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"slug": "bay-area-oakland-san-francisco-napa-music-festivals-summer-2026",
"title": "8 Bay Area Music Festivals You Don't Want to Miss This Summer",
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"headTitle": "8 Bay Area Music Festivals You Don’t Want to Miss This Summer | KQED",
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"content": "\u003cp>Whether you prefer huge multi-day \u003ca href=\"https://www.kqed.org/arts/tag/music-festivals\">music festivals\u003c/a> or small, genre-specific, curated experiences, the Bay Area has no shortage of live music this summer.\u003c/p>\n\u003cp>And while Latin music festival \u003ca href=\"https://www.kqed.org/arts/13987034/la-onda-music-festival-canceled-in-napa\">La Onda\u003c/a> and the jazz- and hip-hop-focused \u003ca href=\"https://www.kqed.org/arts/13932390/blue-note-robert-glasper-rakim-chance-nas-mary-j-blige\">Black Radio Experience\u003c/a> are canceled this year, new events like Total Accord Fest have popped up to celebrate the Bay Area’s wealth of diverse talent.\u003c/p>\n\u003cp>Below you’ll find our summer music festival picks, ranging from the free and budget-friendly to splurge-worthy experiences.\u003c/p>\n\u003cfigure id=\"attachment_13981573\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13981573\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">LCD Soundsystem performing in 2025 at the Portola Festival in San Francisco. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.bottlerocknapavalley.com/experiences/#aftershows\">BottleRock After Dark\u003c/a>\u003c/h2>\n\u003cp>\u003cem>May 19–24\u003cbr>\nVarious venues, Bay Area\u003cbr>\n$55–$357 per day\u003c/em>\u003c/p>\n\u003cp>BottleRock, the Napa Valley festival with Foo Fighters, Backstreet Boys, Lorde, Sombr, Lil Wayne and Teddy Swims, is sold out. But the Napa Valley festival has two dozen After Dark concerts at venues in all corners of the Bay Area, each featuring an artist from its vast, intergenerational lineup. A few highlights: Ludacris headlines the Graton Resort in Rohnert Park on May 23, and synth-pop veterans Cut Copy take the stage at Berkeley’s UC Theatre on May 21. Southern rock sister duo Larkin Poe performs at the Guild Theatre in Menlo Park on May 22. As of this writing, LCD Soundsystem’s After Dark show at Napa Music Hall on May 22 is sold out. \u003c/p>\n\u003cfigure id=\"attachment_13905554\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905554\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Brijean-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Brijean-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Brijean-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Brijean-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brijean performing in 2021 at Outside Lands in San Francisco’s Golden Gate Park. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.totalaccordagency.com/public-programming\">Total Accord Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 3–20\u003cbr>\nVarious venues, San Francisco\u003cbr>\nFree–$30 per day\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>For those looking to get to know the Bay Area’s independent music scene, the Total Accord Festival is a roadmap to the region’s homegrown artists, storied nightclubs and eclectic dives. Local talent agency Total Accord takes over San Francisco clubs starting June 3 at the Bottom of the Hill with local rockers For Horses. On June 7, electronic pop band The Seshen performs with experimental singer-songwriter Aroma at the Richmond District’s classic 4 Star Theatre. (The evening will features a drag show and premiere of Total Accord’s documentary.) Conga-forward dance-pop duo Brijean headlines the Rickshaw Stop on June 11, and R&B singer Elujay, rapper Lovey and Family Not a Group vocalist SundaY perform at The Independent on June 13. Each show costs less than $30, and a few of them are free.\u003c/p>\n\u003cfigure id=\"attachment_13917881\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13917881\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694.jpg\" alt=\"\" width=\"1024\" height=\"657\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694-800x513.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694-1020x654.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694-768x493.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Colombian band Bomba Estéreo perform during the ‘Jungla’ Tour at The Plaza Live on August 10, 2018 in Orlando, Florida. \u003ccite>(Gerardo Mora/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sterngrove.org/\">Stern Grove Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 14–Aug. 16\u003cbr>\nSigmund Stern Grove, San Francisco\u003cbr>\nFree\u003c/em>\u003c/p>\n\u003cp>Each summer, nearly 10,000 music fans fill the sloping, eucalyptus-lined hillside of Sigmund Stern Grove every Sunday for free live music. The concert series, now in its 89th year, gets underway on June 14 with Indian rock band Peter Cat Recording Co., followed by Colombian electro-pop outfit Bomba Estéreo on June 21. Dancehall-inspired EDM trio Major Lazer arrives with support from Richmond rapper Fijiana on July 5. Stern Grove concludes with its Big Picnic grand finale weekend, with Public Enemy headlining Aug. 15 and Al Green on Aug. 16. Although Stern Grove is free, fans must \u003ca href=\"https://www.sterngrove.org/galotterytickets\">enter a lottery\u003c/a> to secure tickets.\u003c/p>\n\u003cfigure id=\"attachment_13934346\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13934346\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mistah F.A.B. in 2023 at Hiero Day in Frank Ogawa Plaza, Oakland. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://lakefestoakland.com/\">LakeFest\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 27\u003cbr>\nLake Merritt, Oakland\u003cbr>\n$12–$23\u003c/em>\u003c/p>\n\u003cp>LakeFest is the type of event where you can bring your friends, your toddler or your grandma — and actually, why not all of the above? The day of music and culture at Lake Merritt returns with headlining performances from R&B singers Vedo and Eric Bellinger, plus some top-tier East Bay rap talent: \u003ca href=\"https://www.kqed.org/arts/13972539/mani-draper-richmond-grand-nationxl\">Mani Draper\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13967001/paris-nights-east-oakland-rapper-videos-90s-throwbacks\">Paris Nights\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/tag/mistah-fab\">Mistah F.A.B\u003c/a>. New at the festival this year is the Gospel Circle, a Christian-themed stage with a gospel choir “sing-off” competition, live music, stand-up comedy and more. Expect local vendors, barbecue and other delicious cuisine, all in a laid-back, family-friendly atmosphere.\u003c/p>\n\u003cfigure id=\"attachment_13976929\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13976929\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk.jpg\" alt=\"A Black man in glasses and a roll-up beanie smiles and gestures in front of a cluttered bookshelf\" width=\"2000\" height=\"1125\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-1920x1080.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">E-40 performing in 2025 at NPR’s Tiny Desk in Washington, D.C. \u003ccite>(Zayrha Rodriguez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.tixr.com/groups/midwaysf/events/nelly-e-40-july-4th-weekend-block-party-184141?utm_source=themidway&utm_medium=venuewebsite\">4th of July Weekend Block Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>July 5\u003cbr>\nThe Midway, San Francisco\u003cbr>\n$49–$149\u003c/em>\u003c/p>\n\u003cp>Bay Area rap fans have a place to go dumb on Independence Day when Vallejo rap titan E-40 co-headlines a 4th of July bash at the Midway with “Hot In Herre” hitmaker Nelly. In addition to the chance to hear “Tell Me When To Go” and “Function” live, the party offers a stacked lineup of some of the Bay’s best DJs. Kehlani’s official selector Noodles will be behind the decks, along with the Valkyries’ own DJ Shellheart, the Warriors’ D-Sharp, Knowpa Slaps, DJ Mind Motion, Slowpoke and more.\u003c/p>\n\u003cfigure id=\"attachment_13915730\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13915730\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Bikini Kill performing in 2022 at Mosswood Meltdown in Oakland. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://mosswoodmeltdown.com/\">Mosswood Meltdown\u003c/a>\u003c/h2>\n\u003cp>\u003cem>July 17–19\u003cbr>\nMosswood Park, Oakland\u003cbr>\n$99–$129 per day\u003c/em>\u003c/p>\n\u003cp>John Waters just celebrated his 80th birthday with a \u003ca href=\"https://www.reddit.com/r/Fauxmoi/comments/1sssveb/john_waters_celebrates_his_80th_birthday_with/\">poppers-themed cake\u003c/a>, so you know the filmmaker, provocateur and so-called “Pope of Trash” has no plans of slowing down. He returns to Oakland this July to host the punk festival Mosswood Meltdown, which kicks off via a Friday pre-party with indie rockers \u003ca href=\"https://www.kqed.org/arts/13985125/pavement-mosswood-meltdown-2026\">Pavement\u003c/a> and Vivian Girls. The fun continues Saturday with sets from the 79-year-old “godfather of Punk” Iggy Pop, plus Japan’s Otoboke Beaver and Philly’s Mannequin Pussy. Riot grrrl icons Bikini Kill headline Sunday, after sets from the Return of Jackie and Judy (Fred Armisen and Carrie Brownstein’s Ramones tribute band), the Dead Milkmen and more.\u003c/p>\n\u003cfigure id=\"attachment_13919608\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13919608\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Charli XCX performs in 2022 at Portola Music Festival in San Francisco. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://sfoutsidelands.com/\">Outside Lands\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Aug. 7–9\u003cbr>\nGolden Gate Park, San Francisco\u003cbr>\n$269+ per day\u003c/em>\u003c/p>\n\u003cp>Outside Lands is one of the Bay Area’s most popular festivals, in part because of its range. This year, pop it-girls Charli XCX and PinkPantheress share the stage with rap stars like GloRilla and Baby Keem, and buzzy rock bands Wet Leg, Turnstile and Geese. The Strokes, the XX and Modest Mouse offer a dose of indie nostalgia; Mariah the Scientist, Kwn and Destin Conrad represent the new school of R&B; and rap veterans Clipse promise razor-sharp lyrical prowess. On top of the packed musical lineup, Outside Lands also has a wealth of food, beverage and cannabis options, an open-air queer nightclub with drag shows and even a wedding chapel.\u003c/p>\n\u003cfigure id=\"attachment_13989440\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989440\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-scaled.jpeg\" alt=\"\" width=\"2560\" height=\"1760\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-2000x1375.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-160x110.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-768x528.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-1536x1056.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-2048x1408.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Paper Jam. \u003ccite>(Courtesy of the artists)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://sfbaypopfest.com/\">SF Bay Popfest\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Aug. 20–23\u003cbr>\nBottom of the Hill, San Francisco\u003cbr>\n$20–$30 per day\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>San Francisco’s Bottom of the Hill has been a proving ground for new talent for 35 years; Oasis, Lizzo and Alanis Morissette all played the charmingly divey nightclub before they blew up. Unfortunately, as the surrounding neighborhood changes, it’ll \u003ca href=\"https://www.coyotemedia.org/san-francisco-club-bottom-of-the-hill-to-close-at-the-end-of-2026/\">close its doors for the final time at the end of this year\u003c/a>. Before the venue says goodbye, it has a packed calendar of shows, including SF Bay Popfest. The mini festival features four days of stacked indie rock, punk and pop acts, including the Aislers Set, Tony Molina, Dear Nora, The Umbrellas, Paper Jam and many more.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Whether you prefer huge multi-day \u003ca href=\"https://www.kqed.org/arts/tag/music-festivals\">music festivals\u003c/a> or small, genre-specific, curated experiences, the Bay Area has no shortage of live music this summer.\u003c/p>\n\u003cp>And while Latin music festival \u003ca href=\"https://www.kqed.org/arts/13987034/la-onda-music-festival-canceled-in-napa\">La Onda\u003c/a> and the jazz- and hip-hop-focused \u003ca href=\"https://www.kqed.org/arts/13932390/blue-note-robert-glasper-rakim-chance-nas-mary-j-blige\">Black Radio Experience\u003c/a> are canceled this year, new events like Total Accord Fest have popped up to celebrate the Bay Area’s wealth of diverse talent.\u003c/p>\n\u003cp>Below you’ll find our summer music festival picks, ranging from the free and budget-friendly to splurge-worthy experiences.\u003c/p>\n\u003cfigure id=\"attachment_13981573\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13981573\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250920_PORTOLA_DAY1_GH-38-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">LCD Soundsystem performing in 2025 at the Portola Festival in San Francisco. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.bottlerocknapavalley.com/experiences/#aftershows\">BottleRock After Dark\u003c/a>\u003c/h2>\n\u003cp>\u003cem>May 19–24\u003cbr>\nVarious venues, Bay Area\u003cbr>\n$55–$357 per day\u003c/em>\u003c/p>\n\u003cp>BottleRock, the Napa Valley festival with Foo Fighters, Backstreet Boys, Lorde, Sombr, Lil Wayne and Teddy Swims, is sold out. But the Napa Valley festival has two dozen After Dark concerts at venues in all corners of the Bay Area, each featuring an artist from its vast, intergenerational lineup. A few highlights: Ludacris headlines the Graton Resort in Rohnert Park on May 23, and synth-pop veterans Cut Copy take the stage at Berkeley’s UC Theatre on May 21. Southern rock sister duo Larkin Poe performs at the Guild Theatre in Menlo Park on May 22. As of this writing, LCD Soundsystem’s After Dark show at Napa Music Hall on May 22 is sold out. \u003c/p>\n\u003cfigure id=\"attachment_13905554\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905554\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Brijean-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Brijean-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Brijean-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Brijean-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brijean performing in 2021 at Outside Lands in San Francisco’s Golden Gate Park. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.totalaccordagency.com/public-programming\">Total Accord Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 3–20\u003cbr>\nVarious venues, San Francisco\u003cbr>\nFree–$30 per day\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For those looking to get to know the Bay Area’s independent music scene, the Total Accord Festival is a roadmap to the region’s homegrown artists, storied nightclubs and eclectic dives. Local talent agency Total Accord takes over San Francisco clubs starting June 3 at the Bottom of the Hill with local rockers For Horses. On June 7, electronic pop band The Seshen performs with experimental singer-songwriter Aroma at the Richmond District’s classic 4 Star Theatre. (The evening will features a drag show and premiere of Total Accord’s documentary.) Conga-forward dance-pop duo Brijean headlines the Rickshaw Stop on June 11, and R&B singer Elujay, rapper Lovey and Family Not a Group vocalist SundaY perform at The Independent on June 13. Each show costs less than $30, and a few of them are free.\u003c/p>\n\u003cfigure id=\"attachment_13917881\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13917881\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694.jpg\" alt=\"\" width=\"1024\" height=\"657\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694-800x513.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694-1020x654.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/GettyImages-1014882694-768x493.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Colombian band Bomba Estéreo perform during the ‘Jungla’ Tour at The Plaza Live on August 10, 2018 in Orlando, Florida. \u003ccite>(Gerardo Mora/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sterngrove.org/\">Stern Grove Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 14–Aug. 16\u003cbr>\nSigmund Stern Grove, San Francisco\u003cbr>\nFree\u003c/em>\u003c/p>\n\u003cp>Each summer, nearly 10,000 music fans fill the sloping, eucalyptus-lined hillside of Sigmund Stern Grove every Sunday for free live music. The concert series, now in its 89th year, gets underway on June 14 with Indian rock band Peter Cat Recording Co., followed by Colombian electro-pop outfit Bomba Estéreo on June 21. Dancehall-inspired EDM trio Major Lazer arrives with support from Richmond rapper Fijiana on July 5. Stern Grove concludes with its Big Picnic grand finale weekend, with Public Enemy headlining Aug. 15 and Al Green on Aug. 16. Although Stern Grove is free, fans must \u003ca href=\"https://www.sterngrove.org/galotterytickets\">enter a lottery\u003c/a> to secure tickets.\u003c/p>\n\u003cfigure id=\"attachment_13934346\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13934346\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mistah F.A.B. in 2023 at Hiero Day in Frank Ogawa Plaza, Oakland. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://lakefestoakland.com/\">LakeFest\u003c/a>\u003c/h2>\n\u003cp>\u003cem>June 27\u003cbr>\nLake Merritt, Oakland\u003cbr>\n$12–$23\u003c/em>\u003c/p>\n\u003cp>LakeFest is the type of event where you can bring your friends, your toddler or your grandma — and actually, why not all of the above? The day of music and culture at Lake Merritt returns with headlining performances from R&B singers Vedo and Eric Bellinger, plus some top-tier East Bay rap talent: \u003ca href=\"https://www.kqed.org/arts/13972539/mani-draper-richmond-grand-nationxl\">Mani Draper\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13967001/paris-nights-east-oakland-rapper-videos-90s-throwbacks\">Paris Nights\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/tag/mistah-fab\">Mistah F.A.B\u003c/a>. New at the festival this year is the Gospel Circle, a Christian-themed stage with a gospel choir “sing-off” competition, live music, stand-up comedy and more. Expect local vendors, barbecue and other delicious cuisine, all in a laid-back, family-friendly atmosphere.\u003c/p>\n\u003cfigure id=\"attachment_13976929\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13976929\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk.jpg\" alt=\"A Black man in glasses and a roll-up beanie smiles and gestures in front of a cluttered bookshelf\" width=\"2000\" height=\"1125\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/E40.TinyDesk-1920x1080.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">E-40 performing in 2025 at NPR’s Tiny Desk in Washington, D.C. \u003ccite>(Zayrha Rodriguez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.tixr.com/groups/midwaysf/events/nelly-e-40-july-4th-weekend-block-party-184141?utm_source=themidway&utm_medium=venuewebsite\">4th of July Weekend Block Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>July 5\u003cbr>\nThe Midway, San Francisco\u003cbr>\n$49–$149\u003c/em>\u003c/p>\n\u003cp>Bay Area rap fans have a place to go dumb on Independence Day when Vallejo rap titan E-40 co-headlines a 4th of July bash at the Midway with “Hot In Herre” hitmaker Nelly. In addition to the chance to hear “Tell Me When To Go” and “Function” live, the party offers a stacked lineup of some of the Bay’s best DJs. Kehlani’s official selector Noodles will be behind the decks, along with the Valkyries’ own DJ Shellheart, the Warriors’ D-Sharp, Knowpa Slaps, DJ Mind Motion, Slowpoke and more.\u003c/p>\n\u003cfigure id=\"attachment_13915730\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13915730\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-003-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Bikini Kill performing in 2022 at Mosswood Meltdown in Oakland. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://mosswoodmeltdown.com/\">Mosswood Meltdown\u003c/a>\u003c/h2>\n\u003cp>\u003cem>July 17–19\u003cbr>\nMosswood Park, Oakland\u003cbr>\n$99–$129 per day\u003c/em>\u003c/p>\n\u003cp>John Waters just celebrated his 80th birthday with a \u003ca href=\"https://www.reddit.com/r/Fauxmoi/comments/1sssveb/john_waters_celebrates_his_80th_birthday_with/\">poppers-themed cake\u003c/a>, so you know the filmmaker, provocateur and so-called “Pope of Trash” has no plans of slowing down. He returns to Oakland this July to host the punk festival Mosswood Meltdown, which kicks off via a Friday pre-party with indie rockers \u003ca href=\"https://www.kqed.org/arts/13985125/pavement-mosswood-meltdown-2026\">Pavement\u003c/a> and Vivian Girls. The fun continues Saturday with sets from the 79-year-old “godfather of Punk” Iggy Pop, plus Japan’s Otoboke Beaver and Philly’s Mannequin Pussy. Riot grrrl icons Bikini Kill headline Sunday, after sets from the Return of Jackie and Judy (Fred Armisen and Carrie Brownstein’s Ramones tribute band), the Dead Milkmen and more.\u003c/p>\n\u003cfigure id=\"attachment_13919608\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13919608\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Charli XCX performs in 2022 at Portola Music Festival in San Francisco. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://sfoutsidelands.com/\">Outside Lands\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Aug. 7–9\u003cbr>\nGolden Gate Park, San Francisco\u003cbr>\n$269+ per day\u003c/em>\u003c/p>\n\u003cp>Outside Lands is one of the Bay Area’s most popular festivals, in part because of its range. This year, pop it-girls Charli XCX and PinkPantheress share the stage with rap stars like GloRilla and Baby Keem, and buzzy rock bands Wet Leg, Turnstile and Geese. The Strokes, the XX and Modest Mouse offer a dose of indie nostalgia; Mariah the Scientist, Kwn and Destin Conrad represent the new school of R&B; and rap veterans Clipse promise razor-sharp lyrical prowess. On top of the packed musical lineup, Outside Lands also has a wealth of food, beverage and cannabis options, an open-air queer nightclub with drag shows and even a wedding chapel.\u003c/p>\n\u003cfigure id=\"attachment_13989440\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989440\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-scaled.jpeg\" alt=\"\" width=\"2560\" height=\"1760\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-2000x1375.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-160x110.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-768x528.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-1536x1056.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Paper-Jam-2-2048x1408.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Paper Jam. \u003ccite>(Courtesy of the artists)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://sfbaypopfest.com/\">SF Bay Popfest\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Aug. 20–23\u003cbr>\nBottom of the Hill, San Francisco\u003cbr>\n$20–$30 per day\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>San Francisco’s Bottom of the Hill has been a proving ground for new talent for 35 years; Oasis, Lizzo and Alanis Morissette all played the charmingly divey nightclub before they blew up. Unfortunately, as the surrounding neighborhood changes, it’ll \u003ca href=\"https://www.coyotemedia.org/san-francisco-club-bottom-of-the-hill-to-close-at-the-end-of-2026/\">close its doors for the final time at the end of this year\u003c/a>. Before the venue says goodbye, it has a packed calendar of shows, including SF Bay Popfest. The mini festival features four days of stacked indie rock, punk and pop acts, including the Aislers Set, Tony Molina, Dear Nora, The Umbrellas, Paper Jam and many more.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "visual-art-summer-guide-2026-museum-gallery-shows",
"title": "The 10 Best Museum and Gallery Shows to See in the Bay Area This Summer",
"publishDate": 1778508009,
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"headTitle": "The 10 Best Museum and Gallery Shows to See in the Bay Area This Summer | KQED",
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"content": "\u003cp>Five months into 2026, a lot has happened in the Bay Area’s visual art scene. \u003ca href=\"https://www.kqed.org/arts/13985359/california-college-of-the-arts-closing-vanderbilt-university\">Devastating closures\u003c/a> were \u003ca href=\"https://www.kqed.org/news/12071507/financial-crisis-forces-sfs-mission-cultural-center-for-latino-arts-to-close\">announced\u003c/a>, \u003ca href=\"https://www.betterbayarea.org/rally_for_the_arts_at_city_hall\">rallies\u003c/a> were held, \u003ca href=\"https://www.kqed.org/arts/13986534/somarts-artists-live-here-community-meeting-sf\">artists joined forces\u003c/a> to advocate for community centers and their funding. Oakland hired a \u003ca href=\"https://oaklandside.org/2026/01/27/oakland-names-cultural-affairs-manager-lyz-luke/\">cultural affairs director\u003c/a>. San Francisco hired an \u003ca href=\"https://www.kqed.org/arts/13988903/san-francisco-appoints-matthew-goudeau-to-top-arts-job\">executive director of arts and culture\u003c/a>. Many of us learned about the nuances of \u003ca href=\"https://missionlocal.org/2026/03/daniel-lurie-city-charter-san-francisco-consolidation/\">city charter reform\u003c/a>.\u003c/p>\n\u003cp>All the while, artists continued to plug away in the face of complex bureaucratic shenanigans. And now, we have a summer full of the fruits of their labor: well-deserved museum exhibitions; exciting gallery solos; and residency open houses that offer art-lovers the bragging rights of seeing projects in their early stages. See you out there!\u003c/p>\n\u003cfigure id=\"attachment_13989197\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/RMU0229_healers_2026.jpg\" alt=\"abstract muted painting with greenery on two panels\" width=\"1600\" height=\"1200\" class=\"size-full wp-image-13989197\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/RMU0229_healers_2026.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/RMU0229_healers_2026-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/RMU0229_healers_2026-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/RMU0229_healers_2026-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">Ranu Mukherjee, ‘healers,’ 2026; Pigment, crystalina, and UV inkjet print on silk sari on linen, 60 x 60 inches. \u003ccite>(Gallery Wendi Norris)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Ranu Mukherjee, ‘\u003ca href=\"https://gallerywendinorris.com/exhibitions/112-ranu-mukherjee-the-long-middle/\">The Long Middle\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>May 20–July 3, 2026\u003cbr>\nGallery Wendi Norris, San Francisco\u003c/i>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13969590/sf-ballet-curtain-artist-ranu-mukherjee-cool-britannia\">Ranu Mukherjee\u003c/a>, a longtime Bay Area artist and educator who recently decamped to Southern California, returns to San Francisco for her sixth solo show at Gallery Wendi Norris. \u003ci>The Long Middle\u003c/i> will include eight new paintings in Mukherjee’s complex, layered style. Her materials — pigment, crystalina (iridescent glitter), ink, chalk pastel, inkjet print — sit on top of and blend into patterned grounds created with cotton jamdani and silk sari textiles. \u003c/p>\n\u003cp>Her abstract, dreamy renderings of plants, animals and interior spaces convey a sense of constant movement and change. The eye cannot quite fix on a foreground, or an order of operations. Instead, Mukherjee presents fragmented, entropic ecosystems, fitting depictions of our current state of environmental, social and political affairs.\u003c/p>\n\u003cfigure id=\"attachment_13989242\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/02-FG_Slice-of-the-Pie_Larry-Sultan_Untitled-from-the-seriest-Swimers-1978-82_2000.jpg\" alt=\"underwater image of adult arms and swimming child\" width=\"2000\" height=\"1293\" class=\"size-full wp-image-13989242\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/02-FG_Slice-of-the-Pie_Larry-Sultan_Untitled-from-the-seriest-Swimers-1978-82_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/02-FG_Slice-of-the-Pie_Larry-Sultan_Untitled-from-the-seriest-Swimers-1978-82_2000-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/02-FG_Slice-of-the-Pie_Larry-Sultan_Untitled-from-the-seriest-Swimers-1978-82_2000-768x497.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/02-FG_Slice-of-the-Pie_Larry-Sultan_Untitled-from-the-seriest-Swimers-1978-82_2000-1536x993.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Larry Sultan, ‘Untitled,’ from the series ‘Swimmers,’ 1978–82; pigment print. \u003ccite>(Courtesy Casemore Gallery and Estate of Larry Sultan)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://fraenkelgallery.com/exhibitions/slice-of-the-pie-2026\">Slice of the Pie: Fourteen Bay Area Galleries & What Makes Them Different\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>May 28–Aug. 15, 2026\u003cbr>\nFraenkel Gallery, San Francisco\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>After an onslaught of \u003ca href=\"https://www.kqed.org/arts/13984752/jack-fischer-gallery-closing-minnesota-street-project\">gallery closures\u003c/a> in 2025, this generous group exhibition takes stock of the Bay Area’s commercial landscape and finds reason to be optimistic. Featuring the Bay Area’s “most influential and idiosyncratic” art galleries, and displaying more than 40 artists, \u003ci>Slice of the Pie\u003c/i> includes both the time-honored (Crown Point Press, founded in 1962) and the young upstarts (Jonathan Carver Moore, founded in 2023). \u003c/p>\n\u003cp>The very premise of the show reflects the collaboration that has always shaped the Bay Area scene, where chairs are loaned for artist talks, openings are timed to coincide, and gallerists understand they don’t have to exist in a zero-sum game. Come for familiar faces, new artistic discoveries and a heap of wholesomeness that feels very Fraenkel.\u003c/p>\n\u003cfigure id=\"attachment_13989450\" class=\"wp-caption aligncenter\" style=\"max-width: 1333px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Cathy-Lu_photo-by-David-Torralva_2000.jpg\" alt=\"ceramic sculpture of green-spotted hands with black tubing tangled around\" width=\"1333\" height=\"2000\" class=\"size-full wp-image-13989450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Cathy-Lu_photo-by-David-Torralva_2000.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Cathy-Lu_photo-by-David-Torralva_2000-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Cathy-Lu_photo-by-David-Torralva_2000-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Cathy-Lu_photo-by-David-Torralva_2000-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1333px) 100vw, 1333px\">\u003cfigcaption class=\"wp-caption-text\">Cathy Lu, ‘Nuwa with Soy Sauce,’ 2023; Porcelain and glaze, water pump, tubing, soy sauce, gold screws and washers, 48 × 40 × 40 in. \u003ccite>(Photo by David Torralva; Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://personalspace.space/\">Giant Steps\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>May 31–July 19, 2026\u003cbr>\n\u003ca href=\"https://personalspace.space/\">Personal Space\u003c/a>, Vallejo\u003c/i>\u003c/p>\n\u003cp>For this show, itinerant ceramicist and erstwhile Bay Area denizen \u003ca href=\"https://www.renieldelrosario.com/\">Reniel Del Rosario\u003c/a> gathers artists using clay in a way that makes you question “why do this this way?” (I’m paraphrasing here.) Artists include Fred DeWitt, Sahar Khoury, Cathy Lu and six others making work that joyfully, playfully, precariously stretches the limits of their chosen material. \u003c/p>\n\u003cp>The exhibition is a smaller-scale, more intimate take on \u003ci>\u003ca href=\"https://rcwg.scrippscollege.edu/blog/exhibitions/81st-scripps-college-ceramic-annual-means-to-an-end/\">Means to an End\u003c/a>\u003c/i>, aka the 81st Scripps College Ceramic Annual (the longest continuous exhibition of contemporary ceramics in the country), a maximalist show curated by Del Rosario earlier this year.\u003c/p>\n\u003cfigure id=\"attachment_13989448\" class=\"wp-caption aligncenter\" style=\"max-width: 1777px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/wy_cat-copy_2000.jpg\" alt=\"painting of cat in sunbeam under table\" width=\"1777\" height=\"2000\" class=\"size-full wp-image-13989448\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/wy_cat-copy_2000.jpg 1777w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/wy_cat-copy_2000-160x180.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/wy_cat-copy_2000-768x864.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/wy_cat-copy_2000-1365x1536.jpg 1365w\" sizes=\"auto, (max-width: 1777px) 100vw, 1777px\">\u003cfigcaption class=\"wp-caption-text\">Will Yackulic, ‘Winter Sun,’ 2026; Oil on wood panel, 9 x 7.25 inches framed. \u003ccite>(pt.2)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.part2gallery.com/upcoming/willyackulic/2026\">Will Yackulic\u003c/a>, ‘A Certain Slant of Light’\u003c/h2>\n\u003cp>\u003ci>June 6–July 18, 2026\u003cbr>\npt.2, Oakland\u003c/i>\u003c/p>\n\u003cp>A friend recently pulled his small, perfect \u003ca href=\"https://www.kqed.org/arts/13935540/will-yackulic-et-al-time-of-my-life\">Will Yackulic\u003c/a> painting out of its wrapping and I have rarely been filled with so much covetous envy. \u003ci>Not fair!\u003c/i> I thought. Then I remembered that my eyeballs would soon be treated to a full show of Yackulic’s satisfyingly rendered, delicate observations of daily life. \u003c/p>\n\u003cp>A poetic sample platter of previous paintings, to whet our collective appetite for June: a grocery display of fruit, drenched in gold; a quickly painted assortment of beach detritus; light falling across the electric blue shadows of a picket fence. \u003c/p>\n\u003cfigure id=\"attachment_13989199\" class=\"wp-caption aligncenter\" style=\"max-width: 1333px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Demetri_Broxton-02_01-View_1_2000.jpg\" alt=\"beaded artwork of person with hands at head, densely covered in shells and tassels\" width=\"1333\" height=\"2000\" class=\"size-full wp-image-13989199\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Demetri_Broxton-02_01-View_1_2000.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Demetri_Broxton-02_01-View_1_2000-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Demetri_Broxton-02_01-View_1_2000-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Demetri_Broxton-02_01-View_1_2000-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1333px) 100vw, 1333px\">\u003cfigcaption class=\"wp-caption-text\">Demetri Broxton, ‘Still Waters Run Deep,’ 2025; Japanese & Czech glass beads, sequins, cowrie shells, quartz, pressed glass, wooden beads, brass, silver, rayon chainette, wool, serigraph printed on Japanese sateen cotton, mounted on birch board, 40 x 25 x 1 inches. \u003ccite>(Courtesy of the artist and MoAD)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Demetri Broxton, ‘\u003ca href=\"https://www.moadsf.org/exhibitions/ancestral-echoes\">Ancestral Echoes — Crops of Empire\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>June 10–Aug. 16, 2026\u003cbr>\nMuseum of the African Diaspora, San Francisco\u003c/i>\u003c/p>\n\u003cp>For a decade, MoAD’s Emerging Artist Program has introduced audiences to Bay Area artists on the cusp of wider recognition. Selected artists get a three-month show at the museum; audiences get to say “we saw them back when.” Next on the schedule (after Jasmine Ross’ photo show \u003ci>\u003ca href=\"https://www.moadsf.org/exhibitions/beauty-plus\">Beauty Plus\u003c/a>\u003c/i>) is Demetri Broxton, a mixed media artist who is also somehow the executive director of the arts nonprofit \u003ca href=\"https://rootdivision.org/\">Root Division\u003c/a>. \u003c/p>\n\u003cp>In group presentations over the past few years, Broxton’s work has stood out for its density and tactility. With \u003ci>Ancestral Echoes\u003c/i>, he adorns archival photographs, printed on fabric, with sequins, beads, shells and tassels. Loosed from history, black-and-white images become ritual objects that shimmer and sparkle, full of the potential for liveliness — or at least sound and movement — once again.\u003c/p>\n\u003cfigure id=\"attachment_13989198\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/2_Mildred-Howard-Untitled-1975.-Photo-collage-and-screen-print-on-paper.-Courtesy-of-The-Mildred-Howard-Archive-The-Bancroft-Library-University-of-California-Berkeley_Side1-1024x436.jpg.jpg\" alt=\"image of Black woman collaged onto $100 bill\" width=\"1024\" height=\"436\" class=\"size-full wp-image-13989198\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/2_Mildred-Howard-Untitled-1975.-Photo-collage-and-screen-print-on-paper.-Courtesy-of-The-Mildred-Howard-Archive-The-Bancroft-Library-University-of-California-Berkeley_Side1-1024x436.jpg.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/2_Mildred-Howard-Untitled-1975.-Photo-collage-and-screen-print-on-paper.-Courtesy-of-The-Mildred-Howard-Archive-The-Bancroft-Library-University-of-California-Berkeley_Side1-1024x436.jpg-160x68.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/2_Mildred-Howard-Untitled-1975.-Photo-collage-and-screen-print-on-paper.-Courtesy-of-The-Mildred-Howard-Archive-The-Bancroft-Library-University-of-California-Berkeley_Side1-1024x436.jpg-768x327.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Mildred Howard, ‘Untitled,’ 1975; Photo collage and screen print on paper. \u003ccite>(Courtesy of The Mildred Howard Archive, The Bancroft Library, University of California, Berkeley)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Mildred Howard, ‘\u003ca href=\"https://museumca.org/on-view/mildred-howard-poetics-of-memory/\">Poetics of Memory\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>June 12–Oct. 11, 2026\u003cbr>\nOakland Museum of California\u003c/i>\u003c/p>\n\u003cp>It seems impossible that this is the first major museum exhibition for local luminary \u003ca href=\"https://www.kqed.org/arts/13965899/mildred-howard-collaborating-with-the-muses-part-one\">Mildred Howard\u003c/a>. And at the same time, thank goodness Howard and us — the current residents of the Bay Area — are here for this! Over the past five decades, Howard has moved between mediums (collage, found-object sculptures, installations, public art), creating a lyrical and materially inventive body of work. Even when artworks come from very personal sources, like a rediscovered 8mm film she shot as a teenager, Howard elegantly abstracts and extrapolates, pulling together both far-reaching histories and present-day realities. Current contender for show of the year.\u003c/p>\n\u003cfigure id=\"attachment_13989217\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Running_Fence_Jean-Claude-Christo.jpg\" alt=\"A tall fence made of white fabric snakes across arid farmland hills\" width=\"1200\" height=\"875\" class=\"size-full wp-image-13989217\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Running_Fence_Jean-Claude-Christo.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Running_Fence_Jean-Claude-Christo-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Running_Fence_Jean-Claude-Christo-768x560.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">‘Running Fence’ spanned more than 20 miles across Sonoma and Marin Counties — and was on view for just two weeks. \u003ccite>(Jean-Claude/Courtesy Museum of Sonoma County)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Christo and Jeanne-Claude, ‘\u003ca href=\"https://museumsc.org/upcoming-exhibitions/\">Running Fence at 50 Years\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>June 27–Nov. 8, 2026\u003cbr>\nMuseum of Sonoma County, Santa Rosa\u003c/i>\u003c/p>\n\u003cp>The installation is now legendary: the husband-and-wife duo, who had previously wrapped art institutions and monuments, and covered a million square feet of the Australian coast in fabric, worked for four years to erect a 24.5-mile-long fabric fence across the hills of Sonoma and Marin. \u003c/p>\n\u003cp>It took 18 public hearings, three sessions of the Superior Courts of California, a 450-page environmental impact report and the permission of 59 ranchers. (Much of this often-contentious process is documented in the fantastic Maysles brothers’ documentary \u003ci>\u003ca href=\"https://www.criterionchannel.com/running-fence\">Running Fence\u003c/a>\u003c/i>.) Finally, in 1976, the graceful, undulating, white strip of demarcation was installed. It remained on view for just 14 days. The Museum of Sonoma County transports visitors back to this monumental and ephemeral undertaking. And if it all seems like just yesterday, they’re \u003ca href=\"https://form.jotform.com/260627520652151\">currently soliciting\u003c/a> firsthand accounts!\u003c/p>\n\u003cfigure id=\"attachment_13980309\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/Spring-Open-House_2025_Photo-by-Tom-Ide_2000.jpg\" alt=\"crowd seated on outdoor steps watching electronic music performance\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13980309\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/Spring-Open-House_2025_Photo-by-Tom-Ide_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/Spring-Open-House_2025_Photo-by-Tom-Ide_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/Spring-Open-House_2025_Photo-by-Tom-Ide_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/Spring-Open-House_2025_Photo-by-Tom-Ide_2000-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A performance at the Spring Open House 2025 at Headlands Center for the Arts. \u003ccite>(Tom Idle)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Residency open houses\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"https://www.headlands.org/event/summer-open-house-2026/\">Summer Open House\u003c/a>\u003c/b>\u003cbr>\n\u003ci>July 19, 12–5 p.m.\u003cbr>\nHeadlands Center for the Arts, Sausalito\u003c/i>\u003c/p>\n\u003cp>\u003cb>\u003ca href=\"https://www.winslowhouseproject.org/visit-1/january-25-en2pw-bkf7d-wbwya-mfwal\">July 2026 Open House\u003c/a>\u003c/b>\u003cbr>\n\u003ci>July 26, 3–7 p.m.\u003cbr>\nWinslow House Project, Vallejo\u003c/i>\u003c/p>\n\u003cp>As much as art benefits from a formal presentation within white walls, there’s something extra special about glimpsing in-progress work at the site of its making. Two local residencies offer opportunities to tour their grounds (one a former military site in the Marin Headlands, the other a grand, historic farmhouse in the heart of Vallejo) and mingle with artists in residence. Expect screenings, performances, tasty foodstuffs and time well spent. \u003c/p>\n\u003cfigure id=\"attachment_13989240\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Marcel-Pardo-Ariza-01_2000.jpg\" alt=\"a spread of socket wrenches arranged in an arc\" width=\"2000\" height=\"1500\" class=\"size-full wp-image-13989240\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Marcel-Pardo-Ariza-01_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Marcel-Pardo-Ariza-01_2000-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Marcel-Pardo-Ariza-01_2000-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Marcel-Pardo-Ariza-01_2000-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Marcel Pardo Ariza, inspiration image from ‘Las Frutas del Labor,’ 2026. \u003ccite>(Courtesy the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Marcel Pardo Ariza, ‘\u003ca href=\"https://bampfa.org/program/art-wall-marcel-pardo-ariza-las-frutas-del-labor\">Las Frutas del Labor\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>Aug. 5, 2026–July 11, 2027\u003cbr>\nBerkeley Art Museum and Pacific Film Archive\u003c/i>\u003c/p>\n\u003cp>It’s been 10 years since BAMPFA moved to its Center Street location, and one of the enduring benefits of this site (in addition to easy BART access, red stairwells and great programming), is the museum’s Art Wall. The 63-foot-wide space has hosted \u003ca href=\"https://www.kqed.org/arts/13839094/barbara-stauffacher-solomon-bampfa-art-wall\">urgent statements\u003c/a>, \u003ca href=\"https://bampfa.org/program/art-wall-stephanie-syjuco-present-tense-roll-call\">pointed investigations\u003c/a> and “murals” that stretch \u003ca href=\"https://bampfa.org/program/art-wall-terri-friedman\">well beyond\u003c/a> paint on drywall. \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The next installation, an homage to art handlers, comes from Oakland artist \u003ca href=\"https://www.kqed.org/arts/13960325/all-the-nights-we-got-to-dance-is-a-tribute-to-queer-nightlife-in-sf\">Marcel Pardo Ariza\u003c/a>. Together with Ambrose Trataris, Ariza is co-founder of \u003ca href=\"https://www.arthandlxrs.com/\">Arthandlxrs*\u003c/a>, an organization and publication that advocates for marginalized communities within the profession — an often-invisible but vitally important role in the presentation and appreciation of art. Expect some meta-moments; I’m sure BAMPFA art handlers will have their hands (literally) in the mix.\u003c/p>\n\n",
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"excerpt": "The summer is chock-full of well-deserved museum solos, exciting group shows and residency open houses.",
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"title": "The 10 Best Museum and Gallery Shows to See in the Bay Area This Summer | KQED",
"description": "The summer is chock-full of well-deserved museum solos, exciting group shows and residency open houses.",
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"headline": "The 10 Best Museum and Gallery Shows to See in the Bay Area This Summer",
"datePublished": "2026-05-11T07:00:09-07:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Five months into 2026, a lot has happened in the Bay Area’s visual art scene. \u003ca href=\"https://www.kqed.org/arts/13985359/california-college-of-the-arts-closing-vanderbilt-university\">Devastating closures\u003c/a> were \u003ca href=\"https://www.kqed.org/news/12071507/financial-crisis-forces-sfs-mission-cultural-center-for-latino-arts-to-close\">announced\u003c/a>, \u003ca href=\"https://www.betterbayarea.org/rally_for_the_arts_at_city_hall\">rallies\u003c/a> were held, \u003ca href=\"https://www.kqed.org/arts/13986534/somarts-artists-live-here-community-meeting-sf\">artists joined forces\u003c/a> to advocate for community centers and their funding. Oakland hired a \u003ca href=\"https://oaklandside.org/2026/01/27/oakland-names-cultural-affairs-manager-lyz-luke/\">cultural affairs director\u003c/a>. San Francisco hired an \u003ca href=\"https://www.kqed.org/arts/13988903/san-francisco-appoints-matthew-goudeau-to-top-arts-job\">executive director of arts and culture\u003c/a>. Many of us learned about the nuances of \u003ca href=\"https://missionlocal.org/2026/03/daniel-lurie-city-charter-san-francisco-consolidation/\">city charter reform\u003c/a>.\u003c/p>\n\u003cp>All the while, artists continued to plug away in the face of complex bureaucratic shenanigans. And now, we have a summer full of the fruits of their labor: well-deserved museum exhibitions; exciting gallery solos; and residency open houses that offer art-lovers the bragging rights of seeing projects in their early stages. See you out there!\u003c/p>\n\u003cfigure id=\"attachment_13989197\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/RMU0229_healers_2026.jpg\" alt=\"abstract muted painting with greenery on two panels\" width=\"1600\" height=\"1200\" class=\"size-full wp-image-13989197\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/RMU0229_healers_2026.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/RMU0229_healers_2026-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/RMU0229_healers_2026-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/RMU0229_healers_2026-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">Ranu Mukherjee, ‘healers,’ 2026; Pigment, crystalina, and UV inkjet print on silk sari on linen, 60 x 60 inches. \u003ccite>(Gallery Wendi Norris)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Ranu Mukherjee, ‘\u003ca href=\"https://gallerywendinorris.com/exhibitions/112-ranu-mukherjee-the-long-middle/\">The Long Middle\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>May 20–July 3, 2026\u003cbr>\nGallery Wendi Norris, San Francisco\u003c/i>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13969590/sf-ballet-curtain-artist-ranu-mukherjee-cool-britannia\">Ranu Mukherjee\u003c/a>, a longtime Bay Area artist and educator who recently decamped to Southern California, returns to San Francisco for her sixth solo show at Gallery Wendi Norris. \u003ci>The Long Middle\u003c/i> will include eight new paintings in Mukherjee’s complex, layered style. Her materials — pigment, crystalina (iridescent glitter), ink, chalk pastel, inkjet print — sit on top of and blend into patterned grounds created with cotton jamdani and silk sari textiles. \u003c/p>\n\u003cp>Her abstract, dreamy renderings of plants, animals and interior spaces convey a sense of constant movement and change. The eye cannot quite fix on a foreground, or an order of operations. Instead, Mukherjee presents fragmented, entropic ecosystems, fitting depictions of our current state of environmental, social and political affairs.\u003c/p>\n\u003cfigure id=\"attachment_13989242\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/02-FG_Slice-of-the-Pie_Larry-Sultan_Untitled-from-the-seriest-Swimers-1978-82_2000.jpg\" alt=\"underwater image of adult arms and swimming child\" width=\"2000\" height=\"1293\" class=\"size-full wp-image-13989242\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/02-FG_Slice-of-the-Pie_Larry-Sultan_Untitled-from-the-seriest-Swimers-1978-82_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/02-FG_Slice-of-the-Pie_Larry-Sultan_Untitled-from-the-seriest-Swimers-1978-82_2000-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/02-FG_Slice-of-the-Pie_Larry-Sultan_Untitled-from-the-seriest-Swimers-1978-82_2000-768x497.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/02-FG_Slice-of-the-Pie_Larry-Sultan_Untitled-from-the-seriest-Swimers-1978-82_2000-1536x993.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Larry Sultan, ‘Untitled,’ from the series ‘Swimmers,’ 1978–82; pigment print. \u003ccite>(Courtesy Casemore Gallery and Estate of Larry Sultan)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://fraenkelgallery.com/exhibitions/slice-of-the-pie-2026\">Slice of the Pie: Fourteen Bay Area Galleries & What Makes Them Different\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>May 28–Aug. 15, 2026\u003cbr>\nFraenkel Gallery, San Francisco\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After an onslaught of \u003ca href=\"https://www.kqed.org/arts/13984752/jack-fischer-gallery-closing-minnesota-street-project\">gallery closures\u003c/a> in 2025, this generous group exhibition takes stock of the Bay Area’s commercial landscape and finds reason to be optimistic. Featuring the Bay Area’s “most influential and idiosyncratic” art galleries, and displaying more than 40 artists, \u003ci>Slice of the Pie\u003c/i> includes both the time-honored (Crown Point Press, founded in 1962) and the young upstarts (Jonathan Carver Moore, founded in 2023). \u003c/p>\n\u003cp>The very premise of the show reflects the collaboration that has always shaped the Bay Area scene, where chairs are loaned for artist talks, openings are timed to coincide, and gallerists understand they don’t have to exist in a zero-sum game. Come for familiar faces, new artistic discoveries and a heap of wholesomeness that feels very Fraenkel.\u003c/p>\n\u003cfigure id=\"attachment_13989450\" class=\"wp-caption aligncenter\" style=\"max-width: 1333px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Cathy-Lu_photo-by-David-Torralva_2000.jpg\" alt=\"ceramic sculpture of green-spotted hands with black tubing tangled around\" width=\"1333\" height=\"2000\" class=\"size-full wp-image-13989450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Cathy-Lu_photo-by-David-Torralva_2000.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Cathy-Lu_photo-by-David-Torralva_2000-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Cathy-Lu_photo-by-David-Torralva_2000-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Cathy-Lu_photo-by-David-Torralva_2000-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1333px) 100vw, 1333px\">\u003cfigcaption class=\"wp-caption-text\">Cathy Lu, ‘Nuwa with Soy Sauce,’ 2023; Porcelain and glaze, water pump, tubing, soy sauce, gold screws and washers, 48 × 40 × 40 in. \u003ccite>(Photo by David Torralva; Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://personalspace.space/\">Giant Steps\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>May 31–July 19, 2026\u003cbr>\n\u003ca href=\"https://personalspace.space/\">Personal Space\u003c/a>, Vallejo\u003c/i>\u003c/p>\n\u003cp>For this show, itinerant ceramicist and erstwhile Bay Area denizen \u003ca href=\"https://www.renieldelrosario.com/\">Reniel Del Rosario\u003c/a> gathers artists using clay in a way that makes you question “why do this this way?” (I’m paraphrasing here.) Artists include Fred DeWitt, Sahar Khoury, Cathy Lu and six others making work that joyfully, playfully, precariously stretches the limits of their chosen material. \u003c/p>\n\u003cp>The exhibition is a smaller-scale, more intimate take on \u003ci>\u003ca href=\"https://rcwg.scrippscollege.edu/blog/exhibitions/81st-scripps-college-ceramic-annual-means-to-an-end/\">Means to an End\u003c/a>\u003c/i>, aka the 81st Scripps College Ceramic Annual (the longest continuous exhibition of contemporary ceramics in the country), a maximalist show curated by Del Rosario earlier this year.\u003c/p>\n\u003cfigure id=\"attachment_13989448\" class=\"wp-caption aligncenter\" style=\"max-width: 1777px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/wy_cat-copy_2000.jpg\" alt=\"painting of cat in sunbeam under table\" width=\"1777\" height=\"2000\" class=\"size-full wp-image-13989448\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/wy_cat-copy_2000.jpg 1777w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/wy_cat-copy_2000-160x180.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/wy_cat-copy_2000-768x864.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/wy_cat-copy_2000-1365x1536.jpg 1365w\" sizes=\"auto, (max-width: 1777px) 100vw, 1777px\">\u003cfigcaption class=\"wp-caption-text\">Will Yackulic, ‘Winter Sun,’ 2026; Oil on wood panel, 9 x 7.25 inches framed. \u003ccite>(pt.2)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.part2gallery.com/upcoming/willyackulic/2026\">Will Yackulic\u003c/a>, ‘A Certain Slant of Light’\u003c/h2>\n\u003cp>\u003ci>June 6–July 18, 2026\u003cbr>\npt.2, Oakland\u003c/i>\u003c/p>\n\u003cp>A friend recently pulled his small, perfect \u003ca href=\"https://www.kqed.org/arts/13935540/will-yackulic-et-al-time-of-my-life\">Will Yackulic\u003c/a> painting out of its wrapping and I have rarely been filled with so much covetous envy. \u003ci>Not fair!\u003c/i> I thought. Then I remembered that my eyeballs would soon be treated to a full show of Yackulic’s satisfyingly rendered, delicate observations of daily life. \u003c/p>\n\u003cp>A poetic sample platter of previous paintings, to whet our collective appetite for June: a grocery display of fruit, drenched in gold; a quickly painted assortment of beach detritus; light falling across the electric blue shadows of a picket fence. \u003c/p>\n\u003cfigure id=\"attachment_13989199\" class=\"wp-caption aligncenter\" style=\"max-width: 1333px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Demetri_Broxton-02_01-View_1_2000.jpg\" alt=\"beaded artwork of person with hands at head, densely covered in shells and tassels\" width=\"1333\" height=\"2000\" class=\"size-full wp-image-13989199\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Demetri_Broxton-02_01-View_1_2000.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Demetri_Broxton-02_01-View_1_2000-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Demetri_Broxton-02_01-View_1_2000-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Demetri_Broxton-02_01-View_1_2000-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1333px) 100vw, 1333px\">\u003cfigcaption class=\"wp-caption-text\">Demetri Broxton, ‘Still Waters Run Deep,’ 2025; Japanese & Czech glass beads, sequins, cowrie shells, quartz, pressed glass, wooden beads, brass, silver, rayon chainette, wool, serigraph printed on Japanese sateen cotton, mounted on birch board, 40 x 25 x 1 inches. \u003ccite>(Courtesy of the artist and MoAD)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Demetri Broxton, ‘\u003ca href=\"https://www.moadsf.org/exhibitions/ancestral-echoes\">Ancestral Echoes — Crops of Empire\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>June 10–Aug. 16, 2026\u003cbr>\nMuseum of the African Diaspora, San Francisco\u003c/i>\u003c/p>\n\u003cp>For a decade, MoAD’s Emerging Artist Program has introduced audiences to Bay Area artists on the cusp of wider recognition. Selected artists get a three-month show at the museum; audiences get to say “we saw them back when.” Next on the schedule (after Jasmine Ross’ photo show \u003ci>\u003ca href=\"https://www.moadsf.org/exhibitions/beauty-plus\">Beauty Plus\u003c/a>\u003c/i>) is Demetri Broxton, a mixed media artist who is also somehow the executive director of the arts nonprofit \u003ca href=\"https://rootdivision.org/\">Root Division\u003c/a>. \u003c/p>\n\u003cp>In group presentations over the past few years, Broxton’s work has stood out for its density and tactility. With \u003ci>Ancestral Echoes\u003c/i>, he adorns archival photographs, printed on fabric, with sequins, beads, shells and tassels. Loosed from history, black-and-white images become ritual objects that shimmer and sparkle, full of the potential for liveliness — or at least sound and movement — once again.\u003c/p>\n\u003cfigure id=\"attachment_13989198\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/2_Mildred-Howard-Untitled-1975.-Photo-collage-and-screen-print-on-paper.-Courtesy-of-The-Mildred-Howard-Archive-The-Bancroft-Library-University-of-California-Berkeley_Side1-1024x436.jpg.jpg\" alt=\"image of Black woman collaged onto $100 bill\" width=\"1024\" height=\"436\" class=\"size-full wp-image-13989198\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/2_Mildred-Howard-Untitled-1975.-Photo-collage-and-screen-print-on-paper.-Courtesy-of-The-Mildred-Howard-Archive-The-Bancroft-Library-University-of-California-Berkeley_Side1-1024x436.jpg.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/2_Mildred-Howard-Untitled-1975.-Photo-collage-and-screen-print-on-paper.-Courtesy-of-The-Mildred-Howard-Archive-The-Bancroft-Library-University-of-California-Berkeley_Side1-1024x436.jpg-160x68.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/2_Mildred-Howard-Untitled-1975.-Photo-collage-and-screen-print-on-paper.-Courtesy-of-The-Mildred-Howard-Archive-The-Bancroft-Library-University-of-California-Berkeley_Side1-1024x436.jpg-768x327.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Mildred Howard, ‘Untitled,’ 1975; Photo collage and screen print on paper. \u003ccite>(Courtesy of The Mildred Howard Archive, The Bancroft Library, University of California, Berkeley)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Mildred Howard, ‘\u003ca href=\"https://museumca.org/on-view/mildred-howard-poetics-of-memory/\">Poetics of Memory\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>June 12–Oct. 11, 2026\u003cbr>\nOakland Museum of California\u003c/i>\u003c/p>\n\u003cp>It seems impossible that this is the first major museum exhibition for local luminary \u003ca href=\"https://www.kqed.org/arts/13965899/mildred-howard-collaborating-with-the-muses-part-one\">Mildred Howard\u003c/a>. And at the same time, thank goodness Howard and us — the current residents of the Bay Area — are here for this! Over the past five decades, Howard has moved between mediums (collage, found-object sculptures, installations, public art), creating a lyrical and materially inventive body of work. Even when artworks come from very personal sources, like a rediscovered 8mm film she shot as a teenager, Howard elegantly abstracts and extrapolates, pulling together both far-reaching histories and present-day realities. Current contender for show of the year.\u003c/p>\n\u003cfigure id=\"attachment_13989217\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Running_Fence_Jean-Claude-Christo.jpg\" alt=\"A tall fence made of white fabric snakes across arid farmland hills\" width=\"1200\" height=\"875\" class=\"size-full wp-image-13989217\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Running_Fence_Jean-Claude-Christo.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Running_Fence_Jean-Claude-Christo-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Running_Fence_Jean-Claude-Christo-768x560.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">‘Running Fence’ spanned more than 20 miles across Sonoma and Marin Counties — and was on view for just two weeks. \u003ccite>(Jean-Claude/Courtesy Museum of Sonoma County)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Christo and Jeanne-Claude, ‘\u003ca href=\"https://museumsc.org/upcoming-exhibitions/\">Running Fence at 50 Years\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>June 27–Nov. 8, 2026\u003cbr>\nMuseum of Sonoma County, Santa Rosa\u003c/i>\u003c/p>\n\u003cp>The installation is now legendary: the husband-and-wife duo, who had previously wrapped art institutions and monuments, and covered a million square feet of the Australian coast in fabric, worked for four years to erect a 24.5-mile-long fabric fence across the hills of Sonoma and Marin. \u003c/p>\n\u003cp>It took 18 public hearings, three sessions of the Superior Courts of California, a 450-page environmental impact report and the permission of 59 ranchers. (Much of this often-contentious process is documented in the fantastic Maysles brothers’ documentary \u003ci>\u003ca href=\"https://www.criterionchannel.com/running-fence\">Running Fence\u003c/a>\u003c/i>.) Finally, in 1976, the graceful, undulating, white strip of demarcation was installed. It remained on view for just 14 days. The Museum of Sonoma County transports visitors back to this monumental and ephemeral undertaking. And if it all seems like just yesterday, they’re \u003ca href=\"https://form.jotform.com/260627520652151\">currently soliciting\u003c/a> firsthand accounts!\u003c/p>\n\u003cfigure id=\"attachment_13980309\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/Spring-Open-House_2025_Photo-by-Tom-Ide_2000.jpg\" alt=\"crowd seated on outdoor steps watching electronic music performance\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13980309\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/Spring-Open-House_2025_Photo-by-Tom-Ide_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/Spring-Open-House_2025_Photo-by-Tom-Ide_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/Spring-Open-House_2025_Photo-by-Tom-Ide_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/Spring-Open-House_2025_Photo-by-Tom-Ide_2000-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A performance at the Spring Open House 2025 at Headlands Center for the Arts. \u003ccite>(Tom Idle)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Residency open houses\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"https://www.headlands.org/event/summer-open-house-2026/\">Summer Open House\u003c/a>\u003c/b>\u003cbr>\n\u003ci>July 19, 12–5 p.m.\u003cbr>\nHeadlands Center for the Arts, Sausalito\u003c/i>\u003c/p>\n\u003cp>\u003cb>\u003ca href=\"https://www.winslowhouseproject.org/visit-1/january-25-en2pw-bkf7d-wbwya-mfwal\">July 2026 Open House\u003c/a>\u003c/b>\u003cbr>\n\u003ci>July 26, 3–7 p.m.\u003cbr>\nWinslow House Project, Vallejo\u003c/i>\u003c/p>\n\u003cp>As much as art benefits from a formal presentation within white walls, there’s something extra special about glimpsing in-progress work at the site of its making. Two local residencies offer opportunities to tour their grounds (one a former military site in the Marin Headlands, the other a grand, historic farmhouse in the heart of Vallejo) and mingle with artists in residence. Expect screenings, performances, tasty foodstuffs and time well spent. \u003c/p>\n\u003cfigure id=\"attachment_13989240\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Marcel-Pardo-Ariza-01_2000.jpg\" alt=\"a spread of socket wrenches arranged in an arc\" width=\"2000\" height=\"1500\" class=\"size-full wp-image-13989240\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Marcel-Pardo-Ariza-01_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Marcel-Pardo-Ariza-01_2000-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Marcel-Pardo-Ariza-01_2000-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/Marcel-Pardo-Ariza-01_2000-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Marcel Pardo Ariza, inspiration image from ‘Las Frutas del Labor,’ 2026. \u003ccite>(Courtesy the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Marcel Pardo Ariza, ‘\u003ca href=\"https://bampfa.org/program/art-wall-marcel-pardo-ariza-las-frutas-del-labor\">Las Frutas del Labor\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>Aug. 5, 2026–July 11, 2027\u003cbr>\nBerkeley Art Museum and Pacific Film Archive\u003c/i>\u003c/p>\n\u003cp>It’s been 10 years since BAMPFA moved to its Center Street location, and one of the enduring benefits of this site (in addition to easy BART access, red stairwells and great programming), is the museum’s Art Wall. The 63-foot-wide space has hosted \u003ca href=\"https://www.kqed.org/arts/13839094/barbara-stauffacher-solomon-bampfa-art-wall\">urgent statements\u003c/a>, \u003ca href=\"https://bampfa.org/program/art-wall-stephanie-syjuco-present-tense-roll-call\">pointed investigations\u003c/a> and “murals” that stretch \u003ca href=\"https://bampfa.org/program/art-wall-terri-friedman\">well beyond\u003c/a> paint on drywall. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The next installation, an homage to art handlers, comes from Oakland artist \u003ca href=\"https://www.kqed.org/arts/13960325/all-the-nights-we-got-to-dance-is-a-tribute-to-queer-nightlife-in-sf\">Marcel Pardo Ariza\u003c/a>. Together with Ambrose Trataris, Ariza is co-founder of \u003ca href=\"https://www.arthandlxrs.com/\">Arthandlxrs*\u003c/a>, an organization and publication that advocates for marginalized communities within the profession — an often-invisible but vitally important role in the presentation and appreciation of art. Expect some meta-moments; I’m sure BAMPFA art handlers will have their hands (literally) in the mix.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "craft-workshops-affordable-bay-area-summer-2026",
"title": "10 Affordable Craft Workshops to Acquire Fun New Skills This Summer",
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"headTitle": "10 Affordable Craft Workshops to Acquire Fun New Skills This Summer | KQED",
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"content": "\u003cp>\u003ci>This story is part of \u003ca href=\"https://www.kqed.org/affordability\">How We Get By\u003c/a>, a KQED series exploring how people are coping with rising costs in the Bay Area and California. Find the \u003ca href=\"https://www.kqed.org/affordability\">full series here\u003c/a>.\u003c/i>\u003c/p>\n\u003cp>Last year, KQED Forum did a show about “\u003ca href=\"https://www.kqed.org/forum/2010101909839/have-you-been-priced-out-of-a-hobby\">hobby inflation\u003c/a>,” in which Mina Kim and her guests explored the increasing difficulty for many people to afford creative activities in their spare time.\u003c/p>\n\u003cp>In the interest of making sure more of us can nurture our artistic impulses, we’ve tracked down 10 crafty Bay Area summer classes that cost less than $100 each. All of them offer opportunities to learn fun new skills without breaking the bank.\u003c/p>\n\u003cfigure id=\"attachment_13988730\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988730 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/postcard-embroidery.png\" alt=\"A postcard featuring a seagull and the words 'Greetings from California' that's been enhanced by embroidery stitching.\" width=\"2000\" height=\"1311\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/postcard-embroidery.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/postcard-embroidery-160x105.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/postcard-embroidery-768x503.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/postcard-embroidery-1536x1007.png 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Carry on a Victorian tradition by beautifying your postcards with embroidery. \u003ccite>(Courtesy of San Francisco Center for the Book)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Embroidering postcards\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.sfcb.org/workshops/detail?coursestormCourseId=1f25cddc35fc11f185ff0affe5650d13\">San Francisco Center for the Book\u003c/a>\u003c/em>\u003cbr>\n\u003cem>Online workshop\u003c/em>\u003cbr>\n\u003ci>$75\u003c/i>\u003c/p>\n\u003cp>Artist and writer Hope Amico has been operating \u003ca href=\"https://hopeamico.com/store/keep-writing-project\">a pen pal postcard subscription service\u003c/a> since 2008. Not only is Amico passionate about sending physical mail, they’ve invested in making it as beautiful as possible. Makes sense, then, that they’re running this 3-hour class for the San Francisco Center for the Book that teaches participants how to embellish their mail with embroidery — an art form that has been around since the Victorian era.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Amico will provide PDF instructions, teach the basics of sewing on paper, demonstrate different kinds of stitches and guide a practice session. Students are asked to join the class on Aug. 11 at 4 p.m. armed with two embroidery needles, three colors of embroidery thread, an \u003ca href=\"https://www.merriam-webster.com/dictionary/awl\">awl\u003c/a>, two postcards, scissors, a ruler and a pencil. Happy stitching, everyone!\u003c/p>\n\u003cfigure id=\"attachment_13988721\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988721 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/olga-serjantu-u_6zJvn7XtY-unsplash-scaled.jpg\" alt=\"A selection of small candles in various glass receptacles, complete with herbs and petals.\" width=\"2560\" height=\"1925\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/olga-serjantu-u_6zJvn7XtY-unsplash-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/olga-serjantu-u_6zJvn7XtY-unsplash-2000x1504.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/olga-serjantu-u_6zJvn7XtY-unsplash-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/olga-serjantu-u_6zJvn7XtY-unsplash-768x578.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/olga-serjantu-u_6zJvn7XtY-unsplash-1536x1155.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/olga-serjantu-u_6zJvn7XtY-unsplash-2048x1540.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Choose your own scents in Nova Studio’s candle making class. \u003ccite>(Olga Serjantu/Unsplash)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Candle making\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.novastudio.info/\">Nova Studio\u003c/a>\u003c/em>\u003cbr>\n\u003cem>223 2nd St., Los Altos\u003c/em>\u003cbr>\n\u003ci>$65\u003c/i>\u003c/p>\n\u003cp>These 90-minute classes — taking place on Thursdays, Fridays and Saturdays all summer — don’t just teach the basics of candle pouring. They also provide a space where students can make something entirely to their own tastes.\u003c/p>\n\u003cp>Nova instructors teach participants how to blend natural soy wax from scratch, and also provide crystals, dried flowers, charms and scents so that each candle is unique to its creator. There are even a wide variety of candle vessels to choose from. Given the high cost of store-bought scented candles, your new skills may come in handy when birthdays and holidays roll around.\u003c/p>\n\u003cfigure id=\"attachment_13988723\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988723 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/dinh-pham-dG35-kUxv34-unsplash.jpg\" alt=\"A red, white and blue quilt covered with thread, scissors and other quilting materials.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/dinh-pham-dG35-kUxv34-unsplash.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/dinh-pham-dG35-kUxv34-unsplash-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/dinh-pham-dG35-kUxv34-unsplash-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/dinh-pham-dG35-kUxv34-unsplash-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Learn to sew like your great-grammy did with quilting instruction. \u003ccite>(Dinh Pham/Unsplash)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Quilting\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.eventbrite.com/e/quilters-workshop-tickets-1987745043935?aff=odcleoeventsincollection\">Napa Valley College\u003c/a>\u003c/em>\u003cbr>\n\u003cem>1088 College Ave., St. Helena\u003c/em>\u003cbr>\n\u003ci>$51\u003c/i>\u003c/p>\n\u003cp>In 2026, environmentally minded humans are constantly looking for sustainable solutions to fast fashion and rampant consumerism. As upcycling old clothes into other usable forms becomes increasingly popular, quilting offers a creative but accessible way to reduce fabric waste.\u003c/p>\n\u003cp>This summer, expert quilter Julie Bolander is offering guidance to beginners (and other quilters who need assistance) with regular afternoon gatherings at Napa Valley College. These sessions take place between June 15 and Aug. 3; quilters are asked to bring their own tools and materials, and pre-registration is required. If nothing else, you’ll probably meet some other lovely folks who are trying to save the world, one discarded pillowcase at a time.\u003c/p>\n\u003cfigure id=\"attachment_13988720\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988720 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jewelry-making.jpg\" alt=\"Young woman jewelry designer creating necklace and working at table in the studio.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jewelry-making.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jewelry-making-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jewelry-making-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jewelry-making-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In need of a new side hustle? Jewelry-making awaits. \u003ccite>(Galina Zhigalova/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Jewelry making\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.beadinspirations.com/private-lesson-1-hour-1-person.html\">Bead Inspirations\u003c/a>\u003c/em>\u003cbr>\n\u003cem>1544 Park St., Alameda\u003c/em>\u003cbr>\n\u003ci>Free/$60\u003c/i>\u003c/p>\n\u003cp>Whether you want to make beaded jewelry as a creative outlet, or start selling your designs as a side hustle, Alameda’s Bead Inspirations is a one-stop shop designed to get you started. The store holds free, two-hour workshops every Friday at 3 p.m., but one-on-one instruction is available by booking a private one-hour lesson for $60.\u003c/p>\n\u003cp>The makers at Bead Inspirations teach the basics of stringing and beading, earring construction, wrap bracelet-making, filigree wrapping, crimping necklaces, as well as the best ways to attach clasps and jump rings. Participants don’t need to bring anything with them to class, but anyone who feels they’ve found their new calling can get a same-day 10% discount on tools and materials in the store.\u003c/p>\n\u003cfigure id=\"attachment_13988724\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988724 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jesus-arango-IxDfHW38BI8-unsplash.jpg\" alt=\"Close up of a lamp made of blue and multicolored glass pieces. \" width=\"2000\" height=\"1429\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jesus-arango-IxDfHW38BI8-unsplash.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jesus-arango-IxDfHW38BI8-unsplash-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jesus-arango-IxDfHW38BI8-unsplash-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jesus-arango-IxDfHW38BI8-unsplash-1536x1097.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ever wanted to make one of these? Now you can … try! \u003ccite>(Jesus Arango/Unsplash)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Mosaic Lamp Workshop\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.craftforteam.com/turkish-mosaic-lamp-workshop-in-san-francisco\">Art Studio SoMa\u003c/a>\u003c/em>\u003cbr>\n\u003cem>360 Ritch St. #205, San Francisco\u003c/em>\u003cbr>\n\u003ci>$89\u003c/i>\u003c/p>\n\u003cp>If, like me, you feel intimidated at the prospect of mosaicking an entire Turkish lamp competently in the span of two hours, keep in mind that this class is open to anyone aged 7 and over. If the kids can do it, so can we! (Probably?)\u003c/p>\n\u003cp>This Art Workshops class provides everything you need, including tools, 16 colors of glass, step-by-step guidance \u003cem>and\u003c/em> light refreshments. Keep in mind that the lamp that you ultimately make is yours to take home and stare at forever, so you might want to hit \u003ca href=\"https://www.pinterest.com/ideas/mosaic-lamp-patterns/940310604958/\">Pinterest\u003c/a> and come up with a vague design goal before you go.\u003c/p>\n\u003cfigure id=\"attachment_13988729\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988729 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/charlota-blunarova-U7ud6KGrsRQ-unsplash.jpg\" alt=\"A collage of random images from magazines including women, men, robots and toys. \" width=\"2000\" height=\"1275\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/charlota-blunarova-U7ud6KGrsRQ-unsplash.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/charlota-blunarova-U7ud6KGrsRQ-unsplash-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/charlota-blunarova-U7ud6KGrsRQ-unsplash-768x490.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/charlota-blunarova-U7ud6KGrsRQ-unsplash-1536x979.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Collage curious? Join The Cut and Paste Society. \u003ccite>(Charlota Blunarova)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Collage\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.theexchangevallejo.com/events-workshops/p/milk-dip-cup-92wf6-abmpj-fpfgs\">The Exchange\u003c/a>\u003c/em>\u003cbr>\n\u003cem>617 Marin St., Vallejo\u003c/em>\u003cbr>\n\u003ci>$40\u003c/i>\u003c/p>\n\u003cp>The Cut and Paste Society is a monthly gathering of paper-cutting maniacs on a mission to remix existing forms into thought-provoking new ones. The group welcomes experienced creatives and the collage-curious alike, and provides everything you need to get started. This includes old printed materials, paints and other decorations, cutting tools and — should you be a beginner — helpful tips. Attendees are encouraged to bring any images they feel like working with.\u003c/p>\n\u003cp>The Cut and Paste Society’s summer meeting dates are June 4, July 2, Aug. 6 and Sept. 3. This welcoming bunch especially wants to meet visual storytellers and those who love to experiment. Book early — these sessions often sell out.\u003c/p>\n\u003cfigure id=\"attachment_13988731\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988731 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/rug-tufting.png\" alt=\"A group of students in a classroom smile and hold up art projects made from tufted fabric.\" width=\"2000\" height=\"1327\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/rug-tufting.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/rug-tufting-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/rug-tufting-768x510.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/rug-tufting-1536x1019.png 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Grab a yarn gun and get tufting in San Jose. \u003ccite>(Courtesy of Art Workshops San Jose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Rug tufting\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.craftforteam.com/rug-tufting-workshop-in-san-jose\">San Jose Art and Craft Studio\u003c/a>\u003c/em>\u003cbr>\n\u003cem>255 N. Market St., Suite 270, San Jose\u003c/em>\u003cbr>\n\u003ci>$89\u003c/i>\u003c/p>\n\u003cp>You might be wondering what on Earth rug tufting is and whether or not it has anything to do with those unruly shag carpets that continue to haunt the dreams of Gen X-ers everywhere. Fear not, for this is altogether cuter — \u003cem>and\u003c/em> a lot more fun on account of the fact that there’s a yarn gun involved.\u003c/p>\n\u003cp>This oh-so-wholesome class provides all tools and materials, then walks fluff enthusiasts, step-by-step, through the tricks of creating their own miniature rug or tactile wallhanging. Advice is provided about realistic designs for beginners and the best methods to put yarn to canvas safely and effectively. After a couple of hours of practice and tufting fun, makers then move onto the gluing, backing and shaving work that will leave them with a polished final piece. Extra bonus? Free tea and refreshments are served throughout.\u003c/p>\n\u003cfigure id=\"attachment_13988727\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988727 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/courtney-cook-QRVSQH7OeX4-unsplash.jpg\" alt=\"A close-up of clay covered hands working a cup on a potters wheel.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/courtney-cook-QRVSQH7OeX4-unsplash.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/courtney-cook-QRVSQH7OeX4-unsplash-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/courtney-cook-QRVSQH7OeX4-unsplash-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/courtney-cook-QRVSQH7OeX4-unsplash-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Insert ‘Unchained Melody’ by The Righteous Brothers here. \u003ccite>(Courtney Cook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Clay throwing\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://nimbusarts.asapconnected.com/?org=1017#CourseID=16713\">Nimbus Arts\u003c/a>\u003c/em>\u003cbr>\n\u003cem>649 Main St., St. Helena\u003c/em>\u003cbr>\n\u003ci>$70\u003c/i>\u003c/p>\n\u003cp>If you’re not trying to get addicted to an expensive hobby, this is a risky one to start! That being said, this hand-building and wheel-throwing class is a very therapeutic way to spend three hours on a Monday or Wednesday evening.\u003c/p>\n\u003cp>Instructor \u003ca href=\"https://www.amandawrightpottery.com/\">Amanda Wright\u003c/a> is a stoneware artist who creates thoroughly modern pieces. While she’ll be teaching the basics of pottery — how to shape bowls, bottles, vases and more — we expect she’ll also encourage boundary-pushing expression, should inspiration take over. There are only six wheels in the class, so don’t forget to pre-register!\u003c/p>\n\u003cfigure id=\"attachment_13988728\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988728 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/anshu-a-JzY97tKL_oM-unsplash.jpg\" alt=\"Three sealed jars lined up in a row, containing pickles, onions and cabbage.\" width=\"2000\" height=\"1335\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/anshu-a-JzY97tKL_oM-unsplash.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/anshu-a-JzY97tKL_oM-unsplash-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/anshu-a-JzY97tKL_oM-unsplash-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/anshu-a-JzY97tKL_oM-unsplash-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Like pickling? You’re going to love fermentation! \u003ccite>(Anshu A/Unsplash)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Fermentation\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://oaklandlibrary.bibliocommons.com/events/69b0d5f8b48451fc3c081296\">Oakland Library\u003c/a>, Piedmont Avenue Branch\u003c/em>\u003cbr>\n\u003cem>80 Echo Ave., Oakland\u003c/em>\u003cbr>\n\u003ci>Free\u003c/i>\u003c/p>\n\u003cp>In the course of their career, chef Alia Fakhry has created dishes in every conceivable venue: fancy hotels, Hornblower cruises, brewpubs, Facebook HQ and, right now, their own \u003ca href=\"https://www.instagram.com/turnipthatbeet\">Turnip That Beet\u003c/a> custom meal prep service, based out of Oakland. Now that the former Ivory Coast resident has tried everything, they’ve landed on their greatest passion: seasonal, organic, small-batch culinary creations.\u003c/p>\n\u003cp>For their two-hour event at the Oakland Library on June 9 (starting at 4 p.m.), Fakhry plans to share their know-how and enthusiasm about DIY fermentation, enabling individuals to preserve their own food deliciously. The class is, fittingly enough, presented by \u003ca href=\"https://oaklandbloom.org/about/\">Oakland Bloom\u003c/a>, an organization whose mission is economic equity in the food industry. You’re one class away from making your own kimchi and sauerkraut — and becoming the most intriguing person at this summer’s cookout.\u003c/p>\n\u003cfigure id=\"attachment_13989063\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13989063 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/richard-bell-wXjmfNeyN48-unsplash.jpg\" alt=\"A wall of colorful Portuguese tiles in different blue, white and red geometric patterns.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/richard-bell-wXjmfNeyN48-unsplash.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/richard-bell-wXjmfNeyN48-unsplash-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/richard-bell-wXjmfNeyN48-unsplash-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/richard-bell-wXjmfNeyN48-unsplash-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Examples of Portuguese-style tile designs. \u003ccite>(Richard Bell/Unsplash)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Portuguese tile painting\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.jiarencafe.com/eventcalendar\">Jiaren Cafe\u003c/a>\u003c/em>\u003cbr>\n\u003cem>1171 Homestead Rd. #140B, Santa Clara\u003c/em>\u003cbr>\n\u003ci>$60\u003c/i>\u003c/p>\n\u003cp>This June, the artisans of \u003ca href=\"https://www.alzuleycha.com/\">Alzuleycha\u003c/a> will be spending every Monday evening (starting at 7 p.m.) helming classes in tile-painting at the Jiaren Cafe. Alzuleycha, inspired by Portuguese architecture, will briefly teach the class about the aesthetic history of this art form before painting commences.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Two tiles will be provided per student, as well as painting supplies, stencils and expert guidance throughout the process. Beginners (starting from 8 years old!) are as welcome as experienced painters. Get ready for homework though: after you’ve painted your tiles, they must be left to dry for 24 hours, then baked for 30 minutes in an oven at 350°F. Saúde!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ci>This story is part of \u003ca href=\"https://www.kqed.org/affordability\">How We Get By\u003c/a>, a KQED series exploring how people are coping with rising costs in the Bay Area and California. Find the \u003ca href=\"https://www.kqed.org/affordability\">full series here\u003c/a>.\u003c/i>\u003c/p>\n\u003cp>Last year, KQED Forum did a show about “\u003ca href=\"https://www.kqed.org/forum/2010101909839/have-you-been-priced-out-of-a-hobby\">hobby inflation\u003c/a>,” in which Mina Kim and her guests explored the increasing difficulty for many people to afford creative activities in their spare time.\u003c/p>\n\u003cp>In the interest of making sure more of us can nurture our artistic impulses, we’ve tracked down 10 crafty Bay Area summer classes that cost less than $100 each. All of them offer opportunities to learn fun new skills without breaking the bank.\u003c/p>\n\u003cfigure id=\"attachment_13988730\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988730 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/postcard-embroidery.png\" alt=\"A postcard featuring a seagull and the words 'Greetings from California' that's been enhanced by embroidery stitching.\" width=\"2000\" height=\"1311\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/postcard-embroidery.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/postcard-embroidery-160x105.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/postcard-embroidery-768x503.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/postcard-embroidery-1536x1007.png 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Carry on a Victorian tradition by beautifying your postcards with embroidery. \u003ccite>(Courtesy of San Francisco Center for the Book)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Embroidering postcards\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.sfcb.org/workshops/detail?coursestormCourseId=1f25cddc35fc11f185ff0affe5650d13\">San Francisco Center for the Book\u003c/a>\u003c/em>\u003cbr>\n\u003cem>Online workshop\u003c/em>\u003cbr>\n\u003ci>$75\u003c/i>\u003c/p>\n\u003cp>Artist and writer Hope Amico has been operating \u003ca href=\"https://hopeamico.com/store/keep-writing-project\">a pen pal postcard subscription service\u003c/a> since 2008. Not only is Amico passionate about sending physical mail, they’ve invested in making it as beautiful as possible. Makes sense, then, that they’re running this 3-hour class for the San Francisco Center for the Book that teaches participants how to embellish their mail with embroidery — an art form that has been around since the Victorian era.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Amico will provide PDF instructions, teach the basics of sewing on paper, demonstrate different kinds of stitches and guide a practice session. Students are asked to join the class on Aug. 11 at 4 p.m. armed with two embroidery needles, three colors of embroidery thread, an \u003ca href=\"https://www.merriam-webster.com/dictionary/awl\">awl\u003c/a>, two postcards, scissors, a ruler and a pencil. Happy stitching, everyone!\u003c/p>\n\u003cfigure id=\"attachment_13988721\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988721 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/olga-serjantu-u_6zJvn7XtY-unsplash-scaled.jpg\" alt=\"A selection of small candles in various glass receptacles, complete with herbs and petals.\" width=\"2560\" height=\"1925\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/olga-serjantu-u_6zJvn7XtY-unsplash-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/olga-serjantu-u_6zJvn7XtY-unsplash-2000x1504.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/olga-serjantu-u_6zJvn7XtY-unsplash-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/olga-serjantu-u_6zJvn7XtY-unsplash-768x578.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/olga-serjantu-u_6zJvn7XtY-unsplash-1536x1155.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/olga-serjantu-u_6zJvn7XtY-unsplash-2048x1540.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Choose your own scents in Nova Studio’s candle making class. \u003ccite>(Olga Serjantu/Unsplash)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Candle making\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.novastudio.info/\">Nova Studio\u003c/a>\u003c/em>\u003cbr>\n\u003cem>223 2nd St., Los Altos\u003c/em>\u003cbr>\n\u003ci>$65\u003c/i>\u003c/p>\n\u003cp>These 90-minute classes — taking place on Thursdays, Fridays and Saturdays all summer — don’t just teach the basics of candle pouring. They also provide a space where students can make something entirely to their own tastes.\u003c/p>\n\u003cp>Nova instructors teach participants how to blend natural soy wax from scratch, and also provide crystals, dried flowers, charms and scents so that each candle is unique to its creator. There are even a wide variety of candle vessels to choose from. Given the high cost of store-bought scented candles, your new skills may come in handy when birthdays and holidays roll around.\u003c/p>\n\u003cfigure id=\"attachment_13988723\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988723 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/dinh-pham-dG35-kUxv34-unsplash.jpg\" alt=\"A red, white and blue quilt covered with thread, scissors and other quilting materials.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/dinh-pham-dG35-kUxv34-unsplash.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/dinh-pham-dG35-kUxv34-unsplash-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/dinh-pham-dG35-kUxv34-unsplash-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/dinh-pham-dG35-kUxv34-unsplash-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Learn to sew like your great-grammy did with quilting instruction. \u003ccite>(Dinh Pham/Unsplash)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Quilting\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.eventbrite.com/e/quilters-workshop-tickets-1987745043935?aff=odcleoeventsincollection\">Napa Valley College\u003c/a>\u003c/em>\u003cbr>\n\u003cem>1088 College Ave., St. Helena\u003c/em>\u003cbr>\n\u003ci>$51\u003c/i>\u003c/p>\n\u003cp>In 2026, environmentally minded humans are constantly looking for sustainable solutions to fast fashion and rampant consumerism. As upcycling old clothes into other usable forms becomes increasingly popular, quilting offers a creative but accessible way to reduce fabric waste.\u003c/p>\n\u003cp>This summer, expert quilter Julie Bolander is offering guidance to beginners (and other quilters who need assistance) with regular afternoon gatherings at Napa Valley College. These sessions take place between June 15 and Aug. 3; quilters are asked to bring their own tools and materials, and pre-registration is required. If nothing else, you’ll probably meet some other lovely folks who are trying to save the world, one discarded pillowcase at a time.\u003c/p>\n\u003cfigure id=\"attachment_13988720\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988720 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jewelry-making.jpg\" alt=\"Young woman jewelry designer creating necklace and working at table in the studio.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jewelry-making.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jewelry-making-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jewelry-making-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jewelry-making-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In need of a new side hustle? Jewelry-making awaits. \u003ccite>(Galina Zhigalova/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Jewelry making\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.beadinspirations.com/private-lesson-1-hour-1-person.html\">Bead Inspirations\u003c/a>\u003c/em>\u003cbr>\n\u003cem>1544 Park St., Alameda\u003c/em>\u003cbr>\n\u003ci>Free/$60\u003c/i>\u003c/p>\n\u003cp>Whether you want to make beaded jewelry as a creative outlet, or start selling your designs as a side hustle, Alameda’s Bead Inspirations is a one-stop shop designed to get you started. The store holds free, two-hour workshops every Friday at 3 p.m., but one-on-one instruction is available by booking a private one-hour lesson for $60.\u003c/p>\n\u003cp>The makers at Bead Inspirations teach the basics of stringing and beading, earring construction, wrap bracelet-making, filigree wrapping, crimping necklaces, as well as the best ways to attach clasps and jump rings. Participants don’t need to bring anything with them to class, but anyone who feels they’ve found their new calling can get a same-day 10% discount on tools and materials in the store.\u003c/p>\n\u003cfigure id=\"attachment_13988724\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988724 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jesus-arango-IxDfHW38BI8-unsplash.jpg\" alt=\"Close up of a lamp made of blue and multicolored glass pieces. \" width=\"2000\" height=\"1429\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jesus-arango-IxDfHW38BI8-unsplash.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jesus-arango-IxDfHW38BI8-unsplash-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jesus-arango-IxDfHW38BI8-unsplash-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/jesus-arango-IxDfHW38BI8-unsplash-1536x1097.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ever wanted to make one of these? Now you can … try! \u003ccite>(Jesus Arango/Unsplash)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Mosaic Lamp Workshop\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.craftforteam.com/turkish-mosaic-lamp-workshop-in-san-francisco\">Art Studio SoMa\u003c/a>\u003c/em>\u003cbr>\n\u003cem>360 Ritch St. #205, San Francisco\u003c/em>\u003cbr>\n\u003ci>$89\u003c/i>\u003c/p>\n\u003cp>If, like me, you feel intimidated at the prospect of mosaicking an entire Turkish lamp competently in the span of two hours, keep in mind that this class is open to anyone aged 7 and over. If the kids can do it, so can we! (Probably?)\u003c/p>\n\u003cp>This Art Workshops class provides everything you need, including tools, 16 colors of glass, step-by-step guidance \u003cem>and\u003c/em> light refreshments. Keep in mind that the lamp that you ultimately make is yours to take home and stare at forever, so you might want to hit \u003ca href=\"https://www.pinterest.com/ideas/mosaic-lamp-patterns/940310604958/\">Pinterest\u003c/a> and come up with a vague design goal before you go.\u003c/p>\n\u003cfigure id=\"attachment_13988729\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988729 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/charlota-blunarova-U7ud6KGrsRQ-unsplash.jpg\" alt=\"A collage of random images from magazines including women, men, robots and toys. \" width=\"2000\" height=\"1275\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/charlota-blunarova-U7ud6KGrsRQ-unsplash.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/charlota-blunarova-U7ud6KGrsRQ-unsplash-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/charlota-blunarova-U7ud6KGrsRQ-unsplash-768x490.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/charlota-blunarova-U7ud6KGrsRQ-unsplash-1536x979.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Collage curious? Join The Cut and Paste Society. \u003ccite>(Charlota Blunarova)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Collage\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.theexchangevallejo.com/events-workshops/p/milk-dip-cup-92wf6-abmpj-fpfgs\">The Exchange\u003c/a>\u003c/em>\u003cbr>\n\u003cem>617 Marin St., Vallejo\u003c/em>\u003cbr>\n\u003ci>$40\u003c/i>\u003c/p>\n\u003cp>The Cut and Paste Society is a monthly gathering of paper-cutting maniacs on a mission to remix existing forms into thought-provoking new ones. The group welcomes experienced creatives and the collage-curious alike, and provides everything you need to get started. This includes old printed materials, paints and other decorations, cutting tools and — should you be a beginner — helpful tips. Attendees are encouraged to bring any images they feel like working with.\u003c/p>\n\u003cp>The Cut and Paste Society’s summer meeting dates are June 4, July 2, Aug. 6 and Sept. 3. This welcoming bunch especially wants to meet visual storytellers and those who love to experiment. Book early — these sessions often sell out.\u003c/p>\n\u003cfigure id=\"attachment_13988731\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988731 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/rug-tufting.png\" alt=\"A group of students in a classroom smile and hold up art projects made from tufted fabric.\" width=\"2000\" height=\"1327\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/rug-tufting.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/rug-tufting-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/rug-tufting-768x510.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/rug-tufting-1536x1019.png 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Grab a yarn gun and get tufting in San Jose. \u003ccite>(Courtesy of Art Workshops San Jose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Rug tufting\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.craftforteam.com/rug-tufting-workshop-in-san-jose\">San Jose Art and Craft Studio\u003c/a>\u003c/em>\u003cbr>\n\u003cem>255 N. Market St., Suite 270, San Jose\u003c/em>\u003cbr>\n\u003ci>$89\u003c/i>\u003c/p>\n\u003cp>You might be wondering what on Earth rug tufting is and whether or not it has anything to do with those unruly shag carpets that continue to haunt the dreams of Gen X-ers everywhere. Fear not, for this is altogether cuter — \u003cem>and\u003c/em> a lot more fun on account of the fact that there’s a yarn gun involved.\u003c/p>\n\u003cp>This oh-so-wholesome class provides all tools and materials, then walks fluff enthusiasts, step-by-step, through the tricks of creating their own miniature rug or tactile wallhanging. Advice is provided about realistic designs for beginners and the best methods to put yarn to canvas safely and effectively. After a couple of hours of practice and tufting fun, makers then move onto the gluing, backing and shaving work that will leave them with a polished final piece. Extra bonus? Free tea and refreshments are served throughout.\u003c/p>\n\u003cfigure id=\"attachment_13988727\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988727 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/courtney-cook-QRVSQH7OeX4-unsplash.jpg\" alt=\"A close-up of clay covered hands working a cup on a potters wheel.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/courtney-cook-QRVSQH7OeX4-unsplash.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/courtney-cook-QRVSQH7OeX4-unsplash-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/courtney-cook-QRVSQH7OeX4-unsplash-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/courtney-cook-QRVSQH7OeX4-unsplash-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Insert ‘Unchained Melody’ by The Righteous Brothers here. \u003ccite>(Courtney Cook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Clay throwing\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://nimbusarts.asapconnected.com/?org=1017#CourseID=16713\">Nimbus Arts\u003c/a>\u003c/em>\u003cbr>\n\u003cem>649 Main St., St. Helena\u003c/em>\u003cbr>\n\u003ci>$70\u003c/i>\u003c/p>\n\u003cp>If you’re not trying to get addicted to an expensive hobby, this is a risky one to start! That being said, this hand-building and wheel-throwing class is a very therapeutic way to spend three hours on a Monday or Wednesday evening.\u003c/p>\n\u003cp>Instructor \u003ca href=\"https://www.amandawrightpottery.com/\">Amanda Wright\u003c/a> is a stoneware artist who creates thoroughly modern pieces. While she’ll be teaching the basics of pottery — how to shape bowls, bottles, vases and more — we expect she’ll also encourage boundary-pushing expression, should inspiration take over. There are only six wheels in the class, so don’t forget to pre-register!\u003c/p>\n\u003cfigure id=\"attachment_13988728\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13988728 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/anshu-a-JzY97tKL_oM-unsplash.jpg\" alt=\"Three sealed jars lined up in a row, containing pickles, onions and cabbage.\" width=\"2000\" height=\"1335\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/anshu-a-JzY97tKL_oM-unsplash.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/anshu-a-JzY97tKL_oM-unsplash-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/anshu-a-JzY97tKL_oM-unsplash-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/anshu-a-JzY97tKL_oM-unsplash-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Like pickling? You’re going to love fermentation! \u003ccite>(Anshu A/Unsplash)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Fermentation\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://oaklandlibrary.bibliocommons.com/events/69b0d5f8b48451fc3c081296\">Oakland Library\u003c/a>, Piedmont Avenue Branch\u003c/em>\u003cbr>\n\u003cem>80 Echo Ave., Oakland\u003c/em>\u003cbr>\n\u003ci>Free\u003c/i>\u003c/p>\n\u003cp>In the course of their career, chef Alia Fakhry has created dishes in every conceivable venue: fancy hotels, Hornblower cruises, brewpubs, Facebook HQ and, right now, their own \u003ca href=\"https://www.instagram.com/turnipthatbeet\">Turnip That Beet\u003c/a> custom meal prep service, based out of Oakland. Now that the former Ivory Coast resident has tried everything, they’ve landed on their greatest passion: seasonal, organic, small-batch culinary creations.\u003c/p>\n\u003cp>For their two-hour event at the Oakland Library on June 9 (starting at 4 p.m.), Fakhry plans to share their know-how and enthusiasm about DIY fermentation, enabling individuals to preserve their own food deliciously. The class is, fittingly enough, presented by \u003ca href=\"https://oaklandbloom.org/about/\">Oakland Bloom\u003c/a>, an organization whose mission is economic equity in the food industry. You’re one class away from making your own kimchi and sauerkraut — and becoming the most intriguing person at this summer’s cookout.\u003c/p>\n\u003cfigure id=\"attachment_13989063\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13989063 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/richard-bell-wXjmfNeyN48-unsplash.jpg\" alt=\"A wall of colorful Portuguese tiles in different blue, white and red geometric patterns.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/richard-bell-wXjmfNeyN48-unsplash.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/richard-bell-wXjmfNeyN48-unsplash-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/richard-bell-wXjmfNeyN48-unsplash-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/04/richard-bell-wXjmfNeyN48-unsplash-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Examples of Portuguese-style tile designs. \u003ccite>(Richard Bell/Unsplash)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Portuguese tile painting\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.jiarencafe.com/eventcalendar\">Jiaren Cafe\u003c/a>\u003c/em>\u003cbr>\n\u003cem>1171 Homestead Rd. #140B, Santa Clara\u003c/em>\u003cbr>\n\u003ci>$60\u003c/i>\u003c/p>\n\u003cp>This June, the artisans of \u003ca href=\"https://www.alzuleycha.com/\">Alzuleycha\u003c/a> will be spending every Monday evening (starting at 7 p.m.) helming classes in tile-painting at the Jiaren Cafe. Alzuleycha, inspired by Portuguese architecture, will briefly teach the class about the aesthetic history of this art form before painting commences.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Two tiles will be provided per student, as well as painting supplies, stencils and expert guidance throughout the process. Beginners (starting from 8 years old!) are as welcome as experienced painters. Get ready for homework though: after you’ve painted your tiles, they must be left to dry for 24 hours, then baked for 30 minutes in an oven at 350°F. Saúde!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
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"meta": {
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"id": "here-and-now",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"rss": "https://feeds.npr.org/510308/podcast.xml"
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5Nzk2MzI2MTEx",
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