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"content": "\u003cp>A lot is different about \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/\" target=\"_blank\" rel=\"noopener\">Outside Lands\u003c/a> this year. The music and arts festival kicks off its 11th edition on Aug. 10, when thousands of concertgoers will descend upon Golden Gate Park for three days of music, comedy, food, beer and art.\u003c/p>\n\u003cp>For one, the fest finally booked female headliners for the first time in its history: Florence + the Machine on Saturday and Janet Jackson on Sunday.\u003c/p>\n\u003cp>And in addition to its food and beverage offerings, this year’s edition will introduce \u003ca href=\"https://www.sfoutsidelands.com/grass-lands/\" target=\"_blank\" rel=\"noopener\">Grass Lands\u003c/a>, a town square-style showcase of Northern California’s cannabis offerings. (This is just to look and smell. You still can’t buy weed at the fest—sorry.)\u003c/p>\n\u003cp>Entertainment other than music is becoming more prominent at Outside Lands as well: \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/lineup_groupings/the-barbary\" target=\"_blank\" rel=\"noopener\">The Barbary\u003c/a>, its improv and comedy stage, stars \u003cem>Brooklyn Nine-Nine\u003c/em>‘s Chelsea Peretti, as well as Michelle Wolf, the \u003cem>Daily Show\u003c/em> contributor and \u003ca href=\"https://www.washingtonpost.com/news/reliable-source/wp/2018/04/29/the-many-reactions-to-michelle-wolfs-speech-from-trump-saying-she-bombed-to-kumail-nanjianis-support/?utm_term=.cd5626d5420f\" target=\"_blank\" rel=\"noopener\">nemesis of the Trump administration\u003c/a>. And the \u003ca href=\"https://www.sfoutsidelands.com/gastromagic/\" target=\"_blank\" rel=\"noopener\">Gastro Magic Stage\u003c/a>, which is all about food, features outspoken Brooklyn chef and author Eddie Huang (whose memoir inspired the hit series \u003cem>Fresh Off the Boat\u003c/em>) and Matty Matheson, whose Vice show makes him seem like an extremely entertaining dining companion.\u003c/p>\n\u003cp>While dressing for the cold and dusty terrain of Golden Gate Park and the struggle to find parking are givens (check out our \u003ca href=\"https://www.kqed.org/arts/10139926/how-to-survive-outside-lands-a-veterans-guide\" target=\"_blank\" rel=\"noopener\">Outside Lands survival guide\u003c/a>), there’s another big change: this year, Outside Lands has introduced a clear bag policy. Word to the wise: either bring your PKW (that’s phone, keys and wallet) in your pockets, or invest in a clear backpack or purse from Amazon, Target or just about any school supply store. The clear bag policy is becoming a staple of other festivals, including June’s Clusterfest in Civic Center, so it will likely come in handy again.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But, back to the music. In addition to tons of exciting mainstream acts at \u003ca href=\"https://www.kqed.org/arts/13828518/outside-lands-lineup-announced-janet-jackson-the-weeknd-headline\" target=\"_blank\" rel=\"noopener\">this year’s Outside Lands\u003c/a> (Janelle Monae! Future! The Internet! N.E.R.D.!), there’s a wealth of local talent represented on the lineup.\u003c/p>\n\u003cp>https://youtu.be/WM5yCRiSQPY\u003c/p>\n\u003cp>Don’t miss SOB x RBE, the Vallejo upstarts whose “Anti” blasted from what sounded like every car window throughout 2016 and 2017. The four-piece has since risen to national prominence through their fiery track on the \u003cem>Black Panther\u003c/em> soundtrack, “\u003ca href=\"https://youtu.be/W2_A89qTgwM\" target=\"_blank\" rel=\"noopener\">Paramedic\u003c/a>.” Recently, the group’s biggest star, Yhung T.O., inked a solo deal with Interscope. It’s unclear what lies ahead for SOB x RBE as a collective, so Outside Lands will be a good opportunity to catch them live as a unit. They perform at the Twin Peaks stage on Saturday, Aug. 11, at 5:20pm.\u003c/p>\n\u003cp>https://youtu.be/Hm3cf3jsWNw\u003c/p>\n\u003cp>Shannon and the Clams are also hitting the Outside Lands stage for the first time this year. The group came up in Oakland’s warehouse scene, performing in clandestine venues and dusty basements for years before getting their big break. Recently, they worked with Dan Auerbach of the Black Keys at his Easy Eye Sound label. Shannon and the Clams’ Outside Lands set will be a victory for these mainstays of the local punk scene. They perform at the Twin Peaks stage on Friday, Aug. 10, at 12:40 pm.\u003c/p>\n\u003cp>https://youtu.be/tJBqGe88-9A\u003c/p>\n\u003cp>Similar to Shannon and the Clams’ retro sensibilities, Oakland’s Dick Stusso lends a modern twist to his blues and rock’n’roll guitar stylings, which conjure long road trips in an old-school Cadillac. He performs Sunday, Aug. 12 at noon at the Panhandle Stage.\u003c/p>\n\u003cp>https://youtu.be/N4nhBG8NDC0\u003c/p>\n\u003cp>The T Sisters have been blessing the Bay Area with their beautiful three-part harmonies and bluegrass, folk and indie instrumentation for years now. They perform on the Sutro Stage on Sunday, Aug. 12, at noon.\u003c/p>\n\u003cp>https://youtu.be/8dHAWTzD5SE\u003c/p>\n\u003cp>Caleborate has been winning Bay Area hip-hop fans’ hearts and minds since 2015, when he came onto the scene with his confessional debut, \u003cem>Hella Good\u003c/em>. The Sacramento native raps about coming of age in his adopted home of Berkeley. His latest album, \u003cem>Real Person\u003c/em>, is endearingly confessional and candid. After slaying local clubs, he’s ready for the big festival stage. Caleborate performs on the Panhandle Stage on Friday, Aug. 10, at 4:30pm.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Outside Lands takes place Aug. 10–12 in Golden Gate Park. Details \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A lot is different about \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/\" target=\"_blank\" rel=\"noopener\">Outside Lands\u003c/a> this year. The music and arts festival kicks off its 11th edition on Aug. 10, when thousands of concertgoers will descend upon Golden Gate Park for three days of music, comedy, food, beer and art.\u003c/p>\n\u003cp>For one, the fest finally booked female headliners for the first time in its history: Florence + the Machine on Saturday and Janet Jackson on Sunday.\u003c/p>\n\u003cp>And in addition to its food and beverage offerings, this year’s edition will introduce \u003ca href=\"https://www.sfoutsidelands.com/grass-lands/\" target=\"_blank\" rel=\"noopener\">Grass Lands\u003c/a>, a town square-style showcase of Northern California’s cannabis offerings. (This is just to look and smell. You still can’t buy weed at the fest—sorry.)\u003c/p>\n\u003cp>Entertainment other than music is becoming more prominent at Outside Lands as well: \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/lineup_groupings/the-barbary\" target=\"_blank\" rel=\"noopener\">The Barbary\u003c/a>, its improv and comedy stage, stars \u003cem>Brooklyn Nine-Nine\u003c/em>‘s Chelsea Peretti, as well as Michelle Wolf, the \u003cem>Daily Show\u003c/em> contributor and \u003ca href=\"https://www.washingtonpost.com/news/reliable-source/wp/2018/04/29/the-many-reactions-to-michelle-wolfs-speech-from-trump-saying-she-bombed-to-kumail-nanjianis-support/?utm_term=.cd5626d5420f\" target=\"_blank\" rel=\"noopener\">nemesis of the Trump administration\u003c/a>. And the \u003ca href=\"https://www.sfoutsidelands.com/gastromagic/\" target=\"_blank\" rel=\"noopener\">Gastro Magic Stage\u003c/a>, which is all about food, features outspoken Brooklyn chef and author Eddie Huang (whose memoir inspired the hit series \u003cem>Fresh Off the Boat\u003c/em>) and Matty Matheson, whose Vice show makes him seem like an extremely entertaining dining companion.\u003c/p>\n\u003cp>While dressing for the cold and dusty terrain of Golden Gate Park and the struggle to find parking are givens (check out our \u003ca href=\"https://www.kqed.org/arts/10139926/how-to-survive-outside-lands-a-veterans-guide\" target=\"_blank\" rel=\"noopener\">Outside Lands survival guide\u003c/a>), there’s another big change: this year, Outside Lands has introduced a clear bag policy. Word to the wise: either bring your PKW (that’s phone, keys and wallet) in your pockets, or invest in a clear backpack or purse from Amazon, Target or just about any school supply store. The clear bag policy is becoming a staple of other festivals, including June’s Clusterfest in Civic Center, so it will likely come in handy again.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But, back to the music. In addition to tons of exciting mainstream acts at \u003ca href=\"https://www.kqed.org/arts/13828518/outside-lands-lineup-announced-janet-jackson-the-weeknd-headline\" target=\"_blank\" rel=\"noopener\">this year’s Outside Lands\u003c/a> (Janelle Monae! Future! The Internet! N.E.R.D.!), there’s a wealth of local talent represented on the lineup.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/WM5yCRiSQPY'\n title='//www.youtube.com/embed/WM5yCRiSQPY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Don’t miss SOB x RBE, the Vallejo upstarts whose “Anti” blasted from what sounded like every car window throughout 2016 and 2017. The four-piece has since risen to national prominence through their fiery track on the \u003cem>Black Panther\u003c/em> soundtrack, “\u003ca href=\"https://youtu.be/W2_A89qTgwM\" target=\"_blank\" rel=\"noopener\">Paramedic\u003c/a>.” Recently, the group’s biggest star, Yhung T.O., inked a solo deal with Interscope. It’s unclear what lies ahead for SOB x RBE as a collective, so Outside Lands will be a good opportunity to catch them live as a unit. They perform at the Twin Peaks stage on Saturday, Aug. 11, at 5:20pm.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Hm3cf3jsWNw'\n title='//www.youtube.com/embed/Hm3cf3jsWNw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Shannon and the Clams are also hitting the Outside Lands stage for the first time this year. The group came up in Oakland’s warehouse scene, performing in clandestine venues and dusty basements for years before getting their big break. Recently, they worked with Dan Auerbach of the Black Keys at his Easy Eye Sound label. Shannon and the Clams’ Outside Lands set will be a victory for these mainstays of the local punk scene. They perform at the Twin Peaks stage on Friday, Aug. 10, at 12:40 pm.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tJBqGe88-9A'\n title='//www.youtube.com/embed/tJBqGe88-9A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Similar to Shannon and the Clams’ retro sensibilities, Oakland’s Dick Stusso lends a modern twist to his blues and rock’n’roll guitar stylings, which conjure long road trips in an old-school Cadillac. He performs Sunday, Aug. 12 at noon at the Panhandle Stage.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/N4nhBG8NDC0'\n title='//www.youtube.com/embed/N4nhBG8NDC0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The T Sisters have been blessing the Bay Area with their beautiful three-part harmonies and bluegrass, folk and indie instrumentation for years now. They perform on the Sutro Stage on Sunday, Aug. 12, at noon.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8dHAWTzD5SE'\n title='//www.youtube.com/embed/8dHAWTzD5SE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Caleborate has been winning Bay Area hip-hop fans’ hearts and minds since 2015, when he came onto the scene with his confessional debut, \u003cem>Hella Good\u003c/em>. The Sacramento native raps about coming of age in his adopted home of Berkeley. His latest album, \u003cem>Real Person\u003c/em>, is endearingly confessional and candid. After slaying local clubs, he’s ready for the big festival stage. Caleborate performs on the Panhandle Stage on Friday, Aug. 10, at 4:30pm.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Outside Lands takes place Aug. 10–12 in Golden Gate Park. Details \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">While some groups might sideline their keys or situate them behind strings,\u003c/span>\u003ca href=\"http://www.monophonics.com/\" target=\"_blank\" rel=\"noopener\"> \u003cspan style=\"font-weight: 400\">Monophonics\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">’ Kelly Finnigan sits squarely center stage and commands the room. At the San Francisco band’s recent show at Mercury Lounge in New York, sweat drops fall onto his organ as he sings Eddie & Ernie’s 1972 soul sleeper, “\u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=HMXkBvSfIhQ\" target=\"_blank\" rel=\"noopener\">\u003cspan style=\"font-weight: 400\">Bullets Don’t Have Eyes\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.” He’s flanked by members of various West Coast soul groups, who are standing in for the band’s usual horn players. A member of Brooklyn soul revival band The Dap-Kings is on guitar, but the sound is undeniably San Francisco, dripping with the primordial ooze of Sly Stone.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics are a true showcase of the heavy, but often under-recognized, California brand of modern funk. The style takes influence from multiple genres but remains steeped in the state’s history of psychedelics, jamming and experimentation. Amid growing national and international recognition, Monophonics’ undeniable funkiness, keen interpretation of ’60s and ’70s sounds and intense live shows have remained a driving force in the Bay Area scene.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The six-piece band will perform at Outside Lands for the first time with two sets on Aug. 11 and 12—a feat for a homegrown act operating on the fringes of mainstream pop sensibility. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics’ fifth studio album is due out in early 2019 and promises a similar aesthetic to 2012’s mind-melting \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">In Your Brain\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, which tapped into the region’s psychedelic, funky heritage and kicked opened the door for more local, modern funk and soul bands like Con Brio and Baby and the Luvies.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=t4u83UD2YdQ\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“In 2009-2010, there were a lot of bands popping up that wanted to be Sharon Jones [and The Dap-Kings] and, ‘Let’s wear a suit and two step.’ We love that band and love what they do, but there really was a void of people playing psychedelic soul,” says Finnigan, adding that the band knew \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">In Your Brain\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> would make a statement. “One thing that excited us about being from the Bay was how the music was connected to the history of that culture, and the scene and the soul that people don’t know.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics are an easy link between the Bay’s musical past and present, where Tower of Power, Sly and the Family Stone, Tony! Toni! Toné!, Con Funk Shun and Darondo intermingle with the sounds of ’60s counterculture and lingering acid jazz. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Sound of Sinning,\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> the band’s third record, conjured The Grateful Dead, Jimi Hendrix and Janis Joplin’s soulful, Summer-of-Love psychedelia.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“There’s a weird little brand of funk, soul and R&B from the Bay,” says trumpet player, percussionist and founding member Ryan Scott. “I think it has to do with the liberal weirdness in the Bay Area and how it’s OK to be different.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yet the Bay didn’t feel like a very funky place when Monophonics, originally an instrumental group, formed circa 2010, when garage rock reigned the San Francisco scene. At the time, old friends and founding members Scott, drummer Austin Bohlman and guitarist Ian McDonald combined their interests in prog metal, blues, soul and world music like Fela Kuti to create Monophonics’ depth of sound. The band would reach new heights with the addition of Los Angeles-born Finnigan.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“We streamed away from the jam improvisation, instrumental kind of stuff and into more songwriting, paying homage to Bay Area bands that we were influenced by and trying to take on the Bay Area psychedelic soul approach,” Scott says from the band’s North Bay headquarters.\u003c/span>\u003c/p>\n\u003cp>https://youtu.be/xyWHRC8A_uU\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The band’s big break came in the form of a soulfully cinematic cover of the 1966 song “\u003c/span>\u003cspan style=\"font-weight: 400\">Bang Bang (My Baby Shot Me Down)\u003c/span>,”\u003cspan style=\"font-weight: 400\"> originally recorded by Nancy Sinatra and later by Cher. Finnigan’s pleading vocals, laid over a fantastically paired-down guitar and heavy organ, gained traction in Europe and exposed Monophonics to an international audience. The band has since toured multiple continents and has a large fan base in Greece.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics’ songwriting capabilities may be their greatest differentiator, particularly among other West Coast cinematic soul groups. “We wanted a groove that was heavy and lo-fi,” says Finnigan. “I want the melody to be stuck in your head; I want to put an earworm in you.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On 2015’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Sound of Sinning\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, Monophonics put their songwriting to the test with a 12-track album of shorter, poppier songs that reflect the Bay’s ’67 sound as well as the cultural context that created records like The Temptations’ \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Psychedelic Shack\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. Their latest, an 2018 EP of covers titled \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Mirrors\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, pays tribute to The Isley Brothers, The Mamas and The Papas and even Frankie Valli. All the while, Finnigan has done guest vocals on friends’ records, including a covers album by Los Angeles’ Orgone. And Monophonics have opened their Marin County studio, Transistor Sound, to other local bands looking for places to record.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4QxssN_ZKmw\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics have become trendsetters in Bay Area funk and soul while connecting Northern and Southern California scenes. As a result, Finnigan believes the larger musical community has embraced the state’s musical movement.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Whereas a lot of people looked at New York and Brooklyn as the epicenter [of soul and funk], I think it’s safe to say that there’s something happening in California,” Finnigan says. “California is strong. We have Surefire Soul Ensemble and Orgone and Soul Scratch and The Humidors. The Grease Traps and The M-Tet. We feed off each other and feed off other bands from around the country.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Finnigan says their forthcoming record will be more reflective of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">In Your Brain \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">while employing more falsetto vocals in the style of Curtis Mayfield. The new “Last Man Standing,” for example, melds soulful vocals over a heavy bass line, while songs such as “Battle Cry” employ political messages.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics’ solid brand of psychedelic soul is the result of little demoing and what Scott calls a “shitty is pretty” aesthetic that relies on vintage gear and analogue recording processes. For their as-yet-untitled album, Monophonics went deeper into Northern California’s serenity and spent some time writing at a friend’s 19th-century school house in Sonoma. Although the band will continue to pull from a well of California sounds, Finnigan says Monophonics never intended to be the torch-bearing “big fish” funk band in the San Francisco Bay.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“If that is the case, then I’m proud. That’s why we’re all here: because music moves us,” he says. “If in any way we encouraged people to get up off the butts and start a band, I’d be proud.”\u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Monophonics perform at Outside Lands on Sunday, Aug. 12 at 4:20pm on the Panhandle Stage, with an additional, shorter set at 4:20pm on Aug. 11 on the GastroMagic Stage.\u003c/span>\u003c/i>\u003c/p>\n\n",
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"excerpt": "Torchbearers of the Bay Area's soul and funk traditions, the band performs at the Golden Gate Park festival with two sets on Aug. 11 and 12.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">While some groups might sideline their keys or situate them behind strings,\u003c/span>\u003ca href=\"http://www.monophonics.com/\" target=\"_blank\" rel=\"noopener\"> \u003cspan style=\"font-weight: 400\">Monophonics\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">’ Kelly Finnigan sits squarely center stage and commands the room. At the San Francisco band’s recent show at Mercury Lounge in New York, sweat drops fall onto his organ as he sings Eddie & Ernie’s 1972 soul sleeper, “\u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=HMXkBvSfIhQ\" target=\"_blank\" rel=\"noopener\">\u003cspan style=\"font-weight: 400\">Bullets Don’t Have Eyes\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.” He’s flanked by members of various West Coast soul groups, who are standing in for the band’s usual horn players. A member of Brooklyn soul revival band The Dap-Kings is on guitar, but the sound is undeniably San Francisco, dripping with the primordial ooze of Sly Stone.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics are a true showcase of the heavy, but often under-recognized, California brand of modern funk. The style takes influence from multiple genres but remains steeped in the state’s history of psychedelics, jamming and experimentation. Amid growing national and international recognition, Monophonics’ undeniable funkiness, keen interpretation of ’60s and ’70s sounds and intense live shows have remained a driving force in the Bay Area scene.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The six-piece band will perform at Outside Lands for the first time with two sets on Aug. 11 and 12—a feat for a homegrown act operating on the fringes of mainstream pop sensibility. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics’ fifth studio album is due out in early 2019 and promises a similar aesthetic to 2012’s mind-melting \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">In Your Brain\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, which tapped into the region’s psychedelic, funky heritage and kicked opened the door for more local, modern funk and soul bands like Con Brio and Baby and the Luvies.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/t4u83UD2YdQ'\n title='//www.youtube.com/embed/t4u83UD2YdQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“In 2009-2010, there were a lot of bands popping up that wanted to be Sharon Jones [and The Dap-Kings] and, ‘Let’s wear a suit and two step.’ We love that band and love what they do, but there really was a void of people playing psychedelic soul,” says Finnigan, adding that the band knew \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">In Your Brain\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> would make a statement. “One thing that excited us about being from the Bay was how the music was connected to the history of that culture, and the scene and the soul that people don’t know.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics are an easy link between the Bay’s musical past and present, where Tower of Power, Sly and the Family Stone, Tony! Toni! Toné!, Con Funk Shun and Darondo intermingle with the sounds of ’60s counterculture and lingering acid jazz. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Sound of Sinning,\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> the band’s third record, conjured The Grateful Dead, Jimi Hendrix and Janis Joplin’s soulful, Summer-of-Love psychedelia.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“There’s a weird little brand of funk, soul and R&B from the Bay,” says trumpet player, percussionist and founding member Ryan Scott. “I think it has to do with the liberal weirdness in the Bay Area and how it’s OK to be different.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yet the Bay didn’t feel like a very funky place when Monophonics, originally an instrumental group, formed circa 2010, when garage rock reigned the San Francisco scene. At the time, old friends and founding members Scott, drummer Austin Bohlman and guitarist Ian McDonald combined their interests in prog metal, blues, soul and world music like Fela Kuti to create Monophonics’ depth of sound. The band would reach new heights with the addition of Los Angeles-born Finnigan.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“We streamed away from the jam improvisation, instrumental kind of stuff and into more songwriting, paying homage to Bay Area bands that we were influenced by and trying to take on the Bay Area psychedelic soul approach,” Scott says from the band’s North Bay headquarters.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/xyWHRC8A_uU'\n title='//www.youtube.com/embed/xyWHRC8A_uU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">The band’s big break came in the form of a soulfully cinematic cover of the 1966 song “\u003c/span>\u003cspan style=\"font-weight: 400\">Bang Bang (My Baby Shot Me Down)\u003c/span>,”\u003cspan style=\"font-weight: 400\"> originally recorded by Nancy Sinatra and later by Cher. Finnigan’s pleading vocals, laid over a fantastically paired-down guitar and heavy organ, gained traction in Europe and exposed Monophonics to an international audience. The band has since toured multiple continents and has a large fan base in Greece.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics’ songwriting capabilities may be their greatest differentiator, particularly among other West Coast cinematic soul groups. “We wanted a groove that was heavy and lo-fi,” says Finnigan. “I want the melody to be stuck in your head; I want to put an earworm in you.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On 2015’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Sound of Sinning\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, Monophonics put their songwriting to the test with a 12-track album of shorter, poppier songs that reflect the Bay’s ’67 sound as well as the cultural context that created records like The Temptations’ \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Psychedelic Shack\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. Their latest, an 2018 EP of covers titled \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Mirrors\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, pays tribute to The Isley Brothers, The Mamas and The Papas and even Frankie Valli. All the while, Finnigan has done guest vocals on friends’ records, including a covers album by Los Angeles’ Orgone. And Monophonics have opened their Marin County studio, Transistor Sound, to other local bands looking for places to record.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4QxssN_ZKmw'\n title='//www.youtube.com/embed/4QxssN_ZKmw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics have become trendsetters in Bay Area funk and soul while connecting Northern and Southern California scenes. As a result, Finnigan believes the larger musical community has embraced the state’s musical movement.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Whereas a lot of people looked at New York and Brooklyn as the epicenter [of soul and funk], I think it’s safe to say that there’s something happening in California,” Finnigan says. “California is strong. We have Surefire Soul Ensemble and Orgone and Soul Scratch and The Humidors. The Grease Traps and The M-Tet. We feed off each other and feed off other bands from around the country.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Finnigan says their forthcoming record will be more reflective of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">In Your Brain \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">while employing more falsetto vocals in the style of Curtis Mayfield. The new “Last Man Standing,” for example, melds soulful vocals over a heavy bass line, while songs such as “Battle Cry” employ political messages.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Monophonics’ solid brand of psychedelic soul is the result of little demoing and what Scott calls a “shitty is pretty” aesthetic that relies on vintage gear and analogue recording processes. For their as-yet-untitled album, Monophonics went deeper into Northern California’s serenity and spent some time writing at a friend’s 19th-century school house in Sonoma. Although the band will continue to pull from a well of California sounds, Finnigan says Monophonics never intended to be the torch-bearing “big fish” funk band in the San Francisco Bay.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“If that is the case, then I’m proud. That’s why we’re all here: because music moves us,” he says. “If in any way we encouraged people to get up off the butts and start a band, I’d be proud.”\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Monophonics perform at Outside Lands on Sunday, Aug. 12 at 4:20pm on the Panhandle Stage, with an additional, shorter set at 4:20pm on Aug. 11 on the GastroMagic Stage.\u003c/span>\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "mixtape-local-artists-at-11-upcoming-bay-area-music-festivals",
"title": "Mixtape: Local Artists at 11 Upcoming Bay Area Music Festivals",
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"headTitle": "Mixtape: Local Artists at 11 Upcoming Bay Area Music Festivals | KQED",
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"content": "\u003cp>With the debut of the \u003ca href=\"https://www.kqed.org/arts/13832104/sza-brockhampton-kamaiyah-bring-blurry-vision-into-focus-in-oakland\" target=\"_blank\" rel=\"noopener\">Blurry Vision Fest\u003c/a> in Oakland earlier this month and \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">Bottlerock Napa Valley\u003c/a> and \u003ca href=\"http://www.carnavalsanfrancisco.org/\" target=\"_blank\" rel=\"noopener\">Carnaval San Francisco\u003c/a> around the corner, \u003ca href=\"https://www.kqed.org/arts/13831900/summertime-feeling-9-outdoor-concerts-and-festivals-in-the-bay-area\" target=\"_blank\" rel=\"noopener\">music festival season\u003c/a> is officially underway in the Bay Area.\u003c/p>\n\u003cp>This mixtape features music from local artists performing at festivals around the region in the coming months. San Francisco’s \u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">Outside Lands\u003c/a> is certainly the biggest summer music festival in the area; its 2018 lineup is particularly notable for its overdue inclusion of \u003ca href=\"https://www.kqed.org/arts/13828348/janet-jackson-to-play-outside-lands-ending-10-year-run-of-no-female-headliners\" target=\"_blank\" rel=\"noopener\">female headliners\u003c/a> (Janet Jackson!) and a ton of local performers. But the Bay Area has many other festivals to offer, and this mix reflects the variety of concert-going experiences available in Northern California.\u003c/p>\n\u003cp>Between now and the end of the summer, one can check out beloved legacy events \u003ca href=\"https://www.sterngrove.org/\" target=\"_blank\" rel=\"noopener\">Stern Grove Festival\u003c/a> and Carnaval, exciting new fests like \u003ca href=\"https://www.feels6.tv/\" target=\"_blank\" rel=\"noopener\">Feels 6\u003c/a> and \u003ca href=\"http://www.theuniverseislit.com/\" target=\"_blank\" rel=\"noopener\">The Multivrs Is Illuminated\u003c/a> and the road trip-worthy \u003ca href=\"https://sonoma.huichica.com/\" target=\"_blank\" rel=\"noopener\">Huichica Music Festival\u003c/a> and \u003ca href=\"http://hickeyfest.com/\" target=\"_blank\" rel=\"noopener\">Hickey Fest\u003c/a>.\u003c/p>\n\u003cp>Listen to the mixtape to learn more about all eleven bands and their corresponding festivals.\u003c/p>\n\u003cp>\u003cstrong>Track List\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://www.thaoandthegetdownstaydown.com/\" target=\"_blank\" rel=\"noopener\">Thao & The Get Down Stay Down\u003c/a>, “Astonished Man”\u003cbr>\n\u003cem>The beloved local indie rock band opens for M. Ward at the \u003ca href=\"https://www.sterngrove.org/\" target=\"_blank\" rel=\"noopener\">Stern Grove Festival\u003c/a> on July 1.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/thatblackkidthatraps/\" target=\"_blank\" rel=\"noopener\">Caleborate\u003c/a>, “Soul”\u003cbr>\n\u003cem>Berkeley’s Caleborate is one of many local artists at \u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">Outside Lands 2018\u003c/a>, joining SOB x RBE, Shannon and the Clams, Monophonics and more Aug. 10–12.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.martyoreilly.com/\" target=\"_blank\" rel=\"noopener\">Marty O’Reilly & the Old Soul Orchestra\u003c/a>, “Off and On Again”\u003cbr>\n\u003cem>The Santa Cruz quartet plays on May 27 at \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">Bottlerock Napa Valley\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">La Clandestina\u003c/a>, “Voy Para Arriba”\u003cbr>\n\u003cem>The Latin jazz ensemble performs at the 40th annual \u003ca href=\"http://www.carnavalsanfrancisco.org/\" target=\"_blank\" rel=\"noopener\">Carnaval San Francisco\u003c/a> on May 27 with LoCura, Bayonics, Bang Data and more.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://omgdrama.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Drama\u003c/a>, “Parking Meter”\u003cbr>\n\u003cem>The punk band plays \u003ca href=\"http://www.theuniverseislit.com/\" target=\"_blank\" rel=\"noopener\">The Multivrs Is Illuminated\u003c/a>, which runs from August 9–12 in San Francisco and Oakland.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://www.birdmanrecords.com/grisgris/index.html\" target=\"_blank\" rel=\"noopener\">Gris Gris\u003c/a>, “Year Zero”\u003cbr>\n\u003cem>On July 1, the Bay Area psych band joins The Damned, Le Shok and many more at Oakland’s \u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">Burger Boogaloo\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://spellling.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Spelling\u003c/a>, “Blue (American Dream)”\u003cbr>\n\u003cem>Performing with Siri, AllBlack, Raxx Life Raj and more at \u003ca href=\"https://www.feels6.tv/\" target=\"_blank\" rel=\"noopener\">Feels 6\u003c/a> on June 16 at the Craneway Pavilion in Richmond.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://www.sonnysmith.com/\" target=\"_blank\" rel=\"noopener\">Sonny Smith\u003c/a>, “Pictures of You”\u003cbr>\n\u003cem>The San Francisco musician heads to Sonoma Valley to join Wooden Shjips, Jonathan Richman and Steve Gunn at the \u003ca href=\"https://sonoma.huichica.com/\" target=\"_blank\" rel=\"noopener\">Huichica Music Festival\u003c/a> on June 9.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://soldevelopmentmusic.com/\" target=\"_blank\" rel=\"noopener\">Sol Development\u003c/a>, “Sunny Days (ft. Mark Knoxx)”\u003cbr>\n\u003cem>The hip-hop-jazz ensemble performs alongside Mino Yanci on Aug. 2 at the \u003ca href=\"https://ybgfestival.org/\" target=\"_blank\" rel=\"noopener\">Yerba Buena Gardens Festival\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://meernaa.com/\" target=\"_blank\" rel=\"noopener\">Meernaa\u003c/a>, “Good Luck”\u003cbr>\n\u003cem>Oakland’s Meernaa travels to Mendocino to perform at \u003ca href=\"http://hickeyfest.com/\" target=\"_blank\" rel=\"noopener\">Hickey Fest\u003c/a> on June 15.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.trebuchetmusic.com/\" target=\"_blank\" rel=\"noopener\">Trebuchet\u003c/a>, “A Confession”\u003cbr>\n\u003cem>The Petaluma band joins Frankie Boots, Mickelson, Ismay and 20 other artists at Santa Rosa’s \u003ca href=\"http://www.railroadsquaremusicfestival.com/\" target=\"_blank\" rel=\"noopener\">Railroad Square Music Festival\u003c/a> on June 10.\u003c/em>\u003c/p>\n\n",
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"excerpt": "Music festival season is officially underway in the Bay Area and now is your chance to learn more about local artists performing at festivals in the coming months.",
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"title": "Mixtape: Local Artists at 11 Upcoming Bay Area Music Festivals | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>With the debut of the \u003ca href=\"https://www.kqed.org/arts/13832104/sza-brockhampton-kamaiyah-bring-blurry-vision-into-focus-in-oakland\" target=\"_blank\" rel=\"noopener\">Blurry Vision Fest\u003c/a> in Oakland earlier this month and \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">Bottlerock Napa Valley\u003c/a> and \u003ca href=\"http://www.carnavalsanfrancisco.org/\" target=\"_blank\" rel=\"noopener\">Carnaval San Francisco\u003c/a> around the corner, \u003ca href=\"https://www.kqed.org/arts/13831900/summertime-feeling-9-outdoor-concerts-and-festivals-in-the-bay-area\" target=\"_blank\" rel=\"noopener\">music festival season\u003c/a> is officially underway in the Bay Area.\u003c/p>\n\u003cp>This mixtape features music from local artists performing at festivals around the region in the coming months. San Francisco’s \u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">Outside Lands\u003c/a> is certainly the biggest summer music festival in the area; its 2018 lineup is particularly notable for its overdue inclusion of \u003ca href=\"https://www.kqed.org/arts/13828348/janet-jackson-to-play-outside-lands-ending-10-year-run-of-no-female-headliners\" target=\"_blank\" rel=\"noopener\">female headliners\u003c/a> (Janet Jackson!) and a ton of local performers. But the Bay Area has many other festivals to offer, and this mix reflects the variety of concert-going experiences available in Northern California.\u003c/p>\n\u003cp>Between now and the end of the summer, one can check out beloved legacy events \u003ca href=\"https://www.sterngrove.org/\" target=\"_blank\" rel=\"noopener\">Stern Grove Festival\u003c/a> and Carnaval, exciting new fests like \u003ca href=\"https://www.feels6.tv/\" target=\"_blank\" rel=\"noopener\">Feels 6\u003c/a> and \u003ca href=\"http://www.theuniverseislit.com/\" target=\"_blank\" rel=\"noopener\">The Multivrs Is Illuminated\u003c/a> and the road trip-worthy \u003ca href=\"https://sonoma.huichica.com/\" target=\"_blank\" rel=\"noopener\">Huichica Music Festival\u003c/a> and \u003ca href=\"http://hickeyfest.com/\" target=\"_blank\" rel=\"noopener\">Hickey Fest\u003c/a>.\u003c/p>\n\u003cp>Listen to the mixtape to learn more about all eleven bands and their corresponding festivals.\u003c/p>\n\u003cp>\u003cstrong>Track List\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.thaoandthegetdownstaydown.com/\" target=\"_blank\" rel=\"noopener\">Thao & The Get Down Stay Down\u003c/a>, “Astonished Man”\u003cbr>\n\u003cem>The beloved local indie rock band opens for M. Ward at the \u003ca href=\"https://www.sterngrove.org/\" target=\"_blank\" rel=\"noopener\">Stern Grove Festival\u003c/a> on July 1.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/thatblackkidthatraps/\" target=\"_blank\" rel=\"noopener\">Caleborate\u003c/a>, “Soul”\u003cbr>\n\u003cem>Berkeley’s Caleborate is one of many local artists at \u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">Outside Lands 2018\u003c/a>, joining SOB x RBE, Shannon and the Clams, Monophonics and more Aug. 10–12.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.martyoreilly.com/\" target=\"_blank\" rel=\"noopener\">Marty O’Reilly & the Old Soul Orchestra\u003c/a>, “Off and On Again”\u003cbr>\n\u003cem>The Santa Cruz quartet plays on May 27 at \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">Bottlerock Napa Valley\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">La Clandestina\u003c/a>, “Voy Para Arriba”\u003cbr>\n\u003cem>The Latin jazz ensemble performs at the 40th annual \u003ca href=\"http://www.carnavalsanfrancisco.org/\" target=\"_blank\" rel=\"noopener\">Carnaval San Francisco\u003c/a> on May 27 with LoCura, Bayonics, Bang Data and more.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://omgdrama.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Drama\u003c/a>, “Parking Meter”\u003cbr>\n\u003cem>The punk band plays \u003ca href=\"http://www.theuniverseislit.com/\" target=\"_blank\" rel=\"noopener\">The Multivrs Is Illuminated\u003c/a>, which runs from August 9–12 in San Francisco and Oakland.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://www.birdmanrecords.com/grisgris/index.html\" target=\"_blank\" rel=\"noopener\">Gris Gris\u003c/a>, “Year Zero”\u003cbr>\n\u003cem>On July 1, the Bay Area psych band joins The Damned, Le Shok and many more at Oakland’s \u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">Burger Boogaloo\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://spellling.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Spelling\u003c/a>, “Blue (American Dream)”\u003cbr>\n\u003cem>Performing with Siri, AllBlack, Raxx Life Raj and more at \u003ca href=\"https://www.feels6.tv/\" target=\"_blank\" rel=\"noopener\">Feels 6\u003c/a> on June 16 at the Craneway Pavilion in Richmond.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://www.sonnysmith.com/\" target=\"_blank\" rel=\"noopener\">Sonny Smith\u003c/a>, “Pictures of You”\u003cbr>\n\u003cem>The San Francisco musician heads to Sonoma Valley to join Wooden Shjips, Jonathan Richman and Steve Gunn at the \u003ca href=\"https://sonoma.huichica.com/\" target=\"_blank\" rel=\"noopener\">Huichica Music Festival\u003c/a> on June 9.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://soldevelopmentmusic.com/\" target=\"_blank\" rel=\"noopener\">Sol Development\u003c/a>, “Sunny Days (ft. Mark Knoxx)”\u003cbr>\n\u003cem>The hip-hop-jazz ensemble performs alongside Mino Yanci on Aug. 2 at the \u003ca href=\"https://ybgfestival.org/\" target=\"_blank\" rel=\"noopener\">Yerba Buena Gardens Festival\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://meernaa.com/\" target=\"_blank\" rel=\"noopener\">Meernaa\u003c/a>, “Good Luck”\u003cbr>\n\u003cem>Oakland’s Meernaa travels to Mendocino to perform at \u003ca href=\"http://hickeyfest.com/\" target=\"_blank\" rel=\"noopener\">Hickey Fest\u003c/a> on June 15.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.trebuchetmusic.com/\" target=\"_blank\" rel=\"noopener\">Trebuchet\u003c/a>, “A Confession”\u003cbr>\n\u003cem>The Petaluma band joins Frankie Boots, Mickelson, Ismay and 20 other artists at Santa Rosa’s \u003ca href=\"http://www.railroadsquaremusicfestival.com/\" target=\"_blank\" rel=\"noopener\">Railroad Square Music Festival\u003c/a> on June 10.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "summertime-feeling-9-outdoor-concerts-and-festivals-in-the-bay-area",
"title": "Summertime Feeling: 9 Outdoor Concerts and Festivals in the Bay Area",
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"content": "\u003cp>Ah, summer — when we make the switch from winter coats to light jackets, post up with beers and picnics on our favorite grassy knolls and, of course, hit up the many day parties, festivals and outdoor concerts the Bay Area has to offer.\u003c/p>\n\u003cp>While some multi-day festivals require bigger budgets, there are plenty of ways to see good music for free or cheap in the Bay Area, whether you’re looking to party or enjoy some family-friendly entertainment. We’ve rounded up a variety of our favorite outdoor music experiences to help you plan your summer calendar.\u003c/p>\n\u003ch2>Festivals\u003c/h2>\n\u003cfigure id=\"attachment_13832386\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832386\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Recording artist Bruno Mars performs during the 60th Annual GRAMMY Awards at Madison Square Garden on January 28, 2018 in New York City. \u003ccite>( Kevin Winter/Getty Images for NARAS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>BottleRock\u003c/h3>\n\u003cp>\u003cem>May 25–27. Napa County Fairgrounds, Napa. Details \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nBottleRock is a festival with intergenerational, cross-genre appeal; this year’s edition features chart-toppers like Bruno Mars, the Chainsmokers, Bleachers and Halsey alongside Incubus, Earth Wind & Fire, Billy Idol, E-40 and Snoop Dogg. Rising artists not to miss also include Tank and the Bangas, the whimsical, soulful band that won NPR’s 2017 Tiny Desk Concert, plus Colombian electronic duo Bomba Estereo and pianist-turned-producer Nombe.\u003c/p>\n\u003cfigure id=\"attachment_10902418\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10902418\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4-800x450.jpg\" alt=\"Vetiver's Andy Cabic. (Photo: Terri Loewenthal)\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Vetiver’s Andy Cabic. (Photo: Terri Loewenthal) \u003ccite>(Terri Loewenthal)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Huichica Music Festival\u003c/h3>\n\u003cp>\u003cem>June 8 and 9. Gundlach Bundschu Winery, Sonoma. Details \u003ca href=\"https://huichica.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nTaking place in a rural, wine-country setting, Huichica Music Festival is a relaxing antidote to more popular fests like Outside Lands, where wading through crowds is a prerequisite to catching your favorite bands. The lineup generally revolves around indie rock and folk, and acts to look forward to this year include Vetiver performing their album \u003cem>Thing of the Past\u003c/em> in full; Jonathan Richman of proto-punk band the Modern Lovers; psychedelic jam band Wooden Shjips; and longtime San Francisco indie rockers the Fresh & Onlys and Sonny Smith.\u003c/p>\n\u003cfigure id=\"attachment_10820718\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10820718\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/TheMummies1-800x450.jpg\" alt=\"Garage punk band The Mummies headlined the July 4 lineup at Burger Boogaloo.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Garage-punk band The Mummies play the 2016 edition of Burger Boogaloo. \u003ccite>((Photo: Rebecca Bowe/KQED))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Burger Boogaloo\u003c/h3>\n\u003cp>\u003cem>June 30 – July 1. Mosswood Park, Oakland. Details \u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nHosted by gay icon and filmmaker John Waters, Burger Boogaloo is a punk and garage extravaganza that Burger Records throws each summer at Mosswood Park, a location that normally gets little action other than pick-up basketball games on weekends. This year’s headliners are synth-pop greats Devo and early punk band the Damned, plus performances by the Traditional Fools (featuring central garage rock revivalist Ty Segall), Hunx and his Punx, electropunk band Le Shok and Boogaloo mainstay the Mummies.\u003c/p>\n\u003cfigure id=\"attachment_13832377\" class=\"wp-caption alignleft\" style=\"max-width: 750px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13832377\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/universe-is-lit.jpg\" alt=\"Provoke performing at The Universe Is Lit in 2017.\" width=\"750\" height=\"581\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit-240x186.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit-375x291.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit-520x403.jpg 520w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003cfigcaption class=\"wp-caption-text\">Provoke performing at The Universe Is Lit in 2017. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The Multivrs is Illuminated\u003c/h3>\n\u003cp>\u003cem>Aug. 9–12. Various locations, San Francisco and Oakland. Details \u003ca href=\"http://www.theuniverseislit.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nLast year’s The Universe Is Lit brought an eclectic lineup of underground punk, noise, hardcore and experimental bands from all over the country for a weekend-long fest that took place at venues like The Lab in the Mission and One Fam in Oakland. All of the acts on the bill were fronted by people of color, aligning today’s punk scene with a long history of black and brown avant-garde. The party continues this year with The Multivrs is Illuminated, a four-day fest featuring bands, DJs, a film screening, panels and workshops. Artists announced so far include Drama (Bay Area), Precolumbian (Philadelphia), Sister Mantos (Los Angeles), JAX (Haiti), Softie (New Orleans), Squid Ink (Fresno) and No Babies (Oakland). The festival is donation-based, with no one turned away for lack of funds.\u003c/p>\n\u003cfigure id=\"attachment_13828384\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13828384\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-800x450.jpg\" alt=\"Janet Jackson performing in 2016 in the United Arab Emirate of Dubai. Janet Jackson has been announced as a performer at the 2018 Outside Lands festival in San Francisco.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janet Jackson performing in 2016 in the United Arab Emirate of Dubai. Janet Jackson has been announced as a performer at the 2018 Outside Lands festival in San Francisco. \u003ccite>(KARIM SAHIB/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Outside Lands\u003c/h3>\n\u003cp>\u003cem>Aug. 10–12. Golden Gate Park, San Francisco. Details \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nJanet Jackson makes a welcome return into the public eye with a headlining set at this year’s Outside Lands, topping the bill alongside The Weeknd and indie favorites Florence & the Machine. Janelle Monae, whose newest album \u003cem>Dirty Computer\u003c/em> challenges pop’s depictions of queerness, is also on the bill, along with Atlanta rap star Future, Pharrell’s recently revived N.E.R.D., rising Vallejo rap group SOB x RBE, Oakland garage rockers Shannon & the Clams, super-producer DJ Snake, cult pop star Carly Rae Jepson and more. This is one of the most diverse Outside Lands lineups yet.\u003c/p>\n\u003cfigure id=\"attachment_13832399\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832399\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kool & the Gang perform at Gabrielle’s Angel Foundation’s Angel Ball 2017 at Cipriani Wall Street on Oct. 23, 2017 in New York City. \u003ccite>(Dimitrios Kambouris/Getty Images for Gabrielle's Angel Foundation For Cancer Research)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>San Jose Jazz Summer Fest\u003c/h3>\n\u003cp>\u003cem>Aug. 10–12. Plaza de César Chavez Park, San Jose. Details \u003ca href=\"https://summerfest.sanjosejazz.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nSan Jose Jazz Summer Fest is a playground for those who appreciate the instrumental virtuosity and eclecticism of one of America’s finest musical traditions. Taking place over three days and featuring 12 stages, the festival includes contemporary jazz, big band, salsa, R&B, funk, soul and more. “Closer” singer Goapele headlines on Aug. 10; organist and producer Booker T. performs with a 10-piece band, showcasing his storied career at Stax Records; funk superstars Kool & the Gang close out the festival on Aug. 12.\u003c/p>\n\u003ch2>Day Parties\u003c/h2>\n\u003cfigure id=\"attachment_13832379\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832379\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/atrak-800x533.jpg\" alt=\"A-Trak performs on February 11, 2017 in Los Angeles, California. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A-Trak performs on Feb. 11, 2017 in Los Angeles, California. \u003ccite>(Christopher Polk/Getty Images for Mastercard)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Poolside Day Parties at the Phoenix Hotel\u003c/h3>\n\u003cp>\u003cem>May 6 – Sept. 30. Phoenix Hotel, San Francisco. Details \u003ca href=\"https://www.phoenixsf.com/culture/hotel-events/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nHip electronic acts one might see at clubs like 1015 Folsom get a chance to perform in a more relaxed environment at the Phoenix Hotel’s poolside parties, which take place on select Sundays through the end of summer. Snakehips, a UK production duo that makes dreamy R&B, perform on May 27, followed by Andre Power, co-founder of influential indie label Soulection, on July 15. Cult house act Crystal Waters of “Gypsy Woman (She’s Homeless)” fame performs a special live set for Pride weekend on June 24. A-Trak, co-founder of hip-hop and electronic label Fool’s Gold, closes out the series on Sept. 30; he’s known for mixing everything from Jimi Hendrix to Kanye West on his turntables.\u003c/p>\n\u003cfigure id=\"attachment_13832381\" class=\"wp-caption alignleft\" style=\"max-width: 553px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13832381\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/lady-ryan.jpg\" alt=\"\" width=\"553\" height=\"317\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan.jpg 553w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan-160x92.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan-240x138.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan-375x215.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan-520x298.jpg 520w\" sizes=\"(max-width: 553px) 100vw, 553px\">\u003cfigcaption class=\"wp-caption-text\">DJ LadyRyan. \u003ccite>(Artist photo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Souloveley\u003c/h3>\n\u003cp>\u003cem>Second Sundays, May 13 – Oct. 14. Lost & Found, Oakland. Details \u003ca href=\"https://www.facebook.com/wearesoulovely/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nSoulovely is a feel-good daytime dance party that centers queer and trans women of color, and everyone is welcome. Veteran Bay Area DJs Lady Ryan and Emancipacion heat the dance floor with hip-hop, R&B and house, with a good dose of nostalgic throwbacks. The DJs intentionally avoid music with misogynistic lyrics, and the party attracts an intergenerational, diverse crowd, with rapper Aima the Dreamer as the host. This year’s edition of Soulovely takes place at the beer garden Lost and Found; pop-up Tacos y Chelas has food for sale, and there are plenty of craft beers on tap and games to play in the garden.\u003c/p>\n\u003ch2>Free Stuff\u003c/h2>\n\u003cfigure id=\"attachment_13832395\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832395\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/gamelan-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gamelan Sekar Jaya. \u003ccite>(YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Yerba Buena Gardens Festival\u003c/h3>\n\u003cp>\u003cem>May 12 – Oct. 31. Yerba Buena Gardens, San Francisco. Details \u003ca href=\"https://ybgfestival.org/events/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nYerba Buena Gardens festival is a free event series jam-packed with music, dance and performing arts from many international traditions. Grammy-winning percussionist Jose Cabanillas performs with his Latin jazz, mambo and salsa orchestra Cabanijazz Project on May 17. On June 9, Gamelan Sekar Jaya plays enchanting, percussion-driven Balinese music. And on June 30, Iranian-born musician Dina Zarif presents Music of the Banned, featuring artists from Muslim-majority countries affected by Trump’s travel ban as a gesture of defiance and solidarity. For the dozens of other events, make sure to check \u003ca href=\"https://ybgfestival.org/event/music-of-the-banned/\" target=\"_blank\" rel=\"noopener\">Yerba Buena’s calendar\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13832392\" class=\"wp-caption alignleft\" style=\"max-width: 738px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13832392\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/carnaval.jpg\" alt=\"\" width=\"738\" height=\"415\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval.jpg 738w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval-520x292.jpg 520w\" sizes=\"(max-width: 738px) 100vw, 738px\">\u003cfigcaption class=\"wp-caption-text\">Carnaval. \u003ccite>(Trinibwoy Rog)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Carnaval San Francisco\u003c/h3>\n\u003cp>\u003cem>May 26 and 27. Harrison Street between 16th and 24th Streets. Details \u003ca href=\"http://www.carnavalsanfrancisco.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nCarnaval San Francisco started in the ’70s as a celebration of Latin American culture from all over the diaspora, with music, food, dance ensembles and more. This year, Latin soul band El Chicano, known for classics like “Sabor a Mi” and “Tell Her She’s Lovely,” performs, along with Latin Grammy-winning salsa singer India, Latin rock band Malo of “Suavecito” fame and more. There’s still time to brush up on your dance moves.\u003c/p>\n\u003cfigure id=\"attachment_13830792\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13830792\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ziggy Marley performs at Stern Grove Festival on June 24. \u003ccite>(Gregory Bojorquez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Stern Grove Festival\u003c/h3>\n\u003cp>\u003cem>June 17 – Aug. 19. 19th Avenue and Sloat Boulevard, San Francisco. Details \u003ca href=\"https://www.sterngrove.org/2018-concerts/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nFor the past 81 summers, San Franciscans have gathered in Balboa Terrace for Stern Grove, a free festival with a roster of A-list live acts one would normally catch at the Regency Ballroom or Fox Theater. Acts to look forward to include Ziggy Marley on June 24, indie rockers Thao & the Get Down Stay Down on July 1 and Afrobeat band Femi Kuti and the Positive Force (along with Oakland hip-hop jazz ensemble Sol Development) on Aug. 5.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "From multi-day festivals to free outdoor concerts, we've got your summer music calendar covered.",
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"title": "Summertime Feeling: 9 Outdoor Concerts and Festivals in the Bay Area | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ah, summer — when we make the switch from winter coats to light jackets, post up with beers and picnics on our favorite grassy knolls and, of course, hit up the many day parties, festivals and outdoor concerts the Bay Area has to offer.\u003c/p>\n\u003cp>While some multi-day festivals require bigger budgets, there are plenty of ways to see good music for free or cheap in the Bay Area, whether you’re looking to party or enjoy some family-friendly entertainment. We’ve rounded up a variety of our favorite outdoor music experiences to help you plan your summer calendar.\u003c/p>\n\u003ch2>Festivals\u003c/h2>\n\u003cfigure id=\"attachment_13832386\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832386\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-911548780-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Recording artist Bruno Mars performs during the 60th Annual GRAMMY Awards at Madison Square Garden on January 28, 2018 in New York City. \u003ccite>( Kevin Winter/Getty Images for NARAS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>BottleRock\u003c/h3>\n\u003cp>\u003cem>May 25–27. Napa County Fairgrounds, Napa. Details \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nBottleRock is a festival with intergenerational, cross-genre appeal; this year’s edition features chart-toppers like Bruno Mars, the Chainsmokers, Bleachers and Halsey alongside Incubus, Earth Wind & Fire, Billy Idol, E-40 and Snoop Dogg. Rising artists not to miss also include Tank and the Bangas, the whimsical, soulful band that won NPR’s 2017 Tiny Desk Concert, plus Colombian electronic duo Bomba Estereo and pianist-turned-producer Nombe.\u003c/p>\n\u003cfigure id=\"attachment_10902418\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10902418\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4-800x450.jpg\" alt=\"Vetiver's Andy Cabic. (Photo: Terri Loewenthal)\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/vetiver_byTerriLoewenthal_4.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Vetiver’s Andy Cabic. (Photo: Terri Loewenthal) \u003ccite>(Terri Loewenthal)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Huichica Music Festival\u003c/h3>\n\u003cp>\u003cem>June 8 and 9. Gundlach Bundschu Winery, Sonoma. Details \u003ca href=\"https://huichica.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nTaking place in a rural, wine-country setting, Huichica Music Festival is a relaxing antidote to more popular fests like Outside Lands, where wading through crowds is a prerequisite to catching your favorite bands. The lineup generally revolves around indie rock and folk, and acts to look forward to this year include Vetiver performing their album \u003cem>Thing of the Past\u003c/em> in full; Jonathan Richman of proto-punk band the Modern Lovers; psychedelic jam band Wooden Shjips; and longtime San Francisco indie rockers the Fresh & Onlys and Sonny Smith.\u003c/p>\n\u003cfigure id=\"attachment_10820718\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10820718\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/TheMummies1-800x450.jpg\" alt=\"Garage punk band The Mummies headlined the July 4 lineup at Burger Boogaloo.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/TheMummies1.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Garage-punk band The Mummies play the 2016 edition of Burger Boogaloo. \u003ccite>((Photo: Rebecca Bowe/KQED))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Burger Boogaloo\u003c/h3>\n\u003cp>\u003cem>June 30 – July 1. Mosswood Park, Oakland. Details \u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nHosted by gay icon and filmmaker John Waters, Burger Boogaloo is a punk and garage extravaganza that Burger Records throws each summer at Mosswood Park, a location that normally gets little action other than pick-up basketball games on weekends. This year’s headliners are synth-pop greats Devo and early punk band the Damned, plus performances by the Traditional Fools (featuring central garage rock revivalist Ty Segall), Hunx and his Punx, electropunk band Le Shok and Boogaloo mainstay the Mummies.\u003c/p>\n\u003cfigure id=\"attachment_13832377\" class=\"wp-caption alignleft\" style=\"max-width: 750px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13832377\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/universe-is-lit.jpg\" alt=\"Provoke performing at The Universe Is Lit in 2017.\" width=\"750\" height=\"581\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit-240x186.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit-375x291.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/universe-is-lit-520x403.jpg 520w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003cfigcaption class=\"wp-caption-text\">Provoke performing at The Universe Is Lit in 2017. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The Multivrs is Illuminated\u003c/h3>\n\u003cp>\u003cem>Aug. 9–12. Various locations, San Francisco and Oakland. Details \u003ca href=\"http://www.theuniverseislit.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nLast year’s The Universe Is Lit brought an eclectic lineup of underground punk, noise, hardcore and experimental bands from all over the country for a weekend-long fest that took place at venues like The Lab in the Mission and One Fam in Oakland. All of the acts on the bill were fronted by people of color, aligning today’s punk scene with a long history of black and brown avant-garde. The party continues this year with The Multivrs is Illuminated, a four-day fest featuring bands, DJs, a film screening, panels and workshops. Artists announced so far include Drama (Bay Area), Precolumbian (Philadelphia), Sister Mantos (Los Angeles), JAX (Haiti), Softie (New Orleans), Squid Ink (Fresno) and No Babies (Oakland). The festival is donation-based, with no one turned away for lack of funds.\u003c/p>\n\u003cfigure id=\"attachment_13828384\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13828384\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-800x450.jpg\" alt=\"Janet Jackson performing in 2016 in the United Arab Emirate of Dubai. Janet Jackson has been announced as a performer at the 2018 Outside Lands festival in San Francisco.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/JanetJacksonMAIN-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janet Jackson performing in 2016 in the United Arab Emirate of Dubai. Janet Jackson has been announced as a performer at the 2018 Outside Lands festival in San Francisco. \u003ccite>(KARIM SAHIB/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Outside Lands\u003c/h3>\n\u003cp>\u003cem>Aug. 10–12. Golden Gate Park, San Francisco. Details \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nJanet Jackson makes a welcome return into the public eye with a headlining set at this year’s Outside Lands, topping the bill alongside The Weeknd and indie favorites Florence & the Machine. Janelle Monae, whose newest album \u003cem>Dirty Computer\u003c/em> challenges pop’s depictions of queerness, is also on the bill, along with Atlanta rap star Future, Pharrell’s recently revived N.E.R.D., rising Vallejo rap group SOB x RBE, Oakland garage rockers Shannon & the Clams, super-producer DJ Snake, cult pop star Carly Rae Jepson and more. This is one of the most diverse Outside Lands lineups yet.\u003c/p>\n\u003cfigure id=\"attachment_13832399\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832399\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/GettyImages-865608976-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kool & the Gang perform at Gabrielle’s Angel Foundation’s Angel Ball 2017 at Cipriani Wall Street on Oct. 23, 2017 in New York City. \u003ccite>(Dimitrios Kambouris/Getty Images for Gabrielle's Angel Foundation For Cancer Research)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>San Jose Jazz Summer Fest\u003c/h3>\n\u003cp>\u003cem>Aug. 10–12. Plaza de César Chavez Park, San Jose. Details \u003ca href=\"https://summerfest.sanjosejazz.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nSan Jose Jazz Summer Fest is a playground for those who appreciate the instrumental virtuosity and eclecticism of one of America’s finest musical traditions. Taking place over three days and featuring 12 stages, the festival includes contemporary jazz, big band, salsa, R&B, funk, soul and more. “Closer” singer Goapele headlines on Aug. 10; organist and producer Booker T. performs with a 10-piece band, showcasing his storied career at Stax Records; funk superstars Kool & the Gang close out the festival on Aug. 12.\u003c/p>\n\u003ch2>Day Parties\u003c/h2>\n\u003cfigure id=\"attachment_13832379\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832379\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/atrak-800x533.jpg\" alt=\"A-Trak performs on February 11, 2017 in Los Angeles, California. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/atrak-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A-Trak performs on Feb. 11, 2017 in Los Angeles, California. \u003ccite>(Christopher Polk/Getty Images for Mastercard)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Poolside Day Parties at the Phoenix Hotel\u003c/h3>\n\u003cp>\u003cem>May 6 – Sept. 30. Phoenix Hotel, San Francisco. Details \u003ca href=\"https://www.phoenixsf.com/culture/hotel-events/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nHip electronic acts one might see at clubs like 1015 Folsom get a chance to perform in a more relaxed environment at the Phoenix Hotel’s poolside parties, which take place on select Sundays through the end of summer. Snakehips, a UK production duo that makes dreamy R&B, perform on May 27, followed by Andre Power, co-founder of influential indie label Soulection, on July 15. Cult house act Crystal Waters of “Gypsy Woman (She’s Homeless)” fame performs a special live set for Pride weekend on June 24. A-Trak, co-founder of hip-hop and electronic label Fool’s Gold, closes out the series on Sept. 30; he’s known for mixing everything from Jimi Hendrix to Kanye West on his turntables.\u003c/p>\n\u003cfigure id=\"attachment_13832381\" class=\"wp-caption alignleft\" style=\"max-width: 553px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13832381\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/lady-ryan.jpg\" alt=\"\" width=\"553\" height=\"317\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan.jpg 553w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan-160x92.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan-240x138.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan-375x215.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/lady-ryan-520x298.jpg 520w\" sizes=\"(max-width: 553px) 100vw, 553px\">\u003cfigcaption class=\"wp-caption-text\">DJ LadyRyan. \u003ccite>(Artist photo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Souloveley\u003c/h3>\n\u003cp>\u003cem>Second Sundays, May 13 – Oct. 14. Lost & Found, Oakland. Details \u003ca href=\"https://www.facebook.com/wearesoulovely/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nSoulovely is a feel-good daytime dance party that centers queer and trans women of color, and everyone is welcome. Veteran Bay Area DJs Lady Ryan and Emancipacion heat the dance floor with hip-hop, R&B and house, with a good dose of nostalgic throwbacks. The DJs intentionally avoid music with misogynistic lyrics, and the party attracts an intergenerational, diverse crowd, with rapper Aima the Dreamer as the host. This year’s edition of Soulovely takes place at the beer garden Lost and Found; pop-up Tacos y Chelas has food for sale, and there are plenty of craft beers on tap and games to play in the garden.\u003c/p>\n\u003ch2>Free Stuff\u003c/h2>\n\u003cfigure id=\"attachment_13832395\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832395\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/gamelan-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/gamelan-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gamelan Sekar Jaya. \u003ccite>(YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Yerba Buena Gardens Festival\u003c/h3>\n\u003cp>\u003cem>May 12 – Oct. 31. Yerba Buena Gardens, San Francisco. Details \u003ca href=\"https://ybgfestival.org/events/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nYerba Buena Gardens festival is a free event series jam-packed with music, dance and performing arts from many international traditions. Grammy-winning percussionist Jose Cabanillas performs with his Latin jazz, mambo and salsa orchestra Cabanijazz Project on May 17. On June 9, Gamelan Sekar Jaya plays enchanting, percussion-driven Balinese music. And on June 30, Iranian-born musician Dina Zarif presents Music of the Banned, featuring artists from Muslim-majority countries affected by Trump’s travel ban as a gesture of defiance and solidarity. For the dozens of other events, make sure to check \u003ca href=\"https://ybgfestival.org/event/music-of-the-banned/\" target=\"_blank\" rel=\"noopener\">Yerba Buena’s calendar\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13832392\" class=\"wp-caption alignleft\" style=\"max-width: 738px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13832392\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/carnaval.jpg\" alt=\"\" width=\"738\" height=\"415\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval.jpg 738w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/carnaval-520x292.jpg 520w\" sizes=\"(max-width: 738px) 100vw, 738px\">\u003cfigcaption class=\"wp-caption-text\">Carnaval. \u003ccite>(Trinibwoy Rog)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Carnaval San Francisco\u003c/h3>\n\u003cp>\u003cem>May 26 and 27. Harrison Street between 16th and 24th Streets. Details \u003ca href=\"http://www.carnavalsanfrancisco.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nCarnaval San Francisco started in the ’70s as a celebration of Latin American culture from all over the diaspora, with music, food, dance ensembles and more. This year, Latin soul band El Chicano, known for classics like “Sabor a Mi” and “Tell Her She’s Lovely,” performs, along with Latin Grammy-winning salsa singer India, Latin rock band Malo of “Suavecito” fame and more. There’s still time to brush up on your dance moves.\u003c/p>\n\u003cfigure id=\"attachment_13830792\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13830792\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/June24_ZiggyMarley2.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ziggy Marley performs at Stern Grove Festival on June 24. \u003ccite>(Gregory Bojorquez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Stern Grove Festival\u003c/h3>\n\u003cp>\u003cem>June 17 – Aug. 19. 19th Avenue and Sloat Boulevard, San Francisco. Details \u003ca href=\"https://www.sterngrove.org/2018-concerts/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003cbr>\nFor the past 81 summers, San Franciscans have gathered in Balboa Terrace for Stern Grove, a free festival with a roster of A-list live acts one would normally catch at the Regency Ballroom or Fox Theater. Acts to look forward to include Ziggy Marley on June 24, indie rockers Thao & the Get Down Stay Down on July 1 and Afrobeat band Femi Kuti and the Positive Force (along with Oakland hip-hop jazz ensemble Sol Development) on Aug. 5.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Janet Jackson to Play Outside Lands, Ending 10-Year Run of No Female Headliners",
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"content": "\u003cp>Year after year, fans and \u003ca href=\"https://www.sfgate.com/entertainment/article/Why-aren-t-there-any-female-music-festival-7512529.php\" target=\"_blank\" rel=\"noopener\">critics alike have asked\u003c/a> the organizers of \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">Outside Lands\u003c/a>: Where are the female headliners?\u003c/p>\n\u003cp>That question seemed to be answered today, with the festival’s \u003ca href=\"https://twitter.com/sfoutsidelands/status/979712370216927233\" rel=\"noopener\" target=\"_blank\">announcement on social media\u003c/a> that Janet Jackson will take the stage at this year’s Outside Lands, presumably in a headlining slot.\u003c/p>\n\u003cp>But booking Janet Jackson in 2018 is a case study in too little, too late: in the past 10 years, there have been no single female headliners at Outside Lands, an issue \u003ca href=\"http://noisepop.com/where-are-the-female-festival-headliners/\" rel=\"noopener\" target=\"_blank\">repeatedly raised in recent years by local music journalists\u003c/a>. (The full lineup announcement for this year’s fest, taking place Aug. 10-12 in Golden Gate Park, is coming April 3 at 10am.) \u003c/p>\n\u003cp>https://twitter.com/sfoutsidelands/status/979712370216927233\u003c/p>\n\u003cp>Allen Scott of Another Planet Entertainment, co-producers of Outside Lands, explained the lack of women headliners in a \u003ca href=\"https://consequenceofsound.net/2017/08/the-pride-of-san-francisco-outside-lands-turns-10/4/\" target=\"_blank\" rel=\"noopener\">2017 interview\u003c/a> with Consequence of Sound, promising that his staff had diligently pursued female headliners, but that the “stars just haven’t aligned yet.” But with Outside Lands’ ability to secure performances from in-demand male-fronted acts over the years — expensive acts like Radiohead, Kanye West, and Paul McCartney — it seems surprising that \u003cem>not a single woman\u003c/em> was available to take a top spot on the lineup over the past decade.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Of course, with the ongoing #MeToo movement and a \u003ca href=\"http://variety.com/2018/music/news/grammys-so-male-women-recording-academy-president-neil-portnow-1202679902/\" target=\"_blank\" rel=\"noopener\">jarring lack of female winners\u003c/a> at this year’s Grammy’s, pressure for more inclusive festival lineups has reached a fever pitch. Earlier this year, \u003ca href=\"http://keychange.eu/blog/45-international-music-festivals-conferences-pledge-tackle-gender-inequality/\" target=\"_blank\" rel=\"noopener\">45 international music festivals\u003c/a> pledged to have a 50/50 gender balance on their lineups by 2022. (Only two of the festivals that made the pledge are in the U.S.: A2IM Indie Week and NYC Winter Jazzfest.)\u003c/p>\n\u003cp>Janet Jackson might be the perfect person to usher in what will hopefully be a sea change at Outside Lands. After all, Jackson’s career \u003ca href=\"https://www.billboard.com/articles/news/super-bowl/8007041/janet-jackson-justin-timberlake-2004-super-bowl-what-happened\" target=\"_blank\" rel=\"noopener\">took a major hit\u003c/a> after the “wardrobe malfunction” during her performance with Justin Timberlake at the 2004 Super Bowl. Fans were outraged when Timberlake was invited to perform at the Super Bowl again this year, while Jackson \u003ca href=\"https://www.kqed.org/pop/20175\" rel=\"noopener\" target=\"_blank\">never recovered from the incident\u003c/a>.\u003c/p>\n\u003cp>No doubt her Outside Lands performance will help restore her cultural legacy — and hopefully catalyze a new, more inclusive chapter for the festival.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Year after year, fans and \u003ca href=\"https://www.sfgate.com/entertainment/article/Why-aren-t-there-any-female-music-festival-7512529.php\" target=\"_blank\" rel=\"noopener\">critics alike have asked\u003c/a> the organizers of \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">Outside Lands\u003c/a>: Where are the female headliners?\u003c/p>\n\u003cp>That question seemed to be answered today, with the festival’s \u003ca href=\"https://twitter.com/sfoutsidelands/status/979712370216927233\" rel=\"noopener\" target=\"_blank\">announcement on social media\u003c/a> that Janet Jackson will take the stage at this year’s Outside Lands, presumably in a headlining slot.\u003c/p>\n\u003cp>But booking Janet Jackson in 2018 is a case study in too little, too late: in the past 10 years, there have been no single female headliners at Outside Lands, an issue \u003ca href=\"http://noisepop.com/where-are-the-female-festival-headliners/\" rel=\"noopener\" target=\"_blank\">repeatedly raised in recent years by local music journalists\u003c/a>. (The full lineup announcement for this year’s fest, taking place Aug. 10-12 in Golden Gate Park, is coming April 3 at 10am.) \u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Allen Scott of Another Planet Entertainment, co-producers of Outside Lands, explained the lack of women headliners in a \u003ca href=\"https://consequenceofsound.net/2017/08/the-pride-of-san-francisco-outside-lands-turns-10/4/\" target=\"_blank\" rel=\"noopener\">2017 interview\u003c/a> with Consequence of Sound, promising that his staff had diligently pursued female headliners, but that the “stars just haven’t aligned yet.” But with Outside Lands’ ability to secure performances from in-demand male-fronted acts over the years — expensive acts like Radiohead, Kanye West, and Paul McCartney — it seems surprising that \u003cem>not a single woman\u003c/em> was available to take a top spot on the lineup over the past decade.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Of course, with the ongoing #MeToo movement and a \u003ca href=\"http://variety.com/2018/music/news/grammys-so-male-women-recording-academy-president-neil-portnow-1202679902/\" target=\"_blank\" rel=\"noopener\">jarring lack of female winners\u003c/a> at this year’s Grammy’s, pressure for more inclusive festival lineups has reached a fever pitch. Earlier this year, \u003ca href=\"http://keychange.eu/blog/45-international-music-festivals-conferences-pledge-tackle-gender-inequality/\" target=\"_blank\" rel=\"noopener\">45 international music festivals\u003c/a> pledged to have a 50/50 gender balance on their lineups by 2022. (Only two of the festivals that made the pledge are in the U.S.: A2IM Indie Week and NYC Winter Jazzfest.)\u003c/p>\n\u003cp>Janet Jackson might be the perfect person to usher in what will hopefully be a sea change at Outside Lands. After all, Jackson’s career \u003ca href=\"https://www.billboard.com/articles/news/super-bowl/8007041/janet-jackson-justin-timberlake-2004-super-bowl-what-happened\" target=\"_blank\" rel=\"noopener\">took a major hit\u003c/a> after the “wardrobe malfunction” during her performance with Justin Timberlake at the 2004 Super Bowl. Fans were outraged when Timberlake was invited to perform at the Super Bowl again this year, while Jackson \u003ca href=\"https://www.kqed.org/pop/20175\" rel=\"noopener\" target=\"_blank\">never recovered from the incident\u003c/a>.\u003c/p>\n\u003cp>No doubt her Outside Lands performance will help restore her cultural legacy — and hopefully catalyze a new, more inclusive chapter for the festival.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "On Outside Lands, Charlottesville, and Conspicuous Silence",
"headTitle": "On Outside Lands, Charlottesville, and Conspicuous Silence | KQED",
"content": "\u003cp>During her Sunday night set at Outside Lands, Solange paused to acknowledge the violence of the previous day in Charlottesville at the hands of white nationalists. “Stay up. Find your self-care, find your joy,” she implored the audience, specifically shouting out her black, LGBTQ, and Muslim fans.\u003c/p>\n\u003cp>“Hey! What about the white people?” screamed a young, white man behind me.\u003c/p>\n\u003cp>Solange’s remarks were clearly meant to uplift those whose civil rights were threatened by the marchers in Charlottesville — a threat that didn’t apply to him. But when I turned around to explain, he retorted, “So you think I’m a white supremacist just because I’m white?”\u003c/p>\n\u003cfigure id=\"attachment_13805430\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805430\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Solange.IG_-800x450.jpg\" alt=\"Solange performs Aug. 13, 2017, at the Outside Lands music festival in Golden Gate Park.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Solange performs Aug. 13, 2017, at the Outside Lands music festival in Golden Gate Park. \u003ccite>(via saintheron/Instagram)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If the interaction confirmed anything, it was that there’s a clear disconnect between Outside Lands’ mostly white attendees and the nation’s state of affairs — one that was felt through most of this year’s festival.\u003c/p>\n\u003cp>Saturday’s bloody protests, resulting in the death of \u003ca href=\"https://www.nytimes.com/2017/08/13/us/heather-heyer-charlottesville-victim.html\" target=\"_blank\" rel=\"noopener noreferrer\">anti-racist activist Heather Heyer\u003c/a>, dominated news feeds over Outside Lands weekend. In his initial response, President Trump avoided calling out white nationalists, instead condemning hatred and bigotry “on many sides” and \u003ca href=\"http://www.cnn.com/2017/08/12/politics/trump-fails-to-condemn-the-alt-right-white-supremacists/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">refusing to answer reporters\u003c/a> who asked if he wanted white nationalists’ support. On social media, white supremacists, neo-Nazis and former KKK leader \u003ca href=\"https://twitter.com/NBCNews/status/896587138694660096\" target=\"_blank\" rel=\"noopener noreferrer\">David Duke\u003c/a> celebrated that \u003ca href=\"https://twitter.com/soledadobrien/status/896492127911149568\" target=\"_blank\" rel=\"noopener noreferrer\">the president didn’t specifically implicate their movements\u003c/a>. (It’s wasn’t until two days later, after public pressure, that Trump named the KKK, neo-Nazis, and white supremacists, calling their racism “evil” in \u003ca href=\"https://www.nytimes.com/2017/08/14/us/politics/transcript-and-video-president-trump-speaks-about-charlottesville.html\" target=\"_blank\" rel=\"noopener noreferrer\">a White House speech\u003c/a>.)\u003c/p>\n\u003cfigure id=\"attachment_13805382\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805382\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_6589-800x533.jpg\" alt=\"Young The Giant performs at the Outside Lands music festival in San Francisco, Aug. 13, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Young The Giant performs at the Outside Lands music festival in San Francisco, Aug. 13, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, at Outside Lands, there was scant acknowledgement of Charlottesville that I saw, apart from comments by Solange, Cage the Elephant, Young the Giant, and a few others. On Friday, before the violent clash took place, Noname and Henry Rollins had spoken against the Trump administration in explicit terms. But on Saturday and Sunday, after a car plowed into a group of people — killing Heyer, and injuring 19 others — the majority of the artists’ silence was deafening. A few bands, including Metallica, Dawes, and Bomba Estéreo, offered vague feel-good sentiments about the power of music to bring people together.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[contextly_sidebar id=”YEUyDXSqgG7gHFwlOmR2v9hxGODZKvcI”]\u003c/p>\n\u003cp>An artists’ impulse to avoid bad news during their performances is understandable. But it’s also possible to put on an entertaining show while taking the time to acknowledge a national trauma. Much like the president’s initial refusal to call white supremacy by name, an artist failing to identify a source of discomfort while offering hollow pleas to “come together” can’t possibly provide the specific healing they claim to want. In that moment, their performance becomes casual diversion.\u003c/p>\n\u003cp>Because of this, artists’ and attendees’ silence made Outside Lands feel like an island, isolated from the news by privilege, rather than what a mass of thousands of people in Golden Gate Park \u003ca href=\"https://apimagesblog.com/blog/2017/3/22/san-franciscos-decades-long-history-of-protest\" target=\"_blank\" rel=\"noopener noreferrer\">has been, historically, during national crises\u003c/a>: a community united against violence and hate.\u003c/p>\n\u003cfigure id=\"attachment_13805397\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805397\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_6822-800x533.jpg\" alt='Lorde performs at the Outside Lands music festival in San Francisco, Aug. 13, 2017. Lorde took to Twitter before her set to call on white people to \"do better\" after violence erupted in Charlotesville, VA, killing one and injuring many more.' width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lorde performs at the Outside Lands music festival in San Francisco, Aug. 13, 2017. Lorde took to Twitter before her set to call on white people to “do better” after violence erupted in Charlotesville, VA, killing one and injuring many more. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For the carefree folks enjoying themselves at the festival, the violence in Charlottesville might have seemed like a world away. But it’s not. As \u003ca href=\"https://ww2.kqed.org/news/2017/08/14/californian-who-helped-organize-charlottesville-protests-used-berkeley-as-a-test-run/\" target=\"_blank\" rel=\"noopener noreferrer\">KQED’s John Sepulvado reports\u003c/a>, the man credited with organizing the Charlottesville rally, Nathan Damigo, is a San Jose-raised California resident who brought his group Identity Evropa for a bloody protest to UC Berkeley in April. Another of the Charlottesville protestors was identified as Cole White, \u003ca href=\"https://ww2.kqed.org/news/2017/08/14/berkeleys-top-dog-fires-employee-who-went-to-white-nationalist-rally-in-charlottesville/\" target=\"_blank\" rel=\"noopener noreferrer\">now-former employee\u003c/a> of Top Dog, a popular eatery in liberal Berkeley. And according to \u003cem>Mother Jones\u003c/em> reporter Shane Bauer, a future white supremacist rally is \u003ca href=\"https://twitter.com/shane_bauer/status/896446989629497344\" target=\"_blank\" rel=\"noopener noreferrer\">scheduled in Berkeley\u003c/a> for Aug. 27.\u003c/p>\n\u003cp>We like to think we’re in a progressive bubble in the Bay Area. We take for granted that a huge gathering like Outside Lands implies, by dint of its location, tolerance and acceptance. The man behind me during Solange’s set Sunday proved otherwise: namely, that white people who go to music festivals — and I say this as a white person, who goes to music festivals — have some stepping up to do.\u003c/p>\n\u003cp>As Lorde \u003ca href=\"https://twitter.com/lorde/status/896528771636903936\" target=\"_blank\" rel=\"noopener noreferrer\">tweeted\u003c/a> minutes before her Sunday evening Outside Lands performance, “All white people are responsible for this system’s thrive and fall. We have to do better.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>See more of KQED’s Outside Lands coverage \u003ca href=\"https://ww2.kqed.org/arts/tag/outside-lands/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>During her Sunday night set at Outside Lands, Solange paused to acknowledge the violence of the previous day in Charlottesville at the hands of white nationalists. “Stay up. Find your self-care, find your joy,” she implored the audience, specifically shouting out her black, LGBTQ, and Muslim fans.\u003c/p>\n\u003cp>“Hey! What about the white people?” screamed a young, white man behind me.\u003c/p>\n\u003cp>Solange’s remarks were clearly meant to uplift those whose civil rights were threatened by the marchers in Charlottesville — a threat that didn’t apply to him. But when I turned around to explain, he retorted, “So you think I’m a white supremacist just because I’m white?”\u003c/p>\n\u003cfigure id=\"attachment_13805430\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805430\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Solange.IG_-800x450.jpg\" alt=\"Solange performs Aug. 13, 2017, at the Outside Lands music festival in Golden Gate Park.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Solange.IG_.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Solange performs Aug. 13, 2017, at the Outside Lands music festival in Golden Gate Park. \u003ccite>(via saintheron/Instagram)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If the interaction confirmed anything, it was that there’s a clear disconnect between Outside Lands’ mostly white attendees and the nation’s state of affairs — one that was felt through most of this year’s festival.\u003c/p>\n\u003cp>Saturday’s bloody protests, resulting in the death of \u003ca href=\"https://www.nytimes.com/2017/08/13/us/heather-heyer-charlottesville-victim.html\" target=\"_blank\" rel=\"noopener noreferrer\">anti-racist activist Heather Heyer\u003c/a>, dominated news feeds over Outside Lands weekend. In his initial response, President Trump avoided calling out white nationalists, instead condemning hatred and bigotry “on many sides” and \u003ca href=\"http://www.cnn.com/2017/08/12/politics/trump-fails-to-condemn-the-alt-right-white-supremacists/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">refusing to answer reporters\u003c/a> who asked if he wanted white nationalists’ support. On social media, white supremacists, neo-Nazis and former KKK leader \u003ca href=\"https://twitter.com/NBCNews/status/896587138694660096\" target=\"_blank\" rel=\"noopener noreferrer\">David Duke\u003c/a> celebrated that \u003ca href=\"https://twitter.com/soledadobrien/status/896492127911149568\" target=\"_blank\" rel=\"noopener noreferrer\">the president didn’t specifically implicate their movements\u003c/a>. (It’s wasn’t until two days later, after public pressure, that Trump named the KKK, neo-Nazis, and white supremacists, calling their racism “evil” in \u003ca href=\"https://www.nytimes.com/2017/08/14/us/politics/transcript-and-video-president-trump-speaks-about-charlottesville.html\" target=\"_blank\" rel=\"noopener noreferrer\">a White House speech\u003c/a>.)\u003c/p>\n\u003cfigure id=\"attachment_13805382\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805382\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_6589-800x533.jpg\" alt=\"Young The Giant performs at the Outside Lands music festival in San Francisco, Aug. 13, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6589-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Young The Giant performs at the Outside Lands music festival in San Francisco, Aug. 13, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, at Outside Lands, there was scant acknowledgement of Charlottesville that I saw, apart from comments by Solange, Cage the Elephant, Young the Giant, and a few others. On Friday, before the violent clash took place, Noname and Henry Rollins had spoken against the Trump administration in explicit terms. But on Saturday and Sunday, after a car plowed into a group of people — killing Heyer, and injuring 19 others — the majority of the artists’ silence was deafening. A few bands, including Metallica, Dawes, and Bomba Estéreo, offered vague feel-good sentiments about the power of music to bring people together.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>An artists’ impulse to avoid bad news during their performances is understandable. But it’s also possible to put on an entertaining show while taking the time to acknowledge a national trauma. Much like the president’s initial refusal to call white supremacy by name, an artist failing to identify a source of discomfort while offering hollow pleas to “come together” can’t possibly provide the specific healing they claim to want. In that moment, their performance becomes casual diversion.\u003c/p>\n\u003cp>Because of this, artists’ and attendees’ silence made Outside Lands feel like an island, isolated from the news by privilege, rather than what a mass of thousands of people in Golden Gate Park \u003ca href=\"https://apimagesblog.com/blog/2017/3/22/san-franciscos-decades-long-history-of-protest\" target=\"_blank\" rel=\"noopener noreferrer\">has been, historically, during national crises\u003c/a>: a community united against violence and hate.\u003c/p>\n\u003cfigure id=\"attachment_13805397\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805397\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_6822-800x533.jpg\" alt='Lorde performs at the Outside Lands music festival in San Francisco, Aug. 13, 2017. Lorde took to Twitter before her set to call on white people to \"do better\" after violence erupted in Charlotesville, VA, killing one and injuring many more.' width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_6822-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lorde performs at the Outside Lands music festival in San Francisco, Aug. 13, 2017. Lorde took to Twitter before her set to call on white people to “do better” after violence erupted in Charlotesville, VA, killing one and injuring many more. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For the carefree folks enjoying themselves at the festival, the violence in Charlottesville might have seemed like a world away. But it’s not. As \u003ca href=\"https://ww2.kqed.org/news/2017/08/14/californian-who-helped-organize-charlottesville-protests-used-berkeley-as-a-test-run/\" target=\"_blank\" rel=\"noopener noreferrer\">KQED’s John Sepulvado reports\u003c/a>, the man credited with organizing the Charlottesville rally, Nathan Damigo, is a San Jose-raised California resident who brought his group Identity Evropa for a bloody protest to UC Berkeley in April. Another of the Charlottesville protestors was identified as Cole White, \u003ca href=\"https://ww2.kqed.org/news/2017/08/14/berkeleys-top-dog-fires-employee-who-went-to-white-nationalist-rally-in-charlottesville/\" target=\"_blank\" rel=\"noopener noreferrer\">now-former employee\u003c/a> of Top Dog, a popular eatery in liberal Berkeley. And according to \u003cem>Mother Jones\u003c/em> reporter Shane Bauer, a future white supremacist rally is \u003ca href=\"https://twitter.com/shane_bauer/status/896446989629497344\" target=\"_blank\" rel=\"noopener noreferrer\">scheduled in Berkeley\u003c/a> for Aug. 27.\u003c/p>\n\u003cp>We like to think we’re in a progressive bubble in the Bay Area. We take for granted that a huge gathering like Outside Lands implies, by dint of its location, tolerance and acceptance. The man behind me during Solange’s set Sunday proved otherwise: namely, that white people who go to music festivals — and I say this as a white person, who goes to music festivals — have some stepping up to do.\u003c/p>\n\u003cp>As Lorde \u003ca href=\"https://twitter.com/lorde/status/896528771636903936\" target=\"_blank\" rel=\"noopener noreferrer\">tweeted\u003c/a> minutes before her Sunday evening Outside Lands performance, “All white people are responsible for this system’s thrive and fall. We have to do better.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>See more of KQED’s Outside Lands coverage \u003ca href=\"https://ww2.kqed.org/arts/tag/outside-lands/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>As the violence in Charlottesville dominated Twitter-checking attendees’ news feeds, Sunday at Outside Lands came with a sense of disconnect. At the same time, it also came with some of the weekend’s best performances, including Solange, Lorde, Young the Giant, Bleachers, The Who and more.\u003c/p>\n\u003cp>See a full photo slideshow from Sunday’s festivities below, and \u003ca href=\"https://ww2.kqed.org/arts/tag/outside-lands/\" target=\"_blank\" rel=\"noopener\">see here for more photos and coverage\u003c/a> from the entire weekend.\u003c/p>\n\u003cp>[gallery type=\"slideshow\" size=\"full\" ids=\"13805410,13805409,13805408,13805407,13805406,13805405,13805400,13805401,13805402,13805403,13805404,13805399,13805398,13805397,13805396,13805395,13805390,13805391,13805392,13805393,13805394,13805389,13805388,13805387,13805386,13805385,13805380,13805381,13805382,13805383,13805384,13805379,13805378,13805377,13805376,13805375,13805369,13805370,13805371,13805372,13805373,13805368,13805363,13805362,13805367,13805366,13805361,13805360,13805365,13805364,13805359,13805357,13805356,13805355,13805353,13805352,13805348,13805349,13805350,13805351\" orderby=\"rand\"]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As the violence in Charlottesville dominated Twitter-checking attendees’ news feeds, Sunday at Outside Lands came with a sense of disconnect. At the same time, it also came with some of the weekend’s best performances, including Solange, Lorde, Young the Giant, Bleachers, The Who and more.\u003c/p>\n\u003cp>See a full photo slideshow from Sunday’s festivities below, and \u003ca href=\"https://ww2.kqed.org/arts/tag/outside-lands/\" target=\"_blank\" rel=\"noopener\">see here for more photos and coverage\u003c/a> from the entire weekend.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Outside Lands 2017: Saturday's Music Highlights and Photo Gallery",
"headTitle": "Outside Lands 2017: Saturday’s Music Highlights and Photo Gallery | KQED",
"content": "\u003cp>The second day of Outside Lands was even more eclectic — and hectic — than the first, as the musical lineup brought out interesting cross-sections of Bay Area subcultures. Metalheads partied with ravers in unicorn onesies; college students and first-time festival-goers could both be spotted having sensory overload.\u003c/p>\n\u003cp>Although the \u003ca href=\"https://www.washingtonpost.com/local/fights-in-advance-of-saturday-protest-in-charlottesville/2017/08/12/155fb636-7f13-11e7-83c7-5bd5460f0d7e_story.html?utm_term=.a2b98a9fc2e6\" target=\"_blank\" rel=\"noopener\">tragic news from the Charlottesville protests\u003c/a> was fresh in revelers’ minds, Saturday’s performers were much less bold with their commentary than artists like Noname and Henry Rollins had been on Friday. Instead of specifically calling out white supremacists, or mentioning Donald Trump by name, some bands called for unity through music while many said nothing at all. The lack of overt acknowledgement might have felt disappointing for those checking the news throughout the day, but if anything, the festival offered a momentary escape from turmoil.\u003c/p>\n\u003cp>[gallery type=\"slideshow\" size=\"full\" ids=\"13805324,13805323,13805322,13805321,13805317,13805318,13805319,13805320,13805316,13805315,13805314,13805313,13805309,13805310,13805311,13805312,13805308,13805307,13805306,13805305,13805301,13805302,13805303,13805304,13805300,13805299,13805298,13805297,13805293,13805294,13805295,13805296,13805292,13805291,13805290,13805289,13805284,13805285,13805286,13805287,13805283,13805282,13805281,13805280,13805276,13805277,13805278,13805279\" orderby=\"rand\"]\u003c/p>\n\u003cp>Check out our highlights from Saturday at Outside Lands below, and see coverage from Friday \u003ca href=\"https://ww2.kqed.org/arts/2017/08/12/outside-lands-2017-fridays-music-highlights-and-photo-gallery/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13805308\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Survive-2-800x533.jpg\" alt=\"Survive performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13805308\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Survive performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>S U R V I V E\u003c/h2>\n\u003cp>S U R V I V E’s Saturday afternoon set was gear-nerd heaven. The four members of the Austin synthwave quartet stood side-by-side behind forward-facing desks as each musician plugged away at his respective vintage synthesizer. Each looked so lost in what they were doing that they didn’t pay each other — or the audience — much notice. But while they barely communicated, their timing and coordination were impeccable, with pounding electronic instrumentals sounding straight out of an ’80s sci-fi film — calling to mind \u003cem>Blade Runner\u003c/em> and \u003cem>Tron\u003c/em>. (It’s no wonder that S U R V I V E’s Michael Stein and Kyle Dixon composed and performed the \u003ca href=\"https://www.youtube.com/watch?v=5fkN73uEMYw&list=PLHM5aY6TFqReJYC-C_TZ4ftbcs-lYkZEh\" target=\"_blank\" rel=\"noopener\">soundtrack for \u003cem>Stranger Things\u003c/em>\u003c/a>.) As the band’s set progressed, the bass became physically palpable as their synths swelled to epic crescendos. Instead of dancing, the audience stood transfixed, watching the enigmatic musicians in awe.\u003c/p>\n\u003cfigure id=\"attachment_13805280\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_5403-800x533.jpg\" alt=\"The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13805280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kaytranada\u003c/h2>\n\u003cp>While Canadian producer Kaytranada unassumingly bobbed his head behind his laptop, his house-inflected beats sent his audience into an ecstatic frenzy. People crowd-surfed, high-fived strangers, and enthusiastically cheered on each other’s dance moves. A group of 20 or so college bro types joined together in a giant group hug that culminated with one guy trust-falling off his friend’s shoulders into the audience. It’s these kinds of communal exchanges of energy that make trudging through crowds at festivals worth it. Kaytranada played standout tracks from his acclaimed 2016 album, \u003cem>99.9%\u003c/em>, as well as original remixes and instrumentals. His club version of Solange’s “Cranes in the Sky” offered a momentary emotional release (and whetted the audience’s palate for Solange’s Sunday performance). Pulsing, four-on-the-floor beats like “You’re the One” featuring SYD turned the party up yet another notch. Kaytranada’s set was also a rare opportunity to hear the deep-house instrumentals that made his Boiler Room set one of the \u003ca href=\"https://www.youtube.com/watch?v=-5EQIiabJvk\" target=\"_blank\" rel=\"noopener\">most-viewed of all time on YouTube\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13805314\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg\" alt=\"The Avett Brothers performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13805314\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Avett Brothers performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The Avett Brothers\u003c/h2>\n\u003cp>The Avett Brothers sure can shred. The North Carolinian seven-piece, led by brothers Scott and Seth Avett, delivered an electrifying performance of country, bluegrass, indie folk, and Southern rock, expanding their twangy melodies into full-out jam sessions. With banjo, guitar, organ, and a full string section, the brothers evolved “Ain’t No Man,” a vigorous stomp with lyrics about independence and self-determination, into a blitz of jovial instrumentation in the vein of Creedence Clearwater Revival and Janis Joplin. During a couple climactic points in the show, Scott Avett sang so fast that his vocals morphed into country-style rapping — an unexpected twist that was met with plenty of cheers. The brothers also nailed \u003ca href=\"https://youtu.be/N5suDkY4kzY\" target=\"_blank\" rel=\"noopener\">a cover of Soundgarden’s “Black Hole Sun”\u003c/a> (“We’re gonna do one by some heroes of ours,” Scott Avett said, in a nod to the \u003ca href=\"http://www.rollingstone.com/music/news/soundgardens-chris-cornell-dead-at-52-w482882\" target=\"_blank\" rel=\"noopener\">recently departed Chris Cornell\u003c/a>) before closing the night with their ballad “No Hard Feelings.”\u003c/p>\n\u003cfigure id=\"attachment_13805303\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg\" alt=\"Metallica performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13805303\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Metallica performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Metallica\u003c/h2>\n\u003cp>Given the disheartening news from Charlottesville, it was refreshing to hear James Hetfield, the lead singer of Metallica, pointedly declare his gratitude to see “all different styles of music and all kinds of people” at Outside Lands. “We’re here to celebrate life,” he growled into the mic before launching into a two-hour headlining set complete with pyrotechnics, fireworks, and an incredible light show. With 30-plus years in the game, Metallica are masters of entertainment. Hetfield’s onstage demeanor was friendly and effusive — though still tough — and he undoubtedly converted plenty of casual listeners into enthusiastic fans. At one point, he even shouted out two blue- and green-haired elementary schoolers in the front row with their proud metalhead dad. During “Master of Puppets,” red laser beams emanated from the stage, enveloping the audience in a psychedelic grid that changed shape in time with Kirk Hammett’s explosive guitar solo. Sadly, there was no surprise Lady Gaga appearance as rumored for “Moth in the Flame,” which she \u003ca href=\"https://www.youtube.com/watch?v=pdxyVnJMg64\" target=\"_blank\" rel=\"noopener\">performed with the band\u003c/a> at this year’s Grammys. But the ending of Metallica’s set was unforgettable nonetheless, with fireworks and an extended, fiery rendition of “Enter Sandman” that had everyone screaming for an encore.\u003c/p>\n\u003cfigure id=\"attachment_13805282\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_5832-800x533.jpg\" alt=\"The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13805282\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Bomba Estéreo\u003c/h2>\n\u003cp>Li Saumet, vocalist of Colombian band Bomba Estéreo, shook her neon-orange mane as she danced across the stage in a trailing pink cape. Her colorful look was the personification of Bomba Estéreo’s high-energy set: A fusion of electro-pop, Cumbia, and moombahton that basically sounds like what would happen if The Knife partied in Miami with Pitbull for a weekend. Bomba Estéreo preaches a message of peace and unity through music; the audience pulsated along to “Internacionales,” a track about dance as an international language, as Saumet instructed \u003cem>Baila! Baila!\u003c/em> in Spanish. “It doesn’t matter if you don’t speak Spanish, you can feel it,” she announced to the eager crowd. The audience and band’s enthusiasm created a positive feedback loop that lasted through the duration of the set.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The second day of Outside Lands was even more eclectic — and hectic — than the first, as the musical lineup brought out interesting cross-sections of Bay Area subcultures. Metalheads partied with ravers in unicorn onesies; college students and first-time festival-goers could both be spotted having sensory overload.\u003c/p>\n\u003cp>Although the \u003ca href=\"https://www.washingtonpost.com/local/fights-in-advance-of-saturday-protest-in-charlottesville/2017/08/12/155fb636-7f13-11e7-83c7-5bd5460f0d7e_story.html?utm_term=.a2b98a9fc2e6\" target=\"_blank\" rel=\"noopener\">tragic news from the Charlottesville protests\u003c/a> was fresh in revelers’ minds, Saturday’s performers were much less bold with their commentary than artists like Noname and Henry Rollins had been on Friday. Instead of specifically calling out white supremacists, or mentioning Donald Trump by name, some bands called for unity through music while many said nothing at all. The lack of overt acknowledgement might have felt disappointing for those checking the news throughout the day, but if anything, the festival offered a momentary escape from turmoil.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Check out our highlights from Saturday at Outside Lands below, and see coverage from Friday \u003ca href=\"https://ww2.kqed.org/arts/2017/08/12/outside-lands-2017-fridays-music-highlights-and-photo-gallery/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13805308\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Survive-2-800x533.jpg\" alt=\"Survive performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13805308\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Survive-2-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Survive performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>S U R V I V E\u003c/h2>\n\u003cp>S U R V I V E’s Saturday afternoon set was gear-nerd heaven. The four members of the Austin synthwave quartet stood side-by-side behind forward-facing desks as each musician plugged away at his respective vintage synthesizer. Each looked so lost in what they were doing that they didn’t pay each other — or the audience — much notice. But while they barely communicated, their timing and coordination were impeccable, with pounding electronic instrumentals sounding straight out of an ’80s sci-fi film — calling to mind \u003cem>Blade Runner\u003c/em> and \u003cem>Tron\u003c/em>. (It’s no wonder that S U R V I V E’s Michael Stein and Kyle Dixon composed and performed the \u003ca href=\"https://www.youtube.com/watch?v=5fkN73uEMYw&list=PLHM5aY6TFqReJYC-C_TZ4ftbcs-lYkZEh\" target=\"_blank\" rel=\"noopener\">soundtrack for \u003cem>Stranger Things\u003c/em>\u003c/a>.) As the band’s set progressed, the bass became physically palpable as their synths swelled to epic crescendos. Instead of dancing, the audience stood transfixed, watching the enigmatic musicians in awe.\u003c/p>\n\u003cfigure id=\"attachment_13805280\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_5403-800x533.jpg\" alt=\"The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13805280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5403-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kaytranada\u003c/h2>\n\u003cp>While Canadian producer Kaytranada unassumingly bobbed his head behind his laptop, his house-inflected beats sent his audience into an ecstatic frenzy. People crowd-surfed, high-fived strangers, and enthusiastically cheered on each other’s dance moves. A group of 20 or so college bro types joined together in a giant group hug that culminated with one guy trust-falling off his friend’s shoulders into the audience. It’s these kinds of communal exchanges of energy that make trudging through crowds at festivals worth it. Kaytranada played standout tracks from his acclaimed 2016 album, \u003cem>99.9%\u003c/em>, as well as original remixes and instrumentals. His club version of Solange’s “Cranes in the Sky” offered a momentary emotional release (and whetted the audience’s palate for Solange’s Sunday performance). Pulsing, four-on-the-floor beats like “You’re the One” featuring SYD turned the party up yet another notch. Kaytranada’s set was also a rare opportunity to hear the deep-house instrumentals that made his Boiler Room set one of the \u003ca href=\"https://www.youtube.com/watch?v=-5EQIiabJvk\" target=\"_blank\" rel=\"noopener\">most-viewed of all time on YouTube\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13805314\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg\" alt=\"The Avett Brothers performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13805314\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/The-Avett-Brothers-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Avett Brothers performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The Avett Brothers\u003c/h2>\n\u003cp>The Avett Brothers sure can shred. The North Carolinian seven-piece, led by brothers Scott and Seth Avett, delivered an electrifying performance of country, bluegrass, indie folk, and Southern rock, expanding their twangy melodies into full-out jam sessions. With banjo, guitar, organ, and a full string section, the brothers evolved “Ain’t No Man,” a vigorous stomp with lyrics about independence and self-determination, into a blitz of jovial instrumentation in the vein of Creedence Clearwater Revival and Janis Joplin. During a couple climactic points in the show, Scott Avett sang so fast that his vocals morphed into country-style rapping — an unexpected twist that was met with plenty of cheers. The brothers also nailed \u003ca href=\"https://youtu.be/N5suDkY4kzY\" target=\"_blank\" rel=\"noopener\">a cover of Soundgarden’s “Black Hole Sun”\u003c/a> (“We’re gonna do one by some heroes of ours,” Scott Avett said, in a nod to the \u003ca href=\"http://www.rollingstone.com/music/news/soundgardens-chris-cornell-dead-at-52-w482882\" target=\"_blank\" rel=\"noopener\">recently departed Chris Cornell\u003c/a>) before closing the night with their ballad “No Hard Feelings.”\u003c/p>\n\u003cfigure id=\"attachment_13805303\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg\" alt=\"Metallica performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13805303\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Metallica-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Metallica performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Metallica\u003c/h2>\n\u003cp>Given the disheartening news from Charlottesville, it was refreshing to hear James Hetfield, the lead singer of Metallica, pointedly declare his gratitude to see “all different styles of music and all kinds of people” at Outside Lands. “We’re here to celebrate life,” he growled into the mic before launching into a two-hour headlining set complete with pyrotechnics, fireworks, and an incredible light show. With 30-plus years in the game, Metallica are masters of entertainment. Hetfield’s onstage demeanor was friendly and effusive — though still tough — and he undoubtedly converted plenty of casual listeners into enthusiastic fans. At one point, he even shouted out two blue- and green-haired elementary schoolers in the front row with their proud metalhead dad. During “Master of Puppets,” red laser beams emanated from the stage, enveloping the audience in a psychedelic grid that changed shape in time with Kirk Hammett’s explosive guitar solo. Sadly, there was no surprise Lady Gaga appearance as rumored for “Moth in the Flame,” which she \u003ca href=\"https://www.youtube.com/watch?v=pdxyVnJMg64\" target=\"_blank\" rel=\"noopener\">performed with the band\u003c/a> at this year’s Grammys. But the ending of Metallica’s set was unforgettable nonetheless, with fireworks and an extended, fiery rendition of “Enter Sandman” that had everyone screaming for an encore.\u003c/p>\n\u003cfigure id=\"attachment_13805282\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_5832-800x533.jpg\" alt=\"The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13805282\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_5832-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Bomba Estéreo\u003c/h2>\n\u003cp>Li Saumet, vocalist of Colombian band Bomba Estéreo, shook her neon-orange mane as she danced across the stage in a trailing pink cape. Her colorful look was the personification of Bomba Estéreo’s high-energy set: A fusion of electro-pop, Cumbia, and moombahton that basically sounds like what would happen if The Knife partied in Miami with Pitbull for a weekend. Bomba Estéreo preaches a message of peace and unity through music; the audience pulsated along to “Internacionales,” a track about dance as an international language, as Saumet instructed \u003cem>Baila! Baila!\u003c/em> in Spanish. “It doesn’t matter if you don’t speak Spanish, you can feel it,” she announced to the eager crowd. The audience and band’s enthusiasm created a positive feedback loop that lasted through the duration of the set.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Outside Lands 2017: Friday’s Music Highlights and Photo Gallery",
"headTitle": "Outside Lands 2017: Friday’s Music Highlights and Photo Gallery | KQED",
"content": "\u003cp>On Friday afternoon, the masses descended upon Golden Gate Park for the annual, three-day marathon of music, comedy, food and mayhem that is Outside Lands. And if the first day was any indication, a little more magic is in the air than usual: After all, this year is \u003ca href=\"https://ww2.kqed.org/arts/2017/08/10/10-years-of-outside-lands-a-look-back-in-pictures/\" target=\"_blank\" rel=\"noopener\">the festival’s 10th anniversary\u003c/a>. The lineup is more star-studded and diverse than ever. And we’re keeping our eyes peeled for surprise guests and \u003ca href=\"https://twitter.com/sirpatstew/status/498589583509311488?lang=en\" target=\"_blank\" rel=\"noopener\">celebrity sightings\u003c/a>.\u003c/p>\n\u003cp>[gallery type=\"slideshow\" size=\"full\" ids=\"13805266,13805265,13805264,13805263,13805259,13805260,13805261,13805262,13805257,13805256,13805255,13805254,13805250,13805251,13805252,13805253,13805249,13805248,13805247,13805246,13805242,13805243,13805244,13805245,13805241,13805240,13805239,13805238,13805234,13805235,13805236,13805237,13805233,13805232,13805231,13805230,13805226,13805227,13805228,13805229,13805225,13805224,13805223,13805222,13805218,13805219,13805220,13805221,13805214,13805215,13805216,13805217,13805213,13805212,13805211,13805210,13805206,13805207,13805208,13805209,13805205\" orderby=\"rand\"]\u003c/p>\n\u003cp>Check out our highlights from the first day of the festival and stay tuned for live updates on Instagram throughout the weekend.\u003c/p>\n\u003cfigure id=\"attachment_13805220\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_4308.jpg\" alt=\"Kali Uchis performs at the Outside Lands music festival in San Francisco, Aug. 11, 2017.\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13805220\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-520x347.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kali Uchis performs at the Outside Lands music festival in San Francisco, Aug. 11, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Kali Uchis\u003c/h3>\n\u003cp>Kali Uchis hails from Virginia by way of Colombia, has proven herself to be an artist with vision since her 2013 debut, \u003cem>Drunken Babble\u003c/em>. Her soul-tinged pop, though audibly contemporary, is a direct descendent of lowrider oldies from the ’60s and ’70s. And her pastel-hued wardrobe and music videos complement her vintage sound to a T. Uchis brought all of these elements to life on stage on Friday night at Outside Lands following her sold-out show at the Rickshaw Stop the previous evening. Dressed in all white, she delivered gorgeous vocals in her signature pout, swaying, twirling, and shaking her hips for the audience like the late, great Selena. Tracks from her last project, like “Ridin’ Round,” were audience favorites, but her cover of Elvis Crespo’s “Suavemente” turned into an all-out, Santana-style jam session with a raging dance party to match.\u003c/p>\n\u003cfigure id=\"attachment_13805221\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_4328.jpg\" alt=\"Henry Rollins performs at the Outside Lands music festival in San Francisco, Aug. 11, 2017.\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13805221\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-520x347.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Henry Rollins performs at the Outside Lands music festival in San Francisco, Aug. 11, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Henry Rollins\u003c/h3>\n\u003cp>Henry Rollins, the former frontman of legendary ’80s punk band Black Flag, has never had trouble staying in the public eye. After Black Flag disbanded in 1986, he continued a successful solo career with Rollins Band. And in recent years, he’s gained a reputation as an outspoken, progressive media personality with his regular op-eds in the \u003cem>LA Weekly\u003c/em>. Rollins brought his impassioned political viewpoints to the stage at \u003ca href=\"http://lineup.sfoutsidelands.com/?sort=thebarbary\" target=\"_blank\" rel=\"noopener\">The Barbary\u003c/a>, Outside Lands’ comedy tent. In contrast to the hypersensitive stereotype of the liberal “snowflake,” he laid out his progressive politics with plenty of irreverent — and sometimes raunchy — humor. He took jabs at the Trump administration and called out fellow rock legend Ted Nugent for his racism and homophobia. But Rollins remained uproariously self-deprecating throughout, describing in detail how he bombed his comedy show the night of the 2016 election and sharing hilariously humbling experiences from his activist endeavors rather than painting himself as a savior.\u003c/p>\n\u003cfigure id=\"attachment_13805230\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_4474.jpg\" alt=\"Noname performs at the Outside Lands music festival in San Francisco, Aug. 11, 2017.\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13805230\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-520x347.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Noname performs at the Outside Lands music festival in San Francisco, Aug. 11, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Noname\u003c/h3>\n\u003cp>Rising Chicago star Noname exuded effortless cool at Outside Lands on Friday night as she strutted across the stage in her denim jacket and halo of curls. The rapper, born Fatimah Warner, got her start competing in poetry slams before acquiring a cult following with her 2016 musical debut, \u003cem>Telefone\u003c/em>. On the mixtape, her rap style is conversational and casual; on stage at Outside Lands, she revved up her motormouth flows and gave her set her all. Tracks like “Yesterday” and “Shadow Man,” both crowd favorites during her performance, were evocative streams of consciousness that prove Noname is a thoughtful — and sometimes pretty funny — observer of the human condition. She has a habit of being plainspoken yet profound: “Casket Pretty,” which she also performed, is a track about losing too many friends to Chicago’s gun violence epidemic. Although Noname admitted that the crowd of mostly white faces made her nervous as she performed the loaded song, the audience gave her reassurance to forge on.\u003c/p>\n\u003cfigure id=\"attachment_10223204\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/Future-Islands-014-e1418851989347.jpg\" alt=\"\" width=\"800\" height=\"480\" class=\"size-full wp-image-10223204\">\u003cfigcaption class=\"wp-caption-text\">Future Islands\u003c/figcaption>\u003c/figure>\n\u003ch3>Future Islands\u003c/h3>\n\u003cp>Baltimore indie rock band Future Islands will probably always be associated with their 2014 performance on \u003cem>The Late Show\u003c/em>, where they managed, in a rare feat, to \u003ca href=\"https://www.youtube.com/watch?v=GK4lD3Uf8_o\" target=\"_blank\" rel=\"noopener\">leave David Letterman astounded.\u003c/a>. Indeed, singer Samuel T. Herring’s emotional delivery is incredibly cathartic; Friday night, he danced, writhed, and clenched his fists as he sang the band’s best-known songs, “Seasons (Waiting On You)” and “Ran,” throwing his entire body into his passionate performance. The band’s driving percussion, punchy bass lines, and melodious synths counterbalanced Herring’s display of raw feeling with the structure of ’80s new wave. Future Islands have one of the most distinct styles out there. And it turns out they’re incredibly fun to dance to, especially if you have a heartbreak you need to shake off.\u003c/p>\n\u003cfigure id=\"attachment_13805257\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_4872.jpg\" alt=\"The crowd watch Gorillaz at the Outside Lands music festival in San Francisco, Aug. 11, 2017.\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13805257\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-520x347.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd watch Gorillaz at the Outside Lands music festival in San Francisco, Aug. 11, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Gorillaz\u003c/h3>\n\u003cp>A cartoon band was the perfect way for Damon Albarn, the lead singer of ’90s rock band Blur, to reinvent himself at the start of the new millennium. Gorillaz’ fictional personas gave Albarn the freedom to collaborate with a wide range of musicians, creating a fusion of pop, hip-hop, rock, and even disco and trip-hop that was well ahead of its time. (Calvin Harris, for instance, is currently toping charts with a similarly eclectic, danceable mix of genres.) Gorillaz, whose new album \u003cem>Humanz\u003c/em> came out in April, are now well past the gimmick of a virtual band. During their nearly two-hour headlining set, Albarn rocked out on stage to classics like “Feel Good Inc” and “Clint Eastwood.” But there were also plenty of surprises: Little Dragon, Pusha T, Kali Uchis, Del the Funky Homosapien, and even British rapper Little Simz joined Gorillaz on stage at various points of the evening. Albarn commanded the stage like the spectacle’s ringleader, closing Outside Lands’ first day with panache.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "The 10th annual Outside Lands kicked off with Gorillaz, Future Islands, Noname, Henry Rollins, Kali Uchis and more.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Friday afternoon, the masses descended upon Golden Gate Park for the annual, three-day marathon of music, comedy, food and mayhem that is Outside Lands. And if the first day was any indication, a little more magic is in the air than usual: After all, this year is \u003ca href=\"https://ww2.kqed.org/arts/2017/08/10/10-years-of-outside-lands-a-look-back-in-pictures/\" target=\"_blank\" rel=\"noopener\">the festival’s 10th anniversary\u003c/a>. The lineup is more star-studded and diverse than ever. And we’re keeping our eyes peeled for surprise guests and \u003ca href=\"https://twitter.com/sirpatstew/status/498589583509311488?lang=en\" target=\"_blank\" rel=\"noopener\">celebrity sightings\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Check out our highlights from the first day of the festival and stay tuned for live updates on Instagram throughout the weekend.\u003c/p>\n\u003cfigure id=\"attachment_13805220\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_4308.jpg\" alt=\"Kali Uchis performs at the Outside Lands music festival in San Francisco, Aug. 11, 2017.\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13805220\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4308-520x347.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kali Uchis performs at the Outside Lands music festival in San Francisco, Aug. 11, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Kali Uchis\u003c/h3>\n\u003cp>Kali Uchis hails from Virginia by way of Colombia, has proven herself to be an artist with vision since her 2013 debut, \u003cem>Drunken Babble\u003c/em>. Her soul-tinged pop, though audibly contemporary, is a direct descendent of lowrider oldies from the ’60s and ’70s. And her pastel-hued wardrobe and music videos complement her vintage sound to a T. Uchis brought all of these elements to life on stage on Friday night at Outside Lands following her sold-out show at the Rickshaw Stop the previous evening. Dressed in all white, she delivered gorgeous vocals in her signature pout, swaying, twirling, and shaking her hips for the audience like the late, great Selena. Tracks from her last project, like “Ridin’ Round,” were audience favorites, but her cover of Elvis Crespo’s “Suavemente” turned into an all-out, Santana-style jam session with a raging dance party to match.\u003c/p>\n\u003cfigure id=\"attachment_13805221\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_4328.jpg\" alt=\"Henry Rollins performs at the Outside Lands music festival in San Francisco, Aug. 11, 2017.\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13805221\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4328-520x347.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Henry Rollins performs at the Outside Lands music festival in San Francisco, Aug. 11, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Henry Rollins\u003c/h3>\n\u003cp>Henry Rollins, the former frontman of legendary ’80s punk band Black Flag, has never had trouble staying in the public eye. After Black Flag disbanded in 1986, he continued a successful solo career with Rollins Band. And in recent years, he’s gained a reputation as an outspoken, progressive media personality with his regular op-eds in the \u003cem>LA Weekly\u003c/em>. Rollins brought his impassioned political viewpoints to the stage at \u003ca href=\"http://lineup.sfoutsidelands.com/?sort=thebarbary\" target=\"_blank\" rel=\"noopener\">The Barbary\u003c/a>, Outside Lands’ comedy tent. In contrast to the hypersensitive stereotype of the liberal “snowflake,” he laid out his progressive politics with plenty of irreverent — and sometimes raunchy — humor. He took jabs at the Trump administration and called out fellow rock legend Ted Nugent for his racism and homophobia. But Rollins remained uproariously self-deprecating throughout, describing in detail how he bombed his comedy show the night of the 2016 election and sharing hilariously humbling experiences from his activist endeavors rather than painting himself as a savior.\u003c/p>\n\u003cfigure id=\"attachment_13805230\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_4474.jpg\" alt=\"Noname performs at the Outside Lands music festival in San Francisco, Aug. 11, 2017.\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13805230\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4474-520x347.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Noname performs at the Outside Lands music festival in San Francisco, Aug. 11, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Noname\u003c/h3>\n\u003cp>Rising Chicago star Noname exuded effortless cool at Outside Lands on Friday night as she strutted across the stage in her denim jacket and halo of curls. The rapper, born Fatimah Warner, got her start competing in poetry slams before acquiring a cult following with her 2016 musical debut, \u003cem>Telefone\u003c/em>. On the mixtape, her rap style is conversational and casual; on stage at Outside Lands, she revved up her motormouth flows and gave her set her all. Tracks like “Yesterday” and “Shadow Man,” both crowd favorites during her performance, were evocative streams of consciousness that prove Noname is a thoughtful — and sometimes pretty funny — observer of the human condition. She has a habit of being plainspoken yet profound: “Casket Pretty,” which she also performed, is a track about losing too many friends to Chicago’s gun violence epidemic. Although Noname admitted that the crowd of mostly white faces made her nervous as she performed the loaded song, the audience gave her reassurance to forge on.\u003c/p>\n\u003cfigure id=\"attachment_10223204\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/Future-Islands-014-e1418851989347.jpg\" alt=\"\" width=\"800\" height=\"480\" class=\"size-full wp-image-10223204\">\u003cfigcaption class=\"wp-caption-text\">Future Islands\u003c/figcaption>\u003c/figure>\n\u003ch3>Future Islands\u003c/h3>\n\u003cp>Baltimore indie rock band Future Islands will probably always be associated with their 2014 performance on \u003cem>The Late Show\u003c/em>, where they managed, in a rare feat, to \u003ca href=\"https://www.youtube.com/watch?v=GK4lD3Uf8_o\" target=\"_blank\" rel=\"noopener\">leave David Letterman astounded.\u003c/a>. Indeed, singer Samuel T. Herring’s emotional delivery is incredibly cathartic; Friday night, he danced, writhed, and clenched his fists as he sang the band’s best-known songs, “Seasons (Waiting On You)” and “Ran,” throwing his entire body into his passionate performance. The band’s driving percussion, punchy bass lines, and melodious synths counterbalanced Herring’s display of raw feeling with the structure of ’80s new wave. Future Islands have one of the most distinct styles out there. And it turns out they’re incredibly fun to dance to, especially if you have a heartbreak you need to shake off.\u003c/p>\n\u003cfigure id=\"attachment_13805257\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_4872.jpg\" alt=\"The crowd watch Gorillaz at the Outside Lands music festival in San Francisco, Aug. 11, 2017.\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13805257\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4872-520x347.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd watch Gorillaz at the Outside Lands music festival in San Francisco, Aug. 11, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Gorillaz\u003c/h3>\n\u003cp>A cartoon band was the perfect way for Damon Albarn, the lead singer of ’90s rock band Blur, to reinvent himself at the start of the new millennium. Gorillaz’ fictional personas gave Albarn the freedom to collaborate with a wide range of musicians, creating a fusion of pop, hip-hop, rock, and even disco and trip-hop that was well ahead of its time. (Calvin Harris, for instance, is currently toping charts with a similarly eclectic, danceable mix of genres.) Gorillaz, whose new album \u003cem>Humanz\u003c/em> came out in April, are now well past the gimmick of a virtual band. During their nearly two-hour headlining set, Albarn rocked out on stage to classics like “Feel Good Inc” and “Clint Eastwood.” But there were also plenty of surprises: Little Dragon, Pusha T, Kali Uchis, Del the Funky Homosapien, and even British rapper Little Simz joined Gorillaz on stage at various points of the evening. Albarn commanded the stage like the spectacle’s ringleader, closing Outside Lands’ first day with panache.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "10 Years of Outside Lands: A Look Back in Photos and Memorable Moments",
"headTitle": "10 Years of Outside Lands: A Look Back in Photos and Memorable Moments | KQED",
"content": "\u003cp>Outside Lands returns for its 10th year this weekend in Golden Gate Park, and there’s no better time to take a look back at the past decade of music, fashion, and people. There’s been some crazy sights at Outside Lands since 2008 — let’s take a look back, shall we?\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2008\u003c/h2>\n\u003cp>[gallery type=\"rectangular\" ids=\"13805024,13805025,13805026,13805027,13805028,13805029,13805030,13805031,13805032,13805033,13805034,13805035,13805036,13805037,13805038,13805039,13805040,13805041,13805042,13805043,13805044,13805045,13805046,13805047,13805048\" orderby=\"rand\"]\u003c/p>\n\u003cp>\u003cstrong>In short\u003c/strong>: 2008 was Radiohead’s big year, when the sound famously went out mid-song. Broken Social Scene, Bon Iver and Lupe Fiasco were favorites, and Nellie McKay swore like a sailor when talking about John McCain’s campaign against Barack Obama. Sharon Jones brought a guy from the crowd onstage and taught him how to bump ‘n’ grind. The Somali rapper K’naan played a transcendental set.\u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: Early in the first day, a 22 oz. can of Budweiser fell on the ground at my feet during Manu Chao’s set. Seconds later, another one came flying over the fence. Then four hands clutched the top of the fence, and the struggling faces of two hopefuls came into view. One guy made it over by sliding head-first into the grass, and the other guy threw himself over in a sideways roll. By that point, a small group of onlookers gathered, and they all applauded while the guys grabbed their cold ones and ran off into the crowd. It would be the first of many attempts — some successful, some not — to \u003cstrong>crash the gates\u003c/strong> at Outside Lands.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2009\u003c/h2>\n\u003cp>[gallery type=\"rectangular\" ids=\"13805051,13805052,13805053,13805054,13805055,13805056,13805057,13805058,13805059,13805061,13805062,13805063,13805064,13805065\" orderby=\"rand\"]\u003c/p>\n\u003cp>\u003cstrong>In short\u003c/strong>: 2009 was marked with sadness, as the Beastie Boys had to cancel due to Adam Yauch’s throat cancer. Nobody I knew was happy about their replacement, Tenacious D. The Dead Weather and M.I.A. were both at the height of their powers, and Tom Jones proved an amusing and popular addition — a precursor to the festival’s tradition of booking legacy acts.\u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: \u003cstrong>Q-Tip’s\u003c/strong> set had already been stellar, and when he started into old Tribe Called Quest favorites — “Scenario,” “Oh My God,” “Check the Rhime” — the crowd lost their collective mind. But that was nothing compared to what happened next, when he brought out surprise guest Phife Dawg — the two weren’t on great terms in those days — for “Award Tour.” Looking back on that moment now, with Phife gone, is pretty emotional:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=PTwKWV5Sx94\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2010\u003c/h2>\n\u003cp>[gallery type=\"rectangular\" ids=\"13805087,13805086,13805085,13805084,13805080,13805081,13805082,13805083,13805079,13805078,13805077\" orderby=\"rand\"]\u003c/p>\n\u003cp>\u003cstrong>In short\u003c/strong>: Ah, 2010, the year Al Green gave about 10 dozen single roses to ladies in the front row. Phoenix, the Devil Makes Three, and Garage a Trois were highlights. Nas, performing with Damian Marley, accidentally called Africa a “country.” The Budos Band played in the KUSF tent and killed it.\u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: Fifteen minutes late due to a late flight, \u003cstrong>Janelle Monae\u003c/strong> took to the stage in a black hooded cape, sang the hell out of her songs, danced up a tornado and defied normal human behavior. She even sang Charlie Chaplin’s “Smile,” probably the greatest song about depression ever written. When she ended with “Tightrope,” I walked around the crowd and came upon a dude who was doing backflips and smoking a joint at the same time. Amazing.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2011\u003c/h2>\n\u003cp>[gallery type=\"rectangular\" ids=\"13805089,13805090,13805092,13805093,13805094,13805095,13805096,13805097,13805098,13805099,13805100,13805101,13805102,13805103,13805104,13805105,13805106,13805107,13805108,13805109,13805110\" orderby=\"rand\"]\u003c/p>\n\u003cp>\u003cstrong>In short\u003c/strong>: 2011 was the year that Big Boi’s performance was derailed by an unexplained problem with his laptop DJ, and so Dave Chappelle came out for two minutes and placated the crowd. Ellie Goulding was a lesser-known name in the fine print of the lineup, right on the cusp of superstardom. The Meters and tUnE-yArDs were superb, Major Lazer completely destroyed a record-breaking crowd, and Arcade Fire was still capable of generating mass excitement and uplift. For some reason, watermelon-smashing right-wing wacko Gallagher did a comedy set.\u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: Definitely \u003cstrong>Erykah Badu\u003c/strong>. She opened with “The Healer,” dragging out the chorus at the end: “Hip hop / It’s bigger than the government,” and then led her band into Graham Central Station’s “Happy to See You Again” a capella. Later, they interpolated Freddie Hubbard’s “Red Clay” and Afrika Bambaata’s “Planet Rock.” There were four backup singers, a flute player, a percussionist, the songs were all over the place, it was nuts. Badu herself hovered above, under, in and out of all of it, navigating the shape-shifting arrangements with ease. It was like some miracle from I don’t know where.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2012\u003c/h2>\n\u003cp>[gallery type=\"rectangular\" ids=\"13805111,13805112,13805113,13805114,13805115,13805116,13805117,13805118,13805119\" orderby=\"rand\"]\u003c/p>\n\u003cp>\u003cstrong>In short\u003c/strong>: 2012 is when it really start to feel like a banner festival. The first few years of Outside Lands felt music-centered, but Outside Lands was an \u003cem>experience\u003c/em> in 2012, a thing you and all your friends go to, a water-cooler discussion, an Instagram feeding frenzy. “Someday, Another Planet Entertainment may be able to sell it out without even announcing the lineup,” I wrote at the time. Three years later, for early-bird passes, \u003ca href=\"https://ww2.kqed.org/arts/2016/03/30/no-lineup-no-problem-outside-lands-tickets-go-on-sale-anyway/\" target=\"_blank\" rel=\"noopener\">they did\u003c/a>.\u003c/p>\n\u003cp>Neil Young played a long, maddening set with Crazy Horse, Reggie Watts amused a stoned crowd, and Sharon Van Etten was the year’s best surprise. Even Skrillex was outstanding.\u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: American treasure \u003cstrong>Stevie Wonder\u003c/strong> opened with Marvin Gaye’s “How Sweet It Is,” and then a few songs later did “The Way You Make Me Feel” by Michael Jackson. “It is time to give your love to those who are less fortunate!” he declared, during election season. “It’s time to re-elect Barack Obama!” “Master Blaster,” “Sir Duke,” “My Cherie Amour” and “Living for the City” gave way to “Signed, Sealed, Delivered,” which was perfect in every way. He succeeded in uniting 40,000 people. It was the best way to close out the weekend.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2013\u003c/h2>\n\u003cfigure id=\"attachment_13805016\" class=\"wp-caption aligncenter\" style=\"max-width: 612px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/WillieNelson.jpg\" alt=\"Willie Nelson with John Stamos on congas at Outside Lands, 2013. \" width=\"612\" height=\"612\" class=\"size-full wp-image-13805016\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson.jpg 612w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-150x150.jpg 150w\" sizes=\"(max-width: 612px) 100vw, 612px\">\u003cfigcaption class=\"wp-caption-text\">Willie Nelson with John Stamos on congas at Outside Lands, 2013. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>In short\u003c/strong>: Paul McCartney played in 2013 and, in a \u003ca href=\"http://sanfrancisco.cbslocal.com/2013/08/19/phil-matier-paul-mccartney-to-headline-final-candlestick-concert/\" target=\"_blank\" rel=\"noopener\">backstage meeting\u003c/a> with Mayor Ed Lee, agreed to play the final concert ever at Candlestick Park the next year. The Red Hot Chili Peppers, Nine Inch Nails and Jurassic 5 brought back ’90s vibes. Nile Rodgers showed up with Chic for a dance party.\u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: Always doing things his way, \u003cstrong>Willie Nelson\u003c/strong> drove to the stage through the crowd in a white van, strapped on his beat-up guitar with a saxophone strap, threw his hat into the audience, and proceeded to play gorgeous song after gorgeous song to the most carefree, fun-loving crowd Outside Lands has seen. John Stamos from \u003cem>Full House\u003c/em> stood to the side of the stage, making eyes and flirting with girls in the crowd before simply joining the band on congas. At the end, the Grateful Dead’s Bob Weir joined in for a finale of “Roll Me Up and Smoke Me When I Die.” Never seen a set at Outside Lands quite like it.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2014\u003c/h2>\n\u003cp>[gallery type=\"rectangular\" ids=\"13805121,13805122,13805123,13805124,13805125,13805127,13805128,13805129,13805131,13805132,13805133,13805134,13805135,13805136,13805137,13805138,13805139,13805140,13805141\" orderby=\"rand\"]\u003c/p>\n\u003cp>\u003cstrong>In short\u003c/strong>: Kanye West headlined in 2014 in darkness, with the large TV screens turned off. Haim and Atmosphere attracted giant crowds. Tom Petty returned, while Patrick Stewart showed up for an early appearance with the Improvised Shakespeare Company. And Big Freedia began an annual tradition of “\u003ca href=\"https://www.instagram.com/p/rf6jpLySd6/\" target=\"_blank\" rel=\"noopener\">Booty & Beignets\u003c/a>.”\u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: Whatever intangible mixture \u003cstrong>Christopher Owens\u003c/strong> used to infuse his set worked beautifully. By far the calmest, most subdued performer all weekend, he also used his band — including an organist and two gospel backup singers — to reach ethereal heights and win over new fans.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2015\u003c/h2>\n\u003cp>[gallery type=\"rectangular\" ids=\"10885093,10885096,10885098,10885099,10885100,10885104,10885105,10885108,10886954,10886957,10886958,10886963,10886964,10886970,10886973,10888721,10888719,10886974,10888717,10888727,10888734,10888736,10888737,10888729\" orderby=\"rand\"]\u003c/p>\n\u003cp>\u003cstrong>In short\u003c/strong>: D’Angelo made his mighty return in 2015, while St. Vincent stole hearts. Billy Idol and Elton John held down the Generation X crowd, and a wild tribute to the band from \u003cem>Coming to America\u003c/em> wore powder-blue tuxedos. Fantastic Negrito was detained by the zealous SFPD in a very sketchy situation involving allegations of scalped tickets. Nobody could resist Dan Deacon.\u003c/p>\n\u003cp>https://www.instagram.com/p/6L0CXCSSRC/\u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: History will not be kind to the scheduling of professional Subaru salesmen the Black Keys on the main stage in the same time slot as \u003cstrong>Kendrick Lamar\u003c/strong>, on the second stage. Though insanely crowded, the whole we’re-all-in-tight-together thing just felt right. Kendrick turned in a festival-friendly set lopsided toward earlier hits instead of dipping deep into the highly politicized, musically experimental material from his just-released masterpiece \u003cem>To Pimp a Butterfly\u003c/em>. But as it stood, he did “i,” “King Kunta,” and for set closer “Alright,” Kendrick dedicated the song to a guy crowd-surfing \u003cem>in a wheelchair\u003c/em>. It was Kendrick’s year. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2016\u003c/h2>\n\u003cp>[gallery type=\"rectangular\" ids=\"11901951,11903497,11903671,11903679,11903678,11903682,11903684,11907405,11907960,11907961,11907970,11907966,11907968,11911965,11907977,11911972,11907978,11911976,11911973,11911974,11912298\" orderby=\"rand\"]\u003c/p>\n\u003cp>\u003cstrong>In short\u003c/strong>: The return of LCD Soundsystem in 2016, after just five years of being broken up, was a reminder that nostalgia ain’t what it used to be. 1980s acts like Duran Duran and Lionel Richie were satisfying, as were newer stars like Kehlani, Chance the Rapper, Grimes and Lana Del Rey. Anderson .Paak stole the night from Radiohead, and E-40 played a jam-packed surprise set. \u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: The hilarious 1970s band from \u003cstrong>The Muppet Show\u003c/strong> (with the help of operators beneath a riser) played a 25-minute set that could have easily been some kind of tech marketing ploy trading on nostalgia. Instead, it felt as pure as the original television shows and movies, with Janice, Dr. Teeth, Animal and the gang joking about operating an “illegal bed and breakfast” in San Franciso’s Haight Street heyday and bringing on the Oakland Interfaith Gospel Choir for a Joe Cocker-inspired version of “With a Little Help from my Friends.” After the smoke settled, the crew of Muppet operators emerged from beneath the riser to a huge burst of screams and applause. \u003c/p>\n\u003cp>Want more recent coverage from 2017 and beyond? \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\" rel=\"noopener\" target=\"_blank\">See here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Aaaaaaand… that’s a wrap!\u003c/strong> I’ll let local favorites \u003cstrong>Con Brio\u003c/strong>, from the finale of their 2016 set, play us off:\u003c/p>\n\u003cp>https://www.instagram.com/p/BIybAeQg1yd/\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>The 10th annual Outside Lands Music Festival runs Friday–Sunday, Aug. 11–13, in Golden Gate Park. \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>. Photos by Gabe Meline, Liz Seward, Estefany Gonzalez, Wendy Goodfriend and David Korman.\u003c/em>\u003c/p>\n\n",
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"excerpt": "Outside Lands returns for its 10th year this weekend, and there's no better time to look back at the past decade of music, fashion, and people at the festival.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Outside Lands returns for its 10th year this weekend in Golden Gate Park, and there’s no better time to take a look back at the past decade of music, fashion, and people. There’s been some crazy sights at Outside Lands since 2008 — let’s take a look back, shall we?\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2008\u003c/h2>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>In short\u003c/strong>: 2008 was Radiohead’s big year, when the sound famously went out mid-song. Broken Social Scene, Bon Iver and Lupe Fiasco were favorites, and Nellie McKay swore like a sailor when talking about John McCain’s campaign against Barack Obama. Sharon Jones brought a guy from the crowd onstage and taught him how to bump ‘n’ grind. The Somali rapper K’naan played a transcendental set.\u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: Early in the first day, a 22 oz. can of Budweiser fell on the ground at my feet during Manu Chao’s set. Seconds later, another one came flying over the fence. Then four hands clutched the top of the fence, and the struggling faces of two hopefuls came into view. One guy made it over by sliding head-first into the grass, and the other guy threw himself over in a sideways roll. By that point, a small group of onlookers gathered, and they all applauded while the guys grabbed their cold ones and ran off into the crowd. It would be the first of many attempts — some successful, some not — to \u003cstrong>crash the gates\u003c/strong> at Outside Lands.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2009\u003c/h2>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>In short\u003c/strong>: 2009 was marked with sadness, as the Beastie Boys had to cancel due to Adam Yauch’s throat cancer. Nobody I knew was happy about their replacement, Tenacious D. The Dead Weather and M.I.A. were both at the height of their powers, and Tom Jones proved an amusing and popular addition — a precursor to the festival’s tradition of booking legacy acts.\u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: \u003cstrong>Q-Tip’s\u003c/strong> set had already been stellar, and when he started into old Tribe Called Quest favorites — “Scenario,” “Oh My God,” “Check the Rhime” — the crowd lost their collective mind. But that was nothing compared to what happened next, when he brought out surprise guest Phife Dawg — the two weren’t on great terms in those days — for “Award Tour.” Looking back on that moment now, with Phife gone, is pretty emotional:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/PTwKWV5Sx94'\n title='//www.youtube.com/embed/PTwKWV5Sx94'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2010\u003c/h2>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>In short\u003c/strong>: Ah, 2010, the year Al Green gave about 10 dozen single roses to ladies in the front row. Phoenix, the Devil Makes Three, and Garage a Trois were highlights. Nas, performing with Damian Marley, accidentally called Africa a “country.” The Budos Band played in the KUSF tent and killed it.\u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: Fifteen minutes late due to a late flight, \u003cstrong>Janelle Monae\u003c/strong> took to the stage in a black hooded cape, sang the hell out of her songs, danced up a tornado and defied normal human behavior. She even sang Charlie Chaplin’s “Smile,” probably the greatest song about depression ever written. When she ended with “Tightrope,” I walked around the crowd and came upon a dude who was doing backflips and smoking a joint at the same time. Amazing.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2011\u003c/h2>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>In short\u003c/strong>: 2011 was the year that Big Boi’s performance was derailed by an unexplained problem with his laptop DJ, and so Dave Chappelle came out for two minutes and placated the crowd. Ellie Goulding was a lesser-known name in the fine print of the lineup, right on the cusp of superstardom. The Meters and tUnE-yArDs were superb, Major Lazer completely destroyed a record-breaking crowd, and Arcade Fire was still capable of generating mass excitement and uplift. For some reason, watermelon-smashing right-wing wacko Gallagher did a comedy set.\u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: Definitely \u003cstrong>Erykah Badu\u003c/strong>. She opened with “The Healer,” dragging out the chorus at the end: “Hip hop / It’s bigger than the government,” and then led her band into Graham Central Station’s “Happy to See You Again” a capella. Later, they interpolated Freddie Hubbard’s “Red Clay” and Afrika Bambaata’s “Planet Rock.” There were four backup singers, a flute player, a percussionist, the songs were all over the place, it was nuts. Badu herself hovered above, under, in and out of all of it, navigating the shape-shifting arrangements with ease. It was like some miracle from I don’t know where.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2012\u003c/h2>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>In short\u003c/strong>: 2012 is when it really start to feel like a banner festival. The first few years of Outside Lands felt music-centered, but Outside Lands was an \u003cem>experience\u003c/em> in 2012, a thing you and all your friends go to, a water-cooler discussion, an Instagram feeding frenzy. “Someday, Another Planet Entertainment may be able to sell it out without even announcing the lineup,” I wrote at the time. Three years later, for early-bird passes, \u003ca href=\"https://ww2.kqed.org/arts/2016/03/30/no-lineup-no-problem-outside-lands-tickets-go-on-sale-anyway/\" target=\"_blank\" rel=\"noopener\">they did\u003c/a>.\u003c/p>\n\u003cp>Neil Young played a long, maddening set with Crazy Horse, Reggie Watts amused a stoned crowd, and Sharon Van Etten was the year’s best surprise. Even Skrillex was outstanding.\u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: American treasure \u003cstrong>Stevie Wonder\u003c/strong> opened with Marvin Gaye’s “How Sweet It Is,” and then a few songs later did “The Way You Make Me Feel” by Michael Jackson. “It is time to give your love to those who are less fortunate!” he declared, during election season. “It’s time to re-elect Barack Obama!” “Master Blaster,” “Sir Duke,” “My Cherie Amour” and “Living for the City” gave way to “Signed, Sealed, Delivered,” which was perfect in every way. He succeeded in uniting 40,000 people. It was the best way to close out the weekend.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2013\u003c/h2>\n\u003cfigure id=\"attachment_13805016\" class=\"wp-caption aligncenter\" style=\"max-width: 612px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/WillieNelson.jpg\" alt=\"Willie Nelson with John Stamos on congas at Outside Lands, 2013. \" width=\"612\" height=\"612\" class=\"size-full wp-image-13805016\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson.jpg 612w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/WillieNelson-150x150.jpg 150w\" sizes=\"(max-width: 612px) 100vw, 612px\">\u003cfigcaption class=\"wp-caption-text\">Willie Nelson with John Stamos on congas at Outside Lands, 2013. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>In short\u003c/strong>: Paul McCartney played in 2013 and, in a \u003ca href=\"http://sanfrancisco.cbslocal.com/2013/08/19/phil-matier-paul-mccartney-to-headline-final-candlestick-concert/\" target=\"_blank\" rel=\"noopener\">backstage meeting\u003c/a> with Mayor Ed Lee, agreed to play the final concert ever at Candlestick Park the next year. The Red Hot Chili Peppers, Nine Inch Nails and Jurassic 5 brought back ’90s vibes. Nile Rodgers showed up with Chic for a dance party.\u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: Always doing things his way, \u003cstrong>Willie Nelson\u003c/strong> drove to the stage through the crowd in a white van, strapped on his beat-up guitar with a saxophone strap, threw his hat into the audience, and proceeded to play gorgeous song after gorgeous song to the most carefree, fun-loving crowd Outside Lands has seen. John Stamos from \u003cem>Full House\u003c/em> stood to the side of the stage, making eyes and flirting with girls in the crowd before simply joining the band on congas. At the end, the Grateful Dead’s Bob Weir joined in for a finale of “Roll Me Up and Smoke Me When I Die.” Never seen a set at Outside Lands quite like it.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2014\u003c/h2>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>In short\u003c/strong>: Kanye West headlined in 2014 in darkness, with the large TV screens turned off. Haim and Atmosphere attracted giant crowds. Tom Petty returned, while Patrick Stewart showed up for an early appearance with the Improvised Shakespeare Company. And Big Freedia began an annual tradition of “\u003ca href=\"https://www.instagram.com/p/rf6jpLySd6/\" target=\"_blank\" rel=\"noopener\">Booty & Beignets\u003c/a>.”\u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: Whatever intangible mixture \u003cstrong>Christopher Owens\u003c/strong> used to infuse his set worked beautifully. By far the calmest, most subdued performer all weekend, he also used his band — including an organist and two gospel backup singers — to reach ethereal heights and win over new fans.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2015\u003c/h2>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>In short\u003c/strong>: D’Angelo made his mighty return in 2015, while St. Vincent stole hearts. Billy Idol and Elton John held down the Generation X crowd, and a wild tribute to the band from \u003cem>Coming to America\u003c/em> wore powder-blue tuxedos. Fantastic Negrito was detained by the zealous SFPD in a very sketchy situation involving allegations of scalped tickets. Nobody could resist Dan Deacon.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: History will not be kind to the scheduling of professional Subaru salesmen the Black Keys on the main stage in the same time slot as \u003cstrong>Kendrick Lamar\u003c/strong>, on the second stage. Though insanely crowded, the whole we’re-all-in-tight-together thing just felt right. Kendrick turned in a festival-friendly set lopsided toward earlier hits instead of dipping deep into the highly politicized, musically experimental material from his just-released masterpiece \u003cem>To Pimp a Butterfly\u003c/em>. But as it stood, he did “i,” “King Kunta,” and for set closer “Alright,” Kendrick dedicated the song to a guy crowd-surfing \u003cem>in a wheelchair\u003c/em>. It was Kendrick’s year. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003ch2>2016\u003c/h2>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>In short\u003c/strong>: The return of LCD Soundsystem in 2016, after just five years of being broken up, was a reminder that nostalgia ain’t what it used to be. 1980s acts like Duran Duran and Lionel Richie were satisfying, as were newer stars like Kehlani, Chance the Rapper, Grimes and Lana Del Rey. Anderson .Paak stole the night from Radiohead, and E-40 played a jam-packed surprise set. \u003c/p>\n\u003cp>\u003cstrong>Most Memorable Moment\u003c/strong>: The hilarious 1970s band from \u003cstrong>The Muppet Show\u003c/strong> (with the help of operators beneath a riser) played a 25-minute set that could have easily been some kind of tech marketing ploy trading on nostalgia. Instead, it felt as pure as the original television shows and movies, with Janice, Dr. Teeth, Animal and the gang joking about operating an “illegal bed and breakfast” in San Franciso’s Haight Street heyday and bringing on the Oakland Interfaith Gospel Choir for a Joe Cocker-inspired version of “With a Little Help from my Friends.” After the smoke settled, the crew of Muppet operators emerged from beneath the riser to a huge burst of screams and applause. \u003c/p>\n\u003cp>Want more recent coverage from 2017 and beyond? \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\" rel=\"noopener\" target=\"_blank\">See here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Aaaaaaand… that’s a wrap!\u003c/strong> I’ll let local favorites \u003cstrong>Con Brio\u003c/strong>, from the finale of their 2016 set, play us off:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>The 10th annual Outside Lands Music Festival runs Friday–Sunday, Aug. 11–13, in Golden Gate Park. \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>. Photos by Gabe Meline, Liz Seward, Estefany Gonzalez, Wendy Goodfriend and David Korman.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Outside Lands 2017 Lineup: Metallica, Lorde, Gorillaz, The Who, A Tribe Called Quest",
"headTitle": "Outside Lands 2017 Lineup: Metallica, Lorde, Gorillaz, The Who, A Tribe Called Quest | KQED",
"content": "\u003cp>After weeks of speculation (and about \u003ca href=\"https://ww2.kqed.org/arts/2017/03/28/still-no-lineup-but-outside-lands-2017-tickets-go-on-sale-this-thursday/\">a week of people buying rather pricey tickets regardless of who was playing\u003c/a>), the lineup for this year’s \u003ca href=\"https://www.sfoutsidelands.com\" target=\"_blank\" rel=\"noopener\">Outside Lands Music Festival\u003c/a>, taking place Aug. 11 – 13 in Golden Gate Park, arrived this morning.\u003c/p>\n\u003cp>Headliners include Metallica, Lorde, the newly reunited Gorillaz, A Tribe Called Quest and The Who (in that requisite legacy act spot). Note that usually there are just three names in this top line, one for each night of the festival — whom, we wonder, will be sharing the spotlight on a given evening? Big names farther down the poster include Solange, Queens of the Stone Age, Fleet Foxes, Little Dragon, Tove Lo… the list goes on. On the local tip (aside from, \u003ca href=\"https://ww2.kqed.org/arts/2016/12/20/metallicas-james-hetfield-says-he-left-marin-because-of-bay-area-attitude/\" target=\"_blank\" rel=\"noopener\">er, Metallica\u003c/a>) it’s nice to see the Bay Area’s women represented with K. Flay, Kamaiyah, and The Shes.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13002335\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-800x800.jpg\" alt=\"17760995_10154188424771148_4353349440459346477_o\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-1180x1180.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-150x150.jpg 150w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o.jpg 1203w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>With food, booze and comedy lineups still to come, three-day tickets ($375 or $795, depending on whether or not you’re Very Important) go on sale this \u003ca href=\"https://www.sfoutsidelands.com\" target=\"_blank\" rel=\"noopener\">Thursday, April 6 at 10am right here\u003c/a>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Outside Lands 2017 will take place Aug. 11 – 13 in Golden Gate Park. \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">Tickets and more info here\u003c/a>. Read KQED Arts’ coverage of \u003ca href=\"https://ww2.kqed.org/arts/2016/08/07/outside-lands-2016-saturdays-music-highlights-and-photo-gallery/\" target=\"_blank\" rel=\"noopener\">the 2016 festival here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"excerpt": "Solange, Queens of the Stone Age and a slew of others will play the festival's 10th anniversary this Aug. 11 - 13 in Golden Gate Park. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After weeks of speculation (and about \u003ca href=\"https://ww2.kqed.org/arts/2017/03/28/still-no-lineup-but-outside-lands-2017-tickets-go-on-sale-this-thursday/\">a week of people buying rather pricey tickets regardless of who was playing\u003c/a>), the lineup for this year’s \u003ca href=\"https://www.sfoutsidelands.com\" target=\"_blank\" rel=\"noopener\">Outside Lands Music Festival\u003c/a>, taking place Aug. 11 – 13 in Golden Gate Park, arrived this morning.\u003c/p>\n\u003cp>Headliners include Metallica, Lorde, the newly reunited Gorillaz, A Tribe Called Quest and The Who (in that requisite legacy act spot). Note that usually there are just three names in this top line, one for each night of the festival — whom, we wonder, will be sharing the spotlight on a given evening? Big names farther down the poster include Solange, Queens of the Stone Age, Fleet Foxes, Little Dragon, Tove Lo… the list goes on. On the local tip (aside from, \u003ca href=\"https://ww2.kqed.org/arts/2016/12/20/metallicas-james-hetfield-says-he-left-marin-because-of-bay-area-attitude/\" target=\"_blank\" rel=\"noopener\">er, Metallica\u003c/a>) it’s nice to see the Bay Area’s women represented with K. Flay, Kamaiyah, and The Shes.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13002335\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-800x800.jpg\" alt=\"17760995_10154188424771148_4353349440459346477_o\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-1180x1180.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o-150x150.jpg 150w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/17760995_10154188424771148_4353349440459346477_o.jpg 1203w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>With food, booze and comedy lineups still to come, three-day tickets ($375 or $795, depending on whether or not you’re Very Important) go on sale this \u003ca href=\"https://www.sfoutsidelands.com\" target=\"_blank\" rel=\"noopener\">Thursday, April 6 at 10am right here\u003c/a>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Outside Lands 2017 will take place Aug. 11 – 13 in Golden Gate Park. \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">Tickets and more info here\u003c/a>. Read KQED Arts’ coverage of \u003ca href=\"https://ww2.kqed.org/arts/2016/08/07/outside-lands-2016-saturdays-music-highlights-and-photo-gallery/\" target=\"_blank\" rel=\"noopener\">the 2016 festival here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Still No Lineup, But Outside Lands 2017 Tickets Go On Sale This Thursday",
"headTitle": "Still No Lineup, But Outside Lands 2017 Tickets Go On Sale This Thursday | KQED",
"content": "\u003cp>Do you love Outside Lands? Do you love Outside Lands so much you’re certain you’ll be going, even before you know who’s playing? Have I got news for you!\u003c/p>\n\u003cp>Yes, early-bird three-day passes for \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">Outside Lands 2017\u003c/a> go on sale this Thursday, March 30 at 10am, and if you’re among the festival enthusiasts who can’t wait to spend the weekend of Aug. 11- 13 gettin’ #festy in Golden Gate Park — again, completely regardless of who’s on stage — you should probably get your clicking finger ready: \u003ca href=\"https://ww2.kqed.org/arts/2016/03/30/no-lineup-no-problem-outside-lands-tickets-go-on-sale-anyway/\" target=\"_blank\" rel=\"noopener\">Last year, when the music and food festival first took a cue from Coachella and put a limited quantity of tickets up for sale a full week before announcing the lineup\u003c/a>, said passes sold out within 24 hours.\u003c/p>\n\u003cp>There’s no reason to suspect this year, OSL’s 10th anniversary (meaning yes, that much time has passed since you were there for the infamous Radiohead Sound Problems of 2008) should be any different. The festival, the true jewel in Another Planet Entertainment’s crown, gets bigger every year — with a price tag to match. This year three-day general admission passes go for $355; the VIP option (slightly nicer bathrooms, shorter lines for drinks, invaluable sense of superiority) will be $765.\u003c/p>\n\u003cp>As for that lineup: If wild speculation is your thing, check out \u003ca href=\"http://sfist.com/2017/03/23/likely_outside_lands_performers_bas.php\" target=\"_blank\" rel=\"noopener\">predictions from SFist here\u003c/a>, or the \u003ca href=\"https://www.reddit.com/r/OutsideLands/comments/5xupmi/predictions_for_outside_lands_2017/\" target=\"_blank\" rel=\"noopener\">Outside Lands subreddit here\u003c/a>. Metallica, Lorde, The Weeknd, Arcade Fire, Father John Misty, Wiz Khalifa, and A Tribe Called Quest all seem to be strong maybes so far.\u003c/p>\n\u003cp>More to come as soon as there’s, you know, actual new information to share. In the meantime, head on over to \u003ca href=\"https://www.sfoutsidelands.com\" target=\"_blank\" rel=\"noopener\">sfoutsidelands.com\u003c/a> on Thursday at 10am to snag tickets to the thing, which will absolutely involve music and food. We’ll just be over here picking out this year’s \u003ca href=\"https://ww2.kqed.org/pop/2016/08/04/headed-to-outside-lands-us-too-lets-play-bingo/\" target=\"_blank\" rel=\"noopener\">culturally insensitive headwear\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Outside Lands 2017 will take place Aug. 11 – 13 in Golden Gate Park. \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">Tickets and more info here\u003c/a>. Read KQED Arts’ coverage of \u003ca href=\"https://ww2.kqed.org/arts/2016/08/07/outside-lands-2016-saturdays-music-highlights-and-photo-gallery/\" target=\"_blank\" rel=\"noopener\">the 2016 festival here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Do you love Outside Lands? Do you love Outside Lands so much you’re certain you’ll be going, even before you know who’s playing? Have I got news for you!\u003c/p>\n\u003cp>Yes, early-bird three-day passes for \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">Outside Lands 2017\u003c/a> go on sale this Thursday, March 30 at 10am, and if you’re among the festival enthusiasts who can’t wait to spend the weekend of Aug. 11- 13 gettin’ #festy in Golden Gate Park — again, completely regardless of who’s on stage — you should probably get your clicking finger ready: \u003ca href=\"https://ww2.kqed.org/arts/2016/03/30/no-lineup-no-problem-outside-lands-tickets-go-on-sale-anyway/\" target=\"_blank\" rel=\"noopener\">Last year, when the music and food festival first took a cue from Coachella and put a limited quantity of tickets up for sale a full week before announcing the lineup\u003c/a>, said passes sold out within 24 hours.\u003c/p>\n\u003cp>There’s no reason to suspect this year, OSL’s 10th anniversary (meaning yes, that much time has passed since you were there for the infamous Radiohead Sound Problems of 2008) should be any different. The festival, the true jewel in Another Planet Entertainment’s crown, gets bigger every year — with a price tag to match. This year three-day general admission passes go for $355; the VIP option (slightly nicer bathrooms, shorter lines for drinks, invaluable sense of superiority) will be $765.\u003c/p>\n\u003cp>As for that lineup: If wild speculation is your thing, check out \u003ca href=\"http://sfist.com/2017/03/23/likely_outside_lands_performers_bas.php\" target=\"_blank\" rel=\"noopener\">predictions from SFist here\u003c/a>, or the \u003ca href=\"https://www.reddit.com/r/OutsideLands/comments/5xupmi/predictions_for_outside_lands_2017/\" target=\"_blank\" rel=\"noopener\">Outside Lands subreddit here\u003c/a>. Metallica, Lorde, The Weeknd, Arcade Fire, Father John Misty, Wiz Khalifa, and A Tribe Called Quest all seem to be strong maybes so far.\u003c/p>\n\u003cp>More to come as soon as there’s, you know, actual new information to share. In the meantime, head on over to \u003ca href=\"https://www.sfoutsidelands.com\" target=\"_blank\" rel=\"noopener\">sfoutsidelands.com\u003c/a> on Thursday at 10am to snag tickets to the thing, which will absolutely involve music and food. We’ll just be over here picking out this year’s \u003ca href=\"https://ww2.kqed.org/pop/2016/08/04/headed-to-outside-lands-us-too-lets-play-bingo/\" target=\"_blank\" rel=\"noopener\">culturally insensitive headwear\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"soldout": {
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"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
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"tagline": "Local news to keep you rooted",
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