Do you love photographing Science, Environment and Nature in Northern California? Would you like to collaborate on a 2-minute QUEST TV short about your photography for an audience of over 100,000 viewers? We seek to collaborate with a local photographer who is inspired by science, environment and nature in Northern California, and uses innovative approaches to express their unique vision of our region.
Your Photos on QUEST: Rogelio Bernal Andreo
Your Photos on QUEST: Simon Christen
Your Photos on QUEST: Mike Forsberg
Your Photos on QUEST: Bryant Austin
Your Photos on QUEST: Steven Christenson
Producer's Notes: Finding Light
Your Photos on QUEST: Ron Wolf
Producer's Notes: Your Photos on QUEST - Ron Wolf
Your Photos on QUEST: Doug Nomura
Producer's Notes: Your Photos on QUEST—Doug Nomura
Your Photos on QUEST: Harold Davis
Producer's Notes: Your Photos on QUEST - Harold Davis
Player sponsored by
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"content": "\u003cp>When most people look up at the night sky, they might notice the moon or the way a constellation appears on a particular evening. When astrophotographer \u003ca href=\"http://blog.deepskycolors.com/\">Rogelio Bernal Andreo\u003c/a> turns his gaze to the heavens, he holds up a virtual frame, imagining how the different objects present in the sky would combine to form a composition- planets, stars, galaxies and nebulae in relation to one another, rather than as the focal point of a photographic image, displayed front and center in all its wonder and glory. \u003c/p>\n\u003cfigure id=\"attachment_43622\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2012/09/RBA_IC4592v_scaled.jpg\" alt=\"\" title=\"RBA_IC4592v_scaled\" width=\"640\" height=\"420\" class=\"size-full wp-image-43622\" srcset=\"https://ww2.kqed.org/app/uploads/sites/39/2012/09/RBA_IC4592v_scaled.jpg 640w, https://ww2.kqed.org/app/uploads/sites/39/2012/09/RBA_IC4592v_scaled-400x263.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Reflection nebula IC 4592 in the Scorpius constellation. Photo by Rogelio Bernal Andreo\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://en.wikipedia.org/wiki/Astrophotography\">Astrophotographers\u003c/a> are a special breed of artist, possessing a unique type of dedication and technical skill. Unlike traditional photography, capturing a great image of the night sky likely entails hundreds of miles of driving and hiking, thousands of dollars of complicated equipment, many hours of sitting (or sleeping) next to a camera in the middle of the night and even more time manipulating the image on a computer once they’re back at home just to create a single, usable image. \u003c/p>\n\u003cp>Within the astrophotographer species are a whole array of subspecies. There are some who photograph \u003ca href=\"http://ww2.kqed.org/quest/video/your-photos-on-quest-steven-christenson/\">star circles\u003c/a> and the movement of our planet in relation to the objects in space. There are others who only photograph the planets in our solar system and still others who are obsessed with comets streaking across the sky or colorful nebulae or galaxies. \u003c/p>\n\u003cp>Rogelio Bernal Andreo, based in Sunnyvale, CA, does ‘wide field photography’ of objects in deep space. He describes what he does as taking a picture of the whole forest rather than of a single tree. When he composes an image, he’s often interested in how the different star clusters, planets or nebulae would compliment one another within the frame of a photograph, taking into consideration the interplay of their different sizes, shapes, positions, luminosities and colors. His results are often profoundly successful, eliciting astonished gasps of excitement from viewers as the details in Andreo’s photographs reveal to them the incredible diversity of deep space. \u003c/p>\n\u003cfigure id=\"attachment_43627\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2012/09/2012-04-M81_scaled.jpg\" alt=\"\" title=\"2012-04-M81_scaled\" width=\"640\" height=\"430\" class=\"size-full wp-image-43627\" srcset=\"https://ww2.kqed.org/app/uploads/sites/39/2012/09/2012-04-M81_scaled.jpg 640w, https://ww2.kqed.org/app/uploads/sites/39/2012/09/2012-04-M81_scaled-400x269.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Messier 81, a spiral galaxy in the constellation Ursa Major. Photo by Rogelio Bernal Andreo\u003c/figcaption>\u003c/figure>\n\u003cp>One of the most common questions the photographer gets from viewers of his images is if the color in his photographs is real. “Absolutely. Absolutely,” he responds emphatically. “There’s that much color out there. We can’t see it because the light is so faint when it reaches us, that we can’t see it. This light has traveled from so far away that when it comes to us, you can’t see the color. But a camera can capture the color. Most of the images that I do are what’s called visible spectrum photography. RGB, red, green and blue photography. I enhance the colors but I don’t change the colors. So in my pictures you can definitely say that those are the colors of these objects.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Nothing captures the range and depth of color in the visible universe quite as much as nebulae. This may be why there’s such a disproportionate number of nebula images on Andreo’s website, aptly called, “\u003ca href=\"http://blog.deepskycolors.com/\">Deep Sky Colors\u003c/a>”. \u003c/p>\n\u003cp>“My interest for nebulas it’s mainly aesthetic, just because well, they’re, they’re beautiful and they’re really colorful,” he explains. “There are two types of nebulas, mainly, the emission nebula and reflection nebula. Emission nebulas are formed of gas and reflection nebulas are formed from the dust and they reflect the light from nearby stars. And this combination of colors and shapes and the fact that you can really capture them in a wide field image is what attracts me the most.” \u003c/p>\n\u003cfigure id=\"attachment_43632\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2012/09/mb_2011-11_Simeis147_scaled.jpg\" alt=\"\" title=\"mb_2011-11_Simeis147_scaled\" width=\"640\" height=\"344\" class=\"size-full wp-image-43632\" srcset=\"https://ww2.kqed.org/app/uploads/sites/39/2012/09/mb_2011-11_Simeis147_scaled.jpg 640w, https://ww2.kqed.org/app/uploads/sites/39/2012/09/mb_2011-11_Simeis147_scaled-400x215.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Simeis 147, a supernova remnant in the constellations of Taurus and Auriga. Photo by Rogelio Bernal Andreo\u003c/figcaption>\u003c/figure>\n\u003cp>After looking at dozens of Rogelio Bernal Andreo’s images, many of them \u003ca href=\"http://blog.deepskycolors.com/archive/2010/09/20/milestones-and-Accolades.html\">award-winners in reputable astrophotography contests\u003c/a>, I was shocked to learn that he’s only been doing this for five years. To do this kind of photography, one must be persistent and willing to fail. A lot. Most importantly, an astrophotographer must be patient and curious about the universe. Andreo takes his passion a step further because he’s driven also by the desire to share his discoveries in order to inspire others, especially kids. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“By getting into astrophotography, of course, I get also into astronomy, into learning a little bit more of the universe,” he says. “And I like to entertain. My pictures are for people to enjoy and look at them. I think it also helps the younger audience to be interested in astronomy. And if a 13-year old kid in his room surfing the web sees one of my pictures and that kind sparks their interest, who knows? I mean, maybe he ends up being an astronomer because of those pictures that he saw one day. And if only that happens once or twice, that makes it really worthwhile.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When most people look up at the night sky, they might notice the moon or the way a constellation appears on a particular evening. When astrophotographer \u003ca href=\"http://blog.deepskycolors.com/\">Rogelio Bernal Andreo\u003c/a> turns his gaze to the heavens, he holds up a virtual frame, imagining how the different objects present in the sky would combine to form a composition- planets, stars, galaxies and nebulae in relation to one another, rather than as the focal point of a photographic image, displayed front and center in all its wonder and glory. \u003c/p>\n\u003cfigure id=\"attachment_43622\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2012/09/RBA_IC4592v_scaled.jpg\" alt=\"\" title=\"RBA_IC4592v_scaled\" width=\"640\" height=\"420\" class=\"size-full wp-image-43622\" srcset=\"https://ww2.kqed.org/app/uploads/sites/39/2012/09/RBA_IC4592v_scaled.jpg 640w, https://ww2.kqed.org/app/uploads/sites/39/2012/09/RBA_IC4592v_scaled-400x263.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Reflection nebula IC 4592 in the Scorpius constellation. Photo by Rogelio Bernal Andreo\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://en.wikipedia.org/wiki/Astrophotography\">Astrophotographers\u003c/a> are a special breed of artist, possessing a unique type of dedication and technical skill. Unlike traditional photography, capturing a great image of the night sky likely entails hundreds of miles of driving and hiking, thousands of dollars of complicated equipment, many hours of sitting (or sleeping) next to a camera in the middle of the night and even more time manipulating the image on a computer once they’re back at home just to create a single, usable image. \u003c/p>\n\u003cp>Within the astrophotographer species are a whole array of subspecies. There are some who photograph \u003ca href=\"http://ww2.kqed.org/quest/video/your-photos-on-quest-steven-christenson/\">star circles\u003c/a> and the movement of our planet in relation to the objects in space. There are others who only photograph the planets in our solar system and still others who are obsessed with comets streaking across the sky or colorful nebulae or galaxies. \u003c/p>\n\u003cp>Rogelio Bernal Andreo, based in Sunnyvale, CA, does ‘wide field photography’ of objects in deep space. He describes what he does as taking a picture of the whole forest rather than of a single tree. When he composes an image, he’s often interested in how the different star clusters, planets or nebulae would compliment one another within the frame of a photograph, taking into consideration the interplay of their different sizes, shapes, positions, luminosities and colors. His results are often profoundly successful, eliciting astonished gasps of excitement from viewers as the details in Andreo’s photographs reveal to them the incredible diversity of deep space. \u003c/p>\n\u003cfigure id=\"attachment_43627\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2012/09/2012-04-M81_scaled.jpg\" alt=\"\" title=\"2012-04-M81_scaled\" width=\"640\" height=\"430\" class=\"size-full wp-image-43627\" srcset=\"https://ww2.kqed.org/app/uploads/sites/39/2012/09/2012-04-M81_scaled.jpg 640w, https://ww2.kqed.org/app/uploads/sites/39/2012/09/2012-04-M81_scaled-400x269.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Messier 81, a spiral galaxy in the constellation Ursa Major. Photo by Rogelio Bernal Andreo\u003c/figcaption>\u003c/figure>\n\u003cp>One of the most common questions the photographer gets from viewers of his images is if the color in his photographs is real. “Absolutely. Absolutely,” he responds emphatically. “There’s that much color out there. We can’t see it because the light is so faint when it reaches us, that we can’t see it. This light has traveled from so far away that when it comes to us, you can’t see the color. But a camera can capture the color. Most of the images that I do are what’s called visible spectrum photography. RGB, red, green and blue photography. I enhance the colors but I don’t change the colors. So in my pictures you can definitely say that those are the colors of these objects.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Nothing captures the range and depth of color in the visible universe quite as much as nebulae. This may be why there’s such a disproportionate number of nebula images on Andreo’s website, aptly called, “\u003ca href=\"http://blog.deepskycolors.com/\">Deep Sky Colors\u003c/a>”. \u003c/p>\n\u003cp>“My interest for nebulas it’s mainly aesthetic, just because well, they’re, they’re beautiful and they’re really colorful,” he explains. “There are two types of nebulas, mainly, the emission nebula and reflection nebula. Emission nebulas are formed of gas and reflection nebulas are formed from the dust and they reflect the light from nearby stars. And this combination of colors and shapes and the fact that you can really capture them in a wide field image is what attracts me the most.” \u003c/p>\n\u003cfigure id=\"attachment_43632\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2012/09/mb_2011-11_Simeis147_scaled.jpg\" alt=\"\" title=\"mb_2011-11_Simeis147_scaled\" width=\"640\" height=\"344\" class=\"size-full wp-image-43632\" srcset=\"https://ww2.kqed.org/app/uploads/sites/39/2012/09/mb_2011-11_Simeis147_scaled.jpg 640w, https://ww2.kqed.org/app/uploads/sites/39/2012/09/mb_2011-11_Simeis147_scaled-400x215.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Simeis 147, a supernova remnant in the constellations of Taurus and Auriga. Photo by Rogelio Bernal Andreo\u003c/figcaption>\u003c/figure>\n\u003cp>After looking at dozens of Rogelio Bernal Andreo’s images, many of them \u003ca href=\"http://blog.deepskycolors.com/archive/2010/09/20/milestones-and-Accolades.html\">award-winners in reputable astrophotography contests\u003c/a>, I was shocked to learn that he’s only been doing this for five years. To do this kind of photography, one must be persistent and willing to fail. A lot. Most importantly, an astrophotographer must be patient and curious about the universe. Andreo takes his passion a step further because he’s driven also by the desire to share his discoveries in order to inspire others, especially kids. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“By getting into astrophotography, of course, I get also into astronomy, into learning a little bit more of the universe,” he says. “And I like to entertain. My pictures are for people to enjoy and look at them. I think it also helps the younger audience to be interested in astronomy. And if a 13-year old kid in his room surfing the web sees one of my pictures and that kind sparks their interest, who knows? I mean, maybe he ends up being an astronomer because of those pictures that he saw one day. And if only that happens once or twice, that makes it really worthwhile.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Your Photos on QUEST: Simon Christen",
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"content": "\u003cfigure id=\"attachment_35812\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2012/04/simon640.jpg\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2012/04/simon640-300x169.jpg\" alt=\"simon christen\" title=\"simon640\" width=\"300\" height=\"169\" class=\"size-thumbnail wp-image-35812\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo Credit: Amy Miller\u003c/figcaption>\u003c/figure>\n\u003cp>In addition to the QUEST TV segments we call, “Your Photos on QUEST,” we’ve recently launched a new segment called, “Your Videos on QUEST” where we feature the work of Bay Area filmmakers who make videos about Bay Area science and nature. \u003c/p>\n\u003cp>So, when I discovered Swiss-born animator and photographer \u003ca href=\"http://www.simonchristen.com/index.php?x=video\">Simon Christen\u003c/a>’s amazing time-lapse videos of fog creeping over the tops of a forest in the Berkeley Hills, the moon rising over the Marin Headlands and the sun setting over San Francisco Bay, I wasn’t sure if we were doing a YPOQ or YVOQ story with him. \u003c/p>\n\u003cp>When I first spoke with Christen on the phone, he quickly cleared up my confusion. When asked if he considers his lyrical landscapes to be photography or filmmaking, he responds unequivocally that they are photographs. \u003c/p>\n\u003cfigure id=\"attachment_35826\" class=\"wp-caption alignright\" style=\"max-width: 450px\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2012/04/601i_blog-marin-01-450x253.jpg\" alt=\"\" title=\"601i_blog marin 01\" width=\"450\" height=\"253\" class=\"size-medium wp-image-35826\">\u003cfigcaption class=\"wp-caption-text\">Photo credit: Simon Christen\u003c/figcaption>\u003c/figure>\n\u003cp>More specifically, time-lapse photography is when you use a still camera to capture multiple photographs in a row within a time interval and then stitch them together to create the illusion of a moving image. Indeed, this is the “magic” behind all motion pictures or film and really goes back to its invention in the late 1800’s. \u003c/p>\n\u003cp>Christen didn’t set out to be a time-lapse photographer. In fact, his experimentation with photography began with shooting still images of lush landscapes, in part as a contrast to his day-to-day work as an animator at \u003ca href=\"http://www.pixar.com/\">Pixar Animation Studios\u003c/a> in Emeryville, CA. “I think I became interested in photography because it’s in a way the exact opposite to animation,” says Christen. “You’re focusing on split second in, in time, just make sure that that one frame is really interesting to look at and kind of tells a story within one frame. And in animation, you know, we’re telling the story with over many frames.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In light of this approach, I found it interesting that it wasn’t long after Christen began teaching himself the art of still photography that he began to introduce the element of motion to those still images. Now, he feels that time-lapse is the “perfect combination” of the two art forms of animation and still photography. \u003c/p>\n\u003cfigure id=\"attachment_35827\" class=\"wp-caption alignleft\" style=\"max-width: 450px\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2012/04/601i-frame-grab-1-450x253.jpg\" alt=\"\" title=\"601i frame grab 1\" width=\"450\" height=\"253\" class=\"size-medium wp-image-35827\">\u003cfigcaption class=\"wp-caption-text\">From the film, “The Unseen Sea” by Simon Christen\u003c/figcaption>\u003c/figure>\n\u003cp>But for Christen, it seems that one of the main draws to this kind of photography is the fact that it gets him away from his computer and out into nature. Time-lapse photography takes patience. And it takes time--lots of it. Christen regularly hikes to the tops of hills and mountains in the Bay Area to get the best vantage points on the rising moon or the incoming fog. And of course, these events happen in the wee hours of the morning or late evening into night. Once he sets up his camera and \u003ca href=\"http://en.wikipedia.org/wiki/Intervalometer\">intervalometer\u003c/a>, he’ll frequently be at that site for 3 or 4 hours capturing a single image sequence. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>When asked if time-lapse photography requires a lot of patience he says, “It’s really peaceful and there’s always something going on. It’s like you’re seeing the light change and you’re seeing life in general evolve in front of you,” he explains. “I don’t have a TV at home. It’s kind of shocking to me of how much TV people watch these days. And like how much nonsense is on. And, and I think it’s just so much more interesting going out there and seeing real life in front of you.” \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_35812\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2012/04/simon640.jpg\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2012/04/simon640-300x169.jpg\" alt=\"simon christen\" title=\"simon640\" width=\"300\" height=\"169\" class=\"size-thumbnail wp-image-35812\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo Credit: Amy Miller\u003c/figcaption>\u003c/figure>\n\u003cp>In addition to the QUEST TV segments we call, “Your Photos on QUEST,” we’ve recently launched a new segment called, “Your Videos on QUEST” where we feature the work of Bay Area filmmakers who make videos about Bay Area science and nature. \u003c/p>\n\u003cp>So, when I discovered Swiss-born animator and photographer \u003ca href=\"http://www.simonchristen.com/index.php?x=video\">Simon Christen\u003c/a>’s amazing time-lapse videos of fog creeping over the tops of a forest in the Berkeley Hills, the moon rising over the Marin Headlands and the sun setting over San Francisco Bay, I wasn’t sure if we were doing a YPOQ or YVOQ story with him. \u003c/p>\n\u003cp>When I first spoke with Christen on the phone, he quickly cleared up my confusion. When asked if he considers his lyrical landscapes to be photography or filmmaking, he responds unequivocally that they are photographs. \u003c/p>\n\u003cfigure id=\"attachment_35826\" class=\"wp-caption alignright\" style=\"max-width: 450px\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2012/04/601i_blog-marin-01-450x253.jpg\" alt=\"\" title=\"601i_blog marin 01\" width=\"450\" height=\"253\" class=\"size-medium wp-image-35826\">\u003cfigcaption class=\"wp-caption-text\">Photo credit: Simon Christen\u003c/figcaption>\u003c/figure>\n\u003cp>More specifically, time-lapse photography is when you use a still camera to capture multiple photographs in a row within a time interval and then stitch them together to create the illusion of a moving image. Indeed, this is the “magic” behind all motion pictures or film and really goes back to its invention in the late 1800’s. \u003c/p>\n\u003cp>Christen didn’t set out to be a time-lapse photographer. In fact, his experimentation with photography began with shooting still images of lush landscapes, in part as a contrast to his day-to-day work as an animator at \u003ca href=\"http://www.pixar.com/\">Pixar Animation Studios\u003c/a> in Emeryville, CA. “I think I became interested in photography because it’s in a way the exact opposite to animation,” says Christen. “You’re focusing on split second in, in time, just make sure that that one frame is really interesting to look at and kind of tells a story within one frame. And in animation, you know, we’re telling the story with over many frames.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In light of this approach, I found it interesting that it wasn’t long after Christen began teaching himself the art of still photography that he began to introduce the element of motion to those still images. Now, he feels that time-lapse is the “perfect combination” of the two art forms of animation and still photography. \u003c/p>\n\u003cfigure id=\"attachment_35827\" class=\"wp-caption alignleft\" style=\"max-width: 450px\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2012/04/601i-frame-grab-1-450x253.jpg\" alt=\"\" title=\"601i frame grab 1\" width=\"450\" height=\"253\" class=\"size-medium wp-image-35827\">\u003cfigcaption class=\"wp-caption-text\">From the film, “The Unseen Sea” by Simon Christen\u003c/figcaption>\u003c/figure>\n\u003cp>But for Christen, it seems that one of the main draws to this kind of photography is the fact that it gets him away from his computer and out into nature. Time-lapse photography takes patience. And it takes time--lots of it. Christen regularly hikes to the tops of hills and mountains in the Bay Area to get the best vantage points on the rising moon or the incoming fog. And of course, these events happen in the wee hours of the morning or late evening into night. Once he sets up his camera and \u003ca href=\"http://en.wikipedia.org/wiki/Intervalometer\">intervalometer\u003c/a>, he’ll frequently be at that site for 3 or 4 hours capturing a single image sequence. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>When asked if time-lapse photography requires a lot of patience he says, “It’s really peaceful and there’s always something going on. It’s like you’re seeing the light change and you’re seeing life in general evolve in front of you,” he explains. “I don’t have a TV at home. It’s kind of shocking to me of how much TV people watch these days. And like how much nonsense is on. And, and I think it’s just so much more interesting going out there and seeing real life in front of you.” \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>Article by \u003ca title=\"Michael Farrell\" href=\"http://ww2.kqed.org/quest/author/michaelfarrell\" target=\"_blank\">Michael Farrell\u003c/a> of \u003ca title=\"quest nebraska\" href=\"https://ww2.kqed.org/quest/tag/nebraska/\" target=\"_blank\">QUEST Nebraska\u003c/a>. Map by \u003ca title=\"Abram Lueders\" href=\"http://ww2.kqed.org/quest/author/abramlueders\" target=\"_blank\">Abram Lueders\u003c/a> of \u003ca title=\"quest nebraska\" href=\"https://ww2.kqed.org/quest/tag/nebraska/\" target=\"_blank\">QUEST Nebraska\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>I first became aware of \u003ca title=\"mike forsberg\" href=\"http://www.michaelforsberg.com/\" target=\"_blank\">Mike Forsberg\u003c/a>’s \u003cem> work Great Plains: America’s Lingering Wild\u003c/em> two years ago when I was asked to introduce him and his slideshow presentation of images from his book at our \u003ca title=\"audubon \" href=\"http://springcreekprairie.audubon.org/\" target=\"_blank\">local Audubon preserve\u003c/a> where I was board chairman.\u003c/p>\n\u003cp>Over the next year and a half, I traveled through ten states following Mike with a video production crew to some of the most remote, endangered and stimulating environments to produce the PBS documentary, \u003cem>\u003ca title=\"pbs doc\" href=\"http://www.youtube.com/watch?v=oEH7nZpNSL8\" target=\"_blank\">Great Plains: America’s Lingering Wild\u003c/a>\u003c/em>. Today’s wildlife photographer has to be proficient with all sorts of new technology -- such as walkie-talkie triggered cameras and infrared camera traps -- that didn’t even exist just a few years ago in order to create striking images that can compete for the shrinking print market. To illustrate this, there is a scene in producer Gary Hochman’s \u003cem>Your Photos on QUEST: Great Plains Photographer \u003c/em>story where you see Mike setting up a camera trap in the Black Hills of South Dakota. A month later, Mike returned to the scene and retrieved the digital photos stored on his camera, captured when the mountain lion and deer shown in the story set off the traps.\u003c/p>\n\u003cp>When most of us think about the Great Plains, we think of very long, flat and boring stretches of interstate highway – endless concrete slabs running east to west. Or we think about flying over the patchwork quilt of vast stretches of irrigated corn, wheat and milo fields or cross-fenced prairie cattle country dotted by windmills, stock tanks and two-track jeep roads that look like ant tracks from above.\u003c/p>\n\u003cfigure id=\"attachment_26968\" class=\"wp-caption alignright\" style=\"max-width: 634px\">\u003cimg class=\"size-full wp-image-26968\" title=\"BIS_080506_002\" src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2011/11/BIS_080506_002-e1320711996919.jpg\" alt=\"\" width=\"634\" height=\"390\" srcset=\"https://ww2.kqed.org/app/uploads/sites/39/2011/11/BIS_080506_002-e1320711996919.jpg 634w, https://ww2.kqed.org/app/uploads/sites/39/2011/11/BIS_080506_002-e1320711996919-400x246.jpg 400w\" sizes=\"(max-width: 634px) 100vw, 634px\">\u003cfigcaption class=\"wp-caption-text\">A lone bull bison in Wind Cave National Park, South Dakota Credit: Mike Forsberg\u003c/figcaption>\u003c/figure>\n\u003cp>But to Mike Forsberg and the scientists, land-owners, conservationists and educators who helped him achieve his goal of publishing striking images and words about the last remnants of the wild and untamed prairie, there is much more to and much more at stake in the Great Plains.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Hidden away in remote, nearly inaccessible places are remarkable creatures most of us will never see or even know exist: black-footed ferrets emerging from their underground dens at dawn; a million \u003ca title=\"bats\" href=\"http://ww2.kqed.org/quest/video/science-on-the-spot-bats-beneath-us/\" target=\"_blank\">Mexican free-tailed bats\u003c/a> exiting a gypsum cave at dusk; nesting willets in the vast pot-holed Missouri Coteau region; prairie grizzlies and mountain lions caught at night in Mike’s ingenious camera traps.\u003c/p>\n\u003cfigure id=\"attachment_26980\" class=\"wp-caption alignright\" style=\"max-width: 638px\">\u003cimg class=\"size-full wp-image-26980\" title=\"MLN_110407_002A\" src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2011/11/MLN_110407_002A1-e1320711367778.jpg\" alt=\"\" width=\"638\" height=\"399\" srcset=\"https://ww2.kqed.org/app/uploads/sites/39/2011/11/MLN_110407_002A1-e1320711367778.jpg 638w, https://ww2.kqed.org/app/uploads/sites/39/2011/11/MLN_110407_002A1-e1320711367778-400x250.jpg 400w\" sizes=\"(max-width: 638px) 100vw, 638px\">\u003cfigcaption class=\"wp-caption-text\">Mountain lion walking through camera trap, Black Hills, South Dakota Credit: Mike Forsberg\u003c/figcaption>\u003c/figure>\n\u003cp>And for each of the species Mike captures with digital photography, there are also the people who have dedicated their lives to caring for and about them. We met Jill Morrison and her husband Dave Clarendon who have spent the past three decades \u003ca title=\"fighting\" href=\"http://www.powderriverbasin.org\" target=\"_blank\">fighting\u003c/a> to keep the not-so-habitat-friendly coal-bed methane wells off their ranch near Sheridan, Wyoming. Jill and Dave have seen the water quality decline and the wildlife that supported a secondary outfitting and guided hunting business retreat much higher into the mountains.\u003c/p>\n\u003cp>We spent a night from dusk to dawn with Travis Livieri four-wheeling around a massive prairie dog town in the \u003ca title=\"contata\" href=\"http://www.nature.org/ourinitiatives/regions/northamerica/unitedstates/southdakota/placesweprotect/conata-basin.xml\" target=\"_blank\">Conata Basin\u003c/a> near Badlands National Park in South Dakota trying to capture and inoculate the elusive black-footed ferret. Ferrets, who prey on prairie dogs, were thought to be extinct until a rancher’s dog brought in a dead one a few decades ago, setting off a massive effort to live trap the few remaining individuals. After a few failed tries, a captive breeding program finally resulted in success. Travis, then a graduate biology student, was on the first team that reintroduced the ferrets to their natural habitat.\u003c/p>\n\u003cp>Mike Forsberg is enormously dedicated to his self-imposed task of photographing everything of meaning and consequence in the remaining natural world of the Great Plains. He hears birds when no one else does and knows them by their call. He has remarkable distance vision. He clambers up steep hills like a mountain goat with a load of photo gear. He dresses in camouflage and blends in with his surroundings, keeping still for hours at a stretch.\u003c/p>\n\u003cp>What I learned from this experience of a lifetime is that “the lingering wild” is as much a part of Mike Forsberg as it is a part of this rare, beautiful landscape that has once more come into stunning focus for me.\u003c/p>\n\u003cp>\u003ciframe src=\"http://maps.google.com/maps/ms?msid=218445645608412477546.0004ad6243bcbde47a58b&msa=0&ie=UTF8&t=p&vpsrc=6&ll=41.574361,-102.304687&spn=21.013305,28.081055&z=5&output=embed\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"640\" height=\"640\">\u003c/iframe>\u003cbr>\nView \u003ca href=\"http://maps.google.com/maps/ms?msid=218445645608412477546.0004ad6243bcbde47a58b&msa=0&ie=UTF8&t=p&vpsrc=6&ll=41.574361,-102.304687&spn=21.013305,28.081055&z=5&source=embed\">A Portrait Of The Plains\u003c/a> in a larger map\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>A documentary team led by NET Television producer Mike Farrell and photographer Mike Forsberg spent over a year exploring the vast landscape of the Great Plains, meeting people and exploring problems that are having an impact on the area. What they found was both hopeful and troubling. These are just a few of the things they found on their journey, which will eventually become the PBS documentary Great Plains: America's Lingering Wild. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Article by \u003ca title=\"Michael Farrell\" href=\"http://ww2.kqed.org/quest/author/michaelfarrell\" target=\"_blank\">Michael Farrell\u003c/a> of \u003ca title=\"quest nebraska\" href=\"https://ww2.kqed.org/quest/tag/nebraska/\" target=\"_blank\">QUEST Nebraska\u003c/a>. Map by \u003ca title=\"Abram Lueders\" href=\"http://ww2.kqed.org/quest/author/abramlueders\" target=\"_blank\">Abram Lueders\u003c/a> of \u003ca title=\"quest nebraska\" href=\"https://ww2.kqed.org/quest/tag/nebraska/\" target=\"_blank\">QUEST Nebraska\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>I first became aware of \u003ca title=\"mike forsberg\" href=\"http://www.michaelforsberg.com/\" target=\"_blank\">Mike Forsberg\u003c/a>’s \u003cem> work Great Plains: America’s Lingering Wild\u003c/em> two years ago when I was asked to introduce him and his slideshow presentation of images from his book at our \u003ca title=\"audubon \" href=\"http://springcreekprairie.audubon.org/\" target=\"_blank\">local Audubon preserve\u003c/a> where I was board chairman.\u003c/p>\n\u003cp>Over the next year and a half, I traveled through ten states following Mike with a video production crew to some of the most remote, endangered and stimulating environments to produce the PBS documentary, \u003cem>\u003ca title=\"pbs doc\" href=\"http://www.youtube.com/watch?v=oEH7nZpNSL8\" target=\"_blank\">Great Plains: America’s Lingering Wild\u003c/a>\u003c/em>. Today’s wildlife photographer has to be proficient with all sorts of new technology -- such as walkie-talkie triggered cameras and infrared camera traps -- that didn’t even exist just a few years ago in order to create striking images that can compete for the shrinking print market. To illustrate this, there is a scene in producer Gary Hochman’s \u003cem>Your Photos on QUEST: Great Plains Photographer \u003c/em>story where you see Mike setting up a camera trap in the Black Hills of South Dakota. A month later, Mike returned to the scene and retrieved the digital photos stored on his camera, captured when the mountain lion and deer shown in the story set off the traps.\u003c/p>\n\u003cp>When most of us think about the Great Plains, we think of very long, flat and boring stretches of interstate highway – endless concrete slabs running east to west. Or we think about flying over the patchwork quilt of vast stretches of irrigated corn, wheat and milo fields or cross-fenced prairie cattle country dotted by windmills, stock tanks and two-track jeep roads that look like ant tracks from above.\u003c/p>\n\u003cfigure id=\"attachment_26968\" class=\"wp-caption alignright\" style=\"max-width: 634px\">\u003cimg class=\"size-full wp-image-26968\" title=\"BIS_080506_002\" src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2011/11/BIS_080506_002-e1320711996919.jpg\" alt=\"\" width=\"634\" height=\"390\" srcset=\"https://ww2.kqed.org/app/uploads/sites/39/2011/11/BIS_080506_002-e1320711996919.jpg 634w, https://ww2.kqed.org/app/uploads/sites/39/2011/11/BIS_080506_002-e1320711996919-400x246.jpg 400w\" sizes=\"(max-width: 634px) 100vw, 634px\">\u003cfigcaption class=\"wp-caption-text\">A lone bull bison in Wind Cave National Park, South Dakota Credit: Mike Forsberg\u003c/figcaption>\u003c/figure>\n\u003cp>But to Mike Forsberg and the scientists, land-owners, conservationists and educators who helped him achieve his goal of publishing striking images and words about the last remnants of the wild and untamed prairie, there is much more to and much more at stake in the Great Plains.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Hidden away in remote, nearly inaccessible places are remarkable creatures most of us will never see or even know exist: black-footed ferrets emerging from their underground dens at dawn; a million \u003ca title=\"bats\" href=\"http://ww2.kqed.org/quest/video/science-on-the-spot-bats-beneath-us/\" target=\"_blank\">Mexican free-tailed bats\u003c/a> exiting a gypsum cave at dusk; nesting willets in the vast pot-holed Missouri Coteau region; prairie grizzlies and mountain lions caught at night in Mike’s ingenious camera traps.\u003c/p>\n\u003cfigure id=\"attachment_26980\" class=\"wp-caption alignright\" style=\"max-width: 638px\">\u003cimg class=\"size-full wp-image-26980\" title=\"MLN_110407_002A\" src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2011/11/MLN_110407_002A1-e1320711367778.jpg\" alt=\"\" width=\"638\" height=\"399\" srcset=\"https://ww2.kqed.org/app/uploads/sites/39/2011/11/MLN_110407_002A1-e1320711367778.jpg 638w, https://ww2.kqed.org/app/uploads/sites/39/2011/11/MLN_110407_002A1-e1320711367778-400x250.jpg 400w\" sizes=\"(max-width: 638px) 100vw, 638px\">\u003cfigcaption class=\"wp-caption-text\">Mountain lion walking through camera trap, Black Hills, South Dakota Credit: Mike Forsberg\u003c/figcaption>\u003c/figure>\n\u003cp>And for each of the species Mike captures with digital photography, there are also the people who have dedicated their lives to caring for and about them. We met Jill Morrison and her husband Dave Clarendon who have spent the past three decades \u003ca title=\"fighting\" href=\"http://www.powderriverbasin.org\" target=\"_blank\">fighting\u003c/a> to keep the not-so-habitat-friendly coal-bed methane wells off their ranch near Sheridan, Wyoming. Jill and Dave have seen the water quality decline and the wildlife that supported a secondary outfitting and guided hunting business retreat much higher into the mountains.\u003c/p>\n\u003cp>We spent a night from dusk to dawn with Travis Livieri four-wheeling around a massive prairie dog town in the \u003ca title=\"contata\" href=\"http://www.nature.org/ourinitiatives/regions/northamerica/unitedstates/southdakota/placesweprotect/conata-basin.xml\" target=\"_blank\">Conata Basin\u003c/a> near Badlands National Park in South Dakota trying to capture and inoculate the elusive black-footed ferret. Ferrets, who prey on prairie dogs, were thought to be extinct until a rancher’s dog brought in a dead one a few decades ago, setting off a massive effort to live trap the few remaining individuals. After a few failed tries, a captive breeding program finally resulted in success. Travis, then a graduate biology student, was on the first team that reintroduced the ferrets to their natural habitat.\u003c/p>\n\u003cp>Mike Forsberg is enormously dedicated to his self-imposed task of photographing everything of meaning and consequence in the remaining natural world of the Great Plains. He hears birds when no one else does and knows them by their call. He has remarkable distance vision. He clambers up steep hills like a mountain goat with a load of photo gear. He dresses in camouflage and blends in with his surroundings, keeping still for hours at a stretch.\u003c/p>\n\u003cp>What I learned from this experience of a lifetime is that “the lingering wild” is as much a part of Mike Forsberg as it is a part of this rare, beautiful landscape that has once more come into stunning focus for me.\u003c/p>\n\u003cp>\u003ciframe src=\"http://maps.google.com/maps/ms?msid=218445645608412477546.0004ad6243bcbde47a58b&msa=0&ie=UTF8&t=p&vpsrc=6&ll=41.574361,-102.304687&spn=21.013305,28.081055&z=5&output=embed\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"640\" height=\"640\">\u003c/iframe>\u003cbr>\nView \u003ca href=\"http://maps.google.com/maps/ms?msid=218445645608412477546.0004ad6243bcbde47a58b&msa=0&ie=UTF8&t=p&vpsrc=6&ll=41.574361,-102.304687&spn=21.013305,28.081055&z=5&source=embed\">A Portrait Of The Plains\u003c/a> in a larger map\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>A documentary team led by NET Television producer Mike Farrell and photographer Mike Forsberg spent over a year exploring the vast landscape of the Great Plains, meeting people and exploring problems that are having an impact on the area. What they found was both hopeful and troubling. These are just a few of the things they found on their journey, which will eventually become the PBS documentary Great Plains: America's Lingering Wild. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>While the massive scale of Bryant Austin’s life-sized whale photographs has an instantaneous and undeniable awing effect, it is the sense of emotional connection to his subjects that makes the images stick in the viewer’s mind. These are photographs taken with the cooperation of the whales. Mr. Austin has dedicated his life to creating bonds with wild whales, and his photographs are the records of his interactions with them. Swimming alongside these giants is an experience less than one millionth of 1% of the human population will experience.\u003c/p>\n\u003cfigure id=\"attachment_23480\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2011/09/DominicaBryantAustin8April2011_MG_5927-Image-from-Sylvia-Earl-1440x928.jpg\" alt=\"A whale swims away from Bryant Austin\" width=\"640\" height=\"412\" class=\"size-large wp-image-23480\" srcset=\"https://ww2.kqed.org/app/uploads/sites/39/2011/09/DominicaBryantAustin8April2011_MG_5927-Image-from-Sylvia-Earl-1440x928.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/39/2011/09/DominicaBryantAustin8April2011_MG_5927-Image-from-Sylvia-Earl-400x258.jpg 400w, https://ww2.kqed.org/app/uploads/sites/39/2011/09/DominicaBryantAustin8April2011_MG_5927-Image-from-Sylvia-Earl-800x515.jpg 800w, https://ww2.kqed.org/app/uploads/sites/39/2011/09/DominicaBryantAustin8April2011_MG_5927-Image-from-Sylvia-Earl-1180x760.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/39/2011/09/DominicaBryantAustin8April2011_MG_5927-Image-from-Sylvia-Earl-960x618.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">A whale swims away from Bryant Austin as he snorkels. \u003ccite>(Bryant Austin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Before he takes the plunge, Mr. Austin spends months preparing to film in the wild by working with whale biologists who study specific populations of whales. Mr. Austin travels with these experts, to identify unique individual whales who posses the personality and sense of curiosity to be agreeable subjects. Austin returns to the whales day after day to build a sense of familiarity which will eventually allow them to feel comfortable enough to approach him on their own terms. Swimming with whales is intrinsically very dangerous if for no other reason than their enormous size. A single accidental flick from a pectoral fin or fluke could pummel a human swimmer. A threatened whale or a mother protecting her calf can be particularly dangerous. While whales have the potential to be destructive, it is much more likely that a whale disturbed by a human swimmer will simply swim away. For this reason Austin works hard to build the trust of his subjects. \u003c/p>\n\u003cp>Whales, like humans, are intelligent mammals that live within social structures. As such, whales have a kind of etiquette based on behavioral cues. To get close enough to photograph the whales Mr. Austin has to abide by a different species code of conduct. For example, Austin does not use SCUBA while visiting the whales because the bubbles produced by the equipment can be construed as a threat display between whales. \u003c/p>\n\u003cp>“Although we can’t communicate with whales verbally, you can communicate intention. And I do this by being very slow and predictable when I move. And I remain motionless most of the time, and I want to communicate to them that I’m interested in them, but I’m also respectful, and I’m just going be very passive and patient. Most of the time, they ignore me or swim away, and there’s just that, those few exceptional moments in the season where they decide to come up to me and spend a few moments” \u003cbr>It's within these few rare moments that Bryant Austin is able to create his stunning photographs. In fact, his entire collection to date represents interactions with only 9 particularly curious individual whales. As top predators, whales generally tend to demonstrate curiosity in exploring their environment. Some species like humpback whales tend to be more curious than other species, but even within a species individual whales will show different personality traits. Through his non-profit organization \u003ca href=\"http://mmcta.org/\">Marine Mammal Conservation Through the Arts\u003c/a>, Mr. Austin works for months for the brief seconds and minutes when the whales come to inspect him. \u003c/p>\n\u003cp>\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2011/09/1k-Bryant-Austin-Minke-Whale-Composite-One-at-the-Tamada-Museum-Tokyo-450x253.jpg\" alt=\"A visitor at Tokyo's Tamada Museum views Bryant Austin's life-sized print of a Minke Whale\" title=\"1k Bryant Austin Minke Whale Composite One at the Tamada Museum Tokyo\" width=\"450\" height=\"253\" class=\"alignright size-medium wp-image-23481\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The camera I’m holding in a way is like the world’s eye, humanity’s eye, so we can make whales visible and hopefully change our perception and behavior towards them. So it’s ironic that this little 210-pound person really can be more powerful than this 40-ton whale.” \u003c/p>\n\n",
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"content": "\u003cp>Back in the early days of QUEST, when we were first piloting the Your Photos on QUEST segments, \u003ca href=\"http://www.flickr.com/photos/steventheamusing/\">Steven Christenson\u003c/a> was one of the first photographers to respond to our call for submissions, posting on the QUEST YPOQ Flickr page his \u003ca href=\"http://www.flickr.com/photos/steventheamusing/sets/72157621922342255/\">set of photos from Mission Peak Preserve\u003c/a> near Fremont, California. \u003c/p>\n\u003cp>When I was trolling for our first YPOQ photographer for the new season of QUEST TV, I went back to some of those early submissions and was immediately struck by Christenson’s set of vibrant, kinetic images, especially his night sky photographs and star circles. Not only are they totally unique and beautiful, there’s obviously a good story to be told in how he actually makes them. \u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cfigure id=\"attachment_14524\" class=\"wp-caption alignright\" style=\"max-width: 600px\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2011/05/503i_Christenson_PhotonWorshipers_5019728_scaled2.jpg\" alt=\"Photon Worshipers\" width=\"600\" height=\"338\" class=\"size-full wp-image-14524\" srcset=\"https://ww2.kqed.org/app/uploads/sites/39/2011/05/503i_Christenson_PhotonWorshipers_5019728_scaled2.jpg 600w, https://ww2.kqed.org/app/uploads/sites/39/2011/05/503i_Christenson_PhotonWorshipers_5019728_scaled2-400x225.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Photon Worshipers \u003ccite>(Steven Christenson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Shooting photographs in very low light is a special skill, one that Christenson has honed to a fine art over the last few years. In fact, he’s gotten so good at it, he was honored as one of the winners of the International Astronomy Photographer of the Year, 2010 awards in the “People and Space” category. Here’s his winning photo, taken at Pfeiffer Beach in Big Sur, California. He shot it as people gathered on the beach during one of the few days each year when the setting sun shines directly through the archway of a large rock formation. \u003c/p>\n\u003cfigure id=\"attachment_14530\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2011/05/503i_Christenson_slctreestacked_1920x2880_scaled2.jpg\" alt=\"Bristlecone Pine Star Circle\" width=\"400\" height=\"600\" class=\"size-full wp-image-14530\">\u003cfigcaption class=\"wp-caption-text\">Bristlecone Pine Star Circle \u003ccite>(Steven Christenson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Indeed the process of “finding light in the darkness”, as Christenson puts it, is more involved than one might imagine. First off, you have to get to a place that has a good vantage point on the stars. In Christenson’s case, this usually involves driving and/ or hiking a good distance before he even sets down the tripod. Then, you have to deal with the notoriously foggy/ rainy/ cold Bay Area weather. He’s been battling with the weather at \u003ca href=\"http://www.parks.ca.gov/?page_id=533\">Pigeon Point Light House State Historic Park\u003c/a> in Pescadero for years. But he’s managed to get some spectacular images there nonetheless. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Once all the stars align so to speak, and Christenson has set up his shot, the waiting begins. As the earth rotates and orbits the sun, the stars appear to travel through the sky and his camera is set to take an image at set intervals. It can take all night for him to get the images he needs to stitch together his final images. He often sleeps in his car or out under the open sky if weather permits. \u003c/p>\n\u003cp>For our shoot with Christenson, he took us hiking up Mission Peak, his favorite location in the Bay Area to shoot. Between our audio tech, Helen, associate producer Josh and myself, we’ve collectively lived in the Bay Area for more than half a century and none of us had ever been to Mission Peak. It’s absolutely spectacular up there. It’s one of the things I love most about this job that I have the opportunity to see and experience things that have been under my nose for years but have never noticed. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And if you’d like to join Steven Christenson for a nighttime photography tour of Mission Peak or several other Bay Area locations, be sure to check out the \u003ca href=\"http://starcircleacademy.com/\">Star Circle Academy \u003c/a>website. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Back in the early days of QUEST, when we were first piloting the Your Photos on QUEST segments, \u003ca href=\"http://www.flickr.com/photos/steventheamusing/\">Steven Christenson\u003c/a> was one of the first photographers to respond to our call for submissions, posting on the QUEST YPOQ Flickr page his \u003ca href=\"http://www.flickr.com/photos/steventheamusing/sets/72157621922342255/\">set of photos from Mission Peak Preserve\u003c/a> near Fremont, California. \u003c/p>\n\u003cp>When I was trolling for our first YPOQ photographer for the new season of QUEST TV, I went back to some of those early submissions and was immediately struck by Christenson’s set of vibrant, kinetic images, especially his night sky photographs and star circles. Not only are they totally unique and beautiful, there’s obviously a good story to be told in how he actually makes them. \u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cfigure id=\"attachment_14524\" class=\"wp-caption alignright\" style=\"max-width: 600px\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2011/05/503i_Christenson_PhotonWorshipers_5019728_scaled2.jpg\" alt=\"Photon Worshipers\" width=\"600\" height=\"338\" class=\"size-full wp-image-14524\" srcset=\"https://ww2.kqed.org/app/uploads/sites/39/2011/05/503i_Christenson_PhotonWorshipers_5019728_scaled2.jpg 600w, https://ww2.kqed.org/app/uploads/sites/39/2011/05/503i_Christenson_PhotonWorshipers_5019728_scaled2-400x225.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Photon Worshipers \u003ccite>(Steven Christenson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Shooting photographs in very low light is a special skill, one that Christenson has honed to a fine art over the last few years. In fact, he’s gotten so good at it, he was honored as one of the winners of the International Astronomy Photographer of the Year, 2010 awards in the “People and Space” category. Here’s his winning photo, taken at Pfeiffer Beach in Big Sur, California. He shot it as people gathered on the beach during one of the few days each year when the setting sun shines directly through the archway of a large rock formation. \u003c/p>\n\u003cfigure id=\"attachment_14530\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2011/05/503i_Christenson_slctreestacked_1920x2880_scaled2.jpg\" alt=\"Bristlecone Pine Star Circle\" width=\"400\" height=\"600\" class=\"size-full wp-image-14530\">\u003cfigcaption class=\"wp-caption-text\">Bristlecone Pine Star Circle \u003ccite>(Steven Christenson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Indeed the process of “finding light in the darkness”, as Christenson puts it, is more involved than one might imagine. First off, you have to get to a place that has a good vantage point on the stars. In Christenson’s case, this usually involves driving and/ or hiking a good distance before he even sets down the tripod. Then, you have to deal with the notoriously foggy/ rainy/ cold Bay Area weather. He’s been battling with the weather at \u003ca href=\"http://www.parks.ca.gov/?page_id=533\">Pigeon Point Light House State Historic Park\u003c/a> in Pescadero for years. But he’s managed to get some spectacular images there nonetheless. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Once all the stars align so to speak, and Christenson has set up his shot, the waiting begins. As the earth rotates and orbits the sun, the stars appear to travel through the sky and his camera is set to take an image at set intervals. It can take all night for him to get the images he needs to stitch together his final images. He often sleeps in his car or out under the open sky if weather permits. \u003c/p>\n\u003cp>For our shoot with Christenson, he took us hiking up Mission Peak, his favorite location in the Bay Area to shoot. Between our audio tech, Helen, associate producer Josh and myself, we’ve collectively lived in the Bay Area for more than half a century and none of us had ever been to Mission Peak. It’s absolutely spectacular up there. It’s one of the things I love most about this job that I have the opportunity to see and experience things that have been under my nose for years but have never noticed. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And if you’d like to join Steven Christenson for a nighttime photography tour of Mission Peak or several other Bay Area locations, be sure to check out the \u003ca href=\"http://starcircleacademy.com/\">Star Circle Academy \u003c/a>website. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The YPOQ segments are some of my favorites. But to be honest, it’s getting harder and harder to find photographers who are doing something unique. Being one of the newer members of the QUEST team, I decided to go back to some of the Flickr sets we received before I got here, and find out what those photographers are up to now. \u003c/p>\n\u003cp>There, I found \u003ca href=\"http://www.flickr.com/photos/rwolf/\">Ron Wolf’s photostream\u003c/a>. As it was the middle of winter, I was surprised to see that his photos were taken recently, until I realized that I was looking at the fruits of the California winter. All of his recent images were of mushrooms and slime, and surprisingly QUEST had not broached this topic yet.\u003c/p>\n\u003cp>I know, I know, slime and fungi – seen it, ignored it, they’re gross, right? Wrong!\u003c/p>\n\u003cp>I really had no idea there is such a plethora of fungi here in the Bay Area, and I’ve never looked closely at a slime mold before. Now, after spending the day with Ron Wolf, I doubt I’ll ever look at the ground the same way anymore!\u003c/p>\n\u003cp>Fungi (to which both mushrooms and slime belong) are found worldwide, and most are inconspicuous due to their small size, and their cryptic lifestyles in soil and on dead matter. But fungi perform an essential role in the natural cycle of our environment.\u003c/p>\n\u003cfigure id=\"attachment_6284\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2010/06/409i_YPOQ9_3001.jpg\" alt=\"After spending the day with Ron Wolf, I doubt I’ll ever look at the ground the same way anymore!\" width=\"300\" height=\"200\" class=\"size-full wp-image-6284\">\u003cfigcaption class=\"wp-caption-text\">After spending the day with Ron Wolf, I doubt I’ll ever look at the ground the same way anymore!\u003c/figcaption>\u003c/figure>\n\u003cp>\"They’re a major factor in decomposition of wood and plant matter,\" says Ron Wolf. \"I mean, the reason the planet is not 20 or 40 or 50 feet deep in leaf litter and dead wood and all the rest is the process of decomposition and digestion of this organic matter. And that’s a function of fungi.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Even so, most people don’t know much about fungi, including the fact that they are likely right under their feet!\u003c/p>\n\u003cp>Ron adds, \"Well, the funny thing is, it’s not so much you find hidden places. To wander the trails you want to hike, and in the process of going down the trail, you sort of keep your eyes open for what’s where, what’s likely to be where. So I mean, I don’t think these as hidden spots. If we were to go over there and just start prowling around under any of these other trees, go down to the stream there, we’d probably find you know, 30 other hidden spots in the rest of the day. And it’s just a matter of looking. The old Yogi Berra line, you can see a lot just by lookin’. And that’s the way it is with fungi and wildflowers and it’s much more train your eye to pick up what’s all around you. And because it’s actually everywhere.\"\u003c/p>\n\u003cp>During the rest of the year, Ron spends his time photographing the world around him – birds, mammals, minerals and stones, etc. He has made a large contribution to UC Berkeley’s \u003ca href=\"http://calphotos.berkeley.edu\">Cal Photos project\u003c/a>, a taxonomic digital image database searchable by species, genus, class, etc., and available for use by the public and by educators. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Ron has \u003ca href=\"http://calphotos.berkeley.edu/cgi/img_query?query_src=photos_index&where-lifeform=any&rel-taxon=contains&where-taxon=&rel-namesoup=matchphrase&where-namesoup=&rel-location=matchphrase&where-location=&rel-county=eq&where-county=any&rel-state=eq&where-state=any&rel-country=eq&where-country=any&where-collectn=any&rel-photographer=contains&where-photographer=RON+WOLF&rel-kwid=equals&where-kwid=&max_rows=24\">added over 3,000 images\u003c/a> to this project, as he continues to further our knowledge and appreciation of what might very well be right under your nose.\u003c/p>\n\n",
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"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
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"source": "kqed",
"order": 3
},
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"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
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}
},
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"id": "bbc-world-service",
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"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
"meta": {
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
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"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
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"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"rss": "https://feeds.npr.org/510312/podcast.xml"
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},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
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