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"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>If you didn’t know any better, you might think \u003ca href=\"https://www.theyaxes.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Y Axes\u003c/a>‘ “Slide” had emerged at some point on the early-’90s indie underground. On first listen, it sounds like a bright-eyed guitar-pop band like \u003ca href=\"https://www.youtube.com/watch?v=eGELjc66kFs\" target=\"_blank\" rel=\"noopener noreferrer\">Throwing Muses\u003c/a> borrowed some dark clouds from British shoegaze contemporaries (think: \u003ca href=\"https://www.youtube.com/watch?v=MKYY0IlTMw4\" target=\"_blank\" rel=\"noopener noreferrer\">Slowdive\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=qGVzyby5kcU\" target=\"_blank\" rel=\"noopener noreferrer\">Lush\u003c/a>) and ran headfirst into a rain shower.\u003c/p>\n\u003cp>In reality, the San Francisco quartet (comprised of vocalist Alexi Rose Belchere, guitarist Devin Nelson, bassist Jack Sundquist and drummer Ash Hyatt) are very much of the here and the now. Despite its ability to harken back to another era, “Slide” was inspired by a very modern problem. “That feeling of uncertainty and listlessness,” the band says, “while waiting to get texted back” by a love interest. It’s about “trying to trick yourself into believing that you don’t care, paired with that blip of euphoria when they do text you.”\u003c/p>\n\u003cp>Despite the anxiety weaving through the song, the video for “Slide” more closely matches Devin Nelson’s choppy, sunshine-infused guitar lines. The almost-five-minute clip is a little slice of San Francisco joy that features a crew of female and nonbinary skateboarders and roller skaters hanging out and hitting ramps. The friends pay a visit to legendary skate spot \u003ca href=\"http://surfergalaxy.com/en/spot/united-states/3rdandarmy\" target=\"_blank\" rel=\"noopener noreferrer\">3rd and Army\u003c/a>, before rolling through \u003ca href=\"https://sfrecpark.org/896/Potrero-del-Sol---Skate-Park\" target=\"_blank\" rel=\"noopener noreferrer\">Potrero Skate Park\u003c/a>, down 24th Street in the Mission, and winding up at \u003ca href=\"https://www.thesecretalley.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Secret Alley\u003c/a>, where the band performed their first show since shelter in place.\u003c/p>\n\u003cp>“Slide” is the follow-up to The Y Axes’ June single, “\u003ca href=\"https://www.youtube.com/watch?v=DTXx4HVLC7o\" target=\"_blank\" rel=\"noopener noreferrer\">Burning Out\u003c/a>“—a decidedly perkier slice of guitar pop. Both will appear on an as-yet-untitled forthcoming EP, via \u003ca href=\"https://www.textmerecords.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Text Me Records\u003c/a>. You can also catch the band at \u003ca href=\"http://www.bottomofthehill.com/20211120.html#.YYBXlKlKgl8\" target=\"_blank\" rel=\"noopener noreferrer\">Bottom of the Hill\u003c/a> on Saturday, Nov. 20.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Watch the video for “Slide” in full, below.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=5A0cU7IHf6o\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>If you didn’t know any better, you might think \u003ca href=\"https://www.theyaxes.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Y Axes\u003c/a>‘ “Slide” had emerged at some point on the early-’90s indie underground. On first listen, it sounds like a bright-eyed guitar-pop band like \u003ca href=\"https://www.youtube.com/watch?v=eGELjc66kFs\" target=\"_blank\" rel=\"noopener noreferrer\">Throwing Muses\u003c/a> borrowed some dark clouds from British shoegaze contemporaries (think: \u003ca href=\"https://www.youtube.com/watch?v=MKYY0IlTMw4\" target=\"_blank\" rel=\"noopener noreferrer\">Slowdive\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=qGVzyby5kcU\" target=\"_blank\" rel=\"noopener noreferrer\">Lush\u003c/a>) and ran headfirst into a rain shower.\u003c/p>\n\u003cp>In reality, the San Francisco quartet (comprised of vocalist Alexi Rose Belchere, guitarist Devin Nelson, bassist Jack Sundquist and drummer Ash Hyatt) are very much of the here and the now. Despite its ability to harken back to another era, “Slide” was inspired by a very modern problem. “That feeling of uncertainty and listlessness,” the band says, “while waiting to get texted back” by a love interest. It’s about “trying to trick yourself into believing that you don’t care, paired with that blip of euphoria when they do text you.”\u003c/p>\n\u003cp>Despite the anxiety weaving through the song, the video for “Slide” more closely matches Devin Nelson’s choppy, sunshine-infused guitar lines. The almost-five-minute clip is a little slice of San Francisco joy that features a crew of female and nonbinary skateboarders and roller skaters hanging out and hitting ramps. The friends pay a visit to legendary skate spot \u003ca href=\"http://surfergalaxy.com/en/spot/united-states/3rdandarmy\" target=\"_blank\" rel=\"noopener noreferrer\">3rd and Army\u003c/a>, before rolling through \u003ca href=\"https://sfrecpark.org/896/Potrero-del-Sol---Skate-Park\" target=\"_blank\" rel=\"noopener noreferrer\">Potrero Skate Park\u003c/a>, down 24th Street in the Mission, and winding up at \u003ca href=\"https://www.thesecretalley.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Secret Alley\u003c/a>, where the band performed their first show since shelter in place.\u003c/p>\n\u003cp>“Slide” is the follow-up to The Y Axes’ June single, “\u003ca href=\"https://www.youtube.com/watch?v=DTXx4HVLC7o\" target=\"_blank\" rel=\"noopener noreferrer\">Burning Out\u003c/a>“—a decidedly perkier slice of guitar pop. Both will appear on an as-yet-untitled forthcoming EP, via \u003ca href=\"https://www.textmerecords.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Text Me Records\u003c/a>. You can also catch the band at \u003ca href=\"http://www.bottomofthehill.com/20211120.html#.YYBXlKlKgl8\" target=\"_blank\" rel=\"noopener noreferrer\">Bottom of the Hill\u003c/a> on Saturday, Nov. 20.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Watch the video for “Slide” in full, below.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5A0cU7IHf6o'\n title='//www.youtube.com/embed/5A0cU7IHf6o'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Last month, Oakland’s \u003ca class=\"c-link\" href=\"https://www.instagram.com/genramusic/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.instagram.com/genramusic/\" data-sk=\"tooltip_parent\" data-remove-tab-index=\"true\">Genra\u003c/a> dropped the uptempo lyrical track “Del Funk,” a song that pays homage to legendary Oakland MC Del The Funky Homosapien.\u003c/p>\n\u003cp>“You from Oakland, California, why you rap like that? / I came up on Hieroglyphics, I can snap like that,” raps Genra in the opening bars of the drum-heavy track, produced by BMTJ. Later in the song, in the midst of his lyrical tirade, Genra says, “I put the slaps with the boom-bap.” A bar that caught me, because “boom-bap rap” from the Bay Area often takes a backseat to other forms of rap music in the region, like mobb music and hyphy. [aside postid='arts_13904807']\u003c/p>\n\u003cp>But “backpack rap,” as it’s sometimes called, has long been a part of the ethos in Northern California. Genra salutes the artists who helped put that style of heavy word-smithing and simple, drum-and-kick beats on the map. This week, not only do we honor the legacy of boom-bap rap in this region, but also spotlight an artist who is showcasing its latest iteration.\u003c/p>\n\u003cp>https://youtu.be/yahjdxrlwfA\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"title": "French Cassettes’ ‘Good For It’ Is a Happy Song Full of Sad Feelings",
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"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Happy sad songs have a special status purely happy songs can’t quite achieve. Sometimes a happy song is just too upbeat to bear when you’re upset. But a happy sad song coats its inner anguish in catchy hooks, group vocals and twangy guitars. It Trojan-horses its way into your brain, giving permission to either wallow in its company or move your feet to its beat. The happy sad song doesn’t judge you for feeling whichever way you’re feeling. The happy sad song takes its cue from you.\u003c/p>\n\u003cp>“Good For It” is the happiest sad song I’ve heard in a long while. Released Oct. 1, almost a year after French Cassettes’ late 2020 album \u003ci>Rolodex\u003c/i> came out, the single follows in the footsteps of that excellent power-pop record, but its sound is sparer and rawer. Clocking in at 2:09 minutes, “Good For It” nourishes the soul like a complimentary shot of wheatgrass, full of all the delightful harmonies, warm swells of sound and jangling keyboards one could want from something so short and sweet.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1739032840/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>French Cassettes guitarist and vocalist Scott Huerta describes the process of writing “Good For It” as a semi-accident, the result of spontaneously singing “I thought you said you were feeling better” while testing out a new mic at home. The rest of the song flowed from there, fueled by the knowledge that a loved one was going through a hard time. “Worked on the demo all night,” Huerta wrote of the song, “and when I finished it at 5am I messaged my brother that I wrote a new song that I think is good and I’ll never forget his response. ‘It’s kinda early.’”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The rush of emotion that propelled “Good For It” into being isn’t lost in the re-recorded single. Huerta’s vocals cascade from high to low, with Mackenzie Bunch on guitar and keyboards (adding a light, bouncing staccato), Thomas Huerta on bass and Rob Mills on drums. Brief call-and-response moments add a bit of Greek chorus to the mix. “Could you ever see yourself without me?” Huerta sings. “I hope you don’t.” “No!” the chorus replies.\u003c/p>\n\u003cp>In true happy sad song fashion, “Good For It” doesn’t offer just melancholy words to a peppy beat, but a jumble of conflicting feels at every turn. What are we supposed to do with the lyrics “So come back, come back” and their proximity to “Oh, dude / That’s good news”? In this respect, the song is remarkably like real life (imagine that!): a place where joy is laced with sorrow, relationships are complicated and music can momentarily turn even the most solitary experiences into shared ones. [aside postid='arts_13904524']\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For those who hear “Good For It” and want more where that came from, French Cassettes are about to embark on a \u003ca href=\"https://www.instagram.com/p/CUV8f5BJT9B/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">mini-tour up the coast of California\u003c/a>, starting Oct. 13 in Los Angeles and ending Oct. 16 at the \u003ca href=\"https://www.eventbrite.com/e/noise-pops-20th-street-block-party-free-tickets-157093694469\" target=\"_blank\" rel=\"noopener noreferrer\">20th Street Block Party\u003c/a>, a Noise Pop concert headlined by Portland’s Y La Bamba and San Francisco’s Con Brio.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Happy sad songs have a special status purely happy songs can’t quite achieve. Sometimes a happy song is just too upbeat to bear when you’re upset. But a happy sad song coats its inner anguish in catchy hooks, group vocals and twangy guitars. It Trojan-horses its way into your brain, giving permission to either wallow in its company or move your feet to its beat. The happy sad song doesn’t judge you for feeling whichever way you’re feeling. The happy sad song takes its cue from you.\u003c/p>\n\u003cp>“Good For It” is the happiest sad song I’ve heard in a long while. Released Oct. 1, almost a year after French Cassettes’ late 2020 album \u003ci>Rolodex\u003c/i> came out, the single follows in the footsteps of that excellent power-pop record, but its sound is sparer and rawer. Clocking in at 2:09 minutes, “Good For It” nourishes the soul like a complimentary shot of wheatgrass, full of all the delightful harmonies, warm swells of sound and jangling keyboards one could want from something so short and sweet.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1739032840/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>French Cassettes guitarist and vocalist Scott Huerta describes the process of writing “Good For It” as a semi-accident, the result of spontaneously singing “I thought you said you were feeling better” while testing out a new mic at home. The rest of the song flowed from there, fueled by the knowledge that a loved one was going through a hard time. “Worked on the demo all night,” Huerta wrote of the song, “and when I finished it at 5am I messaged my brother that I wrote a new song that I think is good and I’ll never forget his response. ‘It’s kinda early.’”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For Bay Area multimedia artist Alexa Burrell (Lexagon), sound transcends dimension. Her latest sonic opus, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Feminine Care\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, enraptures listeners in a vast and haunting incantation of fear, urgency, Black terror, displacement and healing.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Collaged during the Trump administration, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Feminine Care\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> plays like a multimedia diary where ghosts of trauma and flickers of hope dance with one another. Whispered secrets, hypnotic electro ballads and field recordings of storms and animals paint the artist’s confessional.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Lexagon is a musical shapeshifter. With \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Feminine Care\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, which came out on Ratskin Records on September, she\u003c/span>\u003cspan style=\"font-weight: 400\"> traverses spiritual jazz, soulful R&B and dream pop. At other moments, she croons in a synth-infused underworld. As her artist statement reads, “I’m fascinated with the idea of exploring alternate, hidden versions of myself and the thousands of ancestors who’ve worn my face.”\u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2947987269/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Seeing music as “spiritual technology,” the record builds a liminal space where anxiety and salvation coexist. Lexagon’s voice soars with the vigor of protest and cracks with the pain of being crushed before lulling the listener to sleep. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The lullaby is interrupted by the second-to-last track. “Sugawata” begins with labored breaths and magical bells. The growing drone of an insect-like synth licks the track as Lexagon’s sniffs and breaths as if she’s running away from this universe. The track would almost be Bonobo-esque if it weren’t for vocal samples of a man, an officer, interjecting with declaratives like “I don’t work for the sheriff’s office right now. I want to see some identification.” [aside postid='arts_13902628']\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">At 8 minutes long, “Sugawata” reaches its coda in street noise, sniffles and whispers. Lexagon lists examples of internalized misogyny with an audible page flip. Then she leaves us with the thought, “There is a story to your spirit. The hands that hold your spirit are reaching for what?”\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Feminine Care \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">harnesses the spirit of ancestry to try to make sense of contemporary grief. When the atrocities of patriarchy and white supremacy weave through generations, Lexagon’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Feminine Care\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> conjures an archive of freedom.\u003c/span>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For Bay Area multimedia artist Alexa Burrell (Lexagon), sound transcends dimension. Her latest sonic opus, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Feminine Care\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, enraptures listeners in a vast and haunting incantation of fear, urgency, Black terror, displacement and healing.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Collaged during the Trump administration, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Feminine Care\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> plays like a multimedia diary where ghosts of trauma and flickers of hope dance with one another. Whispered secrets, hypnotic electro ballads and field recordings of storms and animals paint the artist’s confessional.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Lexagon is a musical shapeshifter. With \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Feminine Care\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, which came out on Ratskin Records on September, she\u003c/span>\u003cspan style=\"font-weight: 400\"> traverses spiritual jazz, soulful R&B and dream pop. At other moments, she croons in a synth-infused underworld. As her artist statement reads, “I’m fascinated with the idea of exploring alternate, hidden versions of myself and the thousands of ancestors who’ve worn my face.”\u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2947987269/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Adesha’s “Satisfied With My Love?” is that happy music we need right now. It’s that uptempo disco-funk that I’ve heard described as “champagne soul.” The type of song that comes on at the roller skating rink and folks start skating backwards and doing fresh tricks.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3819906181/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=1353754516/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Adesha has done some neo-soul music, but she says she gets her true inspiration from the acts of the late ’70s and ’80s. On “Satisfied With My Love?” she shows that influence. Her vocals float over pulsing synths, claps and drums produced by Vincent Kwok.\u003c/p>\n\u003cp>Adesha, born in San Francisco and raised in Oakland, is currently signed to the Italian-based boogie label, \u003ca href=\"https://thesleepersrecordz.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Sleepers Recordz\u003c/a>. The track was released as a part of a double-single that features another uptempo song that feels like the ’80s, “\u003ca class=\"c-link\" href=\"https://thesleepersrecordz.com/album/the-secret-satisfied-with-my-love\" target=\"_blank\" rel=\"noopener noreferrer\" data-sk=\"tooltip_parent\">The Secret\u003c/a>.” Both are available in digital form and vinyl.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=722320989/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Outside of music, Adesha is currently working on a play about art, race and tech companies in the Bay Area called \u003ci data-stringify-type=\"italic\">Co-Founders\u003c/i>. And because she has a background in theater and a love for the ’80s, she’s also doing skits where she imitates the acts of that era. After checking out this song, you might want to head over to \u003ca class=\"c-link\" href=\"https://www.instagram.com/adeshamusic/\" target=\"_blank\" rel=\"noopener noreferrer\" data-sk=\"tooltip_parent\">her Instagram\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Oakland four-piece Hawak dropped their debut album \u003cem>nước\u003c/em> in August after two years of delays. It’s a lean, sub-30 minute introduction to their screamo meets post-rock style. Their songs pause between furious hardcore freak-outs to sit with a melody or an atmosphere, like a boat in the calm between waves.\u003c/p>\n\u003cp>Hawak (Tagalog for “holding”) has Vietnamese American and Filipino American members, and they continue the \u003ca href=\"https://www.youtube.com/watch?v=Hw4LFDFbyOs\">decades-long\u003c/a> Bay Area \u003ca href=\"https://eastbayexpress.com/major-threat-1/\">tradition\u003c/a> of path-breaking Southeast Asian hardcore acts. \u003cem>Nước\u003c/em> means “water” in Vietnamese, an allusion to the journey of Vietnamese refugees, or “boat people,” fleeing the consequences of the end of the Vietnam War. Hawak uses the story of the refugees to anchor the album’s themes of pain, alienation and social justice.\u003c/p>\n\u003cp>The album’s opener, “realign,” is Hawak’s thesis statement. It begins with the gentle warbling of the Vietnamese one-string zither, or đàn bầu, recorded from a busker at Fruitvale Station. Roaring power chords interrupt the scene and bring in the main lyric, delivered at the hoarsest, loudest pitch possible: “treading tradition / to see / if a path clears.” After two minutes of pure energy, the track gives way to a quiet archival recording of a former South Vietnamese soldier recounting their betrayal at the hands of the American government.\u003c/p>\n\u003cp>It’s a dense, heady first salvo, as appropriate for an album like \u003cem>nước\u003c/em>. The record dodges the adjectives lazily applied to hardcore music like “raw” or “angry” to sit with ambivalent feelings like confusion and aimlessness. The album asks, circles around and fails to answer the concluding question of “realign:” “Can I find a way to a place I can call home?”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2034859009/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=2399333521/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture gives you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>I’m a sucker for a nostalgic sound. And \u003ca href=\"https://heavensclub.bandcamp.com/album/all-that-was\" target=\"_blank\" rel=\"noopener noreferrer\">Heaven’s Club\u003c/a> (multi-instrumentalist singer-songwriter Shiv Mehra and co-songwriter Chris Natividad) know exactly what they’re conjuring on “Today,” a dreamy, trippy, ambient pop song that teleported my brain straight back into the early naughts, when I listened earnestly and very emotionally to songs like Air’s “\u003ca href=\"https://youtu.be/hFuu5wPFv1M\" target=\"_blank\" rel=\"noopener noreferrer\">Playground Love\u003c/a>.”\u003c/p>\n\u003cp>“Today” is the second track off the duo’s EP \u003ci>All That Was\u003c/i>, which travels in just four songs from a strummed guitar and sweet, if nihilistic vocals (“all of it’s going to come to an end”) on “Pull Me Away” to the spare piano and glitchy drones of “This Place is Dead.”\u003c/p>\n\u003cp>According to Mehra, the album addresses the “dejection of the present.” And while such a guiding principle may not sound like lighthearted listening, transcendent moments in each song make them far more than elegies to the human and natural worlds.\u003c/p>\n\u003cp>“Today,” especially, combined with its Lisa Frank-on-acid animated music video by Tammy Nguyen, takes the listener on a wild, cosmic ride that either snidely gives us permission to ignore the world’s pressing woes, or offers some form of rallying cry: “Today, we won’t be afraid anymore.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Regardless, the song is just as transportive to me now as “Playground Love” once was to my teenage self, creating a floating sense of freedom tinged with the utter darkness of reality.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://youtu.be/G0bmAW67QuE\u003c/p>\n\n",
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"meta": {
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
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"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
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"support": {}
}
}
}