Jeffrey Edalatpour

Jeffrey Edalatpour

Jeffrey Edalatpour's first published article was a 1999 film review of Pedro Almodovar’s All About My Mother. Since then, his writing about arts, food and culture has appeared in a variety of print and online publications, including: KQED Arts, Metro Silicon Valley, Interview Magazine, Berkeleyside.com, The Rumpus and SF Weekly. His favorite Iris Murdoch novels (in no particular order) are The Bell, An Unofficial Rose andThe Black Prince. In other words, his home library is an anglophile’s dream.

By Jeffrey Edalatpour

‘Kinds of Kindness’ Is a Bleak Triptych of Tortured Souls

In Jona Frank’s EUQINOM Exhibit, There’s No Place Like Home

In ‘The Lost King,’ Sally Hawkins Gets a Ghostly Guide in Search for Royal Bones

In ‘One Fine Morning,’ Léa Seydoux Reclaims Her Identity Amid Struggles of Love and Family

‘Women Talking’ Is a Powerful Conversation About Revolution

In Sam Mendes’ ‘Empire of Light’, a Faded Cinema Still Holds Romance

‘Spoiler Alert’ Gives Its Ending Away and Gains Something Sweeter in the Process

Harry Styles Gives an Arresting Performance in Steamy Yet Gloomy ‘My Policeman’

In ‘Official Competition,’ Manipulation is Just Part of the Artistic Process

David Cronenberg’s New Film Returns to the Dread Zone

In ‘The Worst Person in the World,’ a Woman at an Oslo Crossroads

In ‘Parallel Mothers,’ Almodóvar Tries to Make the Personal Political

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