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"content": "\u003cp>\u003cem>This story was reported for K Onda KQED, a monthly newsletter focused on the Bay Area’s Latinx community. \u003ca href=\"https://www.kqed.org/newsletters/k-onda\">Click here to subscribe\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>I had planned to spend Nov. 1, a Saturday, cleaning and organizing my house. Then my friend Susie Sanchez-Young, owner of The Designing Chica, texted me to suggest I come to a Día de los Muertos event in Lafayette, a mere 15 minutes from my home.\u003c/p>\n\u003cp>That afternoon, my kids and I drove up a windy hill to find parking in Oakmont Cemetery, which sits on a serene and picturesque hill offering amazing views of the north Interstate 680 corridor. We were there not to visit a particular departed loved one, but all of them — the dead.\u003c/p>\n\u003cp>The event featured some elements I’ve come to expect from a Mexican-themed lineup: performances by a mariachi, a folkloric dance company and traditional Aztec dancers.\u003cbr>\nIt was lively without feeling overly cheery, which I appreciated because it provided a sense of community among everyone who wanted to soak in culture, tradition and sacred rituals of mourning.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I did not grow up observing Día de los Muertos as anything more than the Mexican version of All Saints Day, a holy day of obligation for Catholics. I don’t build an elaborate altar. But this year, I found myself leaning into Día de los Muertos as an act of honoring loved ones as well as resisting assimilation, embracing artistic expression and reclaiming my Indigenous heritage.\u003c/p>\n\u003cp>The practice of honoring the deceased stretches back thousands of years to the Indigenous peoples of Mexico. Yet the rituals and iconography associated with this observation have modern roots in California.\u003c/p>\n\u003cp>San Francisco artist and curator \u003ca href=\"https://rioyanez.com/\">Rio Yañez\u003c/a> grew up immersed in Día de los Muertos. His father, the late Rene Yañez, co-founded the altar exhibits and procession in San Francisco’s Mission District in the 1970s and ‘80s that are credited with starting the Día de los Muertos celebrations on the West Coast.\u003c/p>\n\u003cfigure id=\"attachment_12063630\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12063630\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/231029_OAKDiadelosMuertosFestival_EG-2.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/231029_OAKDiadelosMuertosFestival_EG-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/231029_OAKDiadelosMuertosFestival_EG-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/231029_OAKDiadelosMuertosFestival_EG-2-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Yobani Nava Chavez made an altar for her son, Eduardo Yobani Nava Chavez, a former teacher, at the Oakland Día de los Muertos Festival in Fruitvale in 2023. The altar is decorated with masks that his former students made by hand. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The holiday became a touchstone for the Chicano movement as a way to assert cultural identity and resistance. Still, Rio Yañez said his father, who was born in Mexico, was called out for not being Chicano enough and for reimagining traditions.\u003c/p>\n\u003cp>“I grew up with my dad being constantly reminded that he was failing a purity test for Day of the Dead,” he said during \u003ca href=\"https://www.kqed.org/forum/2010101911846/how-dia-de-los-muertos-continues-to-evolve\">a show I produced for KQED’s Forum\u003c/a>. “As a Chicano, as a Mexican American, adaptation, reinvention, reinterpretation — that is always what (Día de los Muertos) has been about.”\u003c/p>\n\u003cp>Yañez co-curated an exhibit at SOMArts called Día de Los Muertos 2025: We Love You that featured female and nonbinary artists presenting different interpretations of an altar. He noted that altars for public view often include political statements, call attention to issues and challenge the status quo.[aside postID=news_12059504 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/20250930_HISPANICSERVINGINSTITUTIONS_GC-7-KQED.jpg']I’m now used to seeing jack-o’-lanterns next to Catrinas in many American homes, signaling the holiday’s place in mainstream America. The irony is that while many non-Latinos now embrace Día de los Muertos, they often focus more on the aesthetics and festive aspects instead of seeing it as a channel for grief, remembrance and connection.\u003c/p>\n\u003cp>“We can stop Mattel from making Catrina Barbies,” Yañez told me. “Where we can make a difference and have some control is in what we can do as a community and for each other and how we engage with each other.”\u003c/p>\n\u003cp>Día de los Muertos has turned into a cultural phenomenon because it’s a rare opportunity to talk about the dead outside of a funeral context, said Luisa Navarro, a Texas native who runs a blog and gift shop in Brooklyn called \u003ca href=\"https://mexicoinmypocket.com/\">Mexico in My Pocket\u003c/a> and recently released a book titled Mexico’s Day of the Dead.\u003c/p>\n\u003cp>“We are a very inviting culture. We have room at the table for everyone, but it’s important to educate yourself and understand the holiday,” she told me. “I try to avoid shaming people and policing people who don’t understand. Instead, I tell stories and educate people about the meaning and origin.”\u003c/p>\n\u003cp>The essence of the holiday remains remembering deceased loved ones, but observing this practice has also served as an act of resistance and resilience since the time Spanish colonizers failed to stamp it out.\u003c/p>\n\u003cp>“I’m on this mission to share our stories, to spread awareness because there’s so many misconceptions and stereotypes about our culture,” Navarro said. “It is so, so, so beautiful how the Chicano movement and how our community has continued to amplify our stories, to keep our traditions alive and to keep our duality alive. And I’m so so proud of that.”\u003c/p>\n\u003cfigure id=\"attachment_12063326\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12063326\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/20251106_ICE-VIGIL_GH-15-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/20251106_ICE-VIGIL_GH-15-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/20251106_ICE-VIGIL_GH-15-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/20251106_ICE-VIGIL_GH-15-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A demonstrator holds a sign reading “Santuario: Manteniendo Familias Unidas” (“Sanctuary: Keeping Families United”) during the Faith in Action “Walking Our Faith” vigil outside the San Francisco Immigration Court on Nov. 6, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year has been a psychologically difficult year for immigrant communities that are under attack by the Trump administration, which has used brutal tactics to detain immigrants.\u003c/p>\n\u003cp>As I reflected on this, I thought of how Belinda Hernandez-Arriaga, founder and CEO of Ayudando Latinos A Soñar, a nonprofit that \u003ca href=\"https://www.kqed.org/news/12021877/california-nonprofit-empowers-half-moon-bay-farmworkers-healing-resources\">serves the immigrant community\u003c/a> in Half Moon Bay, uses culture as a cure.\u003c/p>\n\u003cp>“It’s been especially important during the last couple of years of COVID, where there was a lot of loss. And with our recent, two years ago, the mass shooting of our seven farm workers, the Día de los Muertos and the altar gave us a place to come together as a community to grieve and to remember and to not forget,” she said during the Forum show. “It’s a portal for mental health. It’s also a portal for well-being and resistance and community.”\u003c/p>\n\u003cp>Back at Oakmont Cemetery, I stood in a long line with my 6-year-old daughter, who waited patiently for close to an hour to have her face painted in the Catrina style.\u003c/p>\n\u003cp>We watched the Aztec dancers light copal, a tree resin that has been used for rituals for thousands of years, and perform a ceremonial dance. I explained that the Indigenous people have populated Mexico for centuries and started the very practice we took part in that day. I then explained that after the Spanish arrived, the cultures mixed, and continue evolving into the version we have today.\u003c/p>\n\u003cp>Later that evening, we lit a candle in front of a display of photographs of deceased loved ones and talked about who they were. Among the collection are \u003ca href=\"https://ww2.kqed.org/arts/2021/12/15/how-vicente-fernandez-earned-appreciation-for-rancheros-like-my-dad/\">photos of my dad\u003c/a>, the only grandparent my children have not met because he passed away before they were born.\u003c/p>\n\u003cp>They asked me about his favorite foods and what he was like. It was a simple observation of Día de los Muertos, and one small way to keep his memory alive for the next generation.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This story was reported for K Onda KQED, a monthly newsletter focused on the Bay Area’s Latinx community. \u003ca href=\"https://www.kqed.org/newsletters/k-onda\">Click here to subscribe\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>I had planned to spend Nov. 1, a Saturday, cleaning and organizing my house. Then my friend Susie Sanchez-Young, owner of The Designing Chica, texted me to suggest I come to a Día de los Muertos event in Lafayette, a mere 15 minutes from my home.\u003c/p>\n\u003cp>That afternoon, my kids and I drove up a windy hill to find parking in Oakmont Cemetery, which sits on a serene and picturesque hill offering amazing views of the north Interstate 680 corridor. We were there not to visit a particular departed loved one, but all of them — the dead.\u003c/p>\n\u003cp>The event featured some elements I’ve come to expect from a Mexican-themed lineup: performances by a mariachi, a folkloric dance company and traditional Aztec dancers.\u003cbr>\nIt was lively without feeling overly cheery, which I appreciated because it provided a sense of community among everyone who wanted to soak in culture, tradition and sacred rituals of mourning.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I did not grow up observing Día de los Muertos as anything more than the Mexican version of All Saints Day, a holy day of obligation for Catholics. I don’t build an elaborate altar. But this year, I found myself leaning into Día de los Muertos as an act of honoring loved ones as well as resisting assimilation, embracing artistic expression and reclaiming my Indigenous heritage.\u003c/p>\n\u003cp>The practice of honoring the deceased stretches back thousands of years to the Indigenous peoples of Mexico. Yet the rituals and iconography associated with this observation have modern roots in California.\u003c/p>\n\u003cp>San Francisco artist and curator \u003ca href=\"https://rioyanez.com/\">Rio Yañez\u003c/a> grew up immersed in Día de los Muertos. His father, the late Rene Yañez, co-founded the altar exhibits and procession in San Francisco’s Mission District in the 1970s and ‘80s that are credited with starting the Día de los Muertos celebrations on the West Coast.\u003c/p>\n\u003cfigure id=\"attachment_12063630\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12063630\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/231029_OAKDiadelosMuertosFestival_EG-2.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/231029_OAKDiadelosMuertosFestival_EG-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/231029_OAKDiadelosMuertosFestival_EG-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/231029_OAKDiadelosMuertosFestival_EG-2-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Yobani Nava Chavez made an altar for her son, Eduardo Yobani Nava Chavez, a former teacher, at the Oakland Día de los Muertos Festival in Fruitvale in 2023. The altar is decorated with masks that his former students made by hand. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The holiday became a touchstone for the Chicano movement as a way to assert cultural identity and resistance. Still, Rio Yañez said his father, who was born in Mexico, was called out for not being Chicano enough and for reimagining traditions.\u003c/p>\n\u003cp>“I grew up with my dad being constantly reminded that he was failing a purity test for Day of the Dead,” he said during \u003ca href=\"https://www.kqed.org/forum/2010101911846/how-dia-de-los-muertos-continues-to-evolve\">a show I produced for KQED’s Forum\u003c/a>. “As a Chicano, as a Mexican American, adaptation, reinvention, reinterpretation — that is always what (Día de los Muertos) has been about.”\u003c/p>\n\u003cp>Yañez co-curated an exhibit at SOMArts called Día de Los Muertos 2025: We Love You that featured female and nonbinary artists presenting different interpretations of an altar. He noted that altars for public view often include political statements, call attention to issues and challenge the status quo.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>I’m now used to seeing jack-o’-lanterns next to Catrinas in many American homes, signaling the holiday’s place in mainstream America. The irony is that while many non-Latinos now embrace Día de los Muertos, they often focus more on the aesthetics and festive aspects instead of seeing it as a channel for grief, remembrance and connection.\u003c/p>\n\u003cp>“We can stop Mattel from making Catrina Barbies,” Yañez told me. “Where we can make a difference and have some control is in what we can do as a community and for each other and how we engage with each other.”\u003c/p>\n\u003cp>Día de los Muertos has turned into a cultural phenomenon because it’s a rare opportunity to talk about the dead outside of a funeral context, said Luisa Navarro, a Texas native who runs a blog and gift shop in Brooklyn called \u003ca href=\"https://mexicoinmypocket.com/\">Mexico in My Pocket\u003c/a> and recently released a book titled Mexico’s Day of the Dead.\u003c/p>\n\u003cp>“We are a very inviting culture. We have room at the table for everyone, but it’s important to educate yourself and understand the holiday,” she told me. “I try to avoid shaming people and policing people who don’t understand. Instead, I tell stories and educate people about the meaning and origin.”\u003c/p>\n\u003cp>The essence of the holiday remains remembering deceased loved ones, but observing this practice has also served as an act of resistance and resilience since the time Spanish colonizers failed to stamp it out.\u003c/p>\n\u003cp>“I’m on this mission to share our stories, to spread awareness because there’s so many misconceptions and stereotypes about our culture,” Navarro said. “It is so, so, so beautiful how the Chicano movement and how our community has continued to amplify our stories, to keep our traditions alive and to keep our duality alive. And I’m so so proud of that.”\u003c/p>\n\u003cfigure id=\"attachment_12063326\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12063326\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/20251106_ICE-VIGIL_GH-15-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/20251106_ICE-VIGIL_GH-15-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/20251106_ICE-VIGIL_GH-15-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/20251106_ICE-VIGIL_GH-15-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A demonstrator holds a sign reading “Santuario: Manteniendo Familias Unidas” (“Sanctuary: Keeping Families United”) during the Faith in Action “Walking Our Faith” vigil outside the San Francisco Immigration Court on Nov. 6, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year has been a psychologically difficult year for immigrant communities that are under attack by the Trump administration, which has used brutal tactics to detain immigrants.\u003c/p>\n\u003cp>As I reflected on this, I thought of how Belinda Hernandez-Arriaga, founder and CEO of Ayudando Latinos A Soñar, a nonprofit that \u003ca href=\"https://www.kqed.org/news/12021877/california-nonprofit-empowers-half-moon-bay-farmworkers-healing-resources\">serves the immigrant community\u003c/a> in Half Moon Bay, uses culture as a cure.\u003c/p>\n\u003cp>“It’s been especially important during the last couple of years of COVID, where there was a lot of loss. And with our recent, two years ago, the mass shooting of our seven farm workers, the Día de los Muertos and the altar gave us a place to come together as a community to grieve and to remember and to not forget,” she said during the Forum show. “It’s a portal for mental health. It’s also a portal for well-being and resistance and community.”\u003c/p>\n\u003cp>Back at Oakmont Cemetery, I stood in a long line with my 6-year-old daughter, who waited patiently for close to an hour to have her face painted in the Catrina style.\u003c/p>\n\u003cp>We watched the Aztec dancers light copal, a tree resin that has been used for rituals for thousands of years, and perform a ceremonial dance. I explained that the Indigenous people have populated Mexico for centuries and started the very practice we took part in that day. I then explained that after the Spanish arrived, the cultures mixed, and continue evolving into the version we have today.\u003c/p>\n\u003cp>Later that evening, we lit a candle in front of a display of photographs of deceased loved ones and talked about who they were. Among the collection are \u003ca href=\"https://ww2.kqed.org/arts/2021/12/15/how-vicente-fernandez-earned-appreciation-for-rancheros-like-my-dad/\">photos of my dad\u003c/a>, the only grandparent my children have not met because he passed away before they were born.\u003c/p>\n\u003cp>They asked me about his favorite foods and what he was like. It was a simple observation of Día de los Muertos, and one small way to keep his memory alive for the next generation.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/news/12061160/celebraciones-del-dia-de-muertos-2025-en-el-area-de-la-bahia\">Leer en español\u003c/a>\u003c/em>\u003c/p>\n\u003cp>The bright petals of \u003ca href=\"https://www.npr.org/2021/10/30/1050726374/why-marigolds-or-cempasuchil-are-the-iconic-flower-of-dia-de-los-muertos\">cempasúchil\u003c/a>. The candles that illuminate photographs of loved ones who have passed on. And the warmth that comes with eating delicious tamales.\u003c/p>\n\u003cp>At home and in community spaces, the Bay Area is preparing for Día de los Muertos, traditionally celebrated on Nov. 1 and 2 — which this year falls on a weekend.\u003c/p>\n\u003cp>For centuries, families in Mexico and several other Latin American countries have gathered at this time to honor the dead, from generations past to those recently lost.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Photos are placed on ofrendas: colorful handmade altars that hold the favorite food or drink of a late loved one, alongside carefully detailed sugar skulls and plenty of marigolds.\u003c/p>\n\u003cp>\u003cstrong>Jump straight to details of major events:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#OaklandDiadelosMuertosFestival\">Oakland Día de los Muertos Festival\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#DayoftheDeadFestivalofAltarsinSanFrancisco\">Day of the Dead Festival of Altars in San Francisco\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#DayoftheDeadRitualProcessioninSanFrancisco\">Day of the Dead Ritual Procession in San Francisco\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>Thanks to the Bay Area’s large Latino diaspora, there are multiple community celebrations for Día de los Muertos held across the region that are family-friendly and open to all — including those who are just starting to learn more about this tradition.\u003c/p>\n\u003cp>Keep in mind that some events are high-energy celebrations with spaces for dancing and socializing, while others are more solemn occasions that include traditional blessings and spoken word.\u003c/p>\n\u003ch2>\u003ca id=\"OaklandDiadelosMuertosFestival\">\u003c/a>Oakland Día de los Muertos Festival\u003c/h2>\n\u003cp>\u003cstrong>Sunday, Nov. 2\u003c/strong>\u003c/p>\n\u003cp>In terms of attendance — and sheer scale of production — this is by far the biggest celebration for Día de los Muertos in the Bay Area. On Sunday, Nov. 2, nine blocks along International Boulevard in the city’s Fruitvale neighborhood will fill up with giant ofrendas created by local artists, \u003ca href=\"https://www.kqed.org/news/12001199/the-provocative-and-flamboyant-origins-of-lowriding\">lowriders\u003c/a>, live music stages and dozens of booths from community groups as well as local government agencies.\u003c/p>\n\u003cp>Celebrating its 30th anniversary this year, \u003ca href=\"https://diaoakland.com/\">Oakland’s Día de los Muertos Festival\u003c/a> is known to be a place to dance to live banda for hours and reunite with friends you haven’t seen in years — as well as being an event that firmly defends public spaces for immigrant families. This year’s theme is “Aquí Estamos y No Nos Vamos”: “We are here and we are not leaving.”\u003c/p>\n\u003cfigure id=\"attachment_12060282\" class=\"wp-caption aligncenter\" style=\"max-width: 1995px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12060282\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/Dia_photo.jpg\" alt=\"\" width=\"1995\" height=\"998\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/Dia_photo.jpg 1995w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/Dia_photo-160x80.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/Dia_photo-1536x768.jpg 1536w\" sizes=\"auto, (max-width: 1995px) 100vw, 1995px\">\u003cfigcaption class=\"wp-caption-text\">A map of Oakland’s Día de los Muertos Festival on International Blvd.\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca id=\"DayoftheDeadFestivalofAltarsinSanFrancisco\">\u003c/a>Day of the Dead Festival of Altars in San Francisco\u003c/h2>\n\u003cp>\u003cstrong>Sunday, Nov. 2\u003c/strong>\u003c/p>\n\u003cp>For more than 20 years, families have gathered in San Francisco’s Potrero Del Sol Park to install intricately decorated large-scale ofrendas. While honoring loved ones, many of these also address larger political and social questions — like the federal government’s immigration policy or Israel’s invasion of Gaza.\u003c/p>\n\u003cfigure id=\"attachment_11894973\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11894973\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"A collage of photos with pink, green, and yellow paper flowers stands next a small mortar that carries burning sage. A few candles are nearby.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">An altar made by the Young Women’s Freedom Center for people lost to police brutality and gender violence, as well as people who passed through the program, at a Dia de los Muertos celebration in San Francisco’s Mission District on Nov. 2, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Installations will take place from 8 a.m. to 9 p.m. on Nov. 2. You can enter the park through any entrance and walk through the space to observe the ofrendas.\u003c/p>\n\u003cp>At noon, there will be a ceremony, and at 5 p.m., musical performances and poetry readings will begin.\u003c/p>\n\u003cp>\u003ca href=\"https://www.dayofthedeadsf.org/festival-of-altars/#honorsection\">You can also sign up to make your own ofrenda.\u003c/a>\u003c/p>\n\u003ch2>\u003ca id=\"DayoftheDeadRitualProcessioninSanFrancisco\">\u003c/a>Day of the Dead Ritual Procession in San Francisco\u003c/h2>\n\u003cp>\u003cstrong>Sunday, Nov. 2 \u003c/strong>\u003c/p>\n\u003cp>Just a block away from the ofrendas in Potrero Del Sol Park, musicians, artists and culture keepers will march down 24th Street, with thousands of families gathering on the sidewalk to watch.\u003c/p>\n\u003cp>Organized by the community group El Collectivo del Rescate Cultural de La Mission — or Collective to Rescue the Mission’s Culture —ofrendas, cempasúchil and vendors selling handmade crafts fill up almost every block at this event.\u003c/p>\n\u003cfigure id=\"attachment_11894972\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11894972\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"Two people wear face paint and flowers in their hair and look at the camera.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mariah Cativo (left) and Lucy Molina pause for a portrait as they walk along 24th Street in San Francisco’s Mission District during a Dia de los Muertos celebration on Nov. 2, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And while some parts of the procession are quieter and solemn, there will be live bands, dance groups and lowriders moving through too, with performances all over the Mission District through the night.\u003c/p>\n\u003cp>The procession begins at 7 p.m. on Nov. 2 on the corner of 22nd and Bryant Street, then moves to 24th Street, where marchers will stay until they reach Mission Street. At each main intersection, Aztec dancers leading the procession will pause to perform a ritual dance.\u003c/p>\n\u003ch2>\u003ca id=\"DiadelosMuertosattheChildrensDiscoveryMuseumofSanJose\">\u003c/a>Día de los Muertos at the Children’s Discovery Museum of San José\u003c/h2>\n\u003cp>\u003cstrong>Saturday, Nov. 1\u003c/strong>\u003c/p>\n\u003cp>On Nov. 1, the Children’s Discovery Museum in downtown San José will host a family-friendly Día de los Muertos event from 9:30 a.m. to 4:30 p.m.\u003c/p>\n\u003cp>There will be storytelling for children, sand painting, performances by giant skeleton puppets and a procession that interacts with museum installations, including its mammoth skeleton.\u003c/p>\n\u003cp>\u003ca href=\"https://14945.blackbaudhosting.com/14945/page.aspx?pid=196&tab=2&txobjid=196b56dd-e8aa-4160-bb0e-66cae3f3ed91\">Tickets are $18 for both adults and children.\u003c/a>\u003c/p>\n\u003ch2>Tenderloin Street Fair’s Dia de Muertos Celebration, San Francisco\u003c/h2>\n\u003cp>\u003cstrong>Saturday, Nov. 1\u003c/strong>\u003c/p>\n\u003cp>San Francisco’s Tenderloin district is throwing \u003ca href=\"https://www.eventbrite.com/e/tenderloin-street-fair-presents-dia-de-muertos-celebration-2025-tickets-1712459505479?aff=oddtdtcreator\">a free family street fair on Nov. 1 from 2 p.m. to 8 p.m. for Día de los Muertos\u003c/a>, which will offer ofrendas, face painting, Aztec dance, live music and local vendors,\u003c/p>\n\u003cp>There’ll also be a “kids zone” with lucha libre matches, bounce houses and a petting zoo.\u003c/p>\n\u003cp>Tickets are free, but you can \u003ca href=\"https://www.eventbrite.com/e/tenderloin-street-fair-presents-dia-de-muertos-celebration-2025-tickets-1712459505479?aff=oddtdtcreator\">RSVP to receive a free screenprint from Evolved SF\u003c/a> when you arrive (while supplies last.)\u003c/p>\n\u003ch2>Baile de los Muertos at the Mission Cultural Center for Latino Arts, San Francisco\u003c/h2>\n\u003cp>\u003cstrong>Friday, Oct. 31\u003c/strong>\u003c/p>\n\u003cp>Known for its annual exhibition of ofrendas that runs for most of November, \u003ca href=\"https://www.instagram.com/p/DP3z59YgdAD/\">MCCLA is also throwing a dance party\u003c/a> in San Francisco’s Mission District, a block away from 24th Mission BART station, on Oct. 31 from 7 p.m. to 11 p.m.\u003c/p>\n\u003cp>This “perreo fest” will also include plenty of different contests, including competitions for best costume and catrina. Entrance is $5 for ages 16 and up.\u003c/p>\n\u003cp>\u003ca href=\"https://static1.squarespace.com/static/63cb3cd8c3f4173105d0917a/t/68f179aa46ba0625b4da642f/1760655789718/DOTD+-+All+Events+-+IG.jpg\">MCCLA will be hosting other Día de los Muertos programming\u003c/a> throughout October and November.\u003c/p>\n\u003ch2>Redwood City’s Día de los Muertos Celebration\u003c/h2>\n\u003cp>\u003cstrong>Sunday, Nov. 2\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://casacirculocultural.org/adult-initiative/dia-de-los-muertos/\">The biggest Día de los Muertos celebration in San Mateo County\u003c/a> takes place this year in Redwood City’s Courthouse Square on Nov. 2 from 3 p.m. to 8:30 p.m.\u003c/p>\n\u003cp>Dance and musical performances will fill the square, with a special emphasis placed this year on the traditions from the Mexican state of Puebla. Volunteers at the face-painting booth will be painting traditional skull designs on guests.\u003c/p>\n\u003cp>The San Mateo County History Museum will also be open at this time and families can step inside to decorate sugar skulls and make their own papel picado decorations.\u003c/p>\n\u003ch2>Healdsburg’s Día de los Muertos Celebration\u003c/h2>\n\u003cp>\u003cstrong>Sunday, Oct. 26\u003c/strong>\u003c/p>\n\u003cp>Community group Corazón Healdsburg will host \u003ca href=\"https://www.facebook.com/events/974029314866436\">a Día de los Muertos celebration\u003c/a> in the city’s main plaza on Oct. 26 from noon to 6 p.m.\u003c/p>\n\u003cp>Families are welcome to bring photos of loved ones to add to the communal ofrenda. There will be plenty of live music, dance performances and face painting throughout the day.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Where to honor Día de los Muertos on Nov. 1 and 2 this year in San Francisco, Oakland and San José.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Photos are placed on ofrendas: colorful handmade altars that hold the favorite food or drink of a late loved one, alongside carefully detailed sugar skulls and plenty of marigolds.\u003c/p>\n\u003cp>\u003cstrong>Jump straight to details of major events:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#OaklandDiadelosMuertosFestival\">Oakland Día de los Muertos Festival\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#DayoftheDeadFestivalofAltarsinSanFrancisco\">Day of the Dead Festival of Altars in San Francisco\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#DayoftheDeadRitualProcessioninSanFrancisco\">Day of the Dead Ritual Procession in San Francisco\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>Thanks to the Bay Area’s large Latino diaspora, there are multiple community celebrations for Día de los Muertos held across the region that are family-friendly and open to all — including those who are just starting to learn more about this tradition.\u003c/p>\n\u003cp>Keep in mind that some events are high-energy celebrations with spaces for dancing and socializing, while others are more solemn occasions that include traditional blessings and spoken word.\u003c/p>\n\u003ch2>\u003ca id=\"OaklandDiadelosMuertosFestival\">\u003c/a>Oakland Día de los Muertos Festival\u003c/h2>\n\u003cp>\u003cstrong>Sunday, Nov. 2\u003c/strong>\u003c/p>\n\u003cp>In terms of attendance — and sheer scale of production — this is by far the biggest celebration for Día de los Muertos in the Bay Area. On Sunday, Nov. 2, nine blocks along International Boulevard in the city’s Fruitvale neighborhood will fill up with giant ofrendas created by local artists, \u003ca href=\"https://www.kqed.org/news/12001199/the-provocative-and-flamboyant-origins-of-lowriding\">lowriders\u003c/a>, live music stages and dozens of booths from community groups as well as local government agencies.\u003c/p>\n\u003cp>Celebrating its 30th anniversary this year, \u003ca href=\"https://diaoakland.com/\">Oakland’s Día de los Muertos Festival\u003c/a> is known to be a place to dance to live banda for hours and reunite with friends you haven’t seen in years — as well as being an event that firmly defends public spaces for immigrant families. This year’s theme is “Aquí Estamos y No Nos Vamos”: “We are here and we are not leaving.”\u003c/p>\n\u003cfigure id=\"attachment_12060282\" class=\"wp-caption aligncenter\" style=\"max-width: 1995px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12060282\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/Dia_photo.jpg\" alt=\"\" width=\"1995\" height=\"998\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/Dia_photo.jpg 1995w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/Dia_photo-160x80.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/Dia_photo-1536x768.jpg 1536w\" sizes=\"auto, (max-width: 1995px) 100vw, 1995px\">\u003cfigcaption class=\"wp-caption-text\">A map of Oakland’s Día de los Muertos Festival on International Blvd.\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca id=\"DayoftheDeadFestivalofAltarsinSanFrancisco\">\u003c/a>Day of the Dead Festival of Altars in San Francisco\u003c/h2>\n\u003cp>\u003cstrong>Sunday, Nov. 2\u003c/strong>\u003c/p>\n\u003cp>For more than 20 years, families have gathered in San Francisco’s Potrero Del Sol Park to install intricately decorated large-scale ofrendas. While honoring loved ones, many of these also address larger political and social questions — like the federal government’s immigration policy or Israel’s invasion of Gaza.\u003c/p>\n\u003cfigure id=\"attachment_11894973\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11894973\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"A collage of photos with pink, green, and yellow paper flowers stands next a small mortar that carries burning sage. A few candles are nearby.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">An altar made by the Young Women’s Freedom Center for people lost to police brutality and gender violence, as well as people who passed through the program, at a Dia de los Muertos celebration in San Francisco’s Mission District on Nov. 2, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Installations will take place from 8 a.m. to 9 p.m. on Nov. 2. You can enter the park through any entrance and walk through the space to observe the ofrendas.\u003c/p>\n\u003cp>At noon, there will be a ceremony, and at 5 p.m., musical performances and poetry readings will begin.\u003c/p>\n\u003cp>\u003ca href=\"https://www.dayofthedeadsf.org/festival-of-altars/#honorsection\">You can also sign up to make your own ofrenda.\u003c/a>\u003c/p>\n\u003ch2>\u003ca id=\"DayoftheDeadRitualProcessioninSanFrancisco\">\u003c/a>Day of the Dead Ritual Procession in San Francisco\u003c/h2>\n\u003cp>\u003cstrong>Sunday, Nov. 2 \u003c/strong>\u003c/p>\n\u003cp>Just a block away from the ofrendas in Potrero Del Sol Park, musicians, artists and culture keepers will march down 24th Street, with thousands of families gathering on the sidewalk to watch.\u003c/p>\n\u003cp>Organized by the community group El Collectivo del Rescate Cultural de La Mission — or Collective to Rescue the Mission’s Culture —ofrendas, cempasúchil and vendors selling handmade crafts fill up almost every block at this event.\u003c/p>\n\u003cfigure id=\"attachment_11894972\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11894972\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"Two people wear face paint and flowers in their hair and look at the camera.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mariah Cativo (left) and Lucy Molina pause for a portrait as they walk along 24th Street in San Francisco’s Mission District during a Dia de los Muertos celebration on Nov. 2, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And while some parts of the procession are quieter and solemn, there will be live bands, dance groups and lowriders moving through too, with performances all over the Mission District through the night.\u003c/p>\n\u003cp>The procession begins at 7 p.m. on Nov. 2 on the corner of 22nd and Bryant Street, then moves to 24th Street, where marchers will stay until they reach Mission Street. At each main intersection, Aztec dancers leading the procession will pause to perform a ritual dance.\u003c/p>\n\u003ch2>\u003ca id=\"DiadelosMuertosattheChildrensDiscoveryMuseumofSanJose\">\u003c/a>Día de los Muertos at the Children’s Discovery Museum of San José\u003c/h2>\n\u003cp>\u003cstrong>Saturday, Nov. 1\u003c/strong>\u003c/p>\n\u003cp>On Nov. 1, the Children’s Discovery Museum in downtown San José will host a family-friendly Día de los Muertos event from 9:30 a.m. to 4:30 p.m.\u003c/p>\n\u003cp>There will be storytelling for children, sand painting, performances by giant skeleton puppets and a procession that interacts with museum installations, including its mammoth skeleton.\u003c/p>\n\u003cp>\u003ca href=\"https://14945.blackbaudhosting.com/14945/page.aspx?pid=196&tab=2&txobjid=196b56dd-e8aa-4160-bb0e-66cae3f3ed91\">Tickets are $18 for both adults and children.\u003c/a>\u003c/p>\n\u003ch2>Tenderloin Street Fair’s Dia de Muertos Celebration, San Francisco\u003c/h2>\n\u003cp>\u003cstrong>Saturday, Nov. 1\u003c/strong>\u003c/p>\n\u003cp>San Francisco’s Tenderloin district is throwing \u003ca href=\"https://www.eventbrite.com/e/tenderloin-street-fair-presents-dia-de-muertos-celebration-2025-tickets-1712459505479?aff=oddtdtcreator\">a free family street fair on Nov. 1 from 2 p.m. to 8 p.m. for Día de los Muertos\u003c/a>, which will offer ofrendas, face painting, Aztec dance, live music and local vendors,\u003c/p>\n\u003cp>There’ll also be a “kids zone” with lucha libre matches, bounce houses and a petting zoo.\u003c/p>\n\u003cp>Tickets are free, but you can \u003ca href=\"https://www.eventbrite.com/e/tenderloin-street-fair-presents-dia-de-muertos-celebration-2025-tickets-1712459505479?aff=oddtdtcreator\">RSVP to receive a free screenprint from Evolved SF\u003c/a> when you arrive (while supplies last.)\u003c/p>\n\u003ch2>Baile de los Muertos at the Mission Cultural Center for Latino Arts, San Francisco\u003c/h2>\n\u003cp>\u003cstrong>Friday, Oct. 31\u003c/strong>\u003c/p>\n\u003cp>Known for its annual exhibition of ofrendas that runs for most of November, \u003ca href=\"https://www.instagram.com/p/DP3z59YgdAD/\">MCCLA is also throwing a dance party\u003c/a> in San Francisco’s Mission District, a block away from 24th Mission BART station, on Oct. 31 from 7 p.m. to 11 p.m.\u003c/p>\n\u003cp>This “perreo fest” will also include plenty of different contests, including competitions for best costume and catrina. Entrance is $5 for ages 16 and up.\u003c/p>\n\u003cp>\u003ca href=\"https://static1.squarespace.com/static/63cb3cd8c3f4173105d0917a/t/68f179aa46ba0625b4da642f/1760655789718/DOTD+-+All+Events+-+IG.jpg\">MCCLA will be hosting other Día de los Muertos programming\u003c/a> throughout October and November.\u003c/p>\n\u003ch2>Redwood City’s Día de los Muertos Celebration\u003c/h2>\n\u003cp>\u003cstrong>Sunday, Nov. 2\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://casacirculocultural.org/adult-initiative/dia-de-los-muertos/\">The biggest Día de los Muertos celebration in San Mateo County\u003c/a> takes place this year in Redwood City’s Courthouse Square on Nov. 2 from 3 p.m. to 8:30 p.m.\u003c/p>\n\u003cp>Dance and musical performances will fill the square, with a special emphasis placed this year on the traditions from the Mexican state of Puebla. Volunteers at the face-painting booth will be painting traditional skull designs on guests.\u003c/p>\n\u003cp>The San Mateo County History Museum will also be open at this time and families can step inside to decorate sugar skulls and make their own papel picado decorations.\u003c/p>\n\u003ch2>Healdsburg’s Día de los Muertos Celebration\u003c/h2>\n\u003cp>\u003cstrong>Sunday, Oct. 26\u003c/strong>\u003c/p>\n\u003cp>Community group Corazón Healdsburg will host \u003ca href=\"https://www.facebook.com/events/974029314866436\">a Día de los Muertos celebration\u003c/a> in the city’s main plaza on Oct. 26 from noon to 6 p.m.\u003c/p>\n\u003cp>Families are welcome to bring photos of loved ones to add to the communal ofrenda. There will be plenty of live music, dance performances and face painting throughout the day.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Finding Joy in Grieving Together at a Día de los Muertos Celebration in Oakland",
"headTitle": "Finding Joy in Grieving Together at a Día de los Muertos Celebration in Oakland | KQED",
"content": "\u003cp>As a kid growing up in Mexico, Luz Islas’s grandparents taught her to make altars for Día de los Muertos, a holiday typically celebrated Nov. 1-2. They explained the significance of the offerings used to adorn the homages to departed loved ones — the food, incense and flowers meant to bridge the distance between our world and the realm beyond.\u003c/p>\n\u003cfigure id=\"attachment_11965657\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-051-BL-KQED.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11965657\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-051-BL-KQED.jpg\" alt=\"A colorful altar of candles, photos, flowers and other decorations.\" width=\"2000\" height=\"1333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-051-BL-KQED.jpg 2000w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-051-BL-KQED-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-051-BL-KQED-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-051-BL-KQED-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-051-BL-KQED-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-051-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A colorful altar with traditional ‘ofrendas’ or offerings like corn husks, marigolds and fruits welcomes visitors to the 29th annual Día de Los Muertos celebration at the Oakland Museum on Oct. 22, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s like feeling them around us,” Islas said, while attending a Día de los Muertos celebration at the Oakland Museum of California in late October, where people viewed the collection of elaborate altars over the melody of mariachi music and the fervent drum beats accompanying a group of Aztec dancers.\u003c/p>\n\u003cp>Every year, Islas, 39, also builds an altar in her home, which she dedicates to her grandparents. She and many other Latinos living in the Bay Area consider the annual custom of making altars and attending community events as key to ensuring this and other cultural holidays are maintained across generations.\u003c/p>\n\u003cfigure id=\"attachment_11965651\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-010-BL-KQED.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11965651\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-010-BL-KQED.jpg\" alt=\"A person with flowers in their hair smiles in a photograph.\" width=\"2000\" height=\"1333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-010-BL-KQED.jpg 2000w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-010-BL-KQED-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-010-BL-KQED-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-010-BL-KQED-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-010-BL-KQED-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-010-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Luz Islas stands in front of an altar during the Día de los Muertos community celebration at the Oakland Museum of California on Oct. 22, 2023. ‘I grew up celebrating Dia de los Muertos at my grandparent’s house. We would all go to the flower market and get the flowers,’ she said. ‘We would put up the Altar together. So I’m celebrating them today.’ \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Feeling their love and support is like bringing them back to life and having that connection,” Islas said.\u003c/p>\n\u003cp>Celebrating the holiday has become particularly poignant following the intense isolation and loss many experienced during the height of the pandemic, during which communities of color were often \u003ca href=\"https://www.kff.org/coronavirus-covid-19/issue-brief/covid-19-cases-deaths-and-vaccinations-by-race-ethnicity-as-of-winter-2022/\">disproportionately impacted\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11966168\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-016-BL-qut.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11966168\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-016-BL-qut.jpg\" alt=\"Two mothers stand over their children who work on art projects at a table.\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-016-BL-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-016-BL-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-016-BL-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-016-BL-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-016-BL-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ali Trejo (center) decorates sugar skulls with her son, Gunnar, 5, during a Día de los Muertos community celebration at the Oakland Museum of California on Oct. 22, 2023. Trejo recently moved to the Bay Area from Southern California and said she was impressed by the diversity of participants at the event. ‘Something that’s really important for us is teaching our children identity. I think this will form a strong foundation for him as he grows up: knowing where he comes from, who he is, and who he’s going to be.’ \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Being in the community is kinda like finding your tribe,” Islas said. “This means something to me, and it’s important to me.”\u003c/p>\n\u003cp>Martina Ayala, executive director of the Mission Cultural Center for Latino Arts in San Francisco, which hosts several community altars, said they are like works of art – expressions of people’s love for their culture.\u003c/p>\n\u003cfigure id=\"attachment_11965655\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-040-BL-KQED.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11965655\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-040-BL-KQED.jpg\" alt=\"A person in a bright green dress dances in front of a large audience.\" width=\"2000\" height=\"1333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-040-BL-KQED.jpg 2000w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-040-BL-KQED-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-040-BL-KQED-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-040-BL-KQED-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-040-BL-KQED-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-040-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A crowd of attendees gather to watch Ballet Folklórico Raices Mexicanas dancers at the Oakland Museum of California on Oct. 22, 2023, during a Día de Los Muertos celebration. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The importance of passing it down to our children, it’s huge. And if you don’t have children, just educating yourself about it, you’re nourishing your cultural self,” she added.\u003c/p>\n\u003cp>These are some of the images from the Oakland Museum’s recent Día de los Muertos celebration that capture the collective joy of those who came to remember and grieve.\u003c/p>\n\u003cfigure id=\"attachment_11965652\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-015-BL-KQED.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11965652\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-015-BL-KQED.jpg\" alt=\"An adult and a child work closely decorating small circular objects.\" width=\"2000\" height=\"1333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-015-BL-KQED.jpg 2000w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-015-BL-KQED-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-015-BL-KQED-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-015-BL-KQED-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-015-BL-KQED-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-015-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ana Ruiz decorates sugar skulls with her daughter Emma, 3, during a Día de los Muertos community celebration at the Oakland Museum of California on Oct. 22, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11965649\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-002-BL-KQED.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11965649\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-002-BL-KQED.jpg\" alt=\"A person with flowers in their hair sings in front of a group of people.\" width=\"2000\" height=\"1333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-002-BL-KQED.jpg 2000w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-002-BL-KQED-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-002-BL-KQED-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-002-BL-KQED-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-002-BL-KQED-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-002-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Gabriela Sepúlveda performs with Mariachi Mexicanísimo de Raymundo Coronado during a Día de los Muertos community celebration at the Oakland Museum of California on Oct. 22, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11965654\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-029-BL-KQED.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11965654\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-029-BL-KQED.jpg\" alt=\"A person crushes corn kernels on a stone surface.\" width=\"2000\" height=\"1333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-029-BL-KQED.jpg 2000w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-029-BL-KQED-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-029-BL-KQED-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-029-BL-KQED-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-029-BL-KQED-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-029-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Wearing a traditional tunic known as a ‘huipil,’ Tatiana Frates demonstrates how to make tortillas during a Día de los Muertos community celebration at the Oakland Museum of California on Oct. 22, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11966169\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-021-BL-qut.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11966169\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-021-BL-qut.jpg\" alt=\"A mother and her daughter look at a work of art.\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-021-BL-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-021-BL-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-021-BL-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-021-BL-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-021-BL-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kimberly Castillo looks at an altar with her daughter Marina, 8, during a Día de los Muertos community celebration at Oakland Museum of California in Oakland on Oct. 22, 2023. ‘We came to celebrate Dia de los Muertos and see all the beautiful altars and remember all of our loved ones that have passed away,’ she said. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"description": "A collection of images from a recent Día de los Muertos celebration at the Oakland Museum of California. ",
"title": "Finding Joy in Grieving Together at a Día de los Muertos Celebration in Oakland | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As a kid growing up in Mexico, Luz Islas’s grandparents taught her to make altars for Día de los Muertos, a holiday typically celebrated Nov. 1-2. They explained the significance of the offerings used to adorn the homages to departed loved ones — the food, incense and flowers meant to bridge the distance between our world and the realm beyond.\u003c/p>\n\u003cfigure id=\"attachment_11965657\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-051-BL-KQED.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11965657\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-051-BL-KQED.jpg\" alt=\"A colorful altar of candles, photos, flowers and other decorations.\" width=\"2000\" height=\"1333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-051-BL-KQED.jpg 2000w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-051-BL-KQED-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-051-BL-KQED-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-051-BL-KQED-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-051-BL-KQED-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-051-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A colorful altar with traditional ‘ofrendas’ or offerings like corn husks, marigolds and fruits welcomes visitors to the 29th annual Día de Los Muertos celebration at the Oakland Museum on Oct. 22, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s like feeling them around us,” Islas said, while attending a Día de los Muertos celebration at the Oakland Museum of California in late October, where people viewed the collection of elaborate altars over the melody of mariachi music and the fervent drum beats accompanying a group of Aztec dancers.\u003c/p>\n\u003cp>Every year, Islas, 39, also builds an altar in her home, which she dedicates to her grandparents. She and many other Latinos living in the Bay Area consider the annual custom of making altars and attending community events as key to ensuring this and other cultural holidays are maintained across generations.\u003c/p>\n\u003cfigure id=\"attachment_11965651\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-010-BL-KQED.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11965651\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-010-BL-KQED.jpg\" alt=\"A person with flowers in their hair smiles in a photograph.\" width=\"2000\" height=\"1333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-010-BL-KQED.jpg 2000w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-010-BL-KQED-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-010-BL-KQED-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-010-BL-KQED-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-010-BL-KQED-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-010-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Luz Islas stands in front of an altar during the Día de los Muertos community celebration at the Oakland Museum of California on Oct. 22, 2023. ‘I grew up celebrating Dia de los Muertos at my grandparent’s house. We would all go to the flower market and get the flowers,’ she said. ‘We would put up the Altar together. So I’m celebrating them today.’ \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Feeling their love and support is like bringing them back to life and having that connection,” Islas said.\u003c/p>\n\u003cp>Celebrating the holiday has become particularly poignant following the intense isolation and loss many experienced during the height of the pandemic, during which communities of color were often \u003ca href=\"https://www.kff.org/coronavirus-covid-19/issue-brief/covid-19-cases-deaths-and-vaccinations-by-race-ethnicity-as-of-winter-2022/\">disproportionately impacted\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11966168\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-016-BL-qut.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11966168\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-016-BL-qut.jpg\" alt=\"Two mothers stand over their children who work on art projects at a table.\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-016-BL-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-016-BL-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-016-BL-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-016-BL-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-016-BL-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ali Trejo (center) decorates sugar skulls with her son, Gunnar, 5, during a Día de los Muertos community celebration at the Oakland Museum of California on Oct. 22, 2023. Trejo recently moved to the Bay Area from Southern California and said she was impressed by the diversity of participants at the event. ‘Something that’s really important for us is teaching our children identity. I think this will form a strong foundation for him as he grows up: knowing where he comes from, who he is, and who he’s going to be.’ \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Being in the community is kinda like finding your tribe,” Islas said. “This means something to me, and it’s important to me.”\u003c/p>\n\u003cp>Martina Ayala, executive director of the Mission Cultural Center for Latino Arts in San Francisco, which hosts several community altars, said they are like works of art – expressions of people’s love for their culture.\u003c/p>\n\u003cfigure id=\"attachment_11965655\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-040-BL-KQED.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11965655\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-040-BL-KQED.jpg\" alt=\"A person in a bright green dress dances in front of a large audience.\" width=\"2000\" height=\"1333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-040-BL-KQED.jpg 2000w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-040-BL-KQED-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-040-BL-KQED-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-040-BL-KQED-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-040-BL-KQED-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-040-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A crowd of attendees gather to watch Ballet Folklórico Raices Mexicanas dancers at the Oakland Museum of California on Oct. 22, 2023, during a Día de Los Muertos celebration. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The importance of passing it down to our children, it’s huge. And if you don’t have children, just educating yourself about it, you’re nourishing your cultural self,” she added.\u003c/p>\n\u003cp>These are some of the images from the Oakland Museum’s recent Día de los Muertos celebration that capture the collective joy of those who came to remember and grieve.\u003c/p>\n\u003cfigure id=\"attachment_11965652\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-015-BL-KQED.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11965652\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-015-BL-KQED.jpg\" alt=\"An adult and a child work closely decorating small circular objects.\" width=\"2000\" height=\"1333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-015-BL-KQED.jpg 2000w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-015-BL-KQED-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-015-BL-KQED-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-015-BL-KQED-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-015-BL-KQED-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-015-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ana Ruiz decorates sugar skulls with her daughter Emma, 3, during a Día de los Muertos community celebration at the Oakland Museum of California on Oct. 22, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11965649\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-002-BL-KQED.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11965649\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-002-BL-KQED.jpg\" alt=\"A person with flowers in their hair sings in front of a group of people.\" width=\"2000\" height=\"1333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-002-BL-KQED.jpg 2000w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-002-BL-KQED-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-002-BL-KQED-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-002-BL-KQED-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-002-BL-KQED-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-002-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Gabriela Sepúlveda performs with Mariachi Mexicanísimo de Raymundo Coronado during a Día de los Muertos community celebration at the Oakland Museum of California on Oct. 22, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11965654\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-029-BL-KQED.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11965654\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-029-BL-KQED.jpg\" alt=\"A person crushes corn kernels on a stone surface.\" width=\"2000\" height=\"1333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-029-BL-KQED.jpg 2000w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-029-BL-KQED-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-029-BL-KQED-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-029-BL-KQED-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-029-BL-KQED-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/10/231022-DayoftheDeadOMCA-029-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Wearing a traditional tunic known as a ‘huipil,’ Tatiana Frates demonstrates how to make tortillas during a Día de los Muertos community celebration at the Oakland Museum of California on Oct. 22, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11966169\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-021-BL-qut.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11966169\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-021-BL-qut.jpg\" alt=\"A mother and her daughter look at a work of art.\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-021-BL-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-021-BL-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-021-BL-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-021-BL-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231022-DayoftheDeadOMCA-021-BL-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kimberly Castillo looks at an altar with her daughter Marina, 8, during a Día de los Muertos community celebration at Oakland Museum of California in Oakland on Oct. 22, 2023. ‘We came to celebrate Dia de los Muertos and see all the beautiful altars and remember all of our loved ones that have passed away,’ she said. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Like many California flower farmers, Lupe Rico has been in a frenzy over the last few days — cutting most of the 30,000 marigolds he grew on his Colma farm in time to sell for Día de los Muertos celebrations.\u003c/p>\n\u003cp>“This year, we grow a lot because we always come up short,” says Rico, a second-generation farmer. “We put some more this year, and we’re going to see what happens.” [pullquote size=\"medium\" align=\"right\" citation=\"Lupe Rico, second-generation farmer in Colma\"]‘You’re going to see orange everywhere.’[/pullquote]It’s impossible to imagine \u003ca href=\"https://www.kqed.org/news/tag/dia-de-los-muertos\">Día de los Muertos\u003c/a>, which begins Wednesday, without marigolds. These many-petaled flowers adorn the altars made for the holiday. The flowers’ bright orange color and sweet, earthy smell are believed to help lure the souls of the dead from their graves.\u003c/p>\n\u003cp>Rico sells his flowers at the San Francisco Flower Market, a wholesale market housed in a row of cavernous warehouses in the city’s SOMA neighborhood. The market has over 4,000 registered buyers.\u003c/p>\n\u003cp>In the days before the holiday, Rico says, the warehouse will fill up with marigolds.\u003c/p>\n\u003cp>“You’re going to see orange everywhere,” he added.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Many regional flower wholesalers say marigold sales have gone up in the past few years. One likely reason is the 2017 Disney film \u003cem>Coco\u003c/em> about Día de los Muertos.\u003c/p>\n\u003cp>“This is kind of funny, but I will say after \u003cem>Coco\u003c/em>, [there’s been an] increase of people interested in the traditional Mexican Day of the Dead. It’s been so popular,” says Raul Dueñas, the account manager for Rafa’s Wholesale Flowers, which also sells at the SF Flower Market.\u003c/p>\n\u003cp>Dueñas, also a floral designer, says a spate of restaurants, schools and hotels have been asking him to install marigold displays this year, and his business expects to sell 2,000 more bunches than they did last year.\u003c/p>\n\u003cfigure id=\"attachment_11965704\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11965704\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-04-BL-KQED.jpg\" alt=\"Bunches of marigolds in plastic wrapping.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-04-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-04-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-04-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-04-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-04-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-04-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Marigolds sit on display at Rafa’s Wholesale at the San Francisco Flower Market in San Francisco on Oct. 26, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lisa Filice, the owner of Regional Farms, a flower wholesaler based in Gilroy, says she’s noticed a notable uptick in marigold sales, too.\u003c/p>\n\u003cp>“If Walmart has Día de los Muertos decorations, it must be big, right?” she says.\u003c/p>\n\u003cp>Among the Bay Area’s rapidly growing Indian population, marigolds are also often used in wedding garlands and for the holiday Diwali, which falls on Nov. 12 this year.\u003c/p>\n\u003cp>“Whether it’s driven by supply or driven by demand, it’s clear that we’re selling more and more marigolds,” says Alexander Peter Bottemanne, a flower industry consultant. [aside postID=news_11930492 hero='https://ww2.kqed.org/app/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-1020x680.jpg']According to Bottemanne, in recent years, Ecuador has emerged as a major exporter of marigolds and other flowers that used to be grown in California. He says higher land prices in California have caused many flower farmers to sell their land or switch to more profitable crops than flowers.\u003c/p>\n\u003cp>Despite the uptick, marigolds aren’t driving huge profits for most local florists, like Mauricio Vivas, owner of Tony Rossi and Sons Flower Shop in Oakland’s Fruitvale neighborhood.\u003c/p>\n\u003cp>“Our sales probably go up maybe about 10%,” he says. “It’s not that much of an increase in our sales just because of the price of the flower. It’s not a very expensive flower.”\u003c/p>\n\u003cp>One bunch of marigolds sells for about $10 to $15, as compared to a bunch of roses, which sells for more than twice that amount.\u003c/p>\n\u003cp>But Vivas contends it’s still worth having the festive orange flowers on hand. [pullquote size=\"medium\" align=\"right\" citation=\"Mauricio Vivas, owner, Tony Rossi and Sons Flower Shop in Oakland\"]‘It’s like if I would have been there when my actual ancestors were doing the same rituals that we are doing now. I feel like I was there too.’[/pullquote]“It brings people, and then they buy something else that we have at the store,” he says, pointing to papel picado, candles and other items typically used to decorate community altars and private ones in the neighborhood.\u003c/p>\n\u003cp>Vivas, who is from Michoacán, Mexico, also has a personal connection to marigolds. When he picks up a bunch of them, he says, the hairs on the back of his arm stand up.\u003c/p>\n\u003cp>“It’s like if I would have been there when my actual ancestors were doing the same rituals that we are doing now,” he says. “I feel like I was there too.”\u003c/p>\n\u003cp>Vivas added that he just loves marigolds.\u003c/p>\n\u003cfigure id=\"attachment_11965705\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11965705\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-07-BL-KQED.jpg\" alt=\"A person reaches for something beween bouquets of marigolds in a large indoor setting.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-07-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-07-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-07-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-07-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-07-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-07-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Lupe Rico helps customers with marigolds at Lupe Farms at the San Francisco Flower Market in San Francisco on Oct. 26, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“If you see this flower from far away, it will just brighten up your eyes. It’ll just kind of make you happy,” he says. [pullquote size=\"medium\" align=\"right\" citation=\"Lupe Rico, second-generation farmer in Colma\"]‘So when I’m cutting flowers right now, I say, ‘Dad, I’m cutting the flower that you used to cut. I feel in peace.’[/pullquote]Lupe Rico, the farmer from Colma, says he’s made an altar to remember his father, who died this year and whom he worked alongside at their farm for over 40 years.\u003c/p>\n\u003cp>“So when I’m cutting flowers right now, I say, ‘Dad, I’m cutting the flower that you used to cut,’” he says, holding back tears. “I feel in peace.”\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Like many California flower farmers, Lupe Rico has been in a frenzy over the last few days — cutting most of the 30,000 marigolds he grew on his Colma farm in time to sell for Día de los Muertos celebrations.\u003c/p>\n\u003cp>“This year, we grow a lot because we always come up short,” says Rico, a second-generation farmer. “We put some more this year, and we’re going to see what happens.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>It’s impossible to imagine \u003ca href=\"https://www.kqed.org/news/tag/dia-de-los-muertos\">Día de los Muertos\u003c/a>, which begins Wednesday, without marigolds. These many-petaled flowers adorn the altars made for the holiday. The flowers’ bright orange color and sweet, earthy smell are believed to help lure the souls of the dead from their graves.\u003c/p>\n\u003cp>Rico sells his flowers at the San Francisco Flower Market, a wholesale market housed in a row of cavernous warehouses in the city’s SOMA neighborhood. The market has over 4,000 registered buyers.\u003c/p>\n\u003cp>In the days before the holiday, Rico says, the warehouse will fill up with marigolds.\u003c/p>\n\u003cp>“You’re going to see orange everywhere,” he added.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Many regional flower wholesalers say marigold sales have gone up in the past few years. One likely reason is the 2017 Disney film \u003cem>Coco\u003c/em> about Día de los Muertos.\u003c/p>\n\u003cp>“This is kind of funny, but I will say after \u003cem>Coco\u003c/em>, [there’s been an] increase of people interested in the traditional Mexican Day of the Dead. It’s been so popular,” says Raul Dueñas, the account manager for Rafa’s Wholesale Flowers, which also sells at the SF Flower Market.\u003c/p>\n\u003cp>Dueñas, also a floral designer, says a spate of restaurants, schools and hotels have been asking him to install marigold displays this year, and his business expects to sell 2,000 more bunches than they did last year.\u003c/p>\n\u003cfigure id=\"attachment_11965704\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11965704\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-04-BL-KQED.jpg\" alt=\"Bunches of marigolds in plastic wrapping.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-04-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-04-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-04-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-04-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-04-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-04-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Marigolds sit on display at Rafa’s Wholesale at the San Francisco Flower Market in San Francisco on Oct. 26, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lisa Filice, the owner of Regional Farms, a flower wholesaler based in Gilroy, says she’s noticed a notable uptick in marigold sales, too.\u003c/p>\n\u003cp>“If Walmart has Día de los Muertos decorations, it must be big, right?” she says.\u003c/p>\n\u003cp>Among the Bay Area’s rapidly growing Indian population, marigolds are also often used in wedding garlands and for the holiday Diwali, which falls on Nov. 12 this year.\u003c/p>\n\u003cp>“Whether it’s driven by supply or driven by demand, it’s clear that we’re selling more and more marigolds,” says Alexander Peter Bottemanne, a flower industry consultant. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>According to Bottemanne, in recent years, Ecuador has emerged as a major exporter of marigolds and other flowers that used to be grown in California. He says higher land prices in California have caused many flower farmers to sell their land or switch to more profitable crops than flowers.\u003c/p>\n\u003cp>Despite the uptick, marigolds aren’t driving huge profits for most local florists, like Mauricio Vivas, owner of Tony Rossi and Sons Flower Shop in Oakland’s Fruitvale neighborhood.\u003c/p>\n\u003cp>“Our sales probably go up maybe about 10%,” he says. “It’s not that much of an increase in our sales just because of the price of the flower. It’s not a very expensive flower.”\u003c/p>\n\u003cp>One bunch of marigolds sells for about $10 to $15, as compared to a bunch of roses, which sells for more than twice that amount.\u003c/p>\n\u003cp>But Vivas contends it’s still worth having the festive orange flowers on hand. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“It brings people, and then they buy something else that we have at the store,” he says, pointing to papel picado, candles and other items typically used to decorate community altars and private ones in the neighborhood.\u003c/p>\n\u003cp>Vivas, who is from Michoacán, Mexico, also has a personal connection to marigolds. When he picks up a bunch of them, he says, the hairs on the back of his arm stand up.\u003c/p>\n\u003cp>“It’s like if I would have been there when my actual ancestors were doing the same rituals that we are doing now,” he says. “I feel like I was there too.”\u003c/p>\n\u003cp>Vivas added that he just loves marigolds.\u003c/p>\n\u003cfigure id=\"attachment_11965705\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11965705\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-07-BL-KQED.jpg\" alt=\"A person reaches for something beween bouquets of marigolds in a large indoor setting.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-07-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-07-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-07-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-07-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-07-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/10/231026-DayoftheDeadMarigolds-07-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Lupe Rico helps customers with marigolds at Lupe Farms at the San Francisco Flower Market in San Francisco on Oct. 26, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“If you see this flower from far away, it will just brighten up your eyes. It’ll just kind of make you happy,” he says. \u003c/p>\u003c/div>",
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"content": "‘So when I’m cutting flowers right now, I say, ‘Dad, I’m cutting the flower that you used to cut. I feel in peace.’",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Lupe Rico, the farmer from Colma, says he’s made an altar to remember his father, who died this year and whom he worked alongside at their farm for over 40 years.\u003c/p>\n\u003cp>“So when I’m cutting flowers right now, I say, ‘Dad, I’m cutting the flower that you used to cut,’” he says, holding back tears. “I feel in peace.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "How a Childhood Prank Accidentally Helped My Newly Widowed Grandmother Face Her Grief",
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"content": "\u003cp>\u003cem>JP Frary is a storyteller and woodworker who creates art in a studio on the old Naval air base in Alameda. Frary has won six Moth StorySlams, StorySlam Oakland and Westside Stories and has been a featured storyteller on BackPocket Productions, Beyond Borders Storytelling and Six Feet Apart Productions.\u003c/em>\u003c/p>\n\u003cp>\u003cem>In honor of Day of the Dead and Halloween, he brings us this tale from his childhood in Mendocino County — about spirits, and a couple of mischievous kids.\u003c/em>\u003c/p>\n\u003cp>I had to give up my bedroom to our Super-Sad Grandma when she came to live with us a year after Grandpa died. Us kids never called her that to her face, but always behind her back. Even my parents started calling her Super-Sad Grandma whenever she would stay locked up in my bedroom, which was most days.\u003c/p>\n\u003cp>My mom would say something like, ”Go tell Super-Sad Grandma that dinner’s ready. I mean, go get your grandmother for dinner.” Grandma was still wearing black dresses every day and she went to church a lot.\u003c/p>\n\u003cp>So I got moved into the attic with the slanted ceilings where you could only stand up straight if you were in the middle of the room. It had these exposed, splintery rafters that I kept bumping my head on, and the furnace was up there and it looked like some sort of giant mechanical octopus with all the pipes heading off in different directions.\u003c/p>\n\u003cp>I protested the move at first, because it was creepy up there, but my sisters already shared a room and there was no way Super-Sad Grandma could climb the ladder up to the attic.\u003c/p>\n\u003cp>I was 12 then. And I wasn’t getting along with my sisters. They were some kind of unified front that always voted against me whenever my folks let us choose anything. If I wanted to play Monopoly, they voted for Mystery Date. If I wanted fish sticks for dinner, they said macaroni and cheese. I wanted a dog … they made us get a cat.\u003c/p>\n\u003cp>I felt isolated and outnumbered.\u003c/p>\n\u003cp>So the greatest day of my life was when my cousin Dennis’ parents got divorced. I don’t mean that like it sounds. I’m sure it was terribly sad for them and for him, too, but his parents were so flat broke and each of them was trying to figure out their own lives, that neither his mom or his dad could take him with them yet.\u003c/p>\n\u003cp>I begged my parents to let Dennis live with us.\u003c/p>\n\u003cp>He was my age and he was the closest thing I had in the world to a brother. The day he climbed that creaky ladder into the attic, it was like winning the lottery.\u003c/p>\n\u003cfigure id=\"attachment_11930944\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/Paddy-Caps.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11930944\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/Paddy-Caps-800x781.jpeg\" alt=\"A vintage photo of two boys. The boy on the left has his arm around the boy on the right.\" width=\"800\" height=\"781\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Paddy-Caps-800x781.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Paddy-Caps-160x156.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Paddy-Caps.jpeg 985w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Cousins Dennis Goebel (left) and JP Frary wearing the ‘Paddy caps’ their grandparents brought back from Ireland, circa 1977. \u003ccite>(Courtesy of JP Frary)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>We went everywhere together, riding bikes through the orchard to talk with neighbor girls who smoked cigarettes and catching a bunch of crawdads in the Russian River and letting them all go in the same deep pool to see if they’d fight. Sometimes we’d even outvote my sisters and get to watch a Western or professional wrestling on the TV. It was the answer to my prayers — to have an instant brother.\u003c/p>\n\u003cp>Every night, we’d lie in our beds up in the attic and talk and talk and talk until one of us fell asleep. There was a furnace pipe that ran right next to Dennis’ bed, and one night, long after we’d been yelled at to go to sleep for the fifth time, he cocked his head and said, “I can hear Johnny Carson.”\u003c/p>\n\u003cp>My parents were in the living room watching TV, and the furnace pipe next to Dennis’ bed led directly to a vent over the couch they were sitting on. The two of us put our ears against the metal furnace pipe and we could make out every word Johnny was saying. His guest that night was Robin Williams. We stayed glued at the hip with our heads on the furnace pipe until the closing music.\u003c/p>\n\u003cp>The next day, we went from pipe to pipe to pipe putting our ears up against them. We could hear into every room in the entire house. We listened to my sister talk on the phone in the kitchen. We listened to my mom and dad argue about whether or not to buy a second car. And we listened to Super-Sad Grandma whispering words we could not make out at all, until we realized just by the rhythm that she was saying the Rosary prayer over and over: “Hail Mary, full of grace, the Lord is with thee … ”\u003c/p>\n\u003cp>At first, we just listened, to listen. But being 12-year-old boys, it quickly escalated to full-on spying. It became our evening entertainment. We both learned about menstruation from listening to my mom explain what was going on to my younger sister’s body to her, but we couldn’t let on that we knew she had just gotten her first period.\u003c/p>\n\u003cp>Because we were spies.\u003c/p>\n\u003cp>Tracing the pipes back to the furnace, we saw that each pipe had a big sliding gate before it attached to the metal housing. And we realized that you could pull the door open on this gate and, not only was the sound clearer, but you could send sound the other way, too.\u003c/p>\n\u003cp>So Dennis could be down in the kitchen getting us root beers and I could say into the pipe, “Get Ding Dongs and corn chips, too.” And he could hear me. It became a big game where we were talking to each other all over the house without anyone knowing.\u003c/p>\n\u003cfigure id=\"attachment_11930945\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/JP-and-Dennis-in-kitchen-e1667417652569.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11930945\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/JP-and-Dennis-in-kitchen-e1667417652569-800x1181.jpeg\" alt=\"Two young men wearing white shirts in a kitchen with one holding a cooking tool in a bowl.\" width=\"800\" height=\"1181\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/JP-and-Dennis-in-kitchen-e1667417652569-800x1181.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/JP-and-Dennis-in-kitchen-e1667417652569-160x236.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/JP-and-Dennis-in-kitchen-e1667417652569.jpeg 996w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The author (left) and his cousin/best friend, Dennis Goebel, causing trouble in the kitchen, circa 1980. \u003ccite>(Courtesy of JP Frary)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It was the week before Halloween and the whole family, except Super-Sad Grandma, was watching “Night of the Living Dead,” when my older sister just out of the blue said she didn’t believe in ghosts or zombies. The way she said it, it was like she was saying that Dennis and I \u003cem>did\u003c/em> believe in ghosts or zombies. I made eye contact with him, and I think we both had the same idea at exactly the same time.\u003c/p>\n\u003cp>When the movie was over, Dennis and I went straight up the ladder and right to the pipe that connects to my sisters’ room and listened in. We waited until we thought we heard my sisters get in bed, and once we didn’t hear them moving around, we started making moaning ghost sounds.\u003c/p>\n\u003cp>“Ooooh. Oooooooh,” we moaned, and then we listened. But we didn’t hear anything. So we made more sounds.\u003c/p>\n\u003cp>“Ooooh. Oooh,” we tried again, and then we listened. But we didn’t hear them scream or anything.\u003c/p>\n\u003cp>And I don’t know where it came from, but I started whispering really loudly, “I’m waiting for you. I’m waaaaaitinnnng for yooooouu!”\u003c/p>\n\u003cp>We went on and on for 20 minutes and there was no reaction from their room. And that’s when I noticed that the furnace pipe door to my old bedroom, which was now Super-Sad Grandma’s, was also open. We had been sending ghost sounds to her, too.\u003c/p>\n\u003cp>I snuck down the ladder and saw my sisters at the dining room table sitting cross-legged on the floor in front of my mom, who was braiding their hair. So they weren’t even in their room. And I looked at my old bedroom door, but it was shut and I couldn’t see any light coming from underneath. So I just crept back up the ladder.\u003c/p>\n\u003cfigure id=\"attachment_11930946\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/Bob-and-Evelyn-Hunt-scaled.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11930946\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/Bob-and-Evelyn-Hunt-800x1165.jpeg\" alt=\"A woman wearing glasses and black shirt with a white collar has her hands on a man wearing glasses wearing a white sweater.\" width=\"800\" height=\"1165\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Bob-and-Evelyn-Hunt-800x1165.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Bob-and-Evelyn-Hunt-1020x1485.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Bob-and-Evelyn-Hunt-160x233.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Bob-and-Evelyn-Hunt-1055x1536.jpeg 1055w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Bob-and-Evelyn-Hunt-1407x2048.jpeg 1407w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Bob-and-Evelyn-Hunt-scaled.jpeg 1758w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The author’s grandparents, Evelyn and Bob Hunt. Their love for each other spans this world and the next, circa late 1970s. \u003ccite>(Courtesy of JP Frary)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The next morning at breakfast, Super-Sad Grandma wasn’t wearing a black dress. She had on regular grandma clothes. And she looked a lot less sad somehow.\u003c/p>\n\u003cp>My dad asked her how she was feeling, and she said, “I finally got an answer back from Grandpa. He said he will wait for me.”\u003c/p>\n\u003cp>To this day I don’t know if she knew it was me and my cousin Dennis and not Grandpa, speaking to her from the great beyond. But I do know she never wore black again.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>JP Frary is a storyteller and woodworker who creates art in a studio on the old Naval air base in Alameda. Frary has won six Moth StorySlams, StorySlam Oakland and Westside Stories and has been a featured storyteller on BackPocket Productions, Beyond Borders Storytelling and Six Feet Apart Productions.\u003c/em>\u003c/p>\n\u003cp>\u003cem>In honor of Day of the Dead and Halloween, he brings us this tale from his childhood in Mendocino County — about spirits, and a couple of mischievous kids.\u003c/em>\u003c/p>\n\u003cp>I had to give up my bedroom to our Super-Sad Grandma when she came to live with us a year after Grandpa died. Us kids never called her that to her face, but always behind her back. Even my parents started calling her Super-Sad Grandma whenever she would stay locked up in my bedroom, which was most days.\u003c/p>\n\u003cp>My mom would say something like, ”Go tell Super-Sad Grandma that dinner’s ready. I mean, go get your grandmother for dinner.” Grandma was still wearing black dresses every day and she went to church a lot.\u003c/p>\n\u003cp>So I got moved into the attic with the slanted ceilings where you could only stand up straight if you were in the middle of the room. It had these exposed, splintery rafters that I kept bumping my head on, and the furnace was up there and it looked like some sort of giant mechanical octopus with all the pipes heading off in different directions.\u003c/p>\n\u003cp>I protested the move at first, because it was creepy up there, but my sisters already shared a room and there was no way Super-Sad Grandma could climb the ladder up to the attic.\u003c/p>\n\u003cp>I was 12 then. And I wasn’t getting along with my sisters. They were some kind of unified front that always voted against me whenever my folks let us choose anything. If I wanted to play Monopoly, they voted for Mystery Date. If I wanted fish sticks for dinner, they said macaroni and cheese. I wanted a dog … they made us get a cat.\u003c/p>\n\u003cp>I felt isolated and outnumbered.\u003c/p>\n\u003cp>So the greatest day of my life was when my cousin Dennis’ parents got divorced. I don’t mean that like it sounds. I’m sure it was terribly sad for them and for him, too, but his parents were so flat broke and each of them was trying to figure out their own lives, that neither his mom or his dad could take him with them yet.\u003c/p>\n\u003cp>I begged my parents to let Dennis live with us.\u003c/p>\n\u003cp>He was my age and he was the closest thing I had in the world to a brother. The day he climbed that creaky ladder into the attic, it was like winning the lottery.\u003c/p>\n\u003cfigure id=\"attachment_11930944\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/Paddy-Caps.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11930944\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/Paddy-Caps-800x781.jpeg\" alt=\"A vintage photo of two boys. The boy on the left has his arm around the boy on the right.\" width=\"800\" height=\"781\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Paddy-Caps-800x781.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Paddy-Caps-160x156.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Paddy-Caps.jpeg 985w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Cousins Dennis Goebel (left) and JP Frary wearing the ‘Paddy caps’ their grandparents brought back from Ireland, circa 1977. \u003ccite>(Courtesy of JP Frary)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>We went everywhere together, riding bikes through the orchard to talk with neighbor girls who smoked cigarettes and catching a bunch of crawdads in the Russian River and letting them all go in the same deep pool to see if they’d fight. Sometimes we’d even outvote my sisters and get to watch a Western or professional wrestling on the TV. It was the answer to my prayers — to have an instant brother.\u003c/p>\n\u003cp>Every night, we’d lie in our beds up in the attic and talk and talk and talk until one of us fell asleep. There was a furnace pipe that ran right next to Dennis’ bed, and one night, long after we’d been yelled at to go to sleep for the fifth time, he cocked his head and said, “I can hear Johnny Carson.”\u003c/p>\n\u003cp>My parents were in the living room watching TV, and the furnace pipe next to Dennis’ bed led directly to a vent over the couch they were sitting on. The two of us put our ears against the metal furnace pipe and we could make out every word Johnny was saying. His guest that night was Robin Williams. We stayed glued at the hip with our heads on the furnace pipe until the closing music.\u003c/p>\n\u003cp>The next day, we went from pipe to pipe to pipe putting our ears up against them. We could hear into every room in the entire house. We listened to my sister talk on the phone in the kitchen. We listened to my mom and dad argue about whether or not to buy a second car. And we listened to Super-Sad Grandma whispering words we could not make out at all, until we realized just by the rhythm that she was saying the Rosary prayer over and over: “Hail Mary, full of grace, the Lord is with thee … ”\u003c/p>\n\u003cp>At first, we just listened, to listen. But being 12-year-old boys, it quickly escalated to full-on spying. It became our evening entertainment. We both learned about menstruation from listening to my mom explain what was going on to my younger sister’s body to her, but we couldn’t let on that we knew she had just gotten her first period.\u003c/p>\n\u003cp>Because we were spies.\u003c/p>\n\u003cp>Tracing the pipes back to the furnace, we saw that each pipe had a big sliding gate before it attached to the metal housing. And we realized that you could pull the door open on this gate and, not only was the sound clearer, but you could send sound the other way, too.\u003c/p>\n\u003cp>So Dennis could be down in the kitchen getting us root beers and I could say into the pipe, “Get Ding Dongs and corn chips, too.” And he could hear me. It became a big game where we were talking to each other all over the house without anyone knowing.\u003c/p>\n\u003cfigure id=\"attachment_11930945\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/JP-and-Dennis-in-kitchen-e1667417652569.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11930945\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/JP-and-Dennis-in-kitchen-e1667417652569-800x1181.jpeg\" alt=\"Two young men wearing white shirts in a kitchen with one holding a cooking tool in a bowl.\" width=\"800\" height=\"1181\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/JP-and-Dennis-in-kitchen-e1667417652569-800x1181.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/JP-and-Dennis-in-kitchen-e1667417652569-160x236.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/JP-and-Dennis-in-kitchen-e1667417652569.jpeg 996w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The author (left) and his cousin/best friend, Dennis Goebel, causing trouble in the kitchen, circa 1980. \u003ccite>(Courtesy of JP Frary)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It was the week before Halloween and the whole family, except Super-Sad Grandma, was watching “Night of the Living Dead,” when my older sister just out of the blue said she didn’t believe in ghosts or zombies. The way she said it, it was like she was saying that Dennis and I \u003cem>did\u003c/em> believe in ghosts or zombies. I made eye contact with him, and I think we both had the same idea at exactly the same time.\u003c/p>\n\u003cp>When the movie was over, Dennis and I went straight up the ladder and right to the pipe that connects to my sisters’ room and listened in. We waited until we thought we heard my sisters get in bed, and once we didn’t hear them moving around, we started making moaning ghost sounds.\u003c/p>\n\u003cp>“Ooooh. Oooooooh,” we moaned, and then we listened. But we didn’t hear anything. So we made more sounds.\u003c/p>\n\u003cp>“Ooooh. Oooh,” we tried again, and then we listened. But we didn’t hear them scream or anything.\u003c/p>\n\u003cp>And I don’t know where it came from, but I started whispering really loudly, “I’m waiting for you. I’m waaaaaitinnnng for yooooouu!”\u003c/p>\n\u003cp>We went on and on for 20 minutes and there was no reaction from their room. And that’s when I noticed that the furnace pipe door to my old bedroom, which was now Super-Sad Grandma’s, was also open. We had been sending ghost sounds to her, too.\u003c/p>\n\u003cp>I snuck down the ladder and saw my sisters at the dining room table sitting cross-legged on the floor in front of my mom, who was braiding their hair. So they weren’t even in their room. And I looked at my old bedroom door, but it was shut and I couldn’t see any light coming from underneath. So I just crept back up the ladder.\u003c/p>\n\u003cfigure id=\"attachment_11930946\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/Bob-and-Evelyn-Hunt-scaled.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11930946\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/Bob-and-Evelyn-Hunt-800x1165.jpeg\" alt=\"A woman wearing glasses and black shirt with a white collar has her hands on a man wearing glasses wearing a white sweater.\" width=\"800\" height=\"1165\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Bob-and-Evelyn-Hunt-800x1165.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Bob-and-Evelyn-Hunt-1020x1485.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Bob-and-Evelyn-Hunt-160x233.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Bob-and-Evelyn-Hunt-1055x1536.jpeg 1055w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Bob-and-Evelyn-Hunt-1407x2048.jpeg 1407w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/11/Bob-and-Evelyn-Hunt-scaled.jpeg 1758w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The author’s grandparents, Evelyn and Bob Hunt. Their love for each other spans this world and the next, circa late 1970s. \u003ccite>(Courtesy of JP Frary)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The next morning at breakfast, Super-Sad Grandma wasn’t wearing a black dress. She had on regular grandma clothes. And she looked a lot less sad somehow.\u003c/p>\n\u003cp>My dad asked her how she was feeling, and she said, “I finally got an answer back from Grandpa. He said he will wait for me.”\u003c/p>\n\u003cp>To this day I don’t know if she knew it was me and my cousin Dennis and not Grandpa, speaking to her from the great beyond. But I do know she never wore black again.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "'We Dance United': Aztec Dance Troupes Preserve a Proud Heritage for Bay Area's Latinx Community",
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"content": "\u003cp>This week, communities across California celebrated Día de los Muertos, or Day of the Dead, with processions and ceremonies honoring the loved ones they've lost. In San Francisco’s Mission District, festivities kicked off with Aztec dance troupes blessing altars on 24th Street.\u003c/p>\n\u003cp>“You were born in these traditions and this is what's going to surround you to the day you die,” said Chabela Sanchez, who performs with Danza Azteca Xitlalli and has danced in events like these for more than 30 years. “You will be surrounded by the ancestors and prayer in this way. So we're going to bless you with the ceremony.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>For some Mexican Americans, Aztec dancing helps them feel connected to their Indigenous roots. But if you see a performance and notice a crucifix being held or a guitarist strumming religious hymns in Spanish, those are European symbols and traditions.\u003c/p>\n\u003cp>“So even though there's a Catholic image behind it, there's that syncretism of why it had to be,” said Sanchez. “To be able to survive and be preserved.”[pullquote align=\"right\" size=\"medium\" citation=\"Roberto Vargas, Aztec dancer\"]'Danza represents the cosmos, and the cosmos has an order.'[/pullquote]\u003ca href=\"https://www.mexicolore.co.uk/aztecs/spanish-invasion/syncretism-aztec-christians\">Syncretism\u003c/a>, Sanchez explained, is the blending of two contradictory religious traditions. To keep dance traditions, Aztec performers trying to protect their Indigenous spiritual roots often concealed them under the guise of Catholicism, which helped divert unwanted hostility from Spanish colonizers.\u003c/p>\n\u003cp>These days some Indigenous people with roots in Latin America still practice some aspects of Catholicism as well as Indigenous traditions, and many Aztec troupes reflect a melding of those two religious traditions in their ceremonies throughout the year.\u003c/p>\n\u003ch2>Xilonen ceremony\u003c/h2>\n\u003cp>In addition to Day of the Dead festivities, Aztec dancers perform at ceremonies throughout the year. During the summer solstice, drummers and dancers are key to the Xilonen, or the ceremony of the young corn, which is a coming-of-age ceremony for Latinx teenagers.\u003c/p>\n\u003cp>“It really is kind of an Aztec quinceañera,” said Sanchez. “Our girls run from ages 13 to 17.”\u003c/p>\n\u003cp>At this summer’s Xilonen in the SOMA neighborhood of San Francisco, different dance troupes, each in their own matching Indigenous regalia, performed at a local park as part of an event hosted by Danza Azteca Xitlalli. Five teens in white knee-length dresses donned colorful feathers on their wrists and crowns made of corn husks, as Aztec dancers encircled them.\u003c/p>\n\u003cp>The Xilonen ceremony is one of many annual cultural milestones hosted by an Aztec dance troupe rather than by a family or a church.\u003c/p>\n\u003ch2>Dancing nonstop for 30 hours\u003c/h2>\n\u003cp>At least five Aztec dance troupes in San Francisco perform their own ceremonies throughout the year.\u003c/p>\n\u003cp>It can be a big commitment for the dancers, who sometimes get called at a moment’s notice to support a birth or death ceremony.\u003c/p>\n\u003cp>“One of the kids that grew up here on the street died,” said Louie Gutierrez, director of Danza Azteca Coyolxauhqui, who lives in the Mission. “So they wanted to do a ritual for them, burn some sage, some copal.”\u003c/p>\n\u003cfigure id=\"attachment_11931036\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg class=\"size-full wp-image-11931036\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/012_Calle24_PaseoArtistico_12092017_7693-scaled.jpg\" alt=\"Aztec dancer in traditional dresswith head raised dances with others in a Mission District alley surrounded by colorful murals\" width=\"2560\" height=\"1703\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/012_Calle24_PaseoArtistico_12092017_7693-scaled.jpg 2560w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/012_Calle24_PaseoArtistico_12092017_7693-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/012_Calle24_PaseoArtistico_12092017_7693-1020x679.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/012_Calle24_PaseoArtistico_12092017_7693-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/012_Calle24_PaseoArtistico_12092017_7693-1536x1022.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/012_Calle24_PaseoArtistico_12092017_7693-2048x1363.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/012_Calle24_PaseoArtistico_12092017_7693-1920x1278.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Louie Gutierrez (foreground), director of Danza Azteca Coyolxauhqui, and other Aztec dancers commemorate the Day of the Virgin Guadalupe by dancing in front of murals depicting the Virgin of Guadalupe around the Mission District during Paseo \u003cem>Artístico\u003c/em> on Dec. 9, 2017. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For a typical ceremony, performers may dance for 30 hours with breaks for prayer and food. There’s one annual event in December — a Catholic tribute to the Virgin Mary — where Gutierrez and his dancemates dance nonstop for an entire day.\u003c/p>\n\u003cp>Dancers show up for these marathon late-night events and practices while juggling full-time jobs. Gutierrez \u003ca href=\"https://www.facebook.com/profile.php?id=100057615303390\">runs the popular La Reyna bakery in the Mission\u003c/a>. But showing up for his community as a dancer is an unpaid gig.\u003c/p>\n\u003ch2>Generals and captains\u003c/h2>\n\u003cp>Aztec dance groups are organized in \u003ca href=\"https://www.facebook.com/profile.php?id=100057615303390\">strict hierarchies\u003c/a>. Here’s how it works: Each dance group has a sergeant who reports to a regional captain, and the captains report to the highest-ranking position in Aztec dance: an Aztec dance general. That person is usually someone living in Mexico.\u003c/p>\n\u003cp>Sanchez's husband, Roberto Vargas, also a longtime Aztec dancer, explained how the strict militaristic order of command helps everyone dance in unison.[pullquote align=\"right\" size=\"medium\" citation=\"Louie Gutierrez, director, Danza Azteca Coyolxauhqui\"]'The point of dancing is to bring health and well-being.'[/pullquote]“Danza represents the cosmos, and the cosmos has an order,” said Vargas.\u003c/p>\n\u003cp>\u003ca href=\"http://mexicayotl.org/our-board/\">The Aztec dance higher-ups — the generals in Mexico\u003c/a> — set the rules and the tone on how dancing should be performed and on which events dance troupes are allowed to participate in. For a long time, Vargas said, the elders have shied away from participating in political events or protests.\u003c/p>\n\u003cp>“They don't want to align themselves with politicos because somebody could be cool one day and the next day, not cool,” he explained. “So you can't be affiliating with people who are wishy-washy, so it's sort of like the spiritual mission is more important than any political [one].”\u003c/p>\n\u003ch2>A history of violence against dancers\u003c/h2>\n\u003cp>Another big reason why many Azteca dancers have avoided protests is because historical violence has been etched into their memory.\u003c/p>\n\u003cp>Vargas remembers the Tlatelolco massacre in the days before the 1968 Summer Olympics in Mexico. Eyewitnesses say government forces opened fire on student protesters, killing hundreds. \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=97546687\">The tragedy and its aftermath had a chilling effect on student activists and cultural performers.\u003c/a>\u003c/p>\n\u003cp>“Over there [in Mexico], they have memories of once again people being killed,” said Vargas. “You risk your life standing up against the government.”\u003c/p>\n\u003cp>That comes on top of historical violence against Indigenous people — including dancers — since colonization.\u003c/p>\n\u003cp>“During the early years of bringing the danza out to the public, people were getting attacked and jailed and killed for practicing these traditions,” explained Vargas.\u003c/p>\n\u003cfigure id=\"attachment_11930976\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg class=\"wp-image-11930976 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS51910_083_SanFrancisco_IndigenousPeoplesDay_10112021-qut.jpg\" alt=\"An Aztec dancer in colorful feathered head dresses garb plays a traditional percussion instrument as another dancer stands in the background on a lawn surrounded by onlookers\" width=\"1920\" height=\"1278\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS51910_083_SanFrancisco_IndigenousPeoplesDay_10112021-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS51910_083_SanFrancisco_IndigenousPeoplesDay_10112021-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS51910_083_SanFrancisco_IndigenousPeoplesDay_10112021-qut-1020x679.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS51910_083_SanFrancisco_IndigenousPeoplesDay_10112021-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS51910_083_SanFrancisco_IndigenousPeoplesDay_10112021-qut-1536x1022.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Teokalli Aztec Dancers from the Bay Area and Mexico City dance during the third annual Indigenous Peoples Day Commemoration at Yerba Buena Gardens in San Francisco on Oct. 11, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But in the U.S., Sanchez said, many dancers see performing as an inherently political act because they are reclaiming their Indigenous cultural identity.\u003c/p>\n\u003cp>A number of troupes, for example, performed at the \u003ca href=\"https://www.sfgate.com/bayarea/article/Indians-gather-on-Alcatraz-in-memory-of-occupation-5019944.php\">Indigenous Peoples Day Sunrise Gathering\u003c/a> last month, an event that challenges centuries of colonization and genocide with a gathering on Alcatraz Island that features both Aztec and Native American dancers.\u003c/p>\n\u003cp>“The point of dancing is to bring health and well-being,” said Gutierrez, adding that dancing has helped him focus his energy in a positive direction. It’s a huge part of his quest for a healthier lifestyle and of his spiritual journey.\u003c/p>\n\u003cp>Gutierrez and Sanchez are always keeping an eye out, scouting for the next generation of dancers to carry on this tradition. They know it may take a while for younger dancers to fully understand how vital they are to the community.\u003c/p>\n\u003cp>When you see a Danza Azteca performance and you feel pulled in by the dancers, Sanchez said, that’s your heart being conquered. You want to be a part of it. She recited the motto that guides all Aztec dancers: \"Union, conformidad y conquista.\"\u003c/p>\n\u003cp>Loosely translated, it means: We dance united, we dance together.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ca href=\"https://www.mexicolore.co.uk/aztecs/spanish-invasion/syncretism-aztec-christians\">Syncretism\u003c/a>, Sanchez explained, is the blending of two contradictory religious traditions. To keep dance traditions, Aztec performers trying to protect their Indigenous spiritual roots often concealed them under the guise of Catholicism, which helped divert unwanted hostility from Spanish colonizers.\u003c/p>\n\u003cp>These days some Indigenous people with roots in Latin America still practice some aspects of Catholicism as well as Indigenous traditions, and many Aztec troupes reflect a melding of those two religious traditions in their ceremonies throughout the year.\u003c/p>\n\u003ch2>Xilonen ceremony\u003c/h2>\n\u003cp>In addition to Day of the Dead festivities, Aztec dancers perform at ceremonies throughout the year. During the summer solstice, drummers and dancers are key to the Xilonen, or the ceremony of the young corn, which is a coming-of-age ceremony for Latinx teenagers.\u003c/p>\n\u003cp>“It really is kind of an Aztec quinceañera,” said Sanchez. “Our girls run from ages 13 to 17.”\u003c/p>\n\u003cp>At this summer’s Xilonen in the SOMA neighborhood of San Francisco, different dance troupes, each in their own matching Indigenous regalia, performed at a local park as part of an event hosted by Danza Azteca Xitlalli. Five teens in white knee-length dresses donned colorful feathers on their wrists and crowns made of corn husks, as Aztec dancers encircled them.\u003c/p>\n\u003cp>The Xilonen ceremony is one of many annual cultural milestones hosted by an Aztec dance troupe rather than by a family or a church.\u003c/p>\n\u003ch2>Dancing nonstop for 30 hours\u003c/h2>\n\u003cp>At least five Aztec dance troupes in San Francisco perform their own ceremonies throughout the year.\u003c/p>\n\u003cp>It can be a big commitment for the dancers, who sometimes get called at a moment’s notice to support a birth or death ceremony.\u003c/p>\n\u003cp>“One of the kids that grew up here on the street died,” said Louie Gutierrez, director of Danza Azteca Coyolxauhqui, who lives in the Mission. “So they wanted to do a ritual for them, burn some sage, some copal.”\u003c/p>\n\u003cfigure id=\"attachment_11931036\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg class=\"size-full wp-image-11931036\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/012_Calle24_PaseoArtistico_12092017_7693-scaled.jpg\" alt=\"Aztec dancer in traditional dresswith head raised dances with others in a Mission District alley surrounded by colorful murals\" width=\"2560\" height=\"1703\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/012_Calle24_PaseoArtistico_12092017_7693-scaled.jpg 2560w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/012_Calle24_PaseoArtistico_12092017_7693-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/012_Calle24_PaseoArtistico_12092017_7693-1020x679.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/012_Calle24_PaseoArtistico_12092017_7693-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/012_Calle24_PaseoArtistico_12092017_7693-1536x1022.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/012_Calle24_PaseoArtistico_12092017_7693-2048x1363.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/012_Calle24_PaseoArtistico_12092017_7693-1920x1278.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Louie Gutierrez (foreground), director of Danza Azteca Coyolxauhqui, and other Aztec dancers commemorate the Day of the Virgin Guadalupe by dancing in front of murals depicting the Virgin of Guadalupe around the Mission District during Paseo \u003cem>Artístico\u003c/em> on Dec. 9, 2017. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For a typical ceremony, performers may dance for 30 hours with breaks for prayer and food. There’s one annual event in December — a Catholic tribute to the Virgin Mary — where Gutierrez and his dancemates dance nonstop for an entire day.\u003c/p>\n\u003cp>Dancers show up for these marathon late-night events and practices while juggling full-time jobs. Gutierrez \u003ca href=\"https://www.facebook.com/profile.php?id=100057615303390\">runs the popular La Reyna bakery in the Mission\u003c/a>. But showing up for his community as a dancer is an unpaid gig.\u003c/p>\n\u003ch2>Generals and captains\u003c/h2>\n\u003cp>Aztec dance groups are organized in \u003ca href=\"https://www.facebook.com/profile.php?id=100057615303390\">strict hierarchies\u003c/a>. Here’s how it works: Each dance group has a sergeant who reports to a regional captain, and the captains report to the highest-ranking position in Aztec dance: an Aztec dance general. That person is usually someone living in Mexico.\u003c/p>\n\u003cp>Sanchez's husband, Roberto Vargas, also a longtime Aztec dancer, explained how the strict militaristic order of command helps everyone dance in unison.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“Danza represents the cosmos, and the cosmos has an order,” said Vargas.\u003c/p>\n\u003cp>\u003ca href=\"http://mexicayotl.org/our-board/\">The Aztec dance higher-ups — the generals in Mexico\u003c/a> — set the rules and the tone on how dancing should be performed and on which events dance troupes are allowed to participate in. For a long time, Vargas said, the elders have shied away from participating in political events or protests.\u003c/p>\n\u003cp>“They don't want to align themselves with politicos because somebody could be cool one day and the next day, not cool,” he explained. “So you can't be affiliating with people who are wishy-washy, so it's sort of like the spiritual mission is more important than any political [one].”\u003c/p>\n\u003ch2>A history of violence against dancers\u003c/h2>\n\u003cp>Another big reason why many Azteca dancers have avoided protests is because historical violence has been etched into their memory.\u003c/p>\n\u003cp>Vargas remembers the Tlatelolco massacre in the days before the 1968 Summer Olympics in Mexico. Eyewitnesses say government forces opened fire on student protesters, killing hundreds. \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=97546687\">The tragedy and its aftermath had a chilling effect on student activists and cultural performers.\u003c/a>\u003c/p>\n\u003cp>“Over there [in Mexico], they have memories of once again people being killed,” said Vargas. “You risk your life standing up against the government.”\u003c/p>\n\u003cp>That comes on top of historical violence against Indigenous people — including dancers — since colonization.\u003c/p>\n\u003cp>“During the early years of bringing the danza out to the public, people were getting attacked and jailed and killed for practicing these traditions,” explained Vargas.\u003c/p>\n\u003cfigure id=\"attachment_11930976\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg class=\"wp-image-11930976 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS51910_083_SanFrancisco_IndigenousPeoplesDay_10112021-qut.jpg\" alt=\"An Aztec dancer in colorful feathered head dresses garb plays a traditional percussion instrument as another dancer stands in the background on a lawn surrounded by onlookers\" width=\"1920\" height=\"1278\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS51910_083_SanFrancisco_IndigenousPeoplesDay_10112021-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS51910_083_SanFrancisco_IndigenousPeoplesDay_10112021-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS51910_083_SanFrancisco_IndigenousPeoplesDay_10112021-qut-1020x679.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS51910_083_SanFrancisco_IndigenousPeoplesDay_10112021-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS51910_083_SanFrancisco_IndigenousPeoplesDay_10112021-qut-1536x1022.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Teokalli Aztec Dancers from the Bay Area and Mexico City dance during the third annual Indigenous Peoples Day Commemoration at Yerba Buena Gardens in San Francisco on Oct. 11, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But in the U.S., Sanchez said, many dancers see performing as an inherently political act because they are reclaiming their Indigenous cultural identity.\u003c/p>\n\u003cp>A number of troupes, for example, performed at the \u003ca href=\"https://www.sfgate.com/bayarea/article/Indians-gather-on-Alcatraz-in-memory-of-occupation-5019944.php\">Indigenous Peoples Day Sunrise Gathering\u003c/a> last month, an event that challenges centuries of colonization and genocide with a gathering on Alcatraz Island that features both Aztec and Native American dancers.\u003c/p>\n\u003cp>“The point of dancing is to bring health and well-being,” said Gutierrez, adding that dancing has helped him focus his energy in a positive direction. It’s a huge part of his quest for a healthier lifestyle and of his spiritual journey.\u003c/p>\n\u003cp>Gutierrez and Sanchez are always keeping an eye out, scouting for the next generation of dancers to carry on this tradition. They know it may take a while for younger dancers to fully understand how vital they are to the community.\u003c/p>\n\u003cp>When you see a Danza Azteca performance and you feel pulled in by the dancers, Sanchez said, that’s your heart being conquered. You want to be a part of it. She recited the motto that guides all Aztec dancers: \"Union, conformidad y conquista.\"\u003c/p>\n\u003cp>Loosely translated, it means: We dance united, we dance together.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "How Fruitvale Honors the Dead During a COVID-Era Día de los Muertos",
"title": "How Fruitvale Honors the Dead During a COVID-Era Día de los Muertos",
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"content": "\u003cp>Día de los Muertos celebrations, taking place through Wednesday across the Bay Area, evoke messages of healing and reflection that are particularly resonant as the pandemic stretches well into its third year.\u003c/p>\n\u003cp>One of the biggest events happened Sunday in Oakland’s Fruitvale neighborhood, which is majority Latino and was among \u003ca href=\"https://calmatters.org/projects/california-coronavirus-overcrowded-neighborhoods-homes/\">the ZIP codes facing the highest case rates in California\u003c/a> at the height of the pandemic. The theme was “Honoring Our Essential Workers” — the roles that kept the economy moving during lockdowns and were predominantly \u003ca href=\"https://www.kqed.org/news/11815391/in-bay-area-women-and-people-of-color-shoulder-most-front-line-work-during-pandemic\">made up of people of color\u003c/a>.\u003c/p>\n\u003cp>“The Fruitvale is the land of the essential workers — from our merchants, to small-business owners, our restaurant workers, campesinos, firefighters,” said Caheri Gutierrez, senior manager of communications and external affairs with The Unity Council, which organizes the festival. “Everyone in the Fruitvale is an essential worker, so we’re honoring them and uplifting them.”\u003c/p>\n\u003cp>One of the ofrendas, or altars, along the Fruitvale Village complex was dedicated to farmworkers: A masked skeleton wearing a bright orange shirt, jeans, a straw hat, work gloves and boots tends the soil, with a can adorned in cempasúchil, or marigolds, to hold the maize. The ground, made of real soil, also included a variety of indigenous maize ranging from purple to red.\u003c/p>\n\u003cfigure id=\"attachment_11931053\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11931053\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1596-800x533.jpg\" alt=\"A person stands to the right wearing a long black dress with matching veil and face mask. Behind them, an ofrenda described in the story with a skeletal worker tending to some corn.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1596-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1596-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1596-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1596-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1596-2048x1365.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1596-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The artist of this ofrenda , Nahui Tochtli, dedicates the altar to the farmers workers. Tochtli includes the the farmworker skeleton tending real-life soil and in the foreground viewers can see the with range of different types of corn from domesticated to the multi-color indigenous corn. Photo taken at the Fruitvale Village complex on October 30, 2022. \u003ccite>(Sebastian Miño-Bucheli/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“In our culture, corn is a very important vegetable because it’s also a symbol of growth,” said Nahui Tochtli, the artist who created this ofrenda, who is dressed as La Catrina, an elegant skeleton associated with the holiday, with a black veil. “It doesn't really die, but it just keeps on living.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Tochtli, who has been participating in the festival for eight years, said her altar this year is inspired in part by her own personal loss. Her uncle died a year ago from COVID-19. He worked two jobs, one as a shoemaker and the second as a farmworker.\u003c/p>\n\u003cp>“He died in a hospital and I didn’t get the chance to see him again,” she said. “None of us were able to go inside the hospital and say their goodbyes or farewells. It was really sad.”\u003c/p>\n\u003cp>Around 25 ofrendas were featured at the festival. They were multisensory, featuring everything from the songs enjoyed by departed loved ones to cinnamon-scented pan de muerto, to sugar skulls in eye-popping colors.\u003c/p>\n\u003cfigure id=\"attachment_11930979\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11930979\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1634-800x533.jpg\" alt=\"A group of dancers wearing various styles of traditional clothing, several including feathered headpieces, stand in a line side by side. Their arms extended, most appear to hold goblets with smoke coming from them. The performers stand amid a larger crowd of onlookers. \" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">Marisol Solis Luna's daughter pats for attention during a Danza Azteca performance at Oakland's Día de los Muertos festival in the Fruitvale neighborhood on October 30, 2022. The Aztec Dance performance incorporates all the groups from Oakland to bless the altars or ofrendas. \u003ccite>(Sebastian Miño-Bucheli/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Stephanie Jauregui, a first-time ofrenda maker, had a cempasúchil flower arrangement and a bottle of Modelo beer honoring youth from Oakland.\u003c/p>\n\u003cp>“Even understanding that, like, students from Oakland, like sometimes we did dabble in like stuff like that,” she said.\u003c/p>\n\u003cp>Jauregui’s altar is dedicated in part to her own personal friends whom she has lost over the years. The 22-year-old youth organizer for Californians for Justice said this tribute doesn’t end on Día de los Muertos.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I just want to honor them in a bigger scale than what I've done, like in my own altar at home,” she said.\u003c/p>\n\u003cfigure id=\"attachment_11931055\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11931055\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1766-800x533.jpg\" alt=\"A person in a white dress appears to walk toward the camera. They have face paint on half of their face and a headpiece. Behind them, similarly dressed dancers perform on a stage. \" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1766-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1766-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1766-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1766-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1766-2048x1365.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1766-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A dancer from Ballet Folklorico Netzahualcoyotl smiles as their group exits the stage at Oakland's Día de los Muertos festival on October 30, 2022. \u003ccite>(Sebastian Miño-Bucheli/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Día de los Muertos celebrations, taking place through Wednesday across the Bay Area, evoke messages of healing and reflection that are particularly resonant as the pandemic stretches well into its third year.\u003c/p>\n\u003cp>One of the biggest events happened Sunday in Oakland’s Fruitvale neighborhood, which is majority Latino and was among \u003ca href=\"https://calmatters.org/projects/california-coronavirus-overcrowded-neighborhoods-homes/\">the ZIP codes facing the highest case rates in California\u003c/a> at the height of the pandemic. The theme was “Honoring Our Essential Workers” — the roles that kept the economy moving during lockdowns and were predominantly \u003ca href=\"https://www.kqed.org/news/11815391/in-bay-area-women-and-people-of-color-shoulder-most-front-line-work-during-pandemic\">made up of people of color\u003c/a>.\u003c/p>\n\u003cp>“The Fruitvale is the land of the essential workers — from our merchants, to small-business owners, our restaurant workers, campesinos, firefighters,” said Caheri Gutierrez, senior manager of communications and external affairs with The Unity Council, which organizes the festival. “Everyone in the Fruitvale is an essential worker, so we’re honoring them and uplifting them.”\u003c/p>\n\u003cp>One of the ofrendas, or altars, along the Fruitvale Village complex was dedicated to farmworkers: A masked skeleton wearing a bright orange shirt, jeans, a straw hat, work gloves and boots tends the soil, with a can adorned in cempasúchil, or marigolds, to hold the maize. The ground, made of real soil, also included a variety of indigenous maize ranging from purple to red.\u003c/p>\n\u003cfigure id=\"attachment_11931053\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11931053\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1596-800x533.jpg\" alt=\"A person stands to the right wearing a long black dress with matching veil and face mask. Behind them, an ofrenda described in the story with a skeletal worker tending to some corn.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1596-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1596-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1596-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1596-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1596-2048x1365.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1596-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The artist of this ofrenda , Nahui Tochtli, dedicates the altar to the farmers workers. Tochtli includes the the farmworker skeleton tending real-life soil and in the foreground viewers can see the with range of different types of corn from domesticated to the multi-color indigenous corn. Photo taken at the Fruitvale Village complex on October 30, 2022. \u003ccite>(Sebastian Miño-Bucheli/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“In our culture, corn is a very important vegetable because it’s also a symbol of growth,” said Nahui Tochtli, the artist who created this ofrenda, who is dressed as La Catrina, an elegant skeleton associated with the holiday, with a black veil. “It doesn't really die, but it just keeps on living.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Tochtli, who has been participating in the festival for eight years, said her altar this year is inspired in part by her own personal loss. Her uncle died a year ago from COVID-19. He worked two jobs, one as a shoemaker and the second as a farmworker.\u003c/p>\n\u003cp>“He died in a hospital and I didn’t get the chance to see him again,” she said. “None of us were able to go inside the hospital and say their goodbyes or farewells. It was really sad.”\u003c/p>\n\u003cp>Around 25 ofrendas were featured at the festival. They were multisensory, featuring everything from the songs enjoyed by departed loved ones to cinnamon-scented pan de muerto, to sugar skulls in eye-popping colors.\u003c/p>\n\u003cfigure id=\"attachment_11930979\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11930979\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1634-800x533.jpg\" alt=\"A group of dancers wearing various styles of traditional clothing, several including feathered headpieces, stand in a line side by side. Their arms extended, most appear to hold goblets with smoke coming from them. The performers stand amid a larger crowd of onlookers. \" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">Marisol Solis Luna's daughter pats for attention during a Danza Azteca performance at Oakland's Día de los Muertos festival in the Fruitvale neighborhood on October 30, 2022. The Aztec Dance performance incorporates all the groups from Oakland to bless the altars or ofrendas. \u003ccite>(Sebastian Miño-Bucheli/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Stephanie Jauregui, a first-time ofrenda maker, had a cempasúchil flower arrangement and a bottle of Modelo beer honoring youth from Oakland.\u003c/p>\n\u003cp>“Even understanding that, like, students from Oakland, like sometimes we did dabble in like stuff like that,” she said.\u003c/p>\n\u003cp>Jauregui’s altar is dedicated in part to her own personal friends whom she has lost over the years. The 22-year-old youth organizer for Californians for Justice said this tribute doesn’t end on Día de los Muertos.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I just want to honor them in a bigger scale than what I've done, like in my own altar at home,” she said.\u003c/p>\n\u003cfigure id=\"attachment_11931055\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11931055\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1766-800x533.jpg\" alt=\"A person in a white dress appears to walk toward the camera. They have face paint on half of their face and a headpiece. Behind them, similarly dressed dancers perform on a stage. \" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1766-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1766-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1766-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1766-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1766-2048x1365.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/20221030FruitvaleFest-1766-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A dancer from Ballet Folklorico Netzahualcoyotl smiles as their group exits the stage at Oakland's Día de los Muertos festival on October 30, 2022. \u003ccite>(Sebastian Miño-Bucheli/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Hundreds of residents filled the streets of the Mission District in San Francisco on Tuesday evening to honor and celebrate the dead on Día de los Muertos. The sidewalks of 24th Street, from Mission Street to Potrero Avenue, were packed with families, some holding candles, others wearing delicately crafted dresses, face paint and hair arrangements made out of cempasúchil, or marigolds.\u003c/p>\n\u003cfigure id=\"attachment_11894971\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11894971 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/11/RS52348_030_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"A person wears an elaborate head garment, face paint and purple, ribboned dress as they dance in the streets.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52348_030_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52348_030_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52348_030_SanFrancisco_DiadelosMuertos_11022021-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52348_030_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52348_030_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Daniela Zurita walks during Dia de los Muertos in San Francisco on Nov. 2, 2021, in memory of her mother who passed away in August due to COVID-19. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Photos and paintings of loved ones who had died were placed on tables or pinned on trees, surrounded by food, water, sage and cempasúchil.\u003c/p>\n\u003cp>On the corner of 24th and Capp streets, outside the Calle 24 Latino Cultural District building, a celebration honoring the lives of deceased womxn, queer and trans people of color, or QTPOC, and youth included dance performances by the the Mission-based Danza Azteca Mixcoatl Anahuac and readings by members of the Young Women’s Freedom Center.\u003c/p>\n\u003cp>(“\u003ca href=\"https://thebutlercollegian.com/2021/03/women-womxn-womyn/\">Womxn\u003c/a>” is an alternative spelling used to include those who feel excluded by the spellings “women” or “womyn,” particularly trans and nonbinary women.)\u003c/p>\n\u003cfigure id=\"attachment_11894963\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11894963 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/11/RS52324_004_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"A person wearing traditional Aztec dance regalia lifts their hands up in prayer in front of a poster that shares some of the statistics on violence committed against women and queer and trans people of color.\" width=\"1920\" height=\"1278\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52324_004_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52324_004_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52324_004_SanFrancisco_DiadelosMuertos_11022021-qut-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52324_004_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52324_004_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1022.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A member of the group Danza Azteca Mixcoatl Anahuac opens a community healing vigil and living ofrenda celebration with a blessing outside Calle 24 on 24th and Capp streets in San Francisco on Nov. 2, 2021. The event honored the memory of womxn, QTPOC, and children lost to violence. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As has become tradition over the decades, musicians, artists and vendors gathered at intersections, parking lots and other available open space, transforming 24th Street into a living ofrenda — or place of offering — a powerful reminder that honoring the dead need not always be somber ritual, but also can be one of joy and creative expression.\u003c/p>\n\u003cfigure id=\"attachment_11894962\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11894962 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/11/RS52321_001_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"A group of people carries a bright orange banner down the middle of a street.\" width=\"1920\" height=\"1278\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52321_001_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52321_001_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52321_001_SanFrancisco_DiadelosMuertos_11022021-qut-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52321_001_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52321_001_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1022.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A group walks along 24th Street under colorful rows of papel picado while carrying a sign that says “38th Annual Dia de los Muertos San Francisco Mission District,” during a Day of the Dead celebration in San Francisco on Nov. 2, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Día de los Muertos is not just about celebrating the dead, but to also celebrate the living,” Jorge Molina, a bearer of Indigenous knowledge and self-described “journeyman,” said after performing a blessing at the new Mission Cultural Center for Latino Arts exhibit, “Ni Tanto Ni Tan Muertos, En Nuestra Memoria — Neither So Many, Nor So Dead, in Our Memories.”\u003c/p>\n\u003cfigure id=\"attachment_11894964\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11894964 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/11/RS52331_011_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"A woman wearing face paint and cemaspúchil in her hair sings to a crowd on the sidewalk.\" width=\"1920\" height=\"1278\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52331_011_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52331_011_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52331_011_SanFrancisco_DiadelosMuertos_11022021-qut-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52331_011_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52331_011_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1022.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Berta Hernández speaks during a community healing vigil and living ofrenda celebration on 24th and Capp streets in San Francisco on Nov. 2, 2021. The event honored the memory of womxn, QTPOC, and children lost to violence. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the vigil organized by Calle 24, Berta Hernández, a community health worker and educator, performed a spoken-word piece as part of a larger tribute to Evelyn Hernández, a San Francisco resident whose body was found floating in the Bay in 2002. Her young son, Alex, is still missing, \u003ca href=\"https://www.sanfranciscopolice.org/stay-safe/ongoing-investigations/homicides-and-cold-cases\">according to the San Francisco Police Department\u003c/a>.\u003c/p>\n\u003cp>Hernández first met Evelyn when the latter was a student in a youth theater group at the Mission Recreation Center in the mid-1990s. Evelyn was then 14 and had recently migrated from El Salvador. Over the years, Berta and her family grew very close with Evelyn, and were deeply affected by her death.\u003c/p>\n\u003cfigure id=\"attachment_11894972\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11894972 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"Two people wear face paint and flowers in their hair and look at the camera.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mariah Cativo (left) and Lucy Molina pause for a portrait as they walk along 24th Street in San Francisco’s Mission District during a Dia de los Muertos celebration on Nov. 2, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“That loss still hurts,” Hernández said in Spanish, noting that it has taken her 19 years to feel comfortable enough to “offer this small tribute.” She, along with others who knew Evelyn, performed a rendition of “Canción Sin Miedo,” an anthem that denounces gender-based violence and demands justice for femicides.\u003c/p>\n\u003cp>“Cantamos sin miedo, pedimos justicia. Gritamos por cada desaparecida. Que resuene fuerte ‘¡nos queremos vivas!’ Que caiga con fuerza el feminicida,” they sang. \u003cem>We sing without fear, we ask for justice. We yell for each woman that has dissappeared. Let it be heard that we want each of us alive and that there be an end to femicide.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_11894973\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11894973 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"A collage of photos with pink, green, and yellow paper flowers stands next a small mortar that carries burning sage. A few candles are nearby.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">An altar made by the Young Women’s Freedom Center for people lost to police brutality and gender violence, as well as people who passed through the program, at a Dia de los Muertos celebration in San Francisco on Nov. 2, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hernández pointed to the increase in cases of gender-based violence in the U.S. and Latin America during the pandemic, \u003ca href=\"https://apnews.com/article/pandemics-health-violence-coronavirus-cfb40ca690c9f556b742bd39e1e8e9b6\">especially against Indigenous and migrant women\u003c/a>, as one of the key reasons Evelyn’s death is especially relevant now. The vigil also honored the lives of multiple other Bay Area women who were victims of violence.\u003c/p>\n\u003cp>“Dia de Muertos is about the dead, yes,” Hernández said. “But at the same time, it always is a denuncia social — an act of resistance.”\u003c/p>\n\u003cfigure id=\"attachment_11894967\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11894967 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/11/RS52344_025_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"A man wearing a hat and a pink jacket holds a box that includes many photos of a woman, candles and lights.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52344_025_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52344_025_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52344_025_SanFrancisco_DiadelosMuertos_11022021-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52344_025_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52344_025_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alfonso Ochoa Salas wears an altar for artist Yolanda López at the Mission Cultural Center for Latino Arts exhibit ‘Ni Tanto Ni Tan Muertos, En Nuestra Memoria — Neither So Many, Nor So Dead, in Our Memories,’ on the 35th annual Day of the Dead celebration at the center in San Francisco on Nov. 2, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "The 38th Día de los Muertos celebration in San Francisco drew hundreds of residents, artists and vendors to the streets, where many sought to honor those both dead and living.",
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"title": "'To Also Celebrate the Living': Día de los Muertos Returns to the Mission | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hundreds of residents filled the streets of the Mission District in San Francisco on Tuesday evening to honor and celebrate the dead on Día de los Muertos. The sidewalks of 24th Street, from Mission Street to Potrero Avenue, were packed with families, some holding candles, others wearing delicately crafted dresses, face paint and hair arrangements made out of cempasúchil, or marigolds.\u003c/p>\n\u003cfigure id=\"attachment_11894971\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11894971 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/11/RS52348_030_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"A person wears an elaborate head garment, face paint and purple, ribboned dress as they dance in the streets.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52348_030_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52348_030_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52348_030_SanFrancisco_DiadelosMuertos_11022021-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52348_030_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52348_030_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Daniela Zurita walks during Dia de los Muertos in San Francisco on Nov. 2, 2021, in memory of her mother who passed away in August due to COVID-19. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Photos and paintings of loved ones who had died were placed on tables or pinned on trees, surrounded by food, water, sage and cempasúchil.\u003c/p>\n\u003cp>On the corner of 24th and Capp streets, outside the Calle 24 Latino Cultural District building, a celebration honoring the lives of deceased womxn, queer and trans people of color, or QTPOC, and youth included dance performances by the the Mission-based Danza Azteca Mixcoatl Anahuac and readings by members of the Young Women’s Freedom Center.\u003c/p>\n\u003cp>(“\u003ca href=\"https://thebutlercollegian.com/2021/03/women-womxn-womyn/\">Womxn\u003c/a>” is an alternative spelling used to include those who feel excluded by the spellings “women” or “womyn,” particularly trans and nonbinary women.)\u003c/p>\n\u003cfigure id=\"attachment_11894963\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11894963 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/11/RS52324_004_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"A person wearing traditional Aztec dance regalia lifts their hands up in prayer in front of a poster that shares some of the statistics on violence committed against women and queer and trans people of color.\" width=\"1920\" height=\"1278\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52324_004_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52324_004_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52324_004_SanFrancisco_DiadelosMuertos_11022021-qut-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52324_004_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52324_004_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1022.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A member of the group Danza Azteca Mixcoatl Anahuac opens a community healing vigil and living ofrenda celebration with a blessing outside Calle 24 on 24th and Capp streets in San Francisco on Nov. 2, 2021. The event honored the memory of womxn, QTPOC, and children lost to violence. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As has become tradition over the decades, musicians, artists and vendors gathered at intersections, parking lots and other available open space, transforming 24th Street into a living ofrenda — or place of offering — a powerful reminder that honoring the dead need not always be somber ritual, but also can be one of joy and creative expression.\u003c/p>\n\u003cfigure id=\"attachment_11894962\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11894962 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/11/RS52321_001_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"A group of people carries a bright orange banner down the middle of a street.\" width=\"1920\" height=\"1278\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52321_001_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52321_001_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52321_001_SanFrancisco_DiadelosMuertos_11022021-qut-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52321_001_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52321_001_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1022.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A group walks along 24th Street under colorful rows of papel picado while carrying a sign that says “38th Annual Dia de los Muertos San Francisco Mission District,” during a Day of the Dead celebration in San Francisco on Nov. 2, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Día de los Muertos is not just about celebrating the dead, but to also celebrate the living,” Jorge Molina, a bearer of Indigenous knowledge and self-described “journeyman,” said after performing a blessing at the new Mission Cultural Center for Latino Arts exhibit, “Ni Tanto Ni Tan Muertos, En Nuestra Memoria — Neither So Many, Nor So Dead, in Our Memories.”\u003c/p>\n\u003cfigure id=\"attachment_11894964\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11894964 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/11/RS52331_011_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"A woman wearing face paint and cemaspúchil in her hair sings to a crowd on the sidewalk.\" width=\"1920\" height=\"1278\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52331_011_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52331_011_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52331_011_SanFrancisco_DiadelosMuertos_11022021-qut-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52331_011_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52331_011_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1022.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Berta Hernández speaks during a community healing vigil and living ofrenda celebration on 24th and Capp streets in San Francisco on Nov. 2, 2021. The event honored the memory of womxn, QTPOC, and children lost to violence. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the vigil organized by Calle 24, Berta Hernández, a community health worker and educator, performed a spoken-word piece as part of a larger tribute to Evelyn Hernández, a San Francisco resident whose body was found floating in the Bay in 2002. Her young son, Alex, is still missing, \u003ca href=\"https://www.sanfranciscopolice.org/stay-safe/ongoing-investigations/homicides-and-cold-cases\">according to the San Francisco Police Department\u003c/a>.\u003c/p>\n\u003cp>Hernández first met Evelyn when the latter was a student in a youth theater group at the Mission Recreation Center in the mid-1990s. Evelyn was then 14 and had recently migrated from El Salvador. Over the years, Berta and her family grew very close with Evelyn, and were deeply affected by her death.\u003c/p>\n\u003cfigure id=\"attachment_11894972\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11894972 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"Two people wear face paint and flowers in their hair and look at the camera.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52357_037_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mariah Cativo (left) and Lucy Molina pause for a portrait as they walk along 24th Street in San Francisco’s Mission District during a Dia de los Muertos celebration on Nov. 2, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“That loss still hurts,” Hernández said in Spanish, noting that it has taken her 19 years to feel comfortable enough to “offer this small tribute.” She, along with others who knew Evelyn, performed a rendition of “Canción Sin Miedo,” an anthem that denounces gender-based violence and demands justice for femicides.\u003c/p>\n\u003cp>“Cantamos sin miedo, pedimos justicia. Gritamos por cada desaparecida. Que resuene fuerte ‘¡nos queremos vivas!’ Que caiga con fuerza el feminicida,” they sang. \u003cem>We sing without fear, we ask for justice. We yell for each woman that has dissappeared. Let it be heard that we want each of us alive and that there be an end to femicide.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_11894973\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11894973 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"A collage of photos with pink, green, and yellow paper flowers stands next a small mortar that carries burning sage. A few candles are nearby.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52341_022_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">An altar made by the Young Women’s Freedom Center for people lost to police brutality and gender violence, as well as people who passed through the program, at a Dia de los Muertos celebration in San Francisco on Nov. 2, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hernández pointed to the increase in cases of gender-based violence in the U.S. and Latin America during the pandemic, \u003ca href=\"https://apnews.com/article/pandemics-health-violence-coronavirus-cfb40ca690c9f556b742bd39e1e8e9b6\">especially against Indigenous and migrant women\u003c/a>, as one of the key reasons Evelyn’s death is especially relevant now. The vigil also honored the lives of multiple other Bay Area women who were victims of violence.\u003c/p>\n\u003cp>“Dia de Muertos is about the dead, yes,” Hernández said. “But at the same time, it always is a denuncia social — an act of resistance.”\u003c/p>\n\u003cfigure id=\"attachment_11894967\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11894967 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/11/RS52344_025_SanFrancisco_DiadelosMuertos_11022021-qut.jpg\" alt=\"A man wearing a hat and a pink jacket holds a box that includes many photos of a woman, candles and lights.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52344_025_SanFrancisco_DiadelosMuertos_11022021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52344_025_SanFrancisco_DiadelosMuertos_11022021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52344_025_SanFrancisco_DiadelosMuertos_11022021-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52344_025_SanFrancisco_DiadelosMuertos_11022021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/11/RS52344_025_SanFrancisco_DiadelosMuertos_11022021-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alfonso Ochoa Salas wears an altar for artist Yolanda López at the Mission Cultural Center for Latino Arts exhibit ‘Ni Tanto Ni Tan Muertos, En Nuestra Memoria — Neither So Many, Nor So Dead, in Our Memories,’ on the 35th annual Day of the Dead celebration at the center in San Francisco on Nov. 2, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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