‘Barbie’ Leads Golden Globe Nominations With 9, Followed by ‘Oppenheimer’
‘Barbie’ tied for second-most nominations in Globes history with ‘Cabaret’ from 1972. 1975’s ‘Nashville’ still leads with 11.
Lindsey Bahr, Associated Press
Margot Robbie at the world premiere of ‘Barbie’ in Los Angeles. (Eric Charbonneau/ Warner Bros. Media)
Greta Gerwig’s Barbie dominated the Golden Globe Awards nominations with nine nods for the blockbuster film, including best picture musical or comedy as well as acting nominations for Margot Robbie and Ryan Gosling, and three of its original songs.
It was closely followed by its release date and meme companion Christopher Nolan’s Oppenheimer, which scored eight nominations, including best picture drama and for actors Cillian Murphy, Robert Downey Jr. and Emily Blunt.
The revamped group, now a for-profit endeavor with a larger and more diverse voting body, announced nominations Monday for its January awards show, after scandal and several troubled years, including one without a broadcast. Cedric the Entertainer and Wilmer Valderrama presided over the announcements from the Beverly Hilton Hotel, where the show will also take place on Jan. 7.
Films nominated for best motion picture drama included Oppenheimer, Martin Scorsese’s Killers of the Flower Moon, Bradley Cooper’s Maestro, Celine Song’s Past Lives, Justine Triet’s Anatomy of a Fall and Jonathan Glazer’s The Zone of Interest.
In the best motion picture musical or comedy category, Barbie was joined by Air, American Fiction, The Holdovers, May December and Poor Things.
Yorgos Lanthimos’ Poor Things and Scorsese’s Killers of the Flower Moon both received seven nominations each. Poor Things saw nominations for Lanthimos, its actors Emma Stone, Mark Ruffalo, Willem Dafoe, and Tony McNamara for screenplay. Killers of the Flower Moon got nods for Scorsese, for direction and co-writing the screenplay with Eric Roth, and stars Leonardo DiCaprio, Lily Gladstone and Robert De Niro.
Stone, who was also nominated for the Showtime series The Curse, said in a statement that she was “Feeling extremely bewildered and thankful for it all.” She also said her Poor Things character Bella Baxter is her favorite and that she was “so grateful for the opportunity to be a part of this magical film experience.”
DiCaprio also used his statement to praise Gladstone: “She is the soul of our film and helped to bring this sinister and painful part of our nation’s history to life,” he wrote. The film is about the murders of wealthy Osage individuals in Oklahoma in the early 20th century.
Barbie tied for second-most nominations in Globes history with Cabaret, from 1972. Robert Altman’s Nashville remains the record-holder with 11 nominations. It went into the morning as a favorite top, and got a big boost from its three original song nominations, including “I’m Just Ken,” and one of the year’s new categories, recognizing cinematic and box office achievement. One person who was not nominated was America Ferrera, who delivered the movie’s most memorable monologue.
Succession was the top-nominated television program, with nine nods including for series stars Brian Cox, Jeremy Strong, Sarah Snook and Kieran Culkin, followed by Hulu’s The Bear.
As always there were some big surprises, like Jennifer Lawrence getting nominated for her bawdy R-rated comedy No Hard Feelings for best performance by a female actor in a musical or comedy. She was nominated alongside Robbie, Stone and Fantasia Barrino (The Color Purple), Natalie Portman (May December) and Alma Pöysti (Fallen Leaves).
Lawrence, in a statement, said she had so much fun making the movie that “it almost feels wrong to accept such an honor — but I will!!!… I cannot wait for some lukewarm Chardonnay. Let’s go!!!”
The Color Purple was expected to do better. The adaption of the stage musical got only two nominations total, both for actors, for Barrino and Danielle Brooks for her supporting performance. Left out was Colman Domingo, who was nominated for best drama actor for Rustin.
Cord Jefferson’s comedy American Fiction also came up with only two nods, best musical or comedy and for lead actor Jeffrey Wright.
Sofia Coppola’s widely acclaimed Priscilla got only one nomination, for actor Cailee Spaeny’s portrayal of Priscilla Presley. Her category mates in best female performance in a drama include Gladstone, Annette Bening for Nyad, Sandra Hüller for Anatomy of a Fall, Greta Lee for Past Lives and Carey Mulligan for Maestro.
The Globes won’t have to worry about anyone criticizing its “all male” directors this year, however. Gerwig was nominated as was Celine Song, for her romantic debut Past Lives, alongside Nolan, Scorsese, Cooper and Lanthimos.
Netflix got the most nominations overall, with 13 total for a slate which included Maestro, May December and Rustin, followed by Warner Bros., which made Barbie and The Color Purple with 12.
Ridley Scott’s Napoleon was not nominated at all. Instead, its star Joaquin Phoenix was recognized for Beau Is Afraid in the lead actor comedy/musical category, with Wright, Matt Damon (Air), Nicolas Cage (Dream Scenario), Timothée Chalamet (Wonka) and Paul Giamatti (The Holdovers). Michael Mann’s Ferrari, with Adam Driver, and Wes Anderson’s starry Asteroid City also got zero nominations.
The voting body has now grown to 300 members, following backlash to a 2021 report in the Los Angeles Times that found that there were zero Black members in the group that was then composed of only 87 foreign journalists.
Perhaps as a result, there were more international films and actors nominated in prominent categories including the Finnish comedy Fallen Leaves, the courtroom thriller Anatomy of a Fall and the harrowing Auschwitz drama The Zone of Interest.
The 81st Golden Globes will be the first major broadcast of awards season, with a new home on CBS, but no word on a host. And while to audiences it might look similar on the surface, it’s been tumultuous few years behind the scenes in the aftermath of the L.A. Times report, which also exposed ethical lapses like its members accepting lavish gifts and travel from awards publicists and studios.
The Globes had long been one of the highest-profile awards season broadcasts, second only to the Oscars. Before the pandemic, it was still pulling in around 19 million viewers. The show was touted as a boozy, A-list party, whose hosts often took a more irreverent tone than their academy counterparts. It also only honored the flashiest filmmaking categories — picture, director, actors among them — meaning no long speeches from visual effects supervisors or directors of shorts no one has heard of.
Some years, the HFPA were pilloried for nominating poorly reviewed films with big name talent with hopes of getting them to the show, the most infamous being The Tourist, with Angelina Jolie and Johnny Depp. In the past decade, they’ve more often overlapped with the Oscars.
This year, NBC’s Tuesday night broadcast got its smallest audience ever for a traditional broadcast, with 6.3 million viewers.
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"title": "‘Barbie’ Leads Golden Globe Nominations With 9, Followed by ‘Oppenheimer’",
"headTitle": "‘Barbie’ Leads Golden Globe Nominations With 9, Followed by ‘Oppenheimer’ | KQED",
"content": "\u003cp>Greta Gerwig’s \u003ca href=\"https://www.kqed.org/arts/13931753/allan-doll-michael-cera-greta-gerwig-barbie-movie-review\">\u003cem>Barbie\u003c/em>\u003c/a> dominated the Golden Globe Awards nominations with nine nods for the blockbuster film, including best picture musical or comedy as well as acting nominations for Margot Robbie and Ryan Gosling, and three of its original songs.\u003c/p>\n\u003cp>It was closely followed by its release date and \u003ca href=\"https://www.kqed.org/arts/13931677/barbenheimer-barbie-oppenheimer-box-office-greta-gerwig-christopher-nolan\">meme companion\u003c/a> Christopher Nolan’s \u003cem>Oppenheimer\u003c/em>, which scored eight nominations, including best picture drama and for actors Cillian Murphy, Robert Downey Jr. and Emily Blunt.\u003c/p>\n\u003cp>[aside postid='arts_13931753']The revamped group, now a for-profit endeavor with a larger and more diverse voting body, announced nominations Monday for its January awards show, after scandal and several troubled years, including one without a broadcast. Cedric the Entertainer and Wilmer Valderrama presided over the announcements from the Beverly Hilton Hotel, where the show will also take place on Jan. 7.\u003c/p>\n\u003cp>Films nominated for best motion picture drama included \u003ca href=\"https://www.kqed.org/arts/13931577/in-oppenheimer-christopher-nolan-builds-a-thrilling-serious-blockbuster-for-adults\">\u003cem>Oppenheimer\u003c/em>\u003c/a>, Martin Scorsese’s \u003ca href=\"https://www.kqed.org/arts/13936628/killers-of-the-flower-moon-review-martin-scorsese-robert-deniro-lily-gladstone-epic\">\u003cem>Killers of the Flower Moon\u003c/em>\u003c/a>, Bradley Cooper’s \u003cem>\u003ca href=\"https://www.kqed.org/arts/13938332/maestro-bradley-cooper-review\">Maestro\u003c/a>\u003c/em>, Celine Song’s \u003ca href=\"https://www.kqed.org/arts/13930006/past-lives-is-a-gorgeous-meditation-on-love-chance-and-the-choices-we-make\">\u003cem>Past Lives\u003c/em>\u003c/a>, Justine Triet’s \u003cem>Anatomy of a Fall\u003c/em> and Jonathan Glazer’s \u003cem>The Zone of Interest\u003c/em>.\u003c/p>\n\u003cp>In the best motion picture musical or comedy category, \u003cem>Barbie\u003c/em> was joined by \u003cem>Air\u003c/em>, \u003cem>American Fiction\u003c/em>, \u003cem>The Holdovers\u003c/em>, \u003ca href=\"https://www.kqed.org/arts/13938143/may-december-movie-review-netflix-mary-kay-letourneau-julianne-moore\">\u003cem>May December\u003c/em>\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13938158/poor-things-movie-review-emma-stone-bella-baxter-mark-ruffalo-willem-dafoe\">\u003cem>Poor Things\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Yorgos Lanthimos’ \u003cem>Poor Things\u003c/em> and Scorsese’s \u003cem>Killers of the Flower Moon\u003c/em> both received seven nominations each.\u003cem> Poor Things\u003c/em> saw nominations for Lanthimos, its actors Emma Stone, Mark Ruffalo, Willem Dafoe, and Tony McNamara for screenplay. \u003cem>Killers of the Flower Moon\u003c/em> got nods for Scorsese, for direction and co-writing the screenplay with Eric Roth, and stars Leonardo DiCaprio, Lily Gladstone and Robert De Niro.\u003c/p>\n\u003cp>[aside postid='arts_13938158']Stone, who was also nominated for the Showtime series \u003cem>The Curse\u003c/em>, said in a statement that she was “Feeling extremely bewildered and thankful for it all.” She also said her \u003cem>Poor Things\u003c/em> character Bella Baxter is her favorite and that she was “so grateful for the opportunity to be a part of this magical film experience.”\u003c/p>\n\u003cp>DiCaprio also used his statement to praise Gladstone: “She is the soul of our film and helped to bring this sinister and painful part of our nation’s history to life,” he wrote. The film is about the murders of wealthy Osage individuals in Oklahoma in the early 20th century.\u003c/p>\n\u003cp>\u003cem>Barbie\u003c/em> tied for second-most nominations in Globes history with \u003cem>Cabaret\u003c/em>, from 1972. Robert Altman’s \u003cem>Nashville\u003c/em> remains the record-holder with 11 nominations. It went into the morning as a favorite top, and got a big boost from its three original song nominations, including “I’m Just Ken,” and one of the year’s new categories, recognizing cinematic and box office achievement. One person who was not nominated was America Ferrera, who delivered the movie’s most memorable monologue.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13926773/succession-returns-for-a-fourth-and-final-season-of-family-back-stabbing\">\u003cem>Succession\u003c/em>\u003c/a> was the top-nominated television program, with nine nods including for series stars Brian Cox, Jeremy Strong, Sarah Snook and Kieran Culkin, followed by Hulu’s \u003ca href=\"https://www.kqed.org/arts/13930853/the-bear-deftly-turns-the-corner-into-season-2\">\u003cem>The Bear\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>[aside postid='arts_13938143']As always there were some big surprises, like Jennifer Lawrence getting nominated for her bawdy R-rated comedy \u003ca href=\"https://www.kqed.org/arts/13930807/jennifer-lawrences-new-raunchy-teen-comedy-is-better-than-it-should-be\">\u003cem>No Hard Feelings\u003c/em>\u003c/a> for best performance by a female actor in a musical or comedy. She was nominated alongside Robbie, Stone and Fantasia Barrino (\u003cem>The Color Purple\u003c/em>), Natalie Portman (\u003cem>May December\u003c/em>) and Alma Pöysti (\u003cem>Fallen Leaves\u003c/em>).\u003c/p>\n\u003cp>Lawrence, in a statement, said she had so much fun making the movie that “it almost feels wrong to accept such an honor — but I will!!!… I cannot wait for some lukewarm Chardonnay. Let’s go!!!”\u003c/p>\n\u003cp>\u003cem>The Color Purple\u003c/em> was expected to do better. The adaption of the stage musical got only two nominations total, both for actors, for Barrino and Danielle Brooks for her supporting performance. Left out was \u003ca href=\"https://www.kqed.org/arts/13909135/colman-domingo-strand-theater-valentines-euphoria-walking-dead-zola\">Colman Domingo\u003c/a>, who was nominated for best drama actor for \u003ca href=\"https://www.kqed.org/arts/13937499/bayard-rustin-biopic-review-colman-domingo-civil-rights\">\u003cem>Rustin\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Cord Jefferson’s comedy \u003cem>American Fiction\u003c/em> also came up with only two nods, best musical or comedy and for lead actor Jeffrey Wright.\u003c/p>\n\u003cp>Sofia Coppola’s widely acclaimed \u003ca href=\"https://www.kqed.org/arts/13936970/priscilla-movie-review-sofia-coppola-jacob-elordi-cailee-spaeny\">\u003cem>Priscilla\u003c/em>\u003c/a> got only one nomination, for actor Cailee Spaeny’s portrayal of Priscilla Presley. Her category mates in best female performance in a drama include Gladstone, Annette Bening for \u003ca href=\"https://www.kqed.org/arts/13936754/nyad-movie-review-true-story-jodie-foster-swimming-annette-bening\">\u003cem>Nyad\u003c/em>\u003c/a>, Sandra Hüller for \u003cem>Anatomy of a Fall\u003c/em>, Greta Lee for\u003cem> Past Lives\u003c/em> and Carey Mulligan for \u003cem>Maestro\u003c/em>.\u003c/p>\n\u003cp>[aside postid='arts_13936970']The Globes won’t have to worry about anyone criticizing its “all male” directors this year, however. Gerwig was nominated as was Celine Song, for her romantic debut \u003cem>Past Lives\u003c/em>, alongside Nolan, Scorsese, Cooper and Lanthimos.\u003c/p>\n\u003cp>Netflix got the most nominations overall, with 13 total for a slate which included \u003cem>Maestro\u003c/em>, \u003cem>May December\u003c/em> and \u003cem>Rustin\u003c/em>, followed by Warner Bros., which made \u003cem>Barbie\u003c/em> and \u003cem>The Color Purple\u003c/em> with 12.\u003c/p>\n\u003cp>Ridley Scott’s \u003ca href=\"https://www.kqed.org/arts/13938168/ridley-scott-napoleon-movie-review-joaquin-phoenix\">\u003cem>Napoleon\u003c/em>\u003c/a> was not nominated at all. Instead, its star Joaquin Phoenix was recognized for \u003cem>Beau Is Afraid\u003c/em> in the lead actor comedy/musical category, with Wright, Matt Damon (\u003cem>Air\u003c/em>), Nicolas Cage (\u003ca href=\"https://www.kqed.org/arts/13937870/dream-scenario-movie-review-nicolas-cage-julianne-nicholson-kristoffer-borgli\">\u003cem>Dream Scenario\u003c/em>\u003c/a>), Timothée Chalamet (\u003cem>Wonka\u003c/em>) and Paul Giamatti (\u003ca href=\"https://www.kqed.org/arts/13937046/alexander-payne-keeps-real-emotion-at-bay-in-the-coyly-comic-holdovers\">\u003cem>The Holdovers\u003c/em>\u003c/a>). Michael Mann’s \u003cem>Ferrari\u003c/em>, with Adam Driver, and Wes Anderson’s starry \u003ca href=\"https://www.kqed.org/arts/13930502/asteroid-city-review-wes-anderson-scarlet-johansson-jason-schwartzman\">\u003cem>Asteroid City\u003c/em>\u003c/a> also got zero nominations.\u003c/p>\n\u003cp>The voting body has now grown to 300 members, following backlash to a 2021 report in the \u003cem>Los Angeles Times\u003c/em> that found that there were zero Black members in the group that was then composed of only 87 foreign journalists.\u003c/p>\n\u003cp>Perhaps as a result, there were more international films and actors nominated in prominent categories including the Finnish comedy \u003cem>Fallen Leaves\u003c/em>, the courtroom thriller \u003cem>Anatomy of a Fall\u003c/em> and the harrowing Auschwitz drama \u003cem>The Zone of Interest\u003c/em>.\u003c/p>\n\u003cp>[aside postid='arts_13923511']The 81st Golden Globes will be the first major broadcast of awards season, with a new home on CBS, but no word on a host. And while to audiences it might look similar on the surface, it’s been tumultuous few years behind the scenes in the aftermath of the \u003cem>L.A. Times\u003c/em> report, which also exposed ethical lapses like its members accepting lavish gifts and travel from awards publicists and studios.\u003c/p>\n\u003cp>The Globes had long been one of the highest-profile awards season broadcasts, second only to the Oscars. Before the pandemic, it was still pulling in around 19 million viewers. The show was touted as a boozy, A-list party, whose hosts often took a more irreverent tone than their academy counterparts. It also only honored the flashiest filmmaking categories — picture, director, actors among them — meaning no long speeches from visual effects supervisors or directors of shorts no one has heard of.\u003c/p>\n\u003cp>Some years, the HFPA were pilloried for nominating poorly reviewed films with big name talent with hopes of getting them to the show, the most infamous being \u003cem>The Tourist\u003c/em>, with Angelina Jolie and Johnny Depp. In the past decade, they’ve more often overlapped with the Oscars.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>This year, NBC’s Tuesday night broadcast got its smallest audience ever for a traditional broadcast, with 6.3 million viewers.\u003c/p>\n\n",
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"excerpt": "‘Barbie’ tied for second-most nominations in Globes history with ‘Cabaret’ from 1972. 1975’s ‘Nashville’ still leads with 11.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Greta Gerwig’s \u003ca href=\"https://www.kqed.org/arts/13931753/allan-doll-michael-cera-greta-gerwig-barbie-movie-review\">\u003cem>Barbie\u003c/em>\u003c/a> dominated the Golden Globe Awards nominations with nine nods for the blockbuster film, including best picture musical or comedy as well as acting nominations for Margot Robbie and Ryan Gosling, and three of its original songs.\u003c/p>\n\u003cp>It was closely followed by its release date and \u003ca href=\"https://www.kqed.org/arts/13931677/barbenheimer-barbie-oppenheimer-box-office-greta-gerwig-christopher-nolan\">meme companion\u003c/a> Christopher Nolan’s \u003cem>Oppenheimer\u003c/em>, which scored eight nominations, including best picture drama and for actors Cillian Murphy, Robert Downey Jr. and Emily Blunt.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The revamped group, now a for-profit endeavor with a larger and more diverse voting body, announced nominations Monday for its January awards show, after scandal and several troubled years, including one without a broadcast. Cedric the Entertainer and Wilmer Valderrama presided over the announcements from the Beverly Hilton Hotel, where the show will also take place on Jan. 7.\u003c/p>\n\u003cp>Films nominated for best motion picture drama included \u003ca href=\"https://www.kqed.org/arts/13931577/in-oppenheimer-christopher-nolan-builds-a-thrilling-serious-blockbuster-for-adults\">\u003cem>Oppenheimer\u003c/em>\u003c/a>, Martin Scorsese’s \u003ca href=\"https://www.kqed.org/arts/13936628/killers-of-the-flower-moon-review-martin-scorsese-robert-deniro-lily-gladstone-epic\">\u003cem>Killers of the Flower Moon\u003c/em>\u003c/a>, Bradley Cooper’s \u003cem>\u003ca href=\"https://www.kqed.org/arts/13938332/maestro-bradley-cooper-review\">Maestro\u003c/a>\u003c/em>, Celine Song’s \u003ca href=\"https://www.kqed.org/arts/13930006/past-lives-is-a-gorgeous-meditation-on-love-chance-and-the-choices-we-make\">\u003cem>Past Lives\u003c/em>\u003c/a>, Justine Triet’s \u003cem>Anatomy of a Fall\u003c/em> and Jonathan Glazer’s \u003cem>The Zone of Interest\u003c/em>.\u003c/p>\n\u003cp>In the best motion picture musical or comedy category, \u003cem>Barbie\u003c/em> was joined by \u003cem>Air\u003c/em>, \u003cem>American Fiction\u003c/em>, \u003cem>The Holdovers\u003c/em>, \u003ca href=\"https://www.kqed.org/arts/13938143/may-december-movie-review-netflix-mary-kay-letourneau-julianne-moore\">\u003cem>May December\u003c/em>\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13938158/poor-things-movie-review-emma-stone-bella-baxter-mark-ruffalo-willem-dafoe\">\u003cem>Poor Things\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Yorgos Lanthimos’ \u003cem>Poor Things\u003c/em> and Scorsese’s \u003cem>Killers of the Flower Moon\u003c/em> both received seven nominations each.\u003cem> Poor Things\u003c/em> saw nominations for Lanthimos, its actors Emma Stone, Mark Ruffalo, Willem Dafoe, and Tony McNamara for screenplay. \u003cem>Killers of the Flower Moon\u003c/em> got nods for Scorsese, for direction and co-writing the screenplay with Eric Roth, and stars Leonardo DiCaprio, Lily Gladstone and Robert De Niro.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Stone, who was also nominated for the Showtime series \u003cem>The Curse\u003c/em>, said in a statement that she was “Feeling extremely bewildered and thankful for it all.” She also said her \u003cem>Poor Things\u003c/em> character Bella Baxter is her favorite and that she was “so grateful for the opportunity to be a part of this magical film experience.”\u003c/p>\n\u003cp>DiCaprio also used his statement to praise Gladstone: “She is the soul of our film and helped to bring this sinister and painful part of our nation’s history to life,” he wrote. The film is about the murders of wealthy Osage individuals in Oklahoma in the early 20th century.\u003c/p>\n\u003cp>\u003cem>Barbie\u003c/em> tied for second-most nominations in Globes history with \u003cem>Cabaret\u003c/em>, from 1972. Robert Altman’s \u003cem>Nashville\u003c/em> remains the record-holder with 11 nominations. It went into the morning as a favorite top, and got a big boost from its three original song nominations, including “I’m Just Ken,” and one of the year’s new categories, recognizing cinematic and box office achievement. One person who was not nominated was America Ferrera, who delivered the movie’s most memorable monologue.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13926773/succession-returns-for-a-fourth-and-final-season-of-family-back-stabbing\">\u003cem>Succession\u003c/em>\u003c/a> was the top-nominated television program, with nine nods including for series stars Brian Cox, Jeremy Strong, Sarah Snook and Kieran Culkin, followed by Hulu’s \u003ca href=\"https://www.kqed.org/arts/13930853/the-bear-deftly-turns-the-corner-into-season-2\">\u003cem>The Bear\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>As always there were some big surprises, like Jennifer Lawrence getting nominated for her bawdy R-rated comedy \u003ca href=\"https://www.kqed.org/arts/13930807/jennifer-lawrences-new-raunchy-teen-comedy-is-better-than-it-should-be\">\u003cem>No Hard Feelings\u003c/em>\u003c/a> for best performance by a female actor in a musical or comedy. She was nominated alongside Robbie, Stone and Fantasia Barrino (\u003cem>The Color Purple\u003c/em>), Natalie Portman (\u003cem>May December\u003c/em>) and Alma Pöysti (\u003cem>Fallen Leaves\u003c/em>).\u003c/p>\n\u003cp>Lawrence, in a statement, said she had so much fun making the movie that “it almost feels wrong to accept such an honor — but I will!!!… I cannot wait for some lukewarm Chardonnay. Let’s go!!!”\u003c/p>\n\u003cp>\u003cem>The Color Purple\u003c/em> was expected to do better. The adaption of the stage musical got only two nominations total, both for actors, for Barrino and Danielle Brooks for her supporting performance. Left out was \u003ca href=\"https://www.kqed.org/arts/13909135/colman-domingo-strand-theater-valentines-euphoria-walking-dead-zola\">Colman Domingo\u003c/a>, who was nominated for best drama actor for \u003ca href=\"https://www.kqed.org/arts/13937499/bayard-rustin-biopic-review-colman-domingo-civil-rights\">\u003cem>Rustin\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Cord Jefferson’s comedy \u003cem>American Fiction\u003c/em> also came up with only two nods, best musical or comedy and for lead actor Jeffrey Wright.\u003c/p>\n\u003cp>Sofia Coppola’s widely acclaimed \u003ca href=\"https://www.kqed.org/arts/13936970/priscilla-movie-review-sofia-coppola-jacob-elordi-cailee-spaeny\">\u003cem>Priscilla\u003c/em>\u003c/a> got only one nomination, for actor Cailee Spaeny’s portrayal of Priscilla Presley. Her category mates in best female performance in a drama include Gladstone, Annette Bening for \u003ca href=\"https://www.kqed.org/arts/13936754/nyad-movie-review-true-story-jodie-foster-swimming-annette-bening\">\u003cem>Nyad\u003c/em>\u003c/a>, Sandra Hüller for \u003cem>Anatomy of a Fall\u003c/em>, Greta Lee for\u003cem> Past Lives\u003c/em> and Carey Mulligan for \u003cem>Maestro\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The Globes won’t have to worry about anyone criticizing its “all male” directors this year, however. Gerwig was nominated as was Celine Song, for her romantic debut \u003cem>Past Lives\u003c/em>, alongside Nolan, Scorsese, Cooper and Lanthimos.\u003c/p>\n\u003cp>Netflix got the most nominations overall, with 13 total for a slate which included \u003cem>Maestro\u003c/em>, \u003cem>May December\u003c/em> and \u003cem>Rustin\u003c/em>, followed by Warner Bros., which made \u003cem>Barbie\u003c/em> and \u003cem>The Color Purple\u003c/em> with 12.\u003c/p>\n\u003cp>Ridley Scott’s \u003ca href=\"https://www.kqed.org/arts/13938168/ridley-scott-napoleon-movie-review-joaquin-phoenix\">\u003cem>Napoleon\u003c/em>\u003c/a> was not nominated at all. Instead, its star Joaquin Phoenix was recognized for \u003cem>Beau Is Afraid\u003c/em> in the lead actor comedy/musical category, with Wright, Matt Damon (\u003cem>Air\u003c/em>), Nicolas Cage (\u003ca href=\"https://www.kqed.org/arts/13937870/dream-scenario-movie-review-nicolas-cage-julianne-nicholson-kristoffer-borgli\">\u003cem>Dream Scenario\u003c/em>\u003c/a>), Timothée Chalamet (\u003cem>Wonka\u003c/em>) and Paul Giamatti (\u003ca href=\"https://www.kqed.org/arts/13937046/alexander-payne-keeps-real-emotion-at-bay-in-the-coyly-comic-holdovers\">\u003cem>The Holdovers\u003c/em>\u003c/a>). Michael Mann’s \u003cem>Ferrari\u003c/em>, with Adam Driver, and Wes Anderson’s starry \u003ca href=\"https://www.kqed.org/arts/13930502/asteroid-city-review-wes-anderson-scarlet-johansson-jason-schwartzman\">\u003cem>Asteroid City\u003c/em>\u003c/a> also got zero nominations.\u003c/p>\n\u003cp>The voting body has now grown to 300 members, following backlash to a 2021 report in the \u003cem>Los Angeles Times\u003c/em> that found that there were zero Black members in the group that was then composed of only 87 foreign journalists.\u003c/p>\n\u003cp>Perhaps as a result, there were more international films and actors nominated in prominent categories including the Finnish comedy \u003cem>Fallen Leaves\u003c/em>, the courtroom thriller \u003cem>Anatomy of a Fall\u003c/em> and the harrowing Auschwitz drama \u003cem>The Zone of Interest\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The 81st Golden Globes will be the first major broadcast of awards season, with a new home on CBS, but no word on a host. And while to audiences it might look similar on the surface, it’s been tumultuous few years behind the scenes in the aftermath of the \u003cem>L.A. Times\u003c/em> report, which also exposed ethical lapses like its members accepting lavish gifts and travel from awards publicists and studios.\u003c/p>\n\u003cp>The Globes had long been one of the highest-profile awards season broadcasts, second only to the Oscars. Before the pandemic, it was still pulling in around 19 million viewers. The show was touted as a boozy, A-list party, whose hosts often took a more irreverent tone than their academy counterparts. It also only honored the flashiest filmmaking categories — picture, director, actors among them — meaning no long speeches from visual effects supervisors or directors of shorts no one has heard of.\u003c/p>\n\u003cp>Some years, the HFPA were pilloried for nominating poorly reviewed films with big name talent with hopes of getting them to the show, the most infamous being \u003cem>The Tourist\u003c/em>, with Angelina Jolie and Johnny Depp. In the past decade, they’ve more often overlapped with the Oscars.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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},
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}
},
"baycurious": {
"id": "baycurious",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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},
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},
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},
"californiareport": {
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
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"order": 8
},
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}
},
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"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"order": 10
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"closealltabs": {
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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},
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"id": "fresh-air",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"order": 15
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"order": 18
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
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