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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">Mabuhay Gardens was a Filipino restaurant, nightclub, and music venue that was essential to San Francisco’s punk scene before its closure in 1987. Now, a group of local investors and North Beach neighbors are working to bring it back. \u003c/span>\u003c/p>\n\u003cp>\u003cspan data-slate-node=\"text\">\u003cspan class=\"sc-kAyceB grEoze\" data-slate-leaf=\"true\">\u003cem>You can find out about upcoming shows on the venue’s \u003c/em>\u003c/span>\u003c/span>\u003ca class=\"e-91036-text-link e-91036-baseline e-91036-overflow-wrap-anywhere encore-internal-color-text-announcement e-91036-text-link--use-focus sc-kpDqfm ejcycC\" href=\"https://www.instagram.com/mabuhayvenue/?hl=en\" data-encore-id=\"textLink\" data-slate-node=\"element\" data-slate-inline=\"true\" data-slate-fragment=\"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\">\u003cspan data-slate-node=\"text\">\u003cspan class=\"sc-kAyceB grEoze\" data-slate-leaf=\"true\">\u003cem>Instagram page. \u003c/em>\u003c/span>\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC6054251154\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cb>Links:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://www.kqed.org/arts/13980619/mabuhay-gardens-reopening-sf-punk-club-north-beach\">\u003cspan style=\"font-weight: 400\">Legendary SF Punk Club Mabuhay Gardens Is on the Verge of Reopening\u003c/span>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>\u003ci>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/i>\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:00:00] I’m Jessica Kariisa, in for Ericka Cruz Guevarra, and welcome to The Bay. Local news to keep you rooted. There’s this building on Broadway in San Francisco’s North Beach neighborhood. It sits between an alleyway and a parking lot, and unless you’re looking for it, you might not even notice it. But there are all these photos pasted in the window. One is of Henry Rollins, the lead singer of the punk band Black Flag, and he’s performing on a stage. The other is of the band Blondie, also performing on stage. They were performing at 435 Broadway. Also known as Mabuhay Gardens, or The Mab for short. The Mab was an institution in San Francisco’s punk scene in the 70s and 80s. Countless bands performed there, including Metallica, The Clash, The Ramones, The Dead Kennedys. The list goes on and on. It started off as a Filipino restaurant and nightclub until a punk promoter named Dirk Dirksen got involved, and it became the legendary punk venue people know it for today. The Mabuhay Gardens closed in 1987, but now a group of longtime friends of The Mab are working hard to reopen its doors.\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:01:43] It’s gonna be great to feel that energy within this room again, with some live music, with cheap $20, $25 tickets, so everyone can enjoy it, and we’ll lift the roof.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:01:55] Today, the people trying to bring back The Mab.\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:02:09] Good afternoon. My name is Tom Watson, and you are right in the middle of the formerly called Mabuhay Gardens, currently called Broadway Studios, for which we’re bringing back to The Mab. Mabuhay Gardens was a Filipino restaurant, and that was downstairs. And so it was this nice sort of, have some food and have a drink, and then the bands would come on.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:02:38] So now we’re downstairs, and we’re walking through some curtains to get to the original location.\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:02:46] Yeah, so we’ve got some posters of the Fab Mab with some of the performers.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:02:53] I love all this memorabilia on the wall. George Lopez? Oh, that’s funny. Lots of people have come through here.\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:03:01] Robin Williams as well, performed on stage.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:03:04] So yeah, I mean, it’s not too big of a space, but I can imagine it packed full of people. It’s like a rectangular room. We have this pretty small stage. So I guess the shows felt pretty intimate.\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:03:17] Great observation. So actually the stage was brought forwards more recently when I’ve been talking to my friends about, got this amazing project. They will ask me if they’ve been here. Do they still have the purple curtains? Oh, really? Yeah.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:03:30] That’s so funny. So these are the original purple curtains. Wow, I’m sure they’ve seen a lot.\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:03:36] I think to me it was this nice mix of cultures that came here drawn by this sort of new bands. Unfortunately, I never experienced it, but we have a sort of group of people who did and who can help guide us. So we don’t make any mistakes in terms of honoring that heritage and what it stood for and then being able to extrapolate that and being a creative platform for anyone who wants to do anything.\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:04:16] Yeah, my name’s V Vale and I made Search and Destroy the first punk publication to document the emerging punk rock counterculture movement.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:04:31] For people who aren’t familiar, how would you describe the Mab and its heyday? What was it like?\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:04:37] It started out as a restaurant, but also a nightclub because they actually had Filipino singers and they had acts here that were pretty niche appeal to Filipino community members. Ness Aquino was the owner of the restaurant, but somehow this man from Germany named Dirk Dirksen came here and talked him into, here, let me bring in these bands to play and you’ll keep all the money you make from food, serving restaurants, and we’ll put on the shows and we will do all the promotion and all that. So Dirk Dirksen was the German instigator of early punk rock.\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:05:30] All the bands, punk bands all over the world wanted to come to San Francisco and play the Mabuhay because that’s the only club there was. No one else would let punk shows happen that I know of, at least. And so that made it very simple. You go to San Fransisco, you play the Mabuhay. You go there every night, there’s a punk show.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:06:00] Could you describe what a typical night was like here?\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:06:04] Yeah, it was always three bands. They’re from all over the world, really. And it made it like an international movement, which indeed it was. And punk was great, it lowered the bar to the ground. Anyone could start a band after playing an instrument for one week. And the songs were always about pretty much black humor about what’s wrong with the world. But they had to be kind of witty, you know? It’s not just anger. Black humor must be present, meaning very dark humor.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:06:52] Do you have any favorite memories of bands that you saw here?\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:06:56] There was one spectacular night when Blondie played from New York, but David Bowie was here in the audience. And Iggy Pop was in the audience.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:07:08] Just watching.\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:07:09] Just watching. And for some reason, the word got out and the club was more jammed than I’ve ever seen it before since.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:07:24] And we saw the space downstairs and the ceilings are kind of low and I can imagine it gets pretty tight in there. What did it feel like? I imagine it was super sweaty.\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:07:34] No, I don’t think so. It never got that bad, I mean, that I remember. I mean I had my black leather jacket on in photos. If it were hot, I would have taken it off. Actually, people were a lot nicer to each other than you might think. And the cliche about punk rock. You know, people, if you fell to the ground, people would pick you up.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:08:11] You stopped going because you said the culture was changing. What made you stop?\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:08:14] One word, violence. I just, I thought it was very unpleasant to be anywhere near a mosh pit. And all the girls immediately disappeared. The Mabuhay became overnight a rooster club. It’s only guys, no beautiful punk women. Anyway, that’s when I started phasing out my publishing away from punk because I did not like this change. I mean, I wanted women there. In fact, women and gays were in the forefront of our early punk rock band formations.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:08:59] After Mabuhay Gardens officially closed in the late 80s, a young Filipino woman who used to clean the building took over the space. Her name was Francesca Valdez. She always wanted to reopen Mabuhay Gardens as a performance venue, but struggled to over the decades until she met Tom Watson in February of 2025. Tom is a civil engineer who moved to the Bay Area in 2011 and was looking for a building to work on. They joined forces and set plans in motion to reopen the Mabuhay. But then in July of 2025, she passed away. Tom, I wanted to bring you in. I know you didn’t grow up going to the Mabuhae, but how did you hear about it? How did you get involved?\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:09:48] Really from meeting Francesca at the beginning of the year and just coming into the space and feeling how special it was and just feeling, wow, this place, this space needs to be shared. It’s such an inspiring venue. If you just look up above us now, you’ve got this wonderful light coming in and the wonderful architecture of the building and will naturally inspire you and elevate you.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:10:14] Before she passed, you and her had plans for you to help revive the space. How did that come about?\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:10:22] I told her what I’d done in Germany, which was transforming an abandoned building into this cultural space. And then she passed away. And I always sort of felt this was her baby. And I didn’t feel able to really do much apart from support what she wanted. But her sister just was sort of like, over to you if you wanna do this, but do you really, really wanna do this because. I’ve experienced 30 years of this and it’s been really, really hard. But there’s a great strong community here who love the space. It meant a lot to a lot of people. So we are very easily able to galvanize energy and support from people who are excited about this returning to a live music venue and other things.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:11:15] Yeah, I wonder if you could, I know you’ve talked about it in a lot of different ways so far, but if you can distill your vision of the space into like a sentence or two, like how would you describe it?\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:11:25] A creative platform for all.\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:11:27] A creative platform for all, that’s bigger than just a live music venue. I mean, anything that brings people together, I guess you can do lectures, you can show movies, you can short films, you can have film festivals, you can add the small music festivals, you could have concerts. You just have to think of ideas that actually make people come here.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:11:52] And I know there’s still a big challenge of continuing to raise money, right, to actually be able to keep the space, right? Is that the biggest challenge?\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:12:01] It’s a big challenge. I think also we have a big responsibility that comes with this space and making sure that we pay respect to that history. It’s an interesting time we’re in at the moment. It’s great, similar moment where the punk scene was raging against the machine, against what was happening. And now again, we are in a place of real turmoil. And so having a place that people can hear their voice, and maybe that is the poetry slams, that is, the workshops, the meetings. Having a place where people feel safe that they can come together in and talk about what’s front of mind for them, that they’re not alone. And hearing a sort of common voice, you know, we’re stronger when we stand together.\u003c/p>\n\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Mabuhay Gardens was a Filipino restaurant, nightclub, and music venue that was essential to San Francisco’s punk scene before its closure in 1987. Now, a group of local investors and North Beach neighbors are working to bring it back. \u003c/span>\u003c/p>\n\u003cp>\u003cspan data-slate-node=\"text\">\u003cspan class=\"sc-kAyceB grEoze\" data-slate-leaf=\"true\">\u003cem>You can find out about upcoming shows on the venue’s \u003c/em>\u003c/span>\u003c/span>\u003ca class=\"e-91036-text-link e-91036-baseline e-91036-overflow-wrap-anywhere encore-internal-color-text-announcement e-91036-text-link--use-focus sc-kpDqfm ejcycC\" href=\"https://www.instagram.com/mabuhayvenue/?hl=en\" data-encore-id=\"textLink\" data-slate-node=\"element\" data-slate-inline=\"true\" data-slate-fragment=\"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\">\u003cspan data-slate-node=\"text\">\u003cspan class=\"sc-kAyceB grEoze\" data-slate-leaf=\"true\">\u003cem>Instagram page. \u003c/em>\u003c/span>\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC6054251154\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cb>Links:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://www.kqed.org/arts/13980619/mabuhay-gardens-reopening-sf-punk-club-north-beach\">\u003cspan style=\"font-weight: 400\">Legendary SF Punk Club Mabuhay Gardens Is on the Verge of Reopening\u003c/span>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>\u003ci>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/i>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:00:00] I’m Jessica Kariisa, in for Ericka Cruz Guevarra, and welcome to The Bay. Local news to keep you rooted. There’s this building on Broadway in San Francisco’s North Beach neighborhood. It sits between an alleyway and a parking lot, and unless you’re looking for it, you might not even notice it. But there are all these photos pasted in the window. One is of Henry Rollins, the lead singer of the punk band Black Flag, and he’s performing on a stage. The other is of the band Blondie, also performing on stage. They were performing at 435 Broadway. Also known as Mabuhay Gardens, or The Mab for short. The Mab was an institution in San Francisco’s punk scene in the 70s and 80s. Countless bands performed there, including Metallica, The Clash, The Ramones, The Dead Kennedys. The list goes on and on. It started off as a Filipino restaurant and nightclub until a punk promoter named Dirk Dirksen got involved, and it became the legendary punk venue people know it for today. The Mabuhay Gardens closed in 1987, but now a group of longtime friends of The Mab are working hard to reopen its doors.\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:01:43] It’s gonna be great to feel that energy within this room again, with some live music, with cheap $20, $25 tickets, so everyone can enjoy it, and we’ll lift the roof.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:01:55] Today, the people trying to bring back The Mab.\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:02:09] Good afternoon. My name is Tom Watson, and you are right in the middle of the formerly called Mabuhay Gardens, currently called Broadway Studios, for which we’re bringing back to The Mab. Mabuhay Gardens was a Filipino restaurant, and that was downstairs. And so it was this nice sort of, have some food and have a drink, and then the bands would come on.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:02:38] So now we’re downstairs, and we’re walking through some curtains to get to the original location.\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:02:46] Yeah, so we’ve got some posters of the Fab Mab with some of the performers.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:02:53] I love all this memorabilia on the wall. George Lopez? Oh, that’s funny. Lots of people have come through here.\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:03:01] Robin Williams as well, performed on stage.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:03:04] So yeah, I mean, it’s not too big of a space, but I can imagine it packed full of people. It’s like a rectangular room. We have this pretty small stage. So I guess the shows felt pretty intimate.\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:03:17] Great observation. So actually the stage was brought forwards more recently when I’ve been talking to my friends about, got this amazing project. They will ask me if they’ve been here. Do they still have the purple curtains? Oh, really? Yeah.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:03:30] That’s so funny. So these are the original purple curtains. Wow, I’m sure they’ve seen a lot.\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:03:36] I think to me it was this nice mix of cultures that came here drawn by this sort of new bands. Unfortunately, I never experienced it, but we have a sort of group of people who did and who can help guide us. So we don’t make any mistakes in terms of honoring that heritage and what it stood for and then being able to extrapolate that and being a creative platform for anyone who wants to do anything.\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:04:16] Yeah, my name’s V Vale and I made Search and Destroy the first punk publication to document the emerging punk rock counterculture movement.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:04:31] For people who aren’t familiar, how would you describe the Mab and its heyday? What was it like?\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:04:37] It started out as a restaurant, but also a nightclub because they actually had Filipino singers and they had acts here that were pretty niche appeal to Filipino community members. Ness Aquino was the owner of the restaurant, but somehow this man from Germany named Dirk Dirksen came here and talked him into, here, let me bring in these bands to play and you’ll keep all the money you make from food, serving restaurants, and we’ll put on the shows and we will do all the promotion and all that. So Dirk Dirksen was the German instigator of early punk rock.\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:05:30] All the bands, punk bands all over the world wanted to come to San Francisco and play the Mabuhay because that’s the only club there was. No one else would let punk shows happen that I know of, at least. And so that made it very simple. You go to San Fransisco, you play the Mabuhay. You go there every night, there’s a punk show.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:06:00] Could you describe what a typical night was like here?\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:06:04] Yeah, it was always three bands. They’re from all over the world, really. And it made it like an international movement, which indeed it was. And punk was great, it lowered the bar to the ground. Anyone could start a band after playing an instrument for one week. And the songs were always about pretty much black humor about what’s wrong with the world. But they had to be kind of witty, you know? It’s not just anger. Black humor must be present, meaning very dark humor.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:06:52] Do you have any favorite memories of bands that you saw here?\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:06:56] There was one spectacular night when Blondie played from New York, but David Bowie was here in the audience. And Iggy Pop was in the audience.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:07:08] Just watching.\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:07:09] Just watching. And for some reason, the word got out and the club was more jammed than I’ve ever seen it before since.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:07:24] And we saw the space downstairs and the ceilings are kind of low and I can imagine it gets pretty tight in there. What did it feel like? I imagine it was super sweaty.\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:07:34] No, I don’t think so. It never got that bad, I mean, that I remember. I mean I had my black leather jacket on in photos. If it were hot, I would have taken it off. Actually, people were a lot nicer to each other than you might think. And the cliche about punk rock. You know, people, if you fell to the ground, people would pick you up.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:08:11] You stopped going because you said the culture was changing. What made you stop?\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:08:14] One word, violence. I just, I thought it was very unpleasant to be anywhere near a mosh pit. And all the girls immediately disappeared. The Mabuhay became overnight a rooster club. It’s only guys, no beautiful punk women. Anyway, that’s when I started phasing out my publishing away from punk because I did not like this change. I mean, I wanted women there. In fact, women and gays were in the forefront of our early punk rock band formations.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:08:59] After Mabuhay Gardens officially closed in the late 80s, a young Filipino woman who used to clean the building took over the space. Her name was Francesca Valdez. She always wanted to reopen Mabuhay Gardens as a performance venue, but struggled to over the decades until she met Tom Watson in February of 2025. Tom is a civil engineer who moved to the Bay Area in 2011 and was looking for a building to work on. They joined forces and set plans in motion to reopen the Mabuhay. But then in July of 2025, she passed away. Tom, I wanted to bring you in. I know you didn’t grow up going to the Mabuhae, but how did you hear about it? How did you get involved?\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:09:48] Really from meeting Francesca at the beginning of the year and just coming into the space and feeling how special it was and just feeling, wow, this place, this space needs to be shared. It’s such an inspiring venue. If you just look up above us now, you’ve got this wonderful light coming in and the wonderful architecture of the building and will naturally inspire you and elevate you.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:10:14] Before she passed, you and her had plans for you to help revive the space. How did that come about?\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:10:22] I told her what I’d done in Germany, which was transforming an abandoned building into this cultural space. And then she passed away. And I always sort of felt this was her baby. And I didn’t feel able to really do much apart from support what she wanted. But her sister just was sort of like, over to you if you wanna do this, but do you really, really wanna do this because. I’ve experienced 30 years of this and it’s been really, really hard. But there’s a great strong community here who love the space. It meant a lot to a lot of people. So we are very easily able to galvanize energy and support from people who are excited about this returning to a live music venue and other things.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:11:15] Yeah, I wonder if you could, I know you’ve talked about it in a lot of different ways so far, but if you can distill your vision of the space into like a sentence or two, like how would you describe it?\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:11:25] A creative platform for all.\u003c/p>\n\u003cp>\u003cstrong>V Vale \u003c/strong>[00:11:27] A creative platform for all, that’s bigger than just a live music venue. I mean, anything that brings people together, I guess you can do lectures, you can show movies, you can short films, you can have film festivals, you can add the small music festivals, you could have concerts. You just have to think of ideas that actually make people come here.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:11:52] And I know there’s still a big challenge of continuing to raise money, right, to actually be able to keep the space, right? Is that the biggest challenge?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Tom Watson \u003c/strong>[00:12:01] It’s a big challenge. I think also we have a big responsibility that comes with this space and making sure that we pay respect to that history. It’s an interesting time we’re in at the moment. It’s great, similar moment where the punk scene was raging against the machine, against what was happening. And now again, we are in a place of real turmoil. And so having a place that people can hear their voice, and maybe that is the poetry slams, that is, the workshops, the meetings. Having a place where people feel safe that they can come together in and talk about what’s front of mind for them, that they’re not alone. And hearing a sort of common voice, you know, we’re stronger when we stand together.\u003c/p>\n\n\n\u003c/div>\u003c/p>",
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"slug": "middle-school-students-celebrate-betty-reid-soskin-the-nations-oldest-park-ranger-at-104",
"title": "Middle School Students Celebrate Betty Reid Soskin, the Nation’s Oldest Park Ranger, at 104",
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"headTitle": "Middle School Students Celebrate Betty Reid Soskin, the Nation’s Oldest Park Ranger, at 104 | KQED",
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"content": "\u003cp>At 104 years old, \u003ca href=\"https://www.kqed.org/news/tag/betty-reid-soskin\">Betty Reid Soskin\u003c/a> still commands a room.\u003c/p>\n\u003cp>As she entered her namesake \u003ca href=\"https://soskin.wccusd.net/\">middle school\u003c/a> in Contra Costa County on Monday, her 104th birthday, a hush came over the crowd of students awaiting her arrival.\u003c/p>\n\u003cp>Then came the cheers and singing: “Happy Birthday, Miss Betty!”\u003c/p>\n\u003cp>Before \u003ca href=\"https://www.kqed.org/news/11910061/betty-reid-soskin-americas-oldest-park-ranger-retires-at-100\">her retirement in 2022\u003c/a>, Reid Soskin was the \u003ca href=\"https://www.kqed.org/forum/201506101000/americas-oldest-park-ranger-brings-history-to-life-at-richmonds-rosie-the-riveter-park\">oldest park ranger in the country\u003c/a>, having started her career in the National Park Service at 85 at Richmond’s \u003ca href=\"https://www.nps.gov/rori/index.htm\">Rosie the Riveter World War II Homefront National Historical Park\u003c/a>. She retired from the park service at the age of 100.\u003c/p>\n\u003cp>As is now an annual tradition, Reid Soskin and her family stopped by the school for her birthday, where students and staff celebrated her. As she made her rounds, she and the students — generations apart — seemed to be awestruck in each other’s presence.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The East Bay middle school, formerly Juan Crespi Middle School, was \u003ca href=\"https://richmondstandard.com/community/education/2021/06/24/el-sobrante-middle-school-renamed-in-honor-of-betty-reid-soskin/\">renamed \u003c/a>in 2021 to honor Reid Soskin, who, Principal Jason Lau said, serves as a role model and an inspiration to the students.\u003c/p>\n\u003cp>“Your legacy reminds us that it’s never too early or too late to make a difference,” he told Reid Soskin in front of the small crowd assembled in the school’s library for her party on Monday.\u003c/p>\n\u003cdiv class=\"mceTemp\">\u003c/div>\n\u003cp>While she doesn’t consider herself a “Rosie,” proclaimed a display documenting Reid Soskin’s life at the school’s library, Reid Soskin made her own contributions to the World War II effort at home in the Bay Area \u003ca href=\"https://www.nps.gov/rori/learn/historyculture/betty-reid-soskin.htm\">as a file clerk for shipyard workers in Richmond\u003c/a>. But she and her former husband — who would together go on to open \u003ca href=\"https://www.kqed.org/arts/13850266/reids-records-berkeley-gospel-mainstay-to-close-after-75-years\">Reid’s Records\u003c/a>, one of the first Black-owned record stores in Oakland and one of the oldest in the state before it \u003ca href=\"https://www.berkeleyside.org/2019/02/05/reids-records-californias-oldest-record-shop-to-close-in-the-fall\">closed\u003c/a> in 2019 — faced considerable racism, driving her into politics and civil rights work.\u003c/p>\n\u003cfigure id=\"attachment_12057138\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12057138\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/20250922_BETTYREIDSOSKIN104TH_GC-12-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/20250922_BETTYREIDSOSKIN104TH_GC-12-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/20250922_BETTYREIDSOSKIN104TH_GC-12-KQED-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/20250922_BETTYREIDSOSKIN104TH_GC-12-KQED-1536x998.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Betty Reid Soskin signs a poster made by history students during her 104th birthday celebration at Betty Reid Soskin Middle School in El Sobrante on Sept. 22, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She would later lead the creation of the Richmond site, which opened in 2000. Thanks to her efforts, the museum \u003ca href=\"https://www.kqed.org/news/12053628/richmond-rally-national-parks-trump-white-house-rosie-the-riveter-world-war-ii-homefront\">highlights the wartime contributions of the East Bay’s nonwhite residents\u003c/a> and the struggles they faced to win their own freedom at home.\u003c/p>\n\u003cp>Reid Soskin said it wasn’t until her mid-50s, after she experienced the loss of her father and two former husbands within the span of just three months, that her life took a turn toward political activism — and to fully embracing who she is.[aside postID=arts_13952570 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/Screenshot-2024-02-20-at-12.01.15-PM-1020x572.png']“I think I felt lost for a while,” she said. “I didn’t know that I was going to come back. And then I came back.”\u003c/p>\n\u003cp>“I came back as Betty, and I’ve been able to work as Betty ever since,” she continued. “I was defined by myself and that was really something.”\u003c/p>\n\u003cp>Reid Soskin said working for the park service “was probably the best thing I ever did. I felt as if I were meant to be here, and I was doing exactly as I was intended to do.”\u003c/p>\n\u003cp>West Contra Costa Unified School District Superintendent Cheryl Cotton said she had the opportunity to see Reid Soskin at work as a park ranger when she and her son visited the Rosie the Riveter park as part of a school group.\u003c/p>\n\u003cp>“I can’t imagine how many lives she’s touched and really inspired,” Cotton said. “I think that the world needs to know that great things come from Richmond. Great things come from our communities — and she is one of the greatest.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13952570/at-102-years-old-betty-reid-soskin-revisits-her-music-from-the-civil-rights-era\">But it’s Reid Soskin’s music\u003c/a> and songwriting that inspires eighth grader Farahzareh Parvar, who plays the flute.\u003c/p>\n\u003cfigure id=\"attachment_12057136\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12057136\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/20250922_BETTYREIDSOSKIN104TH_GC-7-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/20250922_BETTYREIDSOSKIN104TH_GC-7-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/20250922_BETTYREIDSOSKIN104TH_GC-7-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/20250922_BETTYREIDSOSKIN104TH_GC-7-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Betty Reid Soskin speaks to media during her 104th birthday celebration at Betty Reid Soskin Middle School in El Sobrante on Sept. 22, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I do music myself, and I think I just look up to her,” Parvar said. Reid Soskin used her music to reflect on her life and her generation’s fight for civil liberties, but kept her songs private for nearly a half-century.\u003c/p>\n\u003cp>Reid Soskin said if today’s students take anything from her life’s story, it’s to keep pushing themselves and others forward.\u003c/p>\n\u003cp>“I hope that they continue to ask questions, and that they never settle for the answers,” she said.\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "The Contra Costa County musician, civil rights activist and park ranger did it all — and so can you, she says.",
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"title": "Middle School Students Celebrate Betty Reid Soskin, the Nation’s Oldest Park Ranger, at 104 | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At 104 years old, \u003ca href=\"https://www.kqed.org/news/tag/betty-reid-soskin\">Betty Reid Soskin\u003c/a> still commands a room.\u003c/p>\n\u003cp>As she entered her namesake \u003ca href=\"https://soskin.wccusd.net/\">middle school\u003c/a> in Contra Costa County on Monday, her 104th birthday, a hush came over the crowd of students awaiting her arrival.\u003c/p>\n\u003cp>Then came the cheers and singing: “Happy Birthday, Miss Betty!”\u003c/p>\n\u003cp>Before \u003ca href=\"https://www.kqed.org/news/11910061/betty-reid-soskin-americas-oldest-park-ranger-retires-at-100\">her retirement in 2022\u003c/a>, Reid Soskin was the \u003ca href=\"https://www.kqed.org/forum/201506101000/americas-oldest-park-ranger-brings-history-to-life-at-richmonds-rosie-the-riveter-park\">oldest park ranger in the country\u003c/a>, having started her career in the National Park Service at 85 at Richmond’s \u003ca href=\"https://www.nps.gov/rori/index.htm\">Rosie the Riveter World War II Homefront National Historical Park\u003c/a>. She retired from the park service at the age of 100.\u003c/p>\n\u003cp>As is now an annual tradition, Reid Soskin and her family stopped by the school for her birthday, where students and staff celebrated her. As she made her rounds, she and the students — generations apart — seemed to be awestruck in each other’s presence.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The East Bay middle school, formerly Juan Crespi Middle School, was \u003ca href=\"https://richmondstandard.com/community/education/2021/06/24/el-sobrante-middle-school-renamed-in-honor-of-betty-reid-soskin/\">renamed \u003c/a>in 2021 to honor Reid Soskin, who, Principal Jason Lau said, serves as a role model and an inspiration to the students.\u003c/p>\n\u003cp>“Your legacy reminds us that it’s never too early or too late to make a difference,” he told Reid Soskin in front of the small crowd assembled in the school’s library for her party on Monday.\u003c/p>\n\u003cdiv class=\"mceTemp\">\u003c/div>\n\u003cp>While she doesn’t consider herself a “Rosie,” proclaimed a display documenting Reid Soskin’s life at the school’s library, Reid Soskin made her own contributions to the World War II effort at home in the Bay Area \u003ca href=\"https://www.nps.gov/rori/learn/historyculture/betty-reid-soskin.htm\">as a file clerk for shipyard workers in Richmond\u003c/a>. But she and her former husband — who would together go on to open \u003ca href=\"https://www.kqed.org/arts/13850266/reids-records-berkeley-gospel-mainstay-to-close-after-75-years\">Reid’s Records\u003c/a>, one of the first Black-owned record stores in Oakland and one of the oldest in the state before it \u003ca href=\"https://www.berkeleyside.org/2019/02/05/reids-records-californias-oldest-record-shop-to-close-in-the-fall\">closed\u003c/a> in 2019 — faced considerable racism, driving her into politics and civil rights work.\u003c/p>\n\u003cfigure id=\"attachment_12057138\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12057138\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/20250922_BETTYREIDSOSKIN104TH_GC-12-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/20250922_BETTYREIDSOSKIN104TH_GC-12-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/20250922_BETTYREIDSOSKIN104TH_GC-12-KQED-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/20250922_BETTYREIDSOSKIN104TH_GC-12-KQED-1536x998.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Betty Reid Soskin signs a poster made by history students during her 104th birthday celebration at Betty Reid Soskin Middle School in El Sobrante on Sept. 22, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She would later lead the creation of the Richmond site, which opened in 2000. Thanks to her efforts, the museum \u003ca href=\"https://www.kqed.org/news/12053628/richmond-rally-national-parks-trump-white-house-rosie-the-riveter-world-war-ii-homefront\">highlights the wartime contributions of the East Bay’s nonwhite residents\u003c/a> and the struggles they faced to win their own freedom at home.\u003c/p>\n\u003cp>Reid Soskin said it wasn’t until her mid-50s, after she experienced the loss of her father and two former husbands within the span of just three months, that her life took a turn toward political activism — and to fully embracing who she is.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“I think I felt lost for a while,” she said. “I didn’t know that I was going to come back. And then I came back.”\u003c/p>\n\u003cp>“I came back as Betty, and I’ve been able to work as Betty ever since,” she continued. “I was defined by myself and that was really something.”\u003c/p>\n\u003cp>Reid Soskin said working for the park service “was probably the best thing I ever did. I felt as if I were meant to be here, and I was doing exactly as I was intended to do.”\u003c/p>\n\u003cp>West Contra Costa Unified School District Superintendent Cheryl Cotton said she had the opportunity to see Reid Soskin at work as a park ranger when she and her son visited the Rosie the Riveter park as part of a school group.\u003c/p>\n\u003cp>“I can’t imagine how many lives she’s touched and really inspired,” Cotton said. “I think that the world needs to know that great things come from Richmond. Great things come from our communities — and she is one of the greatest.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13952570/at-102-years-old-betty-reid-soskin-revisits-her-music-from-the-civil-rights-era\">But it’s Reid Soskin’s music\u003c/a> and songwriting that inspires eighth grader Farahzareh Parvar, who plays the flute.\u003c/p>\n\u003cfigure id=\"attachment_12057136\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12057136\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/20250922_BETTYREIDSOSKIN104TH_GC-7-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/20250922_BETTYREIDSOSKIN104TH_GC-7-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/20250922_BETTYREIDSOSKIN104TH_GC-7-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/20250922_BETTYREIDSOSKIN104TH_GC-7-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Betty Reid Soskin speaks to media during her 104th birthday celebration at Betty Reid Soskin Middle School in El Sobrante on Sept. 22, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I do music myself, and I think I just look up to her,” Parvar said. Reid Soskin used her music to reflect on her life and her generation’s fight for civil liberties, but kept her songs private for nearly a half-century.\u003c/p>\n\u003cp>Reid Soskin said if today’s students take anything from her life’s story, it’s to keep pushing themselves and others forward.\u003c/p>\n\u003cp>“I hope that they continue to ask questions, and that they never settle for the answers,” she said.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"slug": "meet-misa-james-winner-of-the-kqed-x-good-compennys-bay-area-music-showcase",
"title": "Meet Misa James, Winner of the KQED x Good Compenny Bay Area Music Showcase",
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"headTitle": "Meet Misa James, Winner of the KQED x Good Compenny Bay Area Music Showcase | KQED",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">Earlier this summer, KQED in partnership with LaRussell and Good Compenny hosted a Bay Area Music Showcase in Vallejo. After more than 200 submissions, five artists from the Bay Area were selected to compete for real recognition. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Today, first place winner \u003c/span>\u003ca href=\"https://www.instagram.com/themisajames/?hl=en\">\u003cspan style=\"font-weight: 400\">Misa James\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> talks with us about his music, being an artist in San Jose, and his hopes after his win. \u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC1149840191&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cb>Links:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://beacons.ai/themisajames\">\u003cspan style=\"font-weight: 400\">Listen to Misa James’ Music\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://www.eventbrite.com/e/larussell-souls-of-mischief-ruby-ibarra-tickets-1304213480629\">\u003cspan style=\"font-weight: 400\">LaRussell, Ruby Ibarra, Souls of Mischief, Misa James and more perform in San Jose Sunday Sept. 21 \u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://www.youtube.com/watch?v=v9VaD1LJGoU\">\u003cspan style=\"font-weight: 400\">Watch Misa James perform at the KQED x Good Compenny Bay Area Music Showcase\u003c/span>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp class=\"e-91036-text encore-text-body-medium\" data-encore-id=\"text\" data-slate-node=\"element\" data-slate-fragment=\"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\">\u003cem>\u003ci>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/i>\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp data-encore-id=\"text\" data-slate-node=\"element\" data-slate-fragment=\"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\">\u003cem>This transcript is computer-generated. While our team has reviewed it, there may be errors.\u003c/em>\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:00:00] \u003c/em>I’m Ericka Cruz Guevara and welcome to the Bay, local news to keep you rooted. So earlier this summer, I got the chance to help put together this really cool thing in my city, Vallejo. Together with KQED, Vallejo’s very own La Russell and the Good Compenny team, we hosted a Bay Area music showcase. To try and find the region’s next big star.\u003c/p>\n\u003cp>\u003cb>LaRussell: \u003c/b>\u003cem>[00:00:34] \u003c/em>Today is a showcase and a celebration of our culture and our art and our region and our cousins from different regions. And it’s a lot of brave artists today that’s gonna get to get on this stage.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:00:47] \u003c/em>After more than 200 submissions, the KQED and Good Company teams narrowed it down to five artists who competed on stage for real recognition and real prizes, including a feature with LaRussell, either on a track, a music video, or a live event. And today, we’re introducing you to the showcase winner.\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:01:14] \u003c/em>Let me tell you, I’ve been walking for so long, another season.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:01:27] \u003c/em>Misa James is a singer, songwriter, and producer based in San Jose. And today I sit down with him to chat about his roots in the Bay, being an artist in the heart of Silicon Valley, and what it meant to win the Bay Area Music Showcase. Stay with us.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:02:00] \u003c/em>Tell me a little bit about where you grew up and what that was like.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:02:03] \u003c/em>So I grew up pretty much all over East Bay and then, uh, after high school, I decided to move out with some friends and lived in Milpitas for a little bit and then migrated to Pleasanton and then down to San Jose.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:02:18] \u003c/em>Wow, you really all over which which city do you claim San Jose? Okay. Yeah Misa, can you talk a little bit more about the role that your family and your upbringing played in your music?\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:02:32] \u003c/em>I’m Polynesian, I’m Samoan and I’m Puerto Rican, and as anybody knows, if they know any islanders they know that they’re singing constantly all the time. There’s always a stringed instrument somewhere, whether it be ukulele or guitar. We were always meeting up with family members, so there was always eventually a jam session going on, and I always wanted to contribute somehow because I just love music. I was writing songs with my cousin from… As early as like 11 years old.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:03:05] \u003c/em>Wow.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:03:06] \u003c/em>Writing like silly love songs, you know, stuff that we would pretty much copy that we would hear online. Um, like, uh, Lemonade, Jeremy Passion, like-\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:03:22] \u003c/em>Oh, legend.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:03:23] \u003c/em>I’m a platinum in the streets, you know\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:03:36] \u003c/em>You know, Jeremy Passion was a big influence on, like, my guitar playing and also my songwriting a little bit and my style of singing and also Gabe Bondoc. Then, kind of more on like a global standpoint, Michael Jackson was, you know, number one for me. My parents were always listening to oldies, you know like 1960s Motown. My dad and my mom both grew up in L.A. So, they were really influenced by like, lowrider culture songs.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:04:06] \u003c/em>Totally How would you describe the essence of Misa James’s music?\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:04:18] \u003c/em>Eclectic, raw, and acoustic. For me, acoustic guitar started off my whole musical process. That was really where I did all of my songwriting first. And then once I picked up producing, a whole new world opened up to me. And so I kind of put down the guitar in terms of music production and music writing. And then, once I finally got the right equipment to incorporate more live instruments, then… It kind of dawned on me. I was like, oh, I can incorporate, you know, my roots into my production, which now has led to the incorporation of acoustic guitar fully.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:05:02] \u003c/em>Which I think is also the case for your song On My Own, which is the song that you submitted to the Bay Area Music Showcase, which we’ll get into a little bit more, but can you tell me a little more about that song? I’m so curious what it’s about.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:05:20] \u003c/em>I guess it all started when my mom passed away in 2016. She had been diagnosed with multiple sclerosis my entire life, so before I was born. And so we kind of always knew that there was gonna be a time that she wasn’t gonna be here. But that time finally came in 2016, and then shortly after we got evicted from our home in Union City, and we had to move to a cheaper place, which was Tracy. And I was still working at Great America at the time. And I didn’t want to make that commute. It was a long commute, and it was like four or five days out of the week, so.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:05:57] \u003c/em>Yeah. Wow.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:05:58] \u003c/em>I had to make the decision to move out. Um, kind of not when I wanted to and not when I was ready to at all.\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:06:06] \u003c/em>Don’t know how, don’t know How to make it Gotta find my way, gotta find my Way, my way\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:06:16] \u003c/em>And so being on my own ever since then has been rough. And it’s just kind of a love letter to all my fellow adults that miss being kids, because adulting sucks.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:06:31] \u003c/em>Totally.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:06:31] \u003c/em>Nobody really prepares you.\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:06:34] \u003c/em>Make myself fat, oh oh oh, oh, don’t know how to make it on my own\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:06:45] \u003c/em>I mean, your parents can do the best that they can, you know, but it’s always a balance of do we support them and, you, know, be the safety net so that they don’t fall or how much do we let them grow up and become self-sufficient.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:07:05] \u003c/em>It’s such a relatable song. Like you can apply it to any, I mean, even like that’s a very pandemic song too\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:07:15] \u003c/em>Yeah\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:07:16] \u003c/em>You know, like there are just so many things about it that are relatable. And I, and I think like, even knowing the, the backstory of it, the idea of like people being evicted from the Bay area and having to like, make that commute and, and leaving home, it’s just, there’s just so much to connect with. And it’s so catchy too.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:07:39] \u003c/em>That was just happenstance.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:07:42] \u003c/em>I want to talk a little bit more, Misa, about the Bay Area Music Showcase, which was this thing that us at KQED, our art, the arts team really wanted to do with LaRussell because this is really iconic juggernaut, really. And, you know, our goal was to really kind of find the next up and coming artist in the Bay area. I don’t know if you know this, but we had like over 200 submissions. Of people all over the Bay Area, you were one of five people chosen.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:08:15] \u003c/em>Oh, yeah. Oh yeah, it’s not lost on me how insane just that is.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:08:20] \u003c/em>Like, do you remember where you were when you got chosen?\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:08:23] \u003c/em>Oh, man. Yeah, totally. I was on my way back home from work. So I work in prison and I didn’t have phone access from like 8 a.m. To 3 p.m.. So I was in the workshop, like just stressing out. I was like, man, I hope I get it. They’re gonna be emailing by today at least. So when I got out, there was no email yet, but on the way home, I got the acceptance email and I was, whoa, I rolled down the window. I was like, yes! LaRussell! They heard me!\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cem>[00:08:58] \u003c/em>Up next. We’re gonna keep this train rolling. We are fortunate to have a performance by the one and only Misa James. Round of applause for Mesa james for the stage.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:09:10] \u003c/em>What was it like to perform up there in front of LaRussell, in front of this panel of judges, in front of like, I mean, it was a pretty, it was sold out.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:09:21] \u003c/em>Yeah. It was, it was insane. Like, honestly, that was probably like the best night of my life.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:09:28] \u003c/em>Wow.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:09:29] \u003c/em>Yeah. That’s it. I, I had been prepared as much as I knew I could be. But then after seeing just like the vibes of the night and, and knowing what we were going to do, I was just getting more and more excited. And I was, I was ready. And then When I walked up there, I tripped.\u003c/p>\n\u003cp>\u003cb>LaRussell: \u003c/b>\u003cem>[00:09:52] \u003c/em>My n***a almost tripped on the way in. That be those words. We didn’t see it. You see? Nope. We didn’t see it! Don’t throw it out. You gotta just act like it don’t exist. Exactly. Hey, that preps you for a perfect moment. You’re like, ah, ah. That’s the universe. Joking with you.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:10:06] \u003c/em>Caught me slippin not today Satan!\u003cem> \u003c/em>\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:10:09] \u003c/em>And then LaRussell called it out and I was like, all right, the ice is broken. Let’s go. Let’s just have fun.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:10:15] \u003c/em>What’s up, y’all? My name is Misa James. From San Jose, California. Can I get a hell, yeah? Can I go to hell? Y’all are tapped in. Thank you, thank you. All right, so this.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:10:34] \u003c/em>Yeah, I feel like you just sort of rolled into it.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:10:37] \u003c/em>That was so funny. I’m glad that he called it out because I wasn’t gonna say anything. That was a little awkward But like he he definitely helped me out with that one. It’s kind of an alleyoop\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:10:49] \u003c/em>I don’t know how, don’t how to make it. Gotta find my way, gotta find my my way. One more time, everybody sing. Don’t know.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:11:02] \u003c/em>And he really like set this whole thing up as like, this is your shot, like this is your opportunity to show out and win this thing and you won it, like what, what was it like to win it?\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:11:19] \u003c/em>Honestly, the winning part of it was not as exciting as the show itself.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:11:29] \u003c/em>Hmm\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:11:29] \u003c/em>That moment, I mean, you were there. That moment where everybody was just paying attention. They were bought in. They were into it. And they were participating with the crowd participation parts. I just felt like so supported.\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:11:46] \u003c/em>All right, everybody turn to your neighbor. Say hi. Say it’s nice to meet you. All right now say I need you. Say I need you!\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:12:00] \u003c/em>And especially from what all the judges says. You know, Tieta mentioned she’s like, even if you don’t win here, you’re gonna win in life.\u003c/p>\n\u003cp>\u003cb>Tietta: \u003c/b>\u003cem>[00:12:08] \u003c/em>That was incredible. You have a great stage presence, a great personality. The fact that you almost tripped and then you made all of us laugh about it. You made everybody join in and enjoy. You brought a bunch of smiles to people’s faces. You, you’re golden. Even if you don’t win here, you gonna win in life. Cause that was amazing.\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cem>[00:12:26] \u003c/em>Amen.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:12:29] \u003c/em>You know, I had already felt that I had, you know, scaled a mountain at that point already. So, you now, when it got announced that I won, it was just like a confirmation that like, yeah, that feeling that you felt on stage, like that’s a winning feeling.\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cem>[00:12:43] \u003c/em>Here we go. Bring it home, bring it home.\u003c/p>\n\u003cp>\u003cb>LaRussell: \u003c/b>\u003cem>[00:12:47] \u003c/em>First place, Misa James!\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cem>[00:12:55] \u003c/em>How you feeling? Some words to the people, speech, speech! Speech! Speech!\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:13:00] \u003c/em>Uhhh… Wow, uh, thank you? Wait, hold on. Shout out Bay Area Music. If it wasn’t for every single one of us choosing to either move or stay here in the Bay and make music, this shit would die.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:13:18] \u003c/em>I wonder like to just what it must be like to be an artist in the Bay Area right now and especially in San Jose, which is not really a place that I think of, I don’t know, a lot of music necessarily coming out of.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:13:35] \u003c/em>Right, right, yeah. It’s rough, it’s definitely rough. I mean this isn’t the market for, you know, artists as compared to you know like LA or New York. If I’m not playing you know corporate gigs at Google then like there’s you know it’s kind of a steep climb. It has been a hard balance to strike but I ultimately appreciate the dynamic that the Bay Area kind of creates. You have to still be kind of a human, kind of be grounded in a way, you know, my head can’t be too far in the clouds. And I still feel like I relate to just like common people still. It kind of strengthens my desire to be an artist even more. Because even though there are all these limitations, I still know that deep in my heart, I can’t live any other way than to be a musician.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:14:31] \u003c/em>And I feel like, too, so many people in the Bay Area often, especially musicians, leave the Bay, but you stick around, why?\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:14:41] \u003c/em>I love it here. I love the people here. It feels like home and that’s mainly in the people. All my friends are here and they’re all like really big dreamers but I also appreciate just kind of the pace also of the Bay Area. Things kind of move just a little bit slower so you have to be a lot more strategic about what you’re selling and how you sell\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:15:10] \u003c/em>Yeah, you gotta hustle.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:15:11] \u003c/em>Yeah, yeah. If I can sustain myself by creating content and doing more shows and then also in turn collaborate with my favorite artists from the Bay Area and also compensate them for their time, that would just be the dream.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:15:30] \u003c/em>All right, so Misa, you brought your guitar, your baby to the studio. Can you tell us what you’re gonna sing for us today?\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:15:39] \u003c/em>So this is just going to be an acoustic rendition of on my own\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:15:44] \u003c/em>All right, let’s hear it.\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:15:59] \u003c/em>Let me tell you i’ve been walking for so long another season well but if i go wrong it’s not the way it used to be it’ll even look the same no guess it’s where i’m supposed to go but i’m still afraid because i don’t know how to make it on my Learnin’ how to take a windin’ As I find a way to make myself at home Don’t know how, don’t know How to make it Gotta find my way, gotta find my Way, my way find the strength to be alone, learning how to take a winding road. As I find a way to make myself at home. I don’t know how to make it\u003cem> \u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:17:59] \u003c/em>Thank you.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Earlier this summer, KQED in partnership with LaRussell and Good Compenny hosted a Bay Area Music Showcase in Vallejo. After more than 200 submissions, five artists from the Bay Area were selected to compete for real recognition. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Today, first place winner \u003c/span>\u003ca href=\"https://www.instagram.com/themisajames/?hl=en\">\u003cspan style=\"font-weight: 400\">Misa James\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> talks with us about his music, being an artist in San Jose, and his hopes after his win. \u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC1149840191&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cb>Links:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://beacons.ai/themisajames\">\u003cspan style=\"font-weight: 400\">Listen to Misa James’ Music\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://www.eventbrite.com/e/larussell-souls-of-mischief-ruby-ibarra-tickets-1304213480629\">\u003cspan style=\"font-weight: 400\">LaRussell, Ruby Ibarra, Souls of Mischief, Misa James and more perform in San Jose Sunday Sept. 21 \u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://www.youtube.com/watch?v=v9VaD1LJGoU\">\u003cspan style=\"font-weight: 400\">Watch Misa James perform at the KQED x Good Compenny Bay Area Music Showcase\u003c/span>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp class=\"e-91036-text encore-text-body-medium\" data-encore-id=\"text\" data-slate-node=\"element\" data-slate-fragment=\"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\">\u003cem>\u003ci>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/i>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp data-encore-id=\"text\" data-slate-node=\"element\" data-slate-fragment=\"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\">\u003cem>This transcript is computer-generated. While our team has reviewed it, there may be errors.\u003c/em>\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:00:00] \u003c/em>I’m Ericka Cruz Guevara and welcome to the Bay, local news to keep you rooted. So earlier this summer, I got the chance to help put together this really cool thing in my city, Vallejo. Together with KQED, Vallejo’s very own La Russell and the Good Compenny team, we hosted a Bay Area music showcase. To try and find the region’s next big star.\u003c/p>\n\u003cp>\u003cb>LaRussell: \u003c/b>\u003cem>[00:00:34] \u003c/em>Today is a showcase and a celebration of our culture and our art and our region and our cousins from different regions. And it’s a lot of brave artists today that’s gonna get to get on this stage.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:00:47] \u003c/em>After more than 200 submissions, the KQED and Good Company teams narrowed it down to five artists who competed on stage for real recognition and real prizes, including a feature with LaRussell, either on a track, a music video, or a live event. And today, we’re introducing you to the showcase winner.\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:01:14] \u003c/em>Let me tell you, I’ve been walking for so long, another season.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:01:27] \u003c/em>Misa James is a singer, songwriter, and producer based in San Jose. And today I sit down with him to chat about his roots in the Bay, being an artist in the heart of Silicon Valley, and what it meant to win the Bay Area Music Showcase. Stay with us.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:02:00] \u003c/em>Tell me a little bit about where you grew up and what that was like.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:02:03] \u003c/em>So I grew up pretty much all over East Bay and then, uh, after high school, I decided to move out with some friends and lived in Milpitas for a little bit and then migrated to Pleasanton and then down to San Jose.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:02:18] \u003c/em>Wow, you really all over which which city do you claim San Jose? Okay. Yeah Misa, can you talk a little bit more about the role that your family and your upbringing played in your music?\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:02:32] \u003c/em>I’m Polynesian, I’m Samoan and I’m Puerto Rican, and as anybody knows, if they know any islanders they know that they’re singing constantly all the time. There’s always a stringed instrument somewhere, whether it be ukulele or guitar. We were always meeting up with family members, so there was always eventually a jam session going on, and I always wanted to contribute somehow because I just love music. I was writing songs with my cousin from… As early as like 11 years old.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:03:05] \u003c/em>Wow.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:03:06] \u003c/em>Writing like silly love songs, you know, stuff that we would pretty much copy that we would hear online. Um, like, uh, Lemonade, Jeremy Passion, like-\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:03:22] \u003c/em>Oh, legend.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:03:23] \u003c/em>I’m a platinum in the streets, you know\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:03:36] \u003c/em>You know, Jeremy Passion was a big influence on, like, my guitar playing and also my songwriting a little bit and my style of singing and also Gabe Bondoc. Then, kind of more on like a global standpoint, Michael Jackson was, you know, number one for me. My parents were always listening to oldies, you know like 1960s Motown. My dad and my mom both grew up in L.A. So, they were really influenced by like, lowrider culture songs.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:04:06] \u003c/em>Totally How would you describe the essence of Misa James’s music?\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:04:18] \u003c/em>Eclectic, raw, and acoustic. For me, acoustic guitar started off my whole musical process. That was really where I did all of my songwriting first. And then once I picked up producing, a whole new world opened up to me. And so I kind of put down the guitar in terms of music production and music writing. And then, once I finally got the right equipment to incorporate more live instruments, then… It kind of dawned on me. I was like, oh, I can incorporate, you know, my roots into my production, which now has led to the incorporation of acoustic guitar fully.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:05:02] \u003c/em>Which I think is also the case for your song On My Own, which is the song that you submitted to the Bay Area Music Showcase, which we’ll get into a little bit more, but can you tell me a little more about that song? I’m so curious what it’s about.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:05:20] \u003c/em>I guess it all started when my mom passed away in 2016. She had been diagnosed with multiple sclerosis my entire life, so before I was born. And so we kind of always knew that there was gonna be a time that she wasn’t gonna be here. But that time finally came in 2016, and then shortly after we got evicted from our home in Union City, and we had to move to a cheaper place, which was Tracy. And I was still working at Great America at the time. And I didn’t want to make that commute. It was a long commute, and it was like four or five days out of the week, so.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:05:57] \u003c/em>Yeah. Wow.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:05:58] \u003c/em>I had to make the decision to move out. Um, kind of not when I wanted to and not when I was ready to at all.\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:06:06] \u003c/em>Don’t know how, don’t know How to make it Gotta find my way, gotta find my Way, my way\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:06:16] \u003c/em>And so being on my own ever since then has been rough. And it’s just kind of a love letter to all my fellow adults that miss being kids, because adulting sucks.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:06:31] \u003c/em>Totally.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:06:31] \u003c/em>Nobody really prepares you.\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:06:34] \u003c/em>Make myself fat, oh oh oh, oh, don’t know how to make it on my own\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:06:45] \u003c/em>I mean, your parents can do the best that they can, you know, but it’s always a balance of do we support them and, you, know, be the safety net so that they don’t fall or how much do we let them grow up and become self-sufficient.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:07:05] \u003c/em>It’s such a relatable song. Like you can apply it to any, I mean, even like that’s a very pandemic song too\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:07:15] \u003c/em>Yeah\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:07:16] \u003c/em>You know, like there are just so many things about it that are relatable. And I, and I think like, even knowing the, the backstory of it, the idea of like people being evicted from the Bay area and having to like, make that commute and, and leaving home, it’s just, there’s just so much to connect with. And it’s so catchy too.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:07:39] \u003c/em>That was just happenstance.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:07:42] \u003c/em>I want to talk a little bit more, Misa, about the Bay Area Music Showcase, which was this thing that us at KQED, our art, the arts team really wanted to do with LaRussell because this is really iconic juggernaut, really. And, you know, our goal was to really kind of find the next up and coming artist in the Bay area. I don’t know if you know this, but we had like over 200 submissions. Of people all over the Bay Area, you were one of five people chosen.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:08:15] \u003c/em>Oh, yeah. Oh yeah, it’s not lost on me how insane just that is.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:08:20] \u003c/em>Like, do you remember where you were when you got chosen?\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:08:23] \u003c/em>Oh, man. Yeah, totally. I was on my way back home from work. So I work in prison and I didn’t have phone access from like 8 a.m. To 3 p.m.. So I was in the workshop, like just stressing out. I was like, man, I hope I get it. They’re gonna be emailing by today at least. So when I got out, there was no email yet, but on the way home, I got the acceptance email and I was, whoa, I rolled down the window. I was like, yes! LaRussell! They heard me!\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cem>[00:08:58] \u003c/em>Up next. We’re gonna keep this train rolling. We are fortunate to have a performance by the one and only Misa James. Round of applause for Mesa james for the stage.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:09:10] \u003c/em>What was it like to perform up there in front of LaRussell, in front of this panel of judges, in front of like, I mean, it was a pretty, it was sold out.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:09:21] \u003c/em>Yeah. It was, it was insane. Like, honestly, that was probably like the best night of my life.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:09:28] \u003c/em>Wow.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:09:29] \u003c/em>Yeah. That’s it. I, I had been prepared as much as I knew I could be. But then after seeing just like the vibes of the night and, and knowing what we were going to do, I was just getting more and more excited. And I was, I was ready. And then When I walked up there, I tripped.\u003c/p>\n\u003cp>\u003cb>LaRussell: \u003c/b>\u003cem>[00:09:52] \u003c/em>My n***a almost tripped on the way in. That be those words. We didn’t see it. You see? Nope. We didn’t see it! Don’t throw it out. You gotta just act like it don’t exist. Exactly. Hey, that preps you for a perfect moment. You’re like, ah, ah. That’s the universe. Joking with you.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:10:06] \u003c/em>Caught me slippin not today Satan!\u003cem> \u003c/em>\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:10:09] \u003c/em>And then LaRussell called it out and I was like, all right, the ice is broken. Let’s go. Let’s just have fun.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:10:15] \u003c/em>What’s up, y’all? My name is Misa James. From San Jose, California. Can I get a hell, yeah? Can I go to hell? Y’all are tapped in. Thank you, thank you. All right, so this.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:10:34] \u003c/em>Yeah, I feel like you just sort of rolled into it.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:10:37] \u003c/em>That was so funny. I’m glad that he called it out because I wasn’t gonna say anything. That was a little awkward But like he he definitely helped me out with that one. It’s kind of an alleyoop\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:10:49] \u003c/em>I don’t know how, don’t how to make it. Gotta find my way, gotta find my my way. One more time, everybody sing. Don’t know.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:11:02] \u003c/em>And he really like set this whole thing up as like, this is your shot, like this is your opportunity to show out and win this thing and you won it, like what, what was it like to win it?\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:11:19] \u003c/em>Honestly, the winning part of it was not as exciting as the show itself.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:11:29] \u003c/em>Hmm\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:11:29] \u003c/em>That moment, I mean, you were there. That moment where everybody was just paying attention. They were bought in. They were into it. And they were participating with the crowd participation parts. I just felt like so supported.\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:11:46] \u003c/em>All right, everybody turn to your neighbor. Say hi. Say it’s nice to meet you. All right now say I need you. Say I need you!\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:12:00] \u003c/em>And especially from what all the judges says. You know, Tieta mentioned she’s like, even if you don’t win here, you’re gonna win in life.\u003c/p>\n\u003cp>\u003cb>Tietta: \u003c/b>\u003cem>[00:12:08] \u003c/em>That was incredible. You have a great stage presence, a great personality. The fact that you almost tripped and then you made all of us laugh about it. You made everybody join in and enjoy. You brought a bunch of smiles to people’s faces. You, you’re golden. Even if you don’t win here, you gonna win in life. Cause that was amazing.\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cem>[00:12:26] \u003c/em>Amen.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:12:29] \u003c/em>You know, I had already felt that I had, you know, scaled a mountain at that point already. So, you now, when it got announced that I won, it was just like a confirmation that like, yeah, that feeling that you felt on stage, like that’s a winning feeling.\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cem>[00:12:43] \u003c/em>Here we go. Bring it home, bring it home.\u003c/p>\n\u003cp>\u003cb>LaRussell: \u003c/b>\u003cem>[00:12:47] \u003c/em>First place, Misa James!\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cem>[00:12:55] \u003c/em>How you feeling? Some words to the people, speech, speech! Speech! Speech!\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:13:00] \u003c/em>Uhhh… Wow, uh, thank you? Wait, hold on. Shout out Bay Area Music. If it wasn’t for every single one of us choosing to either move or stay here in the Bay and make music, this shit would die.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:13:18] \u003c/em>I wonder like to just what it must be like to be an artist in the Bay Area right now and especially in San Jose, which is not really a place that I think of, I don’t know, a lot of music necessarily coming out of.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:13:35] \u003c/em>Right, right, yeah. It’s rough, it’s definitely rough. I mean this isn’t the market for, you know, artists as compared to you know like LA or New York. If I’m not playing you know corporate gigs at Google then like there’s you know it’s kind of a steep climb. It has been a hard balance to strike but I ultimately appreciate the dynamic that the Bay Area kind of creates. You have to still be kind of a human, kind of be grounded in a way, you know, my head can’t be too far in the clouds. And I still feel like I relate to just like common people still. It kind of strengthens my desire to be an artist even more. Because even though there are all these limitations, I still know that deep in my heart, I can’t live any other way than to be a musician.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:14:31] \u003c/em>And I feel like, too, so many people in the Bay Area often, especially musicians, leave the Bay, but you stick around, why?\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:14:41] \u003c/em>I love it here. I love the people here. It feels like home and that’s mainly in the people. All my friends are here and they’re all like really big dreamers but I also appreciate just kind of the pace also of the Bay Area. Things kind of move just a little bit slower so you have to be a lot more strategic about what you’re selling and how you sell\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:15:10] \u003c/em>Yeah, you gotta hustle.\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:15:11] \u003c/em>Yeah, yeah. If I can sustain myself by creating content and doing more shows and then also in turn collaborate with my favorite artists from the Bay Area and also compensate them for their time, that would just be the dream.\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:15:30] \u003c/em>All right, so Misa, you brought your guitar, your baby to the studio. Can you tell us what you’re gonna sing for us today?\u003c/p>\n\u003cp>\u003cb>Misa James: \u003c/b>\u003cem>[00:15:39] \u003c/em>So this is just going to be an acoustic rendition of on my own\u003c/p>\n\u003cp>\u003cb>Ericka Cruz Guevarra: \u003c/b>\u003cem>[00:15:44] \u003c/em>All right, let’s hear it.\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:15:59] \u003c/em>Let me tell you i’ve been walking for so long another season well but if i go wrong it’s not the way it used to be it’ll even look the same no guess it’s where i’m supposed to go but i’m still afraid because i don’t know how to make it on my Learnin’ how to take a windin’ As I find a way to make myself at home Don’t know how, don’t know How to make it Gotta find my way, gotta find my Way, my way find the strength to be alone, learning how to take a winding road. As I find a way to make myself at home. I don’t know how to make it\u003cem> \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Misa James Singing: \u003c/b>\u003cem>[00:17:59] \u003c/em>Thank you.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "meet-the-valkyries-djs-whose-job-is-to-make-ballhalla-go-wild",
"title": "Meet the Valkyries' DJs Whose Job Is to Make Ballhalla Go Wild",
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"headTitle": "Meet the Valkyries’ DJs Whose Job Is to Make Ballhalla Go Wild | KQED",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">The Golden State Valkyries’ first season has been a huge success. Next week, they’ll be the first WNBA expansion team to appear in the playoffs. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Valkyries aren’t just good; they’re fun to watch. \u003c/span>\u003cspan style=\"font-weight: 400\">Part of their appeal is the community around the team, which embraces women and LGBTQ people. \u003c/span>\u003cspan style=\"font-weight: 400\">This is also reflected in the team’s official DJs, whose job it is to set the mood at Chase Center, AKA Balhalla.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>Links:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://www.kqed.org/arts/13980855/golden-state-valkyries-wnba-bay-area-djs-ladyryan-shellheart-chase-center\">\u003cspan style=\"font-weight: 400\">Meet the DJs Bringing the Pride and the Party to the Valkyries’ Ballhalla\u003c/span>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>\u003ci>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/i>\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC4817522082&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp data-encore-id=\"text\" data-slate-node=\"element\" data-slate-fragment=\"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\">\u003cem>This transcript is computer-generated. While our team has reviewed it, there may be errors.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:00:05] I’ve always like kind of casually watched the Warriors, but I’m not a huge sports head.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:00:11] This is Nastia Voynovskaya. She’s the Associate Editor of Arts and Culture here at KQED. And her gateway into sports fandom was the Golden State Valkyries.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:00:25] It feels so amazing to go to an arena of 18,000 people where they’re all celebrating women’s strength and agility and skill. And I had never experienced that before. And I was just like, wow, this is how men must feel all the time watching the NBA. So I think a lot of people feel that way too.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:00:46] The Valkyries just wrapped up their first season, and next week, they’ll be the first WNBA expansion team to appear in the playoffs. And they aren’t just good, they’re fun. Part of their appeal is the women-forward and queer-friendly community the team creates. It’s a community that’s very much represented by the team’s official DJs, whose job is to set the mood at Chase Center, AKA Ballhalla.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:01:37] Today, the Valkyries’ official DJs and how they make Balhalla roar.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:01:52] Kind of embarrassed to say I still actually haven’t gone to a Valkyries game yet, but I’ve heard a lot about them. I mean, how would you describe what it’s like going to a Valkyries game?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:02:05] There’s this huge super celebratory energy and it’s so different from going to a Warriors game because you can just see the sheer numbers of women and queer people in the stands. Everyone’s wearing really cute outfits. Everyone’s in purple. There’s families with little kids, lots of families with girls who play sports, and it’s just incredible vibes. I know a lot of people that don’t really like basketball that much, but they go for the vibes.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:02:44] I’m curious for this story, there’s so many things about the Valkyries that are kind of groundbreaking, but why did you want to focus on the DJ specifically?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:02:53] Well, I think the Valkyries have made really savvy moves just tapping into various Bay Area cultural communities and just making fans in the Bay feel really part of their rise and the excitement. And I cover music and nightlife a lot, I cover LGBTQ culture a lot. And I was really excited when they announced that Lady Ryan and DJ Shellheart were the DJs because both of them have been killing it in the bay areas music scene for years and are really influential.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:03:22] So it sounds like they both have roots and connections in the Bay Area already. Tell me a little bit more about them and who they are, starting with DJ Shellheart.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:03:32] For sure, so DJ Shellheart has been DJing for 11 years. It’s hard work, hard work literally working years after years after years and being seen. She is the tour DJ for Rexx Life Raj, who’s a really popular rapper who was born and raised in Berkeley. She’s really big in the hip-hop scene. She has shared stages with people like DJ Jazzy Jeff and Anderson Paak recently.\u003c/p>\n\u003cp>\u003cstrong>DJ Shellheart \u003c/strong>[00:03:58] The club is fun. But it’s just like I get to I feel like I get a little bit more motivated being around sports.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:04:07] And Lady Ryan has been DJing in the scene since 2006.\u003c/p>\n\u003cp>\u003cstrong>Lady Ryan \u003c/strong>[00:04:12] You know, when people are there at their first game, you know and you can, you catch that vibe, you know? So it makes you want to be involved in this major unison of excitement and celebration.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:04:24] And she is one of the most influential people I would say in the LGBTQ nightlife scene. She co-founded a couple of really popular parties called So Lovely and Sweet Spot that are just banner events of Oakland queer nightlife. And she and her partner Denise actually just opened their own bar and it’s called Golden ratio in downtown Oakland.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:04:48] How do they get this gig? I feel like it’s like the coolest possible DJ gig you could get in the Bay Area.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:04:55] Yeah, I think it was sort of through, I think, connections in the DJ world. So Lady Ryan told me she kind of entered the sports DJ orbit, filling in for the Giants official DJ, Umami, who also DJs for the Warriors sometimes. And then Shellheart filled in for Warriors DJ, D-Sharp. And he was a champion of both Lady Ryan and Shellheart and sort of a mentor to them both.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:05:22] And are they themselves basketball heads or do they consider themselves basketball heads?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:05:27] Yeah, they both said that they grew up watching basketball and are huge WNBA fans and Shellheart in particular told me that she has been watching some of the Valkyries players like Tiffany Hayes since they were college players.\u003c/p>\n\u003cp>\u003cstrong>DJ Shellheart \u003c/strong>[00:05:39] Now I’m at the age where I understand that I watched these people from high school to college. I’m like, oh, okay, yeah. It’s more fun when you know where the players came from.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:05:54] I know you went to Chase before one of the games as the team was doing their warmups and the DJs were there too. What was that like?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:06:03] Yeah, it was really cool. I met up with DJ Shellheart during the warm-ups.\u003c/p>\n\u003cp>\u003cstrong>DJ Shellheart \u003c/strong>[00:06:09] I love songs about sneakers and stuff.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:06:12] She had her DJ booth set up on the court and the Valkyries were warming up on one side, the Phoenix Mercury were warming on the other side, so I got to see the players foam rolling and doing all these exercises. She kind of has to set the mood, you know, for them to get in the mindset to win. So she was playing stuff like Drake, Glorilla, also Bay Area songs from E40 and Lecrae. And it was awesome seeing her get acknowledgement from the players, like Kate Martin jogged by and fist bumped her. And you could really tell the music was kind of adding to them getting in the zone.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:06:55] How do they think about their role as DJs? And how do they know that they’re doing their job well, I guess?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:07:03] Yeah, I mean, their job is to keep the crowd hyped, you know, from before the game to the moment the players run out on the court. The DJs are spinning during the players’ warmup. Then they’re playing music as people kind of trickle into the stadium. Then they play the Valkyries song that they run out to, which the most recent one I heard was Blow the Whistle by T-Short. And then they’re pretty much playing during all the time outs, all the interactive moments where they’re throwing t-shirts or prizes, halftime. And sometimes the camera goes to the DJ and they have to, you know, bring that energy hyping up the crowd. So they’re definitely an integral part to the hype that happens at Ballhalla.\u003c/p>\n\u003cp>\u003cstrong>DJ Shellheart \u003c/strong>[00:07:52] Yeah, I just try to play turnt up music, man. Because when I first started, I was like, OK, I’m going to play some cool shit. And then I’m like, that’s not what they want. I had to figure it out. They want some up-tempo. They’re about to play a whole game. Like, the crowd is coming in for a game. So I’m, like, these are the songs that I’m going to every time I DJ.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:08:15] We’ll I’m so curious about what they’re playing at the games. I have a friend who was like, I feel like they play a lot of female artists.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:08:37] They do, yeah, definitely. Both of them told me Doechii is in heavy rotation. Songs like My House by Beyonce. I’ve heard Kamiya in there. So yeah, I would say it’s a mix. It’s like Bay Area girl power is the vibe.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:09:08] Is it different also from DJing, I guess like a usual DJ event at like a club or something? Do they think about that differently as well?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:09:18] I think it’s pretty different because it’s not a continuous, you know, one or two hour set like a DJ would have at a club. You’re kind of interspersing, you’re injecting the game with energy during these really particular moments. Like timeouts and things like that are when they’re deliberating different rough calls like you have to keep the energy of the crowd up during those moments.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:09:40] Wow, that’s a hard job.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:09:43] It is, but yeah, I’ve heard from WNBA fans and just basketball fans in general, but they really haven’t seen anything like the energy at Chase Center during Valkyries game in a long time. And people have compared it to Oracle or Roaracle during the Warriors championship run.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:10:01] They have a really big role in setting the vibe of the stadium. And I feel like it’s a pretty, very outward role as well. Like, how do they talk about that?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:10:13] Both of them told me that it’s really empowering and exciting to be in this stadium that really celebrates women and queer women especially, and Lady Ryan talked about this.\u003c/p>\n\u003cp>\u003cstrong>Lady Ryan \u003c/strong>[00:10:26] In a way, this is my life, like it feels regular, but it definitely feels empowering.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:10:32] And it comes at a time where the WNBA has really come to embrace its queer identity, which has not always been the case, but I think around 30% of players are openly queer. And back when the league debuted in the late 90s, it was marketed with this very feminine, straight image. Now the league has a culture where players are really allowed to be themselves and that they embrace their queer fan base that comes out in droves, and I think the DJs are just part of that.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:11:12] I mean, Nastia, it’s been a very historic season for the Valkyries. They’ve sold out every single one of their home games. What do Shellheart and Lady Ryan just tell you about what it means to be part of all of that?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:11:26] Yeah, they both told me they’re so grateful for this incredible opportunity and they want to do it again next year. And Shellheart in particular told me that she loves inspiring fans, especially little kids. A little boy came up to her for an autograph at her second game. And I think that makes it especially meaningful for both of them.\u003c/p>\n\u003cp>\u003cstrong>DJ Shellheart \u003c/strong>[00:11:48] That’s why I love this, and then coming in here playing for all these fans, playing for an arena is a dream come true.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:11:58] Well, Nastia, thank you so much for sharing your reporting with us. I appreciate it.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">The Golden State Valkyries’ first season has been a huge success. Next week, they’ll be the first WNBA expansion team to appear in the playoffs. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Valkyries aren’t just good; they’re fun to watch. \u003c/span>\u003cspan style=\"font-weight: 400\">Part of their appeal is the community around the team, which embraces women and LGBTQ people. \u003c/span>\u003cspan style=\"font-weight: 400\">This is also reflected in the team’s official DJs, whose job it is to set the mood at Chase Center, AKA Balhalla.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>Links:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://www.kqed.org/arts/13980855/golden-state-valkyries-wnba-bay-area-djs-ladyryan-shellheart-chase-center\">\u003cspan style=\"font-weight: 400\">Meet the DJs Bringing the Pride and the Party to the Valkyries’ Ballhalla\u003c/span>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>\u003ci>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/i>\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC4817522082&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp data-encore-id=\"text\" data-slate-node=\"element\" data-slate-fragment=\"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\">\u003cem>This transcript is computer-generated. While our team has reviewed it, there may be errors.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:00:05] I’ve always like kind of casually watched the Warriors, but I’m not a huge sports head.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:00:11] This is Nastia Voynovskaya. She’s the Associate Editor of Arts and Culture here at KQED. And her gateway into sports fandom was the Golden State Valkyries.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:00:25] It feels so amazing to go to an arena of 18,000 people where they’re all celebrating women’s strength and agility and skill. And I had never experienced that before. And I was just like, wow, this is how men must feel all the time watching the NBA. So I think a lot of people feel that way too.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:00:46] The Valkyries just wrapped up their first season, and next week, they’ll be the first WNBA expansion team to appear in the playoffs. And they aren’t just good, they’re fun. Part of their appeal is the women-forward and queer-friendly community the team creates. It’s a community that’s very much represented by the team’s official DJs, whose job is to set the mood at Chase Center, AKA Ballhalla.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:01:37] Today, the Valkyries’ official DJs and how they make Balhalla roar.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:01:52] Kind of embarrassed to say I still actually haven’t gone to a Valkyries game yet, but I’ve heard a lot about them. I mean, how would you describe what it’s like going to a Valkyries game?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:02:05] There’s this huge super celebratory energy and it’s so different from going to a Warriors game because you can just see the sheer numbers of women and queer people in the stands. Everyone’s wearing really cute outfits. Everyone’s in purple. There’s families with little kids, lots of families with girls who play sports, and it’s just incredible vibes. I know a lot of people that don’t really like basketball that much, but they go for the vibes.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:02:44] I’m curious for this story, there’s so many things about the Valkyries that are kind of groundbreaking, but why did you want to focus on the DJ specifically?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:02:53] Well, I think the Valkyries have made really savvy moves just tapping into various Bay Area cultural communities and just making fans in the Bay feel really part of their rise and the excitement. And I cover music and nightlife a lot, I cover LGBTQ culture a lot. And I was really excited when they announced that Lady Ryan and DJ Shellheart were the DJs because both of them have been killing it in the bay areas music scene for years and are really influential.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:03:22] So it sounds like they both have roots and connections in the Bay Area already. Tell me a little bit more about them and who they are, starting with DJ Shellheart.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:03:32] For sure, so DJ Shellheart has been DJing for 11 years. It’s hard work, hard work literally working years after years after years and being seen. She is the tour DJ for Rexx Life Raj, who’s a really popular rapper who was born and raised in Berkeley. She’s really big in the hip-hop scene. She has shared stages with people like DJ Jazzy Jeff and Anderson Paak recently.\u003c/p>\n\u003cp>\u003cstrong>DJ Shellheart \u003c/strong>[00:03:58] The club is fun. But it’s just like I get to I feel like I get a little bit more motivated being around sports.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:04:07] And Lady Ryan has been DJing in the scene since 2006.\u003c/p>\n\u003cp>\u003cstrong>Lady Ryan \u003c/strong>[00:04:12] You know, when people are there at their first game, you know and you can, you catch that vibe, you know? So it makes you want to be involved in this major unison of excitement and celebration.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:04:24] And she is one of the most influential people I would say in the LGBTQ nightlife scene. She co-founded a couple of really popular parties called So Lovely and Sweet Spot that are just banner events of Oakland queer nightlife. And she and her partner Denise actually just opened their own bar and it’s called Golden ratio in downtown Oakland.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:04:48] How do they get this gig? I feel like it’s like the coolest possible DJ gig you could get in the Bay Area.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:04:55] Yeah, I think it was sort of through, I think, connections in the DJ world. So Lady Ryan told me she kind of entered the sports DJ orbit, filling in for the Giants official DJ, Umami, who also DJs for the Warriors sometimes. And then Shellheart filled in for Warriors DJ, D-Sharp. And he was a champion of both Lady Ryan and Shellheart and sort of a mentor to them both.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:05:22] And are they themselves basketball heads or do they consider themselves basketball heads?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:05:27] Yeah, they both said that they grew up watching basketball and are huge WNBA fans and Shellheart in particular told me that she has been watching some of the Valkyries players like Tiffany Hayes since they were college players.\u003c/p>\n\u003cp>\u003cstrong>DJ Shellheart \u003c/strong>[00:05:39] Now I’m at the age where I understand that I watched these people from high school to college. I’m like, oh, okay, yeah. It’s more fun when you know where the players came from.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:05:54] I know you went to Chase before one of the games as the team was doing their warmups and the DJs were there too. What was that like?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:06:03] Yeah, it was really cool. I met up with DJ Shellheart during the warm-ups.\u003c/p>\n\u003cp>\u003cstrong>DJ Shellheart \u003c/strong>[00:06:09] I love songs about sneakers and stuff.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:06:12] She had her DJ booth set up on the court and the Valkyries were warming up on one side, the Phoenix Mercury were warming on the other side, so I got to see the players foam rolling and doing all these exercises. She kind of has to set the mood, you know, for them to get in the mindset to win. So she was playing stuff like Drake, Glorilla, also Bay Area songs from E40 and Lecrae. And it was awesome seeing her get acknowledgement from the players, like Kate Martin jogged by and fist bumped her. And you could really tell the music was kind of adding to them getting in the zone.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:06:55] How do they think about their role as DJs? And how do they know that they’re doing their job well, I guess?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:07:03] Yeah, I mean, their job is to keep the crowd hyped, you know, from before the game to the moment the players run out on the court. The DJs are spinning during the players’ warmup. Then they’re playing music as people kind of trickle into the stadium. Then they play the Valkyries song that they run out to, which the most recent one I heard was Blow the Whistle by T-Short. And then they’re pretty much playing during all the time outs, all the interactive moments where they’re throwing t-shirts or prizes, halftime. And sometimes the camera goes to the DJ and they have to, you know, bring that energy hyping up the crowd. So they’re definitely an integral part to the hype that happens at Ballhalla.\u003c/p>\n\u003cp>\u003cstrong>DJ Shellheart \u003c/strong>[00:07:52] Yeah, I just try to play turnt up music, man. Because when I first started, I was like, OK, I’m going to play some cool shit. And then I’m like, that’s not what they want. I had to figure it out. They want some up-tempo. They’re about to play a whole game. Like, the crowd is coming in for a game. So I’m, like, these are the songs that I’m going to every time I DJ.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:08:15] We’ll I’m so curious about what they’re playing at the games. I have a friend who was like, I feel like they play a lot of female artists.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:08:37] They do, yeah, definitely. Both of them told me Doechii is in heavy rotation. Songs like My House by Beyonce. I’ve heard Kamiya in there. So yeah, I would say it’s a mix. It’s like Bay Area girl power is the vibe.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:09:08] Is it different also from DJing, I guess like a usual DJ event at like a club or something? Do they think about that differently as well?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:09:18] I think it’s pretty different because it’s not a continuous, you know, one or two hour set like a DJ would have at a club. You’re kind of interspersing, you’re injecting the game with energy during these really particular moments. Like timeouts and things like that are when they’re deliberating different rough calls like you have to keep the energy of the crowd up during those moments.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:09:40] Wow, that’s a hard job.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:09:43] It is, but yeah, I’ve heard from WNBA fans and just basketball fans in general, but they really haven’t seen anything like the energy at Chase Center during Valkyries game in a long time. And people have compared it to Oracle or Roaracle during the Warriors championship run.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:10:01] They have a really big role in setting the vibe of the stadium. And I feel like it’s a pretty, very outward role as well. Like, how do they talk about that?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:10:13] Both of them told me that it’s really empowering and exciting to be in this stadium that really celebrates women and queer women especially, and Lady Ryan talked about this.\u003c/p>\n\u003cp>\u003cstrong>Lady Ryan \u003c/strong>[00:10:26] In a way, this is my life, like it feels regular, but it definitely feels empowering.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:10:32] And it comes at a time where the WNBA has really come to embrace its queer identity, which has not always been the case, but I think around 30% of players are openly queer. And back when the league debuted in the late 90s, it was marketed with this very feminine, straight image. Now the league has a culture where players are really allowed to be themselves and that they embrace their queer fan base that comes out in droves, and I think the DJs are just part of that.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:11:12] I mean, Nastia, it’s been a very historic season for the Valkyries. They’ve sold out every single one of their home games. What do Shellheart and Lady Ryan just tell you about what it means to be part of all of that?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:11:26] Yeah, they both told me they’re so grateful for this incredible opportunity and they want to do it again next year. And Shellheart in particular told me that she loves inspiring fans, especially little kids. A little boy came up to her for an autograph at her second game. And I think that makes it especially meaningful for both of them.\u003c/p>\n\u003cp>\u003cstrong>DJ Shellheart \u003c/strong>[00:11:48] That’s why I love this, and then coming in here playing for all these fans, playing for an arena is a dream come true.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>The Portola Music Festival is coming back to\u003ca href=\"https://www.kqed.org/news/tag/san-francisco\"> San Francisco\u003c/a> on Sept. 20 and 21, with a \u003ca href=\"https://www.kqed.org/arts/13976070/portola-festival-2025-peggy-gou-chemical-brothers\">lineup\u003c/a> that includes LCD Soundsystem, Christina Aguilera, the Dare, the Chemical Brothers, Peggy Gou, Rico Nasty, Kreayshawn, Magdalena Bay, Dom Dolla, Moby and the Prodigy.\u003c/p>\n\u003cp>While the festival itself is a relatively new addition to San Francisco’s musical calendar, it now attracts \u003ca href=\"https://www.sfmta.com/travel-updates/portola-music-festival-september-28-29-2024\">crowds of around 45,000 people\u003c/a>.\u003c/p>\n\u003cp>Among them is KQED’s own media and marketing campaigns manager Emma Yee, who has attended the Portola Music Festival every year since it launched in 2022. Yee said that for her, what sets this event apart from the staples like \u003ca href=\"https://www.kqed.org/news/12050338/outside-lands-2025-parking-road-closures-will-call-wristbands-pick-up-food-bag-rule-muni-buses\">Outside Lands\u003c/a> and \u003ca href=\"https://www.kqed.org/news/12042763/stern-grove-festival-2025-from-tickets-to-schedules-to-transit\">Stern Grove\u003c/a> is its industrial-feeling Pier 80 warehouse location near the Dogpatch District.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It’s in between a big naval ship and a big crane,” she said, and for her, this “bare bones” aesthetic makes Portola’s lineup — which includes EDM, alternative and pop acts — all the more enjoyable. “It has a very specific curated taste that’s kind of hard to encapsulate, but it all kind of somehow works together,” Yee said.\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Jump straight to: \u003ca href=\"#portola-music-festival-bag-policy\">What’s the bag policy at the Portola Music Festival?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>If you’ve already got tickets to the Portola Music Festival — or are contemplating buying them — keep reading for our guide to everything you need to know about this newer festival, with insider tips on what to bring, advice for first-timers, road closures, public transportation options and more.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12054354 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/lineup-5-30-25.jpg\" alt=\"\" width=\"1400\" height=\"1746\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/lineup-5-30-25.jpg 1400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/lineup-5-30-25-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/lineup-5-30-25-1232x1536.jpg 1232w\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\">\u003c/p>\n\u003ch2>When and where is the Portola Music Festival?\u003c/h2>\n\u003cp>The Portola Music Festival spans a whole weekend: Saturday, Sept. 20, and Sunday, Sept. 21.\u003c/p>\n\u003cp>Doors open at 1 p.m. on each day and music ends around 11 p.m.\u003c/p>\n\u003cp>You can view the entire festival lineup and the set times on the \u003ca href=\"https://www.portolamusicfestival.com/set-times/\">Portola Music Festival’s website\u003c/a>.\u003c/p>\n\u003cp>The box office and the entrance to the event are at 900 Marin St., San Francisco.\u003c/p>\n\u003ch2>Can I still get tickets to the Portola Music Festival?\u003c/h2>\n\u003cp>As of publication, \u003ca href=\"https://www.portolamusicfestival.com/passes/\">passes to the Portola Music Festival — including VIP packages — are still available on AXS\u003c/a>.\u003c/p>\n\u003cp>The earlier you buy tickets, the cheaper they are — but remember, the event is for ages 21+ only.\u003c/p>\n\u003cp>The festival’s website warns people \u003cem>not\u003c/em> to buy passes from a third party, and that organizers “won’t service, authenticate or support passes” purchased from a third party or scalper.” If you decide to forge ahead with buying a third party ticket, Portola organizers also note that receipts and order confirmations can be faked or forged, so “don’t be fooled.”\u003c/p>\n\u003cfigure id=\"attachment_12054356\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12054356 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/240928_Portola_EG_04_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/240928_Portola_EG_04_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/240928_Portola_EG_04_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/240928_Portola_EG_04_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Andie Romero, 30, uses a parasol decorated with colorful charms to protect herself from the sun at Portola Music Festival in San Francisco on Saturday, Sept. 28, 2024. Romero, a festival enthusiast, has taken the parasol with her to countless festivals, considers it a staple, and has repaired it each time a charm falls off. “It’s been through a lot,” she said. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>What should I know about the Portola Music Festival’s Pier 80 venue?\u003c/h2>\n\u003cp>\u003cstrong>Plan for poor phone signal\u003c/strong>\u003c/p>\n\u003cp>A pro tip from Yee: She advised you to make sure that your tickets are already loaded on the \u003ca href=\"https://support.axs.com/hc/en-us/articles/115002034107-What-is-AXS-Mobile-ID\">AXS Mobile app\u003c/a> you’ve used to purchase them, or are waiting in your phone’s wallet app — because the internet signal at Pier 80 is not super strong, and you might not be able to do this in line. Consider also bringing a portable charger, she said, which is allowed at this festival (some venues prohibit them).\u003c/p>\n\u003cp>If you are going with a group of people and you decide to split up, establish a meeting spot where you can get together again, in case your messages are slow to send.\u003c/p>\n\u003cp>\u003cstrong>Don’t rely on cash\u003c/strong>\u003c/p>\n\u003cp>The Portola Music Festival is \u003ca href=\"https://www.portolamusicfestival.com/general-info/\">a cashless event\u003c/a>, but any cash you do bring can be converted to a pre-paid Visa Card at a Guest Service booth.\u003cem> \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Prepare to move around …\u003c/strong>\u003c/p>\n\u003cp>While the Pier 80 venue is on “the smaller side” as festivals go, noted Yee, it also has a lot of “open space” that makes it relatively easy to jump from stage to stage.\u003c/p>\n\u003cp>That said, usual festival rules apply: If you want to get a good spot for a set, be sure to get to that stage early to avoid a mass of people. (A personal note on festival etiquette from this reporter: If you’ve arrived at a stage super early to make sure you catch your favorite performer, remember to be respectful of the artists playing before them — and their fans. This can look like standing, if you can, and clapping at appropriate times.)\u003c/p>\n\u003cp>Also, be prepared to move around a stage a little, advised Yee, as the volume of Portola sets can range widely from extremely loud (earplugs are recommended) to “on the quiet side,” especially the stages near the water.\u003c/p>\n\u003cp>\u003cstrong>… and dress for comfort (plus variable temperatures)\u003c/strong>\u003c/p>\n\u003cp>Over the years, Portola organizers have added blue astroturf and floor mats to make standing on Pier 80’s concrete easier on your knees and feet — but you should still plan on wearing very comfortable shoes. You’ll also find some seating and water stations around the venue.\u003c/p>\n\u003cp>Be sure to check \u003ca href=\"https://forecast.weather.gov/MapClick.php?lat=37.7335&lon=-122.392\">the National Weather Service\u003c/a> ahead of the festival to know what to wear. Yee advised that while the warehouse stage in particular gets very warm, the temperature can drop significantly at night. Pier 80’s waterfront location can also make for a lot of wind around the open-air stages.[aside postID=news_11878134 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GettyImages-2175344883-1020x680.jpg']\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Don’t \u003c/em>\u003c/strong>\u003cstrong>plan on in-out privileges\u003c/strong>\u003c/p>\n\u003cp>Once you enter the venue, you cannot reenter on the same day — so don’t park somewhere you’ll need to feed a meter.\u003c/p>\n\u003cp>\u003cstrong>Know what you’ll do in a crowd situation \u003c/strong>\u003c/p>\n\u003cp>Portola is a 21+ festival, which you may find makes this crowd feel a little less rowdy than other concerts and festivals, said Yee. If you’re among the people who’ve expressed \u003ca href=\"https://www.theguardian.com/music/2023/aug/04/bad-behaviour-at-concerts-normalised-experts-say\">concern\u003c/a> about \u003ca href=\"https://www.rollingstone.com/culture/culture-news/2023-concert-etiquette-guide-1234740935/\">concert etiquette\u003c/a> devolving since the pandemic — a phenomenon which even has its \u003ca href=\"https://en.wikipedia.org/wiki/Concert_abuse_in_the_2020s\">own Wikipedia page\u003c/a> — this might be music to your ears.\u003c/p>\n\u003cp>It will be crowded, though, with an expected attendance of 45,000 people. If you are the type of person who gets overwhelmed in a busy place, take a look at NPR’s full guide on what to do if you find yourself caught in \u003ca href=\"https://www.npr.org/2021/11/09/1053828800/south-korea-seoul-halloween-crowd-safety-tips\">a crowd crush\u003c/a>.\u003c/p>\n\u003cp>According to Mehdi Moussaïd, a research scientist in Berlin who studies crowd behavior, rely on your instincts and senses if you feel like the crowd is getting too dense. If you get stuck in a crush, \u003ca href=\"https://www.npr.org/2021/11/09/1053828800/south-korea-seoul-halloween-crowd-safety-tips\">move with the crowd and put your arms out\u003c/a> in front of your chest and hold them there, he told NPR in 2022.\u003c/p>\n\u003ch2>\u003ca id=\"portola-music-festival-bag-policy\">\u003c/a>What’s the bag policy at the Portola Music Festival?\u003c/h2>\n\u003cp>The Portola Music Festival has an \u003ca href=\"https://www.portolamusicfestival.com/general-info/#prohibited-items\">extensive list\u003c/a> of what you can or cannot bring to Pier 80. Be sure to read closely, because some classic rave attire, like toys or gloves, may not be allowed.\u003c/p>\n\u003cp>\u003cstrong>Just a few of the items prohibited under the Portola Music Festival bag policy: \u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>Bags, backpacks, fanny packs or purses that are larger than 18”x13”x8.5”\u003c/li>\n\u003cli>Pets (although service animals are allowed)\u003c/li>\n\u003cli>Masks (although medical face coverings to protect against COVID, like N95 masks, are allowed)\u003c/li>\n\u003cli>Aerosol products, including sunscreen\u003c/li>\n\u003cli>Outside food or drinks\u003c/li>\n\u003cli>Flags and flyers\u003c/li>\n\u003cli>Flashlights and glow sticks\u003c/li>\n\u003cli>Chain wallets and chains\u003c/li>\n\u003cli>Airhorns\u003c/li>\n\u003cli>Audio recording devices, drones, laptops, tablets, selfie sticks and professional cameras\u003c/li>\n\u003cli>Chairs, coolers, hammocks, tents and wagons/wheeled carts\u003c/li>\n\u003cli>Drugs (although you \u003cem>can\u003c/em> bring \u003ca href=\"https://video.kqed.org/video/narcan-opioid-1682625961/\">Naloxone\u003c/a>)\u003c/li>\n\u003c/ul>\n\u003cp>The Portola Music Festival’s website also reads that there can be \u003ca href=\"https://www.portolamusicfestival.com/general-info/\">“NO more than 7 Pokémon cards per person (STRICTLY ENFORCED).”\u003c/a> This reporter would like one visitor to defy this rule, to see what happens.\u003c/p>\n\u003cp>You can see the full list of allowed items \u003ca href=\"https://www.portolamusicfestival.com/general-info/\">on the Portola website\u003c/a>, including empty water bottles, phones and chargers (although charging lockers are also \u003ca href=\"https://www.tixr.com/groups/lockandrock/events/portola-music-festival-25-charging-locker-rentals-143627\">available\u003c/a>) and breast pumps and stored breastmilk or formula.\u003c/p>\n\u003ch2>Is there food at the Portola Music Festival?\u003c/h2>\n\u003cp>Food, alcoholic drinks and nonalcoholic drinks are available at the festival. The list of this year’s vendors has not been released yet, but last year included spots like Momo Noodle, Brenda’s French Soul Food and the Vegan Hood Chefs.\u003c/p>\n\u003cp>According to Portola’s \u003ca href=\"https://www.portolamusicfestival.com/ada/\">accessibility page\u003c/a>, there will be gluten-free, vegan and dairy-free dietary options.\u003c/p>\n\u003ch2>Is there parking at the Portola Music Festival?\u003c/h2>\n\u003cp>Festival officials highly recommend that you do \u003ca href=\"https://www.portolamusicfestival.com/get-here-get-out/\">\u003cem>not\u003c/em> drive\u003c/a> to the event, since there is no designated parking available at Pier 80. There is also no designated ADA parking.\u003c/p>\n\u003cp>If you do end up driving, you may be able to find parking in the Dogpatch near Pier 80 by scoping out \u003ca href=\"https://spothero.com/\">third-party apps like SpotHero\u003c/a>. Be careful not to block driveways and sidewalks, unless you’d like to return to find your car towed.\u003c/p>\n\u003cp>Some Caltrain stations, although\u003ca href=\"https://www.caltrain.com/station/22ndstreet\"> not the ones closest to Pier 80,\u003c/a> have \u003ca href=\"https://www.caltrain.com/rider-information/parking\">parking for around $5.50\u003c/a>.\u003c/p>\n\u003cp>Remember, break-ins are common in the Bay — so leave nothing visible in your vehicle, and if at all possible, leave your trunk exposed to show it’s empty. Never leave any electronics, like laptops, in your vehicle, even if you think they’re hidden. Read KQED’s \u003ca href=\"https://www.kqed.org/news/11959799/how-to-avoid-a-car-break-in-bay-area\">full guide\u003c/a> to reducing your chances of suffering a car break-in in San Francisco (and if you’re unlucky enough to have \u003ca href=\"https://www.kqed.org/news/11959477/car-break-ins-bay-area-glass-repair-what-to-do\">your car broken into\u003c/a>, our guide to how to claim the costs of window repair and stolen items from your insurance).\u003c/p>\n\u003ch2>What are the closest public transit options to the Portola Music Festival?\u003c/h2>\n\u003cp>Here are the available public transit options. To avoid getting stranded, be sure to check when your last train or bus leaves.\u003c/p>\n\u003cp>\u003cstrong>BART and shuttles\u003c/strong>\u003c/p>\n\u003cp>If you take BART to the 24th Street station in San Francisco’s Mission District, you can walk over to Valencia and 24th streets to take Portola’s free shuttle to Pier 80.[aside postID=news_12052690 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/20241204-BART-JY-023_qed.jpg']Shuttles will run consistently between Pier 80 and 24th Street from 12:30 p.m. to 11:30 p.m. They will drop you off at Illinois and Cesar Chavez streets, which are within two blocks of the entrance.\u003c/p>\n\u003cp>There will be a limited number of accessible shuttles to Pier 80, so be sure to email \u003ca href=\"mailto:ada.portola@goldenvoice.com\">ada.portola@goldenvoice.com\u003c/a> ahead of time to secure a spot.\u003c/p>\n\u003cp>Plan your journey by using \u003ca href=\"https://www.bart.gov/planner\">BART’s Trip Planner\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>SF Muni\u003c/strong>\u003c/p>\n\u003cp>According to the Portola Music Festival’s \u003ca href=\"https://www.portolamusicfestival.com/get-here-get-out/\">transit page\u003c/a>, your Muni options are:\u003c/p>\n\u003cul>\n\u003cli>T Third Train: From Powell Street BART Station, walk to Union Square/Market Street Station and board Muni’s T Third line toward Sunnydale. Get off at Third/Marin, just two blocks from Pier 80.\u003c/li>\n\u003cli>Route 48 Quintara: exit at 23rd and Third Street and walk 10 minutes to Pier 80.\u003c/li>\n\u003cli>Route 19 Polk: exit at Connecticut and Cesar Chavez and walk 10 minutes to Pier 80.\u003c/li>\n\u003cli>Route 15 Bayview Hunters Point Express: exit at Third & Marin, two blocks from Pier 80.\u003c/li>\n\u003c/ul>\n\u003cp>When leaving the event, you can take:\u003c/p>\n\u003cul>\n\u003cli>T Third Train: From 9 p.m. to 12:30 a.m., board at Third & Marin.\n\u003cul>\n\u003cli>Muni will have extra T Third trains staged and ready to go downtown at the end of the night.\u003c/li>\n\u003cli>The trains will stop at Union Square-Market Street Station, where you can walk to Powell Street BART Station, Market Street bus routes, or AC Transit Transbay Bus Service. Union Square-Market Street Station, Chinatown Station and Yerba Buena/Moscone stations will stay open late until 1 a.m.\u003c/li>\n\u003c/ul>\n\u003c/li>\n\u003cli>Route 48 Quintara runs 24/7 and connects to the 24th Street BART Station. Board at 23rd and Third. Buses run every 20 minutes before 11:30 p.m. and every 30 minutes after 11:30 p.m.\u003c/li>\n\u003cli>Route 19 Polk service ends at 10 p.m. Board at Connecticut & Cesar Chavez.\u003c/li>\n\u003cli>Route 15 Bayview Hunters Point Express Board at Third & Marin, two blocks from Pier 80.\u003c/li>\n\u003cli>Route 91 OWL is an overnight route connecting Pier 80 to Ocean Avenue, West Portal and 19th Street.\u003c/li>\n\u003c/ul>\n\u003cp>Figure out your route by using \u003ca href=\"https://www.sfmta.com/trip-planner\">SFMTA’s Trip Planner\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Caltrain\u003c/strong>\u003c/p>\n\u003cp>The closest Caltrain station is the 22nd Street Station, which is about a mile walk from Pier 80. The last train leaving Southbound is at 12:10 a.m.\u003c/p>\n\u003cp>The 22nd Street Station does not have elevator service, so if you have accessibility needs, you may need to go to the San Francisco Caltrain Station and transfer to the T Third.\u003c/p>\n\u003cp>You can plan your trip on \u003ca href=\"http://www.caltrain.com/\">Caltrain’s website\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Biking\u003c/strong>\u003c/p>\n\u003cp>There are free bike valets at Portola near 1495 Illinois St., for a limited number of bikes. The valet runs from 12:30 p.m. to 11:30 p.m.\u003c/p>\n\u003cp>If you are unable to secure a spot with the valet, there are several nearby bike racks that you can find on SFMTA’s \u003ca href=\"https://www.sfmta.com/maps/san-francisco-bike-network-map\">Bike Network Map\u003c/a>.\u003c/p>\n\u003cp>There are also Bay Wheels stations around Pier 80, including:\u003c/p>\n\u003cul>\n\u003cli>Illinois and Cesar Chavez streets (This one is closest to the event’s entrance)\u003c/li>\n\u003cli>Indiana and Cesar Chavez streets\u003c/li>\n\u003cli>Evans Avenue + Newhall Street\u003c/li>\n\u003cli>Illinois and 20th streets\u003c/li>\n\u003cli>Iowa and 22nd streets\u003c/li>\n\u003cli>Utah and 25th streets\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Rideshare and pick up/drop off\u003c/strong>\u003c/p>\n\u003cp>The pick-up and drop-off location for rideshare services like Lyft and Uber is a few blocks from the entrance at 23rd and Illinois streets.\u003c/p>\n\u003cp>Waymos will not be able to reach this location, according to officials. Expect traffic delays and accompanying surge prices on apps like Uber and Lyft.\u003c/p>\n\u003cfigure id=\"attachment_12054358\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12054358 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/240928_Portola_EG_59_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/240928_Portola_EG_59_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/240928_Portola_EG_59_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/240928_Portola_EG_59_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of people dance as Disclosure performs at Portola Music Festival in San Francisco on Sunday, Sept. 29, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>What do I need to know about accessibility at the Portola Music Festival?\u003c/h2>\n\u003cp>There is \u003ca href=\"https://www.portolamusicfestival.com/ada/\">no pre-registration for accessibility\u003c/a>. Instead, you’ll have to register on-site at the event itself, at the two Accessibility Services Hubs near the Box Office at the entrance and inside the venue next to the lockers.\u003c/p>\n\u003cp>At the hub, you can get help like registering your service animal, getting an Assisted Listening Device System and getting an accessibility wristband.\u003c/p>\n\u003cp>The wristband allows people to access accessibility services throughout the venue. Do not take off the wristband during the festival weekend. A companion can also get a wristband.\u003c/p>\n\u003cp>According to the festival’s \u003ca href=\"https://www.portolamusicfestival.com/ada/\">website\u003c/a>, “The venue is navigable for people with mobility disabilities. The event is held primarily on cement terrain.” The festival will not be able to provide transportation between stages, but can provide some guidance on navigating routes at the hubs.\u003c/p>\n\u003cp>More to know about accessibility:\u003c/p>\n\u003cul>\n\u003cli>If you are taking a shuttle from the BART station to Pier 80, be sure to email ada.portola@goldenvoice.com ahead of time to secure a spot.\u003c/li>\n\u003cli>The pick-up/drop-zone is located on the corner of Cesar Chavez and Tennessee streets. It is mostly cement.\u003c/li>\n\u003cli>There will be an accessible entry land at each festival entrance.\u003c/li>\n\u003cli>There will be medical staff on-site.\u003c/li>\n\u003cli>There will be no mobility device to rent at the festival, but guests can bring their own equipment. Any charges for these devices must use a 110-volt, 20-amp circuit.\u003c/li>\n\u003cli>Some of the stages have an accessible viewing area, which you can access by visiting the hubs. You can also bring a companion with you. Seating is first-come, first-served.\u003c/li>\n\u003cli>The deadline to request sign language interpreters, closed captions, braille and more has passed. But you can try emailing \u003ca href=\"mailto:ada.portola@goldenvoice.com\">ada.portola@goldenvoice.com\u003c/a> to learn more about your options.\u003c/li>\n\u003c/ul>\n\u003ch2>Are there any pregames or afterparties I should know about?\u003c/h2>\n\u003cp>Several of the acting performers at the Portola Music Festival are also performing at individual sets from Sept. 18 to Sept. 22 for Portola Week.\u003c/p>\n\u003cp>So if there is a conflict and you can’t make it to a performance during a festival, or can’t get tickets at all, you \u003cem>may \u003c/em>be able to catch them at another venue, if you move fast.\u003c/p>\n\u003cp>Check out the schedule and secure tickets for\u003ca href=\"https://portolamusicfestival.com/portola-week/\"> Portola Week on the festival’s website\u003c/a>.\u003c/p>\n\u003cp>SF Public Works is also hosting a \u003ca href=\"https://www.tixr.com/groups/publicsf/events/queen-out-portola-pre-party-with-cam-girl-gaszia-donatachi-more-153361\">Portola Pre-Party\u003c/a> on Sept. 18 with acts like Cam Girl, Gaszia and Donatachi.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Everything to know about the Portola Music Festival returning to San Francisco this month, from bag policy, the festival lineup and parking.",
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"title": "Going to Portola Music Festival 2025? What to Know, From Bag Policy to Parking | KQED",
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"headline": "Going to Portola Music Festival 2025? What to Know, From Bag Policy to Parking",
"datePublished": "2025-09-03T04:00:35-07:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Portola Music Festival is coming back to\u003ca href=\"https://www.kqed.org/news/tag/san-francisco\"> San Francisco\u003c/a> on Sept. 20 and 21, with a \u003ca href=\"https://www.kqed.org/arts/13976070/portola-festival-2025-peggy-gou-chemical-brothers\">lineup\u003c/a> that includes LCD Soundsystem, Christina Aguilera, the Dare, the Chemical Brothers, Peggy Gou, Rico Nasty, Kreayshawn, Magdalena Bay, Dom Dolla, Moby and the Prodigy.\u003c/p>\n\u003cp>While the festival itself is a relatively new addition to San Francisco’s musical calendar, it now attracts \u003ca href=\"https://www.sfmta.com/travel-updates/portola-music-festival-september-28-29-2024\">crowds of around 45,000 people\u003c/a>.\u003c/p>\n\u003cp>Among them is KQED’s own media and marketing campaigns manager Emma Yee, who has attended the Portola Music Festival every year since it launched in 2022. Yee said that for her, what sets this event apart from the staples like \u003ca href=\"https://www.kqed.org/news/12050338/outside-lands-2025-parking-road-closures-will-call-wristbands-pick-up-food-bag-rule-muni-buses\">Outside Lands\u003c/a> and \u003ca href=\"https://www.kqed.org/news/12042763/stern-grove-festival-2025-from-tickets-to-schedules-to-transit\">Stern Grove\u003c/a> is its industrial-feeling Pier 80 warehouse location near the Dogpatch District.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It’s in between a big naval ship and a big crane,” she said, and for her, this “bare bones” aesthetic makes Portola’s lineup — which includes EDM, alternative and pop acts — all the more enjoyable. “It has a very specific curated taste that’s kind of hard to encapsulate, but it all kind of somehow works together,” Yee said.\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Jump straight to: \u003ca href=\"#portola-music-festival-bag-policy\">What’s the bag policy at the Portola Music Festival?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>If you’ve already got tickets to the Portola Music Festival — or are contemplating buying them — keep reading for our guide to everything you need to know about this newer festival, with insider tips on what to bring, advice for first-timers, road closures, public transportation options and more.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12054354 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/lineup-5-30-25.jpg\" alt=\"\" width=\"1400\" height=\"1746\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/lineup-5-30-25.jpg 1400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/lineup-5-30-25-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/lineup-5-30-25-1232x1536.jpg 1232w\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\">\u003c/p>\n\u003ch2>When and where is the Portola Music Festival?\u003c/h2>\n\u003cp>The Portola Music Festival spans a whole weekend: Saturday, Sept. 20, and Sunday, Sept. 21.\u003c/p>\n\u003cp>Doors open at 1 p.m. on each day and music ends around 11 p.m.\u003c/p>\n\u003cp>You can view the entire festival lineup and the set times on the \u003ca href=\"https://www.portolamusicfestival.com/set-times/\">Portola Music Festival’s website\u003c/a>.\u003c/p>\n\u003cp>The box office and the entrance to the event are at 900 Marin St., San Francisco.\u003c/p>\n\u003ch2>Can I still get tickets to the Portola Music Festival?\u003c/h2>\n\u003cp>As of publication, \u003ca href=\"https://www.portolamusicfestival.com/passes/\">passes to the Portola Music Festival — including VIP packages — are still available on AXS\u003c/a>.\u003c/p>\n\u003cp>The earlier you buy tickets, the cheaper they are — but remember, the event is for ages 21+ only.\u003c/p>\n\u003cp>The festival’s website warns people \u003cem>not\u003c/em> to buy passes from a third party, and that organizers “won’t service, authenticate or support passes” purchased from a third party or scalper.” If you decide to forge ahead with buying a third party ticket, Portola organizers also note that receipts and order confirmations can be faked or forged, so “don’t be fooled.”\u003c/p>\n\u003cfigure id=\"attachment_12054356\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12054356 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/240928_Portola_EG_04_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/240928_Portola_EG_04_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/240928_Portola_EG_04_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/240928_Portola_EG_04_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Andie Romero, 30, uses a parasol decorated with colorful charms to protect herself from the sun at Portola Music Festival in San Francisco on Saturday, Sept. 28, 2024. Romero, a festival enthusiast, has taken the parasol with her to countless festivals, considers it a staple, and has repaired it each time a charm falls off. “It’s been through a lot,” she said. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>What should I know about the Portola Music Festival’s Pier 80 venue?\u003c/h2>\n\u003cp>\u003cstrong>Plan for poor phone signal\u003c/strong>\u003c/p>\n\u003cp>A pro tip from Yee: She advised you to make sure that your tickets are already loaded on the \u003ca href=\"https://support.axs.com/hc/en-us/articles/115002034107-What-is-AXS-Mobile-ID\">AXS Mobile app\u003c/a> you’ve used to purchase them, or are waiting in your phone’s wallet app — because the internet signal at Pier 80 is not super strong, and you might not be able to do this in line. Consider also bringing a portable charger, she said, which is allowed at this festival (some venues prohibit them).\u003c/p>\n\u003cp>If you are going with a group of people and you decide to split up, establish a meeting spot where you can get together again, in case your messages are slow to send.\u003c/p>\n\u003cp>\u003cstrong>Don’t rely on cash\u003c/strong>\u003c/p>\n\u003cp>The Portola Music Festival is \u003ca href=\"https://www.portolamusicfestival.com/general-info/\">a cashless event\u003c/a>, but any cash you do bring can be converted to a pre-paid Visa Card at a Guest Service booth.\u003cem> \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Prepare to move around …\u003c/strong>\u003c/p>\n\u003cp>While the Pier 80 venue is on “the smaller side” as festivals go, noted Yee, it also has a lot of “open space” that makes it relatively easy to jump from stage to stage.\u003c/p>\n\u003cp>That said, usual festival rules apply: If you want to get a good spot for a set, be sure to get to that stage early to avoid a mass of people. (A personal note on festival etiquette from this reporter: If you’ve arrived at a stage super early to make sure you catch your favorite performer, remember to be respectful of the artists playing before them — and their fans. This can look like standing, if you can, and clapping at appropriate times.)\u003c/p>\n\u003cp>Also, be prepared to move around a stage a little, advised Yee, as the volume of Portola sets can range widely from extremely loud (earplugs are recommended) to “on the quiet side,” especially the stages near the water.\u003c/p>\n\u003cp>\u003cstrong>… and dress for comfort (plus variable temperatures)\u003c/strong>\u003c/p>\n\u003cp>Over the years, Portola organizers have added blue astroturf and floor mats to make standing on Pier 80’s concrete easier on your knees and feet — but you should still plan on wearing very comfortable shoes. You’ll also find some seating and water stations around the venue.\u003c/p>\n\u003cp>Be sure to check \u003ca href=\"https://forecast.weather.gov/MapClick.php?lat=37.7335&lon=-122.392\">the National Weather Service\u003c/a> ahead of the festival to know what to wear. Yee advised that while the warehouse stage in particular gets very warm, the temperature can drop significantly at night. Pier 80’s waterfront location can also make for a lot of wind around the open-air stages.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Don’t \u003c/em>\u003c/strong>\u003cstrong>plan on in-out privileges\u003c/strong>\u003c/p>\n\u003cp>Once you enter the venue, you cannot reenter on the same day — so don’t park somewhere you’ll need to feed a meter.\u003c/p>\n\u003cp>\u003cstrong>Know what you’ll do in a crowd situation \u003c/strong>\u003c/p>\n\u003cp>Portola is a 21+ festival, which you may find makes this crowd feel a little less rowdy than other concerts and festivals, said Yee. If you’re among the people who’ve expressed \u003ca href=\"https://www.theguardian.com/music/2023/aug/04/bad-behaviour-at-concerts-normalised-experts-say\">concern\u003c/a> about \u003ca href=\"https://www.rollingstone.com/culture/culture-news/2023-concert-etiquette-guide-1234740935/\">concert etiquette\u003c/a> devolving since the pandemic — a phenomenon which even has its \u003ca href=\"https://en.wikipedia.org/wiki/Concert_abuse_in_the_2020s\">own Wikipedia page\u003c/a> — this might be music to your ears.\u003c/p>\n\u003cp>It will be crowded, though, with an expected attendance of 45,000 people. If you are the type of person who gets overwhelmed in a busy place, take a look at NPR’s full guide on what to do if you find yourself caught in \u003ca href=\"https://www.npr.org/2021/11/09/1053828800/south-korea-seoul-halloween-crowd-safety-tips\">a crowd crush\u003c/a>.\u003c/p>\n\u003cp>According to Mehdi Moussaïd, a research scientist in Berlin who studies crowd behavior, rely on your instincts and senses if you feel like the crowd is getting too dense. If you get stuck in a crush, \u003ca href=\"https://www.npr.org/2021/11/09/1053828800/south-korea-seoul-halloween-crowd-safety-tips\">move with the crowd and put your arms out\u003c/a> in front of your chest and hold them there, he told NPR in 2022.\u003c/p>\n\u003ch2>\u003ca id=\"portola-music-festival-bag-policy\">\u003c/a>What’s the bag policy at the Portola Music Festival?\u003c/h2>\n\u003cp>The Portola Music Festival has an \u003ca href=\"https://www.portolamusicfestival.com/general-info/#prohibited-items\">extensive list\u003c/a> of what you can or cannot bring to Pier 80. Be sure to read closely, because some classic rave attire, like toys or gloves, may not be allowed.\u003c/p>\n\u003cp>\u003cstrong>Just a few of the items prohibited under the Portola Music Festival bag policy: \u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>Bags, backpacks, fanny packs or purses that are larger than 18”x13”x8.5”\u003c/li>\n\u003cli>Pets (although service animals are allowed)\u003c/li>\n\u003cli>Masks (although medical face coverings to protect against COVID, like N95 masks, are allowed)\u003c/li>\n\u003cli>Aerosol products, including sunscreen\u003c/li>\n\u003cli>Outside food or drinks\u003c/li>\n\u003cli>Flags and flyers\u003c/li>\n\u003cli>Flashlights and glow sticks\u003c/li>\n\u003cli>Chain wallets and chains\u003c/li>\n\u003cli>Airhorns\u003c/li>\n\u003cli>Audio recording devices, drones, laptops, tablets, selfie sticks and professional cameras\u003c/li>\n\u003cli>Chairs, coolers, hammocks, tents and wagons/wheeled carts\u003c/li>\n\u003cli>Drugs (although you \u003cem>can\u003c/em> bring \u003ca href=\"https://video.kqed.org/video/narcan-opioid-1682625961/\">Naloxone\u003c/a>)\u003c/li>\n\u003c/ul>\n\u003cp>The Portola Music Festival’s website also reads that there can be \u003ca href=\"https://www.portolamusicfestival.com/general-info/\">“NO more than 7 Pokémon cards per person (STRICTLY ENFORCED).”\u003c/a> This reporter would like one visitor to defy this rule, to see what happens.\u003c/p>\n\u003cp>You can see the full list of allowed items \u003ca href=\"https://www.portolamusicfestival.com/general-info/\">on the Portola website\u003c/a>, including empty water bottles, phones and chargers (although charging lockers are also \u003ca href=\"https://www.tixr.com/groups/lockandrock/events/portola-music-festival-25-charging-locker-rentals-143627\">available\u003c/a>) and breast pumps and stored breastmilk or formula.\u003c/p>\n\u003ch2>Is there food at the Portola Music Festival?\u003c/h2>\n\u003cp>Food, alcoholic drinks and nonalcoholic drinks are available at the festival. The list of this year’s vendors has not been released yet, but last year included spots like Momo Noodle, Brenda’s French Soul Food and the Vegan Hood Chefs.\u003c/p>\n\u003cp>According to Portola’s \u003ca href=\"https://www.portolamusicfestival.com/ada/\">accessibility page\u003c/a>, there will be gluten-free, vegan and dairy-free dietary options.\u003c/p>\n\u003ch2>Is there parking at the Portola Music Festival?\u003c/h2>\n\u003cp>Festival officials highly recommend that you do \u003ca href=\"https://www.portolamusicfestival.com/get-here-get-out/\">\u003cem>not\u003c/em> drive\u003c/a> to the event, since there is no designated parking available at Pier 80. There is also no designated ADA parking.\u003c/p>\n\u003cp>If you do end up driving, you may be able to find parking in the Dogpatch near Pier 80 by scoping out \u003ca href=\"https://spothero.com/\">third-party apps like SpotHero\u003c/a>. Be careful not to block driveways and sidewalks, unless you’d like to return to find your car towed.\u003c/p>\n\u003cp>Some Caltrain stations, although\u003ca href=\"https://www.caltrain.com/station/22ndstreet\"> not the ones closest to Pier 80,\u003c/a> have \u003ca href=\"https://www.caltrain.com/rider-information/parking\">parking for around $5.50\u003c/a>.\u003c/p>\n\u003cp>Remember, break-ins are common in the Bay — so leave nothing visible in your vehicle, and if at all possible, leave your trunk exposed to show it’s empty. Never leave any electronics, like laptops, in your vehicle, even if you think they’re hidden. Read KQED’s \u003ca href=\"https://www.kqed.org/news/11959799/how-to-avoid-a-car-break-in-bay-area\">full guide\u003c/a> to reducing your chances of suffering a car break-in in San Francisco (and if you’re unlucky enough to have \u003ca href=\"https://www.kqed.org/news/11959477/car-break-ins-bay-area-glass-repair-what-to-do\">your car broken into\u003c/a>, our guide to how to claim the costs of window repair and stolen items from your insurance).\u003c/p>\n\u003ch2>What are the closest public transit options to the Portola Music Festival?\u003c/h2>\n\u003cp>Here are the available public transit options. To avoid getting stranded, be sure to check when your last train or bus leaves.\u003c/p>\n\u003cp>\u003cstrong>BART and shuttles\u003c/strong>\u003c/p>\n\u003cp>If you take BART to the 24th Street station in San Francisco’s Mission District, you can walk over to Valencia and 24th streets to take Portola’s free shuttle to Pier 80.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Shuttles will run consistently between Pier 80 and 24th Street from 12:30 p.m. to 11:30 p.m. They will drop you off at Illinois and Cesar Chavez streets, which are within two blocks of the entrance.\u003c/p>\n\u003cp>There will be a limited number of accessible shuttles to Pier 80, so be sure to email \u003ca href=\"mailto:ada.portola@goldenvoice.com\">ada.portola@goldenvoice.com\u003c/a> ahead of time to secure a spot.\u003c/p>\n\u003cp>Plan your journey by using \u003ca href=\"https://www.bart.gov/planner\">BART’s Trip Planner\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>SF Muni\u003c/strong>\u003c/p>\n\u003cp>According to the Portola Music Festival’s \u003ca href=\"https://www.portolamusicfestival.com/get-here-get-out/\">transit page\u003c/a>, your Muni options are:\u003c/p>\n\u003cul>\n\u003cli>T Third Train: From Powell Street BART Station, walk to Union Square/Market Street Station and board Muni’s T Third line toward Sunnydale. Get off at Third/Marin, just two blocks from Pier 80.\u003c/li>\n\u003cli>Route 48 Quintara: exit at 23rd and Third Street and walk 10 minutes to Pier 80.\u003c/li>\n\u003cli>Route 19 Polk: exit at Connecticut and Cesar Chavez and walk 10 minutes to Pier 80.\u003c/li>\n\u003cli>Route 15 Bayview Hunters Point Express: exit at Third & Marin, two blocks from Pier 80.\u003c/li>\n\u003c/ul>\n\u003cp>When leaving the event, you can take:\u003c/p>\n\u003cul>\n\u003cli>T Third Train: From 9 p.m. to 12:30 a.m., board at Third & Marin.\n\u003cul>\n\u003cli>Muni will have extra T Third trains staged and ready to go downtown at the end of the night.\u003c/li>\n\u003cli>The trains will stop at Union Square-Market Street Station, where you can walk to Powell Street BART Station, Market Street bus routes, or AC Transit Transbay Bus Service. Union Square-Market Street Station, Chinatown Station and Yerba Buena/Moscone stations will stay open late until 1 a.m.\u003c/li>\n\u003c/ul>\n\u003c/li>\n\u003cli>Route 48 Quintara runs 24/7 and connects to the 24th Street BART Station. Board at 23rd and Third. Buses run every 20 minutes before 11:30 p.m. and every 30 minutes after 11:30 p.m.\u003c/li>\n\u003cli>Route 19 Polk service ends at 10 p.m. Board at Connecticut & Cesar Chavez.\u003c/li>\n\u003cli>Route 15 Bayview Hunters Point Express Board at Third & Marin, two blocks from Pier 80.\u003c/li>\n\u003cli>Route 91 OWL is an overnight route connecting Pier 80 to Ocean Avenue, West Portal and 19th Street.\u003c/li>\n\u003c/ul>\n\u003cp>Figure out your route by using \u003ca href=\"https://www.sfmta.com/trip-planner\">SFMTA’s Trip Planner\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Caltrain\u003c/strong>\u003c/p>\n\u003cp>The closest Caltrain station is the 22nd Street Station, which is about a mile walk from Pier 80. The last train leaving Southbound is at 12:10 a.m.\u003c/p>\n\u003cp>The 22nd Street Station does not have elevator service, so if you have accessibility needs, you may need to go to the San Francisco Caltrain Station and transfer to the T Third.\u003c/p>\n\u003cp>You can plan your trip on \u003ca href=\"http://www.caltrain.com/\">Caltrain’s website\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Biking\u003c/strong>\u003c/p>\n\u003cp>There are free bike valets at Portola near 1495 Illinois St., for a limited number of bikes. The valet runs from 12:30 p.m. to 11:30 p.m.\u003c/p>\n\u003cp>If you are unable to secure a spot with the valet, there are several nearby bike racks that you can find on SFMTA’s \u003ca href=\"https://www.sfmta.com/maps/san-francisco-bike-network-map\">Bike Network Map\u003c/a>.\u003c/p>\n\u003cp>There are also Bay Wheels stations around Pier 80, including:\u003c/p>\n\u003cul>\n\u003cli>Illinois and Cesar Chavez streets (This one is closest to the event’s entrance)\u003c/li>\n\u003cli>Indiana and Cesar Chavez streets\u003c/li>\n\u003cli>Evans Avenue + Newhall Street\u003c/li>\n\u003cli>Illinois and 20th streets\u003c/li>\n\u003cli>Iowa and 22nd streets\u003c/li>\n\u003cli>Utah and 25th streets\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Rideshare and pick up/drop off\u003c/strong>\u003c/p>\n\u003cp>The pick-up and drop-off location for rideshare services like Lyft and Uber is a few blocks from the entrance at 23rd and Illinois streets.\u003c/p>\n\u003cp>Waymos will not be able to reach this location, according to officials. Expect traffic delays and accompanying surge prices on apps like Uber and Lyft.\u003c/p>\n\u003cfigure id=\"attachment_12054358\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12054358 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/240928_Portola_EG_59_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/240928_Portola_EG_59_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/240928_Portola_EG_59_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/240928_Portola_EG_59_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of people dance as Disclosure performs at Portola Music Festival in San Francisco on Sunday, Sept. 29, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>What do I need to know about accessibility at the Portola Music Festival?\u003c/h2>\n\u003cp>There is \u003ca href=\"https://www.portolamusicfestival.com/ada/\">no pre-registration for accessibility\u003c/a>. Instead, you’ll have to register on-site at the event itself, at the two Accessibility Services Hubs near the Box Office at the entrance and inside the venue next to the lockers.\u003c/p>\n\u003cp>At the hub, you can get help like registering your service animal, getting an Assisted Listening Device System and getting an accessibility wristband.\u003c/p>\n\u003cp>The wristband allows people to access accessibility services throughout the venue. Do not take off the wristband during the festival weekend. A companion can also get a wristband.\u003c/p>\n\u003cp>According to the festival’s \u003ca href=\"https://www.portolamusicfestival.com/ada/\">website\u003c/a>, “The venue is navigable for people with mobility disabilities. The event is held primarily on cement terrain.” The festival will not be able to provide transportation between stages, but can provide some guidance on navigating routes at the hubs.\u003c/p>\n\u003cp>More to know about accessibility:\u003c/p>\n\u003cul>\n\u003cli>If you are taking a shuttle from the BART station to Pier 80, be sure to email ada.portola@goldenvoice.com ahead of time to secure a spot.\u003c/li>\n\u003cli>The pick-up/drop-zone is located on the corner of Cesar Chavez and Tennessee streets. It is mostly cement.\u003c/li>\n\u003cli>There will be an accessible entry land at each festival entrance.\u003c/li>\n\u003cli>There will be medical staff on-site.\u003c/li>\n\u003cli>There will be no mobility device to rent at the festival, but guests can bring their own equipment. Any charges for these devices must use a 110-volt, 20-amp circuit.\u003c/li>\n\u003cli>Some of the stages have an accessible viewing area, which you can access by visiting the hubs. You can also bring a companion with you. Seating is first-come, first-served.\u003c/li>\n\u003cli>The deadline to request sign language interpreters, closed captions, braille and more has passed. But you can try emailing \u003ca href=\"mailto:ada.portola@goldenvoice.com\">ada.portola@goldenvoice.com\u003c/a> to learn more about your options.\u003c/li>\n\u003c/ul>\n\u003ch2>Are there any pregames or afterparties I should know about?\u003c/h2>\n\u003cp>Several of the acting performers at the Portola Music Festival are also performing at individual sets from Sept. 18 to Sept. 22 for Portola Week.\u003c/p>\n\u003cp>So if there is a conflict and you can’t make it to a performance during a festival, or can’t get tickets at all, you \u003cem>may \u003c/em>be able to catch them at another venue, if you move fast.\u003c/p>\n\u003cp>Check out the schedule and secure tickets for\u003ca href=\"https://portolamusicfestival.com/portola-week/\"> Portola Week on the festival’s website\u003c/a>.\u003c/p>\n\u003cp>SF Public Works is also hosting a \u003ca href=\"https://www.tixr.com/groups/publicsf/events/queen-out-portola-pre-party-with-cam-girl-gaszia-donatachi-more-153361\">Portola Pre-Party\u003c/a> on Sept. 18 with acts like Cam Girl, Gaszia and Donatachi.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>On this edition of The Bay’s monthly news roundup, Ericka is joined by The Bay’s senior editor Alan Montecillo and KQED associate arts and culture editor Nastia Voynovskaya. We talk about the Pickett Fire currently burning in Napa, scheduling and payment changes to public transit across the Bay, and why some local artists have decided to take their music off Spotify.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC1460162369&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>\u003ci>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/i>\u003c/em>\u003c/p>\n\u003cp>\u003cb>Links:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.fire.ca.gov/incidents/2025/8/21/pickett-fire\">Pickett Fire\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.pressdemocrat.com/article/napa/pickett-fire-napa-cause-woodbridge/\">Did ‘escaped control burn’ cause Napa County’s Pickett Fire? Dispatch records raise questions about blaze’s origin\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/12052690/bart-fares-2025-credit-card-clipper-tap-and-ride-contactless\">Starting This Week, You Can Tap Onto BART With a Credit Card — Here’s How\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.kqed.org/arts/13978141/deerhoof-quits-spotify-daniel-ek-700-million-military-ai-investment\">SF Band Ditches Spotify Over CEO’s $700M Military AI Investment\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.bart.gov/news/articles/2025/news20250811\">Bay Area transit’s latest Big Sync improves transfers, saving riders up to 20 minutes per trip\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:00:02] I’m Ericka Cruz Guevarra and welcome to The Bay, local news to keep you rooted. And welcome to our August news roundup where we talk about some of the other stories that The Bay team and today a special guest have been following this month. I’m joined by senior editor, Alan Montecillo. What’s up, Alan?\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:00:21] Hello.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:00:22] And our very special guest today is Nastia Vojnovskaya, associate editor of arts and culture for KQED. Hey Nastia.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:00:29] Hi Ericka!\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:00:30] Thank you so much for joining us.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:00:32] Thanks for having me.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:00:35] Before we dig into the stories that we’ve been following, Nastia, we wanted to have you on because it’s been a pretty busy August for you and the Arts Desk. Can you tell us a little bit about all the things you’ve been covering this month?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:00:49] It’s music festival season and full swing in the Bay Area. So earlier this month, I had the pleasure of covering Outside Lands. Um, I cover it every year. And this was a particularly good one where had I not been covering, I would have definitely wanted to be there for fun. Super standout performance by Doechii, who was not even a headliner.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:01:13] Wow. I was just going to ask what were your favorite sets?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:01:25] She already had been at the top of my list of artists I’m watching, just based on her super strong album from last year, Alligator Bites Never Heal. And she just really showed everyone what showmanship and what being a performer is all about.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:01:52] She can rap with the dexterity of Kendrick Lamar while moving like Megan Thee Stallion with no backing track. And then the whole performance was also formatted with this cheeky classroom lesson theme about hip hop. There were also so many homages to who came before and where she came from while creating this super futuristic vision.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:02:16] August was kind of the month of music festivals or concerts in Golden Gate Park, right? There was Denton Company, Outside Lands, Zach Bryan. With Outside Lands how did it compare to previous years? And I mean, how do you know as an attendee and as someone covering it, whether it was like a big success compared to years past?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:02:35] I would say this year they did some very, very savvy booking. So in addition to Doechii, they had Doja Cat and also Tyler, The Creator. Tyler, he had played Outside Lands before, so when they announced it back in April, I was like, okay, I’m excited to see him again. I like him. But shortly before the festival, he released a fantastic new album. And it’s called Don’t Tap the Glass and the whole theme of that album is being present for the music in person and not being on your phone. And you kind of saw that translate in the crowd the way that people were so engaged. There were some really smart choices of well-positioned breakout acts that they booked. There’s this Brooklyn indie band whose name unfortunately we cannot say on the Radio, and it’s spelled F-C-U-K-E-R-S. And they played this smaller side stage earlier in the day. And I was so impressed by just how they packed out that stage with teens and 20-somethings who were just in this very dense crowd jumping up and down. They kind of have this indie sleaze vibe with electronics and live instruments and just like very sassy vocals. It’s very children of brat. And that band actually had a super packed high energy show, The Rickshaw Stop the night before. So I was just very impressed by how the festival had this mix of established and breaking acts that I think are about to be a lot bigger soon.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:04:05] I know LaRussell also performed at Outside Lands, and we also did a really amazing event with him this month as well. More on that on the show next month, actually. We did a real cool music showcase with LaRussall and the Good Company team. Really got to see some amazing artists locally, and we’re gonna do an interview with the winner next month. So look out for that, listeners.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:04:34] I have a confession to make. I live next to the park. I have lived next to park for several years and I haven’t been to outside lands yet.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:04:41] But at least you can hear it.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:04:43] I can hear it, I can definitely hear it. Some of my neighbors don’t love the fact that they can hear it, but I don’t mind. I should go and I will go. It’s expensive, but from what I hear, it’s worth it. I will get around to it, but I’m always a little embarrassed whenever this comes up.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:04:59] Very clutch parking spot in front of his house, if you’re an outside lens attendee. Not that I’m offering it to our listeners. Well we’re gonna take a quick break and when we come back we’re going to dig into all the stories that we have been following this month. Stay with us.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:05:27] Let’s go ahead and dive into some of the other stories that we have been following this month. Alan, I wanna start with you and you’ve been following the Pickett Fire in Napa.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:05:38] Yes, after a cold summer, a robust marine layer, Karl the Fog, out in full force, we are essentially in peak fire season from now until winter, basically, when it starts raining. And over the last week, we’ve had what has been the largest fire in the Bay Area so far, which is the Pickett fire. As of this taping, so Thursday morning, it has burned about 6,800 acres and is about 33% contained.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:06:07] Yeah, and obviously whenever it comes to fire in the Bay Area, I think one of the main ways folks experience it is air quality, and I’ve been really watching that very closely. But can you tell us a little bit about where the fire is burning exactly? I know it’s pretty close to some big wineries in Napa, right, who are just about to approach harvest season.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:06:33] Yeah. So the fire broke out on the 21st of August along Pickett road in Napa County, just outside the town of Calistoga near several vineyards. So this fire is firmly, you know, in wine country, you know, In terms of smoke, the air quality management district did lift that advisory on Tuesday. So hopefully it’s not too bad anymore, but there’s still many areas where there are evacuation orders or evacuation warnings.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:07:00] So has it burned down any residential areas?\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:07:03] So far, it doesn’t seem like that’s happened. Not all the damage has been assessed yet. It seems like the main damage that’s been done, apart from smoke that can be hazardous to people’s health, is to crops. As Ericka mentioned, it is harvest season for these wineries. One early estimate from the county ag commissioner says approximately 1,500 acres of crops have been affected either by fire, by heat, or by smoke. Totaling and estimated, and again this is preliminary, about $65 million in damage.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:07:38] Oh, wow.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:07:38] And what that means in a practical sense is, are wine grapes going to get ruined by the fire? This happened in 2020. And so the question just is, could that happen again?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:07:50] Do you know how the wine industry has been adapting to that, if at all?\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:07:54] Winemakers say, you know, over the last decade or so, the industry is trying to push for more research to figure out how to reduce the taste of smoke and minimize the effects of wildfire because you know it’s hard to tell immediately if the smoke has ruined your grapes. You won’t really know until you taste it. And there actually isn’t a ton of research yet on how to at least mitigate that. So maybe you do have smoke in your area because fire is a reality in California, but maybe there’s ways to minimize the taste and save the crops.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:08:23] And I know it usually takes a while to figure out how a fire actually started, but do we know anything about how this fire in Napa began?\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:08:33] So that is still under investigation. We don’t know for sure. But there have been some questions and details trickling out, and reporters asking whether this fire started as the result of a “escaped control burn”, basically a fire that’s intended to reduce vegetation on a property. The Press Democrat noted that those words, escape control, burn, appeared on a Cal Fire public safety dispatch around the same time the fire was reported. For what it’s worth, the winery in question said through a spokesperson, you know, we’re working with fire investigators. This is premature. So nothing has been confirmed officially yet, but there are some worries that this could have been how the fire started.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:09:19] Well, Alan, thank you so much for sharing that story with us. We’re going to be following that one in the weeks ahead, I’m sure. Moving on to the story that I have been following this month, Nastia, Alan, you’re both public transit writers in the Bay Area, right?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:09:39] Yes, I took BART here this morning.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:09:42] I’m a regular N rider.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:09:44] Nice and of course I’m a regular ferry rider and this might be of interest to all of us in this room. Some big changes have been happening to public transit in the Bay Area that is really all about making transit easier to ride. Not sure if you all have started using your debit or credit cards to ride BART but that is now a thing that you can do. And there’s also something called the Big Sync that is happening. Basically, all these transit systems in the Bay Area coordinating to make transfers a lot easier if you’re using one or more transit system. It’s about time. Right. I remember going to New York a couple of years ago and being able to ride the subway by just tapping my credit card. And as a tourist. I was amazed. I was mind blown.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:10:43] Yeah, when they got rid of paper tickets and introduced clipper cards, I honestly always found it really problematic that if you lose your clipper card, you have to spend three dollars or something to get a new plastic card. And if you’re a low-income rider, you know that’s money you could be using for a meal. So I’m glad that they’re changing the way it’s done.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:11:02] Well, and it also brings BART closer to transit systems that already have this. You mentioned this already. New York has it. Chicago has it, many places overseas have it already. Sadly, for those of us who travel among multiple transit agencies, so let’s say you’re going BART to Muni like you do, it hasn’t come to Muni yet, right? You’ll still tap your credit card for BART and then use something else for Muni.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:11:25] Yeah, fumble to find your other plastic card to ride Muni. Yes, that is correct. This open payment system, as it’s called, of using a debit card or a credit card has not rolled out for Muni yet, but that kind of is the goal. Bay Area Transit officials say that they do want to use this eventually for all regional operators, Muni, Caltrain, AC Transit. So TBD for you, Alan. But I will say there is still something for Muni writers in the month of August, which is this big sink that I’m talking about. Have any of you heard of that? No, tell us more. So if you’re using more than one transit system, so you’re going from BART to Muni, all these agencies have tried to overhaul their schedules in order to make transfers a lot easier and a lot faster. So the focus is really for transfer hubs. In the Bay Area, so Dublin Pleasanton, BART, Daly City BART, Palo Alto Caltrain, and Concord BART Station. In all, these agencies adjusted 18 bus routes at these four hubs to improve connection times with each other. No more sprinting from Caltrain to BART for example. These agencies are saying that these changes account for a 33% increase in weekday ideal transfers. So basically you get five to 10 minutes in between one transit system to another to calmly start your morning and walk to your next transfer.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:13:08] That’s gonna make a big difference for a lot of people, because I talk to so many people that want to ride public transit more, but oftentimes it just takes so much longer than driving or getting a rideshare.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:13:19] Right, exactly. You know, these agencies, these transportation agencies that have been really struggling since the pandemic, they got a lot of work to do to get people back on busses and trains, right? And this is really part of it. In terms of the why, this is part of an ongoing implementation of what’s known as the Bay Area Transformation Action Plan from 2021, which is all about improving public transit, making it more user-friendly. And creating a more connected system among all these different transit agencies around the Bay Area.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:13:54] Love to see it.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:13:55] See you on the N, or the 22…maybe I shouldn’t give out —\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:13:58] Yeah you’re right. We’re just getting closer and closer to figuring out where Alan Montecillo lives in this episode.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:14:15] Well, that is the story that I have been following. Nastia, we’re gonna wrap this one up with you. What story have you been following this month?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:14:24] I’ve been following the story of cultural boycotts. So in late July, a bunch of artists announced that they’re taking their music off Spotify because the CEO, Daniel Ek actually just became the chairman of an AI weapons company called Helsing. In light of Israel’s war in Gaza, a lot of artists have been thinking in past couple of years, how… Cultural institutions and companies that serve the culture sector can be complicit in war profiteering. Gabe Moline from KQED Arts wrote a great piece about how Dear Hoof, which is an indie band that formed in San Francisco and are pretty big, announced taking their music off Spotify. And another big voice in that has been Kadia Bonet, who’s this great singer-songwriter, also from the Bay.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:15:19] How much of a financial hit would artists take for deciding to pull their music off something like Spotify, which obviously is huge, you know, so many people use it.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:15:28] Well, just based off streams, honestly, negligible.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:15:32] Because they don’t get paid that much?\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:15:32] They do not. They do not get paid much at all. I’ve actually been covering artists’ fight for better pay on streaming services for a few years now. And Spotify doesn’t release its exact figures of how much it pays, but the general estimate going around in the industry is that they get a third of a cent per stream. So basically to make the equivalent of earning $15 an hour at a full time job, an artist would have to get over 650,000 Spotify streams per month.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:16:06] Oh my gosh.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya\u003c/strong> [00:16:06] So you have to be very popular to even see any amount of money. Most of the money in the music industry is in touring, but of course, Spotify does have a lot of clout. There’s a lot clout attached to being featured in a prominent playlist and having your music served up. To listeners, but despite that, there are a lot of artists that have been saying the way that Spotify is set up is rigged against the small indie artists.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:16:32] This is making me think about the story of the Bay Area DJs who protested boiler room for coming to San Francisco because of the company’s investments in the defense industry in Israel. Sort of the same kind of deal, and I feel like Bay Area artists really like putting their foot down.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:16:53] Yeah, very similar. My good friend Olivia Cruz Mayeda covered that story for SF Chronicle.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:16:59] Shout out Olivia.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:17:00] Yeah, shout out Olivia! Boiler Room, for those that don’t know, it’s this huge online platform for DJs and they basically go to all these really cool music scenes from around the world and produce these really high quality videos of DJs killing it at parties that really puts you in the scene. So in previous years, being in BoilerRoom for a DJ was a stamp of approval. So it was a really big deal that all these smaller electronic music collectives that I’m sure would want the clout that comes with Boiler Room put their foot down and they pretty much organized an anti-Boiler Room music festival as a sign of protest because Boiler Rooms parent company, KKR, has weapons investments.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:17:44] Has Spotify said anything about this? Are they noticing that there are some artists who are upset, whether it’s about their CEO specifically or payment in general?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:17:54] So Spotify has not issued a public statement about its CEO becoming chairman of the AI weapons company, but it does have a lot of information on its website kind of arguing that it does give artists all these opportunities and that artists wouldn’t be making a certain amount of money if it wasn’t for Spotify. So they do have a whole section of their website that’s all about payment structure that people can go look at.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:18:20] From the consumer side, let’s say I really like one of these bands and I use Spotify and they’ve taken their music off, how should I listen to and support these artists?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:18:30] A lot of people recommend Bandcamp, not every artist has their music on there, but you can buy it directly and a big percentage goes to the artists. I know Apple Music introduced a new feature that easily allows you to transfer your Spotify playlists to Apple Music. People are talking about title. There are other streaming alternatives, but I will say I don’t think any of these artists would say that any of the services are perfect and all have their drawbacks. But I think if people want to support artists, especially the independent artists and their community, the best way is to buy tickets and show up to live shows and honestly buy merch, because merch is really the way that most artists make money these days.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:19:16] Well, Nastia Voynovskaya, Associate Editor of Arts and Culture, thank you so much for bringing that story.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:19:22] Thank you, Ericka and Alan for having me.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:19:26] And Alan Montecillo, Senior Editor of The Bay, thank you as well.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:19:30] My pleasure.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On this edition of The Bay’s monthly news roundup, Ericka is joined by The Bay’s senior editor Alan Montecillo and KQED associate arts and culture editor Nastia Voynovskaya. We talk about the Pickett Fire currently burning in Napa, scheduling and payment changes to public transit across the Bay, and why some local artists have decided to take their music off Spotify.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC1460162369&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>\u003ci>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/i>\u003c/em>\u003c/p>\n\u003cp>\u003cb>Links:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.fire.ca.gov/incidents/2025/8/21/pickett-fire\">Pickett Fire\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.pressdemocrat.com/article/napa/pickett-fire-napa-cause-woodbridge/\">Did ‘escaped control burn’ cause Napa County’s Pickett Fire? Dispatch records raise questions about blaze’s origin\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/12052690/bart-fares-2025-credit-card-clipper-tap-and-ride-contactless\">Starting This Week, You Can Tap Onto BART With a Credit Card — Here’s How\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.kqed.org/arts/13978141/deerhoof-quits-spotify-daniel-ek-700-million-military-ai-investment\">SF Band Ditches Spotify Over CEO’s $700M Military AI Investment\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.bart.gov/news/articles/2025/news20250811\">Bay Area transit’s latest Big Sync improves transfers, saving riders up to 20 minutes per trip\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:00:02] I’m Ericka Cruz Guevarra and welcome to The Bay, local news to keep you rooted. And welcome to our August news roundup where we talk about some of the other stories that The Bay team and today a special guest have been following this month. I’m joined by senior editor, Alan Montecillo. What’s up, Alan?\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:00:21] Hello.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:00:22] And our very special guest today is Nastia Vojnovskaya, associate editor of arts and culture for KQED. Hey Nastia.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:00:29] Hi Ericka!\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:00:30] Thank you so much for joining us.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:00:32] Thanks for having me.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:00:35] Before we dig into the stories that we’ve been following, Nastia, we wanted to have you on because it’s been a pretty busy August for you and the Arts Desk. Can you tell us a little bit about all the things you’ve been covering this month?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:00:49] It’s music festival season and full swing in the Bay Area. So earlier this month, I had the pleasure of covering Outside Lands. Um, I cover it every year. And this was a particularly good one where had I not been covering, I would have definitely wanted to be there for fun. Super standout performance by Doechii, who was not even a headliner.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:01:13] Wow. I was just going to ask what were your favorite sets?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:01:25] She already had been at the top of my list of artists I’m watching, just based on her super strong album from last year, Alligator Bites Never Heal. And she just really showed everyone what showmanship and what being a performer is all about.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:01:52] She can rap with the dexterity of Kendrick Lamar while moving like Megan Thee Stallion with no backing track. And then the whole performance was also formatted with this cheeky classroom lesson theme about hip hop. There were also so many homages to who came before and where she came from while creating this super futuristic vision.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:02:16] August was kind of the month of music festivals or concerts in Golden Gate Park, right? There was Denton Company, Outside Lands, Zach Bryan. With Outside Lands how did it compare to previous years? And I mean, how do you know as an attendee and as someone covering it, whether it was like a big success compared to years past?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:02:35] I would say this year they did some very, very savvy booking. So in addition to Doechii, they had Doja Cat and also Tyler, The Creator. Tyler, he had played Outside Lands before, so when they announced it back in April, I was like, okay, I’m excited to see him again. I like him. But shortly before the festival, he released a fantastic new album. And it’s called Don’t Tap the Glass and the whole theme of that album is being present for the music in person and not being on your phone. And you kind of saw that translate in the crowd the way that people were so engaged. There were some really smart choices of well-positioned breakout acts that they booked. There’s this Brooklyn indie band whose name unfortunately we cannot say on the Radio, and it’s spelled F-C-U-K-E-R-S. And they played this smaller side stage earlier in the day. And I was so impressed by just how they packed out that stage with teens and 20-somethings who were just in this very dense crowd jumping up and down. They kind of have this indie sleaze vibe with electronics and live instruments and just like very sassy vocals. It’s very children of brat. And that band actually had a super packed high energy show, The Rickshaw Stop the night before. So I was just very impressed by how the festival had this mix of established and breaking acts that I think are about to be a lot bigger soon.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:04:05] I know LaRussell also performed at Outside Lands, and we also did a really amazing event with him this month as well. More on that on the show next month, actually. We did a real cool music showcase with LaRussall and the Good Company team. Really got to see some amazing artists locally, and we’re gonna do an interview with the winner next month. So look out for that, listeners.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:04:34] I have a confession to make. I live next to the park. I have lived next to park for several years and I haven’t been to outside lands yet.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:04:41] But at least you can hear it.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:04:43] I can hear it, I can definitely hear it. Some of my neighbors don’t love the fact that they can hear it, but I don’t mind. I should go and I will go. It’s expensive, but from what I hear, it’s worth it. I will get around to it, but I’m always a little embarrassed whenever this comes up.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:04:59] Very clutch parking spot in front of his house, if you’re an outside lens attendee. Not that I’m offering it to our listeners. Well we’re gonna take a quick break and when we come back we’re going to dig into all the stories that we have been following this month. Stay with us.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:05:27] Let’s go ahead and dive into some of the other stories that we have been following this month. Alan, I wanna start with you and you’ve been following the Pickett Fire in Napa.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:05:38] Yes, after a cold summer, a robust marine layer, Karl the Fog, out in full force, we are essentially in peak fire season from now until winter, basically, when it starts raining. And over the last week, we’ve had what has been the largest fire in the Bay Area so far, which is the Pickett fire. As of this taping, so Thursday morning, it has burned about 6,800 acres and is about 33% contained.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:06:07] Yeah, and obviously whenever it comes to fire in the Bay Area, I think one of the main ways folks experience it is air quality, and I’ve been really watching that very closely. But can you tell us a little bit about where the fire is burning exactly? I know it’s pretty close to some big wineries in Napa, right, who are just about to approach harvest season.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:06:33] Yeah. So the fire broke out on the 21st of August along Pickett road in Napa County, just outside the town of Calistoga near several vineyards. So this fire is firmly, you know, in wine country, you know, In terms of smoke, the air quality management district did lift that advisory on Tuesday. So hopefully it’s not too bad anymore, but there’s still many areas where there are evacuation orders or evacuation warnings.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:07:00] So has it burned down any residential areas?\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:07:03] So far, it doesn’t seem like that’s happened. Not all the damage has been assessed yet. It seems like the main damage that’s been done, apart from smoke that can be hazardous to people’s health, is to crops. As Ericka mentioned, it is harvest season for these wineries. One early estimate from the county ag commissioner says approximately 1,500 acres of crops have been affected either by fire, by heat, or by smoke. Totaling and estimated, and again this is preliminary, about $65 million in damage.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:07:38] Oh, wow.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:07:38] And what that means in a practical sense is, are wine grapes going to get ruined by the fire? This happened in 2020. And so the question just is, could that happen again?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:07:50] Do you know how the wine industry has been adapting to that, if at all?\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:07:54] Winemakers say, you know, over the last decade or so, the industry is trying to push for more research to figure out how to reduce the taste of smoke and minimize the effects of wildfire because you know it’s hard to tell immediately if the smoke has ruined your grapes. You won’t really know until you taste it. And there actually isn’t a ton of research yet on how to at least mitigate that. So maybe you do have smoke in your area because fire is a reality in California, but maybe there’s ways to minimize the taste and save the crops.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:08:23] And I know it usually takes a while to figure out how a fire actually started, but do we know anything about how this fire in Napa began?\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:08:33] So that is still under investigation. We don’t know for sure. But there have been some questions and details trickling out, and reporters asking whether this fire started as the result of a “escaped control burn”, basically a fire that’s intended to reduce vegetation on a property. The Press Democrat noted that those words, escape control, burn, appeared on a Cal Fire public safety dispatch around the same time the fire was reported. For what it’s worth, the winery in question said through a spokesperson, you know, we’re working with fire investigators. This is premature. So nothing has been confirmed officially yet, but there are some worries that this could have been how the fire started.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:09:19] Well, Alan, thank you so much for sharing that story with us. We’re going to be following that one in the weeks ahead, I’m sure. Moving on to the story that I have been following this month, Nastia, Alan, you’re both public transit writers in the Bay Area, right?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:09:39] Yes, I took BART here this morning.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:09:42] I’m a regular N rider.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:09:44] Nice and of course I’m a regular ferry rider and this might be of interest to all of us in this room. Some big changes have been happening to public transit in the Bay Area that is really all about making transit easier to ride. Not sure if you all have started using your debit or credit cards to ride BART but that is now a thing that you can do. And there’s also something called the Big Sync that is happening. Basically, all these transit systems in the Bay Area coordinating to make transfers a lot easier if you’re using one or more transit system. It’s about time. Right. I remember going to New York a couple of years ago and being able to ride the subway by just tapping my credit card. And as a tourist. I was amazed. I was mind blown.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:10:43] Yeah, when they got rid of paper tickets and introduced clipper cards, I honestly always found it really problematic that if you lose your clipper card, you have to spend three dollars or something to get a new plastic card. And if you’re a low-income rider, you know that’s money you could be using for a meal. So I’m glad that they’re changing the way it’s done.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:11:02] Well, and it also brings BART closer to transit systems that already have this. You mentioned this already. New York has it. Chicago has it, many places overseas have it already. Sadly, for those of us who travel among multiple transit agencies, so let’s say you’re going BART to Muni like you do, it hasn’t come to Muni yet, right? You’ll still tap your credit card for BART and then use something else for Muni.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:11:25] Yeah, fumble to find your other plastic card to ride Muni. Yes, that is correct. This open payment system, as it’s called, of using a debit card or a credit card has not rolled out for Muni yet, but that kind of is the goal. Bay Area Transit officials say that they do want to use this eventually for all regional operators, Muni, Caltrain, AC Transit. So TBD for you, Alan. But I will say there is still something for Muni writers in the month of August, which is this big sink that I’m talking about. Have any of you heard of that? No, tell us more. So if you’re using more than one transit system, so you’re going from BART to Muni, all these agencies have tried to overhaul their schedules in order to make transfers a lot easier and a lot faster. So the focus is really for transfer hubs. In the Bay Area, so Dublin Pleasanton, BART, Daly City BART, Palo Alto Caltrain, and Concord BART Station. In all, these agencies adjusted 18 bus routes at these four hubs to improve connection times with each other. No more sprinting from Caltrain to BART for example. These agencies are saying that these changes account for a 33% increase in weekday ideal transfers. So basically you get five to 10 minutes in between one transit system to another to calmly start your morning and walk to your next transfer.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:13:08] That’s gonna make a big difference for a lot of people, because I talk to so many people that want to ride public transit more, but oftentimes it just takes so much longer than driving or getting a rideshare.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:13:19] Right, exactly. You know, these agencies, these transportation agencies that have been really struggling since the pandemic, they got a lot of work to do to get people back on busses and trains, right? And this is really part of it. In terms of the why, this is part of an ongoing implementation of what’s known as the Bay Area Transformation Action Plan from 2021, which is all about improving public transit, making it more user-friendly. And creating a more connected system among all these different transit agencies around the Bay Area.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:13:54] Love to see it.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:13:55] See you on the N, or the 22…maybe I shouldn’t give out —\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:13:58] Yeah you’re right. We’re just getting closer and closer to figuring out where Alan Montecillo lives in this episode.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:14:15] Well, that is the story that I have been following. Nastia, we’re gonna wrap this one up with you. What story have you been following this month?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:14:24] I’ve been following the story of cultural boycotts. So in late July, a bunch of artists announced that they’re taking their music off Spotify because the CEO, Daniel Ek actually just became the chairman of an AI weapons company called Helsing. In light of Israel’s war in Gaza, a lot of artists have been thinking in past couple of years, how… Cultural institutions and companies that serve the culture sector can be complicit in war profiteering. Gabe Moline from KQED Arts wrote a great piece about how Dear Hoof, which is an indie band that formed in San Francisco and are pretty big, announced taking their music off Spotify. And another big voice in that has been Kadia Bonet, who’s this great singer-songwriter, also from the Bay.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:15:19] How much of a financial hit would artists take for deciding to pull their music off something like Spotify, which obviously is huge, you know, so many people use it.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:15:28] Well, just based off streams, honestly, negligible.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:15:32] Because they don’t get paid that much?\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:15:32] They do not. They do not get paid much at all. I’ve actually been covering artists’ fight for better pay on streaming services for a few years now. And Spotify doesn’t release its exact figures of how much it pays, but the general estimate going around in the industry is that they get a third of a cent per stream. So basically to make the equivalent of earning $15 an hour at a full time job, an artist would have to get over 650,000 Spotify streams per month.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:16:06] Oh my gosh.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya\u003c/strong> [00:16:06] So you have to be very popular to even see any amount of money. Most of the money in the music industry is in touring, but of course, Spotify does have a lot of clout. There’s a lot clout attached to being featured in a prominent playlist and having your music served up. To listeners, but despite that, there are a lot of artists that have been saying the way that Spotify is set up is rigged against the small indie artists.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:16:32] This is making me think about the story of the Bay Area DJs who protested boiler room for coming to San Francisco because of the company’s investments in the defense industry in Israel. Sort of the same kind of deal, and I feel like Bay Area artists really like putting their foot down.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:16:53] Yeah, very similar. My good friend Olivia Cruz Mayeda covered that story for SF Chronicle.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:16:59] Shout out Olivia.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:17:00] Yeah, shout out Olivia! Boiler Room, for those that don’t know, it’s this huge online platform for DJs and they basically go to all these really cool music scenes from around the world and produce these really high quality videos of DJs killing it at parties that really puts you in the scene. So in previous years, being in BoilerRoom for a DJ was a stamp of approval. So it was a really big deal that all these smaller electronic music collectives that I’m sure would want the clout that comes with Boiler Room put their foot down and they pretty much organized an anti-Boiler Room music festival as a sign of protest because Boiler Rooms parent company, KKR, has weapons investments.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:17:44] Has Spotify said anything about this? Are they noticing that there are some artists who are upset, whether it’s about their CEO specifically or payment in general?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:17:54] So Spotify has not issued a public statement about its CEO becoming chairman of the AI weapons company, but it does have a lot of information on its website kind of arguing that it does give artists all these opportunities and that artists wouldn’t be making a certain amount of money if it wasn’t for Spotify. So they do have a whole section of their website that’s all about payment structure that people can go look at.\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:18:20] From the consumer side, let’s say I really like one of these bands and I use Spotify and they’ve taken their music off, how should I listen to and support these artists?\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:18:30] A lot of people recommend Bandcamp, not every artist has their music on there, but you can buy it directly and a big percentage goes to the artists. I know Apple Music introduced a new feature that easily allows you to transfer your Spotify playlists to Apple Music. People are talking about title. There are other streaming alternatives, but I will say I don’t think any of these artists would say that any of the services are perfect and all have their drawbacks. But I think if people want to support artists, especially the independent artists and their community, the best way is to buy tickets and show up to live shows and honestly buy merch, because merch is really the way that most artists make money these days.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:19:16] Well, Nastia Voynovskaya, Associate Editor of Arts and Culture, thank you so much for bringing that story.\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya \u003c/strong>[00:19:22] Thank you, Ericka and Alan for having me.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:19:26] And Alan Montecillo, Senior Editor of The Bay, thank you as well.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Alan Montecillo \u003c/strong>[00:19:30] My pleasure.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>They say good things come in threes, and for San Francisco’s music lovers, Golden Gate Park’s \u003ca href=\"https://www.kqed.org/news/12050476/the-deadheads-are-coming-and-sf-is-ready-next-up-2-more-weekends-of-live-music\">trifecta of summer concerts\u003c/a> has been solid proof.\u003c/p>\n\u003cp>Friday’s “\u003ca href=\"https://www.youtube.com/watch?v=Iepe5Obqzjo\">revival\u003c/a>” of the past two music-filled weekends is set to be headlined by country star Zach Bryan, who’ll be joined by the Kings of Leon, Turnpike Troubadours and Noeline Hoffman for a one-day show hosted by Another Planet Entertainment, the concert promoter behind \u003ca href=\"https://www.kqed.org/arts/13979898/photos-outside-lands-fan-festival-fashion-and-hot-looks-2025\">Outside Lands\u003c/a>.\u003c/p>\n\u003cp>The group launched its \u003ca href=\"https://www.kqed.org/arts/13955656/deftones-system-of-a-down-tickets-presale-code-san-francisco-golden-gate-outside-lands\">Concerts on the Polo Fields\u003c/a> series last summer with a sold-out show by System of a Down and Deftones and has expanded this year, effectively shutting down Golden Gate Park to host \u003ca href=\"https://www.kqed.org/news/12050567/grateful-dead-fans-descend-on-san-francisco-for-three-days-of-shows\">Dead & Company\u003c/a>, Outside Lands and Bryan on consecutive weekends.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Bryan’s appearance in San Francisco is one of few he’s making this year, after wrapping up the main portion of his nearly 40-city “Quittin’ Time” tour in December.\u003c/p>\n\u003cp>Last May, he played his first-ever stadium show in Oakland, gracing the Coliseum with his 2024 album “The Great American Bar Scene.”\u003c/p>\n\u003cfigure id=\"attachment_11663342\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11663342\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut.jpg\" alt=\"The entrance sign to the Polo Field at Golden Gate Park. Polo was the main attraction of the field through the early 1960s, but has not been played there regularly for decades.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-520x347.jpg 520w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The entrance sign to the Polo Field at Golden Gate Park. \u003ccite>(Samantha Shanahan/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This summer, he’s played shows across Europe with stops in London and Dublin, and is expected to hit a small selection of outdoor venues in the U.S. throughout August.\u003c/p>\n\u003cp>While after three nights of 60,000-person Dead & Company shows and last weekend’s blockbuster festival, concertgoers are likely feeling prepared — and maybe even a little tired — ahead of the grand finale, here’s what you should know before the show.\u003c/p>\n\u003ch2>What time does the concert start?\u003c/h2>\n\u003cp>The park’s doors will open at 1:30 p.m., and the first act is scheduled to come on around 3 p.m., though Bryan probably won’t hit the stage until hours later. People can start lining up for entry at 12:30 p.m.\u003c/p>\n\u003cp>The concert is set to end at 10:00 p.m.\u003c/p>\n\u003ch2>Who’s performing, and when?\u003c/h2>\n\u003cp>Another Entertainment hasn’t announced what order the bands opening for Bryan will play in, but Kings of Leon will almost certainly be last.[aside postID=arts_13976542 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRockDay3_EG_16-1020x680.jpg']The rock band boasts a sizable audience of its own, with 22 million monthly listeners on Spotify and Top-100 hits like “Use Somebody” and “Sex on Fire.”\u003c/p>\n\u003cp>They’ve also been teasing two recent projects with Bryan: a feature on the country star’s \u003ca href=\"https://www.youtube.com/watch?v=s_bWfvdeOrA\">newly-released single “Bowery\u003c/a>,” and a snippet of an unreleased song featuring Bryan.\u003c/p>\n\u003cp>On Wednesday, the band \u003ca href=\"https://www.instagram.com/p/DNTv9CHSXcR/?hl=en\">posted an audio clip\u003c/a> of the track on social media with the caption “we’re onto something (??)”\u003c/p>\n\u003cp>Canadian singer-songwriter \u003ca href=\"https://open.spotify.com/artist/2xGbY9iFLZqd9BK0YV1aKW\">Noeline Hoffman\u003c/a>, who is also featured on a Bryan track, and the country rock band \u003ca href=\"https://open.spotify.com/artist/1YSA4byX5AL1zoTsSTlB03\">Turnpike Troubadours\u003c/a> should get the crowd warmed up.\u003c/p>\n\u003ch2>How should I get to the show?\u003c/h2>\n\u003cp>Any way but your car.\u003c/p>\n\u003cp>Parking around the park is already limited, and will be reserved for neighbors during the show. The 5-Fulton and N-Judah Muni lines will offer free rides to ticketholders through their “Your Ticket, Your Fare” program, shuttling concertgoers from Ocean Beach and the Outer Richmond to Mission Bay and the Financial District.\u003c/p>\n\u003cfigure id=\"attachment_12052314\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12052314 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250325-ApartmentsonWestside-22-BL_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250325-ApartmentsonWestside-22-BL_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250325-ApartmentsonWestside-22-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250325-ApartmentsonWestside-22-BL_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Muni Metro cars run along Judah Street in San Francisco’s Sunset District on March 25, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There’s also drop-off points for rideshare services like Uber and Lyft, and options to purchase \u003ca href=\"https://goldengateparkconcerts.com/event/zach-bryan/\">round-trip shuttle tickets\u003c/a> to and from Bill Graham Civic Auditorium, the Cow Palace Park and Ride and even the State Capitol Park in Sacramento.\u003c/p>\n\u003cp>Bike parking is also available.\u003c/p>\n\u003cp>While there is a limited number of VIP parking passes, they require prior purchase and are sold out on Ticketmaster.\u003c/p>\n\u003ch2>Entrances and Exits\u003c/h2>\n\u003cp>Similar to the last few weekends, there’ll be set pathways in and out of the park.\u003c/p>\n\u003cp>You can access the North Main Gate Entrance on 30th and JFK Drive, though Muni riders will be dropped off on Fulton and walk into the park from there. The box office for tickets is east of the bus stop, just inside the park.\u003c/p>\n\u003cfigure id=\"attachment_12052315\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12052315 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/08082025_Outsidelands_EG_082_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/08082025_Outsidelands_EG_082_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/08082025_Outsidelands_EG_082_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/08082025_Outsidelands_EG_082_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A concertgoer wears three pairs of sunglasses as he watches Ca7riel and Paco Amoroso perform at Outside Lands at Golden Gate Park’s Polo Fields last weekend. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The South Gate is located at Middle Drive and Metson Road.\u003c/p>\n\u003cp>Anyone taking the shuttles home should exit through the south tunnel or south polo field exits after the show.\u003c/p>\n\u003cp>Those with VIP tickets have their own choice of quieter north and south entrances, on 36th and JFK Drive and MLK Jr. Drive, respectively. There’ll also be ADA access near the north VIP entrance.\u003c/p>\n\u003ch2>What can, and can’t, I bring?\u003c/h2>\n\u003cp>Clear backpacks and bags of any size are permitted, as well as small non-clear bags, like fanny packs and purses smaller than 6” x 8” x 3”. You can also bring in an empty hydration pack as long as its capacity is less than 2.5 liters or 150 inches. Reusable water bottles are recommended.\u003c/p>\n\u003cp>Camping chairs, stools and inflatables are not permitted, but a folding chair that doesn’t have legs or a telescoping stool can be brought in. Blankets are okay, so long as they don’t encroach on others’ space (and are smaller than 2’x3’).\u003c/p>\n\u003cfigure id=\"attachment_12052319\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12052319\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/08082025_Outsidelands_EG_043_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/08082025_Outsidelands_EG_043_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/08082025_Outsidelands_EG_043_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/08082025_Outsidelands_EG_043_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A concertgoer wears a bandana and large sunglasses to Outside Lands on Saturday, Aug. 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>You technically can bring cash, but credit and debit cards, or digital payment methods, can be used at all vendors in the park.\u003c/p>\n\u003cp>Glass, weapons, alcohol — and some \u003ca href=\"https://goldengateparkconcerts.com/info/\">fairly obvious items\u003c/a> — are prohibited.\u003c/p>\n\u003cp>Tickets will be available at the box office beginning at 12:30 p.m. on Friday, or can still be purchased online.\u003c/p>\n\u003cp>Some of the park’s roads, including stretches of JFK Drive and Middle Drive, will be closed to all cars and pedestrians throughout the day. The Polo Field will remain shut down until Aug. 20.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>They say good things come in threes, and for San Francisco’s music lovers, Golden Gate Park’s \u003ca href=\"https://www.kqed.org/news/12050476/the-deadheads-are-coming-and-sf-is-ready-next-up-2-more-weekends-of-live-music\">trifecta of summer concerts\u003c/a> has been solid proof.\u003c/p>\n\u003cp>Friday’s “\u003ca href=\"https://www.youtube.com/watch?v=Iepe5Obqzjo\">revival\u003c/a>” of the past two music-filled weekends is set to be headlined by country star Zach Bryan, who’ll be joined by the Kings of Leon, Turnpike Troubadours and Noeline Hoffman for a one-day show hosted by Another Planet Entertainment, the concert promoter behind \u003ca href=\"https://www.kqed.org/arts/13979898/photos-outside-lands-fan-festival-fashion-and-hot-looks-2025\">Outside Lands\u003c/a>.\u003c/p>\n\u003cp>The group launched its \u003ca href=\"https://www.kqed.org/arts/13955656/deftones-system-of-a-down-tickets-presale-code-san-francisco-golden-gate-outside-lands\">Concerts on the Polo Fields\u003c/a> series last summer with a sold-out show by System of a Down and Deftones and has expanded this year, effectively shutting down Golden Gate Park to host \u003ca href=\"https://www.kqed.org/news/12050567/grateful-dead-fans-descend-on-san-francisco-for-three-days-of-shows\">Dead & Company\u003c/a>, Outside Lands and Bryan on consecutive weekends.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bryan’s appearance in San Francisco is one of few he’s making this year, after wrapping up the main portion of his nearly 40-city “Quittin’ Time” tour in December.\u003c/p>\n\u003cp>Last May, he played his first-ever stadium show in Oakland, gracing the Coliseum with his 2024 album “The Great American Bar Scene.”\u003c/p>\n\u003cfigure id=\"attachment_11663342\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11663342\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut.jpg\" alt=\"The entrance sign to the Polo Field at Golden Gate Park. Polo was the main attraction of the field through the early 1960s, but has not been played there regularly for decades.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/04/RS30490_mayoraldebate-9-qut-520x347.jpg 520w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The entrance sign to the Polo Field at Golden Gate Park. \u003ccite>(Samantha Shanahan/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This summer, he’s played shows across Europe with stops in London and Dublin, and is expected to hit a small selection of outdoor venues in the U.S. throughout August.\u003c/p>\n\u003cp>While after three nights of 60,000-person Dead & Company shows and last weekend’s blockbuster festival, concertgoers are likely feeling prepared — and maybe even a little tired — ahead of the grand finale, here’s what you should know before the show.\u003c/p>\n\u003ch2>What time does the concert start?\u003c/h2>\n\u003cp>The park’s doors will open at 1:30 p.m., and the first act is scheduled to come on around 3 p.m., though Bryan probably won’t hit the stage until hours later. People can start lining up for entry at 12:30 p.m.\u003c/p>\n\u003cp>The concert is set to end at 10:00 p.m.\u003c/p>\n\u003ch2>Who’s performing, and when?\u003c/h2>\n\u003cp>Another Entertainment hasn’t announced what order the bands opening for Bryan will play in, but Kings of Leon will almost certainly be last.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The rock band boasts a sizable audience of its own, with 22 million monthly listeners on Spotify and Top-100 hits like “Use Somebody” and “Sex on Fire.”\u003c/p>\n\u003cp>They’ve also been teasing two recent projects with Bryan: a feature on the country star’s \u003ca href=\"https://www.youtube.com/watch?v=s_bWfvdeOrA\">newly-released single “Bowery\u003c/a>,” and a snippet of an unreleased song featuring Bryan.\u003c/p>\n\u003cp>On Wednesday, the band \u003ca href=\"https://www.instagram.com/p/DNTv9CHSXcR/?hl=en\">posted an audio clip\u003c/a> of the track on social media with the caption “we’re onto something (??)”\u003c/p>\n\u003cp>Canadian singer-songwriter \u003ca href=\"https://open.spotify.com/artist/2xGbY9iFLZqd9BK0YV1aKW\">Noeline Hoffman\u003c/a>, who is also featured on a Bryan track, and the country rock band \u003ca href=\"https://open.spotify.com/artist/1YSA4byX5AL1zoTsSTlB03\">Turnpike Troubadours\u003c/a> should get the crowd warmed up.\u003c/p>\n\u003ch2>How should I get to the show?\u003c/h2>\n\u003cp>Any way but your car.\u003c/p>\n\u003cp>Parking around the park is already limited, and will be reserved for neighbors during the show. The 5-Fulton and N-Judah Muni lines will offer free rides to ticketholders through their “Your Ticket, Your Fare” program, shuttling concertgoers from Ocean Beach and the Outer Richmond to Mission Bay and the Financial District.\u003c/p>\n\u003cfigure id=\"attachment_12052314\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12052314 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250325-ApartmentsonWestside-22-BL_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250325-ApartmentsonWestside-22-BL_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250325-ApartmentsonWestside-22-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250325-ApartmentsonWestside-22-BL_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Muni Metro cars run along Judah Street in San Francisco’s Sunset District on March 25, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There’s also drop-off points for rideshare services like Uber and Lyft, and options to purchase \u003ca href=\"https://goldengateparkconcerts.com/event/zach-bryan/\">round-trip shuttle tickets\u003c/a> to and from Bill Graham Civic Auditorium, the Cow Palace Park and Ride and even the State Capitol Park in Sacramento.\u003c/p>\n\u003cp>Bike parking is also available.\u003c/p>\n\u003cp>While there is a limited number of VIP parking passes, they require prior purchase and are sold out on Ticketmaster.\u003c/p>\n\u003ch2>Entrances and Exits\u003c/h2>\n\u003cp>Similar to the last few weekends, there’ll be set pathways in and out of the park.\u003c/p>\n\u003cp>You can access the North Main Gate Entrance on 30th and JFK Drive, though Muni riders will be dropped off on Fulton and walk into the park from there. The box office for tickets is east of the bus stop, just inside the park.\u003c/p>\n\u003cfigure id=\"attachment_12052315\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12052315 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/08082025_Outsidelands_EG_082_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/08082025_Outsidelands_EG_082_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/08082025_Outsidelands_EG_082_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/08082025_Outsidelands_EG_082_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A concertgoer wears three pairs of sunglasses as he watches Ca7riel and Paco Amoroso perform at Outside Lands at Golden Gate Park’s Polo Fields last weekend. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The South Gate is located at Middle Drive and Metson Road.\u003c/p>\n\u003cp>Anyone taking the shuttles home should exit through the south tunnel or south polo field exits after the show.\u003c/p>\n\u003cp>Those with VIP tickets have their own choice of quieter north and south entrances, on 36th and JFK Drive and MLK Jr. Drive, respectively. There’ll also be ADA access near the north VIP entrance.\u003c/p>\n\u003ch2>What can, and can’t, I bring?\u003c/h2>\n\u003cp>Clear backpacks and bags of any size are permitted, as well as small non-clear bags, like fanny packs and purses smaller than 6” x 8” x 3”. You can also bring in an empty hydration pack as long as its capacity is less than 2.5 liters or 150 inches. Reusable water bottles are recommended.\u003c/p>\n\u003cp>Camping chairs, stools and inflatables are not permitted, but a folding chair that doesn’t have legs or a telescoping stool can be brought in. Blankets are okay, so long as they don’t encroach on others’ space (and are smaller than 2’x3’).\u003c/p>\n\u003cfigure id=\"attachment_12052319\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12052319\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/08082025_Outsidelands_EG_043_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/08082025_Outsidelands_EG_043_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/08082025_Outsidelands_EG_043_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/08082025_Outsidelands_EG_043_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A concertgoer wears a bandana and large sunglasses to Outside Lands on Saturday, Aug. 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>You technically can bring cash, but credit and debit cards, or digital payment methods, can be used at all vendors in the park.\u003c/p>\n\u003cp>Glass, weapons, alcohol — and some \u003ca href=\"https://goldengateparkconcerts.com/info/\">fairly obvious items\u003c/a> — are prohibited.\u003c/p>\n\u003cp>Tickets will be available at the box office beginning at 12:30 p.m. on Friday, or can still be purchased online.\u003c/p>\n\u003cp>Some of the park’s roads, including stretches of JFK Drive and Middle Drive, will be closed to all cars and pedestrians throughout the day. The Polo Field will remain shut down until Aug. 20.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"slug": "what-happens-to-your-trash-at-outside-lands",
"title": "What Happens to Your Trash at Outside Lands",
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"headTitle": "What Happens to Your Trash at Outside Lands | KQED",
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"content": "\u003cp>Music festivals in the Bay Area are upon us. And it takes a lot to leave no trace after a 3-day festival like Outside Lands.\u003c/p>\n\u003cp>As Golden Gate Park prepares for another music event this weekend, SFGate’s Melissa Cho takes us behind the scenes at Outside Lands, where the majority of waste is diverted from landfills.\u003c/p>\n\u003cp data-encore-id=\"text\" data-slate-node=\"element\">\n\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2840690046&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\n\u003c/p>\n\u003cp data-encore-id=\"text\" data-slate-node=\"element\">\u003cspan class=\"\" title=\"\">\u003cem>\u003ci>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/i>\u003c/em>\u003c/span>\u003c/p>\n\u003cp class=\"e-91036-text encore-text-body-medium\" data-encore-id=\"text\" data-slate-node=\"element\">\u003cspan data-slate-node=\"text\">\u003cspan class=\"sc-dhKdcB cgUUbz\" data-slate-leaf=\"true\">\u003cstrong>Links:\u003c/strong>\u003c/span>\u003c/span>\u003c/p>\n\u003cul class=\"sc-jXbUNg bUSqAF\" data-slate-node=\"element\" data-slate-fragment=\"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\">\n\u003cli data-slate-node=\"element\">\u003ca href=\"https://www.instagram.com/reel/DNO9fMNJp3A/\">\u003cspan style=\"font-weight: 400\">This is Where Your Trash at Outside Lands Goes\u003c/span>\u003c/a>\u003c/li>\n\u003cli data-slate-node=\"element\">\u003ca href=\"https://www.kqed.org/event/5448\">\u003cspan style=\"font-weight: 400\">LaRussell and Good Compenny Present: A Bay Area Music Showcase Tickets!\u003c/span>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cdiv>\u003cem>This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/em>\u003c/div>\n\u003cdiv>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:01:16] I’m Ericka Cruz-Guevara and welcome to The Bay, local news to keep you rooted. I have this vivid memory of going to a big music festival and watching one of my friends pick up this empty metal water bottle that someone had just tossed on the ground. And she was pretty irritated when she swooped it up. “That’s how people twist their ankles out here,” I remember her saying. And I’m grateful for people like her at music festivals where it’s pretty common to see trash sprinkled on the grounds after the crowds disperse at the end of a performance. And with music festivals upon us here in the Bay Area, it’s easy to take for granted all that it takes to leave no trace after a big event like Outside Lands.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:02:13] By the next morning I come back, the park looks spotless. It’s like it’s day one of the festival again.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:02:21] As Golden Gate Park prepares for yet another big concert this weekend, SFGate’s Melissa Cho takes us behind the scenes at Outside Lands to see what happened to all your waste.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:02:43] From the most recent data that Outside Lands has provided, last year they’ve produced 321,000 pounds of waste.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:02:51] Melissa Cho is a social video producer for SF Gate. She’s also known as SF Gate Girl.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:02:58] Which I’ve done my calculations, and that’s roughly 71,000 chihuahuas. So that’s a lot of little dogs that are going into — I have nothing against them. But just for some simple calculation, that’s lot of dogs.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:03:17] How is that trash generated? I mean, I’ve been to Outside Lands before. There’s a ton of vendors selling food and stuff like that, I imagine. Like, what kinds of trash are we talking about?\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:03:28] Lots of different types. So there’s a lot of the compost trash that gets produced by the vendors and the customers buying the food. So all of the utensils, the bowls, the plates, the cups, the food, you know, if you don’t finish your food, all of that goes into compost. And then you’re talking about wood, a lot a wood for the structure of a lot of buildings there, you now, a lot, they use wood material. There’s metal that gets produced. There’s plastic sheeting that gets produced. There’s a lot of cans and bottles and there’s also the waste that people bring into the festival because, you know, sometimes you want to bring your own snack, you know. There are different streams of waste definitely coming from not just inside the festival but outside.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:04:16] And how, over the years, has Outside Lands tried to tackle all of the waste that the festival produces?\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:04:26] That’s a great question because Outside Lands has actually tackled the issue of sustainability since its inception in 2008. They from the beginning partnered with a company called Clean Vibes and the first ever festival 2008 for those who attended that first festival the headliners were Tom Petty, Jack Johnson, and Radiohead and back then 64% of the total waste was diverted from landfill. Fast forwarded now, it’s now 89% from our most recent data in 2024.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:04:56] Yeah, and you actually went to see for yourself how this all works. Who did you meet?\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:05:03] Yes, I met Anna Barofsky, she is the co-owner of Clean Vibes.\u003c/p>\n\u003cp>\u003cstrong>Anna barofsky \u003c/strong>[00:05:06] We’ve got over 470 volunteers that are part of our waste diversion efforts here at Outside Lands to help make the magic happen.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:05:16] Clean Vibes is responsible for all things trash, compost, recycling at not just Outside Lands but numerous festivals across the country.\u003c/p>\n\u003cp>\u003cstrong>Anna Barofsky \u003c/strong>[00:05:24] So, at night we get all the big stuff up and then in the light of day we get every last little candy wrapper, cigarette butt, every tiny little thing to make sure that when the gates open today it looks just as good as when they opened yesterday.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:05:37] It is certainly peak season for Anna’s team in San Francisco. She’s probably at Golden Gate Park now, still getting ready for the Zach Bryan Golden Gate park festival this weekend. And then there was Outside Lands this past weekend. Before that there was Dead and Co the previous weekend. And then, there was also Lollapalooza, which Clean Vibes was also a part of.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:05:57] Oh, wow, she’s busy.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:05:57] She is busy. So it’s a nationwide operation and she’s not even based here in San Francisco. She’s actually based in North Carolina. So she comes here for the summer.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:06:10] What did you see in terms of, like, how this all works? Like, what exactly are volunteers doing with the waste at Outside Lands?\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:06:18] At around, I would say, 11.30 a.m., we golf carted to where all the volunteers were doing their morning debrief session, so that’s when the morning crew comes in.\u003c/p>\n\u003cp>\u003cstrong>Anna Barofsky \u003c/strong>[00:06:29] Yeah, so these guys are checking in for an 1130 shift. They work, I believe, 1130 to five. And then we’ve got another shift that starts at 430, works until 1030. And then, we also have a big group of nightly after show cleanups.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:06:44] The volunteer spots, they fill up in a week or two. So there’s like a high demand for volunteers to want to work at the festival because I think the main pro is that you get to go for free to the festival. But I’ve noticed that there were a lot of repeat volunteers and a lot of them were just really excited.\u003c/p>\n\u003cp>\u003cstrong>Lauren Schuck \u003c/strong>[00:07:00] Awesome to be able to interact with more people in a different way.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:07:04] So I spoke to two veteran volunteers, one of them though, her name is Lauren Schuck, she’s been volunteering for Clean Vibes for five to six years.\u003c/p>\n\u003cp>\u003cstrong>Lauren Schuck \u003c/strong>[00:07:13] Keep the Golden Gate Park really clean and nice and hopefully have Outside Lands continue returning back here.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:07:26] Then after that, we went to the cabanas where they had, where I saw recycled carpet. Then we golf carted to this entire area of Golden Gate Park that’s not available and accessible to the general public.\u003c/p>\n\u003cp>\u003cstrong>Anna Barofsky \u003c/strong>[00:07:43] All right, so here we are at Middle Earth. Here’s some of my team who drive around the site collecting compost toters. And so they’ve just collected these from some of the food vendors on site. Oh, wow. They’re gonna get ready to dump a few.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:07:59] That’s where she took me to Middle Earth. It’s their sorting, their main sorting facility. I saw all the mounds of trash, all the compost, the landfill, the recyclables, the plastic sheeting, these huge dumpster bins, and there’s like a whole team of people. So Clean Vibes, they also partner with another Bay Area organization called Green Mary. Their crews together help sort out all the trash because believe it or not, sometimes people don’t dispose their trash properly in the proper bin. So if you don’t do that, then there are people who have to manually do it for you.\u003c/p>\n\u003cp>\u003cstrong>Anna Barofsky \u003c/strong>[00:08:42] Oddly enough, one of the things people get most confused about in the compost, believe it or not, food. Food is, in fact, compost, and it’s amazing how many people question that.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:08:57] So I see like tables of people, they each have their desk and then below their desk they have the three bins and then they’re sorting through the trash bags to see like okay this one is not compostable I have to fish it out of the compost bag.\u003c/p>\n\u003cp>\u003cstrong>Anna Barofsky \u003c/strong>[00:09:14] That’s the sound of recycling.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:09:19] What’s like the craziest thing they’ve had to like fish out of the bins.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:09:25] I asked Anna that question and I think because she’s worked so many festivals it’s all a blur to her so that’s what she said. She works a lot of like camping festivals and she says that we won’t even go into that like on what she’ll find. But when I asked Lauren on what’s the craziest trash they fished out you know what they said fake IDs, a lot of fake IDs at Outside Lands.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:10:08] Besides trash too, how else has Outside Lands tried to make the festival more sustainable?\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:10:14] The artist dressing rooms and the towers are solar powered. Outside Lands, they have a refillable water station, which I see a lot of people using. So I wasn’t able to cover this in my video due to time constraints, but Extra Food is a Bay Area nonprofit. They come in at the end of the festival every night, and they take all the surplus food and distribute it amongst people and communities who are facing food insecurity so that no food goes to waste. So that’s a really neat touch.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:10:45] Just all around the Bay Area? Yeah, yeah. That’s amazing. How does someone like Anna talk about the ultimate goal here? Why put in this much work?\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:10:58] She told people at the end of our interviews that we want to leave the park cleaner than when we first found it. What’s interesting is that throughout the parks that there are so little landfill bins. So most of the bins that you see are either recyclables or compostable bins. And because she says that, okay, we should be producing so little waste that, you know, our landfill should certainly be the minority of all the waste.\u003c/p>\n\u003cp>\u003cstrong>Anna Barofsky \u003c/strong>[00:11:26] So obviously as you can see everywhere that we have receptacles, we never put a landfill without a recycling and compost next to it. And we take that actually a step further that a lot of places we don’t put a landfill at all because there should be so little landfill waste out here.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:11:42] I certainly can feel that the work that she’s doing is very meaningful. And when I posted that video, it was, I mean, it was just a 90 second story that I did. The response was so positive. People were just saying like, how could I volunteer for the next one? Or like, thank you guys so much for what you do. So I called Anna about that and she was thrilled.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:12:05] How much of a difference does the work that Clean Vibes is doing, how much of difference does it make?\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:12:13] I think it makes a huge difference for the festival goers and for just the image of San Francisco. I mean, even though I was going for work, I was still going. I’m there all three days. And by the next morning I come back and clock in for work. The park looks spotless. It’s like, it’s day one of the festival again. San Francisco, I mean all these festivals, it’s a huge revenue driver. And there’s a lot of traffic coming in from different cities, even different countries. So for people to see that we can put on these wonderful, beautiful festivals and for the park to still be maintained goes to show that Clean Vibes and its team and also the City of San Francisco is truly trying to make a difference to make everyone’s experiences as pleasant as possible.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:12:56] Are you thinking differently now about how you throw away your waste at festivals or big events and all that it takes to like keep them?\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:13:07] Well, not to toot my own horn, but I feel like I am generally very, I’m like a goody two shoes when I sort my waste. I think because of how well-received this story was online, I definitely think I want to lean more into this beat because there’s just so many unsung heroes behind huge large-scale operations such as this festival. And I look forward to seeing how they can continue improving and upping that percentage, you know, 89%. That’s pretty high. That is pretty high. Well, it’s a B plus, but let’s see. I’d love to see if they can get to an A minus, maybe next year or maybe when the data comes out this year.\u003c/p>\n\u003c/div>\n\u003cdiv>\n\u003cdiv>\u003c/div>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Music festivals in the Bay Area are upon us. And it takes a lot to leave no trace after a 3-day festival like Outside Lands.\u003c/p>\n\u003cp>As Golden Gate Park prepares for another music event this weekend, SFGate’s Melissa Cho takes us behind the scenes at Outside Lands, where the majority of waste is diverted from landfills.\u003c/p>\n\u003cp data-encore-id=\"text\" data-slate-node=\"element\">\n\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2840690046&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\n\u003c/p>\n\u003cp data-encore-id=\"text\" data-slate-node=\"element\">\u003cspan class=\"\" title=\"\">\u003cem>\u003ci>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/i>\u003c/em>\u003c/span>\u003c/p>\n\u003cp class=\"e-91036-text encore-text-body-medium\" data-encore-id=\"text\" data-slate-node=\"element\">\u003cspan data-slate-node=\"text\">\u003cspan class=\"sc-dhKdcB cgUUbz\" data-slate-leaf=\"true\">\u003cstrong>Links:\u003c/strong>\u003c/span>\u003c/span>\u003c/p>\n\u003cul class=\"sc-jXbUNg bUSqAF\" data-slate-node=\"element\" data-slate-fragment=\"JTVCJTdCJTIydHlwZSUyMiUzQSUyMnBhcmFncmFwaCUyMiUyQyUyMmNoaWxkcmVuJTIyJTNBJTVCJTdCJTIydGV4dCUyMiUzQSUyMk11c2ljJTIwZmVzdGl2YWxzJTIwaW4lMjB0aGUlMjBCYXklMjBBcmVhJTIwYXJlJTIwdXBvbiUyMHVzLiUyMEFuZCUyMGl0JTIwdGFrZXMlMjBhJTIwbG90JTIwdG8lMjBsZWF2ZSUyMG5vJTIwdHJhY2UlMjBhZnRlciUyMGElMjAzLWRheSUyMGZlc3RpdmFsJTIwbGlrZSUyME91dHNpZGUlMjBMYW5kcy4lQzIlQTAlMjIlN0QlNUQlN0QlMkMlN0IlMjJ0eXBlJTIyJTNBJTIycGFyYWdyYXBoJTIyJTJDJTIyY2hpbGRyZW4lMjIlM0ElNUIlN0IlMjJ0ZXh0JTIyJTNBJTIyQXMlMjBHb2xkZW4lMjBHYXRlJTIwUGFyayUyMHByZXBhcmVzJTIwZm9yJTIwYW5vdGhlciUyMG11c2ljJTIwZXZlbnQlMjB0aGlzJTIwd2Vla2VuZCUyQyUyMFNGR2F0ZSVFMiU4MCU5OXMlMjBNZWxpc3NhJTIwQ2hvJTIwdGFrZXMlMjB1cyUyMGJlaGluZCUyMHRoZSUyMHNjZW5lcyUyMGF0JTIwT3V0c2lkZSUyMExhbmRzJTJDJTIwd2hlcmUlMjB0aGUlMjBtYWpvcml0eSUyMG9mJTIwd2FzdGUlMjBpcyUyMGRpdmVydGVkJTIwZnJvbSUyMGxhbmRmaWxscy4lMjIlN0QlNUQlN0QlMkMlN0IlMjJ0eXBlJTIyJTNBJTIycGFyYWdyYXBoJTIyJTJDJTIyY2hpbGRyZW4lMjIlM0ElNUIlN0IlMjJ0ZXh0JTIyJTNBJTIyTGlua3MlM0ElMjIlMkMlMjJib2xkJTIyJTNBdHJ1ZSU3RCU1RCU3RCUyQyU3QiUyMnR5cGUlMjIlM0ElMjJidWxsZXRlZC1saXN0JTIyJTJDJTIyY2hpbGRyZW4lMjIlM0ElNUIlN0IlMjJ0eXBlJTIyJTNBJTIybGlzdC1pdGVtJTIyJTJDJTIyY2hpbGRyZW4lMjIlM0ElNUIlN0IlMjJ0ZXh0JTIyJTNBJTIyJTIyJTdEJTJDJTdCJTIydHlwZSUyMiUzQSUyMmxpbmslMjIlMkMlMjJ1cmwlMjIlM0ElMjJodHRwcyUzQSUyRiUyRnd3dy5pbnN0YWdyYW0uY29tJTJGcmVlbCUyRkROTzlmTU5KcDNBJTJGJTIyJTJDJTIyY2hpbGRyZW4lMjIlM0ElNUIlN0IlMjJ0ZXh0JTIyJTNBJTIyVGhpcyUyMGlzJTIwd2hhdCUyMGhhcHBlbnMlMjB0byUyMHlvdXIlMjB0cmFzaCUyMGF0JTIwT3V0c2lkZSUyMExhbmRzJTIyJTdEJTVEJTJDJTIydGFyZ2V0JTIyJTNBJTIyX2JsYW5rJTIyJTJDJTIycmVsJTIyJTNBJTIybm9vcGVuZXIlMjBub3JlZmVyZXIlMjIlN0QlMkMlN0IlMjJ0ZXh0JTIyJTNBJTIyJTIyJTdEJTVEJTdEJTVEJTdEJTJDJTdCJTIydHlwZSUyMiUzQSUyMnBhcmFncmFwaCUyMiUyQyUyMmNoaWxkcmVuJTIyJTNBJTVCJTdCJTIydGV4dCUyMiUzQSUyMiUyMiU3RCU1RCU3RCU1RA==\">\n\u003cli data-slate-node=\"element\">\u003ca href=\"https://www.instagram.com/reel/DNO9fMNJp3A/\">\u003cspan style=\"font-weight: 400\">This is Where Your Trash at Outside Lands Goes\u003c/span>\u003c/a>\u003c/li>\n\u003cli data-slate-node=\"element\">\u003ca href=\"https://www.kqed.org/event/5448\">\u003cspan style=\"font-weight: 400\">LaRussell and Good Compenny Present: A Bay Area Music Showcase Tickets!\u003c/span>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cdiv>\u003cem>This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/em>\u003c/div>\n\u003cdiv>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:01:16] I’m Ericka Cruz-Guevara and welcome to The Bay, local news to keep you rooted. I have this vivid memory of going to a big music festival and watching one of my friends pick up this empty metal water bottle that someone had just tossed on the ground. And she was pretty irritated when she swooped it up. “That’s how people twist their ankles out here,” I remember her saying. And I’m grateful for people like her at music festivals where it’s pretty common to see trash sprinkled on the grounds after the crowds disperse at the end of a performance. And with music festivals upon us here in the Bay Area, it’s easy to take for granted all that it takes to leave no trace after a big event like Outside Lands.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:02:13] By the next morning I come back, the park looks spotless. It’s like it’s day one of the festival again.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:02:21] As Golden Gate Park prepares for yet another big concert this weekend, SFGate’s Melissa Cho takes us behind the scenes at Outside Lands to see what happened to all your waste.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:02:43] From the most recent data that Outside Lands has provided, last year they’ve produced 321,000 pounds of waste.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:02:51] Melissa Cho is a social video producer for SF Gate. She’s also known as SF Gate Girl.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:02:58] Which I’ve done my calculations, and that’s roughly 71,000 chihuahuas. So that’s a lot of little dogs that are going into — I have nothing against them. But just for some simple calculation, that’s lot of dogs.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:03:17] How is that trash generated? I mean, I’ve been to Outside Lands before. There’s a ton of vendors selling food and stuff like that, I imagine. Like, what kinds of trash are we talking about?\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:03:28] Lots of different types. So there’s a lot of the compost trash that gets produced by the vendors and the customers buying the food. So all of the utensils, the bowls, the plates, the cups, the food, you know, if you don’t finish your food, all of that goes into compost. And then you’re talking about wood, a lot a wood for the structure of a lot of buildings there, you now, a lot, they use wood material. There’s metal that gets produced. There’s plastic sheeting that gets produced. There’s a lot of cans and bottles and there’s also the waste that people bring into the festival because, you know, sometimes you want to bring your own snack, you know. There are different streams of waste definitely coming from not just inside the festival but outside.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:04:16] And how, over the years, has Outside Lands tried to tackle all of the waste that the festival produces?\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:04:26] That’s a great question because Outside Lands has actually tackled the issue of sustainability since its inception in 2008. They from the beginning partnered with a company called Clean Vibes and the first ever festival 2008 for those who attended that first festival the headliners were Tom Petty, Jack Johnson, and Radiohead and back then 64% of the total waste was diverted from landfill. Fast forwarded now, it’s now 89% from our most recent data in 2024.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:04:56] Yeah, and you actually went to see for yourself how this all works. Who did you meet?\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:05:03] Yes, I met Anna Barofsky, she is the co-owner of Clean Vibes.\u003c/p>\n\u003cp>\u003cstrong>Anna barofsky \u003c/strong>[00:05:06] We’ve got over 470 volunteers that are part of our waste diversion efforts here at Outside Lands to help make the magic happen.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:05:16] Clean Vibes is responsible for all things trash, compost, recycling at not just Outside Lands but numerous festivals across the country.\u003c/p>\n\u003cp>\u003cstrong>Anna Barofsky \u003c/strong>[00:05:24] So, at night we get all the big stuff up and then in the light of day we get every last little candy wrapper, cigarette butt, every tiny little thing to make sure that when the gates open today it looks just as good as when they opened yesterday.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:05:37] It is certainly peak season for Anna’s team in San Francisco. She’s probably at Golden Gate Park now, still getting ready for the Zach Bryan Golden Gate park festival this weekend. And then there was Outside Lands this past weekend. Before that there was Dead and Co the previous weekend. And then, there was also Lollapalooza, which Clean Vibes was also a part of.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:05:57] Oh, wow, she’s busy.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:05:57] She is busy. So it’s a nationwide operation and she’s not even based here in San Francisco. She’s actually based in North Carolina. So she comes here for the summer.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:06:10] What did you see in terms of, like, how this all works? Like, what exactly are volunteers doing with the waste at Outside Lands?\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:06:18] At around, I would say, 11.30 a.m., we golf carted to where all the volunteers were doing their morning debrief session, so that’s when the morning crew comes in.\u003c/p>\n\u003cp>\u003cstrong>Anna Barofsky \u003c/strong>[00:06:29] Yeah, so these guys are checking in for an 1130 shift. They work, I believe, 1130 to five. And then we’ve got another shift that starts at 430, works until 1030. And then, we also have a big group of nightly after show cleanups.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:06:44] The volunteer spots, they fill up in a week or two. So there’s like a high demand for volunteers to want to work at the festival because I think the main pro is that you get to go for free to the festival. But I’ve noticed that there were a lot of repeat volunteers and a lot of them were just really excited.\u003c/p>\n\u003cp>\u003cstrong>Lauren Schuck \u003c/strong>[00:07:00] Awesome to be able to interact with more people in a different way.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:07:04] So I spoke to two veteran volunteers, one of them though, her name is Lauren Schuck, she’s been volunteering for Clean Vibes for five to six years.\u003c/p>\n\u003cp>\u003cstrong>Lauren Schuck \u003c/strong>[00:07:13] Keep the Golden Gate Park really clean and nice and hopefully have Outside Lands continue returning back here.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:07:26] Then after that, we went to the cabanas where they had, where I saw recycled carpet. Then we golf carted to this entire area of Golden Gate Park that’s not available and accessible to the general public.\u003c/p>\n\u003cp>\u003cstrong>Anna Barofsky \u003c/strong>[00:07:43] All right, so here we are at Middle Earth. Here’s some of my team who drive around the site collecting compost toters. And so they’ve just collected these from some of the food vendors on site. Oh, wow. They’re gonna get ready to dump a few.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:07:59] That’s where she took me to Middle Earth. It’s their sorting, their main sorting facility. I saw all the mounds of trash, all the compost, the landfill, the recyclables, the plastic sheeting, these huge dumpster bins, and there’s like a whole team of people. So Clean Vibes, they also partner with another Bay Area organization called Green Mary. Their crews together help sort out all the trash because believe it or not, sometimes people don’t dispose their trash properly in the proper bin. So if you don’t do that, then there are people who have to manually do it for you.\u003c/p>\n\u003cp>\u003cstrong>Anna Barofsky \u003c/strong>[00:08:42] Oddly enough, one of the things people get most confused about in the compost, believe it or not, food. Food is, in fact, compost, and it’s amazing how many people question that.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:08:57] So I see like tables of people, they each have their desk and then below their desk they have the three bins and then they’re sorting through the trash bags to see like okay this one is not compostable I have to fish it out of the compost bag.\u003c/p>\n\u003cp>\u003cstrong>Anna Barofsky \u003c/strong>[00:09:14] That’s the sound of recycling.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:09:19] What’s like the craziest thing they’ve had to like fish out of the bins.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:09:25] I asked Anna that question and I think because she’s worked so many festivals it’s all a blur to her so that’s what she said. She works a lot of like camping festivals and she says that we won’t even go into that like on what she’ll find. But when I asked Lauren on what’s the craziest trash they fished out you know what they said fake IDs, a lot of fake IDs at Outside Lands.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:10:08] Besides trash too, how else has Outside Lands tried to make the festival more sustainable?\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:10:14] The artist dressing rooms and the towers are solar powered. Outside Lands, they have a refillable water station, which I see a lot of people using. So I wasn’t able to cover this in my video due to time constraints, but Extra Food is a Bay Area nonprofit. They come in at the end of the festival every night, and they take all the surplus food and distribute it amongst people and communities who are facing food insecurity so that no food goes to waste. So that’s a really neat touch.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:10:45] Just all around the Bay Area? Yeah, yeah. That’s amazing. How does someone like Anna talk about the ultimate goal here? Why put in this much work?\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:10:58] She told people at the end of our interviews that we want to leave the park cleaner than when we first found it. What’s interesting is that throughout the parks that there are so little landfill bins. So most of the bins that you see are either recyclables or compostable bins. And because she says that, okay, we should be producing so little waste that, you know, our landfill should certainly be the minority of all the waste.\u003c/p>\n\u003cp>\u003cstrong>Anna Barofsky \u003c/strong>[00:11:26] So obviously as you can see everywhere that we have receptacles, we never put a landfill without a recycling and compost next to it. And we take that actually a step further that a lot of places we don’t put a landfill at all because there should be so little landfill waste out here.\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:11:42] I certainly can feel that the work that she’s doing is very meaningful. And when I posted that video, it was, I mean, it was just a 90 second story that I did. The response was so positive. People were just saying like, how could I volunteer for the next one? Or like, thank you guys so much for what you do. So I called Anna about that and she was thrilled.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:12:05] How much of a difference does the work that Clean Vibes is doing, how much of difference does it make?\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:12:13] I think it makes a huge difference for the festival goers and for just the image of San Francisco. I mean, even though I was going for work, I was still going. I’m there all three days. And by the next morning I come back and clock in for work. The park looks spotless. It’s like, it’s day one of the festival again. San Francisco, I mean all these festivals, it’s a huge revenue driver. And there’s a lot of traffic coming in from different cities, even different countries. So for people to see that we can put on these wonderful, beautiful festivals and for the park to still be maintained goes to show that Clean Vibes and its team and also the City of San Francisco is truly trying to make a difference to make everyone’s experiences as pleasant as possible.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:12:56] Are you thinking differently now about how you throw away your waste at festivals or big events and all that it takes to like keep them?\u003c/p>\n\u003cp>\u003cstrong>Melissa Cho \u003c/strong>[00:13:07] Well, not to toot my own horn, but I feel like I am generally very, I’m like a goody two shoes when I sort my waste. I think because of how well-received this story was online, I definitely think I want to lean more into this beat because there’s just so many unsung heroes behind huge large-scale operations such as this festival. And I look forward to seeing how they can continue improving and upping that percentage, you know, 89%. That’s pretty high. That is pretty high. Well, it’s a B plus, but let’s see. I’d love to see if they can get to an A minus, maybe next year or maybe when the data comes out this year.\u003c/p>\n\u003c/div>\n\u003cdiv>\n\u003cdiv>\u003c/div>\n\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "sf-kindness-crawl-spreads-joy-on-market-street-ahead-of-grateful-dead-weekend",
"title": "SF ‘Kindness Crawl’ Spreads Joy on Market Street Ahead of Grateful Dead Weekend",
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"headTitle": "SF ‘Kindness Crawl’ Spreads Joy on Market Street Ahead of Grateful Dead Weekend | KQED",
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"content": "\u003cp>As \u003ca href=\"https://www.kqed.org/news/tag/san-francisco\">San Francisco\u003c/a> gears up for a weekend-long celebration of the Grateful Dead, one group brought flower power revival to Market Street on Thursday.\u003c/p>\n\u003cp>Dozens of people, laden with good vibes, descended on the thoroughfare for a so-called \u003ca href=\"https://www.kindnesscrawl.com/\">Kindness Crawl\u003c/a> — a spontaneous celebration of joy, marked by random acts of kindness to strangers.\u003c/p>\n\u003cp>The group walked around four miles, from the Ferry Building to Golden Gate Park, handing out free flowers, art and hugs. The result: a trail of smiles.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It makes me feel happy. I love seeing stuff like this,” said Akira Green of Hayward, who was visiting the city with friends. “It’s really great that people are doing this just because they want to.”\u003c/p>\n\u003cfigure id=\"attachment_12050579\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050579\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00007_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00007_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00007_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00007_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Pete Longworth makes a sign in preparation for the Kindness Crawl at the Ferry Building. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The people behind the effort are enrolled in Self Mastery Trilogy, a Healdsburg-based personal development program that requires a “Make a Difference” project.\u003c/p>\n\u003cfigure id=\"attachment_12050580\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050580\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00050_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00050_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00050_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00050_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ashley Gates gives away a free hug while wearing a “free hugs” sign at the Ferry Building. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050602\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050602\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-1.jpg\" alt=\"\" width=\"2500\" height=\"876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-1.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-1-2000x701.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-1-160x56.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-1-1536x538.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-1-2048x718.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: A Kindness Crawl participant holds flowers in their tote bag. Right: Sebastian De Voogd wears a “Kindness Crawl’ T-shirt decorated with pins. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050603\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050603\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-2.jpg\" alt=\"\" width=\"2500\" height=\"876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-2.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-2-2000x701.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-2-160x56.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-2-1536x538.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-2-2048x718.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Ashley Gates (left) hands a flower to a pedestrian on Market Street during the Kindness Crawl. Right: A Kindness Crawl participant hands a flower. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This led to the Kindness Crawl, which the group first tested earlier this year at the farmers market in Healdsburg.\u003c/p>\n\u003cfigure id=\"attachment_12050585\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050585\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00253_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00253_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00253_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00253_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kindness Crawl participants give away flowers and postcards to a driver on Pine Street. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050587\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050587\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00367_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00367_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00367_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00367_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A Kindness Crawl participant hands a postcard to a pedestrian. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We decided that something small, like spreading kindness, was actually the thing that could have the biggest impact and make the most ripples in the world,” said Kali de Voogd, a participant in the program.\u003c/p>\n\u003cfigure id=\"attachment_12050589\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050589\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00442_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00442_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00442_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00442_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Drea LaRox hands goodies to a bus driver in Union Square. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050588\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050588\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00414_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00414_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00414_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00414_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A pedestrian holds a flower she was gifted. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As the group continued its crawl, some people ignored them or brushed away the free flowers. But even folks reluctant to deal with strangers — like Derek Stone, on his lunch break at Union Square — accepted the offer.\u003c/p>\n\u003cfigure id=\"attachment_12050590\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050590\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00477_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00477_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00477_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00477_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A Kindness Crawl participant hands flowers to passersby in Union Square. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050571\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050571\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0006_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0006_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0006_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0006_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A Kindness Crawl participant holds up a sign reading “Unified by Joy” in front of City Hall in San Francisco. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050604\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050604\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-3.jpg\" alt=\"\" width=\"2500\" height=\"876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-3.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-3-2000x701.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-3-160x56.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-3-1536x538.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-3-2048x718.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Kindness Crawl participants gather on the steps of San Francisco City Hall. Right: Kindness Crawl organizer Scott Keneally shares an embrace with a passerby near City Hall. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050576\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050576\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0011_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0011_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0011_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0011_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kindness Crawl organizer Scott Keneally gives a hug to a pedestrian. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“ I’m gonna carry on this energy,” said Stone, who said he often has his guard up. “I’m gonna try to give someone else a compliment. I might even give this flower to someone. So it’s gonna go full circle.”\u003c/p>\n\u003cfigure id=\"attachment_12050577\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050577\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0012_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0012_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0012_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0012_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A Kindness Crawl volunteer fills a cart with bouquets of flowers at the Hayes Valley Trader Joe’s to replenish the group’s supply of flowers. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050568\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050568\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0001_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0001_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0001_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0001_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kindness Crawl participants pause to buy more flowers midway through their walk to Alamo Square Park. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050605\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050605\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-4.jpg\" alt=\"\" width=\"2500\" height=\"876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-4.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-4-2000x701.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-4-160x56.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-4-1536x538.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-4-2048x718.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: A Kindness Crawl volunteer beams while handing roses and sunflowers to two people inside a van during a moment of street-side joy. Right: Kindness Crawl co-organizer Drea LaRox, 35, of Healdsburg, waves at passing cars while holding a sign that reads “Kindness is Gangster” in Hayes Valley. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Participants believe even a small gesture, such as hugging a stranger, can make a positive impact.\u003c/p>\n\u003cfigure id=\"attachment_12050573\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050573\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0008_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0008_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0008_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0008_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A Kindness Crawl volunteer places flowers on washing machines inside a Hayes Valley laundromat. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050575\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050575\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0010_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0010_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0010_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0010_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A vintage VW bus filled with flower recipients drives past Alamo Square Park. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050569\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050569\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0002_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0002_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0002_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0002_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A handwritten note reading “Even on your off days, you’re still worthy of love!” is left on a motorcycle seat near Hayes Valley. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“ It feels warm. It feels connecting. It feels loving to me,” said Drea La Rox, another participant. “It feels like I am a part of their life just for a second.”\u003c/p>\n\u003cp>\u003c/p>\n",
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"title": "SF ‘Kindness Crawl’ Spreads Joy on Market Street Ahead of Grateful Dead Weekend | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As \u003ca href=\"https://www.kqed.org/news/tag/san-francisco\">San Francisco\u003c/a> gears up for a weekend-long celebration of the Grateful Dead, one group brought flower power revival to Market Street on Thursday.\u003c/p>\n\u003cp>Dozens of people, laden with good vibes, descended on the thoroughfare for a so-called \u003ca href=\"https://www.kindnesscrawl.com/\">Kindness Crawl\u003c/a> — a spontaneous celebration of joy, marked by random acts of kindness to strangers.\u003c/p>\n\u003cp>The group walked around four miles, from the Ferry Building to Golden Gate Park, handing out free flowers, art and hugs. The result: a trail of smiles.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It makes me feel happy. I love seeing stuff like this,” said Akira Green of Hayward, who was visiting the city with friends. “It’s really great that people are doing this just because they want to.”\u003c/p>\n\u003cfigure id=\"attachment_12050579\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050579\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00007_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00007_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00007_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00007_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Pete Longworth makes a sign in preparation for the Kindness Crawl at the Ferry Building. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The people behind the effort are enrolled in Self Mastery Trilogy, a Healdsburg-based personal development program that requires a “Make a Difference” project.\u003c/p>\n\u003cfigure id=\"attachment_12050580\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050580\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00050_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00050_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00050_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00050_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ashley Gates gives away a free hug while wearing a “free hugs” sign at the Ferry Building. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050602\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050602\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-1.jpg\" alt=\"\" width=\"2500\" height=\"876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-1.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-1-2000x701.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-1-160x56.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-1-1536x538.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-1-2048x718.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: A Kindness Crawl participant holds flowers in their tote bag. Right: Sebastian De Voogd wears a “Kindness Crawl’ T-shirt decorated with pins. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050603\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050603\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-2.jpg\" alt=\"\" width=\"2500\" height=\"876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-2.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-2-2000x701.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-2-160x56.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-2-1536x538.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-2-2048x718.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Ashley Gates (left) hands a flower to a pedestrian on Market Street during the Kindness Crawl. Right: A Kindness Crawl participant hands a flower. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This led to the Kindness Crawl, which the group first tested earlier this year at the farmers market in Healdsburg.\u003c/p>\n\u003cfigure id=\"attachment_12050585\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050585\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00253_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00253_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00253_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00253_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kindness Crawl participants give away flowers and postcards to a driver on Pine Street. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050587\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050587\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00367_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00367_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00367_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00367_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A Kindness Crawl participant hands a postcard to a pedestrian. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We decided that something small, like spreading kindness, was actually the thing that could have the biggest impact and make the most ripples in the world,” said Kali de Voogd, a participant in the program.\u003c/p>\n\u003cfigure id=\"attachment_12050589\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050589\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00442_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00442_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00442_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00442_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Drea LaRox hands goodies to a bus driver in Union Square. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050588\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050588\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00414_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00414_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00414_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00414_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A pedestrian holds a flower she was gifted. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As the group continued its crawl, some people ignored them or brushed away the free flowers. But even folks reluctant to deal with strangers — like Derek Stone, on his lunch break at Union Square — accepted the offer.\u003c/p>\n\u003cfigure id=\"attachment_12050590\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050590\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00477_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00477_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00477_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731-KINDESSCRAWL_00477_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A Kindness Crawl participant hands flowers to passersby in Union Square. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050571\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050571\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0006_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0006_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0006_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0006_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A Kindness Crawl participant holds up a sign reading “Unified by Joy” in front of City Hall in San Francisco. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050604\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050604\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-3.jpg\" alt=\"\" width=\"2500\" height=\"876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-3.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-3-2000x701.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-3-160x56.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-3-1536x538.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-3-2048x718.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Kindness Crawl participants gather on the steps of San Francisco City Hall. Right: Kindness Crawl organizer Scott Keneally shares an embrace with a passerby near City Hall. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050576\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050576\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0011_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0011_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0011_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0011_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kindness Crawl organizer Scott Keneally gives a hug to a pedestrian. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“ I’m gonna carry on this energy,” said Stone, who said he often has his guard up. “I’m gonna try to give someone else a compliment. I might even give this flower to someone. So it’s gonna go full circle.”\u003c/p>\n\u003cfigure id=\"attachment_12050577\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050577\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0012_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0012_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0012_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0012_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A Kindness Crawl volunteer fills a cart with bouquets of flowers at the Hayes Valley Trader Joe’s to replenish the group’s supply of flowers. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050568\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050568\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0001_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0001_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0001_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0001_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kindness Crawl participants pause to buy more flowers midway through their walk to Alamo Square Park. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050605\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050605\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-4.jpg\" alt=\"\" width=\"2500\" height=\"876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-4.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-4-2000x701.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-4-160x56.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-4-1536x538.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/Kindness-Crawl-DIP-4-2048x718.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: A Kindness Crawl volunteer beams while handing roses and sunflowers to two people inside a van during a moment of street-side joy. Right: Kindness Crawl co-organizer Drea LaRox, 35, of Healdsburg, waves at passing cars while holding a sign that reads “Kindness is Gangster” in Hayes Valley. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Participants believe even a small gesture, such as hugging a stranger, can make a positive impact.\u003c/p>\n\u003cfigure id=\"attachment_12050573\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050573\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0008_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0008_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0008_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0008_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A Kindness Crawl volunteer places flowers on washing machines inside a Hayes Valley laundromat. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050575\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050575\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0010_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0010_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0010_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0010_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A vintage VW bus filled with flower recipients drives past Alamo Square Park. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12050569\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050569\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0002_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0002_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0002_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/250731_KINDNESSCRAWL_-0002_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A handwritten note reading “Even on your off days, you’re still worthy of love!” is left on a motorcycle seat near Hayes Valley. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“ It feels warm. It feels connecting. It feels loving to me,” said Drea La Rox, another participant. “It feels like I am a part of their life just for a second.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"slug": "outside-lands-2025-parking-road-closures-will-call-wristbands-pick-up-food-bag-rule-muni-buses",
"title": "Outside Lands 2025: From Parking and Road Closures to Will Call, Food and Bag Rules",
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"headTitle": "Outside Lands 2025: From Parking and Road Closures to Will Call, Food and Bag Rules | KQED",
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"content": "\u003cp>\u003ca href=\"https://www.kqed.org/arts/13956373/outside-lands-lineup-2024-san-francisco\">One of San Francisco’s biggest music festivals, Outside Lands\u003c/a>, is coming to Golden Gate Park next weekend with a 2025 lineup that includes Tyler, The Creator; Hozier; Doja Cat; Vampire Weekend and Doechii.\u003c/p>\n\u003cp>But if you nabbed tickets to the \u003ca href=\"https://sfoutsidelands.com/\">three-day festival that starts Friday, Aug. 8 and lasts through Sunday, Aug. 10\u003c/a>, you might have questions about parking, public transit, the bag policy and more. After all, Outside Lands is a huge, sprawling event that takes over a large part of Golden Gate Park and impacts a lot of the surrounding areas of the Richmond and Sunset districts in San Francisco.\u003c/p>\n\u003cp>So keep reading for our guide to this year’s Outside Lands festival with everything you need to know, from what to bring to Outside Lands, the weather in Golden Gate Park, how to buy tickets and how will call works, maps of the festival, road closures and more.\u003c/p>\n\u003cp>\u003cstrong>Jump straight to:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#outsidelandstickets\">Can I still buy tickets for Outside Lands?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#outsidelands-will-call-box-office\">Where is the Outside Lands will call or box office to pick up my wristband?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#food-outside-lands\">Can I bring my own food to Outside Lands?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#parkingoutsidelands\">Where can I find parking for Outside Lands?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#outsidelandsroadclosures\">What are the Outside Lands road closures, and where can I get dropped off?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#wristbandoutsidelands\">Can I take off my wristband or leave Outside Lands to reenter?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#outsidelandsbartmuni\">What’s the best way to get to Golden Gate Park using public transit?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#banneditemsoutsidelands\">What are the bag rules at Outside Lands?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003ca id=\"outsidelandstickets\">\u003c/a>Can I still get tickets for Outside Lands 2025?\u003c/h2>\n\u003cp>As of publication, \u003ca href=\"https://outsidelands.frontgatetickets.com/\">single-day tickets and three-day tickets are still available for Outside Lands.\u003c/a>[aside postID=news_13973524 hero='https://ww2.kqed.org/app/uploads/sites/2/2023/08/GettyImages-1344570056-1020x680.jpg']\u003c/p>\n\u003cp>In previous years, tickets have frequently sold out a few days before the festival.\u003c/p>\n\u003ch2>What’s the Outside Lands 2025 schedule, and when does the festival start?\u003c/h2>\n\u003cp>The Outside Lands’ gates open at 11 a.m., and the music lineup begins at 12 p.m. on Friday, Aug. 9, Saturday, Aug. 10 and Sunday, Aug. 11. Music ends at 10 p.m.\u003c/p>\n\u003cp>Take a look at \u003ca href=\"https://sfoutsidelands.com/schedule/#/\">the Outside Lands lineup and full schedule\u003c/a> for each day to see when each act is playing.\u003c/p>\n\u003cp>(In this reporter’s opinion, there are some especially tricky conflicts this year. For example, \u003ca href=\"https://sfoutsidelands.com/schedule/#/schedule_groupings/saturday\">on Saturday,\u003c/a> Tyler, The Creator and Vampire Weekend play at the same time. Truly a struggle for those who were pretentious in middle school.)\u003c/p>\n\u003ch2>\u003ca id=\"outsidelands-will-call-box-office\">\u003c/a>Where is the will call to pick up my wristband for Outside Lands?\u003c/h2>\n\u003cp>Your wristband is your ticket, and most people get their wristband in the mail.\u003c/p>\n\u003cp>But if you bought your tickets after July 28, you’ll have to pick up your wristband at will call in Golden Gate Park during the week of the festival or when you first arrive at Outside Lands.\u003c/p>\n\u003cp>The box offices date, locations and times are:\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Saturday, August 2\u003c/strong>: Bill Graham Civic Auditorium — Larkin Hall from 1 p.m. to 7 p.m.\u003c/li>\n\u003cli>\u003cstrong>Sunday, August 3: \u003c/strong>Bill Graham Civic Auditorium — Larkin Hall from 1 p.m. to 7 p.m.\u003c/li>\n\u003cli>\u003cstrong>Wednesday, August 6: \u003c/strong>Golden Gate Park — Marx Meadow from 1 p.m. to 7 p.m.\u003c/li>\n\u003cli>\u003cstrong>Thursday, August 7: \u003c/strong>Golden Gate Park — Marx Meadow from 1 p.m. to 7 p.m.\u003c/li>\n\u003cli>\u003cstrong>Friday, August 8: \u003c/strong>Golden Gate Park — Marx Meadow from 10 a.m. to 9 p.m.\u003c/li>\n\u003cli>\u003cstrong>Saturday, August 9: \u003c/strong>Golden Gate Park — Marx Meadow from 10 a.m. to 9 p.m.\u003c/li>\n\u003cli>\u003cstrong>Sunday, August 10: \u003c/strong>Golden Gate Park — Marx Meadow from 10 a.m. to 8 p.m.\u003c/li>\n\u003c/ul>\n\u003cp>What if you purchased your Outside Lands tickets before July 28 but haven’t received your wristbands yet? Festival organizers say if you didn’t receive a tracking number by the week of Outside Lands, you should \u003ca href=\"https://support.frontgatetickets.com/hc/en-us/requests/new\">submit a request with Front Gate Tickets\u003c/a> as soon as possible.\u003c/p>\n\u003ch2>\u003ca id=\"outsidelandsroadclosures\">\u003c/a>Getting to Outside Lands by car: Where are the road closures?\u003c/h2>\n\u003cp>Outside Lands organizers (and KQED reporters) recommend ticket holders\u003ca href=\"https://sfoutsidelands.com/info/\"> \u003cem>don’t\u003c/em> drive to the festival\u003c/a> — and when you read our information about road closures and the parking situation, you may understand why.\u003c/p>\n\u003cp>\u003cstrong>Road closures for Outside Lands\u003c/strong>\u003c/p>\n\u003cp>The most updated information can be found on \u003ca href=\"https://www.sfoutsidelands.com/311/\">Outside Lands’ 311 page\u003c/a>.\u003c/p>\n\u003cp>These are the \u003ca href=\"https://sfrecpark.org/547/Golden-Gate-Park-Road-Closures\">entrances closed on the north side of Golden Gate Park\u003c/a>, according to the park’s official website:\u003c/p>\n\u003cul>\n\u003cli>Transverse Drive at Crossover Drive\u003c/li>\n\u003cli>JFK Drive at Transverse Drive\u003c/li>\n\u003cli>30th Avenue\u003c/li>\n\u003cli>36th Avenue\u003c/li>\n\u003cli>43rd Avenue (Chain of Lakes)\u003c/li>\n\u003cli>47th Avenue\u003c/li>\n\u003cli>The Great Hwy at JFK Drive\u003c/li>\n\u003c/ul>\n\u003cp>These are the entrances closed on the south side of the park:\u003c/p>\n\u003cul>\n\u003cli>Martin Luther King Jr Drive at Crossover Drive\u003c/li>\n\u003cli>25th Avenue\u003c/li>\n\u003cli>Sunset Boulevard @ Irving Street\u003c/li>\n\u003cli>41st Avenue (Chain of Lakes)\u003c/li>\n\u003cli>Martin Luther King Jr Drive at Lincoln Avenue\u003c/li>\n\u003c/ul>\n\u003cp>Here’s a \u003ca href=\"https://admin.sfoutsidelands.com/assets/maps/osl25-park-access-road-closure-map-311.pdf\">map of the road closures near the park…\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12050530\" class=\"wp-caption alignnone\" style=\"max-width: 1111px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050530\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/OL-25-road-closures.png\" alt=\"\" width=\"1111\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/OL-25-road-closures.png 1111w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/OL-25-road-closures-160x115.png 160w\" sizes=\"auto, (max-width: 1111px) 100vw, 1111px\">\u003cfigcaption class=\"wp-caption-text\">Meadow and road closures during Outside Lands 2025 \u003ccite>(Courtesy Outside Lands)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>…and detours for bikes and cars:\u003c/p>\n\u003cfigure id=\"attachment_12050531\" class=\"wp-caption alignnone\" style=\"max-width: 1110px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050531\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/OL-25-road-closures-bikes.png\" alt=\"\" width=\"1110\" height=\"650\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/OL-25-road-closures-bikes.png 1110w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/OL-25-road-closures-bikes-160x94.png 160w\" sizes=\"auto, (max-width: 1110px) 100vw, 1110px\">\u003cfigcaption class=\"wp-caption-text\">Bike and car detours during Outside Lands 2025 \u003ccite>(Courtesy Outside Lands)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If you have any \u003ca href=\"https://sfoutsidelands.com/311/\">questions about road closures or restrictions\u003c/a>, you can call 415-965-8001 or email community@sfoutsidelands.com or community@anotherplanetent.com.\u003c/p>\n\u003cp>\u003cstrong>Where can I get picked up or dropped off at Outside Lands?\u003c/strong>\u003c/p>\n\u003cp>If you’re looking for a good pickup or drop-off point — either for yourself or because you’re someone else’s ride — Outside Lands recommends \u003ca href=\"https://sfoutsidelands.com/info/\">“several blocks north or south of the park”\u003c/a> — particularly advising that you try Geary Boulevard or Balboa Street to the north or Irving Street to the south.\u003c/p>\n\u003cp>\u003cstrong>Advice for using rideshares and taxis\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://sfoutsidelands.com/info/\">If you use rideshare apps like Lyft or Uber\u003c/a>, the official Outside Lands pickup and drop-off locations are Balboa & 30th Avenue or Irving Street between 25th and 27th avenues.\u003c/p>\n\u003cp>Be aware that these apps will impose dynamic pricing for an event like Outside Lands, which will make even a short ride \u003cem>much\u003c/em> more expensive than usual.[aside postID=arts_13962095 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/MiLES.MAIN_-1020x680.jpg']\u003c/p>\n\u003cp>If you are \u003ca href=\"https://www.sfmta.com/travel-updates/outside-lands-august-8-10-2025\">using a taxi to get to or from Outside Lands\u003c/a> any time from Friday at 9 a.m. to Monday at 2 a.m., there are taxi stands:\u003c/p>\n\u003cul>\n\u003cli>Fulton Street between 24th and 25th avenues\u003c/li>\n\u003cli>Fulton Street between 28th and 29th avenues\u003c/li>\n\u003cli>Irving Street between 26th and 27th avenues\u003c/li>\n\u003cli>Larkin Street between Hayes and Grove streets (Taxi Shuttle service to festival)\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Are there no-go areas for pickup and drop-off for Outside Lands?\u003c/strong>\u003c/p>\n\u003cp>According to SFMTA, \u003ca href=\"https://www.sfmta.com/travel-updates/outside-lands-august-8-10-2025\">these areas are strictly forbidden to pick someone up or drop someone off\u003c/a>:\u003c/p>\n\u003cul>\n\u003cli>Lincoln Way, between 25th and 41st avenues.\u003c/li>\n\u003cli>Fulton, between 26th and 37th avenues.\u003c/li>\n\u003cli>26th, 27th, 28th, 29th, 30th, 31st, 32nd, 33rd, 34th, 35th, 36th and 37th avenues, between Fulton and Cabrillo.\u003c/li>\n\u003cli>All streets in Golden Gate Park, including Crossover from Friday at 11 a.m. to Sunday at 11:59 p.m:\u003c/li>\n\u003c/ul>\n\u003ch2>\u003ca id=\"parkingoutsidelands\">\u003c/a>Where can I find parking for Outside Lands?\u003c/h2>\n\u003cp>Let’s get this out of the way: There is no “official” general parking for Outside Lands. (Jump straight to \u003ca href=\"#accessibilityoutsidelands\">more information on accessible parking below\u003c/a>.)\u003c/p>\n\u003cp>Remember, if you’re choosing to try to park near Outside Lands, break-ins are common in San Francisco — so leave nothing visible in your vehicle, and if at all possible, leave your trunk exposed to show it’s empty. Never leave any electronics like laptops in your vehicle, even if you think they’re hidden. \u003ca href=\"https://www.kqed.org/news/11959799/how-to-avoid-a-car-break-in-bay-area\">Read our full guide to reducing your chances of suffering a car break-in in San Francisco\u003c/a> (and if you’re unlucky enough to have your car broken into, our guide to \u003ca href=\"https://www.kqed.org/news/11959477/car-break-ins-bay-area-glass-repair-what-to-do\">how to claim the costs of window repair and stolen items from your insurance\u003c/a>.)\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#tellus\">Tell us: What else would you like to read a guide about?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cfigure id=\"attachment_11894419\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11894419\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/10/Josh-Withers-scaled-e1635549076106.jpg\" alt=\"A large crowd at a nighttime outdoor concert.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">A packed crowd at the Outside Lands Festival in Golden Gate Park in 2019, the last time the event was held before the COVID-19 pandemic. \u003ccite>(Josh Withers/Outside Lands)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Can I pay to use a resident’s parking spot?\u003c/strong>\u003c/p>\n\u003cp>Some schools near Golden Gate Park sell their parking during Outside Lands to fundraise money, such as \u003ca href=\"https://www.argonnesf.org/outsidelandsparking.html\">Argonne Elementary School (which does not take reservations.)\u003c/a>\u003c/p>\n\u003cp>Residents around Golden Gate Park may also sell their parking spaces to festival visitors. You can find these on Reddit, Facebook or even by trolling through the Sunset District in person and seeing who has signed up. If you choose to go this route to find parking, stay extra vigilant for scams, and make sure you’re always sending money to the right person.\u003c/p>\n\u003cp>\u003cstrong>What about blocking a driveway, even if it’s mine?\u003c/strong>\u003c/p>\n\u003cp>According to the SFMTA, \u003ca href=\"https://www.sfmta.com/travel-updates/outside-lands-august-8-10-2025\">the San Francisco Transportation Code allows residents to park in the street and block their own driveway\u003c/a> “provided the driveway does not serve more than two tenants.” Vehicles may also never be parked on the sidewalk.\u003c/p>\n\u003cp>During Outside Lands, the SFMTA will enforce blocked driveways “on a complaint basis only,” SFMTA says. Of course, that’s not giving you free rein to block a person’s driveway — they’ll almost certainly make that complaint and have you towed if they don’t recognize your car.\u003c/p>\n\u003cp>If you live near Golden Gate Park, you can \u003ca href=\"https://www.sfoutsidelands.com/311/\">check Outside Lands’ Neighborhood 311 advisory page for local residents\u003c/a> for any updates.\u003c/p>\n\u003ch2>\u003ca id=\"outsidelandsbartmuni\">\u003c/a>How to get to Outside Lands using public transit\u003c/h2>\n\u003cp>\u003cstrong>Getting to Outside Lands using SF Muni\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfmta.com/files/styles/constrain/public/images/2024-08/Outside%20Lands%202024%20Transportation%20Map.png?itok=TZc9SdvJ\">SF Muni has a useful map of your options for transportation routes to Outside Lands (PNG)\u003c/a>, and the agency has its own\u003ca href=\"https://www.sfmta.com/blog/plan-your-next-golden-gate-park-trip-muni\"> guide on getting to Golden Gate Park on Muni.\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfmta.com/travel-updates/outside-lands-august-8-10-2025#ExtraService\">Muni will provide extra service\u003c/a> on the N Judah and 5R Fulton Rapid. However, remember: The extra service on 5R will not serve the entire route.\u003c/p>\n\u003cp>Each night of the festival, \u003ca href=\"https://www.sfmta.com/travel-updates/outside-lands-august-8-10-2025#MuniService\">there will be a Muni 5X Fulton Express service from Golden Gate Park to Civic Center BART Station\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfmta.com/travel-updates/outside-lands-august-8-10-2025\">Bookmark the SFMTA website \u003c/a>for a comprehensive list of extra stops provided by Muni for the weekend of Outside Lands.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfmta.com/travel-updates/outside-lands-august-8-10-2025\">Other public transit advisories\u003c/a>, as noted on SFMTA’s website:\u003c/p>\n\u003cul>\n\u003cli>The \u003ca href=\"https://www.sfmta.com/routes/7-haight-noriega\">7 Haight/Noriega\u003c/a>,\u003ca href=\"https://www.sfmta.com/routes/28-19th-avenue\"> 28 19th Avenue\u003c/a>, \u003ca href=\"https://www.sfmta.com/routes/29-sunset\">29 Sunset\u003c/a> and \u003ca href=\"https://www.sfmta.com/routes/44-oshaughnessy\">44 O’Shaughnessy\u003c/a> serve areas of Golden Gate Park and may be subject to crowds.\u003c/li>\n\u003cli>The \u003ca href=\"https://www.sfmta.com/routes/38-geary\">38 Geary\u003c/a> and \u003ca href=\"https://www.sfmta.com/routes/38r-geary-rapid\">38R Geary Rapid routes\u003c/a>, which are four blocks north of the Fulton/30th entrance to Golden Gate Park, may also be considered as alternative options to and from the event.\u003c/li>\n\u003c/ul>\n\u003cp>Remember: after performances end, lines for these buses get long \u003cem>fast\u003c/em>, so the sooner you arrive to try for a seat, the better.\u003c/p>\n\u003cp>You can \u003ca href=\"https://511.org/\">plan your Muni trip on 511.org\u003c/a> and \u003ca href=\"https://511.org/\">check Muni’s arrival information on Next Bus\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Using the official Outside Lands shuttle\u003c/strong>\u003c/p>\n\u003cp>You can hop a ride on the \u003ca href=\"https://admin.sfoutsidelands.com/tickets\">Outside Lands’ shuttle.\u003c/a>\u003c/p>\n\u003cp>One shuttle is from Bill Graham Civic Auditorium (near the Civic Center BART station) and the other is from the Cow Palace in Daly City (which offers free parking.)\u003c/p>\n\u003cp>\u003ca href=\"https://outsidelands.frontgatetickets.com/event/4am8dj5mr25vspoj\">These “coach-style buses” are pre-paid and cost from $33 to $50\u003c/a> for a one-day pass (with a service fee.)\u003c/p>\n\u003cp>The service will begin running each day at 11 a.m. and run “continuously all day with limited coverage” from 5 p.m. to 8 p.m., with the last shuttle to the festival leaving at 8 p.m.\u003c/p>\n\u003cp>As for getting back, return shuttles run until one hour after the music ends each night, festival organizers say.\u003c/p>\n\u003cp>Outside Lands officials strongly recommend taking BART to Civic Center to pick up the official shuttle, but if you do drive, paid parking is available in the Civic Center Parking Garage adjacent to the Bill Graham Civic Auditorium for a fee (entrance at McAllister Street between Polk Street and Larkin Street.)\u003c/p>\n\u003cp>\u003cstrong>Getting to Outside Lands on BART\u003c/strong>\u003c/p>\n\u003cp>The nearest BART station to Golden Gate Park is Civic Center. From there, you can \u003ca href=\"https://www.sfmta.com/blog/plan-your-next-golden-gate-park-trip-muni\">travel onward to Outside Lands using SF Muni\u003c/a> or \u003ca href=\"https://sfoutsidelands.com/info/\">use the official paid Outside Lands shuttle,\u003c/a> which departs from the nearby Bill Graham Civic Auditorium.\u003c/p>\n\u003cp>\u003ca href=\"https://sfoutsidelands.com/info/\">BART service will run until “around midnight” on all three days\u003c/a>, the Outside Lands official guidance says.\u003c/p>\n\u003cp>Parking at BART stations with BART-run parking lots is free after 3 p.m. on Friday and free all day on Saturday and Sunday (except for the Milpitas and Berryessa/North San Jose stations, which still charge on weekends).\u003c/p>\n\u003cp>You can \u003ca href=\"https://www.bart.gov/planner\">use the BART Trip Planner to hash out the details.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Getting to Outside Lands by bike\u003c/strong>\u003c/p>\n\u003cp>You can park your bikes at the festival, with parking available at the eastern and southern parts of the festival site. \u003ca href=\"https://sfoutsidelands.com/assets/maps/osl25_patron-map_62925.png\">See a map of bike route closures and detours for Outside Lands.\u003c/a>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12050694\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/osl25_patron-map_62925-2000x930.png\" alt=\"\" width=\"2000\" height=\"930\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/osl25_patron-map_62925-2000x930.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/osl25_patron-map_62925-160x74.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/osl25_patron-map_62925-1536x714.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/osl25_patron-map_62925-2048x952.png 2048w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/p>\n\u003cp>\u003ca href=\"https://www.lyft.com/bikes/bay-wheels\">Bay Wheels, run by rideshare app Lyft\u003c/a>, is available at the festival on JFK Drive, just east of Transverse Drive, to park your bike or get a bike home. \u003ca href=\"https://account.baywheels.com/map\">Use this website to find Bay Wheels near you.\u003c/a>\u003c/p>\n\u003ch2>Make a plan for getting home each night (and know your last transit option)\u003c/h2>\n\u003cp>\u003ca href=\"https://sfoutsidelands.com/info/\">Music ends at 10 p.m. on all days.\u003c/a>\u003c/p>\n\u003cp>Phil Ginsburg, general manager of San Francisco Parks and Recreation, told KQED in 2023 that exit routes are “very well marked and the strategies for both entering and leaving the festival are pretty well established at this point and we’ll have tons of security and there’s a lot of lightning in the area to keep people safe as they exit the festival.”\u003c/p>\n\u003cp>Use \u003ca href=\"https://www.bart.gov/planner\">BART’s Trip Planner\u003c/a> and \u003ca href=\"https://www.sfmta.com/muni-transit\">SFMTA’s Trip Planner\u003c/a> to check what time the last service of the day is.\u003c/p>\n\u003cp>If you’re hoping to get a rideshare like Uber or Lyft home from Outside Lands, remember \u003ca href=\"#outsidelandsroadclosures\">those recommended pickup locations around Golden Gate Park \u003c/a>— and that dynamic surge pricing for these services will almost certainly mean that ordering an Uber or Lyft home will be pretty pricey. (If you’re determined, you may wish to consider pre-organizing a crew to share the ride and split the cost.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2>\u003ca id=\"wristbandoutsidelands\">\u003c/a>Can I take off my wristband or leave Outside Lands to reenter?\u003c/h2>\n\u003cp>No, keep your wristband on your wrist if you’re attending multiple days of Outside Lands. (\u003ca href=\"https://www.sfoutsidelands.com/news/know-before-you-go/\">It’s waterproof, so you can shower with it.\u003c/a>)\u003c/p>\n\u003cp>Ticketholders all get a wristband — and festival organizers want you to “treat it like cash.” In other words, the festival won’t replace your wristband if it gets lost or stolen. Do not cut it or twist your wristband because it can fray, and the festival will not replace it in those cases, either.\u003c/p>\n\u003cp>Same-day reentry is not allowed. But if you \u003cem>have\u003c/em> to leave the festival, festival organizers ask that you speak with a supervising staff member at an exit before leaving to work out the details.\u003c/p>\n\u003ch2>\u003ca id=\"accessibilityoutsidelands\">\u003c/a>What to know about accessibility at Outside Lands\u003c/h2>\n\u003cp>\u003ca href=\"https://sfoutsidelands.com/accessibility/\">There is a designated ADA Entrance at 36th Avenue & JFK\u003c/a>. This is where the Access Center is, and you can request a golf cart inside or get a collar for your service animal. Accessible pickup and drop-off is at 36th and Fulton. If you are taking a rideshare, let your driver know to tell the parking staff that you need access to the ADA parking, which is also at the 36th and Fulton entrance.\u003c/p>\n\u003cp>There is limited ADA parking available, and it is first come, first served. You can access this parking by entering 36th Avenue and Fulton and talking to the gate agents. It is worth noting that some of the ADA parking is on roads with uneven terrain, with a walk to the ADA gate. Notify the parking staff so they can request a shuttle for you to the gate.\u003c/p>\n\u003cp>There is a lot of demand for shuttles, so Outside Lands is limiting “capacity to our disabled patrons plus one companion. Because of the ‘limited number’ of shuttles, Outside Lands organizers advise disabled festival goers to “please expect a wait, and plan your requests accordingly.”\u003c/p>\n\u003cp>Outside Lands provides elevated platforms at the following stages: Sutro, Twin Peaks and Lands End stages. \u003ca href=\"https://sfoutsidelands.com/accessibility/\">There are “banquet style” folding chairs available at all of the platforms.\u003c/a>\u003c/p>\n\u003cp>ADA restrooms are next to all of the accessible viewing platforms. Restrooms at Outside Lands also have accessible options at the ends.\u003c/p>\n\u003cp>Festival organizers recommend that you email \u003ca href=\"mailto:access@sfoutsidelands.com\">access@sfoutsidelands.com\u003c/a> ahead of time with any accessibility questions or requests.\u003c/p>\n\u003ch2>Do I need to bring a jacket to Outside Lands?\u003c/h2>\n\u003cp>Yes, it’s August. But it’s Golden Gate Park. Sorry, you still need to bring a jacket!\u003c/p>\n\u003cp>You can keep an eye on \u003ca href=\"https://forecast.weather.gov/MapClick.php?lat=37.7771&lon=-122.4196\">the National Weather Service’s forecast for San Francisco\u003c/a> as the festival draws closer. Golden Gate Park is near the ocean, and it gets \u003cem>cold\u003c/em> even when other parts of San Francisco are toasty. Forgetting layers for a day in the park is a classic mistake to make.\u003c/p>\n\u003cp>Also, another outfit suggestion from experienced KQED reporters: Comfortable shoes you don’t mind getting dirty.\u003c/p>\n\u003cp>You can also consider \u003ca href=\"https://www.nytimes.com/wirecutter/reviews/best-earplugs-for-concerts/\">buying earplugs that allow for sounds to get through for around $30\u003c/a>, to protect your hearing.\u003c/p>\n\u003ch2>\u003ca id=\"banneditemsoutsidelands\">\u003c/a>What can I bring to Outside Lands?\u003c/h2>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfoutsidelands.com/news/know-before-you-go/\">Some items you can bring to Outside Lands\u003c/a> \u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>Clear backpacks and bags.\u003c/li>\n\u003cli>Non-clear small bags, fanny packs and purses up to 6” x 8” x 3”.\u003c/li>\n\u003cli>Empty dedicated hydration packs with a capacity under 2.5L/150 inches and just one pocket (standard-size backpacks with hydration bladders will not be allowed into the festival).\u003c/li>\n\u003c/ul>\n\u003cp>\u003ca href=\"https://sfoutsidelands.com/sustainability/refillable-water-program/\">Ticketholders are encouraged to bring a reusable water bottle\u003c/a> and refill it at one of the water stations around the festival.\u003c/p>\n\u003cp>You can \u003ca href=\"https://secure.mobilecharginglockers.com/affiliate/website/event/outside-lands-locker-rental-2025\">reserve a locker\u003c/a> on the festival grounds in advance, but be sure to do so as soon as possible, as these reservations can sell out quickly.\u003c/p>\n\u003cfigure id=\"attachment_11957311\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11957311\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/08/outside-lands-bag-policy.jpg\" alt=\"\" width=\"1920\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/outside-lands-bag-policy.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/outside-lands-bag-policy-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/outside-lands-bag-policy-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/outside-lands-bag-policy-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/outside-lands-bag-policy-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">An illustration showing the bag policy at Outside Lands \u003ccite>(sfoutsidelands.com)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Some items you \u003cem>can’t\u003c/em> bring to Outside Lands\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>Glow-sticks, laser pointers (however glow bracelets and necklaces are allowed).\u003c/li>\n\u003cli>Weapons, fireworks (including pocket knives).\u003c/li>\n\u003cli>Alcohol.\u003c/li>\n\u003cli>Pets (apart from service dogs).\u003c/li>\n\u003cli>Glass or cans.\u003c/li>\n\u003cli>Video or audio recording equipment (including drones, GoPros and selfie sticks).\u003c/li>\n\u003cli>Professional still camera equipment with “a detachable lens longer than 2 inches, tripods, big zooms or commercial use rigs.”\u003c/li>\n\u003cli>Skateboards, scooters or bikes.\u003c/li>\n\u003cli>Strollers, wagons or carts.\u003c/li>\n\u003cli>Hammocks, umbrellas, picnic baskets, coolers, liquids (excluding personal-sized hand sanitizers).\u003c/li>\n\u003cli>Chairs with legs or tents.\u003c/li>\n\u003cli>Picnic blankets.\u003c/li>\n\u003c/ul>\n\u003cp>\u003ca href=\"https://www.sfoutsidelands.com/info/\">See the full list of items allowed or prohibited at Outside Lands.\u003c/a>\u003c/p>\n\u003ch2>\u003ca id=\"food-outside-lands\">\u003c/a>Can I bring my own food into Outside Lands, and what food is available there?\u003c/h2>\n\u003cp>\u003ca href=\"https://sfoutsidelands.com/info/\">The Outside Lands FAQ and venue information\u003c/a> states that bringing your own alcohol into the festival is prohibited, but does not explicitly ban bringing your own food. Just remember: the \u003ca href=\"#banneditemsoutsidelands\">Outside Lands bag policy prohibits common kinds of non-clear backpacks and coolers.\u003c/a>\u003c/p>\n\u003cp>You can \u003ca href=\"https://sfoutsidelands.com/food-and-drink/taste-of-the-bay-area/\">see the Outside Lands food vendor list ahead of time\u003c/a>, with vegan options marked. Alcoholic and non-alcoholic options are served as well.\u003c/p>\n\u003cp>Or, as KQED Arts reported back in 2014, \u003ca href=\"https://www.kqed.org/arts/10139926/how-to-survive-outside-lands-a-veterans-guide\">another option apparently favored by some locals is to “bury bottles of liquor in Golden Gate Park a week before the festival\u003c/a> and dig it up later after you’ve slid past security.”\u003c/p>\n\u003ch2>Any other useful Outside Lands tips I should know?\u003c/h2>\n\u003cp>If you are looking for shortcuts to other stages (like a tunnel between Polo Field and Sutro Stage) or emergency exits, \u003ca href=\"https://sfoutsidelands.com/assets/maps/osl25_patron-map_62925.png\">save the festival’s official map to your Camera Roll (JPG)\u003c/a>:\u003c/p>\n\u003cp>Here are some other insider tips from KQED reporters:\u003c/p>\n\u003cul>\n\u003cli>If you are trying to see someone on the Polo Field, get there early. It gets very crowded quickly.\u003c/li>\n\u003cli>There have been bleachers and ADA platforms in Hellman Hollow, near the Twin Peaks stage.\u003c/li>\n\u003cli>Sometimes artists hang out at the food trucks, talking to fans (and, if you are lucky, performing a quick song.)\u003c/li>\n\u003cli>\u003ca href=\"https://www.kqed.org/arts/13862534/headed-to-outside-lands-heres-everything-you-need-to-know#:~:text=The%20festival%20has%20a%20Sober,sane%20among%20all%20party%20people.\">There is a sober tent available at Outside Lands\u003c/a> for those who feel like they need someone to talk to among the partying. It is near the food trucks.\u003c/li>\n\u003cli>You can get \u003ca href=\"https://www.kqed.org/arts/13956845/legal-weddings-married-outisde-lands-city-hall\">married at Outside Lands.\u003c/a>\u003c/li>\n\u003c/ul>\n\u003ch2>What should I do in a crowd?\u003c/h2>\n\u003cp>\u003ca href=\"https://www.sfmta.com/travel-updates/outside-lands-august-11-13-2023\">SFMTA usually expects around 75,000 people each day of the festival\u003c/a> — and crowds can be overwhelming for some. With \u003ca href=\"https://www.npr.org/2021/11/11/1054765905/what-went-wrong-at-astroworld-the-deadly-dynamics-of-crowd-surge\">past tragic incidents at other festivals\u003c/a> and \u003ca href=\"https://www.change.org/p/urge-outside-lands-to-have-better-exits-to-prevent-astroworld-festival-like-crowd-crush\">Outside Lands fans even asking for better exits to prevent crowd crushes\u003c/a>, it does not hurt to be cautious and prepared. \u003ca href=\"https://www.npr.org/2021/11/09/1053828800/south-korea-seoul-halloween-crowd-safety-tips\">Read NPR’s full guide on what to do if you find yourself caught in a crowd crush\u003c/a>.\u003c/p>\n\u003cp>According to Mehdi Moussaïd, a research scientist in Berlin who studies crowd behavior, rely on your instincts and senses if you feel like the crowd is getting too dense. If you get stuck in a crush, move with the crowd and put your arms out in front of your chest and hold them there.\u003c/p>\n\u003cp>“In this position, you would have some space, just a little bit, to push for half a centimeter or just 1 centimeter — enough for you to keep breathing,” \u003ca href=\"https://www.npr.org/2021/11/09/1053828800/south-korea-seoul-halloween-crowd-safety-tips\">Moussaïd told NPR in 2022\u003c/a>. “It’s not going to be comfortable. You’re going to be feeling really bad, but at least you’ll survive.”\u003c/p>\n\u003ch2>I can’t afford tickets — are there other related performances I can enjoy?\u003c/h2>\n\u003cp>Yes, \u003ca href=\"https://sfoutsidelands.com/night-shows/night-shows/\">Outside Lands has several after-parties around San Francisco for which you can get tickets\u003c/a> from Thursday through Sunday. (Be sure to snag them quick, because some are already sold out!)\u003c/p>\n\u003cp>\u003cem>KQED’s Gabe Meline, Nastia Voynovskaya and Carly Severn contributed to this story.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "What can you bring to Outside Lands? Where is will call, what will the weather be like in Golden Gate Park next weekend, and can you bring your own food? We have everything you need to know about Outside Lands 2025. including the best ways to get home.",
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"title": "Outside Lands 2025: From Parking and Road Closures to Will Call, Food and Bag Rules | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/13956373/outside-lands-lineup-2024-san-francisco\">One of San Francisco’s biggest music festivals, Outside Lands\u003c/a>, is coming to Golden Gate Park next weekend with a 2025 lineup that includes Tyler, The Creator; Hozier; Doja Cat; Vampire Weekend and Doechii.\u003c/p>\n\u003cp>But if you nabbed tickets to the \u003ca href=\"https://sfoutsidelands.com/\">three-day festival that starts Friday, Aug. 8 and lasts through Sunday, Aug. 10\u003c/a>, you might have questions about parking, public transit, the bag policy and more. After all, Outside Lands is a huge, sprawling event that takes over a large part of Golden Gate Park and impacts a lot of the surrounding areas of the Richmond and Sunset districts in San Francisco.\u003c/p>\n\u003cp>So keep reading for our guide to this year’s Outside Lands festival with everything you need to know, from what to bring to Outside Lands, the weather in Golden Gate Park, how to buy tickets and how will call works, maps of the festival, road closures and more.\u003c/p>\n\u003cp>\u003cstrong>Jump straight to:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#outsidelandstickets\">Can I still buy tickets for Outside Lands?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#outsidelands-will-call-box-office\">Where is the Outside Lands will call or box office to pick up my wristband?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#food-outside-lands\">Can I bring my own food to Outside Lands?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#parkingoutsidelands\">Where can I find parking for Outside Lands?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#outsidelandsroadclosures\">What are the Outside Lands road closures, and where can I get dropped off?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#wristbandoutsidelands\">Can I take off my wristband or leave Outside Lands to reenter?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#outsidelandsbartmuni\">What’s the best way to get to Golden Gate Park using public transit?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#banneditemsoutsidelands\">What are the bag rules at Outside Lands?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003ca id=\"outsidelandstickets\">\u003c/a>Can I still get tickets for Outside Lands 2025?\u003c/h2>\n\u003cp>As of publication, \u003ca href=\"https://outsidelands.frontgatetickets.com/\">single-day tickets and three-day tickets are still available for Outside Lands.\u003c/a>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In previous years, tickets have frequently sold out a few days before the festival.\u003c/p>\n\u003ch2>What’s the Outside Lands 2025 schedule, and when does the festival start?\u003c/h2>\n\u003cp>The Outside Lands’ gates open at 11 a.m., and the music lineup begins at 12 p.m. on Friday, Aug. 9, Saturday, Aug. 10 and Sunday, Aug. 11. Music ends at 10 p.m.\u003c/p>\n\u003cp>Take a look at \u003ca href=\"https://sfoutsidelands.com/schedule/#/\">the Outside Lands lineup and full schedule\u003c/a> for each day to see when each act is playing.\u003c/p>\n\u003cp>(In this reporter’s opinion, there are some especially tricky conflicts this year. For example, \u003ca href=\"https://sfoutsidelands.com/schedule/#/schedule_groupings/saturday\">on Saturday,\u003c/a> Tyler, The Creator and Vampire Weekend play at the same time. Truly a struggle for those who were pretentious in middle school.)\u003c/p>\n\u003ch2>\u003ca id=\"outsidelands-will-call-box-office\">\u003c/a>Where is the will call to pick up my wristband for Outside Lands?\u003c/h2>\n\u003cp>Your wristband is your ticket, and most people get their wristband in the mail.\u003c/p>\n\u003cp>But if you bought your tickets after July 28, you’ll have to pick up your wristband at will call in Golden Gate Park during the week of the festival or when you first arrive at Outside Lands.\u003c/p>\n\u003cp>The box offices date, locations and times are:\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Saturday, August 2\u003c/strong>: Bill Graham Civic Auditorium — Larkin Hall from 1 p.m. to 7 p.m.\u003c/li>\n\u003cli>\u003cstrong>Sunday, August 3: \u003c/strong>Bill Graham Civic Auditorium — Larkin Hall from 1 p.m. to 7 p.m.\u003c/li>\n\u003cli>\u003cstrong>Wednesday, August 6: \u003c/strong>Golden Gate Park — Marx Meadow from 1 p.m. to 7 p.m.\u003c/li>\n\u003cli>\u003cstrong>Thursday, August 7: \u003c/strong>Golden Gate Park — Marx Meadow from 1 p.m. to 7 p.m.\u003c/li>\n\u003cli>\u003cstrong>Friday, August 8: \u003c/strong>Golden Gate Park — Marx Meadow from 10 a.m. to 9 p.m.\u003c/li>\n\u003cli>\u003cstrong>Saturday, August 9: \u003c/strong>Golden Gate Park — Marx Meadow from 10 a.m. to 9 p.m.\u003c/li>\n\u003cli>\u003cstrong>Sunday, August 10: \u003c/strong>Golden Gate Park — Marx Meadow from 10 a.m. to 8 p.m.\u003c/li>\n\u003c/ul>\n\u003cp>What if you purchased your Outside Lands tickets before July 28 but haven’t received your wristbands yet? Festival organizers say if you didn’t receive a tracking number by the week of Outside Lands, you should \u003ca href=\"https://support.frontgatetickets.com/hc/en-us/requests/new\">submit a request with Front Gate Tickets\u003c/a> as soon as possible.\u003c/p>\n\u003ch2>\u003ca id=\"outsidelandsroadclosures\">\u003c/a>Getting to Outside Lands by car: Where are the road closures?\u003c/h2>\n\u003cp>Outside Lands organizers (and KQED reporters) recommend ticket holders\u003ca href=\"https://sfoutsidelands.com/info/\"> \u003cem>don’t\u003c/em> drive to the festival\u003c/a> — and when you read our information about road closures and the parking situation, you may understand why.\u003c/p>\n\u003cp>\u003cstrong>Road closures for Outside Lands\u003c/strong>\u003c/p>\n\u003cp>The most updated information can be found on \u003ca href=\"https://www.sfoutsidelands.com/311/\">Outside Lands’ 311 page\u003c/a>.\u003c/p>\n\u003cp>These are the \u003ca href=\"https://sfrecpark.org/547/Golden-Gate-Park-Road-Closures\">entrances closed on the north side of Golden Gate Park\u003c/a>, according to the park’s official website:\u003c/p>\n\u003cul>\n\u003cli>Transverse Drive at Crossover Drive\u003c/li>\n\u003cli>JFK Drive at Transverse Drive\u003c/li>\n\u003cli>30th Avenue\u003c/li>\n\u003cli>36th Avenue\u003c/li>\n\u003cli>43rd Avenue (Chain of Lakes)\u003c/li>\n\u003cli>47th Avenue\u003c/li>\n\u003cli>The Great Hwy at JFK Drive\u003c/li>\n\u003c/ul>\n\u003cp>These are the entrances closed on the south side of the park:\u003c/p>\n\u003cul>\n\u003cli>Martin Luther King Jr Drive at Crossover Drive\u003c/li>\n\u003cli>25th Avenue\u003c/li>\n\u003cli>Sunset Boulevard @ Irving Street\u003c/li>\n\u003cli>41st Avenue (Chain of Lakes)\u003c/li>\n\u003cli>Martin Luther King Jr Drive at Lincoln Avenue\u003c/li>\n\u003c/ul>\n\u003cp>Here’s a \u003ca href=\"https://admin.sfoutsidelands.com/assets/maps/osl25-park-access-road-closure-map-311.pdf\">map of the road closures near the park…\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12050530\" class=\"wp-caption alignnone\" style=\"max-width: 1111px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050530\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/OL-25-road-closures.png\" alt=\"\" width=\"1111\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/OL-25-road-closures.png 1111w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/OL-25-road-closures-160x115.png 160w\" sizes=\"auto, (max-width: 1111px) 100vw, 1111px\">\u003cfigcaption class=\"wp-caption-text\">Meadow and road closures during Outside Lands 2025 \u003ccite>(Courtesy Outside Lands)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>…and detours for bikes and cars:\u003c/p>\n\u003cfigure id=\"attachment_12050531\" class=\"wp-caption alignnone\" style=\"max-width: 1110px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12050531\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/OL-25-road-closures-bikes.png\" alt=\"\" width=\"1110\" height=\"650\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/OL-25-road-closures-bikes.png 1110w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/OL-25-road-closures-bikes-160x94.png 160w\" sizes=\"auto, (max-width: 1110px) 100vw, 1110px\">\u003cfigcaption class=\"wp-caption-text\">Bike and car detours during Outside Lands 2025 \u003ccite>(Courtesy Outside Lands)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If you have any \u003ca href=\"https://sfoutsidelands.com/311/\">questions about road closures or restrictions\u003c/a>, you can call 415-965-8001 or email community@sfoutsidelands.com or community@anotherplanetent.com.\u003c/p>\n\u003cp>\u003cstrong>Where can I get picked up or dropped off at Outside Lands?\u003c/strong>\u003c/p>\n\u003cp>If you’re looking for a good pickup or drop-off point — either for yourself or because you’re someone else’s ride — Outside Lands recommends \u003ca href=\"https://sfoutsidelands.com/info/\">“several blocks north or south of the park”\u003c/a> — particularly advising that you try Geary Boulevard or Balboa Street to the north or Irving Street to the south.\u003c/p>\n\u003cp>\u003cstrong>Advice for using rideshares and taxis\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://sfoutsidelands.com/info/\">If you use rideshare apps like Lyft or Uber\u003c/a>, the official Outside Lands pickup and drop-off locations are Balboa & 30th Avenue or Irving Street between 25th and 27th avenues.\u003c/p>\n\u003cp>Be aware that these apps will impose dynamic pricing for an event like Outside Lands, which will make even a short ride \u003cem>much\u003c/em> more expensive than usual.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If you are \u003ca href=\"https://www.sfmta.com/travel-updates/outside-lands-august-8-10-2025\">using a taxi to get to or from Outside Lands\u003c/a> any time from Friday at 9 a.m. to Monday at 2 a.m., there are taxi stands:\u003c/p>\n\u003cul>\n\u003cli>Fulton Street between 24th and 25th avenues\u003c/li>\n\u003cli>Fulton Street between 28th and 29th avenues\u003c/li>\n\u003cli>Irving Street between 26th and 27th avenues\u003c/li>\n\u003cli>Larkin Street between Hayes and Grove streets (Taxi Shuttle service to festival)\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Are there no-go areas for pickup and drop-off for Outside Lands?\u003c/strong>\u003c/p>\n\u003cp>According to SFMTA, \u003ca href=\"https://www.sfmta.com/travel-updates/outside-lands-august-8-10-2025\">these areas are strictly forbidden to pick someone up or drop someone off\u003c/a>:\u003c/p>\n\u003cul>\n\u003cli>Lincoln Way, between 25th and 41st avenues.\u003c/li>\n\u003cli>Fulton, between 26th and 37th avenues.\u003c/li>\n\u003cli>26th, 27th, 28th, 29th, 30th, 31st, 32nd, 33rd, 34th, 35th, 36th and 37th avenues, between Fulton and Cabrillo.\u003c/li>\n\u003cli>All streets in Golden Gate Park, including Crossover from Friday at 11 a.m. to Sunday at 11:59 p.m:\u003c/li>\n\u003c/ul>\n\u003ch2>\u003ca id=\"parkingoutsidelands\">\u003c/a>Where can I find parking for Outside Lands?\u003c/h2>\n\u003cp>Let’s get this out of the way: There is no “official” general parking for Outside Lands. (Jump straight to \u003ca href=\"#accessibilityoutsidelands\">more information on accessible parking below\u003c/a>.)\u003c/p>\n\u003cp>Remember, if you’re choosing to try to park near Outside Lands, break-ins are common in San Francisco — so leave nothing visible in your vehicle, and if at all possible, leave your trunk exposed to show it’s empty. Never leave any electronics like laptops in your vehicle, even if you think they’re hidden. \u003ca href=\"https://www.kqed.org/news/11959799/how-to-avoid-a-car-break-in-bay-area\">Read our full guide to reducing your chances of suffering a car break-in in San Francisco\u003c/a> (and if you’re unlucky enough to have your car broken into, our guide to \u003ca href=\"https://www.kqed.org/news/11959477/car-break-ins-bay-area-glass-repair-what-to-do\">how to claim the costs of window repair and stolen items from your insurance\u003c/a>.)\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#tellus\">Tell us: What else would you like to read a guide about?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cfigure id=\"attachment_11894419\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11894419\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/10/Josh-Withers-scaled-e1635549076106.jpg\" alt=\"A large crowd at a nighttime outdoor concert.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">A packed crowd at the Outside Lands Festival in Golden Gate Park in 2019, the last time the event was held before the COVID-19 pandemic. \u003ccite>(Josh Withers/Outside Lands)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Can I pay to use a resident’s parking spot?\u003c/strong>\u003c/p>\n\u003cp>Some schools near Golden Gate Park sell their parking during Outside Lands to fundraise money, such as \u003ca href=\"https://www.argonnesf.org/outsidelandsparking.html\">Argonne Elementary School (which does not take reservations.)\u003c/a>\u003c/p>\n\u003cp>Residents around Golden Gate Park may also sell their parking spaces to festival visitors. You can find these on Reddit, Facebook or even by trolling through the Sunset District in person and seeing who has signed up. If you choose to go this route to find parking, stay extra vigilant for scams, and make sure you’re always sending money to the right person.\u003c/p>\n\u003cp>\u003cstrong>What about blocking a driveway, even if it’s mine?\u003c/strong>\u003c/p>\n\u003cp>According to the SFMTA, \u003ca href=\"https://www.sfmta.com/travel-updates/outside-lands-august-8-10-2025\">the San Francisco Transportation Code allows residents to park in the street and block their own driveway\u003c/a> “provided the driveway does not serve more than two tenants.” Vehicles may also never be parked on the sidewalk.\u003c/p>\n\u003cp>During Outside Lands, the SFMTA will enforce blocked driveways “on a complaint basis only,” SFMTA says. Of course, that’s not giving you free rein to block a person’s driveway — they’ll almost certainly make that complaint and have you towed if they don’t recognize your car.\u003c/p>\n\u003cp>If you live near Golden Gate Park, you can \u003ca href=\"https://www.sfoutsidelands.com/311/\">check Outside Lands’ Neighborhood 311 advisory page for local residents\u003c/a> for any updates.\u003c/p>\n\u003ch2>\u003ca id=\"outsidelandsbartmuni\">\u003c/a>How to get to Outside Lands using public transit\u003c/h2>\n\u003cp>\u003cstrong>Getting to Outside Lands using SF Muni\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfmta.com/files/styles/constrain/public/images/2024-08/Outside%20Lands%202024%20Transportation%20Map.png?itok=TZc9SdvJ\">SF Muni has a useful map of your options for transportation routes to Outside Lands (PNG)\u003c/a>, and the agency has its own\u003ca href=\"https://www.sfmta.com/blog/plan-your-next-golden-gate-park-trip-muni\"> guide on getting to Golden Gate Park on Muni.\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfmta.com/travel-updates/outside-lands-august-8-10-2025#ExtraService\">Muni will provide extra service\u003c/a> on the N Judah and 5R Fulton Rapid. However, remember: The extra service on 5R will not serve the entire route.\u003c/p>\n\u003cp>Each night of the festival, \u003ca href=\"https://www.sfmta.com/travel-updates/outside-lands-august-8-10-2025#MuniService\">there will be a Muni 5X Fulton Express service from Golden Gate Park to Civic Center BART Station\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfmta.com/travel-updates/outside-lands-august-8-10-2025\">Bookmark the SFMTA website \u003c/a>for a comprehensive list of extra stops provided by Muni for the weekend of Outside Lands.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfmta.com/travel-updates/outside-lands-august-8-10-2025\">Other public transit advisories\u003c/a>, as noted on SFMTA’s website:\u003c/p>\n\u003cul>\n\u003cli>The \u003ca href=\"https://www.sfmta.com/routes/7-haight-noriega\">7 Haight/Noriega\u003c/a>,\u003ca href=\"https://www.sfmta.com/routes/28-19th-avenue\"> 28 19th Avenue\u003c/a>, \u003ca href=\"https://www.sfmta.com/routes/29-sunset\">29 Sunset\u003c/a> and \u003ca href=\"https://www.sfmta.com/routes/44-oshaughnessy\">44 O’Shaughnessy\u003c/a> serve areas of Golden Gate Park and may be subject to crowds.\u003c/li>\n\u003cli>The \u003ca href=\"https://www.sfmta.com/routes/38-geary\">38 Geary\u003c/a> and \u003ca href=\"https://www.sfmta.com/routes/38r-geary-rapid\">38R Geary Rapid routes\u003c/a>, which are four blocks north of the Fulton/30th entrance to Golden Gate Park, may also be considered as alternative options to and from the event.\u003c/li>\n\u003c/ul>\n\u003cp>Remember: after performances end, lines for these buses get long \u003cem>fast\u003c/em>, so the sooner you arrive to try for a seat, the better.\u003c/p>\n\u003cp>You can \u003ca href=\"https://511.org/\">plan your Muni trip on 511.org\u003c/a> and \u003ca href=\"https://511.org/\">check Muni’s arrival information on Next Bus\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Using the official Outside Lands shuttle\u003c/strong>\u003c/p>\n\u003cp>You can hop a ride on the \u003ca href=\"https://admin.sfoutsidelands.com/tickets\">Outside Lands’ shuttle.\u003c/a>\u003c/p>\n\u003cp>One shuttle is from Bill Graham Civic Auditorium (near the Civic Center BART station) and the other is from the Cow Palace in Daly City (which offers free parking.)\u003c/p>\n\u003cp>\u003ca href=\"https://outsidelands.frontgatetickets.com/event/4am8dj5mr25vspoj\">These “coach-style buses” are pre-paid and cost from $33 to $50\u003c/a> for a one-day pass (with a service fee.)\u003c/p>\n\u003cp>The service will begin running each day at 11 a.m. and run “continuously all day with limited coverage” from 5 p.m. to 8 p.m., with the last shuttle to the festival leaving at 8 p.m.\u003c/p>\n\u003cp>As for getting back, return shuttles run until one hour after the music ends each night, festival organizers say.\u003c/p>\n\u003cp>Outside Lands officials strongly recommend taking BART to Civic Center to pick up the official shuttle, but if you do drive, paid parking is available in the Civic Center Parking Garage adjacent to the Bill Graham Civic Auditorium for a fee (entrance at McAllister Street between Polk Street and Larkin Street.)\u003c/p>\n\u003cp>\u003cstrong>Getting to Outside Lands on BART\u003c/strong>\u003c/p>\n\u003cp>The nearest BART station to Golden Gate Park is Civic Center. From there, you can \u003ca href=\"https://www.sfmta.com/blog/plan-your-next-golden-gate-park-trip-muni\">travel onward to Outside Lands using SF Muni\u003c/a> or \u003ca href=\"https://sfoutsidelands.com/info/\">use the official paid Outside Lands shuttle,\u003c/a> which departs from the nearby Bill Graham Civic Auditorium.\u003c/p>\n\u003cp>\u003ca href=\"https://sfoutsidelands.com/info/\">BART service will run until “around midnight” on all three days\u003c/a>, the Outside Lands official guidance says.\u003c/p>\n\u003cp>Parking at BART stations with BART-run parking lots is free after 3 p.m. on Friday and free all day on Saturday and Sunday (except for the Milpitas and Berryessa/North San Jose stations, which still charge on weekends).\u003c/p>\n\u003cp>You can \u003ca href=\"https://www.bart.gov/planner\">use the BART Trip Planner to hash out the details.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Getting to Outside Lands by bike\u003c/strong>\u003c/p>\n\u003cp>You can park your bikes at the festival, with parking available at the eastern and southern parts of the festival site. \u003ca href=\"https://sfoutsidelands.com/assets/maps/osl25_patron-map_62925.png\">See a map of bike route closures and detours for Outside Lands.\u003c/a>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12050694\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/osl25_patron-map_62925-2000x930.png\" alt=\"\" width=\"2000\" height=\"930\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/osl25_patron-map_62925-2000x930.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/osl25_patron-map_62925-160x74.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/osl25_patron-map_62925-1536x714.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/osl25_patron-map_62925-2048x952.png 2048w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/p>\n\u003cp>\u003ca href=\"https://www.lyft.com/bikes/bay-wheels\">Bay Wheels, run by rideshare app Lyft\u003c/a>, is available at the festival on JFK Drive, just east of Transverse Drive, to park your bike or get a bike home. \u003ca href=\"https://account.baywheels.com/map\">Use this website to find Bay Wheels near you.\u003c/a>\u003c/p>\n\u003ch2>Make a plan for getting home each night (and know your last transit option)\u003c/h2>\n\u003cp>\u003ca href=\"https://sfoutsidelands.com/info/\">Music ends at 10 p.m. on all days.\u003c/a>\u003c/p>\n\u003cp>Phil Ginsburg, general manager of San Francisco Parks and Recreation, told KQED in 2023 that exit routes are “very well marked and the strategies for both entering and leaving the festival are pretty well established at this point and we’ll have tons of security and there’s a lot of lightning in the area to keep people safe as they exit the festival.”\u003c/p>\n\u003cp>Use \u003ca href=\"https://www.bart.gov/planner\">BART’s Trip Planner\u003c/a> and \u003ca href=\"https://www.sfmta.com/muni-transit\">SFMTA’s Trip Planner\u003c/a> to check what time the last service of the day is.\u003c/p>\n\u003cp>If you’re hoping to get a rideshare like Uber or Lyft home from Outside Lands, remember \u003ca href=\"#outsidelandsroadclosures\">those recommended pickup locations around Golden Gate Park \u003c/a>— and that dynamic surge pricing for these services will almost certainly mean that ordering an Uber or Lyft home will be pretty pricey. (If you’re determined, you may wish to consider pre-organizing a crew to share the ride and split the cost.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca id=\"wristbandoutsidelands\">\u003c/a>Can I take off my wristband or leave Outside Lands to reenter?\u003c/h2>\n\u003cp>No, keep your wristband on your wrist if you’re attending multiple days of Outside Lands. (\u003ca href=\"https://www.sfoutsidelands.com/news/know-before-you-go/\">It’s waterproof, so you can shower with it.\u003c/a>)\u003c/p>\n\u003cp>Ticketholders all get a wristband — and festival organizers want you to “treat it like cash.” In other words, the festival won’t replace your wristband if it gets lost or stolen. Do not cut it or twist your wristband because it can fray, and the festival will not replace it in those cases, either.\u003c/p>\n\u003cp>Same-day reentry is not allowed. But if you \u003cem>have\u003c/em> to leave the festival, festival organizers ask that you speak with a supervising staff member at an exit before leaving to work out the details.\u003c/p>\n\u003ch2>\u003ca id=\"accessibilityoutsidelands\">\u003c/a>What to know about accessibility at Outside Lands\u003c/h2>\n\u003cp>\u003ca href=\"https://sfoutsidelands.com/accessibility/\">There is a designated ADA Entrance at 36th Avenue & JFK\u003c/a>. This is where the Access Center is, and you can request a golf cart inside or get a collar for your service animal. Accessible pickup and drop-off is at 36th and Fulton. If you are taking a rideshare, let your driver know to tell the parking staff that you need access to the ADA parking, which is also at the 36th and Fulton entrance.\u003c/p>\n\u003cp>There is limited ADA parking available, and it is first come, first served. You can access this parking by entering 36th Avenue and Fulton and talking to the gate agents. It is worth noting that some of the ADA parking is on roads with uneven terrain, with a walk to the ADA gate. Notify the parking staff so they can request a shuttle for you to the gate.\u003c/p>\n\u003cp>There is a lot of demand for shuttles, so Outside Lands is limiting “capacity to our disabled patrons plus one companion. Because of the ‘limited number’ of shuttles, Outside Lands organizers advise disabled festival goers to “please expect a wait, and plan your requests accordingly.”\u003c/p>\n\u003cp>Outside Lands provides elevated platforms at the following stages: Sutro, Twin Peaks and Lands End stages. \u003ca href=\"https://sfoutsidelands.com/accessibility/\">There are “banquet style” folding chairs available at all of the platforms.\u003c/a>\u003c/p>\n\u003cp>ADA restrooms are next to all of the accessible viewing platforms. Restrooms at Outside Lands also have accessible options at the ends.\u003c/p>\n\u003cp>Festival organizers recommend that you email \u003ca href=\"mailto:access@sfoutsidelands.com\">access@sfoutsidelands.com\u003c/a> ahead of time with any accessibility questions or requests.\u003c/p>\n\u003ch2>Do I need to bring a jacket to Outside Lands?\u003c/h2>\n\u003cp>Yes, it’s August. But it’s Golden Gate Park. Sorry, you still need to bring a jacket!\u003c/p>\n\u003cp>You can keep an eye on \u003ca href=\"https://forecast.weather.gov/MapClick.php?lat=37.7771&lon=-122.4196\">the National Weather Service’s forecast for San Francisco\u003c/a> as the festival draws closer. Golden Gate Park is near the ocean, and it gets \u003cem>cold\u003c/em> even when other parts of San Francisco are toasty. Forgetting layers for a day in the park is a classic mistake to make.\u003c/p>\n\u003cp>Also, another outfit suggestion from experienced KQED reporters: Comfortable shoes you don’t mind getting dirty.\u003c/p>\n\u003cp>You can also consider \u003ca href=\"https://www.nytimes.com/wirecutter/reviews/best-earplugs-for-concerts/\">buying earplugs that allow for sounds to get through for around $30\u003c/a>, to protect your hearing.\u003c/p>\n\u003ch2>\u003ca id=\"banneditemsoutsidelands\">\u003c/a>What can I bring to Outside Lands?\u003c/h2>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfoutsidelands.com/news/know-before-you-go/\">Some items you can bring to Outside Lands\u003c/a> \u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>Clear backpacks and bags.\u003c/li>\n\u003cli>Non-clear small bags, fanny packs and purses up to 6” x 8” x 3”.\u003c/li>\n\u003cli>Empty dedicated hydration packs with a capacity under 2.5L/150 inches and just one pocket (standard-size backpacks with hydration bladders will not be allowed into the festival).\u003c/li>\n\u003c/ul>\n\u003cp>\u003ca href=\"https://sfoutsidelands.com/sustainability/refillable-water-program/\">Ticketholders are encouraged to bring a reusable water bottle\u003c/a> and refill it at one of the water stations around the festival.\u003c/p>\n\u003cp>You can \u003ca href=\"https://secure.mobilecharginglockers.com/affiliate/website/event/outside-lands-locker-rental-2025\">reserve a locker\u003c/a> on the festival grounds in advance, but be sure to do so as soon as possible, as these reservations can sell out quickly.\u003c/p>\n\u003cfigure id=\"attachment_11957311\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11957311\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/08/outside-lands-bag-policy.jpg\" alt=\"\" width=\"1920\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/outside-lands-bag-policy.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/outside-lands-bag-policy-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/outside-lands-bag-policy-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/outside-lands-bag-policy-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/outside-lands-bag-policy-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">An illustration showing the bag policy at Outside Lands \u003ccite>(sfoutsidelands.com)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Some items you \u003cem>can’t\u003c/em> bring to Outside Lands\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>Glow-sticks, laser pointers (however glow bracelets and necklaces are allowed).\u003c/li>\n\u003cli>Weapons, fireworks (including pocket knives).\u003c/li>\n\u003cli>Alcohol.\u003c/li>\n\u003cli>Pets (apart from service dogs).\u003c/li>\n\u003cli>Glass or cans.\u003c/li>\n\u003cli>Video or audio recording equipment (including drones, GoPros and selfie sticks).\u003c/li>\n\u003cli>Professional still camera equipment with “a detachable lens longer than 2 inches, tripods, big zooms or commercial use rigs.”\u003c/li>\n\u003cli>Skateboards, scooters or bikes.\u003c/li>\n\u003cli>Strollers, wagons or carts.\u003c/li>\n\u003cli>Hammocks, umbrellas, picnic baskets, coolers, liquids (excluding personal-sized hand sanitizers).\u003c/li>\n\u003cli>Chairs with legs or tents.\u003c/li>\n\u003cli>Picnic blankets.\u003c/li>\n\u003c/ul>\n\u003cp>\u003ca href=\"https://www.sfoutsidelands.com/info/\">See the full list of items allowed or prohibited at Outside Lands.\u003c/a>\u003c/p>\n\u003ch2>\u003ca id=\"food-outside-lands\">\u003c/a>Can I bring my own food into Outside Lands, and what food is available there?\u003c/h2>\n\u003cp>\u003ca href=\"https://sfoutsidelands.com/info/\">The Outside Lands FAQ and venue information\u003c/a> states that bringing your own alcohol into the festival is prohibited, but does not explicitly ban bringing your own food. Just remember: the \u003ca href=\"#banneditemsoutsidelands\">Outside Lands bag policy prohibits common kinds of non-clear backpacks and coolers.\u003c/a>\u003c/p>\n\u003cp>You can \u003ca href=\"https://sfoutsidelands.com/food-and-drink/taste-of-the-bay-area/\">see the Outside Lands food vendor list ahead of time\u003c/a>, with vegan options marked. Alcoholic and non-alcoholic options are served as well.\u003c/p>\n\u003cp>Or, as KQED Arts reported back in 2014, \u003ca href=\"https://www.kqed.org/arts/10139926/how-to-survive-outside-lands-a-veterans-guide\">another option apparently favored by some locals is to “bury bottles of liquor in Golden Gate Park a week before the festival\u003c/a> and dig it up later after you’ve slid past security.”\u003c/p>\n\u003ch2>Any other useful Outside Lands tips I should know?\u003c/h2>\n\u003cp>If you are looking for shortcuts to other stages (like a tunnel between Polo Field and Sutro Stage) or emergency exits, \u003ca href=\"https://sfoutsidelands.com/assets/maps/osl25_patron-map_62925.png\">save the festival’s official map to your Camera Roll (JPG)\u003c/a>:\u003c/p>\n\u003cp>Here are some other insider tips from KQED reporters:\u003c/p>\n\u003cul>\n\u003cli>If you are trying to see someone on the Polo Field, get there early. It gets very crowded quickly.\u003c/li>\n\u003cli>There have been bleachers and ADA platforms in Hellman Hollow, near the Twin Peaks stage.\u003c/li>\n\u003cli>Sometimes artists hang out at the food trucks, talking to fans (and, if you are lucky, performing a quick song.)\u003c/li>\n\u003cli>\u003ca href=\"https://www.kqed.org/arts/13862534/headed-to-outside-lands-heres-everything-you-need-to-know#:~:text=The%20festival%20has%20a%20Sober,sane%20among%20all%20party%20people.\">There is a sober tent available at Outside Lands\u003c/a> for those who feel like they need someone to talk to among the partying. It is near the food trucks.\u003c/li>\n\u003cli>You can get \u003ca href=\"https://www.kqed.org/arts/13956845/legal-weddings-married-outisde-lands-city-hall\">married at Outside Lands.\u003c/a>\u003c/li>\n\u003c/ul>\n\u003ch2>What should I do in a crowd?\u003c/h2>\n\u003cp>\u003ca href=\"https://www.sfmta.com/travel-updates/outside-lands-august-11-13-2023\">SFMTA usually expects around 75,000 people each day of the festival\u003c/a> — and crowds can be overwhelming for some. With \u003ca href=\"https://www.npr.org/2021/11/11/1054765905/what-went-wrong-at-astroworld-the-deadly-dynamics-of-crowd-surge\">past tragic incidents at other festivals\u003c/a> and \u003ca href=\"https://www.change.org/p/urge-outside-lands-to-have-better-exits-to-prevent-astroworld-festival-like-crowd-crush\">Outside Lands fans even asking for better exits to prevent crowd crushes\u003c/a>, it does not hurt to be cautious and prepared. \u003ca href=\"https://www.npr.org/2021/11/09/1053828800/south-korea-seoul-halloween-crowd-safety-tips\">Read NPR’s full guide on what to do if you find yourself caught in a crowd crush\u003c/a>.\u003c/p>\n\u003cp>According to Mehdi Moussaïd, a research scientist in Berlin who studies crowd behavior, rely on your instincts and senses if you feel like the crowd is getting too dense. If you get stuck in a crush, move with the crowd and put your arms out in front of your chest and hold them there.\u003c/p>\n\u003cp>“In this position, you would have some space, just a little bit, to push for half a centimeter or just 1 centimeter — enough for you to keep breathing,” \u003ca href=\"https://www.npr.org/2021/11/09/1053828800/south-korea-seoul-halloween-crowd-safety-tips\">Moussaïd told NPR in 2022\u003c/a>. “It’s not going to be comfortable. You’re going to be feeling really bad, but at least you’ll survive.”\u003c/p>\n\u003ch2>I can’t afford tickets — are there other related performances I can enjoy?\u003c/h2>\n\u003cp>Yes, \u003ca href=\"https://sfoutsidelands.com/night-shows/night-shows/\">Outside Lands has several after-parties around San Francisco for which you can get tickets\u003c/a> from Thursday through Sunday. (Be sure to snag them quick, because some are already sold out!)\u003c/p>\n\u003cp>\u003cem>KQED’s Gabe Meline, Nastia Voynovskaya and Carly Severn contributed to this story.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>San Francisco is preparing to see up to 60,000 people a day for the \u003ca href=\"https://www.kqed.org/arts/13979310/dead-and-company-san-francisco-concerts-golden-gate-park-summer-of-love-grateful-deads-60th\">Grateful Dead’s 60th anniversary festival in Golden Gate Park\u003c/a> this weekend, and Mayor Daniel Lurie said the city is ready.\u003c/p>\n\u003cp>Even for those not attending the concerts, people on the west side can expect to hear Grateful Dead classics, see Deadheads roaming the streets and find difficulty getting around Golden Gate Park.\u003c/p>\n\u003cp>At the park’s polo field — where the Dead haven’t played since 1991 — workers on Thursday were erecting a large stage where remaining members of the Grateful Dead will \u003ca href=\"https://goldengateparkconcerts.com/event/dead-company/\">play as Dead & Company\u003c/a> through Sunday.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Lurie stood at a podium in front of the stage in the field’s northwest corner, where stagehands were testing lights and setting up equipment. Next to Lurie stood San Francisco law enforcement, fire and parks leaders who took turns assuring the public the event would be a safe one.\u003c/p>\n\u003cp>“Our public safety teams and local law enforcement will be operating at full staffing, with additional personnel to manage the increases with all of these attendees and visitors,” Lurie said. “Our teams are equipped and trained to handle a variety of situations, and we are fully prepared for any emergencies that may arise during these weekends.”\u003c/p>\n\u003cfigure id=\"attachment_12050533\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12050533 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/GratefulDeadSF1.jpg\" alt=\"\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/GratefulDeadSF1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/GratefulDeadSF1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/GratefulDeadSF1-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco Mayor Daniel Lurie speaks at Golden Gate Park in San Francisco on Thursday, July 31, 2025, ahead of the Grateful Dead 60th anniversary celebrations this weekend with multiple performances by Dead & Company. \u003ccite>(Brian Krans/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The \u003ca href=\"https://www.kqed.org/forum/2010101910768/grateful-dead-keep-on-truckin-for-their-60th-anniversary\">Dead & Company shows\u003c/a> kick off a busy few weeks for the park, which is hosting two more events — Outside Lands and country musician Zach Bryan — over subsequent weekends.\u003c/p>\n\u003cp>“This is the first time ever there’s been three weekends of concerts in a row in Golden Gate Park,” said Allen Scott, president of concerts and festivals for Another Planet Entertainment, which produces Outside Lands as well as the new \u003ca href=\"https://goldengateparkconcerts.com/\">Golden Gate Park Concerts series\u003c/a>.\u003c/p>\n\u003cp>Last year, the park hosted a bill led by \u003ca href=\"https://www.kqed.org/arts/13955656/deftones-system-of-a-down-tickets-presale-code-san-francisco-golden-gate-outside-lands\">System of a Down and the Deftones\u003c/a> the weekend after Outside Lands, the first such show put on by Another Planet after city officials \u003ca href=\"https://www.kqed.org/news/11960570/sfs-golden-gate-park-may-soon-host-new-concert-series-from-producers-of-outside-lands\">approved the expanded series\u003c/a>.[aside postID=news_12049174 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/250722-DEADCOMUNI_00014_TV-KQED.jpg']Scott said they’re expecting 450,000 people coming to San Francisco over the next three weekends, 290,000 of whom are from outside the Bay Area.\u003c/p>\n\u003cp>“San Francisco has always been a cultural destination and a world-class city, and this … these three weekends will prove it,” Scott said.\u003c/p>\n\u003cp>Lurie encouraged all concertgoers to sign up for AlertSF by texting GGPC to 888777 and make plans with friends and family, as cellphone reception in San Francisco during large-scale events is notoriously unreliable.\u003c/p>\n\u003cp>“Over the next few weeks, we are going to keep everyone safe,” Lurie said. “We are going to shine on the global stage.”\u003c/p>\n\u003cp>City officials estimate the three concert weekends will bring in over $150 million into the city.\u003c/p>\n\u003cp>Phil Ginsburg, head of San Francisco’s Recreation and Parks Department, said music is part of the city’s history, and the back-to-back-to-back festival weekends in Golden Gate Park are equally historic.\u003c/p>\n\u003cp>“We’re not just hosting concerts; we’re bringing people together, boosting our economy, showing the world that San Francisco is alive and thriving and, perhaps most importantly, facilitating joy,” Ginsburg said.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Lurie stood at a podium in front of the stage in the field’s northwest corner, where stagehands were testing lights and setting up equipment. Next to Lurie stood San Francisco law enforcement, fire and parks leaders who took turns assuring the public the event would be a safe one.\u003c/p>\n\u003cp>“Our public safety teams and local law enforcement will be operating at full staffing, with additional personnel to manage the increases with all of these attendees and visitors,” Lurie said. “Our teams are equipped and trained to handle a variety of situations, and we are fully prepared for any emergencies that may arise during these weekends.”\u003c/p>\n\u003cfigure id=\"attachment_12050533\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12050533 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/GratefulDeadSF1.jpg\" alt=\"\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/GratefulDeadSF1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/GratefulDeadSF1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/GratefulDeadSF1-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco Mayor Daniel Lurie speaks at Golden Gate Park in San Francisco on Thursday, July 31, 2025, ahead of the Grateful Dead 60th anniversary celebrations this weekend with multiple performances by Dead & Company. \u003ccite>(Brian Krans/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The \u003ca href=\"https://www.kqed.org/forum/2010101910768/grateful-dead-keep-on-truckin-for-their-60th-anniversary\">Dead & Company shows\u003c/a> kick off a busy few weeks for the park, which is hosting two more events — Outside Lands and country musician Zach Bryan — over subsequent weekends.\u003c/p>\n\u003cp>“This is the first time ever there’s been three weekends of concerts in a row in Golden Gate Park,” said Allen Scott, president of concerts and festivals for Another Planet Entertainment, which produces Outside Lands as well as the new \u003ca href=\"https://goldengateparkconcerts.com/\">Golden Gate Park Concerts series\u003c/a>.\u003c/p>\n\u003cp>Last year, the park hosted a bill led by \u003ca href=\"https://www.kqed.org/arts/13955656/deftones-system-of-a-down-tickets-presale-code-san-francisco-golden-gate-outside-lands\">System of a Down and the Deftones\u003c/a> the weekend after Outside Lands, the first such show put on by Another Planet after city officials \u003ca href=\"https://www.kqed.org/news/11960570/sfs-golden-gate-park-may-soon-host-new-concert-series-from-producers-of-outside-lands\">approved the expanded series\u003c/a>.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Scott said they’re expecting 450,000 people coming to San Francisco over the next three weekends, 290,000 of whom are from outside the Bay Area.\u003c/p>\n\u003cp>“San Francisco has always been a cultural destination and a world-class city, and this … these three weekends will prove it,” Scott said.\u003c/p>\n\u003cp>Lurie encouraged all concertgoers to sign up for AlertSF by texting GGPC to 888777 and make plans with friends and family, as cellphone reception in San Francisco during large-scale events is notoriously unreliable.\u003c/p>\n\u003cp>“Over the next few weeks, we are going to keep everyone safe,” Lurie said. “We are going to shine on the global stage.”\u003c/p>\n\u003cp>City officials estimate the three concert weekends will bring in over $150 million into the city.\u003c/p>\n\u003cp>Phil Ginsburg, head of San Francisco’s Recreation and Parks Department, said music is part of the city’s history, and the back-to-back-to-back festival weekends in Golden Gate Park are equally historic.\u003c/p>\n\u003cp>“We’re not just hosting concerts; we’re bringing people together, boosting our economy, showing the world that San Francisco is alive and thriving and, perhaps most importantly, facilitating joy,” Ginsburg said.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "Catch Them If You Can, Man: SFMTA Rolls Out Grateful Dead-Inspired Muni Buses",
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"content": "\u003cp>All aboard the “Trippy Train.”\u003c/p>\n\u003cp>Beginning Tuesday, the San Francisco Municipal Transit Agency is rolling out three Grateful Dead-inspired Muni vehicles, wrapped in fluorescent florals and psychedelic-inspired graphics, ready to transport riders back to the Summer of Love.\u003c/p>\n\u003cp>“There’s no better place to celebrate 60 years of the Grateful Dead than right here in San Francisco, and now that legacy is rolling through our neighborhoods literally,” Mayor Daniel Lurie said at a press conference on Tuesday morning.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>San Franciscans riding the 5 Fulton, 7 Haight/Noriega or N Judah routes might get lucky enough to take a long, strange trip on one of the ‘60s-inspired, tie-dye vehicles now through the end of the Dead & Company’s highly-anticipated run of outdoor concerts at Golden Gate Park’s Polo Fields Aug. 1–3.\u003c/p>\n\u003cp>The two “Psychedeli-Buses” and the “Trippy” Metro Train will be a part of the fleets on those standard routes for the next three weeks, and a few of the dozens of vehicles Muni plans to run to and from the shows, which are expected to draw tens of thousands to the city per night.\u003c/p>\n\u003cfigure id=\"attachment_12049214\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/250722-DEADCOMUNI_00045_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12049214\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/250722-DEADCOMUNI_00045_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/250722-DEADCOMUNI_00045_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/250722-DEADCOMUNI_00045_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/250722-DEADCOMUNI_00045_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Captain and Field Operations Bureau of the Golden Gate Division Angela Wilhelm (left) and Mayor Daniel Lurie (right) chat before boarding one of the psychedelic-themed buses in the Haight Ashbury District in San Francisco on July 22, 2025. Mayor Daniel Lurie and the SFMTA unveil one of several tie-dye Muni buses in celebration of the Dead & Company 60th anniversary concert. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Most Muni wrap campaigns are targeted advertising — Kraft Heinz ran a more-than-$300,000 campaign in 2022 to cover 30 buses in Lunchable-inspired stacks of crackers, ham and cheese, according to a report by the \u003ca href=\"https://www.sfexaminer.com/news/the-city/how-much-money-muni-gets-for-those-lunchables-ads-and-why-it-matters/article_975e9704-4355-11ed-b1fb-ab8d1fce0497.html\">\u003cem>San Francisco Examiner\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Muni is financing these Grateful Dead vehicles from the agency’s own marketing budget. SFMTA did not respond to questions about how much the three-bus campaign will cost, which comes as Muni is in a tight position financially. The transit agency is currently projecting annual deficits above \u003ca href=\"https://www.kqed.org/news/12037653/sfmta-launches-major-reorganization-to-address-mounting-budget-shortfall\">$300 million \u003c/a>beginning in 2026, fueled by low post-pandemic ridership and decreased funding sources, as it makes cuts to staff and services.[aside postID=arts_13978193 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2025/07/0-2000x1333.jpg']The funky additions to the fleet may be a part of a push to reach younger residents, a strategy that has included the launch of \u003ca href=\"https://themunistore.com/\">merchandise\u003c/a> with its iconic worm logo earlier this year and partnering with the \u003ca href=\"https://shop.sfcityfc.com/collections/jerseys\">SF City FC soccer club\u003c/a> on a new line of jerseys with the signature emblem across the chest. A special tie-dye Muni shirt is available in honor of the wrapped buses and shows.\u003c/p>\n\u003cp>Lurie said the concerts — and multitude of city events built up around them — are bringing visitors, and Muni riders, to the city, boosting the city’s economy and tourism industry.\u003c/p>\n\u003cp>“This is not just about the music,” he said. “These events are going to generate major economic revenue for the city of San Francisco … Hotel demand for Thursday, July 31 to Sunday, Aug. 3rd, is up an average of 53%, tourism industry leaders are reporting bookings from fans across the country and the world and small business owners right here on Haight say their sales have already seen a noticeable increase in foot traffic.”\u003c/p>\n\u003cp>With their limited run, a ride on the hippie bus may be as coveted as concert passes themselves. With three-day tickets starting at $635, VIP passes to the festival — which will also feature special guests Sturgill Simpson, Billy Strings and the Trey Anastasio Band — are listed \u003ca href=\"https://www.stubhub.com/dead-company-san-francisco-tickets-8-1-2025/event/158351685/?quantity=2\">for as much as $10,000\u003c/a> apiece on the resale site StubHub.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>San Franciscans riding the 5 Fulton, 7 Haight/Noriega or N Judah routes might get lucky enough to take a long, strange trip on one of the ‘60s-inspired, tie-dye vehicles now through the end of the Dead & Company’s highly-anticipated run of outdoor concerts at Golden Gate Park’s Polo Fields Aug. 1–3.\u003c/p>\n\u003cp>The two “Psychedeli-Buses” and the “Trippy” Metro Train will be a part of the fleets on those standard routes for the next three weeks, and a few of the dozens of vehicles Muni plans to run to and from the shows, which are expected to draw tens of thousands to the city per night.\u003c/p>\n\u003cfigure id=\"attachment_12049214\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/250722-DEADCOMUNI_00045_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12049214\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/250722-DEADCOMUNI_00045_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/250722-DEADCOMUNI_00045_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/250722-DEADCOMUNI_00045_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/250722-DEADCOMUNI_00045_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Captain and Field Operations Bureau of the Golden Gate Division Angela Wilhelm (left) and Mayor Daniel Lurie (right) chat before boarding one of the psychedelic-themed buses in the Haight Ashbury District in San Francisco on July 22, 2025. Mayor Daniel Lurie and the SFMTA unveil one of several tie-dye Muni buses in celebration of the Dead & Company 60th anniversary concert. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Most Muni wrap campaigns are targeted advertising — Kraft Heinz ran a more-than-$300,000 campaign in 2022 to cover 30 buses in Lunchable-inspired stacks of crackers, ham and cheese, according to a report by the \u003ca href=\"https://www.sfexaminer.com/news/the-city/how-much-money-muni-gets-for-those-lunchables-ads-and-why-it-matters/article_975e9704-4355-11ed-b1fb-ab8d1fce0497.html\">\u003cem>San Francisco Examiner\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Muni is financing these Grateful Dead vehicles from the agency’s own marketing budget. SFMTA did not respond to questions about how much the three-bus campaign will cost, which comes as Muni is in a tight position financially. The transit agency is currently projecting annual deficits above \u003ca href=\"https://www.kqed.org/news/12037653/sfmta-launches-major-reorganization-to-address-mounting-budget-shortfall\">$300 million \u003c/a>beginning in 2026, fueled by low post-pandemic ridership and decreased funding sources, as it makes cuts to staff and services.\u003c/p>\u003c/div>",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
"site": "radio",
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},
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
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"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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