on the Dolores’ Stage at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In addition to Big Freedia, Outside Lands features other queer artists on the main stage, including Tyler, The Creator and Doechii. Dolores’ spotlights three major LGBTQ+ event producers — Oasis Arts, Polyglamorous and Fake and Gay — who have all booked packed lineups featuring some of San Francisco’s best-known drag artists and DJs.\u003c/p>\n\u003cp>Asked about the festival’s commitment to its queer artists and fans, Nick Barrie, a talent buyer for the festival, has a simple answer: “It’s wrong not to,” he says.\u003c/p>\n\u003cp>For Big Freedia’s part, amid the many ongoing fights for LGBTQ+ rights, she wants to leave fans with a feeling of happiness — much like how she felt on those Sundays spent at Pressing Onward Baptist Church.\u003c/p>\n\u003cp>“That whole weekend,” she says, “I’m excited to … just bring joy to people so they can have that moment to just lay their hair down and just party with me.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Big Freedia performs at \u003ca href=\"https://sfoutsidelands.com/\">Outside Lands\u003c/a> in San Francisco’s Golden Gate Park on Aug. 9 and 10, and \u003ca href=\"https://www.eventbrite.com/e/big-freedia-live-official-album-release-party-tickets-1493433332299\">at Oasis\u003c/a> (298 11th St., San Francisco) on Aug. 9. Her album ‘\u003ca href=\"https://lnk.to/PRESSINGONWARD\">Pressing Onward\u003c/a>‘ releases Aug. 8. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
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},
"link": "/radio/program/bbc-world-service",
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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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}
},
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"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"here-and-now": {
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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},
"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
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"order": 18
},
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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