When We All Get to Heaven: Inside a Queer SF Church During the AIDS Crisis
After SF Giants Pride Night Culture Clash, Scott Wiener Claps Back at Republicans
A Queer History of The Sims
SF Theater Troupe Faces Reality of City’s New Demographics
‘A Moment Under the Sun’: Queer-Led Groups Are Getting Outside This Pride
The San Francisco AIDS Protest That Lasted a Decade
‘Stop! That! Train!’ Is a Runaway Comedy Juggernaut
Going to San Francisco Pride 2026? Parade Times, Maps, Street Closures and Safety Advice
Conversations Between Trans Kids and the People Who Love Them
A Vallejo Naval Museum Exhibit Celebrates Gender Rebels Across History
Pride as Protest
PHOTOS: LGBTQ+ Pride Lights Up the Bay Area In All Its Rainbow Glory
Armed with Ink, 1960s Activists 'Struck Back' Against Homophobic Media
DragTivism Teaches LGBTQ+ History and Empowerment with Rhinestones and False Lashes
While the US Government Sat Idle, AIDS Activism Mobilized in San Francisco
Meet the LGBTQ+ Elders Who Rioted, Organized and Lobbied to Change History
How the Trans Community Reclaimed Its Rightful Place at Pride
SF's First Black-Owned Gay Bar Offered Refuge from Racism in the '90s Queer Scene
When Queer Nation 'Bashed Back' Against Homophobia with Street Patrols and Glitter
#MyPrideLooksLike: Share Photos of Your LGBTQ+ Life Over the Decades
Welcome to 'Pride as Protest,' a New KQED Arts Story Series
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Scott Wiener shot back at conservative leaders who claimed the league discriminated against the players for their faith Tuesday, saying that MLB’s blanket policies don’t have a “homophobia exemption.”\u003c/p>\n\u003cp>“This isn’t an issue of religious freedom,” Wiener said in a \u003ca href=\"https://sd11.senate.ca.gov/news/senator-wiener-maga-homophobic-backlash-against-major-league-baseball\">statement\u003c/a>. “People have a right to whatever religious beliefs they want — even if those beliefs dehumanize other people — but they don’t have a right to hijack their employer to promote those hateful beliefs at a job-related event.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The controversy stems from the team’s series opener against the Chicago Cubs on June 12 at Oracle Park, when the team held a themed celebration in honor of Pride. 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Josh Hawley also \u003ca href=\"https://www.hawley.senate.gov/hawley-demands-answers-from-mlb-for-penalizing-christian-players/\">sent a letter\u003c/a> to MLB Commissioner Rob Manfred, demanding an explanation for the league’s “apparent pattern of discriminating against Christians while promoting left-wing ideologies.”\u003c/p>\n\u003cp>“Quoting the Bible? That’s now an employment offense? You’ve got to be kidding me. God bless these players. MLB has some explaining to do,” Hawley said on social media.\u003c/p>\n\u003cp>Wiener fired back at the conservative leaders, writing in \u003ca href=\"https://x.com/Scott_Wiener/status/2066934161773126091\">response to Vance\u003c/a>: “In San Francisco, unlike in the White House, we treat LGBTQ people as full human beings & we think bigotry is bad. Perhaps go back into your cave for a minute to chill out.”\u003c/p>\n\u003cp>He alleged that the backlash was meant to bully MLB out of enforcing its policies.\u003c/p>\n\u003cp>He also called on the Giants to take action over the players’ protest, saying their response was inconsistent with longstanding support for the LGBTQ+ community.\u003c/p>\n\u003cp>\u003ca href=\"https://www.mlb.com/giants/community/diversity\">In 1994\u003c/a>, the Giants were the first professional sports team to host an HIV/AIDS awareness game — now an annual event. 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"content": "\u003cdiv class=\"post-body\">\u003cp>Missouri Republican Sen. Josh Hawley also \u003ca href=\"https://www.hawley.senate.gov/hawley-demands-answers-from-mlb-for-penalizing-christian-players/\">sent a letter\u003c/a> to MLB Commissioner Rob Manfred, demanding an explanation for the league’s “apparent pattern of discriminating against Christians while promoting left-wing ideologies.”\u003c/p>\n\u003cp>“Quoting the Bible? That’s now an employment offense? You’ve got to be kidding me. God bless these players. MLB has some explaining to do,” Hawley said on social media.\u003c/p>\n\u003cp>Wiener fired back at the conservative leaders, writing in \u003ca href=\"https://x.com/Scott_Wiener/status/2066934161773126091\">response to Vance\u003c/a>: “In San Francisco, unlike in the White House, we treat LGBTQ people as full human beings & we think bigotry is bad. Perhaps go back into your cave for a minute to chill out.”\u003c/p>\n\u003cp>He alleged that the backlash was meant to bully MLB out of enforcing its policies.\u003c/p>\n\u003cp>He also called on the Giants to take action over the players’ protest, saying their response was inconsistent with longstanding support for the LGBTQ+ community.\u003c/p>\n\u003cp>\u003ca href=\"https://www.mlb.com/giants/community/diversity\">In 1994\u003c/a>, the Giants were the first professional sports team to host an HIV/AIDS awareness game — now an annual event. The team became the first in the MLB to incorporate Pride colors into on-field uniforms for the Pride game in 2021.\u003c/p>\n\u003cp>In a statement, the Giants said: “The San Francisco Giants are proud to support Pride Night and the LGBTQ+ community … We also respect that individuals may make personal choices about participating in team activations.\u003c/p>\n\u003cp>“We understand the choice by individual players has caused pain and anger to many in the LGBTQ+ community and we are sorry for that. Those choices do not change our organization’s commitment to inclusion, belonging, and creating a welcoming environment for all,” the statement said.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Did The Sims make you gay?” is a long-running joke among Sims players. For millions, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Sims\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> has been more than a video game — it’s been a place to experiment, tell stories, and explore identity. Long before LGBTQ representation became common in mainstream games, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Sims\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> allowed same-sex relationships, helping create a devoted queer fan base that reshaped what players expected from virtual worlds.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">In this episode, Morgan Sung talks with \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Sims 4\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> senior designer Jessica Croft and Electronic Arts’ senior game design director Loel Phelps about the game’s unlikely emergence as one of the most queer-inclusive franchises in gaming. They explore the legendary story of how same-sex romance accidentally made it into the original game, the challenges of translating sexuality and gender into game systems, why so many LGBTQ players discovered their own identities in \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Sims\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> long before they felt safe doing so in real life — and why some players are worried about where the game might be headed.\u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC3392561231\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guests:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cspan style=\"font-weight: 400\">Jessica Croft,\u003c/span> \u003cspan style=\"font-weight: 400\">senior designer and lead designer at EA on The Sims 4\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">Loel Phelps, senior game design director at Maxis\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Further Reading/Listening:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.newyorker.com/tech/annals-of-technology/the-kiss-that-changed-video-games\">\u003cspan style=\"font-weight: 400\">The Kiss That Changed Video Games\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Simon Parkin, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The New Yorker\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.pcgamer.com/unearthed-the-sims-design-docs-show-the-debate-over-same-sex-relationships/\">Unearthed The Sims design docs show the internal debate over same-sex relationships\u003c/a>\u003c/span> \u003ci>\u003cspan style=\"font-weight: 400\">— \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">Steven Messner, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>PC Gamer\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.youtube.com/watch?v=Xi-HWyh0Ybk\">Did The Sims make you gay? – a video essay.\u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\"> — Alexander Avila\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>, \u003ci>YouTube\u003c/i>\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://bricksmagazine.co.uk/2020/08/27/the-sims-knew-i-was-queer-before-i-did/\">The Sims Knew I Was Queer Before I Did \u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\">— Megan Elliot,\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>\u003ci> BRICKS Magazine\u003c/i>\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.theguardian.com/games/2022/feb/22/gay-weddings-for-russia-how-the-sims-became-a-battleground-for-the-lgbtq-community\">Gay weddings for Russia: How The Sims became a battleground for the LGBTQ+ community \u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\">— Tom Regan, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>\u003ci>\u003ci>The Guardian\u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ca href=\"https://frvr.com/blog/news/the-sims-designer-says-that-the-series-diversity-is-critical-especially-at-times-like-now/\">The Sims designer says that the series’ diversity is “critical, especially at times like now” as the games must recognise “the fundamental truths of our humanity” to stay successful \u003c/a>— Lewis White\u003ci>\u003ci>\u003ci>, \u003ci>FIVR\u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Episode Transcript\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">A full transcript will be available 1–2 workdays after the episode’s publication.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Did The Sims make you gay?” is a long-running joke among Sims players. For millions, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Sims\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> has been more than a video game — it’s been a place to experiment, tell stories, and explore identity. Long before LGBTQ representation became common in mainstream games, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Sims\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> allowed same-sex relationships, helping create a devoted queer fan base that reshaped what players expected from virtual worlds.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">In this episode, Morgan Sung talks with \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Sims 4\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> senior designer Jessica Croft and Electronic Arts’ senior game design director Loel Phelps about the game’s unlikely emergence as one of the most queer-inclusive franchises in gaming. They explore the legendary story of how same-sex romance accidentally made it into the original game, the challenges of translating sexuality and gender into game systems, why so many LGBTQ players discovered their own identities in \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Sims\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> long before they felt safe doing so in real life — and why some players are worried about where the game might be headed.\u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC3392561231\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guests:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cspan style=\"font-weight: 400\">Jessica Croft,\u003c/span> \u003cspan style=\"font-weight: 400\">senior designer and lead designer at EA on The Sims 4\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">Loel Phelps, senior game design director at Maxis\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Further Reading/Listening:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.newyorker.com/tech/annals-of-technology/the-kiss-that-changed-video-games\">\u003cspan style=\"font-weight: 400\">The Kiss That Changed Video Games\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Simon Parkin, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The New Yorker\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.pcgamer.com/unearthed-the-sims-design-docs-show-the-debate-over-same-sex-relationships/\">Unearthed The Sims design docs show the internal debate over same-sex relationships\u003c/a>\u003c/span> \u003ci>\u003cspan style=\"font-weight: 400\">— \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">Steven Messner, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>PC Gamer\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.youtube.com/watch?v=Xi-HWyh0Ybk\">Did The Sims make you gay? – a video essay.\u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\"> — Alexander Avila\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>, \u003ci>YouTube\u003c/i>\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://bricksmagazine.co.uk/2020/08/27/the-sims-knew-i-was-queer-before-i-did/\">The Sims Knew I Was Queer Before I Did \u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\">— Megan Elliot,\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>\u003ci> BRICKS Magazine\u003c/i>\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.theguardian.com/games/2022/feb/22/gay-weddings-for-russia-how-the-sims-became-a-battleground-for-the-lgbtq-community\">Gay weddings for Russia: How The Sims became a battleground for the LGBTQ+ community \u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\">— Tom Regan, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>\u003ci>\u003ci>The Guardian\u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ca href=\"https://frvr.com/blog/news/the-sims-designer-says-that-the-series-diversity-is-critical-especially-at-times-like-now/\">The Sims designer says that the series’ diversity is “critical, especially at times like now” as the games must recognise “the fundamental truths of our humanity” to stay successful \u003c/a>— Lewis White\u003ci>\u003ci>\u003ci>, \u003ci>FIVR\u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Even by the eccentric standards of Bay Area theatre, the San Francisco Neo-Futurists are a sight to behold. The local chapter of the Chicago experimental troupe has built a loyal following by taking the original troupe’s format – a weekly anthology show that attempts to stage 30 performance-art shorts in under 60 minutes – and injecting it with a uniquely Bay Area perspective.\u003c/p>\n\n\n\n\u003cp>That perspective was important when casting their two special-themed June editions of their weekly show \u003cem>The Infinite Wrench\u003c/em>. While searching for actors to perform the Juneteenth-themed \u003cem>The Blackest Wrench\u003c/em> and the LGBTQIA+ show \u003cem>Infinite Pride\u003c/em>, the reality of the Bay Area’s new demographics were made manifest, and the company had to bring in cast members from outside chapters of the Neo-Futurists.\u003c/p>\n\n\n\n\u003cp>Because the New York and Chicago chapters have larger ensembles, “we don’t tend to go out there for their specialty shows,” says co-artistic director Jeb Lehrman. “Generally, though, San Francisco sees a few more visitors and transfers than the other companies.”\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-2025-Infinite-Pride-El-Rio-84.jpg\" alt=\"\" class=\"wp-image-13990824\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-2025-Infinite-Pride-El-Rio-84.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-2025-Infinite-Pride-El-Rio-84-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-2025-Infinite-Pride-El-Rio-84-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-2025-Infinite-Pride-El-Rio-84-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">A scene from the 2025 edition of the SF Neo-Futurists’ ‘Infinite Pride’ at El Rio in San Francisco. (Kayleigh Shawn)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>As with the regular weekly shows, \u003cem>Blackest Wrench\u003c/em> and \u003cem>Infinite Pride\u003c/em> will ask audiences to select from a menu of 30 short plays, with its writer-performers attempting to work their way through the entire list before the always-on-display clock buzzes at the end of an hour.\u003c/p>\n\n\n\n\u003cp>Topics run the gamut, from hilarious observances of life, painful confessions to the audience and even the cast holding still until an audience member interacts with a set piece. By the troupe’s own estimation, the San Francisco chapter has “premiered some 4,000 plays over the last 13 years.”\u003c/p>\n\n\n\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It also produces five or six special shows per year, with \u003cem>Infinite Pride\u003c/em> (boasting an all-queer ensemble) having been staged annually since 2014. This year’s edition will be a two-night event, performed at legendary San Francisco queer bars El Rio and The Stud.\u003c/p>\n\n\n\n\u003cp>“I think it’s generally a little easier to sell a specialty show,” says \u003cem>Infinite Pride\u003c/em> cast member Aster Light. “The regular show happens every weekend, so it’s less of an event, and because all my friends are queer, they tend to be drawn in to see an all-queer cast sharing our stories and our culture.”\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-125.jpg\" alt=\"\" class=\"wp-image-13990821\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-125.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-125-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-125-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-125-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">A scene from the 2025 edition of the SF Neo-Futurists’ ‘The Blackest Wrench.’ (Kayleigh Shawn)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>Meanwhile, the second annual \u003cem>Blackest Wrench\u003c/em> has been a tougher sell. The one-night show will be performed in Oakland, as if reflecting the mass migration of Black artists away from San Francisco. It’s also the show that required bringing in the most out-of-towners to fill an ensemble of just a half-dozen performers.\u003cbr>\u003cbr>The parallels aren’t lost on Ray Ray Young, a San Francisco Neo-Futurist since 2023, and one whose Black and queer identities reflect the intersection between the two casts. (Of the two shows, Young is only in \u003cem>Blackest Wrench\u003c/em>.)\u003c/p>\n\n\n\n\u003cp>“Honestly, this has been a multiyear effort in the making,” says Young, who’s led efforts to diversify the troupe, and has been instrumental in the production of \u003cem>Blackest Wrench\u003c/em>.\u003cbr>\u003cbr>“Even with all of that effort, we still unfortunately don’t quite have enough Black Neo-Futurists in the Bay Area to fill a show like this.”\u003cbr>\u003cbr>With one member from Chicago and one from New York, “[It’s] been really exciting to work with them,” Young says. “And it strengthens our Neo-Futurist practice to get to collaborate with members of different ensembles.”\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-34.jpg\" alt=\"\" class=\"wp-image-13990823\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-34.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-34-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-34-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-34-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">A scene from the 2025 edition of the SF Neo-Futurists’ ‘The Blackest Wrench.’ (Kayleigh Shawn)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>Though some cast members were facetious about what audiences could expect in the two shows (one \u003cem>Pride\u003c/em> cast member celebrated “[feeling] so represented by gorilla masks and basketballs and arm-heavy choreography in this particular show”), all involved agree that their shows represent activism in the face of nationwide hatred against both Black and queer Americans.\u003c/p>\n\n\n\n\u003cp>When asked whom they’d like most to see their show, Light is direct and uncompromising: “I hope the ghost of Charlie Kirk is forced to watch it on repeat in hell.”\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘\u003c/em>\u003ca href=\"https://www.onthestage.tickets/show/the-lower-bottom-playaz/69f135bd4462ee1056dde748/\">\u003cem>The Blackest Wrench\u003c/em>\u003c/a>\u003cem>’ takes place Friday, June 19, at BAM House (540 Broadway, Oakland).\u003c/em> \u003ca href=\"https://www.sfneofuturists.org/pride\">\u003cem>‘Infinite Pride 2026\u003c/em>\u003c/a>\u003cem>’ runs Monday, June 22, at El Rio (3158 Mission St., San Francisco) and Tuesday, June 23, at The Stud (1123 Folsom St., San Francisco).\u003c/em>\u003c/p>\n\n",
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"innerHTML": "\n\u003cp>Because the New York and Chicago chapters have larger ensembles, “we don’t tend to go out there for their specialty shows,” says co-artistic director Jeb Lehrman. “Generally, though, San Francisco sees a few more visitors and transfers than the other companies.”\u003c/p>\n",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-2025-Infinite-Pride-El-Rio-84.jpg\" alt=\"\" class=\"wp-image-13990824\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-2025-Infinite-Pride-El-Rio-84.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-2025-Infinite-Pride-El-Rio-84-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-2025-Infinite-Pride-El-Rio-84-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-2025-Infinite-Pride-El-Rio-84-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">A scene from the 2025 edition of the SF Neo-Futurists’ ‘Infinite Pride’ at El Rio in San Francisco. \u003c/figcaption>\u003c/figure>\n",
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"innerHTML": "\n\u003cp>Topics run the gamut, from hilarious observances of life, painful confessions to the audience and even the cast holding still until an audience member interacts with a set piece. By the troupe’s own estimation, the San Francisco chapter has “premiered some 4,000 plays over the last 13 years.”\u003c/p>\n",
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"innerHTML": "\n\u003cp>It also produces five or six special shows per year, with \u003cem>Infinite Pride\u003c/em> (boasting an all-queer ensemble) having been staged annually since 2014. This year’s edition will be a two-night event, performed at legendary San Francisco queer bars El Rio and The Stud.\u003c/p>\n",
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"innerHTML": "\n\u003cp>“I think it’s generally a little easier to sell a specialty show,” says \u003cem>Infinite Pride\u003c/em> cast member Aster Light. “The regular show happens every weekend, so it’s less of an event, and because all my friends are queer, they tend to be drawn in to see an all-queer cast sharing our stories and our culture.”\u003c/p>\n",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-125.jpg\" alt=\"\" class=\"wp-image-13990821\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-125.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-125-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-125-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-125-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">A scene from the 2025 edition of the SF Neo-Futurists’ ‘The Blackest Wrench.’ \u003c/figcaption>\u003c/figure>\n",
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"innerHTML": "\n\u003cp>Meanwhile, the second annual \u003cem>Blackest Wrench\u003c/em> has been a tougher sell. The one-night show will be performed in Oakland, as if reflecting the mass migration of Black artists away from San Francisco. It’s also the show that required bringing in the most out-of-towners to fill an ensemble of just a half-dozen performers.\u003cbr>\u003cbr>The parallels aren’t lost on Ray Ray Young, a San Francisco Neo-Futurist since 2023, and one whose Black and queer identities reflect the intersection between the two casts. (Of the two shows, Young is only in \u003cem>Blackest Wrench\u003c/em>.)\u003c/p>\n",
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"innerHTML": "\n\u003cp>“Honestly, this has been a multiyear effort in the making,” says Young, who’s led efforts to diversify the troupe, and has been instrumental in the production of \u003cem>Blackest Wrench\u003c/em>.\u003cbr>\u003cbr>“Even with all of that effort, we still unfortunately don’t quite have enough Black Neo-Futurists in the Bay Area to fill a show like this.”\u003cbr>\u003cbr>With one member from Chicago and one from New York, “[It’s] been really exciting to work with them,” Young says. “And it strengthens our Neo-Futurist practice to get to collaborate with members of different ensembles.”\u003c/p>\n",
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"innerHTML": "\n\u003cp>\u003cem>‘\u003c/em>\u003ca href=\"https://www.onthestage.tickets/show/the-lower-bottom-playaz/69f135bd4462ee1056dde748/\">\u003cem>The Blackest Wrench\u003c/em>\u003c/a>\u003cem>’ takes place Friday, June 19, at BAM House (540 Broadway, Oakland).\u003c/em> \u003ca href=\"https://www.sfneofuturists.org/pride\">\u003cem>‘Infinite Pride 2026\u003c/em>\u003c/a>\u003cem>’ runs Monday, June 22, at El Rio (3158 Mission St., San Francisco) and Tuesday, June 23, at The Stud (1123 Folsom St., San Francisco).\u003c/em>\u003c/p>\n",
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"excerpt": "For a special all-Black show, the San Francisco Neo-Futurists have imported actors from outside the region.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Even by the eccentric standards of Bay Area theatre, the San Francisco Neo-Futurists are a sight to behold. The local chapter of the Chicago experimental troupe has built a loyal following by taking the original troupe’s format – a weekly anthology show that attempts to stage 30 performance-art shorts in under 60 minutes – and injecting it with a uniquely Bay Area perspective.\u003c/p>\n\n\n\n\u003cp>That perspective was important when casting their two special-themed June editions of their weekly show \u003cem>The Infinite Wrench\u003c/em>. While searching for actors to perform the Juneteenth-themed \u003cem>The Blackest Wrench\u003c/em> and the LGBTQIA+ show \u003cem>Infinite Pride\u003c/em>, the reality of the Bay Area’s new demographics were made manifest, and the company had to bring in cast members from outside chapters of the Neo-Futurists.\u003c/p>\n\n\n\n\u003cp>Because the New York and Chicago chapters have larger ensembles, “we don’t tend to go out there for their specialty shows,” says co-artistic director Jeb Lehrman. “Generally, though, San Francisco sees a few more visitors and transfers than the other companies.”\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-2025-Infinite-Pride-El-Rio-84.jpg\" alt=\"\" class=\"wp-image-13990824\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-2025-Infinite-Pride-El-Rio-84.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-2025-Infinite-Pride-El-Rio-84-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-2025-Infinite-Pride-El-Rio-84-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-2025-Infinite-Pride-El-Rio-84-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">A scene from the 2025 edition of the SF Neo-Futurists’ ‘Infinite Pride’ at El Rio in San Francisco. (Kayleigh Shawn)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>As with the regular weekly shows, \u003cem>Blackest Wrench\u003c/em> and \u003cem>Infinite Pride\u003c/em> will ask audiences to select from a menu of 30 short plays, with its writer-performers attempting to work their way through the entire list before the always-on-display clock buzzes at the end of an hour.\u003c/p>\n\n\n\n\u003cp>Topics run the gamut, from hilarious observances of life, painful confessions to the audience and even the cast holding still until an audience member interacts with a set piece. By the troupe’s own estimation, the San Francisco chapter has “premiered some 4,000 plays over the last 13 years.”\u003c/p>\n\n\n\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It also produces five or six special shows per year, with \u003cem>Infinite Pride\u003c/em> (boasting an all-queer ensemble) having been staged annually since 2014. This year’s edition will be a two-night event, performed at legendary San Francisco queer bars El Rio and The Stud.\u003c/p>\n\n\n\n\u003cp>“I think it’s generally a little easier to sell a specialty show,” says \u003cem>Infinite Pride\u003c/em> cast member Aster Light. “The regular show happens every weekend, so it’s less of an event, and because all my friends are queer, they tend to be drawn in to see an all-queer cast sharing our stories and our culture.”\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-125.jpg\" alt=\"\" class=\"wp-image-13990821\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-125.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-125-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-125-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-125-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">A scene from the 2025 edition of the SF Neo-Futurists’ ‘The Blackest Wrench.’ (Kayleigh Shawn)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>Meanwhile, the second annual \u003cem>Blackest Wrench\u003c/em> has been a tougher sell. The one-night show will be performed in Oakland, as if reflecting the mass migration of Black artists away from San Francisco. It’s also the show that required bringing in the most out-of-towners to fill an ensemble of just a half-dozen performers.\u003cbr>\u003cbr>The parallels aren’t lost on Ray Ray Young, a San Francisco Neo-Futurist since 2023, and one whose Black and queer identities reflect the intersection between the two casts. (Of the two shows, Young is only in \u003cem>Blackest Wrench\u003c/em>.)\u003c/p>\n\n\n\n\u003cp>“Honestly, this has been a multiyear effort in the making,” says Young, who’s led efforts to diversify the troupe, and has been instrumental in the production of \u003cem>Blackest Wrench\u003c/em>.\u003cbr>\u003cbr>“Even with all of that effort, we still unfortunately don’t quite have enough Black Neo-Futurists in the Bay Area to fill a show like this.”\u003cbr>\u003cbr>With one member from Chicago and one from New York, “[It’s] been really exciting to work with them,” Young says. “And it strengthens our Neo-Futurist practice to get to collaborate with members of different ensembles.”\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-34.jpg\" alt=\"\" class=\"wp-image-13990823\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-34.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-34-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-34-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/SFNF-The-Blackest-Wrench-34-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">A scene from the 2025 edition of the SF Neo-Futurists’ ‘The Blackest Wrench.’ (Kayleigh Shawn)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>Though some cast members were facetious about what audiences could expect in the two shows (one \u003cem>Pride\u003c/em> cast member celebrated “[feeling] so represented by gorilla masks and basketballs and arm-heavy choreography in this particular show”), all involved agree that their shows represent activism in the face of nationwide hatred against both Black and queer Americans.\u003c/p>\n\n\n\n\u003cp>When asked whom they’d like most to see their show, Light is direct and uncompromising: “I hope the ghost of Charlie Kirk is forced to watch it on repeat in hell.”\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘\u003c/em>\u003ca href=\"https://www.onthestage.tickets/show/the-lower-bottom-playaz/69f135bd4462ee1056dde748/\">\u003cem>The Blackest Wrench\u003c/em>\u003c/a>\u003cem>’ takes place Friday, June 19, at BAM House (540 Broadway, Oakland).\u003c/em> \u003ca href=\"https://www.sfneofuturists.org/pride\">\u003cem>‘Infinite Pride 2026\u003c/em>\u003c/a>\u003cem>’ runs Monday, June 22, at El Rio (3158 Mission St., San Francisco) and Tuesday, June 23, at The Stud (1123 Folsom St., San Francisco).\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Celebrations for Pride Month are happening all June long. And if you’re even a little bit outdoorsy, \u003ca href=\"https://www.kqed.org/news/12043590/pride-2025-outdoor-meetups-lgbtq-hiking-bay-area#FindcommunitythroughBranchingOutAdventures\">there’s no shortage of groups \u003c/a>leading hikes, birding adventures and even surfing celebrations around the Bay Area.\u003c/p>\n\u003cp>“The outdoors, it belongs to everybody,” said Ryan McCauley, spokesperson for the Midpeninsula Regional Open Space District, which hosts yearly Pride events with community groups like Branching Out Adventures to “make sure we have equitable access to our preserves,” he said.\u003c/p>\n\u003cp>This year, the district is hosting its \u003ca href=\"https://volunteer.openspace.org/need/detail/?need_id=1260152\">own habitat restoration volunteer event\u003c/a> on June 26 at the Sierra Azul Preserve’s Cathedral Oaks, which was \u003ca href=\"https://www.numulosgatos.org/uncovering-untold-stories-feedback/the-boys\">home to a South Bay couple\u003c/a>, Frank Ingerson and George Dennison, who created a haven there for the queer community.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“They were both big artists and invited artists from across the country to their home,” McCauley said. “So the specific space has a lot of history as well.”\u003c/p>\n\u003cp>Even if you don’t typically consider yourself the outdoorsy type, summer is nonetheless a great time to get outside in the Bay Area, McCauley said — when the birds and other wildlife are particularly active.\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Jump straight to: \u003ca href=\"#MoreoutdoorsPrideeventsintheBayAreathisJune\">More outdoors Pride events in the Bay Area this June\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>One group taking full advantage of the summer weather’s possibilities for creating community is \u003ca href=\"https://trailheadgays.com/\">Trailhead Gays. \u003c/a>Founded by Gio Orantes, the group is a gathering space for gay men interested in exploring the outdoors.\u003c/p>\n\u003cp>Orantes’s collective organizes free events all year round, including hikes, camping, backpacking and other trips, but for Pride month this year, they’re hosting \u003ca href=\"https://trailheadgays.com/experiences/3979f231-e9ba-44ed-8d12-ee483b9e8f38\">a hike around Angel Island\u003c/a> on June 21 and \u003ca href=\"https://trailheadgays.com/experiences/7f3fad5c-f33d-40e2-b76f-64e7a30ffd29\">a daytime campout in Dolores Park\u003c/a> on June 28.\u003c/p>\n\u003cfigure id=\"attachment_12087487\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087487\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Trailhead-Gays-1.jpg\" alt=\"\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Trailhead-Gays-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Trailhead-Gays-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Trailhead-Gays-1-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Members of Trailhead Gays gather under redwoods for their monthly outdoors-oriented adventures. \u003ccite>(Courtesy of Gio Orantes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Orantes, who is originally from Guatemala, said he came out as gay 17 years ago, just three days after moving to San Francisco: “It’s a beautiful city, and with the sense of community, it just felt like the right moment.”\u003c/p>\n\u003cp>After becoming more interested in the outdoors as an alternative to the party scene, Orantes took up sports, joining local leagues and organizing hikes with friends every month. At first, it started with just a few friends, but more and more kept joining. “And suddenly it was like, 50 people hiking,” Orantes said.\u003c/p>\n\u003cp>Many of the participants don’t have cars, so everyone started carpooling — which sealed the deal on building community, he said.[aside postID=news_12043590 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/SEASACHI-SWITCH-QUEERSURF-JUNE-7-2025-_23-scaled-e1749590375194.jpg']“Sometimes you are driving for an hour or two hours with people you have never met,” he said. “So it helps us to start creating those friendships and start getting people to connect and get a lot more social and make new friends.”\u003c/p>\n\u003cp>Since then, word about Trailhead Gays has spread throughout the San Francisco LGBTQ+ community, especially among those new to the city. Online interest through Instagram has also resulted in the group’s more unique events, like their upcoming \u003ca href=\"https://trailheadgays.com/experiences/840e3042-0deb-4926-a8d7-5827fcffdb18\">New Year’s camping trip to Death Valley\u003c/a>, attracting people from across the country. Now, he’s hoping to expand the website to serve as a community portal, powered entirely by donations, and even introduce a housing page for those seeking rentals, World Cup watch parties and more.\u003c/p>\n\u003cp>While “San Francisco is so gay in a sense,” Orantes said, there is still “a lot of isolation between gay men.”\u003c/p>\n\u003cp>He said organizing Trailhead Gays felt more urgent than ever last year, when a friend died by suicide.\u003c/p>\n\u003cp>The kind of events the group organizes offer “a moment under the sun with people like them,” Orantes said. “A lot of people come for different reasons, and they keep coming, at the core, I think, because they want to be with their community.”\u003c/p>\n\u003cfigure id=\"attachment_12087492\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087492\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Trailhead-Gays-3.jpg\" alt=\"\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Trailhead-Gays-3.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Trailhead-Gays-3-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Trailhead-Gays-3-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Members of Trailhead Gays gather for their monthly outdoors-oriented adventures. \u003ccite>(Courtesy of Gio Orantes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Orantes himself has only grown more and more proud of his identity, with the green stripe on the Pride flag, \u003ca href=\"https://www.hrc.org/resources/lgbtq-pride-flags\">which represents nature\u003c/a>, serving as his inspiration.\u003c/p>\n\u003cp>“[I went] from feeling ‘unnatural’ being gay to now fully embracing myself as a gay man, and understanding that it’s part of nature as well,” he said. “Nature itself just gave me a new outlook on life and a place where I feel like I belong.”\u003c/p>\n\u003cp>Knowing he would probably still be in the closet if he were in Guatemala, “it also feels good to give back to San Francisco,” Orantes said.\u003c/p>\n\u003cp>Anyone interested in joining Trailhead Gays can \u003ca href=\"https://trailheadgays.com/members\">register online for free.\u003c/a>\u003c/p>\n\u003ch2>\u003ca id=\"MoreoutdoorsPrideeventsintheBayAreathisJune\">\u003c/a>More outdoor Bay Area Pride events this month\u003c/h2>\n\u003cp>\u003ca href=\"https://events.humanitix.com/en-plein-air-queer-art-class-at-antonelli-pond\">\u003cstrong>Queer Art Workshop\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>June 13 @ 9:30 a.m., hosted by Branching Out Adventures\u003c/strong>\u003c/p>\n\u003cp>Visit Antonelli Pond in Santa Cruz for a workshop on queer art and capturing landscape with artist Taylor Seamount. All skill levels welcome.\u003c/p>\n\u003cp>\u003ca href=\"https://scvbirdalliance.org/event-calendar/field-trip-birding-with-pride-at-ulistac-santa-clara\">\u003cstrong>Birding with Pride\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>June 20 @ 8 a.m., hosted by the Santa Clara Valley Bird Alliance\u003c/strong>\u003c/p>\n\u003cp>A leisurely 2-mile visit to Ulistac Natural Area showcases the diversity and resilience of nature in the heart of the Santa Clara Valley.\u003c/p>\n\u003cp>\u003ca href=\"https://sfhiking.com/event-6682718\">\u003cstrong>Queer History Walking Tour\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>June 20 @ 9:45 a.m., hosted by San Francisco Hiking Club\u003c/strong>\u003c/p>\n\u003cp>A 5.5-mile hike starting from the Ferry Building brings hikers back in time for a guided walking tour of San Francisco’s queer history.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Celebrations for Pride Month are happening all June long. And if you’re even a little bit outdoorsy, \u003ca href=\"https://www.kqed.org/news/12043590/pride-2025-outdoor-meetups-lgbtq-hiking-bay-area#FindcommunitythroughBranchingOutAdventures\">there’s no shortage of groups \u003c/a>leading hikes, birding adventures and even surfing celebrations around the Bay Area.\u003c/p>\n\u003cp>“The outdoors, it belongs to everybody,” said Ryan McCauley, spokesperson for the Midpeninsula Regional Open Space District, which hosts yearly Pride events with community groups like Branching Out Adventures to “make sure we have equitable access to our preserves,” he said.\u003c/p>\n\u003cp>This year, the district is hosting its \u003ca href=\"https://volunteer.openspace.org/need/detail/?need_id=1260152\">own habitat restoration volunteer event\u003c/a> on June 26 at the Sierra Azul Preserve’s Cathedral Oaks, which was \u003ca href=\"https://www.numulosgatos.org/uncovering-untold-stories-feedback/the-boys\">home to a South Bay couple\u003c/a>, Frank Ingerson and George Dennison, who created a haven there for the queer community.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“They were both big artists and invited artists from across the country to their home,” McCauley said. “So the specific space has a lot of history as well.”\u003c/p>\n\u003cp>Even if you don’t typically consider yourself the outdoorsy type, summer is nonetheless a great time to get outside in the Bay Area, McCauley said — when the birds and other wildlife are particularly active.\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Jump straight to: \u003ca href=\"#MoreoutdoorsPrideeventsintheBayAreathisJune\">More outdoors Pride events in the Bay Area this June\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>One group taking full advantage of the summer weather’s possibilities for creating community is \u003ca href=\"https://trailheadgays.com/\">Trailhead Gays. \u003c/a>Founded by Gio Orantes, the group is a gathering space for gay men interested in exploring the outdoors.\u003c/p>\n\u003cp>Orantes’s collective organizes free events all year round, including hikes, camping, backpacking and other trips, but for Pride month this year, they’re hosting \u003ca href=\"https://trailheadgays.com/experiences/3979f231-e9ba-44ed-8d12-ee483b9e8f38\">a hike around Angel Island\u003c/a> on June 21 and \u003ca href=\"https://trailheadgays.com/experiences/7f3fad5c-f33d-40e2-b76f-64e7a30ffd29\">a daytime campout in Dolores Park\u003c/a> on June 28.\u003c/p>\n\u003cfigure id=\"attachment_12087487\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087487\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Trailhead-Gays-1.jpg\" alt=\"\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Trailhead-Gays-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Trailhead-Gays-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Trailhead-Gays-1-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Members of Trailhead Gays gather under redwoods for their monthly outdoors-oriented adventures. \u003ccite>(Courtesy of Gio Orantes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Orantes, who is originally from Guatemala, said he came out as gay 17 years ago, just three days after moving to San Francisco: “It’s a beautiful city, and with the sense of community, it just felt like the right moment.”\u003c/p>\n\u003cp>After becoming more interested in the outdoors as an alternative to the party scene, Orantes took up sports, joining local leagues and organizing hikes with friends every month. At first, it started with just a few friends, but more and more kept joining. “And suddenly it was like, 50 people hiking,” Orantes said.\u003c/p>\n\u003cp>Many of the participants don’t have cars, so everyone started carpooling — which sealed the deal on building community, he said.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“Sometimes you are driving for an hour or two hours with people you have never met,” he said. “So it helps us to start creating those friendships and start getting people to connect and get a lot more social and make new friends.”\u003c/p>\n\u003cp>Since then, word about Trailhead Gays has spread throughout the San Francisco LGBTQ+ community, especially among those new to the city. Online interest through Instagram has also resulted in the group’s more unique events, like their upcoming \u003ca href=\"https://trailheadgays.com/experiences/840e3042-0deb-4926-a8d7-5827fcffdb18\">New Year’s camping trip to Death Valley\u003c/a>, attracting people from across the country. Now, he’s hoping to expand the website to serve as a community portal, powered entirely by donations, and even introduce a housing page for those seeking rentals, World Cup watch parties and more.\u003c/p>\n\u003cp>While “San Francisco is so gay in a sense,” Orantes said, there is still “a lot of isolation between gay men.”\u003c/p>\n\u003cp>He said organizing Trailhead Gays felt more urgent than ever last year, when a friend died by suicide.\u003c/p>\n\u003cp>The kind of events the group organizes offer “a moment under the sun with people like them,” Orantes said. “A lot of people come for different reasons, and they keep coming, at the core, I think, because they want to be with their community.”\u003c/p>\n\u003cfigure id=\"attachment_12087492\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087492\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Trailhead-Gays-3.jpg\" alt=\"\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Trailhead-Gays-3.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Trailhead-Gays-3-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Trailhead-Gays-3-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Members of Trailhead Gays gather for their monthly outdoors-oriented adventures. \u003ccite>(Courtesy of Gio Orantes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Orantes himself has only grown more and more proud of his identity, with the green stripe on the Pride flag, \u003ca href=\"https://www.hrc.org/resources/lgbtq-pride-flags\">which represents nature\u003c/a>, serving as his inspiration.\u003c/p>\n\u003cp>“[I went] from feeling ‘unnatural’ being gay to now fully embracing myself as a gay man, and understanding that it’s part of nature as well,” he said. “Nature itself just gave me a new outlook on life and a place where I feel like I belong.”\u003c/p>\n\u003cp>Knowing he would probably still be in the closet if he were in Guatemala, “it also feels good to give back to San Francisco,” Orantes said.\u003c/p>\n\u003cp>Anyone interested in joining Trailhead Gays can \u003ca href=\"https://trailheadgays.com/members\">register online for free.\u003c/a>\u003c/p>\n\u003ch2>\u003ca id=\"MoreoutdoorsPrideeventsintheBayAreathisJune\">\u003c/a>More outdoor Bay Area Pride events this month\u003c/h2>\n\u003cp>\u003ca href=\"https://events.humanitix.com/en-plein-air-queer-art-class-at-antonelli-pond\">\u003cstrong>Queer Art Workshop\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>June 13 @ 9:30 a.m., hosted by Branching Out Adventures\u003c/strong>\u003c/p>\n\u003cp>Visit Antonelli Pond in Santa Cruz for a workshop on queer art and capturing landscape with artist Taylor Seamount. All skill levels welcome.\u003c/p>\n\u003cp>\u003ca href=\"https://scvbirdalliance.org/event-calendar/field-trip-birding-with-pride-at-ulistac-santa-clara\">\u003cstrong>Birding with Pride\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>June 20 @ 8 a.m., hosted by the Santa Clara Valley Bird Alliance\u003c/strong>\u003c/p>\n\u003cp>A leisurely 2-mile visit to Ulistac Natural Area showcases the diversity and resilience of nature in the heart of the Santa Clara Valley.\u003c/p>\n\u003cp>\u003ca href=\"https://sfhiking.com/event-6682718\">\u003cstrong>Queer History Walking Tour\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>June 20 @ 9:45 a.m., hosted by San Francisco Hiking Club\u003c/strong>\u003c/p>\n\u003cp>A 5.5-mile hike starting from the Ferry Building brings hikers back in time for a guided walking tour of San Francisco’s queer history.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "The San Francisco AIDS Protest That Lasted a Decade",
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"content": "\u003cp>On Oct. 27, 1985, two 26-year-old men arrived at San Francisco’s old Federal Building at 50 United Nations Plaza, chained themselves to a set of doors and started a protest that would last an entire decade.\u003c/p>\n\n\n\n\u003cp>Their names were Frank Bert and Steven Russell and both were living with ARC, or \u003ca href=\"https://www.kqed.org/stateofhealth/tag/hivaids\">AIDS\u003c/a>-Related Complex. In the 1980s, ARC was a catch-all term used to describe the symptoms most commonly associated with HIV as it developed into AIDS. Bert and Russell chose the U.N. Plaza because it was then home to the regional office of the U.S. Department of Health and Human Services.\u003c/p>\n\n\n\n\u003cp>The pair wanted to draw attention to the roughly 15,000 San Francisco residents living with ARC at the time. They were also demanding more funding for AIDS research, FDA approval of experimental AIDS treatments, and more benefits for people living with ARC. (ARC patients were granted less social security and disability benefits than AIDS patients.)\u003c/p>\n\n\n\n\u003cp>Shortly after Bert and Russell’s protest began, Pat Norman — the first openly gay employee of San Francisco’s Health Department — \u003ca href=\"https://www.youtube.com/watch?v=caJ_l-rHeN8\">told documentary filmmakers\u003c/a> she believed ARC patients were being sidelined on purpose. “[Government officials] don’t want to spend money treating and providing services for people with ARC because it is larger and larger and larger than anybody wants to concede,” she said. “They are trying very hard not to expand the definition and diagnoses of ARC.”\u003c/p>\n\n\n\n\u003cp>It did not take long for people to start sympathizing with Bert and Russell’s cause. Four days into the protest, the \u003cem>San Francisco Examiner\u003c/em> published a photo of the men titled “Other casualties of AIDS.” They sat peacefully under a blanket, wearing multiple layers of clothes, still chained to the doors. The 24/7 protest was kept alive by allies who showed up to give Bert and Russell breaks. The first two helpers were Paul Ramirez, 27 and Wes North, 31.\u003c/p>\n\n\n\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“When I’m out here, there’s so much love,” North told the \u003cem>San Francisco Chronicle\u003c/em> a few weeks later. “When I’m at home alone, I get scared. I think of dying. Here, I feel I’m doing something.”\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1324\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-2000x1324.png\" alt=\"A government building with two mattresses visible in its doorway. Opposite, on a grassy area, several tents are set up.\" class=\"wp-image-13990619\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-2000x1324.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-768x509.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-1536x1017.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-2048x1356.png 2048w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">The ARC-AIDS Vigil at San Francisco’s old Federal Building, as it looked at night. (Courtesy of the GLBT Historical Society)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>North wasn’t alone. The longer Bert, Russell and their cohort stayed at U.N. Plaza, the more the protest transformed into a community hub. By the end of 1985, 100 people were in attendance, some of whom slept in tents. Federal Building employees started bringing coffee and donuts. A nurse donated a grill. Others dropped off Thanksgiving turkeys and a Christmas tree to get the makeshift village through the holidays.\u003c/p>\n\n\n\n\u003cp>A woman named Serena Wylie who regularly donated casseroles to the vigil told the \u003cem>Chronicle\u003c/em> in December: “[The protesters] have come to be part of my family. There is joy here and a lot of laughter and smiles. There is strength and hope.”\u003c/p>\n\n\n\n\u003cp>The prolonged action was not without its risks, however. In the early hours of Nov. 3, two straight allies were attacked by strangers at the federal building. (“It is not going to scare us away,” Russell told the \u003cem>Examiner\u003c/em> at the time. “If we need to, we will stay here indefinitely.”) In the first week of December, a 39-year-old protester named Jän Beck was rushed to SF General after enduring three seizures and a stroke at the federal building. As soon as he was back on his feet, he went straight back to U.N. Plaza, telling reporters, “I have felt a home here that I have not felt in a long, long time.”\u003c/p>\n\n\n\n\u003cp>Beck added, “It started out as a desperate, last-ditch effort by people who had seemingly tried everything to get the government to listen. It gained a new spirit and power because people have become empowered.”\u003c/p>\n\n\n\n\n\n\u003cp>That spirit proved to be contagious. Folks gathered at the vigil were not placated by the House and Senate approving $221.5 million for AIDS research at the end of 1985. Everyone stayed put. Some began writing letters to their local and federal representatives, including Mayor Dianne Feinstein and President Ronald Reagan. The Board of Supervisors endorsed the vigil, and Congresswoman Barbara Boxer shared her support too.\u003c/p>\n\n\n\n\u003cp>The core members of the vigil began fundraising, sending out press releases, and set up an information table on site. An official organization was established to run things, led by project director William Davis and secretary Lance Hunt. Smaller ARC-AIDS vigil committees were formed to create sit-in schedules, plan other political actions and coordinate community outreach.\u003c/p>\n\n\n\n\u003cp>By February 1986, Hal Freeman, the manager of the Department of Health and Human Services, had resigned after 18 years of service — in protest of his own department’s inaction on AIDS and ARC. At the time, Freeman shared that, “a director in one meeting in Washington was heard to say ‘We don’t want to lend an aura of dignity to these AIDS cases,’ and that, to me, is simple homophobia.” (Freeman died of AIDS just two and a half years after his resignation.)\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1185\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-88.jpg\" alt=\"Four men of varying ages stand outside doors to an office building. One is holding a large American flag.\" class=\"wp-image-13990331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-88.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-88-160x95.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-88-768x455.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-88-1536x910.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">The third anniversary of the ARC-AIDS demonstration at U.N. Plaza Federal Building is marked by four protesters. (10/22/1988 Gay Rights Project)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>In its first five years, the ARC-AIDS vigil became a powerful symbol of the suffering caused by inaction on a national level. It spotlit the ongoing crisis. Perhaps even more importantly, it became a safe space for information sharing and harm-reduction resources for thousands of Bay Area residents.\u003c/p>\n\n\n\n\u003cp>The last five years of the vigil were less consistent; by 1995, just three protesters remained at U.N. Plaza. Their encampment was ultimately destroyed by a December storm. With that, the vigil finally came to an end.\u003c/p>\n\n\n\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Three decades on, the ARC-AIDS vigil is an inspiring example of grassroots activism in action. It remains an essential reminder of the greatest struggles shouldered by San Francisco’s gay community in the first decade of the AIDS epidemic. That the vigil endured for so long speaks to the slowness of the federal response to the crisis. But the longest-continuous protest in San Francisco history also reflects the resilience, determination and bravery of LGBTQ+ activists in the city. May they be remembered this, and every, Pride month.\u003c/p>\n\n",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-2000x1324.png\" alt=\"A government building with two mattresses visible in its doorway. Opposite, on a grassy area, several tents are set up.\" class=\"wp-image-13990619\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-2000x1324.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-768x509.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-1536x1017.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-2048x1356.png 2048w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">The ARC-AIDS Vigil at San Francisco’s old Federal Building, as it looked at night.\u003c/figcaption>\u003c/figure>\n",
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"innerHTML": "\n\u003cp>North wasn’t alone. The longer Bert, Russell and their cohort stayed at U.N. Plaza, the more the protest transformed into a community hub. By the end of 1985, 100 people were in attendance, some of whom slept in tents. Federal Building employees started bringing coffee and donuts. A nurse donated a grill. Others dropped off Thanksgiving turkeys and a Christmas tree to get the makeshift village through the holidays.\u003c/p>\n",
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"\n\u003cp>North wasn’t alone. The longer Bert, Russell and their cohort stayed at U.N. Plaza, the more the protest transformed into a community hub. By the end of 1985, 100 people were in attendance, some of whom slept in tents. Federal Building employees started bringing coffee and donuts. A nurse donated a grill. Others dropped off Thanksgiving turkeys and a Christmas tree to get the makeshift village through the holidays.\u003c/p>\n"
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"innerHTML": "\n\u003cp>A woman named Serena Wylie who regularly donated casseroles to the vigil told the \u003cem>Chronicle\u003c/em> in December: “[The protesters] have come to be part of my family. There is joy here and a lot of laughter and smiles. There is strength and hope.”\u003c/p>\n",
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"innerHTML": "\n\u003cp>The prolonged action was not without its risks, however. In the early hours of Nov. 3, two straight allies were attacked by strangers at the federal building. (“It is not going to scare us away,” Russell told the \u003cem>Examiner\u003c/em> at the time. “If we need to, we will stay here indefinitely.”) In the first week of December, a 39-year-old protester named Jän Beck was rushed to SF General after enduring three seizures and a stroke at the federal building. As soon as he was back on his feet, he went straight back to U.N. Plaza, telling reporters, “I have felt a home here that I have not felt in a long, long time.”\u003c/p>\n",
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"\n\u003cp>The prolonged action was not without its risks, however. In the early hours of Nov. 3, two straight allies were attacked by strangers at the federal building. (“It is not going to scare us away,” Russell told the \u003cem>Examiner\u003c/em> at the time. “If we need to, we will stay here indefinitely.”) In the first week of December, a 39-year-old protester named Jän Beck was rushed to SF General after enduring three seizures and a stroke at the federal building. As soon as he was back on his feet, he went straight back to U.N. Plaza, telling reporters, “I have felt a home here that I have not felt in a long, long time.”\u003c/p>\n"
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"innerHTML": "\n\u003cp>Beck added, “It started out as a desperate, last-ditch effort by people who had seemingly tried everything to get the government to listen. It gained a new spirit and power because people have become empowered.”\u003c/p>\n",
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"innerHTML": "\n\u003cp>That spirit proved to be contagious. Folks gathered at the vigil were not placated by the House and Senate approving $221.5 million for AIDS research at the end of 1985. Everyone stayed put. Some began writing letters to their local and federal representatives, including Mayor Dianne Feinstein and President Ronald Reagan. The Board of Supervisors endorsed the vigil, and Congresswoman Barbara Boxer shared her support too.\u003c/p>\n",
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"innerHTML": "\n\u003cp>The core members of the vigil began fundraising, sending out press releases, and set up an information table on site. An official organization was established to run things, led by project director William Davis and secretary Lance Hunt. Smaller ARC-AIDS vigil committees were formed to create sit-in schedules, plan other political actions and coordinate community outreach.\u003c/p>\n",
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"innerHTML": "\n\u003cp>By February 1986, Hal Freeman, the manager of the Department of Health and Human Services, had resigned after 18 years of service — in protest of his own department’s inaction on AIDS and ARC. At the time, Freeman shared that, “a director in one meeting in Washington was heard to say ‘We don’t want to lend an aura of dignity to these AIDS cases,’ and that, to me, is simple homophobia.” (Freeman died of AIDS just two and a half years after his resignation.)\u003c/p>\n",
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"innerHTML": "\n\u003cp>In its first five years, the ARC-AIDS vigil became a powerful symbol of the suffering caused by inaction on a national level. It spotlit the ongoing crisis. Perhaps even more importantly, it became a safe space for information sharing and harm-reduction resources for thousands of Bay Area residents.\u003c/p>\n",
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"innerHTML": "\n\u003cp>The last five years of the vigil were less consistent; by 1995, just three protesters remained at U.N. Plaza. Their encampment was ultimately destroyed by a December storm. With that, the vigil finally came to an end.\u003c/p>\n",
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"innerHTML": "\n\u003cp>Three decades on, the ARC-AIDS vigil is an inspiring example of grassroots activism in action. It remains an essential reminder of the greatest struggles shouldered by San Francisco’s gay community in the first decade of the AIDS epidemic. That the vigil endured for so long speaks to the slowness of the federal response to the crisis. But the longest-continuous protest in San Francisco history also reflects the resilience, determination and bravery of LGBTQ+ activists in the city. May they be remembered this, and every, Pride month.\u003c/p>\n",
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"excerpt": "On Oct. 27, 1985, two men chained themselves to the Federal Building. Then like-minded protesters arrived.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Oct. 27, 1985, two 26-year-old men arrived at San Francisco’s old Federal Building at 50 United Nations Plaza, chained themselves to a set of doors and started a protest that would last an entire decade.\u003c/p>\n\n\n\n\u003cp>Their names were Frank Bert and Steven Russell and both were living with ARC, or \u003ca href=\"https://www.kqed.org/stateofhealth/tag/hivaids\">AIDS\u003c/a>-Related Complex. In the 1980s, ARC was a catch-all term used to describe the symptoms most commonly associated with HIV as it developed into AIDS. Bert and Russell chose the U.N. Plaza because it was then home to the regional office of the U.S. Department of Health and Human Services.\u003c/p>\n\n\n\n\u003cp>The pair wanted to draw attention to the roughly 15,000 San Francisco residents living with ARC at the time. They were also demanding more funding for AIDS research, FDA approval of experimental AIDS treatments, and more benefits for people living with ARC. (ARC patients were granted less social security and disability benefits than AIDS patients.)\u003c/p>\n\n\n\n\u003cp>Shortly after Bert and Russell’s protest began, Pat Norman — the first openly gay employee of San Francisco’s Health Department — \u003ca href=\"https://www.youtube.com/watch?v=caJ_l-rHeN8\">told documentary filmmakers\u003c/a> she believed ARC patients were being sidelined on purpose. “[Government officials] don’t want to spend money treating and providing services for people with ARC because it is larger and larger and larger than anybody wants to concede,” she said. “They are trying very hard not to expand the definition and diagnoses of ARC.”\u003c/p>\n\n\n\n\u003cp>It did not take long for people to start sympathizing with Bert and Russell’s cause. Four days into the protest, the \u003cem>San Francisco Examiner\u003c/em> published a photo of the men titled “Other casualties of AIDS.” They sat peacefully under a blanket, wearing multiple layers of clothes, still chained to the doors. The 24/7 protest was kept alive by allies who showed up to give Bert and Russell breaks. The first two helpers were Paul Ramirez, 27 and Wes North, 31.\u003c/p>\n\n\n\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“When I’m out here, there’s so much love,” North told the \u003cem>San Francisco Chronicle\u003c/em> a few weeks later. “When I’m at home alone, I get scared. I think of dying. Here, I feel I’m doing something.”\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1324\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-2000x1324.png\" alt=\"A government building with two mattresses visible in its doorway. Opposite, on a grassy area, several tents are set up.\" class=\"wp-image-13990619\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-2000x1324.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-768x509.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-1536x1017.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-Night-Final-2048x1356.png 2048w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">The ARC-AIDS Vigil at San Francisco’s old Federal Building, as it looked at night. (Courtesy of the GLBT Historical Society)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>North wasn’t alone. The longer Bert, Russell and their cohort stayed at U.N. Plaza, the more the protest transformed into a community hub. By the end of 1985, 100 people were in attendance, some of whom slept in tents. Federal Building employees started bringing coffee and donuts. A nurse donated a grill. Others dropped off Thanksgiving turkeys and a Christmas tree to get the makeshift village through the holidays.\u003c/p>\n\n\n\n\u003cp>A woman named Serena Wylie who regularly donated casseroles to the vigil told the \u003cem>Chronicle\u003c/em> in December: “[The protesters] have come to be part of my family. There is joy here and a lot of laughter and smiles. There is strength and hope.”\u003c/p>\n\n\n\n\u003cp>The prolonged action was not without its risks, however. In the early hours of Nov. 3, two straight allies were attacked by strangers at the federal building. (“It is not going to scare us away,” Russell told the \u003cem>Examiner\u003c/em> at the time. “If we need to, we will stay here indefinitely.”) In the first week of December, a 39-year-old protester named Jän Beck was rushed to SF General after enduring three seizures and a stroke at the federal building. As soon as he was back on his feet, he went straight back to U.N. Plaza, telling reporters, “I have felt a home here that I have not felt in a long, long time.”\u003c/p>\n\n\n\n\u003cp>Beck added, “It started out as a desperate, last-ditch effort by people who had seemingly tried everything to get the government to listen. It gained a new spirit and power because people have become empowered.”\u003c/p>\n\n\n\n\n\n\u003cp>That spirit proved to be contagious. Folks gathered at the vigil were not placated by the House and Senate approving $221.5 million for AIDS research at the end of 1985. Everyone stayed put. Some began writing letters to their local and federal representatives, including Mayor Dianne Feinstein and President Ronald Reagan. The Board of Supervisors endorsed the vigil, and Congresswoman Barbara Boxer shared her support too.\u003c/p>\n\n\n\n\u003cp>The core members of the vigil began fundraising, sending out press releases, and set up an information table on site. An official organization was established to run things, led by project director William Davis and secretary Lance Hunt. Smaller ARC-AIDS vigil committees were formed to create sit-in schedules, plan other political actions and coordinate community outreach.\u003c/p>\n\n\n\n\u003cp>By February 1986, Hal Freeman, the manager of the Department of Health and Human Services, had resigned after 18 years of service — in protest of his own department’s inaction on AIDS and ARC. At the time, Freeman shared that, “a director in one meeting in Washington was heard to say ‘We don’t want to lend an aura of dignity to these AIDS cases,’ and that, to me, is simple homophobia.” (Freeman died of AIDS just two and a half years after his resignation.)\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1185\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-88.jpg\" alt=\"Four men of varying ages stand outside doors to an office building. One is holding a large American flag.\" class=\"wp-image-13990331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-88.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-88-160x95.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-88-768x455.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/06/ARC-Vigil-88-1536x910.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">The third anniversary of the ARC-AIDS demonstration at U.N. Plaza Federal Building is marked by four protesters. (10/22/1988 Gay Rights Project)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>In its first five years, the ARC-AIDS vigil became a powerful symbol of the suffering caused by inaction on a national level. It spotlit the ongoing crisis. Perhaps even more importantly, it became a safe space for information sharing and harm-reduction resources for thousands of Bay Area residents.\u003c/p>\n\n\n\n\u003cp>The last five years of the vigil were less consistent; by 1995, just three protesters remained at U.N. Plaza. Their encampment was ultimately destroyed by a December storm. With that, the vigil finally came to an end.\u003c/p>\n\n\n\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Three decades on, the ARC-AIDS vigil is an inspiring example of grassroots activism in action. It remains an essential reminder of the greatest struggles shouldered by San Francisco’s gay community in the first decade of the AIDS epidemic. That the vigil endured for so long speaks to the slowness of the federal response to the crisis. But the longest-continuous protest in San Francisco history also reflects the resilience, determination and bravery of LGBTQ+ activists in the city. May they be remembered this, and every, Pride month.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "stop-that-train-movie-review-drag-race-stars-rupaul-disaster-spoof",
"title": "‘Stop! That! Train!’ Is a Runaway Comedy Juggernaut",
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"content": "\u003cp>Presidential candidates take note: If you ever want an effectively simple campaign slogan, you could do worse than this: “SHE FUN!”\u003c/p>\n\n\n\n\u003cp>That’s the slogan that got President Judy Gagwell — aka RuPaul — elected, and if it puts a smile on your face, it’s a good sign that lots of other, er, gags from Gagwell and others in \u003cem>Stop! That! Train!\u003c/em>, a delightfully absurd \u003ca href=\"https://www.kqed.org/arts/13879441/lockdown-movie-musts-1970s-disaster-debacles\">disaster-flick\u003c/a> spoof with a wildly impressive joke-per-minute ratio, will be up your alley, too.\u003c/p>\n\n\n\n\u003cp>Especially when RuPaul is on the screen, in presidential pantsuits recalling Hillary Rodham Clinton or Kamala Harris. 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Then she says: “Tell it to me gay.” And he just screams.\u003c/p>\n\n\n\n\u003cp>But most of the screen time is devoted to the train, and so we begin our tale with the real stars of this buddy film — the sweet duo of Tess and DeeDee (Ginger Minj and Jujubee, both alums of RuPaul’s \u003cem>\u003ca href=\"https://www.kqed.org/pop/tag/drag-race\">Drag Race\u003c/a>\u003c/em> universe).\u003c/p>\n\n\n\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>These ladies are longtime friends, who attended train hostess academy together and had dreams of seeing the world — important things like the Grand Canyon and the Dakotas, “Fanning AND Johnson!” But they ended up stuck at a low-rent company called Stank Rail.\u003c/p>\n\n\n\n\u003cp>Well, until now. When we meet them, they’ve just been handed pink slips. Thinking fast, they sneak their way onto the luxury Glamazonian Express, filled with very rich people and, as announced in the boarding call, “couples who shouldn’t be traveling together.”\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\u003cdiv class=\"wp-block-embed__wrapper\">\nhttps://www.youtube.com/watch?v=cVuaamn_kwc\n\u003c/div>\u003c/figure>\n\n\n\n\u003cp>The journey soon turns into an amalgam of \u003cem>Airplane!\u003c/em> — the conductor looks a lot like Leslie “Don’t call me Shirley!” Nielsen, a star of that 1980 classic — and \u003cem>\u003ca href=\"https://www.kqed.org/pop/13994/mean-girls-october-3-filming-secrets\">Mean Girls\u003c/a>\u003c/em>, where the three popular hostesses are just like Regina George and her friends. Only their names are Amber, Alli and, in a wonderful spelling gag — Ayshleiygh. Yes, Ayshleiygh.\u003c/p>\n\n\n\n\u003cp>Needless to say, they’re based in first class. Tess and DeeDee take care of the coach passengers, who include a peasant woman washing clothes on a washboard. (Also a nun — a la \u003cem>Airplane!\u003c/em>)\u003c/p>\n\n\n\n\u003cp>The safety announcement is, not surprisingly, a saucy song-and-dance number. One memorable rhyme combines “There ain’t no TSA” with “We’re like if Amtrak was gay.” You get the picture.\u003c/p>\n\n\n\n\u003cp>But what of the Stormaganza? Well, for that we’re taken to Train Headquarters, where the only person who takes anything seriously is feisty Donna Dusk (Rachel Bloom), who tries to warn that the train must be stopped. For one thing, it’s on track to crash in an area that contains — bear with us here — a nuclear plant, a hotel for dogs, and “the home of beloved actress \u003ca href=\"https://www.npr.org/2026/05/30/nx-s1-5627129/laurie-metcalf-discusses-her-tony-nominated-role-in-revival-of-death-of-a-salesman\">Laurie Metcalf\u003c/a>.”\u003c/p>\n\n\n\n\u003cp>“Not Laurie Metcalf!” Donna’s fellow worker gasps.\u003c/p>\n\n\n\n\u003cp>Meanwhile, President Gagwell needs to discover who she really is. Is she brave enough to guide the country through this crisis? And will she need to press either of the panic buttons on her Oval Office desk? One of them says “Game Over” and apparently leads to a nuclear strike.\u003c/p>\n\n\n\n\u003cp>The other says “JK LOL.”\u003c/p>\n\n\n\n\u003cp>Which, in a few letters, perfectly captures \u003cem>Stop! That! 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>These ladies are longtime friends, who attended train hostess academy together and had dreams of seeing the world — important things like the Grand Canyon and the Dakotas, “Fanning AND Johnson!” But they ended up stuck at a low-rent company called Stank Rail.\u003c/p>\n\n\n\n\u003cp>Well, until now. When we meet them, they’ve just been handed pink slips. Thinking fast, they sneak their way onto the luxury Glamazonian Express, filled with very rich people and, as announced in the boarding call, “couples who shouldn’t be traveling together.”\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\u003cdiv class=\"wp-block-embed__wrapper\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cVuaamn_kwc'\n title='//www.youtube.com/embed/cVuaamn_kwc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\u003c/figure>\n\n\n\n\u003cp>The journey soon turns into an amalgam of \u003cem>Airplane!\u003c/em> — the conductor looks a lot like Leslie “Don’t call me Shirley!” Nielsen, a star of that 1980 classic — and \u003cem>\u003ca href=\"https://www.kqed.org/pop/13994/mean-girls-october-3-filming-secrets\">Mean Girls\u003c/a>\u003c/em>, where the three popular hostesses are just like Regina George and her friends. Only their names are Amber, Alli and, in a wonderful spelling gag — Ayshleiygh. Yes, Ayshleiygh.\u003c/p>\n\n\n\n\u003cp>Needless to say, they’re based in first class. Tess and DeeDee take care of the coach passengers, who include a peasant woman washing clothes on a washboard. (Also a nun — a la \u003cem>Airplane!\u003c/em>)\u003c/p>\n\n\n\n\u003cp>The safety announcement is, not surprisingly, a saucy song-and-dance number. One memorable rhyme combines “There ain’t no TSA” with “We’re like if Amtrak was gay.” You get the picture.\u003c/p>\n\n\n\n\u003cp>But what of the Stormaganza? Well, for that we’re taken to Train Headquarters, where the only person who takes anything seriously is feisty Donna Dusk (Rachel Bloom), who tries to warn that the train must be stopped. For one thing, it’s on track to crash in an area that contains — bear with us here — a nuclear plant, a hotel for dogs, and “the home of beloved actress \u003ca href=\"https://www.npr.org/2026/05/30/nx-s1-5627129/laurie-metcalf-discusses-her-tony-nominated-role-in-revival-of-death-of-a-salesman\">Laurie Metcalf\u003c/a>.”\u003c/p>\n\n\n\n\u003cp>“Not Laurie Metcalf!” Donna’s fellow worker gasps.\u003c/p>\n\n\n\n\u003cp>Meanwhile, President Gagwell needs to discover who she really is. Is she brave enough to guide the country through this crisis? And will she need to press either of the panic buttons on her Oval Office desk? One of them says “Game Over” and apparently leads to a nuclear strike.\u003c/p>\n\n\n\n\u003cp>The other says “JK LOL.”\u003c/p>\n\n\n\n\u003cp>Which, in a few letters, perfectly captures \u003cem>Stop! That! Train!\u003c/em>, a movie so chock full of gags — the screenplay is by Connor Wright and Christina Friel — that the blooper reel at the end feels slow.\u003c/p>\n\n\n\n\u003cp>But we told you this was a buddy film. There’s usually a moment in buddy films where the friends separate for some reason. And when Tess and DeeDee do, the film becomes something of a dark, somber Ingmar Bergman movie.\u003c/p>\n\n\n\n\u003cp>JK LOL!\u003c/p>\n\n\n\n\u003cp>Of course it doesn’t. The gags never stop. Not every one of them soars, but enough do that you’ll likely just be giggling for 90 minutes.\u003c/p>\n\n\n\n\u003cp>As the president might say, “They fun!”\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Stop! That! Train!’ is released nationwide on June 12, 2026.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "sf-pride-2026-parade-route-times-street-closures-parking-safety-lgbtq",
"title": "Going to San Francisco Pride 2026? Parade Times, Maps, Street Closures and Safety Advice",
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"headTitle": "Going to San Francisco Pride 2026? Parade Times, Maps, Street Closures and Safety Advice | KQED",
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"content": "\u003cp>\u003ca href=\"https://www.kqed.org/news/tag/san-francisco-pride\">San Francisco Pride 2026\u003c/a> — one of the biggest LGBTQ+ celebrations in the world — is just a few weeks away.\u003c/p>\n\u003cp>Organizers say that the event returns this year stronger than ever after facing some \u003ca href=\"https://www.kqed.org/news/12031588/san-francisco-pride-struggles-secure-sponsorships-ahead-2025-parade\">financial challenges\u003c/a> last year. “San Francisco Pride \u003cem>is \u003c/em>going to happen,” said executive director Suzanne Ford. “Come to San Francisco’s Civic Center for the street fair, the celebration, all the music — and it’s all free.”\u003c/p>\n\u003cp>Ford added that this year’s theme, “Resistance in Action,” will be on display in both the \u003ca href=\"https://sfpride.org/celebration/\">Pride celebration at Civic Center\u003c/a> — which takes place on both Saturday and Sunday — and \u003ca href=\"https://sfpride.org/parade/\">Sunday’s Pride parade\u003c/a> down Market Street.\u003c/p>\n\u003cp>SF Pride has also partnered with the progressive grassroots group \u003ca href=\"https://indivisiblesf.org/\">Indivisible SF\u003c/a>, the organizers behind \u003ca href=\"https://www.thedykemarch.org/\">SF Dyke March\u003c/a> and the \u003ca href=\"https://juanitamore.com/about-peoples-march-rally\">People’s March\u003c/a>, and the motorcycle group \u003ca href=\"https://www.dykesonbikes.org/\">Dykes on Bikes\u003c/a> to host a \u003ca href=\"https://indivisiblesf.org/events/2026/06/27/trans-ally-rally\">Trans Ally Rally\u003c/a> on Saturday morning that will start at Embarcadero Plaza and end at Civic Center.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Jump straight to: \u003ca href=\"#WhendoesSFPride2026start\">When does SF Pride 2026 start?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>Pride weekend comes at a time when LGBTQ+ organizations nationwide are continuing to push back against \u003ca href=\"https://www.whitehouse.gov/releases/2026/03/president-trump-ended-democrats-transgender-for-everybody-insanity/\">policies\u003c/a> from President Donald Trump’s administration \u003ca href=\"https://www.kff.org/lgbtq/overview-of-president-trumps-executive-actions-impacting-lgbtq-health/\">targeting\u003c/a> transgender and nonbinary people.\u003c/p>\n\u003cp>Earlier this month, White House officials proposed \u003ca href=\"https://www.regulations.gov/document/OMB-2026-0034-0001\">new rules\u003c/a> that would block federal agencies from funding anything related to transgender people — a move the administration has called “ending government sponsorship of gender ideology.”\u003c/p>\n\u003cfigure id=\"attachment_11992644\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11992644\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/20240630_Pride_GC-35-KQED.jpg\" alt='A white person kisses another person on the cheek while holding a smartphone with other people holding signs that say \"Haney\" in rainbow lettering.' width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/20240630_Pride_GC-35-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/20240630_Pride_GC-35-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/20240630_Pride_GC-35-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/20240630_Pride_GC-35-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/20240630_Pride_GC-35-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/20240630_Pride_GC-35-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Two individuals rejoice during the Pride Parade in San Francisco on June 30, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We want allies to come out in the street and show their support for trans people,” Ford said of SF Pride.\u003c/p>\n\u003cp>And all over the Bay Area, there are protests, parties and workshops scheduled throughout the weekend. As you make your Pride plans, keep this guide handy to know what’s happening in downtown San Francisco and elsewhere — and see what public health officials are recommending to stay safe while having fun this weekend.\u003c/p>\n\u003ch2>\u003ca id=\"WhendoesSFPride2026start\">\u003c/a>When is SF Pride 2026?\u003c/h2>\n\u003cp>This year, SF Pride falls on Saturday, June 27 and Sunday, June 28.\u003c/p>\n\u003cp>What’s happening when? The SF Pride Celebration is a free two-day event in the city’s Civic Center that includes several block parties and musical performances from noon–6 p.m. on both days. On Sunday, the main stage will be hosted by political activist and drag performer Honey Mahogany and Sister Roma of the Sisters of Perpetual Indulgence, and will feature performances by Oakland rapper Kamaiyah, the pop duo Aly & AJ and the ballroom collective \u003ca href=\"https://www.kqed.org/arts/13968489/bay-area-ballroom-vogueing-oakland-to-all-ball\">Oakland to All\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12087035\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087035\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/PRIDE-MAP-2026.jpg\" alt=\"\" width=\"2000\" height=\"2182\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/PRIDE-MAP-2026.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/PRIDE-MAP-2026-160x175.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/PRIDE-MAP-2026-1408x1536.jpg 1408w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/PRIDE-MAP-2026-1877x2048.jpg 1877w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A map showing the SF Pride parade route for Sunday, June 28, 2026. \u003ccite>(Courtesy of SF Pride)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>SF Pride’s legendary Pride Parade takes place at 10:30 a.m. on Sunday and will move through Market Street. The parade starts at the intersection of Beale and Market streets and ends at Civic Center Plaza. Community members can also be part of the parade by \u003ca href=\"http://docs.google.com/forms/d/e/1FAIpQLSdajgPcR3VBDAqPArT2uHfjc06nkVDus95Ilf_4QZbEhDB8mw/viewform\">joining SF Pride’s “Resistance in Action!” contingent\u003c/a>.\u003c/p>\n\u003cp>Organizers have also planned a \u003ca href=\"https://www.eventbrite.com/e/vip-party-at-asian-art-museum-tickets-1987280776298?aff=oddtdtcreator\">“VIP Party” on Sunday\u003c/a> inside the Asian Art Museum, right in front of Civic Center.\u003c/p>\n\u003cp>Two additional major events taking place in SF Pride week, which aren’t produced by SF Pride: The Trans March \u003ca href=\"https://transmarch.org/\">will take place\u003c/a> on Friday at Dolores Park, and the Dyke March is \u003ca href=\"https://www.thedykemarch.org/\">scheduled for Saturday\u003c/a> and will also start at Dolores Park.\u003c/p>\n\u003ch2>What streets will be closed for the SF Pride Parade and Celebration?\u003c/h2>\n\u003cp>Market Street will be\u003ca href=\"https://sfpride.org/parade/\"> fully closed to vehicles\u003c/a> on the day of the parade, Sunday, June 28. But various street closures around the city will start much earlier.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfmta.com/\">SFMTA \u003c/a>has not yet released its official 2026 SF Pride street closures schedule, but \u003ca href=\"https://www.sfmta.com/travel-updates/san-francisco-pride-festival-saturday-sunday-june-28-29-2025\">in 2025\u003c/a>, Civic Center Plaza and the surrounding streets were closed on Saturday and Sunday, with other street closures starting as early as Thursday and lasting into Monday.\u003c/p>\n\u003ch2>Will I be able to find parking at SF Pride?\u003c/h2>\n\u003cp>If you plan to park near Market Street on June 28 for the SF Pride Parade, you may want to rethink that strategy.\u003c/p>\n\u003cp>Finding\u003ca href=\"https://www.kqed.org/news/12086537/paying-for-parking-in-san-francisco-make-sure-youre-using-the-right-apps\"> a public parking spot in downtown San Francisco\u003c/a> is already difficult on any other day of the year and nearly impossible during Pride. If you’re determined to drive into the city that weekend, there are private parking lots downtown, but bear in mind that they can be pricey, usually charging at least $30-$40 per hour, and likely more during big events.\u003c/p>\n\u003cfigure id=\"attachment_12046509\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12046509\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/250629-SFPrideParade-21-BL.jpg\" alt=\"Several people wearing colorful clothing stand next to each other behind a barricade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/250629-SFPrideParade-21-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/250629-SFPrideParade-21-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/250629-SFPrideParade-21-BL-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A crowd watches the San Francisco Pride Parade on June 29, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Alternatively, you may need to drive to pretty far-off neighborhoods to find a spot. Or you can reserve a parking spot ahead of time \u003ca href=\"https://spothero.com/search?kind=address&latitude=37.793301236424945&longitude=-122.39645940189274&%243p=a_hasoffers&%24affiliate_json=http%3A%2F%2Ftracking.spothero.com%2Faff_c%3Foffer_id%3D1%26aff_id%3D1433%26file_id%3D28%26source%3Dsfpridestartline%26aff_sub2%3Dparkingpage%26format%3Djson&_branch_match_id=1326649323374618505&utm_source=Partnerships&utm_campaign=Tune_Platform&utm_medium=paid+advertising&_branch_referrer=H4sIAAAAAAAAA32SwU7EIBCGn6bc7LZA260JMSbq0Yvx3MxSusVlCwI18e0dtnWzrsaEy%2FzDzPzzwRijC7ebTXA2jsrbHJzLjZ4OmxhKR5%2FfX1R5d9BTL6DvvQqBGIg6zr0SrMmblrGipKzmlLe8IsZO%2ByV5U1Kas7bmVcuLctvShpOMcuYEdCMEOwzKh6TAMGijIaruLdhJjOgnY%2FcZfcITPUicvc%2FP7qQ9oo41nczY06lLp%2FuMPZQZrZO8BJwxjLGxWgS6xTDY2UuFURic170KEXzEVdVaGuYdxawDn2Y62KfEYP0RIsrJHZm9OTkMZ4u%2FuCXbZ3LoMaNVWhs7XCyOja%2B8Z82jNFoeVqWgTVNx4JzSpq4L2FY71ZYVg%2B1OFut1G2InZ%2B%2FVJD%2Bx5vXl4SLxAWZOu66Xg5J26sF%2Fdm7eGR3QMiYTlBG68xOs0j%2Bc9hZMgkRJkKM6qoUGGXGk%2BIWCOIij%2BAHkjz9waiko%2BQYiSrI4ENfzyQUk8T8icg1IIB7yA44ovgD2DmjT%2FAIAAA%3D%3D&view=dl\">using SpotHero\u003c/a>.\u003c/p>\n\u003cp>Another option is to drive to a BART station outside the city, park there, and take BART to any of the downtown San Francisco stations on Market Street (Civic Center, Powell, Montgomery and Embarcadero). That way, you’ll avoid the weekend traffic coming into the city on the Bay Bridge or Highway 101.\u003c/p>\n\u003ch2>Are there things I can’t bring to San Francisco Pride?\u003c/h2>\n\u003cp>There are usually security checkpoints to get into both the Pride parade and the celebrations at the Civic Center. Event organizers \u003ca href=\"https://sfpride.org/safety/\">strongly recommend\u003c/a> people travel light and bring their ID, cell phone, sunscreen, and an empty reusable water bottle.\u003c/p>\n\u003cp>SF Pride is discouraging attendees from bringing any kind of bag to speed up entry into the event, but will allow some bags to pass through, including:\u003c/p>\n\u003cul>\n\u003cli>Clear plastic, vinyl, or PVC bags that do not exceed 12″ x 6″ x 12″\u003c/li>\n\u003cli>Small clutch bags or purses no larger than 4.5″ x 6.5″\u003c/li>\n\u003cli>Fanny packs or crossbody bags smaller than 12″ × 6″ × 4″\u003c/li>\n\u003c/ul>\n\u003cp>The following items will not be allowed during Pride weekend:\u003c/p>\n\u003cul>\n\u003cli>Weapons of any kind (regardless of permit)\u003c/li>\n\u003cli>Alcoholic beverages or outside food\u003c/li>\n\u003cli>Drones or remote-control aircraft\u003c/li>\n\u003cli>Bikes or hoverboards\u003c/li>\n\u003cli>Chairs of any kind\u003c/li>\n\u003cli>Selfie sticks or professional camera equipment without media credentials\u003c/li>\n\u003cli>Pets (service animals welcome)\u003c/li>\n\u003c/ul>\n\u003cp>\u003ca href=\"https://sfpride.org/safety/\">Check out the full list of banned items at SF Pride.\u003c/a>\u003c/p>\n\u003ch2>What’s the weather like in San Francisco during Pride weekend?\u003c/h2>\n\u003cp>Keep an eye on\u003ca href=\"https://forecast.weather.gov/MapClick.php?lat=37.7800771&lon=-122.4201615\"> the National Weather Service’s predictions\u003c/a> for SF Pride weekend — \u003ca href=\"https://www.kqed.org/news/12076857/bay-area-weather-forecast-heatwave-phone-apps-national-weather-service\">your phone’s weather apps might not be as accurate\u003c/a>.\u003c/p>\n\u003cp>And remember that this is San Francisco, where the weather can change very quickly. Even on a sunny day, it’s normal for the weather to still feel chilly, thanks to the strong winds pushing in from the bay. The city’s microclimates can also mean that while it’s sunny and warm in one neighborhood, another area can be cold and windy by comparison.\u003c/p>\n\u003ch2>What to know about accessibility at SF Pride\u003c/h2>\n\u003cp>The Pride parade has a free accessible viewing area, which organizers say provides an “unobstructed parade viewing at no cost for you and one guest.”\u003c/p>\n\u003cp>In order to request a spot, you’ll need to \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSfsSAMJ_jH4mwg3hMMClLSsVuwqPqqTEn4kYIA1RIBA11igEQ/viewform\">complete an online form\u003c/a>, but organizers add that space is limited and spots will be assigned on a first-come, first-served basis.\u003c/p>\n\u003cfigure id=\"attachment_12046511\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12046511\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/250629-SFPrideParade-22-BL.jpg\" alt=\"A person wearing an elaborate dress walks in the street.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/250629-SFPrideParade-22-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/250629-SFPrideParade-22-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/250629-SFPrideParade-22-BL-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Siam Phusri, a Thai drag performer, marches in the San Francisco Pride Parade on June 29, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>SF Pride also offers American Sign Language (ASL) interpretation and a special seating platform at the Civic Center celebration on both days. To access this service, you’ll need to pick up a wristband at the SF Pride information booth at Fulton and Larkin streets.\u003c/p>\n\u003cp>And if you’re taking BART to Pride, all BART stations have accessible elevators, but keep in mind that technical issues with these elevators are unfortunately common. You can sign up for BART alerts to be notified if the elevator at your station breaks down, or you can also call 510-834-LIFT to check the status of the elevator at any station.\u003c/p>\n\u003ch2>Keeping each other safe at SF Pride\u003c/h2>\n\u003cp>For decades, Pride in San Francisco has been a time when LGBTQ+ people have come together to \u003ca href=\"https://www.sfaf.org/resource-library/sfaf-history/\">advocate\u003c/a> for the health needs of their community. Part of celebrating Pride is honoring that legacy and protecting our own sexual health and that of our partners.\u003c/p>\n\u003cp>“Talk with your partners and provider about when you last tested for an STI (sexually transmitted infection) and make testing part of your regular health routine,” a spokesperson for the San Francisco Department of Public Health told KQED.[aside postID=news_12061805 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/1.png']If you have insurance, call your health care provider and share that you need to know your status ahead of Pride weekend. And if you are uninsured, \u003ca href=\"https://www.kqed.org/news/12082251/after-the-one-big-beautiful-bill-free-clinics-are-stepping-up\">multiple clinics\u003c/a> and LGBTQ+ community centers around the Bay Area offer free or low-cost STI testing, including:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.sf.gov/cityclinic\">San Francisco City Clinic\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://sffc.org/\">San Francisco Free Clinic\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.clinicbythebay.org/\">Clinic by the Bay\u003c/a> (San Francisco)\u003c/li>\n\u003cli>\u003ca href=\"https://www.berkeleyfreeclinic.org/sti-testing\">Berkeley Free Clinic\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.defrankcenter.org/hiv-testing\">Billy DeFrank LGBTQ+ Community Center\u003c/a> (San José)\u003c/li>\n\u003cli>\u003ca href=\"https://www.jewishfreeclinic.org/scheduling-hours\">Jewish Community Free Clinic\u003c/a> (Santa Rosa)\u003c/li>\n\u003c/ul>\n\u003cp>Residents of Alameda and Contra Costa counties can also request \u003ca href=\"https://www.ebgtz.org/get-tested-treated/\">at-home HIV tests\u003c/a> mailed to the address of their choice for free.\u003c/p>\n\u003cp>Public health officials also advise that folks learn about doxycycline post-exposure prophylaxis — or \u003ca href=\"https://www.sf.gov/cityclinic-get-doxypep\">doxy-PEP\u003c/a> — an antibiotic taken after sex that research has shown to be highly effective at preventing syphilis and chlamydia. As for HIV prevention, pre-exposure prophylaxis — or PrEP — can help protect folks from an HIV infection and can be taken as a pill or an injection. Vaccines are also available to help prevent hepatitis A, hepatitis B, human papillomavirus (HPV), meningitis, and \u003ca href=\"https://www.kqed.org/news/12080320/mpox-clade-i-san-francisco-2026-symptoms-rash-where-to-find-monkeypox-vaccine\">mpox (formerly known as monkeypox) infections\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Preventing a dangerous overdose\u003c/strong>\u003c/p>\n\u003cp>Taking party drugs (molly, cocaine, ketamine or 2C-B, also known as tusi or pink cocaine ) has become more dangerous in recent years, as these drugs are now being laced with fentanyl \u003ca href=\"https://www.npr.org/sections/health-shots/2023/09/14/1199396794/fentanyl-mixed-with-cocaine-or-meth-is-driving-the-4th-wave-of-the-overdose-cris\">more frequently\u003c/a>.\u003c/p>\n\u003cp>Public health advocates recommend that anyone who plans to consume drugs should test them ahead of time for fentanyl. The nonprofit FentCheck provides \u003ca href=\"https://fentcheck.org/check-your-drugs-1\">a list of bars and other community spaces\u003c/a> that offer fentanyl test strips.\u003c/p>\n\u003cp>Something else to consider bringing with you when going out: Narcan, the brand name for a naloxone nasal spray that is administered to someone when they are experiencing an opioid overdose (including from fentanyl).\u003c/p>\n\u003cp>Anyone can buy Narcan at a pharmacy without needing a prescription, and you can also get it \u003ca href=\"https://www.sf.gov/location/behavioral-health-access-center-bhac\">free of charge\u003c/a> at the San Francisco Department of Public Health’s Community Behavioral Health Services pharmacy at 1380 Howard St. The pharmacy is open Monday to Friday from 9 a.m. to 6:30 p.m. and on weekdays from 9 a.m. to 4 p.m.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/news/tag/san-francisco-pride\">San Francisco Pride 2026\u003c/a> — one of the biggest LGBTQ+ celebrations in the world — is just a few weeks away.\u003c/p>\n\u003cp>Organizers say that the event returns this year stronger than ever after facing some \u003ca href=\"https://www.kqed.org/news/12031588/san-francisco-pride-struggles-secure-sponsorships-ahead-2025-parade\">financial challenges\u003c/a> last year. “San Francisco Pride \u003cem>is \u003c/em>going to happen,” said executive director Suzanne Ford. “Come to San Francisco’s Civic Center for the street fair, the celebration, all the music — and it’s all free.”\u003c/p>\n\u003cp>Ford added that this year’s theme, “Resistance in Action,” will be on display in both the \u003ca href=\"https://sfpride.org/celebration/\">Pride celebration at Civic Center\u003c/a> — which takes place on both Saturday and Sunday — and \u003ca href=\"https://sfpride.org/parade/\">Sunday’s Pride parade\u003c/a> down Market Street.\u003c/p>\n\u003cp>SF Pride has also partnered with the progressive grassroots group \u003ca href=\"https://indivisiblesf.org/\">Indivisible SF\u003c/a>, the organizers behind \u003ca href=\"https://www.thedykemarch.org/\">SF Dyke March\u003c/a> and the \u003ca href=\"https://juanitamore.com/about-peoples-march-rally\">People’s March\u003c/a>, and the motorcycle group \u003ca href=\"https://www.dykesonbikes.org/\">Dykes on Bikes\u003c/a> to host a \u003ca href=\"https://indivisiblesf.org/events/2026/06/27/trans-ally-rally\">Trans Ally Rally\u003c/a> on Saturday morning that will start at Embarcadero Plaza and end at Civic Center.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Jump straight to: \u003ca href=\"#WhendoesSFPride2026start\">When does SF Pride 2026 start?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>Pride weekend comes at a time when LGBTQ+ organizations nationwide are continuing to push back against \u003ca href=\"https://www.whitehouse.gov/releases/2026/03/president-trump-ended-democrats-transgender-for-everybody-insanity/\">policies\u003c/a> from President Donald Trump’s administration \u003ca href=\"https://www.kff.org/lgbtq/overview-of-president-trumps-executive-actions-impacting-lgbtq-health/\">targeting\u003c/a> transgender and nonbinary people.\u003c/p>\n\u003cp>Earlier this month, White House officials proposed \u003ca href=\"https://www.regulations.gov/document/OMB-2026-0034-0001\">new rules\u003c/a> that would block federal agencies from funding anything related to transgender people — a move the administration has called “ending government sponsorship of gender ideology.”\u003c/p>\n\u003cfigure id=\"attachment_11992644\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11992644\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/20240630_Pride_GC-35-KQED.jpg\" alt='A white person kisses another person on the cheek while holding a smartphone with other people holding signs that say \"Haney\" in rainbow lettering.' width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/20240630_Pride_GC-35-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/20240630_Pride_GC-35-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/20240630_Pride_GC-35-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/20240630_Pride_GC-35-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/20240630_Pride_GC-35-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/20240630_Pride_GC-35-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Two individuals rejoice during the Pride Parade in San Francisco on June 30, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We want allies to come out in the street and show their support for trans people,” Ford said of SF Pride.\u003c/p>\n\u003cp>And all over the Bay Area, there are protests, parties and workshops scheduled throughout the weekend. As you make your Pride plans, keep this guide handy to know what’s happening in downtown San Francisco and elsewhere — and see what public health officials are recommending to stay safe while having fun this weekend.\u003c/p>\n\u003ch2>\u003ca id=\"WhendoesSFPride2026start\">\u003c/a>When is SF Pride 2026?\u003c/h2>\n\u003cp>This year, SF Pride falls on Saturday, June 27 and Sunday, June 28.\u003c/p>\n\u003cp>What’s happening when? The SF Pride Celebration is a free two-day event in the city’s Civic Center that includes several block parties and musical performances from noon–6 p.m. on both days. On Sunday, the main stage will be hosted by political activist and drag performer Honey Mahogany and Sister Roma of the Sisters of Perpetual Indulgence, and will feature performances by Oakland rapper Kamaiyah, the pop duo Aly & AJ and the ballroom collective \u003ca href=\"https://www.kqed.org/arts/13968489/bay-area-ballroom-vogueing-oakland-to-all-ball\">Oakland to All\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12087035\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087035\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/PRIDE-MAP-2026.jpg\" alt=\"\" width=\"2000\" height=\"2182\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/PRIDE-MAP-2026.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/PRIDE-MAP-2026-160x175.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/PRIDE-MAP-2026-1408x1536.jpg 1408w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/PRIDE-MAP-2026-1877x2048.jpg 1877w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A map showing the SF Pride parade route for Sunday, June 28, 2026. \u003ccite>(Courtesy of SF Pride)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>SF Pride’s legendary Pride Parade takes place at 10:30 a.m. on Sunday and will move through Market Street. The parade starts at the intersection of Beale and Market streets and ends at Civic Center Plaza. Community members can also be part of the parade by \u003ca href=\"http://docs.google.com/forms/d/e/1FAIpQLSdajgPcR3VBDAqPArT2uHfjc06nkVDus95Ilf_4QZbEhDB8mw/viewform\">joining SF Pride’s “Resistance in Action!” contingent\u003c/a>.\u003c/p>\n\u003cp>Organizers have also planned a \u003ca href=\"https://www.eventbrite.com/e/vip-party-at-asian-art-museum-tickets-1987280776298?aff=oddtdtcreator\">“VIP Party” on Sunday\u003c/a> inside the Asian Art Museum, right in front of Civic Center.\u003c/p>\n\u003cp>Two additional major events taking place in SF Pride week, which aren’t produced by SF Pride: The Trans March \u003ca href=\"https://transmarch.org/\">will take place\u003c/a> on Friday at Dolores Park, and the Dyke March is \u003ca href=\"https://www.thedykemarch.org/\">scheduled for Saturday\u003c/a> and will also start at Dolores Park.\u003c/p>\n\u003ch2>What streets will be closed for the SF Pride Parade and Celebration?\u003c/h2>\n\u003cp>Market Street will be\u003ca href=\"https://sfpride.org/parade/\"> fully closed to vehicles\u003c/a> on the day of the parade, Sunday, June 28. But various street closures around the city will start much earlier.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfmta.com/\">SFMTA \u003c/a>has not yet released its official 2026 SF Pride street closures schedule, but \u003ca href=\"https://www.sfmta.com/travel-updates/san-francisco-pride-festival-saturday-sunday-june-28-29-2025\">in 2025\u003c/a>, Civic Center Plaza and the surrounding streets were closed on Saturday and Sunday, with other street closures starting as early as Thursday and lasting into Monday.\u003c/p>\n\u003ch2>Will I be able to find parking at SF Pride?\u003c/h2>\n\u003cp>If you plan to park near Market Street on June 28 for the SF Pride Parade, you may want to rethink that strategy.\u003c/p>\n\u003cp>Finding\u003ca href=\"https://www.kqed.org/news/12086537/paying-for-parking-in-san-francisco-make-sure-youre-using-the-right-apps\"> a public parking spot in downtown San Francisco\u003c/a> is already difficult on any other day of the year and nearly impossible during Pride. If you’re determined to drive into the city that weekend, there are private parking lots downtown, but bear in mind that they can be pricey, usually charging at least $30-$40 per hour, and likely more during big events.\u003c/p>\n\u003cfigure id=\"attachment_12046509\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12046509\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/250629-SFPrideParade-21-BL.jpg\" alt=\"Several people wearing colorful clothing stand next to each other behind a barricade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/250629-SFPrideParade-21-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/250629-SFPrideParade-21-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/250629-SFPrideParade-21-BL-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A crowd watches the San Francisco Pride Parade on June 29, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Alternatively, you may need to drive to pretty far-off neighborhoods to find a spot. Or you can reserve a parking spot ahead of time \u003ca href=\"https://spothero.com/search?kind=address&latitude=37.793301236424945&longitude=-122.39645940189274&%243p=a_hasoffers&%24affiliate_json=http%3A%2F%2Ftracking.spothero.com%2Faff_c%3Foffer_id%3D1%26aff_id%3D1433%26file_id%3D28%26source%3Dsfpridestartline%26aff_sub2%3Dparkingpage%26format%3Djson&_branch_match_id=1326649323374618505&utm_source=Partnerships&utm_campaign=Tune_Platform&utm_medium=paid+advertising&_branch_referrer=H4sIAAAAAAAAA32SwU7EIBCGn6bc7LZA260JMSbq0Yvx3MxSusVlCwI18e0dtnWzrsaEy%2FzDzPzzwRijC7ebTXA2jsrbHJzLjZ4OmxhKR5%2FfX1R5d9BTL6DvvQqBGIg6zr0SrMmblrGipKzmlLe8IsZO%2ByV5U1Kas7bmVcuLctvShpOMcuYEdCMEOwzKh6TAMGijIaruLdhJjOgnY%2FcZfcITPUicvc%2FP7qQ9oo41nczY06lLp%2FuMPZQZrZO8BJwxjLGxWgS6xTDY2UuFURic170KEXzEVdVaGuYdxawDn2Y62KfEYP0RIsrJHZm9OTkMZ4u%2FuCXbZ3LoMaNVWhs7XCyOja%2B8Z82jNFoeVqWgTVNx4JzSpq4L2FY71ZYVg%2B1OFut1G2InZ%2B%2FVJD%2Bx5vXl4SLxAWZOu66Xg5J26sF%2Fdm7eGR3QMiYTlBG68xOs0j%2Bc9hZMgkRJkKM6qoUGGXGk%2BIWCOIij%2BAHkjz9waiko%2BQYiSrI4ENfzyQUk8T8icg1IIB7yA44ovgD2DmjT%2FAIAAA%3D%3D&view=dl\">using SpotHero\u003c/a>.\u003c/p>\n\u003cp>Another option is to drive to a BART station outside the city, park there, and take BART to any of the downtown San Francisco stations on Market Street (Civic Center, Powell, Montgomery and Embarcadero). That way, you’ll avoid the weekend traffic coming into the city on the Bay Bridge or Highway 101.\u003c/p>\n\u003ch2>Are there things I can’t bring to San Francisco Pride?\u003c/h2>\n\u003cp>There are usually security checkpoints to get into both the Pride parade and the celebrations at the Civic Center. Event organizers \u003ca href=\"https://sfpride.org/safety/\">strongly recommend\u003c/a> people travel light and bring their ID, cell phone, sunscreen, and an empty reusable water bottle.\u003c/p>\n\u003cp>SF Pride is discouraging attendees from bringing any kind of bag to speed up entry into the event, but will allow some bags to pass through, including:\u003c/p>\n\u003cul>\n\u003cli>Clear plastic, vinyl, or PVC bags that do not exceed 12″ x 6″ x 12″\u003c/li>\n\u003cli>Small clutch bags or purses no larger than 4.5″ x 6.5″\u003c/li>\n\u003cli>Fanny packs or crossbody bags smaller than 12″ × 6″ × 4″\u003c/li>\n\u003c/ul>\n\u003cp>The following items will not be allowed during Pride weekend:\u003c/p>\n\u003cul>\n\u003cli>Weapons of any kind (regardless of permit)\u003c/li>\n\u003cli>Alcoholic beverages or outside food\u003c/li>\n\u003cli>Drones or remote-control aircraft\u003c/li>\n\u003cli>Bikes or hoverboards\u003c/li>\n\u003cli>Chairs of any kind\u003c/li>\n\u003cli>Selfie sticks or professional camera equipment without media credentials\u003c/li>\n\u003cli>Pets (service animals welcome)\u003c/li>\n\u003c/ul>\n\u003cp>\u003ca href=\"https://sfpride.org/safety/\">Check out the full list of banned items at SF Pride.\u003c/a>\u003c/p>\n\u003ch2>What’s the weather like in San Francisco during Pride weekend?\u003c/h2>\n\u003cp>Keep an eye on\u003ca href=\"https://forecast.weather.gov/MapClick.php?lat=37.7800771&lon=-122.4201615\"> the National Weather Service’s predictions\u003c/a> for SF Pride weekend — \u003ca href=\"https://www.kqed.org/news/12076857/bay-area-weather-forecast-heatwave-phone-apps-national-weather-service\">your phone’s weather apps might not be as accurate\u003c/a>.\u003c/p>\n\u003cp>And remember that this is San Francisco, where the weather can change very quickly. Even on a sunny day, it’s normal for the weather to still feel chilly, thanks to the strong winds pushing in from the bay. The city’s microclimates can also mean that while it’s sunny and warm in one neighborhood, another area can be cold and windy by comparison.\u003c/p>\n\u003ch2>What to know about accessibility at SF Pride\u003c/h2>\n\u003cp>The Pride parade has a free accessible viewing area, which organizers say provides an “unobstructed parade viewing at no cost for you and one guest.”\u003c/p>\n\u003cp>In order to request a spot, you’ll need to \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSfsSAMJ_jH4mwg3hMMClLSsVuwqPqqTEn4kYIA1RIBA11igEQ/viewform\">complete an online form\u003c/a>, but organizers add that space is limited and spots will be assigned on a first-come, first-served basis.\u003c/p>\n\u003cfigure id=\"attachment_12046511\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12046511\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/250629-SFPrideParade-22-BL.jpg\" alt=\"A person wearing an elaborate dress walks in the street.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/250629-SFPrideParade-22-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/250629-SFPrideParade-22-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/250629-SFPrideParade-22-BL-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Siam Phusri, a Thai drag performer, marches in the San Francisco Pride Parade on June 29, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>SF Pride also offers American Sign Language (ASL) interpretation and a special seating platform at the Civic Center celebration on both days. To access this service, you’ll need to pick up a wristband at the SF Pride information booth at Fulton and Larkin streets.\u003c/p>\n\u003cp>And if you’re taking BART to Pride, all BART stations have accessible elevators, but keep in mind that technical issues with these elevators are unfortunately common. You can sign up for BART alerts to be notified if the elevator at your station breaks down, or you can also call 510-834-LIFT to check the status of the elevator at any station.\u003c/p>\n\u003ch2>Keeping each other safe at SF Pride\u003c/h2>\n\u003cp>For decades, Pride in San Francisco has been a time when LGBTQ+ people have come together to \u003ca href=\"https://www.sfaf.org/resource-library/sfaf-history/\">advocate\u003c/a> for the health needs of their community. Part of celebrating Pride is honoring that legacy and protecting our own sexual health and that of our partners.\u003c/p>\n\u003cp>“Talk with your partners and provider about when you last tested for an STI (sexually transmitted infection) and make testing part of your regular health routine,” a spokesperson for the San Francisco Department of Public Health told KQED.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>If you have insurance, call your health care provider and share that you need to know your status ahead of Pride weekend. And if you are uninsured, \u003ca href=\"https://www.kqed.org/news/12082251/after-the-one-big-beautiful-bill-free-clinics-are-stepping-up\">multiple clinics\u003c/a> and LGBTQ+ community centers around the Bay Area offer free or low-cost STI testing, including:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.sf.gov/cityclinic\">San Francisco City Clinic\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://sffc.org/\">San Francisco Free Clinic\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.clinicbythebay.org/\">Clinic by the Bay\u003c/a> (San Francisco)\u003c/li>\n\u003cli>\u003ca href=\"https://www.berkeleyfreeclinic.org/sti-testing\">Berkeley Free Clinic\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.defrankcenter.org/hiv-testing\">Billy DeFrank LGBTQ+ Community Center\u003c/a> (San José)\u003c/li>\n\u003cli>\u003ca href=\"https://www.jewishfreeclinic.org/scheduling-hours\">Jewish Community Free Clinic\u003c/a> (Santa Rosa)\u003c/li>\n\u003c/ul>\n\u003cp>Residents of Alameda and Contra Costa counties can also request \u003ca href=\"https://www.ebgtz.org/get-tested-treated/\">at-home HIV tests\u003c/a> mailed to the address of their choice for free.\u003c/p>\n\u003cp>Public health officials also advise that folks learn about doxycycline post-exposure prophylaxis — or \u003ca href=\"https://www.sf.gov/cityclinic-get-doxypep\">doxy-PEP\u003c/a> — an antibiotic taken after sex that research has shown to be highly effective at preventing syphilis and chlamydia. As for HIV prevention, pre-exposure prophylaxis — or PrEP — can help protect folks from an HIV infection and can be taken as a pill or an injection. Vaccines are also available to help prevent hepatitis A, hepatitis B, human papillomavirus (HPV), meningitis, and \u003ca href=\"https://www.kqed.org/news/12080320/mpox-clade-i-san-francisco-2026-symptoms-rash-where-to-find-monkeypox-vaccine\">mpox (formerly known as monkeypox) infections\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Preventing a dangerous overdose\u003c/strong>\u003c/p>\n\u003cp>Taking party drugs (molly, cocaine, ketamine or 2C-B, also known as tusi or pink cocaine ) has become more dangerous in recent years, as these drugs are now being laced with fentanyl \u003ca href=\"https://www.npr.org/sections/health-shots/2023/09/14/1199396794/fentanyl-mixed-with-cocaine-or-meth-is-driving-the-4th-wave-of-the-overdose-cris\">more frequently\u003c/a>.\u003c/p>\n\u003cp>Public health advocates recommend that anyone who plans to consume drugs should test them ahead of time for fentanyl. The nonprofit FentCheck provides \u003ca href=\"https://fentcheck.org/check-your-drugs-1\">a list of bars and other community spaces\u003c/a> that offer fentanyl test strips.\u003c/p>\n\u003cp>Something else to consider bringing with you when going out: Narcan, the brand name for a naloxone nasal spray that is administered to someone when they are experiencing an opioid overdose (including from fentanyl).\u003c/p>\n\u003cp>Anyone can buy Narcan at a pharmacy without needing a prescription, and you can also get it \u003ca href=\"https://www.sf.gov/location/behavioral-health-access-center-bhac\">free of charge\u003c/a> at the San Francisco Department of Public Health’s Community Behavioral Health Services pharmacy at 1380 Howard St. The pharmacy is open Monday to Friday from 9 a.m. to 6:30 p.m. and on weekdays from 9 a.m. to 4 p.m.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>In conversations with loved ones, transgender and non-binary kids from the Bay Area discuss acceptance, trust, and what it looks like to thrive.\u003c/p>\n\u003cp>\u003ci>This episode first aired Dec. 4, 2025.\u003c/i>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC9957328399\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan class=\"\" title=\"\">\u003ci>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco-Northern California Local.\u003c/i>\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cfigure id=\"attachment_13983958\" class=\"wp-caption aligncenter\" style=\"max-width: 1601px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13983958\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Li-Kar.png\" alt=\"A coiffed and made-up gender nonconforming person sitting elegantly in a doorway, dressed in silky blouse, pants and high heels.\" width=\"1601\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Li-Kar.png 1601w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Li-Kar-160x200.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Li-Kar-768x959.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Li-Kar-1230x1536.png 1230w\" sizes=\"auto, (max-width: 1601px) 100vw, 1601px\">\u003cfigcaption class=\"wp-caption-text\">Photograph of LiKar in doorway. Photographer unknown. Li-Kar was a renowned performer and artist at Finocchio’s. \u003ccite>(Courtesy of the Louise Lawrence Transgender Archive)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Oddly, one of the most revealing things in the \u003ca href=\"https://vallejomuseum.net/\">Vallejo Naval and Historical Museum\u003c/a>’s new exhibit is an overwrought denunciation of Black drag queens dating from all the way back in 1893. One Dr. Charles H. Hughes of St. Louis (clearly incensed) had his note published by a medical journal of the era.\u003c/p>\n\u003cp>It states, in part:\u003c/p>\n\u003cblockquote>\u003cp>I am credibly informed that there is, in the city of Washington, D.C., an annual convocation of negro men called the drag dance, which is an orgy of lascivious debauchery beyond pen power of description.\u003c/p>\u003c/blockquote>\n\u003cp>(Imagine hearing the phrase “orgy of lascivious debauchery” and thinking that was a bad thing!)\u003c/p>\n\u003cp>Dr. Hughes’ quote is part of the introduction to \u003cem>I Live the Life I Love Because I Love the Life I Live: A Celebration of Trans People of Color, \u003c/em>a collection of photos and ephemera honoring gender nonconforming people of color from recent history. Curated by \u003ca href=\"https://www.kqed.org/arts/13906221/louise-lawrence-transgender-archive-vallejo-history\">Ms. Bob Davis\u003c/a> of the \u003ca href=\"https://www.kqed.org/arts/13870056/the-transgender-community-builder-who-educated-doctors-including-kinsey\">Louise Lawrence\u003c/a> Transgender Archive, the exhibit includes Bay Area queer and trans folks (including legendary nightclub dancers, \u003ca href=\"https://www.kqed.org/arts/13959726/vicki-starr-transgender-topless-dancer-san-francisco-lgbtq-prison-reform\">Vicki Starr\u003c/a> and Li-Kar), alongside their spiritual siblings from around the world. \u003cem>I Love the Life I Live\u003c/em> was previously exhibited at the \u003ca href=\"https://www.glbthistory.org/\">GLBT Historical Society Museum\u003c/a> in San Francisco.\u003c/p>\n\u003cp>While fairly hodgepodge by nature — there is no linear throughline or singular geographical focus — \u003cem>I Live the Life I Love\u003c/em> does successfully provide a number of fascinating starting points for future research.\u003c/p>\n\u003cfigure id=\"attachment_13983960\" class=\"wp-caption aligncenter\" style=\"max-width: 1286px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13983960\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/king.png\" alt=\"A woman dressed in a man's suit, hair slicked back in a masculine style.\" width=\"1286\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/king.png 1286w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/king-160x249.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/king-768x1194.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/king-988x1536.png 988w\" sizes=\"auto, (max-width: 1286px) 100vw, 1286px\">\u003cfigcaption class=\"wp-caption-text\">Photograph of a gender nonconforming person, as seen in ‘I Live the Life I Love Because I Love the Life I Live: A Celebration of Trans People of Color.’ \u003ccite>(Courtesy of the Louise Lawrence Transgender Archive)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The exhibition introduces the likes of the Takarazuka Girls, an all-female revue from Japan who performed as all genders at the \u003ca href=\"https://www.kqed.org/news/11790693/magic-city-and-the-making-of-treasure-island\">1939 Golden Gate International Exposition\u003c/a>. There’s also Felicia Elizondo, a trans woman who attempted to suppress her gender identity by enlisting in the Vietnam War, only to transition in 1972 and become a vocal LGBTQ+ campaigner. The show also gives a brief overview of the charitable efforts of Brenda Lee, who turned her São Paulo house into a group home for trans women and people living with HIV and AIDS in the ’80s.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Taking us back further in time are Victorian dancers from a show called \u003cem>Les Joyeux Nègres\u003c/em> (\u003cem>The Merry Negroes\u003c/em>). Duos included Charles Gregory and Jack Brown, who danced the “cakewalk” wearing Civil War-era attire — Brown in a multi-tiered dress, Gregory in a colorful suit. In the same troupe, two women utilized drag as “Mr. and Mrs. Elks.”\u003c/p>\n\u003cp>A comprehensive overview of the history of trans and gender nonconforming people of color, this is not. Neither is it particularly focused on any one subculture related to the community. But if you treat \u003cem>I Live the Life I Love\u003c/em> as a mini buffet of fascinating moments from LGBTQ+ history, you’ll find a smattering of very tasty morsels.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘\u003ca href=\"https://vallejomuseum.net/event/pride-month-exhibit-i-live-the-life-i-love-because-i-love-the-life-i-live/\">I Live the Life I Love Because I Love the Life I Live: A Celebration of Trans People of Color\u003c/a>’ is on display at the Vallejo Naval and Historical Museum (734 Marin St.), June 5—26, 2026. An official opening reception and Pride flag raising takes place on June 12, from 6 p.m.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13983958\" class=\"wp-caption aligncenter\" style=\"max-width: 1601px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13983958\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Li-Kar.png\" alt=\"A coiffed and made-up gender nonconforming person sitting elegantly in a doorway, dressed in silky blouse, pants and high heels.\" width=\"1601\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Li-Kar.png 1601w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Li-Kar-160x200.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Li-Kar-768x959.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Li-Kar-1230x1536.png 1230w\" sizes=\"auto, (max-width: 1601px) 100vw, 1601px\">\u003cfigcaption class=\"wp-caption-text\">Photograph of LiKar in doorway. Photographer unknown. Li-Kar was a renowned performer and artist at Finocchio’s. \u003ccite>(Courtesy of the Louise Lawrence Transgender Archive)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Oddly, one of the most revealing things in the \u003ca href=\"https://vallejomuseum.net/\">Vallejo Naval and Historical Museum\u003c/a>’s new exhibit is an overwrought denunciation of Black drag queens dating from all the way back in 1893. One Dr. Charles H. Hughes of St. Louis (clearly incensed) had his note published by a medical journal of the era.\u003c/p>\n\u003cp>It states, in part:\u003c/p>\n\u003cblockquote>\u003cp>I am credibly informed that there is, in the city of Washington, D.C., an annual convocation of negro men called the drag dance, which is an orgy of lascivious debauchery beyond pen power of description.\u003c/p>\u003c/blockquote>\n\u003cp>(Imagine hearing the phrase “orgy of lascivious debauchery” and thinking that was a bad thing!)\u003c/p>\n\u003cp>Dr. Hughes’ quote is part of the introduction to \u003cem>I Live the Life I Love Because I Love the Life I Live: A Celebration of Trans People of Color, \u003c/em>a collection of photos and ephemera honoring gender nonconforming people of color from recent history. Curated by \u003ca href=\"https://www.kqed.org/arts/13906221/louise-lawrence-transgender-archive-vallejo-history\">Ms. Bob Davis\u003c/a> of the \u003ca href=\"https://www.kqed.org/arts/13870056/the-transgender-community-builder-who-educated-doctors-including-kinsey\">Louise Lawrence\u003c/a> Transgender Archive, the exhibit includes Bay Area queer and trans folks (including legendary nightclub dancers, \u003ca href=\"https://www.kqed.org/arts/13959726/vicki-starr-transgender-topless-dancer-san-francisco-lgbtq-prison-reform\">Vicki Starr\u003c/a> and Li-Kar), alongside their spiritual siblings from around the world. \u003cem>I Love the Life I Live\u003c/em> was previously exhibited at the \u003ca href=\"https://www.glbthistory.org/\">GLBT Historical Society Museum\u003c/a> in San Francisco.\u003c/p>\n\u003cp>While fairly hodgepodge by nature — there is no linear throughline or singular geographical focus — \u003cem>I Live the Life I Love\u003c/em> does successfully provide a number of fascinating starting points for future research.\u003c/p>\n\u003cfigure id=\"attachment_13983960\" class=\"wp-caption aligncenter\" style=\"max-width: 1286px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13983960\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/king.png\" alt=\"A woman dressed in a man's suit, hair slicked back in a masculine style.\" width=\"1286\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/king.png 1286w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/king-160x249.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/king-768x1194.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/king-988x1536.png 988w\" sizes=\"auto, (max-width: 1286px) 100vw, 1286px\">\u003cfigcaption class=\"wp-caption-text\">Photograph of a gender nonconforming person, as seen in ‘I Live the Life I Love Because I Love the Life I Live: A Celebration of Trans People of Color.’ \u003ccite>(Courtesy of the Louise Lawrence Transgender Archive)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The exhibition introduces the likes of the Takarazuka Girls, an all-female revue from Japan who performed as all genders at the \u003ca href=\"https://www.kqed.org/news/11790693/magic-city-and-the-making-of-treasure-island\">1939 Golden Gate International Exposition\u003c/a>. There’s also Felicia Elizondo, a trans woman who attempted to suppress her gender identity by enlisting in the Vietnam War, only to transition in 1972 and become a vocal LGBTQ+ campaigner. The show also gives a brief overview of the charitable efforts of Brenda Lee, who turned her São Paulo house into a group home for trans women and people living with HIV and AIDS in the ’80s.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Taking us back further in time are Victorian dancers from a show called \u003cem>Les Joyeux Nègres\u003c/em> (\u003cem>The Merry Negroes\u003c/em>). Duos included Charles Gregory and Jack Brown, who danced the “cakewalk” wearing Civil War-era attire — Brown in a multi-tiered dress, Gregory in a colorful suit. In the same troupe, two women utilized drag as “Mr. and Mrs. Elks.”\u003c/p>\n\u003cp>A comprehensive overview of the history of trans and gender nonconforming people of color, this is not. Neither is it particularly focused on any one subculture related to the community. But if you treat \u003cem>I Live the Life I Love\u003c/em> as a mini buffet of fascinating moments from LGBTQ+ history, you’ll find a smattering of very tasty morsels.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘\u003ca href=\"https://vallejomuseum.net/event/pride-month-exhibit-i-live-the-life-i-love-because-i-love-the-life-i-live/\">I Live the Life I Love Because I Love the Life I Live: A Celebration of Trans People of Color\u003c/a>’ is on display at the Vallejo Naval and Historical Museum (734 Marin St.), June 5—26, 2026. An official opening reception and Pride flag raising takes place on June 12, from 6 p.m.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "photos-lgbtq-pride-lights-up-the-bay-area-in-all-its-rainbow-glory",
"title": "PHOTOS: LGBTQ+ Pride Lights Up the Bay Area In All Its Rainbow Glory",
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"headTitle": "PHOTOS: LGBTQ+ Pride Lights Up the Bay Area In All Its Rainbow Glory | KQED",
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"content": "\u003cp>This weekend, the absence of an official San Francisco Pride Parade made room for things to get a lot weirder, more political and more D.I.Y.\u003c/p>\n\u003cp>Instead of corporate-sponsored floats with rainbow advertisements, a People’s March organized by artists and activists took over the streets on Sunday, June 27, connecting the celebration back to its radical roots.\u003c/p>\n\u003cp>“Yes, this feels like my people, everyone is so beautiful,” Gia Loving, a community organizer with the Transgender Law Center, told the crowd. “[This feels like] 51 years ago when we were kicking the pigs out of the bar.”\u003c/p>\n\u003cp>She was referring to the Stonewall Riots in 1969, when New York’s gay and trans community rioted against abusive police officers who would routinely raid their safe spaces and arrest people based on gender presentation and sexuality. Loving reminded the audience that the fight isn’t over: State legislatures across the country have introduced over \u003ca href=\"https://www.pbs.org/newshour/show/pride-2021-has-set-a-record-in-anti-trans-bills-in-america\" target=\"_blank\" rel=\"noopener noreferrer\">100 bills to restrict trans rights\u003c/a> just this year alone.\u003c/p>\n\u003cp>“I want to be clear that there would be no Pride without trans youth,” she said before leading the demonstrators in a chant.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Other speakers focused on Pride as an antidote to the isolation and trauma Americans experienced over the last year-plus of the pandemic.\u003c/p>\n\u003cp>“Last year, there was a moment when I felt as though I was stuck. I couldn’t be on Facebook, I couldn’t be on social media, I couldn’t interact,” said renowned drag queen and activist Juanita MORE! “And then, recently, I felt as though I woke up again, and I knew that I was again creating space for me to grow. All of you being here today is so important because this is what the first Pride felt like. So I want to thank you all for being a part of the march and rally today, because your presence here today is proof that inclusiveness is happening.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>That spirit of inclusiveness was deeply felt throughout the weekend as different LGBTQ+ communities reunited, fully vaccinated and ready to hug, march, dance, flirt and celebrate in person. KQED’s Beth LaBerge was there to capture it all with her camera.\u003c/p>\n\u003cfigure id=\"attachment_13899476\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899476\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/012_SanFrancisco_PeoplesMarch_06272021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_SanFrancisco_PeoplesMarch_06272021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_SanFrancisco_PeoplesMarch_06272021-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_SanFrancisco_PeoplesMarch_06272021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_SanFrancisco_PeoplesMarch_06272021-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_SanFrancisco_PeoplesMarch_06272021-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_SanFrancisco_PeoplesMarch_06272021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">DJ Black plays music from a bus during the People’s March and Rally on Polk Street heading toward City Hall in San Francisco on June 27, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899477\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899477\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/006_SanFrancisco_PeoplesMarch_06272021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_PeoplesMarch_06272021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_PeoplesMarch_06272021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_PeoplesMarch_06272021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_PeoplesMarch_06272021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_PeoplesMarch_06272021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_PeoplesMarch_06272021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The People’s March and Rally depart from Polk and Sacramento Streets to City Hall in San Francisco on June 27, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899478\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899478\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/016_SanFrancisco_PeoplesMarch_06272021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/016_SanFrancisco_PeoplesMarch_06272021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/016_SanFrancisco_PeoplesMarch_06272021-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/016_SanFrancisco_PeoplesMarch_06272021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/016_SanFrancisco_PeoplesMarch_06272021-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/016_SanFrancisco_PeoplesMarch_06272021-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/016_SanFrancisco_PeoplesMarch_06272021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hundreds of marchers head down Polk Street towards City Hall during the People’s March and Rally in San Francisco on June 27, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899511\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899511\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/030_SanFrancisco_PeoplesMarch_06272021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_PeoplesMarch_06272021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_PeoplesMarch_06272021-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_PeoplesMarch_06272021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_PeoplesMarch_06272021-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_PeoplesMarch_06272021-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_PeoplesMarch_06272021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kaylah Paige Williams raises her fist during the People’s March Rally in front of City Hall in San Francisco on June 27, 2021. “This is what Pride should be about, community coming together,” she said during a speech. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899480\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899480\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/031_SanFrancisco_PeoplesMarch_06272021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/031_SanFrancisco_PeoplesMarch_06272021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/031_SanFrancisco_PeoplesMarch_06272021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/031_SanFrancisco_PeoplesMarch_06272021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/031_SanFrancisco_PeoplesMarch_06272021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/031_SanFrancisco_PeoplesMarch_06272021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/031_SanFrancisco_PeoplesMarch_06272021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Juanita MORE! and Alex U. Inn speak during the People’s March and Rally in front of City Hall in San Francisco on June 27, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899481\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899481\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/028_SanFrancisco_PeoplesMarch_06272021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/028_SanFrancisco_PeoplesMarch_06272021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/028_SanFrancisco_PeoplesMarch_06272021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/028_SanFrancisco_PeoplesMarch_06272021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/028_SanFrancisco_PeoplesMarch_06272021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/028_SanFrancisco_PeoplesMarch_06272021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/028_SanFrancisco_PeoplesMarch_06272021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Demonstrators arrive at City Hall during the People’s March and Rally in San Francisco on June 27, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899513\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899513\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/030_SanFrancisco_T4TElRio_06252021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_T4TElRio_06252021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_T4TElRio_06252021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_T4TElRio_06252021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_T4TElRio_06252021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_T4TElRio_06252021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_T4TElRio_06252021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The One and Only Rexy performs during T4T, the official Trans March After Party, in San Francisco on June 25, 2021. “For us at Trans March, Pride is about liberation,” she said. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899503\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899503\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/022_SanFrancisco_T4TElRio_06252021-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/022_SanFrancisco_T4TElRio_06252021-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/022_SanFrancisco_T4TElRio_06252021-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/022_SanFrancisco_T4TElRio_06252021-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/022_SanFrancisco_T4TElRio_06252021-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/022_SanFrancisco_T4TElRio_06252021-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/022_SanFrancisco_T4TElRio_06252021-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mallery Jenna Robinson, organizer of Long Beach Trans Pride, dances during T4T, the official Trans March After Party, in San Francisco on June 25, 2021. Robinson drove from Los Angeles to attend the event. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899515\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899515\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/017_SanFrancisco_T4TElRio_06252021-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/017_SanFrancisco_T4TElRio_06252021-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/017_SanFrancisco_T4TElRio_06252021-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/017_SanFrancisco_T4TElRio_06252021-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/017_SanFrancisco_T4TElRio_06252021-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/017_SanFrancisco_T4TElRio_06252021-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/017_SanFrancisco_T4TElRio_06252021-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(From left) Just Shannon, the co-founder of the event T4T, talks with Clive Maxx backstage during the Official Trans March After Party at El Rio in San Francisco on June 25, 2021. “We don’t have events that are for trans people specifically. We are very open, and we want our allies and our friends and supporters and our lovers to come, but it’s the only party that fully centers trans folks,” Just Shannon said, speaking about the event. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899510\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899510\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/024_SanFrancisco_T4TElRio_06252021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/024_SanFrancisco_T4TElRio_06252021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/024_SanFrancisco_T4TElRio_06252021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/024_SanFrancisco_T4TElRio_06252021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/024_SanFrancisco_T4TElRio_06252021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/024_SanFrancisco_T4TElRio_06252021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/024_SanFrancisco_T4TElRio_06252021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Laine B and Teter hug during T4T, the Official Trans March After Party, at El Rio in San Francisco on June 25, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899518\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899518\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/030_Oakland_SkateforPride_06252021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_Oakland_SkateforPride_06252021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_Oakland_SkateforPride_06252021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_Oakland_SkateforPride_06252021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_Oakland_SkateforPride_06252021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_Oakland_SkateforPride_06252021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_Oakland_SkateforPride_06252021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Monique and Remy talk with friends during the event Skate for Pride, a part of Oakland Black Pride, at 7th West in Oakland on June 26, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899520\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899520\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/007_Oakland_SkateforPride_06262021-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/007_Oakland_SkateforPride_06262021-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/007_Oakland_SkateforPride_06262021-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/007_Oakland_SkateforPride_06262021-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/007_Oakland_SkateforPride_06262021-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/007_Oakland_SkateforPride_06262021-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/007_Oakland_SkateforPride_06262021-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">DJ Ninasol plays music during Skate for Pride, an Oakland Black Pride event, at 7th West on June 26, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899487\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899487\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/012_Oakland_SkateforPride_06262021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_Oakland_SkateforPride_06262021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_Oakland_SkateforPride_06262021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_Oakland_SkateforPride_06262021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_Oakland_SkateforPride_06262021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_Oakland_SkateforPride_06262021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_Oakland_SkateforPride_06262021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">James Cox, Advocacy Director for Oakland Black Pride, poses for a portrait with her rollerskates during a Skate for Pride party at 7th West in Oakland on June 26, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899509\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899509\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/008_Oakland_SkateforPride_06262021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/008_Oakland_SkateforPride_06262021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/008_Oakland_SkateforPride_06262021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/008_Oakland_SkateforPride_06262021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/008_Oakland_SkateforPride_06262021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/008_Oakland_SkateforPride_06262021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/008_Oakland_SkateforPride_06262021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">André greets attendees as they arrive for Skate for Pride at 7th West in Oakland on June 26, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899507\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899507\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/001_SanFrancisco_Oasis_06272021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/001_SanFrancisco_Oasis_06272021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/001_SanFrancisco_Oasis_06272021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/001_SanFrancisco_Oasis_06272021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/001_SanFrancisco_Oasis_06272021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/001_SanFrancisco_Oasis_06272021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/001_SanFrancisco_Oasis_06272021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">People dance during the drag show intermission during Princess at Oasis in San Francisco on June 26, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899489\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899489\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/013_SanFrancisco_OasisReopening_06262021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/013_SanFrancisco_OasisReopening_06262021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/013_SanFrancisco_OasisReopening_06262021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/013_SanFrancisco_OasisReopening_06262021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/013_SanFrancisco_OasisReopening_06262021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/013_SanFrancisco_OasisReopening_06262021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/013_SanFrancisco_OasisReopening_06262021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Militia Scunt sits on a throne during Princess, a disco dance party and drag show, at Oasis in San Francisco on June 26, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899490\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899490\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/018_SanFrancisco_OasisReopening_06262021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/018_SanFrancisco_OasisReopening_06262021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/018_SanFrancisco_OasisReopening_06262021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/018_SanFrancisco_OasisReopening_06262021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/018_SanFrancisco_OasisReopening_06262021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/018_SanFrancisco_OasisReopening_06262021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/018_SanFrancisco_OasisReopening_06262021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jota Mercury performs during Princess, a disco dance party and drag show, at Oasis in San Francisco on June 26, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899491\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899491\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/006_SanFrancisco_OasisReopening_06262021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_OasisReopening_06262021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_OasisReopening_06262021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_OasisReopening_06262021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_OasisReopening_06262021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_OasisReopening_06262021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_OasisReopening_06262021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">D’Arcy Drollinger, owner of Oasis nightclub, performs during Princess, a disco dance party and drag show, at Oasis in San Francisco on June 26, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "The absence of the official San Francisco Pride Parade made room for things to get weirder, more political and more D.I.Y.",
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"title": "PHOTOS: LGBTQ+ Pride Lights Up the Bay Area In All Its Rainbow Glory | KQED",
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"headline": "PHOTOS: LGBTQ+ Pride Lights Up the Bay Area In All Its Rainbow Glory",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This weekend, the absence of an official San Francisco Pride Parade made room for things to get a lot weirder, more political and more D.I.Y.\u003c/p>\n\u003cp>Instead of corporate-sponsored floats with rainbow advertisements, a People’s March organized by artists and activists took over the streets on Sunday, June 27, connecting the celebration back to its radical roots.\u003c/p>\n\u003cp>“Yes, this feels like my people, everyone is so beautiful,” Gia Loving, a community organizer with the Transgender Law Center, told the crowd. “[This feels like] 51 years ago when we were kicking the pigs out of the bar.”\u003c/p>\n\u003cp>She was referring to the Stonewall Riots in 1969, when New York’s gay and trans community rioted against abusive police officers who would routinely raid their safe spaces and arrest people based on gender presentation and sexuality. Loving reminded the audience that the fight isn’t over: State legislatures across the country have introduced over \u003ca href=\"https://www.pbs.org/newshour/show/pride-2021-has-set-a-record-in-anti-trans-bills-in-america\" target=\"_blank\" rel=\"noopener noreferrer\">100 bills to restrict trans rights\u003c/a> just this year alone.\u003c/p>\n\u003cp>“I want to be clear that there would be no Pride without trans youth,” she said before leading the demonstrators in a chant.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Other speakers focused on Pride as an antidote to the isolation and trauma Americans experienced over the last year-plus of the pandemic.\u003c/p>\n\u003cp>“Last year, there was a moment when I felt as though I was stuck. I couldn’t be on Facebook, I couldn’t be on social media, I couldn’t interact,” said renowned drag queen and activist Juanita MORE! “And then, recently, I felt as though I woke up again, and I knew that I was again creating space for me to grow. All of you being here today is so important because this is what the first Pride felt like. So I want to thank you all for being a part of the march and rally today, because your presence here today is proof that inclusiveness is happening.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>That spirit of inclusiveness was deeply felt throughout the weekend as different LGBTQ+ communities reunited, fully vaccinated and ready to hug, march, dance, flirt and celebrate in person. KQED’s Beth LaBerge was there to capture it all with her camera.\u003c/p>\n\u003cfigure id=\"attachment_13899476\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899476\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/012_SanFrancisco_PeoplesMarch_06272021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_SanFrancisco_PeoplesMarch_06272021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_SanFrancisco_PeoplesMarch_06272021-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_SanFrancisco_PeoplesMarch_06272021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_SanFrancisco_PeoplesMarch_06272021-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_SanFrancisco_PeoplesMarch_06272021-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_SanFrancisco_PeoplesMarch_06272021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">DJ Black plays music from a bus during the People’s March and Rally on Polk Street heading toward City Hall in San Francisco on June 27, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899477\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899477\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/006_SanFrancisco_PeoplesMarch_06272021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_PeoplesMarch_06272021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_PeoplesMarch_06272021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_PeoplesMarch_06272021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_PeoplesMarch_06272021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_PeoplesMarch_06272021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_PeoplesMarch_06272021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The People’s March and Rally depart from Polk and Sacramento Streets to City Hall in San Francisco on June 27, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899478\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899478\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/016_SanFrancisco_PeoplesMarch_06272021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/016_SanFrancisco_PeoplesMarch_06272021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/016_SanFrancisco_PeoplesMarch_06272021-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/016_SanFrancisco_PeoplesMarch_06272021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/016_SanFrancisco_PeoplesMarch_06272021-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/016_SanFrancisco_PeoplesMarch_06272021-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/016_SanFrancisco_PeoplesMarch_06272021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hundreds of marchers head down Polk Street towards City Hall during the People’s March and Rally in San Francisco on June 27, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899511\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899511\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/030_SanFrancisco_PeoplesMarch_06272021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_PeoplesMarch_06272021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_PeoplesMarch_06272021-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_PeoplesMarch_06272021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_PeoplesMarch_06272021-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_PeoplesMarch_06272021-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_PeoplesMarch_06272021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kaylah Paige Williams raises her fist during the People’s March Rally in front of City Hall in San Francisco on June 27, 2021. “This is what Pride should be about, community coming together,” she said during a speech. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899480\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899480\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/031_SanFrancisco_PeoplesMarch_06272021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/031_SanFrancisco_PeoplesMarch_06272021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/031_SanFrancisco_PeoplesMarch_06272021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/031_SanFrancisco_PeoplesMarch_06272021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/031_SanFrancisco_PeoplesMarch_06272021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/031_SanFrancisco_PeoplesMarch_06272021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/031_SanFrancisco_PeoplesMarch_06272021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Juanita MORE! and Alex U. Inn speak during the People’s March and Rally in front of City Hall in San Francisco on June 27, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899481\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899481\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/028_SanFrancisco_PeoplesMarch_06272021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/028_SanFrancisco_PeoplesMarch_06272021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/028_SanFrancisco_PeoplesMarch_06272021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/028_SanFrancisco_PeoplesMarch_06272021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/028_SanFrancisco_PeoplesMarch_06272021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/028_SanFrancisco_PeoplesMarch_06272021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/028_SanFrancisco_PeoplesMarch_06272021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Demonstrators arrive at City Hall during the People’s March and Rally in San Francisco on June 27, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899513\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899513\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/030_SanFrancisco_T4TElRio_06252021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_T4TElRio_06252021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_T4TElRio_06252021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_T4TElRio_06252021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_T4TElRio_06252021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_T4TElRio_06252021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_SanFrancisco_T4TElRio_06252021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The One and Only Rexy performs during T4T, the official Trans March After Party, in San Francisco on June 25, 2021. “For us at Trans March, Pride is about liberation,” she said. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899503\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899503\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/022_SanFrancisco_T4TElRio_06252021-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/022_SanFrancisco_T4TElRio_06252021-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/022_SanFrancisco_T4TElRio_06252021-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/022_SanFrancisco_T4TElRio_06252021-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/022_SanFrancisco_T4TElRio_06252021-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/022_SanFrancisco_T4TElRio_06252021-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/022_SanFrancisco_T4TElRio_06252021-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mallery Jenna Robinson, organizer of Long Beach Trans Pride, dances during T4T, the official Trans March After Party, in San Francisco on June 25, 2021. Robinson drove from Los Angeles to attend the event. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899515\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899515\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/017_SanFrancisco_T4TElRio_06252021-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/017_SanFrancisco_T4TElRio_06252021-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/017_SanFrancisco_T4TElRio_06252021-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/017_SanFrancisco_T4TElRio_06252021-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/017_SanFrancisco_T4TElRio_06252021-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/017_SanFrancisco_T4TElRio_06252021-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/017_SanFrancisco_T4TElRio_06252021-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(From left) Just Shannon, the co-founder of the event T4T, talks with Clive Maxx backstage during the Official Trans March After Party at El Rio in San Francisco on June 25, 2021. “We don’t have events that are for trans people specifically. We are very open, and we want our allies and our friends and supporters and our lovers to come, but it’s the only party that fully centers trans folks,” Just Shannon said, speaking about the event. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899510\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899510\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/024_SanFrancisco_T4TElRio_06252021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/024_SanFrancisco_T4TElRio_06252021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/024_SanFrancisco_T4TElRio_06252021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/024_SanFrancisco_T4TElRio_06252021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/024_SanFrancisco_T4TElRio_06252021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/024_SanFrancisco_T4TElRio_06252021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/024_SanFrancisco_T4TElRio_06252021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Laine B and Teter hug during T4T, the Official Trans March After Party, at El Rio in San Francisco on June 25, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899518\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899518\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/030_Oakland_SkateforPride_06252021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_Oakland_SkateforPride_06252021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_Oakland_SkateforPride_06252021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_Oakland_SkateforPride_06252021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_Oakland_SkateforPride_06252021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_Oakland_SkateforPride_06252021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/030_Oakland_SkateforPride_06252021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Monique and Remy talk with friends during the event Skate for Pride, a part of Oakland Black Pride, at 7th West in Oakland on June 26, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899520\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899520\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/007_Oakland_SkateforPride_06262021-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/007_Oakland_SkateforPride_06262021-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/007_Oakland_SkateforPride_06262021-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/007_Oakland_SkateforPride_06262021-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/007_Oakland_SkateforPride_06262021-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/007_Oakland_SkateforPride_06262021-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/007_Oakland_SkateforPride_06262021-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">DJ Ninasol plays music during Skate for Pride, an Oakland Black Pride event, at 7th West on June 26, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899487\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899487\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/012_Oakland_SkateforPride_06262021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_Oakland_SkateforPride_06262021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_Oakland_SkateforPride_06262021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_Oakland_SkateforPride_06262021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_Oakland_SkateforPride_06262021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_Oakland_SkateforPride_06262021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/012_Oakland_SkateforPride_06262021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">James Cox, Advocacy Director for Oakland Black Pride, poses for a portrait with her rollerskates during a Skate for Pride party at 7th West in Oakland on June 26, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899509\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899509\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/008_Oakland_SkateforPride_06262021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/008_Oakland_SkateforPride_06262021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/008_Oakland_SkateforPride_06262021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/008_Oakland_SkateforPride_06262021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/008_Oakland_SkateforPride_06262021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/008_Oakland_SkateforPride_06262021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/008_Oakland_SkateforPride_06262021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">André greets attendees as they arrive for Skate for Pride at 7th West in Oakland on June 26, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899507\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899507\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/001_SanFrancisco_Oasis_06272021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/001_SanFrancisco_Oasis_06272021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/001_SanFrancisco_Oasis_06272021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/001_SanFrancisco_Oasis_06272021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/001_SanFrancisco_Oasis_06272021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/001_SanFrancisco_Oasis_06272021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/001_SanFrancisco_Oasis_06272021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">People dance during the drag show intermission during Princess at Oasis in San Francisco on June 26, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899489\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899489\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/013_SanFrancisco_OasisReopening_06262021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/013_SanFrancisco_OasisReopening_06262021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/013_SanFrancisco_OasisReopening_06262021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/013_SanFrancisco_OasisReopening_06262021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/013_SanFrancisco_OasisReopening_06262021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/013_SanFrancisco_OasisReopening_06262021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/013_SanFrancisco_OasisReopening_06262021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Militia Scunt sits on a throne during Princess, a disco dance party and drag show, at Oasis in San Francisco on June 26, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899490\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899490\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/018_SanFrancisco_OasisReopening_06262021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/018_SanFrancisco_OasisReopening_06262021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/018_SanFrancisco_OasisReopening_06262021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/018_SanFrancisco_OasisReopening_06262021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/018_SanFrancisco_OasisReopening_06262021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/018_SanFrancisco_OasisReopening_06262021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/018_SanFrancisco_OasisReopening_06262021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jota Mercury performs during Princess, a disco dance party and drag show, at Oasis in San Francisco on June 26, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13899491\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899491\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/006_SanFrancisco_OasisReopening_06262021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_OasisReopening_06262021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_OasisReopening_06262021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_OasisReopening_06262021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_OasisReopening_06262021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_OasisReopening_06262021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/006_SanFrancisco_OasisReopening_06262021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">D’Arcy Drollinger, owner of Oasis nightclub, performs during Princess, a disco dance party and drag show, at Oasis in San Francisco on June 26, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"title": "Armed with Ink, 1960s Activists 'Struck Back' Against Homophobic Media",
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"content": "\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> This article is part of KQED Arts’ story series \u003ca href=\"https://www.kqed.org/arts/program/pride-as-protest\" target=\"_blank\" rel=\"noopener\">Pride as Protest\u003c/a>, which chronicles the past and present of LGBTQ+ activism in honor of the 50th anniversary of the Stonewall riots. Learn more about the series \u003ca href=\"https://www.kqed.org/arts/13858609/welcome-to-pride-as-protest-a-new-kqed-arts-story-series\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>The day that came to be known as “Friday of the Purple Hand” ended in 15 arrests, a broken rib, one set of knocked-out teeth and purple handprints scattered across the \u003ci>San Francisco Examiner\u003c/i>’s exterior walls. [aside postid='arts_13858167']\u003c/p>\n\u003cp>Four months after the infamous Stonewall riots in New York City, the Bay Area’s more radical LGBTQ+ organizations of 1969 refused to passively accept negative depictions of their community in the local news. So on Oct. 25, when the \u003ci>Examiner\u003c/i> published an article by reporter Robert Patterson under the headline “The Dreary Revels of S.F. ‘Gay’ Clubs,” the newspaper unknowingly issued a powerful call to arms—to the very people it had derided.\u003c/p>\n\u003cp>The events of that day show that the battleground for the burgeoning gay liberation movement wasn’t just on the streets or in the bars—where LGBTQ+ people demanded the right to live openly and unmolested by police—but within the pages of America’s newspapers and magazines. There, mainstream media’s dismissive adjectives, ironic scare quotes and defamatory headlines had the power to shape public opinion of an increasingly vocal and visible minority group.\u003c/p>\n\u003cp>And they definitely weren’t expecting a coalition of gay liberation groups to strike back.\u003c/p>\n\u003cfigure id=\"attachment_13859581\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859581\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/ExaminerHED_1200.jpg\" alt=\"The headline of Robert Patterson's Oct. 25, 1969 article about gay breakfast clubs in the 'San Francisco Examiner.'\" width=\"1200\" height=\"458\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ExaminerHED_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ExaminerHED_1200-160x61.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ExaminerHED_1200-800x305.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ExaminerHED_1200-768x293.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ExaminerHED_1200-1020x389.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">The headline of Robert Patterson’s Oct. 25, 1969 article about gay breakfast clubs in the ‘San Francisco Examiner.’ \u003ccite>(Courtesy of the SF Examiner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>A community mobilizes\u003c/h2>\n\u003cp>By today’s standards, Patterson’s article, ostensibly about after-hours “‘gay’ breakfast clubs” (note the scare quotes around the word “gay”), reads like a hit piece.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He described the clientele of these so-called “deviate establishments” in as many grossly homophobic ways as possible, all well beyond the pale: “semi-males with flexible wrists and hips,” “the pseudo fair sex,” and “women who aren’t exactly women.” (In a testament to Patterson’s ‘credibility,’ he was fired by the \u003ci>Examiner\u003c/i> in 1972 for a series of stories he wrote about visiting China; the paper concluded he had not actually visited the country.) [aside postid='arts_13857994']\u003c/p>\n\u003cp>The community he described was outraged. “\u003cem>The San Francisco Examiner\u003c/em> has surpassed its traditional standard of tastelessness and its predictable appeal for redneck hysteria,” the newly formed gay liberation group, the Committee for Homosexual Freedom (CHF) wrote in a \u003ci>Berkeley Barb\u003c/i> response piece. “The entire gay community and all those actively working for true liberation must mobilize to confront the brutal suppression of freedom that the \u003cem>Examiner\u003c/em> consistently exemplifies and encourages.” \u003c/p>\n\u003cp>A date was set after several attempts to engage with the paper’s editor and Patterson directly: a large-scale protest would take place on Oct. 31, starting at 12pm on the sidewalk outside the \u003ci>Examiner\u003c/i>’s Fifth Street building.\u003c/p>\n\u003cp>The “melee,” as the \u003ci>Examiner\u003c/i> described it the next day, started when two unknown persons (widely thought to be newspaper employees) dropped bags of purple printer’s ink from the building rooftop onto the peaceful picketers below. “Indignation turned to anger,” one of the protesters later wrote in \u003ci>The San Francisco Free Press\u003c/i>. “Feet stepped in the ink. It appeared all around the sidewalks. One or two hands dipped into the ink and a new symbol was born.”\u003c/p>\n\u003cp>https://www.instagram.com/p/BD0yb3bsM1k/\u003c/p>\n\u003cp>The police initially apprehended just one demonstrator, the first one to put his inky hand on the building walls, but as others protested his arrest, the “Tac Squad” (sardonically described as “close by and ever on the ready”) moved in, raising their batons and declaring the picket line an illegal assembly.\u003c/p>\n\u003cp>In the ensuing “fracas” (another great 1969 word), a dozen protesters were arrested for disorderly conduct and thrown in the paddy wagon—several on felony charges that were eventually dropped (except for one instance of allegedly biting a police officer). Other protesters took the issue to City Hall, where an additional three were arrested for trespassing, unlawful assembly and remaining at the site of a riot (essentially, staying in the building past closing time). [aside postid='arts_13859408']\u003c/p>\n\u003cp>Unsurprisingly, the SFPD’s heavy-handed response—and the ensuing cases against the arrested protesters—galvanized not just the members of more radical LGBTQ+ groups, but the old guard they initially sought to distance themselves from, creating a network of support that would propel the Bay Area’s gay liberation movement in the years to come.\u003c/p>\n\u003cp>Marc Robert Stein, professor of history at San Francisco State University and editor of \u003ci>\u003ca href=\"https://nyupress.org/9781479816859/the-stonewall-riots/\" target=\"_blank\" rel=\"noopener\">The Stonewall Riots: A Documentary History\u003c/a>\u003c/i>, thinks the timing of Patterson’s article wasn’t coincidental, and reflected the era’s homophobic attitudes to burgeoning gay organizing. “October was the month when mainstream magazines first covered Stonewall,” he says. “The movement is really growing. And it’s at that moment that there’s this incredibly hostile story.”\u003c/p>\n\u003cfigure id=\"attachment_13859586\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859586\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/BarbCOMBO_1200.jpg\" alt=\"Back-to-back issues of the 'Berkeley Barb' on March 28 and April 4, 1969, featuring Leo Laurence and Gale Whittington.\" width=\"1200\" height=\"913\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/BarbCOMBO_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/BarbCOMBO_1200-160x122.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/BarbCOMBO_1200-800x609.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/BarbCOMBO_1200-768x584.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/BarbCOMBO_1200-1020x776.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Back-to-back issues of the ‘Berkeley Barb’ on March 28 and April 4, 1969, featuring Leo Laurence and Gale Whittington. \u003ccite>(Courtesy of Independent Voices)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Join the gay revolution\u003c/h2>\n\u003cp>Before the events of the Purple Hand and before the creation of the CHF, the largest gay organization in San Francisco was the Society for Individual Rights (S.I.R.), a homophile society (to use the language of the time) founded in 1964.\u003c/p>\n\u003cp>As the women’s rights, anti-war and Black power movements swept the country, some younger members of the LGBTQ+ community considered S.I.R. to be too conservative. In an April 1969 editorial, Leo Laurence, editor of \u003ci>Vector\u003c/i>, S.I.R.’s monthly magazine, broke ranks with the mostly white, middle-class and nonconfrontational members of S.I.R., calling them “timid, uptight, conservative, and afraid to act for the good of the whole homosexual community.”\u003c/p>\n\u003cp>The time had come, Laurence argued, for everyone to come out to their friends, family and employers, and to be proud of their sexuality. They should be joining forces with other social causes, like the Black Panthers and local unions, and standing up for everyone’s rights. [aside postid='arts_13859162']\u003c/p>\n\u003cp>To illustrate his idea of LGBTQ+ freedom in a subsequent \u003ci>Berkeley Barb\u003c/i> interview, Laurence supplied the alt weekly with a picture of two men smiling: Laurence with his arms around his friend Gale Whittington. In no short order, S.I.R. asked Laurence to resign, and Whittington was fired from his job at the States Steamship Company.\u003c/p>\n\u003cp>The CHF, co-founded by Laurence, Whittington and a few others, was a direct reaction to this double rejection from both “straight” society and the existing gay establishment. And with this effort, they would be all about coalition-building.\u003c/p>\n\u003cfigure id=\"attachment_13859592\" class=\"wp-caption aligncenter\" style=\"max-width: 1020px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859592\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/GaysRisingUp.jpg\" alt=\"Headline from an article by Leo Laurence in the Nov. 7 issue of the 'Berkeley Tribe.'\" width=\"1020\" height=\"433\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/GaysRisingUp.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/GaysRisingUp-160x68.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/GaysRisingUp-800x340.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/GaysRisingUp-768x326.jpg 768w\" sizes=\"(max-width: 1020px) 100vw, 1020px\">\u003cfigcaption class=\"wp-caption-text\">Headline from an article by Leo Laurence in the Nov. 7 issue of the ‘Berkeley Tribe.’ \u003ccite>(Courtesy of Independent Voices)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Purple Hand events were co-organized by at least three like-minded groups, including Gay Guerrilla Theater and the Gay Liberation Front. But despite the fracture between Laurence and S.I.R. that precipitated the creation of the CHF months earlier, the old-guard emerged as surprising supporters of the younger demonstrators as well.\u003c/p>\n\u003cp>In a Nov. 7 \u003ci>Berkeley Tribe\u003c/i> piece reflecting on the demonstration and its aftermath, Laurence writes, “I was scared and felt alone in jail, until I learned of the help mobilized ‘outside.’” The Red Mountain Tribe gathered bail money, S.I.R.’s president saved Laurence’s camera film before he was thrown in the paddy wagon, Del Martin (co-founder in 1955 of the lesbian group Daughters of Bilitis) helped CHF find lawyers, writing several sympathetic articles for \u003ci>Vector\u003c/i> in the months to come.\u003c/p>\n\u003cp>“When Gale Whittington and I founded the CHF last spring, we dreamed of a nationwide movement,” Laurence writes in the \u003ci>Tribe\u003c/i>. “It’s no longer a fantasy.”\u003c/p>\n\u003ch2>After the Purple Hand\u003c/h2>\n\u003cp>Protests against mainstream media’s depictions of the LGBTQ+ community would continue for years to come. The Purple Hand events, Stein says, are just one example of protests across the country against newspapers and magazines in ’69 and ’70, along with a second wave of protests against television stations and individual shows in ’73. [aside postid='arts_13858290']\u003c/p>\n\u003cp>\u003ca href=\"http://www.avicollimecca.com/\" rel=\"noopener\" target=\"_blank\">Tommi Avicolli Mecca\u003c/a>, who joined the Gay Liberation Front in Philadelphia when he was a 19-year-old student at Temple University, remembers those times well. “Back in the ’70s especially pretty much any time they did a feature on the community it would be very negative,” he remembers. The GLF would picket or actually enter the newspaper offices, confronting editors and writers of the specific stories.\u003c/p>\n\u003cp>Through a combination of direct action, face-to-face conversations and larger shifts in society, Mecca says, things gradually changed, fulfilling in many ways Laurence’s early 1969 call-to-arms.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“I think one of the greatest things we did as a community was to come out of the closet,” Mecca says. “By being visible, we broke all the stereotypes. We forced people to engage with us, we forced our families to deal with us, we forced people to see we were just like them.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> This article is part of KQED Arts’ story series \u003ca href=\"https://www.kqed.org/arts/program/pride-as-protest\" target=\"_blank\" rel=\"noopener\">Pride as Protest\u003c/a>, which chronicles the past and present of LGBTQ+ activism in honor of the 50th anniversary of the Stonewall riots. Learn more about the series \u003ca href=\"https://www.kqed.org/arts/13858609/welcome-to-pride-as-protest-a-new-kqed-arts-story-series\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>The day that came to be known as “Friday of the Purple Hand” ended in 15 arrests, a broken rib, one set of knocked-out teeth and purple handprints scattered across the \u003ci>San Francisco Examiner\u003c/i>’s exterior walls. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Four months after the infamous Stonewall riots in New York City, the Bay Area’s more radical LGBTQ+ organizations of 1969 refused to passively accept negative depictions of their community in the local news. So on Oct. 25, when the \u003ci>Examiner\u003c/i> published an article by reporter Robert Patterson under the headline “The Dreary Revels of S.F. ‘Gay’ Clubs,” the newspaper unknowingly issued a powerful call to arms—to the very people it had derided.\u003c/p>\n\u003cp>The events of that day show that the battleground for the burgeoning gay liberation movement wasn’t just on the streets or in the bars—where LGBTQ+ people demanded the right to live openly and unmolested by police—but within the pages of America’s newspapers and magazines. There, mainstream media’s dismissive adjectives, ironic scare quotes and defamatory headlines had the power to shape public opinion of an increasingly vocal and visible minority group.\u003c/p>\n\u003cp>And they definitely weren’t expecting a coalition of gay liberation groups to strike back.\u003c/p>\n\u003cfigure id=\"attachment_13859581\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859581\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/ExaminerHED_1200.jpg\" alt=\"The headline of Robert Patterson's Oct. 25, 1969 article about gay breakfast clubs in the 'San Francisco Examiner.'\" width=\"1200\" height=\"458\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ExaminerHED_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ExaminerHED_1200-160x61.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ExaminerHED_1200-800x305.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ExaminerHED_1200-768x293.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ExaminerHED_1200-1020x389.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">The headline of Robert Patterson’s Oct. 25, 1969 article about gay breakfast clubs in the ‘San Francisco Examiner.’ \u003ccite>(Courtesy of the SF Examiner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>A community mobilizes\u003c/h2>\n\u003cp>By today’s standards, Patterson’s article, ostensibly about after-hours “‘gay’ breakfast clubs” (note the scare quotes around the word “gay”), reads like a hit piece.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He described the clientele of these so-called “deviate establishments” in as many grossly homophobic ways as possible, all well beyond the pale: “semi-males with flexible wrists and hips,” “the pseudo fair sex,” and “women who aren’t exactly women.” (In a testament to Patterson’s ‘credibility,’ he was fired by the \u003ci>Examiner\u003c/i> in 1972 for a series of stories he wrote about visiting China; the paper concluded he had not actually visited the country.) \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The community he described was outraged. “\u003cem>The San Francisco Examiner\u003c/em> has surpassed its traditional standard of tastelessness and its predictable appeal for redneck hysteria,” the newly formed gay liberation group, the Committee for Homosexual Freedom (CHF) wrote in a \u003ci>Berkeley Barb\u003c/i> response piece. “The entire gay community and all those actively working for true liberation must mobilize to confront the brutal suppression of freedom that the \u003cem>Examiner\u003c/em> consistently exemplifies and encourages.” \u003c/p>\n\u003cp>A date was set after several attempts to engage with the paper’s editor and Patterson directly: a large-scale protest would take place on Oct. 31, starting at 12pm on the sidewalk outside the \u003ci>Examiner\u003c/i>’s Fifth Street building.\u003c/p>\n\u003cp>The “melee,” as the \u003ci>Examiner\u003c/i> described it the next day, started when two unknown persons (widely thought to be newspaper employees) dropped bags of purple printer’s ink from the building rooftop onto the peaceful picketers below. “Indignation turned to anger,” one of the protesters later wrote in \u003ci>The San Francisco Free Press\u003c/i>. “Feet stepped in the ink. It appeared all around the sidewalks. One or two hands dipped into the ink and a new symbol was born.”\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The police initially apprehended just one demonstrator, the first one to put his inky hand on the building walls, but as others protested his arrest, the “Tac Squad” (sardonically described as “close by and ever on the ready”) moved in, raising their batons and declaring the picket line an illegal assembly.\u003c/p>\n\u003cp>In the ensuing “fracas” (another great 1969 word), a dozen protesters were arrested for disorderly conduct and thrown in the paddy wagon—several on felony charges that were eventually dropped (except for one instance of allegedly biting a police officer). Other protesters took the issue to City Hall, where an additional three were arrested for trespassing, unlawful assembly and remaining at the site of a riot (essentially, staying in the building past closing time). \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Unsurprisingly, the SFPD’s heavy-handed response—and the ensuing cases against the arrested protesters—galvanized not just the members of more radical LGBTQ+ groups, but the old guard they initially sought to distance themselves from, creating a network of support that would propel the Bay Area’s gay liberation movement in the years to come.\u003c/p>\n\u003cp>Marc Robert Stein, professor of history at San Francisco State University and editor of \u003ci>\u003ca href=\"https://nyupress.org/9781479816859/the-stonewall-riots/\" target=\"_blank\" rel=\"noopener\">The Stonewall Riots: A Documentary History\u003c/a>\u003c/i>, thinks the timing of Patterson’s article wasn’t coincidental, and reflected the era’s homophobic attitudes to burgeoning gay organizing. “October was the month when mainstream magazines first covered Stonewall,” he says. “The movement is really growing. And it’s at that moment that there’s this incredibly hostile story.”\u003c/p>\n\u003cfigure id=\"attachment_13859586\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859586\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/BarbCOMBO_1200.jpg\" alt=\"Back-to-back issues of the 'Berkeley Barb' on March 28 and April 4, 1969, featuring Leo Laurence and Gale Whittington.\" width=\"1200\" height=\"913\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/BarbCOMBO_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/BarbCOMBO_1200-160x122.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/BarbCOMBO_1200-800x609.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/BarbCOMBO_1200-768x584.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/BarbCOMBO_1200-1020x776.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Back-to-back issues of the ‘Berkeley Barb’ on March 28 and April 4, 1969, featuring Leo Laurence and Gale Whittington. \u003ccite>(Courtesy of Independent Voices)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Join the gay revolution\u003c/h2>\n\u003cp>Before the events of the Purple Hand and before the creation of the CHF, the largest gay organization in San Francisco was the Society for Individual Rights (S.I.R.), a homophile society (to use the language of the time) founded in 1964.\u003c/p>\n\u003cp>As the women’s rights, anti-war and Black power movements swept the country, some younger members of the LGBTQ+ community considered S.I.R. to be too conservative. In an April 1969 editorial, Leo Laurence, editor of \u003ci>Vector\u003c/i>, S.I.R.’s monthly magazine, broke ranks with the mostly white, middle-class and nonconfrontational members of S.I.R., calling them “timid, uptight, conservative, and afraid to act for the good of the whole homosexual community.”\u003c/p>\n\u003cp>The time had come, Laurence argued, for everyone to come out to their friends, family and employers, and to be proud of their sexuality. They should be joining forces with other social causes, like the Black Panthers and local unions, and standing up for everyone’s rights. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>To illustrate his idea of LGBTQ+ freedom in a subsequent \u003ci>Berkeley Barb\u003c/i> interview, Laurence supplied the alt weekly with a picture of two men smiling: Laurence with his arms around his friend Gale Whittington. In no short order, S.I.R. asked Laurence to resign, and Whittington was fired from his job at the States Steamship Company.\u003c/p>\n\u003cp>The CHF, co-founded by Laurence, Whittington and a few others, was a direct reaction to this double rejection from both “straight” society and the existing gay establishment. And with this effort, they would be all about coalition-building.\u003c/p>\n\u003cfigure id=\"attachment_13859592\" class=\"wp-caption aligncenter\" style=\"max-width: 1020px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859592\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/GaysRisingUp.jpg\" alt=\"Headline from an article by Leo Laurence in the Nov. 7 issue of the 'Berkeley Tribe.'\" width=\"1020\" height=\"433\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/GaysRisingUp.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/GaysRisingUp-160x68.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/GaysRisingUp-800x340.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/GaysRisingUp-768x326.jpg 768w\" sizes=\"(max-width: 1020px) 100vw, 1020px\">\u003cfigcaption class=\"wp-caption-text\">Headline from an article by Leo Laurence in the Nov. 7 issue of the ‘Berkeley Tribe.’ \u003ccite>(Courtesy of Independent Voices)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Purple Hand events were co-organized by at least three like-minded groups, including Gay Guerrilla Theater and the Gay Liberation Front. But despite the fracture between Laurence and S.I.R. that precipitated the creation of the CHF months earlier, the old-guard emerged as surprising supporters of the younger demonstrators as well.\u003c/p>\n\u003cp>In a Nov. 7 \u003ci>Berkeley Tribe\u003c/i> piece reflecting on the demonstration and its aftermath, Laurence writes, “I was scared and felt alone in jail, until I learned of the help mobilized ‘outside.’” The Red Mountain Tribe gathered bail money, S.I.R.’s president saved Laurence’s camera film before he was thrown in the paddy wagon, Del Martin (co-founder in 1955 of the lesbian group Daughters of Bilitis) helped CHF find lawyers, writing several sympathetic articles for \u003ci>Vector\u003c/i> in the months to come.\u003c/p>\n\u003cp>“When Gale Whittington and I founded the CHF last spring, we dreamed of a nationwide movement,” Laurence writes in the \u003ci>Tribe\u003c/i>. “It’s no longer a fantasy.”\u003c/p>\n\u003ch2>After the Purple Hand\u003c/h2>\n\u003cp>Protests against mainstream media’s depictions of the LGBTQ+ community would continue for years to come. The Purple Hand events, Stein says, are just one example of protests across the country against newspapers and magazines in ’69 and ’70, along with a second wave of protests against television stations and individual shows in ’73. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.avicollimecca.com/\" rel=\"noopener\" target=\"_blank\">Tommi Avicolli Mecca\u003c/a>, who joined the Gay Liberation Front in Philadelphia when he was a 19-year-old student at Temple University, remembers those times well. “Back in the ’70s especially pretty much any time they did a feature on the community it would be very negative,” he remembers. The GLF would picket or actually enter the newspaper offices, confronting editors and writers of the specific stories.\u003c/p>\n\u003cp>Through a combination of direct action, face-to-face conversations and larger shifts in society, Mecca says, things gradually changed, fulfilling in many ways Laurence’s early 1969 call-to-arms.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I think one of the greatest things we did as a community was to come out of the closet,” Mecca says. “By being visible, we broke all the stereotypes. We forced people to engage with us, we forced our families to deal with us, we forced people to see we were just like them.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "DragTivism Teaches LGBTQ+ History and Empowerment with Rhinestones and False Lashes",
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"content": "\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> This article is part of KQED Arts’ story series \u003ca href=\"https://www.kqed.org/arts/program/pride-as-protest\" target=\"_blank\" rel=\"noopener\">Pride as Protest\u003c/a>, which chronicles the past and present of LGBTQ+ activism in honor of the 50th anniversary of the Stonewall riots. Learn more about the series \u003ca href=\"https://www.kqed.org/arts/13858609/welcome-to-pride-as-protest-a-new-kqed-arts-story-series\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Thanks to the show \u003cem>RuPaul’s Drag Race \u003c/em>and its accompanying DragCon beauty conference, the art of drag is now a multi-million-dollar industry with straight and LGBTQ+ consumers alike. [aside postid='arts_13858877']\u003c/p>\n\u003cp>But before drag culture crossed over into the mainstream, it was a source of survival for queer and trans youth whose families rejected them for expressing themselves. Since at least the ’60s, drag houses functioned as chosen families that kept young people off the streets.\u003c/p>\n\u003cp>That legacy is what \u003ca href=\"https://www.facebook.com/TheRexyProject/\" target=\"_blank\" rel=\"noopener\">The One and Only Rexy\u003c/a> and \u003ca href=\"https://www.instagram.com/thegracetowers/?hl=en\" target=\"_blank\" rel=\"noopener\">Grace Towers\u003c/a> decided to channel when they teamed up to create DragTivism, a mentorship program for LGBTQ+ youth that uses drag makeup as an art therapy tool, building community through carefully applied rhinestones, false lashes and contouring.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[pullquote size='large' align='right' citation='The One and Only Rexy']\u003c/span>“Eventually for me, my drag turned into my source of power.”[/pullquote]\u003c/p>\n\u003cp>The first DragTivism event took place last year during Pride Month at the \u003ca href=\"https://www.sfcenter.org\" target=\"_blank\" rel=\"noopener\">San Francisco LGBT Center\u003c/a>, when about a dozen young people in their late teens and early 20s came for a weekend of food, performances and workshops. Some of the youth were housing-insecure; others had supportive families but were still figuring out their identity labels and transitions.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“At some point, drag is cheaper than therapy,” says Towers. “What we leave on the stage is the processing of emotional, mental and just,” she sighs, “life.”\u003c/p>\n\u003cp>For many of last year’s attendees, DragTivism was also an entry point into the SF LGBT Center, which offers a variety of social services, including \u003ca href=\"https://www.sfcenter.org/program/employment_services/\" target=\"_blank\" rel=\"noopener\">an employment program\u003c/a>, \u003ca href=\"https://www.sfcenter.org/program/housing-financial/\" target=\"_blank\" rel=\"noopener\">financial literacy training\u003c/a> and an \u003ca href=\"https://www.sfcenter.org/program/housing-financial/\" target=\"_blank\" rel=\"noopener\">affordable housing clinic\u003c/a> for renters. [aside postid='arts_13859162']\u003c/p>\n\u003cp>The next DragTivism is in the works for \u003ca href=\"https://oaklandpride.org/parade-festival/\" target=\"_blank\" rel=\"noopener\">Oakland Pride\u003c/a> in early September. Last year, the mentees worked one-on-one with professional drag performers, such as award-winning San Francisco performance artist and storyteller \u003ca href=\"https://www.julianadlopera.com\" target=\"_blank\" rel=\"noopener\">Juliana Delgado Lopera\u003c/a>. She and the other mentors taught participating youth about character development and building a performance. Most importantly, they encouraged them to find their unique forms of self-expression in a supportive and inclusive environment.\u003c/p>\n\u003cp>“That’s where we saw a lot of our youth really start to flourish,” says The One and Only Rexy, a.k.a. Rexy Tapia, who also began to blossom after performing in drag for the first time.\u003c/p>\n\u003cfigure id=\"attachment_13859472\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13859472\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/dragtivism-2-800x450.jpg\" alt=\"DragTivism is a mentorship program for LGBTQ+ youth that uses makeup as an art therapy tool.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/dragtivism-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/dragtivism-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/dragtivism-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/dragtivism-2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/dragtivism-2-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/dragtivism-2.jpg 1332w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">DragTivism is a mentorship program for LGBTQ+ youth that uses makeup as an art therapy tool. \u003ccite>(Courtesy of DragTivism)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Her debut came at an assembly, when she was only in middle school. Feeling seen for the first time, she came out as queer the same day. That whirlwind formative experience emboldened Tapia to become one of Mission High School’s fiercest student activists in the years that followed. By junior year, she became president of the school’s GSA Network and designed an LGBTQ+ history curriculum (in her free time, during spring break!) that’s now being taught at several San Francisco public schools.\u003c/p>\n\u003cp>During this period of honing her skills as an artist and leader, Tapia noticed herself wearing drag more and more, and that she felt her best presenting as a woman. After graduating in 2015, she came out as trans. [aside postid='arts_13858290']\u003c/p>\n\u003cp>“Doing drag gave me the ability to express myself and find myself when I didn’t have any other way of doing so,” reflects Tapia, whose drag looks are high-femme and all about showing leg. “That’s really I hope what youths find in drag. Eventually for me, my drag turned into my source of power.”\u003c/p>\n\u003cp>The idea for DragTivism came in 2018 when Tapia met Towers, one of her drag idols. Towers, a bold performer who often rocks dramatic eye makeup, chest hair and a beard, is a member of \u003ca href=\"https://www.queensofthecastro.com/grace-towers-scholarship-for-the-arts\" target=\"_blank\" rel=\"noopener\">Queens of the Castro\u003c/a>, a nonprofit that gives scholarships to LGBTQ+ youth. Her and Tapia’s backgrounds in education are a big reason why mentorship is such an important aspect of the event.\u003c/p>\n\u003cp>https://www.instagram.com/p/BxO4LIEHsZM/?utm_source=ig_web_copy_link\u003c/p>\n\u003cp>“Having a queer mentor of some sort is something that I wish I would have had when I was going through my troubled youth,” says Towers. “It’s been really beautiful to see mentorship on both ends, not just what we’re curating for the youth to come and partake in, but me and Rexy are actively engaged in this mentorship dynamic.”\u003c/p>\n\u003cp>Tapia says that not all drag spaces are trans-friendly—as evinced by RuPaul’s \u003ca href=\"https://www.vox.com/culture/2018/3/6/17085244/rupaul-trans-women-drag-queens-interview-controversy\" target=\"_blank\" rel=\"noopener\">controversial 2018 comments\u003c/a> suggesting that he wouldn’t allow a transitioning trans woman to compete on \u003cem>Drag Race \u003c/em>(though that changed this year with trans performer Gia Gunn’s inclusion). That’s why Tapia and Towers take care to ensure that DragTivism is welcoming to all the identities under the LGBTQ+ umbrella—including those who are gender-nonconforming or have a performance style that doesn’t fit the pageant-ready drag queen mold.\u003c/p>\n\u003cp>“We’re starting to be at a point in the drag scene where drag is not political anymore, or in many spaces it’s even more hostile to trans people and anyone who’s not a cis, gay man,” says Tapia. “That’s another reason why it’s important for me as a trans woman, as a woman, as a person of color, to continue creating this ability for youth.”\u003c/p>\n\u003cp>https://www.instagram.com/p/BxQggqMh-8A/?utm_source=ig_web_copy_link\u003c/p>\n\u003cp>Tapia says drag taught her about the history of LGBTQ+ activism. She learned that drag queens and trans women were key agitators in the Compton’s Cafeteria riot in San Francisco and the Stonewall uprising in New York City, two instances in the 1960s when the LGBTQ+ community rioted against police brutality and sparked the modern-day gay rights movement.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[pullquote size='large' align='right' citation='Grace Towers']“At some point, drag is cheaper than therapy.”\u003c/span>[/pullquote]\u003c/p>\n\u003cp>That history has fueled Tapia’s activism, and, through DragTivism and the public-school curricula she designs, she wants youth to feel similarly empowered. “That’s what I hope our youth are getting out of DragTivism, that they’re getting access to the information they rightfully deserve,” she says, adding that education is power.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“They can know they have that power to create change while having fun and looking fabulous.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> This article is part of KQED Arts’ story series \u003ca href=\"https://www.kqed.org/arts/program/pride-as-protest\" target=\"_blank\" rel=\"noopener\">Pride as Protest\u003c/a>, which chronicles the past and present of LGBTQ+ activism in honor of the 50th anniversary of the Stonewall riots. Learn more about the series \u003ca href=\"https://www.kqed.org/arts/13858609/welcome-to-pride-as-protest-a-new-kqed-arts-story-series\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Thanks to the show \u003cem>RuPaul’s Drag Race \u003c/em>and its accompanying DragCon beauty conference, the art of drag is now a multi-million-dollar industry with straight and LGBTQ+ consumers alike. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But before drag culture crossed over into the mainstream, it was a source of survival for queer and trans youth whose families rejected them for expressing themselves. Since at least the ’60s, drag houses functioned as chosen families that kept young people off the streets.\u003c/p>\n\u003cp>That legacy is what \u003ca href=\"https://www.facebook.com/TheRexyProject/\" target=\"_blank\" rel=\"noopener\">The One and Only Rexy\u003c/a> and \u003ca href=\"https://www.instagram.com/thegracetowers/?hl=en\" target=\"_blank\" rel=\"noopener\">Grace Towers\u003c/a> decided to channel when they teamed up to create DragTivism, a mentorship program for LGBTQ+ youth that uses drag makeup as an art therapy tool, building community through carefully applied rhinestones, false lashes and contouring.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>",
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"content": "\u003c/span>“Eventually for me, my drag turned into my source of power.”",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The first DragTivism event took place last year during Pride Month at the \u003ca href=\"https://www.sfcenter.org\" target=\"_blank\" rel=\"noopener\">San Francisco LGBT Center\u003c/a>, when about a dozen young people in their late teens and early 20s came for a weekend of food, performances and workshops. Some of the youth were housing-insecure; others had supportive families but were still figuring out their identity labels and transitions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“At some point, drag is cheaper than therapy,” says Towers. “What we leave on the stage is the processing of emotional, mental and just,” she sighs, “life.”\u003c/p>\n\u003cp>For many of last year’s attendees, DragTivism was also an entry point into the SF LGBT Center, which offers a variety of social services, including \u003ca href=\"https://www.sfcenter.org/program/employment_services/\" target=\"_blank\" rel=\"noopener\">an employment program\u003c/a>, \u003ca href=\"https://www.sfcenter.org/program/housing-financial/\" target=\"_blank\" rel=\"noopener\">financial literacy training\u003c/a> and an \u003ca href=\"https://www.sfcenter.org/program/housing-financial/\" target=\"_blank\" rel=\"noopener\">affordable housing clinic\u003c/a> for renters. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The next DragTivism is in the works for \u003ca href=\"https://oaklandpride.org/parade-festival/\" target=\"_blank\" rel=\"noopener\">Oakland Pride\u003c/a> in early September. Last year, the mentees worked one-on-one with professional drag performers, such as award-winning San Francisco performance artist and storyteller \u003ca href=\"https://www.julianadlopera.com\" target=\"_blank\" rel=\"noopener\">Juliana Delgado Lopera\u003c/a>. She and the other mentors taught participating youth about character development and building a performance. Most importantly, they encouraged them to find their unique forms of self-expression in a supportive and inclusive environment.\u003c/p>\n\u003cp>“That’s where we saw a lot of our youth really start to flourish,” says The One and Only Rexy, a.k.a. Rexy Tapia, who also began to blossom after performing in drag for the first time.\u003c/p>\n\u003cfigure id=\"attachment_13859472\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13859472\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/dragtivism-2-800x450.jpg\" alt=\"DragTivism is a mentorship program for LGBTQ+ youth that uses makeup as an art therapy tool.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/dragtivism-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/dragtivism-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/dragtivism-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/dragtivism-2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/dragtivism-2-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/dragtivism-2.jpg 1332w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">DragTivism is a mentorship program for LGBTQ+ youth that uses makeup as an art therapy tool. \u003ccite>(Courtesy of DragTivism)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Her debut came at an assembly, when she was only in middle school. Feeling seen for the first time, she came out as queer the same day. That whirlwind formative experience emboldened Tapia to become one of Mission High School’s fiercest student activists in the years that followed. By junior year, she became president of the school’s GSA Network and designed an LGBTQ+ history curriculum (in her free time, during spring break!) that’s now being taught at several San Francisco public schools.\u003c/p>\n\u003cp>During this period of honing her skills as an artist and leader, Tapia noticed herself wearing drag more and more, and that she felt her best presenting as a woman. After graduating in 2015, she came out as trans. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Doing drag gave me the ability to express myself and find myself when I didn’t have any other way of doing so,” reflects Tapia, whose drag looks are high-femme and all about showing leg. “That’s really I hope what youths find in drag. Eventually for me, my drag turned into my source of power.”\u003c/p>\n\u003cp>The idea for DragTivism came in 2018 when Tapia met Towers, one of her drag idols. Towers, a bold performer who often rocks dramatic eye makeup, chest hair and a beard, is a member of \u003ca href=\"https://www.queensofthecastro.com/grace-towers-scholarship-for-the-arts\" target=\"_blank\" rel=\"noopener\">Queens of the Castro\u003c/a>, a nonprofit that gives scholarships to LGBTQ+ youth. Her and Tapia’s backgrounds in education are a big reason why mentorship is such an important aspect of the event.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“Having a queer mentor of some sort is something that I wish I would have had when I was going through my troubled youth,” says Towers. “It’s been really beautiful to see mentorship on both ends, not just what we’re curating for the youth to come and partake in, but me and Rexy are actively engaged in this mentorship dynamic.”\u003c/p>\n\u003cp>Tapia says that not all drag spaces are trans-friendly—as evinced by RuPaul’s \u003ca href=\"https://www.vox.com/culture/2018/3/6/17085244/rupaul-trans-women-drag-queens-interview-controversy\" target=\"_blank\" rel=\"noopener\">controversial 2018 comments\u003c/a> suggesting that he wouldn’t allow a transitioning trans woman to compete on \u003cem>Drag Race \u003c/em>(though that changed this year with trans performer Gia Gunn’s inclusion). That’s why Tapia and Towers take care to ensure that DragTivism is welcoming to all the identities under the LGBTQ+ umbrella—including those who are gender-nonconforming or have a performance style that doesn’t fit the pageant-ready drag queen mold.\u003c/p>\n\u003cp>“We’re starting to be at a point in the drag scene where drag is not political anymore, or in many spaces it’s even more hostile to trans people and anyone who’s not a cis, gay man,” says Tapia. “That’s another reason why it’s important for me as a trans woman, as a woman, as a person of color, to continue creating this ability for youth.”\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Tapia says drag taught her about the history of LGBTQ+ activism. She learned that drag queens and trans women were key agitators in the Compton’s Cafeteria riot in San Francisco and the Stonewall uprising in New York City, two instances in the 1960s when the LGBTQ+ community rioted against police brutality and sparked the modern-day gay rights movement.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>That history has fueled Tapia’s activism, and, through DragTivism and the public-school curricula she designs, she wants youth to feel similarly empowered. “That’s what I hope our youth are getting out of DragTivism, that they’re getting access to the information they rightfully deserve,” she says, adding that education is power.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“They can know they have that power to create change while having fun and looking fabulous.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "aids-activism-san-francisco-1980s",
"title": "While the US Government Sat Idle, AIDS Activism Mobilized in San Francisco",
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"content": "\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> This article is part of KQED Arts’ story series \u003ca href=\"https://www.kqed.org/arts/program/pride-as-protest\" target=\"_blank\" rel=\"noopener\">Pride as Protest\u003c/a>, which chronicles the past and present of LGBTQ+ activism in honor of the 50th anniversary of the Stonewall riots. Learn more about the series \u003ca href=\"https://www.kqed.org/arts/13858609/welcome-to-pride-as-protest-a-new-kqed-arts-story-series\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>By the time the Surgeon General of the United States published the office’s \u003ca href=\"https://profiles.nlm.nih.gov/ps/retrieve/Narrative/NN/p-nid/62\" target=\"_blank\" rel=\"noopener\">first report\u003c/a> on Acquired Immune Deficiency Syndrome, 27,000 Americans were already dead or dying of AIDS.\u003c/p>\n\u003cp>[aside postID='arts_13859162,arts_13858167,arts_13854639' label='More Queer History']\u003c/p>\n\u003cp>Issued in late October 1986, Surgeon General C. Everett Koop’s slim pamphlet contained much-needed public health information stripped of the political rhetoric that characterized nearly all of Washington’s conversations about AIDS—but it was not timely.\u003c/p>\n\u003cp>The report appeared nearly five and a half years after the Centers for Disease Control identified the first patients of what would come to be known as AIDS. In 1981. In the meantime, national media coverage had alternately ignored and sensationalized the epidemic, often repeating misinformation about the disease’s communicability or paying attention only to patients from “the general population” instead of the gay men who were the majority of the early stricken.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>President Ronald Reagan wouldn’t make his first public address on the subject until the end of May 1987.\u003c/p>\n\u003cp>Faced with a lack of either federal leadership or journalistic accountability between the years of the CDC’s first report and Koop’s belated one (and for years after), the task of warning against AIDS, agitating for research funding and educating the public about the epidemic fell to individuals living with AIDS or those caring for them. They created their own support structures, their own pamphlets, benefit parties, newsletters and vigils.\u003c/p>\n\u003cp>Traces of these efforts can be found in the ephemera collections of various Bay Area archives, including the San Francisco Public Library, home to the \u003ca href=\"https://sfpl.org/index.php?pg=2000003701\" target=\"_blank\" rel=\"noopener\">James C. Hormel LGBTQIA Center\u003c/a>. While the posters in these collection—along with flyers, pamphlets, stickers and mailings—in no way tell a complete story of local AIDS activism in the 1980s, they do provide a sense of the material that was circulating during the time, offering tangible proof of a community fighting for its life.\u003c/p>\n\u003cfigure id=\"attachment_13859416\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859416\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Pride_82.jpg\" alt=\"Lesbian/Gay Freedom Day parade and celebration guide. The year's theme was "Out of Many...One."\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Pride_82.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Pride_82-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Pride_82-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Pride_82-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Pride_82-1020x680.jpg 1020w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Cover of the 1982 International Lesbian/Gay Freedom Day parade and celebration guide. The year’s theme was “Out of Many…One.” \u003ccite>(Material from the Gay and Lesbian Center ephemera collection and the San Francisco Ephemera Collection, San Francisco Public Library; Collage by Sarah Hotchkiss/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The KS Poster Boy\u003c/h2>\n\u003cp>Before people suffering from weakened immune systems and opportunistic infections were grouped under the moniker of AIDS (the CDC would first use this term in September 1982), a unifying diagnosis for many early patients was \u003ca href=\"https://aidsinfo.nih.gov/education-materials/glossary/401/kaposi-sarcoma\" target=\"_blank\" rel=\"noopener\">Kaposi’s sarcoma\u003c/a> (KS), a rare and unusually aggressive skin cancer that appeared as purplish lesions. San Francisco resident and registered nurse \u003ca href=\"https://en.wikipedia.org/wiki/Bobbi_Campbell\" target=\"_blank\" rel=\"noopener\">Bobbi Campbell\u003c/a> was the first KS patient to go public with his condition, with a December 1981 article in the nationally syndicated gay newspaper \u003ci>San Francisco Sentinel\u003c/i>. At the same time, he convinced a Castro drugstore to hang photographs of his lesions in the window, showing other men what to look for as he alerted them to the reality of this new disease.\u003c/p>\n\u003cp>Campbell appears in the 1982 International Lesbian/Gay Freedom Day guide (as the Pride parade was then known) under the headline “What’s it like to have Kaposi’s sarcoma?,” the first mention of the AIDS in the annual celebration’s materials.\u003c/p>\n\u003cp>In his short column, the self-proclaimed “KS Poster Boy” strikes an optimistic tone of warning: “Are you thinking ‘This can’t happen to me’? I didn’t think it could happen to me, either. But it did.”\u003c/p>\n\u003cp>Alongside Campbell’s feature is a dry, much more clinical text authored by two registered nurses. “Something is breaking down the immune systems of certain gay men, leaving them susceptible to disease,” they write. “In general it is crucial to take care of yourself, in this time when far too many gay men are dying of unexplained causes.”\u003c/p>\n\u003cp>In 1985, the parade would be dedicated to Campbell, who died in August 1984.\u003c/p>\n\u003cfigure id=\"attachment_13859419\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859419\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/HarveyMilkDemClub_Flyer_83B.jpg\" alt='\"Can we talk?\" brochure developed by the AIDS Education and Information Committee of the Harvey Milk Gay Democratic club with information from Bay Area Physicians for Human Rights, 1983.' width=\"1200\" height=\"576\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/HarveyMilkDemClub_Flyer_83B.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/HarveyMilkDemClub_Flyer_83B-160x77.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/HarveyMilkDemClub_Flyer_83B-800x384.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/HarveyMilkDemClub_Flyer_83B-768x369.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/HarveyMilkDemClub_Flyer_83B-1020x490.jpg 1020w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">“Can we talk?” brochure developed by the AIDS Education and Information Committee of the Harvey Milk Gay Democratic club with information from Bay Area Physicians for Human Rights, 1983. \u003ccite>(Material from the Gay and Lesbian Center ephemera collection and the San Francisco Ephemera Collection, San Francisco Public Library; Collage by Sarah Hotchkiss/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘We are fighting for our lives’\u003c/h2>\n\u003cp>In early 1983, with San Francisco’s Department of Public Health yet to produce a single piece of informational literature on AIDS, the \u003ca href=\"http://www.milkclub.org/about\" target=\"_blank\" rel=\"noopener\">Harvey Milk Gay Democratic Club\u003c/a> took matters into its own hands. Developed with information from Bay Area Physicians for Human Rights, this frank and simple brochure provided what was, at the time, the best risk-reduction guidelines available to the gay community.\u003c/p>\n\u003cp>“We don’t have to give up sex, but we do have to be careful,” the brochure reads. It then proceeds to go step by step through various sex acts, defining them as “very risky,” “minimal risk” or “yes! yes! yes!” (hugging and other sensual, yet nonsexual, activities), all of which is illustrated by a series of charmingly cheeky cartoons.\u003c/p>\n\u003cp>“In this time of crisis, it is essential that we reexamine our ways of sexual expression,” the brochure says. “The issue is not a moral one, but a practical one. We have fought for our freedom and intend to continue that fight, but this struggle is even more basic. We are fighting for our lives.”\u003c/p>\n\u003cfigure id=\"attachment_13859418\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859418\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/AssortedPamphlets.jpg\" alt=\"Sex education and risk-reduction pamphlets from the 1980s, many produced by the San Francisco AIDS Foundation.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/AssortedPamphlets.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/AssortedPamphlets-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/AssortedPamphlets-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/AssortedPamphlets-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/AssortedPamphlets-1020x680.jpg 1020w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Sex education and risk-reduction pamphlets from the 1980s, many produced by the San Francisco AIDS Foundation. \u003ccite>(Material from the Gay and Lesbian Center ephemera collection and the San Francisco Ephemera Collection, San Francisco Public Library; Collage by Sarah Hotchkiss/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Spreading the word\u003c/h2>\n\u003cp>The archives are filled with pamphlets and brochures, many targeting specific demographics affected by the AIDS epidemic, but not necessarily those seen in earliest media reports: white gay men. Most of the above pamphlets come from the late ’80s, well after the early days of panic, disinformation and denial, when safe sex suggestions might be dismissed as moralistic, homophobic messages.\u003c/p>\n\u003cp>Several of the above were published by the \u003ca href=\"https://www.sfaf.org/\" target=\"_blank\" rel=\"noopener\">San Francisco AIDS Foundation\u003c/a>, co-founded by Cleve Jones in 1982 (as the Kaposi’s Sarcoma Foundation) in response to the city’s emerging health crisis. Described in Randy Shilts’ seminal text on the AIDS epidemic, \u003ci>And the Band Played On\u003c/i>, the early days of the SF AIDS Foundation “started with one beat-up typewriter donated by a local gay bartender, office supplies pilfered from volunteers’ various employers, and one telephone that started ringing within an hour of hits installation. And it never stopped ringing.”\u003c/p>\n\u003cp>As it grew, the SF AIDS Foundation sponsored condom distribution during Pride, the first public demonstration of people with AIDS (a candlelight vigil in March 1983), the first AIDS bike-a-thon, the creation of a food bank, a needle exchange and many, many trifolded pieces of educational literature.\u003c/p>\n\u003cfigure id=\"attachment_13859417\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859417\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/ACTUP_GGBridgeAction.jpg\" alt=\"Cover of the ACT UP San Francisco newsletter, March 1989, featuring a short announcement of a Jan. 31 action on the Golden Gate Bridge.\" width=\"1200\" height=\"743\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ACTUP_GGBridgeAction.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ACTUP_GGBridgeAction-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ACTUP_GGBridgeAction-800x495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ACTUP_GGBridgeAction-768x476.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ACTUP_GGBridgeAction-1020x632.jpg 1020w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Cover of the ACT UP San Francisco newsletter, March 1989, featuring a short announcement of a Jan. 31 action on the Golden Gate Bridge. \u003ccite>(Material from the Gay and Lesbian Center ephemera collection and the San Francisco Ephemera Collection, San Francisco Public Library; Collage by Sarah Hotchkiss/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>ACT UP/San Francisco\u003c/h2>\n\u003cp>Formed in New York in 1987 after a galvanizing speech by Larry Kramer at the Lesbian and Gay Community Services Center, the \u003ca href=\"http://www.actupny.org/\" rel=\"noopener\" target=\"_blank\">AIDS Coalition to Unleash Power\u003c/a> (ACT UP), was a leaderless, anarchic network of direct action protest groups that eventually spread around the world. In San Francisco, an existing activist group, AIDS Action Pledge, merged with ACT UP and changed its name to become ACT UP/San Francisco.\u003c/p>\n\u003cp>In an undated pamphlet titled “Our Goals and Demands,” the group, “united in anger and hope,” argues for “massive governmental funding for research, health care, education, anonymous testing, and treatment.” That funding, they reason, should be taken from the military budget.\u003c/p>\n\u003cp>On Jan. 20, 1989, ACT UP/SF members staged \u003ca href=\"https://www.youtube.com/watch?v=H3zefhq9Ql4\" target=\"_blank\" rel=\"noopener\">a die-in\u003c/a> at the Pacific Stock Exchange, timed to George H.W. Bush’s inauguration in Washington, D.C. As activists sprawled on the ground, fellow members traced their outlines in chalk. Speaking through a megaphone, an ACT UP member named Brigid spoke to the assembled crowd, “This government, for the past eight years, has been known for what it has not done. It has not cared about people with AIDS. We have been expendable.” The question was: What, if anything, would President Bush do differently?\u003c/p>\n\u003cp>ACT UP/San Francisco would stage many other demonstrations, including a week of actions timed to the Sixth International Conference on AIDS, which took place in San Francisco in June 1990. Journalist and activist Tim Kingston, who participated in these events, told \u003ci>\u003ca href=\"https://48hills.org/2015/06/the-week-act-up-shut-sf-down/\" target=\"_blank\" rel=\"noopener\">48 Hills\u003c/a>\u003c/i> in 2015, “If ACT UP hadn’t pushed so hard, AIDS medical research would be 20 years behind.”\u003c/p>\n\u003cp>“In ’87, no one had heard of ACT UP. In ’89, we were banging on the door. And in ’90, we had arrived full-scale.”\u003c/p>\n\u003cfigure id=\"attachment_13859420\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859420\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/ShantiProject.jpg\" alt=\"An undated Shanti Project pamphlet; the summer 1984 issue of 'Eclipse,' the Shanti Project newsletter; a flyer for a 1989 comedy showcase benefitting the Shanti Project, featuring Margaret Cho.\" width=\"1200\" height=\"865\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ShantiProject.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ShantiProject-160x115.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ShantiProject-800x577.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ShantiProject-768x554.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ShantiProject-1020x735.jpg 1020w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">An undated Shanti Project pamphlet; the summer 1984 issue of ‘Eclipse,’ the Shanti Project newsletter; a flyer for a 1989 comedy showcase benefitting the Shanti Project, featuring Margaret Cho. \u003ccite>(Material from the Gay and Lesbian Center ephemera collection and the San Francisco Ephemera Collection, San Francisco Public Library; Collage by Sarah Hotchkiss/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Shanti Project\u003c/h2>\n\u003cp>Callers to the SF AIDS Foundation hotline might be directed to the \u003ca href=\"http://www.shanti.org/\" target=\"_blank\" rel=\"noopener\">Shanti Project\u003c/a>, a Berkeley organization founded in 1974 to enhance the health, quality of life and well-being of people with terminal, life-threatening or disabling illnesses. In 1982, Bobbi Campbell and Jim Geary, a volunteer grief counselor with the Shanti Project, offered weekly meetings for Karposi’s sarcoma patients, one of the only services available at the time to those who would later be understood as people with AIDS.\u003c/p>\n\u003cp>In May 1983, the San Francisco Board of Supervisors approved $2.1 million for the city’s early AIDS programs, providing enough money to the Shanti Project to create residences for 48 homeless AIDS patients. (This amount, Shilts wrote in \u003ci>And the Band Played On\u003c/i>, combined with an additional $1 million enacted for AIDS in 1982, meant spending by the city of San Francisco “exceeded the funds released to the entire country by the National Institutes of Health for extramural AIDS research.”)\u003c/p>\n\u003cp>In the above 1984 issue of \u003ci>Eclipse\u003c/i>, the Shanti Project newsletter, registered nurse Helen Schietinger writes of the project’s success in helping people approach the end of their lives with dignity: “For many, the Shanti Residence Program has provided the stability and security which enables them to continue living their lives focused on what is important to them, rather than worrying about whether they have a roof over their heads.”\u003c/p>\n\u003cfigure id=\"attachment_13859422\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859422\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/DNCMarch_84.jpg\" alt=\"Pamphlet announcing the National March for Lesbian/Gay Rights, to coincide with the Democratic National Convention in San Francisco, 1984.\" width=\"1200\" height=\"770\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/DNCMarch_84.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/DNCMarch_84-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/DNCMarch_84-800x513.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/DNCMarch_84-768x493.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/DNCMarch_84-1020x655.jpg 1020w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Pamphlet announcing the National March for Lesbian/Gay Rights, to coincide with the Democratic National Convention in San Francisco, 1984. \u003ccite>(Material from the Gay and Lesbian Center ephemera collection and the San Francisco Ephemera Collection, San Francisco Public Library; Collage by Sarah Hotchkiss/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Confronting the Democratic Party\u003c/h2>\n\u003cp>In 1984, the Democratic National Convention took place in San Francisco, and the city’s LGBTQ+ population marched for their core issues. At the top of their list? “Immediate and massive federal funding to end the AIDS epidemic.”\u003c/p>\n\u003cp>In a two-mile march from the Castro to the Moscone Center, 100,000 people filled the street, hoping to create a scene that would reach the national media and bring gay and lesbian issues to the rest of the country.\u003c/p>\n\u003cp>“At the 1984 Convention,” the organizing documents read, “we have an opportunity to define our own issues and choose our own spokespeople. If we do not do this, the media, which will surely write ‘the gay story’ of this convention, will make our choices for us.”\u003c/p>\n\u003cp>In a classic San Francisco note, alongside route logistics and an entertainment lineup (comedy from Tom Ammiano), is the following: “Bring a sweater—weather changes quickly in S.F.”\u003c/p>\n\u003cfigure id=\"attachment_13859423\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859423\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/NAMES.jpg\" alt=\"A NAMES Project flyer from 1988 and the NAMES newsletter from fall 1989.\" width=\"1200\" height=\"900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/NAMES.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/NAMES-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/NAMES-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/NAMES-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/NAMES-1020x765.jpg 1020w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A NAMES Project flyer from 1988 and the NAMES newsletter from fall 1989. \u003ccite>(Material from the Gay and Lesbian Center ephemera collection and the San Francisco Ephemera Collection, San Francisco Public Library; Collage by Sarah Hotchkiss/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The AIDS Memorial Quilt\u003c/h2>\n\u003cp>While the \u003ca href=\"https://www.kqed.org/arts/13856309/how-the-aids-memorial-grove-became-the-true-heart-of-san-francisco\" target=\"_blank\" rel=\"noopener\">AIDS Memorial Grove\u003c/a> in Golden Gate Park is the nation’s official site of remembrance, the \u003ca href=\"https://www.aidsquilt.org/\" target=\"_blank\" rel=\"noopener\">AIDS Memorial Quilt\u003c/a>, a project that began in 1987 and now numbers over 48,000 individual panels, is its peripatetic one.\u003c/p>\n\u003cp>Each panel measures 3 by 6 feet, the approximate size of a grave. And each commemorates a family member or loved one lost to AIDS, hand-stitched with personal symbols, objects, names and dates. The first public display, in October 1987, took place on the Capitol Mall in Washington, D.C. with 1,920 panels. A year later, the quilt returned to Washington with more than 8,000 panels. Its goal was to impress upon the federal government—and the American people—the scale of the AIDS epidemic, and the desperate need for increased federal funds in the fight against it.\u003c/p>\n\u003cp>The brochure reads, “With the Quilt, we’re able to touch people in a new way and open their hearts so that they no longer turn away, but rather understand the value of all these lost lives.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>By the end of the 1980s, nine years after the CDC’s first reported cases, nearly 90,000 Americans had died of AIDS. Many more groups would form in the years to come to fight for more effective AIDS treatments and against the slow-moving bureaucracy that stifled such research. And many more actions would \u003ca href=\"https://youtu.be/hvKAIPOBWlY\" rel=\"noopener\" target=\"_blank\">directly confront the American public\u003c/a> with the scale of the crisis, skillfully using media coverage to amplify their message. But when no one was watching—or seemingly caring—the efforts of individuals and groups like those documented above made sure the American people and their government could no longer turn away from AIDS.\u003c/p>\n\n",
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"excerpt": "Battling homophobia and government inaction, LGBTQ+ San Franciscans built systems of support and education from the ground up.",
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"title": "While the US Government Sat Idle, AIDS Activism Mobilized in San Francisco | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> This article is part of KQED Arts’ story series \u003ca href=\"https://www.kqed.org/arts/program/pride-as-protest\" target=\"_blank\" rel=\"noopener\">Pride as Protest\u003c/a>, which chronicles the past and present of LGBTQ+ activism in honor of the 50th anniversary of the Stonewall riots. Learn more about the series \u003ca href=\"https://www.kqed.org/arts/13858609/welcome-to-pride-as-protest-a-new-kqed-arts-story-series\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>By the time the Surgeon General of the United States published the office’s \u003ca href=\"https://profiles.nlm.nih.gov/ps/retrieve/Narrative/NN/p-nid/62\" target=\"_blank\" rel=\"noopener\">first report\u003c/a> on Acquired Immune Deficiency Syndrome, 27,000 Americans were already dead or dying of AIDS.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Issued in late October 1986, Surgeon General C. Everett Koop’s slim pamphlet contained much-needed public health information stripped of the political rhetoric that characterized nearly all of Washington’s conversations about AIDS—but it was not timely.\u003c/p>\n\u003cp>The report appeared nearly five and a half years after the Centers for Disease Control identified the first patients of what would come to be known as AIDS. In 1981. In the meantime, national media coverage had alternately ignored and sensationalized the epidemic, often repeating misinformation about the disease’s communicability or paying attention only to patients from “the general population” instead of the gay men who were the majority of the early stricken.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>President Ronald Reagan wouldn’t make his first public address on the subject until the end of May 1987.\u003c/p>\n\u003cp>Faced with a lack of either federal leadership or journalistic accountability between the years of the CDC’s first report and Koop’s belated one (and for years after), the task of warning against AIDS, agitating for research funding and educating the public about the epidemic fell to individuals living with AIDS or those caring for them. They created their own support structures, their own pamphlets, benefit parties, newsletters and vigils.\u003c/p>\n\u003cp>Traces of these efforts can be found in the ephemera collections of various Bay Area archives, including the San Francisco Public Library, home to the \u003ca href=\"https://sfpl.org/index.php?pg=2000003701\" target=\"_blank\" rel=\"noopener\">James C. Hormel LGBTQIA Center\u003c/a>. While the posters in these collection—along with flyers, pamphlets, stickers and mailings—in no way tell a complete story of local AIDS activism in the 1980s, they do provide a sense of the material that was circulating during the time, offering tangible proof of a community fighting for its life.\u003c/p>\n\u003cfigure id=\"attachment_13859416\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859416\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Pride_82.jpg\" alt=\"Lesbian/Gay Freedom Day parade and celebration guide. The year's theme was "Out of Many...One."\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Pride_82.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Pride_82-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Pride_82-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Pride_82-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Pride_82-1020x680.jpg 1020w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Cover of the 1982 International Lesbian/Gay Freedom Day parade and celebration guide. The year’s theme was “Out of Many…One.” \u003ccite>(Material from the Gay and Lesbian Center ephemera collection and the San Francisco Ephemera Collection, San Francisco Public Library; Collage by Sarah Hotchkiss/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The KS Poster Boy\u003c/h2>\n\u003cp>Before people suffering from weakened immune systems and opportunistic infections were grouped under the moniker of AIDS (the CDC would first use this term in September 1982), a unifying diagnosis for many early patients was \u003ca href=\"https://aidsinfo.nih.gov/education-materials/glossary/401/kaposi-sarcoma\" target=\"_blank\" rel=\"noopener\">Kaposi’s sarcoma\u003c/a> (KS), a rare and unusually aggressive skin cancer that appeared as purplish lesions. San Francisco resident and registered nurse \u003ca href=\"https://en.wikipedia.org/wiki/Bobbi_Campbell\" target=\"_blank\" rel=\"noopener\">Bobbi Campbell\u003c/a> was the first KS patient to go public with his condition, with a December 1981 article in the nationally syndicated gay newspaper \u003ci>San Francisco Sentinel\u003c/i>. At the same time, he convinced a Castro drugstore to hang photographs of his lesions in the window, showing other men what to look for as he alerted them to the reality of this new disease.\u003c/p>\n\u003cp>Campbell appears in the 1982 International Lesbian/Gay Freedom Day guide (as the Pride parade was then known) under the headline “What’s it like to have Kaposi’s sarcoma?,” the first mention of the AIDS in the annual celebration’s materials.\u003c/p>\n\u003cp>In his short column, the self-proclaimed “KS Poster Boy” strikes an optimistic tone of warning: “Are you thinking ‘This can’t happen to me’? I didn’t think it could happen to me, either. But it did.”\u003c/p>\n\u003cp>Alongside Campbell’s feature is a dry, much more clinical text authored by two registered nurses. “Something is breaking down the immune systems of certain gay men, leaving them susceptible to disease,” they write. “In general it is crucial to take care of yourself, in this time when far too many gay men are dying of unexplained causes.”\u003c/p>\n\u003cp>In 1985, the parade would be dedicated to Campbell, who died in August 1984.\u003c/p>\n\u003cfigure id=\"attachment_13859419\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859419\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/HarveyMilkDemClub_Flyer_83B.jpg\" alt='\"Can we talk?\" brochure developed by the AIDS Education and Information Committee of the Harvey Milk Gay Democratic club with information from Bay Area Physicians for Human Rights, 1983.' width=\"1200\" height=\"576\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/HarveyMilkDemClub_Flyer_83B.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/HarveyMilkDemClub_Flyer_83B-160x77.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/HarveyMilkDemClub_Flyer_83B-800x384.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/HarveyMilkDemClub_Flyer_83B-768x369.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/HarveyMilkDemClub_Flyer_83B-1020x490.jpg 1020w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">“Can we talk?” brochure developed by the AIDS Education and Information Committee of the Harvey Milk Gay Democratic club with information from Bay Area Physicians for Human Rights, 1983. \u003ccite>(Material from the Gay and Lesbian Center ephemera collection and the San Francisco Ephemera Collection, San Francisco Public Library; Collage by Sarah Hotchkiss/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘We are fighting for our lives’\u003c/h2>\n\u003cp>In early 1983, with San Francisco’s Department of Public Health yet to produce a single piece of informational literature on AIDS, the \u003ca href=\"http://www.milkclub.org/about\" target=\"_blank\" rel=\"noopener\">Harvey Milk Gay Democratic Club\u003c/a> took matters into its own hands. Developed with information from Bay Area Physicians for Human Rights, this frank and simple brochure provided what was, at the time, the best risk-reduction guidelines available to the gay community.\u003c/p>\n\u003cp>“We don’t have to give up sex, but we do have to be careful,” the brochure reads. It then proceeds to go step by step through various sex acts, defining them as “very risky,” “minimal risk” or “yes! yes! yes!” (hugging and other sensual, yet nonsexual, activities), all of which is illustrated by a series of charmingly cheeky cartoons.\u003c/p>\n\u003cp>“In this time of crisis, it is essential that we reexamine our ways of sexual expression,” the brochure says. “The issue is not a moral one, but a practical one. We have fought for our freedom and intend to continue that fight, but this struggle is even more basic. We are fighting for our lives.”\u003c/p>\n\u003cfigure id=\"attachment_13859418\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859418\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/AssortedPamphlets.jpg\" alt=\"Sex education and risk-reduction pamphlets from the 1980s, many produced by the San Francisco AIDS Foundation.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/AssortedPamphlets.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/AssortedPamphlets-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/AssortedPamphlets-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/AssortedPamphlets-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/AssortedPamphlets-1020x680.jpg 1020w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Sex education and risk-reduction pamphlets from the 1980s, many produced by the San Francisco AIDS Foundation. \u003ccite>(Material from the Gay and Lesbian Center ephemera collection and the San Francisco Ephemera Collection, San Francisco Public Library; Collage by Sarah Hotchkiss/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Spreading the word\u003c/h2>\n\u003cp>The archives are filled with pamphlets and brochures, many targeting specific demographics affected by the AIDS epidemic, but not necessarily those seen in earliest media reports: white gay men. Most of the above pamphlets come from the late ’80s, well after the early days of panic, disinformation and denial, when safe sex suggestions might be dismissed as moralistic, homophobic messages.\u003c/p>\n\u003cp>Several of the above were published by the \u003ca href=\"https://www.sfaf.org/\" target=\"_blank\" rel=\"noopener\">San Francisco AIDS Foundation\u003c/a>, co-founded by Cleve Jones in 1982 (as the Kaposi’s Sarcoma Foundation) in response to the city’s emerging health crisis. Described in Randy Shilts’ seminal text on the AIDS epidemic, \u003ci>And the Band Played On\u003c/i>, the early days of the SF AIDS Foundation “started with one beat-up typewriter donated by a local gay bartender, office supplies pilfered from volunteers’ various employers, and one telephone that started ringing within an hour of hits installation. And it never stopped ringing.”\u003c/p>\n\u003cp>As it grew, the SF AIDS Foundation sponsored condom distribution during Pride, the first public demonstration of people with AIDS (a candlelight vigil in March 1983), the first AIDS bike-a-thon, the creation of a food bank, a needle exchange and many, many trifolded pieces of educational literature.\u003c/p>\n\u003cfigure id=\"attachment_13859417\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859417\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/ACTUP_GGBridgeAction.jpg\" alt=\"Cover of the ACT UP San Francisco newsletter, March 1989, featuring a short announcement of a Jan. 31 action on the Golden Gate Bridge.\" width=\"1200\" height=\"743\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ACTUP_GGBridgeAction.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ACTUP_GGBridgeAction-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ACTUP_GGBridgeAction-800x495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ACTUP_GGBridgeAction-768x476.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ACTUP_GGBridgeAction-1020x632.jpg 1020w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Cover of the ACT UP San Francisco newsletter, March 1989, featuring a short announcement of a Jan. 31 action on the Golden Gate Bridge. \u003ccite>(Material from the Gay and Lesbian Center ephemera collection and the San Francisco Ephemera Collection, San Francisco Public Library; Collage by Sarah Hotchkiss/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>ACT UP/San Francisco\u003c/h2>\n\u003cp>Formed in New York in 1987 after a galvanizing speech by Larry Kramer at the Lesbian and Gay Community Services Center, the \u003ca href=\"http://www.actupny.org/\" rel=\"noopener\" target=\"_blank\">AIDS Coalition to Unleash Power\u003c/a> (ACT UP), was a leaderless, anarchic network of direct action protest groups that eventually spread around the world. In San Francisco, an existing activist group, AIDS Action Pledge, merged with ACT UP and changed its name to become ACT UP/San Francisco.\u003c/p>\n\u003cp>In an undated pamphlet titled “Our Goals and Demands,” the group, “united in anger and hope,” argues for “massive governmental funding for research, health care, education, anonymous testing, and treatment.” That funding, they reason, should be taken from the military budget.\u003c/p>\n\u003cp>On Jan. 20, 1989, ACT UP/SF members staged \u003ca href=\"https://www.youtube.com/watch?v=H3zefhq9Ql4\" target=\"_blank\" rel=\"noopener\">a die-in\u003c/a> at the Pacific Stock Exchange, timed to George H.W. Bush’s inauguration in Washington, D.C. As activists sprawled on the ground, fellow members traced their outlines in chalk. Speaking through a megaphone, an ACT UP member named Brigid spoke to the assembled crowd, “This government, for the past eight years, has been known for what it has not done. It has not cared about people with AIDS. We have been expendable.” The question was: What, if anything, would President Bush do differently?\u003c/p>\n\u003cp>ACT UP/San Francisco would stage many other demonstrations, including a week of actions timed to the Sixth International Conference on AIDS, which took place in San Francisco in June 1990. Journalist and activist Tim Kingston, who participated in these events, told \u003ci>\u003ca href=\"https://48hills.org/2015/06/the-week-act-up-shut-sf-down/\" target=\"_blank\" rel=\"noopener\">48 Hills\u003c/a>\u003c/i> in 2015, “If ACT UP hadn’t pushed so hard, AIDS medical research would be 20 years behind.”\u003c/p>\n\u003cp>“In ’87, no one had heard of ACT UP. In ’89, we were banging on the door. And in ’90, we had arrived full-scale.”\u003c/p>\n\u003cfigure id=\"attachment_13859420\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859420\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/ShantiProject.jpg\" alt=\"An undated Shanti Project pamphlet; the summer 1984 issue of 'Eclipse,' the Shanti Project newsletter; a flyer for a 1989 comedy showcase benefitting the Shanti Project, featuring Margaret Cho.\" width=\"1200\" height=\"865\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ShantiProject.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ShantiProject-160x115.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ShantiProject-800x577.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ShantiProject-768x554.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/ShantiProject-1020x735.jpg 1020w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">An undated Shanti Project pamphlet; the summer 1984 issue of ‘Eclipse,’ the Shanti Project newsletter; a flyer for a 1989 comedy showcase benefitting the Shanti Project, featuring Margaret Cho. \u003ccite>(Material from the Gay and Lesbian Center ephemera collection and the San Francisco Ephemera Collection, San Francisco Public Library; Collage by Sarah Hotchkiss/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Shanti Project\u003c/h2>\n\u003cp>Callers to the SF AIDS Foundation hotline might be directed to the \u003ca href=\"http://www.shanti.org/\" target=\"_blank\" rel=\"noopener\">Shanti Project\u003c/a>, a Berkeley organization founded in 1974 to enhance the health, quality of life and well-being of people with terminal, life-threatening or disabling illnesses. In 1982, Bobbi Campbell and Jim Geary, a volunteer grief counselor with the Shanti Project, offered weekly meetings for Karposi’s sarcoma patients, one of the only services available at the time to those who would later be understood as people with AIDS.\u003c/p>\n\u003cp>In May 1983, the San Francisco Board of Supervisors approved $2.1 million for the city’s early AIDS programs, providing enough money to the Shanti Project to create residences for 48 homeless AIDS patients. (This amount, Shilts wrote in \u003ci>And the Band Played On\u003c/i>, combined with an additional $1 million enacted for AIDS in 1982, meant spending by the city of San Francisco “exceeded the funds released to the entire country by the National Institutes of Health for extramural AIDS research.”)\u003c/p>\n\u003cp>In the above 1984 issue of \u003ci>Eclipse\u003c/i>, the Shanti Project newsletter, registered nurse Helen Schietinger writes of the project’s success in helping people approach the end of their lives with dignity: “For many, the Shanti Residence Program has provided the stability and security which enables them to continue living their lives focused on what is important to them, rather than worrying about whether they have a roof over their heads.”\u003c/p>\n\u003cfigure id=\"attachment_13859422\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859422\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/DNCMarch_84.jpg\" alt=\"Pamphlet announcing the National March for Lesbian/Gay Rights, to coincide with the Democratic National Convention in San Francisco, 1984.\" width=\"1200\" height=\"770\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/DNCMarch_84.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/DNCMarch_84-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/DNCMarch_84-800x513.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/DNCMarch_84-768x493.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/DNCMarch_84-1020x655.jpg 1020w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Pamphlet announcing the National March for Lesbian/Gay Rights, to coincide with the Democratic National Convention in San Francisco, 1984. \u003ccite>(Material from the Gay and Lesbian Center ephemera collection and the San Francisco Ephemera Collection, San Francisco Public Library; Collage by Sarah Hotchkiss/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Confronting the Democratic Party\u003c/h2>\n\u003cp>In 1984, the Democratic National Convention took place in San Francisco, and the city’s LGBTQ+ population marched for their core issues. At the top of their list? “Immediate and massive federal funding to end the AIDS epidemic.”\u003c/p>\n\u003cp>In a two-mile march from the Castro to the Moscone Center, 100,000 people filled the street, hoping to create a scene that would reach the national media and bring gay and lesbian issues to the rest of the country.\u003c/p>\n\u003cp>“At the 1984 Convention,” the organizing documents read, “we have an opportunity to define our own issues and choose our own spokespeople. If we do not do this, the media, which will surely write ‘the gay story’ of this convention, will make our choices for us.”\u003c/p>\n\u003cp>In a classic San Francisco note, alongside route logistics and an entertainment lineup (comedy from Tom Ammiano), is the following: “Bring a sweater—weather changes quickly in S.F.”\u003c/p>\n\u003cfigure id=\"attachment_13859423\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859423\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/NAMES.jpg\" alt=\"A NAMES Project flyer from 1988 and the NAMES newsletter from fall 1989.\" width=\"1200\" height=\"900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/NAMES.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/NAMES-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/NAMES-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/NAMES-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/NAMES-1020x765.jpg 1020w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A NAMES Project flyer from 1988 and the NAMES newsletter from fall 1989. \u003ccite>(Material from the Gay and Lesbian Center ephemera collection and the San Francisco Ephemera Collection, San Francisco Public Library; Collage by Sarah Hotchkiss/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The AIDS Memorial Quilt\u003c/h2>\n\u003cp>While the \u003ca href=\"https://www.kqed.org/arts/13856309/how-the-aids-memorial-grove-became-the-true-heart-of-san-francisco\" target=\"_blank\" rel=\"noopener\">AIDS Memorial Grove\u003c/a> in Golden Gate Park is the nation’s official site of remembrance, the \u003ca href=\"https://www.aidsquilt.org/\" target=\"_blank\" rel=\"noopener\">AIDS Memorial Quilt\u003c/a>, a project that began in 1987 and now numbers over 48,000 individual panels, is its peripatetic one.\u003c/p>\n\u003cp>Each panel measures 3 by 6 feet, the approximate size of a grave. And each commemorates a family member or loved one lost to AIDS, hand-stitched with personal symbols, objects, names and dates. The first public display, in October 1987, took place on the Capitol Mall in Washington, D.C. with 1,920 panels. A year later, the quilt returned to Washington with more than 8,000 panels. Its goal was to impress upon the federal government—and the American people—the scale of the AIDS epidemic, and the desperate need for increased federal funds in the fight against it.\u003c/p>\n\u003cp>The brochure reads, “With the Quilt, we’re able to touch people in a new way and open their hearts so that they no longer turn away, but rather understand the value of all these lost lives.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>By the end of the 1980s, nine years after the CDC’s first reported cases, nearly 90,000 Americans had died of AIDS. Many more groups would form in the years to come to fight for more effective AIDS treatments and against the slow-moving bureaucracy that stifled such research. And many more actions would \u003ca href=\"https://youtu.be/hvKAIPOBWlY\" rel=\"noopener\" target=\"_blank\">directly confront the American public\u003c/a> with the scale of the crisis, skillfully using media coverage to amplify their message. But when no one was watching—or seemingly caring—the efforts of individuals and groups like those documented above made sure the American people and their government could no longer turn away from AIDS.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "meet-the-lgbtq-elders-who-rioted-organized-and-lobbied-to-change-history",
"title": "Meet the LGBTQ+ Elders Who Rioted, Organized and Lobbied to Change History",
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"content": "\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> This article is part of KQED Arts’ story series \u003ca href=\"https://www.kqed.org/arts/program/pride-as-protest\" target=\"_blank\" rel=\"noopener\">Pride as Protest\u003c/a>, which chronicles the past and present of LGBTQ+ activism in honor of the 50th anniversary of the Stonewall riots. Learn more about the series \u003ca href=\"https://www.kqed.org/arts/13858609/welcome-to-pride-as-protest-a-new-kqed-arts-story-series\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Pride season is upon us, with its parties, parades and rainbow regalia. But none of it would be possible without the tireless advocacy and protest power of our LGBTQ+ elders. Their stories of fighting for queer and trans rights should be permanently ingrained in our memories and the memories of those to come.\u003c/p>\n\u003cp>That’s where Mason Funk comes in. In 2014, a question kept buzzing around his head: “How did I and millions of other LGBTQ+ people get from there to here?” Funk answered it by creating \u003ca href=\"https://www.theoutwordsarchive.org/\" target=\"_blank\" rel=\"noopener\">OUTWORDS\u003c/a>, a multi-media archive, and its accompanying \u003ca href=\"https://www.theoutwordsarchive.org/bookofpride\" target=\"_blank\" rel=\"noopener\">\u003cem>Book of Pride\u003c/em>\u003c/a> to tell the stories of LGBTQ+ pioneers.\u003c/p>\n\u003cp>The project includes over one hundred powerful interviews with subjects from all across the country. Here, we take a look at the stories of five changemakers featured in OUTWORDS, including a survivor of the Stonewall riots who isn’t afraid to curse; an activist who won marriage rights from the California Supreme Court; a housewife who turned in her white picket fence for the March on Washington stage; a Two-Spirit activist who battled prejudice on the ballot and within the medical community and won; and a Yoruba priest who devoted himself to educating his community about AIDS.\u003c/p>\n\u003ch2>Miss Major Griffin-Gracy\u003c/h2>\n\u003cfigure id=\"attachment_13859269\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13859269\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Screen-Shot-2019-06-01-at-12.49.26-AM-1020x572.png\" alt=\"Miss Major at a Pride Parade in San Francisco.\" width=\"640\" height=\"359\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Screen-Shot-2019-06-01-at-12.49.26-AM-1020x572.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Screen-Shot-2019-06-01-at-12.49.26-AM-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Screen-Shot-2019-06-01-at-12.49.26-AM-800x449.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Screen-Shot-2019-06-01-at-12.49.26-AM-768x431.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Screen-Shot-2019-06-01-at-12.49.26-AM-1200x673.png 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Screen-Shot-2019-06-01-at-12.49.26-AM-1920x1077.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Screen-Shot-2019-06-01-at-12.49.26-AM.png 2048w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Miss Major at a Pride Parade in San Francisco. \u003ccite>(Photo courtesy of Miss Major)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If you’ve never heard Miss Major’s name, where have you been? The veteran of the Stonewall Rebellion has been making waves for over 40 years, fighting for incarcerated trans people through San Francisco’s \u003ca href=\"http://www.tgijp.org/\" target=\"_blank\" rel=\"noopener\">Trans, Gender-Variant and Intersex Justice Project\u003c/a> until her recent retirement. Her impact has been so—um—major that there’s \u003ca href=\"https://www.missmajorfilm.com/\" target=\"_blank\" rel=\"noopener\">an entire film\u003c/a> about it.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The fighting spirit that made Miss Major famous has been with her since she was born so premature that she could fit in the palm of her father’s hand. “I’ve been a struggling bitch from the moment I took breath, fighting to hang in there and survive and be here, and make myself known,” she told OUTWORDS.\u003c/p>\n\u003cp>Born and raised in Chicago, Miss Major started secretly wearing her mother’s clothes and clip-clopping around the house in her heels around the age of 15. When her mother found out, she was beaten. When her school found out, she was expelled.\u003c/p>\n\u003cfigure id=\"attachment_13859270\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859270\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo4-1020x704.jpg\" alt=\"An elated Miss Major.\" width=\"300\" height=\"207\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo4-1020x704.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo4-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo4-800x552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo4-768x530.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo4-1200x829.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo4-1920x1326.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo4.jpg 1974w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">An elated Miss Major. \u003ccite>(Photo courtesy of Miss Major)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the ’60s, Miss Major found her way to New York, where the city’s rich diversity instantly proved to be a balm. Soon, she found a sense of community on the streets with fellow working girls. “Hooking at that time was a f-cking blessing,” she said. “The money was good. The johns were great.” But things eventually took a turn for the dangerous around 1967. Girls were turning up dead, and the police didn’t value their lives enough to investigate. So Miss Major and her friends started taking down license plate numbers, memorizing faces and crafting other methods of ensuring each other’s safety.\u003c/p>\n\u003cfigure id=\"attachment_13859271\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859271\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo1-1020x1328.jpg\" alt=\"Miss Major serving a look.\" width=\"300\" height=\"391\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo1-1020x1328.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo1-160x208.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo1-800x1042.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo1-768x1000.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo1-922x1200.jpg 922w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo1.jpg 1573w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Miss Major serving a look. \u003ccite>(Photo courtesy of Miss Major)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sick of the mistreatment, Miss Major started carrying a hammer for protection; other girls carried knives. As she recalls, if a scuffle broke out, police let male instigators free and arrested the women for defending themselves. Miss Major became known as someone who would reliably accompany girls in trouble with the law to court (something she continued to do into her 70s).\u003c/p>\n\u003cp>In 1969, Miss Major frequented a Cheers-esque bar called Stonewall, where everyone knew her name and where she and her friends felt seen and understood. At the time, many aspects of queer and trans life were illegal, and police regularly raided the bar. They got more than they bargained for on June 28, 1969, when a group of fed-up people fought back. Miss Major was there. “I don’t remember a shoe, a brick, a bottle, a body, a garbage can,” she told OUTWORDS. “All I know is we were fighting for our life and we were kicking the cops’ ass.” That moment became the spark that ignited the modern-day LGBTQ+ rights movement.\u003c/p>\n\u003cp>\u003cspan style=\"color: #000000\">Until her recent retirement to Arizona, Miss Major continued to make a difference in the lives of working women in Oakland, whom she calls her babies. “I’ll take my cane and hobble across the street … and sit on the bench and talk to them,” she said. “The world doesn’t care about us. I want them all to know that somebody does.”\u003c/span>\u003c/p>\n\u003ch2>Marcus Arana\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=dBwvns4XH6g\u003c/p>\n\u003cp>Marcus Arana’s journey to becoming a Two-Spirit activist fighting for the rights of trans and intersex people can be traced all the way back to a movie theater. At four-years-old, he saw a blue fairy turn Pinocchio into a real boy. Assigned female at birth, Arana turned to his mother and asked for his own blue fairy. She explained that girls could never be boys. In that moment, Arana learned two things: that he was different and that he shouldn’t talk about it.\u003c/p>\n\u003cfigure id=\"attachment_13859275\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859275\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Arana_Mary_Photo12-1020x746.jpg\" alt=\"Arana at age 25 at a Halloween dance as a persona called Dread Weatherly.\" width=\"300\" height=\"219\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Mary_Photo12-1020x746.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Mary_Photo12-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Mary_Photo12-800x585.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Mary_Photo12-768x562.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Mary_Photo12-1200x878.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Mary_Photo12.jpg 1519w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Arana at age 25 at a Halloween dance as a persona called Dread Weatherly. \u003ccite>(Photo courtesy of Marcus Arana)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And he didn’t throughout a lonely and rough childhood, which forced him to leave home at age 14. He eventually came out as queer and moved to San Francisco in 1976, which felt “like the sun coming out and you can hear the munchkins singing as we all went down the yellow brick road.” But, just as Dorothy and her pals had to contend with the Wicked Witch of the West, Arana and other California gays faced off against their own villain: the Briggs Initiative, a \u003cspan style=\"color: #000000\">1978\u003c/span> ballot measure that, if passed, would ban gays and lesbians from working in public schools.\u003c/p>\n\u003cp>Inspired by California’s first openly gay public official, Harvey Milk, Arana committed himself to fighting back through protest, grassroots organizing and visibility, and the Briggs Initiative was defeated at the ballot box by 16.8 percent.\u003c/p>\n\u003cp>That wouldn’t be the last bit of change Arana had a hand in crafting. When he was 37 years old and working at Community United Against Violence, an organization dedicated to addressing violence against the LGBTQ+ community, Arana finally gave into the feeling that had been nagging him since he first saw \u003cem>Pinnochio\u003c/em>. In a staff meeting, he blurted out that he’s trans. “It was like squeezing a tube of toothpaste where all of this stuff comes out and you can’t cram it back in again, you can’t unring the bell,” he told OUTWORDS. “It was liberating, it was magic.”\u003c/p>\n\u003cfigure id=\"attachment_13859276\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859276\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Arana_Marcus_Photo6-1020x681.jpg\" alt=\"Arana at age 38, early in his transition, when he began to smile in pictures for the first time.\" width=\"300\" height=\"200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Marcus_Photo6-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Marcus_Photo6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Marcus_Photo6-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Marcus_Photo6-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Marcus_Photo6-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Marcus_Photo6.jpg 1785w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Arana at age 38, early in his transition, when he began to smile in pictures for the first time. \u003ccite>(Photo courtesy of Marcus Arana)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the time of his transition, being trans was considered a gender identity disorder and treated like a psychological problem. Arana got back in the fight, educating commissioners, the Health Service Board, the San Francisco Board of Supervisors and ultimately, through television appearances, the American public about discrimination against trans people in the health industry. Through his education, hearts and minds slowly began to change, and with them, policies and laws.\u003c/p>\n\u003cp>But Arana’s proudest achievement as an advocate came in 2003 when he was working at the San Francisco Human Rights Commission as a discrimination investigator. Intersex activists came to him with stories of how those born with bodies that don’t readily fit into what society considers male or female were assigned a gender through non-consensual surgery at birth or during childhood (often without the input of the parents, let alone the patient). This usually necessitated even more surgeries down the line and spawned all kinds of future physical and mental issues.\u003c/p>\n\u003cp>In an effort to prevent any more suffering, Arana wrote a report for the HRC that declared the non-consensual “medical normalization” of intersex people a human rights violation. The report is now used internationally and has helped change the way the medical community views and supports intersex children.\u003c/p>\n\u003ch2>Lani Ka’ahumanu\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=LwG1NOG2y_Q\u003c/p>\n\u003cp>Lani Ka’ahumanu had to come out multiple times: first as someone who no longer wanted a white picket fence and a husband, then as a lesbian activist and finally as a bisexual carving out a space for people like her within the gay rights movement. The unexpected zigs and zags of her life shocked her friends and family, and even herself.\u003c/p>\n\u003cfigure id=\"attachment_13859279\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859279\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Ka%E2%80%99ahumanu_Lani_photo5-1020x1081.jpg\" alt=\"\" width=\"300\" height=\"318\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo5-1020x1081.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo5-160x170.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo5-800x848.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo5-768x814.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo5-1132x1200.jpg 1132w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo5-1920x2035.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo5.jpg 1932w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Ka’ahumanu’s junior prom in 1959 with future husband, captain of the football team and champion wrestler. (That’s a mat burn from a wrestling match on his face.) \u003ccite>(Photo courtesy of Lani Ka'ahumanu)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Growing up, Ka’ahumanu always knew what was expected of her: marry a man and have kids. And she played along for a while, falling in love with the captain of the football team, marrying him at 19 and having two kids by the time she was 24. But then she met a new friend who didn’t shave her legs and shared stories of the women’s rights movement. It wasn’t long before Ka’ahumanu changed her honorific from Mrs. to Ms., got involved with the anti-Vietnam War movement, started collecting food for the Black Panther Breakfast Program and boycotting grapes alongside the United Farm Workers.\u003c/p>\n\u003cp>In the late ’60s and early ’70s, Ka’ahumanu started crying a lot and couldn’t figure out why. She had the cookie-cutter picture of a full heterosexual life,\u003cspan style=\"color: #ff0000\"> \u003c/span>\u003cspan style=\"color: #ff0000\">\u003cspan style=\"color: #000000\">but something was missing.\u003c/span> \u003c/span>As hard as it was, with her husband’s support, she made the difficult decision to leave him and their kids behind and move to San Francisco. She enrolled at San Francisco State University, where she helped found the women’s studies department and came out as a lesbian.\u003c/p>\n\u003cfigure id=\"attachment_13859278\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13859278\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Ka%E2%80%99ahumanu_Lani_photo1-1020x753.jpg\" alt=\"Ka'ahumanu with BiPOL’s contingent at the 1984 SF Pride Parade, led by a red convertible w/ Mayor “Bi-anne Feinstein” and “Princess Bi” from UK waving.\" width=\"640\" height=\"472\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo1-1020x753.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo1-160x118.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo1-800x590.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo1-768x567.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo1-1200x886.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo1.jpg 1500w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Ka’ahumanu with BiPOL’s contingent at the 1984 SF Pride Parade, led by a red convertible with Mayor “Bi-anne Feinstein” and “Princess Bi” from UK waving. \u003ccite>(Photo courtesy of Lani Ka'ahumanu)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“You were becoming part of this growing community, this giant wave, and there was so much support, and a cheering section, literally,” she told OUTWORDS. But there were limits to that support when it came to people who identified as bisexual. Ka’ahumanu realizes now that, back then, she was part of the biphobia problem within the queer community, actively shunning bi women for having “too much privilege.”\u003c/p>\n\u003cp>Years later, while working as a chef at a new age, clothing-optional resort in Mendocino County, Ka’ahumanu met a younger man who wanted to chat about Adrienne Rich’s poetry. Cut to them hooking up in the storage room.\u003c/p>\n\u003cfigure id=\"attachment_13859281\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859281\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Ka_ahumanu_Lani_photo9-1020x1397.jpg\" alt=\"Ka'ahumanu was the only out bisexual invited to speak on the main stage at the 1993 March on Washington.\" width=\"300\" height=\"411\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka_ahumanu_Lani_photo9-1020x1397.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka_ahumanu_Lani_photo9-160x219.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka_ahumanu_Lani_photo9-800x1096.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka_ahumanu_Lani_photo9-768x1052.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka_ahumanu_Lani_photo9-876x1200.jpg 876w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka_ahumanu_Lani_photo9.jpg 1495w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Ka’ahumanu was the only out bisexual invited to speak on the main stage at the 1993 March on Washington. \u003ccite>(Photo courtesy of Lani Ka'ahumanu)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Coming out as bisexual to her newfound community back in San Francisco was rough. Ka’ahumanu felt like “the lesbian who fell from grace” and that she had to prove that she wasn’t a traitor.\u003c/p>\n\u003cp>This experience inspired Ka’ahumanu to dedicate her activist muscle to organizing the bisexual community. She spent the latter part of the ’80s establishing an organization called BiPol to bring bi people from across the country together. From there, she planned the 1990 National Bisexual Conference and pushed for more visibility within the queer community, specifically having the word “bisexual” baked into the name of the March on Washington. In 1993, Ka’ahumanu and her cohorts won a partial victory. The word “bi” would be included, but only if the “sexual” was lopped off. When it came time to speak at the march, Ka’ahumanu realized she was delegated to the last slot out of 18 speakers. As she took the mic and said, “Aloha. It ain’t over ’til the bisexual speaks,” the stage behind her was actively being dismantled.\u003c/p>\n\u003cp>Even though that March on Washington wasn’t perfect, Ka’ahumanu still takes pride in all that she and her organization achieved. “We were at that national table. We did the work. We were there.”\u003c/p>\n\u003ch2>Blackberri\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=Aoo0BIzkXWM\u003c/p>\n\u003cp>AIDS educator. History-making musician. Uplifter of queer Black men. Yoruba priest. Blackberri is all of those things and more, and the seeds of his multi-faceted personality sprouted from the very beginning.\u003c/p>\n\u003cp style=\"text-align: left\">Growing up, Blackberri couldn’t get enough of music. He spent his time pretending to be a conductor in front of the radio, playing the harmonica or singing pop songs from his front stoop to the kids in his neighborhood. He also couldn’t get enough of sex. After his mom caught Blackberri and a friend with nothing but pillows in their laps, the mother and son had a heart-to-heart. “From that day on, that was my liberation notice,” Blackberri remembered in his OUTWORDS interview. “I became more flamboyant and more out and just totally unafraid.”\u003c/p>\n\u003cfigure id=\"attachment_13859282\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859282\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Blackberri_Photo5.jpeg\" alt=\"Blackberri in the Navy.\" width=\"300\" height=\"401\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo5.jpeg 758w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo5-160x214.jpeg 160w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Blackberri in the Navy. \u003ccite>(Photo courtesy of Blackberri)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Years later, Blackberri was drafted into the military. He was initially interested in going into the Air Force, but changed his mind when he saw all the Navy boys’ bell bottoms and “nice round butts.” Dry-docked on the East Coast, there was plenty of time to get down. Blackberri narrowly avoided a dishonorable discharge for expressing his sexuality.\u003c/p>\n\u003cp>After his time in the military, Blackberri moved around, performing in Wales and spending some time at a feminist collective in Tuscon, Arizona where a lesbian called Hummingbird anointed him with his name (she thought he was dark and sweet).\u003c/p>\n\u003cfigure id=\"attachment_13859283\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859283\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Blackberri_Photo4-1020x1495.jpg\" alt=\"Blackberri performing at the Wilshire Ebell Theatre.\" width=\"300\" height=\"440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo4-1020x1495.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo4-160x234.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo4-800x1172.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo4-768x1126.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo4-819x1200.jpg 819w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo4.jpg 1044w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Blackberri performing at the Wilshire Ebell Theatre. \u003ccite>(Photo courtesy of Blackberri)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Music eventually brought him to the Bay Area, where he wrote songs with lyrics like, “You’re such a beautiful black man / But you walk with your head bent and low / Don’t do that anymore / I see the beauty I wish that you knew.” In 1975, he made history on KQED airwaves by starring in a concert called \u003cem>Two Songmakers\u003c/em>, which marked the first time music about the gay experience was featured on public television in San Francisco.\u003c/p>\n\u003cp>Blackberri’s career as a singer-songwriter eventually took a back seat due to the AIDS epidemic. Blackberri worked in the AIDS ward at San Francisco General as a death and dying counselor with \u003ca href=\"http://www.shanti.org/\" target=\"_blank\" rel=\"noopener\">the Shanti Project\u003c/a>. Witnessing the effects of the disease inspired Blackberri to shift his focus to prevention, specifically as it pertained to the black community.\u003c/p>\n\u003cfigure id=\"attachment_13859284\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859284\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Blackberri_Photo7-1020x1292.jpg\" alt=\"Blackberri and his guitar.\" width=\"300\" height=\"380\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo7-1020x1292.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo7-160x203.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo7-800x1013.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo7-768x973.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo7-947x1200.jpg 947w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo7.jpg 1617w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Blackberri and his guitar. \u003ccite>(Photo courtesy of Blackberri)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Black people have always been negroes, always been considered ugly,” he said to OUTWORDS. “So there’s a lot of internalized stuff around how we look, how we are, our hair, our lips. Some people buy into it and that internalized self-hatred has driven the AIDS epidemic. People didn’t feel they were important enough to take care of themselves.”\u003c/p>\n\u003cp>Through workshops, field trips, film screenings, meals, affirmations, meditations and visualizations, Blackberri helped build people up, made them feel special and convinced them that they were worth saving.\u003c/p>\n\u003cp>Thanks to the work of Blackberri and people like him, the LGBTQ+ community is in a better place than it was during the worst days of the AIDS epidemic. But we still have fights ahead. And the only way we win them, according to Blackberri, is if all marginalized communities stick together and show up for each other. “Until we build alliances, we’re not gonna go anywhere,” he said. “When all the fingers close, then you have a fist.”\u003c/p>\n\u003ch2>\u003cstrong>Jewelle Gomez\u003c/strong>\u003c/h2>\n\u003cfigure id=\"attachment_13859285\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13859285\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo3-1020x1450.jpg\" alt=\"Jewelle Gomez at NYC Pride in 1989.\" width=\"640\" height=\"910\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo3-1020x1450.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo3-160x227.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo3-800x1137.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo3-768x1092.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo3-844x1200.jpg 844w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo3.jpg 1441w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Jewelle Gomez at NYC Pride in 1989. \u003ccite>(Photo courtesy of Jewelle Gomez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>From combatting media bias against gay men during the AIDS crisis to challenging discriminatory marriage laws, Jewelle Gomez has dedicated her life to standing up against injustice. She got her first up-close look at bigotry in her youth.\u003c/p>\n\u003cp>For the most part, Gomez lived a quiet, happy childhood with her great-grandmother in Massachusetts. But that changed when Gomez visited her mother’s home in a faraway mill town and learning an ugly truth about this country. Because of her mother’s lighter complexion, her neighbors assumed she was white. When they saw Gomez, her grandmother and her great-grandmother, “it became this horror show,” she told OUTWORDS. “People burned trash on their front yard, threw bricks through their window, called with threatening phone calls day and night.” The harassment continued until the 95 Interstate cut through the neighborhood, forcing everyone to move.\u003c/p>\n\u003cp>The experience instilled an internalized racism in her mother, who didn’t approve when Gomez stopped straightening her hair and got involved with African-American culture. But for Gomez, it was a call to fight back against intolerance by being fully herself.\u003c/p>\n\u003cfigure id=\"attachment_13859286\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859286\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo1-1020x664.jpg\" alt=\"Jewelle Gomez with family in Boston in 1948.\" width=\"300\" height=\"195\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo1-1020x664.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo1-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo1-800x521.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo1-768x500.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo1-1200x782.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo1-1920x1251.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo1.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Jewelle Gomez with family in Boston in 1948. \u003ccite>(Photo courtesy of Jewelle Gomez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After defending herself from a particularly egregious instance of street harassment, Gomez channeled her rage into a novel called \u003cem>The Gilda Stories\u003c/em> about a queer vampire, which was published in 1991 with the help of mentor Audre Lorde.\u003c/p>\n\u003cfigure id=\"attachment_13859287\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859287\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo2--1020x847.jpg\" alt=\"Jewelle Gomez with Audre Lorde, filming 'Before Stonewall' in 1984.\" width=\"300\" height=\"249\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo2--1020x847.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo2--160x133.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo2--800x664.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo2--768x638.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo2--1200x997.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo2--1920x1595.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo2-.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Jewelle Gomez with Audre Lorde, filming ‘Before Stonewall’ in 1984. \u003ccite>(Photo courtesy of Jewelle Gomez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"color: #000000\">In the 1985, Gomez became one of the founders of Gay and Lesbian Alliance Against Defamation (GLAAD), now one of the country’s most prominent LGBTQ+ organizations. \u003c/span>When the mainstream media covered the AIDS epidemic by focusing on what was “wrong” with gay culture—the sex, the bathhouses—Gomez and other GLAAD founders protested the demonization. In 1987, they landed the first editorial meeting that \u003cem>The\u003c/em> \u003cem>New York Times\u003c/em> held with a gay organization, and worked with them on changing the national conversation. For Gomez, that moment was proof of the LGBTQ+ community’s capacity to join together and take back power.\u003c/p>\n\u003cp>Decades later, another battle was brewing: the one around marriage equality. While Gomez always had misgiving around the institution of marriage, as it was designed to keep women in their place, she and her partner agreed to become litigants in the ACLU and NCLR suit against the State of California. After spending four years on the campaign trail, telling her story and advocating for equal treatment under the law, the Supreme Court ruled in their favor in 2008, a feat that had seemed impossible just a few years prior.\u003c/p>\n\u003cfigure id=\"attachment_13859288\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859288\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo14_w-spouse-Diane-Sabin-by-Irene-Young-2013-1020x683.jpg\" alt=\"Jewelle Gomez with spouse Diane Sabin in 2013. \" width=\"300\" height=\"201\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo14_w-spouse-Diane-Sabin-by-Irene-Young-2013-1020x683.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo14_w-spouse-Diane-Sabin-by-Irene-Young-2013-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo14_w-spouse-Diane-Sabin-by-Irene-Young-2013-800x536.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo14_w-spouse-Diane-Sabin-by-Irene-Young-2013-768x514.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo14_w-spouse-Diane-Sabin-by-Irene-Young-2013-1200x803.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo14_w-spouse-Diane-Sabin-by-Irene-Young-2013-1920x1285.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo14_w-spouse-Diane-Sabin-by-Irene-Young-2013.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Jewelle Gomez with spouse Diane Sabin in 2013. \u003ccite>(Irene Young)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"color: #000000\">Through her fiction, her advocacy and sharing her life story through projects like OUTWORDS, Gomez hopes to continue bridging the gaps between communities, “whether that means a person who lives in Idaho who’s never met a black lesbian or a person who lives in New York City who’s too cool to hang out with an old lesbian.”\u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>More information on Mason Funk’s The Book of Pride and OUTWORDS’ digital platform can be found \u003ca href=\"https://www.theoutwordsarchive.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"title": "Meet the LGBTQ+ Elders Who Rioted, Organized and Lobbied to Change History | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> This article is part of KQED Arts’ story series \u003ca href=\"https://www.kqed.org/arts/program/pride-as-protest\" target=\"_blank\" rel=\"noopener\">Pride as Protest\u003c/a>, which chronicles the past and present of LGBTQ+ activism in honor of the 50th anniversary of the Stonewall riots. Learn more about the series \u003ca href=\"https://www.kqed.org/arts/13858609/welcome-to-pride-as-protest-a-new-kqed-arts-story-series\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Pride season is upon us, with its parties, parades and rainbow regalia. But none of it would be possible without the tireless advocacy and protest power of our LGBTQ+ elders. Their stories of fighting for queer and trans rights should be permanently ingrained in our memories and the memories of those to come.\u003c/p>\n\u003cp>That’s where Mason Funk comes in. In 2014, a question kept buzzing around his head: “How did I and millions of other LGBTQ+ people get from there to here?” Funk answered it by creating \u003ca href=\"https://www.theoutwordsarchive.org/\" target=\"_blank\" rel=\"noopener\">OUTWORDS\u003c/a>, a multi-media archive, and its accompanying \u003ca href=\"https://www.theoutwordsarchive.org/bookofpride\" target=\"_blank\" rel=\"noopener\">\u003cem>Book of Pride\u003c/em>\u003c/a> to tell the stories of LGBTQ+ pioneers.\u003c/p>\n\u003cp>The project includes over one hundred powerful interviews with subjects from all across the country. Here, we take a look at the stories of five changemakers featured in OUTWORDS, including a survivor of the Stonewall riots who isn’t afraid to curse; an activist who won marriage rights from the California Supreme Court; a housewife who turned in her white picket fence for the March on Washington stage; a Two-Spirit activist who battled prejudice on the ballot and within the medical community and won; and a Yoruba priest who devoted himself to educating his community about AIDS.\u003c/p>\n\u003ch2>Miss Major Griffin-Gracy\u003c/h2>\n\u003cfigure id=\"attachment_13859269\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13859269\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Screen-Shot-2019-06-01-at-12.49.26-AM-1020x572.png\" alt=\"Miss Major at a Pride Parade in San Francisco.\" width=\"640\" height=\"359\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Screen-Shot-2019-06-01-at-12.49.26-AM-1020x572.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Screen-Shot-2019-06-01-at-12.49.26-AM-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Screen-Shot-2019-06-01-at-12.49.26-AM-800x449.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Screen-Shot-2019-06-01-at-12.49.26-AM-768x431.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Screen-Shot-2019-06-01-at-12.49.26-AM-1200x673.png 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Screen-Shot-2019-06-01-at-12.49.26-AM-1920x1077.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Screen-Shot-2019-06-01-at-12.49.26-AM.png 2048w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Miss Major at a Pride Parade in San Francisco. \u003ccite>(Photo courtesy of Miss Major)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If you’ve never heard Miss Major’s name, where have you been? The veteran of the Stonewall Rebellion has been making waves for over 40 years, fighting for incarcerated trans people through San Francisco’s \u003ca href=\"http://www.tgijp.org/\" target=\"_blank\" rel=\"noopener\">Trans, Gender-Variant and Intersex Justice Project\u003c/a> until her recent retirement. Her impact has been so—um—major that there’s \u003ca href=\"https://www.missmajorfilm.com/\" target=\"_blank\" rel=\"noopener\">an entire film\u003c/a> about it.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The fighting spirit that made Miss Major famous has been with her since she was born so premature that she could fit in the palm of her father’s hand. “I’ve been a struggling bitch from the moment I took breath, fighting to hang in there and survive and be here, and make myself known,” she told OUTWORDS.\u003c/p>\n\u003cp>Born and raised in Chicago, Miss Major started secretly wearing her mother’s clothes and clip-clopping around the house in her heels around the age of 15. When her mother found out, she was beaten. When her school found out, she was expelled.\u003c/p>\n\u003cfigure id=\"attachment_13859270\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859270\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo4-1020x704.jpg\" alt=\"An elated Miss Major.\" width=\"300\" height=\"207\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo4-1020x704.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo4-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo4-800x552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo4-768x530.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo4-1200x829.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo4-1920x1326.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo4.jpg 1974w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">An elated Miss Major. \u003ccite>(Photo courtesy of Miss Major)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the ’60s, Miss Major found her way to New York, where the city’s rich diversity instantly proved to be a balm. Soon, she found a sense of community on the streets with fellow working girls. “Hooking at that time was a f-cking blessing,” she said. “The money was good. The johns were great.” But things eventually took a turn for the dangerous around 1967. Girls were turning up dead, and the police didn’t value their lives enough to investigate. So Miss Major and her friends started taking down license plate numbers, memorizing faces and crafting other methods of ensuring each other’s safety.\u003c/p>\n\u003cfigure id=\"attachment_13859271\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859271\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo1-1020x1328.jpg\" alt=\"Miss Major serving a look.\" width=\"300\" height=\"391\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo1-1020x1328.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo1-160x208.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo1-800x1042.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo1-768x1000.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo1-922x1200.jpg 922w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Griffin-Gracy_Miss-Major_photo1.jpg 1573w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Miss Major serving a look. \u003ccite>(Photo courtesy of Miss Major)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sick of the mistreatment, Miss Major started carrying a hammer for protection; other girls carried knives. As she recalls, if a scuffle broke out, police let male instigators free and arrested the women for defending themselves. Miss Major became known as someone who would reliably accompany girls in trouble with the law to court (something she continued to do into her 70s).\u003c/p>\n\u003cp>In 1969, Miss Major frequented a Cheers-esque bar called Stonewall, where everyone knew her name and where she and her friends felt seen and understood. At the time, many aspects of queer and trans life were illegal, and police regularly raided the bar. They got more than they bargained for on June 28, 1969, when a group of fed-up people fought back. Miss Major was there. “I don’t remember a shoe, a brick, a bottle, a body, a garbage can,” she told OUTWORDS. “All I know is we were fighting for our life and we were kicking the cops’ ass.” That moment became the spark that ignited the modern-day LGBTQ+ rights movement.\u003c/p>\n\u003cp>\u003cspan style=\"color: #000000\">Until her recent retirement to Arizona, Miss Major continued to make a difference in the lives of working women in Oakland, whom she calls her babies. “I’ll take my cane and hobble across the street … and sit on the bench and talk to them,” she said. “The world doesn’t care about us. I want them all to know that somebody does.”\u003c/span>\u003c/p>\n\u003ch2>Marcus Arana\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dBwvns4XH6g'\n title='//www.youtube.com/embed/dBwvns4XH6g'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Marcus Arana’s journey to becoming a Two-Spirit activist fighting for the rights of trans and intersex people can be traced all the way back to a movie theater. At four-years-old, he saw a blue fairy turn Pinocchio into a real boy. Assigned female at birth, Arana turned to his mother and asked for his own blue fairy. She explained that girls could never be boys. In that moment, Arana learned two things: that he was different and that he shouldn’t talk about it.\u003c/p>\n\u003cfigure id=\"attachment_13859275\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859275\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Arana_Mary_Photo12-1020x746.jpg\" alt=\"Arana at age 25 at a Halloween dance as a persona called Dread Weatherly.\" width=\"300\" height=\"219\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Mary_Photo12-1020x746.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Mary_Photo12-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Mary_Photo12-800x585.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Mary_Photo12-768x562.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Mary_Photo12-1200x878.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Mary_Photo12.jpg 1519w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Arana at age 25 at a Halloween dance as a persona called Dread Weatherly. \u003ccite>(Photo courtesy of Marcus Arana)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And he didn’t throughout a lonely and rough childhood, which forced him to leave home at age 14. He eventually came out as queer and moved to San Francisco in 1976, which felt “like the sun coming out and you can hear the munchkins singing as we all went down the yellow brick road.” But, just as Dorothy and her pals had to contend with the Wicked Witch of the West, Arana and other California gays faced off against their own villain: the Briggs Initiative, a \u003cspan style=\"color: #000000\">1978\u003c/span> ballot measure that, if passed, would ban gays and lesbians from working in public schools.\u003c/p>\n\u003cp>Inspired by California’s first openly gay public official, Harvey Milk, Arana committed himself to fighting back through protest, grassroots organizing and visibility, and the Briggs Initiative was defeated at the ballot box by 16.8 percent.\u003c/p>\n\u003cp>That wouldn’t be the last bit of change Arana had a hand in crafting. When he was 37 years old and working at Community United Against Violence, an organization dedicated to addressing violence against the LGBTQ+ community, Arana finally gave into the feeling that had been nagging him since he first saw \u003cem>Pinnochio\u003c/em>. In a staff meeting, he blurted out that he’s trans. “It was like squeezing a tube of toothpaste where all of this stuff comes out and you can’t cram it back in again, you can’t unring the bell,” he told OUTWORDS. “It was liberating, it was magic.”\u003c/p>\n\u003cfigure id=\"attachment_13859276\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859276\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Arana_Marcus_Photo6-1020x681.jpg\" alt=\"Arana at age 38, early in his transition, when he began to smile in pictures for the first time.\" width=\"300\" height=\"200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Marcus_Photo6-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Marcus_Photo6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Marcus_Photo6-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Marcus_Photo6-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Marcus_Photo6-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Arana_Marcus_Photo6.jpg 1785w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Arana at age 38, early in his transition, when he began to smile in pictures for the first time. \u003ccite>(Photo courtesy of Marcus Arana)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the time of his transition, being trans was considered a gender identity disorder and treated like a psychological problem. Arana got back in the fight, educating commissioners, the Health Service Board, the San Francisco Board of Supervisors and ultimately, through television appearances, the American public about discrimination against trans people in the health industry. Through his education, hearts and minds slowly began to change, and with them, policies and laws.\u003c/p>\n\u003cp>But Arana’s proudest achievement as an advocate came in 2003 when he was working at the San Francisco Human Rights Commission as a discrimination investigator. Intersex activists came to him with stories of how those born with bodies that don’t readily fit into what society considers male or female were assigned a gender through non-consensual surgery at birth or during childhood (often without the input of the parents, let alone the patient). This usually necessitated even more surgeries down the line and spawned all kinds of future physical and mental issues.\u003c/p>\n\u003cp>In an effort to prevent any more suffering, Arana wrote a report for the HRC that declared the non-consensual “medical normalization” of intersex people a human rights violation. The report is now used internationally and has helped change the way the medical community views and supports intersex children.\u003c/p>\n\u003ch2>Lani Ka’ahumanu\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LwG1NOG2y_Q'\n title='//www.youtube.com/embed/LwG1NOG2y_Q'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Lani Ka’ahumanu had to come out multiple times: first as someone who no longer wanted a white picket fence and a husband, then as a lesbian activist and finally as a bisexual carving out a space for people like her within the gay rights movement. The unexpected zigs and zags of her life shocked her friends and family, and even herself.\u003c/p>\n\u003cfigure id=\"attachment_13859279\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859279\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Ka%E2%80%99ahumanu_Lani_photo5-1020x1081.jpg\" alt=\"\" width=\"300\" height=\"318\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo5-1020x1081.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo5-160x170.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo5-800x848.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo5-768x814.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo5-1132x1200.jpg 1132w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo5-1920x2035.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo5.jpg 1932w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Ka’ahumanu’s junior prom in 1959 with future husband, captain of the football team and champion wrestler. (That’s a mat burn from a wrestling match on his face.) \u003ccite>(Photo courtesy of Lani Ka'ahumanu)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Growing up, Ka’ahumanu always knew what was expected of her: marry a man and have kids. And she played along for a while, falling in love with the captain of the football team, marrying him at 19 and having two kids by the time she was 24. But then she met a new friend who didn’t shave her legs and shared stories of the women’s rights movement. It wasn’t long before Ka’ahumanu changed her honorific from Mrs. to Ms., got involved with the anti-Vietnam War movement, started collecting food for the Black Panther Breakfast Program and boycotting grapes alongside the United Farm Workers.\u003c/p>\n\u003cp>In the late ’60s and early ’70s, Ka’ahumanu started crying a lot and couldn’t figure out why. She had the cookie-cutter picture of a full heterosexual life,\u003cspan style=\"color: #ff0000\"> \u003c/span>\u003cspan style=\"color: #ff0000\">\u003cspan style=\"color: #000000\">but something was missing.\u003c/span> \u003c/span>As hard as it was, with her husband’s support, she made the difficult decision to leave him and their kids behind and move to San Francisco. She enrolled at San Francisco State University, where she helped found the women’s studies department and came out as a lesbian.\u003c/p>\n\u003cfigure id=\"attachment_13859278\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13859278\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Ka%E2%80%99ahumanu_Lani_photo1-1020x753.jpg\" alt=\"Ka'ahumanu with BiPOL’s contingent at the 1984 SF Pride Parade, led by a red convertible w/ Mayor “Bi-anne Feinstein” and “Princess Bi” from UK waving.\" width=\"640\" height=\"472\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo1-1020x753.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo1-160x118.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo1-800x590.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo1-768x567.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo1-1200x886.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka’ahumanu_Lani_photo1.jpg 1500w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Ka’ahumanu with BiPOL’s contingent at the 1984 SF Pride Parade, led by a red convertible with Mayor “Bi-anne Feinstein” and “Princess Bi” from UK waving. \u003ccite>(Photo courtesy of Lani Ka'ahumanu)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“You were becoming part of this growing community, this giant wave, and there was so much support, and a cheering section, literally,” she told OUTWORDS. But there were limits to that support when it came to people who identified as bisexual. Ka’ahumanu realizes now that, back then, she was part of the biphobia problem within the queer community, actively shunning bi women for having “too much privilege.”\u003c/p>\n\u003cp>Years later, while working as a chef at a new age, clothing-optional resort in Mendocino County, Ka’ahumanu met a younger man who wanted to chat about Adrienne Rich’s poetry. Cut to them hooking up in the storage room.\u003c/p>\n\u003cfigure id=\"attachment_13859281\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859281\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Ka_ahumanu_Lani_photo9-1020x1397.jpg\" alt=\"Ka'ahumanu was the only out bisexual invited to speak on the main stage at the 1993 March on Washington.\" width=\"300\" height=\"411\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka_ahumanu_Lani_photo9-1020x1397.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka_ahumanu_Lani_photo9-160x219.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka_ahumanu_Lani_photo9-800x1096.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka_ahumanu_Lani_photo9-768x1052.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka_ahumanu_Lani_photo9-876x1200.jpg 876w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Ka_ahumanu_Lani_photo9.jpg 1495w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Ka’ahumanu was the only out bisexual invited to speak on the main stage at the 1993 March on Washington. \u003ccite>(Photo courtesy of Lani Ka'ahumanu)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Coming out as bisexual to her newfound community back in San Francisco was rough. Ka’ahumanu felt like “the lesbian who fell from grace” and that she had to prove that she wasn’t a traitor.\u003c/p>\n\u003cp>This experience inspired Ka’ahumanu to dedicate her activist muscle to organizing the bisexual community. She spent the latter part of the ’80s establishing an organization called BiPol to bring bi people from across the country together. From there, she planned the 1990 National Bisexual Conference and pushed for more visibility within the queer community, specifically having the word “bisexual” baked into the name of the March on Washington. In 1993, Ka’ahumanu and her cohorts won a partial victory. The word “bi” would be included, but only if the “sexual” was lopped off. When it came time to speak at the march, Ka’ahumanu realized she was delegated to the last slot out of 18 speakers. As she took the mic and said, “Aloha. It ain’t over ’til the bisexual speaks,” the stage behind her was actively being dismantled.\u003c/p>\n\u003cp>Even though that March on Washington wasn’t perfect, Ka’ahumanu still takes pride in all that she and her organization achieved. “We were at that national table. We did the work. We were there.”\u003c/p>\n\u003ch2>Blackberri\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Aoo0BIzkXWM'\n title='//www.youtube.com/embed/Aoo0BIzkXWM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>AIDS educator. History-making musician. Uplifter of queer Black men. Yoruba priest. Blackberri is all of those things and more, and the seeds of his multi-faceted personality sprouted from the very beginning.\u003c/p>\n\u003cp style=\"text-align: left\">Growing up, Blackberri couldn’t get enough of music. He spent his time pretending to be a conductor in front of the radio, playing the harmonica or singing pop songs from his front stoop to the kids in his neighborhood. He also couldn’t get enough of sex. After his mom caught Blackberri and a friend with nothing but pillows in their laps, the mother and son had a heart-to-heart. “From that day on, that was my liberation notice,” Blackberri remembered in his OUTWORDS interview. “I became more flamboyant and more out and just totally unafraid.”\u003c/p>\n\u003cfigure id=\"attachment_13859282\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859282\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Blackberri_Photo5.jpeg\" alt=\"Blackberri in the Navy.\" width=\"300\" height=\"401\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo5.jpeg 758w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo5-160x214.jpeg 160w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Blackberri in the Navy. \u003ccite>(Photo courtesy of Blackberri)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Years later, Blackberri was drafted into the military. He was initially interested in going into the Air Force, but changed his mind when he saw all the Navy boys’ bell bottoms and “nice round butts.” Dry-docked on the East Coast, there was plenty of time to get down. Blackberri narrowly avoided a dishonorable discharge for expressing his sexuality.\u003c/p>\n\u003cp>After his time in the military, Blackberri moved around, performing in Wales and spending some time at a feminist collective in Tuscon, Arizona where a lesbian called Hummingbird anointed him with his name (she thought he was dark and sweet).\u003c/p>\n\u003cfigure id=\"attachment_13859283\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859283\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Blackberri_Photo4-1020x1495.jpg\" alt=\"Blackberri performing at the Wilshire Ebell Theatre.\" width=\"300\" height=\"440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo4-1020x1495.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo4-160x234.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo4-800x1172.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo4-768x1126.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo4-819x1200.jpg 819w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo4.jpg 1044w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Blackberri performing at the Wilshire Ebell Theatre. \u003ccite>(Photo courtesy of Blackberri)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Music eventually brought him to the Bay Area, where he wrote songs with lyrics like, “You’re such a beautiful black man / But you walk with your head bent and low / Don’t do that anymore / I see the beauty I wish that you knew.” In 1975, he made history on KQED airwaves by starring in a concert called \u003cem>Two Songmakers\u003c/em>, which marked the first time music about the gay experience was featured on public television in San Francisco.\u003c/p>\n\u003cp>Blackberri’s career as a singer-songwriter eventually took a back seat due to the AIDS epidemic. Blackberri worked in the AIDS ward at San Francisco General as a death and dying counselor with \u003ca href=\"http://www.shanti.org/\" target=\"_blank\" rel=\"noopener\">the Shanti Project\u003c/a>. Witnessing the effects of the disease inspired Blackberri to shift his focus to prevention, specifically as it pertained to the black community.\u003c/p>\n\u003cfigure id=\"attachment_13859284\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859284\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Blackberri_Photo7-1020x1292.jpg\" alt=\"Blackberri and his guitar.\" width=\"300\" height=\"380\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo7-1020x1292.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo7-160x203.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo7-800x1013.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo7-768x973.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo7-947x1200.jpg 947w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Blackberri_Photo7.jpg 1617w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Blackberri and his guitar. \u003ccite>(Photo courtesy of Blackberri)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Black people have always been negroes, always been considered ugly,” he said to OUTWORDS. “So there’s a lot of internalized stuff around how we look, how we are, our hair, our lips. Some people buy into it and that internalized self-hatred has driven the AIDS epidemic. People didn’t feel they were important enough to take care of themselves.”\u003c/p>\n\u003cp>Through workshops, field trips, film screenings, meals, affirmations, meditations and visualizations, Blackberri helped build people up, made them feel special and convinced them that they were worth saving.\u003c/p>\n\u003cp>Thanks to the work of Blackberri and people like him, the LGBTQ+ community is in a better place than it was during the worst days of the AIDS epidemic. But we still have fights ahead. And the only way we win them, according to Blackberri, is if all marginalized communities stick together and show up for each other. “Until we build alliances, we’re not gonna go anywhere,” he said. “When all the fingers close, then you have a fist.”\u003c/p>\n\u003ch2>\u003cstrong>Jewelle Gomez\u003c/strong>\u003c/h2>\n\u003cfigure id=\"attachment_13859285\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13859285\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo3-1020x1450.jpg\" alt=\"Jewelle Gomez at NYC Pride in 1989.\" width=\"640\" height=\"910\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo3-1020x1450.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo3-160x227.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo3-800x1137.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo3-768x1092.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo3-844x1200.jpg 844w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo3.jpg 1441w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Jewelle Gomez at NYC Pride in 1989. \u003ccite>(Photo courtesy of Jewelle Gomez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>From combatting media bias against gay men during the AIDS crisis to challenging discriminatory marriage laws, Jewelle Gomez has dedicated her life to standing up against injustice. She got her first up-close look at bigotry in her youth.\u003c/p>\n\u003cp>For the most part, Gomez lived a quiet, happy childhood with her great-grandmother in Massachusetts. But that changed when Gomez visited her mother’s home in a faraway mill town and learning an ugly truth about this country. Because of her mother’s lighter complexion, her neighbors assumed she was white. When they saw Gomez, her grandmother and her great-grandmother, “it became this horror show,” she told OUTWORDS. “People burned trash on their front yard, threw bricks through their window, called with threatening phone calls day and night.” The harassment continued until the 95 Interstate cut through the neighborhood, forcing everyone to move.\u003c/p>\n\u003cp>The experience instilled an internalized racism in her mother, who didn’t approve when Gomez stopped straightening her hair and got involved with African-American culture. But for Gomez, it was a call to fight back against intolerance by being fully herself.\u003c/p>\n\u003cfigure id=\"attachment_13859286\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859286\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo1-1020x664.jpg\" alt=\"Jewelle Gomez with family in Boston in 1948.\" width=\"300\" height=\"195\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo1-1020x664.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo1-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo1-800x521.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo1-768x500.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo1-1200x782.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo1-1920x1251.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo1.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Jewelle Gomez with family in Boston in 1948. \u003ccite>(Photo courtesy of Jewelle Gomez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After defending herself from a particularly egregious instance of street harassment, Gomez channeled her rage into a novel called \u003cem>The Gilda Stories\u003c/em> about a queer vampire, which was published in 1991 with the help of mentor Audre Lorde.\u003c/p>\n\u003cfigure id=\"attachment_13859287\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859287\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo2--1020x847.jpg\" alt=\"Jewelle Gomez with Audre Lorde, filming 'Before Stonewall' in 1984.\" width=\"300\" height=\"249\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo2--1020x847.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo2--160x133.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo2--800x664.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo2--768x638.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo2--1200x997.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo2--1920x1595.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo2-.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Jewelle Gomez with Audre Lorde, filming ‘Before Stonewall’ in 1984. \u003ccite>(Photo courtesy of Jewelle Gomez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"color: #000000\">In the 1985, Gomez became one of the founders of Gay and Lesbian Alliance Against Defamation (GLAAD), now one of the country’s most prominent LGBTQ+ organizations. \u003c/span>When the mainstream media covered the AIDS epidemic by focusing on what was “wrong” with gay culture—the sex, the bathhouses—Gomez and other GLAAD founders protested the demonization. In 1987, they landed the first editorial meeting that \u003cem>The\u003c/em> \u003cem>New York Times\u003c/em> held with a gay organization, and worked with them on changing the national conversation. For Gomez, that moment was proof of the LGBTQ+ community’s capacity to join together and take back power.\u003c/p>\n\u003cp>Decades later, another battle was brewing: the one around marriage equality. While Gomez always had misgiving around the institution of marriage, as it was designed to keep women in their place, she and her partner agreed to become litigants in the ACLU and NCLR suit against the State of California. After spending four years on the campaign trail, telling her story and advocating for equal treatment under the law, the Supreme Court ruled in their favor in 2008, a feat that had seemed impossible just a few years prior.\u003c/p>\n\u003cfigure id=\"attachment_13859288\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13859288\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo14_w-spouse-Diane-Sabin-by-Irene-Young-2013-1020x683.jpg\" alt=\"Jewelle Gomez with spouse Diane Sabin in 2013. \" width=\"300\" height=\"201\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo14_w-spouse-Diane-Sabin-by-Irene-Young-2013-1020x683.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo14_w-spouse-Diane-Sabin-by-Irene-Young-2013-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo14_w-spouse-Diane-Sabin-by-Irene-Young-2013-800x536.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo14_w-spouse-Diane-Sabin-by-Irene-Young-2013-768x514.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo14_w-spouse-Diane-Sabin-by-Irene-Young-2013-1200x803.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo14_w-spouse-Diane-Sabin-by-Irene-Young-2013-1920x1285.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/Gomez_Jewelle_photo14_w-spouse-Diane-Sabin-by-Irene-Young-2013.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Jewelle Gomez with spouse Diane Sabin in 2013. \u003ccite>(Irene Young)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"color: #000000\">Through her fiction, her advocacy and sharing her life story through projects like OUTWORDS, Gomez hopes to continue bridging the gaps between communities, “whether that means a person who lives in Idaho who’s never met a black lesbian or a person who lives in New York City who’s too cool to hang out with an old lesbian.”\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>More information on Mason Funk’s The Book of Pride and OUTWORDS’ digital platform can be found \u003ca href=\"https://www.theoutwordsarchive.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "how-the-trans-community-reclaimed-its-rightful-place-at-pride",
"title": "How the Trans Community Reclaimed Its Rightful Place at Pride",
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"headTitle": "How the Trans Community Reclaimed Its Rightful Place at Pride | KQED",
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"content": "\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> This article is part of KQED Arts’ story series \u003ca href=\"https://www.kqed.org/arts/program/pride-as-protest\" target=\"_blank\" rel=\"noopener\">Pride as Protest\u003c/a>, which chronicles the past and present of LGBTQ+ activism in honor of the 50th anniversary of the Stonewall riots. Learn more about the series \u003ca href=\"https://www.kqed.org/arts/13858609/welcome-to-pride-as-protest-a-new-kqed-arts-story-series\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Mia Satya’s first \u003ca href=\"https://www.transmarch.org/\" target=\"_blank\" rel=\"noopener\">Trans March\u003c/a> was revolutionary.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> In 2010, Satya was new to the Bay Area, having come to San Francisco to escape the transphobia she experienced in Texas, where she was born. She was attending the Trans March as part of the group Trans Ladies Initiating Sisterhood, and she was about to dance in front of thousands of people for the first time ever. [aside postid='arts_13858290']\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Satya had never before had a chance like this. Dancing as her true self was an important way of defying the transphobia she’d encountered in her home state, and she was doing it in front 5,000 cheering people who were celebrating her transgender identity. “It was a life-changing opportunity,” she says. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[pullquote size='large' align='right' citation='Mia Satya of the San Francisco LGBT Center']“\u003cspan class=\"s1\">We’ll keep marching until we don’t have to any more.”[/pullquote]\u003c/span>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Now an employment services coordinator with the \u003ca href=\"https://www.sfcenter.org/\" target=\"_blank\" rel=\"noopener\">San Francisco LGBT Center\u003c/a>, Satya advocates for transgender people in multiple ways, including helping facilitate the Trans March every year. She also staffs the LGBT Center’s booth in the march’s resource fair, where she meets new members of the community, engages with clients the center may have lost touch with, builds connections with businesses that want to hire more trans people and spreads the word about its trans employment program. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Satya says that “all hands are on deck” for the Trans March, which takes place on June 28 this year. For the SF LGBT Center, which also supports the central Pride March and the Dyke March, being at the Trans March is a way of making a clear statement of its commitment to the transgender community. Despite great advances since the first Trans March in 2004, many trans people still feel excluded from Pride and from LGBTQ+ communities in San Francisco. The “LBG” movement has not always been inclusive to the “T,” so the LGBT Center is one of many organizations that prioritizes sending a message of openness and collaboration.\u003c/span>\u003c/p>\n\u003ch2>The fight for trans inclusion at Pride\u003c/h2>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Nowadays the Trans March is an essential part of Pride, lasting an entire day and featuring a youth and elder brunch, resource fair, transformation booth, speakers and performances. But it wasn’t always like this. [aside postid='arts_13844019']\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Though trans women of color like \u003ca href=\"https://www.kqed.org/arts/13844019/ah-mer-ah-sus-major-soundtrack-feeds-the-spirit-of-trans-resistance\" target=\"_blank\" rel=\"noopener\">Miss Major Griffin-Gracy\u003c/a>, \u003ca href=\"https://en.wikipedia.org/wiki/Sylvia_Rivera\" target=\"_blank\" rel=\"noopener\">Sylvia Rivera\u003c/a> and \u003ca href=\"https://en.wikipedia.org/wiki/Marsha_P._Johnson\" target=\"_blank\" rel=\"noopener\">Marsha P. Johnson\u003c/a> played an essential role in the Stonewall uprising of 1969—a riot against police brutality in New York City that sparked the modern-day gay rights movement—by the early 1970s, when Pride first came together, there was no particular space for people who wanted to celebrate transgender identity. In fact, the gay, lesbian and bisexual community often discriminated against trans people. This is reflective of the era, as transgender people were grossly misunderstood, and there were scant services available for people living as their true gender. Additionally, the gay movement had become much more mainstream—and became dominated by the white, male masculine aesthetic that characterizes it to this day.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13859036\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859036\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/trans-march-2004-2-cecilia-chung.jpg\" alt=\"The first Trans March in 2004 reclaimed the trans community's rightful place in San Francisco's Pride celebration.\" width=\"720\" height=\"478\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/trans-march-2004-2-cecilia-chung.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/trans-march-2004-2-cecilia-chung-160x106.jpg 160w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">The first Trans March in 2004 reclaimed the trans community’s rightful place in San Francisco’s Pride celebration. \u003ccite>(Cecilia Chung)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Furthermore, the gay rights movement found success with a conformist message geared towards assimilation into straight norms. Some gay and lesbian organizers feared that the inclusion of trans people would undermine the movement’s gains. These divisions were highlighted in 1973, when homosexuality was officially removed as a mental illness from the American Psychiatric Association’s \u003ci>Diagnostic and Statistical Manual of Mental Disorders. \u003c/i>It would take another 40 years for gender identity disorder, the diagnosis that was generally given to trans people, to become similarly destigmatized in 2013.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> These factors set the stage for what happened in 1973, when Pride became openly hostile toward trans people. In \u003ci>Transgender History\u003c/i>, transgender historian Susan Stryker recounts that in that year, San Francisco Pride consisted of two main events: one was a trans-friendly event, organized by gay activist and Pentecostal preacher Reverend Raymond Broshears; the other event “expressly forbid transgender people from participating.” \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> According to Styker, the transphobic event was the more successful one, setting the tone for decades to come: “Broshears never organized another Gay Pride event, while the anti-drag event became the forerunner of the current San Francisco LGBTQ+ Pride celebration.” (In the ’70s, people often didn’t distinguish between drag queens and transgender women. Many lesbian activists at the time believed that drag was “misogynist,” hence the Stryker’s use of “anti-drag.”) [aside postid='arts_13835520']\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Transgender activist Cecilia Chung says that by 2004 things were quite different, and the San Francisco Pride organization was very willing to support a march devoted to trans empowerment. That year, an anonymous email circulated, calling on anyone who was gender nonconforming to march in conjunction with SF Pride weekend. A number of local activists came together around the call-to-action and decided to take on the responsibility of turning the gathering into a well-organized march.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Chung, who was on the board of directors of SF Pride at the time, took on fundraising for the original Trans March. She says it raised between $3,000 and $5,000, which went into sound systems, a performance space and safety minders. Pride and the Dyke March pitched in with logistical support and Porta Potties. The sex shop Good Vibrations, which has long been a trans-friendly employer, donated water and other beverages. Altogether, somewhere around 3,000 people marched in 2004, starting at Dolores Park and making their way to Civic Center.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Chung says that the first Trans March was undertaken for a number of reasons, a major one being to demand justice for \u003ca href=\"https://www.mercurynews.com/2016/10/14/the-murder-of-gwen-araujo/\" target=\"_blank\" rel=\"noopener\">Gwen Araujo\u003c/a>. Araujo was a trans woman who was brutally beaten to death in 2002 by four men who discovered she was transgender after flirting with her, and, in the case of two, having sexual relations. The trial began shortly before the first Trans March in April 2004, with Gloria Allred representing Araujo’s family. A mistrial had just been declared. It was a bitter setback for trans rights. (Eventually, two of the men were convicted of second-degree murder; the other two pleaded guilty and no contest to manslaughter.) [aside postid='arts_13858167']\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Allred and the family of Gwen Araujo attended the march, and they were not the only high-profile visitors. Senator Kamala Harris, who at the time was San Francisco District Attorney, was there, along with a number of other prominent local politicians. The politicized tone of fighting back against injustice, inequity and the brutal murders of trans people became a central part of the Trans March that continues to this day. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> There has been a lot to fight about. The 2008 march raged against Democrats in Congress, who, led by then-congressman Barney Frank, chose to dump trans people from an LGB-friendly version of the \u003ca href=\"https://www.sfgate.com/politics/article/House-cuts-transgender-people-from-hate-crimes-2538277.php\" target=\"_blank\" rel=\"noopener\">Employment Non-Discrimination Act\u003c/a> with the support of the Human Rights Campaign.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13859037\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13859037\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/hire-trans-lgbt-center-800x723.jpg\" alt=\"The SF LGBT center promotes its trans employment resource program at the 2017 Trans March.\" width=\"800\" height=\"723\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/hire-trans-lgbt-center.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/hire-trans-lgbt-center-160x145.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/hire-trans-lgbt-center-768x694.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The SF LGBT center promotes its trans employment resource program at the 2017 Trans March. \u003ccite>(SF LGBT Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">The 2016 Trans March gave a key piece of transgender history a permanent space in San Francisco when it concluded with the renaming of a Tenderloin street in remembrance of the historic riot at Compton’s Cafeteria, which took place in 1966, three years before Stonewall. This incident, in which gay and transgender patrons came together to demand equal treatment and defy police harassment, was a turning point for LGBTQ+ rights. In late 2018, part of the Tenderloin became designated as the world’s first \u003ca href=\"https://www.kqed.org/news/11717648/worlds-first-transgender-culture-district-looks-to-the-past-and-the-future\" target=\"_blank\" rel=\"noopener\">Transgender Cultural District\u003c/a>. This was a much-needed victory at a time when the Trump administration introduced plans to \u003ca href=\"https://www.nytimes.com/2018/10/21/us/politics/transgender-trump-administration-sex-definition.html\" target=\"_blank\" rel=\"noopener\">severely undermine trans rights\u003c/a>.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Chung recalls that the original Trans March was an important means of bringing together activists in the Bay Area, creating an atmosphere ripe for cross-pollination. The \u003ca href=\"http://www.castrocountryclub.org/\" target=\"_blank\" rel=\"noopener\">Castro Country Club\u003c/a>, a space that supports LGBTQ+ people in substance-abuse recovery, was instrumental in producing fundraisers for the first march, establishing links between different segments of the LGBTQ+ community. Furthermore, organizations like \u003ca href=\"http://tgsf.org/\" target=\"_blank\" rel=\"noopener\">Transgender San Francisco\u003c/a> and \u003ca href=\"https://www.ftmi.org/\" target=\"_blank\" rel=\"noopener\">FTM International\u003c/a>—the first organization specifically founded to advance the interests of transmasculine people—began to meet up and work toward collaboration. “A lot of things started around that time,” Chung says, including quarterly transgender events at the SF LGBT Center, and community town halls with some 500 people in attendance.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> The march also brought about a heightened profile for transgender advocacy. Chung recalls that in advance of the second march in 2005, she was interviewed by a television reporter from England. People were coming from far away to participate in the 2005 march, and the San Francisco organizers began cooperating with a similar event in New York City, arranging bicoastal transgender events on the same day.\u003c/span>\u003c/p>\n\u003ch2>The Trans March today\u003c/h2>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Chung says that while Pride has come to be more of a celebration than a political act, today’s Trans March very much reflects its radical roots. “The march is always meant to be a political statement,” she says. This is a necessity, as trans people are still so far from having full equality under the law, as well as simply having the resources necessary to live and celebrate their identity. Reflecting the radical spirit that has led the transgender movement to find creative ways to support itself and demand its rights, the organization of the march is highly democratized, with regularly rotating leadership and an emphasis on volunteerism over institutionalization to ensure the flow of new ideas. [aside postid='arts_13858699']\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Recent developments in the Trans March reflect that spirit. Satya says that the Youth and Elder Brunch, which began in 2012, “opens up an important opportunity for dialog between generations.” In a community that still remains fractured along lines of class and age, the brunch provides a vital means of building trans community and inclusivity, staying true to the march’s earliest foundations.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> While the Trans March is an annual reminder of the many gains that trans people have made since 2004, Satya says that it’s also a way of illuminating the things that are still to be done. With the Trump administration allowing doctors to \u003ca href=\"https://www.motherjones.com/politics/2019/05/the-trump-administration-just-said-religious-doctors-can-refuse-medical-treatment-for-patients/\" target=\"_blank\" rel=\"noopener\">deny of medical services to transgender patients\u003c/a>, banning transgender servicemembers from the military and threatening to define trans people out of existence, there is a lot of action needed before trans people have their full rights as American citizens. \u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">“We’ll keep marching until we don’t have to any more,” Satya says. “I hope that one day we’ll pass an equality act and won’t have discrimination anywhere, but until then we need to keep marching and fighting.”\u003c/span>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> This article is part of KQED Arts’ story series \u003ca href=\"https://www.kqed.org/arts/program/pride-as-protest\" target=\"_blank\" rel=\"noopener\">Pride as Protest\u003c/a>, which chronicles the past and present of LGBTQ+ activism in honor of the 50th anniversary of the Stonewall riots. Learn more about the series \u003ca href=\"https://www.kqed.org/arts/13858609/welcome-to-pride-as-protest-a-new-kqed-arts-story-series\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Mia Satya’s first \u003ca href=\"https://www.transmarch.org/\" target=\"_blank\" rel=\"noopener\">Trans March\u003c/a> was revolutionary.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> In 2010, Satya was new to the Bay Area, having come to San Francisco to escape the transphobia she experienced in Texas, where she was born. She was attending the Trans March as part of the group Trans Ladies Initiating Sisterhood, and she was about to dance in front of thousands of people for the first time ever. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Satya had never before had a chance like this. Dancing as her true self was an important way of defying the transphobia she’d encountered in her home state, and she was doing it in front 5,000 cheering people who were celebrating her transgender identity. “It was a life-changing opportunity,” she says. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Now an employment services coordinator with the \u003ca href=\"https://www.sfcenter.org/\" target=\"_blank\" rel=\"noopener\">San Francisco LGBT Center\u003c/a>, Satya advocates for transgender people in multiple ways, including helping facilitate the Trans March every year. She also staffs the LGBT Center’s booth in the march’s resource fair, where she meets new members of the community, engages with clients the center may have lost touch with, builds connections with businesses that want to hire more trans people and spreads the word about its trans employment program. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Satya says that “all hands are on deck” for the Trans March, which takes place on June 28 this year. For the SF LGBT Center, which also supports the central Pride March and the Dyke March, being at the Trans March is a way of making a clear statement of its commitment to the transgender community. Despite great advances since the first Trans March in 2004, many trans people still feel excluded from Pride and from LGBTQ+ communities in San Francisco. The “LBG” movement has not always been inclusive to the “T,” so the LGBT Center is one of many organizations that prioritizes sending a message of openness and collaboration.\u003c/span>\u003c/p>\n\u003ch2>The fight for trans inclusion at Pride\u003c/h2>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Nowadays the Trans March is an essential part of Pride, lasting an entire day and featuring a youth and elder brunch, resource fair, transformation booth, speakers and performances. But it wasn’t always like this. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Though trans women of color like \u003ca href=\"https://www.kqed.org/arts/13844019/ah-mer-ah-sus-major-soundtrack-feeds-the-spirit-of-trans-resistance\" target=\"_blank\" rel=\"noopener\">Miss Major Griffin-Gracy\u003c/a>, \u003ca href=\"https://en.wikipedia.org/wiki/Sylvia_Rivera\" target=\"_blank\" rel=\"noopener\">Sylvia Rivera\u003c/a> and \u003ca href=\"https://en.wikipedia.org/wiki/Marsha_P._Johnson\" target=\"_blank\" rel=\"noopener\">Marsha P. Johnson\u003c/a> played an essential role in the Stonewall uprising of 1969—a riot against police brutality in New York City that sparked the modern-day gay rights movement—by the early 1970s, when Pride first came together, there was no particular space for people who wanted to celebrate transgender identity. In fact, the gay, lesbian and bisexual community often discriminated against trans people. This is reflective of the era, as transgender people were grossly misunderstood, and there were scant services available for people living as their true gender. Additionally, the gay movement had become much more mainstream—and became dominated by the white, male masculine aesthetic that characterizes it to this day.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13859036\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13859036\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/trans-march-2004-2-cecilia-chung.jpg\" alt=\"The first Trans March in 2004 reclaimed the trans community's rightful place in San Francisco's Pride celebration.\" width=\"720\" height=\"478\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/trans-march-2004-2-cecilia-chung.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/trans-march-2004-2-cecilia-chung-160x106.jpg 160w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">The first Trans March in 2004 reclaimed the trans community’s rightful place in San Francisco’s Pride celebration. \u003ccite>(Cecilia Chung)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Furthermore, the gay rights movement found success with a conformist message geared towards assimilation into straight norms. Some gay and lesbian organizers feared that the inclusion of trans people would undermine the movement’s gains. These divisions were highlighted in 1973, when homosexuality was officially removed as a mental illness from the American Psychiatric Association’s \u003ci>Diagnostic and Statistical Manual of Mental Disorders. \u003c/i>It would take another 40 years for gender identity disorder, the diagnosis that was generally given to trans people, to become similarly destigmatized in 2013.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> These factors set the stage for what happened in 1973, when Pride became openly hostile toward trans people. In \u003ci>Transgender History\u003c/i>, transgender historian Susan Stryker recounts that in that year, San Francisco Pride consisted of two main events: one was a trans-friendly event, organized by gay activist and Pentecostal preacher Reverend Raymond Broshears; the other event “expressly forbid transgender people from participating.” \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> According to Styker, the transphobic event was the more successful one, setting the tone for decades to come: “Broshears never organized another Gay Pride event, while the anti-drag event became the forerunner of the current San Francisco LGBTQ+ Pride celebration.” (In the ’70s, people often didn’t distinguish between drag queens and transgender women. Many lesbian activists at the time believed that drag was “misogynist,” hence the Stryker’s use of “anti-drag.”) \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Transgender activist Cecilia Chung says that by 2004 things were quite different, and the San Francisco Pride organization was very willing to support a march devoted to trans empowerment. That year, an anonymous email circulated, calling on anyone who was gender nonconforming to march in conjunction with SF Pride weekend. A number of local activists came together around the call-to-action and decided to take on the responsibility of turning the gathering into a well-organized march.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Chung, who was on the board of directors of SF Pride at the time, took on fundraising for the original Trans March. She says it raised between $3,000 and $5,000, which went into sound systems, a performance space and safety minders. Pride and the Dyke March pitched in with logistical support and Porta Potties. The sex shop Good Vibrations, which has long been a trans-friendly employer, donated water and other beverages. Altogether, somewhere around 3,000 people marched in 2004, starting at Dolores Park and making their way to Civic Center.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Chung says that the first Trans March was undertaken for a number of reasons, a major one being to demand justice for \u003ca href=\"https://www.mercurynews.com/2016/10/14/the-murder-of-gwen-araujo/\" target=\"_blank\" rel=\"noopener\">Gwen Araujo\u003c/a>. Araujo was a trans woman who was brutally beaten to death in 2002 by four men who discovered she was transgender after flirting with her, and, in the case of two, having sexual relations. The trial began shortly before the first Trans March in April 2004, with Gloria Allred representing Araujo’s family. A mistrial had just been declared. It was a bitter setback for trans rights. (Eventually, two of the men were convicted of second-degree murder; the other two pleaded guilty and no contest to manslaughter.) \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Allred and the family of Gwen Araujo attended the march, and they were not the only high-profile visitors. Senator Kamala Harris, who at the time was San Francisco District Attorney, was there, along with a number of other prominent local politicians. The politicized tone of fighting back against injustice, inequity and the brutal murders of trans people became a central part of the Trans March that continues to this day. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> There has been a lot to fight about. The 2008 march raged against Democrats in Congress, who, led by then-congressman Barney Frank, chose to dump trans people from an LGB-friendly version of the \u003ca href=\"https://www.sfgate.com/politics/article/House-cuts-transgender-people-from-hate-crimes-2538277.php\" target=\"_blank\" rel=\"noopener\">Employment Non-Discrimination Act\u003c/a> with the support of the Human Rights Campaign.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13859037\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13859037\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/hire-trans-lgbt-center-800x723.jpg\" alt=\"The SF LGBT center promotes its trans employment resource program at the 2017 Trans March.\" width=\"800\" height=\"723\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/hire-trans-lgbt-center.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/hire-trans-lgbt-center-160x145.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/hire-trans-lgbt-center-768x694.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The SF LGBT center promotes its trans employment resource program at the 2017 Trans March. \u003ccite>(SF LGBT Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">The 2016 Trans March gave a key piece of transgender history a permanent space in San Francisco when it concluded with the renaming of a Tenderloin street in remembrance of the historic riot at Compton’s Cafeteria, which took place in 1966, three years before Stonewall. This incident, in which gay and transgender patrons came together to demand equal treatment and defy police harassment, was a turning point for LGBTQ+ rights. In late 2018, part of the Tenderloin became designated as the world’s first \u003ca href=\"https://www.kqed.org/news/11717648/worlds-first-transgender-culture-district-looks-to-the-past-and-the-future\" target=\"_blank\" rel=\"noopener\">Transgender Cultural District\u003c/a>. This was a much-needed victory at a time when the Trump administration introduced plans to \u003ca href=\"https://www.nytimes.com/2018/10/21/us/politics/transgender-trump-administration-sex-definition.html\" target=\"_blank\" rel=\"noopener\">severely undermine trans rights\u003c/a>.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Chung recalls that the original Trans March was an important means of bringing together activists in the Bay Area, creating an atmosphere ripe for cross-pollination. The \u003ca href=\"http://www.castrocountryclub.org/\" target=\"_blank\" rel=\"noopener\">Castro Country Club\u003c/a>, a space that supports LGBTQ+ people in substance-abuse recovery, was instrumental in producing fundraisers for the first march, establishing links between different segments of the LGBTQ+ community. Furthermore, organizations like \u003ca href=\"http://tgsf.org/\" target=\"_blank\" rel=\"noopener\">Transgender San Francisco\u003c/a> and \u003ca href=\"https://www.ftmi.org/\" target=\"_blank\" rel=\"noopener\">FTM International\u003c/a>—the first organization specifically founded to advance the interests of transmasculine people—began to meet up and work toward collaboration. “A lot of things started around that time,” Chung says, including quarterly transgender events at the SF LGBT Center, and community town halls with some 500 people in attendance.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> The march also brought about a heightened profile for transgender advocacy. Chung recalls that in advance of the second march in 2005, she was interviewed by a television reporter from England. People were coming from far away to participate in the 2005 march, and the San Francisco organizers began cooperating with a similar event in New York City, arranging bicoastal transgender events on the same day.\u003c/span>\u003c/p>\n\u003ch2>The Trans March today\u003c/h2>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Chung says that while Pride has come to be more of a celebration than a political act, today’s Trans March very much reflects its radical roots. “The march is always meant to be a political statement,” she says. This is a necessity, as trans people are still so far from having full equality under the law, as well as simply having the resources necessary to live and celebrate their identity. Reflecting the radical spirit that has led the transgender movement to find creative ways to support itself and demand its rights, the organization of the march is highly democratized, with regularly rotating leadership and an emphasis on volunteerism over institutionalization to ensure the flow of new ideas. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> Recent developments in the Trans March reflect that spirit. Satya says that the Youth and Elder Brunch, which began in 2012, “opens up an important opportunity for dialog between generations.” In a community that still remains fractured along lines of class and age, the brunch provides a vital means of building trans community and inclusivity, staying true to the march’s earliest foundations.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\"> While the Trans March is an annual reminder of the many gains that trans people have made since 2004, Satya says that it’s also a way of illuminating the things that are still to be done. With the Trump administration allowing doctors to \u003ca href=\"https://www.motherjones.com/politics/2019/05/the-trump-administration-just-said-religious-doctors-can-refuse-medical-treatment-for-patients/\" target=\"_blank\" rel=\"noopener\">deny of medical services to transgender patients\u003c/a>, banning transgender servicemembers from the military and threatening to define trans people out of existence, there is a lot of action needed before trans people have their full rights as American citizens. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">“We’ll keep marching until we don’t have to any more,” Satya says. “I hope that one day we’ll pass an equality act and won’t have discrimination anywhere, but until then we need to keep marching and fighting.”\u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "sfs-first-black-owned-gay-bar-offered-refuge-from-racism-in-the-90s-queer-scene",
"title": "SF's First Black-Owned Gay Bar Offered Refuge from Racism in the '90s Queer Scene",
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"content": "\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> This article is part of KQED Arts’ story series \u003ca href=\"https://www.kqed.org/arts/program/pride-as-protest\" target=\"_blank\" rel=\"noopener\">Pride as Protest\u003c/a>, which chronicles the past and present of LGBTQ+ activism in honor of the 50th anniversary of the Stonewall riots. Learn more about the series \u003ca href=\"https://www.kqed.org/arts/13858609/welcome-to-pride-as-protest-a-new-kqed-arts-story-series\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>One Saturday evening last month, dozens of people hovered around a horseshoe-shaped bar in the Mission District of San Francisco. Diffuse blue and fuchsia lights shone on white patent leather sofas, and a DJ played vinyl—mostly throwback funk and disco beating with a steady pulse. Arched over the scene was a pink neon sign with the words “Eagle Creek.”\u003c/p>\n\u003cp>As the music quieted, \u003ca href=\"http://www.sadiebarnette.com/\" target=\"_blank\" rel=\"noopener\">Sadie Barnette\u003c/a> and her father Rodney sat on stools beneath the neon, and explained why this art space, usually known as \u003ca href=\"https://www.thelab.org/\" target=\"_blank\" rel=\"noopener\">the Lab\u003c/a>, looked and felt like a nightclub. In the 1970s and 1980s, Rodney recalled, gay bars were among the least hospitable places in San Francisco for black people such as himself. There was hardly a place for gay black people to dance, let alone throw a fundraiser for a gay black political candidate.\u003c/p>\n\u003cp>“That’s why I bought the Eagle Creek,” he said.\u003c/p>\n\u003cfigure id=\"attachment_13858718\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13858718\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Sadie-and-Rodney-Barnette-2-800x533.jpg\" alt=\"Sadie Barnette (L) used her residency at The Lab to honor San Francisco's first black-owned gay bar the Eagle Creek Saloon, which her father Rodney (R) opened in 1990.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Sadie-and-Rodney-Barnette-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Sadie-and-Rodney-Barnette-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Sadie-and-Rodney-Barnette-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Sadie-and-Rodney-Barnette-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Sadie-and-Rodney-Barnette-2-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Sadie-and-Rodney-Barnette-2.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sadie Barnette (L) used her residency at The Lab to honor San Francisco’s first black-owned gay bar the Eagle Creek Saloon, which her father Rodney (R) opened in 1990. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sadie was five years old in 1990 when her father acquired the bar that for the next three years provided gay people of color a site of protest, refuge and revelry on Market Street—”a friendly place with a funky bass for every race,” as its slogan went. Now the Oakland artist is using her \u003ca href=\"https://www.thelab.org/projects/2019/5/11/sadie-barnette-the-new-eagle-creek-saloon\" target=\"_blank\" rel=\"noopener\">residency\u003c/a> at the Lab to to honor her father’s venture with “something living, something more than a referential archive,” she said. “I want this to channel Eagle Creek, not just be about it.” [aside postid='arts_13858167']\u003c/p>\n\u003cp>Sadie’s most vivid memory of the city’s first black-owned gay bar is from 1992, when the Eagle Creek sponsored what Rodney calls the first black float in the San Francisco Pride parade. The theme was black people through the ages, and Sadie stood alongside pharaohs and astronauts in an ornately tasseled ensemble created by a bar regular. Her residency at the Lab culminates with this year’s parade on June 30, when the entire bar will be hoisted onto a float. Until then, the bar is on view every Wednesday 5-8pm.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[pullquote size='large' align='right' citation='Rodney Barnette, owner of Eagle Creek Saloon']“The bigger the community got, the worse the discrimination was. I started avoiding even driving through the Castro.”[/pullquote]\u003c/span>\u003c/p>\n\u003cp>“The New Eagle Creek Saloon” is not a reproduction of Eagle Creek so much as a fondly embellished memory. Sadie called the aesthetic “disco limbo,” saying in a recent interview that it connects to her work in terms of familiar objects or scenes portrayed with a hyperbolic grandeur to suggest their liberatory potential. The bar is part altar, with photos of the Barnette family from the time, and part sculpture, with crushed cans and stereo equipment enameled in glitter. There are branded matchbooks and coasters, and the bar itself is sturdy enough for people to dance on.\u003c/p>\n\u003cfigure id=\"attachment_13858711\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13858711\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Barnette-family-and-regulars-eagle-creek-saloon-800x618.jpg\" alt='L to R: Alvin and Carl Barnette, Eagle Creek regulars Sammy \"La Creek\" and Frank \"Lady F,\" and Rodney Barnette.' width=\"800\" height=\"618\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Barnette-family-and-regulars-eagle-creek-saloon-800x618.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Barnette-family-and-regulars-eagle-creek-saloon-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Barnette-family-and-regulars-eagle-creek-saloon-768x594.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Barnette-family-and-regulars-eagle-creek-saloon-1020x788.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Barnette-family-and-regulars-eagle-creek-saloon-1200x928.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Barnette-family-and-regulars-eagle-creek-saloon.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">L to R: Alvin and Carl Barnette, Eagle Creek regulars Sammy “La Creek” and Frank “Lady F,” and Rodney Barnette. \u003ccite>(Courtesy Sadie Barnette)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sadie aims for the installation to also be a queer social space, inviting organizations such as the Black Aesthetic film collective to contribute programming. This way, the project at once enhances the historical record, gathering memories and materials related to a little-documented bar, and addresses a still-urgent need for black-centered queer spaces. “Discrimination at clubs doesn’t take the same forms now,” she said. “But we shouldn’t relegate the struggle to the past.”\u003c/p>\n\u003cp>Rodney was wounded in the Vietnam War, and upon returning to Los Angeles realized American police occupied the black community the way American soldiers occupied Vietnam. He founded the Compton chapter of the Black Panther Party in 1968, landing on the Federal Bureau of Investigation’s Counterintelligence Program (COINTELPRO) watchlist. [aside postid='arts_13858829']\u003c/p>\n\u003cp>Sadie incorporated his FBI file, acquired via a public records request, into her installation \u003cem>My Father’s FBI File, Project I\u003c/em>, which debuted in 2016 at the Oakland Museum of California’s exhibition \u003cem>All Power to the People: Black Panthers at 50\u003c/em>. She had in mind a piece inspired by Eagle Creek even before that project, but it wasn’t until the Lab residency that she had the opportunity. “Something that’s as much performance as shrine or nightclub needs somewhere as flexible as the Lab,” she said.\u003c/p>\n\u003cfigure id=\"attachment_13858712\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13858712\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Bar-sculpture-Eagle-Creek-800x450.jpg\" alt=\"The bar is part altar, with photos of the Barnette family from the time, and part sculpture, with crushed cans and stereo equipment enameled in glitter.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-sculpture-Eagle-Creek-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-sculpture-Eagle-Creek-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-sculpture-Eagle-Creek-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-sculpture-Eagle-Creek-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-sculpture-Eagle-Creek-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-sculpture-Eagle-Creek.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The bar is part altar, with photos of the Barnette family from the time, and part sculpture, with crushed cans and stereo equipment enameled in glitter. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rodney, who moved to San Francisco in 1969, said he was surprised to find racism in the gay scene to be more pronounced than in the city over all. As he recalls, the Rendezvous cut the music when black people started to dance, citing a rule against bodily contact, and the Stud removed the black music from the jukebox. At the Mineshaft, like other gay bars, black people were often asked for three forms of identification at the door. “And the bigger the community got, the worse the discrimination was,” Rodney said. “I started avoiding even driving through the Castro.”\u003c/p>\n\u003cp>Even the opening of the Eagle Creek, in 1990, was followed by what Rodney considered a racist smear in San Francisco’s LGBTQ+ newspaper, \u003cem>Bay Area Reporter\u003c/em>. A news item on a white gay man found strangled to death at home noted that he was an Eagle Creek regular with a “sexual preference for black males,” unsubtly implying a connection. Rodney wrote the newspaper expressing sympathy for the victim and outrage at the innuendo, prompting a retraction.\u003c/p>\n\u003cfigure id=\"attachment_13858710\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13858710\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Bar-by-day-800x507.jpg\" alt='Sadie Barnette aims for \"The New Eagle Creek Saloon\" to be a queer social space. ' width=\"800\" height=\"507\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-by-day-800x507.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-by-day-160x101.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-by-day-768x486.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-by-day-1020x646.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-by-day-1200x760.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-by-day.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sadie Barnette aims for “The New Eagle Creek Saloon” to be a queer social space. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A hub of gay rights activism, the bar hosted fundraisers for groups such as Lesbians and Gays of African Descent for Democratic Action, which in turn pressured the San Francisco Board of Supervisors to pass legislation forestalling the discriminatory identification checks. The bar closed during candlelight vigils on Market Street for community members lost to the AIDS epidemic. Rodney said it also brought him closer to his two straight brothers. [aside postid='arts_13858699']\u003c/p>\n\u003cp>The Eagle Creek shuttered in 1993 because business tapered during an economic downturn, and another short-lived bar aimed at straight people, The Drunk Tank, opened in its place. But it left deep impressions on its patrons, many of whom turned out to the opening last month at the Lab. After the Barnettes’ presentation, one former regular lyrically recalled a muscular bartender with a tiny chihuahua. Another, choking up, remembered himself as painfully closeted, at all times withdrawn into his hoodie.\u003c/p>\n\u003cp>“I was hiding,” he said. “At the Eagle Creek, I opened up.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Racism at gay bars prompted Rodney Barnette to open the Eagle Creek Saloon, a story his daughter Sadie Barnette is resurfacing at the Lab. ",
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"title": "SF's First Black-Owned Gay Bar Offered Refuge from Racism in the '90s Queer Scene | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> This article is part of KQED Arts’ story series \u003ca href=\"https://www.kqed.org/arts/program/pride-as-protest\" target=\"_blank\" rel=\"noopener\">Pride as Protest\u003c/a>, which chronicles the past and present of LGBTQ+ activism in honor of the 50th anniversary of the Stonewall riots. Learn more about the series \u003ca href=\"https://www.kqed.org/arts/13858609/welcome-to-pride-as-protest-a-new-kqed-arts-story-series\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>One Saturday evening last month, dozens of people hovered around a horseshoe-shaped bar in the Mission District of San Francisco. Diffuse blue and fuchsia lights shone on white patent leather sofas, and a DJ played vinyl—mostly throwback funk and disco beating with a steady pulse. Arched over the scene was a pink neon sign with the words “Eagle Creek.”\u003c/p>\n\u003cp>As the music quieted, \u003ca href=\"http://www.sadiebarnette.com/\" target=\"_blank\" rel=\"noopener\">Sadie Barnette\u003c/a> and her father Rodney sat on stools beneath the neon, and explained why this art space, usually known as \u003ca href=\"https://www.thelab.org/\" target=\"_blank\" rel=\"noopener\">the Lab\u003c/a>, looked and felt like a nightclub. In the 1970s and 1980s, Rodney recalled, gay bars were among the least hospitable places in San Francisco for black people such as himself. There was hardly a place for gay black people to dance, let alone throw a fundraiser for a gay black political candidate.\u003c/p>\n\u003cp>“That’s why I bought the Eagle Creek,” he said.\u003c/p>\n\u003cfigure id=\"attachment_13858718\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13858718\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Sadie-and-Rodney-Barnette-2-800x533.jpg\" alt=\"Sadie Barnette (L) used her residency at The Lab to honor San Francisco's first black-owned gay bar the Eagle Creek Saloon, which her father Rodney (R) opened in 1990.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Sadie-and-Rodney-Barnette-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Sadie-and-Rodney-Barnette-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Sadie-and-Rodney-Barnette-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Sadie-and-Rodney-Barnette-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Sadie-and-Rodney-Barnette-2-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Sadie-and-Rodney-Barnette-2.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sadie Barnette (L) used her residency at The Lab to honor San Francisco’s first black-owned gay bar the Eagle Creek Saloon, which her father Rodney (R) opened in 1990. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sadie was five years old in 1990 when her father acquired the bar that for the next three years provided gay people of color a site of protest, refuge and revelry on Market Street—”a friendly place with a funky bass for every race,” as its slogan went. Now the Oakland artist is using her \u003ca href=\"https://www.thelab.org/projects/2019/5/11/sadie-barnette-the-new-eagle-creek-saloon\" target=\"_blank\" rel=\"noopener\">residency\u003c/a> at the Lab to to honor her father’s venture with “something living, something more than a referential archive,” she said. “I want this to channel Eagle Creek, not just be about it.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sadie’s most vivid memory of the city’s first black-owned gay bar is from 1992, when the Eagle Creek sponsored what Rodney calls the first black float in the San Francisco Pride parade. The theme was black people through the ages, and Sadie stood alongside pharaohs and astronauts in an ornately tasseled ensemble created by a bar regular. Her residency at the Lab culminates with this year’s parade on June 30, when the entire bar will be hoisted onto a float. Until then, the bar is on view every Wednesday 5-8pm.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>",
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"content": "“The bigger the community got, the worse the discrimination was. I started avoiding even driving through the Castro.”",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>“The New Eagle Creek Saloon” is not a reproduction of Eagle Creek so much as a fondly embellished memory. Sadie called the aesthetic “disco limbo,” saying in a recent interview that it connects to her work in terms of familiar objects or scenes portrayed with a hyperbolic grandeur to suggest their liberatory potential. The bar is part altar, with photos of the Barnette family from the time, and part sculpture, with crushed cans and stereo equipment enameled in glitter. There are branded matchbooks and coasters, and the bar itself is sturdy enough for people to dance on.\u003c/p>\n\u003cfigure id=\"attachment_13858711\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13858711\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Barnette-family-and-regulars-eagle-creek-saloon-800x618.jpg\" alt='L to R: Alvin and Carl Barnette, Eagle Creek regulars Sammy \"La Creek\" and Frank \"Lady F,\" and Rodney Barnette.' width=\"800\" height=\"618\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Barnette-family-and-regulars-eagle-creek-saloon-800x618.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Barnette-family-and-regulars-eagle-creek-saloon-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Barnette-family-and-regulars-eagle-creek-saloon-768x594.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Barnette-family-and-regulars-eagle-creek-saloon-1020x788.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Barnette-family-and-regulars-eagle-creek-saloon-1200x928.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Barnette-family-and-regulars-eagle-creek-saloon.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">L to R: Alvin and Carl Barnette, Eagle Creek regulars Sammy “La Creek” and Frank “Lady F,” and Rodney Barnette. \u003ccite>(Courtesy Sadie Barnette)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sadie aims for the installation to also be a queer social space, inviting organizations such as the Black Aesthetic film collective to contribute programming. This way, the project at once enhances the historical record, gathering memories and materials related to a little-documented bar, and addresses a still-urgent need for black-centered queer spaces. “Discrimination at clubs doesn’t take the same forms now,” she said. “But we shouldn’t relegate the struggle to the past.”\u003c/p>\n\u003cp>Rodney was wounded in the Vietnam War, and upon returning to Los Angeles realized American police occupied the black community the way American soldiers occupied Vietnam. He founded the Compton chapter of the Black Panther Party in 1968, landing on the Federal Bureau of Investigation’s Counterintelligence Program (COINTELPRO) watchlist. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sadie incorporated his FBI file, acquired via a public records request, into her installation \u003cem>My Father’s FBI File, Project I\u003c/em>, which debuted in 2016 at the Oakland Museum of California’s exhibition \u003cem>All Power to the People: Black Panthers at 50\u003c/em>. She had in mind a piece inspired by Eagle Creek even before that project, but it wasn’t until the Lab residency that she had the opportunity. “Something that’s as much performance as shrine or nightclub needs somewhere as flexible as the Lab,” she said.\u003c/p>\n\u003cfigure id=\"attachment_13858712\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13858712\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Bar-sculpture-Eagle-Creek-800x450.jpg\" alt=\"The bar is part altar, with photos of the Barnette family from the time, and part sculpture, with crushed cans and stereo equipment enameled in glitter.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-sculpture-Eagle-Creek-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-sculpture-Eagle-Creek-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-sculpture-Eagle-Creek-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-sculpture-Eagle-Creek-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-sculpture-Eagle-Creek-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-sculpture-Eagle-Creek.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The bar is part altar, with photos of the Barnette family from the time, and part sculpture, with crushed cans and stereo equipment enameled in glitter. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rodney, who moved to San Francisco in 1969, said he was surprised to find racism in the gay scene to be more pronounced than in the city over all. As he recalls, the Rendezvous cut the music when black people started to dance, citing a rule against bodily contact, and the Stud removed the black music from the jukebox. At the Mineshaft, like other gay bars, black people were often asked for three forms of identification at the door. “And the bigger the community got, the worse the discrimination was,” Rodney said. “I started avoiding even driving through the Castro.”\u003c/p>\n\u003cp>Even the opening of the Eagle Creek, in 1990, was followed by what Rodney considered a racist smear in San Francisco’s LGBTQ+ newspaper, \u003cem>Bay Area Reporter\u003c/em>. A news item on a white gay man found strangled to death at home noted that he was an Eagle Creek regular with a “sexual preference for black males,” unsubtly implying a connection. Rodney wrote the newspaper expressing sympathy for the victim and outrage at the innuendo, prompting a retraction.\u003c/p>\n\u003cfigure id=\"attachment_13858710\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13858710\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Bar-by-day-800x507.jpg\" alt='Sadie Barnette aims for \"The New Eagle Creek Saloon\" to be a queer social space. ' width=\"800\" height=\"507\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-by-day-800x507.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-by-day-160x101.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-by-day-768x486.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-by-day-1020x646.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-by-day-1200x760.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Bar-by-day.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sadie Barnette aims for “The New Eagle Creek Saloon” to be a queer social space. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A hub of gay rights activism, the bar hosted fundraisers for groups such as Lesbians and Gays of African Descent for Democratic Action, which in turn pressured the San Francisco Board of Supervisors to pass legislation forestalling the discriminatory identification checks. The bar closed during candlelight vigils on Market Street for community members lost to the AIDS epidemic. Rodney said it also brought him closer to his two straight brothers. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Eagle Creek shuttered in 1993 because business tapered during an economic downturn, and another short-lived bar aimed at straight people, The Drunk Tank, opened in its place. But it left deep impressions on its patrons, many of whom turned out to the opening last month at the Lab. After the Barnettes’ presentation, one former regular lyrically recalled a muscular bartender with a tiny chihuahua. Another, choking up, remembered himself as painfully closeted, at all times withdrawn into his hoodie.\u003c/p>\n\u003cp>“I was hiding,” he said. “At the Eagle Creek, I opened up.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "When Queer Nation 'Bashed Back' Against Homophobia with Street Patrols and Glitter",
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"content": "\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> This article is part of KQED Arts’ story series \u003ca href=\"https://www.kqed.org/arts/program/pride-as-protest\" target=\"_blank\" rel=\"noopener\">Pride as Protest\u003c/a>, which chronicles the past and present of LGBTQ+ activism in honor of the 50th anniversary of the Stonewall riots. Learn more about the series \u003ca href=\"https://www.kqed.org/arts/13858609/welcome-to-pride-as-protest-a-new-kqed-arts-story-series\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>In the lingering darkness of the early morning, the queers climbed up a SoMA highway overpass, recently shut down due to structural concerns from the Loma Prieta earthquake. They were on a mission from Catherine Did It, a focus group affiliated with San Francisco’s brand-new chapter of the ostentatious activist organization Queer Nation, which had an estimated 40 chapters around the country.\u003c/p>\n\u003cp>Catherine Did It was created to use guerrilla tactics to \u003ca href=\"https://www.latimes.com/archives/la-xpm-1991-04-29-ca-750-story.html\" target=\"_blank\" rel=\"noopener\">confront the filming of \u003cem>Basic Instinct\u003c/em>\u003c/a>—a 1992 movie Queer Nation saw as the latest example of Hollywood’s storied obsession with psychotic queer women. In the film, a secondary bisexual character wrings her hands and moans to the brave male protagonist upon being outed, “I was embarrassed. It was the only time I’d been with a woman.” Sleeping with a man seems to cure the anti-heroine of her murderous lesbianism. (Her truculent girlfriend was disposed of in a fatal automobile accident.)\u003c/p>\n\u003cp>In 1991, in the aftermath of the AIDS epidemic’s terrorizing hold on the queer community, many considered this stereotypical mainstream representation intolerable.\u003c/p>\n\u003cp>The activists had been tipped off that the next evening, shooting would take place on the block below their feet—well, not if they had anything to do with it. They opened up the bags of glitter they hauled up to the abandoned stretch of I-280 and let their contents fly. When the film crew arrived, they’d find their trumped-up, urban wasteland location covered in twinkling bits of exquisitely campy queer rage.\u003c/p>\n\u003cfigure id=\"attachment_13858730\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13858730\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Queer-Nation-1-800x450.jpg\" alt=\"Queer Nation activists march at a New York City peace rally in October 1990.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-1-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-1.jpg 1920w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Queer Nation activists march at a New York City peace rally in October 1990. \u003ccite>(Tracey Litt)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the occasion of Queer Nation’s 25th anniversary in 2015, San Francisco chapter co-founder Mark Duran \u003ca href=\"https://www.ebar.com/news//245481\" target=\"_blank\" rel=\"noopener\">told the \u003cem>Bay Area Reporter\u003c/em>\u003c/a> that he had been inspired to form the group in 1990 after watching a conversation between radical, queer activists from New York and their more staid, Democratic Party-affiliated San Francisco counterparts on KQED.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It was at that precise moment that I realized the time was up for asking for crumbs from the table as our gay leaders had been doing for so long,” he remembered. “It was time for us to simply take our place at that table and demand our civil and human rights.”\u003c/p>\n\u003cp>Duran, his partner Daniel Paiz and fellow activist Steve Mehall blanketed the Castro and Mission districts with flyers announcing Queer Nation SF’s first meeting, which would take place one month after that of the original New York chapter. The group convened at the historic Women’s Building. An astounding 300 people (as many as 500, by some estimates) came to the first gathering, where a consensus-based, horizontal leadership structure was codified.\u003c/p>\n\u003cp>[pullquote size='medium' align='right' citation='Rachel Pepper, former Queer Nation activist']There was a lot of camp, because when you are in the midst of a crisis and an epidemic you also have to laugh, and you have to find humor, and you have to love, and you have to live intensely every day, because you don’t know if you’re going to be alive in a year.\u003cspan style=\"font-weight: 400\">[/pullquote]\u003c/span>\u003c/p>\n\u003cp>Going forward, even the most routine general assembly meeting would draw crowds of around 200 members. Focus groups formed, among them LABIA (Lesbians And Bi-women In Action), the people of color-focused United Colors of Queer Nation, UBIQUITOUS (Uppity Bi Queers United In Their Overtly Unconventional Sexuality), Queer Planet and DORIS SQUASH (Defending Our Rights In the Streets, Super Queers United Against Savage Heterosexism).\u003c/p>\n\u003cp>“That first meeting was very, very exciting,” says Queer Nation and Catherine Did It activist Jennifer Junkyard Morris. “Well—and it was also very cruise-y.”\u003c/p>\n\u003ch2>Queer activism in the wake of the AIDS epidemic\u003c/h2>\n\u003cp>The early ’90s were a time when traditional activist tactics were being queered across the country. In 1990, fellow direct-action group ACT UP organized \u003ca href=\"https://48hills.org/2015/06/the-week-act-up-shut-sf-down/\" target=\"_blank\" rel=\"noopener\">a massive die-in protest\u003c/a> on Market Street during San Francisco’s hosting of the Sixth International Conference on AIDS. It was part of the group’s bid to raise awareness and halt the plague that claimed so many lives, many of them in the LGBTQ+ community.\u003c/p>\n\u003cp>But at times, ACT UP made its points quite cheekily. For example, the group’s signature “ACT UP, fight back, fight AIDS!” chant would become “ACT UP, kick back get laid!” when participants tired of earnestness.\u003c/p>\n\u003cfigure id=\"attachment_13858731\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13858731\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Queer-Nation-3-800x534.jpg\" alt=\"Queer Nation New York activists at an October 1990 demonstration. \" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-3-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-3-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-3-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-3-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-3.jpg 1920w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Queer Nation New York activists at an October 1990 demonstration. \u003ccite>(Tracey Litt)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Queer Nation activists were inspired by those touches of swishy irreverence—the founders of the original Queer Nation New York chapter had been active in ACT UP themselves—but they wanted to expand the AIDS-focused group’s scope. “That’s really why [Queer Nation] was created, to deal with other places where we’re being attacked,” remembers Morris.\u003c/p>\n\u003cp>Across the country, Queer Nation became best known for targeting cultural homophobia. Some of the San Francisco chapter’s first actions were kiss-ins, which would send hundreds of flamboyant lovers to a straight Marina bar or the Powell Street cable car turnaround, where they would make out en masse with gusto.\u003c/p>\n\u003cp>Focus group GHOST (Grand Homosexual Outrage at Sickening Televangelists) organized a rally to greet \u003ca href=\"https://www.apnews.com/1c940282ba516b1058d242fd482ebd9d\" target=\"_blank\" rel=\"noopener\">televangelists who’d flown in to exorcise the demons\u003c/a> of San Francisco on Halloween night of 1990. The evangelist-phobic crowd of thousands skipped off to the annual Castro neighborhood celebrations after overwhelming the city’s would-be saviors. Similarly irreverant, SHOP (Suburban Homosexual Outreach Program) fulfilled its moniker’s promise by surprising attendees at a special celebrity appearance of Hello Kitty at San Bruno’s Tanforan Shopping Center with a joyous melee of drag, balloons and banners.\u003c/p>\n\u003cp>https://vimeo.com/119618746\u003c/p>\n\u003cp>Often, Queer Nation’s actions featured a chant that hasn’t left the lips of LGBTQ+ troublemakers since: “We’re here! We’re queer! Get used to it!”\u003c/p>\n\u003cp>For members of Queer Nation, style was key. The group’s many affiliated visual artists designed neon stickers with sayings like “Queers bash back” and “Dykes take over the world.” “Usually I wore boy drag like an ACT UP activist, but sometimes gurl drag—a wig and long hair, earrings and a dress or skirt,” remembers activist Derek Marshall Newman in an email to KQED. “It depended how cute I wanted look and how safe I felt.”\u003c/p>\n\u003cp>“We were queer people, so we had a sense of humor,” says \u003ca href=\"https://www.rachel-pepper.com/\" target=\"_blank\" rel=\"noopener\">Rachel Pepper\u003c/a>, an early Queer Nation member who played a key role in moderating general meetings. “There was a lot of camp, because when you are in the midst of a crisis and an epidemic you also have to laugh, and you have to find humor, and you have to love, and you have to live intensely every day, because you don’t know if you’re going to be alive in a year.”\u003c/p>\n\u003ch2>‘Queers bash back’\u003c/h2>\n\u003cp>In this pre-internet era, Queer Nation members communicated via their Queer Week newsletter and Queerline voicemail system. They coined the phrase “Queers bash back” for street patrols that walked the streets of San Francisco to thwart gay bashers, who seemed to stalk Dolores Park, and abusive cops, who were surely Queer Nation’s most hated adversaries. Often, the group would show up in solidarity at community anti-police and eviction protests.\u003c/p>\n\u003cp>In fact, intersectionality became a goal of the short-lived group. Among the group’s people of color-focused sub-groups was United Colors of Queer Nation, founded by activist \u003ca href=\"https://www.ebar.com/obituaries//248420\" target=\"_blank\" rel=\"noopener\">Karl Knapper\u003c/a>. It focused on amplifying the voices of activists of color in Queer Nation, and on developing practices that protected black and brown bodies at protests, such as physical placement at sit-ins and pre-event training on how to deal with police.\u003c/p>\n\u003cp>“That was one of the things that [white Queer Nation activists] wanted to do: a lot of civil disobedience,” remembers United Colors activist Thomas Tymstone, who, along with Pepper, also facilitated Queer Nation’s general assembly meetings. “That is great, but a lot of people of color don’t want to be arrested for any reason.”\u003c/p>\n\u003cp>Historian \u003ca href=\"https://independent.academia.edu/GKoskovich\" target=\"_blank\" rel=\"noopener\">Gerard Koskovich\u003c/a> was a legal observer during Queer Nation actions, taking notes in case there was a later need for a court witness to testify against police misconduct. Koskovich remembers how members who came from privileged backgrounds listened to stories fellow activists told about experiences with predatory law enforcement. These exchanges could oftentimes prove intense for would-be activists who became overwhelmed by the multiplicity of perspectives and the challenges they presented to creating a cohesive movement.\u003c/p>\n\u003cfigure id=\"attachment_13858225\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13858225\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Patriot_Prayer_SF_counterprotest_20170826-8107-800x490.jpg\" alt=\"Queer Nation's confrontational tactics and slogans like "Queers bash back" continue to influence LGBTQ activists. Here, protesters carry a "Queers bash back" sign at a Patriot Prayer counter-demonstration in San Francisco in 2017.\" width=\"800\" height=\"490\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Patriot_Prayer_SF_counterprotest_20170826-8107-800x490.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Patriot_Prayer_SF_counterprotest_20170826-8107-160x98.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Patriot_Prayer_SF_counterprotest_20170826-8107-768x470.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Patriot_Prayer_SF_counterprotest_20170826-8107-1020x625.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Patriot_Prayer_SF_counterprotest_20170826-8107-1200x735.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Patriot_Prayer_SF_counterprotest_20170826-8107.jpg 1920w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Queer Nation’s confrontational tactics and slogans like “Queers bash back” continue to influence LGBTQ activists. Here, protesters carry a “Queers bash back” sign at a Patriot Prayer counter-demonstration in San Francisco in 2017. \u003ccite>(Pax Ahimnsa Gethen/Wikimedia Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But sometimes, surprising moments of connection took place. As one of the group’s hard-working moderators, Tymstone remembers with fondness Queer Nation’s practice of the “fishbowl,” in which different focus groups could hold the floor and address their concerns uninterrupted by comments from the audience. “A lot of our organizational structure was made by women,” he says. “Gay men didn’t know anything about consensus. We would just talk until somebody let us—or until somebody heard us. [The women] would stop us and say, ‘Wait, let this person talk.'”\u003c/p>\n\u003cp>“For a period of time, at least, those meetings became much more of a space where people felt safe coming forward with these very tender, difficult things and saying, ‘Can we talk about this and help understand things better?'” Koskovich says. “Of course, it didn’t ultimately always work out that way, and how could it? But at least that was a moment.”\u003c/p>\n\u003cfigure id=\"attachment_13858227\" class=\"wp-caption aligncenter\" style=\"max-width: 574px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13858227\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Queer_Nation_Houston_x6.jpg\" alt=\"Posters from Queer Nation's Houston chapter.\" width=\"574\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer_Nation_Houston_x6.jpg 574w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer_Nation_Houston_x6-160x124.jpg 160w\" sizes=\"auto, (max-width: 574px) 100vw, 574px\">\u003cfigcaption class=\"wp-caption-text\">Posters from Queer Nation’s Houston chapter. \u003ccite>(WikiMedia Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The moment didn’t last forever. Queer Nation SF meetings dwindled by the end of 1991. Some members say the vast organization collapsed under difference in tactical preferences and the weight of trying to do too much. But in the cracks and crannies of San Francisco, some glitter from the Queer Nation days remain.\u003c/p>\n\u003cp>The group’s members went on to become writers, policymakers, historians, artists and scholars. Morris became an \u003ca href=\"https://kpfa.org/featured-episode/interview-with-jennifer-junkyard-morris/\" target=\"_blank\" rel=\"noopener\">eminent Bay Area film programmer\u003c/a> at Frameline Film Festival, SF DocFest and the Roxie Theater. \u003ca href=\"http://www.buffalo.edu/news/experts/jonathan-katz-queer-history.html\" target=\"_blank\" rel=\"noopener\">Jonathan David Katz\u003c/a> is a lauded academic who founded the \u003ca href=\"https://www.sfgate.com/news/article/Harvey-Milk-Institute-Opens-Gay-lesbian-studies-3049118.php\" target=\"_blank\" rel=\"noopener\">Harvey Milk Institute\u003c/a>, once one of the world’s largest centers for queer studies. And fellow alum \u003ca href=\"https://www.justinvivianbond.com/\" target=\"_blank\" rel=\"noopener\">Justin Vivian Bond\u003c/a> is a ground-breaking, Tony-nominated vocalist and founder of parodic lounge duo Kiki and Herb.\u003c/p>\n\u003cp>“It definitely shaped a generation of activists in terms of thinking about how they wanted to live their lives,” says Pepper, who helped found \u003ca href=\"http://www.curvemag.com\" target=\"_blank\" rel=\"noopener\">Curve Magazine\u003c/a> and wrote 1999’s \u003ca href=\"https://www.amazon.com/Ultimate-Guide-Pregnancy-Lesbians-Pre-conception/dp/157344216X\" target=\"_blank\" rel=\"noopener\">\u003cem>The Ultimate Guide to Pregnancy for Lesbians\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>“There’s a real concrete, traceable network of people doing work that came out of the relationships built in that era,” says Koskovich.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Queer Nation’s activism was brief, but the group’s flouncy radicalism left a blueprint for younger generations: to make activism last, listen to those with different experiences. To heal, laugh. And to make change, be unabashedly, unapologetically loud.\u003c/p>\n\n",
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"title": "When Queer Nation 'Bashed Back' Against Homophobia with Street Patrols and Glitter | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> This article is part of KQED Arts’ story series \u003ca href=\"https://www.kqed.org/arts/program/pride-as-protest\" target=\"_blank\" rel=\"noopener\">Pride as Protest\u003c/a>, which chronicles the past and present of LGBTQ+ activism in honor of the 50th anniversary of the Stonewall riots. Learn more about the series \u003ca href=\"https://www.kqed.org/arts/13858609/welcome-to-pride-as-protest-a-new-kqed-arts-story-series\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>In the lingering darkness of the early morning, the queers climbed up a SoMA highway overpass, recently shut down due to structural concerns from the Loma Prieta earthquake. They were on a mission from Catherine Did It, a focus group affiliated with San Francisco’s brand-new chapter of the ostentatious activist organization Queer Nation, which had an estimated 40 chapters around the country.\u003c/p>\n\u003cp>Catherine Did It was created to use guerrilla tactics to \u003ca href=\"https://www.latimes.com/archives/la-xpm-1991-04-29-ca-750-story.html\" target=\"_blank\" rel=\"noopener\">confront the filming of \u003cem>Basic Instinct\u003c/em>\u003c/a>—a 1992 movie Queer Nation saw as the latest example of Hollywood’s storied obsession with psychotic queer women. In the film, a secondary bisexual character wrings her hands and moans to the brave male protagonist upon being outed, “I was embarrassed. It was the only time I’d been with a woman.” Sleeping with a man seems to cure the anti-heroine of her murderous lesbianism. (Her truculent girlfriend was disposed of in a fatal automobile accident.)\u003c/p>\n\u003cp>In 1991, in the aftermath of the AIDS epidemic’s terrorizing hold on the queer community, many considered this stereotypical mainstream representation intolerable.\u003c/p>\n\u003cp>The activists had been tipped off that the next evening, shooting would take place on the block below their feet—well, not if they had anything to do with it. They opened up the bags of glitter they hauled up to the abandoned stretch of I-280 and let their contents fly. When the film crew arrived, they’d find their trumped-up, urban wasteland location covered in twinkling bits of exquisitely campy queer rage.\u003c/p>\n\u003cfigure id=\"attachment_13858730\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13858730\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Queer-Nation-1-800x450.jpg\" alt=\"Queer Nation activists march at a New York City peace rally in October 1990.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-1-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-1.jpg 1920w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Queer Nation activists march at a New York City peace rally in October 1990. \u003ccite>(Tracey Litt)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the occasion of Queer Nation’s 25th anniversary in 2015, San Francisco chapter co-founder Mark Duran \u003ca href=\"https://www.ebar.com/news//245481\" target=\"_blank\" rel=\"noopener\">told the \u003cem>Bay Area Reporter\u003c/em>\u003c/a> that he had been inspired to form the group in 1990 after watching a conversation between radical, queer activists from New York and their more staid, Democratic Party-affiliated San Francisco counterparts on KQED.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It was at that precise moment that I realized the time was up for asking for crumbs from the table as our gay leaders had been doing for so long,” he remembered. “It was time for us to simply take our place at that table and demand our civil and human rights.”\u003c/p>\n\u003cp>Duran, his partner Daniel Paiz and fellow activist Steve Mehall blanketed the Castro and Mission districts with flyers announcing Queer Nation SF’s first meeting, which would take place one month after that of the original New York chapter. The group convened at the historic Women’s Building. An astounding 300 people (as many as 500, by some estimates) came to the first gathering, where a consensus-based, horizontal leadership structure was codified.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "There was a lot of camp, because when you are in the midst of a crisis and an epidemic you also have to laugh, and you have to find humor, and you have to love, and you have to live intensely every day, because you don’t know if you’re going to be alive in a year.\u003cspan style=\"font-weight: 400\">",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>Going forward, even the most routine general assembly meeting would draw crowds of around 200 members. Focus groups formed, among them LABIA (Lesbians And Bi-women In Action), the people of color-focused United Colors of Queer Nation, UBIQUITOUS (Uppity Bi Queers United In Their Overtly Unconventional Sexuality), Queer Planet and DORIS SQUASH (Defending Our Rights In the Streets, Super Queers United Against Savage Heterosexism).\u003c/p>\n\u003cp>“That first meeting was very, very exciting,” says Queer Nation and Catherine Did It activist Jennifer Junkyard Morris. “Well—and it was also very cruise-y.”\u003c/p>\n\u003ch2>Queer activism in the wake of the AIDS epidemic\u003c/h2>\n\u003cp>The early ’90s were a time when traditional activist tactics were being queered across the country. In 1990, fellow direct-action group ACT UP organized \u003ca href=\"https://48hills.org/2015/06/the-week-act-up-shut-sf-down/\" target=\"_blank\" rel=\"noopener\">a massive die-in protest\u003c/a> on Market Street during San Francisco’s hosting of the Sixth International Conference on AIDS. It was part of the group’s bid to raise awareness and halt the plague that claimed so many lives, many of them in the LGBTQ+ community.\u003c/p>\n\u003cp>But at times, ACT UP made its points quite cheekily. For example, the group’s signature “ACT UP, fight back, fight AIDS!” chant would become “ACT UP, kick back get laid!” when participants tired of earnestness.\u003c/p>\n\u003cfigure id=\"attachment_13858731\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13858731\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Queer-Nation-3-800x534.jpg\" alt=\"Queer Nation New York activists at an October 1990 demonstration. \" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-3-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-3-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-3-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-3-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer-Nation-3.jpg 1920w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Queer Nation New York activists at an October 1990 demonstration. \u003ccite>(Tracey Litt)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Queer Nation activists were inspired by those touches of swishy irreverence—the founders of the original Queer Nation New York chapter had been active in ACT UP themselves—but they wanted to expand the AIDS-focused group’s scope. “That’s really why [Queer Nation] was created, to deal with other places where we’re being attacked,” remembers Morris.\u003c/p>\n\u003cp>Across the country, Queer Nation became best known for targeting cultural homophobia. Some of the San Francisco chapter’s first actions were kiss-ins, which would send hundreds of flamboyant lovers to a straight Marina bar or the Powell Street cable car turnaround, where they would make out en masse with gusto.\u003c/p>\n\u003cp>Focus group GHOST (Grand Homosexual Outrage at Sickening Televangelists) organized a rally to greet \u003ca href=\"https://www.apnews.com/1c940282ba516b1058d242fd482ebd9d\" target=\"_blank\" rel=\"noopener\">televangelists who’d flown in to exorcise the demons\u003c/a> of San Francisco on Halloween night of 1990. The evangelist-phobic crowd of thousands skipped off to the annual Castro neighborhood celebrations after overwhelming the city’s would-be saviors. Similarly irreverant, SHOP (Suburban Homosexual Outreach Program) fulfilled its moniker’s promise by surprising attendees at a special celebrity appearance of Hello Kitty at San Bruno’s Tanforan Shopping Center with a joyous melee of drag, balloons and banners.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Often, Queer Nation’s actions featured a chant that hasn’t left the lips of LGBTQ+ troublemakers since: “We’re here! We’re queer! Get used to it!”\u003c/p>\n\u003cp>For members of Queer Nation, style was key. The group’s many affiliated visual artists designed neon stickers with sayings like “Queers bash back” and “Dykes take over the world.” “Usually I wore boy drag like an ACT UP activist, but sometimes gurl drag—a wig and long hair, earrings and a dress or skirt,” remembers activist Derek Marshall Newman in an email to KQED. “It depended how cute I wanted look and how safe I felt.”\u003c/p>\n\u003cp>“We were queer people, so we had a sense of humor,” says \u003ca href=\"https://www.rachel-pepper.com/\" target=\"_blank\" rel=\"noopener\">Rachel Pepper\u003c/a>, an early Queer Nation member who played a key role in moderating general meetings. “There was a lot of camp, because when you are in the midst of a crisis and an epidemic you also have to laugh, and you have to find humor, and you have to love, and you have to live intensely every day, because you don’t know if you’re going to be alive in a year.”\u003c/p>\n\u003ch2>‘Queers bash back’\u003c/h2>\n\u003cp>In this pre-internet era, Queer Nation members communicated via their Queer Week newsletter and Queerline voicemail system. They coined the phrase “Queers bash back” for street patrols that walked the streets of San Francisco to thwart gay bashers, who seemed to stalk Dolores Park, and abusive cops, who were surely Queer Nation’s most hated adversaries. Often, the group would show up in solidarity at community anti-police and eviction protests.\u003c/p>\n\u003cp>In fact, intersectionality became a goal of the short-lived group. Among the group’s people of color-focused sub-groups was United Colors of Queer Nation, founded by activist \u003ca href=\"https://www.ebar.com/obituaries//248420\" target=\"_blank\" rel=\"noopener\">Karl Knapper\u003c/a>. It focused on amplifying the voices of activists of color in Queer Nation, and on developing practices that protected black and brown bodies at protests, such as physical placement at sit-ins and pre-event training on how to deal with police.\u003c/p>\n\u003cp>“That was one of the things that [white Queer Nation activists] wanted to do: a lot of civil disobedience,” remembers United Colors activist Thomas Tymstone, who, along with Pepper, also facilitated Queer Nation’s general assembly meetings. “That is great, but a lot of people of color don’t want to be arrested for any reason.”\u003c/p>\n\u003cp>Historian \u003ca href=\"https://independent.academia.edu/GKoskovich\" target=\"_blank\" rel=\"noopener\">Gerard Koskovich\u003c/a> was a legal observer during Queer Nation actions, taking notes in case there was a later need for a court witness to testify against police misconduct. Koskovich remembers how members who came from privileged backgrounds listened to stories fellow activists told about experiences with predatory law enforcement. These exchanges could oftentimes prove intense for would-be activists who became overwhelmed by the multiplicity of perspectives and the challenges they presented to creating a cohesive movement.\u003c/p>\n\u003cfigure id=\"attachment_13858225\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13858225\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Patriot_Prayer_SF_counterprotest_20170826-8107-800x490.jpg\" alt=\"Queer Nation's confrontational tactics and slogans like "Queers bash back" continue to influence LGBTQ activists. Here, protesters carry a "Queers bash back" sign at a Patriot Prayer counter-demonstration in San Francisco in 2017.\" width=\"800\" height=\"490\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Patriot_Prayer_SF_counterprotest_20170826-8107-800x490.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Patriot_Prayer_SF_counterprotest_20170826-8107-160x98.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Patriot_Prayer_SF_counterprotest_20170826-8107-768x470.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Patriot_Prayer_SF_counterprotest_20170826-8107-1020x625.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Patriot_Prayer_SF_counterprotest_20170826-8107-1200x735.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Patriot_Prayer_SF_counterprotest_20170826-8107.jpg 1920w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Queer Nation’s confrontational tactics and slogans like “Queers bash back” continue to influence LGBTQ activists. Here, protesters carry a “Queers bash back” sign at a Patriot Prayer counter-demonstration in San Francisco in 2017. \u003ccite>(Pax Ahimnsa Gethen/Wikimedia Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But sometimes, surprising moments of connection took place. As one of the group’s hard-working moderators, Tymstone remembers with fondness Queer Nation’s practice of the “fishbowl,” in which different focus groups could hold the floor and address their concerns uninterrupted by comments from the audience. “A lot of our organizational structure was made by women,” he says. “Gay men didn’t know anything about consensus. We would just talk until somebody let us—or until somebody heard us. [The women] would stop us and say, ‘Wait, let this person talk.'”\u003c/p>\n\u003cp>“For a period of time, at least, those meetings became much more of a space where people felt safe coming forward with these very tender, difficult things and saying, ‘Can we talk about this and help understand things better?'” Koskovich says. “Of course, it didn’t ultimately always work out that way, and how could it? But at least that was a moment.”\u003c/p>\n\u003cfigure id=\"attachment_13858227\" class=\"wp-caption aligncenter\" style=\"max-width: 574px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13858227\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Queer_Nation_Houston_x6.jpg\" alt=\"Posters from Queer Nation's Houston chapter.\" width=\"574\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer_Nation_Houston_x6.jpg 574w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Queer_Nation_Houston_x6-160x124.jpg 160w\" sizes=\"auto, (max-width: 574px) 100vw, 574px\">\u003cfigcaption class=\"wp-caption-text\">Posters from Queer Nation’s Houston chapter. \u003ccite>(WikiMedia Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The moment didn’t last forever. Queer Nation SF meetings dwindled by the end of 1991. Some members say the vast organization collapsed under difference in tactical preferences and the weight of trying to do too much. But in the cracks and crannies of San Francisco, some glitter from the Queer Nation days remain.\u003c/p>\n\u003cp>The group’s members went on to become writers, policymakers, historians, artists and scholars. Morris became an \u003ca href=\"https://kpfa.org/featured-episode/interview-with-jennifer-junkyard-morris/\" target=\"_blank\" rel=\"noopener\">eminent Bay Area film programmer\u003c/a> at Frameline Film Festival, SF DocFest and the Roxie Theater. \u003ca href=\"http://www.buffalo.edu/news/experts/jonathan-katz-queer-history.html\" target=\"_blank\" rel=\"noopener\">Jonathan David Katz\u003c/a> is a lauded academic who founded the \u003ca href=\"https://www.sfgate.com/news/article/Harvey-Milk-Institute-Opens-Gay-lesbian-studies-3049118.php\" target=\"_blank\" rel=\"noopener\">Harvey Milk Institute\u003c/a>, once one of the world’s largest centers for queer studies. And fellow alum \u003ca href=\"https://www.justinvivianbond.com/\" target=\"_blank\" rel=\"noopener\">Justin Vivian Bond\u003c/a> is a ground-breaking, Tony-nominated vocalist and founder of parodic lounge duo Kiki and Herb.\u003c/p>\n\u003cp>“It definitely shaped a generation of activists in terms of thinking about how they wanted to live their lives,” says Pepper, who helped found \u003ca href=\"http://www.curvemag.com\" target=\"_blank\" rel=\"noopener\">Curve Magazine\u003c/a> and wrote 1999’s \u003ca href=\"https://www.amazon.com/Ultimate-Guide-Pregnancy-Lesbians-Pre-conception/dp/157344216X\" target=\"_blank\" rel=\"noopener\">\u003cem>The Ultimate Guide to Pregnancy for Lesbians\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>“There’s a real concrete, traceable network of people doing work that came out of the relationships built in that era,” says Koskovich.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Queer Nation’s activism was brief, but the group’s flouncy radicalism left a blueprint for younger generations: to make activism last, listen to those with different experiences. To heal, laugh. And to make change, be unabashedly, unapologetically loud.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "#MyPrideLooksLike: Share Photos of Your LGBTQ+ Life Over the Decades",
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"content": "\u003cp>As we celebrate the LGBTQ+ community’s diversity and resilience with our \u003cem>Pride as Protest\u003c/em> story series, we want to hear from you, our readers. [aside postid='arts_13835520']\u003c/p>\n\u003cp>We’re looking for photos of LGBTQ+ life over the decades—celebrations, protests, get-togethers with loved ones, cultural happenings and all the ways you express yourself. We welcome you to post your images to \u003ca href=\"https://twitter.com/KQEDarts?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\" target=\"_blank\" rel=\"noopener\">Twitter\u003c/a>, \u003ca href=\"https://www.instagram.com/kqed_arts/?hl=en\" target=\"_blank\" rel=\"noopener\">Instagram\u003c/a> or KQED Arts’ \u003ca href=\"https://www.facebook.com/kqedarts/\" target=\"_blank\" rel=\"noopener\">Facebook page\u003c/a> with the hashtag \u003cstrong>#MyPrideLooksLike\u003c/strong>. Don’t forget to include a note about who’s in the photo, and when and where it was taken, if you can remember. We’ll be collecting photos and reposting highlights to social media and our website.\u003c/p>\n\u003ch3>“#MyPrideLooksLike getting to explore California with the person I love.” — Ryan Levi\u003c/h3>\n\u003cfigure id=\"attachment_13858721\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13858721\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/mypride-ryan-levi-800.jpg\" alt=\"Ryan Levi and Fares Akremi kayak on Lake Tahoe Labor Day weekend 2017.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/mypride-ryan-levi-800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/mypride-ryan-levi-800-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/mypride-ryan-levi-800-768x576.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ryan Levi and Fares Akremi kayak on Lake Tahoe Labor Day weekend 2017. \u003ccite>(Fares Akremi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch4>If you’d prefer to send an image directly to us instead, here’s how:\u003c/h4>\n\u003cul>\n\u003cli>Text your photo to our private KQED Arts hotline at (510) 853-9328\u003c/li>\n\u003cli>Or you can email your submission to \u003ca href=\"mailto:artskqed@gmail.com\" target=\"_blank\" rel=\"noopener\">artskqed@gmail.com\u003c/a>.\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>\u003cem>Privacy Notice:\u003c/em>\u003c/strong> \u003cem>KQED is gathering these photos for our reporting and will not share your information with third parties. Your contact information will not be published, but we may contact you to expand your response into an audio segment or story. We may also feature your reflections on KQED’s website, social media or air.\u003c/em>\u003c/p>\n\u003chr>\n\u003cp>\u003cem>By posting and sharing a photo, you agree that you have the right and permission necessary to post the picture (e.g., that you own the copyright in the photo and that you have everyone’s consent in the photo to post it). You agree that KQED may publish the picture on our website, social media pages or in other media and that you will hold KQED harmless from any claims and expenses (including legal costs) arising from the use of the photo and/or your failure to comply with the rules set out in this disclaimer.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As we celebrate the LGBTQ+ community’s diversity and resilience with our \u003cem>Pride as Protest\u003c/em> story series, we want to hear from you, our readers. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>We’re looking for photos of LGBTQ+ life over the decades—celebrations, protests, get-togethers with loved ones, cultural happenings and all the ways you express yourself. We welcome you to post your images to \u003ca href=\"https://twitter.com/KQEDarts?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\" target=\"_blank\" rel=\"noopener\">Twitter\u003c/a>, \u003ca href=\"https://www.instagram.com/kqed_arts/?hl=en\" target=\"_blank\" rel=\"noopener\">Instagram\u003c/a> or KQED Arts’ \u003ca href=\"https://www.facebook.com/kqedarts/\" target=\"_blank\" rel=\"noopener\">Facebook page\u003c/a> with the hashtag \u003cstrong>#MyPrideLooksLike\u003c/strong>. Don’t forget to include a note about who’s in the photo, and when and where it was taken, if you can remember. We’ll be collecting photos and reposting highlights to social media and our website.\u003c/p>\n\u003ch3>“#MyPrideLooksLike getting to explore California with the person I love.” — Ryan Levi\u003c/h3>\n\u003cfigure id=\"attachment_13858721\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13858721\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/mypride-ryan-levi-800.jpg\" alt=\"Ryan Levi and Fares Akremi kayak on Lake Tahoe Labor Day weekend 2017.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/mypride-ryan-levi-800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/mypride-ryan-levi-800-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/mypride-ryan-levi-800-768x576.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ryan Levi and Fares Akremi kayak on Lake Tahoe Labor Day weekend 2017. \u003ccite>(Fares Akremi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch4>If you’d prefer to send an image directly to us instead, here’s how:\u003c/h4>\n\u003cul>\n\u003cli>Text your photo to our private KQED Arts hotline at (510) 853-9328\u003c/li>\n\u003cli>Or you can email your submission to \u003ca href=\"mailto:artskqed@gmail.com\" target=\"_blank\" rel=\"noopener\">artskqed@gmail.com\u003c/a>.\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>\u003cem>Privacy Notice:\u003c/em>\u003c/strong> \u003cem>KQED is gathering these photos for our reporting and will not share your information with third parties. Your contact information will not be published, but we may contact you to expand your response into an audio segment or story. We may also feature your reflections on KQED’s website, social media or air.\u003c/em>\u003c/p>\n\u003chr>\n\u003cp>\u003cem>By posting and sharing a photo, you agree that you have the right and permission necessary to post the picture (e.g., that you own the copyright in the photo and that you have everyone’s consent in the photo to post it). You agree that KQED may publish the picture on our website, social media pages or in other media and that you will hold KQED harmless from any claims and expenses (including legal costs) arising from the use of the photo and/or your failure to comply with the rules set out in this disclaimer.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>The annual Pride celebration is one of San Francisco’s most popular festivities, drawing out hundreds of thousands of LGBTQ+ people, straight allies and visitors from all over the world. But before Pride became a mainstream institution endorsed by city officials, local police and corporations like Google and Facebook, it was a revolt.\u003c/p>\n\u003cp>Fifty years ago, on June 28, 1969, queer and trans patrons at New York’s Stonewall Inn, led by trans women of color, rioted against police harassment. The chaos continued for three days, tearing up the Greenwich Village block in defiance of restrictive anti-LGBTQ+ laws and police brutality. Radical organizations sprung from the uprising: Street Transvestite Action Revolutionaries (STAR), led by Marsha P. Johnson and Sylvia Rivera, fought for the rights of trans women and gender-nonconforming people who routinely faced harassment and discrimination. The Gay Liberation Front (GLF) attempted to unite the gay rights movement with anti-capitalist, anti-war movements of the time.\u003c/p>\n\u003cp>https://vimeo.com/338962572\u003c/p>\n\u003cp>\u003cem>KQED footage from 1973 shows an interview with vigilante group the Lavender Panthers, who armed gay people with clubs and red spray paint against police and homophobic violence. Video courtesy of KQED Archives.\u003c/em>\u003c/p>\n\u003cp>The anniversary of Stonewall inspired Pride celebrations all over the country in the early ’70s, but not everything was harmonious in those times. Many queer women felt alienated by the GLF’s mostly male membership, as well as in mostly straight radical feminist groups. Conversely, many lesbian activists at the time discriminated against trans women, who they argued benefited from “male privilege.” There was little acknowledgement of bisexual people, trans men, intersex people or non-binary people. And furthermore, many early gay rights organizations had a majority-white membership that was often tone-deaf to issues affecting queer and trans people of color.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://vimeo.com/338989968\u003c/p>\n\u003cp>\u003cem>KQED footage from 1970 shows a protest in front of San Francisco’s ABC/KGO-TV studios against homophobia in mass media. Video courtesy of KQED Archives.\u003c/em>\u003c/p>\n\u003cp>As flawed as it was, the early gay rights movement’s radical politics inspired decades of queer and trans organizing that endures today. In KQED Arts’ \u003ca href=\"https://www.kqed.org/arts/program/pride-as-protest\" target=\"_blank\" rel=\"noopener\">\u003cem>Pride as Protest\u003c/em>\u003c/a> series, you’ll read about queer and trans elders, like Miss Major Griffin-Gracy, who forever changed history; dive into the LGTBQ+ community’s organizing efforts around the AIDS epidemic at a time when the federal government turned a blind eye; learn about the radical tactics of direct-action groups like \u003ca href=\"https://www.kqed.org/arts/13858167/queer-nation-lgbtq-activism-90s\" target=\"_blank\" rel=\"noopener\">Queer Nation\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13857994/activists-demand-a-police-free-pride-as-sfpd-ramps-up-its-gay-friendly-image\" rel=\"noopener\" target=\"_blank\">Gay Shame\u003c/a>; remember how \u003ca href=\"https://www.kqed.org/arts/13858290/sfs-first-black-owned-gay-bar-offered-refuge-from-racism-in-the-90s-queer-scene\" target=\"_blank\" rel=\"noopener\">San Francisco’s first black-owned gay bar\u003c/a> provided a refuge from racism and homophobia; and hear from drag queens using their craft as an art therapy tool for housing-insecure LGBTQ+ youth. [aside postid='arts_13858699']\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>These stories run today through June 13, and we want to hear from you, our readers. We invite you to send in your photos of LGBTQ+ life for our \u003ca href=\"https://www.kqed.org/arts/13858699/mypridelookslike-share-photos-of-your-lgbtq-life-over-the-decades\" target=\"_blank\" rel=\"noopener\">#MyPrideLooksLike\u003c/a> project, which aims to showcase the diversity and resilience of our queer and trans community. The goal is to celebrate the different ways we express ourselves, and to remember Pride’s radical roots.\u003c/p>\n\n",
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"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
"site": "radio",
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},
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
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"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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