KQED Presents New Documentary 'Make a Circle' on PBS September 1st
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"title": "Roadtrip Nation Explores Mental Health Supports with New Series, ‘Where Wellbeing Grows’",
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"content": "\u003cp>\u003cb>SAN FRANCISCO, CA\u003c/b>\u003cspan style=\"font-weight: 400\"> — Roadtrip Nation, the award-winning educational non-profit and production studio, is set to premiere its newest two-episode series, \u003c/span>\u003cb>“Where Wellbeing Grows,”\u003c/b>\u003cspan style=\"font-weight: 400\"> on PBS stations nationwide and streaming this \u003c/span>\u003cb>May 2026\u003c/b>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">While Gen Z’s mental health is a constant headline, this series shifts the focus from the problem to the solution. Following three young adults—Anjali, Davida, and Raul—the series explores an equitable vision of wellbeing by spotlighting the innovative careers and community-driven pathways that support mental, physical, emotional, and social health.\u003c/span>\u003c/p>\n\u003ch4>\u003cb>Expanding the Definition of Care\u003c/b>\u003c/h4>\n\u003cp>\u003cb>\u003ci>Roadtrip Nation: Where Wellbeing Grows\u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\"> takes viewers on a journey across the U.S. to meet leaders who are redefining what it means to heal and thrive. From the digital landscape to the physical environment, the roadtrippers discover that supporting wellbeing isn’t limited to a doctor’s office.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“This series speaks directly to young adults who are passionate about their generation’s mental health,” says the Roadtrip Nation team. “We want to spotlight actionable ways leaders are showing up, speaking out, and sparking change for the better.”\u003c/span>\u003c/p>\n\u003ch4>\u003cb>Episode Breakdown\u003c/b>\u003c/h4>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cb>Episode 1: Our Shared Healing\u003c/b>\u003cspan style=\"font-weight: 400\"> The roadtrippers meet industry professionals who prove wellbeing isn’t one-size-fits-all. They explore careers in digital wellness, learn how professionals are servicing rural communities in need, and discover the importance of empathetic architectural design in creating healing spaces.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cb>Episode 2: Fostering Compassion\u003c/b>\u003cspan style=\"font-weight: 400\"> The journey continues with a look at health equity at a community farm and a deep dive into spiritual wellbeing through cultural connection and heritage. The roadtrippers also get hands-on with adaptive equipment designed to make the outdoors accessible for everyone, proving that public service and community care take many forms.\u003c/span>\u003c/li>\n\u003c/ul>\n\u003ch4>\u003cb>Redefining the Future of Health\u003c/b>\u003c/h4>\n\u003cp>\u003cspan style=\"font-weight: 400\">Through art therapy, nonprofit work, and community activism, \u003c/span>\u003cb>\u003ci>Roadtrip Nation: Where Wellbeing Grows \u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\">highlights a diverse set of pathways for anyone looking to build a career with purpose. It is an invitation to explore exciting career possibilities that are creating a more equitable vision of wellbeing for us all.\u003c/span>\u003c/p>\n\u003ch4>\u003cb>The Roadtrippers\u003c/b>\u003c/h4>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cb>Anjali (she/her):\u003c/b>\u003cspan style=\"font-weight: 400\"> A student-athlete survivor of traumatic brain injury and cyberbullying, Anjali is an incoming Stanford freshman dedicated to mental health education and crisis response. Through her work with Morgan’s Message and the National Student Council, she aims to bridge neuroscience and public health policy to improve youth wellness.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cb>Davida (she/her):\u003c/b>\u003cspan style=\"font-weight: 400\"> The daughter of Ghanaian immigrants, Davida explores the intersection of movement and mental health as a dance teacher. A University of Scranton graduate and founder of the digital community Eve’s Corner, she is now pursuing law school to specialize in social media law and digital wellness for younger generations.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cb>Raul (he/him):\u003c/b>\u003cspan style=\"font-weight: 400\"> A pre-med student at USC and a leader within the Half Moon Bay Latino community, Raul serves on the board of Ayudando Latinos a Soñar (ALAS). He is passionate about combining medicine with social change, focusing on how cultural connection and legislative advocacy can advance health equity and community wellness.\u003c/span>\u003c/li>\n\u003c/ul>\n\u003ch4>\u003cb>Broadcast & Streaming Details\u003c/b>\u003c/h4>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Roadtrip Nation\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is made available to public television by \u003c/span>\u003cb>KQED Presents\u003c/b>\u003cspan style=\"font-weight: 400\">, the national distribution service of San Francisco-based public media station KQED.\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cb>National Airing:\u003c/b>\u003cspan style=\"font-weight: 400\"> Starting May 1, 2026 (\u003c/span>\u003ca href=\"https://www.pbs.org/tv_schedules/\">\u003cspan style=\"font-weight: 400\">check local listings\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">)\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cb>Streaming:\u003c/b>\u003cspan style=\"font-weight: 400\"> Available on the \u003c/span>\u003ca href=\"https://www.pbs.org/pbs-app/\">\u003cspan style=\"font-weight: 400\">PBS App\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ca href=\"http://pbs.org\">\u003cspan style=\"font-weight: 400\">PBS.org\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cb>KQED 9 (Local):\u003c/b>\u003cspan style=\"font-weight: 400\"> Airing Friday, \u003c/span>\u003cb>May 1\u003c/b>\u003cspan style=\"font-weight: 400\"> and Friday, \u003c/span>\u003cb>May 8\u003c/b>\u003cspan style=\"font-weight: 400\"> at 8:00 PM\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>___________________________________________________________________________\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Promotional assets can be found \u003c/span>\u003ca href=\"https://drive.google.com/drive/folders/15FWhnXyg_s0RT5tBSKDU22xFVtVESTZe?usp=sharing\">\u003cspan style=\"font-weight: 400\">here\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. For more information about the documentary, contact:\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dan Ford\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">949-764-9121\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">dford@roadtripnation.org\u003c/span>\u003c/p>\n\u003cp>___________________________________________________________________________\u003c/p>\n\u003cp>\u003cb>Featured Leaders and Locations\u003c/b>\u003c/p>\n\u003cp>\u003cb>Rayshell Chambers\u003cbr>\n\u003c/b>\u003cb>Co-Founder & Executive Director, Painted Brain\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Los Angeles, CA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Melissa DeChellis\u003cbr>\n\u003c/b>\u003cb>Founder & Director, Adaptively Abled\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Salem, MA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Michael Rich\u003cbr>\n\u003c/b>\u003cb>Founder & Director, Digital Wellness Lab\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Boston, MA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Mikyoung Kim\u003cbr>\n\u003c/b>\u003cb>Founder & Design Director, Mikyoung Kim Design\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Boston, MA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Elyse Fox\u003cbr>\n\u003c/b>\u003cb>Founder, Sad Girls Club\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Brooklyn, NY\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jeff Winton\u003cbr>\n\u003c/b>\u003cb>Founder & Chairman, Rural Minds\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Mayville, NY\u003c/span>\u003c/p>\n\u003cp>\u003cb>Charles Rominiyi\u003cbr>\n\u003c/b>\u003cb>Manager, The Well at Oxon Run by DC Greens\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Washington, DC\u003c/span>\u003c/p>\n\u003cp>\u003cb>Neely Bardwell\u003cbr>\n\u003c/b>\u003cb>Program Coordinator, Center for Native American Youth\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Washington, DC\u003c/span>\u003c/p>\n\u003cp>\u003cb>Eric Gray\u003cbr>\n\u003c/b>\u003cb>Founder & Executive Director, Catalyst Sports\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Atlanta, GA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Andre Dickens\u003cbr>\n\u003c/b>\u003cb>Mayor, City of Atlanta\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Atlanta, GA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Doreen Marshall\u003cbr>\n\u003c/b>\u003cb>CEO, National Eating Disorders Association\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Atlanta, GA\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">—\u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003ci>Roadtrip Nation: Where Wellbeing Grows \u003c/i>\u003c/b>\u003cb>is made possible\u003c/b> \u003cb>by \u003c/b>\u003ca href=\"https://newsroom.pinterest.com/impact/?utm_source=brand\">\u003cb>Pinterest\u003c/b>\u003c/a>\u003cb>, \u003c/b>\u003ca href=\"https://www.lspff.org/\">\u003cb>LSP Family Foundation\u003c/b>\u003c/a>\u003cb>, \u003c/b>\u003ca href=\"https://corporate.lululemon.com/\">\u003cb>Lululemon\u003c/b>\u003c/a>\u003cb>, and \u003c/b>\u003ca href=\"https://www.strada.org/\">\u003cb>Strada Education Foundation\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003cb>Distributor: \u003c/b>\u003cspan style=\"font-weight: 400\">American Public Television (APT)\u003cbr>\n\u003c/span>\u003cb>Presenting Station: \u003c/b>\u003cspan style=\"font-weight: 400\">KQED, San Francisco\u003c/span>\u003c/p>\n\u003cp>\u003cb>Websites and Social Media\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003ca href=\"http://www.roadtripnation.com/\">\u003cspan style=\"font-weight: 400\">roadtripnation.com\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://youtube.com/roadtripnation\">\u003cspan style=\"font-weight: 400\">youtube.com/roadtripnation\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://www.twitter.com/RoadtripNation\">\u003cspan style=\"font-weight: 400\">x.com/RoadtripNation\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003ca href=\"http://www.facebook.com/RoadtripNation\">\u003cspan style=\"font-weight: 400\">facebook.com/RoadtripNation\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003ca href=\"https://www.instagram.com/roadtripnation/\">\u003cspan style=\"font-weight: 400\">instagram.com/roadtripnation\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://tiktok.com/@roadtripnation\">\u003cspan style=\"font-weight: 400\">tiktok.com/@roadtripnation\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003ca href=\"http://threads.net/@roadtripnation\">\u003cspan style=\"font-weight: 400\">threads.net/@roadtripnation\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cb>About APT\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">American Public Television (APT) is the leading syndicator of high-quality, top-rated programming to the nation’s public television stations. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>SAN FRANCISCO, CA\u003c/b>\u003cspan style=\"font-weight: 400\"> — Roadtrip Nation, the award-winning educational non-profit and production studio, is set to premiere its newest two-episode series, \u003c/span>\u003cb>“Where Wellbeing Grows,”\u003c/b>\u003cspan style=\"font-weight: 400\"> on PBS stations nationwide and streaming this \u003c/span>\u003cb>May 2026\u003c/b>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">While Gen Z’s mental health is a constant headline, this series shifts the focus from the problem to the solution. Following three young adults—Anjali, Davida, and Raul—the series explores an equitable vision of wellbeing by spotlighting the innovative careers and community-driven pathways that support mental, physical, emotional, and social health.\u003c/span>\u003c/p>\n\u003ch4>\u003cb>Expanding the Definition of Care\u003c/b>\u003c/h4>\n\u003cp>\u003cb>\u003ci>Roadtrip Nation: Where Wellbeing Grows\u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\"> takes viewers on a journey across the U.S. to meet leaders who are redefining what it means to heal and thrive. From the digital landscape to the physical environment, the roadtrippers discover that supporting wellbeing isn’t limited to a doctor’s office.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“This series speaks directly to young adults who are passionate about their generation’s mental health,” says the Roadtrip Nation team. “We want to spotlight actionable ways leaders are showing up, speaking out, and sparking change for the better.”\u003c/span>\u003c/p>\n\u003ch4>\u003cb>Episode Breakdown\u003c/b>\u003c/h4>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cb>Episode 1: Our Shared Healing\u003c/b>\u003cspan style=\"font-weight: 400\"> The roadtrippers meet industry professionals who prove wellbeing isn’t one-size-fits-all. They explore careers in digital wellness, learn how professionals are servicing rural communities in need, and discover the importance of empathetic architectural design in creating healing spaces.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cb>Episode 2: Fostering Compassion\u003c/b>\u003cspan style=\"font-weight: 400\"> The journey continues with a look at health equity at a community farm and a deep dive into spiritual wellbeing through cultural connection and heritage. The roadtrippers also get hands-on with adaptive equipment designed to make the outdoors accessible for everyone, proving that public service and community care take many forms.\u003c/span>\u003c/li>\n\u003c/ul>\n\u003ch4>\u003cb>Redefining the Future of Health\u003c/b>\u003c/h4>\n\u003cp>\u003cspan style=\"font-weight: 400\">Through art therapy, nonprofit work, and community activism, \u003c/span>\u003cb>\u003ci>Roadtrip Nation: Where Wellbeing Grows \u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\">highlights a diverse set of pathways for anyone looking to build a career with purpose. It is an invitation to explore exciting career possibilities that are creating a more equitable vision of wellbeing for us all.\u003c/span>\u003c/p>\n\u003ch4>\u003cb>The Roadtrippers\u003c/b>\u003c/h4>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cb>Anjali (she/her):\u003c/b>\u003cspan style=\"font-weight: 400\"> A student-athlete survivor of traumatic brain injury and cyberbullying, Anjali is an incoming Stanford freshman dedicated to mental health education and crisis response. Through her work with Morgan’s Message and the National Student Council, she aims to bridge neuroscience and public health policy to improve youth wellness.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cb>Davida (she/her):\u003c/b>\u003cspan style=\"font-weight: 400\"> The daughter of Ghanaian immigrants, Davida explores the intersection of movement and mental health as a dance teacher. A University of Scranton graduate and founder of the digital community Eve’s Corner, she is now pursuing law school to specialize in social media law and digital wellness for younger generations.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cb>Raul (he/him):\u003c/b>\u003cspan style=\"font-weight: 400\"> A pre-med student at USC and a leader within the Half Moon Bay Latino community, Raul serves on the board of Ayudando Latinos a Soñar (ALAS). He is passionate about combining medicine with social change, focusing on how cultural connection and legislative advocacy can advance health equity and community wellness.\u003c/span>\u003c/li>\n\u003c/ul>\n\u003ch4>\u003cb>Broadcast & Streaming Details\u003c/b>\u003c/h4>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Roadtrip Nation\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is made available to public television by \u003c/span>\u003cb>KQED Presents\u003c/b>\u003cspan style=\"font-weight: 400\">, the national distribution service of San Francisco-based public media station KQED.\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cb>National Airing:\u003c/b>\u003cspan style=\"font-weight: 400\"> Starting May 1, 2026 (\u003c/span>\u003ca href=\"https://www.pbs.org/tv_schedules/\">\u003cspan style=\"font-weight: 400\">check local listings\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">)\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cb>Streaming:\u003c/b>\u003cspan style=\"font-weight: 400\"> Available on the \u003c/span>\u003ca href=\"https://www.pbs.org/pbs-app/\">\u003cspan style=\"font-weight: 400\">PBS App\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ca href=\"http://pbs.org\">\u003cspan style=\"font-weight: 400\">PBS.org\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cb>KQED 9 (Local):\u003c/b>\u003cspan style=\"font-weight: 400\"> Airing Friday, \u003c/span>\u003cb>May 1\u003c/b>\u003cspan style=\"font-weight: 400\"> and Friday, \u003c/span>\u003cb>May 8\u003c/b>\u003cspan style=\"font-weight: 400\"> at 8:00 PM\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>___________________________________________________________________________\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Promotional assets can be found \u003c/span>\u003ca href=\"https://drive.google.com/drive/folders/15FWhnXyg_s0RT5tBSKDU22xFVtVESTZe?usp=sharing\">\u003cspan style=\"font-weight: 400\">here\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. For more information about the documentary, contact:\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dan Ford\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">949-764-9121\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">dford@roadtripnation.org\u003c/span>\u003c/p>\n\u003cp>___________________________________________________________________________\u003c/p>\n\u003cp>\u003cb>Featured Leaders and Locations\u003c/b>\u003c/p>\n\u003cp>\u003cb>Rayshell Chambers\u003cbr>\n\u003c/b>\u003cb>Co-Founder & Executive Director, Painted Brain\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Los Angeles, CA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Melissa DeChellis\u003cbr>\n\u003c/b>\u003cb>Founder & Director, Adaptively Abled\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Salem, MA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Michael Rich\u003cbr>\n\u003c/b>\u003cb>Founder & Director, Digital Wellness Lab\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Boston, MA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Mikyoung Kim\u003cbr>\n\u003c/b>\u003cb>Founder & Design Director, Mikyoung Kim Design\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Boston, MA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Elyse Fox\u003cbr>\n\u003c/b>\u003cb>Founder, Sad Girls Club\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Brooklyn, NY\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jeff Winton\u003cbr>\n\u003c/b>\u003cb>Founder & Chairman, Rural Minds\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Mayville, NY\u003c/span>\u003c/p>\n\u003cp>\u003cb>Charles Rominiyi\u003cbr>\n\u003c/b>\u003cb>Manager, The Well at Oxon Run by DC Greens\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Washington, DC\u003c/span>\u003c/p>\n\u003cp>\u003cb>Neely Bardwell\u003cbr>\n\u003c/b>\u003cb>Program Coordinator, Center for Native American Youth\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Washington, DC\u003c/span>\u003c/p>\n\u003cp>\u003cb>Eric Gray\u003cbr>\n\u003c/b>\u003cb>Founder & Executive Director, Catalyst Sports\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Atlanta, GA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Andre Dickens\u003cbr>\n\u003c/b>\u003cb>Mayor, City of Atlanta\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Atlanta, GA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Doreen Marshall\u003cbr>\n\u003c/b>\u003cb>CEO, National Eating Disorders Association\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Atlanta, GA\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">—\u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003ci>Roadtrip Nation: Where Wellbeing Grows \u003c/i>\u003c/b>\u003cb>is made possible\u003c/b> \u003cb>by \u003c/b>\u003ca href=\"https://newsroom.pinterest.com/impact/?utm_source=brand\">\u003cb>Pinterest\u003c/b>\u003c/a>\u003cb>, \u003c/b>\u003ca href=\"https://www.lspff.org/\">\u003cb>LSP Family Foundation\u003c/b>\u003c/a>\u003cb>, \u003c/b>\u003ca href=\"https://corporate.lululemon.com/\">\u003cb>Lululemon\u003c/b>\u003c/a>\u003cb>, and \u003c/b>\u003ca href=\"https://www.strada.org/\">\u003cb>Strada Education Foundation\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003cb>Distributor: \u003c/b>\u003cspan style=\"font-weight: 400\">American Public Television (APT)\u003cbr>\n\u003c/span>\u003cb>Presenting Station: \u003c/b>\u003cspan style=\"font-weight: 400\">KQED, San Francisco\u003c/span>\u003c/p>\n\u003cp>\u003cb>Websites and Social Media\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003ca href=\"http://www.roadtripnation.com/\">\u003cspan style=\"font-weight: 400\">roadtripnation.com\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://youtube.com/roadtripnation\">\u003cspan style=\"font-weight: 400\">youtube.com/roadtripnation\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://www.twitter.com/RoadtripNation\">\u003cspan style=\"font-weight: 400\">x.com/RoadtripNation\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003ca href=\"http://www.facebook.com/RoadtripNation\">\u003cspan style=\"font-weight: 400\">facebook.com/RoadtripNation\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003ca href=\"https://www.instagram.com/roadtripnation/\">\u003cspan style=\"font-weight: 400\">instagram.com/roadtripnation\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://tiktok.com/@roadtripnation\">\u003cspan style=\"font-weight: 400\">tiktok.com/@roadtripnation\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003ca href=\"http://threads.net/@roadtripnation\">\u003cspan style=\"font-weight: 400\">threads.net/@roadtripnation\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cb>About APT\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">American Public Television (APT) is the leading syndicator of high-quality, top-rated programming to the nation’s public television stations. Founded in 1961, APT distributes 250 new program titles per year and more than one-third of the top 100 highest-rated public television titles in the U.S. APT’s diverse catalog includes prominent documentaries, performance, dramas, how-to programs, classic movies, children’s series and news and current affairs programs. Midsomer Murders, America’s Test Kitchen, AfroPoP, Rick Steves’ Europe, Pacific Heartbeat, Christopher Kimball’s Milk Street Television, The Indian Doctor, Legacy List with Matt Paxton, Lidia’s Kitchen, Kevin Belton’s New Orleans Kitchen, Simply Ming, The Best of the Joy of Painting with Bob Ross, Front & Center, James Patterson’s Kid Stew and NHK Newsline are a sampling of APT’s programs, considered some of the most popular on public television. APT also licenses programs internationally through its APT Worldwide service and distributes Create®TV — featuring the best of public television’s lifestyle programming — and WORLD™, public television’s premier news, science and documentary channel. \u003c/span>\u003ca href=\"https://www.aptonline.org/\">\u003cspan style=\"font-weight: 400\">aptonline.org\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cb>About KQED Presents\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">KQED Presents is the national television distribution service of KQED, the San Francisco-based PBS and NPR member station. Since 1987, KQED Presents has worked with independent producers to bring the highest-quality documentary films and series to public television stations across the country. KQED Presents guides producers through the complexities of public media distribution, ensuring their programs meet all technical, editorial, and funding standards necessary for national broadcast. \u003c/span>\u003ca href=\"https://www.kqed.org/about/kqed-presents\">\u003cspan style=\"font-weight: 400\">kqed.org/about/kqed-presents\u003c/span>\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "invisible-nation",
"title": "Taiwan Documentary ‘Invisible Nation’ to Air on PBS Stations Nationwide This May",
"publishDate": 1776985175,
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"headTitle": "Taiwan Documentary ‘Invisible Nation’ to Air on PBS Stations Nationwide This May | KQED",
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"content": "\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Acclaimed documentary offers unprecedented access to Taiwan’s first female president and a timely look at the country’s democracy, global significance, and uncertain future.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cstrong>SAN FRANCISCO, CA\u003c/strong>\u003cspan style=\"font-weight: 400\"> — \u003c/span>\u003cspan style=\"font-weight: 400\">Beginning May 1, 2026, the acclaimed documentary \u003c/span>\u003ca href=\"https://www.pbs.org/show/invisible-nation/\">\u003cb>\u003ci>Invisible Nation\u003c/i>\u003c/b>\u003c/a>\u003cspan style=\"font-weight: 400\"> will air on PBS stations across the United States, bringing Taiwan’s democratic journey, its geopolitical tightrope walk, and its pivotal role in the global technology order into American living rooms during Asian American and Pacific Islander (AAPI) Heritage Month and Taiwanese American Heritage Week. The film will also be available for streaming on the \u003c/span>\u003ca href=\"https://www.pbs.org/pbs-app/\">\u003cspan style=\"font-weight: 400\">PBS App\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ca href=\"https://www.pbs.org/show/invisible-nation/\">\u003cspan style=\"font-weight: 400\">PBS.org\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, expanding access to audiences nationwide.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Directed and produced by Vanessa Hope, \u003c/span>\u003cb>\u003ci>Invisible Nation\u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\"> invites viewers on an unprecedented journey with Taiwan’s first female president, Tsai Ing-wen, as she works to secure her nation’s future. Through intimate observational filmmaking, the documentary offers an in-depth look at Taiwan’s past, and present as a young democracy with robust civil liberties and fair elections, navigating pressure from China, relations with the United States, and its place on the world stage.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Premiering on public television at a time when Taiwan is central to geopolitics yet still underrepresented in American media, \u003c/span>\u003cb>\u003ci>Invisible Nation\u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\"> reframes the country not as a distant flashpoint, but as a frontline democracy whose future is deeply intertwined with the United States. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The broadcast builds on a long-tail impact campaign that has included major film festival premieres (IDFA, CPH:DOX, Woodstock, Middleburg, The Hamptons, Mill Valley), awards, theatrical releases in the United States and Taiwan—where it became the number three documentary at the box office of all time and the top-performing documentary release of 2025 and 2026 when released on streaming—and international broadcasts and streaming across Europe and the Asia-Pacific.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the U.S, the filmmaking team launched a robust engagement strategy: a university and community screening tour featuring both virtual and in person events in partnership with organizations including the Council on Foreign Relations, Taiwanese student groups, the Formosan Association for Public Affairs (FAPA) and the Alexander Hamilton Society, with over 25 events at campuses across more than 15 states including Harvard, Yale, Johns Hopkins’ SAIS, Stanford, Texas A&M, and Duke. Post-screening conversations have featured leading voices in policy and diplomacy, ambassadors and generals, examining democratization, cross-Strait relations, U.S. security commitments, disinformation, civil defense in Taiwan, and gender and leadership.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“In a moment when the world is watching Taiwan more closely than ever, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Invisible Nation\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> gives viewers a chance to experience the country’s democratic experiment from the inside out,” said director Vanessa Hope. “We’re honored that PBS stations are bringing this story into homes across the United States during AAPI Heritage Month, and that so many universities, students, and community leaders have embraced the film as a catalyst for discussion about democracy, technology, and the future of the Indo-Pacific.”\u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003ci>Invisible Nation\u003c/i>\u003c/b> \u003cspan style=\"font-weight: 400\">will air on PBS stations nationwide starting May 1, 2026 (\u003c/span>\u003ca href=\"https://www.pbs.org/tv_schedules/\">\u003cspan style=\"font-weight: 400\">check local listings\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">) with a feature-length version streaming available on the \u003c/span>\u003ca href=\"https://www.pbs.org/pbs-app/\">\u003cspan style=\"font-weight: 400\">PBS App\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ca href=\"https://www.pbs.org/show/invisible-nation/\">\u003cspan style=\"font-weight: 400\">PBS.org\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. KQED 9 will air the film on May 18 at 9pm. To find information about hosting a campus, community, or policy screening, visit \u003c/span>\u003ca href=\"https://url.us.m.mimecastprotect.com/s/-uBFCVON1KCzqNZ1fGfATE7wkN?domain=invisiblenation.net\">\u003cspan style=\"font-weight: 400\">www.invisiblenation.net\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">American Public Television (APT), the leading syndicator of high-quality programming to public television, will distribute \u003c/span>\u003cb>\u003ci>Invisible Nation\u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\">. KQED serves as the presenting station\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003cb>Media Contact:\u003c/b>\u003cspan style=\"font-weight: 400\"> For more information or to request a press screener, contact: Sylvie Loh, sylviejoloh@gmail.com, 669-273-6174\u003c/span>\u003c/p>\n\u003cp>___________________________________________________________________________\u003c/p>\n\u003ch3>\u003cb>Press Materials\u003c/b>\u003c/h3>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1Dz_exJh8coSCF_FH3L4Gx-Jrk7-IDNqc?usp=sharing\">\u003cspan style=\"font-weight: 400\">Promotional Images\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1VoIZhB6fFfNY1FHKLBF0YcWuXXIDHOCE?usp=drive_link\">\u003cspan style=\"font-weight: 400\">Graphics & Poster\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1kKbTa2x1K5EBj4zvgsG2gCL3chOSMPDD?usp=sharing\">\u003cspan style=\"font-weight: 400\">Bios & Headshots\u003c/span>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>___________________________________________________________________________\u003c/p>\n\u003ch3>\u003cb>About the Film Team\u003c/b>\u003c/h3>\n\u003cp>\u003cspan style=\"font-weight: 400\">INVISIBLE NATION is directed and produced by Vanessa Hope. Producers include Ted Hope, Sylvia Feng, Cassandra Jabola, and Ivan Orlic, with Ming Chiang, Patrick Huang, Geralyn Dreyfous and Mike Veldstra serving as executive producers. Laura Hudock is the cinematographer, with additional cinematography by Michael Geier. The score was composed by Wei-San Hsu. Keith Ochwat and Show&Tell Films served as distribution consultant. Other key collaborators have included Together Films, Hello Taiwan, Abramorama, Theorem and Think Films.\u003c/span>\u003c/p>\n\u003ch4>\u003cb>About Double Hope Films\u003c/b>\u003c/h4>\n\u003cp>\u003cspan style=\"font-weight: 400\">Led by Vanessa Hope and Ted Hope, Double Hope Films produces impactful stories exploring global issues. Vanessa Hope’s credits include the feature documentaries \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">All Eyes and Ears\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Who We Are: A Chronicle of Racism in America\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. Ted Hope is an Academy Award-winning producer known for his work on films such as \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Crouching Tiger, Hidden Dragon\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Ice Storm\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>___________________________________________________________________________\u003c/p>\n\u003ch4>\u003cb>About KQED Presents\u003c/b>\u003c/h4>\n\u003cp>\u003cspan style=\"font-weight: 400\">KQED Presents is the national television distribution service of KQED, the San Francisco-based PBS and NPR member station. Since 1987, KQED Presents has worked with independent producers to bring the highest-quality documentary films and series to public television stations across the country. KQED Presents guides producers through the complexities of public media distribution, ensuring their programs meet all technical, editorial, and funding standards necessary for national broadcast. \u003c/span>\u003ca href=\"http://kqed.org/about/kqed-presents\">\u003cspan style=\"font-weight: 400\">kqed.org/about/kqed-presents\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003ch4>\u003cb>About APT\u003c/b>\u003c/h4>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">American Public Television (APT) is the leading syndicator of high-quality, top-rated programming to the nation’s public television stations. 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"title": "Taiwan Documentary ‘Invisible Nation’ to Air on PBS Stations Nationwide This May | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Acclaimed documentary offers unprecedented access to Taiwan’s first female president and a timely look at the country’s democracy, global significance, and uncertain future.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cstrong>SAN FRANCISCO, CA\u003c/strong>\u003cspan style=\"font-weight: 400\"> — \u003c/span>\u003cspan style=\"font-weight: 400\">Beginning May 1, 2026, the acclaimed documentary \u003c/span>\u003ca href=\"https://www.pbs.org/show/invisible-nation/\">\u003cb>\u003ci>Invisible Nation\u003c/i>\u003c/b>\u003c/a>\u003cspan style=\"font-weight: 400\"> will air on PBS stations across the United States, bringing Taiwan’s democratic journey, its geopolitical tightrope walk, and its pivotal role in the global technology order into American living rooms during Asian American and Pacific Islander (AAPI) Heritage Month and Taiwanese American Heritage Week. The film will also be available for streaming on the \u003c/span>\u003ca href=\"https://www.pbs.org/pbs-app/\">\u003cspan style=\"font-weight: 400\">PBS App\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ca href=\"https://www.pbs.org/show/invisible-nation/\">\u003cspan style=\"font-weight: 400\">PBS.org\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, expanding access to audiences nationwide.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Directed and produced by Vanessa Hope, \u003c/span>\u003cb>\u003ci>Invisible Nation\u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\"> invites viewers on an unprecedented journey with Taiwan’s first female president, Tsai Ing-wen, as she works to secure her nation’s future. Through intimate observational filmmaking, the documentary offers an in-depth look at Taiwan’s past, and present as a young democracy with robust civil liberties and fair elections, navigating pressure from China, relations with the United States, and its place on the world stage.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Premiering on public television at a time when Taiwan is central to geopolitics yet still underrepresented in American media, \u003c/span>\u003cb>\u003ci>Invisible Nation\u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\"> reframes the country not as a distant flashpoint, but as a frontline democracy whose future is deeply intertwined with the United States. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The broadcast builds on a long-tail impact campaign that has included major film festival premieres (IDFA, CPH:DOX, Woodstock, Middleburg, The Hamptons, Mill Valley), awards, theatrical releases in the United States and Taiwan—where it became the number three documentary at the box office of all time and the top-performing documentary release of 2025 and 2026 when released on streaming—and international broadcasts and streaming across Europe and the Asia-Pacific.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the U.S, the filmmaking team launched a robust engagement strategy: a university and community screening tour featuring both virtual and in person events in partnership with organizations including the Council on Foreign Relations, Taiwanese student groups, the Formosan Association for Public Affairs (FAPA) and the Alexander Hamilton Society, with over 25 events at campuses across more than 15 states including Harvard, Yale, Johns Hopkins’ SAIS, Stanford, Texas A&M, and Duke. Post-screening conversations have featured leading voices in policy and diplomacy, ambassadors and generals, examining democratization, cross-Strait relations, U.S. security commitments, disinformation, civil defense in Taiwan, and gender and leadership.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“In a moment when the world is watching Taiwan more closely than ever, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Invisible Nation\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> gives viewers a chance to experience the country’s democratic experiment from the inside out,” said director Vanessa Hope. “We’re honored that PBS stations are bringing this story into homes across the United States during AAPI Heritage Month, and that so many universities, students, and community leaders have embraced the film as a catalyst for discussion about democracy, technology, and the future of the Indo-Pacific.”\u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003ci>Invisible Nation\u003c/i>\u003c/b> \u003cspan style=\"font-weight: 400\">will air on PBS stations nationwide starting May 1, 2026 (\u003c/span>\u003ca href=\"https://www.pbs.org/tv_schedules/\">\u003cspan style=\"font-weight: 400\">check local listings\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">) with a feature-length version streaming available on the \u003c/span>\u003ca href=\"https://www.pbs.org/pbs-app/\">\u003cspan style=\"font-weight: 400\">PBS App\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ca href=\"https://www.pbs.org/show/invisible-nation/\">\u003cspan style=\"font-weight: 400\">PBS.org\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. KQED 9 will air the film on May 18 at 9pm. To find information about hosting a campus, community, or policy screening, visit \u003c/span>\u003ca href=\"https://url.us.m.mimecastprotect.com/s/-uBFCVON1KCzqNZ1fGfATE7wkN?domain=invisiblenation.net\">\u003cspan style=\"font-weight: 400\">www.invisiblenation.net\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">American Public Television (APT), the leading syndicator of high-quality programming to public television, will distribute \u003c/span>\u003cb>\u003ci>Invisible Nation\u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\">. KQED serves as the presenting station\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003cb>Media Contact:\u003c/b>\u003cspan style=\"font-weight: 400\"> For more information or to request a press screener, contact: Sylvie Loh, sylviejoloh@gmail.com, 669-273-6174\u003c/span>\u003c/p>\n\u003cp>___________________________________________________________________________\u003c/p>\n\u003ch3>\u003cb>Press Materials\u003c/b>\u003c/h3>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1Dz_exJh8coSCF_FH3L4Gx-Jrk7-IDNqc?usp=sharing\">\u003cspan style=\"font-weight: 400\">Promotional Images\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1VoIZhB6fFfNY1FHKLBF0YcWuXXIDHOCE?usp=drive_link\">\u003cspan style=\"font-weight: 400\">Graphics & Poster\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1kKbTa2x1K5EBj4zvgsG2gCL3chOSMPDD?usp=sharing\">\u003cspan style=\"font-weight: 400\">Bios & Headshots\u003c/span>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>___________________________________________________________________________\u003c/p>\n\u003ch3>\u003cb>About the Film Team\u003c/b>\u003c/h3>\n\u003cp>\u003cspan style=\"font-weight: 400\">INVISIBLE NATION is directed and produced by Vanessa Hope. Producers include Ted Hope, Sylvia Feng, Cassandra Jabola, and Ivan Orlic, with Ming Chiang, Patrick Huang, Geralyn Dreyfous and Mike Veldstra serving as executive producers. Laura Hudock is the cinematographer, with additional cinematography by Michael Geier. The score was composed by Wei-San Hsu. Keith Ochwat and Show&Tell Films served as distribution consultant. Other key collaborators have included Together Films, Hello Taiwan, Abramorama, Theorem and Think Films.\u003c/span>\u003c/p>\n\u003ch4>\u003cb>About Double Hope Films\u003c/b>\u003c/h4>\n\u003cp>\u003cspan style=\"font-weight: 400\">Led by Vanessa Hope and Ted Hope, Double Hope Films produces impactful stories exploring global issues. Vanessa Hope’s credits include the feature documentaries \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">All Eyes and Ears\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Who We Are: A Chronicle of Racism in America\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. Ted Hope is an Academy Award-winning producer known for his work on films such as \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Crouching Tiger, Hidden Dragon\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Ice Storm\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>___________________________________________________________________________\u003c/p>\n\u003ch4>\u003cb>About KQED Presents\u003c/b>\u003c/h4>\n\u003cp>\u003cspan style=\"font-weight: 400\">KQED Presents is the national television distribution service of KQED, the San Francisco-based PBS and NPR member station. Since 1987, KQED Presents has worked with independent producers to bring the highest-quality documentary films and series to public television stations across the country. KQED Presents guides producers through the complexities of public media distribution, ensuring their programs meet all technical, editorial, and funding standards necessary for national broadcast. \u003c/span>\u003ca href=\"http://kqed.org/about/kqed-presents\">\u003cspan style=\"font-weight: 400\">kqed.org/about/kqed-presents\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003ch4>\u003cb>About APT\u003c/b>\u003c/h4>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">American Public Television (APT) is the leading syndicator of high-quality, top-rated programming to the nation’s public television stations. Founded in 1961, APT distributes 250 new program titles per year and nearly one-half of the top 100 highest-rated public television titles in the U.S. APT’s diverse catalog includes prominent documentaries, performance, dramas, how-to programs, classic movies, children’s series and news and current affairs programs. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">America’s Test Kitchen, The Best of the Joy of Painting\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> with Bob Ross, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Chavis Chronicles,\u003c/span>\u003c/i> \u003ci>\u003cspan style=\"font-weight: 400\">Christopher Kimball’s Milk Street Television, Doc Martin, Hope Street, Lidia’s Kitchen, Midsomer Murders, Miriam and Alan Lost in Scotland, Pati’s Mexican Table, Rick Steves’ Europe, Samantha Brown’s Places to Love, Table for All with Buki Elegbede, Willie Nelson’s 90th Birthday Celebration\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">NHK Newsline\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> are a sampling of APT’s programs, considered some of the most popular on public television. APT also licenses programs internationally through its APT Worldwide service and distributes Create®TV — featuring the best of public television’s lifestyle programming — and WORLD™, public television’s premier news, science and documentary channel. More information at \u003c/span>\u003ca href=\"http://aptonline.org\">\u003cspan style=\"font-weight: 400\">APTonline.org\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Award-Winning Documentary 'Home Is a Hotel' Explores the Reality of San Francisco’s SRO Housing",
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"headTitle": "Award-Winning Documentary ‘Home Is a Hotel’ Explores the Reality of San Francisco’s SRO Housing | KQED",
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"content": "\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">SAN FRANCISCO, CA —\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> Could you fit your whole life into a single room? That is the question posed by \u003c/span>\u003cb>\u003ci>Home Is a Hotel\u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\">, the KQED Presents documentary premiering on public television stations nationwide this May.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As cities across America struggle with homelessness and housing affordability, \u003c/span>\u003cb>\u003ci>Home Is a Hotel\u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\"> examines San Francisco’s decades-old decision to use aging, cramped Single Room Occupancy (SRO) units to address these crises. The film captures the profound impact of this policy on those searching for safe, affordable housing today.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Filmed over the course of six years, the documentary follows five residents living in SRO hotels—sometimes with their entire families—in rooms as small as 80-square feet. Through intimate portraits, this character-driven, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">verité\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> film immerses viewers in the reality of calling a single room “home” in the heart of one of America’s wealthiest cities.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The film highlights diverse and poignant stories: an immigrant single mother supporting aging parents in Chinatown; a blind songwriter fighting harassment and eviction; an ex-couple in recovery co-parenting their six-year-old son; an artist painting murals for the tech companies gentrifying his neighborhood; and a determined mother on a quest to find her runaway daughter. All are striving to better their lives within the four walls of a single room.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Following its premiere at the San Francisco International Film Festival—where it won the Audience Award and the juried McBaine Award for Best Bay Area Documentary—\u003c/span>\u003cb>\u003ci>Home Is a Hotel\u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\"> has screened from coast to coast, including at Big Sky Doc Fest, the Austin Film Festival, and New Filmmakers LA.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“It’s been heartening and somewhat surprising to see the response from audiences all over the country” say the filmmakers. “From rural Georgia, to a college town in Montana, to New York City, everywhere we’ve screened the film it’s resonated with audiences. It really highlights what a national issue housing affordability is. We hope that, if anything, our film helps audiences identify with everyday working people who are struggling to keep a roof over their heads and see how affordable housing is essential for a healthy community”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Emphasizing the cyclical nature of poverty and housing insecurity, the film features several adults who experienced homelessness as youth and hope to break that cycle for the next generation. “Going through this film actually gave me more insight about how strong I actually am,” says Jacque, a participant in the film. “I appreciate the film for that, and I hope someone else can get that same sort of insight from watching it.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Another participant, Sylvester, highlights the precarity of the “at risk” population: “[The documentary] tells about how bad things can go in a blink of an eye. One bad decision on the road and you can be in this boat. You know, we don’t have the safety net of a state that takes care or understands or has empathy for people that are in poor situations.”\u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003ci>Home Is a Hotel\u003c/i>\u003c/b> \u003cspan style=\"font-weight: 400\">will air on PBS stations nationwide starting May 1, 2026 (\u003c/span>\u003ca href=\"https://www.pbs.org/tv_schedules/\">\u003cspan style=\"font-weight: 400\">check local listings\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">) with a feature-length version streaming available on the PBS App and \u003c/span>\u003ca href=\"https://www.pbs.org/show/life-unearthed-with-ariel-waldman/\">\u003cspan style=\"font-weight: 400\">PBS.org\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. KQED 9 will air the film on May 11 at 9pm.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">American Public Television (APT), the leading syndicator of high-quality programming to public television, will distribute \u003c/span>\u003cstrong>\u003ci>Home Is a Hotel\u003c/i>\u003c/strong>\u003cspan style=\"font-weight: 400\">. KQED serves as the presenting station.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Media Contact:\u003c/b>\u003cspan style=\"font-weight: 400\"> For more information or to request a press screener, contact: \u003c/span>\u003ca href=\"mailto:info@homeisahotel.com\">\u003cb>info@homeisahotel.com\u003c/b>\u003c/a>\u003cbr>\n\u003cb>\u003c/b>\u003c/p>\n\u003ch3>\u003cb>Press Materials\u003c/b>\u003c/h3>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://docs.google.com/document/d/1KvcaNoNGUJtaLhwXwdYcOrAQ0JqcR-o9l3kqkSaBPyk/edit?usp=sharing\">\u003cspan style=\"font-weight: 400\">Electronic Press Kit\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1Y1UEi3aZ_bAL-ivbrt35six-z4fGbUGT?usp=sharing\">\u003cspan style=\"font-weight: 400\">Promotional Images\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1cqbPgsaZj1CcJ9D50x5VKTtrCIURhRQh?usp=drive_link\">\u003cspan style=\"font-weight: 400\">Press Clips\u003c/span>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>__________________________________________\u003c/p>\n\u003ch3>\u003cb>About the Directors\u003c/b>\u003c/h3>\n\u003cp>\u003cb>Kevin Duncan Wong\u003cbr>\n\u003c/b>\u003cb>Director, Producer, Co-Cinematographer\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">\u003cstrong>\u003ci>Home Is a Hotel\u003c/i>\u003c/strong> is Kevin’s feature debut and was supported by Sundance, SFFILM, BAVC, and the Center for Asian American Media (CAAM), among others. The short film that inspired \u003cstrong>\u003ci>Home Is a Hotel\u003c/i>\u003c/strong> won several awards, including the Loni Ding Award for Social Justice Documentary at CAAMFest and Best Short Documentary at Cinequest. His other non-fiction films have played at festivals across the country including Big Sky, SFFILM and Cinequest, and have been featured on PBS and in \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Washington Post\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. His narrative films include \u003cem>Forgetting\u003c/em>, an adaptation of an episode of WNYC’s Radiolab, and \u003cem>Jus Soli\u003c/em>, a Sci-Fi thriller about immigration and data privacy starring Lynn Chen. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">He is currently developing a narrative film about gentrification in San Francisco Chinatown which was a 2025 Kenneth Rainin Grantee. He is a former Sundance Humanities Sustainability Fellow, SFFILMFilmhouse resident, BAVC Media Maker fellow, and member of the California Creative Corps.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Kar Yin Tham\u003cbr>\n\u003c/b>\u003cb>Co-Director, Producer\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Kar Yin Tham is an independent filmmaker based in San Francisco. Working both in narrative and documentary films, she’s helped produce projects that have won awards at film festivals nationally and internationally, including Best Short (\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Adrift in Sunset\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">) and Best Narrative Feature (\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Collisions\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">). Kar Yin co-directed and produced \u003cstrong>\u003ci>Home Is a Hotel\u003c/i>\u003c/strong>, which won the audience award for Best Feature Documentary and the juried award for Best Bay Area Documentary at the 2023 SFFILM Festival. Alongside creative pursuits, she has an established career in the nonprofit sector.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Todd Sills\u003cbr>\n\u003c/b>\u003cb>Co-Director, Co-Producer\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Todd is a documentary filmmaker and television producer currently based in the Bay Area. Todd directed and produced the short film that inspired \u003cstrong>\u003ci>Home Is a Hotel \u003c/i>\u003c/strong>with Kevin in 2016. Todd produced and co-directed the feature documentary \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Red Without Blue\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, which received the Audience Award from the Slamdance Film Festival and the Jury Award from the Frameline Film Festival, among others. Before being acquired by the Sundance Channel, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Red Without Blue\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> screened at film festivals, universities, and museums all around the world, and garnered glowing reviews in the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">San Francisco Chronicle\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Los Angeles Times\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Advocate\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Seattle Times\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Guardian\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>__________________________________________\u003c/p>\n\u003cp>\u003cb>About APT\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">American Public Television (APT) is the leading syndicator of high-quality, top-rated programming to the nation’s public television stations. Founded in 1961, APT distributes 250 new program titles per year and nearly one-half of the top 100 highest-rated public television titles in the U.S. APT’s diverse catalog includes prominent documentaries, performance, dramas, how-to programs, classic movies, children’s series and news and current affairs programs. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">America’s Test Kitchen, The Best of the Joy of Painting\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> with Bob Ross, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Chavis Chronicles,\u003c/span>\u003c/i> \u003ci>\u003cspan style=\"font-weight: 400\">Christopher Kimball’s Milk Street Television, Doc Martin, Hope Street, Lidia’s Kitchen, Midsomer Murders, Miriam and Alan Lost in Scotland, Pati’s Mexican Table, Rick Steves’ Europe, Samantha Brown’s Places to Love, Table for All with Buki Elegbede, Willie Nelson’s 90th Birthday Celebration\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">NHK Newsline\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> are a sampling of APT’s programs, considered some of the most popular on public television. APT also licenses programs internationally through its APT Worldwide service and distributes Create®TV — featuring the best of public television’s lifestyle programming — and WORLD™, public television’s premier news, science and documentary channel. More information at \u003c/span>\u003ca href=\"http://aptonline.org\">\u003cspan style=\"font-weight: 400\">APTonline.org\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cb>About KQED Presents\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">KQED Presents is the national television distribution service of KQED, the San Francisco-based PBS and NPR member station. Since 1987, KQED Presents has worked with independent producers to bring the highest-quality documentary films and series to public television stations across the country. KQED Presents guides producers through the complexities of public media distribution, ensuring their programs meet all technical, editorial, and funding standards necessary for national broadcast. \u003c/span>\u003ca href=\"http://kqed.org/about/kqed-presents\">\u003cspan style=\"font-weight: 400\">kqed.org/about/kqed-presents\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\n",
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"title": "Award-Winning Documentary 'Home Is a Hotel' Explores the Reality of San Francisco’s SRO Housing | KQED",
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"subhead": "THE SAN FRANCISCO FILM FEST-WINNING DOCUMENTARY PREMIERES NATIONALLY ON PUBLIC MEDIA STATIONS IN MAY ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">SAN FRANCISCO, CA —\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> Could you fit your whole life into a single room? That is the question posed by \u003c/span>\u003cb>\u003ci>Home Is a Hotel\u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\">, the KQED Presents documentary premiering on public television stations nationwide this May.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As cities across America struggle with homelessness and housing affordability, \u003c/span>\u003cb>\u003ci>Home Is a Hotel\u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\"> examines San Francisco’s decades-old decision to use aging, cramped Single Room Occupancy (SRO) units to address these crises. The film captures the profound impact of this policy on those searching for safe, affordable housing today.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Filmed over the course of six years, the documentary follows five residents living in SRO hotels—sometimes with their entire families—in rooms as small as 80-square feet. Through intimate portraits, this character-driven, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">verité\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> film immerses viewers in the reality of calling a single room “home” in the heart of one of America’s wealthiest cities.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The film highlights diverse and poignant stories: an immigrant single mother supporting aging parents in Chinatown; a blind songwriter fighting harassment and eviction; an ex-couple in recovery co-parenting their six-year-old son; an artist painting murals for the tech companies gentrifying his neighborhood; and a determined mother on a quest to find her runaway daughter. All are striving to better their lives within the four walls of a single room.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Following its premiere at the San Francisco International Film Festival—where it won the Audience Award and the juried McBaine Award for Best Bay Area Documentary—\u003c/span>\u003cb>\u003ci>Home Is a Hotel\u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\"> has screened from coast to coast, including at Big Sky Doc Fest, the Austin Film Festival, and New Filmmakers LA.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“It’s been heartening and somewhat surprising to see the response from audiences all over the country” say the filmmakers. “From rural Georgia, to a college town in Montana, to New York City, everywhere we’ve screened the film it’s resonated with audiences. It really highlights what a national issue housing affordability is. We hope that, if anything, our film helps audiences identify with everyday working people who are struggling to keep a roof over their heads and see how affordable housing is essential for a healthy community”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Emphasizing the cyclical nature of poverty and housing insecurity, the film features several adults who experienced homelessness as youth and hope to break that cycle for the next generation. “Going through this film actually gave me more insight about how strong I actually am,” says Jacque, a participant in the film. “I appreciate the film for that, and I hope someone else can get that same sort of insight from watching it.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Another participant, Sylvester, highlights the precarity of the “at risk” population: “[The documentary] tells about how bad things can go in a blink of an eye. One bad decision on the road and you can be in this boat. You know, we don’t have the safety net of a state that takes care or understands or has empathy for people that are in poor situations.”\u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003ci>Home Is a Hotel\u003c/i>\u003c/b> \u003cspan style=\"font-weight: 400\">will air on PBS stations nationwide starting May 1, 2026 (\u003c/span>\u003ca href=\"https://www.pbs.org/tv_schedules/\">\u003cspan style=\"font-weight: 400\">check local listings\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">) with a feature-length version streaming available on the PBS App and \u003c/span>\u003ca href=\"https://www.pbs.org/show/life-unearthed-with-ariel-waldman/\">\u003cspan style=\"font-weight: 400\">PBS.org\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. KQED 9 will air the film on May 11 at 9pm.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">American Public Television (APT), the leading syndicator of high-quality programming to public television, will distribute \u003c/span>\u003cstrong>\u003ci>Home Is a Hotel\u003c/i>\u003c/strong>\u003cspan style=\"font-weight: 400\">. KQED serves as the presenting station.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Media Contact:\u003c/b>\u003cspan style=\"font-weight: 400\"> For more information or to request a press screener, contact: \u003c/span>\u003ca href=\"mailto:info@homeisahotel.com\">\u003cb>info@homeisahotel.com\u003c/b>\u003c/a>\u003cbr>\n\u003cb>\u003c/b>\u003c/p>\n\u003ch3>\u003cb>Press Materials\u003c/b>\u003c/h3>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://docs.google.com/document/d/1KvcaNoNGUJtaLhwXwdYcOrAQ0JqcR-o9l3kqkSaBPyk/edit?usp=sharing\">\u003cspan style=\"font-weight: 400\">Electronic Press Kit\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1Y1UEi3aZ_bAL-ivbrt35six-z4fGbUGT?usp=sharing\">\u003cspan style=\"font-weight: 400\">Promotional Images\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1cqbPgsaZj1CcJ9D50x5VKTtrCIURhRQh?usp=drive_link\">\u003cspan style=\"font-weight: 400\">Press Clips\u003c/span>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>__________________________________________\u003c/p>\n\u003ch3>\u003cb>About the Directors\u003c/b>\u003c/h3>\n\u003cp>\u003cb>Kevin Duncan Wong\u003cbr>\n\u003c/b>\u003cb>Director, Producer, Co-Cinematographer\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">\u003cstrong>\u003ci>Home Is a Hotel\u003c/i>\u003c/strong> is Kevin’s feature debut and was supported by Sundance, SFFILM, BAVC, and the Center for Asian American Media (CAAM), among others. The short film that inspired \u003cstrong>\u003ci>Home Is a Hotel\u003c/i>\u003c/strong> won several awards, including the Loni Ding Award for Social Justice Documentary at CAAMFest and Best Short Documentary at Cinequest. His other non-fiction films have played at festivals across the country including Big Sky, SFFILM and Cinequest, and have been featured on PBS and in \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Washington Post\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. His narrative films include \u003cem>Forgetting\u003c/em>, an adaptation of an episode of WNYC’s Radiolab, and \u003cem>Jus Soli\u003c/em>, a Sci-Fi thriller about immigration and data privacy starring Lynn Chen. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">He is currently developing a narrative film about gentrification in San Francisco Chinatown which was a 2025 Kenneth Rainin Grantee. He is a former Sundance Humanities Sustainability Fellow, SFFILMFilmhouse resident, BAVC Media Maker fellow, and member of the California Creative Corps.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Kar Yin Tham\u003cbr>\n\u003c/b>\u003cb>Co-Director, Producer\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Kar Yin Tham is an independent filmmaker based in San Francisco. Working both in narrative and documentary films, she’s helped produce projects that have won awards at film festivals nationally and internationally, including Best Short (\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Adrift in Sunset\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">) and Best Narrative Feature (\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Collisions\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">). Kar Yin co-directed and produced \u003cstrong>\u003ci>Home Is a Hotel\u003c/i>\u003c/strong>, which won the audience award for Best Feature Documentary and the juried award for Best Bay Area Documentary at the 2023 SFFILM Festival. Alongside creative pursuits, she has an established career in the nonprofit sector.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Todd Sills\u003cbr>\n\u003c/b>\u003cb>Co-Director, Co-Producer\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Todd is a documentary filmmaker and television producer currently based in the Bay Area. Todd directed and produced the short film that inspired \u003cstrong>\u003ci>Home Is a Hotel \u003c/i>\u003c/strong>with Kevin in 2016. Todd produced and co-directed the feature documentary \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Red Without Blue\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, which received the Audience Award from the Slamdance Film Festival and the Jury Award from the Frameline Film Festival, among others. Before being acquired by the Sundance Channel, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Red Without Blue\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> screened at film festivals, universities, and museums all around the world, and garnered glowing reviews in the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">San Francisco Chronicle\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Los Angeles Times\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Advocate\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Seattle Times\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Guardian\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>__________________________________________\u003c/p>\n\u003cp>\u003cb>About APT\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">American Public Television (APT) is the leading syndicator of high-quality, top-rated programming to the nation’s public television stations. Founded in 1961, APT distributes 250 new program titles per year and nearly one-half of the top 100 highest-rated public television titles in the U.S. APT’s diverse catalog includes prominent documentaries, performance, dramas, how-to programs, classic movies, children’s series and news and current affairs programs. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">America’s Test Kitchen, The Best of the Joy of Painting\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> with Bob Ross, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Chavis Chronicles,\u003c/span>\u003c/i> \u003ci>\u003cspan style=\"font-weight: 400\">Christopher Kimball’s Milk Street Television, Doc Martin, Hope Street, Lidia’s Kitchen, Midsomer Murders, Miriam and Alan Lost in Scotland, Pati’s Mexican Table, Rick Steves’ Europe, Samantha Brown’s Places to Love, Table for All with Buki Elegbede, Willie Nelson’s 90th Birthday Celebration\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">NHK Newsline\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> are a sampling of APT’s programs, considered some of the most popular on public television. APT also licenses programs internationally through its APT Worldwide service and distributes Create®TV — featuring the best of public television’s lifestyle programming — and WORLD™, public television’s premier news, science and documentary channel. More information at \u003c/span>\u003ca href=\"http://aptonline.org\">\u003cspan style=\"font-weight: 400\">APTonline.org\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cb>SAN FRANCISCO, CA\u003c/b>\u003cspan style=\"font-weight: 400\"> — To celebrate Earth Month, KQED Presents invites viewers to see the natural world through a radical new lens with the premiere of \u003c/span>\u003cstrong>\u003ci>LIFE UNEARTHED with Ariel Waldman\u003c/i>\u003c/strong>\u003cspan style=\"font-weight: 400\">. Premiering on PBS stations across the country in April, this visually striking six-part docuseries explores Earth’s ecosystems through dramatic shifts in scale—from microscopic organisms to the planet’s most iconic wildlife.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Created and hosted by explorer Ariel Waldman, the series journeys from the deepest roots beneath our feet to the distant possibilities of life on icy moons beyond our atmosphere. By examining life from the microscopic to the interplanetary, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">LIFE UNEARTHED\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> challenges our understanding of the interconnectedness of all living things.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The first season features six 30-minute episodes that transition between two fascinating and mysterious environments:\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/p>\n\u003cul>\n\u003cli>\u003cb>Antarctica (Episodes 1-3):\u003c/b>\u003cspan style=\"font-weight: 400\"> Viewers follow Waldman on a solo-filmed expedition to the Dry Valleys, the planet’s most extreme and alien landscape. The series uncovers hidden wonders like tardigrades beneath the ice and explores “Mars-like” regions such as Beacon Valley to understand how life might survive on other planets.\u003c/span>\u003c/li>\n\u003cli>\u003cb>The American Prairies (Episodes 4-6):\u003c/b>\u003cspan style=\"font-weight: 400\"> The series discovers the wild depths of the tallgrass prairies, revealing a hidden world where bison shape the land and invisible underground networks sustain a resilient yet fragile ecosystem.\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cspan style=\"font-weight: 400\">“We often think of ‘nature’ only as the big, charismatic animals we see with the naked eye, but there is an entire wild world hidden in the moss, the soil, and even deep beneath the Antarctic ice,” said Ariel Waldman, creator and host. “By looking at life through different scales, we start to see the unexpected connections that sustain our world. My hope is that this series inspires viewers to both look closer and think expansively about life, the universe, and everything.”\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003ci>LIFE UNEARTHED with Ariel Waldman\u003c/i>\u003c/strong>\u003cspan style=\"font-weight: 400\"> will air on PBS stations nationwide starting April 1, 2026 (\u003c/span>\u003ca href=\"https://www.pbs.org/tv_schedules/\">\u003cspan style=\"font-weight: 400\">check local listings\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">) with streaming available on the PBS App and \u003c/span>\u003ca href=\"https://www.pbs.org/show/life-unearthed-with-ariel-waldman/\">\u003cspan style=\"font-weight: 400\">PBS.org\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. KQED 9 will premiere the series weekly on Wednesdays at 7:30pm April 1 through May 6.\u003c/span>\u003c/p>\n\u003ch4>\u003cb>About Ariel Waldman\u003c/b>\u003c/h4>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ariel Waldman is a National Geographic Explorer, filmmaker, TED speaker, and author. For over a decade, she has served as an advisor to NASA on astrobiology, human spaceflight, and advanced technologies. In 2013, she was honored by the Obama White House as a “Champion of Change” for her work in citizen science. Her distinguished career includes chairing NASA’s Innovative Advanced Concepts advisory council and serving as the global director of Science Hack Day, a grassroots initiative to prototype ideas with science spanning 30 countries. She lives in San Francisco and enjoys collaborating with researchers to illuminate the unseen corners of our world.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For more information, please visit\u003c/span> \u003ca href=\"http://arielwaldman.com\">\u003cspan style=\"font-weight: 400\">arielwaldman.com\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Media Contact:\u003c/span> \u003cspan style=\"font-weight: 400\">Ariel Waldman, \u003c/span>\u003ca href=\"mailto:ariel@arielwaldman.com\">\u003cspan style=\"font-weight: 400\">ariel@arielwaldman.com\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003ch4>\u003cb>Funders and Production\u003c/b>\u003c/h4>\n\u003cp>\u003cspan style=\"font-weight: 400\">Executive Producers for \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">LIFE UNEARTHED with Ariel Waldman\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> are KQED and Artemis Independent. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For more information, please visit\u003c/span> \u003ca href=\"http://arielwaldman.com\">\u003cspan style=\"font-weight: 400\">arielwaldman.com\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Media Contact:\u003c/span> \u003cspan style=\"font-weight: 400\">Ariel Waldman, \u003c/span>\u003ca href=\"mailto:ariel@arielwaldman.com\">\u003cspan style=\"font-weight: 400\">ariel@arielwaldman.com\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003ch4>\u003cb>Funders and Production\u003c/b>\u003c/h4>\n\u003cp>\u003cspan style=\"font-weight: 400\">Executive Producers for \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">LIFE UNEARTHED with Ariel Waldman\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> are KQED and Artemis Independent. Funding is provided by the National Geographic Society, the U.S. National Science Foundation, Northern Illinois University, the Henderson Family Foundation, and individual donors.\u003c/span>\u003c/p>\n\u003ch4>\u003cb>Press Materials\u003c/b>\u003c/h4>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1oJSuEOljQwYaGb3e9tq9V3TPIry1yshA?usp=sharing\">\u003cspan style=\"font-weight: 400\">Promotional Images & Graphics\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://docs.google.com/document/d/1LdHVMdTQFd89kbHlXqdC9TYLmyAtO_jNgPKvlvdhW1E/edit?usp=drive_link\">\u003cspan style=\"font-weight: 400\">Series & Episode Descriptions\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://www.pbs.org/show/life-unearthed-with-ariel-waldman/\">\u003cspan style=\"font-weight: 400\">Series & Episode Promos\u003c/span>\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://docs.google.com/document/d/1ZO_K1ZFedPcP4zHlSyViYtBqoTuf68xLFu62ueSJqbY/edit?usp=sharing\">Social Toolkit\u003c/a>\u003c/li>\n\u003c/ul>\n\u003ch4>\u003cb>About KQED Presents\u003c/b>\u003c/h4>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">KQED Presents is the national television distribution service of KQED, the San Francisco-based PBS and NPR member station. Since 1987, KQED Presents has worked with independent producers to bring the highest-quality documentary films and series to public television stations across the country. KQED Presents guides producers through the complexities of public media distribution, ensuring their programs meet all technical, editorial, and funding standards necessary for national broadcast. \u003c/span>\u003ca href=\"https://www.kqed.org/about/kqed-presents\">\u003cspan style=\"font-weight: 400\">kqed.org/about/kqed-presents\u003c/span>\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">SAN FRANCISCO, CA — KQED is proud to present \u003c/span>\u003cb>“Many Roads Forward,”\u003c/b>\u003cspan style=\"font-weight: 400\"> the newest two-episode series from Roadtrip Nation. The series showcases how individuals are upskilling into promising new career paths through short-term learning programs, offering a flexible alternative to traditional degree paths. The series premieres on public television stations nationwide in March 2026.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For many, four-year and two-year degree programs are not feasible due to cost or lifestyle constraints. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Roadtrip Nation: \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">“Many Roads Forward” follows three individuals as they discover pathways designed to fit unique life circumstances. The series highlights how microcredential programs allow people to create the lives they envision without putting their entire lives on hold.\u003c/span>\u003c/p>\n\u003ch4>\u003cb>The Roadtrippers\u003c/b>\u003c/h4>\n\u003cp>\u003cb>Tawie \u003c/b>\u003cspan style=\"font-weight: 400\">came to the U.S. from Zimbabwe with hopes of pursuing a degree in chemistry. But as the cost of college became too overwhelming, he was forced to drop out and find another path. Now, a recent graduate of an information technology (IT) bootcamp—and valedictorian of his class—Tawie has opened up promising new roads for his next chapter, and is looking forward to speaking with leaders who have similarly overcome obstacles and found stability in their careers after completing IT certifications. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dafina \u003c/b>\u003cspan style=\"font-weight: 400\">is a proud mother of three who’s learning how to balance the responsibilities of parenthood with trying to find her own path. After losing her job in 2022, her career journey was recently reinvigorated by multiple microcredential programs, including an IT compliance internship at Costco. With interests in cybersecurity, AI, project management, supply chain, government, and entrepreneurship, she’s motivated to help organizations shape governance, risk and compliance, and is eager to connect with leaders across these diverse fields, believing that exposure to these different perspectives will help to broaden her own horizons. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ronnie \u003c/b>\u003cspan style=\"font-weight: 400\">always knew that a four-year degree wasn’t the right next step for him. So, as a senior in high school, he decided to enroll in a short-term learning program after graduation—a pathway he wishes more high school students knew about. While completing his IT program, he found support and community by teaching Muay Thai on the side, and now feels split between pursuing a financially stable path in IT, versus following his passion for Muay Thai. He’s hoping to speak with leaders who understand his multiple passions, and can show him how to combine his interests into one fulfilling career. \u003c/span>\u003c/p>\n\u003ch4>\u003cb>A Message of Opportunity\u003c/b>\u003c/h4>\n\u003cp>\u003cspan style=\"font-weight: 400\">This series speaks directly to those looking to advance their education or careers through flexible means. It highlights the reality that there are pathways available to meet people where they are, proving that career growth is possible at any stage of life.\u003c/span>\u003c/p>\n\u003ch4>\u003cb>Broadcast & Streaming Details\u003c/b>\u003c/h4>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Roadtrip Nation\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is made available to public television by \u003c/span>\u003cb>KQED Presents\u003c/b>\u003cspan style=\"font-weight: 400\">, the national distribution service of San Francisco-based public media station KQED.\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cb>National Airing:\u003c/b>\u003cspan style=\"font-weight: 400\"> Starting March 1, 2026 (\u003c/span>\u003ca href=\"https://www.pbs.org/tv_schedules/\">\u003cspan style=\"font-weight: 400\">check local listings\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">)\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cb>Streaming:\u003c/b>\u003cspan style=\"font-weight: 400\"> Available on the PBS app and \u003c/span>\u003ca href=\"http://pbs.org\">\u003cspan style=\"font-weight: 400\">PBS.org\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cb>KQED 9 (Local):\u003c/b>\u003cspan style=\"font-weight: 400\"> Airing Friday, \u003c/span>\u003cb>March 27\u003c/b>\u003cspan style=\"font-weight: 400\"> and Friday, \u003c/span>\u003cb>April 3\u003c/b>\u003cspan style=\"font-weight: 400\"> at 8:00 PM\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cspan style=\"font-weight: 400\">—\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>For more information about the documentary, contact:\u003c/strong>\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Dan Ford\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">949-764-9121\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">dford@roadtripnation.org\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">—\u003c/span>\u003c/p>\n\u003ch4>\u003cb>Featured Leaders and Locations:\u003c/b>\u003c/h4>\n\u003cp>\u003cb>Trelisa Glazatov\u003cbr>\n\u003c/b>\u003cb>Faculty Member of Instructional Design, Calbright College\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Costa Mesa, CA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Stephanie Feger\u003cbr>\n\u003c/b>\u003cb>Program Director of Career Education and Workforce Development, Coast Community College District\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Costa Mesa, CA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Natalie Johnson\u003cbr>\n\u003c/b>\u003cb>Information Technology Security Administrator, Broward County Government & Aviation Department\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Dania Beach, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Kimo Thompson\u003cbr>\n\u003c/b>\u003cb>Lieutenant Firefighter & Paramedic, City of Fort Lauderdale Fire Department\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Fort Lauderdale, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jodene Gordon\u003cbr>\n\u003c/b>\u003cb>Professional Development Manager, Per Scholas\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Philadelphia, PA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Matthew Heartsfield\u003cbr>\n\u003c/b>\u003cb>Information Technology Manager, Margolis Edelstein\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Philadelphia, PA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Greg Walton\u003cbr>\n\u003c/b>\u003cb>IT Support Engineer, Massachusetts Institute of Technology\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Canton, MA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Craig Maxwell\u003cbr>\n\u003c/b>\u003cb>Sr. Service Desk Support Analyst, SG Computers Inc.\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Waltham, MA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Michael Baldwin, Jr.\u003cbr>\n\u003c/b>\u003cb>Associate Director of Advisory Services & Learning, Grads of Life\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Seattle, WA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Amy Ecklund\u003cbr>\n\u003c/b>\u003cb>President & Owner, AmyWorks, Inc.\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Seattle, WA\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">—\u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003ci>Roadtrip Nation: Many Roads Forward \u003c/i>\u003c/b>\u003cb>is made possible\u003c/b> \u003cb>by \u003c/b>\u003ca href=\"https://www.citizensbank.com/about-us/overview.aspx\">\u003cb>Citizens\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003cb>Distributor: \u003c/b>\u003cspan style=\"font-weight: 400\">American Public Television (APT)\u003cbr>\n\u003c/span>\u003cb>Presenting Station: \u003c/b>\u003cspan style=\"font-weight: 400\">KQED, San Francisco\u003c/span>\u003c/p>\n\u003cp>\u003cb>Websites and Social Media\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003ca href=\"http://www.roadtripnation.com/\">\u003cspan style=\"font-weight: 400\">roadtripnation.com\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://youtube.com/roadtripnation\">\u003cspan style=\"font-weight: 400\">youtube.com/roadtripnation\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://www.twitter.com/RoadtripNation\">\u003cspan style=\"font-weight: 400\">x.com/RoadtripNation\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003ca href=\"http://www.facebook.com/RoadtripNation\">\u003cspan style=\"font-weight: 400\">facebook.com/RoadtripNation\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003ca href=\"https://www.instagram.com/roadtripnation/\">\u003cspan style=\"font-weight: 400\">instagram.com/roadtripnation\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://tiktok.com/@roadtripnation\">\u003cspan style=\"font-weight: 400\">tiktok.com/@roadtripnation\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003ca href=\"http://threads.net/@roadtripnation\">\u003cspan style=\"font-weight: 400\">threads.net/@roadtripnation\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cb>About APT\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">American Public Television (APT) is the leading syndicator of high-quality, top-rated programming to the nation’s public television stations. Founded in 1961, APT distributes 250 new program titles per year and more than one-third of the top 100 highest-rated public television titles in the U.S. APT’s diverse catalog includes prominent documentaries, performance, dramas, how-to programs, classic movies, children’s series and news and current affairs programs. Midsomer Murders, America’s Test Kitchen, AfroPoP, Rick Steves’ Europe, Pacific Heartbeat, Christopher Kimball’s Milk Street Television, The Indian Doctor, Legacy List with Matt Paxton, Lidia’s Kitchen, Kevin Belton’s New Orleans Kitchen, Simply Ming, The Best of the Joy of Painting with Bob Ross, Front & Center, James Patterson’s Kid Stew and NHK Newsline are a sampling of APT’s programs, considered some of the most popular on public television. APT also licenses programs internationally through its APT Worldwide service and distributes Create®TV — featuring the best of public television’s lifestyle programming — and WORLD™, public television’s premier news, science and documentary channel. \u003c/span>\u003ca href=\"https://www.aptonline.org/\">\u003cspan style=\"font-weight: 400\">aptonline.org\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>About KQED Presents\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">KQED Presents is the national television distribution service of KQED, the San Francisco-based PBS and NPR member station. Since 1987, KQED Presents has worked with independent producers to bring the highest-quality documentary films and series to public television stations across the country. KQED Presents guides producers through the complexities of public media distribution, ensuring their programs meet all technical, editorial, and funding standards necessary for national broadcast. \u003c/span>\u003ca href=\"https://www.kqed.org/about/kqed-presents\">\u003cspan style=\"font-weight: 400\">kqed.org/about/kqed-presents\u003c/span>\u003c/a>\u003c/p>\n\n",
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"title": "Roadtrip Nation Explores Short-term Learning Programs in 'Many Roads Forward' | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">SAN FRANCISCO, CA — KQED is proud to present \u003c/span>\u003cb>“Many Roads Forward,”\u003c/b>\u003cspan style=\"font-weight: 400\"> the newest two-episode series from Roadtrip Nation. The series showcases how individuals are upskilling into promising new career paths through short-term learning programs, offering a flexible alternative to traditional degree paths. The series premieres on public television stations nationwide in March 2026.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For many, four-year and two-year degree programs are not feasible due to cost or lifestyle constraints. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Roadtrip Nation: \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">“Many Roads Forward” follows three individuals as they discover pathways designed to fit unique life circumstances. The series highlights how microcredential programs allow people to create the lives they envision without putting their entire lives on hold.\u003c/span>\u003c/p>\n\u003ch4>\u003cb>The Roadtrippers\u003c/b>\u003c/h4>\n\u003cp>\u003cb>Tawie \u003c/b>\u003cspan style=\"font-weight: 400\">came to the U.S. from Zimbabwe with hopes of pursuing a degree in chemistry. But as the cost of college became too overwhelming, he was forced to drop out and find another path. Now, a recent graduate of an information technology (IT) bootcamp—and valedictorian of his class—Tawie has opened up promising new roads for his next chapter, and is looking forward to speaking with leaders who have similarly overcome obstacles and found stability in their careers after completing IT certifications. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dafina \u003c/b>\u003cspan style=\"font-weight: 400\">is a proud mother of three who’s learning how to balance the responsibilities of parenthood with trying to find her own path. After losing her job in 2022, her career journey was recently reinvigorated by multiple microcredential programs, including an IT compliance internship at Costco. With interests in cybersecurity, AI, project management, supply chain, government, and entrepreneurship, she’s motivated to help organizations shape governance, risk and compliance, and is eager to connect with leaders across these diverse fields, believing that exposure to these different perspectives will help to broaden her own horizons. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ronnie \u003c/b>\u003cspan style=\"font-weight: 400\">always knew that a four-year degree wasn’t the right next step for him. So, as a senior in high school, he decided to enroll in a short-term learning program after graduation—a pathway he wishes more high school students knew about. While completing his IT program, he found support and community by teaching Muay Thai on the side, and now feels split between pursuing a financially stable path in IT, versus following his passion for Muay Thai. He’s hoping to speak with leaders who understand his multiple passions, and can show him how to combine his interests into one fulfilling career. \u003c/span>\u003c/p>\n\u003ch4>\u003cb>A Message of Opportunity\u003c/b>\u003c/h4>\n\u003cp>\u003cspan style=\"font-weight: 400\">This series speaks directly to those looking to advance their education or careers through flexible means. It highlights the reality that there are pathways available to meet people where they are, proving that career growth is possible at any stage of life.\u003c/span>\u003c/p>\n\u003ch4>\u003cb>Broadcast & Streaming Details\u003c/b>\u003c/h4>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Roadtrip Nation\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is made available to public television by \u003c/span>\u003cb>KQED Presents\u003c/b>\u003cspan style=\"font-weight: 400\">, the national distribution service of San Francisco-based public media station KQED.\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cb>National Airing:\u003c/b>\u003cspan style=\"font-weight: 400\"> Starting March 1, 2026 (\u003c/span>\u003ca href=\"https://www.pbs.org/tv_schedules/\">\u003cspan style=\"font-weight: 400\">check local listings\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">)\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cb>Streaming:\u003c/b>\u003cspan style=\"font-weight: 400\"> Available on the PBS app and \u003c/span>\u003ca href=\"http://pbs.org\">\u003cspan style=\"font-weight: 400\">PBS.org\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cb>KQED 9 (Local):\u003c/b>\u003cspan style=\"font-weight: 400\"> Airing Friday, \u003c/span>\u003cb>March 27\u003c/b>\u003cspan style=\"font-weight: 400\"> and Friday, \u003c/span>\u003cb>April 3\u003c/b>\u003cspan style=\"font-weight: 400\"> at 8:00 PM\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cspan style=\"font-weight: 400\">—\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>For more information about the documentary, contact:\u003c/strong>\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Dan Ford\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">949-764-9121\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">dford@roadtripnation.org\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">—\u003c/span>\u003c/p>\n\u003ch4>\u003cb>Featured Leaders and Locations:\u003c/b>\u003c/h4>\n\u003cp>\u003cb>Trelisa Glazatov\u003cbr>\n\u003c/b>\u003cb>Faculty Member of Instructional Design, Calbright College\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Costa Mesa, CA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Stephanie Feger\u003cbr>\n\u003c/b>\u003cb>Program Director of Career Education and Workforce Development, Coast Community College District\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Costa Mesa, CA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Natalie Johnson\u003cbr>\n\u003c/b>\u003cb>Information Technology Security Administrator, Broward County Government & Aviation Department\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Dania Beach, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Kimo Thompson\u003cbr>\n\u003c/b>\u003cb>Lieutenant Firefighter & Paramedic, City of Fort Lauderdale Fire Department\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Fort Lauderdale, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jodene Gordon\u003cbr>\n\u003c/b>\u003cb>Professional Development Manager, Per Scholas\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Philadelphia, PA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Matthew Heartsfield\u003cbr>\n\u003c/b>\u003cb>Information Technology Manager, Margolis Edelstein\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Philadelphia, PA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Greg Walton\u003cbr>\n\u003c/b>\u003cb>IT Support Engineer, Massachusetts Institute of Technology\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Canton, MA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Craig Maxwell\u003cbr>\n\u003c/b>\u003cb>Sr. Service Desk Support Analyst, SG Computers Inc.\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Waltham, MA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Michael Baldwin, Jr.\u003cbr>\n\u003c/b>\u003cb>Associate Director of Advisory Services & Learning, Grads of Life\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Seattle, WA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Amy Ecklund\u003cbr>\n\u003c/b>\u003cb>President & Owner, AmyWorks, Inc.\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Seattle, WA\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">—\u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003ci>Roadtrip Nation: Many Roads Forward \u003c/i>\u003c/b>\u003cb>is made possible\u003c/b> \u003cb>by \u003c/b>\u003ca href=\"https://www.citizensbank.com/about-us/overview.aspx\">\u003cb>Citizens\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003cb>Distributor: \u003c/b>\u003cspan style=\"font-weight: 400\">American Public Television (APT)\u003cbr>\n\u003c/span>\u003cb>Presenting Station: \u003c/b>\u003cspan style=\"font-weight: 400\">KQED, San Francisco\u003c/span>\u003c/p>\n\u003cp>\u003cb>Websites and Social Media\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003ca href=\"http://www.roadtripnation.com/\">\u003cspan style=\"font-weight: 400\">roadtripnation.com\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://youtube.com/roadtripnation\">\u003cspan style=\"font-weight: 400\">youtube.com/roadtripnation\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://www.twitter.com/RoadtripNation\">\u003cspan style=\"font-weight: 400\">x.com/RoadtripNation\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003ca href=\"http://www.facebook.com/RoadtripNation\">\u003cspan style=\"font-weight: 400\">facebook.com/RoadtripNation\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003ca href=\"https://www.instagram.com/roadtripnation/\">\u003cspan style=\"font-weight: 400\">instagram.com/roadtripnation\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://tiktok.com/@roadtripnation\">\u003cspan style=\"font-weight: 400\">tiktok.com/@roadtripnation\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003ca href=\"http://threads.net/@roadtripnation\">\u003cspan style=\"font-weight: 400\">threads.net/@roadtripnation\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cb>About APT\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">American Public Television (APT) is the leading syndicator of high-quality, top-rated programming to the nation’s public television stations. Founded in 1961, APT distributes 250 new program titles per year and more than one-third of the top 100 highest-rated public television titles in the U.S. APT’s diverse catalog includes prominent documentaries, performance, dramas, how-to programs, classic movies, children’s series and news and current affairs programs. Midsomer Murders, America’s Test Kitchen, AfroPoP, Rick Steves’ Europe, Pacific Heartbeat, Christopher Kimball’s Milk Street Television, The Indian Doctor, Legacy List with Matt Paxton, Lidia’s Kitchen, Kevin Belton’s New Orleans Kitchen, Simply Ming, The Best of the Joy of Painting with Bob Ross, Front & Center, James Patterson’s Kid Stew and NHK Newsline are a sampling of APT’s programs, considered some of the most popular on public television. APT also licenses programs internationally through its APT Worldwide service and distributes Create®TV — featuring the best of public television’s lifestyle programming — and WORLD™, public television’s premier news, science and documentary channel. \u003c/span>\u003ca href=\"https://www.aptonline.org/\">\u003cspan style=\"font-weight: 400\">aptonline.org\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>About KQED Presents\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">KQED Presents is the national television distribution service of KQED, the San Francisco-based PBS and NPR member station. Since 1987, KQED Presents has worked with independent producers to bring the highest-quality documentary films and series to public television stations across the country. KQED Presents guides producers through the complexities of public media distribution, ensuring their programs meet all technical, editorial, and funding standards necessary for national broadcast. \u003c/span>\u003ca href=\"https://www.kqed.org/about/kqed-presents\">\u003cspan style=\"font-weight: 400\">kqed.org/about/kqed-presents\u003c/span>\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"headTitle": "KQED Presents Awe-Inspiring Documentary ‘Giants Rising’ About Coast Redwoods on PBS in November | KQED",
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"content": "\u003cp>\u003cb>SAN FRANCISCO, CA\u003c/b>\u003cspan style=\"font-weight: 400\"> — KQED proudly announces the upcoming PBS premiere of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">GIANTS RISING\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, a breathtaking new documentary that takes viewers on an unforgettable journey into the heart of America’s most iconic forests. Through stunning cinematography, vivid animation, and powerful storytelling, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">GIANTS RISING\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> unveils the secrets, superpowers, and saga of the coast redwoods—the tallest and among the oldest living beings on Earth.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This epic tale celebrates the redwoods’ majesty and mystery while revealing our deep, ever-evolving relationship with them. Living links to the past, these towering giants also hold clues to humanity’s future. Their extraordinary resilience—able to withstand fire, capture carbon, and nurture life across centuries—offers lessons in adaptation, balance, and hope in the face of a rapidly changing planet.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Through the voices of scientists, artists, Native community leaders, and others whose lives are intertwined with these remarkable trees, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">GIANTS RISING\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> explores the redwoods’ profound ecological importance and their enduring place in our cultural imagination.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">GIANTS RISING\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is more than a film about redwoods,” said Lisa Landers, producer and director of the film. “It’s a story about resilience, renewal, and our shared connection to the natural world. The awe that redwoods inspire is a gateway to accessing a deeper sense of connection to forests everywhere—and to understanding why it’s in our best interest to take care of them.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In an era when people are more likely to turn on a device than go for a walk in the woods, this cinematic experience can be a powerful tool for rekindling a sense of connection not just to redwoods but to all forests, inspiring people to get out into the trees wherever they live and reap the profound benefits to our physical, emotional and social well-being. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the film, UC Irvine social psychologist Dr. Paul Piff says, “redwoods and time in nature are one of the primary ways that people get to be reminded that I am a small part of this bigger world, and that I need to do things to help protect it and make sure that others get to experience it as well.” Dr. Piff also notes that being among trees for just 60 seconds can make us feel happier, less stressed and more compassionate—and that similar effects can occur simply by viewing images of trees. Thus, by watching \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">GIANTS RISING\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, viewers may experience some of these remarkable benefits firsthand.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">From the mist-shrouded coastlines of Northern California to the sun-dappled groves of ancient giants, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">GIANTS RISING\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> immerses viewers in a realm of wonder. Each frame captures not only the redwoods’ grandeur but also their vital role in the global story of climate, conservation, and human well-being. At its heart, the film is a tale about connecting with nature’s wonders, acknowledging what has been lost, and understanding the value of working together to restore what remains. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">GIANTS RISING\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> will air on PBS stations nationwide starting November 1, 2025 (check local listings) with streaming available on the PBS app and \u003ca href=\"https://www.pbs.org/\">PBS.org\u003c/a>. KQED will air the film on its television channels as follows: Saturday, 11/22 at 7pm on KQED Plus and Wednesday, 11/26 at 8pm on KQED 9.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For more information, please visit\u003c/span> \u003ca href=\"http://giantsrising.com\">\u003cspan style=\"font-weight: 400\">giantsrising.com\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Media Contact:\u003c/span> \u003cspan style=\"font-weight: 400\">Lisa Landers, \u003c/span>\u003ca href=\"mailto:lisa@tangentproductions.com\">\u003cspan style=\"font-weight: 400\">lisa@tangentproductions.com\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003ch3>\u003cb>Press Materials:\u003c/b>\u003c/h3>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1T1XX9P5vxu7y8uKqjaIzMGq1kitBTeeh?usp=drive_link\">\u003cspan style=\"font-weight: 400\">Images & Captions\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1B3dzYX8KdB892C-PrbYyVN788yHe35It?usp=drive_link\">\u003cspan style=\"font-weight: 400\">Poster & Mezzanine\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1jU8oEHnuAM62d2xqZ4Sq1h3-xmwLy3YB?usp=drive_link\">\u003cspan style=\"font-weight: 400\">Title Art\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://docs.google.com/document/d/1uUB167He4hEoU_CyfloSVAmhEITY8WZTI2xMTnYZ68M/edit?usp=sharing\">\u003cspan style=\"font-weight: 400\">Descriptions\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://vimeo.com/1113369392/2d10e09976?share=copy\">\u003cspan style=\"font-weight: 400\">Trailer\u003c/span>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Giants Rising Trailer_2:24_20250825.mp4\" src=\"https://player.vimeo.com/video/1113369392?h=2d10e09976&dnt=1&app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cb>Screenings and Awards:\u003c/b> \u003cspan style=\"font-weight: 400\">(selects from 35 film festival screenings)\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Best Feature Documentary, Coronado Film Festival\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Audience Award, Maui Film Festival\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Best Documentary Feature, Simi Film Fest\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Best Environmental Documentary, Arizona International Film Festival\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Best Feature Documentary, Nevada Women’s Film Festival\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Jackson Wild Media Awards Finalist\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Wildscreen Official Award Selection\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Global Science Festival, Cinematography Award\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Santa Barbara International Film Festival\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">DC Environmental Film Festival\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">DocLands Film Festival\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>_________________________\u003c/p>\n\u003cp>\u003cb>About KQED Presents\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">KQED Presents is the national television distribution service of KQED, the San Francisco-based PBS and NPR member station. Since 1987, KQED Presents has worked with independent producers to bring the highest-quality documentary films and series to public television stations across the country. KQED Presents guides producers through the complexities of public media distribution, ensuring their programs meet all technical, editorial, and funding standards necessary for national broadcast. \u003c/span>\u003ca href=\"https://www.kqed.org/about/kqed-presents\">\u003cspan style=\"font-weight: 400\">kqed.org/about/kqed-presents\u003c/span>\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>SAN FRANCISCO, CA\u003c/b>\u003cspan style=\"font-weight: 400\"> — KQED proudly announces the upcoming PBS premiere of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">GIANTS RISING\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, a breathtaking new documentary that takes viewers on an unforgettable journey into the heart of America’s most iconic forests. Through stunning cinematography, vivid animation, and powerful storytelling, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">GIANTS RISING\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> unveils the secrets, superpowers, and saga of the coast redwoods—the tallest and among the oldest living beings on Earth.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This epic tale celebrates the redwoods’ majesty and mystery while revealing our deep, ever-evolving relationship with them. Living links to the past, these towering giants also hold clues to humanity’s future. Their extraordinary resilience—able to withstand fire, capture carbon, and nurture life across centuries—offers lessons in adaptation, balance, and hope in the face of a rapidly changing planet.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Through the voices of scientists, artists, Native community leaders, and others whose lives are intertwined with these remarkable trees, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">GIANTS RISING\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> explores the redwoods’ profound ecological importance and their enduring place in our cultural imagination.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">GIANTS RISING\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is more than a film about redwoods,” said Lisa Landers, producer and director of the film. “It’s a story about resilience, renewal, and our shared connection to the natural world. The awe that redwoods inspire is a gateway to accessing a deeper sense of connection to forests everywhere—and to understanding why it’s in our best interest to take care of them.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In an era when people are more likely to turn on a device than go for a walk in the woods, this cinematic experience can be a powerful tool for rekindling a sense of connection not just to redwoods but to all forests, inspiring people to get out into the trees wherever they live and reap the profound benefits to our physical, emotional and social well-being. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the film, UC Irvine social psychologist Dr. Paul Piff says, “redwoods and time in nature are one of the primary ways that people get to be reminded that I am a small part of this bigger world, and that I need to do things to help protect it and make sure that others get to experience it as well.” Dr. Piff also notes that being among trees for just 60 seconds can make us feel happier, less stressed and more compassionate—and that similar effects can occur simply by viewing images of trees. Thus, by watching \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">GIANTS RISING\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, viewers may experience some of these remarkable benefits firsthand.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">From the mist-shrouded coastlines of Northern California to the sun-dappled groves of ancient giants, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">GIANTS RISING\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> immerses viewers in a realm of wonder. Each frame captures not only the redwoods’ grandeur but also their vital role in the global story of climate, conservation, and human well-being. At its heart, the film is a tale about connecting with nature’s wonders, acknowledging what has been lost, and understanding the value of working together to restore what remains. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">GIANTS RISING\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> will air on PBS stations nationwide starting November 1, 2025 (check local listings) with streaming available on the PBS app and \u003ca href=\"https://www.pbs.org/\">PBS.org\u003c/a>. KQED will air the film on its television channels as follows: Saturday, 11/22 at 7pm on KQED Plus and Wednesday, 11/26 at 8pm on KQED 9.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For more information, please visit\u003c/span> \u003ca href=\"http://giantsrising.com\">\u003cspan style=\"font-weight: 400\">giantsrising.com\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Media Contact:\u003c/span> \u003cspan style=\"font-weight: 400\">Lisa Landers, \u003c/span>\u003ca href=\"mailto:lisa@tangentproductions.com\">\u003cspan style=\"font-weight: 400\">lisa@tangentproductions.com\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003ch3>\u003cb>Press Materials:\u003c/b>\u003c/h3>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1T1XX9P5vxu7y8uKqjaIzMGq1kitBTeeh?usp=drive_link\">\u003cspan style=\"font-weight: 400\">Images & Captions\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1B3dzYX8KdB892C-PrbYyVN788yHe35It?usp=drive_link\">\u003cspan style=\"font-weight: 400\">Poster & Mezzanine\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://drive.google.com/drive/folders/1jU8oEHnuAM62d2xqZ4Sq1h3-xmwLy3YB?usp=drive_link\">\u003cspan style=\"font-weight: 400\">Title Art\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://docs.google.com/document/d/1uUB167He4hEoU_CyfloSVAmhEITY8WZTI2xMTnYZ68M/edit?usp=sharing\">\u003cspan style=\"font-weight: 400\">Descriptions\u003c/span>\u003c/a>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003ca href=\"https://vimeo.com/1113369392/2d10e09976?share=copy\">\u003cspan style=\"font-weight: 400\">Trailer\u003c/span>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Giants Rising Trailer_2:24_20250825.mp4\" src=\"https://player.vimeo.com/video/1113369392?h=2d10e09976&dnt=1&app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cb>Screenings and Awards:\u003c/b> \u003cspan style=\"font-weight: 400\">(selects from 35 film festival screenings)\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Best Feature Documentary, Coronado Film Festival\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Audience Award, Maui Film Festival\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Best Documentary Feature, Simi Film Fest\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Best Environmental Documentary, Arizona International Film Festival\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Best Feature Documentary, Nevada Women’s Film Festival\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Jackson Wild Media Awards Finalist\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Wildscreen Official Award Selection\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Global Science Festival, Cinematography Award\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Santa Barbara International Film Festival\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">DC Environmental Film Festival\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">DocLands Film Festival\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>_________________________\u003c/p>\n\u003cp>\u003cb>About KQED Presents\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">KQED Presents is the national television distribution service of KQED, the San Francisco-based PBS and NPR member station. Since 1987, KQED Presents has worked with independent producers to bring the highest-quality documentary films and series to public television stations across the country. KQED Presents guides producers through the complexities of public media distribution, ensuring their programs meet all technical, editorial, and funding standards necessary for national broadcast. \u003c/span>\u003ca href=\"https://www.kqed.org/about/kqed-presents\">\u003cspan style=\"font-weight: 400\">kqed.org/about/kqed-presents\u003c/span>\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "roadtrip-nation-nursing-possibilities",
"title": "Roadtrip Nation’s Newest Series Explores Careers in Nursing",
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"headTitle": "Roadtrip Nation’s Newest Series Explores Careers in Nursing | KQED",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">SAN FRANCISCO, CA— KQED is proud to present “Nursing Possibilities,” Roadtrip Nation’s newest two-episode series that follows three aspiring nurses as they explore the wide range of specialties and areas available to pursue within the nursing profession. “Nursing Possibilities” premieres on public television stations nationwide in November.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow along as roadtrippers Adrianna, Logan, and Maya take a journey to discover how they can carve out their own unique paths in the field, and engage in conversations that center nurses’ experiences, voices, and expertise—because when nurses advocate for better conditions and care, they’re also advocating for better health outcomes for all.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adrianna \u003c/b>\u003cspan style=\"font-weight: 400\">is a first-generation Haitian American nursing student at Florida State University. She is passionate about Black representation in healthcare and hopes to have her own women’s health practice someday. The collaborative nature of nursing has inspired her to want to learn more about nontraditional nursing roles related to policy and education, as she is determined to create a lasting impact in her community no matter which route she chooses to take.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Logan \u003c/b>\u003cspan style=\"font-weight: 400\">is pursuing his second bachelor’s degree in nursing at the University of Central Florida. Having earned his first degree in marketing, he decided to shift careers after working in a senior living center—which introduced him to the clinical environment—and witnessing his father step into a caregiving role during his mother’s battle with cancer. He is driven by a deep desire for community impact, and is eager to explore how he may provide compassionate care to the world. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Maya \u003c/b>\u003cspan style=\"font-weight: 400\">is a nursing student at Florida State University, with a strong interest in clinical care nursing. She is eager to explore paths in ICU work, as well as advanced practice like becoming a Certified Registered Nurse Anesthetist. Having been raised to be a “global citizen,” she is passionate about diversity in health care and eager to learn from nursing professionals how to balance the emotional demands of the job while still providing meaningful and empathetic care. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Within the multitude of narratives about nursing in the media and in health care—from shortages to challenges and opportunities—nurses’ voices are often made secondary, or not included at all. But stepping into the field to hear directly from nurses’ firsthand experiences will give these three a chance to view the profession with fresh eyes, while also giving them the tools and insights to chart their own path and grow within it. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Roadtrip Nation\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is made available to public television by KQED Presents, the national distribution service of San Francisco-based public media station KQED. “Nursing Possibilities” will air nationally on public television starting in November 2025 (\u003c/span>\u003ca href=\"https://www.pbs.org/tv_schedules/\">\u003cspan style=\"font-weight: 400\">check local listings\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">). It will air on KQED television channels as follows: Fridays, 11/14 & 11/21 at 7:30pm on KQED 9; Fridays, 11/14 & 11/21 at 11:30pm on KQED Plus.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">—\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For more information about the documentary, contact:\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dan Ford\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">949-764-9121\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">dford@roadtripnation.org\u003c/span>\u003c/p>\n\u003cp>\u003cb>Featured Leaders and Locations\u003c/b>\u003c/p>\n\u003cp>\u003cb>Blanca Zeas\u003cbr>\n\u003c/b>\u003cb>Labor and Delivery Nurse & Clinical Manager, Memorial Regional Hospital\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Hollywood, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Melanie Cruz\u003cbr>\n\u003c/b>\u003cb>Registered Nurse in PICU, Nicklaus Children’s Hospital\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Miami, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Tracy Penny\u003cbr>\n\u003c/b>\u003cb>Volunteer Nurse, Shepherd’s Hope Winter Garden Health Center\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Winter Garden, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Sarah Brumbaugh-Baker\u003cbr>\n\u003c/b>\u003cb>Nurse Anesthetist, U.S. Anesthesia Partners, affiliated with AdventHealth\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Winter Garden, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Craig Jorden, Jr.\u003cbr>\n\u003c/b>\u003cb>Psychiatric Mental Health Nurse Practitioner, RFS Psychiatry\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Tampa, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jimmy Holt\u003cbr>\n\u003c/b>\u003cb>Chief Flight Nurse, Tampa General Hospital\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Tampa, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Wendi Goodson-Celerin\u003cbr>\n\u003c/b>\u003cb>Executive Vice President & Chief Nursing Executive, Tampa General Hospital\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Tampa, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Kim Sullivan\u003cbr>\n\u003c/b>\u003cb>Registered Nurse & Team Lead for General and Transplant Surgery, Mayo Clinic Florida\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Jacksonville, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Sylvia Walker\u003cbr>\n\u003c/b>\u003cb>Founder & President, NAIWBE\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Jacksonville, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Yorman Padilla\u003cbr>\n\u003c/b>\u003cb>Licensed Practical Nurse, Mayo Clinic\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Jacksonville, FL\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">—\u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003ci>Roadtrip Nation: Nursing Possibilities \u003c/i>\u003c/b>\u003cb>is made possible\u003c/b> \u003cb>by the \u003c/b>\u003ca href=\"https://www.delucafdn.org/about-elisabeth-c-deluca/\">\u003cb>Elisabeth C. 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Founded in 1961, APT distributes 250 new program titles per year and more than one-third of the top 100 highest-rated public television titles in the U.S. APT’s diverse catalog includes prominent documentaries, performance, dramas, how-to programs, classic movies, children’s series and news and current affairs programs. Midsomer Murders, America’s Test Kitchen, AfroPoP, Rick Steves’ Europe, Pacific Heartbeat, Christopher Kimball’s Milk Street Television, The Indian Doctor, Legacy List with Matt Paxton, Lidia’s Kitchen, Kevin Belton’s New Orleans Kitchen, Simply Ming, The Best of the Joy of Painting with Bob Ross, Front & Center, James Patterson’s Kid Stew and NHK Newsline are a sampling of APT’s programs, considered some of the most popular on public television. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">SAN FRANCISCO, CA— KQED is proud to present “Nursing Possibilities,” Roadtrip Nation’s newest two-episode series that follows three aspiring nurses as they explore the wide range of specialties and areas available to pursue within the nursing profession. “Nursing Possibilities” premieres on public television stations nationwide in November.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow along as roadtrippers Adrianna, Logan, and Maya take a journey to discover how they can carve out their own unique paths in the field, and engage in conversations that center nurses’ experiences, voices, and expertise—because when nurses advocate for better conditions and care, they’re also advocating for better health outcomes for all.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adrianna \u003c/b>\u003cspan style=\"font-weight: 400\">is a first-generation Haitian American nursing student at Florida State University. She is passionate about Black representation in healthcare and hopes to have her own women’s health practice someday. The collaborative nature of nursing has inspired her to want to learn more about nontraditional nursing roles related to policy and education, as she is determined to create a lasting impact in her community no matter which route she chooses to take.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Logan \u003c/b>\u003cspan style=\"font-weight: 400\">is pursuing his second bachelor’s degree in nursing at the University of Central Florida. Having earned his first degree in marketing, he decided to shift careers after working in a senior living center—which introduced him to the clinical environment—and witnessing his father step into a caregiving role during his mother’s battle with cancer. He is driven by a deep desire for community impact, and is eager to explore how he may provide compassionate care to the world. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Maya \u003c/b>\u003cspan style=\"font-weight: 400\">is a nursing student at Florida State University, with a strong interest in clinical care nursing. She is eager to explore paths in ICU work, as well as advanced practice like becoming a Certified Registered Nurse Anesthetist. Having been raised to be a “global citizen,” she is passionate about diversity in health care and eager to learn from nursing professionals how to balance the emotional demands of the job while still providing meaningful and empathetic care. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Within the multitude of narratives about nursing in the media and in health care—from shortages to challenges and opportunities—nurses’ voices are often made secondary, or not included at all. But stepping into the field to hear directly from nurses’ firsthand experiences will give these three a chance to view the profession with fresh eyes, while also giving them the tools and insights to chart their own path and grow within it. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Roadtrip Nation\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is made available to public television by KQED Presents, the national distribution service of San Francisco-based public media station KQED. “Nursing Possibilities” will air nationally on public television starting in November 2025 (\u003c/span>\u003ca href=\"https://www.pbs.org/tv_schedules/\">\u003cspan style=\"font-weight: 400\">check local listings\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">). It will air on KQED television channels as follows: Fridays, 11/14 & 11/21 at 7:30pm on KQED 9; Fridays, 11/14 & 11/21 at 11:30pm on KQED Plus.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">—\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For more information about the documentary, contact:\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dan Ford\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">949-764-9121\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">dford@roadtripnation.org\u003c/span>\u003c/p>\n\u003cp>\u003cb>Featured Leaders and Locations\u003c/b>\u003c/p>\n\u003cp>\u003cb>Blanca Zeas\u003cbr>\n\u003c/b>\u003cb>Labor and Delivery Nurse & Clinical Manager, Memorial Regional Hospital\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Hollywood, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Melanie Cruz\u003cbr>\n\u003c/b>\u003cb>Registered Nurse in PICU, Nicklaus Children’s Hospital\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Miami, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Tracy Penny\u003cbr>\n\u003c/b>\u003cb>Volunteer Nurse, Shepherd’s Hope Winter Garden Health Center\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Winter Garden, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Sarah Brumbaugh-Baker\u003cbr>\n\u003c/b>\u003cb>Nurse Anesthetist, U.S. Anesthesia Partners, affiliated with AdventHealth\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Winter Garden, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Craig Jorden, Jr.\u003cbr>\n\u003c/b>\u003cb>Psychiatric Mental Health Nurse Practitioner, RFS Psychiatry\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Tampa, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jimmy Holt\u003cbr>\n\u003c/b>\u003cb>Chief Flight Nurse, Tampa General Hospital\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Tampa, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Wendi Goodson-Celerin\u003cbr>\n\u003c/b>\u003cb>Executive Vice President & Chief Nursing Executive, Tampa General Hospital\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Tampa, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Kim Sullivan\u003cbr>\n\u003c/b>\u003cb>Registered Nurse & Team Lead for General and Transplant Surgery, Mayo Clinic Florida\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Jacksonville, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Sylvia Walker\u003cbr>\n\u003c/b>\u003cb>Founder & President, NAIWBE\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Jacksonville, FL\u003c/span>\u003c/p>\n\u003cp>\u003cb>Yorman Padilla\u003cbr>\n\u003c/b>\u003cb>Licensed Practical Nurse, Mayo Clinic\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Jacksonville, FL\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">—\u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003ci>Roadtrip Nation: Nursing Possibilities \u003c/i>\u003c/b>\u003cb>is made possible\u003c/b> \u003cb>by the \u003c/b>\u003ca href=\"https://www.delucafdn.org/about-elisabeth-c-deluca/\">\u003cb>Elisabeth C. DeLuca Foundation\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003cb>Distributor: \u003c/b>\u003cspan style=\"font-weight: 400\">American Public Television (APT)\u003cbr>\n\u003c/span>\u003cb>Presenting Station: \u003c/b>\u003cspan style=\"font-weight: 400\">KQED, San Francisco\u003c/span>\u003c/p>\n\u003cp>\u003cb>Websites and Social Media\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003ca href=\"http://www.roadtripnation.com/\">\u003cspan style=\"font-weight: 400\">roadtripnation.com\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://youtube.com/roadtripnation\">\u003cspan style=\"font-weight: 400\">youtube.com/roadtripnation\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://www.twitter.com/RoadtripNation\">\u003cspan style=\"font-weight: 400\">x.com/RoadtripNation\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003ca href=\"http://www.facebook.com/RoadtripNation\">\u003cspan style=\"font-weight: 400\">facebook.com/RoadtripNation\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003ca href=\"https://www.instagram.com/roadtripnation/\">\u003cspan style=\"font-weight: 400\">instagram.com/roadtripnation\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://tiktok.com/@roadtripnation\">\u003cspan style=\"font-weight: 400\">tiktok.com/@roadtripnation\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003ca href=\"http://threads.net/@roadtripnation\">\u003cspan style=\"font-weight: 400\">threads.net/@roadtripnation\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cb>About APT\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">American Public Television (APT) is the leading syndicator of high-quality, top-rated programming to the nation’s public television stations. Founded in 1961, APT distributes 250 new program titles per year and more than one-third of the top 100 highest-rated public television titles in the U.S. APT’s diverse catalog includes prominent documentaries, performance, dramas, how-to programs, classic movies, children’s series and news and current affairs programs. Midsomer Murders, America’s Test Kitchen, AfroPoP, Rick Steves’ Europe, Pacific Heartbeat, Christopher Kimball’s Milk Street Television, The Indian Doctor, Legacy List with Matt Paxton, Lidia’s Kitchen, Kevin Belton’s New Orleans Kitchen, Simply Ming, The Best of the Joy of Painting with Bob Ross, Front & Center, James Patterson’s Kid Stew and NHK Newsline are a sampling of APT’s programs, considered some of the most popular on public television. APT also licenses programs internationally through its APT Worldwide service and distributes Create®TV — featuring the best of public television’s lifestyle programming — and WORLD™, public television’s premier news, science and documentary channel. \u003c/span>\u003ca href=\"https://www.aptonline.org/\">\u003cspan style=\"font-weight: 400\">aptonline.org\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>About KQED Presents\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">KQED Presents is the national television distribution service of KQED, the San Francisco-based PBS and NPR member station. Since 1987, KQED Presents has worked with independent producers to bring the highest-quality documentary films and series to public television stations across the country. KQED Presents guides producers through the complexities of public media distribution, ensuring their programs meet all technical, editorial, and funding standards necessary for national broadcast. \u003c/span>\u003ca href=\"https://www.kqed.org/about/kqed-presents\">\u003cspan style=\"font-weight: 400\">kqed.org/about/kqed-presents\u003c/span>\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "kqed-presents-roadtrip-nations-thriving-black-men-in-higher-education-in-september",
"title": "KQED Presents Roadtrip Nation’s ‘Thriving - Black Men in Higher Education’ in September",
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"headTitle": "KQED Presents Roadtrip Nation’s ‘Thriving – Black Men in Higher Education’ in September | KQED",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">SAN FRANCISCO, CA— KQED is proud to present another stellar installment of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Roadtrip Nation: \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">“Thriving – Black Men in Higher Education.” Premiering on public television nationwide in September for HBCU week, it shows what’s possible for Black men’s futures when they are set up for success.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Black men belong in higher ed spaces—and can thrive when we build a culture of engagement, care, and support. The two-episode series “Thriving – Black Men in Higher Education” follows three young Black men as they explore what’s possible for their futures in postsecondary education and beyond. Follow along as roadtrippers Destin, Enoch, and Tobias take a journey across the country to discover how they can successfully navigate their higher ed journeys and step into fulfilling and impactful careers they love. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Destin\u003c/b>\u003cspan style=\"font-weight: 400\">—originally from Atlanta, Georgia—is now a PhD student of psychology at the University of Kentucky. With a focus on Black mental well-being and extensive research into substance abuse and the opioid crisis within the Black community, he is considering paths like continued research, starting a nonprofit, or opening up a therapy center focused on holistic healing. Ultimately, he recognizes the challenges of being a Black man in academia and is committed to finding mentorship and contributing to greater representation in his field. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Enoch\u003c/b>\u003cspan style=\"font-weight: 400\">, a Texas native, is pursuing applied mathematics and chemical engineering at MIT. Having faced challenges as a Black student in predominantly white institutions, he is motivated to affect systemic change through innovation and policy while empowering others. He’s interested in pursuing a PhD in economics to increase societal welfare while filling in representational gaps in the field—and he’s eager to explore how others have balanced a prestigious degree and career with the realities of being a Black man in America.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Tobias \u003c/b>\u003cspan style=\"font-weight: 400\">comes from rural Albany, Georgia. Having earned his associate’s degree in business administration through a dual enrollment program during high school, he now studies political science at Morehouse College with dreams of becoming a federal prosecutor. He is passionate about the fight against biases in the justice system and hopes to make a difference as a Black gay man in the legal field. As a first-generation college student, he is eager to build community and brotherhood while seeking advice on how to handle any future challenges he may face.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So come along with the roadtrippers as they explore more wide-ranging models of what’s possible for their futures when our systems do more to ensure Black men’s success in postsecondary education and beyond. Through their journey, you’ll meet inspiring Black male thought leaders and role leaders across a variety of fields—and you’ll learn from proven supports and environments within higher ed that are already helping Black men succeed. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Roadtrip Nation\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is made available to public television by KQED Presents, the national distribution service of San Francisco-based public media station KQED. “Thriving – Black Men in Higher Education” will air nationally on public television starting in September 2025 (\u003c/span>\u003ca href=\"https://www.pbs.org/tv_schedules/\">\u003cspan style=\"font-weight: 400\">check local listings\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">). It will air on KQED 9 as follows: Tuesday, 9/9 at 11pm, Saturday, 9/13 at 6pm, and Mondays, 9/15 & 9/22 at 11:30pm.\u003c/span>\u003c/p>\n\u003cp>_______________\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For more information about the documentary, contact:\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dan Ford\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">949-764-9121\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">dford@roadtripnation.org\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Featured Leaders and Locations\u003c/b>\u003c/p>\n\u003cp>\u003cb>Marcus Anthony Hunter\u003cbr>\n\u003c/b>\u003cb>Professor of Sociology and African American Studies, UCLA\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Los Angeles, CA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Corey Emanuel\u003cbr>\n\u003c/b>\u003cb>Media Psychologist\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Inglewood, CA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Shaun Harper\u003cbr>\n\u003c/b>\u003cb>Founder & Executive Director, USC Race and Equity Center\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Glassell Park, CA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Koffi C. Akakpo\u003cbr>\n\u003c/b>\u003cb>President, Kentucky State University\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Frankfort, KY\u003c/span>\u003c/p>\n\u003cp>\u003cb>Anthony Moody\u003cbr>\n\u003c/b>\u003cb>Licensed Professional Counselor Associate, The Trauma-Informed Counseling Center\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Lexington, KY\u003c/span>\u003c/p>\n\u003cp>\u003cb>Mawuli Mel Davis\u003cbr>\n\u003c/b>\u003cb>Founding Partner, Davis Bozeman Johnson Law\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Decatur, GA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Kerry Bowie\u003cbr>\n\u003c/b>\u003cb>Co-Founder, President & Executive Director, Browning the Green Space\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Somerville, MA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Michael D. Smith\u003cbr>\n\u003c/b>\u003cb>CEO, AmeriCorps\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Washington, D.C.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ronald S. Gamble\u003cbr>\n\u003c/b>\u003cb>Theoretical Astrophysicist, NASA Goddard Space Flight Center\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Greenbelt, MD\u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003ci>Roadtrip Nation: Thriving – Black Men in Higher Education \u003c/i>\u003c/b>\u003cb>is made possible\u003c/b> \u003cb>by \u003c/b>\u003ca href=\"https://www.ecmcfoundation.org/\">\u003cb>ECMC Foundation\u003c/b>\u003c/a>\u003cb>, \u003c/b>\u003ca href=\"https://www.luminafoundation.org/\">\u003cb>Lumina Foundation\u003c/b>\u003c/a>\u003cb>, and \u003c/b>\u003ca href=\"https://www.strada.org/\">\u003cb>Strada Education Foundation\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003cb>Distributor: \u003c/b>\u003cspan style=\"font-weight: 400\">American Public Television (APT)\u003cbr>\n\u003c/span>\u003cb>Presenting Station: \u003c/b>\u003cspan style=\"font-weight: 400\">KQED, San Francisco\u003c/span>\u003c/p>\n\u003cp>\u003cb>Websites and Social Media\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003ca href=\"http://www.roadtripnation.com/\">\u003cspan style=\"font-weight: 400\">roadtripnation.com\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://youtube.com/roadtripnation\">\u003cspan style=\"font-weight: 400\">youtube.com/roadtripnation\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://www.twitter.com/RoadtripNation\">\u003cspan style=\"font-weight: 400\">x.com/RoadtripNation\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003ca href=\"http://www.facebook.com/RoadtripNation\">\u003cspan style=\"font-weight: 400\">facebook.com/RoadtripNation\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003ca href=\"https://www.instagram.com/roadtripnation/\">\u003cspan style=\"font-weight: 400\">instagram.com/roadtripnation\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://tiktok.com/@roadtripnation\">\u003cspan style=\"font-weight: 400\">tiktok.com/@roadtripnation\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003ca href=\"http://threads.net/@roadtripnation\">\u003cspan style=\"font-weight: 400\">threads.net/@roadtripnation\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cb>About APT\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">American Public Television (APT) is the leading syndicator of high-quality, top-rated programming to the nation’s public television stations. Founded in 1961, APT distributes 250 new program titles per year and more than one-third of the top 100 highest-rated public television titles in the U.S. APT’s diverse catalog includes prominent documentaries, performance, dramas, how-to programs, classic movies, children’s series and news and current affairs programs. Midsomer Murders, America’s Test Kitchen, AfroPoP, Rick Steves’ Europe, Pacific Heartbeat, Christopher Kimball’s Milk Street Television, The Indian Doctor, Legacy List with Matt Paxton, Lidia’s Kitchen, Kevin Belton’s New Orleans Kitchen, Simply Ming, The Best of the Joy of Painting with Bob Ross, Front & Center, James Patterson’s Kid Stew and NHK Newsline are a sampling of APT’s programs, considered some of the most popular on public television. APT also licenses programs internationally through its APT Worldwide service and distributes Create®TV — featuring the best of public television’s lifestyle programming — and WORLD™, public television’s premier news, science and documentary channel. \u003c/span>\u003ca href=\"https://www.aptonline.org/\">\u003cspan style=\"font-weight: 400\">aptonline.org\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>About KQED Presents\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">KQED Presents is the national television distribution service of KQED, the San Francisco-based PBS and NPR member station. Since 1987, KQED Presents has worked with independent producers to bring the highest-quality documentary films and series to public television stations across the country. KQED Presents guides producers through the complexities of public media distribution, ensuring their programs meet all technical, editorial, and funding standards necessary for national broadcast. \u003c/span>\u003ca href=\"https://www.kqed.org/about/kqed-presents\">\u003cspan style=\"font-weight: 400\">kqed.org/about/kqed-presents\u003c/span>\u003c/a>\u003c/p>\n\n",
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"title": "KQED Presents Roadtrip Nation’s ‘Thriving - Black Men in Higher Education’ in September | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">SAN FRANCISCO, CA— KQED is proud to present another stellar installment of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Roadtrip Nation: \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">“Thriving – Black Men in Higher Education.” Premiering on public television nationwide in September for HBCU week, it shows what’s possible for Black men’s futures when they are set up for success.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Black men belong in higher ed spaces—and can thrive when we build a culture of engagement, care, and support. The two-episode series “Thriving – Black Men in Higher Education” follows three young Black men as they explore what’s possible for their futures in postsecondary education and beyond. Follow along as roadtrippers Destin, Enoch, and Tobias take a journey across the country to discover how they can successfully navigate their higher ed journeys and step into fulfilling and impactful careers they love. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Destin\u003c/b>\u003cspan style=\"font-weight: 400\">—originally from Atlanta, Georgia—is now a PhD student of psychology at the University of Kentucky. With a focus on Black mental well-being and extensive research into substance abuse and the opioid crisis within the Black community, he is considering paths like continued research, starting a nonprofit, or opening up a therapy center focused on holistic healing. Ultimately, he recognizes the challenges of being a Black man in academia and is committed to finding mentorship and contributing to greater representation in his field. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Enoch\u003c/b>\u003cspan style=\"font-weight: 400\">, a Texas native, is pursuing applied mathematics and chemical engineering at MIT. Having faced challenges as a Black student in predominantly white institutions, he is motivated to affect systemic change through innovation and policy while empowering others. He’s interested in pursuing a PhD in economics to increase societal welfare while filling in representational gaps in the field—and he’s eager to explore how others have balanced a prestigious degree and career with the realities of being a Black man in America.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Tobias \u003c/b>\u003cspan style=\"font-weight: 400\">comes from rural Albany, Georgia. Having earned his associate’s degree in business administration through a dual enrollment program during high school, he now studies political science at Morehouse College with dreams of becoming a federal prosecutor. He is passionate about the fight against biases in the justice system and hopes to make a difference as a Black gay man in the legal field. As a first-generation college student, he is eager to build community and brotherhood while seeking advice on how to handle any future challenges he may face.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So come along with the roadtrippers as they explore more wide-ranging models of what’s possible for their futures when our systems do more to ensure Black men’s success in postsecondary education and beyond. Through their journey, you’ll meet inspiring Black male thought leaders and role leaders across a variety of fields—and you’ll learn from proven supports and environments within higher ed that are already helping Black men succeed. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Roadtrip Nation\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is made available to public television by KQED Presents, the national distribution service of San Francisco-based public media station KQED. “Thriving – Black Men in Higher Education” will air nationally on public television starting in September 2025 (\u003c/span>\u003ca href=\"https://www.pbs.org/tv_schedules/\">\u003cspan style=\"font-weight: 400\">check local listings\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">). It will air on KQED 9 as follows: Tuesday, 9/9 at 11pm, Saturday, 9/13 at 6pm, and Mondays, 9/15 & 9/22 at 11:30pm.\u003c/span>\u003c/p>\n\u003cp>_______________\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For more information about the documentary, contact:\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dan Ford\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">949-764-9121\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">dford@roadtripnation.org\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Featured Leaders and Locations\u003c/b>\u003c/p>\n\u003cp>\u003cb>Marcus Anthony Hunter\u003cbr>\n\u003c/b>\u003cb>Professor of Sociology and African American Studies, UCLA\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Los Angeles, CA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Corey Emanuel\u003cbr>\n\u003c/b>\u003cb>Media Psychologist\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Inglewood, CA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Shaun Harper\u003cbr>\n\u003c/b>\u003cb>Founder & Executive Director, USC Race and Equity Center\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Glassell Park, CA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Koffi C. Akakpo\u003cbr>\n\u003c/b>\u003cb>President, Kentucky State University\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Frankfort, KY\u003c/span>\u003c/p>\n\u003cp>\u003cb>Anthony Moody\u003cbr>\n\u003c/b>\u003cb>Licensed Professional Counselor Associate, The Trauma-Informed Counseling Center\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Lexington, KY\u003c/span>\u003c/p>\n\u003cp>\u003cb>Mawuli Mel Davis\u003cbr>\n\u003c/b>\u003cb>Founding Partner, Davis Bozeman Johnson Law\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Decatur, GA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Kerry Bowie\u003cbr>\n\u003c/b>\u003cb>Co-Founder, President & Executive Director, Browning the Green Space\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Somerville, MA\u003c/span>\u003c/p>\n\u003cp>\u003cb>Michael D. Smith\u003cbr>\n\u003c/b>\u003cb>CEO, AmeriCorps\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Washington, D.C.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ronald S. Gamble\u003cbr>\n\u003c/b>\u003cb>Theoretical Astrophysicist, NASA Goddard Space Flight Center\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Greenbelt, MD\u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003ci>Roadtrip Nation: Thriving – Black Men in Higher Education \u003c/i>\u003c/b>\u003cb>is made possible\u003c/b> \u003cb>by \u003c/b>\u003ca href=\"https://www.ecmcfoundation.org/\">\u003cb>ECMC Foundation\u003c/b>\u003c/a>\u003cb>, \u003c/b>\u003ca href=\"https://www.luminafoundation.org/\">\u003cb>Lumina Foundation\u003c/b>\u003c/a>\u003cb>, and \u003c/b>\u003ca href=\"https://www.strada.org/\">\u003cb>Strada Education Foundation\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003cb>Distributor: \u003c/b>\u003cspan style=\"font-weight: 400\">American Public Television (APT)\u003cbr>\n\u003c/span>\u003cb>Presenting Station: \u003c/b>\u003cspan style=\"font-weight: 400\">KQED, San Francisco\u003c/span>\u003c/p>\n\u003cp>\u003cb>Websites and Social Media\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003ca href=\"http://www.roadtripnation.com/\">\u003cspan style=\"font-weight: 400\">roadtripnation.com\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://youtube.com/roadtripnation\">\u003cspan style=\"font-weight: 400\">youtube.com/roadtripnation\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://www.twitter.com/RoadtripNation\">\u003cspan style=\"font-weight: 400\">x.com/RoadtripNation\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003ca href=\"http://www.facebook.com/RoadtripNation\">\u003cspan style=\"font-weight: 400\">facebook.com/RoadtripNation\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003ca href=\"https://www.instagram.com/roadtripnation/\">\u003cspan style=\"font-weight: 400\">instagram.com/roadtripnation\u003c/span>\u003c/a>\u003cbr>\n\u003ca href=\"http://tiktok.com/@roadtripnation\">\u003cspan style=\"font-weight: 400\">tiktok.com/@roadtripnation\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003ca href=\"http://threads.net/@roadtripnation\">\u003cspan style=\"font-weight: 400\">threads.net/@roadtripnation\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cb>About APT\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">American Public Television (APT) is the leading syndicator of high-quality, top-rated programming to the nation’s public television stations. Founded in 1961, APT distributes 250 new program titles per year and more than one-third of the top 100 highest-rated public television titles in the U.S. APT’s diverse catalog includes prominent documentaries, performance, dramas, how-to programs, classic movies, children’s series and news and current affairs programs. Midsomer Murders, America’s Test Kitchen, AfroPoP, Rick Steves’ Europe, Pacific Heartbeat, Christopher Kimball’s Milk Street Television, The Indian Doctor, Legacy List with Matt Paxton, Lidia’s Kitchen, Kevin Belton’s New Orleans Kitchen, Simply Ming, The Best of the Joy of Painting with Bob Ross, Front & Center, James Patterson’s Kid Stew and NHK Newsline are a sampling of APT’s programs, considered some of the most popular on public television. APT also licenses programs internationally through its APT Worldwide service and distributes Create®TV — featuring the best of public television’s lifestyle programming — and WORLD™, public television’s premier news, science and documentary channel. \u003c/span>\u003ca href=\"https://www.aptonline.org/\">\u003cspan style=\"font-weight: 400\">aptonline.org\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>About KQED Presents\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">KQED Presents is the national television distribution service of KQED, the San Francisco-based PBS and NPR member station. Since 1987, KQED Presents has worked with independent producers to bring the highest-quality documentary films and series to public television stations across the country. KQED Presents guides producers through the complexities of public media distribution, ensuring their programs meet all technical, editorial, and funding standards necessary for national broadcast. \u003c/span>\u003ca href=\"https://www.kqed.org/about/kqed-presents\">\u003cspan style=\"font-weight: 400\">kqed.org/about/kqed-presents\u003c/span>\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">With a mixture of humor, outrage and passion, \u003c/span>\u003cb>MAKE A CIRCLE\u003c/b> \u003cspan style=\"font-weight: 400\">follows a group of childcare providers determined to change how society values the education of its youngest citizens and their own profession. The film \u003c/span>\u003cspan style=\"font-weight: 400\">confronts a broken system that provides early childcare and education to over 14 million American children, but where\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> “Parents can’t afford to pay, and teachers can’t afford to stay.” \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">Immersing viewers in both the imaginative, whimsical world of young children and the passionate, hopeful, but imperfect world of the adults who teach and care for them, the film gives voice to the educators and their ideas on how to improve the system. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Directed by Jen Bradwell and Todd Boekelheide, \u003c/span>\u003cb>MAKE A CIRCLE\u003c/b>\u003cspan style=\"font-weight: 400\"> premieres on \u003c/span>\u003ca href=\"http://www.pbs.org/\">\u003cspan style=\"font-weight: 400\">PBS.org\u003c/span>\u003c/a> \u003cspan style=\"font-weight: 400\">and the \u003c/span>\u003ca href=\"https://www.pbs.org/pbs-app/\">\u003cspan style=\"font-weight: 400\">PBS app\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> on Monday, September 1, 2025, and on PBS stations nationwide (\u003c/span>\u003ca href=\"http://www.pbs.org/tv_schedules/\">\u003cspan style=\"font-weight: 400\">check local listings\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">). The film is made available to PBS by KQED Presents, the national distribution service of San Francisco-based public media station KQED, and will air on KQED 9 as follows: Friday, 9/5 at 8pm, Saturday, 9/6 at 6pm, and Monday, 9/8 at 9pm.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“\u003c/span>\u003cb>MAKE A CIRCLE \u003c/b>\u003cspan style=\"font-weight: 400\">is a love letter to early educators and a portrait of a childcare system in crisis,” said filmmaker Jen Bradwell, who is also a parent. “The film delves into one of the greatest disconnects in American society: the importance of a child’s first five years versus how the work of early care and education is valued.”\u003c/span>\u003c/p>\n\u003cp>\u003cb>MAKE A CIRCLE\u003c/b>\u003cspan style=\"font-weight: 400\"> captures the unfolding stories of Patricia, owner of a family daycare center in San Jose and leader of a new union for childcare providers; Charlotte, owner of a daycare center in Oakland, California, \u003c/span>\u003cspan style=\"font-weight: 400\">who tirelessly lifts up the low-income families in her care\u003c/span>\u003cspan style=\"font-weight: 400\">; and Anne, the director of a large preschool in Berkeley, who finds novel ways to value and support her teachers when jobs at Starbucks are offering higher pay. Within their stories are cinematic glimpses into the unique, imaginative world of the young children in their care. The film culminates as thousands of childcare workers march on their state capitol, demanding better working conditions. Weaving together the magic they create in the classroom, the struggles they endure at home, and their unwavering activism for their profession, \u003c/span>\u003cb>MAKE A CIRCLE\u003c/b>\u003cspan style=\"font-weight: 400\"> offers a rare, inside look at the lives of early childhood educators — the backbone of a childcare system on the brink. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“KQED is proud to be the presenting station for \u003c/span>\u003cb>MAKE A CIRCLE\u003c/b>\u003cspan style=\"font-weight: 400\">,” said Amy Miller, Director, Video Production & Distribution for KQED. “We are committed to offering the finest programs to public television stations around the country. \u003c/span>\u003cb>MAKE A CIRCLE\u003c/b>\u003cspan style=\"font-weight: 400\"> is a great example of how public media delivers value to communities and viewers nationwide, offering important perspectives of critical national issues like child care.”\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>FACTS ABOUT EARLY CHILDHOOD EDUCATION*\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Childcare costs more than rent in all 50 states.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Early childhood educators make an average of $13 an hour nationwide.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Approximately 25 million parents in the US rely on childcare and over one million people make up the early care and education workforce.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Every dollar invested in high-quality early care and education can generate up to $7.30 from beneficial impacts on health, children’s future labor incomes, crime, education, and mothers’ labor incomes, and more.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">80% of a child’s brain develops before age three, and 90% before age five.\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cul>\n\u003cli style=\"list-style-type: none\">\n\u003c/ul>\n\u003cp>\u003cb>MAKE A CIRCLE\u003c/b>\u003cspan style=\"font-weight: 400\"> has been an official selection at a range of notable film festivals, including SXSW EDU, Doclands, Heartland International Film Festival and the United Nations Association Film Festival.\u003c/span>\u003c/p>\n\u003cp>\u003cb>MAKE A CIRCLE\u003c/b>\u003cspan style=\"font-weight: 400\"> is written and directed by Jen Bradwell and Todd Boekelheide and produced by Rebekah Fergusson, Bradwell and Boekelheide. The Editor is Jen Bradwell. Todd Boekelheide and Aldona Watts are Co-Editors. The Director of Photography is Todd Boekelheide. Music is by Emily Rice. Sabrina Schmidt Gordon is the Consulting Editor. Additional Cinematography by John Behrens, Jason Blalock and Rebekah Fergusson. Sam Lehmer is the Re-Recording Mixer. Justin Pearson is the Sound Designer and Sound Effects Editor. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">More information is available at \u003ca href=\"https://makeacirclefilm.com/\">makeacirclefilm.com. \u003c/a>\u003c/span>\u003c/p>\n\u003cp>\u003cb>About the Filmmakers\u003cbr>\n\u003c/b>\u003cb>Jen Bradwell (Director, Editor\u003c/b>\u003cspan style=\"font-weight: 400\">) has edited more than 15 feature documentaries, \u003c/span>\u003cspan style=\"font-weight: 400\">including the Emmy Award-winning \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Time For Ilhan\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Big Picture: Rethinking Dyslexia\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> (Sundance/HBO), Jennifer Siebel Newsom’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Fair Play\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> (Hulu), and Erika Cohn’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">What You’ll Remember \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">(NYT Op-Docs). Two seminal projects she wrote and edited (\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Resilience\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Paper Tigers\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">) have had more than 50,000 community screenings to date, helping ignite a national conversation about childhood trauma. Jen has taught editing master classes at UC Berkeley’s Graduate School of Journalism and UC Santa Cruz’s Social Documentation program. Years of editing and story consulting have inspired her to direct her first feature documentary. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Todd Boekelheide (Director, Cinematographer)\u003c/b>\u003cspan style=\"font-weight: 400\"> has had a long and varied career, beginning with editing picture and sound on \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Star Wars\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Black Stallion\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. He subsequently mixed sound on numerous\u003c/span> \u003cspan style=\"font-weight: 400\">Oscar-winning films and won an Academy Award\u003c/span> \u003cspan style=\"font-weight: 400\">for \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Amadeus\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. He then built a career composing\u003c/span> \u003cspan style=\"font-weight: 400\">music for documentaries, including \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Hearts of Darkness\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">,\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> Ballets Russes\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">,\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> Senorita Extraviada\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">,\u003c/span> \u003cspan style=\"font-weight: 400\">and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">3½ Minutes, Ten Bullets\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. He has worked with\u003c/span> \u003cspan style=\"font-weight: 400\">a stellar list of filmmakers: David Fincher, Carroll\u003c/span> \u003cspan style=\"font-weight: 400\">Ballard, David Lynch, Jon Else, Milos Forman, Philip\u003c/span> \u003cspan style=\"font-weight: 400\">Kaufman, David Peoples, Bill Couturié, Dan Geller\u003c/span> \u003cspan style=\"font-weight: 400\">and Dayna Goldfine, Lourdes Portillo and many\u003c/span> \u003cspan style=\"font-weight: 400\">others. Todd brings his decades of experience to his\u003c/span> \u003cspan style=\"font-weight: 400\">directorial debut.\u003c/span>\u003c/p>\n\u003cp>\u003cb>About KQED Presents\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">KQED Presents is the national television distribution service of KQED, the San Francisco-based PBS and NPR member station. Since 1987, KQED Presents has worked with independent producers to bring the highest-quality documentary films and series to public television stations across the country. KQED Presents guides producers through the complexities of public media distribution, ensuring their programs meet all technical, editorial, and funding standards necessary for national broadcast. \u003c/span>\u003c/p>\n\u003cp>\u003cb>PRESS CONTACTS:\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Mary Lugo / Cara White, CaraMar, Inc.\u003cbr>\n\u003c/span>\u003ca href=\"mailto:cara.white@mac.com\">\u003cspan style=\"font-weight: 400\">cara.white@mac.com\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">; \u003c/span>\u003ca href=\"mailto:lugo@negia.net\">\u003cspan style=\"font-weight: 400\">lugo@negia.net\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Downloadable photos and additional information available at \u003c/span>\u003ca href=\"https://www.dropbox.com/scl/fo/tc2tpvzmqfhepdq4ldz1i/AO0aR6nvdJrRsNhUnc401OM?rlkey=b70w66sg4s809axbgdeo4cq9n&e=1&dl=0\">\u003cspan style=\"font-weight: 400\">MAKE A CIRCLE photos\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>*Sources:\u003cbr>\n1. Fortune.com\u003cbr>\n2. Berkeley.edu\u003cbr>\n3. Cscce.berkeley.edcu\u003cbr>\n4. \u003ca href=\"https://www.ffyf.org/2024/03/06/fact-sheet-child-care-and-the-economy/\">\u003cspan style=\"font-weight: 400\">First Five Years Fund\u003c/span>\u003c/a>\u003cbr>\n5. Firstthingsfirst.org\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">With a mixture of humor, outrage and passion, \u003c/span>\u003cb>MAKE A CIRCLE\u003c/b> \u003cspan style=\"font-weight: 400\">follows a group of childcare providers determined to change how society values the education of its youngest citizens and their own profession. The film \u003c/span>\u003cspan style=\"font-weight: 400\">confronts a broken system that provides early childcare and education to over 14 million American children, but where\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> “Parents can’t afford to pay, and teachers can’t afford to stay.” \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">Immersing viewers in both the imaginative, whimsical world of young children and the passionate, hopeful, but imperfect world of the adults who teach and care for them, the film gives voice to the educators and their ideas on how to improve the system. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Directed by Jen Bradwell and Todd Boekelheide, \u003c/span>\u003cb>MAKE A CIRCLE\u003c/b>\u003cspan style=\"font-weight: 400\"> premieres on \u003c/span>\u003ca href=\"http://www.pbs.org/\">\u003cspan style=\"font-weight: 400\">PBS.org\u003c/span>\u003c/a> \u003cspan style=\"font-weight: 400\">and the \u003c/span>\u003ca href=\"https://www.pbs.org/pbs-app/\">\u003cspan style=\"font-weight: 400\">PBS app\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> on Monday, September 1, 2025, and on PBS stations nationwide (\u003c/span>\u003ca href=\"http://www.pbs.org/tv_schedules/\">\u003cspan style=\"font-weight: 400\">check local listings\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">). The film is made available to PBS by KQED Presents, the national distribution service of San Francisco-based public media station KQED, and will air on KQED 9 as follows: Friday, 9/5 at 8pm, Saturday, 9/6 at 6pm, and Monday, 9/8 at 9pm.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“\u003c/span>\u003cb>MAKE A CIRCLE \u003c/b>\u003cspan style=\"font-weight: 400\">is a love letter to early educators and a portrait of a childcare system in crisis,” said filmmaker Jen Bradwell, who is also a parent. “The film delves into one of the greatest disconnects in American society: the importance of a child’s first five years versus how the work of early care and education is valued.”\u003c/span>\u003c/p>\n\u003cp>\u003cb>MAKE A CIRCLE\u003c/b>\u003cspan style=\"font-weight: 400\"> captures the unfolding stories of Patricia, owner of a family daycare center in San Jose and leader of a new union for childcare providers; Charlotte, owner of a daycare center in Oakland, California, \u003c/span>\u003cspan style=\"font-weight: 400\">who tirelessly lifts up the low-income families in her care\u003c/span>\u003cspan style=\"font-weight: 400\">; and Anne, the director of a large preschool in Berkeley, who finds novel ways to value and support her teachers when jobs at Starbucks are offering higher pay. Within their stories are cinematic glimpses into the unique, imaginative world of the young children in their care. The film culminates as thousands of childcare workers march on their state capitol, demanding better working conditions. Weaving together the magic they create in the classroom, the struggles they endure at home, and their unwavering activism for their profession, \u003c/span>\u003cb>MAKE A CIRCLE\u003c/b>\u003cspan style=\"font-weight: 400\"> offers a rare, inside look at the lives of early childhood educators — the backbone of a childcare system on the brink. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“KQED is proud to be the presenting station for \u003c/span>\u003cb>MAKE A CIRCLE\u003c/b>\u003cspan style=\"font-weight: 400\">,” said Amy Miller, Director, Video Production & Distribution for KQED. “We are committed to offering the finest programs to public television stations around the country. \u003c/span>\u003cb>MAKE A CIRCLE\u003c/b>\u003cspan style=\"font-weight: 400\"> is a great example of how public media delivers value to communities and viewers nationwide, offering important perspectives of critical national issues like child care.”\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>FACTS ABOUT EARLY CHILDHOOD EDUCATION*\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Childcare costs more than rent in all 50 states.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Early childhood educators make an average of $13 an hour nationwide.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Approximately 25 million parents in the US rely on childcare and over one million people make up the early care and education workforce.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Every dollar invested in high-quality early care and education can generate up to $7.30 from beneficial impacts on health, children’s future labor incomes, crime, education, and mothers’ labor incomes, and more.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">80% of a child’s brain develops before age three, and 90% before age five.\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cul>\n\u003cli style=\"list-style-type: none\">\n\u003c/ul>\n\u003cp>\u003cb>MAKE A CIRCLE\u003c/b>\u003cspan style=\"font-weight: 400\"> has been an official selection at a range of notable film festivals, including SXSW EDU, Doclands, Heartland International Film Festival and the United Nations Association Film Festival.\u003c/span>\u003c/p>\n\u003cp>\u003cb>MAKE A CIRCLE\u003c/b>\u003cspan style=\"font-weight: 400\"> is written and directed by Jen Bradwell and Todd Boekelheide and produced by Rebekah Fergusson, Bradwell and Boekelheide. The Editor is Jen Bradwell. Todd Boekelheide and Aldona Watts are Co-Editors. The Director of Photography is Todd Boekelheide. Music is by Emily Rice. Sabrina Schmidt Gordon is the Consulting Editor. Additional Cinematography by John Behrens, Jason Blalock and Rebekah Fergusson. Sam Lehmer is the Re-Recording Mixer. Justin Pearson is the Sound Designer and Sound Effects Editor. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">More information is available at \u003ca href=\"https://makeacirclefilm.com/\">makeacirclefilm.com. \u003c/a>\u003c/span>\u003c/p>\n\u003cp>\u003cb>About the Filmmakers\u003cbr>\n\u003c/b>\u003cb>Jen Bradwell (Director, Editor\u003c/b>\u003cspan style=\"font-weight: 400\">) has edited more than 15 feature documentaries, \u003c/span>\u003cspan style=\"font-weight: 400\">including the Emmy Award-winning \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Time For Ilhan\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Big Picture: Rethinking Dyslexia\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> (Sundance/HBO), Jennifer Siebel Newsom’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Fair Play\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> (Hulu), and Erika Cohn’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">What You’ll Remember \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">(NYT Op-Docs). Two seminal projects she wrote and edited (\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Resilience\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Paper Tigers\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">) have had more than 50,000 community screenings to date, helping ignite a national conversation about childhood trauma. Jen has taught editing master classes at UC Berkeley’s Graduate School of Journalism and UC Santa Cruz’s Social Documentation program. Years of editing and story consulting have inspired her to direct her first feature documentary. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Todd Boekelheide (Director, Cinematographer)\u003c/b>\u003cspan style=\"font-weight: 400\"> has had a long and varied career, beginning with editing picture and sound on \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Star Wars\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Black Stallion\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. He subsequently mixed sound on numerous\u003c/span> \u003cspan style=\"font-weight: 400\">Oscar-winning films and won an Academy Award\u003c/span> \u003cspan style=\"font-weight: 400\">for \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Amadeus\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. He then built a career composing\u003c/span> \u003cspan style=\"font-weight: 400\">music for documentaries, including \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Hearts of Darkness\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">,\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> Ballets Russes\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">,\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> Senorita Extraviada\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">,\u003c/span> \u003cspan style=\"font-weight: 400\">and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">3½ Minutes, Ten Bullets\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. He has worked with\u003c/span> \u003cspan style=\"font-weight: 400\">a stellar list of filmmakers: David Fincher, Carroll\u003c/span> \u003cspan style=\"font-weight: 400\">Ballard, David Lynch, Jon Else, Milos Forman, Philip\u003c/span> \u003cspan style=\"font-weight: 400\">Kaufman, David Peoples, Bill Couturié, Dan Geller\u003c/span> \u003cspan style=\"font-weight: 400\">and Dayna Goldfine, Lourdes Portillo and many\u003c/span> \u003cspan style=\"font-weight: 400\">others. Todd brings his decades of experience to his\u003c/span> \u003cspan style=\"font-weight: 400\">directorial debut.\u003c/span>\u003c/p>\n\u003cp>\u003cb>About KQED Presents\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">KQED Presents is the national television distribution service of KQED, the San Francisco-based PBS and NPR member station. Since 1987, KQED Presents has worked with independent producers to bring the highest-quality documentary films and series to public television stations across the country. KQED Presents guides producers through the complexities of public media distribution, ensuring their programs meet all technical, editorial, and funding standards necessary for national broadcast. \u003c/span>\u003c/p>\n\u003cp>\u003cb>PRESS CONTACTS:\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Mary Lugo / Cara White, CaraMar, Inc.\u003cbr>\n\u003c/span>\u003ca href=\"mailto:cara.white@mac.com\">\u003cspan style=\"font-weight: 400\">cara.white@mac.com\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">; \u003c/span>\u003ca href=\"mailto:lugo@negia.net\">\u003cspan style=\"font-weight: 400\">lugo@negia.net\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Downloadable photos and additional information available at \u003c/span>\u003ca href=\"https://www.dropbox.com/scl/fo/tc2tpvzmqfhepdq4ldz1i/AO0aR6nvdJrRsNhUnc401OM?rlkey=b70w66sg4s809axbgdeo4cq9n&e=1&dl=0\">\u003cspan style=\"font-weight: 400\">MAKE A CIRCLE photos\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>*Sources:\u003cbr>\n1. Fortune.com\u003cbr>\n2. Berkeley.edu\u003cbr>\n3. Cscce.berkeley.edcu\u003cbr>\n4. \u003ca href=\"https://www.ffyf.org/2024/03/06/fact-sheet-child-care-and-the-economy/\">\u003cspan style=\"font-weight: 400\">First Five Years Fund\u003c/span>\u003c/a>\u003cbr>\n5. Firstthingsfirst.org\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"soldout": {
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"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
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"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"location": {
"pathname": "/pressroom/category/kqedpresentspresskit",
"previousPathname": "/"
}
}
