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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">Got milk? Well, we sure do. Get ready to hear us taste-test all the alternative milks—oat! pea! hemp!—to find out what all the fuss is about.\u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-109585\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/michelle-pfeiffer-milk-cat-woman-batman.gif\" alt=\"\" width=\"400\" height=\"426\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A pop culture staple since the '80s, we've come to know Alyssa Milano pretty well. But she's been hiding something from us! Come along as we discover her platinum-selling music career (!!!) and be sure to buckle up 'cause things quickly get weird.\u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-109586\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/alyssa-milano-music-career.gif\" alt=\"\" width=\"400\" height=\"302\">\u003c/p>\n\u003cp>Note to anyone pretending to be outraged over Malia Obama drinking rosé: LEAVE HER ALONE AND GET A LIFE.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-109587\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/get-a-life-loser-ramona-rhony.gif\" alt=\"\" width=\"400\" height=\"224\">\u003c/p>\n\u003cp>We are giving Ariana Grande her roses for being the only artist (other than the Beatles in 1964) to simultaneously hold the top three spots on the Billboard Hot 100 chart.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-109588\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/i-got-it-ariana-grande.gif\" alt=\"\" width=\"480\" height=\"200\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And we pour some plant-based milk out for a space robot that might be officially dead but lives on in our hearts forever.\u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-109589\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/wall-e-sad.gif\" alt=\"\" width=\"800\" height=\"600\">\u003c/p>\n\u003cp>Listen to hear all about it:\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/thecooler/2019/02/GotOatMilk.mp3\" title=\"Got Oat Milk?\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/oat-milk.gif\"]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener\">Subscribe and rate us five stars in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener\">Twitter\u003c/a>!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Got milk? Well, we sure do. Get ready to hear us taste-test all the alternative milks—oat! pea! hemp!—to find out what all the fuss is about.\u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-109585\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/michelle-pfeiffer-milk-cat-woman-batman.gif\" alt=\"\" width=\"400\" height=\"426\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A pop culture staple since the '80s, we've come to know Alyssa Milano pretty well. But she's been hiding something from us! Come along as we discover her platinum-selling music career (!!!) and be sure to buckle up 'cause things quickly get weird.\u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-109586\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/alyssa-milano-music-career.gif\" alt=\"\" width=\"400\" height=\"302\">\u003c/p>\n\u003cp>Note to anyone pretending to be outraged over Malia Obama drinking rosé: LEAVE HER ALONE AND GET A LIFE.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "A Guide to All the Hidden Messages and Cameos in Ariana Grande's \"thank u, next\" Video",
"title": "A Guide to All the Hidden Messages and Cameos in Ariana Grande's \"thank u, next\" Video",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>Ariana Grande has become a master of holding our attention. Exhibit Z: The music video for \"\u003ca href=\"https://www.kqed.org/pop/107051/ariana-grande-shouts-out-famous-exes-on-thank-u-next-does-not-come-out-as-bi\">thank u, next\u003c/a>\", which has enjoyed more buzz than most Oscar bait movies this year. The cat—or should I say, the pet chihuahua—is finally out of the bag. Decked in early aughts cosplay, Ari takes us on a nostalgic flashback through some cinematic classics (\u003cem>Mean Girls\u003c/em>, \u003cem>Legally Blonde\u003c/em>, \u003cem>Bring It On\u003c/em> and \u003cem>13 Going on 30\u003c/em>). Some references are obvious, but there are plenty of blink-and-you'll-miss-'em easter eggs and cameos. Let's explore them together!\u003c/p>\n\u003cp>Right off that bat, we get a cameo from YouTube star \u003ca href=\"https://www.youtube.com/channel/UC1OFDlfdRb6ma1ZGZd07gWA\">Miranda Sings\u003c/a> a.k.a. Colleen Ballinger.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107818\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-1020x425.png\" alt=\"\" width=\"640\" height=\"267\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-1020x425.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-160x67.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-800x333.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-768x320.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-1200x499.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-1920x799.png 1920w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-1180x491.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-960x400.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-240x100.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-375x156.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-520x216.png 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>That's cool and all, but OMG it's Mr. \u003ca href=\"https://www.youtube.com/watch?v=3eORqi-n2V0\">October 3rd\u003c/a> himself, Aaron Samuels (played by Jonathan Bennet)! Hair status: still would look sexy pushed back. Eyebrow status: deserve their own paycheck.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107810\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-1020x464.png\" alt=\"\" width=\"640\" height=\"291\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-1020x464.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-160x73.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-800x364.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-768x349.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-1200x545.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-1180x536.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-960x436.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-240x109.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-375x170.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-520x236.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM.png 1866w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Boom! Another \u003cem>Mean Girls\u003c/em> alum! Stefanie Drummond reprises her role as Bethany Byrd, the girl who got punched in the face by Regina George and thought it was awesome. Not sure who the person next to her is, but I'm into what they're serving.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107809\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-1020x488.png\" alt=\"\" width=\"640\" height=\"306\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-1020x488.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-160x77.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-800x383.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-768x368.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-1200x574.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-1180x565.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-960x460.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-240x115.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-375x180.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-520x249.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM.png 1784w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>I know pop stars are busy and all, but would it have killed Troye Sivan to learn his two lines and not rely on reading from a cue card? This is not \u003cem>SNL\u003c/em>, bro! This is an immersive fantasy! Get it together!\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107807\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/troye.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\u003cp>Despite receiving the harshest line in the song (\u003cem>\"Wrote some songs about Ricky, now I listen and laugh\u003c/em>\"), Ariana's donut-licking accomplice gets some positive reinforcement—\"Great dancer.\" \"Good times, man.\" \"Friends forever.\"—in the Burn Book.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107808\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-1020x422.png\" alt=\"\" width=\"640\" height=\"265\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-1020x422.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-160x66.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-800x331.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-768x318.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-1200x497.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-1920x795.png 1920w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-1180x488.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-960x397.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-240x99.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-375x155.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-520x215.png 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>A lot of Arianators find YouTube star Gabi DeMartino's commitment to looking just like her idol creepy. But Ari seems to think it's chill.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107835\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-1020x571.png\" alt=\"\" width=\"640\" height=\"358\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-1020x571.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-800x448.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-768x430.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-1200x672.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-1180x661.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-960x538.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-240x134.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-375x210.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-520x291.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM.png 1532w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Nice try on making the Big Sean Burn Book page illegible by flipping it really fast.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107813\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/ari-mean-girls.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\u003cp>*smashes pause button*\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107814\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-1020x431.png\" alt=\"\" width=\"640\" height=\"270\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-1020x431.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-160x68.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-800x338.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-768x324.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-1200x507.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-1920x811.png 1920w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-1180x498.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-960x405.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-240x101.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-375x158.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-520x220.png 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>*gets out monocle*\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107815\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/sean.png\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-160x160.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-768x768.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-240x240.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-375x375.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-520x520.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-50x50.png 50w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-150x150.png 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\"So cute.\"\u003c/p>\n\u003cp>That's nice.\u003c/p>\n\u003cp>\"So sweet.\"\u003c/p>\n\u003cp>Aww.\u003c/p>\n\u003cp>\"(Could still get it).\"\u003c/p>\n\u003cp>Ooooooooooooo, get it, Ari!\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107836\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/valentina-drag-oooo.gif\" alt=\"\" width=\"500\" height=\"281\">\u003c/p>\n\u003cp>Pete's turn! And his page doesn't disappoint. Not only do we get confirmation that she was the dumper, but we also get the 2,382nd reminder that he has a \"HUUUUUUUUUGE\" pee-pee(te).\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107819\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-1020x546.png\" alt=\"\" width=\"640\" height=\"343\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-1020x546.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-160x86.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-800x429.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-768x411.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-1200x643.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-1180x632.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-960x514.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-240x129.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-375x201.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-520x279.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM.png 1624w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Because the real Lindsay Lohan is too busy \u003ca href=\"http://time.com/5410792/lindsay-lohan-instagram-video-woman-refugees-child-abduction/\">attempting to kidnap\u003c/a> refugee children, Ariana hired her \u003cem>Victorious\u003c/em> co-star Elizabeth Gillies to play Cady. Also, Ariana's tank top teases a lyric from \"Needy,\" an unreleased song from her next project, which she played \u003ca href=\"https://www.youtube.com/watch?v=WdBC_qfcec8\">a snippet\u003c/a> of on Instagram last month.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107820\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-1020x576.png\" alt=\"\" width=\"640\" height=\"361\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-1020x576.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-800x452.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-768x434.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-1200x678.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-1180x666.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-960x542.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-240x136.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-375x212.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-520x294.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM.png 1512w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>This quick nod to Karen's \"ESPN\" weather-predicting breasts is not lost on me.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107821\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Nov-30-2018-15-46-48.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\u003cp>Who could possibly fill the heels of \"cool mom\" Amy Poehler? The ultimate momager, Kris Jenner; that's who!\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107822\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/mean-girls-thank-u-next-kris-ariana.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\u003cp>It wasn't that long ago that Kris was playing this role in real life:\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107823\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/youre-doing-amazing-sweetie.gif\" alt=\"\" width=\"500\" height=\"369\">\u003c/p>\n\u003cp>Another \u003cem>Victorious\u003c/em> reunion with Matt Bennett for the iconic \u003cem>Bring It On\u003c/em> tooth-brushing, foamy-spit scene.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107825\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/victorious-ariana-thank-u-next-matt-bennett.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\u003cp>There's nothing Ariana's brother, Frankie, loves more than attention, so he's probably pretty blissed out over his easter egg cameo as a figure skater.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107837\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.47.18-PM.png\" alt=\"\" width=\"762\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.47.18-PM.png 762w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.47.18-PM-160x168.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.47.18-PM-240x252.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.47.18-PM-375x394.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.47.18-PM-520x546.png 520w\" sizes=\"(max-width: 762px) 100vw, 762px\">\u003c/p>\n\u003cp>Ariana is ready to get her Harvard law degree! And her license plate is ready to give us another hint at a track title from the upcoming album.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107826\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-1020x677.png\" alt=\"\" width=\"640\" height=\"425\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-1020x677.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-160x106.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-800x531.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-768x510.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-1200x797.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-1180x784.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-960x638.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-240x159.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-375x249.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-520x345.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM.png 1292w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Jennifer Coolidge is back to reprise her \u003cem>Legally Blonde\u003c/em> role. All these years later, she's still got the facial expressions down.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107827\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/jennifer-coolidge-legally-blonde.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\u003cp>In case the \"HUUUUUUUGE\" Burn Book passage wasn't enough of a hint, Ariana confides, \"He was really cute (\u003cem>shady editor's note:\u003c/em> debatable) and it was really big.\" Yes, Ari. WE KNOW!\u003c/p>\n\u003cp>The Gospel of Elle Woods \u003ca href=\"https://www.youtube.com/watch?v=ivh8YQYOtaY\">clearly states\u003c/a> that, \"Whoever said orange is the new pink was seriously disturbed.\" Judging by the MacBook and top, Ariana might have been that person.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107828\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-1020x665.png\" alt=\"\" width=\"640\" height=\"417\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-1020x665.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-160x104.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-800x521.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-768x500.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-1200x782.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-1180x769.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-960x626.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-240x156.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-375x244.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-520x339.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM.png 1326w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Is there anything cuter than \u003cem>13 Going on 30\u003c/em>'s Jenna Rink nae-nae-ing? Probably not.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107831\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/ariana-nae-nae.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\u003cp>Bend-and-snapping to the beat of \"thank u, next\" comes close though.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107830\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/bend-and-snap-ariana.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\u003cp>(Shout out to the scene-stealing \"YAAS!\" extra. And the Tan France lookalike too.)\u003c/p>\n\u003cp>Speaking of keeping an eye on extras, notice how the UPS logo on this dude's shirt has been changed as a nod to Allison P. Davis' famous \u003ca href=\"https://www.thecut.com/2018/06/pete-davidson-ariana-grande-big-dick-energy.html\">study of Big Dick Energy\u003c/a>.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107834\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-1020x752.png\" alt=\"\" width=\"640\" height=\"472\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-1020x752.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-160x118.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-800x590.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-768x566.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-960x708.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-240x177.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-375x276.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-520x383.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM.png 1164w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Like all great things, this video must come to an end, but if Ariana's obvious rubbernecking thirst below is any indication, we might get a \"thank u, next\" sequel (ur welcome, next?) before we know it.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107833\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/ariana-thank-u-next-1.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\n",
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"excerpt": "Did Ariana dump Pete, or the other way around? Which ex \"could still get it\"? What's going to be on her next album? All the answers are in the hidden details!",
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"description": "Did Ariana dump Pete, or the other way around? Which ex "could still get it"? What's going to be on her next album? All the answers are in the hidden details!",
"title": "A Guide to All the Hidden Messages and Cameos in Ariana Grande's \"thank u, next\" Video | KQED",
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"headline": "A Guide to All the Hidden Messages and Cameos in Ariana Grande's \"thank u, next\" Video",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ariana Grande has become a master of holding our attention. Exhibit Z: The music video for \"\u003ca href=\"https://www.kqed.org/pop/107051/ariana-grande-shouts-out-famous-exes-on-thank-u-next-does-not-come-out-as-bi\">thank u, next\u003c/a>\", which has enjoyed more buzz than most Oscar bait movies this year. The cat—or should I say, the pet chihuahua—is finally out of the bag. Decked in early aughts cosplay, Ari takes us on a nostalgic flashback through some cinematic classics (\u003cem>Mean Girls\u003c/em>, \u003cem>Legally Blonde\u003c/em>, \u003cem>Bring It On\u003c/em> and \u003cem>13 Going on 30\u003c/em>). Some references are obvious, but there are plenty of blink-and-you'll-miss-'em easter eggs and cameos. Let's explore them together!\u003c/p>\n\u003cp>Right off that bat, we get a cameo from YouTube star \u003ca href=\"https://www.youtube.com/channel/UC1OFDlfdRb6ma1ZGZd07gWA\">Miranda Sings\u003c/a> a.k.a. Colleen Ballinger.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107818\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-1020x425.png\" alt=\"\" width=\"640\" height=\"267\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-1020x425.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-160x67.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-800x333.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-768x320.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-1200x499.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-1920x799.png 1920w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-1180x491.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-960x400.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-240x100.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-375x156.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.01.58-PM-1-520x216.png 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>That's cool and all, but OMG it's Mr. \u003ca href=\"https://www.youtube.com/watch?v=3eORqi-n2V0\">October 3rd\u003c/a> himself, Aaron Samuels (played by Jonathan Bennet)! Hair status: still would look sexy pushed back. Eyebrow status: deserve their own paycheck.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107810\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-1020x464.png\" alt=\"\" width=\"640\" height=\"291\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-1020x464.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-160x73.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-800x364.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-768x349.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-1200x545.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-1180x536.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-960x436.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-240x109.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-375x170.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM-520x236.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.24-PM.png 1866w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Boom! Another \u003cem>Mean Girls\u003c/em> alum! Stefanie Drummond reprises her role as Bethany Byrd, the girl who got punched in the face by Regina George and thought it was awesome. Not sure who the person next to her is, but I'm into what they're serving.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107809\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-1020x488.png\" alt=\"\" width=\"640\" height=\"306\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-1020x488.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-160x77.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-800x383.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-768x368.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-1200x574.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-1180x565.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-960x460.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-240x115.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-375x180.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM-520x249.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.06.36-PM.png 1784w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>I know pop stars are busy and all, but would it have killed Troye Sivan to learn his two lines and not rely on reading from a cue card? This is not \u003cem>SNL\u003c/em>, bro! This is an immersive fantasy! Get it together!\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107807\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/troye.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\u003cp>Despite receiving the harshest line in the song (\u003cem>\"Wrote some songs about Ricky, now I listen and laugh\u003c/em>\"), Ariana's donut-licking accomplice gets some positive reinforcement—\"Great dancer.\" \"Good times, man.\" \"Friends forever.\"—in the Burn Book.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107808\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-1020x422.png\" alt=\"\" width=\"640\" height=\"265\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-1020x422.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-160x66.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-800x331.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-768x318.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-1200x497.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-1920x795.png 1920w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-1180x488.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-960x397.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-240x99.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-375x155.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.14.55-PM-520x215.png 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>A lot of Arianators find YouTube star Gabi DeMartino's commitment to looking just like her idol creepy. But Ari seems to think it's chill.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107835\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-1020x571.png\" alt=\"\" width=\"640\" height=\"358\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-1020x571.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-800x448.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-768x430.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-1200x672.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-1180x661.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-960x538.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-240x134.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-375x210.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM-520x291.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.25.15-PM.png 1532w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Nice try on making the Big Sean Burn Book page illegible by flipping it really fast.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107813\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/ari-mean-girls.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\u003cp>*smashes pause button*\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107814\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-1020x431.png\" alt=\"\" width=\"640\" height=\"270\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-1020x431.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-160x68.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-800x338.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-768x324.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-1200x507.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-1920x811.png 1920w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-1180x498.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-960x405.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-240x101.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-375x158.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.29.25-PM-520x220.png 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>*gets out monocle*\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107815\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/sean.png\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-160x160.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-768x768.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-240x240.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-375x375.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-520x520.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-50x50.png 50w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/sean-150x150.png 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\"So cute.\"\u003c/p>\n\u003cp>That's nice.\u003c/p>\n\u003cp>\"So sweet.\"\u003c/p>\n\u003cp>Aww.\u003c/p>\n\u003cp>\"(Could still get it).\"\u003c/p>\n\u003cp>Ooooooooooooo, get it, Ari!\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107836\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/valentina-drag-oooo.gif\" alt=\"\" width=\"500\" height=\"281\">\u003c/p>\n\u003cp>Pete's turn! And his page doesn't disappoint. Not only do we get confirmation that she was the dumper, but we also get the 2,382nd reminder that he has a \"HUUUUUUUUUGE\" pee-pee(te).\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107819\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-1020x546.png\" alt=\"\" width=\"640\" height=\"343\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-1020x546.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-160x86.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-800x429.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-768x411.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-1200x643.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-1180x632.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-960x514.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-240x129.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-375x201.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM-520x279.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.37.52-PM.png 1624w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Because the real Lindsay Lohan is too busy \u003ca href=\"http://time.com/5410792/lindsay-lohan-instagram-video-woman-refugees-child-abduction/\">attempting to kidnap\u003c/a> refugee children, Ariana hired her \u003cem>Victorious\u003c/em> co-star Elizabeth Gillies to play Cady. Also, Ariana's tank top teases a lyric from \"Needy,\" an unreleased song from her next project, which she played \u003ca href=\"https://www.youtube.com/watch?v=WdBC_qfcec8\">a snippet\u003c/a> of on Instagram last month.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107820\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-1020x576.png\" alt=\"\" width=\"640\" height=\"361\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-1020x576.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-800x452.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-768x434.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-1200x678.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-1180x666.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-960x542.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-240x136.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-375x212.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM-520x294.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-3.40.28-PM.png 1512w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>This quick nod to Karen's \"ESPN\" weather-predicting breasts is not lost on me.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107821\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Nov-30-2018-15-46-48.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\u003cp>Who could possibly fill the heels of \"cool mom\" Amy Poehler? The ultimate momager, Kris Jenner; that's who!\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107822\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/mean-girls-thank-u-next-kris-ariana.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\u003cp>It wasn't that long ago that Kris was playing this role in real life:\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107823\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/youre-doing-amazing-sweetie.gif\" alt=\"\" width=\"500\" height=\"369\">\u003c/p>\n\u003cp>Another \u003cem>Victorious\u003c/em> reunion with Matt Bennett for the iconic \u003cem>Bring It On\u003c/em> tooth-brushing, foamy-spit scene.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107825\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/victorious-ariana-thank-u-next-matt-bennett.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\u003cp>There's nothing Ariana's brother, Frankie, loves more than attention, so he's probably pretty blissed out over his easter egg cameo as a figure skater.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107837\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.47.18-PM.png\" alt=\"\" width=\"762\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.47.18-PM.png 762w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.47.18-PM-160x168.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.47.18-PM-240x252.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.47.18-PM-375x394.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.47.18-PM-520x546.png 520w\" sizes=\"(max-width: 762px) 100vw, 762px\">\u003c/p>\n\u003cp>Ariana is ready to get her Harvard law degree! And her license plate is ready to give us another hint at a track title from the upcoming album.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107826\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-1020x677.png\" alt=\"\" width=\"640\" height=\"425\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-1020x677.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-160x106.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-800x531.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-768x510.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-1200x797.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-1180x784.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-960x638.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-240x159.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-375x249.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM-520x345.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.01.16-PM.png 1292w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Jennifer Coolidge is back to reprise her \u003cem>Legally Blonde\u003c/em> role. All these years later, she's still got the facial expressions down.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107827\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/jennifer-coolidge-legally-blonde.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\u003cp>In case the \"HUUUUUUUGE\" Burn Book passage wasn't enough of a hint, Ariana confides, \"He was really cute (\u003cem>shady editor's note:\u003c/em> debatable) and it was really big.\" Yes, Ari. WE KNOW!\u003c/p>\n\u003cp>The Gospel of Elle Woods \u003ca href=\"https://www.youtube.com/watch?v=ivh8YQYOtaY\">clearly states\u003c/a> that, \"Whoever said orange is the new pink was seriously disturbed.\" Judging by the MacBook and top, Ariana might have been that person.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107828\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-1020x665.png\" alt=\"\" width=\"640\" height=\"417\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-1020x665.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-160x104.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-800x521.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-768x500.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-1200x782.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-1180x769.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-960x626.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-240x156.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-375x244.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM-520x339.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.07.13-PM.png 1326w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Is there anything cuter than \u003cem>13 Going on 30\u003c/em>'s Jenna Rink nae-nae-ing? Probably not.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107831\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/ariana-nae-nae.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\u003cp>Bend-and-snapping to the beat of \"thank u, next\" comes close though.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107830\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/bend-and-snap-ariana.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\u003cp>(Shout out to the scene-stealing \"YAAS!\" extra. And the Tan France lookalike too.)\u003c/p>\n\u003cp>Speaking of keeping an eye on extras, notice how the UPS logo on this dude's shirt has been changed as a nod to Allison P. Davis' famous \u003ca href=\"https://www.thecut.com/2018/06/pete-davidson-ariana-grande-big-dick-energy.html\">study of Big Dick Energy\u003c/a>.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107834\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-1020x752.png\" alt=\"\" width=\"640\" height=\"472\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-1020x752.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-160x118.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-800x590.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-768x566.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-960x708.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-240x177.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-375x276.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM-520x383.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/11/Screen-Shot-2018-11-30-at-4.21.54-PM.png 1164w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Like all great things, this video must come to an end, but if Ariana's obvious rubbernecking thirst below is any indication, we might get a \"thank u, next\" sequel (ur welcome, next?) before we know it.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-107833\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/ariana-thank-u-next-1.gif\" alt=\"\" width=\"480\" height=\"195\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003ca href=\"https://www.kqed.org/pop/105321/ariana-grandes-sweetener-deeper-than-bubblegum-pop\">Ariana Grande's last album, \u003cem>sweetener\u003c/em>\u003c/a>, isn't even three months old and she's already moving on. Her philosophy on ditching the traditional two-to-four-years-between-albums timeline: \"i’m gonna jus keep creating and putting stuff out as i please. it feels good to my soul and i love keeping the kids fed.\"\u003c/p>\n\u003cp>Consider me fortified because \"thank u, next,\" the first single off her upcoming album, is a laid-back, feel-good earworm that schools listeners on how to think about our exes. Instead of being bitter, thank them for their time and whatever they taught you, and move onto the next!\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-97463\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/11/okay-next-rupaul-gif.gif\" alt=\"\" width=\"480\" height=\"268\">\u003c/p>\n\u003cp>And since you're wondering, yes, there is a mention of Pete Davidson: \u003cem>\"Almost got married, and for\u003c/em> \u003cem>Pete I'm so thankful.\"\u003c/em>\u003c/p>\n\u003cp>And Big Sean: \u003cem>\"Thought I'd end up with Sean, but he wasn't a match.\"\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And that dude Ricky of the donut-licking surveillance footage: \u003cem>\"Wrote some songs about Ricky, now I listen and laugh.\"\u003c/em>\u003c/p>\n\u003cp>But the most noteworthy—and heartbreaking—shoutout goes out to the recently departed Mac Miller: \u003cem>\"Wish I could say thank you to Malcolm 'cause he was an angel.\"\u003c/em>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-20663\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/211691_original.gif\" alt=\"\" width=\"450\" height=\"253\">\u003c/p>\n\u003cp>The song eventually becomes about self-love, but Ariana's infamous lack of enunciation had many fans, myself included, thinking she was coming out as bisexual (her nickname \"Ari\" sounds like \"Aubrey\" in the line \"This one gon' last 'cause her name is Ari...she taught me love\").\u003c/p>\n\u003cp>https://twitter.com/xcusemybeauty/status/1058924561557676033\u003c/p>\n\u003cp>Maybe she's saving her coming out statement for the next single, which could be dropping any minute now for all we know. Until then, bop to \"thank u, next\" (but beware of the feels convincing you it's a good idea to text your exes).\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://youtu.be/5OeR5XBEahU\u003c/p>\n\n",
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"content": "\u003cp>Over the weekend, Ariana Grande and Pete Davidson called off their engagement after an intense, PDA-fueled, five-month relationship. When the news broke, Twitter lapsed into what can only be described as online bedlam.\u003c/p>\n\u003cp>https://twitter.com/DoYouEvenLIf/status/1051604080798384128\u003c/p>\n\u003cp>The chaos quickly gave way to Twitter rushing through the classic \u003ca href=\"https://www.recover-from-grief.com/7-stages-of-grief.html\">7 Stages of Grief.\u003c/a>\u003c/p>\n\u003col>\n\u003cli>Shock and denial:\u003c/li>\n\u003c/ol>\n\u003cp>https://twitter.com/kateconnolly031/status/1051592123735310336\u003c/p>\n\u003cp>2. Pain and guilt:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/RyanSchocket/status/1051586421369303040\u003c/p>\n\u003cp>3. Anger and bargaining:\u003c/p>\n\u003cp>https://twitter.com/maddyackerburg/status/1051612184923525120\u003c/p>\n\u003cp>4. Reflection:\u003c/p>\n\u003cp>https://twitter.com/swifthargitay/status/1051588699471921152\u003c/p>\n\u003cp>5. The Upward Turn:\u003c/p>\n\u003cp>https://twitter.com/olivia__hye/status/1051597751031615488\u003c/p>\n\u003cp>6. Reconstruction and Working Through:\u003c/p>\n\u003cp>https://twitter.com/n0m83r5/status/1051696538920148994\u003c/p>\n\u003cp>7. Acceptance and Hope (some people got to this stage a lot sooner than others):\u003c/p>\n\u003cp>https://twitter.com/taylorsoftest/status/1051605232109703169\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Farewell, Pete and Ariana. We loved you while you lasted.\u003c/p>\n\u003cfigure id=\"attachment_106524\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-106524\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/10/GettyImages-1020262494-800x1204.jpg\" alt=\"Pete Davidson and Ariana Grande attend the 2018 MTV Video Music Awards at Radio City Music Hall, August 20, 2018, New York City. \" width=\"800\" height=\"1204\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-800x1204.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-160x241.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-768x1155.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-1020x1535.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-798x1200.jpg 798w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-1920x2889.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-1180x1775.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-960x1444.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-240x361.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-375x564.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-520x782.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494.jpg 1994w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pete Davidson and Ariana Grande attend the 2018 MTV Video Music Awards at Radio City Music Hall, August 20, 2018, New York City. \u003ccite>(Photo by Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\n\u003cp>Farewell, Pete and Ariana. We loved you while you lasted.\u003c/p>\n\u003cfigure id=\"attachment_106524\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-106524\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/10/GettyImages-1020262494-800x1204.jpg\" alt=\"Pete Davidson and Ariana Grande attend the 2018 MTV Video Music Awards at Radio City Music Hall, August 20, 2018, New York City. \" width=\"800\" height=\"1204\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-800x1204.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-160x241.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-768x1155.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-1020x1535.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-798x1200.jpg 798w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-1920x2889.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-1180x1775.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-960x1444.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-240x361.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-375x564.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494-520x782.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2018/10/GettyImages-1020262494.jpg 1994w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pete Davidson and Ariana Grande attend the 2018 MTV Video Music Awards at Radio City Music Hall, August 20, 2018, New York City. \u003ccite>(Photo by Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Mac Miller, Ariana Grande and Our Addiction to Pointing the Finger",
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"content": "\u003cp>On Friday morning, Mac Miller was found dead of an apparent overdose, after years of openly struggling with addiction. One of Miller's most endearing qualities as an artist was his willingness to share his vulnerabilities and fears around his own struggles with sobriety. \"\u003cem>I'm hoping not to join \u003c/em>\u003ca href=\"https://www.ranker.com/list/members-of-the-27-club/famous-celebrity-deaths-list\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>the 27 club\u003c/em>\u003c/a>,\" he rapped on \"Brand Name.\" In the end, tragically, Mac Miller only made it to 26.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=vuCyrtGQhAk\u003c/p>\n\u003cp>Miller's fame—and the amount of public scrutiny he was put under—grew when he got into a relationship with Ariana Grande in September 2016. When the longtime friends and collaborators officially split last May, and Grande went public about her whirlwind romance with Pete Davidson just a couple of weeks later, Miller fans weren't happy. Some were quick to blame Grande for Miller's addiction issues, to the degree that she felt the need to \u003ca href=\"https://twitter.com/ArianaGrande/status/999314187384901633\" target=\"_blank\" rel=\"noopener noreferrer\">hit back on Twitter\u003c/a>.\u003c/p>\n\u003cp>[aside postid='arts_13840493']For his part, Miller publicly stated that he was fine with the break-up and his ex-girlfriend's new relationship. At the end of July, in \u003ca href=\"https://abcnews.go.com/GMA/Culture/ariana-grandes-mac-miller-breaks-silence-engagement-pete/story?id=56780176\" target=\"_blank\" rel=\"noopener noreferrer\">an interview with Zane Lowe\u003c/a>, he said \"I was in love with somebody. We were together for two years. We worked through good times, bad times, stress and everything else. And then it came to an end and we both moved on. And it's that simple, you know?\"\u003c/p>\n\u003cp>On Instagram, \u003ca href=\"https://www.etonline.com/everything-mac-miller-and-ariana-grande-have-said-about-their-relationship-109253\" target=\"_blank\" rel=\"noopener noreferrer\">Grande stated:\u003c/a> \"This is one of my best friends in the whole world and favorite people on the planet. I respect and adore him endlessly.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Still, on Friday, as the tragic news about Miller broke, Grande was not left to grieve in peace. Instead, her Instagram page became a battleground between Miller fans pointing the finger and Grande fans rushing to her defense. There were multiple fans who pleaded with her to \"turn off the comments\" hours before she finally did. By that time, the damage was already done.\u003c/p>\n\u003cfigure id=\"attachment_105664\" class=\"wp-caption aligncenter\" style=\"max-width: 355px\">\u003cimg class=\"size-full wp-image-105664\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/09/horrible1.png\" alt=\"\" width=\"355\" height=\"233\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/09/horrible1.png 355w, https://ww2.kqed.org/app/uploads/sites/12/2018/09/horrible1-160x105.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/09/horrible1-240x158.png 240w\" sizes=\"(max-width: 355px) 100vw, 355px\">\u003cfigcaption class=\"wp-caption-text\">Comments posted to Ariana Grande's Instagram account on Friday, September 7, 2018.\u003c/figcaption>\u003c/figure>\n\u003cp>At the time of publication, Grande has yet to speak publicly about the death of Miller, though she did post a touching photo of him to her Instagram account over the weekend.\u003c/p>\n\u003cp>https://www.instagram.com/p/Bneu_dCHVdn/?hl=en&taken-by=arianagrande\u003c/p>\n\u003cp>The public attack on Grande is horrible but in no way surprising. It's not even the first time in the last few \u003cem>weeks\u003c/em> that a woman has been blamed for a famous man's own longterm, personal struggles. Ben Affleck's current girlfriend, model Shauna Sexton, was accused of landing the 46-year-old actor back in rehab late last month after she posted a photo of herself enjoying a glass of wine. Admittedly, her timing wasn't great; the pic went up just three days after Affleck's ex-wife, Jennifer Garner, staged an intervention. But when accusations started flying in the comments, Sexton quickly and directly pointed out that her boyfriend's ability to stay sober had little to do with her.\u003c/p>\n\u003cp>Sexton \u003ca href=\"https://www.thehollywoodgossip.com/2018/09/shauna-sexton-you-think-i-sent-ben-affleck-to-rehab/\" target=\"_blank\" rel=\"noopener noreferrer\">wrote\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>\"I love to drink and party! Absolutely dude. Most 22 year olds do… [Does it] mean i would disrespect someone’s hard earned sobriety by drinking with them or in front of them? Hell no… Ben is a grown ass man, baby. He makes his own decisions. Blaming a 22 year old for someone’s 3rd time in rehab is just ridiculous...He is human. I am human. You are human. We all are going to f**k up it’s just a matter of learning from it. Don’t be so quick to throw shade on people. Take a step back, accept that we are all on our own journey, and be a little less critical.\"\u003c/p>\u003c/blockquote>\n\u003cp>So where does the compulsion come from, to hold responsible anyone other than the dead celebrity in question? The root of it is in the public's great sense of personal attachment to famous people, especially musicians. Pointing the finger at someone else means propelling our own sadness out and away from us. \u003ca href=\"https://www.shape.com/blogs/shape-your-life/why-we-take-celebs-deaths-so-hard\" target=\"_blank\" rel=\"noopener noreferrer\">Therapist Patrick Wanis told \u003cem>Shape\u003c/em> \u003c/a>magazine: “We grieve them … because we feel they can no longer continue to contribute to our lives—we have lost out on their next musical creation.”\u003c/p>\n\u003cp>The other factor is an unwillingness to blame the deceased person themselves, for being gone too soon. No one wishes to speak ill of the dead, so we absolve them of responsibility and shift blame to the next nearest living person.\u003c/p>\n\u003cp>[aside postid='pop_107245']What the blame game ignores, of course, is just how complex addiction is. The causes of drug and alcohol dependency differ wildly depending on the individual. As the \u003ca href=\"https://www.centeronaddiction.org/what-addiction/addiction-disease\" target=\"_blank\" rel=\"noopener noreferrer\">Center on Addiction\u003c/a> points out: \"Addiction disrupts regions of the brain that are responsible for reward, motivation, learning, judgment and memory.\" Relapses can be caused by anything and nothing. And for partners living with an addict, there is no perfect way of dealing with it. If they exercise tough love and leave, they are accused of abandonment. If they stay, they are accused of enabling. It's a no-win position to be in.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>One thing to keep in mind is that the only person that can keep an addict sober is the addict themselves. Assistance can come from sponsors, organizations and, yes, partners. But if it feels too uncomfortable to pass judgment on the addict, it should feel just as unjust to direct it at their loved ones. In the end, Mac Miller didn't die because Ariana Grande broke up with him; Mac Miller died because he had a disease.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Friday morning, Mac Miller was found dead of an apparent overdose, after years of openly struggling with addiction. One of Miller's most endearing qualities as an artist was his willingness to share his vulnerabilities and fears around his own struggles with sobriety. \"\u003cem>I'm hoping not to join \u003c/em>\u003ca href=\"https://www.ranker.com/list/members-of-the-27-club/famous-celebrity-deaths-list\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>the 27 club\u003c/em>\u003c/a>,\" he rapped on \"Brand Name.\" In the end, tragically, Mac Miller only made it to 26.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vuCyrtGQhAk'\n title='//www.youtube.com/embed/vuCyrtGQhAk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Miller's fame—and the amount of public scrutiny he was put under—grew when he got into a relationship with Ariana Grande in September 2016. When the longtime friends and collaborators officially split last May, and Grande went public about her whirlwind romance with Pete Davidson just a couple of weeks later, Miller fans weren't happy. Some were quick to blame Grande for Miller's addiction issues, to the degree that she felt the need to \u003ca href=\"https://twitter.com/ArianaGrande/status/999314187384901633\" target=\"_blank\" rel=\"noopener noreferrer\">hit back on Twitter\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>For his part, Miller publicly stated that he was fine with the break-up and his ex-girlfriend's new relationship. At the end of July, in \u003ca href=\"https://abcnews.go.com/GMA/Culture/ariana-grandes-mac-miller-breaks-silence-engagement-pete/story?id=56780176\" target=\"_blank\" rel=\"noopener noreferrer\">an interview with Zane Lowe\u003c/a>, he said \"I was in love with somebody. We were together for two years. We worked through good times, bad times, stress and everything else. And then it came to an end and we both moved on. And it's that simple, you know?\"\u003c/p>\n\u003cp>On Instagram, \u003ca href=\"https://www.etonline.com/everything-mac-miller-and-ariana-grande-have-said-about-their-relationship-109253\" target=\"_blank\" rel=\"noopener noreferrer\">Grande stated:\u003c/a> \"This is one of my best friends in the whole world and favorite people on the planet. I respect and adore him endlessly.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Still, on Friday, as the tragic news about Miller broke, Grande was not left to grieve in peace. Instead, her Instagram page became a battleground between Miller fans pointing the finger and Grande fans rushing to her defense. There were multiple fans who pleaded with her to \"turn off the comments\" hours before she finally did. By that time, the damage was already done.\u003c/p>\n\u003cfigure id=\"attachment_105664\" class=\"wp-caption aligncenter\" style=\"max-width: 355px\">\u003cimg class=\"size-full wp-image-105664\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/09/horrible1.png\" alt=\"\" width=\"355\" height=\"233\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/09/horrible1.png 355w, https://ww2.kqed.org/app/uploads/sites/12/2018/09/horrible1-160x105.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/09/horrible1-240x158.png 240w\" sizes=\"(max-width: 355px) 100vw, 355px\">\u003cfigcaption class=\"wp-caption-text\">Comments posted to Ariana Grande's Instagram account on Friday, September 7, 2018.\u003c/figcaption>\u003c/figure>\n\u003cp>At the time of publication, Grande has yet to speak publicly about the death of Miller, though she did post a touching photo of him to her Instagram account over the weekend.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The public attack on Grande is horrible but in no way surprising. It's not even the first time in the last few \u003cem>weeks\u003c/em> that a woman has been blamed for a famous man's own longterm, personal struggles. Ben Affleck's current girlfriend, model Shauna Sexton, was accused of landing the 46-year-old actor back in rehab late last month after she posted a photo of herself enjoying a glass of wine. Admittedly, her timing wasn't great; the pic went up just three days after Affleck's ex-wife, Jennifer Garner, staged an intervention. But when accusations started flying in the comments, Sexton quickly and directly pointed out that her boyfriend's ability to stay sober had little to do with her.\u003c/p>\n\u003cp>Sexton \u003ca href=\"https://www.thehollywoodgossip.com/2018/09/shauna-sexton-you-think-i-sent-ben-affleck-to-rehab/\" target=\"_blank\" rel=\"noopener noreferrer\">wrote\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>\"I love to drink and party! Absolutely dude. Most 22 year olds do… [Does it] mean i would disrespect someone’s hard earned sobriety by drinking with them or in front of them? Hell no… Ben is a grown ass man, baby. He makes his own decisions. Blaming a 22 year old for someone’s 3rd time in rehab is just ridiculous...He is human. I am human. You are human. We all are going to f**k up it’s just a matter of learning from it. Don’t be so quick to throw shade on people. Take a step back, accept that we are all on our own journey, and be a little less critical.\"\u003c/p>\u003c/blockquote>\n\u003cp>So where does the compulsion come from, to hold responsible anyone other than the dead celebrity in question? The root of it is in the public's great sense of personal attachment to famous people, especially musicians. Pointing the finger at someone else means propelling our own sadness out and away from us. \u003ca href=\"https://www.shape.com/blogs/shape-your-life/why-we-take-celebs-deaths-so-hard\" target=\"_blank\" rel=\"noopener noreferrer\">Therapist Patrick Wanis told \u003cem>Shape\u003c/em> \u003c/a>magazine: “We grieve them … because we feel they can no longer continue to contribute to our lives—we have lost out on their next musical creation.”\u003c/p>\n\u003cp>The other factor is an unwillingness to blame the deceased person themselves, for being gone too soon. No one wishes to speak ill of the dead, so we absolve them of responsibility and shift blame to the next nearest living person.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>What the blame game ignores, of course, is just how complex addiction is. The causes of drug and alcohol dependency differ wildly depending on the individual. As the \u003ca href=\"https://www.centeronaddiction.org/what-addiction/addiction-disease\" target=\"_blank\" rel=\"noopener noreferrer\">Center on Addiction\u003c/a> points out: \"Addiction disrupts regions of the brain that are responsible for reward, motivation, learning, judgment and memory.\" Relapses can be caused by anything and nothing. And for partners living with an addict, there is no perfect way of dealing with it. If they exercise tough love and leave, they are accused of abandonment. If they stay, they are accused of enabling. It's a no-win position to be in.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>One thing to keep in mind is that the only person that can keep an addict sober is the addict themselves. Assistance can come from sponsors, organizations and, yes, partners. But if it feels too uncomfortable to pass judgment on the addict, it should feel just as unjust to direct it at their loved ones. In the end, Mac Miller didn't die because Ariana Grande broke up with him; Mac Miller died because he had a disease.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Ariana Grande's 'Sweetener': Deeper than Bubblegum Pop?",
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"content": "\u003cp>\u003cem>Ariana Grande is back with a brand new album, and KQED Music Editor Nastia Voynovskaya and KQED Pop Editor Emmanuel Hapsis spent a majority of the day sharing their feelings about it. Tired of shouting over their shared cubicle wall, they took to this cyber forum to let it all out.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Nastia Voynovskaya: \u003c/strong>Hey, Emmanuel! Do you believe god is a woman?\u003c/p>\n\u003cp>\u003cstrong>Emmanuel Hapsis:\u003c/strong> I do! She has yet to answer my most persistent prayer, which goes a little something like this—\u003cem>What do we want? Matriarchy! When do we want it? Well, a few millennia ago would've \u003c/em>been swell\u003cem>, but now is good too—\u003c/em>but she did deliver a new Ariana Grande album in the midst of this pop diva drought, so I still believe!\u003c/p>\n\u003cp>Do you consider yourself an Arianator (that's apparently what her fans call themselves, in addition to \"tiny elephants\" for some reason)?\u003c/p>\n\u003cp>\u003cstrong>NV: \u003c/strong>You know, I didn't til her new album, \u003cem>Sweetener\u003c/em>, but I'm starting to come around. Ariana Grande has always been a little too basic, a little too Disney for me. With her last project, \u003cem>Dangerous Woman\u003c/em>, I think she was really trying to prove how grown up she was by singing these super sexual lyrics. But on \u003cem>Sweetener\u003c/em>, she's clever and insightful while still having a ton of fun. You can feel the intensity of her whirlwind romance with Pete Davidson. I love how she captures that early-20s, my-world-is-on-fire sort of love.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>EH:\u003c/strong> Meanwhile, I've been bopping to her perfect pop songs (major shout out to Swedish wizard Max Martin) since her second album, \u003cem>My Everything\u003c/em>. I even like her dirty holiday EP, \u003cem>Christmas and Chill\u003c/em>. Anyone who can get me to sing along to a lyric like \"You'll be my drummer boy and I'm the only drum that you gonna play\" has star quality.\u003c/p>\n\u003cp>I agree that she was really trying to shake her Disney image with \u003cem>Dangerous Woman\u003c/em>. I mean, it's right there in the title, and on the cover, which pictures her wearing a fetish-y latex mask (but with bunny ears, of course, 'cause she always likes to keep it cute). And with \u003cem>Sweetener\u003c/em>, her evolution has less to do with content and more to do with genre and style.\u003c/p>\n\u003cp>So much of the new album has Pharrell's fingerprints all over it, and those songs feel very 2000s R&B to me, which is new territory for her. I want to love the new direction so badly, but I am struuuuggling to get on board. It just feels kind of hollow to me, like they're demos that need another session to complete. And some of the decisions Pharrell makes as a producer are downright puzzling. Like on \"the light is coming,\" why have a sample of a man yelling about Obamacare in the background for the entire song? Ack! I could go on and on about why his seven tracks don't impress me much; suffice it to say, this has been my experience listening to them so far:\u003c/p>\n\u003cp>https://twitter.com/xcusemybeauty/status/1031630094802989056\u003c/p>\n\u003cp>\u003cstrong>NV:\u003c/strong> I'm a big rap and R&B fan so I really like the funkier sensibility Pharrell brought to \u003cem>Sweetener\u003c/em>. Granted, these weren't his most groundbreaking beats. \"the light is coming\" totally reminds me of his recent N.E.R.D. productions, like \"Lemon\" and \"Don't Do It.\" That said, I enjoy almost everything Pharrell produces because it has this really fun bounce to it, with hints of retro soul and funk and a liiiiittle dash of Talking Heads-type dance rock. I think overall, it made Ariana sound a little more alternative and hipper, and more in line with my sensibilities as someone who's super into artists like SZA and Rihanna. It reminds me of when Rihanna switched up her sound from commercial pop to alt-R&B with \u003cem>ANTI \u003c/em>in 2015.\u003c/p>\n\u003cp>\u003cstrong>EH:\u003c/strong> Ooo, I've never thought of it like that. I promise to hold SZA in my mind instead of Danity Kane B-side the next time I give the Pharrell songs a whirl. Ultimately, I think I just need to forgive him for having to hear \"Happy\" everywhere for months and months.\u003c/p>\n\u003cp>\u003cstrong>NV: \u003c/strong>OK, so let's talk about the track \"pete davidson.\" How do you feel about this current trend of celebrity PDA on wax? Cardi B name-dropped Offset what feels like 85 times in \"Bartier Cardi\" (really it was 16). Nicki Minaj and Eminem both fueled dating rumors by mentioning each other in their recent features. (Eminem referred to the two of them as \"the queen and her husband\" on \"Majesty.\" I die!) What are your thoughts on female pop stars mentioning their IRL boos in their tracks when their male counterparts seem to be singing and rapping about women in a more abstract sense, with the exception of Eminem?\u003c/p>\n\u003cp>\u003cstrong>EH:\u003c/strong> Have we learned nothing from J.Lo naming a song \"Dear Ben\" in honor of Ben Affleck? Apparently not! Part of me wants to celebrate that feeling you mentioned earlier of being young and crazy in love and doing wild things to show your affection, even though you know deep down it's probably not forever. But your question gets at why this trend upsets me; it's so often a one-way street. Offset couldn't even crack a smile while Cardi was struggling to land jokes at the VMAs, let alone rep for her 16 times in a song. When we solve the wage gap, we need to get to work on this ride or die gap!\u003c/p>\n\u003cp>In the particular case of \"pete davidson,\" if Ariana wants to rush-produce a one minute and 14-second song for her new man, go for it. Like a tramp stamp, we will all pretend it never happened a few years from now.\u003c/p>\n\u003cp>Are there other \u003cem>Sweetener\u003c/em> songs that are jumping out at you?\u003c/p>\n\u003cp>\u003cstrong>NV: \u003c/strong>Wow, I completely forgot about J.Lo and Ben Affleck! Ride or die gap is right! I listen to these songs with a slight cringe, like, \"You better be sure about this, girl.\" How terrible would it be if your best songs (that you have to keep performing on tour over and over) ended up being about your ex? Not to get too speculative, but this kind of extreme, really fast young love can burn out because both people don't really know themselves or each other yet. There's risk involved. But I'm rooting for Ariana and Pete, they seem so smitten and I hope it stands the test of time. You can feel the love she has for him through that epic crescendo of strings. The instrumentation is so beautiful and a sweet reflection of how she must feel inside.\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>And if it doesn't work out, the best albums tend to be breakup ones. Just sayin'!\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=kHLHSlExFis\u003c/p>\n\u003cp>\u003cstrong>NV: \u003c/strong>Another track that I love from Sweetener is \"successful.\" It's a subtle, unassuming banger that I think young women really need to hear. It's all about being young and having fun and enjoying making your own money and being independent. That's a vibe I resonate with, and I put it on my personal playlist that I use to get inspired. What about you?\u003c/p>\n\u003cp>\u003cstrong>EH:\u003c/strong> \"breathin\" is THAT GIRL for me. It builds in such a wonderful way and keeps raising the stakes. The Castro bars aren't ready. Neither are my neighbors. (And neither was iTunes apparently; the song flew to #1 right after the album dropped, despite not being an official single yet.)\u003c/p>\n\u003cp>I also love the complete randomness of her covering an Imogen Heap song with \"goodnight and go.\" And I gotta give it to \"sweetener\" for inspiring these two hilarious memes:\u003c/p>\n\u003cp>https://twitter.com/BhadDhad/status/1030681192448892928\u003c/p>\n\u003cp>https://twitter.com/NostalgicAria/status/1031985627657633795\u003c/p>\n\u003cp>\u003cstrong>NV:\u003c/strong> Love it! OK, so before we sign off, there's one more thing I have to get off my chest: WHY has no one on Nicki Minaj's team told her that Chun-Li from \u003cem>Street Fighter\u003c/em> is not a villain? She says it in her \"Chun-Li\" song and repeats it on her feature on \"the light is coming.\" This inaccuracy is driving me nuts.\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>Maybe she spent more time playing \u003cem>Mortal Kombat\u003c/em>? Everyone knows Chun-Li is a hero who fights crime and protects innocents without ever messing up her perfect hair buns!\u003c/p>\n\u003cp>OK, I'm about to really reach here, but see if you can hang with me for this: Nicki believes people are getting on their \"f-in keyboards and mak[ing] her the bad guy, Chun Li.\" Like you said, that's not a thing because that character isn't a bad guy. So maybe we can see this bit of confusion as a metaphor for how her paranoia leads to her misunderstanding of people's intentions. Maybe her anxiety about being de-throned twists people with good intentions into \"haters\" and Nick runs with it (see: her entire history with Cardi B or Lil' Kim or Remy Ma). I only got as far as Psych 101, but that theory seems legit enough? Or Nicki just doesn't think hard enough about her lyrics. Either or!\u003c/p>\n\u003cp>\u003cstrong>NV: \u003c/strong>Either or! Probably both! I can feel her anxiety about defending her crown, but I think we really should be celebrating, cultivating and encouraging a multiplicity of female artists instead of working under the assumption that there can only be one queen. Which is why I'm enjoying \u003cem>Sweetener\u003c/em>. Its bubbly, femme-centric expressions of happiness are really contagious!\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>Yes! Maybe that's what Ariana and Nicki were chatting about at the VMAs. \"Hey, Nicki! Cardi is great and so are you! There is room for all of us because god is a woman! P.S. Buy \u003cem>Sweetener\u003c/em> on iTunes!\"\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>https://twitter.com/breathindeluxes/status/1031968342788198401\u003c/p>\n\n",
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"excerpt": "Are Pharrell's beats getting stale? What's the deal with the Pete Davidson PDA? KQED's music and pop culture editors discuss.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cstrong>NV:\u003c/strong> I'm a big rap and R&B fan so I really like the funkier sensibility Pharrell brought to \u003cem>Sweetener\u003c/em>. Granted, these weren't his most groundbreaking beats. \"the light is coming\" totally reminds me of his recent N.E.R.D. productions, like \"Lemon\" and \"Don't Do It.\" That said, I enjoy almost everything Pharrell produces because it has this really fun bounce to it, with hints of retro soul and funk and a liiiiittle dash of Talking Heads-type dance rock. I think overall, it made Ariana sound a little more alternative and hipper, and more in line with my sensibilities as someone who's super into artists like SZA and Rihanna. It reminds me of when Rihanna switched up her sound from commercial pop to alt-R&B with \u003cem>ANTI \u003c/em>in 2015.\u003c/p>\n\u003cp>\u003cstrong>EH:\u003c/strong> Ooo, I've never thought of it like that. I promise to hold SZA in my mind instead of Danity Kane B-side the next time I give the Pharrell songs a whirl. Ultimately, I think I just need to forgive him for having to hear \"Happy\" everywhere for months and months.\u003c/p>\n\u003cp>\u003cstrong>NV: \u003c/strong>OK, so let's talk about the track \"pete davidson.\" How do you feel about this current trend of celebrity PDA on wax? Cardi B name-dropped Offset what feels like 85 times in \"Bartier Cardi\" (really it was 16). Nicki Minaj and Eminem both fueled dating rumors by mentioning each other in their recent features. (Eminem referred to the two of them as \"the queen and her husband\" on \"Majesty.\" I die!) What are your thoughts on female pop stars mentioning their IRL boos in their tracks when their male counterparts seem to be singing and rapping about women in a more abstract sense, with the exception of Eminem?\u003c/p>\n\u003cp>\u003cstrong>EH:\u003c/strong> Have we learned nothing from J.Lo naming a song \"Dear Ben\" in honor of Ben Affleck? Apparently not! Part of me wants to celebrate that feeling you mentioned earlier of being young and crazy in love and doing wild things to show your affection, even though you know deep down it's probably not forever. But your question gets at why this trend upsets me; it's so often a one-way street. Offset couldn't even crack a smile while Cardi was struggling to land jokes at the VMAs, let alone rep for her 16 times in a song. When we solve the wage gap, we need to get to work on this ride or die gap!\u003c/p>\n\u003cp>In the particular case of \"pete davidson,\" if Ariana wants to rush-produce a one minute and 14-second song for her new man, go for it. Like a tramp stamp, we will all pretend it never happened a few years from now.\u003c/p>\n\u003cp>Are there other \u003cem>Sweetener\u003c/em> songs that are jumping out at you?\u003c/p>\n\u003cp>\u003cstrong>NV: \u003c/strong>Wow, I completely forgot about J.Lo and Ben Affleck! Ride or die gap is right! I listen to these songs with a slight cringe, like, \"You better be sure about this, girl.\" How terrible would it be if your best songs (that you have to keep performing on tour over and over) ended up being about your ex? Not to get too speculative, but this kind of extreme, really fast young love can burn out because both people don't really know themselves or each other yet. There's risk involved. But I'm rooting for Ariana and Pete, they seem so smitten and I hope it stands the test of time. You can feel the love she has for him through that epic crescendo of strings. The instrumentation is so beautiful and a sweet reflection of how she must feel inside.\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>And if it doesn't work out, the best albums tend to be breakup ones. Just sayin'!\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kHLHSlExFis'\n title='//www.youtube.com/embed/kHLHSlExFis'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>NV: \u003c/strong>Another track that I love from Sweetener is \"successful.\" It's a subtle, unassuming banger that I think young women really need to hear. It's all about being young and having fun and enjoying making your own money and being independent. That's a vibe I resonate with, and I put it on my personal playlist that I use to get inspired. What about you?\u003c/p>\n\u003cp>\u003cstrong>EH:\u003c/strong> \"breathin\" is THAT GIRL for me. It builds in such a wonderful way and keeps raising the stakes. The Castro bars aren't ready. Neither are my neighbors. (And neither was iTunes apparently; the song flew to #1 right after the album dropped, despite not being an official single yet.)\u003c/p>\n\u003cp>I also love the complete randomness of her covering an Imogen Heap song with \"goodnight and go.\" And I gotta give it to \"sweetener\" for inspiring these two hilarious memes:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cstrong>NV:\u003c/strong> Love it! OK, so before we sign off, there's one more thing I have to get off my chest: WHY has no one on Nicki Minaj's team told her that Chun-Li from \u003cem>Street Fighter\u003c/em> is not a villain? She says it in her \"Chun-Li\" song and repeats it on her feature on \"the light is coming.\" This inaccuracy is driving me nuts.\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>Maybe she spent more time playing \u003cem>Mortal Kombat\u003c/em>? Everyone knows Chun-Li is a hero who fights crime and protects innocents without ever messing up her perfect hair buns!\u003c/p>\n\u003cp>OK, I'm about to really reach here, but see if you can hang with me for this: Nicki believes people are getting on their \"f-in keyboards and mak[ing] her the bad guy, Chun Li.\" Like you said, that's not a thing because that character isn't a bad guy. So maybe we can see this bit of confusion as a metaphor for how her paranoia leads to her misunderstanding of people's intentions. Maybe her anxiety about being de-throned twists people with good intentions into \"haters\" and Nick runs with it (see: her entire history with Cardi B or Lil' Kim or Remy Ma). I only got as far as Psych 101, but that theory seems legit enough? Or Nicki just doesn't think hard enough about her lyrics. Either or!\u003c/p>\n\u003cp>\u003cstrong>NV: \u003c/strong>Either or! Probably both! I can feel her anxiety about defending her crown, but I think we really should be celebrating, cultivating and encouraging a multiplicity of female artists instead of working under the assumption that there can only be one queen. Which is why I'm enjoying \u003cem>Sweetener\u003c/em>. Its bubbly, femme-centric expressions of happiness are really contagious!\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>Yes! Maybe that's what Ariana and Nicki were chatting about at the VMAs. \"Hey, Nicki! Cardi is great and so are you! There is room for all of us because god is a woman! P.S. Buy \u003cem>Sweetener\u003c/em> on iTunes!\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Whether you thought of the 2000s emo-punk boom as watershed moment or the nadir of modern music, there's one song from that era that's hard to forget. Fall Out Boy's first major hit, \"\u003ca href=\"https://www.youtube.com/watch?v=uhG-vLZrb-g\">Sugar, We're Goin Down\u003c/a>,\" became an anthem for scrappy underdogs when it arrived in 2005, and its sound is still unmistakable: churning guitars, piano twinkles and Patrick Stump's roller-coaster vocals, kicked off by two bars of tripping-over-your-own-feet drums. The instant it starts, you know what you're hearing.\u003c/p>\n\u003cp>In early June, a fan-made remix of \"Sugar, We're Goin Down\" popped up on YouTube. Slower and more wistful, this version wraps Stump's vocal track in gauzy synths, cascading harmonies and a synthetic sax solo — and rather than defiant, it plays like the sonic embodiment of an unrealized crush, all lovelorn and yearning. By the time the chorus hits, it's clear we're not in the LiveJournal era anymore: This is the kind of pastel-hued song that could soundtrack an awkward junior high slow dance in 1986.\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=71&v=g_OboYfQ2x0\u003c/p>\n\u003cp>The \"80s remix\" of \"Sugar, We're Goin Down\" is the creation of a musician from Norrköping, Sweden, named Johan Olsson. The 23-year-old multi-instrumentalist — he plays guitar, piano and bass and also sings — has his own band, \u003ca href=\"https://www.facebook.com/ms-mullins-185308245372377/\">ms. mullins\u003c/a>. (The group's debut EP was released June 29, and a lush, dream-pop single, \u003ca href=\"https://open.spotify.com/album/6qqdzgmNIAFN9FYwaAVFMv\">\"7 Years,\"\u003c/a> is streaming now). Olsson decided to create this remix after encountering a YouTube video of Stump's isolated vocal track.\u003c/p>\n\u003cp>\"I started trying out some chords, and it just evolved from there. REO Speedwagon was one of the main inspirations,\" he tells NPR Music. His Fall Out Boy experiment is his second viral hit this year, following a rework of Green Day's \"\u003ca href=\"https://www.youtube.com/watch?v=_z2ZyBt2Qcs\">Boulevard of Broken Dreams\u003c/a>\" that exudes \u003cem>Miami Vice\u003c/em> intrigue rather than suburban ennui.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Olsson is not the only musician dabbling in this era. Search the phrase \"80s remix\" or \"80s version\" on YouTube and you'll find thousands of synth-drenched takes on modern pop and rock songs. The trend began bubbling up in earnest in 2016, when a Canadian musician and software developer named \u003ca href=\"https://noisey.vice.com/en_us/article/rgpa94/justin-bieber-1985-jerry-shen-interview\">Jerry Shen\u003c/a>, who runs a YouTube channel under the name \u003ca href=\"https://www.youtube.com/channel/UCB3W9gT-mFMN1j12pydSNOw/videos\">TRONICBOX\u003c/a>, found \u003ca href=\"https://www.eonline.com/news/773664/can-you-handle-these-oddly-amazing-80s-remixes-of-ariana-grande-maroon-5-and-justin-bieber\">Internet fame\u003c/a> with two Justin Bieber remixes: \"What Do You Mean It's 1985?,\" a reimagining of the titular 2015 hit, and a sitcom-theme take on \"\u003ca href=\"https://soundcloud.com/jerry-shen-403158940/justin-bieber-love-yourself-purpose-1985\">Love Yourself\u003c/a>.\u003c/p>\n\u003cp>Today, TRONICBOX, whose catalog also includes a neon-hued \u003ca href=\"https://youtu.be/xXPRQHvn04s\">Ariana Grande's \"One Last Time\"\u003c/a> and an even more melodramatic \u003ca href=\"https://www.youtube.com/watch?v=NV1N95xZ4es\">Gotye's \"Somebody That I Used To Know\u003c/a>,\" has amassed more than 27 million views with a catalog dozens of uploads deep. Popular peers \u003ca href=\"https://www.youtube.com/user/DUBSPILLAZ/videos\">DUBSPILLAZ\u003c/a> and the endearingly named \u003ca href=\"https://www.youtube.com/channel/UCykUFnyZDuY1RHzTYOgQ6sA/videos\">TotallyRad80sChannel\u003c/a> are even more prolific. Others are choosier: \u003ca href=\"https://www.youtube.com/channel/UConBvvTX4NjA-ITx_xMa44g/videos\">GK Starwalker\u003c/a> has just two tracks, and only the pulsating \"1987 Version\" of Miley Cyrus' \"Wrecking Ball\" has any traction. (Consider this perhaps the digital equivalent of a one-hit wonder.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=82&v=ghWOn8eq1hw\u003c/p>\n\u003cp>Remaking popular songs in incongruous styles is a practice as old as elevator music, and its standouts tend to trade on novelty. Consider \"Weird Al\" Yankovic's gleeful polka hits medleys, or the U.K. troupe Mike Flowers Pops, which does cheeky lounge versions of popular songs (notably Oasis' \"Wonderwall\"), or the long running \u003ca href=\"http://www.fearlessrecords.com/artists/punk-goes/\">\u003cem>Punk Goes...\u003c/em>\u003c/a> compilation series where young, loud bands tackle the pop canon. The digital mix-and-match of familiar sounds has an immediate ancestor in 2000s mashup culture: Think of the genre clashes of 2manydjs and The Hood Internet, or the revelatory hip-hop/Beatles conflation of Danger Mouse's \u003cem>The Grey Album\u003c/em>. Mashup superstar Girl Talk even sampled the \"Sugar, We're Goin Down\" drums in his own \"\u003ca href=\"https://www.youtube.com/watch?v=iDDdpxEf9hM\">Smash Your Head\u003c/a>.\"\u003c/p>\n\u003cp>And yet, '80s remix culture feels distinctly of its moment. Many of the videos extend their concept to the thumbnail art, where Photoshopped visions of Katy Perry in spandex workout wear, Rihanna with teased hair or Justin Bieber with a mullet are adorned with fake artist logos in neon colors and bubbly fonts — a cousin of the absurdist mock-ups that light up social media.\u003c/p>\n\u003cp>Moreover, creators and listeners are in on the humor together: As with any good meme, appreciating these remixes involves a shared in-joke. \"Definitely my favorite singer from that decade,\" one listener deadpans in the comments section of a take on Ed Sheeran's \u003ca href=\"https://www.youtube.com/watch?v=eve7x59aXJg\">\"Shape Of You\"\u003c/a> that recalls snappy Minneapolis funk. \"What is he doing now? He kind of fell off the radar after 1994.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=31&v=eve7x59aXJg\u003c/p>\n\u003cp>\"I get a lot of comments saying 'WHY DOES THIS WORK?' \" Johan Olsson says. \"Besides the '80s sound and fashion being pretty popular at the moment, I think it's mainly the fact that people like hearing songs from a whole new perspective.\" That said, not all remixes are created equal: There is an art to combining musical styles, and the most transcendent revamps demonstrate obvious artistic expertise and ingenuity.\u003c/p>\n\u003cp>It helps if the source material can withstand manipulation and still maintain its emotional essence; SxAde's remix of \u003ca href=\"https://www.youtube.com/watch?v=Aq4xhldVpQc\">Lana Del Rey's \"Summertime Sadness\"\u003c/a> is Exhibit A. The element of surprise is a plus: It's not obvious that \u003ca href=\"https://www.youtube.com/watch?v=GoZUjxstIZs\">Linkin Park's \"Numb\"\u003c/a> could successfully pair with glittering, Stock Aitken Waterman-esque production, but here we are. Clever visuals can help, too: \u003ca href=\"https://mashable.com/2017/01/09/rihanna-calvin-harris-80s/#2syFNC4Gkqqm\">Calvin Harris and Rihanna's \"This Is What You Came For\"\u003c/a> feels like a forbidden late-night cable access show thanks to the way YouTuber Saint-Laurent adds static and VHS degradation to the song's original clip.\u003c/p>\n\u003cp>In TV shows such as \u003cem>Stranger Things \u003c/em>and\u003cem> GLOW\u003c/em>, the cult genre vaporwave and the steamrolling persistence of Toto's \"Africa,\" the 1980s are alive and well — but there is something exceptional in how YouTube remixers commit to the era's limitations. Synthesizers like the era-defining DX7 had a certain charming clunkiness, and a shared aesthetic of squiggly stabs, percussion rattles and bass slaps proliferated in '80s pop production. Although today's pop music certainly has its unique inventions (trap, for example, is having a mainstream moment right now), the trends tend to be more more ephemeral: It's harder to point to a focused, dominant sound that can vividly evoke the 2010s.\u003c/p>\n\u003cp>For as faithfully as they recreate their namesake, YouTube's '80s remixes actually remind me of a more recent moment. The internet music culture of the late '90s and early 2000s was a period of rapid transformation, but even as illegal file sharing accelerated music discovery, the shortcomings of the technology kept things grounded. MP3 collections took up vast amounts of digital space and were playable only via certain programs. And, like record store crate-digging excursions, online hunts didn't always pan out: You might spend hours downloading a song, only to find out it had been mislabeled.\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=147&v=8uDQ0P9AWc8\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>These '80s remixes are also renegade efforts, albeit made with love, and too exist only within a limited framework. They're not for sale, and in most cases can only be streamed, not downloaded. Sifting through dozens of re-dos to find the true gems requires patience, and leaves room for the chance that a listener might stumble on something enchanting and different. Especially for listeners too young to have firsthand '80s nostalgia, the longing they provoke is for the early promise of music on the Internet: the pre-streaming, pre-algorithm days when throwing yourself into exploration yielded mind-expanding dividends.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003c/em>\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+Strange+Magic+Of+YouTube%27s+%2780s+Remix+Culture&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Whether you thought of the 2000s emo-punk boom as watershed moment or the nadir of modern music, there's one song from that era that's hard to forget. Fall Out Boy's first major hit, \"\u003ca href=\"https://www.youtube.com/watch?v=uhG-vLZrb-g\">Sugar, We're Goin Down\u003c/a>,\" became an anthem for scrappy underdogs when it arrived in 2005, and its sound is still unmistakable: churning guitars, piano twinkles and Patrick Stump's roller-coaster vocals, kicked off by two bars of tripping-over-your-own-feet drums. The instant it starts, you know what you're hearing.\u003c/p>\n\u003cp>In early June, a fan-made remix of \"Sugar, We're Goin Down\" popped up on YouTube. Slower and more wistful, this version wraps Stump's vocal track in gauzy synths, cascading harmonies and a synthetic sax solo — and rather than defiant, it plays like the sonic embodiment of an unrealized crush, all lovelorn and yearning. By the time the chorus hits, it's clear we're not in the LiveJournal era anymore: This is the kind of pastel-hued song that could soundtrack an awkward junior high slow dance in 1986.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/g_OboYfQ2x0'\n title='//www.youtube.com/embed/g_OboYfQ2x0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The \"80s remix\" of \"Sugar, We're Goin Down\" is the creation of a musician from Norrköping, Sweden, named Johan Olsson. The 23-year-old multi-instrumentalist — he plays guitar, piano and bass and also sings — has his own band, \u003ca href=\"https://www.facebook.com/ms-mullins-185308245372377/\">ms. mullins\u003c/a>. (The group's debut EP was released June 29, and a lush, dream-pop single, \u003ca href=\"https://open.spotify.com/album/6qqdzgmNIAFN9FYwaAVFMv\">\"7 Years,\"\u003c/a> is streaming now). Olsson decided to create this remix after encountering a YouTube video of Stump's isolated vocal track.\u003c/p>\n\u003cp>\"I started trying out some chords, and it just evolved from there. REO Speedwagon was one of the main inspirations,\" he tells NPR Music. His Fall Out Boy experiment is his second viral hit this year, following a rework of Green Day's \"\u003ca href=\"https://www.youtube.com/watch?v=_z2ZyBt2Qcs\">Boulevard of Broken Dreams\u003c/a>\" that exudes \u003cem>Miami Vice\u003c/em> intrigue rather than suburban ennui.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Olsson is not the only musician dabbling in this era. Search the phrase \"80s remix\" or \"80s version\" on YouTube and you'll find thousands of synth-drenched takes on modern pop and rock songs. The trend began bubbling up in earnest in 2016, when a Canadian musician and software developer named \u003ca href=\"https://noisey.vice.com/en_us/article/rgpa94/justin-bieber-1985-jerry-shen-interview\">Jerry Shen\u003c/a>, who runs a YouTube channel under the name \u003ca href=\"https://www.youtube.com/channel/UCB3W9gT-mFMN1j12pydSNOw/videos\">TRONICBOX\u003c/a>, found \u003ca href=\"https://www.eonline.com/news/773664/can-you-handle-these-oddly-amazing-80s-remixes-of-ariana-grande-maroon-5-and-justin-bieber\">Internet fame\u003c/a> with two Justin Bieber remixes: \"What Do You Mean It's 1985?,\" a reimagining of the titular 2015 hit, and a sitcom-theme take on \"\u003ca href=\"https://soundcloud.com/jerry-shen-403158940/justin-bieber-love-yourself-purpose-1985\">Love Yourself\u003c/a>.\u003c/p>\n\u003cp>Today, TRONICBOX, whose catalog also includes a neon-hued \u003ca href=\"https://youtu.be/xXPRQHvn04s\">Ariana Grande's \"One Last Time\"\u003c/a> and an even more melodramatic \u003ca href=\"https://www.youtube.com/watch?v=NV1N95xZ4es\">Gotye's \"Somebody That I Used To Know\u003c/a>,\" has amassed more than 27 million views with a catalog dozens of uploads deep. Popular peers \u003ca href=\"https://www.youtube.com/user/DUBSPILLAZ/videos\">DUBSPILLAZ\u003c/a> and the endearingly named \u003ca href=\"https://www.youtube.com/channel/UCykUFnyZDuY1RHzTYOgQ6sA/videos\">TotallyRad80sChannel\u003c/a> are even more prolific. Others are choosier: \u003ca href=\"https://www.youtube.com/channel/UConBvvTX4NjA-ITx_xMa44g/videos\">GK Starwalker\u003c/a> has just two tracks, and only the pulsating \"1987 Version\" of Miley Cyrus' \"Wrecking Ball\" has any traction. (Consider this perhaps the digital equivalent of a one-hit wonder.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ghWOn8eq1hw'\n title='//www.youtube.com/embed/ghWOn8eq1hw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Remaking popular songs in incongruous styles is a practice as old as elevator music, and its standouts tend to trade on novelty. Consider \"Weird Al\" Yankovic's gleeful polka hits medleys, or the U.K. troupe Mike Flowers Pops, which does cheeky lounge versions of popular songs (notably Oasis' \"Wonderwall\"), or the long running \u003ca href=\"http://www.fearlessrecords.com/artists/punk-goes/\">\u003cem>Punk Goes...\u003c/em>\u003c/a> compilation series where young, loud bands tackle the pop canon. The digital mix-and-match of familiar sounds has an immediate ancestor in 2000s mashup culture: Think of the genre clashes of 2manydjs and The Hood Internet, or the revelatory hip-hop/Beatles conflation of Danger Mouse's \u003cem>The Grey Album\u003c/em>. Mashup superstar Girl Talk even sampled the \"Sugar, We're Goin Down\" drums in his own \"\u003ca href=\"https://www.youtube.com/watch?v=iDDdpxEf9hM\">Smash Your Head\u003c/a>.\"\u003c/p>\n\u003cp>And yet, '80s remix culture feels distinctly of its moment. Many of the videos extend their concept to the thumbnail art, where Photoshopped visions of Katy Perry in spandex workout wear, Rihanna with teased hair or Justin Bieber with a mullet are adorned with fake artist logos in neon colors and bubbly fonts — a cousin of the absurdist mock-ups that light up social media.\u003c/p>\n\u003cp>Moreover, creators and listeners are in on the humor together: As with any good meme, appreciating these remixes involves a shared in-joke. \"Definitely my favorite singer from that decade,\" one listener deadpans in the comments section of a take on Ed Sheeran's \u003ca href=\"https://www.youtube.com/watch?v=eve7x59aXJg\">\"Shape Of You\"\u003c/a> that recalls snappy Minneapolis funk. \"What is he doing now? He kind of fell off the radar after 1994.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/eve7x59aXJg'\n title='//www.youtube.com/embed/eve7x59aXJg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\"I get a lot of comments saying 'WHY DOES THIS WORK?' \" Johan Olsson says. \"Besides the '80s sound and fashion being pretty popular at the moment, I think it's mainly the fact that people like hearing songs from a whole new perspective.\" That said, not all remixes are created equal: There is an art to combining musical styles, and the most transcendent revamps demonstrate obvious artistic expertise and ingenuity.\u003c/p>\n\u003cp>It helps if the source material can withstand manipulation and still maintain its emotional essence; SxAde's remix of \u003ca href=\"https://www.youtube.com/watch?v=Aq4xhldVpQc\">Lana Del Rey's \"Summertime Sadness\"\u003c/a> is Exhibit A. The element of surprise is a plus: It's not obvious that \u003ca href=\"https://www.youtube.com/watch?v=GoZUjxstIZs\">Linkin Park's \"Numb\"\u003c/a> could successfully pair with glittering, Stock Aitken Waterman-esque production, but here we are. Clever visuals can help, too: \u003ca href=\"https://mashable.com/2017/01/09/rihanna-calvin-harris-80s/#2syFNC4Gkqqm\">Calvin Harris and Rihanna's \"This Is What You Came For\"\u003c/a> feels like a forbidden late-night cable access show thanks to the way YouTuber Saint-Laurent adds static and VHS degradation to the song's original clip.\u003c/p>\n\u003cp>In TV shows such as \u003cem>Stranger Things \u003c/em>and\u003cem> GLOW\u003c/em>, the cult genre vaporwave and the steamrolling persistence of Toto's \"Africa,\" the 1980s are alive and well — but there is something exceptional in how YouTube remixers commit to the era's limitations. Synthesizers like the era-defining DX7 had a certain charming clunkiness, and a shared aesthetic of squiggly stabs, percussion rattles and bass slaps proliferated in '80s pop production. Although today's pop music certainly has its unique inventions (trap, for example, is having a mainstream moment right now), the trends tend to be more more ephemeral: It's harder to point to a focused, dominant sound that can vividly evoke the 2010s.\u003c/p>\n\u003cp>For as faithfully as they recreate their namesake, YouTube's '80s remixes actually remind me of a more recent moment. The internet music culture of the late '90s and early 2000s was a period of rapid transformation, but even as illegal file sharing accelerated music discovery, the shortcomings of the technology kept things grounded. MP3 collections took up vast amounts of digital space and were playable only via certain programs. And, like record store crate-digging excursions, online hunts didn't always pan out: You might spend hours downloading a song, only to find out it had been mislabeled.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8uDQ0P9AWc8'\n title='//www.youtube.com/embed/8uDQ0P9AWc8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>These '80s remixes are also renegade efforts, albeit made with love, and too exist only within a limited framework. They're not for sale, and in most cases can only be streamed, not downloaded. Sifting through dozens of re-dos to find the true gems requires patience, and leaves room for the chance that a listener might stumble on something enchanting and different. Especially for listeners too young to have firsthand '80s nostalgia, the longing they provoke is for the early promise of music on the Internet: the pre-streaming, pre-algorithm days when throwing yourself into exploration yielded mind-expanding dividends.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003c/em>\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+Strange+Magic+Of+YouTube%27s+%2780s+Remix+Culture&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"soldout": {
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"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
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