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"content": "\u003cfigure id=\"attachment_13979888\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979888\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed.jpg\" alt=\"A woman puckers her lips while showing off pink and red knit gloves and hat, wearing earrings and small sparkly adornments on her face\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Gina Lomeli, “electric fairy,” 40, wears colorful knit wear to Outside Lands on Sunday, August 10, 2025. Lomeli made the gloves, hat and her cardigan by hand. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Music festivals like \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> always bring out hot fits — even in Golden Gate Park’s chilly, foggy mist. This past weekend, photographer Estefany Gonzalez was on the scene at Outside Lands for photos of fans and their festival fashion.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>See more photos and highlights from Outside Lands on \u003ca href=\"https://www.kqed.org/arts/13979757/outside-lands-2025-review-recap-photos-doechii-tyler-the-creator\">Friday\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13979822/outside-lands-review-tyler-the-creator-larussell-gracie-abrams\">Saturday\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13979849/outside-lands-review-photos-anderson-paak-jorja-smith-hozier-ca7riel-paco-amoroso\">Sunday\u003c/a>.\u003c/strong>\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13979893\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979893\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(L–R) Courtney Willoughby, 18, and her sister Sydney Willoughby, 22, wear coordinated orange outfits at Outside Lands on Sunday, August 10, 2025. The pair wanted to match for their first-ever Outside Lands. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979884\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13979884 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Digital KitKat, 34, a Bay Area based DJ, wears a studded Virgin Mary hat to Outside Lands on Saturday, August 9, 2025. Digital KitKat is one of the many local DJ’ who performed at Casa Bacardí during the three day festival. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979876\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979876\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Angel Moua, 31, wears a bandana and large sunglasses to Outside Lands on Saturday, August 9, 2025. Moua traveled to Golden Gate Park from Sacramento to attend the festival. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979891\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979891\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nori Nakayama, right, poses for a portrait as Glass Animals performs at Outside Lands on Saturday, August 9, 2025. Singer Dave Bayley pointed to Nakayama during Glass Animals’ set and and made note that Nakayama attended the bands first ever Bay Area concert several years ago. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979871\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979871\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Oakland’s Christie O’ Neill, 35, wears a disco ball helmet at Outside Lands on Friday, August 8, 2025. O’ Neill bought the helmet during a trip to Massachusetts and liked it so much she wore it on the plane ride back to California when it didn’t fit in her luggage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979878\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979878\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">LaRussell poses for a portrait backstage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979882\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979882\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Daniel Sherman, 36, wears a thrifted fringe jacket to Outside Lands on Saturday, August 9, 2025. Sherman, a regular Oasis patron, was one of the many people enjoying drag performances at the Dolores’ stage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979875\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979875\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mario Gonzalez, 23, and partner Sara Ramirez, 22, wear bucket hats Ramirez made by hand to Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979879\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979879\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Steffi Espinosa, 26, left, and Darby Shore, 26, hold ‘Wicked’ dolls at the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979889\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979889\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">From left, Nico Cerda, Cami Castro, and Alex Favela, wear matching party hats at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979869\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Baalti poses for a portrait at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979894\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979894\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Courtney Willoughby, 18, wears layered necklaces at Outside Lands on Sunday, August 10, 2025. Willoughby attended the festival with her holder sister Sydney Willoughby, and wore coordinated orange outfits. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979895\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979895\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">EJ Viray, 33, dances as Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979890\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979890\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Paco Amoroso poses for a portrait at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979886\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979886\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ben Van Deusen, center left, and Victoria Edwards watch Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. The two wore fuzzy blue hats inspired by the one Paco Amoroso had on during Ca7riel and Paco Amoroso’s NPR Tiny Desk performance. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979883\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979883\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Les Tran, 35, cuddles with Joshua Tree, 29, at Outside Lands on Saturday, August 9, 2025. The two met on Grindr an hour before catching a drag performance at Dolores’ stage together. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979881\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979881\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">People cheer as Kitty Litter and Évian perform on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979874\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979874\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tommy Gaerlan, 30, center left, and Jordan Castro, 26, dance as LaRussell performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979870\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979870\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Oakland Christie O’ Neill, 35, wears a disco ball helmet at Outside Lands on Friday, August 8, 2025. O’ Neill bought the helmet during a trip to Massachusetts and liked it so much she wore it on the plane ride back to California when it didn’t fit in her luggage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979880\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979880\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Noah Ketterer, 26, fans himself as he dances at the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979872\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979872\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Festival goers dance along the Panhandle stage as Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979873\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979873\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fans dance in the front of the Lands End Stage as LaRussell performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "At Outside Lands, fans showed up in their freshest festival fits.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13979888\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979888\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed.jpg\" alt=\"A woman puckers her lips while showing off pink and red knit gloves and hat, wearing earrings and small sparkly adornments on her face\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Gina Lomeli, “electric fairy,” 40, wears colorful knit wear to Outside Lands on Sunday, August 10, 2025. Lomeli made the gloves, hat and her cardigan by hand. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Music festivals like \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> always bring out hot fits — even in Golden Gate Park’s chilly, foggy mist. This past weekend, photographer Estefany Gonzalez was on the scene at Outside Lands for photos of fans and their festival fashion.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>See more photos and highlights from Outside Lands on \u003ca href=\"https://www.kqed.org/arts/13979757/outside-lands-2025-review-recap-photos-doechii-tyler-the-creator\">Friday\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13979822/outside-lands-review-tyler-the-creator-larussell-gracie-abrams\">Saturday\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13979849/outside-lands-review-photos-anderson-paak-jorja-smith-hozier-ca7riel-paco-amoroso\">Sunday\u003c/a>.\u003c/strong>\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13979893\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979893\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(L–R) Courtney Willoughby, 18, and her sister Sydney Willoughby, 22, wear coordinated orange outfits at Outside Lands on Sunday, August 10, 2025. The pair wanted to match for their first-ever Outside Lands. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979884\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13979884 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Digital KitKat, 34, a Bay Area based DJ, wears a studded Virgin Mary hat to Outside Lands on Saturday, August 9, 2025. Digital KitKat is one of the many local DJ’ who performed at Casa Bacardí during the three day festival. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979876\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979876\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Angel Moua, 31, wears a bandana and large sunglasses to Outside Lands on Saturday, August 9, 2025. Moua traveled to Golden Gate Park from Sacramento to attend the festival. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979891\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979891\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nori Nakayama, right, poses for a portrait as Glass Animals performs at Outside Lands on Saturday, August 9, 2025. Singer Dave Bayley pointed to Nakayama during Glass Animals’ set and and made note that Nakayama attended the bands first ever Bay Area concert several years ago. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979871\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979871\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Oakland’s Christie O’ Neill, 35, wears a disco ball helmet at Outside Lands on Friday, August 8, 2025. O’ Neill bought the helmet during a trip to Massachusetts and liked it so much she wore it on the plane ride back to California when it didn’t fit in her luggage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979878\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979878\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">LaRussell poses for a portrait backstage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979882\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979882\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Daniel Sherman, 36, wears a thrifted fringe jacket to Outside Lands on Saturday, August 9, 2025. Sherman, a regular Oasis patron, was one of the many people enjoying drag performances at the Dolores’ stage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979875\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979875\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mario Gonzalez, 23, and partner Sara Ramirez, 22, wear bucket hats Ramirez made by hand to Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979879\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979879\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_051_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Steffi Espinosa, 26, left, and Darby Shore, 26, hold ‘Wicked’ dolls at the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979889\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979889\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">From left, Nico Cerda, Cami Castro, and Alex Favela, wear matching party hats at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979869\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Baalti poses for a portrait at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979894\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979894\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Courtney Willoughby, 18, wears layered necklaces at Outside Lands on Sunday, August 10, 2025. Willoughby attended the festival with her holder sister Sydney Willoughby, and wore coordinated orange outfits. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979895\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979895\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">EJ Viray, 33, dances as Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979890\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979890\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Paco Amoroso poses for a portrait at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979886\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979886\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ben Van Deusen, center left, and Victoria Edwards watch Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. The two wore fuzzy blue hats inspired by the one Paco Amoroso had on during Ca7riel and Paco Amoroso’s NPR Tiny Desk performance. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979883\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979883\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Les Tran, 35, cuddles with Joshua Tree, 29, at Outside Lands on Saturday, August 9, 2025. The two met on Grindr an hour before catching a drag performance at Dolores’ stage together. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979881\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979881\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">People cheer as Kitty Litter and Évian perform on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979874\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979874\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tommy Gaerlan, 30, center left, and Jordan Castro, 26, dance as LaRussell performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979870\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979870\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Oakland Christie O’ Neill, 35, wears a disco ball helmet at Outside Lands on Friday, August 8, 2025. O’ Neill bought the helmet during a trip to Massachusetts and liked it so much she wore it on the plane ride back to California when it didn’t fit in her luggage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979880\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979880\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Noah Ketterer, 26, fans himself as he dances at the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979872\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979872\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Festival goers dance along the Panhandle stage as Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979873\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979873\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fans dance in the front of the Lands End Stage as LaRussell performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "outside-lands-review-photos-anderson-paak-jorja-smith-hozier-ca7riel-paco-amoroso",
"title": "At Outside Lands, Anderson .Paak Pays Homage to the Bay With E-40",
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"headTitle": "At Outside Lands, Anderson .Paak Pays Homage to the Bay With E-40 | KQED",
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"content": "\u003cp>It turns out Anderson .Paak is an honorary Baydestrian. “What the fuck is poppin’? I’m finally home,” the Oxnard-raised MC told the Sunday night \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> crowd, as mist set over \u003ca href=\"https://www.kqed.org/arts/tag/golden-gate-park\">Golden Gate Park\u003c/a>. “I never play around in the Bay ‘cause you guys show me so much love.”\u003c/p>\n\u003cp>Rocking a red plaid kilt and a “Fuck ICE” pin on his beanie, Paak took his perch atop his drum kit, presiding over a funky set that was equal parts laid-back house-party feel and instrumental excellence. He and the Free Nationals were locked in, flowing out of Paak’s drum solos into jazzy keyboard crescendos and sunbursts of brass.\u003c/p>\n\u003cp>[aside postID='arts_13979757']While Hozier headlined the main stage, Paak’s legions of fans at the Twin Peaks stage two-stepped to the provocative “Am I Wrong” (“If she can’t dance / then she can’t — ooh”), puffed their chests to to “Come Down” and turned up as Paak brought out surprise guest Cordae for “RNP.” A particularly vibey moment came when the Free Nationals’ keyboardist, Ron Jerome Arvant, delivered a Zapp-esque cover of Sade’s “\u003ca href=\"https://www.youtube.com/watch?v=C0BLKudnyNo\">Paradise\u003c/a>” on the vocoder, making everyone’s lips involuntarily curl into a stank face.\u003c/p>\n\u003cp>In Paak’s ultimate show of love to the Bay, he brought out none other than \u003ca href=\"https://www.kqed.org/arts/tag/e-40\">E-40\u003c/a> to perform “Tell Me When To Go” so his Outside Lands crowd could go dumb together as the festival closed out its final night.\u003c/p>\n\u003cfigure id=\"attachment_13979853\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979853\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Ca7riel & Paco Amoroso prove they’re on their way to stardom\u003c/h2>\n\u003cp>Ca7riel & Paco Amoroso aren’t household names in the States, but at Outside Lands, their high-wattage star power proved they will be soon. The lovably weird Argentinian rappers took the stage accompanied by a jazz-meets-hip-hop live band with a big brass section, trading verses with a trap cadence while pulling goofy moves like action-figure poses and campy, Mick Jagger-esque hip pops.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Much of their set drew from their EP \u003cem>Papota\u003c/em>, an absurdist parody of their rise to fame since their \u003ca href=\"https://www.youtube.com/watch?v=9kqnsoY94L8\">Tiny Desk concert\u003c/a> blew up earlier this year. “#Tetas,” about a gringo A&R pushing plastic surgery on them to make them marketable, got the audience jumping and rapping along in Spanish. Fans demanded more when their afternoon set was over, and they obliged with an encore, performing “El Único,” their conversational hit about each realizing they’re hooking up with the same girl. As fans held up the Argentinian flag and posters inscribed with lyrics, Ca7riel and Paco shared a smooch and flexed their biceps for an epic finale.\u003c/p>\n\u003cfigure id=\"attachment_13979858\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979858\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jorja Smith performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Jorja Smith’s phenomenal vocals\u003c/h2>\n\u003cp>Jorja Smith transported Outside Lands to a jazz speakeasy with her rich, exquisite voice on Sunday afternoon, opening with a moody take on “Try Me,” whose lyrics are self-protective like a rose’s thorn. During “Feelings,” she sang a duet with one of her angel-voiced backing vocalists. The fresh takes on her discography were a treat for the devoted fans who lined up early for for the British star.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Smith’s performance picked up energy at the end when she sang two of her dance hits, “On My Mind” and “Little Things,” changing the vibe from awestruck appreciation to uninhibited dance party.\u003c/p>\n\u003ch2>More photos and highlights below.\u003c/h2>\n\u003cfigure id=\"attachment_13979861\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979861\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979854\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979854\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Clara Wade, 30, waves an Argentinian flag as Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. Wade traveled from Seattle to see the Argentinian duo perform at Outside Lands. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979857\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979857\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Glass Animals performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979856\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979856\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">David Harness performs on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979864\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979864\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979865\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979865\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Carmella Truel, center, and friend Noah Gould dance as Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979862\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979862\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Attendees watch Black Coffee perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979855\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979855\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">David Harness performs on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979852\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979852\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979859\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979859\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979860\" class=\"wp-caption aligncenter\" style=\"max-width: 888px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979860\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed.jpg\" alt=\"\" width=\"888\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed.jpg 888w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed-768x1153.jpg 768w\" sizes=\"auto, (max-width: 888px) 100vw, 888px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "Other highlights from Outside Lands on Sunday included Ca7riel & Paco Amoroso and Jorja Smith. ",
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"title": "At Outside Lands, Anderson .Paak Pays Homage to the Bay With E-40 | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It turns out Anderson .Paak is an honorary Baydestrian. “What the fuck is poppin’? I’m finally home,” the Oxnard-raised MC told the Sunday night \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> crowd, as mist set over \u003ca href=\"https://www.kqed.org/arts/tag/golden-gate-park\">Golden Gate Park\u003c/a>. “I never play around in the Bay ‘cause you guys show me so much love.”\u003c/p>\n\u003cp>Rocking a red plaid kilt and a “Fuck ICE” pin on his beanie, Paak took his perch atop his drum kit, presiding over a funky set that was equal parts laid-back house-party feel and instrumental excellence. He and the Free Nationals were locked in, flowing out of Paak’s drum solos into jazzy keyboard crescendos and sunbursts of brass.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>While Hozier headlined the main stage, Paak’s legions of fans at the Twin Peaks stage two-stepped to the provocative “Am I Wrong” (“If she can’t dance / then she can’t — ooh”), puffed their chests to to “Come Down” and turned up as Paak brought out surprise guest Cordae for “RNP.” A particularly vibey moment came when the Free Nationals’ keyboardist, Ron Jerome Arvant, delivered a Zapp-esque cover of Sade’s “\u003ca href=\"https://www.youtube.com/watch?v=C0BLKudnyNo\">Paradise\u003c/a>” on the vocoder, making everyone’s lips involuntarily curl into a stank face.\u003c/p>\n\u003cp>In Paak’s ultimate show of love to the Bay, he brought out none other than \u003ca href=\"https://www.kqed.org/arts/tag/e-40\">E-40\u003c/a> to perform “Tell Me When To Go” so his Outside Lands crowd could go dumb together as the festival closed out its final night.\u003c/p>\n\u003cfigure id=\"attachment_13979853\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979853\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Ca7riel & Paco Amoroso prove they’re on their way to stardom\u003c/h2>\n\u003cp>Ca7riel & Paco Amoroso aren’t household names in the States, but at Outside Lands, their high-wattage star power proved they will be soon. The lovably weird Argentinian rappers took the stage accompanied by a jazz-meets-hip-hop live band with a big brass section, trading verses with a trap cadence while pulling goofy moves like action-figure poses and campy, Mick Jagger-esque hip pops.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Much of their set drew from their EP \u003cem>Papota\u003c/em>, an absurdist parody of their rise to fame since their \u003ca href=\"https://www.youtube.com/watch?v=9kqnsoY94L8\">Tiny Desk concert\u003c/a> blew up earlier this year. “#Tetas,” about a gringo A&R pushing plastic surgery on them to make them marketable, got the audience jumping and rapping along in Spanish. Fans demanded more when their afternoon set was over, and they obliged with an encore, performing “El Único,” their conversational hit about each realizing they’re hooking up with the same girl. As fans held up the Argentinian flag and posters inscribed with lyrics, Ca7riel and Paco shared a smooch and flexed their biceps for an epic finale.\u003c/p>\n\u003cfigure id=\"attachment_13979858\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979858\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jorja Smith performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Jorja Smith’s phenomenal vocals\u003c/h2>\n\u003cp>Jorja Smith transported Outside Lands to a jazz speakeasy with her rich, exquisite voice on Sunday afternoon, opening with a moody take on “Try Me,” whose lyrics are self-protective like a rose’s thorn. During “Feelings,” she sang a duet with one of her angel-voiced backing vocalists. The fresh takes on her discography were a treat for the devoted fans who lined up early for for the British star.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Smith’s performance picked up energy at the end when she sang two of her dance hits, “On My Mind” and “Little Things,” changing the vibe from awestruck appreciation to uninhibited dance party.\u003c/p>\n\u003ch2>More photos and highlights below.\u003c/h2>\n\u003cfigure id=\"attachment_13979861\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979861\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979854\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979854\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Clara Wade, 30, waves an Argentinian flag as Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. Wade traveled from Seattle to see the Argentinian duo perform at Outside Lands. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979857\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979857\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Glass Animals performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979856\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979856\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">David Harness performs on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979864\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979864\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979865\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979865\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Carmella Truel, center, and friend Noah Gould dance as Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979862\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979862\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Attendees watch Black Coffee perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979855\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979855\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">David Harness performs on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979852\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979852\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979859\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979859\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979860\" class=\"wp-caption aligncenter\" style=\"max-width: 888px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979860\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed.jpg\" alt=\"\" width=\"888\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed.jpg 888w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed-768x1153.jpg 768w\" sizes=\"auto, (max-width: 888px) 100vw, 888px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"slug": "outside-lands-review-tyler-the-creator-larussell-gracie-abrams",
"title": "LaRussell Turned Outside Lands Into a Bay Area Block Party",
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"headTitle": "LaRussell Turned Outside Lands Into a Bay Area Block Party | KQED",
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"content": "\u003cp>At \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a>, LaRussell channeled the spirit of his beloved backyard concerts into a massive Saturday afternoon main-stage set.\u003c/p>\n\u003cp>“I’m a Bay Area kid,” the Vallejo star told the crowd, visibly moved. “I haven’t witnessed too many people be from here and make it on this stage.”[aside postid='arts_13979757,arts_13979494']\u003c/p>\n\u003cp>Repping his Good Compenny jersey, with a cow-print beanie, LaRussell commanded the audience as big, bass-heavy beats kept the energy high. At one point, he paid homage to the hyphy movement with Bay Area classics like E-40’s “Yay Area” — and even mobbed through the audience himself.\u003c/p>\n\u003cp>A hometown “collab choir” backed LaRussell, and the refreshing addition of a live flute and harp sent chills throughout the crowd. By the end, the audience was grabbing their collars, doing the thizzle dance and smeezing. It was a party on the westside, for real.\u003c/p>\n\u003cfigure id=\"attachment_13979826\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979826\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">LaRussell performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>More Outside Lands highlights\u003c/h2>\n\u003cfigure id=\"attachment_13979832\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979832\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Gracie Abrams performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Gracie Abrams’ set was full of heart\u003c/h2>\n\u003cp>Gracie Abrams created an intimate vibe on Saturday night, her gut-wrenching lyrics blending seamlessly with San Francisco’s misty air. The singer-songwriter came out dressed in a flowing, pink floor-length dress, immediately captivating the audience’s attention.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>While some of the crowd was quieter during her deeper cuts, they lit up for fan favorites like “I Love You, I’m Sorry” and “That’s So True.” Yet devoted fans held one another and sang along to every song. Abrams notably switched out her champagne-colored guitar for a silver sparkly one for her final song “Close to You,” drawing fan speculation that with her \u003cem>Secret of Us\u003c/em> era ending, a new era is unfolding.\u003c/p>\n\u003cfigure id=\"attachment_13979833\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979833\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, the Creator performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Tyler, The Creator performed an instant classic\u003c/h2>\n\u003cp>Sparks ignited the night; flames shot upwards in fierce bursts; and strobe lights sliced through the darkness as Tyler, The Creator took command of the stage. His headlining set was pure electricity. Fresh tracks from \u003cem>Don’t Tap the Glass\u003c/em>, released just weeks ago, felt like instant classics as the crowd belted every word.\u003c/p>\n\u003cfigure id=\"attachment_13979834\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979834\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, The Creator performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>You could see the fire in Tyler’s eyes, his music practically possessing him, as he became a vessel for raw passion and unfiltered emotion. The crisp 57-degree air at Land’s End didn’t stand a chance, with the heat from the pyrotechnics matching the blaze in his voice and beats. When “EARFQUAKE” dropped, the ground pulsed. Fans’ energy bubbled up between songs, chanting “Tyler” back at him, echoing the fierce passion burning in his performance.\u003c/p>\n\u003cfigure id=\"attachment_13979836\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979836\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fans singalong as Tyler, The Creator performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979830\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979830\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kitty Litter, left, and Évian perform on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979828\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979828\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">D’Arcy Drollinger speaks at the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979827\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979827\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ludacris performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979835\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979835\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sisters Cora Thompson, left, and Shelby Thompson watch Tyler, The Creator perform at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "Tyler, The Creator also gave a strong performance of his instant classic album 'Don't Tap the Glass.'",
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"title": "LaRussell Turned Outside Lands Into a Bay Area Block Party | KQED",
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"headline": "LaRussell Turned Outside Lands Into a Bay Area Block Party",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a>, LaRussell channeled the spirit of his beloved backyard concerts into a massive Saturday afternoon main-stage set.\u003c/p>\n\u003cp>“I’m a Bay Area kid,” the Vallejo star told the crowd, visibly moved. “I haven’t witnessed too many people be from here and make it on this stage.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Repping his Good Compenny jersey, with a cow-print beanie, LaRussell commanded the audience as big, bass-heavy beats kept the energy high. At one point, he paid homage to the hyphy movement with Bay Area classics like E-40’s “Yay Area” — and even mobbed through the audience himself.\u003c/p>\n\u003cp>A hometown “collab choir” backed LaRussell, and the refreshing addition of a live flute and harp sent chills throughout the crowd. By the end, the audience was grabbing their collars, doing the thizzle dance and smeezing. It was a party on the westside, for real.\u003c/p>\n\u003cfigure id=\"attachment_13979826\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979826\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_037_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">LaRussell performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>More Outside Lands highlights\u003c/h2>\n\u003cfigure id=\"attachment_13979832\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979832\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_066_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Gracie Abrams performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Gracie Abrams’ set was full of heart\u003c/h2>\n\u003cp>Gracie Abrams created an intimate vibe on Saturday night, her gut-wrenching lyrics blending seamlessly with San Francisco’s misty air. The singer-songwriter came out dressed in a flowing, pink floor-length dress, immediately captivating the audience’s attention.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>While some of the crowd was quieter during her deeper cuts, they lit up for fan favorites like “I Love You, I’m Sorry” and “That’s So True.” Yet devoted fans held one another and sang along to every song. Abrams notably switched out her champagne-colored guitar for a silver sparkly one for her final song “Close to You,” drawing fan speculation that with her \u003cem>Secret of Us\u003c/em> era ending, a new era is unfolding.\u003c/p>\n\u003cfigure id=\"attachment_13979833\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979833\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_075_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, the Creator performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Tyler, The Creator performed an instant classic\u003c/h2>\n\u003cp>Sparks ignited the night; flames shot upwards in fierce bursts; and strobe lights sliced through the darkness as Tyler, The Creator took command of the stage. His headlining set was pure electricity. Fresh tracks from \u003cem>Don’t Tap the Glass\u003c/em>, released just weeks ago, felt like instant classics as the crowd belted every word.\u003c/p>\n\u003cfigure id=\"attachment_13979834\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979834\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_078_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, The Creator performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>You could see the fire in Tyler’s eyes, his music practically possessing him, as he became a vessel for raw passion and unfiltered emotion. The crisp 57-degree air at Land’s End didn’t stand a chance, with the heat from the pyrotechnics matching the blaze in his voice and beats. When “EARFQUAKE” dropped, the ground pulsed. Fans’ energy bubbled up between songs, chanting “Tyler” back at him, echoing the fierce passion burning in his performance.\u003c/p>\n\u003cfigure id=\"attachment_13979836\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979836\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_079_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fans singalong as Tyler, The Creator performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979830\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979830\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_059_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kitty Litter, left, and Évian perform on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979828\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979828\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_056_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">D’Arcy Drollinger speaks at the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979827\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979827\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_048_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ludacris performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979835\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979835\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_080_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sisters Cora Thompson, left, and Shelby Thompson watch Tyler, The Creator perform at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"slug": "outside-lands-2025-review-recap-photos-doechii-tyler-the-creator",
"title": "So Doechii Pretty Much Killed It at Outside Lands",
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"headTitle": "So Doechii Pretty Much Killed It at Outside Lands | KQED",
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"content": "\u003cp>Friday night at \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a>, Doechii called a masterclass into session.\u003c/p>\n\u003cp>[aside postID='arts_13979687']\u003c/p>\n\u003cp>As her dancers dressed in high-fashion school uniforms writhed around student desks, Doechii strutted out to a boom-bap beat with daggers in her eyes, rapping in a pleated micro miniskirt: “Doechii the don / Doechii the dean / Doechii supreme / The swamp ruler.” Just like that, we were officially enrolled in Doechii’s School of Hip-Hop.\u003c/p>\n\u003cp>Perched atop a massive boom box, Doechii exuded poise and determination. Continuing the academic theme, cheeky narration broke the show down into chapters like “good bars and great bars” and “the aspect of flow.” Doechii excelled in every curriculum, demonstrating otherworldly breath control while rapping and dancing with athletic precision. Fans danced and jumped, but their eyes were laser-focused on the stage, afraid to miss a moment.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cfigure id=\"attachment_13979796\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979796\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_14.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_14.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_14-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_14-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_14-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Doechii performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Doechii’s DJ, Miss Milan, interlaced the set with samples that positioned Doechii’s discography as part of a venerable lineage. “Persuasive” bled into Missy Elliott’s “She’s a Bitch”; “Boiled Peanuts” morphed into the beat of “C.R.E.A.M” by Wu-Tang Clan. Throughout the show, we caught snippets of Paul Wall, Doug E. Fresh and Crime Mob’s “Knuck If You Buck.”[aside postid='arts_13979494']After the boom-bap portion of the show, Doechii paid homage to the queer art of ballroom. “Alter Ego,” which she rapped with enough energy to light your hair on fire, was blended with a Crystal Waters sample as her dancers vogued, practically levitating off the stage. Doechii proclaimed, “Where my gays at?” to loud cheers from the main-stage crowd, tens of thousands deep.\u003c/p>\n\u003cp>The 45-minute set went from twerking to head banging during “Catfish,” with Doechii declaring, “Free Palestine, what the fuck is you talkin’ about?” As her cheeky, self-reflective breakout hit “Denial Is a River” closed out the show, she heartily thanked the people in the back, her dancers, her band and production.\u003c/p>\n\u003cfigure id=\"attachment_13979798\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979798\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Doechii performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Doechii delivered nothing but excellence, and she wasn’t even the festival headliner at Outside Lands. She returns to San Francisco on \u003ca href=\"https://www.kqed.org/arts/13979484/doechii-presale-tickets-code-bill-graham-civic-san-francisco-live-from-the-swamp-tour\">Friday, Nov. 7 for a show at the Bill Graham Civic Auditorium\u003c/a>; expect tickets to sell out quickly when they go on sale to the general public Monday morning.\u003c/p>\n\u003ch2>More Outside Lands highlights\u003c/h2>\n\u003cfigure id=\"attachment_13979800\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979800\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Doja Cat performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Doja Cat, the queen of camp\u003c/h2>\n\u003cp>Doechii was a tough act to follow, and Doja Cat’s ensuing set as Friday’s headliner drew a noticeably sparser crowd. Dressed in ultra-kitschy head-to-toe zebra print with huge, teased-out blond hair, Doja came on stage singing “Woman” in an ’80s hair metal look that glowed in the dark. Throughout her 90-minute set, she teased the crowd with sexy songs like “Juicy” and got people jumping during the rambunctious “Tia Tamara.” With fireworks and pyrotechnics, but without dancers, a costume change or much set design, the performance left me wanting more — especially for one of the most highly anticipated sets of the night.\u003c/p>\n\u003cfigure id=\"attachment_13979799\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979799\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Doja Cat performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979793\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979793\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Fcukers were the breakout act of the evening\u003c/h2>\n\u003cp>Almost every year at Outside Lands, there’s someone who kills it at the smaller Panhandle stage, and this year it was Fcukers. Deadpan valley-girl vocals, punchy drums, dreamy synths and DJ scratching fused into sheerly fun party music that packed in teens and 20-somethings eager for more post-\u003ci>Brat\u003c/i> hedonism. Their Friday afternoon set proved Fcukers will be ready for bigger stages soon.\u003c/p>\n\u003cfigure id=\"attachment_13979792\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979792\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979794\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979794\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival goers dance along the Panhandle stage as Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979786\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979786\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Still Woozy poses for a portrait at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979788\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979788\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thundercat performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979789\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979789\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jessica Pratt performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979784\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979784\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Baalti performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979785\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979785\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Dylan Dubeau, 27, (right) dances with a handmade sign as Baalti performs at Outside Lands on Friday, August 8, 2025. Dubeau made 15 signs with the faces of the duo and passed them out for other fans to dance with. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979787\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979787\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Baalti poses for a portrait at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979790\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979790\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Oakland Christie O’ Neill, 35, wears a disco ball helmet at Outside Lands on Friday, August 8, 2025. O’ Neill bought the helmet during a trip to Massachusetts and liked it so much she wore it on the plane ride back to California when it didn’t fit in her luggage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979801\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979801\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Beck performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979802\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979802\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fans watch Beck perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979803\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979803\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of people gather as Beck closes out the Sutro Stage at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n",
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"excerpt": "Doechii’s school of hip-hop was in session at Outside Lands during an electrifying and dominant set.",
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"title": "Review: Doechii’s Hip-Hop Masterclass at Outside Lands | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Friday night at \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a>, Doechii called a masterclass into session.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As her dancers dressed in high-fashion school uniforms writhed around student desks, Doechii strutted out to a boom-bap beat with daggers in her eyes, rapping in a pleated micro miniskirt: “Doechii the don / Doechii the dean / Doechii supreme / The swamp ruler.” Just like that, we were officially enrolled in Doechii’s School of Hip-Hop.\u003c/p>\n\u003cp>Perched atop a massive boom box, Doechii exuded poise and determination. Continuing the academic theme, cheeky narration broke the show down into chapters like “good bars and great bars” and “the aspect of flow.” Doechii excelled in every curriculum, demonstrating otherworldly breath control while rapping and dancing with athletic precision. Fans danced and jumped, but their eyes were laser-focused on the stage, afraid to miss a moment.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>After the boom-bap portion of the show, Doechii paid homage to the queer art of ballroom. “Alter Ego,” which she rapped with enough energy to light your hair on fire, was blended with a Crystal Waters sample as her dancers vogued, practically levitating off the stage. Doechii proclaimed, “Where my gays at?” to loud cheers from the main-stage crowd, tens of thousands deep.\u003c/p>\n\u003cp>The 45-minute set went from twerking to head banging during “Catfish,” with Doechii declaring, “Free Palestine, what the fuck is you talkin’ about?” As her cheeky, self-reflective breakout hit “Denial Is a River” closed out the show, she heartily thanked the people in the back, her dancers, her band and production.\u003c/p>\n\u003cfigure id=\"attachment_13979798\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979798\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_16-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Doechii performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Doechii delivered nothing but excellence, and she wasn’t even the festival headliner at Outside Lands. She returns to San Francisco on \u003ca href=\"https://www.kqed.org/arts/13979484/doechii-presale-tickets-code-bill-graham-civic-san-francisco-live-from-the-swamp-tour\">Friday, Nov. 7 for a show at the Bill Graham Civic Auditorium\u003c/a>; expect tickets to sell out quickly when they go on sale to the general public Monday morning.\u003c/p>\n\u003ch2>More Outside Lands highlights\u003c/h2>\n\u003cfigure id=\"attachment_13979800\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979800\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_18-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Doja Cat performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Doja Cat, the queen of camp\u003c/h2>\n\u003cp>Doechii was a tough act to follow, and Doja Cat’s ensuing set as Friday’s headliner drew a noticeably sparser crowd. Dressed in ultra-kitschy head-to-toe zebra print with huge, teased-out blond hair, Doja came on stage singing “Woman” in an ’80s hair metal look that glowed in the dark. Throughout her 90-minute set, she teased the crowd with sexy songs like “Juicy” and got people jumping during the rambunctious “Tia Tamara.” With fireworks and pyrotechnics, but without dancers, a costume change or much set design, the performance left me wanting more — especially for one of the most highly anticipated sets of the night.\u003c/p>\n\u003cfigure id=\"attachment_13979799\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979799\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_17-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Doja Cat performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979793\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979793\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_11-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Fcukers were the breakout act of the evening\u003c/h2>\n\u003cp>Almost every year at Outside Lands, there’s someone who kills it at the smaller Panhandle stage, and this year it was Fcukers. Deadpan valley-girl vocals, punchy drums, dreamy synths and DJ scratching fused into sheerly fun party music that packed in teens and 20-somethings eager for more post-\u003ci>Brat\u003c/i> hedonism. Their Friday afternoon set proved Fcukers will be ready for bigger stages soon.\u003c/p>\n\u003cfigure id=\"attachment_13979792\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979792\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_10-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979794\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979794\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_12-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival goers dance along the Panhandle stage as Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979786\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979786\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_04-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Still Woozy poses for a portrait at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979788\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979788\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_06-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thundercat performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979789\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979789\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_07-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jessica Pratt performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979784\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979784\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_02-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Baalti performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979785\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979785\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_03-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Dylan Dubeau, 27, (right) dances with a handmade sign as Baalti performs at Outside Lands on Friday, August 8, 2025. Dubeau made 15 signs with the faces of the duo and passed them out for other fans to dance with. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979787\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979787\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_05-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Baalti poses for a portrait at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979790\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979790\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_08-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Oakland Christie O’ Neill, 35, wears a disco ball helmet at Outside Lands on Friday, August 8, 2025. O’ Neill bought the helmet during a trip to Massachusetts and liked it so much she wore it on the plane ride back to California when it didn’t fit in her luggage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979801\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979801\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_19-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Beck performs at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979802\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979802\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_20-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fans watch Beck perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979803\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979803\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_21-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of people gather as Beck closes out the Sutro Stage at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>[aside postid='arts_13979494']More than 200,000 fans are expected to descend onto Golden Gate Park Aug. 8–10 for \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a>. In addition to stars like Doja Cat, Doechii, Hozier and Tyler, The Creator, the massive festival features a sizable offering of local talent.\u003c/p>\n\u003cp>Here are five Bay Area artists you shouldn’t miss.\u003c/p>\n\u003cp>https://youtu.be/SKh4ZProKvE?si=EAhzUFptmIxh67yO\u003c/p>\n\u003cp>\u003cstrong>LaRussell\u003c/strong>\u003cbr>\n\u003cem>Saturday, Aug. 9, 2:45 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/larussell/?hl=en\">LaRussell\u003c/a>’s bars overflow with joy and rambunctious energy, but he’s just as quick to offer earnest reflections on personal struggles and growth as he is to hit listeners with a clever punchline. Rooting for this rising Vallejo rap star feels like watching the ascent of an underdog home team, and big names like Lil Jon, Wiz Khalifa and E-40 have taken notice. (For those who can’t make it to Outside Lands, \u003ca href=\"https://www.kqed.org/event/5448\">LaRussell and his Good Compenny crew team up with KQED for a local music showcase in Vallejo on Aug. 21\u003c/a>.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://youtu.be/B2g-3M3CiHU?si=8XvzjUWslUhrXBrR\u003c/p>\n\u003cp>\u003cstrong>Destroy Boys\u003c/strong>\u003cbr>\n\u003cem>Friday, Aug. 8, 1:35 p.m.\u003c/em>\u003c/p>\n\u003cp>Since their first big single “I Threw Glass at My Friend’s Eyes and Now I’m on Probation,” \u003ca href=\"https://www.funeralsoundtrack4.com/\">Destroy Boys\u003c/a>’ dark humor and chainsawing guitar riffs have earned the band a following well outside their Northern California home base. Originally from Sacramento, Destroy Boys cut their teeth in the Bay Area. Their 2024 album, \u003ci>Funeral Soundtrack #4\u003c/i>, showcases their versatility as they blend punk with indie rock grooves and even offer a bit of Argentine-inflected rock en español.\u003c/p>\n\u003cp>https://youtu.be/8P2cjP7o3Gw?si=gGedLlKRLRvprp8P\u003c/p>\n\u003cp>\u003cstrong>Baalti\u003c/strong>\u003cbr>\n\u003cem>Friday, Aug. 8, 12 p.m. and 2:20 p.m.\u003c/em>\u003c/p>\n\u003cp>Electronic music duo \u003ca href=\"https://www.instagram.com/baalti.mp3/?hl=en\">Baalti\u003c/a> are crate digger extraordinaires. The two producers cull samples from Bollywood and South Asian classics, and mix them into global club bangers that draw from house, U.K. garage and more. That fusion has attracted an international audience in nightlife meccas like Berlin, New York and, of course, their home base of San Francisco.\u003c/p>\n\u003cp>https://youtu.be/u6KvsPikRYU?si=5hDFrgkV3ebMZWbh\u003c/p>\n\u003cp>\u003cstrong>Claude VonStroke\u003c/strong>\u003cbr>\n\u003cem>Saturday, Aug. 9, 8:10 p.m.\u003c/em>\u003c/p>\n\u003cp>The idea for Dirtybird Records came to \u003ca href=\"https://claudevonstroke.com/\">Claude VonStroke\u003c/a> after he hauled his sound system to Golden Gate Park and threw a guerrilla-style party 20 years ago. Since then, his gritty, booty-shaking take on house music, like his most recent single with Reggie Watts, “This MFing Beat,” has drawn a passionate cult following.\u003c/p>\n\u003cp>https://youtu.be/nMavmk_jbwc?si=f5cthh_JxhToTJdR\u003c/p>\n\u003cp>\u003cstrong>Still Woozy\u003c/strong>\u003cbr>\n\u003cem>Friday, Aug. 8, 5:30 p.m.\u003c/em>\u003c/p>\n\u003cp>True to his name, \u003ca href=\"https://www.woozystill.com/\">Still Woozy\u003c/a> pens dreamy melodies for reflective lyrics that float like clouds over fuzzy guitar riffs. The Moraga-raised singer-songwriter, now based in Portland, has spent this year bringing his charming grooves to festival stages like Coachella before he hits the stage at Outside Lands.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Outside Lands takes place at Golden Gate Park in San Francisco Aug. 8-10. \u003ca href=\"https://sfoutsidelands.com/\">Full schedule and lineup here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>More than 200,000 fans are expected to descend onto Golden Gate Park Aug. 8–10 for \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a>. In addition to stars like Doja Cat, Doechii, Hozier and Tyler, The Creator, the massive festival features a sizable offering of local talent.\u003c/p>\n\u003cp>Here are five Bay Area artists you shouldn’t miss.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/SKh4ZProKvE'\n title='//www.youtube.com/embed/SKh4ZProKvE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>LaRussell\u003c/strong>\u003cbr>\n\u003cem>Saturday, Aug. 9, 2:45 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/larussell/?hl=en\">LaRussell\u003c/a>’s bars overflow with joy and rambunctious energy, but he’s just as quick to offer earnest reflections on personal struggles and growth as he is to hit listeners with a clever punchline. Rooting for this rising Vallejo rap star feels like watching the ascent of an underdog home team, and big names like Lil Jon, Wiz Khalifa and E-40 have taken notice. (For those who can’t make it to Outside Lands, \u003ca href=\"https://www.kqed.org/event/5448\">LaRussell and his Good Compenny crew team up with KQED for a local music showcase in Vallejo on Aug. 21\u003c/a>.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/B2g-3M3CiHU'\n title='//www.youtube.com/embed/B2g-3M3CiHU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Destroy Boys\u003c/strong>\u003cbr>\n\u003cem>Friday, Aug. 8, 1:35 p.m.\u003c/em>\u003c/p>\n\u003cp>Since their first big single “I Threw Glass at My Friend’s Eyes and Now I’m on Probation,” \u003ca href=\"https://www.funeralsoundtrack4.com/\">Destroy Boys\u003c/a>’ dark humor and chainsawing guitar riffs have earned the band a following well outside their Northern California home base. Originally from Sacramento, Destroy Boys cut their teeth in the Bay Area. Their 2024 album, \u003ci>Funeral Soundtrack #4\u003c/i>, showcases their versatility as they blend punk with indie rock grooves and even offer a bit of Argentine-inflected rock en español.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8P2cjP7o3Gw'\n title='//www.youtube.com/embed/8P2cjP7o3Gw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Baalti\u003c/strong>\u003cbr>\n\u003cem>Friday, Aug. 8, 12 p.m. and 2:20 p.m.\u003c/em>\u003c/p>\n\u003cp>Electronic music duo \u003ca href=\"https://www.instagram.com/baalti.mp3/?hl=en\">Baalti\u003c/a> are crate digger extraordinaires. The two producers cull samples from Bollywood and South Asian classics, and mix them into global club bangers that draw from house, U.K. garage and more. That fusion has attracted an international audience in nightlife meccas like Berlin, New York and, of course, their home base of San Francisco.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/u6KvsPikRYU'\n title='//www.youtube.com/embed/u6KvsPikRYU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Claude VonStroke\u003c/strong>\u003cbr>\n\u003cem>Saturday, Aug. 9, 8:10 p.m.\u003c/em>\u003c/p>\n\u003cp>The idea for Dirtybird Records came to \u003ca href=\"https://claudevonstroke.com/\">Claude VonStroke\u003c/a> after he hauled his sound system to Golden Gate Park and threw a guerrilla-style party 20 years ago. Since then, his gritty, booty-shaking take on house music, like his most recent single with Reggie Watts, “This MFing Beat,” has drawn a passionate cult following.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nMavmk_jbwc'\n title='//www.youtube.com/embed/nMavmk_jbwc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Still Woozy\u003c/strong>\u003cbr>\n\u003cem>Friday, Aug. 8, 5:30 p.m.\u003c/em>\u003c/p>\n\u003cp>True to his name, \u003ca href=\"https://www.woozystill.com/\">Still Woozy\u003c/a> pens dreamy melodies for reflective lyrics that float like clouds over fuzzy guitar riffs. The Moraga-raised singer-songwriter, now based in Portland, has spent this year bringing his charming grooves to festival stages like Coachella before he hits the stage at Outside Lands.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Outside Lands takes place at Golden Gate Park in San Francisco Aug. 8-10. \u003ca href=\"https://sfoutsidelands.com/\">Full schedule and lineup here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cfigure id=\"attachment_13979529\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979529\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy.jpeg\" alt=\"Big Freedia holds her hands together in prayer in a church illuminated by a purple glow.\" width=\"1200\" height=\"1799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy-160x240.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy-768x1151.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy-1025x1536.jpeg 1025w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Big Freedia’s new album ‘Pressing Onward,’ named after her childhood church, blends gospel and bounce music with an inclusive message. \u003ccite>(Hunter Holder)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>We’d be living in a different world today if \u003ca href=\"https://www.kqed.org/arts/13843920/big-freedia-is-the-21st-centurys-ambassador-of-freedom\">Big Freedia\u003c/a>’s life hadn’t taken the turn that it did. Back in the ’90s, when the Queen Diva of bounce music was still in high school in New Orleans, church was her life. Not only did she spend Sundays at Pressing Onward Baptist for service and Bible study, but she went on Saturdays for choir practice and Friday nights for musicals.\u003c/p>\n\u003cp>“Growing up in the hood, it helped me to survive,” she tells KQED during a video call, as makeup artists’ hands flit around her cheekbones.\u003c/p>\n\u003cp>\u003ca href=\"https://www.bigfreedia.com/\">Big Freedia\u003c/a> had dreams of becoming a choir director, but found another calling when a high-energy, booty-shaking new sound began to explode out of her neighborhood. In the 25 years since, Freedia has brought bounce from New Orleans’ underground queer scene to the mainstream. As she’s performed at every major festival and collaborated with Drake and Beyoncé, opening doors for other LGBTQ+ artists along the way, her faith has kept her grounded.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/track/2XGIyjB0IiePf5uTSGt9Wt?utm_source=generator\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>On her new album \u003ci>Pressing Onward\u003c/i>, out Aug. 8, Big Freedia returns to her roots, bringing gospel harmonies and hopeful messages of faith together with bounce beats. The album draws a throughline between the ecstasy music can create both in the church and in the club. This synergy has a long history in queer Black music, going back to church-trained, genderfluid San Francisco disco star \u003ca href=\"https://www.kqed.org/arts/13854644/how-the-world-caught-up-to-sylvester\">Sylvester\u003c/a>, one of Big Freedia’s early inspirations.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At San Francisco’s \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> festival on Sunday, Aug. 10, Freedia will perform \u003ci>Pressing Onward\u003c/i> with the \u003ca href=\"https://www.sfgmc.org/\">San Francisco Gay Men’s Chorus\u003c/a>, offering an uplifting moment of praise for fans of all walks of life — including queer listeners who grew up feeling excluded from their religious communities, and those currently reeling from a hostile political climate and rollbacks to trans rights.\u003c/p>\n\u003cp>“Music is messaging, and music is what feeds the soul. And I’m definitely using my platform to be able to speak on trans rights, and just all of the rights of people in the LGBTQ+ community,” Freedia says.\u003c/p>\n\u003cfigure id=\"attachment_13902527\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13902527\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A1503.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A1503.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A1503-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A1503-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Big Freedia backstage at BottleRock Napa Valley festival on Friday, Sept. 3, 2021. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gospel has held Big Freedia up during some of the toughest moments of her life, including the recent death of her longtime partner Devon, who passed away from diabetes complications in May. For her, performing this music at recent gigs like Nashville Pride and the Newport Folk Festival has been healing.\u003c/p>\n\u003cp>“When I’m on stage, I’m able to forget all the troubles of the world and lay down all of my burden,” Freedia says.\u003c/p>\n\u003cp>In addition to her Sunday gospel set on Outside Lands’ main stage, Big Freedia will DJ on Saturday, Aug. 9 at Dolores’, Outside Lands’ open-air queer club. She’ll share the stage with drag performers from the venerable San Francisco parties Princess and Reparations, which both take place regularly at the Oasis nightclub in SOMA. That night, Freedia will hit the Oasis stage for her \u003ca href=\"https://www.eventbrite.com/e/big-freedia-live-official-album-release-party-tickets-1493433332299\">official release party of \u003ci>Pressing Onward\u003c/i>\u003c/a>, with support from drag artists like Nicki Jizz, Tyson Checkin and more.\u003c/p>\n\u003cp>“[Fans] have been rockin’ with me for a long time in the Bay Area, and I think it’s going to be even better this year,” she says.\u003c/p>\n\u003cfigure id=\"attachment_13962482\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962482\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Nicki Jizz and the Oasis Reparations cast perform on the Dolores’ Stage at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jacob Stensberg, the artistic director and conductor of the San Francisco Gay Men’s Chorus, is currently preparing to lead 75 singers of all faiths and backgrounds to join Big Freedia at Outside Lands on Sunday. While SFGMC doesn’t often sing religious music, Stensberg says, Big Freedia’s inclusive message transcends boundaries.\u003c/p>\n\u003cp>“She is fearless. She does not let the social confines of our culture define who she is,” says Stensberg. “And that comes through in her music. I think it is the farthest out-of-the box thinking to take gospel music and bounce music and create this spiritual sanctuary where people can be themselves through the lens of Christianity. She is the leader for us in the way we develop our own self-identity, our own journey of self-determination.”\u003c/p>\n\u003cp>Outside Lands’ commitment to LGBTQ+ programming stands out during a year that’s seen corporate sponsors pull out of Pride celebrations around the country; the National Endowment for the Arts align itself with President Trump’s anti-trans executive order; and private funders back away from LGBTQ+ organizations. (Even \u003ca href=\"https://www.kqed.org/arts/13978983/oasis-closing-drag-club-san-francisco-lgbtq-shutting-down-closed\">Oasis is closing its nightclub\u003c/a> at the end of the year because of financial issues.)\u003c/p>\n\u003cfigure id=\"attachment_13962428\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962428\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees watch Mel 4Ever perform on the Dolores’ Stage at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In addition to Big Freedia, Outside Lands features other queer artists on the main stage, including Tyler, The Creator and Doechii. Dolores’ spotlights three major LGBTQ+ event producers — Oasis Arts, Polyglamorous and Fake and Gay — who have all booked packed lineups featuring some of San Francisco’s best-known drag artists and DJs.\u003c/p>\n\u003cp>Asked about the festival’s commitment to its queer artists and fans, Nick Barrie, a talent buyer for the festival, has a simple answer: “It’s wrong not to,” he says.\u003c/p>\n\u003cp>For Big Freedia’s part, amid the many ongoing fights for LGBTQ+ rights, she wants to leave fans with a feeling of happiness — much like how she felt on those Sundays spent at Pressing Onward Baptist Church.\u003c/p>\n\u003cp>“That whole weekend,” she says, “I’m excited to … just bring joy to people so they can have that moment to just lay their hair down and just party with me.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Big Freedia performs at \u003ca href=\"https://sfoutsidelands.com/\">Outside Lands\u003c/a> in San Francisco’s Golden Gate Park on Aug. 9 and 10, and \u003ca href=\"https://www.eventbrite.com/e/big-freedia-live-official-album-release-party-tickets-1493433332299\">at Oasis\u003c/a> (298 11th St., San Francisco) on Aug. 9. Her album ‘\u003ca href=\"https://lnk.to/PRESSINGONWARD\">Pressing Onward\u003c/a>‘ releases Aug. 8. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13979529\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979529\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy.jpeg\" alt=\"Big Freedia holds her hands together in prayer in a church illuminated by a purple glow.\" width=\"1200\" height=\"1799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy-160x240.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy-768x1151.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/5Y4A6983-Edit_copy-1025x1536.jpeg 1025w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Big Freedia’s new album ‘Pressing Onward,’ named after her childhood church, blends gospel and bounce music with an inclusive message. \u003ccite>(Hunter Holder)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>We’d be living in a different world today if \u003ca href=\"https://www.kqed.org/arts/13843920/big-freedia-is-the-21st-centurys-ambassador-of-freedom\">Big Freedia\u003c/a>’s life hadn’t taken the turn that it did. Back in the ’90s, when the Queen Diva of bounce music was still in high school in New Orleans, church was her life. Not only did she spend Sundays at Pressing Onward Baptist for service and Bible study, but she went on Saturdays for choir practice and Friday nights for musicals.\u003c/p>\n\u003cp>“Growing up in the hood, it helped me to survive,” she tells KQED during a video call, as makeup artists’ hands flit around her cheekbones.\u003c/p>\n\u003cp>\u003ca href=\"https://www.bigfreedia.com/\">Big Freedia\u003c/a> had dreams of becoming a choir director, but found another calling when a high-energy, booty-shaking new sound began to explode out of her neighborhood. In the 25 years since, Freedia has brought bounce from New Orleans’ underground queer scene to the mainstream. As she’s performed at every major festival and collaborated with Drake and Beyoncé, opening doors for other LGBTQ+ artists along the way, her faith has kept her grounded.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/track/2XGIyjB0IiePf5uTSGt9Wt?utm_source=generator\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>On her new album \u003ci>Pressing Onward\u003c/i>, out Aug. 8, Big Freedia returns to her roots, bringing gospel harmonies and hopeful messages of faith together with bounce beats. The album draws a throughline between the ecstasy music can create both in the church and in the club. This synergy has a long history in queer Black music, going back to church-trained, genderfluid San Francisco disco star \u003ca href=\"https://www.kqed.org/arts/13854644/how-the-world-caught-up-to-sylvester\">Sylvester\u003c/a>, one of Big Freedia’s early inspirations.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At San Francisco’s \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> festival on Sunday, Aug. 10, Freedia will perform \u003ci>Pressing Onward\u003c/i> with the \u003ca href=\"https://www.sfgmc.org/\">San Francisco Gay Men’s Chorus\u003c/a>, offering an uplifting moment of praise for fans of all walks of life — including queer listeners who grew up feeling excluded from their religious communities, and those currently reeling from a hostile political climate and rollbacks to trans rights.\u003c/p>\n\u003cp>“Music is messaging, and music is what feeds the soul. And I’m definitely using my platform to be able to speak on trans rights, and just all of the rights of people in the LGBTQ+ community,” Freedia says.\u003c/p>\n\u003cfigure id=\"attachment_13902527\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13902527\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A1503.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A1503.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A1503-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A1503-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Big Freedia backstage at BottleRock Napa Valley festival on Friday, Sept. 3, 2021. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gospel has held Big Freedia up during some of the toughest moments of her life, including the recent death of her longtime partner Devon, who passed away from diabetes complications in May. For her, performing this music at recent gigs like Nashville Pride and the Newport Folk Festival has been healing.\u003c/p>\n\u003cp>“When I’m on stage, I’m able to forget all the troubles of the world and lay down all of my burden,” Freedia says.\u003c/p>\n\u003cp>In addition to her Sunday gospel set on Outside Lands’ main stage, Big Freedia will DJ on Saturday, Aug. 9 at Dolores’, Outside Lands’ open-air queer club. She’ll share the stage with drag performers from the venerable San Francisco parties Princess and Reparations, which both take place regularly at the Oasis nightclub in SOMA. That night, Freedia will hit the Oasis stage for her \u003ca href=\"https://www.eventbrite.com/e/big-freedia-live-official-album-release-party-tickets-1493433332299\">official release party of \u003ci>Pressing Onward\u003c/i>\u003c/a>, with support from drag artists like Nicki Jizz, Tyson Checkin and more.\u003c/p>\n\u003cp>“[Fans] have been rockin’ with me for a long time in the Bay Area, and I think it’s going to be even better this year,” she says.\u003c/p>\n\u003cfigure id=\"attachment_13962482\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962482\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_028-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Nicki Jizz and the Oasis Reparations cast perform on the Dolores’ Stage at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jacob Stensberg, the artistic director and conductor of the San Francisco Gay Men’s Chorus, is currently preparing to lead 75 singers of all faiths and backgrounds to join Big Freedia at Outside Lands on Sunday. While SFGMC doesn’t often sing religious music, Stensberg says, Big Freedia’s inclusive message transcends boundaries.\u003c/p>\n\u003cp>“She is fearless. She does not let the social confines of our culture define who she is,” says Stensberg. “And that comes through in her music. I think it is the farthest out-of-the box thinking to take gospel music and bounce music and create this spiritual sanctuary where people can be themselves through the lens of Christianity. She is the leader for us in the way we develop our own self-identity, our own journey of self-determination.”\u003c/p>\n\u003cp>Outside Lands’ commitment to LGBTQ+ programming stands out during a year that’s seen corporate sponsors pull out of Pride celebrations around the country; the National Endowment for the Arts align itself with President Trump’s anti-trans executive order; and private funders back away from LGBTQ+ organizations. (Even \u003ca href=\"https://www.kqed.org/arts/13978983/oasis-closing-drag-club-san-francisco-lgbtq-shutting-down-closed\">Oasis is closing its nightclub\u003c/a> at the end of the year because of financial issues.)\u003c/p>\n\u003cfigure id=\"attachment_13962428\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962428\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees watch Mel 4Ever perform on the Dolores’ Stage at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In addition to Big Freedia, Outside Lands features other queer artists on the main stage, including Tyler, The Creator and Doechii. Dolores’ spotlights three major LGBTQ+ event producers — Oasis Arts, Polyglamorous and Fake and Gay — who have all booked packed lineups featuring some of San Francisco’s best-known drag artists and DJs.\u003c/p>\n\u003cp>Asked about the festival’s commitment to its queer artists and fans, Nick Barrie, a talent buyer for the festival, has a simple answer: “It’s wrong not to,” he says.\u003c/p>\n\u003cp>For Big Freedia’s part, amid the many ongoing fights for LGBTQ+ rights, she wants to leave fans with a feeling of happiness — much like how she felt on those Sundays spent at Pressing Onward Baptist Church.\u003c/p>\n\u003cp>“That whole weekend,” she says, “I’m excited to … just bring joy to people so they can have that moment to just lay their hair down and just party with me.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Big Freedia performs at \u003ca href=\"https://sfoutsidelands.com/\">Outside Lands\u003c/a> in San Francisco’s Golden Gate Park on Aug. 9 and 10, and \u003ca href=\"https://www.eventbrite.com/e/big-freedia-live-official-album-release-party-tickets-1493433332299\">at Oasis\u003c/a> (298 11th St., San Francisco) on Aug. 9. Her album ‘\u003ca href=\"https://lnk.to/PRESSINGONWARD\">Pressing Onward\u003c/a>‘ releases Aug. 8. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "summer-concerts-music-festivals-bay-area-san-francisco-napa-oakland",
"title": "10 Must-See Summer Music Festivals and Outdoor Concerts in the Bay Area",
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"content": "\u003cfigure id=\"attachment_13962542\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962542\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thao Nguyen and Kyree Lewis (center) dance as Kaytranada performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>\u003ci>Be sure to check out our full \u003ca href=\"https://www.kqed.org/arts/tag/summer-guide-2025\">2025 Summer Arts Guide to live music, movies, art, theater, festivals and more\u003c/a> in the Bay Area.\u003c/i>\u003c/b>\u003c/p>\n\u003cp>Summer in the Bay Area is a time of musical abundance: Every week, there are free concerts with musical heavy-hitters and up-and-coming local acts alike, plus music festivals worth the splurge. So text your group chat, pack a picnic and add these shows to your summer bucket list.\u003c/p>\n\u003ch2>\u003ca href=\"https://illuminate.org/events/\">Concerts at the Golden Gate Park Bandshell \u003c/a>\u003c/h2>\n\u003cp>\u003cem>Wednesdays, Fridays and Sundays through November\u003c/em>\u003cbr>\n\u003cem>Golden Gate Park, San Francisco\u003cbr>\nFree\u003c/em>\u003c/p>\n\u003cp>For all the valid complaints about the lack of third spaces in San Francisco, one we shouldn’t take for granted is Golden Gate Park — the perfect scenic spot to picnic, roller skate and stroll among the flowers on these longer days and (ever so slightly) warmer nights. San Francisco’s Recreation and Parks Department and event producer Illuminate have teamed up to bring bands and DJs to Golden Gate Park’s Bandshell three times a week: Singer-Songwriter Wednesdays, Friday Happy Hour and Crucial Reggae Sundays with an ever-changing lineup of local artists. Up next on May 16, Dumpster Love and Lazer Beam take the stage on the 125-year-old “Temple of Music” located between the de Young Museum and the California Academy of Sciences.\u003c/p>\n\u003cfigure id=\"attachment_13975935\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13975935\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/GettyImages-2177882670.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/GettyImages-2177882670.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/GettyImages-2177882670-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/GettyImages-2177882670-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/GettyImages-2177882670-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/GettyImages-2177882670-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">E-40 performs onstage during the 2024 BET Hip Hop Awards at Drai’s Beach Club Nightclub at The Cromwell Las Vegas on October 8, 2024 in Las Vegas, Nevada. \u003ccite>(Aaron J. Thornton/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.bottlerocknapavalley.com/tickets/\">BottleRock\u003c/a>\u003c/h2>\n\u003cp>\u003cem>May 23–25\u003cbr>\nNapa Valley Expo, Napa\u003cbr>\nSingle-day tickets start at $233\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Music lovers and wine aficionados flock to BottleRock each May for the best of both worlds. This year’s lineup kicks off on Friday with East Bay punk legends Green Day headlining, plus a set from the Counselor of Bay Area rap himself, E-40. BottleRock caters to a wide variety of tastes and draws an intergenerational crowd; Justin Timberlake headlines Saturday, and singer-songwriter Noah Kahan tops the bill on Sunday. Other lineup highlights include Sublime, Public Enemy, Ice Cube and 4 Non Blondes.\u003c/p>\n\u003cfigure id=\"attachment_13959067\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959067\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_70.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_70.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_70-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_70-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_70-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_70-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_70-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of people gather at the Verizon Stage as Fuerza Regida performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://laonda.frontgatetickets.com/event/15f694vufs3tw2hr\">La Onda\u003c/a>\u003c/h2>\n\u003cp>\u003cem>May 31–June 1\u003cbr>\nNapa Valley Expo, Napa\u003cbr>\nSingle-day tickets start at $199\u003c/em>\u003c/p>\n\u003cp>A week after BottleRock, the same festival grounds welcome Festival La Onda — hands down the Bay Area’s biggest event for música mexicana y más, with genres like corridos, banda, rock en español and cumbia. Superstar vocalists Marco Antonio Solis and Pepe Aguilar join Banda MS as headliners on Saturday, which also features Peso Pluma collaborator Tito Double P and fellow corrido tumbado artist Chino Pacas. Norteña singer Carin León and Sinaloan band Grupo Firme headline Sunday, plus next-generation singers Oscar Maydón and Ángela Aguilar and others.\u003c/p>\n\u003ch2>\u003ca href=\"https://apeconcerts.com/events/dirtybird-250614/#:~:text=This%20event%20is%20all%20ages,show%20times%20subject%20to%20change.\">Dirtybird: \u003cem>Back 2 Baysics\u003c/em>\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 14, 1-5 p.m.\u003c/em>\u003cbr>\n\u003cem>Embarcadero Plaza at Market Street, San Francisco\u003c/em>\u003cbr>\n\u003cem>Free\u003c/em>\u003c/p>\n\u003cp>Dirtybird Records follows up last year’s massive free dance party at Embarcadero Plaza with another Back 2 Baysics event, sponsored by the city and Another Planet Entertainment, the organizers of Outside Lands. The San Francisco-born label hasn’t announced this year’s lineup yet, but expect bass-heavy, booty-shaking beats.\u003c/p>\n\u003cfigure id=\"attachment_13914703\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13914703\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/The-crowd-at-Stern-Grove-Festival-on-Sunday-June-12-2022.-Estefany-Gonzalez-03.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/The-crowd-at-Stern-Grove-Festival-on-Sunday-June-12-2022.-Estefany-Gonzalez-03.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/The-crowd-at-Stern-Grove-Festival-on-Sunday-June-12-2022.-Estefany-Gonzalez-03-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/The-crowd-at-Stern-Grove-Festival-on-Sunday-June-12-2022.-Estefany-Gonzalez-03-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Stern Grove Festival on Sunday, June 12, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sterngrove.org/\">Stern Grove\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sundays, June 15–Aug. 17\u003cbr>\nStern Grove, San Francisco\u003cbr>\nFree\u003c/em>[aside postID=arts_13976039 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/rubyv1-Gino-Lucas-1536x1536.jpg']Stern Grove returns for its 88th year of free Sunday concerts in the park, kicking off with soul band The California Honeydrops. Hip-hop-meets-house act Channel Tres, riot grrrls Sleater-Kinney, country singer Orville Peck and the SF Symphony will fill the grove with music throughout the summer. The Queen of Motown herself, Diana Ross, will close out the series at its Big Picnic fundraiser in August.\u003c/p>\n\u003ch2>\u003ca href=\"https://lakefestoakland.com/\">LakeFest Oakland\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 21, 11 a.m.–7 p.m.\u003cbr>\nLake Merritt, Oakland\u003cbr>\n$5\u003c/em>\u003c/p>\n\u003cp>Few details have been announced so far for this year’s LakeFest, but if last year’s event is any indication, we can expect a celebration of Oakland’s Black excellence as well as its cultural melting pot: good BBQ (plus other cuisines), soulful live music, vendors, kids’ activities and a tech pavilion.\u003c/p>\n\u003cfigure id=\"attachment_13974083\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13974083\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/GettyImages-2182617193.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/GettyImages-2182617193.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/GettyImages-2182617193-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/GettyImages-2182617193-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/GettyImages-2182617193-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/GettyImages-2182617193-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Kehlani performs onstage at Chase Center on November 02, 2024 in San Francisco, California. \u003ccite>(Dana Jacobs/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.tixr.com/groups/so-sf/events/sosf-with-kehlani-kim-petras-tinashe-much-more-138898\">SoSF\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 28, 2 p.m.\u003cbr>\nPier 80, San Francisco\u003cbr>\n$110+\u003c/em>\u003c/p>\n\u003cp>Oakland R&B hitmaker (and lesbian heartthrob) Kehlani is headlining SoSF, a new music festival in honor of Pride that also stars German pop star Kim Petras and “Nasty” singer Tinashe, plus reality-star-turned-vocalist Heidi Montag and rapper FineAss Lenicia. It all goes down at Pier 80, the industrial, waterfront location with the vibe of a warehouse rave, with a portion of proceeds going to Lyric Center for LGBTQQ+ Youth.\u003c/p>\n\u003ch2>\u003ca href=\"https://live.stanford.edu/events/summeratlive2025/tamasha/\">Tamasha: An Extravaganza of Desi Fusion\u003c/a>\u003c/h2>\n\u003cp>\u003cem>July 12, 5 p.m.\u003cbr>\nFrost Amphitheater, Stanford\u003cbr>\n$50-$95\u003c/em>\u003c/p>\n\u003cp>Raja Kumari headlines Tamasha, an arts and music festival celebrating the Bay Area’s unique Desi culture. The California-born singer blends classical Indian music with hip-hop and electronic pop, and has collaborated with major U.S. artists like John Legend as well as Indian rapper Divine. Joining Kumari will be DJ Vani Dewan, Duniya Dance & Drum Company, and drag performances from The Masala Mahal featuring Bindi Masala, Chai Auntea and Shaidy Bee.\u003c/p>\n\u003cfigure id=\"attachment_13968064\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968064\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Gerald Casale, Josh Hager, Mark Mothersbaugh and Bob Mothersbaugh of Devo perform live on stage during Ohana Festival at Doheny State Beach on September 27, 2024 in Dana Point, California. \u003ccite>(Jim Bennett/WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://mosswoodmeltdown.com/\">Mosswood Meltdown\u003c/a>\u003c/h2>\n\u003cp>\u003cem>July 19 and 20\u003cbr>\nMosswood Park, Oakland\u003cbr>\nSaturday GA $119, Sunday GA $65\u003c/em>\u003c/p>\n\u003cp>Art pop legends Devo headline day one of Mosswood Meltdown, Oakland’s annual celebration of punk and other underground subcultures. The always-morphing rock band Osees, which transformed the San Francisco scene when they formed there almost 30 years ago, also perform Saturday. Headlining Sunday are original riot grrrls Bratmobile, garage rock-meets punk and country band Shannon & the Clams, indie rock band La Luz and more.\u003c/p>\n\u003cfigure id=\"attachment_13933308\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933308\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Doja Cat performs during weekend one of Austin City Limits Music Festival at Zilker Park on October 02, 2021 in Austin, Texas. \u003ccite>(Photo by Erika Goldring/WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://sfoutsidelands.com/\">Outside Lands\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Aug. 8–10\u003cbr>\nGolden Gate Park\u003cbr>\nThree-day GA $539\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Outside Lands is one of the Bay Area’s most popular music festivals, and for good reason. With this year’s headliners Doja Cat, Tyler, The Creator and Hozier, it caters to a variety of genres, and offers tons of options for a well-rounded festival experience. In addition to four main music stages, there’s the outdoor electronic music club SoMa, queer nightclub experience Dolores’, a cannabis area, endless culinary options and even a wedding chapel. Other lineup highlights include rappers Doechii and Vallejo’s own LaRussell, South African DJ and producer Black Coffee, British R&B star Jorja Smith and more.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13962542\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962542\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thao Nguyen and Kyree Lewis (center) dance as Kaytranada performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>\u003ci>Be sure to check out our full \u003ca href=\"https://www.kqed.org/arts/tag/summer-guide-2025\">2025 Summer Arts Guide to live music, movies, art, theater, festivals and more\u003c/a> in the Bay Area.\u003c/i>\u003c/b>\u003c/p>\n\u003cp>Summer in the Bay Area is a time of musical abundance: Every week, there are free concerts with musical heavy-hitters and up-and-coming local acts alike, plus music festivals worth the splurge. So text your group chat, pack a picnic and add these shows to your summer bucket list.\u003c/p>\n\u003ch2>\u003ca href=\"https://illuminate.org/events/\">Concerts at the Golden Gate Park Bandshell \u003c/a>\u003c/h2>\n\u003cp>\u003cem>Wednesdays, Fridays and Sundays through November\u003c/em>\u003cbr>\n\u003cem>Golden Gate Park, San Francisco\u003cbr>\nFree\u003c/em>\u003c/p>\n\u003cp>For all the valid complaints about the lack of third spaces in San Francisco, one we shouldn’t take for granted is Golden Gate Park — the perfect scenic spot to picnic, roller skate and stroll among the flowers on these longer days and (ever so slightly) warmer nights. San Francisco’s Recreation and Parks Department and event producer Illuminate have teamed up to bring bands and DJs to Golden Gate Park’s Bandshell three times a week: Singer-Songwriter Wednesdays, Friday Happy Hour and Crucial Reggae Sundays with an ever-changing lineup of local artists. Up next on May 16, Dumpster Love and Lazer Beam take the stage on the 125-year-old “Temple of Music” located between the de Young Museum and the California Academy of Sciences.\u003c/p>\n\u003cfigure id=\"attachment_13975935\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13975935\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/GettyImages-2177882670.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/GettyImages-2177882670.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/GettyImages-2177882670-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/GettyImages-2177882670-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/GettyImages-2177882670-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/GettyImages-2177882670-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">E-40 performs onstage during the 2024 BET Hip Hop Awards at Drai’s Beach Club Nightclub at The Cromwell Las Vegas on October 8, 2024 in Las Vegas, Nevada. \u003ccite>(Aaron J. Thornton/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.bottlerocknapavalley.com/tickets/\">BottleRock\u003c/a>\u003c/h2>\n\u003cp>\u003cem>May 23–25\u003cbr>\nNapa Valley Expo, Napa\u003cbr>\nSingle-day tickets start at $233\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Music lovers and wine aficionados flock to BottleRock each May for the best of both worlds. This year’s lineup kicks off on Friday with East Bay punk legends Green Day headlining, plus a set from the Counselor of Bay Area rap himself, E-40. BottleRock caters to a wide variety of tastes and draws an intergenerational crowd; Justin Timberlake headlines Saturday, and singer-songwriter Noah Kahan tops the bill on Sunday. Other lineup highlights include Sublime, Public Enemy, Ice Cube and 4 Non Blondes.\u003c/p>\n\u003cfigure id=\"attachment_13959067\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959067\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_70.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_70.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_70-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_70-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_70-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_70-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_70-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of people gather at the Verizon Stage as Fuerza Regida performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://laonda.frontgatetickets.com/event/15f694vufs3tw2hr\">La Onda\u003c/a>\u003c/h2>\n\u003cp>\u003cem>May 31–June 1\u003cbr>\nNapa Valley Expo, Napa\u003cbr>\nSingle-day tickets start at $199\u003c/em>\u003c/p>\n\u003cp>A week after BottleRock, the same festival grounds welcome Festival La Onda — hands down the Bay Area’s biggest event for música mexicana y más, with genres like corridos, banda, rock en español and cumbia. Superstar vocalists Marco Antonio Solis and Pepe Aguilar join Banda MS as headliners on Saturday, which also features Peso Pluma collaborator Tito Double P and fellow corrido tumbado artist Chino Pacas. Norteña singer Carin León and Sinaloan band Grupo Firme headline Sunday, plus next-generation singers Oscar Maydón and Ángela Aguilar and others.\u003c/p>\n\u003ch2>\u003ca href=\"https://apeconcerts.com/events/dirtybird-250614/#:~:text=This%20event%20is%20all%20ages,show%20times%20subject%20to%20change.\">Dirtybird: \u003cem>Back 2 Baysics\u003c/em>\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 14, 1-5 p.m.\u003c/em>\u003cbr>\n\u003cem>Embarcadero Plaza at Market Street, San Francisco\u003c/em>\u003cbr>\n\u003cem>Free\u003c/em>\u003c/p>\n\u003cp>Dirtybird Records follows up last year’s massive free dance party at Embarcadero Plaza with another Back 2 Baysics event, sponsored by the city and Another Planet Entertainment, the organizers of Outside Lands. The San Francisco-born label hasn’t announced this year’s lineup yet, but expect bass-heavy, booty-shaking beats.\u003c/p>\n\u003cfigure id=\"attachment_13914703\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13914703\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/The-crowd-at-Stern-Grove-Festival-on-Sunday-June-12-2022.-Estefany-Gonzalez-03.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/The-crowd-at-Stern-Grove-Festival-on-Sunday-June-12-2022.-Estefany-Gonzalez-03.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/The-crowd-at-Stern-Grove-Festival-on-Sunday-June-12-2022.-Estefany-Gonzalez-03-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/The-crowd-at-Stern-Grove-Festival-on-Sunday-June-12-2022.-Estefany-Gonzalez-03-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Stern Grove Festival on Sunday, June 12, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sterngrove.org/\">Stern Grove\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sundays, June 15–Aug. 17\u003cbr>\nStern Grove, San Francisco\u003cbr>\nFree\u003c/em>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Stern Grove returns for its 88th year of free Sunday concerts in the park, kicking off with soul band The California Honeydrops. Hip-hop-meets-house act Channel Tres, riot grrrls Sleater-Kinney, country singer Orville Peck and the SF Symphony will fill the grove with music throughout the summer. The Queen of Motown herself, Diana Ross, will close out the series at its Big Picnic fundraiser in August.\u003c/p>\n\u003ch2>\u003ca href=\"https://lakefestoakland.com/\">LakeFest Oakland\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 21, 11 a.m.–7 p.m.\u003cbr>\nLake Merritt, Oakland\u003cbr>\n$5\u003c/em>\u003c/p>\n\u003cp>Few details have been announced so far for this year’s LakeFest, but if last year’s event is any indication, we can expect a celebration of Oakland’s Black excellence as well as its cultural melting pot: good BBQ (plus other cuisines), soulful live music, vendors, kids’ activities and a tech pavilion.\u003c/p>\n\u003cfigure id=\"attachment_13974083\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13974083\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/GettyImages-2182617193.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/GettyImages-2182617193.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/GettyImages-2182617193-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/GettyImages-2182617193-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/GettyImages-2182617193-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/GettyImages-2182617193-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Kehlani performs onstage at Chase Center on November 02, 2024 in San Francisco, California. \u003ccite>(Dana Jacobs/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.tixr.com/groups/so-sf/events/sosf-with-kehlani-kim-petras-tinashe-much-more-138898\">SoSF\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 28, 2 p.m.\u003cbr>\nPier 80, San Francisco\u003cbr>\n$110+\u003c/em>\u003c/p>\n\u003cp>Oakland R&B hitmaker (and lesbian heartthrob) Kehlani is headlining SoSF, a new music festival in honor of Pride that also stars German pop star Kim Petras and “Nasty” singer Tinashe, plus reality-star-turned-vocalist Heidi Montag and rapper FineAss Lenicia. It all goes down at Pier 80, the industrial, waterfront location with the vibe of a warehouse rave, with a portion of proceeds going to Lyric Center for LGBTQQ+ Youth.\u003c/p>\n\u003ch2>\u003ca href=\"https://live.stanford.edu/events/summeratlive2025/tamasha/\">Tamasha: An Extravaganza of Desi Fusion\u003c/a>\u003c/h2>\n\u003cp>\u003cem>July 12, 5 p.m.\u003cbr>\nFrost Amphitheater, Stanford\u003cbr>\n$50-$95\u003c/em>\u003c/p>\n\u003cp>Raja Kumari headlines Tamasha, an arts and music festival celebrating the Bay Area’s unique Desi culture. The California-born singer blends classical Indian music with hip-hop and electronic pop, and has collaborated with major U.S. artists like John Legend as well as Indian rapper Divine. Joining Kumari will be DJ Vani Dewan, Duniya Dance & Drum Company, and drag performances from The Masala Mahal featuring Bindi Masala, Chai Auntea and Shaidy Bee.\u003c/p>\n\u003cfigure id=\"attachment_13968064\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968064\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Gerald Casale, Josh Hager, Mark Mothersbaugh and Bob Mothersbaugh of Devo perform live on stage during Ohana Festival at Doheny State Beach on September 27, 2024 in Dana Point, California. \u003ccite>(Jim Bennett/WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://mosswoodmeltdown.com/\">Mosswood Meltdown\u003c/a>\u003c/h2>\n\u003cp>\u003cem>July 19 and 20\u003cbr>\nMosswood Park, Oakland\u003cbr>\nSaturday GA $119, Sunday GA $65\u003c/em>\u003c/p>\n\u003cp>Art pop legends Devo headline day one of Mosswood Meltdown, Oakland’s annual celebration of punk and other underground subcultures. The always-morphing rock band Osees, which transformed the San Francisco scene when they formed there almost 30 years ago, also perform Saturday. Headlining Sunday are original riot grrrls Bratmobile, garage rock-meets punk and country band Shannon & the Clams, indie rock band La Luz and more.\u003c/p>\n\u003cfigure id=\"attachment_13933308\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933308\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Doja Cat performs during weekend one of Austin City Limits Music Festival at Zilker Park on October 02, 2021 in Austin, Texas. \u003ccite>(Photo by Erika Goldring/WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://sfoutsidelands.com/\">Outside Lands\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Aug. 8–10\u003cbr>\nGolden Gate Park\u003cbr>\nThree-day GA $539\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Outside Lands is one of the Bay Area’s most popular music festivals, and for good reason. With this year’s headliners Doja Cat, Tyler, The Creator and Hozier, it caters to a variety of genres, and offers tons of options for a well-rounded festival experience. In addition to four main music stages, there’s the outdoor electronic music club SoMa, queer nightclub experience Dolores’, a cannabis area, endless culinary options and even a wedding chapel. Other lineup highlights include rappers Doechii and Vallejo’s own LaRussell, South African DJ and producer Black Coffee, British R&B star Jorja Smith and more.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> returns to Golden Gate Park Aug. 8–10, and the music and arts festival just announced its lineup. Rappers Tyler, The Creator and Doja Cat and folk singer-songwriter Hozier will headline the main stage. (Tyler was set to perform in 2024 but canceled his set and was replaced by Sabrina Carpenter.)\u003c/p>\n\u003cp>Also topping in the bill is Doechii, who took home Best Rap Album for \u003cem>Alligator Bites Never Heal\u003c/em> at this year’s Grammys; Anderson .Paak and the Free Nationals; electronic music producers John Summit and Gesaffelstein; and indie rock bands Glass Animals and Vampire Weekend.\u003c/p>\n\u003cp>As for Bay Area artists, Vallejo rapper LaRussell, who’s currently on a hot streak that’s included an \u003ca href=\"https://www.youtube.com/watch?v=w40XbPyotj8\">NPR Tiny Desk Concert\u003c/a>, will also perform at the festival, along with Claude VonStroke, founder of San Francisco’s Dirty Bird Records, and trippy singer-songwriter Still Woozy.\u003c/p>\n\u003cp>Outside Lands typically draws over 200,000 fans to Golden Gate Park each year, with four main concert stages — plus the queer club experience Dolores’; electronic music hub SOMA; culinary and cannabis offerings; and even a wedding chapel.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfoutsidelands.com/\">Three-day tickets\u003c/a> go on sale to the general public on March 26 at 10 a.m.\u003c/p>\n\u003ch2>Full lineup\u003c/h2>\n\u003cp>Tyler, The Creator\u003cbr>\nHozier\u003cbr>\nDoja Cat\u003cbr>\nJohn Summit\u003cbr>\nAnderson .Paak & The Free Nationals\u003cbr>\nVampire Weekend\u003cbr>\nGlass Animals\u003cbr>\nGracie Abrams\u003cbr>\nJamie xx\u003cbr>\nDoechii\u003cbr>\nGesaffelstein\u003cbr>\nBleachers\u003cbr>\nLudacris\u003cbr>\nJorja Smith\u003cbr>\nStill Woozy\u003cbr>\nBlack Coffee\u003cbr>\nSammy Virji\u003cbr>\nThundercat\u003cbr>\nWallows\u003cbr>\nFINNEAS\u003cbr>\nMARINA\u003cbr>\nRoyel Otis\u003cbr>\nARMNHMR\u003cbr>\nROLE MODEL\u003cbr>\nArtemas\u003cbr>\nClaude VonStroke\u003cbr>\nBigXthaPlug\u003cbr>\nFloating Points\u003cbr>\nBakar\u003cbr>\nflipturn\u003cbr>\n2hollis\u003cbr>\nWalker & Royce\u003cbr>\nJulien Baker & TORRES\u003cbr>\nFujii Kaze\u003cbr>\nBUNT.\u003cbr>\nLevity\u003cbr>\nDJ Koze\u003cbr>\nMark Ambor\u003cbr>\nBLOND:ISH\u003cbr>\nDombresky\u003cbr>\nJessica Pratt\u003cbr>\nMannequin Pussy\u003cbr>\nClaptone\u003cbr>\nRebecca Black\u003cbr>\nNOTION\u003cbr>\nLaRussell\u003cbr>\nCA7RIEL & Paco Amoroso\u003cbr>\njulie\u003cbr>\nGirl Math (VNSSA b2b Nala)\u003cbr>\nMayer Hawthorne\u003cbr>\nDJ Pee .Wee\u003cbr>\nWasia Project\u003cbr>\nBig Freedia with San Francisco Gay Men’s Chorus\u003cbr>\nFcukers\u003cbr>\nKlangphonics\u003cbr>\nVansire\u003cbr>\nnimino\u003cbr>\nKate Bollinger\u003cbr>\nHope Tala\u003cbr>\nDestroy Boys\u003cbr>\nLuna Li\u003cbr>\n&friends\u003cbr>\nINJI\u003cbr>\nSarah Kinsley\u003cbr>\nMatt Champion\u003cbr>\nNaomi Sharon\u003cbr>\nATRIP\u003cbr>\nNeal Francis\u003cbr>\nWunderhorse\u003cbr>\nLexa Gates\u003cbr>\nAmelia Moore\u003cbr>\nPaco Versailles\u003cbr>\nTxC\u003cbr>\nGood Neighbours\u003cbr>\nOrla Gartland\u003cbr>\nMidrift\u003cbr>\nBaalti\u003cbr>\nBay Ledges\u003cbr>\nDJ Mandy\u003cbr>\nThe Army, The Navy\u003cbr>\nArcy Drive\u003cbr>\nNourished by Time\u003cbr>\nalmost monday\u003cbr>\nbLAck pARty\u003cbr>\nAlexandra Savior\u003cbr>\nVincent Lima\u003cbr>\nNewDad\u003cbr>\nAlemeda\u003cbr>\nMidnight Generation\u003cbr>\nAlex Amen\u003cbr>\nBANKSIA\u003cbr>\nInfinite Jess\u003cbr>\nAVATARI\u003cbr>\nVampire Weekend\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "The festival returns to San Francisco’s Golden Gate Park Aug. 8–10, 2025. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> returns to Golden Gate Park Aug. 8–10, and the music and arts festival just announced its lineup. Rappers Tyler, The Creator and Doja Cat and folk singer-songwriter Hozier will headline the main stage. (Tyler was set to perform in 2024 but canceled his set and was replaced by Sabrina Carpenter.)\u003c/p>\n\u003cp>Also topping in the bill is Doechii, who took home Best Rap Album for \u003cem>Alligator Bites Never Heal\u003c/em> at this year’s Grammys; Anderson .Paak and the Free Nationals; electronic music producers John Summit and Gesaffelstein; and indie rock bands Glass Animals and Vampire Weekend.\u003c/p>\n\u003cp>As for Bay Area artists, Vallejo rapper LaRussell, who’s currently on a hot streak that’s included an \u003ca href=\"https://www.youtube.com/watch?v=w40XbPyotj8\">NPR Tiny Desk Concert\u003c/a>, will also perform at the festival, along with Claude VonStroke, founder of San Francisco’s Dirty Bird Records, and trippy singer-songwriter Still Woozy.\u003c/p>\n\u003cp>Outside Lands typically draws over 200,000 fans to Golden Gate Park each year, with four main concert stages — plus the queer club experience Dolores’; electronic music hub SOMA; culinary and cannabis offerings; and even a wedding chapel.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfoutsidelands.com/\">Three-day tickets\u003c/a> go on sale to the general public on March 26 at 10 a.m.\u003c/p>\n\u003ch2>Full lineup\u003c/h2>\n\u003cp>Tyler, The Creator\u003cbr>\nHozier\u003cbr>\nDoja Cat\u003cbr>\nJohn Summit\u003cbr>\nAnderson .Paak & The Free Nationals\u003cbr>\nVampire Weekend\u003cbr>\nGlass Animals\u003cbr>\nGracie Abrams\u003cbr>\nJamie xx\u003cbr>\nDoechii\u003cbr>\nGesaffelstein\u003cbr>\nBleachers\u003cbr>\nLudacris\u003cbr>\nJorja Smith\u003cbr>\nStill Woozy\u003cbr>\nBlack Coffee\u003cbr>\nSammy Virji\u003cbr>\nThundercat\u003cbr>\nWallows\u003cbr>\nFINNEAS\u003cbr>\nMARINA\u003cbr>\nRoyel Otis\u003cbr>\nARMNHMR\u003cbr>\nROLE MODEL\u003cbr>\nArtemas\u003cbr>\nClaude VonStroke\u003cbr>\nBigXthaPlug\u003cbr>\nFloating Points\u003cbr>\nBakar\u003cbr>\nflipturn\u003cbr>\n2hollis\u003cbr>\nWalker & Royce\u003cbr>\nJulien Baker & TORRES\u003cbr>\nFujii Kaze\u003cbr>\nBUNT.\u003cbr>\nLevity\u003cbr>\nDJ Koze\u003cbr>\nMark Ambor\u003cbr>\nBLOND:ISH\u003cbr>\nDombresky\u003cbr>\nJessica Pratt\u003cbr>\nMannequin Pussy\u003cbr>\nClaptone\u003cbr>\nRebecca Black\u003cbr>\nNOTION\u003cbr>\nLaRussell\u003cbr>\nCA7RIEL & Paco Amoroso\u003cbr>\njulie\u003cbr>\nGirl Math (VNSSA b2b Nala)\u003cbr>\nMayer Hawthorne\u003cbr>\nDJ Pee .Wee\u003cbr>\nWasia Project\u003cbr>\nBig Freedia with San Francisco Gay Men’s Chorus\u003cbr>\nFcukers\u003cbr>\nKlangphonics\u003cbr>\nVansire\u003cbr>\nnimino\u003cbr>\nKate Bollinger\u003cbr>\nHope Tala\u003cbr>\nDestroy Boys\u003cbr>\nLuna Li\u003cbr>\n&friends\u003cbr>\nINJI\u003cbr>\nSarah Kinsley\u003cbr>\nMatt Champion\u003cbr>\nNaomi Sharon\u003cbr>\nATRIP\u003cbr>\nNeal Francis\u003cbr>\nWunderhorse\u003cbr>\nLexa Gates\u003cbr>\nAmelia Moore\u003cbr>\nPaco Versailles\u003cbr>\nTxC\u003cbr>\nGood Neighbours\u003cbr>\nOrla Gartland\u003cbr>\nMidrift\u003cbr>\nBaalti\u003cbr>\nBay Ledges\u003cbr>\nDJ Mandy\u003cbr>\nThe Army, The Navy\u003cbr>\nArcy Drive\u003cbr>\nNourished by Time\u003cbr>\nalmost monday\u003cbr>\nbLAck pARty\u003cbr>\nAlexandra Savior\u003cbr>\nVincent Lima\u003cbr>\nNewDad\u003cbr>\nAlemeda\u003cbr>\nMidnight Generation\u003cbr>\nAlex Amen\u003cbr>\nBANKSIA\u003cbr>\nInfinite Jess\u003cbr>\nAVATARI\u003cbr>\nVampire Weekend\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "fashion-outfits-photos-outside-lands-2024",
"title": "Photos: Fan Fashions and Hot Looks at Outside Lands 2024",
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"headTitle": "Photos: Fan Fashions and Hot Looks at Outside Lands 2024 | KQED",
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"content": "\u003cp>Music festivals like Outside Lands always bring out hot fits — even in Golden Gate Park’s chilly, foggy mist. This past weekend, photographer Estefany Gonzalez was on the scene at Outside Lands for photos of fans and their festival fashion.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>\u003ca href=\"https://www.kqed.org/arts/13962406/chappell-roan-outside-lands-2024-review-photos-sabrina-carpenter-sturgill-simpson\">See photos and read about the weekend’s performances here\u003c/a>\u003c/em>\u003c/strong>. \u003c/p>\n\u003cfigure id=\"attachment_13962488\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962488\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Bevon Brye wears a floral ‘Midsommar’-inspired outfit at Outside Lands on Saturday, Aug. 10, 2024.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962507\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962507\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003.jpg\" alt=\"\" width=\"853\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Teagan Paris (left) and Emily Izenman kiss as they wait for Chappell Roan to take the stage at Outside Lands on Sunday, Aug. 11, 2024.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962497\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962497\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Ajani Purnell (center) and Lie Burgess dance in front of the Sutro Stage as Channel Tres performs at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962517\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962517\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Aaron Lopez (center) dances to “Hot To Go!” as Chappell Roan performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962469\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962469\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mahlae Balenciaga poses for a portrait backstage at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962430\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962430\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Vyvy Nguyen (center) and friends wear matching friendship bracelets at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962428\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962428\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees watch Mel 4Ever perform on the Dolores’ Stage at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962424\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962424\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">From left: Grace Stephenson, Robin Nguyen and Frank Ortiz watch Mel 4Ever perform on the Dolores’ Stage at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962420\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962420\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Brian Andrews and his daughter Chloe Andrews watch Shaboozey perform at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962423\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962423\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Addison Overbay (center) watches The Japanese House perform from the front row of the Lands End Stage at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962414\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962414\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Eric and Rose Dosier cheer as they are pronounced husband and wife at Outside Lands on Friday, Aug. 9, 2024. The Dosiers are among many couples tying the knot at this year’s festival. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962411\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962411\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">From left: Shirley Shao,Paula Choi, and Paul Hanna strike a pose in their space inspired outfits at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962434\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962434\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Golden State Warriors’ Gary Payton II poses for a portrait at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962466\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962466\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jax poses for a portrait backstage at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962485\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962485\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Max Robinson crowd surfs as Schoolboy Q performs at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962496\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962496\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Anabelle Martin and Christian Martin dance as Channel Tres performs at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962415\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005.jpg\" alt=\"\" width=\"853\" height=\"1280\" class=\"size-full wp-image-13962415\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Sean Ryan dons a faux-fur coat he found on OfferUp to stay warm and stylish at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962498\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962498\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of festival goers gather in front of the Lands End Stage to watch Sabrina Carpenter headline Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962508\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962508\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Ashley Gaing (center) cheers from the front row of the Lands End Stage as Chappell Roan performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962518\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962518\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Nicole Brown (left) and Emily Koehler watch Chappell Roan perform at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962525\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962525\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alexandro Cervantes waves their wig in the air as Uncle Waffles performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962416\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13962416\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Allison Rose (left) and Mike Derb watch Shaboozey perform at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962523\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962523\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Anna Walter (left) and Dre Jameson blow bubbles at the Soma Stage as Uncle Waffles performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962468\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13962468\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Nicki Jizz (left) and Yvie Oddly pose for a portrait backstage at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962542\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962542\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thao Nguyen and Kyree Lewis (center) dance as Kaytranada performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962533\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962533\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd in front of the Land End Stage clears as Sturgill Simpson set time approaches at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "Fans showed up and showed out at Outside Lands in their freshest fits.",
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"title": "Photos: Fan Fashions and Hot Looks at Outside Lands 2024 | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Music festivals like Outside Lands always bring out hot fits — even in Golden Gate Park’s chilly, foggy mist. This past weekend, photographer Estefany Gonzalez was on the scene at Outside Lands for photos of fans and their festival fashion.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>\u003ca href=\"https://www.kqed.org/arts/13962406/chappell-roan-outside-lands-2024-review-photos-sabrina-carpenter-sturgill-simpson\">See photos and read about the weekend’s performances here\u003c/a>\u003c/em>\u003c/strong>. \u003c/p>\n\u003cfigure id=\"attachment_13962488\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962488\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Bevon Brye wears a floral ‘Midsommar’-inspired outfit at Outside Lands on Saturday, Aug. 10, 2024.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962507\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962507\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003.jpg\" alt=\"\" width=\"853\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Teagan Paris (left) and Emily Izenman kiss as they wait for Chappell Roan to take the stage at Outside Lands on Sunday, Aug. 11, 2024.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962497\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962497\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Ajani Purnell (center) and Lie Burgess dance in front of the Sutro Stage as Channel Tres performs at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962517\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962517\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Aaron Lopez (center) dances to “Hot To Go!” as Chappell Roan performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962469\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962469\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mahlae Balenciaga poses for a portrait backstage at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962430\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962430\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Vyvy Nguyen (center) and friends wear matching friendship bracelets at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962428\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962428\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees watch Mel 4Ever perform on the Dolores’ Stage at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962424\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962424\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">From left: Grace Stephenson, Robin Nguyen and Frank Ortiz watch Mel 4Ever perform on the Dolores’ Stage at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962420\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962420\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Brian Andrews and his daughter Chloe Andrews watch Shaboozey perform at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962423\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962423\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Addison Overbay (center) watches The Japanese House perform from the front row of the Lands End Stage at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962414\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962414\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Eric and Rose Dosier cheer as they are pronounced husband and wife at Outside Lands on Friday, Aug. 9, 2024. The Dosiers are among many couples tying the knot at this year’s festival. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962411\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962411\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">From left: Shirley Shao,Paula Choi, and Paul Hanna strike a pose in their space inspired outfits at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962434\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962434\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Golden State Warriors’ Gary Payton II poses for a portrait at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962466\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962466\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jax poses for a portrait backstage at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962485\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962485\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Max Robinson crowd surfs as Schoolboy Q performs at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962496\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962496\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Anabelle Martin and Christian Martin dance as Channel Tres performs at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962415\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005.jpg\" alt=\"\" width=\"853\" height=\"1280\" class=\"size-full wp-image-13962415\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Sean Ryan dons a faux-fur coat he found on OfferUp to stay warm and stylish at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962498\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962498\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of festival goers gather in front of the Lands End Stage to watch Sabrina Carpenter headline Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962508\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962508\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Ashley Gaing (center) cheers from the front row of the Lands End Stage as Chappell Roan performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962518\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962518\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Nicole Brown (left) and Emily Koehler watch Chappell Roan perform at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962525\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962525\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alexandro Cervantes waves their wig in the air as Uncle Waffles performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962416\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13962416\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Allison Rose (left) and Mike Derb watch Shaboozey perform at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962523\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962523\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Anna Walter (left) and Dre Jameson blow bubbles at the Soma Stage as Uncle Waffles performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962468\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13962468\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Nicki Jizz (left) and Yvie Oddly pose for a portrait backstage at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962542\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962542\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thao Nguyen and Kyree Lewis (center) dance as Kaytranada performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962533\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962533\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd in front of the Land End Stage clears as Sturgill Simpson set time approaches at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"soldout": {
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