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"title": "'Everything I knew burned down around me': A journalist looks back on LA's fires",
"excerpt": "Jacob Soboroff was raised in the Pacific Palisades and reported live from the area as it was devastated by fire in 2025. In \u003cem>Firestorm,\u003c/em> Soboroff offers a minute-by-minute account of the catastrophe.",
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"content": "\u003cp>\u003cdiv class=\"storyMajorUpdateDate\"> \u003cstrong>Updated January 05, 2026 at 14:49 PM ET\u003c/strong>\u003c/div>\u003c/p>\u003cp>On New Year's Eve 2024, journalist Jacob Soboroff was sitting around a campfire with a friend when he made an offhand comment that would come back to haunt him: The last thing he wanted to do in the new year, Soboroff said, was cover a story that would require donning a fire-safe yellow suit.\u003c/p>\u003cp>Just one week later, Soboroff was dressed in the yellow suit, reporting live from a street corner in Los Angeles as fire tore through the Pacific Palisades, the community where he was raised.\u003c/p>\u003cp>\"This was a place that I could navigate with my eyes closed,\" Soboroff says of the neighborhood. \"Every hallmark of my childhood I was watching carbonize in front of me. … There were firefighters there and first responders and other journalists there, but it was an extremely lonely, isolating experience to be standing there as everything I knew burned down around me in real time.\"\u003c/p>\u003cp>In his new book, \u003cem>Firestorm: The Great Los Angeles Fires and America's New Age of Disaster,\u003c/em> Soboroff offers a minute-by-minute account of the catastrophe, told through the voices of firefighters, evacuees, scientists and political leaders. He says covering the wildfires was the most important assignment he's ever undertaken.\u003c/p>\u003cp>\"The experience of doing this is something that I don't wish on anybody, but in a way I wish everybody could experience,\" he says. \"It's given me insane reverence for our colleagues in the local news community here, who, I think, definitionally were exercising a public service in the street-level journalism that they were doing and are still doing. ... It was actually beautiful to watch because they are as much a first responder on a frontline as anybody else.\"\u003c/p>\u003cp>\u003chr />\u003c/p>\u003cp>\u003ch3>Interview highlights\u003c/h3>\u003c/p>\u003cp>\u003cstrong>On the experience of reporting from the fires\u003c/strong>\u003c/p>\u003cp>You're choking with the smoke. And I almost feel guilty describing it from my vantage point because the firefighters would say things to me like: \"My eyeballs were burning. We were laying flat on our stomach in the middle of the concrete street because it was so hot, it was the only way that we could open the hoses full bore and try to save anything that we could.\" …\u003c/p>\u003cp>I could feel the heat on the back of my neck as we stood in front of these houses that I remember as the houses that cars and people would line up in front of for the annual Fourth of July parade or the road race that we would run through town. Trees were on fire behind us — we were at risk of structures falling at any given minute. It was pretty surreal because this is a place I had spent so much time as a child and going back to as an adult. … I had no choice but to just open my mouth and say what I saw to the millions of people that were watching us around the country.\u003c/p>\u003cp>\u003cstrong>On undocumented immigrants being central to rebuilding the city\u003c/strong>\u003c/p>\u003cp>These types of massive both humanitarian and natural disasters give us X-ray vision for a time into sort of the fissures that are underneath the surface in our society. And Los Angeles, in addition to being one of the most unequal cities between the rich and the poor, has more undocumented people than virtually any other city in the United States of America. Governor Newsom knew that with the policies of the incoming administration, some of the very people that would be responsible for the cleanup and the rebuilding of Los Angeles may end up in the crosshairs of national immigration policy. And I think that that was an understatement. …\u003c/p>\u003cp>Pablo Alvarado in the National Day Laborer Organizing Network said to me that often the first people into a disaster — the second responders after the first — are the day laborers. They went to Florida after Hurricane Andrew, to New Orleans after Katrina, and they'd be ready to go in Los Angeles. And I went out and I cleaned up Altadena and Pasadena with some of them in real time.\u003c/p>\u003cp>And only months later did this wide-scale immigration enforcement campaign begin … on the streets of LA as sort of the Petri dish, the guinea pig for expanding this across the country. And it's not an exaggeration to say that the parking lots of Home Depots, where workers [were] looking to get involved in the rebuilding of Los Angeles, has been ground zero for that enforcement campaign.\u003c/p>\u003cp>\u003cstrong>On efforts to rebuild\u003c/strong>\u003c/p>\u003cp>The pace is slow and it's sort of a hopscotch of development. And I think for people who do come back, for people who can afford to come back, it's going to be a long road ahead. You're going to have half the houses on your street under construction for years to come. And for people that do inhabit those homes, it's going to an isolating experience. But there's an effort underway to rebuild. …\u003c/p>\u003cp>There's also a lot of for-sale signs. And that's the sad reality of this, is that there are people who, whether it's that they can't afford to come back … or that they just can't stomach it, I think, sadly, a lot people are not going to be returning to their homes.\u003c/p>\u003cp>\u003cstrong>On what the Palisades and Altadena look like today\u003c/strong>\u003c/p>\u003cp>They both look like very big construction sites in a way. There are still some facades, some ruins of the more historic buildings in the Palisades. ... But mostly it's just empty lots. And in Altadena, the same thing. If you drive by the hardware store, the outside is still there. But it's a patchwork of empty lots. Homes now under construction. And lots and lots of workers. ... There are still a handful of people who are living in both the Palisades and in Altadena, but for the most part, these are communities where you've got workers going in during the day and coming out at night. …\u003c/p>\u003cp>We have designed this community to be one that's in the crosshairs of a fire just like the one we experienced and that we will certainly, certainly experience again, because nobody's packing it up and leaving Los Angeles. People may not return to their communities after they've lost their homes, but the ship has sailed on living in the wildland urban interface in the second largest city in the country.\u003c/p>\u003cp>\u003cstrong>On seeing this story, personally, as his \"most important assignment\"\u003c/strong>\u003c/p>\u003cp>I don't think I realized at the time how badly I needed the connections that I made in the wake of the fire, both with the people who have lost homes and the firefighters, first responders who were out there, but also honestly with my own family, my immediate family, my wife and my kids, my mom and my dad and my siblings and myself. I think that this was a really hard year in LA, and I think in the wake of the fire, I was experiencing some level of despair as well. Then the ICE raids happened here and sort of turned our city upside down. And this book for me was just this amazing cathartic blessing of an opportunity to find community with people I don't think I ever would have otherwise spent time with, and to reconnect with people who I hadn't seen or heard from in forever.\u003c/p>\u003cp>\u003cem>Anna Bauman and Nico Wisler\u003c/em> \u003cem>produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.\u003c/em> \u003cdiv class=\"fullattribution\">Copyright 2026 NPR\u003c/div>\u003c/p>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cdiv class=\"storyMajorUpdateDate\"> \u003cstrong>Updated January 05, 2026 at 14:49 PM ET\u003c/strong>\u003c/div>\u003c/p>\u003cp>On New Year's Eve 2024, journalist Jacob Soboroff was sitting around a campfire with a friend when he made an offhand comment that would come back to haunt him: The last thing he wanted to do in the new year, Soboroff said, was cover a story that would require donning a fire-safe yellow suit.\u003c/p>\u003cp>Just one week later, Soboroff was dressed in the yellow suit, reporting live from a street corner in Los Angeles as fire tore through the Pacific Palisades, the community where he was raised.\u003c/p>\u003cp>\"This was a place that I could navigate with my eyes closed,\" Soboroff says of the neighborhood. \"Every hallmark of my childhood I was watching carbonize in front of me. … There were firefighters there and first responders and other journalists there, but it was an extremely lonely, isolating experience to be standing there as everything I knew burned down around me in real time.\"\u003c/p>\u003cp>In his new book, \u003cem>Firestorm: The Great Los Angeles Fires and America's New Age of Disaster,\u003c/em> Soboroff offers a minute-by-minute account of the catastrophe, told through the voices of firefighters, evacuees, scientists and political leaders. He says covering the wildfires was the most important assignment he's ever undertaken.\u003c/p>\u003cp>\"The experience of doing this is something that I don't wish on anybody, but in a way I wish everybody could experience,\" he says. \"It's given me insane reverence for our colleagues in the local news community here, who, I think, definitionally were exercising a public service in the street-level journalism that they were doing and are still doing. ... It was actually beautiful to watch because they are as much a first responder on a frontline as anybody else.\"\u003c/p>\u003cp>\u003chr />\u003c/p>\u003cp>\u003ch3>Interview highlights\u003c/h3>\u003c/p>\u003cp>\u003cstrong>On the experience of reporting from the fires\u003c/strong>\u003c/p>\u003cp>You're choking with the smoke. And I almost feel guilty describing it from my vantage point because the firefighters would say things to me like: \"My eyeballs were burning. We were laying flat on our stomach in the middle of the concrete street because it was so hot, it was the only way that we could open the hoses full bore and try to save anything that we could.\" …\u003c/p>\u003cp>I could feel the heat on the back of my neck as we stood in front of these houses that I remember as the houses that cars and people would line up in front of for the annual Fourth of July parade or the road race that we would run through town. Trees were on fire behind us — we were at risk of structures falling at any given minute. It was pretty surreal because this is a place I had spent so much time as a child and going back to as an adult. … I had no choice but to just open my mouth and say what I saw to the millions of people that were watching us around the country.\u003c/p>\u003cp>\u003cstrong>On undocumented immigrants being central to rebuilding the city\u003c/strong>\u003c/p>\u003cp>These types of massive both humanitarian and natural disasters give us X-ray vision for a time into sort of the fissures that are underneath the surface in our society. And Los Angeles, in addition to being one of the most unequal cities between the rich and the poor, has more undocumented people than virtually any other city in the United States of America. Governor Newsom knew that with the policies of the incoming administration, some of the very people that would be responsible for the cleanup and the rebuilding of Los Angeles may end up in the crosshairs of national immigration policy. And I think that that was an understatement. …\u003c/p>\u003cp>Pablo Alvarado in the National Day Laborer Organizing Network said to me that often the first people into a disaster — the second responders after the first — are the day laborers. They went to Florida after Hurricane Andrew, to New Orleans after Katrina, and they'd be ready to go in Los Angeles. And I went out and I cleaned up Altadena and Pasadena with some of them in real time.\u003c/p>\u003cp>And only months later did this wide-scale immigration enforcement campaign begin … on the streets of LA as sort of the Petri dish, the guinea pig for expanding this across the country. And it's not an exaggeration to say that the parking lots of Home Depots, where workers [were] looking to get involved in the rebuilding of Los Angeles, has been ground zero for that enforcement campaign.\u003c/p>\u003cp>\u003cstrong>On efforts to rebuild\u003c/strong>\u003c/p>\u003cp>The pace is slow and it's sort of a hopscotch of development. And I think for people who do come back, for people who can afford to come back, it's going to be a long road ahead. You're going to have half the houses on your street under construction for years to come. And for people that do inhabit those homes, it's going to an isolating experience. But there's an effort underway to rebuild. …\u003c/p>\u003cp>There's also a lot of for-sale signs. And that's the sad reality of this, is that there are people who, whether it's that they can't afford to come back … or that they just can't stomach it, I think, sadly, a lot people are not going to be returning to their homes.\u003c/p>\u003cp>\u003cstrong>On what the Palisades and Altadena look like today\u003c/strong>\u003c/p>\u003cp>They both look like very big construction sites in a way. There are still some facades, some ruins of the more historic buildings in the Palisades. ... But mostly it's just empty lots. And in Altadena, the same thing. If you drive by the hardware store, the outside is still there. But it's a patchwork of empty lots. Homes now under construction. And lots and lots of workers. ... There are still a handful of people who are living in both the Palisades and in Altadena, but for the most part, these are communities where you've got workers going in during the day and coming out at night. …\u003c/p>\u003cp>We have designed this community to be one that's in the crosshairs of a fire just like the one we experienced and that we will certainly, certainly experience again, because nobody's packing it up and leaving Los Angeles. People may not return to their communities after they've lost their homes, but the ship has sailed on living in the wildland urban interface in the second largest city in the country.\u003c/p>\u003cp>\u003cstrong>On seeing this story, personally, as his \"most important assignment\"\u003c/strong>\u003c/p>\u003cp>I don't think I realized at the time how badly I needed the connections that I made in the wake of the fire, both with the people who have lost homes and the firefighters, first responders who were out there, but also honestly with my own family, my immediate family, my wife and my kids, my mom and my dad and my siblings and myself. I think that this was a really hard year in LA, and I think in the wake of the fire, I was experiencing some level of despair as well. Then the ICE raids happened here and sort of turned our city upside down. And this book for me was just this amazing cathartic blessing of an opportunity to find community with people I don't think I ever would have otherwise spent time with, and to reconnect with people who I hadn't seen or heard from in forever.\u003c/p>\u003cp>\u003cem>Anna Bauman and Nico Wisler\u003c/em> \u003cem>produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.\u003c/em> \u003cdiv class=\"fullattribution\">Copyright 2026 NPR\u003c/div>\u003c/p>\u003c/div>\u003c/p>",
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"title": "Feeling cooped up? Get out of town with this delightful literary road trip",
"excerpt": "In \u003cem>The Rest of Our Lives, \u003c/em>the narrator drops his daughter off to college — then keeps on driving, leaving his marriage behind. Ben Markovits' novel was shortlisted for the Booker Prize.",
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"content": "\u003cp>Tom Layward, the narrator and main character of Ben Markovits' new novel, \u003cem>The Rest of Our Lives\u003c/em>, introduces himself in a curious way: On the very first page of the book, he talks, matter-of-factly, about the affair his wife, Amy, had 12 years ago, when their two kids were young. \u003c/p>\u003cp>Amy, who's Jewish, got involved at a local synagogue in Westchester; Tom, who was raised Catholic and is clearly not a joiner, remained on the sidelines. At the synagogue, Amy met Zach Zirsky, who Tom describes as \"the kind of guy who danced with all the old ladies and little pigtailed girls at a bar mitzvah, so he could also put his arm around the pretty mothers and nobody would complain.\"\u003c/p>\u003cp>After the affair came out, Tom and Amy decided to stay together for the kids: a boy named Michael and his younger sister, Miriam. But, Tom tells us \"I also made a deal with myself. When Miriam goes to college you can leave, too.\" The deal, Tom says, \"helped me get through the first few months ... [when] we had to pretend that everything was fine.\" \u003c/p>\u003cp>Twelve years have since passed and the marriage has settled back into a state of OK-ness. Miriam, now 18, is starting college in Pittsburgh and because Amy is having a tough time with Miriam's departure, Tom alone drives her to campus.\u003c/p>\u003cp>And, once Tom drops Miriam off, he just keeps driving, westward; without explanation to us or to himself; as though he's a passenger in a driverless car that has decided to carry him across \"the mighty Allegheny\" and keep on going.\u003c/p>\u003cp>The three-page scene where Tom passively melds into the trans-continental traffic flow constitutes a master class on how to write about a character who is opaque to himself. \"[Y]ou don't feel anything about anything,\" Amy says early on to Tom — an accusation that's pretty much echoed by Tom's old college girlfriend, Jill, whom he spontaneously drops in on at her home in Las Vegas, after being out of touch for roughly 30 years. \u003c/p>\u003cp>But, if Tom is distanced from his own feelings (and vague about the \"issue\" he had \"with a couple of students\" that forced him to take a leave from teaching in law school), he's a sharp diagnostician of \u003cem>other \u003c/em>people's behavior. What fuels this road trip is Tom's voice — by turns, wry, mournful and, oh-so-casually, astute. \u003c/p>\u003cp>There's a strain of \u003ca href=\"https://www.npr.org/2017/05/02/526559954/for-richard-ford-memoir-is-a-chance-to-tell-the-unthinkable\" target=\"_blank\">Richard Ford\u003c/a> and \u003ca href=\"https://www.npr.org/2017/08/30/547036145/celebrating-30-years-of-fresh-air-pulitzer-prize-winning-novelist-john-updike\" target=\"_blank\">John Updike\u003c/a> in Tom's tone, which I mean as a high compliment. Take, for instance, how Tom chats to us readers about a married couple who are old friends of his and Amy's:\u003c/p>\u003cp>\u003cblockquote>\u003cdiv>\u003cp>[Chrissie] was maybe one of those women who derives secret energy from the troubles of her friends. Her husband, Dick, was a perfectly good guy, about six-two, fat and healthy. He worked for an online tech platform. I really don’t know what he did.\u003c/p>\u003c/div>\u003c/blockquote>\u003c/p>\u003cp>So might most of us be summed up for posterity.\u003c/p>\u003cp>As Tom racks up miles, taking detours to visit other folks out of his past, like his semi-estranged brother, his meandering road trip accrues in suspense. There's something else he's subconsciously speeding away from here besides his marriage. Tom tells us at the outset that he's suffering from symptoms his doctors ascribe to \u003ca href=\"https://www.npr.org/sections/shots-health-news/2025/03/12/nx-s1-5324690/long-covid-pandemic-treatments-research\" target=\"_blank\">long COVID\u003c/a>: dizziness and morning face swelling so severe that daughter Miriam jokingly calls him \"Puff Daddy.\" Shortly after he reaches the Pacific, Tom also lands in the hospital. \"Getting out of the hospital,\" Tom dryly comments, \"is like escaping a casino, they don't make it easy for you.\" \u003c/p>\u003cp>The canon of road trip stories in American literature is vast, even more so if you count other modes of transportation besides cars — like, say, rafts. But, the most memorable road trips, like \u003cem>The Rest of Our Lives\u003c/em>, notice the easy-to-miss signposts — marking life forks in the road and looming mortality — that make the journey itself everything. \u003cdiv class=\"fullattribution\">Copyright 2026 NPR\u003c/div>\u003c/p>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Tom Layward, the narrator and main character of Ben Markovits' new novel, \u003cem>The Rest of Our Lives\u003c/em>, introduces himself in a curious way: On the very first page of the book, he talks, matter-of-factly, about the affair his wife, Amy, had 12 years ago, when their two kids were young. \u003c/p>\u003cp>Amy, who's Jewish, got involved at a local synagogue in Westchester; Tom, who was raised Catholic and is clearly not a joiner, remained on the sidelines. At the synagogue, Amy met Zach Zirsky, who Tom describes as \"the kind of guy who danced with all the old ladies and little pigtailed girls at a bar mitzvah, so he could also put his arm around the pretty mothers and nobody would complain.\"\u003c/p>\u003cp>After the affair came out, Tom and Amy decided to stay together for the kids: a boy named Michael and his younger sister, Miriam. But, Tom tells us \"I also made a deal with myself. When Miriam goes to college you can leave, too.\" The deal, Tom says, \"helped me get through the first few months ... [when] we had to pretend that everything was fine.\" \u003c/p>\u003cp>Twelve years have since passed and the marriage has settled back into a state of OK-ness. Miriam, now 18, is starting college in Pittsburgh and because Amy is having a tough time with Miriam's departure, Tom alone drives her to campus.\u003c/p>\u003cp>And, once Tom drops Miriam off, he just keeps driving, westward; without explanation to us or to himself; as though he's a passenger in a driverless car that has decided to carry him across \"the mighty Allegheny\" and keep on going.\u003c/p>\u003cp>The three-page scene where Tom passively melds into the trans-continental traffic flow constitutes a master class on how to write about a character who is opaque to himself. \"[Y]ou don't feel anything about anything,\" Amy says early on to Tom — an accusation that's pretty much echoed by Tom's old college girlfriend, Jill, whom he spontaneously drops in on at her home in Las Vegas, after being out of touch for roughly 30 years. \u003c/p>\u003cp>But, if Tom is distanced from his own feelings (and vague about the \"issue\" he had \"with a couple of students\" that forced him to take a leave from teaching in law school), he's a sharp diagnostician of \u003cem>other \u003c/em>people's behavior. What fuels this road trip is Tom's voice — by turns, wry, mournful and, oh-so-casually, astute. \u003c/p>\u003cp>There's a strain of \u003ca href=\"https://www.npr.org/2017/05/02/526559954/for-richard-ford-memoir-is-a-chance-to-tell-the-unthinkable\" target=\"_blank\">Richard Ford\u003c/a> and \u003ca href=\"https://www.npr.org/2017/08/30/547036145/celebrating-30-years-of-fresh-air-pulitzer-prize-winning-novelist-john-updike\" target=\"_blank\">John Updike\u003c/a> in Tom's tone, which I mean as a high compliment. Take, for instance, how Tom chats to us readers about a married couple who are old friends of his and Amy's:\u003c/p>\u003cp>\u003cblockquote>\u003cdiv>\u003cp>[Chrissie] was maybe one of those women who derives secret energy from the troubles of her friends. Her husband, Dick, was a perfectly good guy, about six-two, fat and healthy. He worked for an online tech platform. I really don’t know what he did.\u003c/p>\u003c/div>\u003c/blockquote>\u003c/p>\u003cp>So might most of us be summed up for posterity.\u003c/p>\u003cp>As Tom racks up miles, taking detours to visit other folks out of his past, like his semi-estranged brother, his meandering road trip accrues in suspense. There's something else he's subconsciously speeding away from here besides his marriage. Tom tells us at the outset that he's suffering from symptoms his doctors ascribe to \u003ca href=\"https://www.npr.org/sections/shots-health-news/2025/03/12/nx-s1-5324690/long-covid-pandemic-treatments-research\" target=\"_blank\">long COVID\u003c/a>: dizziness and morning face swelling so severe that daughter Miriam jokingly calls him \"Puff Daddy.\" Shortly after he reaches the Pacific, Tom also lands in the hospital. \"Getting out of the hospital,\" Tom dryly comments, \"is like escaping a casino, they don't make it easy for you.\" \u003c/p>\u003cp>The canon of road trip stories in American literature is vast, even more so if you count other modes of transportation besides cars — like, say, rafts. But, the most memorable road trips, like \u003cem>The Rest of Our Lives\u003c/em>, notice the easy-to-miss signposts — marking life forks in the road and looming mortality — that make the journey itself everything. \u003cdiv class=\"fullattribution\">Copyright 2026 NPR\u003c/div>\u003c/p>\u003c/div>\u003c/p>",
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"excerpt": "Stiller examines his famous parents' relationship in the documentary \u003cem>Stiller & Meara: Nothing is Lost. \u003c/em>Pascal stars in \u003cem>The Last of U\u003c/em>s but says he wouldn't want to survive an apocalypse.",
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"content": "\u003cp>Fresh Air Weekend \u003cem>highlights some of the best interviews and reviews from past weeks, as well as new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and it often includes excerpts from live in-studio concerts. This week:\u003c/em>\u003c/p>\u003cp>\u003cstrong>In Ben Stiller's showbiz family, there was little separation between home and stage: \u003c/strong>After his parents died, Stiller found a stash of their audio recordings. Those tapes of comedians Jerry Stiller and Anne Meara are at the center of the documentary \u003cem>Stiller & Meara: Nothing Is Lost.\u003c/em>\u003c/p>\u003cp>\u003cstrong>'The Last of Us' actor Pedro Pascal says he wouldn't want to survive an apocalypse: \u003c/strong>The Chilean-born actor has faced countless on-screen challenges, including cosmic battles and cartel kingpins. Before he hit it big, he spent much of his 20s and 30s struggling to make it in the New York theater scene.\u003c/p>\u003cp>\u003cem>You can listen to the original interviews here:\u003c/em> \u003cdiv class=\"fullattribution\">Copyright 2026 NPR\u003c/div>\u003c/p>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Fresh Air Weekend \u003cem>highlights some of the best interviews and reviews from past weeks, as well as new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and it often includes excerpts from live in-studio concerts. This week:\u003c/em>\u003c/p>\u003cp>\u003cstrong>In Ben Stiller's showbiz family, there was little separation between home and stage: \u003c/strong>After his parents died, Stiller found a stash of their audio recordings. Those tapes of comedians Jerry Stiller and Anne Meara are at the center of the documentary \u003cem>Stiller & Meara: Nothing Is Lost.\u003c/em>\u003c/p>\u003cp>\u003cstrong>'The Last of Us' actor Pedro Pascal says he wouldn't want to survive an apocalypse: \u003c/strong>The Chilean-born actor has faced countless on-screen challenges, including cosmic battles and cartel kingpins. Before he hit it big, he spent much of his 20s and 30s struggling to make it in the New York theater scene.\u003c/p>\u003cp>\u003cem>You can listen to the original interviews here:\u003c/em> \u003cdiv class=\"fullattribution\">Copyright 2026 NPR\u003c/div>\u003c/p>\u003c/div>\u003c/p>",
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"content": "\u003cp>Hiller spent years scraping by in Hollywood before landing the role of Jeff on \u003cem>Somebody Somewhere\u003c/em>. His memoir is \u003cem>Actress of a Certain Age.\u003c/em> \u003cem>Originally broadcast Aug. 12, 2025.\u003c/em> \u003cdiv class=\"fullattribution\">Copyright 2026 NPR\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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},
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
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"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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