window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13917962": {
"type": "attachments",
"id": "arts_13917962",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13917962",
"found": true
},
"parent": 13917938,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/08/Copy-of-Pass-The-Aux-template-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/08/Copy-of-Pass-The-Aux-template-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/08/Copy-of-Pass-The-Aux-template-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/08/Copy-of-Pass-The-Aux-template.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/08/Copy-of-Pass-The-Aux-template-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/08/Copy-of-Pass-The-Aux-template-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/08/Copy-of-Pass-The-Aux-template-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/08/Copy-of-Pass-The-Aux-template-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1661285697,
"modified": 1661448156,
"caption": "When Hurricane Katrina sent him out of New Orleans, Poo$ie found a supportive network in West Oakland. ",
"description": null,
"title": "Copy of Pass The Aux template",
"credit": "Photo by Edwin Roque / @rocky__vision; Illustration by Kelly Heigert",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"arts_13916629": {
"type": "attachments",
"id": "arts_13916629",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13916629",
"found": true
},
"parent": 13916627,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-21-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-21-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-21-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-21.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-21-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-21-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-21-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-21-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1658863073,
"modified": 1658863330,
"caption": "San Jose punk band Star 99's latest project dives into tender memories with loud, cathartic sound. ",
"description": null,
"title": "Star 99",
"credit": "Myron Fung ",
"status": "inherit",
"altTag": "Star 99 members Thomas Romero, Jeremy Romero, Saoirse Alesandro and Chris Gough stand side by side in a black and white image.",
"isLoading": false,
"fetchFailed": false
},
"arts_13916290": {
"type": "attachments",
"id": "arts_13916290",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13916290",
"found": true
},
"parent": 13916282,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-2-1038x576.png",
"width": 1038,
"mimeType": "image/png",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-2-160x90.png",
"width": 160,
"mimeType": "image/png",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-2-672x372.png",
"width": 672,
"mimeType": "image/png",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-2.png",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-2-1020x574.png",
"width": 1020,
"mimeType": "image/png",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-2-1536x864.png",
"width": 1536,
"mimeType": "image/png",
"height": 864
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-2-800x450.png",
"width": 800,
"mimeType": "image/png",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-2-768x432.png",
"width": 768,
"mimeType": "image/png",
"height": 432
}
},
"publishDate": 1658253386,
"modified": 1658253789,
"caption": "2Chang's 'The Weather Inside' explores mental health in a five-part music video series. ",
"description": null,
"title": "Copy of Pass The Aux template (2)",
"credit": "Tatiana Tate and Jeung Bok Holmquist",
"status": "inherit",
"altTag": "Jonny Chang poses in a desert under pink lighting.",
"isLoading": false,
"fetchFailed": false
},
"arts_13916131": {
"type": "attachments",
"id": "arts_13916131",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13916131",
"found": true
},
"parent": 13916130,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-1-1038x576.png",
"width": 1038,
"mimeType": "image/png",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-1-160x90.png",
"width": 160,
"mimeType": "image/png",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-1-672x372.png",
"width": 672,
"mimeType": "image/png",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-1.png",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-1-1020x574.png",
"width": 1020,
"mimeType": "image/png",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-1-1536x864.png",
"width": 1536,
"mimeType": "image/png",
"height": 864
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-1-800x450.png",
"width": 800,
"mimeType": "image/png",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-1-768x432.png",
"width": 768,
"mimeType": "image/png",
"height": 432
}
},
"publishDate": 1657835301,
"modified": 1657835624,
"caption": "The San Francisco duo Lillipond came together to make music outdoors during the first pandemic shutdown. ",
"description": null,
"title": "Copy of Pass The Aux template (1)",
"credit": "Photo: Iryna Drahun, illustration: Kelly Heigert",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"arts_13915831": {
"type": "attachments",
"id": "arts_13915831",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13915831",
"found": true
},
"parent": 13915823,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-1038x576.png",
"width": 1038,
"mimeType": "image/png",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-160x90.png",
"width": 160,
"mimeType": "image/png",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-672x372.png",
"width": 672,
"mimeType": "image/png",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template.png",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-1020x574.png",
"width": 1020,
"mimeType": "image/png",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-1536x864.png",
"width": 1536,
"mimeType": "image/png",
"height": 864
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-800x450.png",
"width": 800,
"mimeType": "image/png",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Copy-of-Pass-The-Aux-template-768x432.png",
"width": 768,
"mimeType": "image/png",
"height": 432
}
},
"publishDate": 1657146859,
"modified": 1657147032,
"caption": "Brijean is Brijean Murphy (left) and Doug Stuart. ",
"description": null,
"title": "Copy of Pass The Aux template",
"credit": "Photo: Jack Bool; illustration: Kelly Heigert.",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"arts_13914027": {
"type": "attachments",
"id": "arts_13914027",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13914027",
"found": true
},
"parent": 13914014,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/05/Oona.PassTheAux.1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/05/Oona.PassTheAux.1-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/05/Oona.PassTheAux.1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/05/Oona.PassTheAux.1.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/05/Oona.PassTheAux.1-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/05/Oona.PassTheAux.1-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/05/Oona.PassTheAux.1-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/05/Oona.PassTheAux.1-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1653585887,
"modified": 1653594071,
"caption": "Oona. ",
"description": null,
"title": "Oona.PassTheAux.1",
"credit": "Brittany Powers",
"status": "inherit",
"altTag": "A woman in a window with shadows across her face",
"isLoading": false,
"fetchFailed": false
},
"arts_13912790": {
"type": "attachments",
"id": "arts_13912790",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13912790",
"found": true
},
"parent": 13912631,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/04/Copy-of-Pass-The-Aux-template-20-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/04/Copy-of-Pass-The-Aux-template-20-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/04/Copy-of-Pass-The-Aux-template-20-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/04/Copy-of-Pass-The-Aux-template-20.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/04/Copy-of-Pass-The-Aux-template-20-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/04/Copy-of-Pass-The-Aux-template-20-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/04/Copy-of-Pass-The-Aux-template-20-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/04/Copy-of-Pass-The-Aux-template-20-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1651515331,
"modified": 1651515574,
"caption": "Try the Pie's Bean Tupou.",
"description": null,
"title": "Copy of Pass The Aux template (20)",
"credit": "Courtesy of Try the Pie; illustration: Kelly Heigert",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"arts_13911345": {
"type": "attachments",
"id": "arts_13911345",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13911345",
"found": true
},
"parent": 13911201,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-18-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-18-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-18-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-18.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-18-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-18-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-18-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-18-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1648667140,
"modified": 1648667171,
"caption": "Kadhja Bonet. ",
"description": null,
"title": "Copy of Pass The Aux template (18)",
"credit": "Photo: Carlos Gonzalez; illustration: Kelly Heigert",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"arts_13911161": {
"type": "attachments",
"id": "arts_13911161",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13911161",
"found": true
},
"parent": 13911159,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-17-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-17-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-17-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-17.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-17-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-17-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-17-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-17-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1648230121,
"modified": 1648230396,
"caption": "The Seshen (clockwise from left) is Aki Ehara, Mahesh Rao, Lalin St. Juste, Mirza Kopelman, Kumar Butler and Chris Thalmann.",
"description": null,
"title": "Copy of Pass The Aux template (17)",
"credit": "Courtesy of The Seshen; illustration: Kelly Heigert",
"status": "inherit",
"altTag": "A band sits around a brightly colored picnic spread and clinks their mugs for a toast.",
"isLoading": false,
"fetchFailed": false
},
"arts_13910569": {
"type": "attachments",
"id": "arts_13910569",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13910569",
"found": true
},
"parent": 13910566,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-16-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-16-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-16-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-16.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-16-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-16-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-16-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/03/Copy-of-Pass-The-Aux-template-16-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1647293498,
"modified": 1647293576,
"caption": "A still from La Doña's music video for 'Penas Con Pan.'",
"description": null,
"title": "Copy of Pass The Aux template (16)",
"credit": "Photo: courtesy of the artist; illustration: Kelly Heigert",
"status": "inherit",
"altTag": "Singer La Doña is in bed in a dark room wearing a chiffon robe.",
"isLoading": false,
"fetchFailed": false
},
"arts_13909156": {
"type": "attachments",
"id": "arts_13909156",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13909156",
"found": true
},
"parent": 13909153,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/02/Copy-of-Pass-The-Aux-template-15-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/02/Copy-of-Pass-The-Aux-template-15-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/02/Copy-of-Pass-The-Aux-template-15-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/02/Copy-of-Pass-The-Aux-template-15.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/02/Copy-of-Pass-The-Aux-template-15-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/02/Copy-of-Pass-The-Aux-template-15-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/02/Copy-of-Pass-The-Aux-template-15-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/02/Copy-of-Pass-The-Aux-template-15-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1644436127,
"modified": 1644436184,
"caption": "Fantastic Negrito's funky new track \"Highest Bidder\" is a commentary on how greed can corrupt.",
"description": null,
"title": "Copy of Pass The Aux template (15)",
"credit": "Photo: courtesy of the artist; illustration: Kelly Heigert",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"arts_13908507": {
"type": "attachments",
"id": "arts_13908507",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13908507",
"found": true
},
"parent": 13908505,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/Copy-of-Pass-The-Aux-template-14-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/Copy-of-Pass-The-Aux-template-14-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/Copy-of-Pass-The-Aux-template-14-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/Copy-of-Pass-The-Aux-template-14.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/Copy-of-Pass-The-Aux-template-14-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/Copy-of-Pass-The-Aux-template-14-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/Copy-of-Pass-The-Aux-template-14-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/Copy-of-Pass-The-Aux-template-14-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1643066396,
"modified": 1643066473,
"caption": "Bryce Savoy and Legendvry in the music video for \"Alotta That.\" ",
"description": null,
"title": "Copy of Pass The Aux template (14)",
"credit": "Courtesy of the artists ",
"status": "inherit",
"altTag": "Two hip-hop artists play basketball on an indoor court.",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"gmeline": {
"type": "authors",
"id": "185",
"meta": {
"index": "authors_1716337520",
"id": "185",
"found": true
},
"name": "Gabe Meline",
"firstName": "Gabe",
"lastName": "Meline",
"slug": "gmeline",
"email": "gmeline@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor, KQED Arts & Culture",
"bio": "Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife and daughter in his hometown of Santa Rosa, CA.",
"avatar": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "artschool",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"administrator"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabe Meline | KQED",
"description": "Senior Editor, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gmeline"
},
"esilvers": {
"type": "authors",
"id": "7237",
"meta": {
"index": "authors_1716337520",
"id": "7237",
"found": true
},
"name": "Emma Silvers",
"firstName": "Emma",
"lastName": "Silvers",
"slug": "esilvers",
"email": "esilvers@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Emma Silvers is an editor at KQED Arts and a former digital producer at KQED News. Born and raised in the Bay Area, she has previously been an arts and entertainment editor at the \u003cem>San Francisco Chronicle\u003c/em>, \u003cem>SF Weekly\u003c/em> and the \u003cem>San Francisco Bay Guardian.\u003c/em> \u003ca href=\"https://www.emmasilvers.com\">Her work\u003c/a> has also appeared in \u003cem>Rolling Stone\u003c/em>, Pitchfork and \u003cem>Mother Jones\u003c/em>. In 2017 she was the recipient of the Society of Professional Journalists-Northern California's award for arts and culture reporting. In 1993 she \u003ca href=\"https://www.kqed.org/pop/16759/wait-what-my-coworker-was-a-voice-over-hyperventilator-for-jurassic-park\">hyperventilated in \u003cem>Jurassic Park\u003c/em>\u003c/a>.",
"avatar": "https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g",
"twitter": "emmaruthless",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"contributor"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Emma Silvers | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/esilvers"
},
"nvoynovskaya": {
"type": "authors",
"id": "11387",
"meta": {
"index": "authors_1716337520",
"id": "11387",
"found": true
},
"name": "Nastia Voynovskaya",
"firstName": "Nastia",
"lastName": "Voynovskaya",
"slug": "nvoynovskaya",
"email": "nvoynovskaya@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "Editor and reporter",
"bio": "Nastia Voynovskaya is a reporter, editor and host at KQED Arts & Culture. She's been covering the arts in the Bay Area for over a decade, with a focus on music, queer culture, labor issues and grassroots organizing. She has edited KQED story series such as Trans Bay: A History of San Francisco's Gender-Diverse Community, and co-created KQED's Bay Area hip-hop history project, That's My Word. Nastia's work has been recognized by the Society of Professional Journalists and San Francisco Press Club. She regularly appears on podcasts and radio programs, including NPR's All Songs Considered, and hosts live events where music, culture and conversation meet.",
"avatar": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": "https://www.instagram.com/nananastia/",
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"administrator"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "podcasts",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Nastia Voynovskaya | KQED",
"description": "Editor and reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/nvoynovskaya"
},
"ogpenn": {
"type": "authors",
"id": "11491",
"meta": {
"index": "authors_1716337520",
"id": "11491",
"found": true
},
"name": "Pendarvis Harshaw",
"firstName": "Pendarvis",
"lastName": "Harshaw",
"slug": "ogpenn",
"email": "ogpenn@gmail.com",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "Community Engagement Reporter",
"bio": "Pendarvis Harshaw is an educator, host and writer with KQED Arts.",
"avatar": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": "ogpenn",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"author"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Pendarvis Harshaw | KQED",
"description": "Community Engagement Reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ogpenn"
},
"jebrahemi": {
"type": "authors",
"id": "11771",
"meta": {
"index": "authors_1716337520",
"id": "11771",
"found": true
},
"name": "Justin Ebrahemi",
"firstName": "Justin",
"lastName": "Ebrahemi",
"slug": "jebrahemi",
"email": "jebrahemi@kqed.org",
"display_author_email": true,
"staff_mastheads": [],
"title": "Digital Engagement Manager",
"bio": "Justin Ebrahemi is a San Francisco-based writer and poet. As the Digital Engagement Manager he helps bring KQED Arts' work into local communities both in the Bay and nationally. Previously, Justin worked for the SF performing arts organization, CounterPulse, and his writing has been published in Dancers Group, SFMOMA's Open Space, and various arts zines. Catch Justin biking through the city or baking vegan treats on the weekend.",
"avatar": "https://secure.gravatar.com/avatar/86cbbf64bf8c82d2a74d305c1760c365?s=600&d=blank&r=g",
"twitter": "JustinEbrahemi",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "Justin Ebrahemi | KQED",
"description": "Digital Engagement Manager",
"ogImgSrc": "https://secure.gravatar.com/avatar/86cbbf64bf8c82d2a74d305c1760c365?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/86cbbf64bf8c82d2a74d305c1760c365?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/jebrahemi"
},
"ksong": {
"type": "authors",
"id": "11813",
"meta": {
"index": "authors_1716337520",
"id": "11813",
"found": true
},
"name": "Kristie Song",
"firstName": "Kristie",
"lastName": "Song",
"slug": "ksong",
"email": "ksong@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "Editorial Intern ",
"bio": "Kristie Song is an Arts & Culture Intern at KQED. She is currently a graduate student at UC Berkeley, where she studies audio and multimedia journalism. Previously, she covered the local community for Oakland North, produced episodes for The Science of Happiness, and served as news director for KUCI, UC Irvine’s radio station. Outside of reporting, she likes drawing comics, listening to angsty rock, and practicing the guitar.",
"avatar": "https://secure.gravatar.com/avatar/c1149e78c3c44f92d4945a8ab0711af6?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Kristie Song | KQED",
"description": "Editorial Intern ",
"ogImgSrc": "https://secure.gravatar.com/avatar/c1149e78c3c44f92d4945a8ab0711af6?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/c1149e78c3c44f92d4945a8ab0711af6?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ksong"
}
},
"pagesReducer": {
"arts_tag_pass-the-aux": {
"type": "terms",
"id": "arts_13240",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "13240",
"score": 10.4066105
},
"featImg": null,
"name": "Pass the Aux",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"socialTitle": "Bay Area Beats: Discover New Music with KQED's Pass the Aux",
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Discover rising stars, genre-bending gems, and local legends recommended by our music experts. Tune in, crank it up, and find your next musical obsession.",
"metaRobotsNoIndex": "index",
"title": "Bay Area Beats: Discover New Music with KQED's Pass the Aux",
"ogDescription": null
},
"ttid": 13252,
"slug": "pass-the-aux",
"isLoading": false,
"title": "Pass the Aux",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 2
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?tag=pass-the-aux",
"seeMore": false,
"paginated": true,
"page": 2
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://hls.kqed.org/hls/kqed_app/playlist.m3u8",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13917938": {
"type": "posts",
"id": "arts_13917938",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13917938",
"score": null,
"sort": [
1661286020000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1661286020,
"format": "standard",
"title": "Pass The Aux: Poo$ie, 'Words Don't Hurt'",
"headTitle": "Pass The Aux: Poo$ie, ‘Words Don’t Hurt’ | KQED",
"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">Check out past entries and submit a song for future coverage\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Give me a simple kick drum, a snare, and some uplifting words and you’ve got my ear. End the song with cute kids clapping and singing about love and I’m sold.\u003c/p>\n\u003cp>Poo$ie’s 17-track album \u003ca href=\"https://open.spotify.com/album/4CBNoUjrSd1DuOXYgiwhc4?autoplay=true\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Still Ain’t Easy\u003c/em>\u003c/a> contains notable features, uptempo bangers and joints to ride to. But he chose “\u003ca href=\"https://www.youtube.com/watch?v=mOGYyK9r-rg\" target=\"_blank\" rel=\"noopener noreferrer\">Words Don’t Hurt\u003c/a>” (featuring Pimping P & D. Marie, and produced by \u003ca href=\"https://www.instagram.com/ogjarin/\" target=\"_blank\" rel=\"noopener noreferrer\">OG Jarin\u003c/a>) as his lead single because it represents where he is as an artist at this point in life, he says.\u003c/p>\n\u003cp>“This song meant the most to me,” Poo$ie tells me of the a catchy, uplifting track. “It’s my favorite song off the album.”\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Poo$ie - Words Don't Hurt feat. Pimping P & D. Marie (prod. OG Jarin)\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/mOGYyK9r-rg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Poo$ie’s three-year-old son Zavion (or “Yuckaman”) is one of the children featured at the end of the song, as well as the video, shot and edited by \u003ca href=\"https://www.instagram.com/seanietsunami300/\" target=\"_blank\" rel=\"noopener noreferrer\">Sean Muniz\u003c/a>. “The chant at the end, my son came up with that part,” says Poo$ie. “But he didn’t want to be in the video until the other kids came; when his cousins came, it was over.”\u003c/p>\n\u003cp>Poo$ie, originally from New Orleans’ 8th Ward, is as family-oriented as his son. After Hurricane Katrina, he found a second home and extended family in Oakland, particularly through attending McClymonds High School and within hip-hop circles in the Bay Area.\u003c/p>\n\u003cfigure id=\"attachment_13917945\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13917945 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/IMG_0971-800x533.jpeg\" alt=\"Poo$ie performs in front of a live crowd at Cornerstone in Berkeley.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/IMG_0971-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/IMG_0971-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/IMG_0971-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/IMG_0971-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/IMG_0971-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/IMG_0971-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/IMG_0971-1920x1280.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Poo$ie performs in front of a live crowd at Cornerstone in Berkeley. \u003ccite>(Joshua Lee Kennedy / @Sadfiphotoz)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All of that influence comes through on \u003cem>Still Ain’t Easy\u003c/em>, an album sprinkled with references to family and friends and guest appearances from talented people in Poo$ie’s network. With praise from established artists like \u003ca href=\"https://twitter.com/p_lo/status/1560133114151653378?s=20&t=2AmrFraPAHYDoDxdk3JO_Q\" target=\"_blank\" rel=\"noopener noreferrer\">P-Lo\u003c/a> and recent shows in Oakland and San Francisco, Poo$ie’s profile is on the rise.\u003c/p>\n\u003cp>“Bruh, this is my biggest project,” he tells me while discussing his latest album. “This is a life changing moment for sure… people are resonating with the music.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Poo$ie performs on Friday, Sept. 9, at Cornerstone in Berkeley. \u003ca href=\"https://cornerstoneberkeley.com/loe-gino-j-lately-ian-kelly-pooie/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 404,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 13
},
"modified": 1705006465,
"excerpt": "From West Oakland by way of New Orleans, Poo$ie profile is on the rise. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "From West Oakland by way of New Orleans, Poo$ie profile is on the rise. ",
"title": "Pass The Aux: Poo$ie, 'Words Don't Hurt' | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Pass The Aux: Poo$ie, 'Words Don't Hurt'",
"datePublished": "2022-08-23T13:20:20-07:00",
"dateModified": "2024-01-11T12:54:25-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "pass-the-aux-pooie-words-dont-hurt",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"subhead": "All the kids know: a hug is the closest thing we'll get to love. ",
"path": "/arts/13917938/pass-the-aux-pooie-words-dont-hurt",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">Check out past entries and submit a song for future coverage\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Give me a simple kick drum, a snare, and some uplifting words and you’ve got my ear. End the song with cute kids clapping and singing about love and I’m sold.\u003c/p>\n\u003cp>Poo$ie’s 17-track album \u003ca href=\"https://open.spotify.com/album/4CBNoUjrSd1DuOXYgiwhc4?autoplay=true\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Still Ain’t Easy\u003c/em>\u003c/a> contains notable features, uptempo bangers and joints to ride to. But he chose “\u003ca href=\"https://www.youtube.com/watch?v=mOGYyK9r-rg\" target=\"_blank\" rel=\"noopener noreferrer\">Words Don’t Hurt\u003c/a>” (featuring Pimping P & D. Marie, and produced by \u003ca href=\"https://www.instagram.com/ogjarin/\" target=\"_blank\" rel=\"noopener noreferrer\">OG Jarin\u003c/a>) as his lead single because it represents where he is as an artist at this point in life, he says.\u003c/p>\n\u003cp>“This song meant the most to me,” Poo$ie tells me of the a catchy, uplifting track. “It’s my favorite song off the album.”\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Poo$ie - Words Don't Hurt feat. Pimping P & D. Marie (prod. OG Jarin)\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/mOGYyK9r-rg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Poo$ie’s three-year-old son Zavion (or “Yuckaman”) is one of the children featured at the end of the song, as well as the video, shot and edited by \u003ca href=\"https://www.instagram.com/seanietsunami300/\" target=\"_blank\" rel=\"noopener noreferrer\">Sean Muniz\u003c/a>. “The chant at the end, my son came up with that part,” says Poo$ie. “But he didn’t want to be in the video until the other kids came; when his cousins came, it was over.”\u003c/p>\n\u003cp>Poo$ie, originally from New Orleans’ 8th Ward, is as family-oriented as his son. After Hurricane Katrina, he found a second home and extended family in Oakland, particularly through attending McClymonds High School and within hip-hop circles in the Bay Area.\u003c/p>\n\u003cfigure id=\"attachment_13917945\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13917945 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/IMG_0971-800x533.jpeg\" alt=\"Poo$ie performs in front of a live crowd at Cornerstone in Berkeley.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/IMG_0971-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/IMG_0971-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/IMG_0971-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/IMG_0971-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/IMG_0971-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/IMG_0971-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/IMG_0971-1920x1280.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Poo$ie performs in front of a live crowd at Cornerstone in Berkeley. \u003ccite>(Joshua Lee Kennedy / @Sadfiphotoz)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All of that influence comes through on \u003cem>Still Ain’t Easy\u003c/em>, an album sprinkled with references to family and friends and guest appearances from talented people in Poo$ie’s network. With praise from established artists like \u003ca href=\"https://twitter.com/p_lo/status/1560133114151653378?s=20&t=2AmrFraPAHYDoDxdk3JO_Q\" target=\"_blank\" rel=\"noopener noreferrer\">P-Lo\u003c/a> and recent shows in Oakland and San Francisco, Poo$ie’s profile is on the rise.\u003c/p>\n\u003cp>“Bruh, this is my biggest project,” he tells me while discussing his latest album. “This is a life changing moment for sure… people are resonating with the music.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Poo$ie performs on Friday, Sept. 9, at Cornerstone in Berkeley. \u003ca href=\"https://cornerstoneberkeley.com/loe-gino-j-lately-ian-kelly-pooie/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13917938/pass-the-aux-pooie-words-dont-hurt",
"authors": [
"11491"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_10278",
"arts_831",
"arts_2171",
"arts_13240",
"arts_9159",
"arts_2533"
],
"featImg": "arts_13917962",
"label": "arts"
},
"arts_13916627": {
"type": "posts",
"id": "arts_13916627",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13916627",
"score": null,
"sort": [
1658865127000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1658865127,
"format": "standard",
"title": "San Jose’s Star 99 Blossom from Their D.I.Y. Punk Beginnings",
"headTitle": "San Jose’s Star 99 Blossom from Their D.I.Y. Punk Beginnings | KQED",
"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">Check out past entries and submit a song for future coverage\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Before performing together in backyards, sheds and basements, the members of San Jose band \u003ca href=\"https://star99.bandcamp.com/album/star-99\" target=\"_blank\" rel=\"noopener noreferrer\">Star 99\u003c/a> spent their younger years exploring the South Bay’s small but sturdy indie punk scene. Saoirse Alesandro, Jeremy Romero, Thomas Romero and Chris Gough attended shows, danced and headbanged together to the loud, energetic songs of their favorite bands Shinobu and Algernon Cadwallader.\u003c/p>\n\u003cp>Now, years later, they make their own music—emerging into the punk archive they grew up admiring. On July 10, they released their latest project \u003cem>STAR 99\u003c/em>, featuring three songs titled “Born to Run,” “Vegas” and “Wyoming.”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=911153190/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Upon first listen, Star 99’s songs start and end in a flurry, reading like jumbled diary entries set to blaring instrumentals that swell to satisfying resolutions. “All of the lyrics are from my journal,” Saoirse, the band’s lead vocalist confirms, describing the song making process as an “exorcism.” She pulls from her most personal thoughts and, with her bandmates, tinkers with them to various chord progressions until something clicks.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Like much of the band’s discography, “Vegas” builds on the melodic qualities of ’90s pop punk and indie rock, with fast and hard drums, a deep, hypnotic bassline, cranked-up guitar riffs and angsty lyrics that transport listeners to their teenage years. [aside postid='arts_13916282']\u003c/p>\n\u003cp>“And beautiful as ever, you’re the smell of the air in December / And everything got fucked up but school starts again in September / And no one’s allowed into my room,” Alesandro sings.\u003c/p>\n\u003cp>While this single retains some of the playfulness of Star 99’s 2021 debut EP \u003cem>My Year in Lists\u003c/em>, “Born to Run” experiments with slower melodies that emphasize the wistful tenderness of past relationships: “T-shirts huddled in corners in warehouse rooms / Pick through a pile and find it soon / Reno’s got casinos and I’ve got you / The morning when we’re waking up / The coffee grows cold in the cup.”\u003c/p>\n\u003cp>Alesandro attributes this newfound slowness in their songs to the growing comfort between the bandmates as they learn how to work together musically. While their first EP was about travel, uncertainty and movement, Star 99’s evolving security in playing with each other led to more reflections on stillness and connection.\u003c/p>\n\u003cp>“Now, I feel like we can butt heads and still love each other,” says Saoirse. “And, I think how much we love each other kind of comes through, which is fun.”\u003c/p>\n\u003cp>The band’s love for punk extends to the greater local scene, as they hope to continue playing shows accessible to all ages. Once free-spirited teen punks themselves, they aim to nurture newer generations of people with love for the music that raised them.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/p/CgQhIoDLqoc/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Star 99 begins touring this August\u003c/a>, with shows in Corvallis, Seattle, Portland, Fresno and Los Angeles. \u003c/em>\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": true,
"hasAudio": false,
"hasPolis": false,
"wordCount": 534,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [
"https://bandcamp.com/EmbeddedPlayer/album=911153190/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/"
],
"paragraphCount": 15
},
"modified": 1705006570,
"excerpt": "The trio’s new project is tender yet cathartic, with cranked-up guitar riffs and journal entry-like lyrics.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The trio’s new project is tender yet cathartic, with cranked-up guitar riffs and journal entry-like lyrics.",
"title": "San Jose’s Star 99 Blossom from Their D.I.Y. Punk Beginnings | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "San Jose’s Star 99 Blossom from Their D.I.Y. Punk Beginnings",
"datePublished": "2022-07-26T12:52:07-07:00",
"dateModified": "2024-01-11T12:56:10-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "san-joses-star-99-blossom-from-their-d-i-y-punk-beginnings",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13916627/san-joses-star-99-blossom-from-their-d-i-y-punk-beginnings",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">Check out past entries and submit a song for future coverage\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Before performing together in backyards, sheds and basements, the members of San Jose band \u003ca href=\"https://star99.bandcamp.com/album/star-99\" target=\"_blank\" rel=\"noopener noreferrer\">Star 99\u003c/a> spent their younger years exploring the South Bay’s small but sturdy indie punk scene. Saoirse Alesandro, Jeremy Romero, Thomas Romero and Chris Gough attended shows, danced and headbanged together to the loud, energetic songs of their favorite bands Shinobu and Algernon Cadwallader.\u003c/p>\n\u003cp>Now, years later, they make their own music—emerging into the punk archive they grew up admiring. On July 10, they released their latest project \u003cem>STAR 99\u003c/em>, featuring three songs titled “Born to Run,” “Vegas” and “Wyoming.”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=911153190/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Upon first listen, Star 99’s songs start and end in a flurry, reading like jumbled diary entries set to blaring instrumentals that swell to satisfying resolutions. “All of the lyrics are from my journal,” Saoirse, the band’s lead vocalist confirms, describing the song making process as an “exorcism.” She pulls from her most personal thoughts and, with her bandmates, tinkers with them to various chord progressions until something clicks.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Like much of the band’s discography, “Vegas” builds on the melodic qualities of ’90s pop punk and indie rock, with fast and hard drums, a deep, hypnotic bassline, cranked-up guitar riffs and angsty lyrics that transport listeners to their teenage years. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13916282",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“And beautiful as ever, you’re the smell of the air in December / And everything got fucked up but school starts again in September / And no one’s allowed into my room,” Alesandro sings.\u003c/p>\n\u003cp>While this single retains some of the playfulness of Star 99’s 2021 debut EP \u003cem>My Year in Lists\u003c/em>, “Born to Run” experiments with slower melodies that emphasize the wistful tenderness of past relationships: “T-shirts huddled in corners in warehouse rooms / Pick through a pile and find it soon / Reno’s got casinos and I’ve got you / The morning when we’re waking up / The coffee grows cold in the cup.”\u003c/p>\n\u003cp>Alesandro attributes this newfound slowness in their songs to the growing comfort between the bandmates as they learn how to work together musically. While their first EP was about travel, uncertainty and movement, Star 99’s evolving security in playing with each other led to more reflections on stillness and connection.\u003c/p>\n\u003cp>“Now, I feel like we can butt heads and still love each other,” says Saoirse. “And, I think how much we love each other kind of comes through, which is fun.”\u003c/p>\n\u003cp>The band’s love for punk extends to the greater local scene, as they hope to continue playing shows accessible to all ages. Once free-spirited teen punks themselves, they aim to nurture newer generations of people with love for the music that raised them.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/p/CgQhIoDLqoc/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Star 99 begins touring this August\u003c/a>, with shows in Corvallis, Seattle, Portland, Fresno and Los Angeles. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13916627/san-joses-star-99-blossom-from-their-d-i-y-punk-beginnings",
"authors": [
"11813"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_10278",
"arts_13240",
"arts_913",
"arts_1084"
],
"featImg": "arts_13916629",
"label": "arts"
},
"arts_13916282": {
"type": "posts",
"id": "arts_13916282",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13916282",
"score": null,
"sort": [
1658254183000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1658254183,
"format": "standard",
"title": "2Chang Explore Growing Pains and Inner Demons in ‘The Weather Inside’",
"headTitle": "2Chang Explore Growing Pains and Inner Demons in ‘The Weather Inside’ | KQED",
"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">Check out past entries and submit a song for future coverage\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>The summer I turned 20, I entered a tumultuous period of transition: rejoicing in new freedoms one moment and mourning the loss of my childhood the next. In the years that followed, I fumbled in the dark, trying to figure out what it meant to be a real adult. It’s an ongoing, confusing process I saw mirrored in \u003ca href=\"https://www.youtube.com/channel/UCjik5GHHJ0khtx4pidBIx4g/videos\" target=\"_blank\" rel=\"noopener noreferrer\">2Chang\u003c/a>’s \u003ca href=\"https://www.theweatherinside.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Weather Inside\u003c/em>\u003c/a>, a new EP and five-part music video series the Berkeley-raised duo released in May.\u003c/p>\n\u003cp>2Chang, composed of brothers Jonny and Solomon Chang, experiment with dreamy, hypnotic visuals and melodic rap to explore themes of mental health, race, identity and the pressures of growing up.\u003c/p>\n\u003cp>https://youtu.be/tvZvniBa-y8\u003c/p>\n\u003cp>Their music video “Normal” opens with a close-up shot of Jonny’s hands bound by thick, green rope as a quick, rhythmic tapping plays. As he unfurls the rope bit by bit, the tapping continues relentlessly, like the thump of an anxious heart. Soon after, he releases himself and bolts from a pair of masked captors, fleeing through liminal landscapes drenched in muted shades of green and purple.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Not new, not normal, no news / I be in my brain, no clue,” Jonny raps in a voice as subdued as his surroundings. The song is slow and syrupy, delivered as if in a daze.\u003c/p>\n\u003cp>In contrast to “Normal,” the third episode, “Plant,” features upbeat instrumentals reminiscent of a Pokémon game with a highly saturated color palette of yellows, oranges and greens. Jonny’s voice is nostalgic as he longs for the past—for summers filled with heat, play and innocence. [aside postid='arts_13916130']\u003c/p>\n\u003cp>“No clocking hours / No vacays / Let me fall into something else that ain’t payday.”\u003c/p>\n\u003cp>Then, as a collage of videos and photos of the brothers as children flit across the screen, Jonny raps:\u003c/p>\n\u003cp>“Remind myself I am a body / Remind myself I am somebody.”\u003c/p>\n\u003cp>The deeply personal and reflective project is a culmination of years of writing, introspection and collaboration. For the brothers, looking backward is their way of moving forward—and their art is a means to navigate the uncertainty of this journey.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://youtu.be/LfYLKv0K640\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 412,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 12
},
"modified": 1705006598,
"excerpt": "The Berkeley-raised brothers' music video series addresses mental health and identity with dreamy visuals.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Berkeley-raised brothers' music video series addresses mental health and identity with dreamy visuals.",
"title": "2Chang Explore Growing Pains and Inner Demons in ‘The Weather Inside’ | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "2Chang Explore Growing Pains and Inner Demons in ‘The Weather Inside’",
"datePublished": "2022-07-19T11:09:43-07:00",
"dateModified": "2024-01-11T12:56:38-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "2chang-explore-growing-pains-and-inner-demons-in-the-weather-inside",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13916282/2chang-explore-growing-pains-and-inner-demons-in-the-weather-inside",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">Check out past entries and submit a song for future coverage\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>The summer I turned 20, I entered a tumultuous period of transition: rejoicing in new freedoms one moment and mourning the loss of my childhood the next. In the years that followed, I fumbled in the dark, trying to figure out what it meant to be a real adult. It’s an ongoing, confusing process I saw mirrored in \u003ca href=\"https://www.youtube.com/channel/UCjik5GHHJ0khtx4pidBIx4g/videos\" target=\"_blank\" rel=\"noopener noreferrer\">2Chang\u003c/a>’s \u003ca href=\"https://www.theweatherinside.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Weather Inside\u003c/em>\u003c/a>, a new EP and five-part music video series the Berkeley-raised duo released in May.\u003c/p>\n\u003cp>2Chang, composed of brothers Jonny and Solomon Chang, experiment with dreamy, hypnotic visuals and melodic rap to explore themes of mental health, race, identity and the pressures of growing up.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tvZvniBa-y8'\n title='//www.youtube.com/embed/tvZvniBa-y8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Their music video “Normal” opens with a close-up shot of Jonny’s hands bound by thick, green rope as a quick, rhythmic tapping plays. As he unfurls the rope bit by bit, the tapping continues relentlessly, like the thump of an anxious heart. Soon after, he releases himself and bolts from a pair of masked captors, fleeing through liminal landscapes drenched in muted shades of green and purple.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Not new, not normal, no news / I be in my brain, no clue,” Jonny raps in a voice as subdued as his surroundings. The song is slow and syrupy, delivered as if in a daze.\u003c/p>\n\u003cp>In contrast to “Normal,” the third episode, “Plant,” features upbeat instrumentals reminiscent of a Pokémon game with a highly saturated color palette of yellows, oranges and greens. Jonny’s voice is nostalgic as he longs for the past—for summers filled with heat, play and innocence. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13916130",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“No clocking hours / No vacays / Let me fall into something else that ain’t payday.”\u003c/p>\n\u003cp>Then, as a collage of videos and photos of the brothers as children flit across the screen, Jonny raps:\u003c/p>\n\u003cp>“Remind myself I am a body / Remind myself I am somebody.”\u003c/p>\n\u003cp>The deeply personal and reflective project is a culmination of years of writing, introspection and collaboration. For the brothers, looking backward is their way of moving forward—and their art is a means to navigate the uncertainty of this journey.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LfYLKv0K640'\n title='//www.youtube.com/embed/LfYLKv0K640'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13916282/2chang-explore-growing-pains-and-inner-demons-in-the-weather-inside",
"authors": [
"11813"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_1270",
"arts_10278",
"arts_13240"
],
"featImg": "arts_13916290",
"label": "arts"
},
"arts_13916130": {
"type": "posts",
"id": "arts_13916130",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13916130",
"score": null,
"sort": [
1657835858000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1657835858,
"format": "standard",
"title": "Lillipond’s Debut Folk EP Frolics Into the ‘Green Beyond’",
"headTitle": "Lillipond’s Debut Folk EP Frolics Into the ‘Green Beyond’ | KQED",
"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">Check out past entries and submit a song for future coverage\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>The pandemic untethered many people from their routines and inspired them to adventure outdoors. San Francisco musician Lilly Blakeslee traversed secluded nature spots where she developed a newfound relationship with music alongside her bandmate and guitarist, Sam Jones. Their folk music project, \u003ca href=\"https://singsingsoundsystem.bandcamp.com/album/enter-the-green-beyond\" target=\"_blank\" rel=\"noopener noreferrer\">Lillipond\u003c/a>, was organically born out of the artists’ need to escape and create.\u003c/p>\n\u003cp>Blakeslee grew up playing classical violin but grew disenchanted with its rigidity. So, as the quarantine continued, she and Jones improvised new and classic folk songs in their rooms and outside. “Everything at that time felt very unknown, so we turned to music and art as an escapism,” says Blakeslee. “Those first two weeks were very creatively fruitful.”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3294730585/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Lillipond’s debut EP \u003ci>Enter the Green Beyond\u003c/i> is ripe with escapist undertones. The intro track, “When the rain comes down,” features Blakeslee’s voice harmonizing into a shy choir. A slow, slapping folk percussion builds to an up-tempo enchantment of psychedelic strings and wind-swept cymbals.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Throughout the EP, there’s a quiet yet urgent longing to find solace in nature. “I wanna go where the wind goes. I wanna go where the flowers grow,” Blakeslee croons in “Where the flowers grow,” conjuring images of the singer running through a meadow.\u003c/p>\n\u003cp>“Stuck Inside” is an optimistic indie dance ballad where Blakeslee repeats “I wanna go outside with you” amidst waxing, psychedelic synths. “Its playful simplicity is a tongue-in-cheek contrast to the darkness looming at the time,” she explains. “Though it is also a genuine expression of the creative burst we were feeling, and our attempt to write a more lighthearted pop song.” [aside postid='arts_13915823']\u003c/p>\n\u003cp>The collaboration took Blakeslee and Jones to Prague in the summer of 2021, where they met a community of artists under the label \u003ca href=\"https://singsingsoundsystem.bandcamp.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Sing Sing Soundsystem\u003c/a> who helped them master and release the \u003ci>Enter the Green Beyond\u003c/i> EP.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Sing Sing Soundsystem is a collective that highlights young artists, and we feel honored to be included amongst such talented folks,” Blakeslee says. “It all happened very spontaneously, which felt true to the way the songs were created.”\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": true,
"hasAudio": false,
"hasPolis": false,
"wordCount": 408,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [
"https://bandcamp.com/EmbeddedPlayer/album=3294730585/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/"
],
"paragraphCount": 11
},
"modified": 1705006614,
"excerpt": "The San Francisco duo came together to make music outdoors during the first pandemic shutdown. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The San Francisco duo came together to make music outdoors during the first pandemic shutdown. ",
"title": "Lillipond’s Debut Folk EP Frolics Into the ‘Green Beyond’ | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Lillipond’s Debut Folk EP Frolics Into the ‘Green Beyond’",
"datePublished": "2022-07-14T14:57:38-07:00",
"dateModified": "2024-01-11T12:56:54-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "lilliponds-debut-folk-ep-frolics-into-the-green-beyond",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13916130/lilliponds-debut-folk-ep-frolics-into-the-green-beyond",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">Check out past entries and submit a song for future coverage\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>The pandemic untethered many people from their routines and inspired them to adventure outdoors. San Francisco musician Lilly Blakeslee traversed secluded nature spots where she developed a newfound relationship with music alongside her bandmate and guitarist, Sam Jones. Their folk music project, \u003ca href=\"https://singsingsoundsystem.bandcamp.com/album/enter-the-green-beyond\" target=\"_blank\" rel=\"noopener noreferrer\">Lillipond\u003c/a>, was organically born out of the artists’ need to escape and create.\u003c/p>\n\u003cp>Blakeslee grew up playing classical violin but grew disenchanted with its rigidity. So, as the quarantine continued, she and Jones improvised new and classic folk songs in their rooms and outside. “Everything at that time felt very unknown, so we turned to music and art as an escapism,” says Blakeslee. “Those first two weeks were very creatively fruitful.”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3294730585/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Lillipond’s debut EP \u003ci>Enter the Green Beyond\u003c/i> is ripe with escapist undertones. The intro track, “When the rain comes down,” features Blakeslee’s voice harmonizing into a shy choir. A slow, slapping folk percussion builds to an up-tempo enchantment of psychedelic strings and wind-swept cymbals.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Throughout the EP, there’s a quiet yet urgent longing to find solace in nature. “I wanna go where the wind goes. I wanna go where the flowers grow,” Blakeslee croons in “Where the flowers grow,” conjuring images of the singer running through a meadow.\u003c/p>\n\u003cp>“Stuck Inside” is an optimistic indie dance ballad where Blakeslee repeats “I wanna go outside with you” amidst waxing, psychedelic synths. “Its playful simplicity is a tongue-in-cheek contrast to the darkness looming at the time,” she explains. “Though it is also a genuine expression of the creative burst we were feeling, and our attempt to write a more lighthearted pop song.” \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13915823",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The collaboration took Blakeslee and Jones to Prague in the summer of 2021, where they met a community of artists under the label \u003ca href=\"https://singsingsoundsystem.bandcamp.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Sing Sing Soundsystem\u003c/a> who helped them master and release the \u003ci>Enter the Green Beyond\u003c/i> EP.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Sing Sing Soundsystem is a collective that highlights young artists, and we feel honored to be included amongst such talented folks,” Blakeslee says. “It all happened very spontaneously, which felt true to the way the songs were created.”\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13916130/lilliponds-debut-folk-ep-frolics-into-the-green-beyond",
"authors": [
"11771"
],
"categories": [
"arts_1"
],
"tags": [
"arts_10278",
"arts_13240"
],
"featImg": "arts_13916131",
"label": "arts"
},
"arts_13915823": {
"type": "posts",
"id": "arts_13915823",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13915823",
"score": null,
"sort": [
1657153788000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1657153788,
"format": "standard",
"title": "Brijean’s New Track ‘Caldwell’s Way’ Meets Grief With a Hug",
"headTitle": "Brijean’s New Track ‘Caldwell’s Way’ Meets Grief With a Hug | KQED",
"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">Check out past entries and submit a song for future coverage\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>There are plenty of songs about romantic breakups, but what about the loss of friendship or family, which can be just as painful, if not more so? A new track from the band \u003ca href=\"https://brijean.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Brijean\u003c/a>, “Caldwell’s Way,” conjures that feeling of platonic longing.\u003c/p>\n\u003cp>https://youtu.be/QEQ4DrBo2OY\u003c/p>\n\u003cp>“Caldwell’s Way” is a much more downcast track than what we’re used to hearing from this duo. Typically, Brijean make upbeat, house and disco-inspired dance tracks with a retro sound. They’re powered by lead singer Brijean Murphy’s incredibly dexterous conga playing, which she first learned from her dad Patrick Murphy, who once played with greats like Tito Puente.\u003c/p>\n\u003cp>Brijean Murphy came up as a touring percussionist with Toro y Moi and Poolside before joining her partner Doug Stuart on the project Brijean. Stuart—a bassist, keyboard player, producer and composer—has credits in lots of different projects, including Oakland indie rock band Bells Atlas. [aside postid='arts_13893303']\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Caldwell’s Way” is the latest track off Brijean’s forthcoming EP \u003cem>Angelo\u003c/em>, which comes out on Aug. 5. Played on a movie soundtrack, the song could accompany a main character gazing out a train window and contemplating life. The duo wrote it after facing the loss of both of Stuart’s parents and Murphy’s dad, and the loss of community they felt after moving away from the Bay Area, where they spent the past 10 years.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Many of us are dealing with a lot of loss and change as well, and this is the kind of song you can lean your head on.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 315,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1705006644,
"excerpt": "The disco duo opens up about loss in a new single from their forthcoming EP, ‘Angelo.’",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The disco duo opens up about loss in a new single from their forthcoming EP, ‘Angelo.’",
"title": "Brijean’s New Track ‘Caldwell’s Way’ Meets Grief With a Hug | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Brijean’s New Track ‘Caldwell’s Way’ Meets Grief With a Hug",
"datePublished": "2022-07-06T17:29:48-07:00",
"dateModified": "2024-01-11T12:57:24-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "brijeans-caldwells-way-angelo",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13915823/brijeans-caldwells-way-angelo",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">Check out past entries and submit a song for future coverage\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>There are plenty of songs about romantic breakups, but what about the loss of friendship or family, which can be just as painful, if not more so? A new track from the band \u003ca href=\"https://brijean.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Brijean\u003c/a>, “Caldwell’s Way,” conjures that feeling of platonic longing.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/QEQ4DrBo2OY'\n title='//www.youtube.com/embed/QEQ4DrBo2OY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“Caldwell’s Way” is a much more downcast track than what we’re used to hearing from this duo. Typically, Brijean make upbeat, house and disco-inspired dance tracks with a retro sound. They’re powered by lead singer Brijean Murphy’s incredibly dexterous conga playing, which she first learned from her dad Patrick Murphy, who once played with greats like Tito Puente.\u003c/p>\n\u003cp>Brijean Murphy came up as a touring percussionist with Toro y Moi and Poolside before joining her partner Doug Stuart on the project Brijean. Stuart—a bassist, keyboard player, producer and composer—has credits in lots of different projects, including Oakland indie rock band Bells Atlas. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13893303",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Caldwell’s Way” is the latest track off Brijean’s forthcoming EP \u003cem>Angelo\u003c/em>, which comes out on Aug. 5. Played on a movie soundtrack, the song could accompany a main character gazing out a train window and contemplating life. The duo wrote it after facing the loss of both of Stuart’s parents and Murphy’s dad, and the loss of community they felt after moving away from the Bay Area, where they spent the past 10 years.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Many of us are dealing with a lot of loss and change as well, and this is the kind of song you can lean your head on.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13915823/brijeans-caldwells-way-angelo",
"authors": [
"11387"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_10278",
"arts_1420",
"arts_13240"
],
"featImg": "arts_13915831",
"label": "arts"
},
"arts_13914014": {
"type": "posts",
"id": "arts_13914014",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13914014",
"score": null,
"sort": [
1653589309000
]
},
"parent": 0,
"labelTerm": {},
"blocks": [],
"publishDate": 1653589309,
"format": "standard",
"title": "On Hearing Oona’s ‘Don’t Look Down’ During a Week of Tragedy",
"headTitle": "On Hearing Oona’s ‘Don’t Look Down’ During a Week of Tragedy | KQED",
"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" rel=\"noopener noreferrer\" target=\"_blank\">Check out past entries and submit a song for future coverage\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>As the first song on \u003cem>\u003ca href=\"https://oona.bandcamp.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Ruin\u003c/a>\u003c/em>, the latest EP from Oakland singer \u003ca href=\"https://www.instagram.com/oonaruin/\" rel=\"noopener noreferrer\" target=\"_blank\">Oona\u003c/a>, “\u003ca href=\"https://www.youtube.com/watch?v=BvlaCQtRobY\" rel=\"noopener noreferrer\" target=\"_blank\">Don’t Look Down\u003c/a>” had already gotten a few plays around my house before this past Tuesday, effectively working as nice background music. \u003c/p>\n\u003cp>Then came Wednesday morning, after the second-deadliest school shooting in America. The world should be stopping after the violent deaths of 19 children, but instead I was driving into work. I decided to play the song again, listening close this time. \u003c/p>\n\u003cp>I know that moments of despair can open one’s heart wide to any possible beauty, and magnify it, even exaggerate it. But Oona’s distant, cracking voice filled the car, and her words about broken hearts and lost innocence and fallen tears hit me right in the gut, the way only the perfect song at the perfect time can do.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=BvlaCQtRobY\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When my elementary school-aged daughter is with me in the car for moments like this, she makes fun of my “leaky eyeball.” On Wednesday, as I kept replaying “Don’t Look Down” while my daughter sat miles away in a classroom, the tears came from imagining what these children in Texas, age 7 to 10, saw and felt and thought in their last five horrific minutes alive.\u003c/p>\n\u003cp>[aside postID='arts_13913938']In one instant, “Don’t Look Down” had gone from a nice background song to a cutting lament for lost innocence, and for the way adulthood wraps us in protective naïveté. We grow older, we grow higher, and we cannot look down at our past selves, those idealized dreamers of yesterday. No—we are grown-ups, a nation of Icaruses flying too close to the sun, horse blinders blocking out tragedy, don’t look down, don’t look down, keep flying, keep doing the “right thing,” keep making money, keep voting for the approved candidates, with our head so high, full of foolish pride, keep buying new cars, keep up, keep up, keep up, higher, higher…\u003c/p>\n\u003cp>Until suddenly, one day, 19 children are dead, bodies ripped apart by bullets, never to go home again. And we have to face facts, fall back to reality, lose our hearts, and finally, look down at what’s happened—while we’d flown higher and higher, ceaselessly against common sense, willfully ignoring the American reality of sanctioned death.\u003c/p>\n\u003cp>Was “Don’t Look Down” written about mass shootings? I could contact Oona and ask—but sometimes songs mean what they mean to the listener, and after this week, that’s how I’ll always hear it. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 492,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 11
},
"modified": 1705006798,
"excerpt": "After this week's school shooting, 'Don't Look Down' is heard anew as a lament for lost innocence, and for the way adulthood wraps us in protective naïveté.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "After this week's school shooting, 'Don't Look Down' is heard anew as a lament for lost innocence, and for the way adulthood wraps us in protective naïveté.",
"title": "On Hearing Oona’s ‘Don’t Look Down’ During a Week of Tragedy | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "On Hearing Oona’s ‘Don’t Look Down’ During a Week of Tragedy",
"datePublished": "2022-05-26T11:21:49-07:00",
"dateModified": "2024-01-11T12:59:58-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "oona-ruin-dont-look-down-week-of-tragedy",
"status": "publish",
"sourceUrl": "https://www.kqed.org/arts/tag/pass-the-aux",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"source": "Pass The Aux",
"path": "/arts/13914014/oona-ruin-dont-look-down-week-of-tragedy",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" rel=\"noopener noreferrer\" target=\"_blank\">Check out past entries and submit a song for future coverage\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>As the first song on \u003cem>\u003ca href=\"https://oona.bandcamp.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Ruin\u003c/a>\u003c/em>, the latest EP from Oakland singer \u003ca href=\"https://www.instagram.com/oonaruin/\" rel=\"noopener noreferrer\" target=\"_blank\">Oona\u003c/a>, “\u003ca href=\"https://www.youtube.com/watch?v=BvlaCQtRobY\" rel=\"noopener noreferrer\" target=\"_blank\">Don’t Look Down\u003c/a>” had already gotten a few plays around my house before this past Tuesday, effectively working as nice background music. \u003c/p>\n\u003cp>Then came Wednesday morning, after the second-deadliest school shooting in America. The world should be stopping after the violent deaths of 19 children, but instead I was driving into work. I decided to play the song again, listening close this time. \u003c/p>\n\u003cp>I know that moments of despair can open one’s heart wide to any possible beauty, and magnify it, even exaggerate it. But Oona’s distant, cracking voice filled the car, and her words about broken hearts and lost innocence and fallen tears hit me right in the gut, the way only the perfect song at the perfect time can do.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BvlaCQtRobY'\n title='//www.youtube.com/embed/BvlaCQtRobY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When my elementary school-aged daughter is with me in the car for moments like this, she makes fun of my “leaky eyeball.” On Wednesday, as I kept replaying “Don’t Look Down” while my daughter sat miles away in a classroom, the tears came from imagining what these children in Texas, age 7 to 10, saw and felt and thought in their last five horrific minutes alive.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13913938",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>In one instant, “Don’t Look Down” had gone from a nice background song to a cutting lament for lost innocence, and for the way adulthood wraps us in protective naïveté. We grow older, we grow higher, and we cannot look down at our past selves, those idealized dreamers of yesterday. No—we are grown-ups, a nation of Icaruses flying too close to the sun, horse blinders blocking out tragedy, don’t look down, don’t look down, keep flying, keep doing the “right thing,” keep making money, keep voting for the approved candidates, with our head so high, full of foolish pride, keep buying new cars, keep up, keep up, keep up, higher, higher…\u003c/p>\n\u003cp>Until suddenly, one day, 19 children are dead, bodies ripped apart by bullets, never to go home again. And we have to face facts, fall back to reality, lose our hearts, and finally, look down at what’s happened—while we’d flown higher and higher, ceaselessly against common sense, willfully ignoring the American reality of sanctioned death.\u003c/p>\n\u003cp>Was “Don’t Look Down” written about mass shootings? I could contact Oona and ask—but sometimes songs mean what they mean to the listener, and after this week, that’s how I’ll always hear it. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13914014/oona-ruin-dont-look-down-week-of-tragedy",
"authors": [
"185"
],
"categories": [
"arts_1"
],
"tags": [
"arts_2415",
"arts_3080",
"arts_3081",
"arts_13240"
],
"featImg": "arts_13914027",
"label": "source_arts_13914014"
},
"arts_13912631": {
"type": "posts",
"id": "arts_13912631",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13912631",
"score": null,
"sort": [
1651516194000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1651516194,
"format": "standard",
"title": "Try the Pie’s ‘New Dust’ Contemplates Beauty In a Season of Loss",
"headTitle": "Try the Pie’s ‘New Dust’ Contemplates Beauty In a Season of Loss | KQED",
"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>The last two years have been colored by loss and grief for so many—whether the literal loss of loved ones, or the profound reckoning the pandemic has forced on so many people’s careers, health, living spaces or social communities.\u003c/p>\n\u003cp>Bean Tupou, guitarist and vocalist of the Bay Area indie punk outfit \u003ca href=\"https://trythepie.bandcamp.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Try the Pie\u003c/a>, is no different. “I lost some family members and friends in 2020, so connecting with my family was a big part of my life during the pandemic,” says Tupou, who grew up in San Jose and moved to San Francisco in 2016. “Those losses took me a while to work through.”\u003c/p>\n\u003cp>“New Dust,” Try the Pie’s first new release since their excellent 2015 full-length \u003cem>Domestication\u003c/em>, approaches the topic with a deceptive sweetness. An uptempo, melodic grunge track with heavy guitars, harmonies and an earworm of a hook, it culminates in a cacophony of reverb before Tupou delivers the final refrain: “And it scares me to know that I’m like dust / and it scares me to know that I’m exactly what you want.” It all calls to mind the sweet-salty pull of ’90s indie titans like Juliana Hatfield or the Breeders.\u003c/p>\n\u003cp>“It’s based on fleeting thoughts someone might have specifically after a loved one dies,” says Tupou. “I think it’s more of a reflection of how beautiful it can be to be close to someone and how finite that is.”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=2970449998/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Recorded with \u003ca href=\"https://www.kqed.org/arts/13900577/interns-turned-engineers-take-the-reins-at-sfs-historic-different-fur-studios\" target=\"_blank\" rel=\"noopener noreferrer\">Different Fur’s Grace Coleman\u003c/a> at El Studio in San Francisco, the track shows off the new full-band sound after a few years as mostly a solo act: Bailey Lupo joined the band on bass in 2015, and second guitarist Laine Barriga joined in 2018; drummer Nick Lopez and Tupou are original members.\u003c/p>\n\u003cp>“New Dust” is also Try the Pie’s first release since signing to the Philadelphia-based, queer-run label \u003ca href=\"https://getbetterrecords.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Get Better Records\u003c/a>, a move that Tupou says has opened up new possibilities for the group, adding that they have plans to release more music within the year. So no, fans won’t have to wait until 2029 for the next record. [aside postid='arts_11884077']\u003c/p>\n\u003cp>“The last seven years, personally, were a huge period of both growth and change for me, and I was definitely focused on other aspects of my life (aside from music), and I honestly felt out of practice and out of touch in some ways,” says Tupou. “Signing with them has helped me get back on the horse.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": true,
"hasAudio": false,
"hasPolis": false,
"wordCount": 483,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [
"https://bandcamp.com/EmbeddedPlayer/track=2970449998/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/"
],
"paragraphCount": 11
},
"modified": 1705006902,
"excerpt": "The San Jose-born punk outfit's first release in seven years is a sweet-salty grunge track tinged with grief and wonder. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The San Jose-born punk outfit's first release in seven years is a sweet-salty grunge track tinged with grief and wonder. ",
"title": "Try the Pie’s ‘New Dust’ Contemplates Beauty In a Season of Loss | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Try the Pie’s ‘New Dust’ Contemplates Beauty In a Season of Loss",
"datePublished": "2022-05-02T11:29:54-07:00",
"dateModified": "2024-01-11T13:01:42-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "try-the-pies-new-dust-contemplates-beauty-in-a-season-of-loss",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13912631/try-the-pies-new-dust-contemplates-beauty-in-a-season-of-loss",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>The last two years have been colored by loss and grief for so many—whether the literal loss of loved ones, or the profound reckoning the pandemic has forced on so many people’s careers, health, living spaces or social communities.\u003c/p>\n\u003cp>Bean Tupou, guitarist and vocalist of the Bay Area indie punk outfit \u003ca href=\"https://trythepie.bandcamp.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Try the Pie\u003c/a>, is no different. “I lost some family members and friends in 2020, so connecting with my family was a big part of my life during the pandemic,” says Tupou, who grew up in San Jose and moved to San Francisco in 2016. “Those losses took me a while to work through.”\u003c/p>\n\u003cp>“New Dust,” Try the Pie’s first new release since their excellent 2015 full-length \u003cem>Domestication\u003c/em>, approaches the topic with a deceptive sweetness. An uptempo, melodic grunge track with heavy guitars, harmonies and an earworm of a hook, it culminates in a cacophony of reverb before Tupou delivers the final refrain: “And it scares me to know that I’m like dust / and it scares me to know that I’m exactly what you want.” It all calls to mind the sweet-salty pull of ’90s indie titans like Juliana Hatfield or the Breeders.\u003c/p>\n\u003cp>“It’s based on fleeting thoughts someone might have specifically after a loved one dies,” says Tupou. “I think it’s more of a reflection of how beautiful it can be to be close to someone and how finite that is.”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=2970449998/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Recorded with \u003ca href=\"https://www.kqed.org/arts/13900577/interns-turned-engineers-take-the-reins-at-sfs-historic-different-fur-studios\" target=\"_blank\" rel=\"noopener noreferrer\">Different Fur’s Grace Coleman\u003c/a> at El Studio in San Francisco, the track shows off the new full-band sound after a few years as mostly a solo act: Bailey Lupo joined the band on bass in 2015, and second guitarist Laine Barriga joined in 2018; drummer Nick Lopez and Tupou are original members.\u003c/p>\n\u003cp>“New Dust” is also Try the Pie’s first release since signing to the Philadelphia-based, queer-run label \u003ca href=\"https://getbetterrecords.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Get Better Records\u003c/a>, a move that Tupou says has opened up new possibilities for the group, adding that they have plans to release more music within the year. So no, fans won’t have to wait until 2029 for the next record. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_11884077",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The last seven years, personally, were a huge period of both growth and change for me, and I was definitely focused on other aspects of my life (aside from music), and I honestly felt out of practice and out of touch in some ways,” says Tupou. “Signing with them has helped me get back on the horse.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13912631/try-the-pies-new-dust-contemplates-beauty-in-a-season-of-loss",
"authors": [
"7237"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_820",
"arts_6425",
"arts_9964",
"arts_10278",
"arts_21788",
"arts_2624",
"arts_13240",
"arts_9788",
"arts_1146",
"arts_1084"
],
"featImg": "arts_13912790",
"label": "arts"
},
"arts_13911201": {
"type": "posts",
"id": "arts_13911201",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13911201",
"score": null,
"sort": [
1648668622000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1648668622,
"format": "standard",
"title": "Kadhja Bonet’s New Single ‘Dear Gina’ Reveals a Mysterious Letter",
"headTitle": "Kadhja Bonet’s New Single ‘Dear Gina’ Reveals a Mysterious Letter | KQED",
"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">Check out past entries and submit a song for future coverage\u003c/a>.\u003c/em>\u003c/p>\n\u003cp class=\"title style-scope ytd-video-primary-info-renderer\">With high-reaching, elegant vocals and ghostly runs, East Bay-raised, L.A.-based artist Kadhja Bonet is back with her latest single “\u003ca href=\"https://www.youtube.com/watch?v=6nEvNpeV8RI\" target=\"_blank\" rel=\"noopener noreferrer\">Dear Gina.\u003c/a>” To fully understand this track you have to listen to its companion piece, “\u003ca href=\"https://www.youtube.com/watch?v=uM5zJ9cyrL8\" target=\"_blank\" rel=\"noopener noreferrer\">Delphine\u003c/a>,” off of Bonet’s 2018 album, \u003cem>\u003ca href=\"https://www.npr.org/2018/05/31/614967412/first-listen-kadhja-bonet-childqueen\" target=\"_blank\" rel=\"noopener noreferrer\">Childqueen\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>The older song is about person who leaves a mysterious letter behind while exiting a relationship. Bonet says that she wanted to “capture the feeling of your stomach dropping out when you learn something you aren’t prepared for, and the swirl of the void that follows.” On her latest track, Bonet delves deeper into the content of the letter.\u003c/p>\n\u003cp>“Dear Gina, you have a spark / You’ll keep it bright through the dark / And I will be so happy to see you light / Wherever you’re headed though it’s not for me,” sings Bonet, who says the song centers on an overly gentle break up—drawn from a personal experience.\u003c/p>\n\u003cp>A Berkeley High School graduate who was raised in San Pablo, Bonet sings in a way that sounds like sunlight glimmering off of an expensive chandelier. The video that accompanies “Dear Gina” includes an interpretive dance done by a duo in front of cloth backdrops illuminated in hues of blue, indigo and violet.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Bonet, who released another single titled “\u003ca href=\"https://www.youtube.com/watch?v=HeCDLAFAAIE\" target=\"_blank\" rel=\"noopener noreferrer\">For You\u003c/a>” in the fall of last year (and a \u003ca href=\"https://www.youtube.com/watch?app=desktop&v=CPJysLNfEm0\" target=\"_blank\" rel=\"noopener noreferrer\">video earlier this year\u003c/a>), says these individual songs are separate from the full project she’s working on, which will be released at a later date.\u003c/p>\n\u003cp>After the success of her previous work, and noted collaborations with the likes of \u003ca href=\"https://www.youtube.com/watch?v=oEQlFNF8bQs\" target=\"_blank\" rel=\"noopener noreferrer\">Anderson .Paak\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=1TgkE-PPG-w\" target=\"_blank\" rel=\"noopener noreferrer\">SiR\u003c/a>, there’s growing anticipation for Bonet’s next album.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=6nEvNpeV8RI\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 344,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1705007024,
"excerpt": "The soulful new track continues the story of her stunning 2018 song “Delphine.”",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The soulful new track continues the story of her stunning 2018 song “Delphine.”",
"title": "Kadhja Bonet’s New Single ‘Dear Gina’ Reveals a Mysterious Letter | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Kadhja Bonet’s New Single ‘Dear Gina’ Reveals a Mysterious Letter",
"datePublished": "2022-03-30T12:30:22-07:00",
"dateModified": "2024-01-11T13:03:44-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "kadhja-bonets-new-single-dear-gina-reveals-a-mysterious-letter",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13911201/kadhja-bonets-new-single-dear-gina-reveals-a-mysterious-letter",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">Check out past entries and submit a song for future coverage\u003c/a>.\u003c/em>\u003c/p>\n\u003cp class=\"title style-scope ytd-video-primary-info-renderer\">With high-reaching, elegant vocals and ghostly runs, East Bay-raised, L.A.-based artist Kadhja Bonet is back with her latest single “\u003ca href=\"https://www.youtube.com/watch?v=6nEvNpeV8RI\" target=\"_blank\" rel=\"noopener noreferrer\">Dear Gina.\u003c/a>” To fully understand this track you have to listen to its companion piece, “\u003ca href=\"https://www.youtube.com/watch?v=uM5zJ9cyrL8\" target=\"_blank\" rel=\"noopener noreferrer\">Delphine\u003c/a>,” off of Bonet’s 2018 album, \u003cem>\u003ca href=\"https://www.npr.org/2018/05/31/614967412/first-listen-kadhja-bonet-childqueen\" target=\"_blank\" rel=\"noopener noreferrer\">Childqueen\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>The older song is about person who leaves a mysterious letter behind while exiting a relationship. Bonet says that she wanted to “capture the feeling of your stomach dropping out when you learn something you aren’t prepared for, and the swirl of the void that follows.” On her latest track, Bonet delves deeper into the content of the letter.\u003c/p>\n\u003cp>“Dear Gina, you have a spark / You’ll keep it bright through the dark / And I will be so happy to see you light / Wherever you’re headed though it’s not for me,” sings Bonet, who says the song centers on an overly gentle break up—drawn from a personal experience.\u003c/p>\n\u003cp>A Berkeley High School graduate who was raised in San Pablo, Bonet sings in a way that sounds like sunlight glimmering off of an expensive chandelier. The video that accompanies “Dear Gina” includes an interpretive dance done by a duo in front of cloth backdrops illuminated in hues of blue, indigo and violet.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bonet, who released another single titled “\u003ca href=\"https://www.youtube.com/watch?v=HeCDLAFAAIE\" target=\"_blank\" rel=\"noopener noreferrer\">For You\u003c/a>” in the fall of last year (and a \u003ca href=\"https://www.youtube.com/watch?app=desktop&v=CPJysLNfEm0\" target=\"_blank\" rel=\"noopener noreferrer\">video earlier this year\u003c/a>), says these individual songs are separate from the full project she’s working on, which will be released at a later date.\u003c/p>\n\u003cp>After the success of her previous work, and noted collaborations with the likes of \u003ca href=\"https://www.youtube.com/watch?v=oEQlFNF8bQs\" target=\"_blank\" rel=\"noopener noreferrer\">Anderson .Paak\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=1TgkE-PPG-w\" target=\"_blank\" rel=\"noopener noreferrer\">SiR\u003c/a>, there’s growing anticipation for Bonet’s next album.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6nEvNpeV8RI'\n title='//www.youtube.com/embed/6nEvNpeV8RI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13911201/kadhja-bonets-new-single-dear-gina-reveals-a-mysterious-letter",
"authors": [
"11491"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_13240",
"arts_924"
],
"featImg": "arts_13911345",
"label": "arts"
},
"arts_13911159": {
"type": "posts",
"id": "arts_13911159",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13911159",
"score": null,
"sort": [
1648238233000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1648238233,
"format": "standard",
"title": "The Seshen Embraces the Changing Nature of Love in Two New Tracks",
"headTitle": "The Seshen Embraces the Changing Nature of Love in Two New Tracks | KQED",
"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Over their decade-plus as a band, \u003ca href=\"https://theseshen.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Seshen\u003c/a> has been through a lot together, and they’re processing love and grief on their two new singles, “Beyond Me” and “This Time Around.” Both tracks are part of a new, self-released LP that the Bay Area band is putting out song by song, once a month. [aside postid='arts_13903130']\u003c/p>\n\u003cp>“This Time Around,” out today, is a cover of a \u003ca href=\"https://www.youtube.com/watch?v=FDi6C8AeTVI\" target=\"_blank\" rel=\"noopener noreferrer\">Jessica Pratt song\u003c/a> that lead singer Lalin St. Juste and producer and bassist Aki Ehara gravitated towards while navigating an incredibly challenging time. The duo, once a married couple, is the band’s main songwriting force; during the pandemic, they divorced after St. Juste came out as a lesbian. Fortunately, they remain close collaborators and good friends.\u003c/p>\n\u003cp>It might be tempting to draw parallels to other great inter-band breakup songs, like No Doubt’s “Don’t Speak” and Fleetwood Mac’s “Dreams,” but “This Time Around” comes from a place of empathy and understanding of the way relationships change, and how people drift in and out of our lives.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=3579124282/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I felt like even though we needed to heal and mourn in our own ways separately, we could connect musically through this song,” Ehara wrote in a statement about the track. “I knew that this was a song that resonated with each of us. Even through the challenges we were facing, we’d always shared a deep musical connection. I think in starting the [Jessica Pratt] cover, I was hoping to reconnect to that musical bond that brought us together years ago.”\u003c/p>\n\u003cp>“This Time Around” is a quiet contemplation that foregrounds St. Juste’s delicate voice over piano and strings. While Pratt’s original is lo-fi and acoustic, with a mix that conjures the fuzziness of a dusty record player, The Seshen’s take lends it a more full-bodied sheen that brings out its sparse beauty in a different way.\u003c/p>\n\u003cp>“Beyond Me,” released in February, is more propulsive and high-energy, although still introspective. St. Juste wrote the lyrics about tuning into her inner world through the meditation practice she developed during the pandemic. “What I find / when I arrive / The parts of me / I tried to hide,” she sings.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=2343391112/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Seshen will release three more songs from their forthcoming LP, one per month, via \u003ca href=\"https://theseshen.bandcamp.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Bandcamp\u003c/a> and streaming platforms. \u003c/em>\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": true,
"hasAudio": false,
"hasPolis": false,
"wordCount": 458,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [
"https://bandcamp.com/EmbeddedPlayer/track=3579124282/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/",
"https://bandcamp.com/EmbeddedPlayer/track=2343391112/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/"
],
"paragraphCount": 12
},
"modified": 1705007045,
"excerpt": "'This Time Around' and 'Beyond Me' make peace with the way people drift in and out of our lives.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "'This Time Around' and 'Beyond Me' make peace with the way people drift in and out of our lives.",
"title": "The Seshen Embraces the Changing Nature of Love in Two New Tracks | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Seshen Embraces the Changing Nature of Love in Two New Tracks",
"datePublished": "2022-03-25T12:57:13-07:00",
"dateModified": "2024-01-11T13:04:05-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "the-seshen-this-time-around-jessica-pratt-cover",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"WpOldSlug": "the-seshen-embraces-the-changing-nature-of-love-in-two-new-tracks",
"path": "/arts/13911159/the-seshen-this-time-around-jessica-pratt-cover",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Over their decade-plus as a band, \u003ca href=\"https://theseshen.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Seshen\u003c/a> has been through a lot together, and they’re processing love and grief on their two new singles, “Beyond Me” and “This Time Around.” Both tracks are part of a new, self-released LP that the Bay Area band is putting out song by song, once a month. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13903130",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“This Time Around,” out today, is a cover of a \u003ca href=\"https://www.youtube.com/watch?v=FDi6C8AeTVI\" target=\"_blank\" rel=\"noopener noreferrer\">Jessica Pratt song\u003c/a> that lead singer Lalin St. Juste and producer and bassist Aki Ehara gravitated towards while navigating an incredibly challenging time. The duo, once a married couple, is the band’s main songwriting force; during the pandemic, they divorced after St. Juste came out as a lesbian. Fortunately, they remain close collaborators and good friends.\u003c/p>\n\u003cp>It might be tempting to draw parallels to other great inter-band breakup songs, like No Doubt’s “Don’t Speak” and Fleetwood Mac’s “Dreams,” but “This Time Around” comes from a place of empathy and understanding of the way relationships change, and how people drift in and out of our lives.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=3579124282/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I felt like even though we needed to heal and mourn in our own ways separately, we could connect musically through this song,” Ehara wrote in a statement about the track. “I knew that this was a song that resonated with each of us. Even through the challenges we were facing, we’d always shared a deep musical connection. I think in starting the [Jessica Pratt] cover, I was hoping to reconnect to that musical bond that brought us together years ago.”\u003c/p>\n\u003cp>“This Time Around” is a quiet contemplation that foregrounds St. Juste’s delicate voice over piano and strings. While Pratt’s original is lo-fi and acoustic, with a mix that conjures the fuzziness of a dusty record player, The Seshen’s take lends it a more full-bodied sheen that brings out its sparse beauty in a different way.\u003c/p>\n\u003cp>“Beyond Me,” released in February, is more propulsive and high-energy, although still introspective. St. Juste wrote the lyrics about tuning into her inner world through the meditation practice she developed during the pandemic. “What I find / when I arrive / The parts of me / I tried to hide,” she sings.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=2343391112/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Seshen will release three more songs from their forthcoming LP, one per month, via \u003ca href=\"https://theseshen.bandcamp.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Bandcamp\u003c/a> and streaming platforms. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13911159/the-seshen-this-time-around-jessica-pratt-cover",
"authors": [
"11387"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_10278",
"arts_13240",
"arts_3973"
],
"featImg": "arts_13911161",
"label": "arts"
},
"arts_13910566": {
"type": "posts",
"id": "arts_13910566",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13910566",
"score": null,
"sort": [
1647297810000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1647297810,
"format": "standard",
"title": "La Doña Serves Dembow With Magic Mushrooms in ‘Penas Con Pan’",
"headTitle": "La Doña Serves Dembow With Magic Mushrooms in ‘Penas Con Pan’ | KQED",
"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>At just two minutes long, \u003ca href=\"https://www.instagram.com/ladona415/\" target=\"_blank\" rel=\"noopener noreferrer\">La Doña\u003c/a>’s “Penas Con Pan” is a small but addicting dose of dembow and salsa. Its beat is perfect for the dance floor, and when La Doña unleashes her powerful voice in the crescendo—\u003ci>absolute chills\u003c/i>.\u003c/p>\n\u003cp>The San Francisco artist has studied various Latin American musical traditions since starting out in her family band as a child, and this track is a perfect example of how she expertly builds upon her influences to create her own style with vision and intention. There’s an enigmatic aura to how she sings in English and Spanish about unrequited love, using it as a metaphor for survival.\u003c/p>\n\u003cp>https://youtu.be/0W-FaXYeHmg\u003c/p>\n\u003cp>La Doña wrote the lyrics about how “someone is withholding from the singer, but also how we make do with the scraps of what comes,” she told me before she hit the road to South By Southwest in Austin, where she’s performing at not one but \u003ca href=\"https://www.instagram.com/p/Ca8Ep5iPSLA/\" target=\"_blank\" rel=\"noopener noreferrer\">six showcases this week\u003c/a>. [aside postid='arts_13900272']\u003c/p>\n\u003cp>Naomi Garcia Pasmanick, who sings and plays saxophone in La Doña’s band, directed the “Penas Con Pan” music video, and the visuals are just as alluring as the track itself. It opens in a redwood forest, where we see La Doña foraging for lavender-capped mushrooms. She leads us into a cabin where she’s making a potion for the lover in question out of mysterious herbs and fungi. The vintage ’70s aesthetic of the wardrobe and the interior is very Northern California and very \u003ca href=\"https://www.architecturaldigest.com/story/what-exactly-is-cottagecore\" target=\"_blank\" rel=\"noopener noreferrer\">cottagecore\u003c/a>—with some high-femme glamor and sparkle in the mix.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 325,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705007092,
"excerpt": "In her new music video, the San Francisco singer captivates with a secret potion and hypnotizing voice. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "In her new music video, the San Francisco singer captivates with a secret potion and hypnotizing voice. ",
"title": "La Doña Serves Dembow With Magic Mushrooms in ‘Penas Con Pan’ | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "La Doña Serves Dembow With Magic Mushrooms in ‘Penas Con Pan’",
"datePublished": "2022-03-14T15:43:30-07:00",
"dateModified": "2024-01-11T13:04:52-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "la-dona-penas-con-pan-music-video",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13910566/la-dona-penas-con-pan-music-video",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>At just two minutes long, \u003ca href=\"https://www.instagram.com/ladona415/\" target=\"_blank\" rel=\"noopener noreferrer\">La Doña\u003c/a>’s “Penas Con Pan” is a small but addicting dose of dembow and salsa. Its beat is perfect for the dance floor, and when La Doña unleashes her powerful voice in the crescendo—\u003ci>absolute chills\u003c/i>.\u003c/p>\n\u003cp>The San Francisco artist has studied various Latin American musical traditions since starting out in her family band as a child, and this track is a perfect example of how she expertly builds upon her influences to create her own style with vision and intention. There’s an enigmatic aura to how she sings in English and Spanish about unrequited love, using it as a metaphor for survival.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/0W-FaXYeHmg'\n title='//www.youtube.com/embed/0W-FaXYeHmg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>La Doña wrote the lyrics about how “someone is withholding from the singer, but also how we make do with the scraps of what comes,” she told me before she hit the road to South By Southwest in Austin, where she’s performing at not one but \u003ca href=\"https://www.instagram.com/p/Ca8Ep5iPSLA/\" target=\"_blank\" rel=\"noopener noreferrer\">six showcases this week\u003c/a>. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13900272",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Naomi Garcia Pasmanick, who sings and plays saxophone in La Doña’s band, directed the “Penas Con Pan” music video, and the visuals are just as alluring as the track itself. It opens in a redwood forest, where we see La Doña foraging for lavender-capped mushrooms. She leads us into a cabin where she’s making a potion for the lover in question out of mysterious herbs and fungi. The vintage ’70s aesthetic of the wardrobe and the interior is very Northern California and very \u003ca href=\"https://www.architecturaldigest.com/story/what-exactly-is-cottagecore\" target=\"_blank\" rel=\"noopener noreferrer\">cottagecore\u003c/a>—with some high-femme glamor and sparkle in the mix.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13910566/la-dona-penas-con-pan-music-video",
"authors": [
"11387"
],
"categories": [
"arts_1"
],
"tags": [
"arts_10278",
"arts_2519",
"arts_13240"
],
"featImg": "arts_13910569",
"label": "arts"
},
"arts_13909153": {
"type": "posts",
"id": "arts_13909153",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13909153",
"score": null,
"sort": [
1644436739000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1644436739,
"format": "standard",
"title": "Fantastic Negrito Takes On America’s Unbridled Capitalism in ‘Highest Bidder’",
"headTitle": "Fantastic Negrito Takes On America’s Unbridled Capitalism in ‘Highest Bidder’ | KQED",
"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.fantasticnegrito.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Fantastic Negrito\u003c/a>’s rise has been fascinating to watch. And now that it’s been several years since he ascended from street busker to Grammy winner, the Oakland blues musician isn’t resting on his laurels. On the contrary, he’s coming out with some of the most compelling work of his career—songs that chew on some of the heaviest issues of our time, and move both body and mind.\u003c/p>\n\u003cp>Late last year, Fantastic Negrito and Oakland country singer Miko Marks teamed up for “\u003ca href=\"https://www.kqed.org/news/11888465/happiest-climate-change-song-ever-fantastic-negrito-and-rolling-through-california\" target=\"_blank\" rel=\"noopener noreferrer\">Rollin’ Through California\u003c/a>,” a foot-stomping, organ-driven track that takes stock of the damage from our state’s rampant wildfires. (Watch him and his band \u003ca href=\"https://www.youtube.com/watch?v=TjlIQOhiGlw\" target=\"_blank\" rel=\"noopener noreferrer\">perform it live at KQED’s headquarters\u003c/a>.)\u003c/p>\n\u003cp>And today, Fantastic Negrito dropped his new single and video for “Highest Bidder,” which—with lyrics in the vein of D’Angelo’s classic “\u003ca href=\"https://www.youtube.com/watch?v=nbG4QYKzRZE\" target=\"_blank\" rel=\"noopener noreferrer\">Devil’s Pie\u003c/a>”—remarks at the corruption of America’s unbridled capitalism. “Ohhh that bank is a serial killer / Trying to build more prisons for your children,” Fantastic Negrito sings in a falsetto to an African drum pattern and funk guitar.\u003c/p>\n\u003cp>https://youtu.be/QYtQO_rErxY\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Along with the music video release, Fantastic Negrito announced his new visual album, \u003cem>White Jesus Black Problems\u003c/em>, which comes out June 3. It’s a historical concept album and film that reimagines a love story between Fantastic Negrito’s seven-times-great-grandparents, a Scottish indentured servant and an enslaved man from Africa. Fantastic Negrito often references how he gets his courage from his ancestors.\u003c/p>\n\u003cp>“We have to rise to the challenge. I believe that, and I come from a long line of people who have done that,” \u003ca href=\"https://www.kqed.org/arts/13893043/how-rexx-life-raj-fantastic-negrito-and-salami-rose-joe-louis-pivoted-from-touring\" target=\"_blank\" rel=\"noopener noreferrer\">he told me a year ago\u003c/a> when I asked how he was faring in the pandemic. This should be one of the artist’s most revealing projects yet.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://youtu.be/Y37a91WvLwY\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 369,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1705007219,
"excerpt": "The new track, off his forthcoming album ‘White Jesus Black Problems,’ is a funky commentary on corruption. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The new track, off his forthcoming album ‘White Jesus Black Problems,’ is a funky commentary on corruption. ",
"title": "Fantastic Negrito Takes On America’s Unbridled Capitalism in ‘Highest Bidder’ | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Fantastic Negrito Takes On America’s Unbridled Capitalism in ‘Highest Bidder’",
"datePublished": "2022-02-09T11:58:59-08:00",
"dateModified": "2024-01-11T13:06:59-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "fantastic-negrito-takes-on-americas-unbridled-capitalism-in-highest-bidder",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13909153/fantastic-negrito-takes-on-americas-unbridled-capitalism-in-highest-bidder",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.fantasticnegrito.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Fantastic Negrito\u003c/a>’s rise has been fascinating to watch. And now that it’s been several years since he ascended from street busker to Grammy winner, the Oakland blues musician isn’t resting on his laurels. On the contrary, he’s coming out with some of the most compelling work of his career—songs that chew on some of the heaviest issues of our time, and move both body and mind.\u003c/p>\n\u003cp>Late last year, Fantastic Negrito and Oakland country singer Miko Marks teamed up for “\u003ca href=\"https://www.kqed.org/news/11888465/happiest-climate-change-song-ever-fantastic-negrito-and-rolling-through-california\" target=\"_blank\" rel=\"noopener noreferrer\">Rollin’ Through California\u003c/a>,” a foot-stomping, organ-driven track that takes stock of the damage from our state’s rampant wildfires. (Watch him and his band \u003ca href=\"https://www.youtube.com/watch?v=TjlIQOhiGlw\" target=\"_blank\" rel=\"noopener noreferrer\">perform it live at KQED’s headquarters\u003c/a>.)\u003c/p>\n\u003cp>And today, Fantastic Negrito dropped his new single and video for “Highest Bidder,” which—with lyrics in the vein of D’Angelo’s classic “\u003ca href=\"https://www.youtube.com/watch?v=nbG4QYKzRZE\" target=\"_blank\" rel=\"noopener noreferrer\">Devil’s Pie\u003c/a>”—remarks at the corruption of America’s unbridled capitalism. “Ohhh that bank is a serial killer / Trying to build more prisons for your children,” Fantastic Negrito sings in a falsetto to an African drum pattern and funk guitar.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/QYtQO_rErxY'\n title='//www.youtube.com/embed/QYtQO_rErxY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Along with the music video release, Fantastic Negrito announced his new visual album, \u003cem>White Jesus Black Problems\u003c/em>, which comes out June 3. It’s a historical concept album and film that reimagines a love story between Fantastic Negrito’s seven-times-great-grandparents, a Scottish indentured servant and an enslaved man from Africa. Fantastic Negrito often references how he gets his courage from his ancestors.\u003c/p>\n\u003cp>“We have to rise to the challenge. I believe that, and I come from a long line of people who have done that,” \u003ca href=\"https://www.kqed.org/arts/13893043/how-rexx-life-raj-fantastic-negrito-and-salami-rose-joe-louis-pivoted-from-touring\" target=\"_blank\" rel=\"noopener noreferrer\">he told me a year ago\u003c/a> when I asked how he was faring in the pandemic. This should be one of the artist’s most revealing projects yet.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Y37a91WvLwY'\n title='//www.youtube.com/embed/Y37a91WvLwY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13909153/fantastic-negrito-takes-on-americas-unbridled-capitalism-in-highest-bidder",
"authors": [
"11387"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_1588",
"arts_10278",
"arts_13240"
],
"featImg": "arts_13909156",
"label": "arts"
},
"arts_13908505": {
"type": "posts",
"id": "arts_13908505",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13908505",
"score": null,
"sort": [
1643067726000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1643067726,
"format": "standard",
"title": "Bryce Savoy and Legendvry Want to Win for Oakland in ‘Alotta That’",
"headTitle": "Bryce Savoy and Legendvry Want to Win for Oakland in ‘Alotta That’ | KQED",
"content": "\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Oakland is more than Lake Merritt and sideshows; there are plenty of other gems in the ’hood. The music video to\u003ca class=\"c-link\" href=\"https://www.instagram.com/brycesavoy510/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.instagram.com/brycesavoy510/\" data-sk=\"tooltip_parent\" data-remove-tab-index=\"true\"> Bryce Savoy\u003c/a>’s “\u003ca class=\"c-link\" href=\"https://www.youtube.com/watch?v=1vQ7t3Fm6Ic\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.youtube.com/watch?v=1vQ7t3Fm6Ic\" data-sk=\"tooltip_parent\" data-remove-tab-index=\"true\">Alotta That\u003c/a>,” (directed by\u003ca class=\"c-link\" href=\"https://www.instagram.com/3bmaly/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.instagram.com/3bmaly/\" data-sk=\"tooltip_parent\" data-remove-tab-index=\"true\"> G Maly\u003c/a>) takes viewers to the landmark locations of Skyline High School’s gymnasium, Montclair Park’s tennis courts and the Lake Chabot Golf Course. These places play host as East Oakland’s Bryce Savoy and North Oakland’s \u003ca class=\"c-link\" href=\"https://www.instagram.com/legendvry1/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.instagram.com/legendvry1/\" data-sk=\"tooltip_parent\" data-remove-tab-index=\"true\">Legendvry\u003c/a> trade bars on the uptempo track, with heavy drums and smooth synths produced by\u003ca class=\"c-link\" href=\"https://www.instagram.com/drewwwbanga/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.instagram.com/drewwwbanga/\" data-sk=\"tooltip_parent\" data-remove-tab-index=\"true\"> Drew Banga\u003c/a>. (Banga, an ever-active producer extraordinaire, is known for his work with G-Eazy, Kamaiyah and, most recently, \u003ca href=\"https://www.youtube.com/watch?v=6f98EpVr8FQ\" target=\"_blank\" rel=\"noopener noreferrer\">Ne-Yo\u003c/a>.)\u003c/p>\n\u003cp>“If I win that’s a win for the block, for the city, and the whole region / If I stop then I’m not breathing,” says Savoy in the second verse. There’s a lot of truth to those bars, as Savoy is a vocal community advocate and member of \u003ca class=\"c-link\" href=\"https://www.instagram.com/theblackneighborhood/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.instagram.com/theblackneighborhood/\" data-sk=\"tooltip_parent\" data-remove-tab-index=\"true\">The Black Neighborhood\u003c/a> community service collective. [aside postid='arts_13908331']\u003c/p>\n\u003cp>“Alotta That” is a single off Savoy’s \u003ca href=\"https://open.spotify.com/album/4w7SuxOBJNIOrS1znf4cSd\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci data-stringify-type=\"italic\">King Diamond\u003c/i>\u003c/a> project, which dropped in December and also features the well-written tracks “Granny Said” and “Selfish” featuring Mai Nicole. The project is a follow-up to Savoy’s 2020 project, \u003ci data-stringify-type=\"italic\">Neighborhood Diamonds\u003c/i>, and is a continuation of his appreciation of the hidden gems that reside in our community.\u003c/p>\n\u003cp>https://youtu.be/1vQ7t3Fm6Ic\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 285,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705007283,
"excerpt": "Their new track is all about their appreciation of the hidden gems in our community.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Their new track is all about their appreciation of the hidden gems in our community.",
"title": "Bryce Savoy and Legendvry Want to Win for Oakland in ‘Alotta That’ | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Bryce Savoy and Legendvry Want to Win for Oakland in ‘Alotta That’",
"datePublished": "2022-01-24T15:42:06-08:00",
"dateModified": "2024-01-11T13:08:03-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "bryce-savoy-and-legendvry-want-to-win-for-oakland-in-alotta-that",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13908505/bryce-savoy-and-legendvry-want-to-win-for-oakland-in-alotta-that",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to Pass the Aux, where KQED Arts & Culture brings you our favorite new tracks by Bay Area artists. Check out past entries and submit a song for future coverage \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Oakland is more than Lake Merritt and sideshows; there are plenty of other gems in the ’hood. The music video to\u003ca class=\"c-link\" href=\"https://www.instagram.com/brycesavoy510/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.instagram.com/brycesavoy510/\" data-sk=\"tooltip_parent\" data-remove-tab-index=\"true\"> Bryce Savoy\u003c/a>’s “\u003ca class=\"c-link\" href=\"https://www.youtube.com/watch?v=1vQ7t3Fm6Ic\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.youtube.com/watch?v=1vQ7t3Fm6Ic\" data-sk=\"tooltip_parent\" data-remove-tab-index=\"true\">Alotta That\u003c/a>,” (directed by\u003ca class=\"c-link\" href=\"https://www.instagram.com/3bmaly/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.instagram.com/3bmaly/\" data-sk=\"tooltip_parent\" data-remove-tab-index=\"true\"> G Maly\u003c/a>) takes viewers to the landmark locations of Skyline High School’s gymnasium, Montclair Park’s tennis courts and the Lake Chabot Golf Course. These places play host as East Oakland’s Bryce Savoy and North Oakland’s \u003ca class=\"c-link\" href=\"https://www.instagram.com/legendvry1/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.instagram.com/legendvry1/\" data-sk=\"tooltip_parent\" data-remove-tab-index=\"true\">Legendvry\u003c/a> trade bars on the uptempo track, with heavy drums and smooth synths produced by\u003ca class=\"c-link\" href=\"https://www.instagram.com/drewwwbanga/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.instagram.com/drewwwbanga/\" data-sk=\"tooltip_parent\" data-remove-tab-index=\"true\"> Drew Banga\u003c/a>. (Banga, an ever-active producer extraordinaire, is known for his work with G-Eazy, Kamaiyah and, most recently, \u003ca href=\"https://www.youtube.com/watch?v=6f98EpVr8FQ\" target=\"_blank\" rel=\"noopener noreferrer\">Ne-Yo\u003c/a>.)\u003c/p>\n\u003cp>“If I win that’s a win for the block, for the city, and the whole region / If I stop then I’m not breathing,” says Savoy in the second verse. There’s a lot of truth to those bars, as Savoy is a vocal community advocate and member of \u003ca class=\"c-link\" href=\"https://www.instagram.com/theblackneighborhood/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.instagram.com/theblackneighborhood/\" data-sk=\"tooltip_parent\" data-remove-tab-index=\"true\">The Black Neighborhood\u003c/a> community service collective. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13908331",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Alotta That” is a single off Savoy’s \u003ca href=\"https://open.spotify.com/album/4w7SuxOBJNIOrS1znf4cSd\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci data-stringify-type=\"italic\">King Diamond\u003c/i>\u003c/a> project, which dropped in December and also features the well-written tracks “Granny Said” and “Selfish” featuring Mai Nicole. The project is a follow-up to Savoy’s 2020 project, \u003ci data-stringify-type=\"italic\">Neighborhood Diamonds\u003c/i>, and is a continuation of his appreciation of the hidden gems that reside in our community.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1vQ7t3Fm6Ic'\n title='//www.youtube.com/embed/1vQ7t3Fm6Ic'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13908505/bryce-savoy-and-legendvry-want-to-win-for-oakland-in-alotta-that",
"authors": [
"11491"
],
"categories": [
"arts_1"
],
"tags": [
"arts_10278",
"arts_13240"
],
"featImg": "arts_13908507",
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"racesGenElection2026PresidentialReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?tag=pass-the-aux": {
"isFetching": false,
"latestQuery": {
"from": 12,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 48,
"relation": "eq"
},
"items": [
"arts_13917938",
"arts_13916627",
"arts_13916282",
"arts_13916130",
"arts_13915823",
"arts_13914014",
"arts_13912631",
"arts_13911201",
"arts_13911159",
"arts_13910566",
"arts_13909153",
"arts_13908505"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_tag_pass-the-aux": {
"isLoading": true
},
"arts_13240": {
"type": "terms",
"id": "arts_13240",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "13240",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pass the Aux",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"socialTitle": "Bay Area Beats: Discover New Music with KQED's Pass the Aux",
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Discover rising stars, genre-bending gems, and local legends recommended by our music experts. Tune in, crank it up, and find your next musical obsession.",
"metaRobotsNoIndex": "index",
"title": "Bay Area Beats: Discover New Music with KQED's Pass the Aux",
"ogDescription": null
},
"ttid": 13252,
"slug": "pass-the-aux",
"isLoading": false,
"link": "/arts/tag/pass-the-aux"
},
"source_arts_13914014": {
"type": "terms",
"id": "source_arts_13914014",
"meta": {
"override": true
},
"name": "Pass The Aux",
"link": "https://www.kqed.org/arts/tag/pass-the-aux",
"isLoading": false
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_10278": {
"type": "terms",
"id": "arts_10278",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10278",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-arts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10290,
"slug": "featured-arts",
"isLoading": false,
"link": "/arts/tag/featured-arts"
},
"arts_831": {
"type": "terms",
"id": "arts_831",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "831",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Hip Hop",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"socialTitle": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Discover rising stars, hidden gems, and live events that'll keep your head nodding. Find your next favorite local hip hop artist right here.",
"metaRobotsNoIndex": "index",
"title": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogDescription": null
},
"ttid": 849,
"slug": "hip-hop",
"isLoading": false,
"link": "/arts/tag/hip-hop"
},
"arts_2171": {
"type": "terms",
"id": "arts_2171",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2171",
"found": true
},
"relationships": {},
"featImg": null,
"name": "New Orleans",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "New Orleans Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2183,
"slug": "new-orleans",
"isLoading": false,
"link": "/arts/tag/new-orleans"
},
"arts_9159": {
"type": "terms",
"id": "arts_9159",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "9159",
"found": true
},
"relationships": {},
"featImg": null,
"name": "schools",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "schools Archives | KQED Arts",
"ogDescription": null
},
"ttid": 9171,
"slug": "schools",
"isLoading": false,
"link": "/arts/tag/schools"
},
"arts_2533": {
"type": "terms",
"id": "arts_2533",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2533",
"found": true
},
"relationships": {},
"featImg": null,
"name": "West Oakland",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "West Oakland Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2545,
"slug": "west-oakland",
"isLoading": false,
"link": "/arts/tag/west-oakland"
},
"arts_913": {
"type": "terms",
"id": "arts_913",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "913",
"found": true
},
"relationships": {},
"featImg": null,
"name": "punk",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "punk Archives | KQED Arts",
"ogDescription": null
},
"ttid": 931,
"slug": "punk",
"isLoading": false,
"link": "/arts/tag/punk"
},
"arts_1084": {
"type": "terms",
"id": "arts_1084",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1084",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Jose",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Jose Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1101,
"slug": "san-jose",
"isLoading": false,
"link": "/arts/tag/san-jose"
},
"arts_1270": {
"type": "terms",
"id": "arts_1270",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1270",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Berkeley",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Berkeley Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1282,
"slug": "berkeley",
"isLoading": false,
"link": "/arts/tag/berkeley"
},
"arts_1420": {
"type": "terms",
"id": "arts_1420",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1420",
"found": true
},
"relationships": {},
"featImg": null,
"name": "jazz",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "jazz Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1432,
"slug": "jazz",
"isLoading": false,
"link": "/arts/tag/jazz"
},
"arts_2415": {
"type": "terms",
"id": "arts_2415",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2415",
"found": true
},
"relationships": {},
"featImg": null,
"name": "folk music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "folk music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2427,
"slug": "folk-music",
"isLoading": false,
"link": "/arts/tag/folk-music"
},
"arts_3080": {
"type": "terms",
"id": "arts_3080",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3080",
"found": true
},
"relationships": {},
"featImg": null,
"name": "gun control",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "gun control Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3092,
"slug": "gun-control",
"isLoading": false,
"link": "/arts/tag/gun-control"
},
"arts_3081": {
"type": "terms",
"id": "arts_3081",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3081",
"found": true
},
"relationships": {},
"featImg": null,
"name": "gun violence",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "gun violence Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3093,
"slug": "gun-violence",
"isLoading": false,
"link": "/arts/tag/gun-violence"
},
"arts_820": {
"type": "terms",
"id": "arts_820",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "820",
"found": true
},
"relationships": {},
"featImg": null,
"name": "art",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "art Archives | KQED Arts",
"ogDescription": null
},
"ttid": 838,
"slug": "art",
"isLoading": false,
"link": "/arts/tag/art"
},
"arts_6425": {
"type": "terms",
"id": "arts_6425",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6425",
"found": true
},
"relationships": {},
"featImg": null,
"name": "bandcamp",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "bandcamp Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6437,
"slug": "bandcamp",
"isLoading": false,
"link": "/arts/tag/bandcamp"
},
"arts_9964": {
"type": "terms",
"id": "arts_9964",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "9964",
"found": true
},
"relationships": {},
"featImg": null,
"name": "bay area punk",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "bay area punk Archives | KQED Arts",
"ogDescription": null
},
"ttid": 9976,
"slug": "bay-area-punk",
"isLoading": false,
"link": "/arts/tag/bay-area-punk"
},
"arts_21788": {
"type": "terms",
"id": "arts_21788",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21788",
"found": true
},
"relationships": {},
"featImg": null,
"name": "indie rock",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "indie rock Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21800,
"slug": "indie-rock",
"isLoading": false,
"link": "/arts/tag/indie-rock"
},
"arts_2624": {
"type": "terms",
"id": "arts_2624",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2624",
"found": true
},
"relationships": {},
"featImg": null,
"name": "new music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "new music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2636,
"slug": "new-music",
"isLoading": false,
"link": "/arts/tag/new-music"
},
"arts_9788": {
"type": "terms",
"id": "arts_9788",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "9788",
"found": true
},
"relationships": {},
"featImg": null,
"name": "recording studios",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "recording studios Archives | KQED Arts",
"ogDescription": null
},
"ttid": 9800,
"slug": "recording-studios",
"isLoading": false,
"link": "/arts/tag/recording-studios"
},
"arts_1146": {
"type": "terms",
"id": "arts_1146",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1146",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Archives | KQED Arts",
"ogDescription": null
},
"ttid": 701,
"slug": "san-francisco",
"isLoading": false,
"link": "/arts/tag/san-francisco"
},
"arts_924": {
"type": "terms",
"id": "arts_924",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "924",
"found": true
},
"relationships": {},
"featImg": null,
"name": "R&B",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "R&B Archives | KQED Arts",
"ogDescription": null
},
"ttid": 942,
"slug": "rb",
"isLoading": false,
"link": "/arts/tag/rb"
},
"arts_3973": {
"type": "terms",
"id": "arts_3973",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3973",
"found": true
},
"relationships": {},
"featImg": null,
"name": "The Seshen",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The Seshen Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3985,
"slug": "the-seshen",
"isLoading": false,
"link": "/arts/tag/the-seshen"
},
"arts_2519": {
"type": "terms",
"id": "arts_2519",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2519",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Latin music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Latin music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2531,
"slug": "latin-music",
"isLoading": false,
"link": "/arts/tag/latin-music"
},
"arts_1588": {
"type": "terms",
"id": "arts_1588",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1588",
"found": true
},
"relationships": {},
"name": "Fantastic Negrito",
"slug": "fantastic-negrito",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Fantastic Negrito | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 1600,
"isLoading": false,
"link": "/arts/tag/fantastic-negrito"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
},
"navPromosReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": true,
"promos": {
"news": {
"name": "2026 Voter Guide",
"link": "/voterguide",
"imageURL": "https://cdn.kqed.org/wp-content/uploads/2026/10/Nav-News-Nov2026ElectionCoverage@2x-7bd4aad4.png",
"description": "Get informed in minutes with our Voter Guide for California’s November 3 election."
},
"podcasts-radio": {},
"video-tv": {},
"events": {},
"support": {}
}
}
}