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"content": "\u003cp>In 1906, when San Francisco was plunged into chaos after the Big One hit, locals were left with few means to find each other. The \u003ca href=\"https://en.wikipedia.org/wiki/Lotta%27s_Fountain\" target=\"_blank\" rel=\"noopener noreferrer\">cast iron fountain\u003c/a> on Market Street, where Geary and Kearny intersect, quickly became a major meeting point. It proved to be such an important landmark that, since 1919, there has been an annual gathering at the fountain to remember all those who were lost in the earthquake and the brave souls who rebuilt afterward. What is recalled a little less frequently is how the fountain came to land in the city in 1875—it was a gift from Lotta Crabtree, an actress once known as “The San Francisco Favorite.”\u003c/p>\n\u003cfigure id=\"attachment_110324\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-110324\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/20190311_154814-800x742.jpg\" alt=\"Lotta's fountain in 1877.\" width=\"800\" height=\"742\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/20190311_154814-800x742.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/20190311_154814-160x148.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/20190311_154814-768x713.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/20190311_154814-1020x947.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/20190311_154814-1200x1114.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/20190311_154814-1920x1782.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/20190311_154814.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lotta’s fountain in 1877. \u003ccite>(From 'The Triumphs and Trials of Lotta Crabtree' by David Dempsey with Raymond P. Baldwin.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Born on November 7, 1847, Lotta was the rarest of stars, in that she found fame as a child, retained her popularity throughout her teens and by the age of 21—as noted in \u003cem>\u003ca href=\"https://www.amazon.com/Triumphs-Trials-Lotta-Crabtree/dp/B0006BVCCS\" target=\"_blank\" rel=\"noopener noreferrer\">The Triumph and Trials of Lotta Crabtree\u003c/a>\u003c/em>—”The rage for Lotta had begun to approach the degree of frenzy which today is reserved for rock-and-roll singers. All over the country, men and women were skipping to [dances like the] ‘Lotta Polka’ and the ‘Lotta Gallup’.”\u003c/p>\n\u003cp>When Lotta was five, the Crabtree family lived in Grass Valley, when it was still the heart of California gold-mining country. Fearless, precocious and encouraged by both her parents and her famous neighbor, \u003ca href=\"https://en.wikipedia.org/wiki/Lola_Montez\" target=\"_blank\" rel=\"noopener noreferrer\">Lola Montez\u003c/a> (who taught her professional dance moves), Lotta lifted the spirits of weary miners with her banjo playing, ballad singing, “\u003ca href=\"http://www.standingstones.com/crabtree.html\" target=\"_blank\" rel=\"noopener noreferrer\">red hair, merry black eyes, irrepressible laugh, [and] dancing [as] light as gossamer.\u003c/a>” Her appreciative audience paid her with gold nuggets that Lotta’s mother, Mary Ann, collected in a leather pouch. By the time the mining camps had given way to taverns, and the taverns had given way to bonafide San Francisco stages, Mary Ann needed a steamer trunk to carry all the loot.\u003c/p>\n\u003cp>It made sense for the Crabtrees to move to the city to enable Lotta to pursue her dreams, so when she was 8, they did just that. It was a remarkable time for any performer to be working in San Francisco. From \u003cem>The Triumphs and Trials of Lotta Crabtree\u003c/em>:\u003c/p>\n\u003cblockquote>\u003cp>“Part of the charm of SF was its freewheeling and improvising spirit… In one sense, the theater typified the city’s wild and freebooting kind of life, and, in another sense, it provided convenient, if momentary, refuge from it. In a place as primitive as San Francisco during the gold rush decade, the theater mediated between the higher and lower impulses of the more sedate citizens who were determined to enjoy themselves, yet needed a sanction for their pleasures.”\u003c/p>\u003c/blockquote>\n\u003cp>By the time she was 11, Lotta was touring California. As she entered her teens, demand for Lotta took her all over the country to act in a wide variety of plays. Lotta proved herself such a versatile and compelling actress, she was invited to perform in London and Paris. The “San Francisco Favorite” was now a worldwide wonder.\u003c/p>\n\u003cfigure id=\"attachment_110327\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-110327 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Lotta-4-e1552357733380-800x349.jpg\" alt=\"(L-R): Lotta as Paul in 'Pet of the Petticoats'; Mademoiselle Nitouche; herself; the Marchioness in 'Little Nell and the Marchioness.'\" width=\"800\" height=\"349\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/Lotta-4-e1552357733380-800x349.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/Lotta-4-e1552357733380-160x70.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/Lotta-4-e1552357733380-768x335.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/Lotta-4-e1552357733380-1020x445.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/Lotta-4-e1552357733380-1200x524.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/Lotta-4-e1552357733380-1920x838.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/Lotta-4-e1552357733380.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(L-R): Lotta as Paul in ‘Pet of the Petticoats,’ Mademoiselle Nitouche, herself, and the Marchioness in ‘Little Nell and the Marchioness.’ \u003ccite>('The Triumph and Trials of Lotta Crabtree,' by David Dempsey and Raymond P. Baldwin.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Remarkably, rather than wearing her down, Lotta seemed to thrive while living on the road—something that inspired her to start her own touring company in 1875. One of the things most noted about her was that she retained a joyful youthfulness no matter how old she got or how far she traveled. Even as she reached middle-age, \u003ca href=\"https://www.amazon.com/Triumphs-Trials-Lotta-Crabtree/dp/B0006BVCCS\" target=\"_blank\" rel=\"noopener noreferrer\">onlookers noted\u003c/a> the “strange childlike innocence that would always be her style” and the “beauty [that] radiated from her diminutive, bouncing person.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postid=’pop_103907′]\u003c/p>\n\u003cp>After more than three decades as a star, Lotta retired in 1891 a very wealthy woman, thanks not only to her enduring popularity and being one of the highest paid actresses in America but also the \u003ca href=\"http://www.standingstones.com/crabtree.html\" target=\"_blank\" rel=\"noopener noreferrer\">smart real estate, bonds and racehorse investments\u003c/a> she had made on her travels. Despite her success and riches, Lotta was never welcomed by high society crowds due to their perception of her as eccentric; her penchant for cigar-smoking was deemed too unladylike, her ankle-showing skirts too risqué and her love for \u003ca href=\"http://articles.latimes.com/1998/feb/15/local/me-19312\" target=\"_blank\" rel=\"noopener noreferrer\">putting hats on horses\u003c/a> in the street was simply too weird.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-110328 alignright\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/250px-Panama_pacific_poster.jpg\" alt=\"\" width=\"250\" height=\"393\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/250px-Panama_pacific_poster.jpg 250w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/250px-Panama_pacific_poster-160x252.jpg 160w\" sizes=\"(max-width: 250px) 100vw, 250px\">Lotta’s \u003ca href=\"https://noehill.com/sf/landmarks/nat1975000475.asp\" target=\"_blank\" rel=\"noopener noreferrer\">last performance in San Francisco\u003c/a> was at the Panama Pacific Exposition in 1915, where she sang for an audience of thousands on “Lotta Crabtree Day,” November 6. Despite almost 25 years out of the business, she remained adored.\u003c/p>\n\u003cp>By the time of her 1924 death at the age of 76, Lotta had amassed a fortune of $4 million dollars (which is \u003ca href=\"http://www.in2013dollars.com/us/inflation/1924?amount=4000000\" target=\"_blank\" rel=\"noopener noreferrer\">almost $59 million\u003c/a> in 2019 money). Due to the fact that she’d never married (much to the nation’s surprise) or had children, she spent the last years of her life planning where her sizable wealth would go once she was gone.\u003c/p>\n\u003cp>After a great deal of thought, Lotta’s will was drawn up. Half of her fortune went to veterans—the plight of World War I soldiers particularly touched her heart— and the other half went to out-of-work actors, recently released convicts (a progressive move for any era) and $300,000 was put in a “\u003ca href=\"https://aknextphase.com/lotta-fountain/\" target=\"_blank\" rel=\"noopener noreferrer\">Dumb Animal Fund.\u003c/a>” (During her retirement, Lotta had been vice president of the Massachusetts SPCA.) To this day, the \u003ca href=\"http://articles.latimes.com/1998/feb/15/local/me-19312\" target=\"_blank\" rel=\"noopener noreferrer\">Lotta Agricultural Trust\u003c/a> gives grants and interest-free loans to farmers.\u003c/p>\n\u003cp>A century after her passing, in addition to the one in downtown San Francisco, statues Lotta Crabtree donated still stand in Boston, Chicago and New Jersey—monuments to this most unusual woman who spread joy far and wide throughout her life and helped countless thousands after her death.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 1906, when San Francisco was plunged into chaos after the Big One hit, locals were left with few means to find each other. The \u003ca href=\"https://en.wikipedia.org/wiki/Lotta%27s_Fountain\" target=\"_blank\" rel=\"noopener noreferrer\">cast iron fountain\u003c/a> on Market Street, where Geary and Kearny intersect, quickly became a major meeting point. It proved to be such an important landmark that, since 1919, there has been an annual gathering at the fountain to remember all those who were lost in the earthquake and the brave souls who rebuilt afterward. What is recalled a little less frequently is how the fountain came to land in the city in 1875—it was a gift from Lotta Crabtree, an actress once known as “The San Francisco Favorite.”\u003c/p>\n\u003cfigure id=\"attachment_110324\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-110324\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/20190311_154814-800x742.jpg\" alt=\"Lotta's fountain in 1877.\" width=\"800\" height=\"742\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/20190311_154814-800x742.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/20190311_154814-160x148.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/20190311_154814-768x713.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/20190311_154814-1020x947.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/20190311_154814-1200x1114.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/20190311_154814-1920x1782.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/20190311_154814.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lotta’s fountain in 1877. \u003ccite>(From 'The Triumphs and Trials of Lotta Crabtree' by David Dempsey with Raymond P. Baldwin.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Born on November 7, 1847, Lotta was the rarest of stars, in that she found fame as a child, retained her popularity throughout her teens and by the age of 21—as noted in \u003cem>\u003ca href=\"https://www.amazon.com/Triumphs-Trials-Lotta-Crabtree/dp/B0006BVCCS\" target=\"_blank\" rel=\"noopener noreferrer\">The Triumph and Trials of Lotta Crabtree\u003c/a>\u003c/em>—”The rage for Lotta had begun to approach the degree of frenzy which today is reserved for rock-and-roll singers. All over the country, men and women were skipping to [dances like the] ‘Lotta Polka’ and the ‘Lotta Gallup’.”\u003c/p>\n\u003cp>When Lotta was five, the Crabtree family lived in Grass Valley, when it was still the heart of California gold-mining country. Fearless, precocious and encouraged by both her parents and her famous neighbor, \u003ca href=\"https://en.wikipedia.org/wiki/Lola_Montez\" target=\"_blank\" rel=\"noopener noreferrer\">Lola Montez\u003c/a> (who taught her professional dance moves), Lotta lifted the spirits of weary miners with her banjo playing, ballad singing, “\u003ca href=\"http://www.standingstones.com/crabtree.html\" target=\"_blank\" rel=\"noopener noreferrer\">red hair, merry black eyes, irrepressible laugh, [and] dancing [as] light as gossamer.\u003c/a>” Her appreciative audience paid her with gold nuggets that Lotta’s mother, Mary Ann, collected in a leather pouch. By the time the mining camps had given way to taverns, and the taverns had given way to bonafide San Francisco stages, Mary Ann needed a steamer trunk to carry all the loot.\u003c/p>\n\u003cp>It made sense for the Crabtrees to move to the city to enable Lotta to pursue her dreams, so when she was 8, they did just that. It was a remarkable time for any performer to be working in San Francisco. From \u003cem>The Triumphs and Trials of Lotta Crabtree\u003c/em>:\u003c/p>\n\u003cblockquote>\u003cp>“Part of the charm of SF was its freewheeling and improvising spirit… In one sense, the theater typified the city’s wild and freebooting kind of life, and, in another sense, it provided convenient, if momentary, refuge from it. In a place as primitive as San Francisco during the gold rush decade, the theater mediated between the higher and lower impulses of the more sedate citizens who were determined to enjoy themselves, yet needed a sanction for their pleasures.”\u003c/p>\u003c/blockquote>\n\u003cp>By the time she was 11, Lotta was touring California. As she entered her teens, demand for Lotta took her all over the country to act in a wide variety of plays. Lotta proved herself such a versatile and compelling actress, she was invited to perform in London and Paris. The “San Francisco Favorite” was now a worldwide wonder.\u003c/p>\n\u003cfigure id=\"attachment_110327\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-110327 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Lotta-4-e1552357733380-800x349.jpg\" alt=\"(L-R): Lotta as Paul in 'Pet of the Petticoats'; Mademoiselle Nitouche; herself; the Marchioness in 'Little Nell and the Marchioness.'\" width=\"800\" height=\"349\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/Lotta-4-e1552357733380-800x349.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/Lotta-4-e1552357733380-160x70.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/Lotta-4-e1552357733380-768x335.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/Lotta-4-e1552357733380-1020x445.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/Lotta-4-e1552357733380-1200x524.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/Lotta-4-e1552357733380-1920x838.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/Lotta-4-e1552357733380.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(L-R): Lotta as Paul in ‘Pet of the Petticoats,’ Mademoiselle Nitouche, herself, and the Marchioness in ‘Little Nell and the Marchioness.’ \u003ccite>('The Triumph and Trials of Lotta Crabtree,' by David Dempsey and Raymond P. Baldwin.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Remarkably, rather than wearing her down, Lotta seemed to thrive while living on the road—something that inspired her to start her own touring company in 1875. One of the things most noted about her was that she retained a joyful youthfulness no matter how old she got or how far she traveled. Even as she reached middle-age, \u003ca href=\"https://www.amazon.com/Triumphs-Trials-Lotta-Crabtree/dp/B0006BVCCS\" target=\"_blank\" rel=\"noopener noreferrer\">onlookers noted\u003c/a> the “strange childlike innocence that would always be her style” and the “beauty [that] radiated from her diminutive, bouncing person.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After more than three decades as a star, Lotta retired in 1891 a very wealthy woman, thanks not only to her enduring popularity and being one of the highest paid actresses in America but also the \u003ca href=\"http://www.standingstones.com/crabtree.html\" target=\"_blank\" rel=\"noopener noreferrer\">smart real estate, bonds and racehorse investments\u003c/a> she had made on her travels. Despite her success and riches, Lotta was never welcomed by high society crowds due to their perception of her as eccentric; her penchant for cigar-smoking was deemed too unladylike, her ankle-showing skirts too risqué and her love for \u003ca href=\"http://articles.latimes.com/1998/feb/15/local/me-19312\" target=\"_blank\" rel=\"noopener noreferrer\">putting hats on horses\u003c/a> in the street was simply too weird.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-110328 alignright\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/250px-Panama_pacific_poster.jpg\" alt=\"\" width=\"250\" height=\"393\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/250px-Panama_pacific_poster.jpg 250w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/03/250px-Panama_pacific_poster-160x252.jpg 160w\" sizes=\"(max-width: 250px) 100vw, 250px\">Lotta’s \u003ca href=\"https://noehill.com/sf/landmarks/nat1975000475.asp\" target=\"_blank\" rel=\"noopener noreferrer\">last performance in San Francisco\u003c/a> was at the Panama Pacific Exposition in 1915, where she sang for an audience of thousands on “Lotta Crabtree Day,” November 6. Despite almost 25 years out of the business, she remained adored.\u003c/p>\n\u003cp>By the time of her 1924 death at the age of 76, Lotta had amassed a fortune of $4 million dollars (which is \u003ca href=\"http://www.in2013dollars.com/us/inflation/1924?amount=4000000\" target=\"_blank\" rel=\"noopener noreferrer\">almost $59 million\u003c/a> in 2019 money). Due to the fact that she’d never married (much to the nation’s surprise) or had children, she spent the last years of her life planning where her sizable wealth would go once she was gone.\u003c/p>\n\u003cp>After a great deal of thought, Lotta’s will was drawn up. Half of her fortune went to veterans—the plight of World War I soldiers particularly touched her heart— and the other half went to out-of-work actors, recently released convicts (a progressive move for any era) and $300,000 was put in a “\u003ca href=\"https://aknextphase.com/lotta-fountain/\" target=\"_blank\" rel=\"noopener noreferrer\">Dumb Animal Fund.\u003c/a>” (During her retirement, Lotta had been vice president of the Massachusetts SPCA.) To this day, the \u003ca href=\"http://articles.latimes.com/1998/feb/15/local/me-19312\" target=\"_blank\" rel=\"noopener noreferrer\">Lotta Agricultural Trust\u003c/a> gives grants and interest-free loans to farmers.\u003c/p>\n\u003cp>A century after her passing, in addition to the one in downtown San Francisco, statues Lotta Crabtree donated still stand in Boston, Chicago and New Jersey—monuments to this most unusual woman who spread joy far and wide throughout her life and helped countless thousands after her death.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "A Century Before Rosa Parks, She Fought Segregated Transit in SF",
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"content": "\u003cp>Two years before slavery was officially abolished by the 13th Amendment, and a full 92 years before Rosa Parks refused to give up her seat on the bus, Charlotte L. Brown took on San Francisco’s racially segregated Omnibus Railroad and Cable Company and changed the city’s public transportation laws forever.\u003c/p>\n\u003cp>On April 17, 1863, seven months before President Lincoln had even given the Gettysburg Address, Charlotte boarded a horse-drawn streetcar, a relatively new form of transport. When the conductor reached her, he refused to take the ticket she had bought and asked her to leave, saying that “colored persons” — two percent of San Francisco’s population at the time — were not allowed to ride. Charlotte, in her early-20s at the time, had successfully circumvented streetcar segregation laws many times before, sometimes by wearing a veil. She refused to move. When a white woman joined the conductor in demanding she go, Charlotte was physically removed.\u003c/p>\n\u003cfigure id=\"attachment_109740\" class=\"wp-caption alignnone\" style=\"max-width: 422px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-109740 size-full\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/Screen-Shot-2019-02-27-at-3.56.50-PM.png\" alt=\"“Charlotte and Harriet Escape in Deep Mourning, Underground Railroad” depicts Charlotte Giles and Harriet Elgin, slaves who used mourning veils to ride the railroad and escape to freedom. As seen in 'Army at Home' by Judith Giesberg. \" width=\"422\" height=\"320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2019/02/Screen-Shot-2019-02-27-at-3.56.50-PM.png 422w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/02/Screen-Shot-2019-02-27-at-3.56.50-PM-160x121.png 160w\" sizes=\"auto, (max-width: 422px) 100vw, 422px\">\u003cfigcaption class=\"wp-caption-text\">“Charlotte and Harriet Escape in Deep Mourning, Underground Railroad” depicts Charlotte Giles and Harriet Elgin, slaves who used mourning veils to ride the railroad and escape to freedom. As seen in ‘Army at Home’ by Judith Giesberg.\u003c/figcaption>\u003c/figure>\n\u003cp>Charlotte was not one to go quietly however, thanks in large part to the way her tenacious parents had raised her. Her father, James E. Brown, made a living running his own stable, but in his personal life, James was a co-founder of the Bay Area’s first African-American newspaper, \u003cem>Mirror of the Times\u003c/em>, and was an outspoken abolitionist rumored to protect fugitive slaves. James had once been a slave himself, released from servitude only when his wife, a seamstress whom Charlotte was named after, had raised enough money to buy his freedom — no easy feat.\u003c/p>\n\u003cp>[aside postid=’arts_13881675′]Charlotte and her family had moved to San Francisco from Maryland at some point during the 1850s, shortly after slavery was abolished in California. By the time she was forced from that streetcar, the Brown family was living in North Beach and were prominent figures in the local Black community.\u003c/p>\n\u003cp>Charlotte and her father decided to take action by bringing a lawsuit against Omnibus Railroad, an extraordinarily brave move, given that it had only been a matter of months since African Americans in California had gained the right to testify against white people in court. Still, during her affidavit, Charlotte spoke plainly:\u003c/p>\n\u003cblockquote>\u003cp>I lived one block from where I took the car. When the conductor first came to me and refused to take my ticket, I told him I thought I had a right to ride, it was a public conveyance. I told him I had a long distance to go … I told him I would not get out … He took hold of my arm. I made no resistance. I knew it was of no use to resist and therefore I went out, and he kept hold of me until I was out of the car, holding on to me until I struck the walk.\u003c/p>\u003c/blockquote>\n\u003cp>During the case, Omnibus defended its racist policies, arguing that people of color should not be permitted to ride streetcars in case they made white women and children feel “fearful or repulsed.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>While Charlotte ultimately won the case and was awarded $25 and costs, appeals by Omnibus kept her tied up in court for months. The end result saw her award sum reduced to just five cents, the cost of Charlotte’s original ticket. What’s more, the case did not change Omnibus policy. Just days after the first case was finally over, Charlotte was removed from another Omnibus streetcar.\u003c/p>\n\u003cp>Charlotte and her father went straight back to court, this time finding themselves arguing in front of a sympathetic judge. Judge Orville C. Pratt of the 12th District Court deemed segregation barbaric and, in his landmark 1864 ruling, stated:\u003c/p>\n\u003cblockquote>\u003cp>It has been already quite too long tolerated by the dominant race to see with indifference the Negro or mulatto treated as a brute, insulted, wronged, enslaved, made to wear a yoke, to tremble before white men, to serve him as a tool, to hold property and life at his will, to surrender to him his intellect and conscience, and to seal his lips and belie his thought through dread of the white man’s power.\u003c/p>\u003c/blockquote>\n\u003cp>Charlotte was awarded $500.\u003c/p>\n\u003cp>Charlotte continued to follow in the footsteps of her fierce family later in life. A decade after winning her court case, Charlotte married fellow activist James Henry Riker, who was one of the organizers of the 1865 California State Convention of Colored Citizens, which brought together Black activists, churches, social clubs and literary societies to plan courses of action. The couple stayed in San Francisco with Charlotte establishing a primary school in North Beach.\u003c/p>\n\u003cp>It’s possible that Charlotte’s case bolstered Mary Ellen Pleasant in 1866 when she, more famously, brought a lawsuit against North Beach and Mission Railroad Company for refusing to pick her up, an ongoing problem for San Francisco’s Black population for years after Brown’s case concluded. Pleasant’s lawsuit made it all the way to California’s Supreme Court, and in 1893, a statewide ban on streetcar segregation finally came into effect.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Two years before slavery was officially abolished by the 13th Amendment, and a full 92 years before Rosa Parks refused to give up her seat on the bus, Charlotte L. Brown took on San Francisco’s racially segregated Omnibus Railroad and Cable Company and changed the city’s public transportation laws forever.\u003c/p>\n\u003cp>On April 17, 1863, seven months before President Lincoln had even given the Gettysburg Address, Charlotte boarded a horse-drawn streetcar, a relatively new form of transport. When the conductor reached her, he refused to take the ticket she had bought and asked her to leave, saying that “colored persons” — two percent of San Francisco’s population at the time — were not allowed to ride. Charlotte, in her early-20s at the time, had successfully circumvented streetcar segregation laws many times before, sometimes by wearing a veil. She refused to move. When a white woman joined the conductor in demanding she go, Charlotte was physically removed.\u003c/p>\n\u003cfigure id=\"attachment_109740\" class=\"wp-caption alignnone\" style=\"max-width: 422px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-109740 size-full\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/Screen-Shot-2019-02-27-at-3.56.50-PM.png\" alt=\"“Charlotte and Harriet Escape in Deep Mourning, Underground Railroad” depicts Charlotte Giles and Harriet Elgin, slaves who used mourning veils to ride the railroad and escape to freedom. As seen in 'Army at Home' by Judith Giesberg. \" width=\"422\" height=\"320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2019/02/Screen-Shot-2019-02-27-at-3.56.50-PM.png 422w, https://cdn.kqed.org/wp-content/uploads/sites/12/2019/02/Screen-Shot-2019-02-27-at-3.56.50-PM-160x121.png 160w\" sizes=\"auto, (max-width: 422px) 100vw, 422px\">\u003cfigcaption class=\"wp-caption-text\">“Charlotte and Harriet Escape in Deep Mourning, Underground Railroad” depicts Charlotte Giles and Harriet Elgin, slaves who used mourning veils to ride the railroad and escape to freedom. As seen in ‘Army at Home’ by Judith Giesberg.\u003c/figcaption>\u003c/figure>\n\u003cp>Charlotte was not one to go quietly however, thanks in large part to the way her tenacious parents had raised her. Her father, James E. Brown, made a living running his own stable, but in his personal life, James was a co-founder of the Bay Area’s first African-American newspaper, \u003cem>Mirror of the Times\u003c/em>, and was an outspoken abolitionist rumored to protect fugitive slaves. James had once been a slave himself, released from servitude only when his wife, a seamstress whom Charlotte was named after, had raised enough money to buy his freedom — no easy feat.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Charlotte and her family had moved to San Francisco from Maryland at some point during the 1850s, shortly after slavery was abolished in California. By the time she was forced from that streetcar, the Brown family was living in North Beach and were prominent figures in the local Black community.\u003c/p>\n\u003cp>Charlotte and her father decided to take action by bringing a lawsuit against Omnibus Railroad, an extraordinarily brave move, given that it had only been a matter of months since African Americans in California had gained the right to testify against white people in court. Still, during her affidavit, Charlotte spoke plainly:\u003c/p>\n\u003cblockquote>\u003cp>I lived one block from where I took the car. When the conductor first came to me and refused to take my ticket, I told him I thought I had a right to ride, it was a public conveyance. I told him I had a long distance to go … I told him I would not get out … He took hold of my arm. I made no resistance. I knew it was of no use to resist and therefore I went out, and he kept hold of me until I was out of the car, holding on to me until I struck the walk.\u003c/p>\u003c/blockquote>\n\u003cp>During the case, Omnibus defended its racist policies, arguing that people of color should not be permitted to ride streetcars in case they made white women and children feel “fearful or repulsed.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>While Charlotte ultimately won the case and was awarded $25 and costs, appeals by Omnibus kept her tied up in court for months. The end result saw her award sum reduced to just five cents, the cost of Charlotte’s original ticket. What’s more, the case did not change Omnibus policy. Just days after the first case was finally over, Charlotte was removed from another Omnibus streetcar.\u003c/p>\n\u003cp>Charlotte and her father went straight back to court, this time finding themselves arguing in front of a sympathetic judge. Judge Orville C. Pratt of the 12th District Court deemed segregation barbaric and, in his landmark 1864 ruling, stated:\u003c/p>\n\u003cblockquote>\u003cp>It has been already quite too long tolerated by the dominant race to see with indifference the Negro or mulatto treated as a brute, insulted, wronged, enslaved, made to wear a yoke, to tremble before white men, to serve him as a tool, to hold property and life at his will, to surrender to him his intellect and conscience, and to seal his lips and belie his thought through dread of the white man’s power.\u003c/p>\u003c/blockquote>\n\u003cp>Charlotte was awarded $500.\u003c/p>\n\u003cp>Charlotte continued to follow in the footsteps of her fierce family later in life. A decade after winning her court case, Charlotte married fellow activist James Henry Riker, who was one of the organizers of the 1865 California State Convention of Colored Citizens, which brought together Black activists, churches, social clubs and literary societies to plan courses of action. The couple stayed in San Francisco with Charlotte establishing a primary school in North Beach.\u003c/p>\n\u003cp>It’s possible that Charlotte’s case bolstered Mary Ellen Pleasant in 1866 when she, more famously, brought a lawsuit against North Beach and Mission Railroad Company for refusing to pick her up, an ongoing problem for San Francisco’s Black population for years after Brown’s case concluded. Pleasant’s lawsuit made it all the way to California’s Supreme Court, and in 1893, a statewide ban on streetcar segregation finally came into effect.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>[dropcap]I[/dropcap]n 1978, a movie named \u003ca href=\"https://www.imdb.com/name/nm0001007/?ref_=tt_cl_t1\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Lady of the House\u003c/em>\u003c/a> hit American televisions, carrying with it a story that would be preposterous if it weren’t, in fact, true: hard-bitten brothel madam works her way up to become popular mayor of a small town. This was the life story of the legendary Ms. Sally Stanford, who conquered hardship and a third-grade education with a winning combination of sass and street smarts.\u003c/p>\n\u003cp>Born in 1903 (with the name Mabel Busby) in Baker County, Oregon, the second of five children, Stanford’s wild spirit showed itself early. She eloped at the age of 16 and ran straight into a life of crime, immediately landing herself in prison for cashing checks that her husband had stolen. During her two-year sentence, she learned the art of bootlegging from fellow prisoners. After her release, she headed to Ventura to open a speakeasy. Once she’d saved enough money, a 21-year-old Stanford made the move to San Francisco, and immediately opened a brothel at 693 O’Farrell St. in the Tenderloin. “Madaming is the sort of thing that happens to you,” Stanford wrote in her 1966 autobiography, \u003cem>The Lady of the House\u003c/em>. “Like getting a battlefield commission or becoming the dean of women at Stanford University.” [aside postid=arts_13902628]\u003c/p>\n\u003cp>Stanford’s dazzling confidence, wit, and steadfast ability to keep secrets quickly made her an infamous figure in the city. She was arrested repeatedly, but charges against her rarely stuck — in part because of her friends in high places.\u003c/p>\n\u003cp>“The politics of the town were dominated by Mayor Jimmy Rolph,” she wrote in her memoir. “He was a doll, a political dreamboat … Not only did Jimmy do OK, but the rest of us did pretty well too. For if there ever was a live-and-let-live type, it was Mayor Rolph.” She continued: “At this point [in the 1920s], it was easier to come by professional female company in San Francisco than it was to catch a rash in a leper colony.”\u003c/p>\n\u003cp>By the early 1930s, Stanford had opened a second bordello in the Tenderloin, this one at 610 Leavenworth. She made such a success of her first two establishments that, by the end of the decade, she had opened four more: 837 Geary, 1526 Franklin, 929 Bush and 1224 Stockton in Chinatown. The madam had no problem finding women who wanted to work for her either.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Starving jobless dames? Forget it,” she wrote in her autobiography. “They wanted to have intercourse with men for money … Some were just plain lazy. Others had the strange idea that any activity illicit in nature was glamorous.”\u003c/p>\n\u003cfigure id=\"attachment_103914\" class=\"wp-caption aligncenter\" style=\"max-width: 4088px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-103914\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house.jpg\" alt=\"\" width=\"4088\" height=\"4088\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house.jpg 4088w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-1200x1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-1920x1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-1180x1180.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-150x150.jpg 150w\" sizes=\"(max-width: 4088px) 100vw, 4088px\">\u003cfigcaption class=\"wp-caption-text\">Sally Stanford’s bordello sites.\u003cbr>Top line: 1144 Pine Street (this original house was torn down in 1961), and 693 O’Farrell Street. Bottom line: 610 Leavenworth Street, and the building that once housed the Valhalla Inn.\u003c/figcaption>\u003c/figure>\n\u003cp>In 1941, Stanford added what would become one of her favorite business locations to her roster. Housed inside a mansion built by a prominent businessman for his fourth wife, Stanford’s high-end Nob Hill bordello at 1144 Pine was legendary for the eight years its doors remained open. (Stanford once called it, “the finest and most distinguished pleasure house in the world. Maybe the universe.”)\u003c/p>\n\u003cp>Word was, the Pine house and its marble pool were frequented by the most respected politicians and businessmen in the region, as well as visiting dignitaries and celebrities from around the country. Stanford listed the likes of Errol Flynn and Humphrey Bogart as regulars. Stanford eventually 86’d the latter, however, for being in her own words, “a foul-mouthed, pugnacious drunk who came around to badger, belittle and insult the girls.”\u003c/p>\n\u003cp>Banning Bogart was one of the many ways in which Stanford worked to keep her employees happy. “I did my conniving, scheming, defensive best for them,” she later stated. “They did their enticing, seductive, coquettish best for me and the house prospered. For their efforts I gave them 60 percent of the take … They were a lovely set of girls and they contributed quite a bit to the success of the place.”\u003c/p>\n\u003cfigure id=\"attachment_103910\" class=\"wp-caption alignright\" style=\"max-width: 201px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-103910\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/05/Screen-Shot-2018-05-30-at-2.06.39-PM.png\" alt=\"\" width=\"201\" height=\"374\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/Screen-Shot-2018-05-30-at-2.06.39-PM.png 201w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/Screen-Shot-2018-05-30-at-2.06.39-PM-160x298.png 160w\" sizes=\"(max-width: 201px) 100vw, 201px\">\u003cfigcaption class=\"wp-caption-text\">A matchbook from Sally Stanford’s Valhalla\u003c/figcaption>\u003c/figure>\n\u003cp>[dropcap]I[/dropcap]n 1949, increasingly harassed by local police and then-\u003ca href=\"https://en.wikipedia.org/wiki/Sally_Stanford\" target=\"_blank\" rel=\"noopener noreferrer\">District Attorney, Pat Brown\u003c/a>, Stanford moved to Sausalito and opened a restaurant, appropriately titled Valhalla. While the venue attracted celebrity customers including Marlon Brando, Bing Crosby, and Lucille Ball, and advertised itself as a venue strictly for wining and dining, local rumor and a \u003ca href=\"http://sanfrancisco.cbslocal.com/video/3787722-former-valhalla-inn-run-by-sausalito-madame-gets-a-new-future/\" target=\"_blank\" rel=\"noopener noreferrer\">red light at the back of the building\u003c/a> suggested otherwise. Thanks to the Bohemian nature of the Bay Area enclave, neighbors adored and supported the inn, regardless. \u003ca href=\"http://sanfrancisco.cbslocal.com/video/3787722-former-valhalla-inn-run-by-sausalito-madame-gets-a-new-future/\" target=\"_blank\" rel=\"noopener noreferrer\">In 2018, a local man told KPIX News\u003c/a>: “She did provide a useful service and a good place to eat, and people appreciate that.”\u003c/p>\n\u003cp>Stanford’s good standing in the community, as well as the fact that the local council wouldn’t allow her to install an electric sign on her restaurant, eventually led to Stanford’s political ambitions. A momentous \u003ca href=\"https://outlet.historicimages.com/products/rse47823\" target=\"_blank\" rel=\"noopener noreferrer\">1970 press photo\u003c/a> captures just how far her reputation had come in two decades in Sausalito. The caption reads: “Sally Stanford, nails up sign boosting her candidacy… in this upper middle class… suburb. Lamenting ‘a general breakdown in morals,’ the retired madam of San Francisco’s best known bordello is running for city council — with the support of local women’s clubs.”\u003c/p>\n\u003cp>It took Stanford \u003ca href=\"https://www.nytimes.com/1982/02/02/obituaries/sally-stanford-madam-who-became-a-mayor.html\" target=\"_blank\" rel=\"noopener noreferrer\">six attempts\u003c/a> to win a seat, but she was dogged in her determination to win, once noting, “We sinners never give up.” Once in office, she successfully held onto her position, and her ongoing popularity led to her being elected mayor in 1976. After her decision to retire in 1980, in a beautiful gesture, the council insisted on naming her “\u003ca href=\"https://www.nytimes.com/1982/02/02/obituaries/sally-stanford-madam-who-became-a-mayor.html\" target=\"_blank\" rel=\"noopener noreferrer\">Vice Mayor For Life.\u003c/a>” [aside postid=arts_13894842]\u003c/p>\n\u003cp>In the end, there was nothing dull about the life of Sally Stanford. She was married five times and adopted two children, John Owen and Hara “Sharon” Owen, along the way. Stanford had multiple different aliases, lived according to her own moral and social codes and wrote daringly and openly about the secret lives of men. Despite it all, she successfully endeared herself to almost everyone she ever encountered. “Morality,” she once wrote, “is just a word that describes the current fashion of conduct.”\u003c/p>\n\u003cp>During her 78 years on the planet, Stanford survived multiple robberies at gunpoint in her establishments, one bout of colon cancer and 11 heart attacks. The one that arrived in 1982 finally took her down for good. After news spread of her death, flags around Sausalito, as well as on the local ferries, were flown at half-mast in her honor. Today, a water fountain at the town’s ferry landing still instructs visitors to “Have a drink on Sally.” A second fountain sits lower to the ground, in honor of Stanford’s beloved dog, Leland.\u003c/p>\n\u003cp>Stanford is best remembered for her indomitable spirit and seemingly invincible ability to always come out on top. “If you are being run out of town,” she once said, “get in front of the crowd and make it look like a parade.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Starving jobless dames? Forget it,” she wrote in her autobiography. “They wanted to have intercourse with men for money … Some were just plain lazy. Others had the strange idea that any activity illicit in nature was glamorous.”\u003c/p>\n\u003cfigure id=\"attachment_103914\" class=\"wp-caption aligncenter\" style=\"max-width: 4088px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-103914\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house.jpg\" alt=\"\" width=\"4088\" height=\"4088\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house.jpg 4088w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-1200x1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-1920x1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-1180x1180.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/stanford-house-150x150.jpg 150w\" sizes=\"(max-width: 4088px) 100vw, 4088px\">\u003cfigcaption class=\"wp-caption-text\">Sally Stanford’s bordello sites.\u003cbr>Top line: 1144 Pine Street (this original house was torn down in 1961), and 693 O’Farrell Street. Bottom line: 610 Leavenworth Street, and the building that once housed the Valhalla Inn.\u003c/figcaption>\u003c/figure>\n\u003cp>In 1941, Stanford added what would become one of her favorite business locations to her roster. Housed inside a mansion built by a prominent businessman for his fourth wife, Stanford’s high-end Nob Hill bordello at 1144 Pine was legendary for the eight years its doors remained open. (Stanford once called it, “the finest and most distinguished pleasure house in the world. Maybe the universe.”)\u003c/p>\n\u003cp>Word was, the Pine house and its marble pool were frequented by the most respected politicians and businessmen in the region, as well as visiting dignitaries and celebrities from around the country. Stanford listed the likes of Errol Flynn and Humphrey Bogart as regulars. Stanford eventually 86’d the latter, however, for being in her own words, “a foul-mouthed, pugnacious drunk who came around to badger, belittle and insult the girls.”\u003c/p>\n\u003cp>Banning Bogart was one of the many ways in which Stanford worked to keep her employees happy. “I did my conniving, scheming, defensive best for them,” she later stated. “They did their enticing, seductive, coquettish best for me and the house prospered. For their efforts I gave them 60 percent of the take … They were a lovely set of girls and they contributed quite a bit to the success of the place.”\u003c/p>\n\u003cfigure id=\"attachment_103910\" class=\"wp-caption alignright\" style=\"max-width: 201px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-103910\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/05/Screen-Shot-2018-05-30-at-2.06.39-PM.png\" alt=\"\" width=\"201\" height=\"374\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/Screen-Shot-2018-05-30-at-2.06.39-PM.png 201w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/05/Screen-Shot-2018-05-30-at-2.06.39-PM-160x298.png 160w\" sizes=\"(max-width: 201px) 100vw, 201px\">\u003cfigcaption class=\"wp-caption-text\">A matchbook from Sally Stanford’s Valhalla\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">I\u003c/span>\u003c/p>\u003cp>n 1949, increasingly harassed by local police and then-\u003ca href=\"https://en.wikipedia.org/wiki/Sally_Stanford\" target=\"_blank\" rel=\"noopener noreferrer\">District Attorney, Pat Brown\u003c/a>, Stanford moved to Sausalito and opened a restaurant, appropriately titled Valhalla. While the venue attracted celebrity customers including Marlon Brando, Bing Crosby, and Lucille Ball, and advertised itself as a venue strictly for wining and dining, local rumor and a \u003ca href=\"http://sanfrancisco.cbslocal.com/video/3787722-former-valhalla-inn-run-by-sausalito-madame-gets-a-new-future/\" target=\"_blank\" rel=\"noopener noreferrer\">red light at the back of the building\u003c/a> suggested otherwise. Thanks to the Bohemian nature of the Bay Area enclave, neighbors adored and supported the inn, regardless. \u003ca href=\"http://sanfrancisco.cbslocal.com/video/3787722-former-valhalla-inn-run-by-sausalito-madame-gets-a-new-future/\" target=\"_blank\" rel=\"noopener noreferrer\">In 2018, a local man told KPIX News\u003c/a>: “She did provide a useful service and a good place to eat, and people appreciate that.”\u003c/p>\n\u003cp>Stanford’s good standing in the community, as well as the fact that the local council wouldn’t allow her to install an electric sign on her restaurant, eventually led to Stanford’s political ambitions. A momentous \u003ca href=\"https://outlet.historicimages.com/products/rse47823\" target=\"_blank\" rel=\"noopener noreferrer\">1970 press photo\u003c/a> captures just how far her reputation had come in two decades in Sausalito. The caption reads: “Sally Stanford, nails up sign boosting her candidacy… in this upper middle class… suburb. Lamenting ‘a general breakdown in morals,’ the retired madam of San Francisco’s best known bordello is running for city council — with the support of local women’s clubs.”\u003c/p>\n\u003cp>It took Stanford \u003ca href=\"https://www.nytimes.com/1982/02/02/obituaries/sally-stanford-madam-who-became-a-mayor.html\" target=\"_blank\" rel=\"noopener noreferrer\">six attempts\u003c/a> to win a seat, but she was dogged in her determination to win, once noting, “We sinners never give up.” Once in office, she successfully held onto her position, and her ongoing popularity led to her being elected mayor in 1976. After her decision to retire in 1980, in a beautiful gesture, the council insisted on naming her “\u003ca href=\"https://www.nytimes.com/1982/02/02/obituaries/sally-stanford-madam-who-became-a-mayor.html\" target=\"_blank\" rel=\"noopener noreferrer\">Vice Mayor For Life.\u003c/a>” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the end, there was nothing dull about the life of Sally Stanford. She was married five times and adopted two children, John Owen and Hara “Sharon” Owen, along the way. Stanford had multiple different aliases, lived according to her own moral and social codes and wrote daringly and openly about the secret lives of men. Despite it all, she successfully endeared herself to almost everyone she ever encountered. “Morality,” she once wrote, “is just a word that describes the current fashion of conduct.”\u003c/p>\n\u003cp>During her 78 years on the planet, Stanford survived multiple robberies at gunpoint in her establishments, one bout of colon cancer and 11 heart attacks. The one that arrived in 1982 finally took her down for good. After news spread of her death, flags around Sausalito, as well as on the local ferries, were flown at half-mast in her honor. Today, a water fountain at the town’s ferry landing still instructs visitors to “Have a drink on Sally.” A second fountain sits lower to the ground, in honor of Stanford’s beloved dog, Leland.\u003c/p>\n\u003cp>Stanford is best remembered for her indomitable spirit and seemingly invincible ability to always come out on top. “If you are being run out of town,” she once said, “get in front of the crowd and make it look like a parade.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In 1985, America was in the midst of scrambling to figure out how to tackle \u003ca href=\"https://www.kqed.org/arts/tag/aids\">AIDS\u003c/a>. It was the year that Ronald Reagan was finally forced to publicly acknowledge the disease; the year of the very first International AIDS Conference; the year Rock Hudson died, leaving $250,000 behind to set up the American Foundation for AIDS Research; and the year a soft-spoken grandma named Ruth Brinker decided something must be done to assist people with HIV in the community.\u003c/p>\n\u003cp>At the time, fear around AIDS was at an all-time high. \u003cem>Time\u003c/em> magazine published an article in August 1985, documenting the confusion and panic that was gripping communities nationwide. Subjects in the piece included a funeral home that refused to dress a three-year-old who had died from AIDS, firemen suddenly wary of performing mouth-to-mouth resuscitation, and a 13-year-old hemophiliac named Ryan White who was excluded from his Indiana middle school after contracting the virus from a blood transfusion.\u003c/p>\n\u003cp>[aside postid=’arts_13955066′]\u003cem>Time\u003c/em> reported: “The issue of whether or not AIDS can be transmitted through saliva remains medically unresolved and a focus of fear.”\u003c/p>\n\u003cp>Ruth, a San Francisco resident, was acutely aware of these issues. After finding out that a friend of hers who was living with AIDs was also suffering from malnutrition, she took it upon herself to make sure he had regular meals to eat. At first, Ruth was a one-woman operation, making food in her home kitchen for seven neighbors in need, and delivering it in an old VW van.\u003c/p>\n\u003cp>“It was my very first experience with AIDS,” Ruth explained in short documentary, \u003cem>The Ruth Brinker Story\u003c/em>. “I was absolutely shattered to see how quickly [my friend] became unable to take care of himself. And I began worrying about all the other people in the city who I knew had AIDS and wondering how they were fending. And I just felt compelled to start a meal service for them.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Ruth’s response made sense. She had long been a volunteer with Meals on Wheels and, in the mid-1980s was managing a chapter of the charity. But because recipients of Meals on Wheels were required to be over the age of 60, she knew it could not help the vast majority of AIDS patients in San Francisco. A dedicated new meal service was badly needed. \u003ca href=\"https://www.openhand.org/\">Project Open Hand\u003c/a> (POH) was born.\u003c/p>\n\u003cp>As word spread about Ruth’s good deeds, it became apparent that demand for the new service was too great for her to handle at home. After receiving a $2,000 donation from the Zen Center, Ruth found seven volunteers to assist her. A few months later, Ruth received another, much-needed, $2,000 from the Golden Gate Business Association.\u003c/p>\n\u003cp>[aside postid=’arts_13959726′]”I did the cooking and preparing with one hand, while doing Meals on Wheels with the other,” she told the \u003cem>San Francisco Examiner\u003c/em> in 1987. “All this takes determination and I get an enormous amount of pleasure out of it. When someone gets out of a hospital skeletal and in a few months has put his weight back on and tells you, ‘You’ve saved my life,’ it’s a good feeling.”\u003c/p>\n\u003cp>Ruth continued, “We use all fresh vegetables, no processed foods. I think I’m serving some of the best food in town. It’s how we show the guys we care.”\u003c/p>\n\u003cp>In addition to Ruth’s organizational abilities and overriding sense of determination, one of the keys to the organization’s early survival was the support of LGBTQ venues and groups (including the San Francisco Gay Men’s Chorus) that pitched in with regular fundraisers. Often the approach to raising money was exceedingly scrappy.\u003c/p>\n\u003cp>Tom Nolan, POH’s executive director once told \u003cem>SF Gate\u003c/em>: “The epidemic was just raging out of control. She’d have people literally go to the bars at night and pass a hat around and then go buy potatoes.”\u003c/p>\n\u003cp>Between 1986 and 1988, the nonprofit’s budget swelled from $70,000 to $1 million. Ruth once told \u003cem>Time\u003c/em> magazine simply, “You have to go out and beg.” In much the same way that Ruth had never envisaged having to so regularly persuade people to give her money, she also knew that the majority of the patients POH was serving never dreamed they would need charity to survive.\u003c/p>\n\u003cp>“They were executives, architects, computer programmers; they have lived a nice lifestyle,” she once recalled. “Then they run out of money and wind up in a ten-dollar a night motel. It’s very hard for them to ask for help — sometimes they wait until they’re nearly starving.”\u003c/p>\n\u003cp>By 1987, POH was operating out of the kitchen at Trinity Episcopal Church, aided by five chefs, several paid kitchen assistants, a sandwich maker, one driver, two vans and scores of volunteers including Ruth’s daughter, Sara. In 1987, Ruth also received an award from the National AIDS Network in acknowledgment of her efforts. The honor was effective at raising the profile of Project Open Hand. This led to assistance by philanthropist James Hormel, a $125,000 donation from Chevron, a $50,000 grant from the city for new kitchen equipment and a move to larger headquarters with a 4,000-square foot kitchen. By then, the extra space was desperately needed.\u003c/p>\n\u003cp>A year after the move, Ruth confessed that towards the end of POH’s time operating out of Trinity, “people were peeling potatoes and carrots in the halls, and making sandwiches in the vestry and the choir’s robing room was our computer department.”\u003c/p>\n\u003cp>Once in their upgraded headquarters in the Mission District, with the help of 100 volunteers’ eager helping hands, POH was able to make and distribute over 2,000 meals a day, still propelled by Ruth’s simple idea that food is love.\u003c/p>\n\u003cp>POH’s speedy growth was evidence of how great the need for the service was. By 1989, POH was serving patients across the Bay in Alameda County. That same year, after the Loma Prieta earthquake, the project provided food to tens of thousands of residents whose houses had been destroyed. Meals were delivered to the East Bay via BART and sheer force of will.\u003c/p>\n\u003cp>[aside postid=’arts_13889944′]By 1998, POH was also serving seniors all over San Francisco. Two years after that, its service expanded to people living with a variety of debilitating diseases, cancer, diabetes and heart disease included. Ruth oversaw the expansions at every stage — a monumental task after a life already lived to the full.\u003c/p>\n\u003cp>Ruth first moved to San Francisco in 1955, having been born in South Dakota in 1922. Two years after arriving in the Bay, Ruth married her husband Jack and went on to raise two daughters. After her 1965 divorce, Ruth owned and ran an antiques store near Ghirardelli Square, and always encouraged her children to be openminded.\u003c/p>\n\u003cp>“She took my sister, me and a friend to the Avalon and the Fillmore, just to see the lights and stuff,” Lisa told \u003cem>Medium\u003c/em> in 2021. “I got to see Janis Joplin when I was ten years old.\u003c/p>\n\u003cp>“I guess that was kind of her role, to be like a mom figure and a helper,” Lisa continued. “And so with young people getting AIDS, or even pre-AIDS, a lot of them had been rejected by their families and even disowned. She was a good listener, and good person to talk to.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=I2Ft1LnME0c\u003c/p>\n\u003cp>Today, POH is still thriving, providing an astonishing 2,500 meals and 200 bags of groceries per day, day-after-day, thanks to the tireless efforts of both dedicated staff members and the 125 volunteers that continue to share their time and love. Today, the organization relies on federal funding, a variety of grants and, yes, public donations to survive. Its continued success has inspired the founding of similar organizations around the world.\u003c/p>\n\u003cp>Ruth Marie Brinker died in 2011 at the age of 89, after enduring a series of strokes. Most of her \u003ca href=\"https://www.instagram.com/reel/C8H_e9mvR3-/\">ashes were scattered at Golden Gate Park’s AIDS Memorial Grove\u003c/a>. The outpouring after her death was enormous.\u003c/p>\n\u003cp>[aside postid=’arts_13879147′]“I have walked in the Pride Parade with many, many contingents,” attorney Bill Ambrunn said, “including with popular elected officials and celebrities. But it was never like the experience walking with Ruth as part of the POH contingent. All along the parade route, you could hear people crying out, ‘We love you, Ruth. Thank you, Ruth.’ People clapped and cheered enthusiastically for the tiny little lady waving from the car. They knew her and knew her story and loved her. Even if they didn’t actually know her, many of them knew people she helped care for.”\u003c/p>\n\u003cp>Ruth remained modest throughout her life, regardless of the appreciation she received from others.\u003c/p>\n\u003cp>“I always try to do things that need to be done,” she told \u003cem>The Noe Valley Voice\u003c/em> in 2006. “It seemed to me that this needed to be done, and I did it.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 1985, America was in the midst of scrambling to figure out how to tackle \u003ca href=\"https://www.kqed.org/arts/tag/aids\">AIDS\u003c/a>. It was the year that Ronald Reagan was finally forced to publicly acknowledge the disease; the year of the very first International AIDS Conference; the year Rock Hudson died, leaving $250,000 behind to set up the American Foundation for AIDS Research; and the year a soft-spoken grandma named Ruth Brinker decided something must be done to assist people with HIV in the community.\u003c/p>\n\u003cp>At the time, fear around AIDS was at an all-time high. \u003cem>Time\u003c/em> magazine published an article in August 1985, documenting the confusion and panic that was gripping communities nationwide. Subjects in the piece included a funeral home that refused to dress a three-year-old who had died from AIDS, firemen suddenly wary of performing mouth-to-mouth resuscitation, and a 13-year-old hemophiliac named Ryan White who was excluded from his Indiana middle school after contracting the virus from a blood transfusion.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cem>Time\u003c/em> reported: “The issue of whether or not AIDS can be transmitted through saliva remains medically unresolved and a focus of fear.”\u003c/p>\n\u003cp>Ruth, a San Francisco resident, was acutely aware of these issues. After finding out that a friend of hers who was living with AIDs was also suffering from malnutrition, she took it upon herself to make sure he had regular meals to eat. At first, Ruth was a one-woman operation, making food in her home kitchen for seven neighbors in need, and delivering it in an old VW van.\u003c/p>\n\u003cp>“It was my very first experience with AIDS,” Ruth explained in short documentary, \u003cem>The Ruth Brinker Story\u003c/em>. “I was absolutely shattered to see how quickly [my friend] became unable to take care of himself. And I began worrying about all the other people in the city who I knew had AIDS and wondering how they were fending. And I just felt compelled to start a meal service for them.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Ruth’s response made sense. She had long been a volunteer with Meals on Wheels and, in the mid-1980s was managing a chapter of the charity. But because recipients of Meals on Wheels were required to be over the age of 60, she knew it could not help the vast majority of AIDS patients in San Francisco. A dedicated new meal service was badly needed. \u003ca href=\"https://www.openhand.org/\">Project Open Hand\u003c/a> (POH) was born.\u003c/p>\n\u003cp>As word spread about Ruth’s good deeds, it became apparent that demand for the new service was too great for her to handle at home. After receiving a $2,000 donation from the Zen Center, Ruth found seven volunteers to assist her. A few months later, Ruth received another, much-needed, $2,000 from the Golden Gate Business Association.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>”I did the cooking and preparing with one hand, while doing Meals on Wheels with the other,” she told the \u003cem>San Francisco Examiner\u003c/em> in 1987. “All this takes determination and I get an enormous amount of pleasure out of it. When someone gets out of a hospital skeletal and in a few months has put his weight back on and tells you, ‘You’ve saved my life,’ it’s a good feeling.”\u003c/p>\n\u003cp>Ruth continued, “We use all fresh vegetables, no processed foods. I think I’m serving some of the best food in town. It’s how we show the guys we care.”\u003c/p>\n\u003cp>In addition to Ruth’s organizational abilities and overriding sense of determination, one of the keys to the organization’s early survival was the support of LGBTQ venues and groups (including the San Francisco Gay Men’s Chorus) that pitched in with regular fundraisers. Often the approach to raising money was exceedingly scrappy.\u003c/p>\n\u003cp>Tom Nolan, POH’s executive director once told \u003cem>SF Gate\u003c/em>: “The epidemic was just raging out of control. She’d have people literally go to the bars at night and pass a hat around and then go buy potatoes.”\u003c/p>\n\u003cp>Between 1986 and 1988, the nonprofit’s budget swelled from $70,000 to $1 million. Ruth once told \u003cem>Time\u003c/em> magazine simply, “You have to go out and beg.” In much the same way that Ruth had never envisaged having to so regularly persuade people to give her money, she also knew that the majority of the patients POH was serving never dreamed they would need charity to survive.\u003c/p>\n\u003cp>“They were executives, architects, computer programmers; they have lived a nice lifestyle,” she once recalled. “Then they run out of money and wind up in a ten-dollar a night motel. It’s very hard for them to ask for help — sometimes they wait until they’re nearly starving.”\u003c/p>\n\u003cp>By 1987, POH was operating out of the kitchen at Trinity Episcopal Church, aided by five chefs, several paid kitchen assistants, a sandwich maker, one driver, two vans and scores of volunteers including Ruth’s daughter, Sara. In 1987, Ruth also received an award from the National AIDS Network in acknowledgment of her efforts. The honor was effective at raising the profile of Project Open Hand. This led to assistance by philanthropist James Hormel, a $125,000 donation from Chevron, a $50,000 grant from the city for new kitchen equipment and a move to larger headquarters with a 4,000-square foot kitchen. By then, the extra space was desperately needed.\u003c/p>\n\u003cp>A year after the move, Ruth confessed that towards the end of POH’s time operating out of Trinity, “people were peeling potatoes and carrots in the halls, and making sandwiches in the vestry and the choir’s robing room was our computer department.”\u003c/p>\n\u003cp>Once in their upgraded headquarters in the Mission District, with the help of 100 volunteers’ eager helping hands, POH was able to make and distribute over 2,000 meals a day, still propelled by Ruth’s simple idea that food is love.\u003c/p>\n\u003cp>POH’s speedy growth was evidence of how great the need for the service was. By 1989, POH was serving patients across the Bay in Alameda County. That same year, after the Loma Prieta earthquake, the project provided food to tens of thousands of residents whose houses had been destroyed. Meals were delivered to the East Bay via BART and sheer force of will.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>By 1998, POH was also serving seniors all over San Francisco. Two years after that, its service expanded to people living with a variety of debilitating diseases, cancer, diabetes and heart disease included. Ruth oversaw the expansions at every stage — a monumental task after a life already lived to the full.\u003c/p>\n\u003cp>Ruth first moved to San Francisco in 1955, having been born in South Dakota in 1922. Two years after arriving in the Bay, Ruth married her husband Jack and went on to raise two daughters. After her 1965 divorce, Ruth owned and ran an antiques store near Ghirardelli Square, and always encouraged her children to be openminded.\u003c/p>\n\u003cp>“She took my sister, me and a friend to the Avalon and the Fillmore, just to see the lights and stuff,” Lisa told \u003cem>Medium\u003c/em> in 2021. “I got to see Janis Joplin when I was ten years old.\u003c/p>\n\u003cp>“I guess that was kind of her role, to be like a mom figure and a helper,” Lisa continued. “And so with young people getting AIDS, or even pre-AIDS, a lot of them had been rejected by their families and even disowned. She was a good listener, and good person to talk to.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/I2Ft1LnME0c'\n title='//www.youtube.com/embed/I2Ft1LnME0c'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Today, POH is still thriving, providing an astonishing 2,500 meals and 200 bags of groceries per day, day-after-day, thanks to the tireless efforts of both dedicated staff members and the 125 volunteers that continue to share their time and love. Today, the organization relies on federal funding, a variety of grants and, yes, public donations to survive. Its continued success has inspired the founding of similar organizations around the world.\u003c/p>\n\u003cp>Ruth Marie Brinker died in 2011 at the age of 89, after enduring a series of strokes. Most of her \u003ca href=\"https://www.instagram.com/reel/C8H_e9mvR3-/\">ashes were scattered at Golden Gate Park’s AIDS Memorial Grove\u003c/a>. The outpouring after her death was enormous.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“I have walked in the Pride Parade with many, many contingents,” attorney Bill Ambrunn said, “including with popular elected officials and celebrities. But it was never like the experience walking with Ruth as part of the POH contingent. All along the parade route, you could hear people crying out, ‘We love you, Ruth. Thank you, Ruth.’ People clapped and cheered enthusiastically for the tiny little lady waving from the car. They knew her and knew her story and loved her. Even if they didn’t actually know her, many of them knew people she helped care for.”\u003c/p>\n\u003cp>Ruth remained modest throughout her life, regardless of the appreciation she received from others.\u003c/p>\n\u003cp>“I always try to do things that need to be done,” she told \u003cem>The Noe Valley Voice\u003c/em> in 2006. “It seemed to me that this needed to be done, and I did it.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The first time you read or hear, Pat Parker’s 1978 poem “For Willyce,” the first thing that strikes you is the sheer, visceral intimacy being laid out before you. It’s an astonishing and beautiful ode to the art of lesbian love-making. That is, until you get to the last lines and it’s impossible not to let out a laugh:\u003c/p>\n\u003cblockquote>\u003cp>When i make love to you\u003cbr>\ni try\u003cbr>\nwith each stroke of my tongue\u003cbr>\nto say i love you\u003cbr>\nto tease i love you\u003cbr>\nto hammer i love you\u003cbr>\nto melt i love you\u003cbr>\n& your sounds drift down\u003cbr>\noh god!\u003cbr>\noh jesus!\u003cbr>\nand i think—\u003cbr>\nhere it is, some dude’s\u003cbr>\ngetting credit for what\u003cbr>\na woman\u003cbr>\nhas done,\u003cbr>\nagain.\u003c/p>\u003c/blockquote>\n\u003cp>By the time “For Willyce” came out, it had been 15 years since Patricia Parker first took a stage in Oakland, armed with a handful of poems and a lot more life experience than many people three times older than her 19 years. In between, she had written and released four groundbreaking poetry collections—1978’s \u003ca href=\"https://www.amazon.com/Movement-Black-Pat-Parker/dp/1563411083\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Movement in Black\u003c/em>\u003c/a> and \u003ca href=\"https://www.amazon.com/Woman-Slaughter-Pat-Parker/dp/0884470164/ref=sr_1_1?s=books&ie=UTF8&qid=1522223909&sr=1-1&keywords=woman+slaughter+pat+parker\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Woman Slaughter\u003c/em>\u003c/a>, 1975’s \u003ca href=\"https://www.amazon.com/Pit-stop-Pat-Parker/dp/B0006EY8PI/ref=sr_1_1?s=books&ie=UTF8&qid=1522223933&sr=1-1&keywords=Pit+Stop+pat+parker\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Pit Stop, \u003c/em>\u003c/a>and 1972’s \u003cem>\u003ca href=\"https://www.amazon.com/Child-myself-Pat-Parker/dp/B0006W6G3W/ref=sr_1_1?s=books&ie=UTF8&qid=1522223963&sr=1-1&keywords=Child+of+Myself+pat+parker\" target=\"_blank\" rel=\"noopener noreferrer\">Child of Myself\u003c/a>. \u003c/em>She would go on to release one more, \u003cem>\u003ca href=\"https://www.amazon.com/Jonestown-Other-Madness-Pat-Parker/dp/0932379001/ref=sr_1_1?ie=UTF8&qid=1522224766&sr=8-1&keywords=Jonestown+and+Other+Madness\" target=\"_blank\" rel=\"noopener noreferrer\">Jonestown and Other Madness\u003c/a>, \u003c/em>in 1985.\u003c/p>\n\u003cp>Parker was born in Houston, Texas on January 20, 1944, and her life was hard from the get-go. In “Womanslaughter,” Parker describes her family as “Texas-Hell, survivors / of soul-searing poverty, / survivors of small-town / mentality.”\u003c/p>\n\u003cp>[aside postid=’pop_108474′]\u003c/p>\n\u003cp>The \u003cem>Woman Slaughter\u003c/em> collection was written in part about the murder of one of Parker’s three sisters, the “quiet” Shirley Jones, by her husband. At the age of 18, Parker also found herself in an abusive relationship with playwright and Black Panther Ed Bullins. During their marriage, she lost a pregnancy after he pushed her down a flight of stairs. Prior to that, while still a child, she had experienced sexual assault at the hands of a stranger.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Somehow, Parker not only successfully survived all the trauma and hardship of her earlier life, she was also able to channel the pain and weight of those experiences into words that were as unflinching as they were vulnerable.\u003c/p>\n\u003cp>Parker came out as a lesbian in the late 1960s, having divorced her second husband, fellow writer Robert F. Parker. The liberation she felt finally embracing her sexuality is palpable in her poetry. Pat Parker knew no limits when it came to expressing the innermost parts of herself. The boldness of \u003ca href=\"https://www.poets.org/poetsorg/poem/my-lover-woman\" target=\"_blank\" rel=\"noopener noreferrer\">“My Lover is a Woman”\u003c/a>—which uses an interracial lesbian relationship as a jumping-off point to talk about racism, poverty, and the prejudice faced by the LGBT community—is still astonishing in 2018. In 1968, hearing it for the first time must have felt like an earthquake.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=LFFTb6Jh5cI\u003c/p>\n\u003cp>Parker was outspoken by nature, but found herself even more emboldened by her community. Alongside fellow lesbian feminist poets including \u003ca href=\"https://en.wikipedia.org/wiki/Judy_Grahn\" target=\"_blank\" rel=\"noopener noreferrer\">Judy Grahn\u003c/a>, she helped organize regular group poetry readings up and down the West Coast. \u003ca href=\"https://www.poets.org/poetsorg/poet/pat-parker\" target=\"_blank\" rel=\"noopener noreferrer\">Parker once said\u003c/a> of this crew of innovators: “It was like, pioneering. We were talking to women about women, and, at the same time, letting women know that the experiences they were having were shared by other people.”\u003c/p>\n\u003cp>Parker’s activism was at the center of almost everything she did. In addition to her work with lesbian and feminist groups, as well as her early involvement with the \u003ca href=\"https://en.wikipedia.org/wiki/Black_Panther_Party\" target=\"_blank\" rel=\"noopener noreferrer\">Black Panther Party,\u003c/a> she formed the Black Women’s Revolutionary Council in 1980, and assisted in the founding of the Women’s Press Collective. In 1985, she worked with the United Nations, traveling with delegations to both Kenya and Ghana, before testifying before the U.N. about the status of women in the world.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7QDGssMWpoU\u003c/p>\n\u003cp>It should come as no surprise that Parker’s day job was as the director of \u003ca href=\"https://www.indybay.org/newsitems/2009/04/07/18586732.php\" target=\"_blank\" rel=\"noopener noreferrer\">Oakland Feminist Women’s Health Center.\u003c/a> She worked there for a decade, resigning only when terminal illness forced her to in 1988. Parker died in Oakland after a battle with breast cancer, on June 19, 1989 at the age of 45. She was survived by her partner of nine years, Martha “Marty” Dunham, and her daughters Cassidy Brown and Anastasia Jean Dunham-Parker-Brady. It was her children that inspired Parker’s poem, “Legacy (for Anastasia Jean)”—a powerful critique of homophobic ideals around parenting.\u003c/p>\n\u003cblockquote>\u003cp>There are those who think\u003cbr>\nor perhaps don’t think\u003cbr>\nthat children and lesbians\u003cbr>\ntogether can’t make a family\u003cbr>\nthat we create an extension\u003cbr>\nof perversion.\u003c/p>\n\u003cp>They think\u003cbr>\nor perhaps don’t think\u003cbr>\nthat we have different relationships\u003cbr>\nwith our children\u003cbr>\nthat instead of getting up\u003cbr>\nin the middle of night\u003cbr>\nfor a 2AM and 6AM feeding\u003cbr>\nwe rise up and chant\u003cbr>\n“you’re gonna be a dyke\u003cbr>\nYou’re gonna be a dyke.”\u003c/p>\n\u003cp>That we feed our children\u003cbr>\nLavender Similac\u003cbr>\nand by breathing our air\u003cbr>\nthe children’s genitals distort\u003cbr>\nand they become hermaphrodites.\u003c/p>\n\u003cp>They ask\u003cbr>\n“What will you say to them\u003cbr>\nWhat will you teach them?”\u003c/p>\n\u003cp>Child\u003cbr>\nThat would be mine\u003cbr>\nI bring you my world\u003cbr>\nand bid it be yours.\u003c/p>\u003c/blockquote>\n\u003cp>Outside of her writing, Parker’s legacy lives on in \u003ca href=\"https://gaycenter.org/community/library\" target=\"_blank\" rel=\"noopener noreferrer\">The Pat Parker/Vito Russo Center Library\u003c/a> in New York City, as well as the \u003ca href=\"https://www.scholarships4school.com/scholarships/pat-parker-poetry-award.html\" target=\"_blank\" rel=\"noopener noreferrer\">Pat Parker Poetry Award\u003c/a> for black, lesbian, feminist poets. More than that though, her outspoken activism lives on in those that have followed in her footsteps and in the forward strides made in civil and gay rights since her life ended.\u003c/p>\n\u003cp>After Pat Parker’s devastatingly premature death, her lifelong friend Judy Grahn described the way Parker lived life and overcame challenges, as “go[ing] to the front of the line with a big bad sword in hand and lead[ing] a revolution.” That, she most certainly did.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The first time you read or hear, Pat Parker’s 1978 poem “For Willyce,” the first thing that strikes you is the sheer, visceral intimacy being laid out before you. It’s an astonishing and beautiful ode to the art of lesbian love-making. That is, until you get to the last lines and it’s impossible not to let out a laugh:\u003c/p>\n\u003cblockquote>\u003cp>When i make love to you\u003cbr>\ni try\u003cbr>\nwith each stroke of my tongue\u003cbr>\nto say i love you\u003cbr>\nto tease i love you\u003cbr>\nto hammer i love you\u003cbr>\nto melt i love you\u003cbr>\n& your sounds drift down\u003cbr>\noh god!\u003cbr>\noh jesus!\u003cbr>\nand i think—\u003cbr>\nhere it is, some dude’s\u003cbr>\ngetting credit for what\u003cbr>\na woman\u003cbr>\nhas done,\u003cbr>\nagain.\u003c/p>\u003c/blockquote>\n\u003cp>By the time “For Willyce” came out, it had been 15 years since Patricia Parker first took a stage in Oakland, armed with a handful of poems and a lot more life experience than many people three times older than her 19 years. In between, she had written and released four groundbreaking poetry collections—1978’s \u003ca href=\"https://www.amazon.com/Movement-Black-Pat-Parker/dp/1563411083\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Movement in Black\u003c/em>\u003c/a> and \u003ca href=\"https://www.amazon.com/Woman-Slaughter-Pat-Parker/dp/0884470164/ref=sr_1_1?s=books&ie=UTF8&qid=1522223909&sr=1-1&keywords=woman+slaughter+pat+parker\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Woman Slaughter\u003c/em>\u003c/a>, 1975’s \u003ca href=\"https://www.amazon.com/Pit-stop-Pat-Parker/dp/B0006EY8PI/ref=sr_1_1?s=books&ie=UTF8&qid=1522223933&sr=1-1&keywords=Pit+Stop+pat+parker\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Pit Stop, \u003c/em>\u003c/a>and 1972’s \u003cem>\u003ca href=\"https://www.amazon.com/Child-myself-Pat-Parker/dp/B0006W6G3W/ref=sr_1_1?s=books&ie=UTF8&qid=1522223963&sr=1-1&keywords=Child+of+Myself+pat+parker\" target=\"_blank\" rel=\"noopener noreferrer\">Child of Myself\u003c/a>. \u003c/em>She would go on to release one more, \u003cem>\u003ca href=\"https://www.amazon.com/Jonestown-Other-Madness-Pat-Parker/dp/0932379001/ref=sr_1_1?ie=UTF8&qid=1522224766&sr=8-1&keywords=Jonestown+and+Other+Madness\" target=\"_blank\" rel=\"noopener noreferrer\">Jonestown and Other Madness\u003c/a>, \u003c/em>in 1985.\u003c/p>\n\u003cp>Parker was born in Houston, Texas on January 20, 1944, and her life was hard from the get-go. In “Womanslaughter,” Parker describes her family as “Texas-Hell, survivors / of soul-searing poverty, / survivors of small-town / mentality.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The \u003cem>Woman Slaughter\u003c/em> collection was written in part about the murder of one of Parker’s three sisters, the “quiet” Shirley Jones, by her husband. At the age of 18, Parker also found herself in an abusive relationship with playwright and Black Panther Ed Bullins. During their marriage, she lost a pregnancy after he pushed her down a flight of stairs. Prior to that, while still a child, she had experienced sexual assault at the hands of a stranger.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Somehow, Parker not only successfully survived all the trauma and hardship of her earlier life, she was also able to channel the pain and weight of those experiences into words that were as unflinching as they were vulnerable.\u003c/p>\n\u003cp>Parker came out as a lesbian in the late 1960s, having divorced her second husband, fellow writer Robert F. Parker. The liberation she felt finally embracing her sexuality is palpable in her poetry. Pat Parker knew no limits when it came to expressing the innermost parts of herself. The boldness of \u003ca href=\"https://www.poets.org/poetsorg/poem/my-lover-woman\" target=\"_blank\" rel=\"noopener noreferrer\">“My Lover is a Woman”\u003c/a>—which uses an interracial lesbian relationship as a jumping-off point to talk about racism, poverty, and the prejudice faced by the LGBT community—is still astonishing in 2018. In 1968, hearing it for the first time must have felt like an earthquake.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LFFTb6Jh5cI'\n title='//www.youtube.com/embed/LFFTb6Jh5cI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Parker was outspoken by nature, but found herself even more emboldened by her community. Alongside fellow lesbian feminist poets including \u003ca href=\"https://en.wikipedia.org/wiki/Judy_Grahn\" target=\"_blank\" rel=\"noopener noreferrer\">Judy Grahn\u003c/a>, she helped organize regular group poetry readings up and down the West Coast. \u003ca href=\"https://www.poets.org/poetsorg/poet/pat-parker\" target=\"_blank\" rel=\"noopener noreferrer\">Parker once said\u003c/a> of this crew of innovators: “It was like, pioneering. We were talking to women about women, and, at the same time, letting women know that the experiences they were having were shared by other people.”\u003c/p>\n\u003cp>Parker’s activism was at the center of almost everything she did. In addition to her work with lesbian and feminist groups, as well as her early involvement with the \u003ca href=\"https://en.wikipedia.org/wiki/Black_Panther_Party\" target=\"_blank\" rel=\"noopener noreferrer\">Black Panther Party,\u003c/a> she formed the Black Women’s Revolutionary Council in 1980, and assisted in the founding of the Women’s Press Collective. In 1985, she worked with the United Nations, traveling with delegations to both Kenya and Ghana, before testifying before the U.N. about the status of women in the world.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7QDGssMWpoU'\n title='//www.youtube.com/embed/7QDGssMWpoU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It should come as no surprise that Parker’s day job was as the director of \u003ca href=\"https://www.indybay.org/newsitems/2009/04/07/18586732.php\" target=\"_blank\" rel=\"noopener noreferrer\">Oakland Feminist Women’s Health Center.\u003c/a> She worked there for a decade, resigning only when terminal illness forced her to in 1988. Parker died in Oakland after a battle with breast cancer, on June 19, 1989 at the age of 45. She was survived by her partner of nine years, Martha “Marty” Dunham, and her daughters Cassidy Brown and Anastasia Jean Dunham-Parker-Brady. It was her children that inspired Parker’s poem, “Legacy (for Anastasia Jean)”—a powerful critique of homophobic ideals around parenting.\u003c/p>\n\u003cblockquote>\u003cp>There are those who think\u003cbr>\nor perhaps don’t think\u003cbr>\nthat children and lesbians\u003cbr>\ntogether can’t make a family\u003cbr>\nthat we create an extension\u003cbr>\nof perversion.\u003c/p>\n\u003cp>They think\u003cbr>\nor perhaps don’t think\u003cbr>\nthat we have different relationships\u003cbr>\nwith our children\u003cbr>\nthat instead of getting up\u003cbr>\nin the middle of night\u003cbr>\nfor a 2AM and 6AM feeding\u003cbr>\nwe rise up and chant\u003cbr>\n“you’re gonna be a dyke\u003cbr>\nYou’re gonna be a dyke.”\u003c/p>\n\u003cp>That we feed our children\u003cbr>\nLavender Similac\u003cbr>\nand by breathing our air\u003cbr>\nthe children’s genitals distort\u003cbr>\nand they become hermaphrodites.\u003c/p>\n\u003cp>They ask\u003cbr>\n“What will you say to them\u003cbr>\nWhat will you teach them?”\u003c/p>\n\u003cp>Child\u003cbr>\nThat would be mine\u003cbr>\nI bring you my world\u003cbr>\nand bid it be yours.\u003c/p>\u003c/blockquote>\n\u003cp>Outside of her writing, Parker’s legacy lives on in \u003ca href=\"https://gaycenter.org/community/library\" target=\"_blank\" rel=\"noopener noreferrer\">The Pat Parker/Vito Russo Center Library\u003c/a> in New York City, as well as the \u003ca href=\"https://www.scholarships4school.com/scholarships/pat-parker-poetry-award.html\" target=\"_blank\" rel=\"noopener noreferrer\">Pat Parker Poetry Award\u003c/a> for black, lesbian, feminist poets. More than that though, her outspoken activism lives on in those that have followed in her footsteps and in the forward strides made in civil and gay rights since her life ended.\u003c/p>\n\u003cp>After Pat Parker’s devastatingly premature death, her lifelong friend Judy Grahn described the way Parker lived life and overcame challenges, as “go[ing] to the front of the line with a big bad sword in hand and lead[ing] a revolution.” That, she most certainly did.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>She was a Danish immigrant who grew up on the rough side of town. She was a scandalous nude model with a reputation. She enjoyed skinny dipping well into old age. And if it wasn’t for this controversial livewire, \u003ca href=\"https://www.kqed.org/pop/category/san-francisco\">San Francisco\u003c/a> would have neither the \u003ca href=\"https://www.kqed.org/arts/tag/legion-of-honor\">Legion of Honor\u003c/a> nor the Maritime Museum.\u003c/p>\n\u003cp>Her name was Alma de Bretteville Spreckels but her more fitting nickname was “Big Alma” — a moniker that captured not only her 6-foot-tall stature, but her outgoing, devil-may-care personality too.\u003c/p>\n\u003cp>Alma’s greatest gifts to the city all happened after her 1908 marriage to Adolph Bernard Spreckels, wealthy and successful son of sugar refinery entrepreneur, Claus Spreckels. But Alma was already a local celebrity in her own right by the time she met him in 1902. In no small part because of a gossip-fueled court case earlier that year in which Alma sued a love interest for “breach of promise” — or, as she later put it herself, “personal defloweration” — and won $1,250 in the process.\u003c/p>\n\u003cp>Shortly after the court case, Alma was hired by sculptor Robert Ingersoll Aitken to pose as the Goddess of Victory. Robert’s resulting bronze in Alma’s likeness was chosen to sit atop the Dewey Monument in San Francisco’s Union Square. It just so happened that the chairman of the citizens’ committee responsible for picking the winning piece of art for the new landmark was smitten with Alma the moment he laid eyes on her. This fortuitous course of events is how Alma and Adolph first fell in love.\u003c/p>\n\u003cfigure id=\"attachment_102799\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-102799\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-800x1142.jpg\" alt=\"\" width=\"800\" height=\"1142\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-800x1142.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-160x228.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-768x1097.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-1020x1456.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-840x1200.jpg 840w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-1920x2741.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-1180x1685.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-960x1371.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-240x343.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-375x535.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-520x742.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alma’s likeness sits atop the Dewey Monument as the “Goddess of Victory” in the heart of Union Square. (Photo by Jason Kempin/ Getty Images for Bud Light)\u003c/figcaption>\u003c/figure>\n\u003cp>Despite his being 24 years her senior, Adolph and Alma were a good match. Adolph was in possession of the same anarchic impulses that also drove Alma. He famously shot \u003cem>San Francisco Chronicle\u003c/em> editor Michael de Young in 1884, after the paper printed a series of unflattering articles about his father. (Adolph was acquitted after he pleaded insanity and self-defense.) Even more significantly, Adolph shared Alma’s generous spirit. He was a man who had persuaded his father to contribute to the construction of \u003ca href=\"https://www.kqed.org/news/tag/golden-gate-park\">Golden Gate Park\u003c/a>’s band shell, as well the building of the Dewey Monument. She was a woman who responded to the 1906 earthquake by organizing community kitchens and directing aid trucks to them.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>After they finally tied the knot, Alma and Adolph’s honeymoon involved a trip around the world. Still, Alma took nothing for granted. Legend has it, she coined the term “sugar daddy” to affectionately describe her husband’s generosity, completely unaware that the phrase would live on forever. The phrase’s longevity is fitting. There was nothing temporary about Adolph’s desire to give Alma whatever she wanted. Because of him, Alma finally had access to the wealth, comfort and ability to affect change that she had been striving for her whole life.\u003c/p>\n\u003cp>[aside postid=’arts_13894842′]Born in 1881, Alma was raised with four brothers and one sister in San Francisco’s Sunset District, back when it was still known as the “Outside Lands” — a name born from its rugged, sand dune-dominated landscape and sparse population. To make ends meet, Alma’s mom Mathilde transformed the front room of their home into a Danish bakery. Alma’s brothers’ bedroom was sometimes used as a massage studio. Mathilde even laundered other people’s clothes in a Cow Hollow lagoon to make extra money on the side.\u003c/p>\n\u003cp>Alma was forced out of school and into work in her early teens, but naturally followed her mother’s industrious example. Alma delivered laundry to the mansions in town. She worked as a stenographer. Her nude modeling later came about because it was the quickest way for her to make good money.\u003c/p>\n\u003cp>After marriage to Adolph, Alma had three children in four years — though she made for a reluctant mother. To accommodate their growing family, in 1913 Adolph finished building Alma her dream mansion at 2080 Washington Street, opposite Lafayette Park. Lavish parties became regular occurrences, though San Francisco’s social elites shunned Alma relentlessly. Instead, she happily hosted fascinating guests including author Jack London, Folies Bergère dancer Loie Fuller, and even the Prince and Princess of Siam.\u003c/p>\n\u003cfigure id=\"attachment_102797\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-102797\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-800x266.png\" alt=\"\" width=\"800\" height=\"266\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-800x266.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-160x53.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-768x255.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-1020x339.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-960x319.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-240x80.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-375x125.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-520x173.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg.png 1158w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">LEFT: the Spreckels mansion under the care of Alma; RIGHT: Danielle Steel’s massive hedge\u003c/figcaption>\u003c/figure>\n\u003cp>Some guests enjoyed Alma more than others. Actress Ina Claire once said: “I liked [Alma]. She was a great old sport. But she was a character. She talked dirty. I’ve seen people get up and walk away from her at dinner tables because she was talking dirty.”\u003c/p>\n\u003cp>Alma was much more than a mere party girl though. She was consistently focused on using her home for more selfless purposes too. During both world wars, when Alma wasn’t holding high profile charity auctions, fairs and raffles at venues like San Francisco’s Palace Hotel, she did so out of her own home. Alma tirelessly raised money for causes close to her heart — aid for Romania, post-war house-building in France, a milk fund for Belgian orphans. She sent medical supplies and musical instruments to troops overseas.\u003c/p>\n\u003cp>[aside postid=’pop_110017′]During the Second World War, she sent a washing machine to a Navy station when she found out cooks were having to handwash their clothes. Her wartime charitable organization, the League for Servicemen, opened a recreation center for troops. Alma also saw to it that thousands of radios, toiletries, typewriters and athletic supplies were sent to those serving overseas. One Navy commander credited Alma with saving the lives of at least 250 men via her generosity with — and swift delivery of — much-needed medical equipment.\u003c/p>\n\u003cp>Alma’s greatest legacy lies at San Francisco’s Legion of Honor, however. Inspired by the Palais de la Légion d’Honneur in Alma’s beloved Paris, the museum was designed by architect George Applegarth and cost Adolph over a million dollars to build. After much campaigning and socializing, Alma managed to acquire donations of art from Belgium, Romania, Serbia, Poland and France.\u003c/p>\n\u003cp>Those weren’t the only ways the museum had ties to France though. Alma conceptualized and designed The Book of Gold: a record on parchment, written by a calligrapher, of the roughly 3,600 Californian men who died in France during World War I. The book was dedicated to the soldiers’ mothers and put on display at the Legion until 1941, alongside 700 other pieces of art — including Alma’s own precious collection of 31 Auguste Rodin works.\u003c/p>\n\u003cfigure id=\"attachment_102796\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-102796 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-800x491.jpg\" alt=\"\" width=\"800\" height=\"491\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-800x491.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-160x98.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-768x471.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-1020x626.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-1200x737.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-1920x1179.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-1180x724.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-960x589.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-240x147.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-375x230.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-520x319.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“The Thinker” by Auguste Rodin at the Legion of Honor, San Francisco. The museum also contains work by Picasso, Rembrandt, Degas, Renoir, Monet, Cezanne and more. (Photo by: GABRIEL BOUYS/AFP/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>Sadly, by the time the museum opened, Alma was mourning just like the mothers she honored. Adolph had died mere months before the Legion’s doors opened.\u003c/p>\n\u003cp>The loss of Adolph hit Alma hard, but it never stopped her from forging ahead with big ideas. In the late-1930s, Alma became obsessed with the idea of creating a maritime museum for San Francisco. It was a thought that had been brewing in her mind for some time. Speaking to the San Francisco Beautiful Committee in 1937, Alma expressed her desire to see more “centers to house not only maritime collections, but mining, industrial exhibits and other typically California displays in which visitors to the city would be interested.” Alma became a trustee for the new maritime museum, was instrumental in raising money for its founding, and donated important collections to fill its walls.\u003c/p>\n\u003cp>[aside postid=’arts_13877186′]The end of Alma’s life was significantly quieter than the beginning. After her son died during a bar altercation in 1961, she stopped socializing and retreated to the comforts of her mansion. Not even receiving a Phoebe Hearst Medal from the \u003cem>San Francisco Examiner\u003c/em> in 1963 brought the former attention-seeker back out of her shell. Alma died in 1968 at the age of 87, of the very same thing that had prompted Adolph’s death 44 years earlier: pneumonia. Her funeral, described by the \u003cem>Examiner\u003c/em> as “perhaps the most opulent in the city’s history,” was held at her beloved Legion of Honor.\u003c/p>\n\u003cp>After her death, paying tribute to Big Alma, one Honolulu newspaper called her, “The grandest of grande dames — a lady who not only gave generously, but lived in high old style, paddling around in her Roman pool daily, nipping appreciatively at her pitcher of martinis, and always talking straight and dry.”\u003c/p>\n\u003cp>She was, the obituary noted, “A San Franciscan, true and through.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>She was a Danish immigrant who grew up on the rough side of town. She was a scandalous nude model with a reputation. She enjoyed skinny dipping well into old age. And if it wasn’t for this controversial livewire, \u003ca href=\"https://www.kqed.org/pop/category/san-francisco\">San Francisco\u003c/a> would have neither the \u003ca href=\"https://www.kqed.org/arts/tag/legion-of-honor\">Legion of Honor\u003c/a> nor the Maritime Museum.\u003c/p>\n\u003cp>Her name was Alma de Bretteville Spreckels but her more fitting nickname was “Big Alma” — a moniker that captured not only her 6-foot-tall stature, but her outgoing, devil-may-care personality too.\u003c/p>\n\u003cp>Alma’s greatest gifts to the city all happened after her 1908 marriage to Adolph Bernard Spreckels, wealthy and successful son of sugar refinery entrepreneur, Claus Spreckels. But Alma was already a local celebrity in her own right by the time she met him in 1902. In no small part because of a gossip-fueled court case earlier that year in which Alma sued a love interest for “breach of promise” — or, as she later put it herself, “personal defloweration” — and won $1,250 in the process.\u003c/p>\n\u003cp>Shortly after the court case, Alma was hired by sculptor Robert Ingersoll Aitken to pose as the Goddess of Victory. Robert’s resulting bronze in Alma’s likeness was chosen to sit atop the Dewey Monument in San Francisco’s Union Square. It just so happened that the chairman of the citizens’ committee responsible for picking the winning piece of art for the new landmark was smitten with Alma the moment he laid eyes on her. This fortuitous course of events is how Alma and Adolph first fell in love.\u003c/p>\n\u003cfigure id=\"attachment_102799\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-102799\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-800x1142.jpg\" alt=\"\" width=\"800\" height=\"1142\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-800x1142.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-160x228.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-768x1097.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-1020x1456.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-840x1200.jpg 840w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-1920x2741.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-1180x1685.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-960x1371.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-240x343.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-375x535.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-508641746-520x742.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alma’s likeness sits atop the Dewey Monument as the “Goddess of Victory” in the heart of Union Square. (Photo by Jason Kempin/ Getty Images for Bud Light)\u003c/figcaption>\u003c/figure>\n\u003cp>Despite his being 24 years her senior, Adolph and Alma were a good match. Adolph was in possession of the same anarchic impulses that also drove Alma. He famously shot \u003cem>San Francisco Chronicle\u003c/em> editor Michael de Young in 1884, after the paper printed a series of unflattering articles about his father. (Adolph was acquitted after he pleaded insanity and self-defense.) Even more significantly, Adolph shared Alma’s generous spirit. He was a man who had persuaded his father to contribute to the construction of \u003ca href=\"https://www.kqed.org/news/tag/golden-gate-park\">Golden Gate Park\u003c/a>’s band shell, as well the building of the Dewey Monument. She was a woman who responded to the 1906 earthquake by organizing community kitchens and directing aid trucks to them.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After they finally tied the knot, Alma and Adolph’s honeymoon involved a trip around the world. Still, Alma took nothing for granted. Legend has it, she coined the term “sugar daddy” to affectionately describe her husband’s generosity, completely unaware that the phrase would live on forever. The phrase’s longevity is fitting. There was nothing temporary about Adolph’s desire to give Alma whatever she wanted. Because of him, Alma finally had access to the wealth, comfort and ability to affect change that she had been striving for her whole life.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Born in 1881, Alma was raised with four brothers and one sister in San Francisco’s Sunset District, back when it was still known as the “Outside Lands” — a name born from its rugged, sand dune-dominated landscape and sparse population. To make ends meet, Alma’s mom Mathilde transformed the front room of their home into a Danish bakery. Alma’s brothers’ bedroom was sometimes used as a massage studio. Mathilde even laundered other people’s clothes in a Cow Hollow lagoon to make extra money on the side.\u003c/p>\n\u003cp>Alma was forced out of school and into work in her early teens, but naturally followed her mother’s industrious example. Alma delivered laundry to the mansions in town. She worked as a stenographer. Her nude modeling later came about because it was the quickest way for her to make good money.\u003c/p>\n\u003cp>After marriage to Adolph, Alma had three children in four years — though she made for a reluctant mother. To accommodate their growing family, in 1913 Adolph finished building Alma her dream mansion at 2080 Washington Street, opposite Lafayette Park. Lavish parties became regular occurrences, though San Francisco’s social elites shunned Alma relentlessly. Instead, she happily hosted fascinating guests including author Jack London, Folies Bergère dancer Loie Fuller, and even the Prince and Princess of Siam.\u003c/p>\n\u003cfigure id=\"attachment_102797\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-102797\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-800x266.png\" alt=\"\" width=\"800\" height=\"266\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-800x266.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-160x53.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-768x255.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-1020x339.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-960x319.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-240x80.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-375x125.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg-520x173.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DS-Hedge.jpg.png 1158w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">LEFT: the Spreckels mansion under the care of Alma; RIGHT: Danielle Steel’s massive hedge\u003c/figcaption>\u003c/figure>\n\u003cp>Some guests enjoyed Alma more than others. Actress Ina Claire once said: “I liked [Alma]. She was a great old sport. But she was a character. She talked dirty. I’ve seen people get up and walk away from her at dinner tables because she was talking dirty.”\u003c/p>\n\u003cp>Alma was much more than a mere party girl though. She was consistently focused on using her home for more selfless purposes too. During both world wars, when Alma wasn’t holding high profile charity auctions, fairs and raffles at venues like San Francisco’s Palace Hotel, she did so out of her own home. Alma tirelessly raised money for causes close to her heart — aid for Romania, post-war house-building in France, a milk fund for Belgian orphans. She sent medical supplies and musical instruments to troops overseas.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>During the Second World War, she sent a washing machine to a Navy station when she found out cooks were having to handwash their clothes. Her wartime charitable organization, the League for Servicemen, opened a recreation center for troops. Alma also saw to it that thousands of radios, toiletries, typewriters and athletic supplies were sent to those serving overseas. One Navy commander credited Alma with saving the lives of at least 250 men via her generosity with — and swift delivery of — much-needed medical equipment.\u003c/p>\n\u003cp>Alma’s greatest legacy lies at San Francisco’s Legion of Honor, however. Inspired by the Palais de la Légion d’Honneur in Alma’s beloved Paris, the museum was designed by architect George Applegarth and cost Adolph over a million dollars to build. After much campaigning and socializing, Alma managed to acquire donations of art from Belgium, Romania, Serbia, Poland and France.\u003c/p>\n\u003cp>Those weren’t the only ways the museum had ties to France though. Alma conceptualized and designed The Book of Gold: a record on parchment, written by a calligrapher, of the roughly 3,600 Californian men who died in France during World War I. The book was dedicated to the soldiers’ mothers and put on display at the Legion until 1941, alongside 700 other pieces of art — including Alma’s own precious collection of 31 Auguste Rodin works.\u003c/p>\n\u003cfigure id=\"attachment_102796\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-102796 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-800x491.jpg\" alt=\"\" width=\"800\" height=\"491\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-800x491.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-160x98.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-768x471.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-1020x626.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-1200x737.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-1920x1179.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-1180x724.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-960x589.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-240x147.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-375x230.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/GettyImages-72896021-520x319.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“The Thinker” by Auguste Rodin at the Legion of Honor, San Francisco. The museum also contains work by Picasso, Rembrandt, Degas, Renoir, Monet, Cezanne and more. (Photo by: GABRIEL BOUYS/AFP/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>Sadly, by the time the museum opened, Alma was mourning just like the mothers she honored. Adolph had died mere months before the Legion’s doors opened.\u003c/p>\n\u003cp>The loss of Adolph hit Alma hard, but it never stopped her from forging ahead with big ideas. In the late-1930s, Alma became obsessed with the idea of creating a maritime museum for San Francisco. It was a thought that had been brewing in her mind for some time. Speaking to the San Francisco Beautiful Committee in 1937, Alma expressed her desire to see more “centers to house not only maritime collections, but mining, industrial exhibits and other typically California displays in which visitors to the city would be interested.” Alma became a trustee for the new maritime museum, was instrumental in raising money for its founding, and donated important collections to fill its walls.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The end of Alma’s life was significantly quieter than the beginning. After her son died during a bar altercation in 1961, she stopped socializing and retreated to the comforts of her mansion. Not even receiving a Phoebe Hearst Medal from the \u003cem>San Francisco Examiner\u003c/em> in 1963 brought the former attention-seeker back out of her shell. Alma died in 1968 at the age of 87, of the very same thing that had prompted Adolph’s death 44 years earlier: pneumonia. Her funeral, described by the \u003cem>Examiner\u003c/em> as “perhaps the most opulent in the city’s history,” was held at her beloved Legion of Honor.\u003c/p>\n\u003cp>After her death, paying tribute to Big Alma, one Honolulu newspaper called her, “The grandest of grande dames — a lady who not only gave generously, but lived in high old style, paddling around in her Roman pool daily, nipping appreciatively at her pitcher of martinis, and always talking straight and dry.”\u003c/p>\n\u003cp>She was, the obituary noted, “A San Franciscan, true and through.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "rebel-girls-from-bay-area-history-tsuyako-sox-kitashima-reparations-champion",
"title": "The Reparations Champion Who Became “Godmother of Japantown”",
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"content": "\u003cp>The Kataoka family managed to hang on until May of 1942. It was then—three months after Franklin D. Roosevelt had signed \u003ca href=\"http://historymatters.gmu.edu/d/5154#:~:text=Authorizes%20Japanese%20Relocation-,Executive%20Order%209066%3A%20The%20President%20Authorizes%20Japanese%20Relocation,and%20resident%20aliens%20from%20Japan.\" target=\"_blank\" rel=\"noopener noreferrer\">Executive Order 9066\u003c/a>—that they were forcibly removed from their home in Alameda County and thrown into a prison camp. Across the United States, 120,000 innocent Japanese Americans were suffering the same fate; more than 8,000 of them from the Bay Area.\u003c/p>\n\u003cp>The Kataokas were strawberry farmers from Centerville—a region that, today, is part of Fremont. Mom Yumi and her six children—three girls, three boys—had grown even closer since the death of her husband, Masajiro, just two years earlier. But their indefinite incarceration would test the family like never before.\u003c/p>\n\u003cfigure id=\"attachment_102699\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-102699 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e-800x976.jpg\" alt=\"\" width=\"800\" height=\"976\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e-800x976.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e-160x195.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e-768x937.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e.jpg 984w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e-960x1171.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e-240x293.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e-375x457.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e-520x634.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">120,000 Japanese-Americans were forced to live in internment camps for three and a half years, during World War II.\u003c/figcaption>\u003c/figure>\n\u003cp>Yumi’s fifth child, Tsuyako, was 23 at the time of their imprisonment and already a hard worker—she worked on the family farm, a local apricot farm, and in a doctor’s office. Tsuyako had earned the nickname “Sox” as a child—the result of her peers pronouncing her name incorrectly. For her, the family’s arrival at the Tanforan racetrack in San Bruno, where they would be forced to sleep in filthy horse stables, was the most humiliating moment of her life. Sox shared one stable with her mother and brothers; while her sisters and their families moved into a neighboring one. Before their imprisonment had even begun, the family had been forced to euthanize their dog and sell off their most prized possessions—including Sox’s beloved piano.\u003c/p>\n\u003cp>After four months in Tanforan, the Kataokas were moved to Block 16 of a “relocation center” in Topaz, Utah. Conditions were dire in Topaz too, but it was there that Sox found her feet and first became a real force to be reckoned with. She became an assistant block manager and acted as a messenger between residents and the camp’s government officials. And, for the three years she spent there, she fought for better conditions for her community.\u003c/p>\n\u003cp>Within the first year, however, her entire family—except for one sister—was transferred to a different camp at Tule Lake in Oregon. But the separation served to strengthen the relationship between Sox and her boyfriend, Tom Kitashima, who was also imprisoned in Topaz. On August, 11, 1945, the couple married in the camp. And just over a month later, they were finally released.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postid=’arts_13884082′]With little to return to in Centerville, the newlyweds moved to an apartment on Bush Street in San Francisco. Sox’s new lines of work reflected her continuing desire to be of service. She worked at both the War Relocation Authority and the San Francisco Veteran’s Administration, stopping only to raise her son during the 1950s.\u003c/p>\n\u003cp>But it was after her 1981 retirement, having lost her husband six years prior, that Sox threw herself even further into public service. She began volunteering with local organizations that were dear to her heart. One of her favorites was Japantown’s \u003ca href=\"https://www.kimochi-inc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Kimochi Inc,\u003c/a> which, to this day, dedicates itself to assisting thousands of seniors, both in its facility and in their own homes. Later, Sox also served on the city’s \u003ca href=\"http://sfbos.org/commission-aging-advisory-council\" target=\"_blank\" rel=\"noopener noreferrer\">Commission on Aging Advisory Council\u003c/a>.\u003c/p>\n\u003cp>It was when she became the spokesperson for the \u003ca href=\"http://encyclopedia.densho.org/National_Coalition_for_Redress/Reparations/\" target=\"_blank\" rel=\"noopener noreferrer\">National Coalition for Redress and Reparations\u003c/a> that Sox’s dedication to good causes began to have a national impact. She made lobbying trips to Washington D.C., made public speaking appearances to talk about life in the camps, and she spearheaded letter writing campaigns. During one, she personally mailed over 8,000 letters to both President Ronald Reagan and Congress. “It has been very exciting for me,” she said in \u003ca href=\"https://www.youtube.com/watch?v=fHchGFn81Os\" target=\"_blank\" rel=\"noopener noreferrer\">an interview at the time\u003c/a>. “I treasure every letter that I fold and put in the mail box.”\u003c/p>\n\u003cp>It took years of non-stop pressure, but President Reagan finally signed the \u003ca href=\"https://en.wikipedia.org/wiki/Civil_Liberties_Act_of_1988\" target=\"_blank\" rel=\"noopener noreferrer\">Civil Liberties Act\u003c/a> into law in 1988. Two years later, the first financial compensation was received by Japanese-American families. Checks for around $20,000 arrived, along with a letter of apology from President George Bush.\u003c/p>\n\u003cp>“A monetary sum and words alone cannot restore lost years or erase painful memories,” Bush wrote. “We can never fully right the wrongs of the past. But we can take a clear stand for justice and recognize that serious injustices were done to Japanese Americans during World War II.”\u003c/p>\n\u003cp>[aside postid=’arts_13893514′]In 1998, Sox’s lifelong commitment to her community earned her a Free Spirit Award from \u003ca href=\"http://www.newseuminstitute.org/freedom-forum/\" target=\"_blank\" rel=\"noopener noreferrer\">The Freedom Forum\u003c/a> (“dedicated to free press, free speech, and free spirit”), as well as a respect and admiration that stretched far beyond the Japanese-American Bay Area community.\u003c/p>\n\u003cp>“I have often called Sox the godmother of San Francisco Japantown because she took care of so many people in the Japanese American community and the Asian American community,” said \u003ca href=\"https://www.jcch.com/node/67\" target=\"_blank\" rel=\"noopener noreferrer\">Carole Hayashino\u003c/a>, President & Executive Director of the Japanese Cultural Center of Hawaii. “She was also an educator for our children. She spent a lot of time talking to students, sharing her experiences and the lessons of the Japanese American internment experience.”\u003c/p>\n\u003cp>After her death in 2006 at the age of 87, Tsuyako “Sox” Kitashima’s memorial was held at the \u003ca href=\"http://www.jcccnc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Japanese Cultural and Community Center of Northern California\u003c/a>. The \u003ca href=\"http://www.legacy.com/obituaries/name/tsuyako-kitashima-obituary?pid=16155709&view=guestbook\" target=\"_blank\" rel=\"noopener noreferrer\">online guestbook\u003c/a> speaks volumes about the number of lives she touched during hers.\u003c/p>\n\u003cp>“I had the good fortune to meet Sox through an oral history program we developed at the school where I taught. Sox was a phenomenal resource,” wrote Larry Boston.\u003c/p>\n\u003cp>Regan Young of Alameda said: “Mrs. K … will always be my Pack 58 cub scout den mother, and the person who made sure the Jigoku’s/Wong’s Bait Shop/Angel’s softball teams never went hungry!”\u003c/p>\n\u003cp>Joane Chiedi sent best wishes from Washington DC: “Her energy and dedication to public service is an example for all to follow. She will truly be missed.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Kataoka family managed to hang on until May of 1942. It was then—three months after Franklin D. Roosevelt had signed \u003ca href=\"http://historymatters.gmu.edu/d/5154#:~:text=Authorizes%20Japanese%20Relocation-,Executive%20Order%209066%3A%20The%20President%20Authorizes%20Japanese%20Relocation,and%20resident%20aliens%20from%20Japan.\" target=\"_blank\" rel=\"noopener noreferrer\">Executive Order 9066\u003c/a>—that they were forcibly removed from their home in Alameda County and thrown into a prison camp. Across the United States, 120,000 innocent Japanese Americans were suffering the same fate; more than 8,000 of them from the Bay Area.\u003c/p>\n\u003cp>The Kataokas were strawberry farmers from Centerville—a region that, today, is part of Fremont. Mom Yumi and her six children—three girls, three boys—had grown even closer since the death of her husband, Masajiro, just two years earlier. But their indefinite incarceration would test the family like never before.\u003c/p>\n\u003cfigure id=\"attachment_102699\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-102699 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e-800x976.jpg\" alt=\"\" width=\"800\" height=\"976\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e-800x976.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e-160x195.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e-768x937.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e.jpg 984w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e-960x1171.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e-240x293.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e-375x457.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/DWcPLjAWsAA2o_e-520x634.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">120,000 Japanese-Americans were forced to live in internment camps for three and a half years, during World War II.\u003c/figcaption>\u003c/figure>\n\u003cp>Yumi’s fifth child, Tsuyako, was 23 at the time of their imprisonment and already a hard worker—she worked on the family farm, a local apricot farm, and in a doctor’s office. Tsuyako had earned the nickname “Sox” as a child—the result of her peers pronouncing her name incorrectly. For her, the family’s arrival at the Tanforan racetrack in San Bruno, where they would be forced to sleep in filthy horse stables, was the most humiliating moment of her life. Sox shared one stable with her mother and brothers; while her sisters and their families moved into a neighboring one. Before their imprisonment had even begun, the family had been forced to euthanize their dog and sell off their most prized possessions—including Sox’s beloved piano.\u003c/p>\n\u003cp>After four months in Tanforan, the Kataokas were moved to Block 16 of a “relocation center” in Topaz, Utah. Conditions were dire in Topaz too, but it was there that Sox found her feet and first became a real force to be reckoned with. She became an assistant block manager and acted as a messenger between residents and the camp’s government officials. And, for the three years she spent there, she fought for better conditions for her community.\u003c/p>\n\u003cp>Within the first year, however, her entire family—except for one sister—was transferred to a different camp at Tule Lake in Oregon. But the separation served to strengthen the relationship between Sox and her boyfriend, Tom Kitashima, who was also imprisoned in Topaz. On August, 11, 1945, the couple married in the camp. And just over a month later, they were finally released.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>With little to return to in Centerville, the newlyweds moved to an apartment on Bush Street in San Francisco. Sox’s new lines of work reflected her continuing desire to be of service. She worked at both the War Relocation Authority and the San Francisco Veteran’s Administration, stopping only to raise her son during the 1950s.\u003c/p>\n\u003cp>But it was after her 1981 retirement, having lost her husband six years prior, that Sox threw herself even further into public service. She began volunteering with local organizations that were dear to her heart. One of her favorites was Japantown’s \u003ca href=\"https://www.kimochi-inc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Kimochi Inc,\u003c/a> which, to this day, dedicates itself to assisting thousands of seniors, both in its facility and in their own homes. Later, Sox also served on the city’s \u003ca href=\"http://sfbos.org/commission-aging-advisory-council\" target=\"_blank\" rel=\"noopener noreferrer\">Commission on Aging Advisory Council\u003c/a>.\u003c/p>\n\u003cp>It was when she became the spokesperson for the \u003ca href=\"http://encyclopedia.densho.org/National_Coalition_for_Redress/Reparations/\" target=\"_blank\" rel=\"noopener noreferrer\">National Coalition for Redress and Reparations\u003c/a> that Sox’s dedication to good causes began to have a national impact. She made lobbying trips to Washington D.C., made public speaking appearances to talk about life in the camps, and she spearheaded letter writing campaigns. During one, she personally mailed over 8,000 letters to both President Ronald Reagan and Congress. “It has been very exciting for me,” she said in \u003ca href=\"https://www.youtube.com/watch?v=fHchGFn81Os\" target=\"_blank\" rel=\"noopener noreferrer\">an interview at the time\u003c/a>. “I treasure every letter that I fold and put in the mail box.”\u003c/p>\n\u003cp>It took years of non-stop pressure, but President Reagan finally signed the \u003ca href=\"https://en.wikipedia.org/wiki/Civil_Liberties_Act_of_1988\" target=\"_blank\" rel=\"noopener noreferrer\">Civil Liberties Act\u003c/a> into law in 1988. Two years later, the first financial compensation was received by Japanese-American families. Checks for around $20,000 arrived, along with a letter of apology from President George Bush.\u003c/p>\n\u003cp>“A monetary sum and words alone cannot restore lost years or erase painful memories,” Bush wrote. “We can never fully right the wrongs of the past. But we can take a clear stand for justice and recognize that serious injustices were done to Japanese Americans during World War II.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>In 1998, Sox’s lifelong commitment to her community earned her a Free Spirit Award from \u003ca href=\"http://www.newseuminstitute.org/freedom-forum/\" target=\"_blank\" rel=\"noopener noreferrer\">The Freedom Forum\u003c/a> (“dedicated to free press, free speech, and free spirit”), as well as a respect and admiration that stretched far beyond the Japanese-American Bay Area community.\u003c/p>\n\u003cp>“I have often called Sox the godmother of San Francisco Japantown because she took care of so many people in the Japanese American community and the Asian American community,” said \u003ca href=\"https://www.jcch.com/node/67\" target=\"_blank\" rel=\"noopener noreferrer\">Carole Hayashino\u003c/a>, President & Executive Director of the Japanese Cultural Center of Hawaii. “She was also an educator for our children. She spent a lot of time talking to students, sharing her experiences and the lessons of the Japanese American internment experience.”\u003c/p>\n\u003cp>After her death in 2006 at the age of 87, Tsuyako “Sox” Kitashima’s memorial was held at the \u003ca href=\"http://www.jcccnc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Japanese Cultural and Community Center of Northern California\u003c/a>. The \u003ca href=\"http://www.legacy.com/obituaries/name/tsuyako-kitashima-obituary?pid=16155709&view=guestbook\" target=\"_blank\" rel=\"noopener noreferrer\">online guestbook\u003c/a> speaks volumes about the number of lives she touched during hers.\u003c/p>\n\u003cp>“I had the good fortune to meet Sox through an oral history program we developed at the school where I taught. Sox was a phenomenal resource,” wrote Larry Boston.\u003c/p>\n\u003cp>Regan Young of Alameda said: “Mrs. K … will always be my Pack 58 cub scout den mother, and the person who made sure the Jigoku’s/Wong’s Bait Shop/Angel’s softball teams never went hungry!”\u003c/p>\n\u003cp>Joane Chiedi sent best wishes from Washington DC: “Her energy and dedication to public service is an example for all to follow. She will truly be missed.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It was the first time anything like it had happened in the history of California.\u003c/p>\n\u003cp>When the clock struck 10 a.m. on April 26, 1968, 150 of Theodore Roosevelt Junior High’s Mexican American students promptly stood up and walked out. They were protesting the racist treatment they had been subjected to by numerous teachers and, as they picketed loudly at the school gates, change began to feel possible.\u003c/p>\n\u003cp>[aside postid=’arts_13893514′]One of the boys taking part in the protest that day was the son of Sofía Mendoza, a mom who had grown increasingly frustrated with the ways Chicano teens were being marginalized at the place that was supposed to be nurturing them. Sofía had heard first-hand the racial epithets some of the school’s teachers used. She had been told by students that corporal punishment was being doled out with prejudice. She also knew that, in some classes, Mexican American children were given worksheets instead of the textbooks routinely provided to their white classmates.\u003c/p>\n\u003cp>First, Sofía documented the infractions as she heard about them. She then rallied other Latino parents to raise awareness about what was happening behind the school gates. Together, after their complaints prompted little change, the parents encouraged their kids to take action.\u003c/p>\n\u003cp>Fred Hirsch, a labor rights leader and friend to Sofía, recalled in 2015 that, “Discrimination was the big issue. The tracking system that was enforced [at Roosevelt] put Latino kids at a disadvantage, especially immigrants and children whose first language was Spanish. Sofía contacted some parents, we brought in a few teachers, we had some small meetings, and through the meetings, the students learned that school funding was based on their attendance. They quickly understood they had economic power in just showing up — or not showing up.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Three days after the walkout, 500 students held a rally in the school’s auditorium to discuss the racist practices of the school’s administration. Both actions prompted an outpouring of support around East San Jose and the school board was finally forced to take action. In quick succession, 36 teachers plus the junior high’s principal and vice principal were fired.\u003c/p>\n\u003cp>Sofía saw this collective victory as valuable for the teenage protesters in more ways than one.\u003c/p>\n\u003cp>“The students learned so much from their organizing,” she said. “They learned that they have every right to make changes without winding up in juvenile hall for being labeled as troublemakers.”\u003c/p>\n\u003cp>[aside postid=’arts_13904183′]Sofía’s instinct for organizing was a product of her upbringing. Her father was a labor organizer in Arizona and Southern California, starting in the 1930s. “I was born into a lot of activity,” she recalled in 2010. As a freshman, she objected to the fact that there was no Spanish Club at her Campbell high school and won the right to start one by organizing her fellow students. Her desire to make things better for Mexican Americans in East San Jose began after she moved there with her husband and the couple had their son, Willie, and two daughters, Linda and Saundra.\u003c/p>\n\u003cp>”Before I moved to East San Jose,” Sofía once explained, “I heard that everybody that was bad lived in East San Jose. Everybody that was poor lived in East San Jose. The schools in East San Jose were no good. I never heard anything good about it. Never. When you drove around, without knowing it, just by appearance, what they were saying was true.”\u003c/p>\n\u003cp>After the sweeping changes at Roosevelt, Sofía gained a greater sense of her own power and began to think about other ways that East San Jose could be improved. Law enforcement had been of great concern to her from the moment she moved there from Campbell.\u003c/p>\n\u003cp>“I had never seen so many cops driving by,” she said in one 2010 speech. “In a matter of five years, cops had killed 16 people. Of course, most of them were Latino. We had no representation.” In a later interview with Santa Clara University, she recalled: “I saw cops kicking down doors in the Eastside. I saw policemen stopping people for traffic infractions at gunpoint. I saw this with my own eyes, and nobody can say I didn’t see it.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-102648 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/03/Screen-Shot-2018-03-13-at-2.07.30-PM.png\" alt=\"\" width=\"605\" height=\"412\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/Screen-Shot-2018-03-13-at-2.07.30-PM.png 605w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/Screen-Shot-2018-03-13-at-2.07.30-PM-160x109.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/Screen-Shot-2018-03-13-at-2.07.30-PM-240x163.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/Screen-Shot-2018-03-13-at-2.07.30-PM-375x255.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/Screen-Shot-2018-03-13-at-2.07.30-PM-520x354.png 520w\" sizes=\"auto, (max-width: 605px) 100vw, 605px\">\u003c/p>\n\u003cp>Sofía channeled her concerns into organizing a march to City Hall that attracted 2,000 protesters, each objecting to what they saw as excessive use of force by San Jose’s Police Department. In 1968, she was key in organizing a Community Alert Patrol (CAP) with a diverse group of other concerned citizens, including members of the Our Lady of Guadalupe Church clergy and Tom Ferrito, who went on to become Mayor of Los Gatos in 1980. It was essentially a sort of Neighborhood Watch — only, instead of keeping an eye out for the activities of criminals, volunteers kept watch over the police instead.\u003c/p>\n\u003cp>[aside postid=’arts_13974578′]”We monitored all the police patrols,” Sofía later explained. “We would send our cars that were equipped with two-way radios, cameras and tape recorders. Not to interfere, but only to document, so we could [use] the information [in] court. We had to go that far. We did get rid of the chief of police. That’s when … there were a lot of good changes in the police department.”\u003c/p>\n\u003cp>In 2015, CAP participant Fred Hirsch explained: “We put out three or four cars each weekend night and holiday occasions. We’d have three people in the car … We also monitored community events, and we were not at all immune to the actions of the police department.”\u003c/p>\n\u003cp>The work of CAP ultimately led to the creation of the city’s Office of the Independent Police Auditor and Sofía acted as a member of the Independent Police Auditor Advisory Committee.\u003c/p>\n\u003cp>By the 1970s, Sofía was a well-established and much-beloved force in her community. She battled San Jose’s Redevelopment Agency when her neighbors were suffering mass evictions. She was active in assisting Chilean refugees settle in the city, as they escaped the military coup of Augusto Pinochet. She was active in getting East San Jose its first health clinic. Like her father before her, she became involved in farmworker unionization. Sofía also led the Mexican American community in fighting for voting rights. Her campaigning even led to the reform of San Jose elections for city council members and introduced district representation, leading to a more diverse leadership.\u003c/p>\n\u003cp>[aside postid=’arts_13950520′]Above all else, Sofía’s entire life was spent in service to the community. She co-founded United People Arriba, an organization that helped unify and galvanize activists in their own communities. Later in her life, she served as a social worker, a member of the board of directors at the Community Child Care Council, and a community organizer for the Family Service Association of Santa Clara County.\u003c/p>\n\u003cp>Throughout it all, Sofía retained an impressive sense of humility.\u003c/p>\n\u003cp>After her death in 2015 at the age of 80, Nannette Regua, a history teacher she had mentored, said of Sofía: “She never said, ‘I did this.’ She never said, ‘I led these community organizers.’ It was always, ‘We.’”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It was the first time anything like it had happened in the history of California.\u003c/p>\n\u003cp>When the clock struck 10 a.m. on April 26, 1968, 150 of Theodore Roosevelt Junior High’s Mexican American students promptly stood up and walked out. They were protesting the racist treatment they had been subjected to by numerous teachers and, as they picketed loudly at the school gates, change began to feel possible.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>One of the boys taking part in the protest that day was the son of Sofía Mendoza, a mom who had grown increasingly frustrated with the ways Chicano teens were being marginalized at the place that was supposed to be nurturing them. Sofía had heard first-hand the racial epithets some of the school’s teachers used. She had been told by students that corporal punishment was being doled out with prejudice. She also knew that, in some classes, Mexican American children were given worksheets instead of the textbooks routinely provided to their white classmates.\u003c/p>\n\u003cp>First, Sofía documented the infractions as she heard about them. She then rallied other Latino parents to raise awareness about what was happening behind the school gates. Together, after their complaints prompted little change, the parents encouraged their kids to take action.\u003c/p>\n\u003cp>Fred Hirsch, a labor rights leader and friend to Sofía, recalled in 2015 that, “Discrimination was the big issue. The tracking system that was enforced [at Roosevelt] put Latino kids at a disadvantage, especially immigrants and children whose first language was Spanish. Sofía contacted some parents, we brought in a few teachers, we had some small meetings, and through the meetings, the students learned that school funding was based on their attendance. They quickly understood they had economic power in just showing up — or not showing up.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Three days after the walkout, 500 students held a rally in the school’s auditorium to discuss the racist practices of the school’s administration. Both actions prompted an outpouring of support around East San Jose and the school board was finally forced to take action. In quick succession, 36 teachers plus the junior high’s principal and vice principal were fired.\u003c/p>\n\u003cp>Sofía saw this collective victory as valuable for the teenage protesters in more ways than one.\u003c/p>\n\u003cp>“The students learned so much from their organizing,” she said. “They learned that they have every right to make changes without winding up in juvenile hall for being labeled as troublemakers.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Sofía’s instinct for organizing was a product of her upbringing. Her father was a labor organizer in Arizona and Southern California, starting in the 1930s. “I was born into a lot of activity,” she recalled in 2010. As a freshman, she objected to the fact that there was no Spanish Club at her Campbell high school and won the right to start one by organizing her fellow students. Her desire to make things better for Mexican Americans in East San Jose began after she moved there with her husband and the couple had their son, Willie, and two daughters, Linda and Saundra.\u003c/p>\n\u003cp>”Before I moved to East San Jose,” Sofía once explained, “I heard that everybody that was bad lived in East San Jose. Everybody that was poor lived in East San Jose. The schools in East San Jose were no good. I never heard anything good about it. Never. When you drove around, without knowing it, just by appearance, what they were saying was true.”\u003c/p>\n\u003cp>After the sweeping changes at Roosevelt, Sofía gained a greater sense of her own power and began to think about other ways that East San Jose could be improved. Law enforcement had been of great concern to her from the moment she moved there from Campbell.\u003c/p>\n\u003cp>“I had never seen so many cops driving by,” she said in one 2010 speech. “In a matter of five years, cops had killed 16 people. Of course, most of them were Latino. We had no representation.” In a later interview with Santa Clara University, she recalled: “I saw cops kicking down doors in the Eastside. I saw policemen stopping people for traffic infractions at gunpoint. I saw this with my own eyes, and nobody can say I didn’t see it.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-102648 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/03/Screen-Shot-2018-03-13-at-2.07.30-PM.png\" alt=\"\" width=\"605\" height=\"412\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/Screen-Shot-2018-03-13-at-2.07.30-PM.png 605w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/Screen-Shot-2018-03-13-at-2.07.30-PM-160x109.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/Screen-Shot-2018-03-13-at-2.07.30-PM-240x163.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/Screen-Shot-2018-03-13-at-2.07.30-PM-375x255.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/Screen-Shot-2018-03-13-at-2.07.30-PM-520x354.png 520w\" sizes=\"auto, (max-width: 605px) 100vw, 605px\">\u003c/p>\n\u003cp>Sofía channeled her concerns into organizing a march to City Hall that attracted 2,000 protesters, each objecting to what they saw as excessive use of force by San Jose’s Police Department. In 1968, she was key in organizing a Community Alert Patrol (CAP) with a diverse group of other concerned citizens, including members of the Our Lady of Guadalupe Church clergy and Tom Ferrito, who went on to become Mayor of Los Gatos in 1980. It was essentially a sort of Neighborhood Watch — only, instead of keeping an eye out for the activities of criminals, volunteers kept watch over the police instead.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>”We monitored all the police patrols,” Sofía later explained. “We would send our cars that were equipped with two-way radios, cameras and tape recorders. Not to interfere, but only to document, so we could [use] the information [in] court. We had to go that far. We did get rid of the chief of police. That’s when … there were a lot of good changes in the police department.”\u003c/p>\n\u003cp>In 2015, CAP participant Fred Hirsch explained: “We put out three or four cars each weekend night and holiday occasions. We’d have three people in the car … We also monitored community events, and we were not at all immune to the actions of the police department.”\u003c/p>\n\u003cp>The work of CAP ultimately led to the creation of the city’s Office of the Independent Police Auditor and Sofía acted as a member of the Independent Police Auditor Advisory Committee.\u003c/p>\n\u003cp>By the 1970s, Sofía was a well-established and much-beloved force in her community. She battled San Jose’s Redevelopment Agency when her neighbors were suffering mass evictions. She was active in assisting Chilean refugees settle in the city, as they escaped the military coup of Augusto Pinochet. She was active in getting East San Jose its first health clinic. Like her father before her, she became involved in farmworker unionization. Sofía also led the Mexican American community in fighting for voting rights. Her campaigning even led to the reform of San Jose elections for city council members and introduced district representation, leading to a more diverse leadership.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Above all else, Sofía’s entire life was spent in service to the community. She co-founded United People Arriba, an organization that helped unify and galvanize activists in their own communities. Later in her life, she served as a social worker, a member of the board of directors at the Community Child Care Council, and a community organizer for the Family Service Association of Santa Clara County.\u003c/p>\n\u003cp>Throughout it all, Sofía retained an impressive sense of humility.\u003c/p>\n\u003cp>After her death in 2015 at the age of 80, Nannette Regua, a history teacher she had mentored, said of Sofía: “She never said, ‘I did this.’ She never said, ‘I led these community organizers.’ It was always, ‘We.’”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In 1923, \u003cem>The Oakland Tribune\u003c/em> started a groundbreaking new weekly column. “Activities Among Negroes” was authored by Delilah L. Beasley, a writer unwilling to waste even an inch of her column space. In her writing, Delilah not only bucked racist stereotypes by putting an emphasis on achievements in the Black community, but also managed to shine a light on the barriers that people of color, and women, faced in their everyday lives.\u003c/p>\n\u003cp>Even when she was writing about local issues, Delilah’s vision was big picture. She had an instinct and understanding that her column had the potential to act as a direct line to both the white establishment, which could affect legal change, and the average white household, which might encourage a social one. Beasley’s journalistic ambitions started when she was still in her teens and, from the beginning, crossed racial lines. Her earliest work was printed by African American newspaper \u003cem>The Cleveland Gazette\u003c/em> and mainstream white publication, \u003cem>The Cincinnati Enquirer\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_102504\" class=\"wp-caption alignright\" style=\"max-width: 284px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-102504\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/03/5e323df987965e2fef6a36fb20f86ac5.jpg\" alt=\"\" width=\"284\" height=\"379\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/5e323df987965e2fef6a36fb20f86ac5.jpg 284w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/5e323df987965e2fef6a36fb20f86ac5-160x214.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/5e323df987965e2fef6a36fb20f86ac5-240x320.jpg 240w\" sizes=\"auto, (max-width: 284px) 100vw, 284px\">\u003cfigcaption class=\"wp-caption-text\">An ‘Activities Among Negroes’ column from 1933, written by Delilah L. Beasley.\u003c/figcaption>\u003c/figure>\n\u003cp>Born on September 9 in either 1867 or 1871, Delilah’s writing ambitions were temporarily halted in her teens after both of her parents died. After she and her four siblings were separated, Delilah was forced to drop out of school and become a maid for a judge in Cincinnati.\u003c/p>\n\u003cp>Determined to improve her position in life, Delilah studied hydrotherapy, medical gymnastics and other elements of anatomy until she was able to become a massage therapist. Over the years, Delilah worked in sanitariums and resorts in Illinois, New York and Michigan. For a time, Delilah was known for easing the physical woes of pregnant women via the medium of head massage. She eventually found herself in Northern California in 1910 after becoming a full-time nurse for one of her clients who had moved to Berkeley.\u003c/p>\n\u003cp>Once in California, Delilah began writing once more, delicately straddling racial divisions in the press. After writing about pro-KKK film Birth of a Nation for \u003cem>The Oakland Tribune\u003c/em> in 1915, Delilah was forced to follow it up with a piece in the \u003cem>Oakland Sunshine\u003c/em> defending her decision to do so. “News of special interest to us as a people ought to be discussed in our own papers among ourselves,” she wrote. “But, if a bit of news would have a tendency to better our position in the community, then it should not only be published in our own race papers, but in the papers of the other race as well.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In 1919, Delilah self-published her book \u003cem>The Negro Trail-Blazers of California\u003c/em>, which she had painstakingly researched over the course of eight years, inspired by history classes she took at U.C. Berkeley. Publishing the book herself was a risk that put her in debt for several years, but one that paid off in a larger sense, giving a voice to the Black pioneers who had largely been written out of history. In the foreword to the book, the managing editor of the \u003cem>California Eagle\u003c/em> wrote of Delilah:\u003c/p>\n\u003cblockquote>\u003cp>In gathering the data for this most unique volume, she has sacrificed money, and health. She, however, shall feel well repaid for her labor if, through the perusal of these pages, there shall be an incentive to even greater efforts by the Negro Race in this State in the future.\u003c/p>\u003c/blockquote>\n\u003cp>This wasn’t the only time Delilah made financial sacrifices to follow her calling — she earned far less writing for \u003cem>The Oakland Tribune\u003c/em> than she would have made working full-time as a massage therapist.\u003c/p>\n\u003cp>[aside postid=’arts_13892514′]After her profile was raised across the Bay Area, thanks in large part to her \u003cem>Tribune\u003c/em> column, Delilah began to travel around the country in the hopes of persuading the editors of major newspapers everywhere to stop using racist language in print. She also regularly spoke at rallies and protests. So determined was Delilah to advance the rights of African Americans and women, she joined just about every civic club she could find. These included the NAACP, the National Association of Colored Women, the Linden Center Young Women’s Christian Association, the Alameda County League of Colored Women Voters and the Oakland Council of Church Women.\u003c/p>\n\u003cp>A group of young Black women in the East Bay were so inspired by Delilah’s commitment to these groups, they formed one of their own, named after her. Rodger Streitmatter’s 1994 book Raising Her Voice: African-American Women Journalists Who Changed History notes that: “Members defined their purpose by choosing a word to correspond to each letter in the name D-E-L-I-L-A-H L. B-E-A-S-L-E-Y: Deeds Ever Lasting In Lending A Hand. Let’s Be Ever Alert Serving Lovingly Every Year.”\u003c/p>\n\u003cp>Beasley’s activism and simultaneous work as a reporter sometimes meant that she found herself having to report on her own achievements. On such occasions, her humility shone through her text. “There was introduced Friday January 27 in the California Legislature an Anti-Lunching Bill at the request of this writer,” she wrote in 1933. “This writer knowing that the editors of \u003cem>The Oakland Tribune\u003c/em> have for 20 years fought lynching through some editorials, decided to ask Assemblyman Wm. Knewland, assistant publisher of The Tribune to jointly introduce the bill with Assemblyman Frederick Madison Roberts of Los Angeles … Many women’s organizations endorsed the intentions of this writer to have this bill introduced.”\u003c/p>\n\u003cp>[aside postid=’arts_13883630′]Delilah continued writing her column for the \u003cem>Tribune\u003c/em> until her death in 1934. Buried in the Y section of St. Mary’s Cemetery in Oakland, her tombstone offers simply her name and dates. Delilah’s own words might have proved a more fitting tribute to her tenacity.\u003c/p>\n\u003cp>“Ever life casts its shadow,” she once wrote, “my life plus others make a peer to move the world. I, therefore, pledge my life to the living world of brotherhood and mutual understanding between the races.”\u003c/p>\n\u003cfigure id=\"attachment_113331\" class=\"wp-caption aligncenter\" style=\"max-width: 559px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-113331\" src=\"https://ww2.kqed.org/app/uploads/sites/12/2018/03/Screen-Shot-2020-08-22-at-6.57.24-PM.png\" alt=\"Delilah Leontium Beasley's simple headstone at St. Mary's Cemetery, Oakland. (Section Y, Plot 15, 52.)\" width=\"559\" height=\"465\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/Screen-Shot-2020-08-22-at-6.57.24-PM.png 559w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/Screen-Shot-2020-08-22-at-6.57.24-PM-160x133.png 160w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\">\u003cfigcaption class=\"wp-caption-text\">Delilah Leontium Beasley’s simple headstone at St. Mary’s Cemetery, Oakland. (Section Y, Plot 15, 56.) \u003ccite>(Rae Alexandra)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 1923, \u003cem>The Oakland Tribune\u003c/em> started a groundbreaking new weekly column. “Activities Among Negroes” was authored by Delilah L. Beasley, a writer unwilling to waste even an inch of her column space. In her writing, Delilah not only bucked racist stereotypes by putting an emphasis on achievements in the Black community, but also managed to shine a light on the barriers that people of color, and women, faced in their everyday lives.\u003c/p>\n\u003cp>Even when she was writing about local issues, Delilah’s vision was big picture. She had an instinct and understanding that her column had the potential to act as a direct line to both the white establishment, which could affect legal change, and the average white household, which might encourage a social one. Beasley’s journalistic ambitions started when she was still in her teens and, from the beginning, crossed racial lines. Her earliest work was printed by African American newspaper \u003cem>The Cleveland Gazette\u003c/em> and mainstream white publication, \u003cem>The Cincinnati Enquirer\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_102504\" class=\"wp-caption alignright\" style=\"max-width: 284px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-102504\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/03/5e323df987965e2fef6a36fb20f86ac5.jpg\" alt=\"\" width=\"284\" height=\"379\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/5e323df987965e2fef6a36fb20f86ac5.jpg 284w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/5e323df987965e2fef6a36fb20f86ac5-160x214.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/5e323df987965e2fef6a36fb20f86ac5-240x320.jpg 240w\" sizes=\"auto, (max-width: 284px) 100vw, 284px\">\u003cfigcaption class=\"wp-caption-text\">An ‘Activities Among Negroes’ column from 1933, written by Delilah L. Beasley.\u003c/figcaption>\u003c/figure>\n\u003cp>Born on September 9 in either 1867 or 1871, Delilah’s writing ambitions were temporarily halted in her teens after both of her parents died. After she and her four siblings were separated, Delilah was forced to drop out of school and become a maid for a judge in Cincinnati.\u003c/p>\n\u003cp>Determined to improve her position in life, Delilah studied hydrotherapy, medical gymnastics and other elements of anatomy until she was able to become a massage therapist. Over the years, Delilah worked in sanitariums and resorts in Illinois, New York and Michigan. For a time, Delilah was known for easing the physical woes of pregnant women via the medium of head massage. She eventually found herself in Northern California in 1910 after becoming a full-time nurse for one of her clients who had moved to Berkeley.\u003c/p>\n\u003cp>Once in California, Delilah began writing once more, delicately straddling racial divisions in the press. After writing about pro-KKK film Birth of a Nation for \u003cem>The Oakland Tribune\u003c/em> in 1915, Delilah was forced to follow it up with a piece in the \u003cem>Oakland Sunshine\u003c/em> defending her decision to do so. “News of special interest to us as a people ought to be discussed in our own papers among ourselves,” she wrote. “But, if a bit of news would have a tendency to better our position in the community, then it should not only be published in our own race papers, but in the papers of the other race as well.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In 1919, Delilah self-published her book \u003cem>The Negro Trail-Blazers of California\u003c/em>, which she had painstakingly researched over the course of eight years, inspired by history classes she took at U.C. Berkeley. Publishing the book herself was a risk that put her in debt for several years, but one that paid off in a larger sense, giving a voice to the Black pioneers who had largely been written out of history. In the foreword to the book, the managing editor of the \u003cem>California Eagle\u003c/em> wrote of Delilah:\u003c/p>\n\u003cblockquote>\u003cp>In gathering the data for this most unique volume, she has sacrificed money, and health. She, however, shall feel well repaid for her labor if, through the perusal of these pages, there shall be an incentive to even greater efforts by the Negro Race in this State in the future.\u003c/p>\u003c/blockquote>\n\u003cp>This wasn’t the only time Delilah made financial sacrifices to follow her calling — she earned far less writing for \u003cem>The Oakland Tribune\u003c/em> than she would have made working full-time as a massage therapist.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>After her profile was raised across the Bay Area, thanks in large part to her \u003cem>Tribune\u003c/em> column, Delilah began to travel around the country in the hopes of persuading the editors of major newspapers everywhere to stop using racist language in print. She also regularly spoke at rallies and protests. So determined was Delilah to advance the rights of African Americans and women, she joined just about every civic club she could find. These included the NAACP, the National Association of Colored Women, the Linden Center Young Women’s Christian Association, the Alameda County League of Colored Women Voters and the Oakland Council of Church Women.\u003c/p>\n\u003cp>A group of young Black women in the East Bay were so inspired by Delilah’s commitment to these groups, they formed one of their own, named after her. Rodger Streitmatter’s 1994 book Raising Her Voice: African-American Women Journalists Who Changed History notes that: “Members defined their purpose by choosing a word to correspond to each letter in the name D-E-L-I-L-A-H L. B-E-A-S-L-E-Y: Deeds Ever Lasting In Lending A Hand. Let’s Be Ever Alert Serving Lovingly Every Year.”\u003c/p>\n\u003cp>Beasley’s activism and simultaneous work as a reporter sometimes meant that she found herself having to report on her own achievements. On such occasions, her humility shone through her text. “There was introduced Friday January 27 in the California Legislature an Anti-Lunching Bill at the request of this writer,” she wrote in 1933. “This writer knowing that the editors of \u003cem>The Oakland Tribune\u003c/em> have for 20 years fought lynching through some editorials, decided to ask Assemblyman Wm. Knewland, assistant publisher of The Tribune to jointly introduce the bill with Assemblyman Frederick Madison Roberts of Los Angeles … Many women’s organizations endorsed the intentions of this writer to have this bill introduced.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Delilah continued writing her column for the \u003cem>Tribune\u003c/em> until her death in 1934. Buried in the Y section of St. Mary’s Cemetery in Oakland, her tombstone offers simply her name and dates. Delilah’s own words might have proved a more fitting tribute to her tenacity.\u003c/p>\n\u003cp>“Ever life casts its shadow,” she once wrote, “my life plus others make a peer to move the world. I, therefore, pledge my life to the living world of brotherhood and mutual understanding between the races.”\u003c/p>\n\u003cfigure id=\"attachment_113331\" class=\"wp-caption aligncenter\" style=\"max-width: 559px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-113331\" src=\"https://ww2.kqed.org/app/uploads/sites/12/2018/03/Screen-Shot-2020-08-22-at-6.57.24-PM.png\" alt=\"Delilah Leontium Beasley's simple headstone at St. Mary's Cemetery, Oakland. (Section Y, Plot 15, 52.)\" width=\"559\" height=\"465\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/Screen-Shot-2020-08-22-at-6.57.24-PM.png 559w, https://cdn.kqed.org/wp-content/uploads/sites/12/2018/03/Screen-Shot-2020-08-22-at-6.57.24-PM-160x133.png 160w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\">\u003cfigcaption class=\"wp-caption-text\">Delilah Leontium Beasley’s simple headstone at St. Mary’s Cemetery, Oakland. (Section Y, Plot 15, 56.) \u003ccite>(Rae Alexandra)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For stories on other Rebel Girls from Bay Area History, click \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"tagline": "Art is where you find it",
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"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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