window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"news_12080827": {
"type": "attachments",
"id": "news_12080827",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12080827",
"found": true
},
"title": "h1blife_webimg",
"publishDate": 1776829952,
"status": "inherit",
"parent": 12080824,
"modified": 1776830020,
"caption": "Illustration from the game H1B.Life shows five deity-like figures — including an “orange god” — presiding over a slot machine labeled “let’s play your life.” H1B.Life is a mobile game that simulates life on an H-1B visa.",
"credit": "Composite by Morgan Sung; game images courtesy of Reality Reload",
"altTag": "Illustrated graphic showing five deity-like characters from the mobile game H1B.Life standing around a colorful slot machine that reads “let’s play your life.” In the middle is a cartoonish “orange god” resembling Donald Trump. He is flanked by other figures including a Statue of Liberty–like character, an alien-like figure, and a chicken-headed figure. The background is a black and white close-up of an H-1B visa document.",
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/h1blife_webimg-160x90.png",
"width": 160,
"height": 90,
"mimeType": "image/png"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/h1blife_webimg-1536x864.png",
"width": 1536,
"height": 864,
"mimeType": "image/png"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/h1blife_webimg-672x372.png",
"width": 672,
"height": 372,
"mimeType": "image/png"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/h1blife_webimg-1038x576.png",
"width": 1038,
"height": 576,
"mimeType": "image/png"
},
"npr-cds-wide": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/h1blife_webimg-1200x675.png",
"width": 1200,
"height": 675,
"mimeType": "image/png"
},
"npr-cds-square": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/h1blife_webimg-600x600.png",
"width": 600,
"height": 600,
"mimeType": "image/png"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/h1blife_webimg.png",
"width": 1920,
"height": 1080
}
},
"fetchFailed": false,
"isLoading": false
},
"news_12079971": {
"type": "attachments",
"id": "news_12079971",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12079971",
"found": true
},
"title": "Save or Scroll Steffi Cao_web img",
"publishDate": 1776209816,
"status": "inherit",
"parent": 12079935,
"modified": 1776209858,
"caption": "A look at the viral trends taking over our timelines — from looksmaxxing and AI Fruit Love Island to BTS’ controversial new album and social media addiction lawsuits.",
"credit": "Composite by Morgan Sung; Images from Getty Images and other sources",
"altTag": "Collage-style image showing recent internet trends: colorful AI-generated fruit characters, an image of a smartphone displaying “looksmaxxing” content, imagery associated with K-pop group BTS, and a hand holding a smartphone referencing social media addiction lawsuits. The images are arranged on a purple background, with “Close All Tabs” displayed in a pixelated font in the upper left corner.",
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Save-or-Scroll-Steffi-Cao_web-img-160x90.png",
"width": 160,
"height": 90,
"mimeType": "image/png"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Save-or-Scroll-Steffi-Cao_web-img-1536x864.png",
"width": 1536,
"height": 864,
"mimeType": "image/png"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Save-or-Scroll-Steffi-Cao_web-img-672x372.png",
"width": 672,
"height": 372,
"mimeType": "image/png"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Save-or-Scroll-Steffi-Cao_web-img-1038x576.png",
"width": 1038,
"height": 576,
"mimeType": "image/png"
},
"npr-cds-wide": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Save-or-Scroll-Steffi-Cao_web-img-1200x675.png",
"width": 1200,
"height": 675,
"mimeType": "image/png"
},
"npr-cds-square": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Save-or-Scroll-Steffi-Cao_web-img-600x600.png",
"width": 600,
"height": 600,
"mimeType": "image/png"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Save-or-Scroll-Steffi-Cao_web-img.png",
"width": 1920,
"height": 1080
}
},
"fetchFailed": false,
"isLoading": false
},
"news_12079071": {
"type": "attachments",
"id": "news_12079071",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12079071",
"found": true
},
"title": "CAT Secret Lives of Mormon Momfluencers_img",
"publishDate": 1775617451,
"status": "inherit",
"parent": 12079067,
"modified": 1775617526,
"caption": "The cast of the \"The Secret Lives of Mormon Wives\" Season 2 at their Los Angeles premiere at the Paramount Theatre on May 09, 2025, composited over an image of an LDS temple. ",
"credit": "Composite by Morgan Sung; original photo by JC Olivera/Variety via Getty Images",
"altTag": "An image of nine women wearing various shades of blue dresses who are all part of the cast of \"The Secret Lives of Mormon Wives\" reality tv show. The image of the women is overlaid on top of an image of an LDS temple, with images of hearts floating around the women. The Close All Tabs logo appears in the bottom right with a purple overlay.",
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/CAT-Secret-Lives-of-Mormon-Momfluencers_img-160x90.png",
"width": 160,
"height": 90,
"mimeType": "image/png"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/CAT-Secret-Lives-of-Mormon-Momfluencers_img-1536x864.png",
"width": 1536,
"height": 864,
"mimeType": "image/png"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/CAT-Secret-Lives-of-Mormon-Momfluencers_img-672x372.png",
"width": 672,
"height": 372,
"mimeType": "image/png"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/CAT-Secret-Lives-of-Mormon-Momfluencers_img-1038x576.png",
"width": 1038,
"height": 576,
"mimeType": "image/png"
},
"npr-cds-wide": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/CAT-Secret-Lives-of-Mormon-Momfluencers_img-1200x675.png",
"width": 1200,
"height": 675,
"mimeType": "image/png"
},
"npr-cds-square": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/CAT-Secret-Lives-of-Mormon-Momfluencers_img-600x600.png",
"width": 600,
"height": 600,
"mimeType": "image/png"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/CAT-Secret-Lives-of-Mormon-Momfluencers_img.png",
"width": 1920,
"height": 1080
}
},
"fetchFailed": false,
"isLoading": false
},
"news_12078315": {
"type": "attachments",
"id": "news_12078315",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12078315",
"found": true
},
"title": "Bait and Switch_web img",
"publishDate": 1775009984,
"status": "inherit",
"parent": 12078303,
"modified": 1775010021,
"caption": "Jerry Seinfeld in a bee costume at a 2007 Bee Movie photocall in Cannes, France. The film’s script became one of the internet’s most enduring bait-and-switch memes.",
"credit": "Composite by Morgan Sung; original photo by George Pimentel/WireImage",
"altTag": "A composite image shows Jerry Seinfeld smiling in a large yellow-and-black bee costume at a 2007 Cannes Film Festival photocall. Behind him is a purple background filled with faint text from the Bee Movie script, referencing the film’s later life as an internet meme. The Close All Tabs logo appears in the bottom left.",
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Bait-and-Switch_web-img-160x90.png",
"width": 160,
"height": 90,
"mimeType": "image/png"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Bait-and-Switch_web-img-1536x864.png",
"width": 1536,
"height": 864,
"mimeType": "image/png"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Bait-and-Switch_web-img-672x372.png",
"width": 672,
"height": 372,
"mimeType": "image/png"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Bait-and-Switch_web-img-1038x576.png",
"width": 1038,
"height": 576,
"mimeType": "image/png"
},
"npr-cds-wide": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Bait-and-Switch_web-img-1200x675.png",
"width": 1200,
"height": 675,
"mimeType": "image/png"
},
"npr-cds-square": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Bait-and-Switch_web-img-600x600.png",
"width": 600,
"height": 600,
"mimeType": "image/png"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Bait-and-Switch_web-img.png",
"width": 1920,
"height": 1080
}
},
"fetchFailed": false,
"isLoading": false
},
"news_12077469": {
"type": "attachments",
"id": "news_12077469",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12077469",
"found": true
},
"title": "CAT — Hacking Farmers.img",
"publishDate": 1774403009,
"status": "inherit",
"parent": 12077465,
"modified": 1774403096,
"caption": "A John Deere tractor plows a barren field for future crops. The company is the target of a Federal Trade Commission lawsuit alleging violations of antitrust and right-to-repair laws. ",
"credit": "Composite by Morgan Sung; original image by SDI Productions/Getty Images",
"altTag": "A John Deere tractor is plowing a barren field for future crops. Rows of plowed dirt can be seen over a brown landscape. The Photo is shot from high angle viewpoint and features a transparent overlay of patterns made from binary code. In the lower right corner of the image, the phrase “CLOSE ALL TABS” appears in pixelated white font.",
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/CAT-—-Hacking-Farmers.img_-160x90.png",
"width": 160,
"height": 90,
"mimeType": "image/png"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/CAT-—-Hacking-Farmers.img_-1536x864.png",
"width": 1536,
"height": 864,
"mimeType": "image/png"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/CAT-—-Hacking-Farmers.img_-672x372.png",
"width": 672,
"height": 372,
"mimeType": "image/png"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/CAT-—-Hacking-Farmers.img_-1038x576.png",
"width": 1038,
"height": 576,
"mimeType": "image/png"
},
"npr-cds-wide": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/CAT-—-Hacking-Farmers.img_-1200x675.png",
"width": 1200,
"height": 675,
"mimeType": "image/png"
},
"npr-cds-square": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/CAT-—-Hacking-Farmers.img_-600x600.png",
"width": 600,
"height": 600,
"mimeType": "image/png"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/CAT-—-Hacking-Farmers.img_.png",
"width": 1920,
"height": 1080
}
},
"fetchFailed": false,
"isLoading": false
},
"news_12076821": {
"type": "attachments",
"id": "news_12076821",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12076821",
"found": true
},
"title": "Right to Repair_web img",
"publishDate": 1773792724,
"status": "inherit",
"parent": 12076820,
"modified": 1773792763,
"caption": "Volunteer repair technician Jesse Kornblum works on a broken robot vacuum at Repair Cafe Silicon Valley in Milpitas, California, on Feb. 28, 2026.",
"credit": "Chris Egusa/KQED",
"altTag": "Close-up of a volunteer using a screwdriver to repair the underside of a robot vacuum, its internal components exposed on a worktable, with tools and parts scattered nearby. The image has a pink overlay with “Close All Tabs” in the top left.",
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/Right-to-Repair_web-img-160x90.png",
"width": 160,
"height": 90,
"mimeType": "image/png"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/Right-to-Repair_web-img-1536x864.png",
"width": 1536,
"height": 864,
"mimeType": "image/png"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/Right-to-Repair_web-img-672x372.png",
"width": 672,
"height": 372,
"mimeType": "image/png"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/Right-to-Repair_web-img-1038x576.png",
"width": 1038,
"height": 576,
"mimeType": "image/png"
},
"npr-cds-wide": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/Right-to-Repair_web-img-1200x675.png",
"width": 1200,
"height": 675,
"mimeType": "image/png"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/Right-to-Repair_web-img.png",
"width": 1920,
"height": 1080
}
},
"fetchFailed": false,
"isLoading": false
},
"news_12076011": {
"type": "attachments",
"id": "news_12076011",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12076011",
"found": true
},
"title": "CAT_Twitteronavape.img",
"publishDate": 1773184216,
"status": "inherit",
"parent": 12075951,
"modified": 1773193545,
"caption": "Tech reporter Samantha Cole holds a SWYPE touchscreen disposable vape in July 2024. She ordered the device after viral posts that summer showed digital vapes with built-in social media apps.",
"credit": "Photo by Sam Cole/404 Media",
"altTag": "A pink SWYPE brand disposable vape is held in a white person's left hand. The vape has a glossy touchscreen displaying icons for WhatsApp, Facebook, X (formerly Twitter), and WeChat. The background shows a reddish-brown wood floor and white door frames, slightly out of focus. In the lower right corner of the image, the phrase “CLOSE ALL TABS” appears in pixelated white font.",
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/CAT_Twitteronavape.img_-160x90.png",
"width": 160,
"height": 90,
"mimeType": "image/png"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/CAT_Twitteronavape.img_-1536x864.png",
"width": 1536,
"height": 864,
"mimeType": "image/png"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/CAT_Twitteronavape.img_-672x372.png",
"width": 672,
"height": 372,
"mimeType": "image/png"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/CAT_Twitteronavape.img_-1038x576.png",
"width": 1038,
"height": 576,
"mimeType": "image/png"
},
"npr-cds-wide": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/CAT_Twitteronavape.img_-1200x675.png",
"width": 1200,
"height": 675,
"mimeType": "image/png"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/CAT_Twitteronavape.img_.png",
"width": 1920,
"height": 1080
}
},
"fetchFailed": false,
"isLoading": false
},
"news_12075323": {
"type": "attachments",
"id": "news_12075323",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12075323",
"found": true
},
"title": "Age Verification Pt2_web img",
"publishDate": 1772592861,
"status": "inherit",
"parent": 12075321,
"modified": 1772592912,
"caption": "A distorted canary layered with glitching code and an android eye in a composite image about sex work, surveillance and age-verification laws.",
"credit": "Composite image by Morgan Sung using images by GeorgePeters and Vito Cangiulli / Getty Images",
"altTag": "A yellow canary with heavy digital distortion sits against a dark background, overlaid with glitching lines, fragments of code and scanning graphics. A translucent android face and large robotic eye appear on the right side. The Close All Tabs logo is in the top right corner.",
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/Age-Verification-Pt2_web-img-160x90.png",
"width": 160,
"height": 90,
"mimeType": "image/png"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/Age-Verification-Pt2_web-img-1536x864.png",
"width": 1536,
"height": 864,
"mimeType": "image/png"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/Age-Verification-Pt2_web-img-672x372.png",
"width": 672,
"height": 372,
"mimeType": "image/png"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/Age-Verification-Pt2_web-img-1038x576.png",
"width": 1038,
"height": 576,
"mimeType": "image/png"
},
"npr-cds-wide": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/Age-Verification-Pt2_web-img-1200x675.png",
"width": 1200,
"height": 675,
"mimeType": "image/png"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/Age-Verification-Pt2_web-img.png",
"width": 1920,
"height": 1080
}
},
"fetchFailed": false,
"isLoading": false
},
"news_12074528": {
"type": "attachments",
"id": "news_12074528",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12074528",
"found": true
},
"title": "CAT_RobloxAgeVerification_img",
"publishDate": 1771996229,
"status": "inherit",
"parent": 12074525,
"modified": 1771998687,
"caption": "A composite image of Roblox avatars with facial tracking markers overlaid across their faces.",
"credit": "Composite image by Morgan Sung / KQED",
"altTag": "A composite image of animated Roblox characters with facial tracking squares overlaid across their faces. They include human, animal, and Lego characters. The background features a transparent overlay of patterns that resemble a galaxy. The words “CLOSE ALL TABS” appear in pixelated text in the top right hand corner.",
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/CAT_RobloxAgeVerification_img-160x90.png",
"width": 160,
"height": 90,
"mimeType": "image/png"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/CAT_RobloxAgeVerification_img-1536x864.png",
"width": 1536,
"height": 864,
"mimeType": "image/png"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/CAT_RobloxAgeVerification_img-672x372.png",
"width": 672,
"height": 372,
"mimeType": "image/png"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/CAT_RobloxAgeVerification_img-1038x576.png",
"width": 1038,
"height": 576,
"mimeType": "image/png"
},
"npr-cds-wide": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/CAT_RobloxAgeVerification_img-1200x675.png",
"width": 1200,
"height": 675,
"mimeType": "image/png"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/CAT_RobloxAgeVerification_img.png",
"width": 1920,
"height": 1080
}
},
"fetchFailed": false,
"isLoading": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false
},
"authorsReducer": {
"chambrick": {
"type": "authors",
"id": "11832",
"meta": {
"index": "authors_1716337520",
"id": "11832",
"found": true
},
"name": "Chris Hambrick",
"firstName": "Chris",
"lastName": "Hambrick",
"slug": "chambrick",
"email": "chambrick@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/c4a3663ebbd3a21fa35ef06a1236ce8a?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "podcasts",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Chris Hambrick | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/c4a3663ebbd3a21fa35ef06a1236ce8a?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/c4a3663ebbd3a21fa35ef06a1236ce8a?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/chambrick"
},
"cegusa": {
"type": "authors",
"id": "11869",
"meta": {
"index": "authors_1716337520",
"id": "11869",
"found": true
},
"name": "Chris Egusa",
"firstName": "Chris",
"lastName": "Egusa",
"slug": "cegusa",
"email": "cegusa@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/86d00b34cb7eeb5247e991f0e20c70c4?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Chris Egusa | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/86d00b34cb7eeb5247e991f0e20c70c4?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/86d00b34cb7eeb5247e991f0e20c70c4?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/cegusa"
},
"mcueva": {
"type": "authors",
"id": "11943",
"meta": {
"index": "authors_1716337520",
"id": "11943",
"found": true
},
"name": "Maya Cueva",
"firstName": "Maya",
"lastName": "Cueva",
"slug": "mcueva",
"email": "mcueva@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/26d0967153608e4720f52779f754087a?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "news",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Maya Cueva | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/26d0967153608e4720f52779f754087a?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/26d0967153608e4720f52779f754087a?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/mcueva"
},
"msung": {
"type": "authors",
"id": "11944",
"meta": {
"index": "authors_1716337520",
"id": "11944",
"found": true
},
"name": "Morgan Sung",
"firstName": "Morgan",
"lastName": "Sung",
"slug": "msung",
"email": "msung@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "Close All Tabs Host",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/34033b8d232ee6c987ca6f0a1a28f0e5?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "news",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Morgan Sung | KQED",
"description": "Close All Tabs Host",
"ogImgSrc": "https://secure.gravatar.com/avatar/34033b8d232ee6c987ca6f0a1a28f0e5?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/34033b8d232ee6c987ca6f0a1a28f0e5?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/msung"
},
"gglueck": {
"type": "authors",
"id": "11946",
"meta": {
"index": "authors_1716337520",
"id": "11946",
"found": true
},
"name": "Gabriela Glueck",
"firstName": "Gabriela",
"lastName": "Glueck",
"slug": "gglueck",
"email": "gglueck@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"news"
],
"title": "KQED Contributor",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/097b777fe1ad90e753bb1882b1ae01f3?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "news",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabriela Glueck | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/097b777fe1ad90e753bb1882b1ae01f3?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/097b777fe1ad90e753bb1882b1ae01f3?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gglueck"
}
},
"breakingNewsReducer": {},
"pagesReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"news_12080824": {
"type": "posts",
"id": "news_12080824",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12080824",
"score": null,
"sort": [
1776852022000
]
},
"guestAuthors": [],
"slug": "the-h-1b-visa-process-but-make-it-a-video-game",
"title": "The H-1B Visa Process But Make It a Video Game",
"publishDate": 1776852022,
"format": "audio",
"headTitle": "The H-1B Visa Process But Make It a Video Game | KQED",
"labelTerm": {},
"content": "\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Life on an H-1B visa — a visa that lets U.S. companies hire foreign-born workers for specialized jobs — is difficult, unpredictable, and has gotten even harder under the Trump administration. A new gaming studio, Reality Reload, is trying to capture that experience in a mobile game. It’s called H1B.Life, and it simulates the difficult choices, competing priorities, and personal sacrifices visa holders face — complete with chaotic design elements, like all-powerful “gods” who control your fate.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">KQED reporter Azul Dahlstrom-Eckman joins Morgan to break down the game’s surprising design choices, the mission behind it, and the stories he heard from people navigating the H1-B process. \u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2401184331\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guest:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/author/adahlstromeckman\">\u003cspan style=\"font-weight: 400\">Azul Dahlstrom-Eckman\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, reporter at \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">KQED\u003c/span>\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Further Reading/Listening:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/12076756/what-does-it-take-to-get-a-h-1b-visa-this-video-game-shows-just-how-complicated-it-is\">\u003cspan style=\"font-weight: 400\">What Does It Take to Get a H-1B Visa? This Video Game Shows Just How Complicated It Is \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Azul Dahlstrom-Eckman, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">KQED\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.businessinsider.com/meta-google-amazon-microsoft-h-1b-visa-applications-decline-2026-4\">Meta, Google, and Amazon slash H-1B petitions after Trump’s visa crackdown\u003c/a> — Geoff Weiss, Melia Russell, Andy Kiersz, and Alex Nicoll, \u003ci>Business Insider \u003c/i>\u003c/li>\n\u003cli>\u003ca href=\"https://www.insidehighered.com/news/government/state-policy/2026/01/29/faculty-warn-against-state-bans-h-1b-visas\">Faculty Warn Against State Bans on H-1B Visas\u003c/a> — Jessica Blake, \u003ci>\u003ci>Inside Higher Ed \u003c/i>\u003c/i>\u003c/li>\n\u003cli>\u003ca href=\"https://www.the-scientist.com/h-1b-visa-restrictions-will-hurt-america-s-research-potential-experts-say-74267\">H-1B Visa Restrictions Will Hurt America’s Research Potential, Experts Say\u003c/a> — Shelby Bradford, PhD, \u003ci>\u003ci>\u003ci>The Scientist \u003c/i>\u003c/i>\u003c/i>\u003c/li>\n\u003cli>\u003ca href=\"https://www.wired.com/story/trump-immigration-visa-secrutiny-tech/\">US Tech Visa Applications Are Being Put Through the Wringer \u003c/a>— Lauren Goode, \u003ci>\u003ci>\u003ci>\u003ci>Wired \u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/li>\n\u003cli>\u003ca href=\"https://www.wired.com/story/made-in-china-a-new-game-turns-the-h-1b-visa-system-into-a-surreal-simulation/\">\u003cspan style=\"font-weight: 400\">A New Game Turns the H-1B Visa System Into a Surreal Simulation \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Zeyi Yang, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Wired \u003c/span>\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Hi, it’s Morgan. Be honest with me, how many tabs do you have open? Feeling a little overwhelmed by closing them? Well, we have an episode for you. If you like our deep dives and wanna hear more, please rate and review us on Spotify, Apple Podcasts, or wherever you listen to the show and tell your friends about us too. Okay, let’s get to the episode. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Quick note: in this episode we use the term “immigrant” in a broad sense to refer to people living and working in the U.S. on H-1B visas. In legal terms the H1-B is a nonimmigrant temporary visa, though many visa holders hope to stay in the U.S. long term. \u003c/span>\u003cspan style=\"font-weight: 400\">Every March, a corner of the Chinese social media app Red Note gets flooded with posts about Chick-fil-A. The users go all out, buying Chick-fil-A keychains, changing their profile pictures to the red and white chicken logo, and of course, treating themselves to a hearty meal of a chicken sandwich and waffle fries. You’ll often see the same emojis in each post: prayer hands, a chicken, and an American flag. \u003c/span>\u003cspan style=\"font-weight: 400\">All of these users are applying for the H-1B visa, a visa for highly skilled immigrants sponsored by an employer. Many come to Silicon Valley to work in tech. Hundreds of thousands of hopefuls apply every year, but only 85,000 applicants are selected. So, what does this have to do with fried chicken? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">It turns out that there’s a tradition amongst Chinese H-1B applicants here in the United States that they believe that eating a lot of Chick-fil-A and just generally associating with Chick-fil-A brings you luck and will increase your chances of getting selected in the H-1B lottery. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Azul Dahlstrom-Eckman is a reporter at KQED. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">And apparently, if you go to a Chick-fil-A here in the Bay Area around March, you’re likely to see a lot of Chinese immigrants who potentially could be H-1B applicants eating there. And it’s not really clear where this started, but it’s definitely a thing. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Azul said that this trend, the annual Chick-fil-A frenzy on social media, is part of a much bigger story. To even apply for an H-1B visa, you need an employer to sponsor you, which means that you need to have a job offer. It doesn’t guarantee a visa, just that you can enter the lottery. The process for getting an H-1B Visa has been changing, and a system that was already difficult has become even harder for applicants. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">It is true that with the Trump administration, there has been a lot of changes specifically to this year’s H-1B visa process. The first is that there’s now a $100,000 fee if a company wants to sponsor somebody who isn’t currently living in the country. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">In wake of the changes and very steep application fee, some universities and companies implemented a hiring freeze for H-1B applicants. And the ones that are still hiring are sponsoring far fewer visas than in previous cycles. The updated application system isn’t totally random anymore. Higher paid applicants have a better chance of being picked now. But for the most part, the application process feels like a game of luck. At the end of the day, it’s still a lottery. Which is why good luck traditions, like getting Chick-fil-A during the registration window, have become baked into the modern mythology of the American immigrant experience. \u003c/span>\u003cspan style=\"font-weight: 400\">It can all feel like a game, one in which the rules seem arbitrary and unpredictable. So when Azul heard about a studio turning that experience into a playable app, it made perfect sense. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">H1B.Life is a game that tries to simulate the experience of an immigrant who’s trying to get H1-B visa status. And it’s a pretty early prototype now. Basically, it’s sort of like a text-based decision tree on your smartphone. And I played a demo of it, and it was actually kind of interesting. \u003c/span>\u003cspan style=\"font-weight: 400\">So one of the opening scenes of the game says, during high school, you spent hours and hours on your laptop binging Gilmore Girls on shady, unauthorized streaming websites. Everything in your drowsy new town reminds you of the show. If it wasn’t for Lorelai and Rory, you might have never decided to… and then there’s like two decisions, and one is study journalism or come to New England. And I was like, wow, that’s really oddly specific. And it turns out that H1B.Life is based on real-life interviews from H1-B applicants, specifically Chinese immigrants living in Silicon Valley. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">We’re diving into H1B.Life today, the arduous application process, how capricious policy changes impact the trajectory of an immigrant’s entire life, and the cost of chasing a dream, all wrapped up in a mobile game. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>This is Close All Tabs. I’m Morgan Sung, tech journalist and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. Let’s get into it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>Before we talk about the game itself, let’s get into the reality that inspired it. And as always, we’re starting by opening a new tab: Life on an H-1B Visa. Last month, the annual Game Developers Conference took over San Francisco. The Asian Art Museum was hosting a showcase for a game that involved chance, timing, and bureaucracy to, “determine who stays and who is deported.” The game was H1B.Life. Azul had heard about the game and decided to check it out. At the event, he talked to a few people about their own experiences with the immigration system. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">The first person I talked to, his name was Donduk Dovdon, and he’s an ethnically Mongolian, Chinese national who now is a U.S. Citizen. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Donduk Dovdon: \u003c/b>\u003cspan style=\"font-weight: 400\">So I came to States 12 years ago for my master’s degree in Washington, D.C. And eventually I got H-1B, and then later I got green card. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Donduk said the process demands a lot of sacrifice and that it can be hard to ever feel secure about the future. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">He told me it is a very hard and arduous process to get H-1B status. And then even once you have H-1B status, you’re still not secure. You have to work towards getting a green card and then citizenship. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Donduk Dovdon: \u003c/b>\u003cspan style=\"font-weight: 400\">I didn’t see my parents for 10 years. I didn’t see any of my relatives for 10 years. So I think that’s still very emotional for me to say. Like, I eventually went back, I think, two years ago when I became citizen. It was so emotional. And I feel… I miss them, they miss me, a huge chapter of our lives…ten years, like many Americans, it’s just unimaginable. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Donduk’s 10-year gap without seeing his family may be on the extreme end. H-1B visa holders are technically allowed to travel internationally and re-enter the country, as long as their visa stamp is still valid. But he’s not alone. The decision to stay in the U.S. is often driven by fear of not being allowed back in. Over the last year, given the heightened scrutiny of visa holders and the Trump administration’s immigration crackdown, some legal experts, universities, and even tech companies who employ visa holders have cautioned against international travel. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>Concerns about travel aside, taking time off to visit family abroad often depends on your employer’s time off policy. H-1B visas hinge on employment. Changing jobs involves a new sponsor and another mountain of paperwork. Some H- 1B visa holders have spoken out about feeling trapped abusive work environments because of their visa status. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Donduk Dovdon: \u003c/b>\u003cspan style=\"font-weight: 400\">When I was on H-1B, I met various shady employers who technically did not pay me, which was illegal. And it was like, if you dare to report me, you will get your H-1B revoked. So eventually, I was lucky enough and I left that organization, but I heard other people, in order just to get one H-1B, worked for three years free. And after work, they work at a restaurant or bubble tea store illegally for three years. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Getting picked in the visa lottery doesn’t guarantee long-term stability either. H-1B visas have a 6-year cap and visa holders have to spend a full year outside of the U.S. before they can reapply. Donduk mentioned one of his friends, who’s also Chinese Mongolian. He recently had to say goodbye to her. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Donduk Dovdon: \u003c/b>\u003cspan style=\"font-weight: 400\">She self-deported herself three or four days ago. We were at the airport. She was on H-1B for five years, but no companies was willing to sponsor her green card. She spent 14 years in the States. She even bought a house. And then she sold the house, sold the car, and moved back. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Visa status can be all consuming. At the showcase, Azul spoke with another attendee who’s currently on a different work-based visa. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">He said that whenever he meets up with other visa holders, the number one thing that they ask each other is ‘what visa are you on? ‘ because it has such a powerful determining factor over what you do, who you date, where you live, where you work. You have to keep your employer happy and they have to continue to sponsor you. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Azul Dahlstrom-Eckman: \u003c/b>You might need to take a job that takes you traveling out of the country, but with the Trump administration, you know, maybe it’s hard for you to get back into the country based on your country of origin. So I think people are constantly taking risks and living under uncertainty, you know, from one presidential administration to the next. They’re not sure how these rules surrounding H-1B status are going to change. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">In his reporting, Azul talked to an immigration lawyer based in Silicon Valley, Sophie Alcorn. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">The game metaphor made sense to her that the H-1B process is sort of like a game. She said that her two young sons invite her to play video games when she’s home and she says… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Sophie Alcorn: \u003c/b>\u003cspan style=\"font-weight: 400\">You guys, I’m already playing one of the hardest video games. I don’t need to play another game because the immigration system is so complicated as it is. There’s randomness, there’s luck, there’s skill, there is strategy. There’s trying to go around and collect like, badges and items to upskill to be able to get to the next level just like in a game. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">In games, players are the most affected by the rules, but they also have the least control over them. Right? Players are beholden to the rules but the people that make the rules are not playing the same game. I mean, you could say that we’re now playing on difficulty level hard with the Trump administration. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, let’s talk about the game itself, H1B life. Donduk, the guy who just got his American citizenship, actually thought the prototype he played was too realistic. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">He said that the gameplay was a little triggering for him, it was too real. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">We’re going to get into that after this break. But first, we wanted to remind you that Close All Tabs depends on listeners like you to keep us going. You can support us by becoming a member at donate.kqed.org/podcasts. Okay, more about the game after the break. Stick with us. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>Welcome back. We’re getting into this game, H1B.Life. Who is it for? How does it work? And can it really help make sense of the immigration process? Let’s open a new tab: How to play the H1-B Visa game. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>The immigration system, at times, can seem like a black box to applicants, lawyers, and maybe most of all, to natural born American citizens who’ve never needed to think about this. The seemingly arbitrary rules that can change at the whims of an unseen entity, the gravity of every single decision, the pressure to succeed as the perfect model immigrant, that is the experience that developers are trying to capture in H1B.Life. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio from H1B.Life Trailer] America the big and beautiful country, but you need a visa. Be talented, big brain, build chips, then you might get an H-1B visa .\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s a trailer for H1B.Life, which is still a very long way from being playable. The Kickstarter hasn’t even launched yet, but Azul got to try a demo. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s basically like this text-based decision tree. The top half of the screen is like a text prompt and the bottom half is like, a series of choices. And then as you play through the game, you select different choices. There are these like four core attributes that you need to maintain. It’s intelligence, wealth, social support, and burnout rate, right? So this kind of like simulating. The things that it takes to be a person going through the H-1B visa process. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio from H1B.Life Trailer] You make smart choices to get that visa and stay. What separates winning from losing is how you react when fate happens. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">As you play, you’re presented with these different choices, like you’re done with your study abroad program and you go back home to Shanghai and you want to pursue journalism. But maybe you can get a job in this field and get an H-1B visa, so you decide to put off your dream and pursue something else. And as you do that, your core attributes sort of change. And so you’re having to sort of weigh those choices. \u003c/span>\u003cspan style=\"font-weight: 400\">You can spend social capital, instead of going to, you know, your friend’s birthday party, you stay late at work because, you know, you’re trying to get sponsored, right? So your social support goes down, but you know your intelligence goes up, right? Like, that’s kind of the balancing act. Then what’s promised in subsequent versions of the game is that if those core attributes run out, it triggers a sort of like slot machine feature where different gods decide players fates, and that’s sort of supposed to describe this random nature of the H-1B visa process. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio from H1B.Life Trailer] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">And don’t forget the immigration gods: code god, free god, fried chicken god, even orange god.\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Can you tell us more about these different gods in the game? I know there’s one called the orange god. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">So the orange god is the one that caught my eye. The orange god bears a very strong resemblance to Donald Trump. And the orange god claims to control everything and has already changed the policy 500 times before you finish reading the sentence. That’s what the description of the orange is. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Allison Yang: \u003c/b>\u003cspan style=\"font-weight: 400\">He’s the newest God in this universe. He’s very powerful. He can destroy your life any minute he wants, and he usually do. So you have to be very careful of him. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s Alison Yang, the founder of the game studio, Reality Reload. She told Azul about the other gods in the game. So there’s the code god, who looks like a cyborg and is obsessed with tech and optimization. The free god resembles the Statue of Liberty and is supposed to represent the American dream of a free society. And the fried chicken god? A nod to the annual Chick-fil-A tradition. And that god…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">…According to the game description, keeps you surviving through the power of fast food grease. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">[Laughter] Reality Reload is a game studio made up of immigrants, developers, designers, and journalists. The founder, Allison, has a background in journalism. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Allison Yang: \u003c/b>\u003cspan style=\"font-weight: 400\">I love journalism, but over the years, as an editor and a reporter, I realized less and less people are reading long form, but there’s so much stories and information we want to pass on. I had the luck to step into the game industry for 7-8 years now, and I realized it’s the opposite. Like, people spend a massive amount of time in a the game. They complained one of my games to be too short, play is two hours. At the same time, they would complain that one of my articles is too long. So I thought, what if I turn it around, like a trojan horse. Like we wrap the news or information into a game and people doesn’t have to know that. They’re just playing something fun and they’re exposed to information anyway. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So, as Allison told Azul, the point of H1B.Life is to educate people about the complexities of the immigration system. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">I think they started with the H-1B visa because it’s like this caricature of the visa system. It’s highly sought after. It’s very competitive, but they realized that it’s not just H-1B visas, it’s the whole United States Immigration System. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The Reality Reload team initially designed the game based on their own experiences as Chinese immigrants in Silicon Valley. They conducted dozens of interviews with other Chinese immigrants for storylines in the game. But the team quickly realized that this experience is more universal than they first believed. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Allison Yang: \u003c/b>\u003cspan style=\"font-weight: 400\">And it’s kind of funny because there is internal tensions between people of different origin who are competing for the same visa. But when we were talking to them, we realized it’s the same rat race, and you’re competing with each other not because the other party is evil or better, it’s because you have to. And then everyone’s, or every context, country of origin have their own dilemma. Like when we talk to Latino people from Bolivia…here it’s already very hard to find a job, but people at home find it very difficult to believe they couldn’t find money in the States. They have to mitigate through that. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">I talked to my physician who is Indian, and she said their problem is even if they get a visa, there are too many Indian visa holders, they have to wait, I’m sure this number is not right, but she said 100 years to get a green card. So it’s like different versions of a game. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">H1B.Life revolves around choices and rules, which the player may or may not know about until they break one. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Allison Yang: \u003c/b>\u003cspan style=\"font-weight: 400\">And the rules are changing every day. The player usually the one who has the least power or say, but they are the one we have to play through. So that tension is something we want to focus on. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Allison did admit that early versions of the game were maybe too realistic. She told Azul that when they ran play tests, some people, like Donduk, found it a bit traumatic because they’ve dealt with this in real life. Donduk thought the game was triggering and not playful enough for a typical video game. Here’s Azul again. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">But he did think that it could have an application in like corporate diversity trainings. You could imagine like being at Google and a lot of your coworkers are H1B sponsors, being like, wow, I didn’t know that you had to go through that to get here, you know? And then that’s so different from how a United States citizen would get here. So that’s like, one potential application. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">H1B.Life is still a prototype. The Reality Reload team is still interviewing other immigrants to weave their experiences into the story. And they plan to add more fantasy and play to the game before it launches. Azul mentioned one mini game in the works, which involves juggling. Your hands are full with a social life, maintaining grades, and looking for a job that’ll sponsor you, all while checking emails from your immigration lawyer. This is core to the game, managing the tension between competing priorities. It prompts players to consider what they want more: to pursue their dreams, or to fit the mold of an ideal immigrant in order to stay in the country. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Allison Yang: \u003c/b>\u003cspan style=\"font-weight: 400\">At the beginning we thought we were going to do a simple visa simulation game and now we realize it’s more about how people figure out what kind of life they want, where they want it to be. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Which is also a sentiment that almost all employment-based visa holders have to consider. Except, unlike in the game, there’s no decision tree guiding their path. They have to make these choices for themselves. What does life look like when it’s not dictated by a precarious visa status? Let’s open another new tab: the post-visa midlife crisis. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">For Donduk Dovdon, he came here as a student and he was pursuing a master’s degree. And now he needs to decide where he’s going to work, not based on what he wants to do, but based on who will sponsor him for an H-1B visa. After you get an H1B Visa, then you’re on a six-year timeline where you have to hit certain benchmarks in order to get a green card. After 10 years of uncertain visa status…once he got his U.S. citizenship, he basically had like a midlife crisis. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Donduk Dovdon: \u003c/b>\u003cspan style=\"font-weight: 400\">Because before, when I was on H1B, the only thing I had, my goal was to survive and be in this country. So I do whatever it takes to get a job that sponsors me for H-1B. And I do whatever it takes make my boss happy. But when I eventually got a green card, I finally had the privilege to think like an American, like, oh, what do I actually want to do with my life? I think now I’m still figuring out like what do I actually want to do? Now I’m like a 21 years old American, just graduated from college. I have all the opportunities finally opened up for me and I remember when I became citizen and I decided to quit PhD that was the hardest time in my life because like I’m like now finally I can move to anywhere in the States. I can be a bartender in Miami, but do I really want to be? \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Donduk Dovdon: \u003c/b>I don’t know. Like I spent two months wondering where should I go next. And I know some other also H-1B workers, they were like of the best coders as a company or program manager or whatever. And then when they got a green card, some guys, I know one guy, he quit and he moved to Midwest and he opened a bakery because that’s what he actually is passionate about. And I think it’s just, it’s like, finally as immigrants, like when we got our green card of citizenship, we finally have the privilege to ponder what Americans did probably around 18 years old, or early 20s, like what do you actually want to achieve? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What do I really want to do with my life? It’s a conundrum that American citizens can ponder at any age, but most consider it when they’re teenagers or fresh out of college. Maybe a couple years into your career, you realize that it’s not for you and you can pivot. But if your legal status in this country hinges on being able to do one highly specialized job, you don’t get to pivot. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">Your whole reason for being in the country is holding these special degrees, this special job and at the end of the day, that’s not all anyone is. Nobody is just an H-1B visa holder. Like, they’re complex people with multitudes of desires and I think feeling the weight of that lift can be unsettling for people. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Donduk, for one, questioned whether this pressure is worth it for everyone. He told Azul that he was glad to stay in the United States, which, despite everything, is a safer and more free place for him as an openly gay, ethnically Mongolian person. But, if he knew that he could live in China without fear of persecution… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Donduk Dovdon: \u003c/b>\u003cspan style=\"font-weight: 400\">I think the U.S. is getting harder and harder to stay here for immigrants. Like, you have to evaluate, what do you value more. If you can live a comfortable life in your back home country and you value your family connections, do you really want to spend 10, 15 years here just working like a dog to get a green card here? And also we heard many other stories like some immigrants, eventually they moved to Singapore or Canada and they found happiness there. Or even some move to Africa. It’s not like U.S. is the only place you can be happy. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Fewer international students are interested in studying in the U.S. Last year, international enrollment in American universities dropped 17%. Both Texas and Florida have banned H-1B hiring at public universities. Many scientists have raised concerns that the U.S. will lose its competitive edge in research between DOGE enforced funding cuts and H- 1B hiring freezes. But, as for working in the U.S., outside of academia? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">U.S. Citizen and Immigration Services said that they did hit their cap this year. So obviously there is still a demand for H-1B visas, but the Trump administration has made it a lot harder to get an H-1B visa. A lot of the Reality Reload team are Chinese immigrants and coming here, they’ve had the same experiences as the people they interviewed for these stories. I think it is very personal and part of why they wanted to give a voice to this experience because it is so pervasive in, you know, especially in like, the Bay area or other places where there’s a high need for specialized immigrant labor. This is really a huge thing and I think it’s not something that a lot of American citizens are aware of. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What do you think the game says about the intersection of technology and very bureaucratic systems like the immigration process? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">Immigrants feel the whiplash of American government policies from like, Democrat to Republican, maybe more than most groups here in the country, and how it can upend their lives. And so I think this is a way for immigrants to tell their experiences and for them to feel seen and maybe to inject a little bit of critique into real life. Sometimes, like the experience can feel so arbitrary or so gamified. So maybe a game is the best way to understand and work towards making these processes better, or at least like, explain them. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I have the privilege of being a natural-born U.S. Citizen. Both of my parents immigrated here when they were young, and I’ve never had to navigate the complexities of the immigration system myself. Many of my close family members have dealt with that, but I admit that even as a journalist, I struggle to differentiate between types of visas and what you can do with them: H-1B, OPT, EB-3, O-1, L-1B, K-1? It’s a dialect that’s unintelligible to a lot of natural born citizens. There’s a whole other world of paperwork and red tape that most Americans never have to think about. But that doesn’t mean it’s unimportant. So how do you get through the doom scrolling and get American citizens to understand the real life impact of these shifting immigration policies?\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>Like Allison pointed out, people who aren’t inclined to spend 20 minutes reading about visa changes, may be more convinced to spend 20 minutes in a game, trying to avoid the wrath of the orange god. Through surreal slot machines, fickle deities, and some skill juggling, games like H1B.Life can open players up to an unseen reality that exists right in front of them, one that might affect their friends, their coworkers, and their neighbors every day. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>Special thanks to Azul Dahlstrom-Eckman for sharing this story along with the interview recordings you heard today. You can find a link to Azul’s story and more about H-1B.Life and the immigrant experience in our show notes. \u003c/span>\u003cspan style=\"font-weight: 400\">Okay, let’s close all these tabs. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>Close All Tabs is a production of KQED Studios and is reported and hosted by me, Morgan Sung. This episode was produced by Maya Cueva and edited by Chris egusa, who also composed our theme song and credits music. The Close All Tabs team also includes editor Chris Hambrick and audio engineer, Brendan Willard. Additional music by APM. Audience engagement support from Maha Sanad, Jen Chien is our director of podcasts and Ethan Toven-Lindsey is our editor in chief. Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco Northern California Local. This episode’s keyboard sounds were submitted by Alex Tran, and recorded on his white Epomaker Hi75 keyboard with Fogruaden red samurai keycaps and gateron milky yellow pro v2 switches. Thanks for listening. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "A new gaming studio, Reality Reload, is trying to capture the H1-B Visa experience…in a mobile game. ",
"status": "publish",
"parent": 0,
"modified": 1776830876,
"stats": {
"hasAudio": true,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 84,
"wordCount": 5630
},
"headData": {
"title": "The H-1B Visa Process But Make It a Video Game | KQED",
"description": "Life on an H-1B visa — a visa that lets U.S. companies hire foreign-born workers for specialized jobs — is difficult, unpredictable, and has gotten even harder under the Trump administration. A new gaming studio, Reality Reload, is trying to capture that experience in a mobile game. It’s called H1B.Life, and it simulates the difficult choices, competing priorities, and personal sacrifices visa holders face — complete with chaotic design elements, like all-powerful “gods” who control your fate. KQED reporter Azul Dahlstrom-Eckman joins Morgan to break down the game’s surprising design choices, the mission behind it, and the stories he heard from people navigating the H1-B process.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"socialDescription": "Life on an H-1B visa — a visa that lets U.S. companies hire foreign-born workers for specialized jobs — is difficult, unpredictable, and has gotten even harder under the Trump administration. A new gaming studio, Reality Reload, is trying to capture that experience in a mobile game. It’s called H1B.Life, and it simulates the difficult choices, competing priorities, and personal sacrifices visa holders face — complete with chaotic design elements, like all-powerful “gods” who control your fate. KQED reporter Azul Dahlstrom-Eckman joins Morgan to break down the game’s surprising design choices, the mission behind it, and the stories he heard from people navigating the H1-B process.",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "The H-1B Visa Process But Make It a Video Game",
"datePublished": "2026-04-22T03:00:22-07:00",
"dateModified": "2026-04-21T21:07:56-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"primaryCategory": {
"termId": 33520,
"slug": "podcast",
"name": "Podcast"
},
"source": "Close All Tabs",
"sourceUrl": "https://www.kqed.org/podcasts/closealltabs",
"audioUrl": "https://traffic.megaphone.fm/KQINC2401184331.mp3?updated=1776830126",
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/news/12080824/the-h-1b-visa-process-but-make-it-a-video-game",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Life on an H-1B visa — a visa that lets U.S. companies hire foreign-born workers for specialized jobs — is difficult, unpredictable, and has gotten even harder under the Trump administration. A new gaming studio, Reality Reload, is trying to capture that experience in a mobile game. It’s called H1B.Life, and it simulates the difficult choices, competing priorities, and personal sacrifices visa holders face — complete with chaotic design elements, like all-powerful “gods” who control your fate.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">KQED reporter Azul Dahlstrom-Eckman joins Morgan to break down the game’s surprising design choices, the mission behind it, and the stories he heard from people navigating the H1-B process. \u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2401184331\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guest:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/author/adahlstromeckman\">\u003cspan style=\"font-weight: 400\">Azul Dahlstrom-Eckman\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, reporter at \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">KQED\u003c/span>\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Further Reading/Listening:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/12076756/what-does-it-take-to-get-a-h-1b-visa-this-video-game-shows-just-how-complicated-it-is\">\u003cspan style=\"font-weight: 400\">What Does It Take to Get a H-1B Visa? This Video Game Shows Just How Complicated It Is \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Azul Dahlstrom-Eckman, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">KQED\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.businessinsider.com/meta-google-amazon-microsoft-h-1b-visa-applications-decline-2026-4\">Meta, Google, and Amazon slash H-1B petitions after Trump’s visa crackdown\u003c/a> — Geoff Weiss, Melia Russell, Andy Kiersz, and Alex Nicoll, \u003ci>Business Insider \u003c/i>\u003c/li>\n\u003cli>\u003ca href=\"https://www.insidehighered.com/news/government/state-policy/2026/01/29/faculty-warn-against-state-bans-h-1b-visas\">Faculty Warn Against State Bans on H-1B Visas\u003c/a> — Jessica Blake, \u003ci>\u003ci>Inside Higher Ed \u003c/i>\u003c/i>\u003c/li>\n\u003cli>\u003ca href=\"https://www.the-scientist.com/h-1b-visa-restrictions-will-hurt-america-s-research-potential-experts-say-74267\">H-1B Visa Restrictions Will Hurt America’s Research Potential, Experts Say\u003c/a> — Shelby Bradford, PhD, \u003ci>\u003ci>\u003ci>The Scientist \u003c/i>\u003c/i>\u003c/i>\u003c/li>\n\u003cli>\u003ca href=\"https://www.wired.com/story/trump-immigration-visa-secrutiny-tech/\">US Tech Visa Applications Are Being Put Through the Wringer \u003c/a>— Lauren Goode, \u003ci>\u003ci>\u003ci>\u003ci>Wired \u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/li>\n\u003cli>\u003ca href=\"https://www.wired.com/story/made-in-china-a-new-game-turns-the-h-1b-visa-system-into-a-surreal-simulation/\">\u003cspan style=\"font-weight: 400\">A New Game Turns the H-1B Visa System Into a Surreal Simulation \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Zeyi Yang, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Wired \u003c/span>\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-content post-body\">\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Hi, it’s Morgan. Be honest with me, how many tabs do you have open? Feeling a little overwhelmed by closing them? Well, we have an episode for you. If you like our deep dives and wanna hear more, please rate and review us on Spotify, Apple Podcasts, or wherever you listen to the show and tell your friends about us too. Okay, let’s get to the episode. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Quick note: in this episode we use the term “immigrant” in a broad sense to refer to people living and working in the U.S. on H-1B visas. In legal terms the H1-B is a nonimmigrant temporary visa, though many visa holders hope to stay in the U.S. long term. \u003c/span>\u003cspan style=\"font-weight: 400\">Every March, a corner of the Chinese social media app Red Note gets flooded with posts about Chick-fil-A. The users go all out, buying Chick-fil-A keychains, changing their profile pictures to the red and white chicken logo, and of course, treating themselves to a hearty meal of a chicken sandwich and waffle fries. You’ll often see the same emojis in each post: prayer hands, a chicken, and an American flag. \u003c/span>\u003cspan style=\"font-weight: 400\">All of these users are applying for the H-1B visa, a visa for highly skilled immigrants sponsored by an employer. Many come to Silicon Valley to work in tech. Hundreds of thousands of hopefuls apply every year, but only 85,000 applicants are selected. So, what does this have to do with fried chicken? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">It turns out that there’s a tradition amongst Chinese H-1B applicants here in the United States that they believe that eating a lot of Chick-fil-A and just generally associating with Chick-fil-A brings you luck and will increase your chances of getting selected in the H-1B lottery. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Azul Dahlstrom-Eckman is a reporter at KQED. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">And apparently, if you go to a Chick-fil-A here in the Bay Area around March, you’re likely to see a lot of Chinese immigrants who potentially could be H-1B applicants eating there. And it’s not really clear where this started, but it’s definitely a thing. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Azul said that this trend, the annual Chick-fil-A frenzy on social media, is part of a much bigger story. To even apply for an H-1B visa, you need an employer to sponsor you, which means that you need to have a job offer. It doesn’t guarantee a visa, just that you can enter the lottery. The process for getting an H-1B Visa has been changing, and a system that was already difficult has become even harder for applicants. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">It is true that with the Trump administration, there has been a lot of changes specifically to this year’s H-1B visa process. The first is that there’s now a $100,000 fee if a company wants to sponsor somebody who isn’t currently living in the country. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">In wake of the changes and very steep application fee, some universities and companies implemented a hiring freeze for H-1B applicants. And the ones that are still hiring are sponsoring far fewer visas than in previous cycles. The updated application system isn’t totally random anymore. Higher paid applicants have a better chance of being picked now. But for the most part, the application process feels like a game of luck. At the end of the day, it’s still a lottery. Which is why good luck traditions, like getting Chick-fil-A during the registration window, have become baked into the modern mythology of the American immigrant experience. \u003c/span>\u003cspan style=\"font-weight: 400\">It can all feel like a game, one in which the rules seem arbitrary and unpredictable. So when Azul heard about a studio turning that experience into a playable app, it made perfect sense. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">H1B.Life is a game that tries to simulate the experience of an immigrant who’s trying to get H1-B visa status. And it’s a pretty early prototype now. Basically, it’s sort of like a text-based decision tree on your smartphone. And I played a demo of it, and it was actually kind of interesting. \u003c/span>\u003cspan style=\"font-weight: 400\">So one of the opening scenes of the game says, during high school, you spent hours and hours on your laptop binging Gilmore Girls on shady, unauthorized streaming websites. Everything in your drowsy new town reminds you of the show. If it wasn’t for Lorelai and Rory, you might have never decided to… and then there’s like two decisions, and one is study journalism or come to New England. And I was like, wow, that’s really oddly specific. And it turns out that H1B.Life is based on real-life interviews from H1-B applicants, specifically Chinese immigrants living in Silicon Valley. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">We’re diving into H1B.Life today, the arduous application process, how capricious policy changes impact the trajectory of an immigrant’s entire life, and the cost of chasing a dream, all wrapped up in a mobile game. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>This is Close All Tabs. I’m Morgan Sung, tech journalist and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. Let’s get into it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>Before we talk about the game itself, let’s get into the reality that inspired it. And as always, we’re starting by opening a new tab: Life on an H-1B Visa. Last month, the annual Game Developers Conference took over San Francisco. The Asian Art Museum was hosting a showcase for a game that involved chance, timing, and bureaucracy to, “determine who stays and who is deported.” The game was H1B.Life. Azul had heard about the game and decided to check it out. At the event, he talked to a few people about their own experiences with the immigration system. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">The first person I talked to, his name was Donduk Dovdon, and he’s an ethnically Mongolian, Chinese national who now is a U.S. Citizen. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Donduk Dovdon: \u003c/b>\u003cspan style=\"font-weight: 400\">So I came to States 12 years ago for my master’s degree in Washington, D.C. And eventually I got H-1B, and then later I got green card. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Donduk said the process demands a lot of sacrifice and that it can be hard to ever feel secure about the future. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">He told me it is a very hard and arduous process to get H-1B status. And then even once you have H-1B status, you’re still not secure. You have to work towards getting a green card and then citizenship. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Donduk Dovdon: \u003c/b>\u003cspan style=\"font-weight: 400\">I didn’t see my parents for 10 years. I didn’t see any of my relatives for 10 years. So I think that’s still very emotional for me to say. Like, I eventually went back, I think, two years ago when I became citizen. It was so emotional. And I feel… I miss them, they miss me, a huge chapter of our lives…ten years, like many Americans, it’s just unimaginable. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Donduk’s 10-year gap without seeing his family may be on the extreme end. H-1B visa holders are technically allowed to travel internationally and re-enter the country, as long as their visa stamp is still valid. But he’s not alone. The decision to stay in the U.S. is often driven by fear of not being allowed back in. Over the last year, given the heightened scrutiny of visa holders and the Trump administration’s immigration crackdown, some legal experts, universities, and even tech companies who employ visa holders have cautioned against international travel. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>Concerns about travel aside, taking time off to visit family abroad often depends on your employer’s time off policy. H-1B visas hinge on employment. Changing jobs involves a new sponsor and another mountain of paperwork. Some H- 1B visa holders have spoken out about feeling trapped abusive work environments because of their visa status. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Donduk Dovdon: \u003c/b>\u003cspan style=\"font-weight: 400\">When I was on H-1B, I met various shady employers who technically did not pay me, which was illegal. And it was like, if you dare to report me, you will get your H-1B revoked. So eventually, I was lucky enough and I left that organization, but I heard other people, in order just to get one H-1B, worked for three years free. And after work, they work at a restaurant or bubble tea store illegally for three years. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Getting picked in the visa lottery doesn’t guarantee long-term stability either. H-1B visas have a 6-year cap and visa holders have to spend a full year outside of the U.S. before they can reapply. Donduk mentioned one of his friends, who’s also Chinese Mongolian. He recently had to say goodbye to her. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Donduk Dovdon: \u003c/b>\u003cspan style=\"font-weight: 400\">She self-deported herself three or four days ago. We were at the airport. She was on H-1B for five years, but no companies was willing to sponsor her green card. She spent 14 years in the States. She even bought a house. And then she sold the house, sold the car, and moved back. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Visa status can be all consuming. At the showcase, Azul spoke with another attendee who’s currently on a different work-based visa. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">He said that whenever he meets up with other visa holders, the number one thing that they ask each other is ‘what visa are you on? ‘ because it has such a powerful determining factor over what you do, who you date, where you live, where you work. You have to keep your employer happy and they have to continue to sponsor you. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Azul Dahlstrom-Eckman: \u003c/b>You might need to take a job that takes you traveling out of the country, but with the Trump administration, you know, maybe it’s hard for you to get back into the country based on your country of origin. So I think people are constantly taking risks and living under uncertainty, you know, from one presidential administration to the next. They’re not sure how these rules surrounding H-1B status are going to change. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">In his reporting, Azul talked to an immigration lawyer based in Silicon Valley, Sophie Alcorn. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">The game metaphor made sense to her that the H-1B process is sort of like a game. She said that her two young sons invite her to play video games when she’s home and she says… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Sophie Alcorn: \u003c/b>\u003cspan style=\"font-weight: 400\">You guys, I’m already playing one of the hardest video games. I don’t need to play another game because the immigration system is so complicated as it is. There’s randomness, there’s luck, there’s skill, there is strategy. There’s trying to go around and collect like, badges and items to upskill to be able to get to the next level just like in a game. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">In games, players are the most affected by the rules, but they also have the least control over them. Right? Players are beholden to the rules but the people that make the rules are not playing the same game. I mean, you could say that we’re now playing on difficulty level hard with the Trump administration. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, let’s talk about the game itself, H1B life. Donduk, the guy who just got his American citizenship, actually thought the prototype he played was too realistic. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">He said that the gameplay was a little triggering for him, it was too real. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">We’re going to get into that after this break. But first, we wanted to remind you that Close All Tabs depends on listeners like you to keep us going. You can support us by becoming a member at donate.kqed.org/podcasts. Okay, more about the game after the break. Stick with us. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>Welcome back. We’re getting into this game, H1B.Life. Who is it for? How does it work? And can it really help make sense of the immigration process? Let’s open a new tab: How to play the H1-B Visa game. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>The immigration system, at times, can seem like a black box to applicants, lawyers, and maybe most of all, to natural born American citizens who’ve never needed to think about this. The seemingly arbitrary rules that can change at the whims of an unseen entity, the gravity of every single decision, the pressure to succeed as the perfect model immigrant, that is the experience that developers are trying to capture in H1B.Life. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio from H1B.Life Trailer] America the big and beautiful country, but you need a visa. Be talented, big brain, build chips, then you might get an H-1B visa .\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s a trailer for H1B.Life, which is still a very long way from being playable. The Kickstarter hasn’t even launched yet, but Azul got to try a demo. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s basically like this text-based decision tree. The top half of the screen is like a text prompt and the bottom half is like, a series of choices. And then as you play through the game, you select different choices. There are these like four core attributes that you need to maintain. It’s intelligence, wealth, social support, and burnout rate, right? So this kind of like simulating. The things that it takes to be a person going through the H-1B visa process. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio from H1B.Life Trailer] You make smart choices to get that visa and stay. What separates winning from losing is how you react when fate happens. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">As you play, you’re presented with these different choices, like you’re done with your study abroad program and you go back home to Shanghai and you want to pursue journalism. But maybe you can get a job in this field and get an H-1B visa, so you decide to put off your dream and pursue something else. And as you do that, your core attributes sort of change. And so you’re having to sort of weigh those choices. \u003c/span>\u003cspan style=\"font-weight: 400\">You can spend social capital, instead of going to, you know, your friend’s birthday party, you stay late at work because, you know, you’re trying to get sponsored, right? So your social support goes down, but you know your intelligence goes up, right? Like, that’s kind of the balancing act. Then what’s promised in subsequent versions of the game is that if those core attributes run out, it triggers a sort of like slot machine feature where different gods decide players fates, and that’s sort of supposed to describe this random nature of the H-1B visa process. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio from H1B.Life Trailer] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">And don’t forget the immigration gods: code god, free god, fried chicken god, even orange god.\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Can you tell us more about these different gods in the game? I know there’s one called the orange god. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">So the orange god is the one that caught my eye. The orange god bears a very strong resemblance to Donald Trump. And the orange god claims to control everything and has already changed the policy 500 times before you finish reading the sentence. That’s what the description of the orange is. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Allison Yang: \u003c/b>\u003cspan style=\"font-weight: 400\">He’s the newest God in this universe. He’s very powerful. He can destroy your life any minute he wants, and he usually do. So you have to be very careful of him. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s Alison Yang, the founder of the game studio, Reality Reload. She told Azul about the other gods in the game. So there’s the code god, who looks like a cyborg and is obsessed with tech and optimization. The free god resembles the Statue of Liberty and is supposed to represent the American dream of a free society. And the fried chicken god? A nod to the annual Chick-fil-A tradition. And that god…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">…According to the game description, keeps you surviving through the power of fast food grease. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">[Laughter] Reality Reload is a game studio made up of immigrants, developers, designers, and journalists. The founder, Allison, has a background in journalism. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Allison Yang: \u003c/b>\u003cspan style=\"font-weight: 400\">I love journalism, but over the years, as an editor and a reporter, I realized less and less people are reading long form, but there’s so much stories and information we want to pass on. I had the luck to step into the game industry for 7-8 years now, and I realized it’s the opposite. Like, people spend a massive amount of time in a the game. They complained one of my games to be too short, play is two hours. At the same time, they would complain that one of my articles is too long. So I thought, what if I turn it around, like a trojan horse. Like we wrap the news or information into a game and people doesn’t have to know that. They’re just playing something fun and they’re exposed to information anyway. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So, as Allison told Azul, the point of H1B.Life is to educate people about the complexities of the immigration system. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">I think they started with the H-1B visa because it’s like this caricature of the visa system. It’s highly sought after. It’s very competitive, but they realized that it’s not just H-1B visas, it’s the whole United States Immigration System. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The Reality Reload team initially designed the game based on their own experiences as Chinese immigrants in Silicon Valley. They conducted dozens of interviews with other Chinese immigrants for storylines in the game. But the team quickly realized that this experience is more universal than they first believed. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Allison Yang: \u003c/b>\u003cspan style=\"font-weight: 400\">And it’s kind of funny because there is internal tensions between people of different origin who are competing for the same visa. But when we were talking to them, we realized it’s the same rat race, and you’re competing with each other not because the other party is evil or better, it’s because you have to. And then everyone’s, or every context, country of origin have their own dilemma. Like when we talk to Latino people from Bolivia…here it’s already very hard to find a job, but people at home find it very difficult to believe they couldn’t find money in the States. They have to mitigate through that. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">I talked to my physician who is Indian, and she said their problem is even if they get a visa, there are too many Indian visa holders, they have to wait, I’m sure this number is not right, but she said 100 years to get a green card. So it’s like different versions of a game. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">H1B.Life revolves around choices and rules, which the player may or may not know about until they break one. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Allison Yang: \u003c/b>\u003cspan style=\"font-weight: 400\">And the rules are changing every day. The player usually the one who has the least power or say, but they are the one we have to play through. So that tension is something we want to focus on. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Allison did admit that early versions of the game were maybe too realistic. She told Azul that when they ran play tests, some people, like Donduk, found it a bit traumatic because they’ve dealt with this in real life. Donduk thought the game was triggering and not playful enough for a typical video game. Here’s Azul again. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">But he did think that it could have an application in like corporate diversity trainings. You could imagine like being at Google and a lot of your coworkers are H1B sponsors, being like, wow, I didn’t know that you had to go through that to get here, you know? And then that’s so different from how a United States citizen would get here. So that’s like, one potential application. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">H1B.Life is still a prototype. The Reality Reload team is still interviewing other immigrants to weave their experiences into the story. And they plan to add more fantasy and play to the game before it launches. Azul mentioned one mini game in the works, which involves juggling. Your hands are full with a social life, maintaining grades, and looking for a job that’ll sponsor you, all while checking emails from your immigration lawyer. This is core to the game, managing the tension between competing priorities. It prompts players to consider what they want more: to pursue their dreams, or to fit the mold of an ideal immigrant in order to stay in the country. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Allison Yang: \u003c/b>\u003cspan style=\"font-weight: 400\">At the beginning we thought we were going to do a simple visa simulation game and now we realize it’s more about how people figure out what kind of life they want, where they want it to be. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Which is also a sentiment that almost all employment-based visa holders have to consider. Except, unlike in the game, there’s no decision tree guiding their path. They have to make these choices for themselves. What does life look like when it’s not dictated by a precarious visa status? Let’s open another new tab: the post-visa midlife crisis. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">For Donduk Dovdon, he came here as a student and he was pursuing a master’s degree. And now he needs to decide where he’s going to work, not based on what he wants to do, but based on who will sponsor him for an H-1B visa. After you get an H1B Visa, then you’re on a six-year timeline where you have to hit certain benchmarks in order to get a green card. After 10 years of uncertain visa status…once he got his U.S. citizenship, he basically had like a midlife crisis. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Donduk Dovdon: \u003c/b>\u003cspan style=\"font-weight: 400\">Because before, when I was on H1B, the only thing I had, my goal was to survive and be in this country. So I do whatever it takes to get a job that sponsors me for H-1B. And I do whatever it takes make my boss happy. But when I eventually got a green card, I finally had the privilege to think like an American, like, oh, what do I actually want to do with my life? I think now I’m still figuring out like what do I actually want to do? Now I’m like a 21 years old American, just graduated from college. I have all the opportunities finally opened up for me and I remember when I became citizen and I decided to quit PhD that was the hardest time in my life because like I’m like now finally I can move to anywhere in the States. I can be a bartender in Miami, but do I really want to be? \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Donduk Dovdon: \u003c/b>I don’t know. Like I spent two months wondering where should I go next. And I know some other also H-1B workers, they were like of the best coders as a company or program manager or whatever. And then when they got a green card, some guys, I know one guy, he quit and he moved to Midwest and he opened a bakery because that’s what he actually is passionate about. And I think it’s just, it’s like, finally as immigrants, like when we got our green card of citizenship, we finally have the privilege to ponder what Americans did probably around 18 years old, or early 20s, like what do you actually want to achieve? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What do I really want to do with my life? It’s a conundrum that American citizens can ponder at any age, but most consider it when they’re teenagers or fresh out of college. Maybe a couple years into your career, you realize that it’s not for you and you can pivot. But if your legal status in this country hinges on being able to do one highly specialized job, you don’t get to pivot. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">Your whole reason for being in the country is holding these special degrees, this special job and at the end of the day, that’s not all anyone is. Nobody is just an H-1B visa holder. Like, they’re complex people with multitudes of desires and I think feeling the weight of that lift can be unsettling for people. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Donduk, for one, questioned whether this pressure is worth it for everyone. He told Azul that he was glad to stay in the United States, which, despite everything, is a safer and more free place for him as an openly gay, ethnically Mongolian person. But, if he knew that he could live in China without fear of persecution… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Donduk Dovdon: \u003c/b>\u003cspan style=\"font-weight: 400\">I think the U.S. is getting harder and harder to stay here for immigrants. Like, you have to evaluate, what do you value more. If you can live a comfortable life in your back home country and you value your family connections, do you really want to spend 10, 15 years here just working like a dog to get a green card here? And also we heard many other stories like some immigrants, eventually they moved to Singapore or Canada and they found happiness there. Or even some move to Africa. It’s not like U.S. is the only place you can be happy. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Fewer international students are interested in studying in the U.S. Last year, international enrollment in American universities dropped 17%. Both Texas and Florida have banned H-1B hiring at public universities. Many scientists have raised concerns that the U.S. will lose its competitive edge in research between DOGE enforced funding cuts and H- 1B hiring freezes. But, as for working in the U.S., outside of academia? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">U.S. Citizen and Immigration Services said that they did hit their cap this year. So obviously there is still a demand for H-1B visas, but the Trump administration has made it a lot harder to get an H-1B visa. A lot of the Reality Reload team are Chinese immigrants and coming here, they’ve had the same experiences as the people they interviewed for these stories. I think it is very personal and part of why they wanted to give a voice to this experience because it is so pervasive in, you know, especially in like, the Bay area or other places where there’s a high need for specialized immigrant labor. This is really a huge thing and I think it’s not something that a lot of American citizens are aware of. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What do you think the game says about the intersection of technology and very bureaucratic systems like the immigration process? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Azul Dahlstrom-Eckman: \u003c/b>\u003cspan style=\"font-weight: 400\">Immigrants feel the whiplash of American government policies from like, Democrat to Republican, maybe more than most groups here in the country, and how it can upend their lives. And so I think this is a way for immigrants to tell their experiences and for them to feel seen and maybe to inject a little bit of critique into real life. Sometimes, like the experience can feel so arbitrary or so gamified. So maybe a game is the best way to understand and work towards making these processes better, or at least like, explain them. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I have the privilege of being a natural-born U.S. Citizen. Both of my parents immigrated here when they were young, and I’ve never had to navigate the complexities of the immigration system myself. Many of my close family members have dealt with that, but I admit that even as a journalist, I struggle to differentiate between types of visas and what you can do with them: H-1B, OPT, EB-3, O-1, L-1B, K-1? It’s a dialect that’s unintelligible to a lot of natural born citizens. There’s a whole other world of paperwork and red tape that most Americans never have to think about. But that doesn’t mean it’s unimportant. So how do you get through the doom scrolling and get American citizens to understand the real life impact of these shifting immigration policies?\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>Like Allison pointed out, people who aren’t inclined to spend 20 minutes reading about visa changes, may be more convinced to spend 20 minutes in a game, trying to avoid the wrath of the orange god. Through surreal slot machines, fickle deities, and some skill juggling, games like H1B.Life can open players up to an unseen reality that exists right in front of them, one that might affect their friends, their coworkers, and their neighbors every day. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>Special thanks to Azul Dahlstrom-Eckman for sharing this story along with the interview recordings you heard today. You can find a link to Azul’s story and more about H-1B.Life and the immigrant experience in our show notes. \u003c/span>\u003cspan style=\"font-weight: 400\">Okay, let’s close all these tabs. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>Close All Tabs is a production of KQED Studios and is reported and hosted by me, Morgan Sung. This episode was produced by Maya Cueva and edited by Chris egusa, who also composed our theme song and credits music. The Close All Tabs team also includes editor Chris Hambrick and audio engineer, Brendan Willard. Additional music by APM. Audience engagement support from Maha Sanad, Jen Chien is our director of podcasts and Ethan Toven-Lindsey is our editor in chief. Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco Northern California Local. This episode’s keyboard sounds were submitted by Alex Tran, and recorded on his white Epomaker Hi75 keyboard with Fogruaden red samurai keycaps and gateron milky yellow pro v2 switches. Thanks for listening. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>"
}
],
"link": "/news/12080824/the-h-1b-visa-process-but-make-it-a-video-game",
"authors": [
"11944",
"11943",
"11869",
"11832"
],
"programs": [
"news_35082"
],
"categories": [
"news_33520"
],
"tags": [
"news_22973",
"news_20526",
"news_20611",
"news_3137",
"news_34646",
"news_1631",
"news_5702",
"news_35248"
],
"featImg": "news_12080827",
"label": "source_news_12080824"
},
"news_12079935": {
"type": "posts",
"id": "news_12079935",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12079935",
"score": null,
"sort": [
1776247220000
]
},
"guestAuthors": [],
"slug": "save-or-scroll-looksmaxxing-ai-fruit-love-island-bts-arirang-and-meta-lawsuits",
"title": "Save or Scroll: Looksmaxxing, AI Fruit Love Island, BTS Arirang, and Meta Lawsuits",
"publishDate": 1776247220,
"format": "audio",
"headTitle": "Save or Scroll: Looksmaxxing, AI Fruit Love Island, BTS Arirang, and Meta Lawsuits | KQED",
"labelTerm": {},
"content": "\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In a spring installment of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Save or Scroll\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, Morgan teams up with culture journalist Steffi Cao to dig into the stories they can’t stop thinking about. From \u003c/span>\u003cspan style=\"font-weight: 400\">looksmaxxing to \u003c/span>\u003cspan style=\"font-weight: 400\">AI Fruit Love Island, BTS’ new album, and Meta losing a landmark series of lawsuits, they’ve got a lot to discuss. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Save or Scroll is our series where we team up with guests for a rapid-fire roundup of internet trends that are filling our feeds right now. At the end of each segment, they’ll decide: is the post just for the group chat, or should we save it for a future episode?\u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC4630070510\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guest:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://stefficao.substack.com/\">\u003cspan style=\"font-weight: 400\">Steffi Cao\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, culture journalist \u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Further Reading/Listening:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://stefficao.substack.com/\">\u003cspan style=\"font-weight: 400\">More from Steffi Cao\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Substack\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.gq.com/story/inside-claviculars-thirsty-tour-of-new-york-city\">\u003cspan style=\"font-weight: 400\">Inside Clavicular’s Thirsty Tour of New York City \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Kieran Press-Reynolds, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">GQ\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.thedailybeast.com/in-gen-z-gym-culture-steroids-are-often-a-gateway-drug-to-the-alt-right/\">\u003cspan style=\"font-weight: 400\">Why Steroids Are Now Turning Young Men into Dangerous Incels\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Steffi Cao, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Daily Beast\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/li>\n\u003cli>\u003ca href=\"https://www.fastcompany.com/91519147/fruit-love-island-tiktok-most-popular-ai-generated-series-now-facing-trouble-in-paradise\">\u003cspan style=\"font-weight: 400\">‘Fruit Love Island’ is TikTok’s most popular AI-generated series. It’s now facing trouble in paradise \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Jude Cramer, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Fast Company \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.wired.com/story/theres-something-very-dark-about-a-lot-of-those-viral-ai-fruit-videos/\">\u003cspan style=\"font-weight: 400\">There’s Something Very Dark About a Lot of Those Viral AI Fruit Videos \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Kat Tenbarge, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Wired \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.teenvogue.com/story/who-decides-if-bts-album-arirang-is-korean-enough-op-ed\">\u003cspan style=\"font-weight: 400\">Who Decides If BTS’s Album ‘Arirang’ is ‘Korean Enough’? \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Jiye Kim, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Teen Vogue \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://slate.com/culture/2026/03/bts-arirang-album-netflix-swim-comeback-concert-2026.html\">\u003cspan style=\"font-weight: 400\">BTS’s Arirang comeback was supposed to be a triumph. What happened?\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Nadira Goffe, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Slate \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://19thnews.org/2026/03/social-media-addiction-trial-meta-youtube/\">\u003cspan style=\"font-weight: 400\">Meta and YouTube ordered to pay $3 million to young woman in social media addiction trial\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Jasmine Mithani, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The 19th\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.newyorker.com/news/the-lede/what-the-verdict-against-meta-and-google-says-about-the-way-we-live-now\">\u003cspan style=\"font-weight: 400\">What the Verdict Against Meta and Google Says About the Way We Live Now\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Jeannie Suk Gersen, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The New Yorker \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.youtube.com/watch?v=Ype6c6DdHQY\">The Truth About the Social Media Addiction Trial\u003c/a> — Taylor Lorenz, \u003ci>Free Speech Friday \u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Hey, it’s Morgan. We just celebrated the show’s first birthday. That’s right, Close All Tabs is a Pisces. Want to celebrate with us? It would be so, so helpful if you could rate and review us on Spotify, Apple Podcasts, or wherever you listen to the show. And tell your friends about us too. Okay, let’s get to the episode.\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Hey guys, welcome to Close All Tabs. I’m Morgan Sung, tech journalist and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. Except today, we aren’t opening any tabs. Instead, we’re doing another Save or Scroll. We’ve done a few of these now. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Occasionally, while scrolling, I come across a truly wild post, but it might not make sense to spend an entire episode on it. Maybe I do a little digging and it turns out that the lore behind it just isn’t compelling enough to justify a deep dive, but I’m still dying to talk about it. And this is the beauty of Save or Scroll, the game where a guest comes to the show and we trade stories from the internet that we’re dying to talk about. Today, we have the one and only Steffi Cao. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Thank you so much for having me, Morgan. I’m so excited. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, Steffi, tell us about yourself. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Hi everyone, I’m Steffi, I am a culture journalist and Slate’s newest dating advice columnist for Unhinged. You can find my writing everywhere from The Atlantic, to Rolling Stone, to The Guardian, to Slate now, so I’m very excited to share all my tabs and work in today. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, so let’s talk about the rules of Save or Scroll. Save, as in when you see a post on TikTok or Instagram or X and you bookmark it, add it to your save folders or if you’re me, drop it in notes app and hope that you’ll remember it’s there. Basically, you’re holding onto the story because you know you’ll want to dig into it more. And scroll, as you think about it and then move on. It disappears into the digital ether.\u003c/span>\u003c/p>\n\u003cp>So Steffi and I have each brought some stories that we can’t stop thinking about, and we’re gonna go back and forth to decide if they’re worth a deep dive on the show. So if we decide to scroll, it means we’ve talked about it, we’re moving on. And if we save, it means that we might hold onto the idea for a future episode.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Okay, Steffi, please tell us about looksmaxxing. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Over the past few years, looksmaxxing is the subculture of young men primarily who are seeking guidance from other men in terms of how to gamify their looks to become super, super hot. The essence of looksmaxxing is basically ‘the hotter I can be, the better my life will be around other men.’ And the pinnacle of these content creators currently is a man named Clavicular of collarbone fame.\u003c/span>\u003c/p>\n\u003cp>He’s a 20-year-old white man who has a very soft elfin face and a Dorito-shaped body and has really been associated with a lot of, like, Nazi ideology, has been recently arrested for inciting a fight between two women, allegedly and also allegedly shooting an alligator in Florida. He was kicked out of Las Vegas, I believe, and has become this sort of lightning rod for this entire culture of all these men wanting to get hotter and be hotter.\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah and Clavicular first went viral for not only his extensive skin care and workout routine, but for also saying that he microdoses meth and would hit his face with a hammer to get a more, I guess, angular jawline. What a man. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">What a guy. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What a character. Clavicular is so fascinating to me because his political stances are indecipherable. He has gone on some more right-leaning podcasts, and when they try to get him to be kind of transphobic, he said… \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clavicular in audio clip]\u003cbr>\nI did a podcast with Michael Knowles the other day and he’s sitting here saying like and getting all mad about transgenders and I’m like bro that’s one more person a mog you know what I mean so like I don’t get too I don’t get too upset when people go trans and all that shit. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s just another person to mog. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Yes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">How would you describe mogging? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Mogging, I think, is the essence of being hotter than somebody else. So if you’ve mogged them, it’s like you’ve shown them up in some way. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio clip of Clavicular on the Adam Friedland Show] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Clavicular: That’s the goal of the game, right, is to mog other people, right? \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Adam: Tell the boomer cells about what that is. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Clavicular: So, mogging is essentially just, you know, outperforming them, looking better than them, yeah and just sort of dominating, right. It came from something called AMOG, which was alpha male of the group, then it was shortened to just mog, so that’s kind of like the term we use. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">So the language has become like a bigger than itself sort of phenomenon where, you know, maxxing and mogging have started from this internal community and then now becomes sort of like general ironic gobbledygook for everybody. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s so interesting too, because the whole looksmaxxing thing has become like the peak Manosphere content. All the allegedly straight boys are really into doing all this to impress other men. It doesn’t seem like they actually do this in any way to appeal to women. And like, I’ve seen a lot of like gay men point out, this is literally gay male culture, what they’re doing, the peacocking, trying to show each other up and like only seek validation from other men, which is from a gender perspective, I’m like, what’s going on here? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">It feels like horseshoe theory a little bit. They are doing all of these performative things that come right back to a drag of what a straight man is. It’s like it’s heterosexual drag. Like you’re trying to, you know, build up your face a certain way, you’re trying to mog other straight men, like that’s drag, honey. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Like that’s gender performance. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">100% Yeah, I mean, self-improvement leans so well into fascist ideology because a lot of it is predicated on this idea that you can earn your way into something better, which is exactly what looksmaxxing is, right? You can gamify your looks. Like, If you’re not hot now, all you need to do is do all these steps and gain more points, more aura points, until you have achieved this thing.\u003c/span>\u003c/p>\n\u003cp>Which is exactly why in Nazi Germany you see a lot of propaganda being espoused about the strongman. That was a huge beauty standard at that point in Hitler’s Germany, was specifically this idea of a man who is super jacked and is super like, is mogged, really, and I have no other word for it really. It’s just like they really..\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">A mogged man has always been this cultural fascination and in many ways a mogged woman, obviously. Um, has been a huge part of, uh, fascist ideology for a long time. You know, think about all these essays about why Republican women all look the same and they have this specific look about them. And it has a lot to do with this culture of self-improvement and making all these alterations to yourself to try and earn your way or like bootstrap your way into beauty and therefore access and power and all of these things. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. Okay, well, looksmaxxing, the big thing of the year right now, do we save or do we scroll? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh, I’m saving it because I think there’s going to be developments. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">No, yeah, there are going to be new words that have never been said before. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s going be crazy. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">But looks maxed as a trend, I think we’re saving. After the break, a new bombshell enters the villa. Unfortunately, she’s AI generated and also made of fruit. Steffi and I are going to explain all of the drama around AI Fruit Love Island. Stick around. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I have a story for you now. Are you familiar with AI Fruit Love Island? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh, am I! Oh my god, I feel like it came out of nowhere and then it’s sudden, it’s like omnipresent now. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So, for the uninitiated, AI Fruit Love Island was this interactive AI-slop parody of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Love Island\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> with sexy anthropomorphized fruit. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of Audio from AI Fruit Love Island] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Host: Welcome Back to Fruit Love Island. Today we’ve got a steamy challenge and after over 370,000 viewer votes, our bombshells have officially hit the villa. All right ladies let’s get this started. You’ll be kissed one by each guy and after each kiss you rate it. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, so that is one of the episodes of Fruit Love Island. What was happening in that clip? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Um, it’s basically just a real \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Love Island\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> challenge, but done with fruit. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, they have human bodies, um, but their heads are fruit. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">These are all like, obviously done by AI. The colors are highly saturated. It’s super bright, super like in your face. And then a grape man wearing a Hawaiian shirt and, uh, board shorts, like comes up and kisses the fruit ladies blindfolded. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of Audio from AI Fruit Love Island] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Host: Grapenzo, you’re up first. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Contestant: That was hot, an 8.5. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">You see all these badly done reactions in the background of these AI fruit women laughing and sort of being like, ha ha ha, this is crazy. So it just is like a \u003cem>Love Island\u003c/em> episode, but with fruit. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So for context, this TikTok account kind of came out of nowhere, AICinema021, and they gained about 3.1 million followers in like a week and a half. And now there are so many copycat accounts. The characters include Limeyra, the lime, Bananito, the banana who has abs and is always shirtless, Strawberrina, the strawberry, Coconick, the sexy coconut. And yeah, it’s not good. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">The animation and voices are all stilted. There’s zero consistency. It’s pure slop. So viewers gave storyline feedback via Google Form and voted for their faves in the comments. And this account was getting crazy numbers, like 20 million views per episode at its peak and just churning out new episodes every day. I feel like it used to be kind of embarrassing to enjoy this kind of content, but then you had Zara Larsson and Joe Jonas being like, ‘Oh my God, I can’t wait for the next episode.’ Like major celebrities. But yeah, what’s your like initial gut reaction here? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I think it makes sense why this thing is taken off, because even though young people online want to act like only boomers love watching AI slop, the fact is our brains are primed to watch AI slop. We have all these deep fried memes and internet humor is so self-referential, but it removes a lot of these barriers in our heads of consuming something like this that really feels as though, like, okay, maybe, um, what could be embarrassing previously could be ironically fun now. I love it because it’s fascinating to see how excited people get about it. But like, is the content good? No, it’s trash, but I don’t think it’s trying to be good. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. Well, have you been following the great AI Fruit Love Island crash out… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I have not. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">…that happened over the weekend? Okay. So this account literally gained millions and millions of followers, three million followers in like a week and a half, which is insane. Like there are human creators who grind for years to get a third of that. But, you know, this account was able to just churn out content so fast and people were invested. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">So basically, people were criticizing the account for being AI slop and criticizing viewers for being slop consumers. And the creator did not respond well. In TikTok comments, they complained about how hard it was to make this content and basically implied that like viewers were ungrateful. A real hilarious irony where they were like, it’s really hard because I have to prompt so many times and the AI sometimes messes up and I have to redo it and then I have edit it together. And it sometimes takes me like three hours to make one of these videos. And it’s like, yeah, well… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Imagine how long it must take to film a real TV episode? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s so funny that they’re like, this is so hard, even like having to prompt a generator to be like, and now make Strawberrina kiss the kiwi man is like too much effort. So then their video started getting removed. The creator claimed that it was part of a mass reporting campaign and started crashing onto their story. So this was the first one…they were, I guess, sick of it, right? \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">They were like, “This is it. I’m sick of all of you.” They were getting criticized for like wasting water basically and people were pointing out like, hey, this is like really sh*tty that you’re kind of encouraging this consumption. So they were posting like, “Was a good run, didn’t expect any of this, but here we are from being a nobody to being cancelled. I guess I’ll take it. People hate to see people win,”. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s awesome! \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">…with screenshots from like their episodes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">That’t the funniest thing I’ve ever seen. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">“I’m so glad y’all got what you wanted. Saving the planet three gallons of water at a time, truly inspirational. It’s like, f*ck all y’all, you jealous motherf*ckers, save the planet, OMG, water, OMG. I love water, clean water, please clean water. What y’ all sound like.”. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s hilarious. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">“Thanks for 3 million followers though. Wow, I guess some might like it.” Then they posted one final one, basically saying like, this series is over, this is it, with Bananito, a fan favorite, unfortunately, the sexy banana that is never wearing a shirt. Um, and basically they said, “All right, f*ck all you b*tches, no more Fruit Love Island. Since people are so obsessed with it, all my videos banned, I make no money. I guess I am being targeted because no other AI account is getting f*cked. Y’all heard it from Bananito himself. Bye.”. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Bye. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s just really funny because they also got mad that other like copycat AI accounts were like copying their theme, which is a real like, so many layers between like, being mad about the copycats and then being like suddenly like creative integrity matters basically. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Yes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And then being mad at like the effort it took to make these videos. The layers of complete unawareness just go so deep. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">[Laughter] It’s one of those things where I’m like, oh, of course, this is where we are. People are so fixated on this idea of it’s fine until it’s me because passive consumption is just so self-centric, you’re only thinking about yourself. So of course this person’s mad that other people are stealing their AI fruit slop content without contributing to the AI slop database that can then pull out more content. Okay. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s like a content self-eating snake, you know? But I will say, there is one glimmer of hope, despite how many people were obsessed with this slop. I would say there’s an equal faction of people who are really into human-made content. And so this inspired several Fruit Love Island non-AI copycats,. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">With real fruit? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">…which I will show you now, which is really beautiful. I love that people are doing this. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of Audio from Fruit Love Island] \u003c/span>\u003c/i>\u003cb>\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Host: Welcome to episode one of Fruit Love Island, that’s not AI. I’ve made sure to gather the juiciest of drama in the villa in the past day. Now let’s see what’s happened. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Contestant: I’m here to break hearts, not to fall in love. Hopefully these guys don’t get too attached. Or I don’t. I won’t though. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So it’s basically a similar idea, but it’s not really animated so much as like, there are these photoshopped pictures of like people, human bodies with fruits for heads. It’s a human being that made this and it’s not as refined, but they did get voice actors on Discord to like volunteer their voices and voice all of this. And so I’m just like really encouraged by the fact that this has kind of blown up this non-AI Fruit Love Island. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I think that’s beautiful. I think we need to reject modernity and embrace tradition in a lot of ways, because we already had Annoying Orange. We need to bring back the original recipes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I know. And like Annoying Orange,I hated that content. I didn’t dread it. But you know what? A human being made it.\u003cbr>\n\u003cb>\u003cbr>\nSteffi Cao: \u003c/b>A human-being made it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>So AI Fruit Love Island, do we save or do we scroll?\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m gonna scroll on it, but I defer to you. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m going to scroll on it too. I think it had a good run. I don’t think we need more of it. I think the crash out was beautiful and hilarious and a real internet moment. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Perfect irony. It’s truly, like, perfect. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Tell us about this next story you brought. What’s going on with BTS’ new album? \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio clip of BTS music] \u003c/span>\u003c/i>\u003cb>\u003cbr>\n\u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\">Swim swim, \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">This is how it all begins\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Swim, swim\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">I just wanna dive…\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">BTS was away in the military for four years, and the K-pop group, who was arguably one of the biggest acts in the industry and has been for many years, returned with an album called Arirang, and it was predominantly sung in English, and because of that, as well as the fact that it was a different sound from what they’ve previously put out in the past, it was, I think, personally sonically more mixed. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio clip of BTS music] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Watch this, watch this, \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Beat going hooligan. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">We pop out, we actin’ a fool again \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">It became very controversial. It didn’t also help that when they did their first live performance in Seoul after the fact, there were a lot of statistics reported about how many people actually attended. They shut down a very busy intersection in Seoul saying that 300,000 people were expected to show up. Korean officials, some of them said that as low as 42,000 showed up and there were adverse impacts from store owners who expected a lot of influx but didn’t get that. And so now there’s this huge debate happening about this album, what it means for K-pop in the industry and like how things have shifted, et cetera. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Do you think the fandom has aged out of, like, acting like fans? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">\u003cem>[Laughter] \u003c/em>I think that the industry has shifted a lot, and what a fan should act like has changed with it. Because I think in the past, the eternal struggle of a BTS ARMY was trying to convince people that K-pop was a serious art form, that it wasn’t just some silly thing that teen girls listened to, that it was corporate slop pop music, that there were a lot of uphill battles, I think, for a K-Pop fan.\u003c/span>\u003c/p>\n\u003cp>And I think now, over the past four years, you’ve seen a lot more Western embrace of K-pop as a serious art form, as a legitimate cultural export, and not like a niche subculture. So I think that with “K-Pop Demon Hunters”, you have Blackpink headlining Coachella, you had KATSEYE at Lollapalooza, you had all these bigger acts coming out of a Korean system that I think is legitimized in a different way. And so I think that BTS ARMY doesn’t have to convince anyone anymore that BTS is legit. It has shifted this fan identity of like, okay, well, now what? And now what happens?\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Right, you mentioned that like the entire album is sang in English or like all the lyrics are mostly in English, which is interesting because Arirang is a really culturally important folk song in Korea with a lot of history behind it. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of Arirang sung in Korean from Youtube user @Miss_Taex] \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I think people expected a little bit more of that cultural representation with this album. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, I think BTS has also throughout their career really emphasized their Korean-ness, especially because they tend to sample a lot of traditional Korean music, a lot of Korean culture comes into play into their performances. And so I think that it was disappointing for a lot fans to open up this album and hear Teddy Swims in the song. Right? They end on a country song, which is like, possibly the most American form of music that we associate in mainstream culture. We don’t associate country music with Korea. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, right. And it’s a hard thing to follow “K-Pop Demon Hunters.” Just like the way that that movie was such a cultural moment and how it introduced so many people to Korean folklore and Korean culture and Korean language. That was a movie that was in English, but a lot of the songs were in Korean. And a lot people who have never spoken Korean learned those songs. And so it’s interesting that BTS wouldn’t see that and like kind of seize the moment. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Yes, 100%. I think that it’s frustrating as a fan to feel like the whole reason that you fell so deeply in love with this group has suddenly shifted under your feet and that the intention of the group’s project didn’t align with where you thought they were going to go. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. Okay, well, BTS’s new album, do we save or do we scroll? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I think. I’m going to personally scroll on it, but I think that there’s a lot to talk about in terms of like Asian artistry. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">There’s a lot to keep an eye on, but personally, don’t come for me, ARMY. I didn’t like the album. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Me either. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So I’m gonna scroll on it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh! \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I was just bored. I was bored. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m in ARMY. I’m in ARMY-da. And I got the tickets. Any ARMY that wants to come for me and I will see you at MetLife. I’ve got the tickets. And what now? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">But you can be disappointed. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">And I’m disappointed in the album. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">You’re allowed to be disappointed. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m disappointed. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And you’re allowed to scroll. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">And I am allowed to scroll on it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, last story for today. The Meta lawsuits. Okay, so Meta faced two separate lawsuits: one in California over social media addiction and one in New Mexico for child safety. The one in California took place in LA and it centered around this 20 year-old woman who said that she became addicted to YouTube and Instagram as a child. And that that greatly affected her mental health.\u003c/span>\u003c/p>\n\u003cp>So Snapchat and TikTok were also both defendants, but they settled before it went to court. And a jury in LA found Google and Meta both negligent because the design of their apps encourages infinite scrolling. And the companies didn’t warn users about the dangers of that. So the plaintiff’s lawyer said that both Meta and Google intentionally target kids and prioritize profit over safety. \u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\nThe jury concluded that Meta is liable for $4.2 million in damages, and Google is liable for $1.8 million. And then for the case in New Mexico, the state sued Meta over child safety issues. Former employees testified that underage users were shown sexualized content on Instagram and were exposed to predators. And during the court proceedings, they said that Meta’s decision to encrypt Facebook Messenger blocked access to evidence of predators grooming minors. And basically, this is the first time that New Mexico, as a state, was able to successfully sue Meta. So now Meta was ordered to pay $375 million.\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">So these lawsuits are being celebrated as huge wins for child safety and kind of taking down these evil tech companies. But I’m kind of skeptical of big companies like Meta and Google actually changing their practices. And whenever I hear like child safety social media lawsuit or like child safety and social media in the same sentence, I’m like, everyone wants kids to be safe. Everyone wants to protect the kids. No one wants to expose kids to predators or inappropriate content. But alarm bells are going off in my head where I’m, like, will they be using this to justify more surveillance and more censorship and more practices like age verification, which we’ve covered a lot on this show. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I mean, it makes sense that there’s a lot of cynicism around these child safety lawsuits because what we’ve seen over our careers is that every time there has been one of these landmark lawsuits, it’s like, what is it actually put into practice? People have been concerned about this topic for many, many years, but it feels like the people who are in Congress still miss the mark on the concept of social media as itself. We’ve seen endless clips of Congress people essentially asking Mark Zuckerberg for tech help during Senate hearings. Yeah. So it makes sense that this verdict, even though it’s being lauded as a huge case, I’m not convinced on it either. We’ve seen Meta pay up a lot in the past, and it hasn’t seemed to really shift the needle at all. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And it’s like, if anything, the practices don’t change. Kids aren’t necessarily safer. And everyone else is a little bit more surveilled and censored, like, with the current wave of age verification requirements, like, sweeping any internet platform whatsoever, where you have to put in your ID to continue using Spotify in some countries and I really distrust that. And, I do kind of worry that like any kind of trying to like ensure child safety on social media will just be used to justify more age verification laws. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, 100%. I think that the solution being trusting big tech to manage more of our data and requests that we give up more of privacy is like, it makes a lot of sense as people who’ve grown up online and we’ve seen this play before. It does, I think, breed more of a culture of surveillance.\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">I think also the problem with this lawsuit is that like, it’s not a silver bullet. Like this is a multi-pronged problem where it’s like a part of it is having adults be smarter about their tech use and teaching their kids to critically analyze the content they’re consuming day in and day out. It’s a lot on the education system.\u003c/span>\u003c/p>\n\u003cp>It’s on providing structural support for young kids to have more time offline to build all these social skills that when you are isolated and just on your feed even though it can be very fun and exciting to be on Tumblr as a 16-year-old, freewheeling it online, you still need an infrastructure behind you to teach you all these skills that you don’t really get when you are online.\u003c/p>\n\u003cp>So it’s like a multi-pronged problem. It really is on every adult, regardless of where you stand, if you have kids or not, to try and train yourself to be better about your own skillset, because they’re kids, they’re just imitating whatever resource is there.\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Right, and it’s like, Taylor Lorenz on her Free Speech Friday series pointed out that a lot of kids do still, you still need to let them have agency online in some capacity and just like, you know, a lot kids do rely on these online resources to access information about sex ed or find queer community when they don’t have that in real life and to potentially silo them further and take that away could actually endanger kids. Okay, the child safety lawsuits with Meta and Google, do we save or do we scroll? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I feel like we’re going to have to save it because this is going to continue. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, It’s an evergreen save. This is just collecting more and more tabs every day. Thank you so much for joining us, Steffi. Where can people follow your work? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Thank you so much for having me, Morgan. You can check me out on Instagram at Steffi Cao, S-T-E-F-F-I-C-A-O, and my sub-stack, It’s Steffi. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Perfect, thanks so much. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Close All Tabs is a production of KQED Studios, and it’s reported and hosted by me, Morgan Sung. This episode was produced by Chris Egusa, who also composed our theme song and credits music. It was edited by Chris Hambrick. Our team includes producer, Maya Cueva. Additional music by APM. Brendan Willard is our audio engineer. Audience engagement support from Maha Sanad. Jen Chien is our director of podcasts. Ethan Toven Lindsey is our editor in chief. Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco, Northern California Local. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Do you like these deep dives? Are you closing your tabs? Then don’t forget to rate and review us on Spotify, Apple Podcasts, or wherever you listen to the show. Maybe drop a comment too. Thanks for listening. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "Morgan teams up with culture journalist Steffi Cao to talk over the stories they can’t stop thinking about.",
"status": "publish",
"parent": 0,
"modified": 1776751815,
"stats": {
"hasAudio": true,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 124,
"wordCount": 5980
},
"headData": {
"title": "Save or Scroll: Looksmaxxing, AI Fruit Love Island, BTS Arirang, and Meta Lawsuits | KQED",
"description": "In a spring installment of Save or Scroll, Morgan teams up with culture journalist Steffi Cao to dig into the stories they can’t stop thinking about. From looksmaxxing to AI Fruit Island, BTS’ new album, and Meta losing a landmark series of lawsuits, they’ve got a lot to discuss. Save or Scroll is our series where we team up with guests for a rapid-fire roundup of internet trends that are filling our feeds right now. At the end of each segment, they’ll decide: is the post just for the group chat, or should we save it for a future episode?",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"socialDescription": "In a spring installment of Save or Scroll, Morgan teams up with culture journalist Steffi Cao to dig into the stories they can’t stop thinking about. From looksmaxxing to AI Fruit Island, BTS’ new album, and Meta losing a landmark series of lawsuits, they’ve got a lot to discuss. Save or Scroll is our series where we team up with guests for a rapid-fire roundup of internet trends that are filling our feeds right now. At the end of each segment, they’ll decide: is the post just for the group chat, or should we save it for a future episode?",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "Save or Scroll: Looksmaxxing, AI Fruit Love Island, BTS Arirang, and Meta Lawsuits",
"datePublished": "2026-04-15T03:00:20-07:00",
"dateModified": "2026-04-20T23:10:15-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"primaryCategory": {
"termId": 33520,
"slug": "podcast",
"name": "Podcast"
},
"source": "Close All Tabs",
"sourceUrl": "https://www.kqed.org/podcasts/closealltabs",
"audioUrl": "https://traffic.megaphone.fm/KQINC4630070510.mp3",
"sticky": false,
"nprStoryId": "kqed-12079935",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/news/12079935/save-or-scroll-looksmaxxing-ai-fruit-love-island-bts-arirang-and-meta-lawsuits",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In a spring installment of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Save or Scroll\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, Morgan teams up with culture journalist Steffi Cao to dig into the stories they can’t stop thinking about. From \u003c/span>\u003cspan style=\"font-weight: 400\">looksmaxxing to \u003c/span>\u003cspan style=\"font-weight: 400\">AI Fruit Love Island, BTS’ new album, and Meta losing a landmark series of lawsuits, they’ve got a lot to discuss. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Save or Scroll is our series where we team up with guests for a rapid-fire roundup of internet trends that are filling our feeds right now. At the end of each segment, they’ll decide: is the post just for the group chat, or should we save it for a future episode?\u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC4630070510\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guest:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://stefficao.substack.com/\">\u003cspan style=\"font-weight: 400\">Steffi Cao\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, culture journalist \u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Further Reading/Listening:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://stefficao.substack.com/\">\u003cspan style=\"font-weight: 400\">More from Steffi Cao\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Substack\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.gq.com/story/inside-claviculars-thirsty-tour-of-new-york-city\">\u003cspan style=\"font-weight: 400\">Inside Clavicular’s Thirsty Tour of New York City \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Kieran Press-Reynolds, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">GQ\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.thedailybeast.com/in-gen-z-gym-culture-steroids-are-often-a-gateway-drug-to-the-alt-right/\">\u003cspan style=\"font-weight: 400\">Why Steroids Are Now Turning Young Men into Dangerous Incels\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Steffi Cao, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Daily Beast\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/li>\n\u003cli>\u003ca href=\"https://www.fastcompany.com/91519147/fruit-love-island-tiktok-most-popular-ai-generated-series-now-facing-trouble-in-paradise\">\u003cspan style=\"font-weight: 400\">‘Fruit Love Island’ is TikTok’s most popular AI-generated series. It’s now facing trouble in paradise \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Jude Cramer, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Fast Company \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.wired.com/story/theres-something-very-dark-about-a-lot-of-those-viral-ai-fruit-videos/\">\u003cspan style=\"font-weight: 400\">There’s Something Very Dark About a Lot of Those Viral AI Fruit Videos \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Kat Tenbarge, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Wired \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.teenvogue.com/story/who-decides-if-bts-album-arirang-is-korean-enough-op-ed\">\u003cspan style=\"font-weight: 400\">Who Decides If BTS’s Album ‘Arirang’ is ‘Korean Enough’? \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Jiye Kim, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Teen Vogue \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://slate.com/culture/2026/03/bts-arirang-album-netflix-swim-comeback-concert-2026.html\">\u003cspan style=\"font-weight: 400\">BTS’s Arirang comeback was supposed to be a triumph. What happened?\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Nadira Goffe, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Slate \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://19thnews.org/2026/03/social-media-addiction-trial-meta-youtube/\">\u003cspan style=\"font-weight: 400\">Meta and YouTube ordered to pay $3 million to young woman in social media addiction trial\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Jasmine Mithani, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The 19th\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.newyorker.com/news/the-lede/what-the-verdict-against-meta-and-google-says-about-the-way-we-live-now\">\u003cspan style=\"font-weight: 400\">What the Verdict Against Meta and Google Says About the Way We Live Now\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Jeannie Suk Gersen, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The New Yorker \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.youtube.com/watch?v=Ype6c6DdHQY\">The Truth About the Social Media Addiction Trial\u003c/a> — Taylor Lorenz, \u003ci>Free Speech Friday \u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-content post-body\">\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Hey, it’s Morgan. We just celebrated the show’s first birthday. That’s right, Close All Tabs is a Pisces. Want to celebrate with us? It would be so, so helpful if you could rate and review us on Spotify, Apple Podcasts, or wherever you listen to the show. And tell your friends about us too. Okay, let’s get to the episode.\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Hey guys, welcome to Close All Tabs. I’m Morgan Sung, tech journalist and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. Except today, we aren’t opening any tabs. Instead, we’re doing another Save or Scroll. We’ve done a few of these now. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Occasionally, while scrolling, I come across a truly wild post, but it might not make sense to spend an entire episode on it. Maybe I do a little digging and it turns out that the lore behind it just isn’t compelling enough to justify a deep dive, but I’m still dying to talk about it. And this is the beauty of Save or Scroll, the game where a guest comes to the show and we trade stories from the internet that we’re dying to talk about. Today, we have the one and only Steffi Cao. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Thank you so much for having me, Morgan. I’m so excited. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, Steffi, tell us about yourself. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Hi everyone, I’m Steffi, I am a culture journalist and Slate’s newest dating advice columnist for Unhinged. You can find my writing everywhere from The Atlantic, to Rolling Stone, to The Guardian, to Slate now, so I’m very excited to share all my tabs and work in today. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, so let’s talk about the rules of Save or Scroll. Save, as in when you see a post on TikTok or Instagram or X and you bookmark it, add it to your save folders or if you’re me, drop it in notes app and hope that you’ll remember it’s there. Basically, you’re holding onto the story because you know you’ll want to dig into it more. And scroll, as you think about it and then move on. It disappears into the digital ether.\u003c/span>\u003c/p>\n\u003cp>So Steffi and I have each brought some stories that we can’t stop thinking about, and we’re gonna go back and forth to decide if they’re worth a deep dive on the show. So if we decide to scroll, it means we’ve talked about it, we’re moving on. And if we save, it means that we might hold onto the idea for a future episode.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Okay, Steffi, please tell us about looksmaxxing. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Over the past few years, looksmaxxing is the subculture of young men primarily who are seeking guidance from other men in terms of how to gamify their looks to become super, super hot. The essence of looksmaxxing is basically ‘the hotter I can be, the better my life will be around other men.’ And the pinnacle of these content creators currently is a man named Clavicular of collarbone fame.\u003c/span>\u003c/p>\n\u003cp>He’s a 20-year-old white man who has a very soft elfin face and a Dorito-shaped body and has really been associated with a lot of, like, Nazi ideology, has been recently arrested for inciting a fight between two women, allegedly and also allegedly shooting an alligator in Florida. He was kicked out of Las Vegas, I believe, and has become this sort of lightning rod for this entire culture of all these men wanting to get hotter and be hotter.\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah and Clavicular first went viral for not only his extensive skin care and workout routine, but for also saying that he microdoses meth and would hit his face with a hammer to get a more, I guess, angular jawline. What a man. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">What a guy. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What a character. Clavicular is so fascinating to me because his political stances are indecipherable. He has gone on some more right-leaning podcasts, and when they try to get him to be kind of transphobic, he said… \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clavicular in audio clip]\u003cbr>\nI did a podcast with Michael Knowles the other day and he’s sitting here saying like and getting all mad about transgenders and I’m like bro that’s one more person a mog you know what I mean so like I don’t get too I don’t get too upset when people go trans and all that shit. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s just another person to mog. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Yes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">How would you describe mogging? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Mogging, I think, is the essence of being hotter than somebody else. So if you’ve mogged them, it’s like you’ve shown them up in some way. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio clip of Clavicular on the Adam Friedland Show] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Clavicular: That’s the goal of the game, right, is to mog other people, right? \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Adam: Tell the boomer cells about what that is. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Clavicular: So, mogging is essentially just, you know, outperforming them, looking better than them, yeah and just sort of dominating, right. It came from something called AMOG, which was alpha male of the group, then it was shortened to just mog, so that’s kind of like the term we use. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">So the language has become like a bigger than itself sort of phenomenon where, you know, maxxing and mogging have started from this internal community and then now becomes sort of like general ironic gobbledygook for everybody. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s so interesting too, because the whole looksmaxxing thing has become like the peak Manosphere content. All the allegedly straight boys are really into doing all this to impress other men. It doesn’t seem like they actually do this in any way to appeal to women. And like, I’ve seen a lot of like gay men point out, this is literally gay male culture, what they’re doing, the peacocking, trying to show each other up and like only seek validation from other men, which is from a gender perspective, I’m like, what’s going on here? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">It feels like horseshoe theory a little bit. They are doing all of these performative things that come right back to a drag of what a straight man is. It’s like it’s heterosexual drag. Like you’re trying to, you know, build up your face a certain way, you’re trying to mog other straight men, like that’s drag, honey. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Like that’s gender performance. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">100% Yeah, I mean, self-improvement leans so well into fascist ideology because a lot of it is predicated on this idea that you can earn your way into something better, which is exactly what looksmaxxing is, right? You can gamify your looks. Like, If you’re not hot now, all you need to do is do all these steps and gain more points, more aura points, until you have achieved this thing.\u003c/span>\u003c/p>\n\u003cp>Which is exactly why in Nazi Germany you see a lot of propaganda being espoused about the strongman. That was a huge beauty standard at that point in Hitler’s Germany, was specifically this idea of a man who is super jacked and is super like, is mogged, really, and I have no other word for it really. It’s just like they really..\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">A mogged man has always been this cultural fascination and in many ways a mogged woman, obviously. Um, has been a huge part of, uh, fascist ideology for a long time. You know, think about all these essays about why Republican women all look the same and they have this specific look about them. And it has a lot to do with this culture of self-improvement and making all these alterations to yourself to try and earn your way or like bootstrap your way into beauty and therefore access and power and all of these things. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. Okay, well, looksmaxxing, the big thing of the year right now, do we save or do we scroll? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh, I’m saving it because I think there’s going to be developments. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">No, yeah, there are going to be new words that have never been said before. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s going be crazy. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">But looks maxed as a trend, I think we’re saving. After the break, a new bombshell enters the villa. Unfortunately, she’s AI generated and also made of fruit. Steffi and I are going to explain all of the drama around AI Fruit Love Island. Stick around. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I have a story for you now. Are you familiar with AI Fruit Love Island? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh, am I! Oh my god, I feel like it came out of nowhere and then it’s sudden, it’s like omnipresent now. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So, for the uninitiated, AI Fruit Love Island was this interactive AI-slop parody of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Love Island\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> with sexy anthropomorphized fruit. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of Audio from AI Fruit Love Island] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Host: Welcome Back to Fruit Love Island. Today we’ve got a steamy challenge and after over 370,000 viewer votes, our bombshells have officially hit the villa. All right ladies let’s get this started. You’ll be kissed one by each guy and after each kiss you rate it. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, so that is one of the episodes of Fruit Love Island. What was happening in that clip? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Um, it’s basically just a real \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Love Island\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> challenge, but done with fruit. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, they have human bodies, um, but their heads are fruit. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">These are all like, obviously done by AI. The colors are highly saturated. It’s super bright, super like in your face. And then a grape man wearing a Hawaiian shirt and, uh, board shorts, like comes up and kisses the fruit ladies blindfolded. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of Audio from AI Fruit Love Island] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Host: Grapenzo, you’re up first. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Contestant: That was hot, an 8.5. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">You see all these badly done reactions in the background of these AI fruit women laughing and sort of being like, ha ha ha, this is crazy. So it just is like a \u003cem>Love Island\u003c/em> episode, but with fruit. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So for context, this TikTok account kind of came out of nowhere, AICinema021, and they gained about 3.1 million followers in like a week and a half. And now there are so many copycat accounts. The characters include Limeyra, the lime, Bananito, the banana who has abs and is always shirtless, Strawberrina, the strawberry, Coconick, the sexy coconut. And yeah, it’s not good. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">The animation and voices are all stilted. There’s zero consistency. It’s pure slop. So viewers gave storyline feedback via Google Form and voted for their faves in the comments. And this account was getting crazy numbers, like 20 million views per episode at its peak and just churning out new episodes every day. I feel like it used to be kind of embarrassing to enjoy this kind of content, but then you had Zara Larsson and Joe Jonas being like, ‘Oh my God, I can’t wait for the next episode.’ Like major celebrities. But yeah, what’s your like initial gut reaction here? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I think it makes sense why this thing is taken off, because even though young people online want to act like only boomers love watching AI slop, the fact is our brains are primed to watch AI slop. We have all these deep fried memes and internet humor is so self-referential, but it removes a lot of these barriers in our heads of consuming something like this that really feels as though, like, okay, maybe, um, what could be embarrassing previously could be ironically fun now. I love it because it’s fascinating to see how excited people get about it. But like, is the content good? No, it’s trash, but I don’t think it’s trying to be good. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. Well, have you been following the great AI Fruit Love Island crash out… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I have not. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">…that happened over the weekend? Okay. So this account literally gained millions and millions of followers, three million followers in like a week and a half, which is insane. Like there are human creators who grind for years to get a third of that. But, you know, this account was able to just churn out content so fast and people were invested. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">So basically, people were criticizing the account for being AI slop and criticizing viewers for being slop consumers. And the creator did not respond well. In TikTok comments, they complained about how hard it was to make this content and basically implied that like viewers were ungrateful. A real hilarious irony where they were like, it’s really hard because I have to prompt so many times and the AI sometimes messes up and I have to redo it and then I have edit it together. And it sometimes takes me like three hours to make one of these videos. And it’s like, yeah, well… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Imagine how long it must take to film a real TV episode? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s so funny that they’re like, this is so hard, even like having to prompt a generator to be like, and now make Strawberrina kiss the kiwi man is like too much effort. So then their video started getting removed. The creator claimed that it was part of a mass reporting campaign and started crashing onto their story. So this was the first one…they were, I guess, sick of it, right? \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">They were like, “This is it. I’m sick of all of you.” They were getting criticized for like wasting water basically and people were pointing out like, hey, this is like really sh*tty that you’re kind of encouraging this consumption. So they were posting like, “Was a good run, didn’t expect any of this, but here we are from being a nobody to being cancelled. I guess I’ll take it. People hate to see people win,”. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s awesome! \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">…with screenshots from like their episodes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">That’t the funniest thing I’ve ever seen. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">“I’m so glad y’all got what you wanted. Saving the planet three gallons of water at a time, truly inspirational. It’s like, f*ck all y’all, you jealous motherf*ckers, save the planet, OMG, water, OMG. I love water, clean water, please clean water. What y’ all sound like.”. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s hilarious. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">“Thanks for 3 million followers though. Wow, I guess some might like it.” Then they posted one final one, basically saying like, this series is over, this is it, with Bananito, a fan favorite, unfortunately, the sexy banana that is never wearing a shirt. Um, and basically they said, “All right, f*ck all you b*tches, no more Fruit Love Island. Since people are so obsessed with it, all my videos banned, I make no money. I guess I am being targeted because no other AI account is getting f*cked. Y’all heard it from Bananito himself. Bye.”. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Bye. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s just really funny because they also got mad that other like copycat AI accounts were like copying their theme, which is a real like, so many layers between like, being mad about the copycats and then being like suddenly like creative integrity matters basically. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Yes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And then being mad at like the effort it took to make these videos. The layers of complete unawareness just go so deep. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">[Laughter] It’s one of those things where I’m like, oh, of course, this is where we are. People are so fixated on this idea of it’s fine until it’s me because passive consumption is just so self-centric, you’re only thinking about yourself. So of course this person’s mad that other people are stealing their AI fruit slop content without contributing to the AI slop database that can then pull out more content. Okay. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s like a content self-eating snake, you know? But I will say, there is one glimmer of hope, despite how many people were obsessed with this slop. I would say there’s an equal faction of people who are really into human-made content. And so this inspired several Fruit Love Island non-AI copycats,. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">With real fruit? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">…which I will show you now, which is really beautiful. I love that people are doing this. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of Audio from Fruit Love Island] \u003c/span>\u003c/i>\u003cb>\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Host: Welcome to episode one of Fruit Love Island, that’s not AI. I’ve made sure to gather the juiciest of drama in the villa in the past day. Now let’s see what’s happened. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Contestant: I’m here to break hearts, not to fall in love. Hopefully these guys don’t get too attached. Or I don’t. I won’t though. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So it’s basically a similar idea, but it’s not really animated so much as like, there are these photoshopped pictures of like people, human bodies with fruits for heads. It’s a human being that made this and it’s not as refined, but they did get voice actors on Discord to like volunteer their voices and voice all of this. And so I’m just like really encouraged by the fact that this has kind of blown up this non-AI Fruit Love Island. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I think that’s beautiful. I think we need to reject modernity and embrace tradition in a lot of ways, because we already had Annoying Orange. We need to bring back the original recipes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I know. And like Annoying Orange,I hated that content. I didn’t dread it. But you know what? A human being made it.\u003cbr>\n\u003cb>\u003cbr>\nSteffi Cao: \u003c/b>A human-being made it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>So AI Fruit Love Island, do we save or do we scroll?\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m gonna scroll on it, but I defer to you. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m going to scroll on it too. I think it had a good run. I don’t think we need more of it. I think the crash out was beautiful and hilarious and a real internet moment. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Perfect irony. It’s truly, like, perfect. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Tell us about this next story you brought. What’s going on with BTS’ new album? \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio clip of BTS music] \u003c/span>\u003c/i>\u003cb>\u003cbr>\n\u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\">Swim swim, \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">This is how it all begins\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Swim, swim\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">I just wanna dive…\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">BTS was away in the military for four years, and the K-pop group, who was arguably one of the biggest acts in the industry and has been for many years, returned with an album called Arirang, and it was predominantly sung in English, and because of that, as well as the fact that it was a different sound from what they’ve previously put out in the past, it was, I think, personally sonically more mixed. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio clip of BTS music] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Watch this, watch this, \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Beat going hooligan. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">We pop out, we actin’ a fool again \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">It became very controversial. It didn’t also help that when they did their first live performance in Seoul after the fact, there were a lot of statistics reported about how many people actually attended. They shut down a very busy intersection in Seoul saying that 300,000 people were expected to show up. Korean officials, some of them said that as low as 42,000 showed up and there were adverse impacts from store owners who expected a lot of influx but didn’t get that. And so now there’s this huge debate happening about this album, what it means for K-pop in the industry and like how things have shifted, et cetera. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Do you think the fandom has aged out of, like, acting like fans? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">\u003cem>[Laughter] \u003c/em>I think that the industry has shifted a lot, and what a fan should act like has changed with it. Because I think in the past, the eternal struggle of a BTS ARMY was trying to convince people that K-pop was a serious art form, that it wasn’t just some silly thing that teen girls listened to, that it was corporate slop pop music, that there were a lot of uphill battles, I think, for a K-Pop fan.\u003c/span>\u003c/p>\n\u003cp>And I think now, over the past four years, you’ve seen a lot more Western embrace of K-pop as a serious art form, as a legitimate cultural export, and not like a niche subculture. So I think that with “K-Pop Demon Hunters”, you have Blackpink headlining Coachella, you had KATSEYE at Lollapalooza, you had all these bigger acts coming out of a Korean system that I think is legitimized in a different way. And so I think that BTS ARMY doesn’t have to convince anyone anymore that BTS is legit. It has shifted this fan identity of like, okay, well, now what? And now what happens?\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Right, you mentioned that like the entire album is sang in English or like all the lyrics are mostly in English, which is interesting because Arirang is a really culturally important folk song in Korea with a lot of history behind it. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of Arirang sung in Korean from Youtube user @Miss_Taex] \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I think people expected a little bit more of that cultural representation with this album. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, I think BTS has also throughout their career really emphasized their Korean-ness, especially because they tend to sample a lot of traditional Korean music, a lot of Korean culture comes into play into their performances. And so I think that it was disappointing for a lot fans to open up this album and hear Teddy Swims in the song. Right? They end on a country song, which is like, possibly the most American form of music that we associate in mainstream culture. We don’t associate country music with Korea. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, right. And it’s a hard thing to follow “K-Pop Demon Hunters.” Just like the way that that movie was such a cultural moment and how it introduced so many people to Korean folklore and Korean culture and Korean language. That was a movie that was in English, but a lot of the songs were in Korean. And a lot people who have never spoken Korean learned those songs. And so it’s interesting that BTS wouldn’t see that and like kind of seize the moment. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Yes, 100%. I think that it’s frustrating as a fan to feel like the whole reason that you fell so deeply in love with this group has suddenly shifted under your feet and that the intention of the group’s project didn’t align with where you thought they were going to go. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. Okay, well, BTS’s new album, do we save or do we scroll? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I think. I’m going to personally scroll on it, but I think that there’s a lot to talk about in terms of like Asian artistry. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">There’s a lot to keep an eye on, but personally, don’t come for me, ARMY. I didn’t like the album. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Me either. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So I’m gonna scroll on it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh! \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I was just bored. I was bored. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m in ARMY. I’m in ARMY-da. And I got the tickets. Any ARMY that wants to come for me and I will see you at MetLife. I’ve got the tickets. And what now? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">But you can be disappointed. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">And I’m disappointed in the album. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">You’re allowed to be disappointed. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m disappointed. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And you’re allowed to scroll. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">And I am allowed to scroll on it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, last story for today. The Meta lawsuits. Okay, so Meta faced two separate lawsuits: one in California over social media addiction and one in New Mexico for child safety. The one in California took place in LA and it centered around this 20 year-old woman who said that she became addicted to YouTube and Instagram as a child. And that that greatly affected her mental health.\u003c/span>\u003c/p>\n\u003cp>So Snapchat and TikTok were also both defendants, but they settled before it went to court. And a jury in LA found Google and Meta both negligent because the design of their apps encourages infinite scrolling. And the companies didn’t warn users about the dangers of that. So the plaintiff’s lawyer said that both Meta and Google intentionally target kids and prioritize profit over safety. \u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\nThe jury concluded that Meta is liable for $4.2 million in damages, and Google is liable for $1.8 million. And then for the case in New Mexico, the state sued Meta over child safety issues. Former employees testified that underage users were shown sexualized content on Instagram and were exposed to predators. And during the court proceedings, they said that Meta’s decision to encrypt Facebook Messenger blocked access to evidence of predators grooming minors. And basically, this is the first time that New Mexico, as a state, was able to successfully sue Meta. So now Meta was ordered to pay $375 million.\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">So these lawsuits are being celebrated as huge wins for child safety and kind of taking down these evil tech companies. But I’m kind of skeptical of big companies like Meta and Google actually changing their practices. And whenever I hear like child safety social media lawsuit or like child safety and social media in the same sentence, I’m like, everyone wants kids to be safe. Everyone wants to protect the kids. No one wants to expose kids to predators or inappropriate content. But alarm bells are going off in my head where I’m, like, will they be using this to justify more surveillance and more censorship and more practices like age verification, which we’ve covered a lot on this show. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I mean, it makes sense that there’s a lot of cynicism around these child safety lawsuits because what we’ve seen over our careers is that every time there has been one of these landmark lawsuits, it’s like, what is it actually put into practice? People have been concerned about this topic for many, many years, but it feels like the people who are in Congress still miss the mark on the concept of social media as itself. We’ve seen endless clips of Congress people essentially asking Mark Zuckerberg for tech help during Senate hearings. Yeah. So it makes sense that this verdict, even though it’s being lauded as a huge case, I’m not convinced on it either. We’ve seen Meta pay up a lot in the past, and it hasn’t seemed to really shift the needle at all. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And it’s like, if anything, the practices don’t change. Kids aren’t necessarily safer. And everyone else is a little bit more surveilled and censored, like, with the current wave of age verification requirements, like, sweeping any internet platform whatsoever, where you have to put in your ID to continue using Spotify in some countries and I really distrust that. And, I do kind of worry that like any kind of trying to like ensure child safety on social media will just be used to justify more age verification laws. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, 100%. I think that the solution being trusting big tech to manage more of our data and requests that we give up more of privacy is like, it makes a lot of sense as people who’ve grown up online and we’ve seen this play before. It does, I think, breed more of a culture of surveillance.\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">I think also the problem with this lawsuit is that like, it’s not a silver bullet. Like this is a multi-pronged problem where it’s like a part of it is having adults be smarter about their tech use and teaching their kids to critically analyze the content they’re consuming day in and day out. It’s a lot on the education system.\u003c/span>\u003c/p>\n\u003cp>It’s on providing structural support for young kids to have more time offline to build all these social skills that when you are isolated and just on your feed even though it can be very fun and exciting to be on Tumblr as a 16-year-old, freewheeling it online, you still need an infrastructure behind you to teach you all these skills that you don’t really get when you are online.\u003c/p>\n\u003cp>So it’s like a multi-pronged problem. It really is on every adult, regardless of where you stand, if you have kids or not, to try and train yourself to be better about your own skillset, because they’re kids, they’re just imitating whatever resource is there.\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Right, and it’s like, Taylor Lorenz on her Free Speech Friday series pointed out that a lot of kids do still, you still need to let them have agency online in some capacity and just like, you know, a lot kids do rely on these online resources to access information about sex ed or find queer community when they don’t have that in real life and to potentially silo them further and take that away could actually endanger kids. Okay, the child safety lawsuits with Meta and Google, do we save or do we scroll? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">I feel like we’re going to have to save it because this is going to continue. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, It’s an evergreen save. This is just collecting more and more tabs every day. Thank you so much for joining us, Steffi. Where can people follow your work? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Steffi Cao: \u003c/b>\u003cspan style=\"font-weight: 400\">Thank you so much for having me, Morgan. You can check me out on Instagram at Steffi Cao, S-T-E-F-F-I-C-A-O, and my sub-stack, It’s Steffi. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Perfect, thanks so much. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Close All Tabs is a production of KQED Studios, and it’s reported and hosted by me, Morgan Sung. This episode was produced by Chris Egusa, who also composed our theme song and credits music. It was edited by Chris Hambrick. Our team includes producer, Maya Cueva. Additional music by APM. Brendan Willard is our audio engineer. Audience engagement support from Maha Sanad. Jen Chien is our director of podcasts. Ethan Toven Lindsey is our editor in chief. Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco, Northern California Local. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Do you like these deep dives? Are you closing your tabs? Then don’t forget to rate and review us on Spotify, Apple Podcasts, or wherever you listen to the show. Maybe drop a comment too. Thanks for listening. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>"
}
],
"link": "/news/12079935/save-or-scroll-looksmaxxing-ai-fruit-love-island-bts-arirang-and-meta-lawsuits",
"authors": [
"11944",
"11869",
"11832",
"11943"
],
"programs": [
"news_35082"
],
"categories": [
"news_33520"
],
"tags": [
"news_25184",
"news_34755",
"news_22973",
"news_3137",
"news_34646",
"news_35691",
"news_30214",
"news_1089",
"news_35940",
"news_1631"
],
"featImg": "news_12079971",
"label": "source_news_12079935"
},
"news_12079067": {
"type": "posts",
"id": "news_12079067",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12079067",
"score": null,
"sort": [
1775642456000
]
},
"guestAuthors": [],
"slug": "the-secret-lives-of-mormon-momfluencers",
"title": "The Secret Lives of Mormon Momfluencers",
"publishDate": 1775642456,
"format": "audio",
"headTitle": "The Secret Lives of Mormon Momfluencers | KQED",
"labelTerm": {},
"content": "\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Only 2% of Americans identify as members of the Church of Latter-day Saints — and yet a striking number of American social media influencers are Mormon. Why? The answer lies in a mix of religious doctrine, early internet adoption, and some surprising financial incentives.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In this episode, author and journalist Fortesa Latifi returns to the show to unpack her research for her new book, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Like, Follow, Subscribe: Influencer Kids and the Cost of a Childhood Online\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. She breaks down the hidden industry behind Mormon “momfluencers,” how these creators both uphold and push against a patriarchal system, and why the trad wife fantasy can be damaging far beyond their audience. Plus, she and Morgan tackle the question hanging over reality TV fans everywhere: “Will MomTok survive this?”\u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC4522289126\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guest:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.fortesalatifi.com/\">\u003cspan style=\"font-weight: 400\">Fortesa Latifi\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, journalist and author of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Like, Follow, Subscribe: Influencer Kids and the Cost of a Childhood Online.\u003c/span>\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Further Reading/Listening:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.simonandschuster.com/books/Like-Follow-Subscribe/Fortesa-Latifi/9781668080504\">\u003cspan style=\"font-weight: 400\">Like, Follow, Subscribe: Influencer Kids and the Cost of a Childhood Online\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Fortesa Latifi, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Simon & Schuster \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://whatsthevibe.substack.com/p/the-mormon-church-pays-its-influencers\">the Mormon Church pays its influencers\u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\"> — Fortesa Latifi, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>What’s The Vibe\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.thecut.com/article/mormon-momtok-swingers-drama-explained.html\">A Refresher on the Mormon MomTok Drama\u003c/a> — Danielle Cohen, Olivia Truffaut-Wong, and Julia Reinstein,\u003c/span> \u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>\u003ci>The Cut \u003c/i>\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.refinery29.com/en-us/taylor-frankie-paul-bachelorette-canceled-controversy\">‘The Bachelorette’ Cast Taylor Frankie Paul For The Mess. They Got It. So, Who’s To Blame?\u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\"> — Katherine Singh, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>\u003ci>\u003ci>Refinery 29 \u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.marieclaire.com/culture/tv-shows/the-secret-lives-of-mormon-wives-season-2-review/\">‘The Secret Lives of Mormon Wives’ Shows the Trad Wife Reality \u003c/a> — Quinci LeGardye\u003c/span>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>\u003ci>\u003ci>\u003ci>Marie Claire \u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.sltrib.com/religion/2025/08/02/how-lds-church-works-with-pays/\">Does the LDS Church pay influencers? Well, actually, yes.\u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\"> — Dylan Eubank, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>\u003ci>\u003ci>\u003ci>\u003ci>The Salt Lake Tribune\u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.thetimes.com/magazines/the-sunday-times-magazine/article/meet-the-queen-of-the-trad-wives-and-her-eight-children-plfr50cgk\">Meet the queen of the ‘trad wives’ (and her eight children)\u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\"> — Megan Agnew, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>\u003ci>\u003ci>\u003ci>\u003ci>\u003ci>The Times \u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ca href=\"https://www.npr.org/2024/12/17/nx-s1-5206673/tradwives-have-taken-over-tiktok-now-ex-tradwives-want-their-moment\">Tradwife life isn’t as good as it looks on TikTok — just ask former tradwives\u003c/a> — Isabella Gomez Sarmiento, \u003ci>NPR\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Hey it’s Morgan. We just celebrated the show’s first birthday. That’s right Close All Tabs is a pisces. Wanna celebrate with us? It would be so, so helpful if you could rate and review us on Spotify, Apple or wherever you listen to the show. And tell your friends about us, too! Ok, let’s get to the episode. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Have you been keeping up with the Secret Lives of Mormon Wives? \u003c/span>\u003cspan style=\"font-weight: 400\">\u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Oh, have I, yes.\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Fortesa Latifi is a journalist who covers the thorny world of child influencers, family vlogs, and parenting content. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">You’ve seen my bylines in Rolling Stone, The New York Times, Teen Vogue, and many more. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Fortesa was on Close All Tabs last year in our episode, Children of the Vlog. She just published a book called Like, Follow, Subscribe: Influencer Kids, and the Cost of a Childhood Online. And like me, Fortesa also loves watching the Secret Lives of Mormon Wives. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Promo for Secret Lives of Mormon Wives]\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Come ye saints and come ye sinners! Ahhh…\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">My mom is visiting right now and she’s just like, are you seriously watching this? And I’m like, mom, shh. It’s like what my sister calls TV Xanax, like it just is like, just quiets the mind. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I know, I’m like, this is my temporary lobotomy for the night. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">100 percent. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I put it on and I don’t think for like 40 minutes. It’s beautiful. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">It’s a blessed experience. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, so for the uninitiated, The Secret Lives Of Mormon Wives is a reality TV show on Hulu, which follows a group of Utah-based mom influencers known as “MomTok.” They’re infamous for the so-called Mormon swinging scandal. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio from Youtube User Spill Sesh] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">You guys buckle up because we are talking about “Mom Tok.”. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio from TikTok] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Now in both her confessionals and conversations with the other wives, Miranda denied doing anything other than kissing at these swinging parties. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio from Youtube User Spill Sesh] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">The drama is insane. It played out all online and now they’ve landed themselves a reality show for just how dramatic they have been and of course there’s more drama now. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">To be clear, when we say “momfluencers”, we’re talking about this category of creators whose content revolves around motherhood and family. Like the ones who post the elaborate meals that they pack their kids for lunch, or post about the baby supplies that you, a new mom, actually need, which may or may not be sponsored. The name “MomTok” refers to a group of momfluencers from the show, The Secret Lives of Mormon Wives. Think of it as a friend group, well really, frenemy group. Many of them had started out on TikTok, making videos about their lives as stay-at-home mothers. Since then, they’ve built massive followings online and leverage that to launch their own businesses. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Secret Lives of Mormon Wives] J\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">en: I’m currently the breadwinner in my relationship. I’m providing for my kids, my husband. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Secret Lives of Mormon Wives] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Jessi: Being known as a successful businesswoman means everything to me. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Secret Lives of Mormon Wives] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Mayci: We’re just powerful women trying to change the stigma of gender roles in the Mormon culture. And I’m a bad b*tch. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m talking a prenatal supplement brand, a hair extension salon empire, a Broadway debut, brand deals worth hundreds of thousands of dollars, and one of them was supposed to be the next Bachelorette, and that’s been a whole thing. What I’m getting to is that these women are girl bosses, ambitious, entrepreneurial hustlers. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Secret Lives of Mormon Wives] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Jen: My goal was really just to be able to provide for my family. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Secret Lives of Mormon Wives] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Mayci, I need you to twerk your ass off! \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">On the show, they joke about being tradwives, the archetype of a homemaker who embraces traditional gender roles and doesn’t bother herself with affairs outside of her domestic sphere. But they’re upfront about the fact that they aren’t really tradwives. However, there is a faction of influencers who portray themselves as ideal, conservative, religious homemakers, while also running massive businesses. This is the tradwife girlboss. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Well, it’s so fascinating because the entire idea of a tradwife is predicated upon a woman staying at home, taking care of her babies, taking care of our house and her husband, and not working outside the house. But it’s a complete contradiction because the tradwives that we know about are all girl bosses. Like you said, I mean, some of them have multimillion dollar empires. So if I think about like a true tradwife, we would never hear about because she’s doing her work quietly and on her own. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">We are not getting that deep into the current drama with mom talk and the secret lives of Mormon wives. Honestly, we need like another 15 episodes just to cover all of that. Today we’re digging into the industry of momfluencers, the women whose content revolves around parenting and family and their children. Not all creators who make this kind of content are religious, and not all of them identify as tradwives. But here’s something interesting. A lot of mom flensers are Mormon. We’re going to get into why that is and unpack how the Mormon church played a role in carving out an entire genre of content. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Ready? This is Close All Tabs. I’m Morgan Sung, tech journalist, and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. Let’s get into it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Let’s open our first tab. Why are so many momfluencers Mormon? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Only 2% of Americans identify as from the Church of Latter-day Saints, which is colloquially called Mormons, but they are so overrepresented in influencer culture. Like almost all of the top mom influencers and family vloggers are Mormon or Mormon adjacent. And it’s just like, how did this happen? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">To answer that question, we need to go back to 2007. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">There was the commencement speech given at Brigham Young University, Hawaii, in which an elder of the church told the Mormons who were listening, please use the internet to your advantage basically. Like, use it to blog, use it share your beautiful life, use it to share positive things about the church. \u003c/span>\u003c/p>\n\u003cp>\u003cb>[Elder Ballard in commencement speech] \u003c/b>\u003cspan style=\"font-weight: 400\">And as you graduate from this wonderful university, may I ask you to join the conversation by participating on the internet, particularly the new media, to share the gospel and explain in simple, clear terms the message of the restoration. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s Elder M. Russell Ballard speaking to graduates at Brigham Young University almost 20 years ago. Let’s lay out some historical context for this. So, back in the 1800s, this guy, Joseph Smith, had a revelation and said that an angel told him to dig up a set of golden plates. These plates, according to Joseph Smith were engraved with a kind of companion text to the existing Christian Bible and contained guidance for establishing a new church. In 1830, Joseph Smith published what he said was a translation of the Golden Plates and called it the Book of Mormon, basically establishing the Mormon religion. He gained a following and started converting people. Local communities were not thrilled. The Mormon theology was considered blasphemous and they also practiced polygamy, a big no-no. They were seen as un-American and chased west to what is now Utah. The Mormon Church eventually denounced polygamy, but still faced a generational PR crisis. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">They were so maligned for so many years by Americans and they were considered not even to be Christian and barely to be American. And so perfection became a doctrine of the Mormon church because once they did away with polygamy, they basically swung kind of in the other direction where they were like, we have to have the most perfect families on earth so that people can’t malign us anymore as un-American and not Christian. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The church encouraged Mormons to become the perfect, all-American, heterosexual, monogamous nuclear family unit, and not just live it, but also be seen living it, and share their faith while they’re at it. A century and a half later, the internet turned out to be the perfect medium for broadcasting both family and faith. Fortesa, said the church quickly realized how effective the internet could be for proselytizing. I mean, Elder Ballard speaking to new grads? That was in 2007. YouTube was brand new. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Elder Ballard in commencement speech] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">You can start a blog in minutes and begin sharing what you know to be true.\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">And it seems like Mormons above any other religion in the U.S., or really any other subculture in the US, really took to heart the idea of the early internet as a connector. And so many early mom bloggers were Mormon. I mean, when you think about early mom bloggers, you think of about Natalie Jean Lovin and people like that, and they were Mormon, or you think about Amber Fillerup Clark, also Mormon. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Why were Mormon women so effective as like the early proto-influencer? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">So there are several reasons. One is that in Mormon culture, you usually get married young and you have a lot of babies, both of which are really good for the algorithm. The algorithm loves young mothers and it loves tons of babies. Another thing is that Mormons from a very young age, especially Mormon women, are taught to keep a record. So it’s actually part of their scripture is to keep a record of their lives and to do this kind of intense journaling practice. Like scrapbooking came from Mormons, which is wild. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, I know. It’s crazy. When I looked into it, I was like, wait, this makes so much sense. But they’re taught to keep these intricate records and to do beautiful scrapbooks and like what is influencing if not a journal and a scrapbook. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Another reason is that beauty is highly prized in Mormon culture. So making yourself beautiful, being perceived as beautiful is considered to be godly. And so it’s really interesting because in other religions, vanity is a sin. Right? And I don’t think that the Mormons would say that they’re vain, but they do consider beauty to be godly. On top of beauty being considered godly, prosperity is considered godly, and so they have this thing called the prosperity doctrine, Which is basically the more godly and the more devoted you are to your faith, the more money you’re going to make. And so making money in that way is considered almost holy. And so when you take all these factors together, it’s like, duh. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, it’s like the formula for the perfect influencer. So, Mormon influencers have used content creation as a means of proselytizing. Like that elder told BYU grads, use the new media to share the gospel. Was it effective? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">I think so, I mean, I think it’s interesting because many Mormons in their proselytizing online, it’s not explicit, right? Like they’re not getting on and saying, go read the Book of Mormon or go join the church. But what they are doing is they’re showing their perfect, beautiful families, their perfect beautiful lives, and then you know they’re Mormon and so you’re like, oh, well, there’s a connection between the Mormonism and the perfection. Right? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Fortessa interviewed one former child influencer who grew up in a Mormon vlogging family. And they told her that during their family’s run as popular YouTubers, at least 50 families joined the church and cited their family as the reason why. This strategy was clearly effective and the Mormon church was invested, literally. More on that after the break. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Welcome back. So as Mormon family influencers spread across the internet, what role did the church play in all of this? Time to open a new tab. The Mormon Influencer Industrial Complex. While working on her book, Fortesla went deep into researching the Church of Latter-day Saints and its outreach strategy. And she uncovered a major detail: The church was paying influencers. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">I had for a long time wondered why so many Mormons are influencers. And it’s like the church, which is the richest church on earth (it’s worth hundreds of billions of dollars, the Mormon church) they actually, specifically, give resources and brand deals and help with sponsorships with their influencers. And there’s like this thing where if you’re a big enough Mormon influencer, you’re invited to this like special influencer dinner and they all kind of network and figure things out together. It’s hard to say exactly when it started, but I would say once they saw the power of those early mom bloggers, it was clear that they could have a hand in it, and it worked. I mean, look, like you think of Nara Smith. I don’t know if she still considers herself Mormon, but her husband was raised Mormon. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yeah, it is so wild. Can you walk us through the process of getting sponsored by the church? Like how do they pick the influencers to sponsor? How much do they pay? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, so it’s really interesting because one of the influencers who confirmed this to me, her name is Shannon Bird and she was one of the original mom bloggers and now she’s on Instagram, but she really had her heyday in mom blogging. And she said that the church just reached out to her and they said, we love your work. We want to have a hand in it. And they said how much is your rate for a post? And in my book, she tells me, “You know, I felt weird like charging my church a rate,” you know? So her normal rate for a post was like eight to ten thousand dollars for like a static post. But she was like, this is my church, like, that feels really weird and so she, I think she charged them like a thousand dollars.\u003c/span>\u003c/p>\n\u003cp>But then at one point, the church accidentally copied her on an email that listed what other influencers were being paid. I know, I know. And she saw that those influencers were charging their market rate. They were charging tens of thousands of dollars for a post. And it was really interesting because the posts weren’t like, come to church with us on Sunday, hashtag Mormon, hashtag LDS or whatever.\u003c/p>\n\u003cp>Like, it was like a little bit more subtle than that, where one of the sponsored posts that Shannon told me about was she was given rotisserie chickens and she was giving them out to unhoused people. And her blonde, perfect, beautiful children were like around her and it was basically like a photo of her with the supplies going out. And it was like, you know, give back this season or whatever but there was no explicit mention of Mormonism or the LDS church.\u003c/p>\n\u003cp>And so I asked Shannon, like, what do you think was in it for the church? And she’s like, okay, so this is what I think and then this is she said, so what I think is people saw her post and they’re like this beautiful blonde mother with all her beautiful blonde children going out and like, giving back and then they know she’s Mormon and so there’s that connection there.\u003c/p>\n\u003cp>And Shannon told me, well, “One influencer can do a lot more when it comes to proselytizing than, you know, one missionary.” She’s like, “at my height, I had a million viewers of my blog a month. And so what makes more sense putting out missionaries and people don’t even open their door, or getting the beautiful blonde mother to give rotisserie chickens to unhoused people and people make the connection that she’s Mormon.” \u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">That is so wild. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">And Shannon made such a good point. Like, she has a million viewers a month. What missionary can talk to a million people a month? Like, nobody. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So legally, influencers do have to disclose when they’re posts are sponsored, according to the FTC. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Aren’t the Mormon influencers doing that? Do they have to? Does it still apply? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">I would think it would still apply. I don’t think they’re doing it because otherwise it would have been much clearer to people beforehand that the Mormon church was paying its influencers because no one has written about this before I had. So I don’t think that they’re following it to the letter of the law. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Regardless of the legal implications of these undisclosed church sponsorships, there’s a broader social shift going on here. Many of these women were raised to be wives and mothers. Momfluencing has opened doors that didn’t even exist for many women. Like we talked about earlier, they’re girl bossing. That’s huge, right? But is this a conscious act of reclaiming power? Time to open a new tab. Is mom-fluencing actually feminist? You made a really good point in your book about how, for a lot of these women, influencing and content creation is very lucrative, but it’s also one of the only ways that they’re allowed to exercise any kind of ambition or agency without threatening the patriarchy they live in. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Within the Mormon culture, which is heavily patriarchal, women are not supposed to work outside the home. And I think that’s slowly changing, but generally they’re not really supposed to have ambitions beyond being a perfect wife and a perfect mother and having nine children, but looking like they haven’t even had one child. And so, I consider influencing to be like this genius kind of loophole because it’s a way for them to exercise their ambition within the confines of the patriarchy because their job is predicated upon being a perfect mother and a perfect wife. And so it’s like, well, I’m still doing everything perfectly. I’m just showing other people about it and making a ton of money. So it’s, like, who can really have a problem with that? And influencing is largely done within the home. And so it’s kind of the perfect career for women who are in this patriarchal society that says, ‘no, you don’t go out and make the money, I go out to make the the money.’ \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Fortessa pointed out this one scene in one of the earlier seasons of The Secret Lives of Mormon Wives. They’re gathered in someone’s kitchen, complaining about their husbands. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Secret Lives of Mormon Wives] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">I know you don’t want to make a TikTok, but we’ve got to pay the bills. I mean, who else is going to pay the bills, right? \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Secret Lives of Mormon Wives] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Who is currently like the breadwinner at home? I think all of us. Really? Yeah. We all are. Look at us. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">It’s kind of genius, like I really, as a concept, I think it’s really fascinating and I think its really cool that they found a way to exercise their ambition and agency within the confines of a patriarchal society. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yes, I mean the new season is all about how Dad Tok, the like, husbands and boyfriends of Mormon wives are all like upset. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Boo, Dad Tok ! \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">I’m such a dad talk hater, but they’re all like, upset and they’re trying to find themselves because they’re like, they only know us as our wives’ husbands and not as our own people. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Secret Lives of Mormon Wives] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Dad Tok’s a lot funnier than Mom Tok, and we have our own place on social media. I think this is gonna be a great opportunity for Dad Tok. I think it shows that our wives don’t have a monopoly on social media. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And it’s fascinating to see that they are in the position that Mormon women have been in for generations. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">But they’re not realizing that. Like, they’re not thinking like, oh, for the last five or seven years before Mom Tok, this is how my wife felt while I went out and made money and had a life outside of the home and she was home with our several young children. It’s fascinating to me, especially as a mom myself, to see men have a taste of what it’s like to be a mom and they’re like, ‘Oh, this sh*t sucks.’ Like, okay, let me be clear, being a mother is incredible. Being a mother and having the mental load and being in charge of everything is very difficult. And being the one who’s at home is very difficult. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So, Mom Tok and Dad Tok drama aside, forging careers through social media has been so empowering for many women who grew up in conservative, religious communities. The Secret Lives of Mormon Wives is so interesting to me, because over the course of a few seasons, the women start to understand their own agency. They joke that the group is split between the saints and the sinners. The sinners are the ones who are no longer religious. While the saints still adhere to Mormon values and, more or less, the lifestyle. No drinking, no caffeine, and no divorce.\u003c/span>\u003c/p>\n\u003cp>But throughout the show, even for the saints, you’re watching them deconstruct their upbringings in real time and actually get to exercise their own ambition. These are women who married and got pregnant as teenagers. If they did get to go to college, they were married and get pregnant right after graduation. They didn’t get to experience much of adulthood before they became mothers.\u003c/p>\n\u003cp>And now, through the armies of followers they’ve built online, they’ve girlbossed their way into very successful careers. So they are making so much money. They are like the breadwinners of their family, which is so counter to the values that they preach. Which brings me to my next question. Is mommy blogging actually feminist? \u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">I really grapple with this, because on one hand, taking the unseen and unpaid labor of motherhood and making it seen and paid, I do think is a feminist act. But then again, you’re making it paid on the backs of selling this false vision to other women, which I don’t think can be considered feminist. So it’s like that tweet that’s like, is MasterCard an ally? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">[\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Laughter\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">] yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Is this pop singer your friend? Like, it’s like… I don’t know, I don’t think that selling this vision of perfect motherhood to other mothers can be considered feminist, I just don’t think it can. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">For the last two decades, mom-fluencing has revolved around performing domestic labor. But let’s talk about what it means to portray the fantasy of motherhood. What’s going on behind the scenes? What don’t viewers see? Let’s open one last tab: the trad wife illusion. Time for a case study. We’re going to talk about Ballerina Farm. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Oh my gosh, Ballerina Farm. I could write a thesis on her. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">You may have seen one of her videos on your feed before. She’s this beautiful blonde woman, usually wearing a linen apron over a gauzy, puff-sleeved dress. She posts these videos of her preparing a meal from scratch, usually no narration, just the sounds of her sprinkling salt on freshly churned butter while her kids run around off camera. Sometimes, a cow in the distance. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Hannah Neeleman Instagram Account]\u003c/span>\u003c/i> \u003cb>\u003cbr>\n\u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\">When we started to farm, I was swept up in the beauty of learning to make food from scratch. It makes sense why I soon fell in love with the idea of a family milk cow. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">So her name is Hannah Neeleman. She is the foremost mom influencer, trad wife, blogger in the world. She lives in Utah. She’s Mormon. She’s married to a Mormon man who actually is the heir to the JetBlue fortune…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Wild. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">…which they don’t ever talk about, which is interesting because it’s very like, we pulled ourselves up by our bootstraps and started this farm. And it’s like, your father-in-law is a billionaire. So that’s really interesting.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What’s especially tragic about her story is that she was a Mormon woman who did have a really promising career as a ballet dancer. Like, she was in Juilliard… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">at Juilliard. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Which is wild. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">There was a profile of her where they talk about how it’s called Ballerina Farm, but on the entire farm, there’s no dance studio. But I mean, that that Times profile was really wild because she’s like in her senior year at Julliard and her soon to be husband, like, meets her and decides like we’re going to get married. And then like, she’s flying back from New York to Utah and she’s flying JetBlue, which his dad owns. And so he pulls some strings, and gets the seat next to her on the flight. And basically, the way that I read it in the story was, like, she wanted to take her time and like, finish school, whatever, and then it turned out she was married and pregnant by graduation.\u003c/span>\u003c/p>\n\u003cp>But she just had her ninth child. She looks like she hasn’t had any children. She is very beautiful in like, a very toned down way. She looks she has that no makeup makeup look, and like, she’s always wearing, like, flowy dresses and like, making sourdough from scratch and making like, butter for sandwiches. She makes everything herself. But now it’s turned into this entire empire. Like there’s the Ballerina Farm store, there’s the Ballerina Farm brand. I mean, they make protein powder and hydration powder and sourdough starter and it’s a huge thing. \u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What is the appeal of this kind of this genre of content right now? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">I think it makes a lot of sense that as so much of the country is in such a fragile financial situation. I mean, the promise of a one income household broke decades ago, but we used to, you know, when we grew up, it was like, yeah, one person could have a job and support an entire family and like, that’s gone. The middle class is shrinking, like upward mobility is basically non-existent unless you like hit the viral lottery. And so it makes sense that people are like, we want to slow down and like go back to basics. And whether or not this is actually true, they’re looking at a trad wife life as going back to basics. But I also think it can’t be disentangled from the way that culture generally is just shifting rightward. Like the zeitgeist is just becoming so much more conservative. And it’s like, of course, tradwives are surging at this time. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yeah, this trad wife content just depicts this really beautiful, idyllic life. What was it like for you to watch this content as a journalist before you became a mother and then after you became mother? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Before I became a mother, I was like, oh, I can kind of see the appeal. It does seem like kind of beautiful to just be like in charge of the home and just having to make bread and take care of your babies and like look beautiful. And I could kind of understand it. And then after I became mother, I was, like, this is not real life at all.\u003c/span>\u003c/p>\n\u003cp>I have one child, I’m pregnant with my second and like, I have never made sourdough in my life. I don’t make my kids baby food from scratch. Like, my hair is usually not done. I’m never in a dress. It’s just the actual blood and guts and effort of motherhood are so disparate from this tradwife life that is shown online.\u003c/p>\n\u003cp>And I think, you know, tradwives never talk about the loneliness of mother hood. And that’s something that really hit me when I became a mother myself, because I have lots of family around. My husband is great. We have a part-time nanny. Like I have help, but it’s still like so lonely, especially in those first few months. And, like, if you watch these women, you would never think that anything was difficult ever. Like, all you have to do, mama, is cuddle your baby and co-sleep with them and breastfeed them on demand and make all their food from scratch and, like it just, it really shattered the illusion for me once I became a mother myself. \u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, you aren’t out there hand-picking berries to, like feed your kids. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">No, dude, no. Like, maybe I should once in a while, but no, there’s no time. It just doesn’t make sense. It’s a fantasy, and that’s what made me realize these women aren’t being paid for the labor of motherhood, they’re getting paid for the performance of the laborer of mother hood. Because the labor motherhood is by definition unpaid and it’s often unseen. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What’s going on behind the scenes of this trad wife content that viewers don’t see? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">I found out that many of your favorite mom influencers and family vloggers have full-time nannies, they have around the clock help, they have housekeepers, they have house managers, they have videographers, they have editors. I mean, this is an empire. This is a business. And I’ve said this before, there’s nothing wrong with having help. We have a once-monthly house cleaner. We have a part-time nanny. And I would be less sane than I already am without those people helping us. But I think what is troubling to me is selling this idea of self-reliance and saying, ‘I do it all myself.’ And by the way, if you buy this commissioned protein powder, you can be strong enough to do it yourself too, when secretly they have so much help behind the scenes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Beyond the impact that momfluencers have on their audiences, the biggest consequences may fall on the people at the center of it all, their kids. The last time Fortesa was on Close All Tabs, we talked about how children are affected when they’re forced to be part of their parents’ content. Now, the internet is starting to reckon with a reality of sharenting, a portmanteau of share and parenting. Momfluencers have gotten some heat lately over exploiting their children and their content. There’s a vibe shift afoot. And while there will probably always be a demand for this type of parenting content, a growing faction of brands and creators are moving away from showing kids in videos. In an industry that has opened doors for so many women, is there still space for momfluencers who don’t engage in sharenting? A refreshing part of the secret lives of Mormon wives is that their children rarely appear in the show. There’s the occasional shot of someone holding a newborn baby. But the children who can walk and talk are barely in the show at all. In fact, some members of MomTalk have stopped showing their kids in their online content too. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">I think they’ve kind of shifted from showing their kids to showing their experience as mothers and especially as working mothers. Well, that’s the thing is I don’t think there is a right way to be a mother on the internet because if you show your kids, people are like, you’re exploiting them. And if you take them off, then it’s like, oh, you just showboating and trying to act like you’re, like, so above this. And also if you’re gonna take them off, why did you ever put them on in the first place? There’s no way to win. People will hate you no matter what you do. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">In many cases, these women are walking a tightrope, balancing audience expectations, traditional gender norms, and the realities of raising children. Fortesa tries to avoid thinking about momfluencers in simple black and white terms. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">For someone who’s reported on the horrors and exploitation involved in family vlogging, you did take a very compassionate approach to writing about the Mormon mommy vloggers and, like, this world of influencers. How do you balance what you know about the momfluencing industry with maintaining empathy for the women involved? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\"> I mean I really do genuinely feel a lot of empathy for these women and I think especially becoming a mother myself has shown me you know to what lengths I would go to give my daughter a great life. A lot of times these women started mommy blogging in a vulnerable situation. They didn’t go to college or they started having kids really young or they were in some kind of financial instability. And so when I look around at my life and the stability that I have, and then I look at other women and the limited choices they have, I think it’s just dishonest to say that I would never make that decision. Like, I wouldn’t make that decision as myself in my experience, but I could see how you could make it in a different situation. And I’m not one of those people who thinks family vlogging and mom influencing is evil and immoral and bad across the board. I just don’t think that. I think it’s much more nuanced than that. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Mom Tok is on the verge of collapse, all the time. These women have some very fraught friendships. Will Mom Tok survive this? Has kind of become a mantra on the show. The cultural appetite for family vlogs may fade, especially as the debate over child influencers continues and more viewers become disillusioned with the fantasy of trad wives. But the recent seasons of The Secret Lives of Mormon Wives have proven that people don’t necessarily watch these creators for the content about their kids and not really for the husbands either. Dad Tok is just not it. People watch because they’re interested in the lives of these women, even the messy uncurated versions. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The performance of the perfect mother who feeds her kids freshly baked sourdough topped off with hand-churned butter is not always as compelling as the working mother who’s open about the struggles of juggling a career and her kids. As much as there’s still an audience for the tradwife, there’s also growing demand for creators who are honest with their viewers, both about who’s sponsoring their content and about the reality of motherhood. So as mindful sharenting takes more of a hold on internet culture, will mom-fluencing survive this? Probably. But it may have to change. Let’s close all these tabs. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Close All Tabs is a production of KQED studios and is reported and hosted by me, Morgan Sung. This episode was produced by Maya Cueva and edited by Chris Egusa, who also composed our theme song and credits music. The Close All Tabs team also includes editor, Chris Hambrick, and audio engineer, Brendan Willard. Additional music from APM, audience engagement support from Maha Sanad. Jen Chien is our director of podcasts and Ethan Toven-Lindsey is our editor in chief. Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco, Northern California, Local. This episode’s keyboard sounds were submitted by Alex Tran and recorded on his white Epomaker Hi75 keyboard with Fogruaden red samurai keycaps and Gateron milky yellow pro v2 switches. Thanks for listening. \u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "Author and journalist Fortesa Latifi breaks down the hidden industry behind Mormon “momfluencers.” ",
"status": "publish",
"parent": 0,
"modified": 1776120228,
"stats": {
"hasAudio": true,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 116,
"wordCount": 6956
},
"headData": {
"title": "The Secret Lives of Mormon Momfluencers | KQED",
"description": "Only 2% of Americans identify as members of the Church of Latter-day Saints — and yet a striking number of American social media influencers are Mormon. Why? The answer lies in a mix of religious doctrine, early internet adoption, and some surprising financial incentives. In this episode, author and journalist Fortesa Latifi returns to the show to unpack her research for her new book, Like, Follow, Subscribe: Influencer Kids and the Cost of a Childhood Online. She breaks down the hidden industry behind Mormon “momfluencers,” how these creators both uphold and push against a patriarchal system, and why the trad wife fantasy can be damaging far beyond their audience. Plus, she and Morgan tackle the question hanging over reality TV fans everywhere: “Will MomTok survive this?”",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"socialDescription": "Only 2% of Americans identify as members of the Church of Latter-day Saints — and yet a striking number of American social media influencers are Mormon. Why? The answer lies in a mix of religious doctrine, early internet adoption, and some surprising financial incentives. In this episode, author and journalist Fortesa Latifi returns to the show to unpack her research for her new book, Like, Follow, Subscribe: Influencer Kids and the Cost of a Childhood Online. She breaks down the hidden industry behind Mormon “momfluencers,” how these creators both uphold and push against a patriarchal system, and why the trad wife fantasy can be damaging far beyond their audience. Plus, she and Morgan tackle the question hanging over reality TV fans everywhere: “Will MomTok survive this?”",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "The Secret Lives of Mormon Momfluencers",
"datePublished": "2026-04-08T03:00:56-07:00",
"dateModified": "2026-04-13T15:43:48-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"primaryCategory": {
"termId": 33520,
"slug": "podcast",
"name": "Podcast"
},
"source": "Close All Tabs",
"sourceUrl": "https://www.kqed.org/podcasts/closealltabs",
"audioUrl": "https://traffic.megaphone.fm/KQINC4522289126.mp3?updated=1775617449",
"sticky": false,
"nprStoryId": "kqed-12079067",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/news/12079067/the-secret-lives-of-mormon-momfluencers",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Only 2% of Americans identify as members of the Church of Latter-day Saints — and yet a striking number of American social media influencers are Mormon. Why? The answer lies in a mix of religious doctrine, early internet adoption, and some surprising financial incentives.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In this episode, author and journalist Fortesa Latifi returns to the show to unpack her research for her new book, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Like, Follow, Subscribe: Influencer Kids and the Cost of a Childhood Online\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. She breaks down the hidden industry behind Mormon “momfluencers,” how these creators both uphold and push against a patriarchal system, and why the trad wife fantasy can be damaging far beyond their audience. Plus, she and Morgan tackle the question hanging over reality TV fans everywhere: “Will MomTok survive this?”\u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC4522289126\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guest:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.fortesalatifi.com/\">\u003cspan style=\"font-weight: 400\">Fortesa Latifi\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, journalist and author of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Like, Follow, Subscribe: Influencer Kids and the Cost of a Childhood Online.\u003c/span>\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Further Reading/Listening:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.simonandschuster.com/books/Like-Follow-Subscribe/Fortesa-Latifi/9781668080504\">\u003cspan style=\"font-weight: 400\">Like, Follow, Subscribe: Influencer Kids and the Cost of a Childhood Online\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Fortesa Latifi, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Simon & Schuster \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://whatsthevibe.substack.com/p/the-mormon-church-pays-its-influencers\">the Mormon Church pays its influencers\u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\"> — Fortesa Latifi, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>What’s The Vibe\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.thecut.com/article/mormon-momtok-swingers-drama-explained.html\">A Refresher on the Mormon MomTok Drama\u003c/a> — Danielle Cohen, Olivia Truffaut-Wong, and Julia Reinstein,\u003c/span> \u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>\u003ci>The Cut \u003c/i>\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.refinery29.com/en-us/taylor-frankie-paul-bachelorette-canceled-controversy\">‘The Bachelorette’ Cast Taylor Frankie Paul For The Mess. They Got It. So, Who’s To Blame?\u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\"> — Katherine Singh, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>\u003ci>\u003ci>Refinery 29 \u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.marieclaire.com/culture/tv-shows/the-secret-lives-of-mormon-wives-season-2-review/\">‘The Secret Lives of Mormon Wives’ Shows the Trad Wife Reality \u003c/a> — Quinci LeGardye\u003c/span>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>\u003ci>\u003ci>\u003ci>Marie Claire \u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.sltrib.com/religion/2025/08/02/how-lds-church-works-with-pays/\">Does the LDS Church pay influencers? Well, actually, yes.\u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\"> — Dylan Eubank, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>\u003ci>\u003ci>\u003ci>\u003ci>The Salt Lake Tribune\u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.thetimes.com/magazines/the-sunday-times-magazine/article/meet-the-queen-of-the-trad-wives-and-her-eight-children-plfr50cgk\">Meet the queen of the ‘trad wives’ (and her eight children)\u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\"> — Megan Agnew, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ci>\u003ci>\u003ci>\u003ci>\u003ci>\u003ci>The Times \u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ca href=\"https://www.npr.org/2024/12/17/nx-s1-5206673/tradwives-have-taken-over-tiktok-now-ex-tradwives-want-their-moment\">Tradwife life isn’t as good as it looks on TikTok — just ask former tradwives\u003c/a> — Isabella Gomez Sarmiento, \u003ci>NPR\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-content post-body\">\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Hey it’s Morgan. We just celebrated the show’s first birthday. That’s right Close All Tabs is a pisces. Wanna celebrate with us? It would be so, so helpful if you could rate and review us on Spotify, Apple or wherever you listen to the show. And tell your friends about us, too! Ok, let’s get to the episode. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Have you been keeping up with the Secret Lives of Mormon Wives? \u003c/span>\u003cspan style=\"font-weight: 400\">\u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Oh, have I, yes.\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Fortesa Latifi is a journalist who covers the thorny world of child influencers, family vlogs, and parenting content. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">You’ve seen my bylines in Rolling Stone, The New York Times, Teen Vogue, and many more. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Fortesa was on Close All Tabs last year in our episode, Children of the Vlog. She just published a book called Like, Follow, Subscribe: Influencer Kids, and the Cost of a Childhood Online. And like me, Fortesa also loves watching the Secret Lives of Mormon Wives. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Promo for Secret Lives of Mormon Wives]\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Come ye saints and come ye sinners! Ahhh…\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">My mom is visiting right now and she’s just like, are you seriously watching this? And I’m like, mom, shh. It’s like what my sister calls TV Xanax, like it just is like, just quiets the mind. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I know, I’m like, this is my temporary lobotomy for the night. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">100 percent. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I put it on and I don’t think for like 40 minutes. It’s beautiful. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">It’s a blessed experience. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, so for the uninitiated, The Secret Lives Of Mormon Wives is a reality TV show on Hulu, which follows a group of Utah-based mom influencers known as “MomTok.” They’re infamous for the so-called Mormon swinging scandal. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio from Youtube User Spill Sesh] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">You guys buckle up because we are talking about “Mom Tok.”. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio from TikTok] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Now in both her confessionals and conversations with the other wives, Miranda denied doing anything other than kissing at these swinging parties. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio from Youtube User Spill Sesh] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">The drama is insane. It played out all online and now they’ve landed themselves a reality show for just how dramatic they have been and of course there’s more drama now. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">To be clear, when we say “momfluencers”, we’re talking about this category of creators whose content revolves around motherhood and family. Like the ones who post the elaborate meals that they pack their kids for lunch, or post about the baby supplies that you, a new mom, actually need, which may or may not be sponsored. The name “MomTok” refers to a group of momfluencers from the show, The Secret Lives of Mormon Wives. Think of it as a friend group, well really, frenemy group. Many of them had started out on TikTok, making videos about their lives as stay-at-home mothers. Since then, they’ve built massive followings online and leverage that to launch their own businesses. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Secret Lives of Mormon Wives] J\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">en: I’m currently the breadwinner in my relationship. I’m providing for my kids, my husband. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Secret Lives of Mormon Wives] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Jessi: Being known as a successful businesswoman means everything to me. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Secret Lives of Mormon Wives] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Mayci: We’re just powerful women trying to change the stigma of gender roles in the Mormon culture. And I’m a bad b*tch. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m talking a prenatal supplement brand, a hair extension salon empire, a Broadway debut, brand deals worth hundreds of thousands of dollars, and one of them was supposed to be the next Bachelorette, and that’s been a whole thing. What I’m getting to is that these women are girl bosses, ambitious, entrepreneurial hustlers. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Secret Lives of Mormon Wives] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Jen: My goal was really just to be able to provide for my family. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Secret Lives of Mormon Wives] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Mayci, I need you to twerk your ass off! \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">On the show, they joke about being tradwives, the archetype of a homemaker who embraces traditional gender roles and doesn’t bother herself with affairs outside of her domestic sphere. But they’re upfront about the fact that they aren’t really tradwives. However, there is a faction of influencers who portray themselves as ideal, conservative, religious homemakers, while also running massive businesses. This is the tradwife girlboss. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Well, it’s so fascinating because the entire idea of a tradwife is predicated upon a woman staying at home, taking care of her babies, taking care of our house and her husband, and not working outside the house. But it’s a complete contradiction because the tradwives that we know about are all girl bosses. Like you said, I mean, some of them have multimillion dollar empires. So if I think about like a true tradwife, we would never hear about because she’s doing her work quietly and on her own. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">We are not getting that deep into the current drama with mom talk and the secret lives of Mormon wives. Honestly, we need like another 15 episodes just to cover all of that. Today we’re digging into the industry of momfluencers, the women whose content revolves around parenting and family and their children. Not all creators who make this kind of content are religious, and not all of them identify as tradwives. But here’s something interesting. A lot of mom flensers are Mormon. We’re going to get into why that is and unpack how the Mormon church played a role in carving out an entire genre of content. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Ready? This is Close All Tabs. I’m Morgan Sung, tech journalist, and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. Let’s get into it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Let’s open our first tab. Why are so many momfluencers Mormon? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Only 2% of Americans identify as from the Church of Latter-day Saints, which is colloquially called Mormons, but they are so overrepresented in influencer culture. Like almost all of the top mom influencers and family vloggers are Mormon or Mormon adjacent. And it’s just like, how did this happen? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">To answer that question, we need to go back to 2007. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">There was the commencement speech given at Brigham Young University, Hawaii, in which an elder of the church told the Mormons who were listening, please use the internet to your advantage basically. Like, use it to blog, use it share your beautiful life, use it to share positive things about the church. \u003c/span>\u003c/p>\n\u003cp>\u003cb>[Elder Ballard in commencement speech] \u003c/b>\u003cspan style=\"font-weight: 400\">And as you graduate from this wonderful university, may I ask you to join the conversation by participating on the internet, particularly the new media, to share the gospel and explain in simple, clear terms the message of the restoration. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s Elder M. Russell Ballard speaking to graduates at Brigham Young University almost 20 years ago. Let’s lay out some historical context for this. So, back in the 1800s, this guy, Joseph Smith, had a revelation and said that an angel told him to dig up a set of golden plates. These plates, according to Joseph Smith were engraved with a kind of companion text to the existing Christian Bible and contained guidance for establishing a new church. In 1830, Joseph Smith published what he said was a translation of the Golden Plates and called it the Book of Mormon, basically establishing the Mormon religion. He gained a following and started converting people. Local communities were not thrilled. The Mormon theology was considered blasphemous and they also practiced polygamy, a big no-no. They were seen as un-American and chased west to what is now Utah. The Mormon Church eventually denounced polygamy, but still faced a generational PR crisis. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">They were so maligned for so many years by Americans and they were considered not even to be Christian and barely to be American. And so perfection became a doctrine of the Mormon church because once they did away with polygamy, they basically swung kind of in the other direction where they were like, we have to have the most perfect families on earth so that people can’t malign us anymore as un-American and not Christian. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The church encouraged Mormons to become the perfect, all-American, heterosexual, monogamous nuclear family unit, and not just live it, but also be seen living it, and share their faith while they’re at it. A century and a half later, the internet turned out to be the perfect medium for broadcasting both family and faith. Fortesa, said the church quickly realized how effective the internet could be for proselytizing. I mean, Elder Ballard speaking to new grads? That was in 2007. YouTube was brand new. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Elder Ballard in commencement speech] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">You can start a blog in minutes and begin sharing what you know to be true.\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">And it seems like Mormons above any other religion in the U.S., or really any other subculture in the US, really took to heart the idea of the early internet as a connector. And so many early mom bloggers were Mormon. I mean, when you think about early mom bloggers, you think of about Natalie Jean Lovin and people like that, and they were Mormon, or you think about Amber Fillerup Clark, also Mormon. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Why were Mormon women so effective as like the early proto-influencer? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">So there are several reasons. One is that in Mormon culture, you usually get married young and you have a lot of babies, both of which are really good for the algorithm. The algorithm loves young mothers and it loves tons of babies. Another thing is that Mormons from a very young age, especially Mormon women, are taught to keep a record. So it’s actually part of their scripture is to keep a record of their lives and to do this kind of intense journaling practice. Like scrapbooking came from Mormons, which is wild. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, I know. It’s crazy. When I looked into it, I was like, wait, this makes so much sense. But they’re taught to keep these intricate records and to do beautiful scrapbooks and like what is influencing if not a journal and a scrapbook. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Another reason is that beauty is highly prized in Mormon culture. So making yourself beautiful, being perceived as beautiful is considered to be godly. And so it’s really interesting because in other religions, vanity is a sin. Right? And I don’t think that the Mormons would say that they’re vain, but they do consider beauty to be godly. On top of beauty being considered godly, prosperity is considered godly, and so they have this thing called the prosperity doctrine, Which is basically the more godly and the more devoted you are to your faith, the more money you’re going to make. And so making money in that way is considered almost holy. And so when you take all these factors together, it’s like, duh. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, it’s like the formula for the perfect influencer. So, Mormon influencers have used content creation as a means of proselytizing. Like that elder told BYU grads, use the new media to share the gospel. Was it effective? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">I think so, I mean, I think it’s interesting because many Mormons in their proselytizing online, it’s not explicit, right? Like they’re not getting on and saying, go read the Book of Mormon or go join the church. But what they are doing is they’re showing their perfect, beautiful families, their perfect beautiful lives, and then you know they’re Mormon and so you’re like, oh, well, there’s a connection between the Mormonism and the perfection. Right? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Fortessa interviewed one former child influencer who grew up in a Mormon vlogging family. And they told her that during their family’s run as popular YouTubers, at least 50 families joined the church and cited their family as the reason why. This strategy was clearly effective and the Mormon church was invested, literally. More on that after the break. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Welcome back. So as Mormon family influencers spread across the internet, what role did the church play in all of this? Time to open a new tab. The Mormon Influencer Industrial Complex. While working on her book, Fortesla went deep into researching the Church of Latter-day Saints and its outreach strategy. And she uncovered a major detail: The church was paying influencers. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">I had for a long time wondered why so many Mormons are influencers. And it’s like the church, which is the richest church on earth (it’s worth hundreds of billions of dollars, the Mormon church) they actually, specifically, give resources and brand deals and help with sponsorships with their influencers. And there’s like this thing where if you’re a big enough Mormon influencer, you’re invited to this like special influencer dinner and they all kind of network and figure things out together. It’s hard to say exactly when it started, but I would say once they saw the power of those early mom bloggers, it was clear that they could have a hand in it, and it worked. I mean, look, like you think of Nara Smith. I don’t know if she still considers herself Mormon, but her husband was raised Mormon. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yeah, it is so wild. Can you walk us through the process of getting sponsored by the church? Like how do they pick the influencers to sponsor? How much do they pay? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, so it’s really interesting because one of the influencers who confirmed this to me, her name is Shannon Bird and she was one of the original mom bloggers and now she’s on Instagram, but she really had her heyday in mom blogging. And she said that the church just reached out to her and they said, we love your work. We want to have a hand in it. And they said how much is your rate for a post? And in my book, she tells me, “You know, I felt weird like charging my church a rate,” you know? So her normal rate for a post was like eight to ten thousand dollars for like a static post. But she was like, this is my church, like, that feels really weird and so she, I think she charged them like a thousand dollars.\u003c/span>\u003c/p>\n\u003cp>But then at one point, the church accidentally copied her on an email that listed what other influencers were being paid. I know, I know. And she saw that those influencers were charging their market rate. They were charging tens of thousands of dollars for a post. And it was really interesting because the posts weren’t like, come to church with us on Sunday, hashtag Mormon, hashtag LDS or whatever.\u003c/p>\n\u003cp>Like, it was like a little bit more subtle than that, where one of the sponsored posts that Shannon told me about was she was given rotisserie chickens and she was giving them out to unhoused people. And her blonde, perfect, beautiful children were like around her and it was basically like a photo of her with the supplies going out. And it was like, you know, give back this season or whatever but there was no explicit mention of Mormonism or the LDS church.\u003c/p>\n\u003cp>And so I asked Shannon, like, what do you think was in it for the church? And she’s like, okay, so this is what I think and then this is she said, so what I think is people saw her post and they’re like this beautiful blonde mother with all her beautiful blonde children going out and like, giving back and then they know she’s Mormon and so there’s that connection there.\u003c/p>\n\u003cp>And Shannon told me, well, “One influencer can do a lot more when it comes to proselytizing than, you know, one missionary.” She’s like, “at my height, I had a million viewers of my blog a month. And so what makes more sense putting out missionaries and people don’t even open their door, or getting the beautiful blonde mother to give rotisserie chickens to unhoused people and people make the connection that she’s Mormon.” \u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">That is so wild. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">And Shannon made such a good point. Like, she has a million viewers a month. What missionary can talk to a million people a month? Like, nobody. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So legally, influencers do have to disclose when they’re posts are sponsored, according to the FTC. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Aren’t the Mormon influencers doing that? Do they have to? Does it still apply? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">I would think it would still apply. I don’t think they’re doing it because otherwise it would have been much clearer to people beforehand that the Mormon church was paying its influencers because no one has written about this before I had. So I don’t think that they’re following it to the letter of the law. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Regardless of the legal implications of these undisclosed church sponsorships, there’s a broader social shift going on here. Many of these women were raised to be wives and mothers. Momfluencing has opened doors that didn’t even exist for many women. Like we talked about earlier, they’re girl bossing. That’s huge, right? But is this a conscious act of reclaiming power? Time to open a new tab. Is mom-fluencing actually feminist? You made a really good point in your book about how, for a lot of these women, influencing and content creation is very lucrative, but it’s also one of the only ways that they’re allowed to exercise any kind of ambition or agency without threatening the patriarchy they live in. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Within the Mormon culture, which is heavily patriarchal, women are not supposed to work outside the home. And I think that’s slowly changing, but generally they’re not really supposed to have ambitions beyond being a perfect wife and a perfect mother and having nine children, but looking like they haven’t even had one child. And so, I consider influencing to be like this genius kind of loophole because it’s a way for them to exercise their ambition within the confines of the patriarchy because their job is predicated upon being a perfect mother and a perfect wife. And so it’s like, well, I’m still doing everything perfectly. I’m just showing other people about it and making a ton of money. So it’s, like, who can really have a problem with that? And influencing is largely done within the home. And so it’s kind of the perfect career for women who are in this patriarchal society that says, ‘no, you don’t go out and make the money, I go out to make the the money.’ \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Fortessa pointed out this one scene in one of the earlier seasons of The Secret Lives of Mormon Wives. They’re gathered in someone’s kitchen, complaining about their husbands. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Secret Lives of Mormon Wives] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">I know you don’t want to make a TikTok, but we’ve got to pay the bills. I mean, who else is going to pay the bills, right? \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Secret Lives of Mormon Wives] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Who is currently like the breadwinner at home? I think all of us. Really? Yeah. We all are. Look at us. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">It’s kind of genius, like I really, as a concept, I think it’s really fascinating and I think its really cool that they found a way to exercise their ambition and agency within the confines of a patriarchal society. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yes, I mean the new season is all about how Dad Tok, the like, husbands and boyfriends of Mormon wives are all like upset. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Boo, Dad Tok ! \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">I’m such a dad talk hater, but they’re all like, upset and they’re trying to find themselves because they’re like, they only know us as our wives’ husbands and not as our own people. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Secret Lives of Mormon Wives] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Dad Tok’s a lot funnier than Mom Tok, and we have our own place on social media. I think this is gonna be a great opportunity for Dad Tok. I think it shows that our wives don’t have a monopoly on social media. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And it’s fascinating to see that they are in the position that Mormon women have been in for generations. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">But they’re not realizing that. Like, they’re not thinking like, oh, for the last five or seven years before Mom Tok, this is how my wife felt while I went out and made money and had a life outside of the home and she was home with our several young children. It’s fascinating to me, especially as a mom myself, to see men have a taste of what it’s like to be a mom and they’re like, ‘Oh, this sh*t sucks.’ Like, okay, let me be clear, being a mother is incredible. Being a mother and having the mental load and being in charge of everything is very difficult. And being the one who’s at home is very difficult. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So, Mom Tok and Dad Tok drama aside, forging careers through social media has been so empowering for many women who grew up in conservative, religious communities. The Secret Lives of Mormon Wives is so interesting to me, because over the course of a few seasons, the women start to understand their own agency. They joke that the group is split between the saints and the sinners. The sinners are the ones who are no longer religious. While the saints still adhere to Mormon values and, more or less, the lifestyle. No drinking, no caffeine, and no divorce.\u003c/span>\u003c/p>\n\u003cp>But throughout the show, even for the saints, you’re watching them deconstruct their upbringings in real time and actually get to exercise their own ambition. These are women who married and got pregnant as teenagers. If they did get to go to college, they were married and get pregnant right after graduation. They didn’t get to experience much of adulthood before they became mothers.\u003c/p>\n\u003cp>And now, through the armies of followers they’ve built online, they’ve girlbossed their way into very successful careers. So they are making so much money. They are like the breadwinners of their family, which is so counter to the values that they preach. Which brings me to my next question. Is mommy blogging actually feminist? \u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">I really grapple with this, because on one hand, taking the unseen and unpaid labor of motherhood and making it seen and paid, I do think is a feminist act. But then again, you’re making it paid on the backs of selling this false vision to other women, which I don’t think can be considered feminist. So it’s like that tweet that’s like, is MasterCard an ally? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">[\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Laughter\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">] yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Is this pop singer your friend? Like, it’s like… I don’t know, I don’t think that selling this vision of perfect motherhood to other mothers can be considered feminist, I just don’t think it can. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">For the last two decades, mom-fluencing has revolved around performing domestic labor. But let’s talk about what it means to portray the fantasy of motherhood. What’s going on behind the scenes? What don’t viewers see? Let’s open one last tab: the trad wife illusion. Time for a case study. We’re going to talk about Ballerina Farm. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Oh my gosh, Ballerina Farm. I could write a thesis on her. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">You may have seen one of her videos on your feed before. She’s this beautiful blonde woman, usually wearing a linen apron over a gauzy, puff-sleeved dress. She posts these videos of her preparing a meal from scratch, usually no narration, just the sounds of her sprinkling salt on freshly churned butter while her kids run around off camera. Sometimes, a cow in the distance. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio Clip from Hannah Neeleman Instagram Account]\u003c/span>\u003c/i> \u003cb>\u003cbr>\n\u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\">When we started to farm, I was swept up in the beauty of learning to make food from scratch. It makes sense why I soon fell in love with the idea of a family milk cow. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">So her name is Hannah Neeleman. She is the foremost mom influencer, trad wife, blogger in the world. She lives in Utah. She’s Mormon. She’s married to a Mormon man who actually is the heir to the JetBlue fortune…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Wild. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">…which they don’t ever talk about, which is interesting because it’s very like, we pulled ourselves up by our bootstraps and started this farm. And it’s like, your father-in-law is a billionaire. So that’s really interesting.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What’s especially tragic about her story is that she was a Mormon woman who did have a really promising career as a ballet dancer. Like, she was in Juilliard… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">at Juilliard. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Which is wild. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">There was a profile of her where they talk about how it’s called Ballerina Farm, but on the entire farm, there’s no dance studio. But I mean, that that Times profile was really wild because she’s like in her senior year at Julliard and her soon to be husband, like, meets her and decides like we’re going to get married. And then like, she’s flying back from New York to Utah and she’s flying JetBlue, which his dad owns. And so he pulls some strings, and gets the seat next to her on the flight. And basically, the way that I read it in the story was, like, she wanted to take her time and like, finish school, whatever, and then it turned out she was married and pregnant by graduation.\u003c/span>\u003c/p>\n\u003cp>But she just had her ninth child. She looks like she hasn’t had any children. She is very beautiful in like, a very toned down way. She looks she has that no makeup makeup look, and like, she’s always wearing, like, flowy dresses and like, making sourdough from scratch and making like, butter for sandwiches. She makes everything herself. But now it’s turned into this entire empire. Like there’s the Ballerina Farm store, there’s the Ballerina Farm brand. I mean, they make protein powder and hydration powder and sourdough starter and it’s a huge thing. \u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What is the appeal of this kind of this genre of content right now? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">I think it makes a lot of sense that as so much of the country is in such a fragile financial situation. I mean, the promise of a one income household broke decades ago, but we used to, you know, when we grew up, it was like, yeah, one person could have a job and support an entire family and like, that’s gone. The middle class is shrinking, like upward mobility is basically non-existent unless you like hit the viral lottery. And so it makes sense that people are like, we want to slow down and like go back to basics. And whether or not this is actually true, they’re looking at a trad wife life as going back to basics. But I also think it can’t be disentangled from the way that culture generally is just shifting rightward. Like the zeitgeist is just becoming so much more conservative. And it’s like, of course, tradwives are surging at this time. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yeah, this trad wife content just depicts this really beautiful, idyllic life. What was it like for you to watch this content as a journalist before you became a mother and then after you became mother? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">Before I became a mother, I was like, oh, I can kind of see the appeal. It does seem like kind of beautiful to just be like in charge of the home and just having to make bread and take care of your babies and like look beautiful. And I could kind of understand it. And then after I became mother, I was, like, this is not real life at all.\u003c/span>\u003c/p>\n\u003cp>I have one child, I’m pregnant with my second and like, I have never made sourdough in my life. I don’t make my kids baby food from scratch. Like, my hair is usually not done. I’m never in a dress. It’s just the actual blood and guts and effort of motherhood are so disparate from this tradwife life that is shown online.\u003c/p>\n\u003cp>And I think, you know, tradwives never talk about the loneliness of mother hood. And that’s something that really hit me when I became a mother myself, because I have lots of family around. My husband is great. We have a part-time nanny. Like I have help, but it’s still like so lonely, especially in those first few months. And, like, if you watch these women, you would never think that anything was difficult ever. Like, all you have to do, mama, is cuddle your baby and co-sleep with them and breastfeed them on demand and make all their food from scratch and, like it just, it really shattered the illusion for me once I became a mother myself. \u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, you aren’t out there hand-picking berries to, like feed your kids. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">No, dude, no. Like, maybe I should once in a while, but no, there’s no time. It just doesn’t make sense. It’s a fantasy, and that’s what made me realize these women aren’t being paid for the labor of motherhood, they’re getting paid for the performance of the laborer of mother hood. Because the labor motherhood is by definition unpaid and it’s often unseen. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What’s going on behind the scenes of this trad wife content that viewers don’t see? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">I found out that many of your favorite mom influencers and family vloggers have full-time nannies, they have around the clock help, they have housekeepers, they have house managers, they have videographers, they have editors. I mean, this is an empire. This is a business. And I’ve said this before, there’s nothing wrong with having help. We have a once-monthly house cleaner. We have a part-time nanny. And I would be less sane than I already am without those people helping us. But I think what is troubling to me is selling this idea of self-reliance and saying, ‘I do it all myself.’ And by the way, if you buy this commissioned protein powder, you can be strong enough to do it yourself too, when secretly they have so much help behind the scenes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Beyond the impact that momfluencers have on their audiences, the biggest consequences may fall on the people at the center of it all, their kids. The last time Fortesa was on Close All Tabs, we talked about how children are affected when they’re forced to be part of their parents’ content. Now, the internet is starting to reckon with a reality of sharenting, a portmanteau of share and parenting. Momfluencers have gotten some heat lately over exploiting their children and their content. There’s a vibe shift afoot. And while there will probably always be a demand for this type of parenting content, a growing faction of brands and creators are moving away from showing kids in videos. In an industry that has opened doors for so many women, is there still space for momfluencers who don’t engage in sharenting? A refreshing part of the secret lives of Mormon wives is that their children rarely appear in the show. There’s the occasional shot of someone holding a newborn baby. But the children who can walk and talk are barely in the show at all. In fact, some members of MomTalk have stopped showing their kids in their online content too. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\">I think they’ve kind of shifted from showing their kids to showing their experience as mothers and especially as working mothers. Well, that’s the thing is I don’t think there is a right way to be a mother on the internet because if you show your kids, people are like, you’re exploiting them. And if you take them off, then it’s like, oh, you just showboating and trying to act like you’re, like, so above this. And also if you’re gonna take them off, why did you ever put them on in the first place? There’s no way to win. People will hate you no matter what you do. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">In many cases, these women are walking a tightrope, balancing audience expectations, traditional gender norms, and the realities of raising children. Fortesa tries to avoid thinking about momfluencers in simple black and white terms. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">For someone who’s reported on the horrors and exploitation involved in family vlogging, you did take a very compassionate approach to writing about the Mormon mommy vloggers and, like, this world of influencers. How do you balance what you know about the momfluencing industry with maintaining empathy for the women involved? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Fortesa Latifi : \u003c/b>\u003cspan style=\"font-weight: 400\"> I mean I really do genuinely feel a lot of empathy for these women and I think especially becoming a mother myself has shown me you know to what lengths I would go to give my daughter a great life. A lot of times these women started mommy blogging in a vulnerable situation. They didn’t go to college or they started having kids really young or they were in some kind of financial instability. And so when I look around at my life and the stability that I have, and then I look at other women and the limited choices they have, I think it’s just dishonest to say that I would never make that decision. Like, I wouldn’t make that decision as myself in my experience, but I could see how you could make it in a different situation. And I’m not one of those people who thinks family vlogging and mom influencing is evil and immoral and bad across the board. I just don’t think that. I think it’s much more nuanced than that. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Mom Tok is on the verge of collapse, all the time. These women have some very fraught friendships. Will Mom Tok survive this? Has kind of become a mantra on the show. The cultural appetite for family vlogs may fade, especially as the debate over child influencers continues and more viewers become disillusioned with the fantasy of trad wives. But the recent seasons of The Secret Lives of Mormon Wives have proven that people don’t necessarily watch these creators for the content about their kids and not really for the husbands either. Dad Tok is just not it. People watch because they’re interested in the lives of these women, even the messy uncurated versions. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The performance of the perfect mother who feeds her kids freshly baked sourdough topped off with hand-churned butter is not always as compelling as the working mother who’s open about the struggles of juggling a career and her kids. As much as there’s still an audience for the tradwife, there’s also growing demand for creators who are honest with their viewers, both about who’s sponsoring their content and about the reality of motherhood. So as mindful sharenting takes more of a hold on internet culture, will mom-fluencing survive this? Probably. But it may have to change. Let’s close all these tabs. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Close All Tabs is a production of KQED studios and is reported and hosted by me, Morgan Sung. This episode was produced by Maya Cueva and edited by Chris Egusa, who also composed our theme song and credits music. The Close All Tabs team also includes editor, Chris Hambrick, and audio engineer, Brendan Willard. Additional music from APM, audience engagement support from Maha Sanad. Jen Chien is our director of podcasts and Ethan Toven-Lindsey is our editor in chief. Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco, Northern California, Local. This episode’s keyboard sounds were submitted by Alex Tran and recorded on his white Epomaker Hi75 keyboard with Fogruaden red samurai keycaps and Gateron milky yellow pro v2 switches. Thanks for listening. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>"
}
],
"link": "/news/12079067/the-secret-lives-of-mormon-momfluencers",
"authors": [
"11944",
"11943",
"11869",
"11832"
],
"programs": [
"news_35082"
],
"categories": [
"news_33520"
],
"tags": [
"news_34645",
"news_22973",
"news_35692",
"news_3137",
"news_34646",
"news_2637",
"news_1631"
],
"featImg": "news_12079071",
"label": "source_news_12079067"
},
"news_12078303": {
"type": "posts",
"id": "news_12078303",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12078303",
"score": null,
"sort": [
1775037658000
]
},
"guestAuthors": [],
"slug": "bee-movie-we-are-charlie-kirk-and-the-enduring-bait-and-switch-meme",
"title": "Bee Movie, \"We Are Charlie Kirk,\" and the Enduring Bait-and-Switch Meme",
"publishDate": 1775037658,
"format": "audio",
"headTitle": "Bee Movie, “We Are Charlie Kirk,” and the Enduring Bait-and-Switch Meme | KQED",
"labelTerm": {},
"content": "\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">According to all known laws of aviation, there is no way a bee \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">should be able to fly. Its wings are too small to get its fat little body off the ground. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">The bee, of course, flies anyway because bees don’t care what humans think is impossible.\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">In 2007, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> hit theaters with a strange plot and was considered a box office flop. Nearly two decades later, it’s somehow more relevant than ever, not because of the movie itself, but because of what happened next. The script became a meme, then a prank, then, eventually, a tool for protest.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">In this episode, host Morgan Sung traces the evolution of bait-and-switch memes, from early internet shock images to the rise of the “Never Gonna Give You Up” rickroll, all the way to TikTok-era pranks that burn out as quickly as they go viral. Along the way, she talks to \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">co-writer Spike Feresten about how the film\u003c/span>\u003cspan style=\"font-weight: 400\"> became an unlikely internet icon, and to digital rhetoric expert Bret Strauch about what makes a meme actually stick.\u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC1407643406\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guests:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.instagram.com/spikeferesten/\">\u003cspan style=\"font-weight: 400\">Spike Feresten\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, screenwriter and comedian\u003c/span>\u003c/li>\n\u003cli>\u003ca href=\"https://www.colorado.edu/pwr/bret-strauch-phd\">Bret Strauch\u003c/a>, assistant professor of digital media, University of Colorado Boulder\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Further Reading/Listening:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://docs.google.com/document/d/1ZdGGIT3fu0Pad9itT8HZMGkIwtYFQBS1vH5j21rN2Ns/edit?usp=sharing\">\u003cspan style=\"font-weight: 400\">Behind the scenes content\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> on the making of this episode!\u003c/span>\u003c/li>\n\u003cli>\u003ca href=\"https://www.wbur.org/endlessthread/2021/10/08/memes-never-gonna-give-you-up\">\u003cspan style=\"font-weight: 400\">MEMES, Part 3: Gotta make you understand\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Endless Thread\u003c/span>\u003c/li>\n\u003cli>\u003ca href=\"https://nymag.com/intelligencer/2017/11/a-complete-history-of-bee-movies-many-many-memes.html\">\u003cspan style=\"font-weight: 400\">A Complete History of Bee Movie’s Many, Many Memes\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Paris Martineau, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Intelligencer\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://gamerant.com/bee-movie-meme/\">\u003cspan style=\"font-weight: 400\">Why Did Bee Movie Become A Meme?\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Joshua Kristian McCoy, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">GameRant\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.polygon.com/23984032/josh-hutcherson-whistle-edit-meme-trend-explained/\">\u003cspan style=\"font-weight: 400\">The Josh Hutcherson ‘Whistle’ edit meme, explained\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Ana Diaz, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Polygon\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.themarysue.com/charlie-kirk-ai-song/\">‘His courage our own’: This Charlie Kirk tribute song is blowing up on Spotify. Was it made by a human—or AI?\u003c/a> — Braden Bjella, \u003ci>The Mary Sue\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">According to all known laws of aviation, there is no way a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway because bees don’t care what humans think is impossible.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Those are the iconic opening lines of the 2007 film \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. And the voice you heard reading those lines.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">My name is Spike Feresten. Is that really it? Is that what we wrote?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Spike is a comedian and screenwriter who’s worked on Seinfeld, written for David Letterman, hosted his own show, and co-wrote the one and only \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. You know, the one starring Jerry Seinfelt as a talking Bee.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio clip from Bee Movie] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Barry: I’m going out. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Adam: Out? Out where? \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Barry: Outside the hive. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Crowd: *Gasps*\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">What if the bees discovered the humans were taking their honey? That was one big idea that kind of unlocked a little bit of the plot, but the kind of larger idea was, what would happen if a bee didn’t want to just go into the honey business? Isn’t there, is there something more?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Hijinks ensue. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">is a surprisingly deep story about exploitation, uncompensated labor, the vital environmental role that bees play as pollinators, and what it takes to break out of society’s mold. That is, if society is a honeybee hive in Manhattan. Oh, and the bee kind of falls in love with a human woman. It’s a whole thing. Spike said that Steven Spielberg asked Jerry Seinfeld if he wanted to do an animated movie. And Jerry Seinfeld said,\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">“What about a movie about bees and we’ll call it Bee Movie.” And he went, “Sold!” It’s the shortest pitch in like film history. And then Jerry called us up the next day and said, I just sold a movie to Spielberg/Dreamworks Animation about bees. And we were like, what is it about? And he goes, that’s what we have to figure out. The very first thing we did was start reading about bees and we came across this fact. It was like, oh, this is kind of remarkable that these guys can’t fly in rain and that their bodies aren’t right and it’s hard for them to fly and everything in kind of fodder for, you know, the world of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">This was Jerry’s big comeback after Seinfeld, which had wrapped up about five years before development on \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> started. And the movie did well at the box office, but among film critics, it was a flop. Kids loved it, but it didn’t compare to the Shrek franchise or Ratatouille, which dominated early 2000s animation. The plot was weird. The jokes skewed more adult, and the whole romantic vibe between a human woman and a honeybee, maybe a bit too out there for the general public. Jerry even joked about it a couple years ago. Here he is on the Tonight Show:\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of Jerry Seinfeld on the Tonight Show] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">And I apologize for what seems to be a certain, uncomfortable, subtle, sexual aspect of the Bee Movie which really was not intentional. But after it came out, I realized, this is really not appropriate for children.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The world moved on. But today, almost 20 years later, Bee Movie is a cult classic. Because the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script itself has become one of the quintessential internet pranks. Annoyed with someone? Dump the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script in their comments. Protesting against the government’s anti-trans bathroom complaint forms? Spam the tip line with the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script. Here’s Spike again.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">We couldn’t quite understand, are they making fun of us, which is fine, or are they really celebrating us, or is it are they just taking our weird thing and doing weird things with it? There’s simple ideas like weaponized absurdity, you know, so when some horrible right-winger has got some sort of hotline to expose the trans community or something, and people just load in the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script. To us, like, that’s fantastic. We’re not even gonna engage you in conversation. We’re just gonna drop an absurdity bomb in there and just stop it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script remains a top-tier internet prank. It’s up there with Rickrolling. This is a genre known as bait-and-switch memes. The internet has changed drastically since the days of pranking people with “Never Gonna Give You Up.” And memes have changed, too. Imagine trying to explain today’s trends to someone in 2007. But what hasn’t changed about internet culture is the love of a good prank. The art of the bait-and-switch meme endures. It’s April Fool’s Day, so today, we’re diving into the evolution of these memes. And what makes a meme prank actually stick around. Ready?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">This is Close All Tabs. I’m Morgan Sung, tech journalist, and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Let’s get into it. Before we talk about what makes a good bait-and-switch meme, let’s get into where they even came from. For today’s internet history lesson, we’re going back in time, before TikTok, before Vine, may she rest in peace, and before YouTube, to an era when the internet was simpler and darker. Let’s open a new tab: the internet forum wild west. Dr. Bret Strauch teaches at the University of Colorado in Boulder, where he studies digital genres and digital writing, also known as the rhetoric of memes. He’s gonna break down what a bait-and-switch meme is at its core.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">Bait-and-switch memes are fairly simple, like when you look at it from a genre perspective, usually you have some sort of setup that is directing your expectation towards one thing and then it flips and subverts that expectation, once we either scroll down or click on something or jump to a new video, something to that effect.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What were the proto bait-and-switch memes like? Like before the Rickroll, where were they taking place? How did they work?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">In the analog era, before we get to our digital internet era, we have culture jammers and all they’re doing is taking a traditional sort of company advertisements and subverting them. So you would see something like, uh, Joe Camel, um, from the Camel cigarettes, but they would subvert the messaging, sort of pointing out some ideological problem or ethical problem. And so instead of Joe Camel they get an image using the camel likeness, but as Joe Chemo sort of pointing out the health effects of cigarettes.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The first internet forums have been around since the 70s and 80s. This culture of posting and messaging didn’t become widespread until the 90s. The early forums and chat rooms didn’t have anything close to the moderation and rules that we have on social media today. That’s when we started to see the first bait-and-switch memes.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I’ve seen people talk about the early internet forums of the late 90s, early 2000s as almost like. This unmoderated last frontier. We had an episode on political online history where we referred to that time period as “the bronze age of the internet.” Can you describe what this era of forums was like and what that meant for meme culture?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">I feel this early era so like we get like 4chan but there’s also other sites like somethingawful.com, rotten.com, (please don’t go to those sites) where a lot of this sort of proto-internet meme behavior is happening. And one of the things that we see in this early era is that it’s largely gate-kept in a way. We have a much smaller, more niche audience for these memes. And it’s usually driven through more, obviously, masculine sensibilities and sort of this gross-out culture. And there’s a little bit of a prank culture thing going on as well. We see a lot of shock sites. This is like earlier internet, like 2002, where people would send links to what essentially were just pornographic images as a form of hazing. And a lot people found this funny, but some people were also found it disturbing as well. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">One of these shock images, which we will not name here, involves…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">…a human orifice that is enlarged, so to speak, and usually we get sent like this file and people would click on it and then they would see this sort of grotesque image. Now, some people might laugh at that, but I think the people that found it funny were the people sending it, not necessarily the people receiving it in all cases. But also we see how like This fits this sort of frat boy gross out. Sort of community building, so to speak. I wouldn’t necessarily, it’s a community I’d want to be in, but it definitely has this sort of social function in those groups.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So how do we go from that horrific image macro that Brett tactfully described to the family-friendly wholesome rickroll? Let’s open a new tab: pranks in the age of YouTube.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Picture this, it’s 2007. You’re dressed in your most obscure band tee and skinniest skinny jeans, brand new Blackberry tucked in your back pocket. You’re on the family desktop, just made your first Facebook account. You’re scrolling through your feed, poking your friends, and you come across a post that says, “Grand Theft Auto 4 trailer just dropped, watch here.” You love GTA. You’ve been waiting for this. So you click it and…\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of “Never Gonna Give You Up” song] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Never gonna give you up. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Never gonna let you down. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Never gonna run around and desert you.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">You just got rickrolled. That’s exactly what happened to countless people that year. A teenager posted a link on 4chan claiming that it was a link to the highly anticipated trailer. When unsuspecting digital bystanders clicked it, they were surprised with a video of Rick Astley’s 1987 banger, “Never Gonna Give You Up.”\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of “Never Gonna Give You Up” song]\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Never gonna make you cry\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And so the rickroll was born.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">The change from sort of this gross out humor meme into something that’s more family friendly, I think comes along with the fact that internet platforms and social media platforms became much more accessible beyond sort of that initial niche computer nerd culture that we see. And so as part of ways in which the community functions, they wanna share. Like, if you receive it, it might be annoying, but I think at some point we find it funny. Where something that’s more gross out, that’s not going to have as much wide appeal.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And rickrolling really took off. The hacktivist collective Anonymous protested against the Church of Scientology by blasting “Never Gonna Give You Up” on boomboxes outside of their headquarters. Radiohead announced their new album and posted the download link, only to rickroll everyone. For April Fool’s Day in 2008, YouTube made all of the links on the site’s page lead to “Never Gonna Give You Up,” rickrolling the world. And then for the annual Macy’s Thanksgiving Parade that year, Rick Astley himself appeared on a float and performed what was, at the time, possibly the most widely televised rickroll in the world. Rickrolling was a cultural phenomenon. It was also the last time everyone was on the same internet, before we were siloed by algorithms.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">We’re still at a moment in our media landscape where we’re still sharing media. We have TV shows we’re all watching. We have broadcast television. And even though people can create and share their own content, we don’t see as many content creators and so a lot of the shared cultural texts we have helps build toward this moment where, hey, we can share this meme because people know the reference. We’re not all listening to our own Spotify playlists, right? We’re all consuming the shows that we want on Netflix. We have the shared culture, which helps sort of propagate the fact that we have a meme that’s sort of ubiquitous, at least in the Western hemisphere.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What was so appealing about the rickroll? Like, why did that work so well?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">Coming out of the 90s, there was a little bit of this 80s nostalgia, which we see building up in which now we see huge 80s nostalgia. There’s this sort of absurdity of the 80s era and its music that sort of plays into the absurdity of this internet prank, essentially.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And no other bait-and-switch meme from that early YouTube era took off the same way. There was the Trololo guy.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Singing]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s a clip of a Russian singer performing in the 70s. There was also You’ve Been Gnomed.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio of animated gnome character]\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">I’m gnot a gnelf!\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">I’m gnot a gnoblin! \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">I’m a gnome!\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Which was this video of an animated gnome laughing at the viewer while text flashes across the screen. It says, predictably…\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio of animated gnome character] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">And you’ve been gnomed!\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Both of these memes functioned like a rickroll. You click a link expecting one thing and, instead, you get another. But there was a historical framework for rickrolling. It was a huge 80s bop coming back around. The other memes lacked that, so they didn’t have the same cultural impact as rickrolling. By the early 2010s, a new challenger had arisen. This underlying media, as Bret put it, was ripe with meme material. Let’s talk about \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> after this break.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So what makes a good bait-and-switch meme? What makes that prank work so well? Obviously, we’re opening a new tab: \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and meme dada-ism. Memes were getting weirder, more absurd, and few memes defined the 2010s like \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio clip from Bee Movie] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Barry: How should I start it? You like jazz? No, that’s no good. Here she comes. Speak, you fool!\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of Jerry Seinfeld on the Tonight Show]\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Jerry Seinfeld: The bee seemed to have a thing for the girl. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Jimmy Fallon: Yeah \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Jerry Seinfeld: And we don’t really want to pursue that as an idea in children’s entertainment.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">That was Jerry Seinfeld on The Tonight Show, acknowledging the taboo interspecies romantic undertones in \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. Spike Feresten, the screenwriter who co-wrote the movie, got a kick out of writing the pairing.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">Here’s a funny anecdote from the room: so we were writing this in New York. You know, I was, I was doing a show in LA, but I would fly, you know, to New York every couple of weeks and we’d sit in this big room, Jerry’s office, and work on this. And to us, these characters were just two characters, it was just Barry and Vanessa. And then every once in a while we’d go, hey, that Barry’s a bee. He’s this big. So when you say they shake hands or they walk, you can’t, we can’t keep treating them like two characters who are friends, like Jerry and Elaine, which is kind of how we treated them. We were writing them like Jerry and Elaine forgetting about the size disparity and the species disparity. Yeah, and that’s kind of why it came out the way it came out.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The romance is just one of many absurd plot lines in the movie. Like, we’ve got bees going to human court to sue humanity for the exploitation of their labor. But the movie was way too ahead of its time. Critics hated it. It was marketed as a kids’ movie. And instead, it was this story about freeing the bees and seizing the means of production of honey and also toeing the line of bee-stiality. But that’s why it was such good meme material. Here’s Bret Strauch again.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">People, when they originally went to see the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, were expecting a kid’s Bug’s Life or Ants movie, and they got something much more serious. And so in a way, like the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is a bait and switch by itself. The trailers are selling it as sort of like a kid’s movie, but really there’s a lot more adult oriented content that people were not expecting. And so the fact that it sort of functioned as a bait-and-switch by itself made sense that people started using it as just a way to troll people.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Tumblr latched onto the movie starting in 2011, fawning over the film’s poetic opening lines.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio clip from Bee Movie] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Narrator: According to all known laws of aviation, there is no way that a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway, because bees don’t care what humans think is impossible.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Tumblr users were totally sincere about it, calling the lines inspirational. By 2013, the meme exploded. People were starting to realize how absurd the movie really was. Screenshots from the film became reaction memes. Edits of Seinfeld but with characters from \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> went super viral. And then there’s the fan fiction, which is still going today. I told Spike about it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So, there is a real moment on Tumblr with people kind of sincerely appreciating the dialog in \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and the narration. Then people kind-of ironically started posting the memes, which I’m sure you’ve seen. It broke containment, moved to Twitter, and then it reached the peak of virality, which is sexy fan fiction.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh, it did.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh, I’m sorry I’m breaking this to you.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">I don’t know about that. This is good.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Well, I am just going to read you a few tags from Archive of Our Own, from \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> fanfics that were written this like this year.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The tags include Vanessa X Barry, typical, Mega Mind X Barry Benson, Top Barry -Bottom Mega Mind, inter-species relationships, hive worship, and improper use of honey drizzler.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">[\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Laughter\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">]\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What do you make of the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> smut?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">Well, smut is a funny, funny word to use from the 50s: smut. Um, it, it kind of plays into what I would love to do. I mean, like, hypothetically, and this will never happen, but I want to do, uh, six sequels to \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> all as a series on Netflix or wherever, 40 minutes apiece, Bee 2, Bee 3, Bee 4 , Bee 5, Bee 6, Bee 7. A lot of time has gone by and we’re going to do our six sequels now. What you just described is one of the areas I really want to dive into, which is that relationship, not the smut, but the fun you could have with a bee dating a woman. I think there’s a lot of comedy there and I think the world has changed and I think you could write that in a way that’s not smut but it also kind of celebrates what the world has done with this and, you know, I don’t think we would go as far as South Park, but kind of do our version of maybe a South Parkian take on \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, because I love their relationship. I love that friendship. And I wonder what those conversations would be like should they explore the idea of dating.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. I mean, look, if you ever need a writer’s room, there’s a bunch of people in Archive of Our Own who have already written some scenarios.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">I think that’s cool. No, that’s great. I mean, like any other stuff, you know, you put it out into the world and the world can do with it what it wants. That’s what’s nice about it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">In 2013, a Facebook user posted the entire script on someone else’s Facebook wall. That was the start of the bait-and-switch\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script. For the next few years, you might unwittingly open a link to a comment or post only for your phone to freeze and crash because it’s trying to load the entire \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script. It was like a more devious Rickroll. It wreaked havoc across the internet. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Group chats were bombarded with the 9,000-word wall of text. Any email with an urgent subject line could just contain the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script. It even moved offline. One college student pranked his classmates by spending 12 hours writing out the entire script on a chalkboard. The coolest kids in 2016 wore T-shirts printed with the entire strip. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">The meme did eventually slow down though. Phones got better and became capable of loading the whole script. Like rickrolling, surprising your friends with 131 pages of dialogue got old. But then the script was weaponized, again, as a form of protest. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">In 2021, Texas passed the Heartbeat Act, which effectively banned abortion after six weeks. The law allowed anyone to sue abortion providers and individuals who sought abortions after the six-week limit. The organization, Texas Right to Life, set up an anonymous tip site to report anyone who violated the Heart Beat Act. To protest TikTok users spammed the site with Shrek porn, lurid fan fiction, and the one and only \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script. Protesters did it again when Missouri opened an online forum to report clinics that provide gender-affirming care. And then, again, when Indiana’s attorney general launched a forum to support schools that teach gender ideology. And then again, when the Trump administration partnered with a far-right group to report schools that had DEI efforts. Any time the government or an organization working with it opens some kind of citizen surveillance tool, it’s a target for \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script dumps. Spike and other \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> writers are big fans of this practice.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh, we love it, absolutely love it. It gets passed around, you know, that it’s doing something good for the world, it always makes you feel good. And that we don’t have to be any part of it, that someone’s taking it and just disrupting, like I said, dropping an absurdity bomb on some bad cause. That just makes you feel good. Do it as much as you want. If I can help you, I will help in whatever way, but you’re doing a fine job by yourself.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s funny because back in 2017, for the 10-year anniversary of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, New York Mag wrote this extensive history of the meme and traced the rise and fall of it. And back then, it was like, okay, there was a good year of no \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> memes. And they questioned whether the meme was dead. That was almost 10 years ago. And the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script keeps coming back. The meme has evolved so much, but the core of it is still the script, the dialogue. Why do you think it survives?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">I think it’s the writing. I think its the weirdness. You know, it’s funny. That movie was out of sync with culture in 2006 and I think still is out of synch with kind of cultural norms in a way.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">uh bee- human, you know…\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yeah, I know, but it’s still kind of hard to wrap your head around that. You know what I mean? I mean i don’t think anybody really thinks about dating a bee, so I don’t think there has been… and we like bees. To us, the bees are, you know, when you think about the planet, keeping the planet healthy, the bees are one of our canaries in the coal mine, if you will, like, how the bee is doing? I don’t know if you do this, but when you see a bee, kind of, dying on the sidewalk, don’t you get nervous. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh yeah I’m like, let me help it, yeah.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">Well, is this global warming? What is doing this? So we have this special reverence for this insect that stings us occasionally, but still we like them a lot because they make this very sweet, gooey substance that we enjoy putting in our teas. But again, it’s not for me or us to say, it’s you’d have to ask the people who love this movie what they love about it. We’re just the people that put it out.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script is the gift that keeps on giving. But other bait-and-switch memes have also blown up. And unlike the trusty rickroll or the evergreen \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, this new generation of internet pranks blow up fast and burn out quickly. They don’t last. Let’s get into that in one last tab: the short form vertical video revolution. Before the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script was weaponized for protest the way that it is today, it had kind of peaked by 2016. And a slew of bait-and-switch memes cycled in and out of relevance. The primary force behind this rapid-fire meme lifespan? TikTok. In 2020, we had Get Stick Bugged. Watching a Minecraft compilation? Surprise, it cuts to a clip of a dancing stick bug.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Funky music playing\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">]\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">But that fizzled out by the end of the year. In 2022, TikTok users lured viewers in with videos about juicy celebrity gossip. And then…\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio from Moulin Rouge movie] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Gitchi Gitchi ya ya da da\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">…you got krissed! It’s a clip of Kris Jenner shimmying in this sequined shirt and bow tie set to a sped up version of “Lady Marmalade” from Moulin Rouge. The Cut said that “getting krissed” is the natural evolution of rickrolling. And then in 2023, we had the Josh Hutcherson whistle edits. Here’s one of my favorite ones. It’s video from inside a plane. The caption says, “Guys, the view is incredible!” The video pans to the closed window, and a hand reaches out to open the shade. And then…[music playing] The view through the window is just a closeup of Josh Hutcherson’s face from a 2014 fan edit set to a cover of Flo Rida’s “Whistle.” Polygon said that this trend was TikTok’s rickroll. And then at the end of last year, another rickroll successor blew up.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of “We Are Charlie Kirk Song”] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">We are Charlie Kirk, we carry…\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">That is an AI-generated ballad about Charlie Kirk, which was first posted to YouTube and streaming platforms days after his death. It’s total AI slop, but unfortunately, very catchy. Like the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script, it went viral at first out of sincerity. People listened to it as a tribute to Charlie Kirk. And then it became a meme. We’re talking remixes, Mongolian throat singing covers.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of “We Are Charlie Kirk Song”] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">We are Charlie Kirk. We carry the flame. We fight for the…\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And of course, pranks, like connecting to public bluetooth speakers and blasting cowbell dance remixes of “We Are Charlie Kirk.”\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio of “We Are Charlie Kirk” playing over loud speaker]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Here’s Bret’s take.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">All of them, it’s clear that there’s some sort of musical component people can latch onto and all the music itself is sort of absurd or ridiculous in a way. Whether it’s been altered and sped up like the we-are-krissed” or just sort of that funky beat that you’ve-been-stick-bugged has, especially like with the “We are Charlie Kirk.” There’s more levels of absurdity being that it was AI written. So this pathos is literally being manufactured. It’s not something that’s like, necessarily human-generated like emotion being generated, and so it just makes it rife for this type of inversion or subversion.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. We just speed ran so many trends, and none of them really lasted more than six months. Maybe the Charlie Kirk one will last longer because of the current state of the world, but generally, why is the turnover rate for memes so high now?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">I think there’s a few reasons for this. The first is just the media context and media environment. We’re not sharing the same stuff that we did as a culture. It’s much more small niche cultures where these things are spreading. Another element to this that I believe is important is that it’s easier to create these than it was 15, 20 years ago. And so now more are being created. And so they’re essentially eating themselves out of existence. Um, so as soon as a new mean comes out, um, at least in the early mid 2000s, it stuck around because it took a little bit more technological know-how. You didn’t have the production software and access to it that you do now.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I noticed that almost all bait-and-switch meme trends are on TikTok now, maybe Reels. But no one is pulling off a rickroll with YouTube anymore. I saw a video of someone rickrolling their friend by sending a TikTok link, which me makes me wonder, did YouTube ads ruin the rickroll? Kind of spoils the surprise.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">I mean, YouTube ads ruin everything. For humor to work, timing is critical, right? And so those ads really disrupt like the genre of humor that’s happening.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Would the original rickroll work with modern content consumption habits? When we consume content, it’s a lot of times happening passively to us, algorithmically served, instead of us like actively seeking it out or actually clicking links.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">I don’t think so. We need that interaction, I think, for the rickroll to be successful. And it feels like at least it was another person presenting this to us. And now it’s sort of the algorithm is serving it up to a plate on us and we’re not finding these things. And so I think what makes a lot of media content special, whether it’s memes, movies, songs, is it’s stuff that we find, not that someone else or something else finds for us. And so… innately, there’s going to be less meaning for a lot of that.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The meme turnover rate is so high that no internet prank really sticks around long enough to rival or recreate the magic of the rickroll. The very format of the rickroll is limiting, especially in today’s digital landscape. Even rickrolling itself is difficult to pull off today because internet habits have changed. But what has endured as a prank is the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">script. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">I have this take and it’s that the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script is the ultimate bait-and-switch because it’s purely text. There’s no image macro, there’s no video lead-in with ads or that you have to wait to load to ruin the prank. The joke itself is so malleable. It can be dumped in comment sections, in government tip lines or turned into an image macro and then deep fried, or just read by that TikTok AI voice in 2X speed, which makes it funnier. Do you have any thoughts on this, the flexibility of this meme?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">Well, that’s why I think we see certain memes that at least are being iterated and changed upon more, and some that don’t seem to change as much. And so with it being all text, it’s really easy to adapt all text to different formats. I think my favorite of the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script ones is where they do the crawl from Star Wars, and we get the intro to the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. And so the easier that it is to manipulate that initial form of media, like, so text is super easy, makes it much easier to put it into different places, different platforms and distribute it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> came out nearly 20 years ago. Script dumping started in 2013. Last year, 12 years after that Facebook user posted the entire script on someone else’s wall, the DOGE-led government HR email was pelted with \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> scripts. At the request of Elon Musk, all federal employees were asked to email the Office of Personnel Management with five tasks they accomplished that week. On x, Musk posted, “Failure to respond will be taken as a resignation.” The email leaked online, and internet users responded on behalf of federal employees with pages and pages of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> dialog. Spike was thrilled.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s pretty exciting that anybody’s even talking about it. Really! I mean, you have to look at it, we look at that way. I think that people are still talking about this movie from what 2006 that we made, you know, in that way and that it, that it has these second and third lives. You know, we get excited that people still watching that movie and enjoying it. Like, it’s flattering. That’s the only way to really put it that this movie hasn’t been forgotten. It hasn’t disappeared into a canyon of content and gone forever, that it comes up over and over again in generally a good way. And, you know, if people are making fun of it, that’s fine, too. That’s what we do. We make fun of things you can make fun of us. Go ahead.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">You heard Spike, go forth and prank. Let’s close all these tabs.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>Close All Tabs is a production of KQED Studios and is reported and hosted by me, Morgan Sung.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>This episode was produced by our senior editor, Chris Egusa, who also composed our theme song and credits music. It was edited by Chris Hambrick. Our team includes producer Maya Cueva, additional music by APM. Brendan Willard is our audio engineer, audience engagement support from Maha Sanad. Jen Chien is KQED’s Director of Podcasts and Ethan Toven-Lindsey is our Editor-in-Chief.\u003c/p>\n\u003cp>Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco Northern California Local.\u003c/p>\n\u003cp>Keyboard sounds were recorded on my purple and pink dust silver K84 wired mechanical keyboard with Gateron red switches. Okay, and I know it’s a podcast cliche, but if you like these deep dives and want us to keep making more, it would really help us out if you could rate and review us on Spotify, Apple Podcasts, or wherever you listen to the show.\u003c/p>\n\u003cp>Email us at closealltabs@kqed.org. Follow us on Instagram @CloseAllTabsPod or TikTok @CloseallTabs. And join our Discord. We’re in the Close All tabs channel at discord.gg/kqed.\u003c/p>\n\u003cp>Thanks for listening.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "Morgan Sung traces the evolution of bait-and-switch memes, from the Rickroll to the Bee Movie script dump.",
"status": "publish",
"parent": 0,
"modified": 1775616372,
"stats": {
"hasAudio": true,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 108,
"wordCount": 6687
},
"headData": {
"title": "Bee Movie, \"We Are Charlie Kirk,\" and the Enduring Bait-and-Switch Meme | KQED",
"description": "In 2007, Bee Movie hit theaters with a strange plot and was considered a box office flop. Nearly two decades later, it’s somehow more relevant than ever, not because of the movie itself, but because of what happened next. The script became a meme, then a prank, then, eventually, a tool for protest.In this episode, host Morgan Sung traces the evolution of bait-and-switch memes, from early internet shock images to the rise of the “Never Gonna Give You Up” rickroll, all the way to TikTok-era pranks that burn out as quickly as they go viral. Along the way, she talks to Bee Movie co-writer Spike Feresten about how the filmBee Movie became an unlikely internet icon, and to digital rhetoric expert Bret Strauch about what makes a meme actually stick.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"socialDescription": "In 2007, Bee Movie hit theaters with a strange plot and was considered a box office flop. Nearly two decades later, it’s somehow more relevant than ever, not because of the movie itself, but because of what happened next. The script became a meme, then a prank, then, eventually, a tool for protest.In this episode, host Morgan Sung traces the evolution of bait-and-switch memes, from early internet shock images to the rise of the “Never Gonna Give You Up” rickroll, all the way to TikTok-era pranks that burn out as quickly as they go viral. Along the way, she talks to Bee Movie co-writer Spike Feresten about how the filmBee Movie became an unlikely internet icon, and to digital rhetoric expert Bret Strauch about what makes a meme actually stick.",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "Bee Movie, \"We Are Charlie Kirk,\" and the Enduring Bait-and-Switch Meme",
"datePublished": "2026-04-01T03:00:58-07:00",
"dateModified": "2026-04-07T19:46:12-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"primaryCategory": {
"termId": 33520,
"slug": "podcast",
"name": "Podcast"
},
"source": "Close All Tabs",
"sourceUrl": "https://www.kqed.org/podcasts/closealltabs",
"audioUrl": "https://traffic.megaphone.fm/KQINC1407643406.mp3",
"sticky": false,
"nprStoryId": "kqed-12078303",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/news/12078303/bee-movie-we-are-charlie-kirk-and-the-enduring-bait-and-switch-meme",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">According to all known laws of aviation, there is no way a bee \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">should be able to fly. Its wings are too small to get its fat little body off the ground. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">The bee, of course, flies anyway because bees don’t care what humans think is impossible.\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">In 2007, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> hit theaters with a strange plot and was considered a box office flop. Nearly two decades later, it’s somehow more relevant than ever, not because of the movie itself, but because of what happened next. The script became a meme, then a prank, then, eventually, a tool for protest.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">In this episode, host Morgan Sung traces the evolution of bait-and-switch memes, from early internet shock images to the rise of the “Never Gonna Give You Up” rickroll, all the way to TikTok-era pranks that burn out as quickly as they go viral. Along the way, she talks to \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">co-writer Spike Feresten about how the film\u003c/span>\u003cspan style=\"font-weight: 400\"> became an unlikely internet icon, and to digital rhetoric expert Bret Strauch about what makes a meme actually stick.\u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC1407643406\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guests:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.instagram.com/spikeferesten/\">\u003cspan style=\"font-weight: 400\">Spike Feresten\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, screenwriter and comedian\u003c/span>\u003c/li>\n\u003cli>\u003ca href=\"https://www.colorado.edu/pwr/bret-strauch-phd\">Bret Strauch\u003c/a>, assistant professor of digital media, University of Colorado Boulder\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Further Reading/Listening:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://docs.google.com/document/d/1ZdGGIT3fu0Pad9itT8HZMGkIwtYFQBS1vH5j21rN2Ns/edit?usp=sharing\">\u003cspan style=\"font-weight: 400\">Behind the scenes content\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> on the making of this episode!\u003c/span>\u003c/li>\n\u003cli>\u003ca href=\"https://www.wbur.org/endlessthread/2021/10/08/memes-never-gonna-give-you-up\">\u003cspan style=\"font-weight: 400\">MEMES, Part 3: Gotta make you understand\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Endless Thread\u003c/span>\u003c/li>\n\u003cli>\u003ca href=\"https://nymag.com/intelligencer/2017/11/a-complete-history-of-bee-movies-many-many-memes.html\">\u003cspan style=\"font-weight: 400\">A Complete History of Bee Movie’s Many, Many Memes\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Paris Martineau, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Intelligencer\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://gamerant.com/bee-movie-meme/\">\u003cspan style=\"font-weight: 400\">Why Did Bee Movie Become A Meme?\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Joshua Kristian McCoy, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">GameRant\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.polygon.com/23984032/josh-hutcherson-whistle-edit-meme-trend-explained/\">\u003cspan style=\"font-weight: 400\">The Josh Hutcherson ‘Whistle’ edit meme, explained\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Ana Diaz, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Polygon\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.themarysue.com/charlie-kirk-ai-song/\">‘His courage our own’: This Charlie Kirk tribute song is blowing up on Spotify. Was it made by a human—or AI?\u003c/a> — Braden Bjella, \u003ci>The Mary Sue\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-content post-body\">\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">According to all known laws of aviation, there is no way a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway because bees don’t care what humans think is impossible.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Those are the iconic opening lines of the 2007 film \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. And the voice you heard reading those lines.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">My name is Spike Feresten. Is that really it? Is that what we wrote?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Spike is a comedian and screenwriter who’s worked on Seinfeld, written for David Letterman, hosted his own show, and co-wrote the one and only \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. You know, the one starring Jerry Seinfelt as a talking Bee.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio clip from Bee Movie] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Barry: I’m going out. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Adam: Out? Out where? \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Barry: Outside the hive. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Crowd: *Gasps*\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">What if the bees discovered the humans were taking their honey? That was one big idea that kind of unlocked a little bit of the plot, but the kind of larger idea was, what would happen if a bee didn’t want to just go into the honey business? Isn’t there, is there something more?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Hijinks ensue. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">is a surprisingly deep story about exploitation, uncompensated labor, the vital environmental role that bees play as pollinators, and what it takes to break out of society’s mold. That is, if society is a honeybee hive in Manhattan. Oh, and the bee kind of falls in love with a human woman. It’s a whole thing. Spike said that Steven Spielberg asked Jerry Seinfeld if he wanted to do an animated movie. And Jerry Seinfeld said,\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">“What about a movie about bees and we’ll call it Bee Movie.” And he went, “Sold!” It’s the shortest pitch in like film history. And then Jerry called us up the next day and said, I just sold a movie to Spielberg/Dreamworks Animation about bees. And we were like, what is it about? And he goes, that’s what we have to figure out. The very first thing we did was start reading about bees and we came across this fact. It was like, oh, this is kind of remarkable that these guys can’t fly in rain and that their bodies aren’t right and it’s hard for them to fly and everything in kind of fodder for, you know, the world of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">This was Jerry’s big comeback after Seinfeld, which had wrapped up about five years before development on \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> started. And the movie did well at the box office, but among film critics, it was a flop. Kids loved it, but it didn’t compare to the Shrek franchise or Ratatouille, which dominated early 2000s animation. The plot was weird. The jokes skewed more adult, and the whole romantic vibe between a human woman and a honeybee, maybe a bit too out there for the general public. Jerry even joked about it a couple years ago. Here he is on the Tonight Show:\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of Jerry Seinfeld on the Tonight Show] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">And I apologize for what seems to be a certain, uncomfortable, subtle, sexual aspect of the Bee Movie which really was not intentional. But after it came out, I realized, this is really not appropriate for children.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The world moved on. But today, almost 20 years later, Bee Movie is a cult classic. Because the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script itself has become one of the quintessential internet pranks. Annoyed with someone? Dump the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script in their comments. Protesting against the government’s anti-trans bathroom complaint forms? Spam the tip line with the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script. Here’s Spike again.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">We couldn’t quite understand, are they making fun of us, which is fine, or are they really celebrating us, or is it are they just taking our weird thing and doing weird things with it? There’s simple ideas like weaponized absurdity, you know, so when some horrible right-winger has got some sort of hotline to expose the trans community or something, and people just load in the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script. To us, like, that’s fantastic. We’re not even gonna engage you in conversation. We’re just gonna drop an absurdity bomb in there and just stop it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script remains a top-tier internet prank. It’s up there with Rickrolling. This is a genre known as bait-and-switch memes. The internet has changed drastically since the days of pranking people with “Never Gonna Give You Up.” And memes have changed, too. Imagine trying to explain today’s trends to someone in 2007. But what hasn’t changed about internet culture is the love of a good prank. The art of the bait-and-switch meme endures. It’s April Fool’s Day, so today, we’re diving into the evolution of these memes. And what makes a meme prank actually stick around. Ready?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">This is Close All Tabs. I’m Morgan Sung, tech journalist, and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Let’s get into it. Before we talk about what makes a good bait-and-switch meme, let’s get into where they even came from. For today’s internet history lesson, we’re going back in time, before TikTok, before Vine, may she rest in peace, and before YouTube, to an era when the internet was simpler and darker. Let’s open a new tab: the internet forum wild west. Dr. Bret Strauch teaches at the University of Colorado in Boulder, where he studies digital genres and digital writing, also known as the rhetoric of memes. He’s gonna break down what a bait-and-switch meme is at its core.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">Bait-and-switch memes are fairly simple, like when you look at it from a genre perspective, usually you have some sort of setup that is directing your expectation towards one thing and then it flips and subverts that expectation, once we either scroll down or click on something or jump to a new video, something to that effect.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What were the proto bait-and-switch memes like? Like before the Rickroll, where were they taking place? How did they work?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">In the analog era, before we get to our digital internet era, we have culture jammers and all they’re doing is taking a traditional sort of company advertisements and subverting them. So you would see something like, uh, Joe Camel, um, from the Camel cigarettes, but they would subvert the messaging, sort of pointing out some ideological problem or ethical problem. And so instead of Joe Camel they get an image using the camel likeness, but as Joe Chemo sort of pointing out the health effects of cigarettes.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The first internet forums have been around since the 70s and 80s. This culture of posting and messaging didn’t become widespread until the 90s. The early forums and chat rooms didn’t have anything close to the moderation and rules that we have on social media today. That’s when we started to see the first bait-and-switch memes.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I’ve seen people talk about the early internet forums of the late 90s, early 2000s as almost like. This unmoderated last frontier. We had an episode on political online history where we referred to that time period as “the bronze age of the internet.” Can you describe what this era of forums was like and what that meant for meme culture?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">I feel this early era so like we get like 4chan but there’s also other sites like somethingawful.com, rotten.com, (please don’t go to those sites) where a lot of this sort of proto-internet meme behavior is happening. And one of the things that we see in this early era is that it’s largely gate-kept in a way. We have a much smaller, more niche audience for these memes. And it’s usually driven through more, obviously, masculine sensibilities and sort of this gross-out culture. And there’s a little bit of a prank culture thing going on as well. We see a lot of shock sites. This is like earlier internet, like 2002, where people would send links to what essentially were just pornographic images as a form of hazing. And a lot people found this funny, but some people were also found it disturbing as well. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">One of these shock images, which we will not name here, involves…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">…a human orifice that is enlarged, so to speak, and usually we get sent like this file and people would click on it and then they would see this sort of grotesque image. Now, some people might laugh at that, but I think the people that found it funny were the people sending it, not necessarily the people receiving it in all cases. But also we see how like This fits this sort of frat boy gross out. Sort of community building, so to speak. I wouldn’t necessarily, it’s a community I’d want to be in, but it definitely has this sort of social function in those groups.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So how do we go from that horrific image macro that Brett tactfully described to the family-friendly wholesome rickroll? Let’s open a new tab: pranks in the age of YouTube.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Picture this, it’s 2007. You’re dressed in your most obscure band tee and skinniest skinny jeans, brand new Blackberry tucked in your back pocket. You’re on the family desktop, just made your first Facebook account. You’re scrolling through your feed, poking your friends, and you come across a post that says, “Grand Theft Auto 4 trailer just dropped, watch here.” You love GTA. You’ve been waiting for this. So you click it and…\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of “Never Gonna Give You Up” song] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Never gonna give you up. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Never gonna let you down. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Never gonna run around and desert you.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">You just got rickrolled. That’s exactly what happened to countless people that year. A teenager posted a link on 4chan claiming that it was a link to the highly anticipated trailer. When unsuspecting digital bystanders clicked it, they were surprised with a video of Rick Astley’s 1987 banger, “Never Gonna Give You Up.”\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of “Never Gonna Give You Up” song]\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Never gonna make you cry\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And so the rickroll was born.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">The change from sort of this gross out humor meme into something that’s more family friendly, I think comes along with the fact that internet platforms and social media platforms became much more accessible beyond sort of that initial niche computer nerd culture that we see. And so as part of ways in which the community functions, they wanna share. Like, if you receive it, it might be annoying, but I think at some point we find it funny. Where something that’s more gross out, that’s not going to have as much wide appeal.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And rickrolling really took off. The hacktivist collective Anonymous protested against the Church of Scientology by blasting “Never Gonna Give You Up” on boomboxes outside of their headquarters. Radiohead announced their new album and posted the download link, only to rickroll everyone. For April Fool’s Day in 2008, YouTube made all of the links on the site’s page lead to “Never Gonna Give You Up,” rickrolling the world. And then for the annual Macy’s Thanksgiving Parade that year, Rick Astley himself appeared on a float and performed what was, at the time, possibly the most widely televised rickroll in the world. Rickrolling was a cultural phenomenon. It was also the last time everyone was on the same internet, before we were siloed by algorithms.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">We’re still at a moment in our media landscape where we’re still sharing media. We have TV shows we’re all watching. We have broadcast television. And even though people can create and share their own content, we don’t see as many content creators and so a lot of the shared cultural texts we have helps build toward this moment where, hey, we can share this meme because people know the reference. We’re not all listening to our own Spotify playlists, right? We’re all consuming the shows that we want on Netflix. We have the shared culture, which helps sort of propagate the fact that we have a meme that’s sort of ubiquitous, at least in the Western hemisphere.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What was so appealing about the rickroll? Like, why did that work so well?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">Coming out of the 90s, there was a little bit of this 80s nostalgia, which we see building up in which now we see huge 80s nostalgia. There’s this sort of absurdity of the 80s era and its music that sort of plays into the absurdity of this internet prank, essentially.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And no other bait-and-switch meme from that early YouTube era took off the same way. There was the Trololo guy.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Singing]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s a clip of a Russian singer performing in the 70s. There was also You’ve Been Gnomed.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio of animated gnome character]\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">I’m gnot a gnelf!\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">I’m gnot a gnoblin! \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">I’m a gnome!\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Which was this video of an animated gnome laughing at the viewer while text flashes across the screen. It says, predictably…\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio of animated gnome character] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">And you’ve been gnomed!\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Both of these memes functioned like a rickroll. You click a link expecting one thing and, instead, you get another. But there was a historical framework for rickrolling. It was a huge 80s bop coming back around. The other memes lacked that, so they didn’t have the same cultural impact as rickrolling. By the early 2010s, a new challenger had arisen. This underlying media, as Bret put it, was ripe with meme material. Let’s talk about \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> after this break.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So what makes a good bait-and-switch meme? What makes that prank work so well? Obviously, we’re opening a new tab: \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and meme dada-ism. Memes were getting weirder, more absurd, and few memes defined the 2010s like \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio clip from Bee Movie] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Barry: How should I start it? You like jazz? No, that’s no good. Here she comes. Speak, you fool!\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of Jerry Seinfeld on the Tonight Show]\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Jerry Seinfeld: The bee seemed to have a thing for the girl. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Jimmy Fallon: Yeah \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Jerry Seinfeld: And we don’t really want to pursue that as an idea in children’s entertainment.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">That was Jerry Seinfeld on The Tonight Show, acknowledging the taboo interspecies romantic undertones in \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. Spike Feresten, the screenwriter who co-wrote the movie, got a kick out of writing the pairing.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">Here’s a funny anecdote from the room: so we were writing this in New York. You know, I was, I was doing a show in LA, but I would fly, you know, to New York every couple of weeks and we’d sit in this big room, Jerry’s office, and work on this. And to us, these characters were just two characters, it was just Barry and Vanessa. And then every once in a while we’d go, hey, that Barry’s a bee. He’s this big. So when you say they shake hands or they walk, you can’t, we can’t keep treating them like two characters who are friends, like Jerry and Elaine, which is kind of how we treated them. We were writing them like Jerry and Elaine forgetting about the size disparity and the species disparity. Yeah, and that’s kind of why it came out the way it came out.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The romance is just one of many absurd plot lines in the movie. Like, we’ve got bees going to human court to sue humanity for the exploitation of their labor. But the movie was way too ahead of its time. Critics hated it. It was marketed as a kids’ movie. And instead, it was this story about freeing the bees and seizing the means of production of honey and also toeing the line of bee-stiality. But that’s why it was such good meme material. Here’s Bret Strauch again.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">People, when they originally went to see the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, were expecting a kid’s Bug’s Life or Ants movie, and they got something much more serious. And so in a way, like the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is a bait and switch by itself. The trailers are selling it as sort of like a kid’s movie, but really there’s a lot more adult oriented content that people were not expecting. And so the fact that it sort of functioned as a bait-and-switch by itself made sense that people started using it as just a way to troll people.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Tumblr latched onto the movie starting in 2011, fawning over the film’s poetic opening lines.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio clip from Bee Movie] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Narrator: According to all known laws of aviation, there is no way that a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway, because bees don’t care what humans think is impossible.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Tumblr users were totally sincere about it, calling the lines inspirational. By 2013, the meme exploded. People were starting to realize how absurd the movie really was. Screenshots from the film became reaction memes. Edits of Seinfeld but with characters from \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> went super viral. And then there’s the fan fiction, which is still going today. I told Spike about it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So, there is a real moment on Tumblr with people kind of sincerely appreciating the dialog in \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and the narration. Then people kind-of ironically started posting the memes, which I’m sure you’ve seen. It broke containment, moved to Twitter, and then it reached the peak of virality, which is sexy fan fiction.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh, it did.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh, I’m sorry I’m breaking this to you.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">I don’t know about that. This is good.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Well, I am just going to read you a few tags from Archive of Our Own, from \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> fanfics that were written this like this year.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The tags include Vanessa X Barry, typical, Mega Mind X Barry Benson, Top Barry -Bottom Mega Mind, inter-species relationships, hive worship, and improper use of honey drizzler.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">[\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Laughter\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">]\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What do you make of the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> smut?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">Well, smut is a funny, funny word to use from the 50s: smut. Um, it, it kind of plays into what I would love to do. I mean, like, hypothetically, and this will never happen, but I want to do, uh, six sequels to \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> all as a series on Netflix or wherever, 40 minutes apiece, Bee 2, Bee 3, Bee 4 , Bee 5, Bee 6, Bee 7. A lot of time has gone by and we’re going to do our six sequels now. What you just described is one of the areas I really want to dive into, which is that relationship, not the smut, but the fun you could have with a bee dating a woman. I think there’s a lot of comedy there and I think the world has changed and I think you could write that in a way that’s not smut but it also kind of celebrates what the world has done with this and, you know, I don’t think we would go as far as South Park, but kind of do our version of maybe a South Parkian take on \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, because I love their relationship. I love that friendship. And I wonder what those conversations would be like should they explore the idea of dating.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. I mean, look, if you ever need a writer’s room, there’s a bunch of people in Archive of Our Own who have already written some scenarios.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">I think that’s cool. No, that’s great. I mean, like any other stuff, you know, you put it out into the world and the world can do with it what it wants. That’s what’s nice about it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">In 2013, a Facebook user posted the entire script on someone else’s Facebook wall. That was the start of the bait-and-switch\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script. For the next few years, you might unwittingly open a link to a comment or post only for your phone to freeze and crash because it’s trying to load the entire \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script. It was like a more devious Rickroll. It wreaked havoc across the internet. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Group chats were bombarded with the 9,000-word wall of text. Any email with an urgent subject line could just contain the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script. It even moved offline. One college student pranked his classmates by spending 12 hours writing out the entire script on a chalkboard. The coolest kids in 2016 wore T-shirts printed with the entire strip. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">The meme did eventually slow down though. Phones got better and became capable of loading the whole script. Like rickrolling, surprising your friends with 131 pages of dialogue got old. But then the script was weaponized, again, as a form of protest. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">In 2021, Texas passed the Heartbeat Act, which effectively banned abortion after six weeks. The law allowed anyone to sue abortion providers and individuals who sought abortions after the six-week limit. The organization, Texas Right to Life, set up an anonymous tip site to report anyone who violated the Heart Beat Act. To protest TikTok users spammed the site with Shrek porn, lurid fan fiction, and the one and only \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script. Protesters did it again when Missouri opened an online forum to report clinics that provide gender-affirming care. And then, again, when Indiana’s attorney general launched a forum to support schools that teach gender ideology. And then again, when the Trump administration partnered with a far-right group to report schools that had DEI efforts. Any time the government or an organization working with it opens some kind of citizen surveillance tool, it’s a target for \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script dumps. Spike and other \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> writers are big fans of this practice.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh, we love it, absolutely love it. It gets passed around, you know, that it’s doing something good for the world, it always makes you feel good. And that we don’t have to be any part of it, that someone’s taking it and just disrupting, like I said, dropping an absurdity bomb on some bad cause. That just makes you feel good. Do it as much as you want. If I can help you, I will help in whatever way, but you’re doing a fine job by yourself.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s funny because back in 2017, for the 10-year anniversary of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, New York Mag wrote this extensive history of the meme and traced the rise and fall of it. And back then, it was like, okay, there was a good year of no \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> memes. And they questioned whether the meme was dead. That was almost 10 years ago. And the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script keeps coming back. The meme has evolved so much, but the core of it is still the script, the dialogue. Why do you think it survives?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">I think it’s the writing. I think its the weirdness. You know, it’s funny. That movie was out of sync with culture in 2006 and I think still is out of synch with kind of cultural norms in a way.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">uh bee- human, you know…\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yeah, I know, but it’s still kind of hard to wrap your head around that. You know what I mean? I mean i don’t think anybody really thinks about dating a bee, so I don’t think there has been… and we like bees. To us, the bees are, you know, when you think about the planet, keeping the planet healthy, the bees are one of our canaries in the coal mine, if you will, like, how the bee is doing? I don’t know if you do this, but when you see a bee, kind of, dying on the sidewalk, don’t you get nervous. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh yeah I’m like, let me help it, yeah.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">Well, is this global warming? What is doing this? So we have this special reverence for this insect that stings us occasionally, but still we like them a lot because they make this very sweet, gooey substance that we enjoy putting in our teas. But again, it’s not for me or us to say, it’s you’d have to ask the people who love this movie what they love about it. We’re just the people that put it out.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script is the gift that keeps on giving. But other bait-and-switch memes have also blown up. And unlike the trusty rickroll or the evergreen \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, this new generation of internet pranks blow up fast and burn out quickly. They don’t last. Let’s get into that in one last tab: the short form vertical video revolution. Before the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script was weaponized for protest the way that it is today, it had kind of peaked by 2016. And a slew of bait-and-switch memes cycled in and out of relevance. The primary force behind this rapid-fire meme lifespan? TikTok. In 2020, we had Get Stick Bugged. Watching a Minecraft compilation? Surprise, it cuts to a clip of a dancing stick bug.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Funky music playing\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">]\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">But that fizzled out by the end of the year. In 2022, TikTok users lured viewers in with videos about juicy celebrity gossip. And then…\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio from Moulin Rouge movie] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Gitchi Gitchi ya ya da da\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">…you got krissed! It’s a clip of Kris Jenner shimmying in this sequined shirt and bow tie set to a sped up version of “Lady Marmalade” from Moulin Rouge. The Cut said that “getting krissed” is the natural evolution of rickrolling. And then in 2023, we had the Josh Hutcherson whistle edits. Here’s one of my favorite ones. It’s video from inside a plane. The caption says, “Guys, the view is incredible!” The video pans to the closed window, and a hand reaches out to open the shade. And then…[music playing] The view through the window is just a closeup of Josh Hutcherson’s face from a 2014 fan edit set to a cover of Flo Rida’s “Whistle.” Polygon said that this trend was TikTok’s rickroll. And then at the end of last year, another rickroll successor blew up.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of “We Are Charlie Kirk Song”] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">We are Charlie Kirk, we carry…\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">That is an AI-generated ballad about Charlie Kirk, which was first posted to YouTube and streaming platforms days after his death. It’s total AI slop, but unfortunately, very catchy. Like the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script, it went viral at first out of sincerity. People listened to it as a tribute to Charlie Kirk. And then it became a meme. We’re talking remixes, Mongolian throat singing covers.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip of “We Are Charlie Kirk Song”] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">We are Charlie Kirk. We carry the flame. We fight for the…\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And of course, pranks, like connecting to public bluetooth speakers and blasting cowbell dance remixes of “We Are Charlie Kirk.”\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio of “We Are Charlie Kirk” playing over loud speaker]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Here’s Bret’s take.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">All of them, it’s clear that there’s some sort of musical component people can latch onto and all the music itself is sort of absurd or ridiculous in a way. Whether it’s been altered and sped up like the we-are-krissed” or just sort of that funky beat that you’ve-been-stick-bugged has, especially like with the “We are Charlie Kirk.” There’s more levels of absurdity being that it was AI written. So this pathos is literally being manufactured. It’s not something that’s like, necessarily human-generated like emotion being generated, and so it just makes it rife for this type of inversion or subversion.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. We just speed ran so many trends, and none of them really lasted more than six months. Maybe the Charlie Kirk one will last longer because of the current state of the world, but generally, why is the turnover rate for memes so high now?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">I think there’s a few reasons for this. The first is just the media context and media environment. We’re not sharing the same stuff that we did as a culture. It’s much more small niche cultures where these things are spreading. Another element to this that I believe is important is that it’s easier to create these than it was 15, 20 years ago. And so now more are being created. And so they’re essentially eating themselves out of existence. Um, so as soon as a new mean comes out, um, at least in the early mid 2000s, it stuck around because it took a little bit more technological know-how. You didn’t have the production software and access to it that you do now.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I noticed that almost all bait-and-switch meme trends are on TikTok now, maybe Reels. But no one is pulling off a rickroll with YouTube anymore. I saw a video of someone rickrolling their friend by sending a TikTok link, which me makes me wonder, did YouTube ads ruin the rickroll? Kind of spoils the surprise.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">I mean, YouTube ads ruin everything. For humor to work, timing is critical, right? And so those ads really disrupt like the genre of humor that’s happening.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Would the original rickroll work with modern content consumption habits? When we consume content, it’s a lot of times happening passively to us, algorithmically served, instead of us like actively seeking it out or actually clicking links.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">I don’t think so. We need that interaction, I think, for the rickroll to be successful. And it feels like at least it was another person presenting this to us. And now it’s sort of the algorithm is serving it up to a plate on us and we’re not finding these things. And so I think what makes a lot of media content special, whether it’s memes, movies, songs, is it’s stuff that we find, not that someone else or something else finds for us. And so… innately, there’s going to be less meaning for a lot of that.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The meme turnover rate is so high that no internet prank really sticks around long enough to rival or recreate the magic of the rickroll. The very format of the rickroll is limiting, especially in today’s digital landscape. Even rickrolling itself is difficult to pull off today because internet habits have changed. But what has endured as a prank is the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">script. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">I have this take and it’s that the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script is the ultimate bait-and-switch because it’s purely text. There’s no image macro, there’s no video lead-in with ads or that you have to wait to load to ruin the prank. The joke itself is so malleable. It can be dumped in comment sections, in government tip lines or turned into an image macro and then deep fried, or just read by that TikTok AI voice in 2X speed, which makes it funnier. Do you have any thoughts on this, the flexibility of this meme?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Bret Strauch: \u003c/b>\u003cspan style=\"font-weight: 400\">Well, that’s why I think we see certain memes that at least are being iterated and changed upon more, and some that don’t seem to change as much. And so with it being all text, it’s really easy to adapt all text to different formats. I think my favorite of the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> script ones is where they do the crawl from Star Wars, and we get the intro to the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. And so the easier that it is to manipulate that initial form of media, like, so text is super easy, makes it much easier to put it into different places, different platforms and distribute it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> came out nearly 20 years ago. Script dumping started in 2013. Last year, 12 years after that Facebook user posted the entire script on someone else’s wall, the DOGE-led government HR email was pelted with \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> scripts. At the request of Elon Musk, all federal employees were asked to email the Office of Personnel Management with five tasks they accomplished that week. On x, Musk posted, “Failure to respond will be taken as a resignation.” The email leaked online, and internet users responded on behalf of federal employees with pages and pages of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bee Movie\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> dialog. Spike was thrilled.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Spike Feresten: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s pretty exciting that anybody’s even talking about it. Really! I mean, you have to look at it, we look at that way. I think that people are still talking about this movie from what 2006 that we made, you know, in that way and that it, that it has these second and third lives. You know, we get excited that people still watching that movie and enjoying it. Like, it’s flattering. That’s the only way to really put it that this movie hasn’t been forgotten. It hasn’t disappeared into a canyon of content and gone forever, that it comes up over and over again in generally a good way. And, you know, if people are making fun of it, that’s fine, too. That’s what we do. We make fun of things you can make fun of us. Go ahead.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">You heard Spike, go forth and prank. Let’s close all these tabs.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cb>Morgan Sung: \u003c/b>Close All Tabs is a production of KQED Studios and is reported and hosted by me, Morgan Sung.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>This episode was produced by our senior editor, Chris Egusa, who also composed our theme song and credits music. It was edited by Chris Hambrick. Our team includes producer Maya Cueva, additional music by APM. Brendan Willard is our audio engineer, audience engagement support from Maha Sanad. Jen Chien is KQED’s Director of Podcasts and Ethan Toven-Lindsey is our Editor-in-Chief.\u003c/p>\n\u003cp>Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco Northern California Local.\u003c/p>\n\u003cp>Keyboard sounds were recorded on my purple and pink dust silver K84 wired mechanical keyboard with Gateron red switches. Okay, and I know it’s a podcast cliche, but if you like these deep dives and want us to keep making more, it would really help us out if you could rate and review us on Spotify, Apple Podcasts, or wherever you listen to the show.\u003c/p>\n\u003cp>Email us at closealltabs@kqed.org. Follow us on Instagram @CloseAllTabsPod or TikTok @CloseallTabs. And join our Discord. We’re in the Close All tabs channel at discord.gg/kqed.\u003c/p>\n\u003cp>Thanks for listening.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>"
}
],
"link": "/news/12078303/bee-movie-we-are-charlie-kirk-and-the-enduring-bait-and-switch-meme",
"authors": [
"11944",
"11869",
"11832",
"11943"
],
"programs": [
"news_35082"
],
"categories": [
"news_33520"
],
"tags": [
"news_1149",
"news_22973",
"news_3137",
"news_34646",
"news_35111",
"news_3415",
"news_1631"
],
"featImg": "news_12078315",
"label": "source_news_12078303"
},
"news_12077465": {
"type": "posts",
"id": "news_12077465",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12077465",
"score": null,
"sort": [
1774432820000
]
},
"guestAuthors": [],
"slug": "to-hack-a-tractor-how-farmers-won-the-right-to-repair",
"title": "To Hack a Tractor: How Farmers Won the Right to Repair",
"publishDate": 1774432820,
"format": "audio",
"headTitle": "To Hack a Tractor: How Farmers Won the Right to Repair | KQED",
"labelTerm": {},
"content": "\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">What do pissed off farmers and broken McFlurry machines have to do with each other? More than you’d think. Both are part of the story behind the modern right-to-repair movement. In this episode, Jason Koebler, tech journalist and co-founder at 404 Media, explains how an unlikely alliance between Midwestern farmers and electronics repair technicians helped win right-to repair-protections across multiple states — and why the farmers’ fight to fix their own tractors is far from over. \u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC7702059355\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guest:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.404media.co/author/jason-koebler/\">\u003cspan style=\"font-weight: 400\">Jason Koebler\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, tech journalist and co-founder of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">404 Media\u003c/span>\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Further Reading/Listening:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.404media.co/it-is-now-legal-to-hack-mcflurry-machines-and-medical-devices-to-fix-them/\">\u003cspan style=\"font-weight: 400\">It Is Now Legal to Hack McFlurry Machines (and Medical Devices) to Fix Them\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Jason Koebler, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">404 Media \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.404media.co/the-walls-are-closing-in-on-john-deeres-tractor-repair-monopoly/\">The Walls Are Closing in on John Deere’s Tractor Repair Monopoly\u003c/a> — Jason Koebler, \u003ci>404 Media\u003c/i>\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://civileats.com/2026/02/05/epa-affirms-farmers-right-to-repair/\">EPA Affirms Farmers’ Right to Repair \u003c/a>\u003ci>—\u003c/i> Lisa Held\u003ci>, \u003ci>Civil Eats\u003c/i>\u003c/i>\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.wired.com/story/latest-repair-battlefield-iowa-farmlands-again/\">The Latest Repair Battlefield Is the Iowa Farmlands—Again\u003c/a> — Boone Ashworth, \u003ci>\u003ci>\u003ci>Wired \u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://reason.com/2024/01/08/how-john-deere-hijacked-copyright-law-to-keep-you-from-tinkering-with-your-tractor/\">How John Deere hijacked copyright law to keep you from tinkering with your tractor\u003c/a> — Luke Hogg, \u003ci>\u003ci>\u003ci>\u003ci>Reason Magazine\u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.vice.com/en/article/tractor-hacking-right-to-repair/\">Tractor-Hacking Farmers Are Leading a Revolt Against Big Tech’s Repair Monopolies\u003c/a> — Jason Koebler, \u003ci>\u003ci>\u003ci>\u003ci>\u003ci>Vice\u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/li>\n\u003cli>\u003ca href=\"https://www.vice.com/en/article/why-american-farmers-are-hacking-their-tractors-with-ukrainian-firmware/\">\u003cspan style=\"font-weight: 400\">Why American Farmers Are Hacking Their Tractors With Ukrainian Firmware\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Jason Koebler, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Vice\u003c/span>\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">If you’ve ever tried to order a McFlurry at McDonald’s and couldn’t get one, you’re not alone.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">There’s this kind of meme where if you want a McFlurry, you have maybe like a 50% chance of trying to order it and the cashier saying that the machine is broken.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Jason Kabler is a tech journalist and co-founder of 404Media. That’s the worker-owned independent tech publication.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler: \u003c/b>\u003cspan style=\"font-weight: 400\">And so it became this kind of like nationwide phenomenon where people were trying to order McFlurries and basically half the time they couldn’t get them. There was this guy who created a McFlurry tracker that would track like the thousands of McDonald’s locations that didn’t have McFlurries at any given moment.\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s called McBroken.com, and it shows up as an interactive map of McDonald’s locations all over the world. If a store has a working ice cream machine, it gets a green dot. If its machine is down, that’s a red dot. When the McFlurry tracker launched in 2020, the US was scattered with red dots.\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">And sort of like as this cult item, people got like really frustrated with this state of affairs.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Conspiracy theories started spreading about why the McFlurry machines were always broken.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip from TikTok user@filspixel] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">You are not ready for how diabolical the McFlurry conspiracy rabbit hole really is.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip from TikTok user@iancarrollshow] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">I am talking about the McDonald’s ice cream conspiracy, and oh boy is it bigger and more sinister than you might think.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip from TikTok user@mariannenafsu] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Rumor has it that the machine isn’t always broke. It just needs cleaning.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\"> That last one is actually the closest to the truth.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">The franchises that I spoke to, they were like, we know how to clean the machine. We just don’t know how to reset it so that it actually works again.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">You see, only an authorized repair tech from the company that made the machines could get them running again.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">Essentially what was happening was you just needed to reset the McFlurry machine. Like there was a series of buttons that you needed to hit, uh, like a code that you need to enter and it would go into this, like refresh mode. And it’s not that it was like so difficult to repair the McFlurry machines. It’s just that the franchises didn’t have this code.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Only the authorized repair techs had the code, but there weren’t nearly enough of them to repair all of the machines. So the employees were stuck.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">They would have to wait a long time to actually get their machines repaired. And then you multiply that by all the McDonald’s in the United States and you get a situation where like McFlurry machines are broken all the time.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Then something happened that was kind of surprising.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">So what happened was folks in the right to repair movement, they basically argued to the federal government that it should be legal to bypass this artificial password slash code that was preventing McDonald’s franchises from fixing and resetting their machines.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The Right to Repair is a consumer rights movement that advocates for people’s ability to repair and maintain their own things.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">And they actually won, and now it’s legal to hack your McFlurry machine in order to repair it. I think they’re still broken more often than people would like, but for the most part, it’s like a better state of affairs.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">At the time of writing this narration, McBroken.com reports that roughly 9% of the world’s McFlurry machines are broken. Still a lot of red dots, but way down from before. Okay, but this episode isn’t just about McFlurries. McDonald’s employees getting the ability to maintain their own equipment is part of a much bigger story, the Right-to-Repair movement. We’ve been diving into this movement over the last few weeks. We’ve looked into DIY vape modders and the legal fights over electronic repairs, like fixing laptops. And here’s the interesting part. Jason says that a lot of the Right-to-Repair protection we have now exists because of farmers who’ve been fighting for this for more than a decade.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">It’s actually a pretty direct line, like basically the problem that McDonald’s franchises have had fixing McFlurry machines, farmers have had fixing their John Deere tractors, their combines, their harvesters, like all sorts of different farm equipment. And farmers got very pissed and they essentially joined the Right-to-Repair movement where they were basically saying like, it’s a political movement to essentially like, free the tractors from this tyranny.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Today, we’re getting into a relatively unknown piece of Right-to-Repair history: the world of farmers, gray market tractor hacking, and an unlikely alliance with DIY repair nerds, a partnership responsible for many of the right to prepare protections we have today.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This is Close All Tabs. I’m Morgan Sung, tech journalist and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. Let’s get into it.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As usual, we’re starting with a new tab, Farmers and the Right-to-Repair. Jason has been covering the right to repair for almost a decade. And like many who get interested in the movement, his story begins with a mishap.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">I had a MacBook and I got drunk one night. I was watching a comedy special or something and I fell asleep. And I woke up and I kicked the laptop off of my bed. It landed like face down on the screen and the LCD broke. Like actual glass didn’t break but the LCD behind it broke. And I was, I don’t know, like 21 years old. I didn’t have a lot of money. I had kind of just bought this MacBook and I needed to get it fixed. It had like, you know, a rainbow screen. I couldn’t see anything on it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So Jason took his broken MacBook to the Apple Store, and guess what they quoted him to fix this $1,000 laptop, $800!\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">I didn’t have $800 at the time, so I just started Googling, like, how to fix MacBook. And I came across this website called iFixit, which is this community of people who create repair guides. And I saw that with a simple, like 65-step process or something, like a really long process that it was possible to fix the problem that I had, and I just needed to find the part. And so, I went on eBay. And I found the LCD screen for my MacBook and I’ve found one for $50.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">He ordered the part and a couple tools and spent a long night painstakingly replacing the screen.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler: \u003c/b>\u003cspan style=\"font-weight: 400\">Disconnecting little tiny wires and like unscrewing tiny little screws and losing the screws and then finding them again By the end I had fully fixed my computer and I used that computer for like six more years and it worked, no problem. And the total cost to me was like, I don’t know 70 bucks with the parts in the, you know, the screen.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">and the sleepless night.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">The sleepless night for sure. It awakened something in me where I was like, huh, why did Apple want $800 to do this? Maybe because it was so hard for me to fix it, but I did fix it nonetheless. And so I started looking into this and started learning that this is actually like the business model of a lot of electronics companies where they’ll sell you the gadget, but then when it breaks, the repair cost is so high or so inaccessible that you’ll either just buy a new one or you’ll pay them to repair it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">This is a common theme. A lot of people we spoke to described a moment when they started asking why things were so hard to repair. And once they noticed, they couldn’t unsee it. So Jason started reporting on the Right-to-Repair, mostly covering the obstacles in fixing consumer tech, iPhones, laptops, that kind of thing. He also went to repair conventions and profiled some of the leaders of the movement. He became the reporter on the Repair Beat at Vice, where he worked at the time. And then one day, a few years in, he got an email from a farmer.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">Saying, hey, like, you’re writing about this problem of fixing MacBooks, but we are facing the exact same problem in agriculture. And it’s pretty crazy because tractors cost upwards of $100,000, sometimes they cost like half a million dollars. Like we’re not talking about a $1,000 MacBook. We’re talking about something that is core to someone’s livelihood, is really time sensitive because if a tractor breaks while you’re trying to plant during these really tight planting windows, or if you’re tryin’ to harvest during these tight harvest windows, the crops will just over-ripen and die. And so they were like, this is really critical, but we’re facing the exact same thing. Like, John Deere is controlling all of the repairs. We can’t get the parts. It’s really expensive. We have to wait sometimes for days or weeks, depending on how busy the repair people are. You should come to Nebraska and see what we do.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And so he did. And it was there that Jason learned about the underground community of farmers trading pirated software so they could hack their tractors. Not for any crazy mods, but just to get them to run. Next, we head to Nebraska after this break.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Welcome back. Ready for a quick trip to the Corn Belt? Let’s open a new tab: The tractor hacking problem. So Jason Kepler was reporting for Vice at the time, covering the right to repair movement when a farmer reached out and invited him to Nebraska. He spent a few days there and met with multiple farmers who all had the same issue with their tractors.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">What has happened is for decades and decades and decades, farmers have considered themselves to be incredibly self-sufficient. When something breaks, like they know how to change the oil, they know to change different sensors, they know change different parts on their tractors. That hasn’t necessarily changed, but what changed is that John Deere, which is the most popular tractor manufacturer in the country, has started adding these technical protection measures to tractors So it’s not that there’s like, anything wrong with the replacement parts, or that it’s now that the farmers don’t know how to do these repairs. It’s that there is just like an artificial code that they need in order to make it talk to the tractor that they have.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Sound familiar? It’s the McFlurry machine debacle all over again. These protection measures are like digital locks put in place by copyright holders. They’re used in digital games, or ebooks, or tractor software. Getting around them could be considered copyright infringement.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">And a lot of them are sort of legacy farmers where their dad was a farmer, their grandma was a farmer on that same land. And for decades, it was like, well, my dad fixed the tractor, like, why can’t I fix the tractor anymore? And I think that not being able to do that makes them feel disempowered and like they don’t own their farm anymore. Like, the success of their farm has been outsourced to John Deere or like a major ag tech company.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Not getting a McFlurry because McDonald’s employees don’t have the digital key to reset the machines, annoying. But not having the key for farm equipment during the peak of harvesting season, financially devastating.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">They used to do this repair all the time before tractors were so computerized. It’s the same general process. They do it, it won’t turn on. They have to call a John Deere dealer or authorized repair person. They’re told to wait a day or two days or a week. And all that time, they’re losing money. And these farms run on such small margins already. So they’re mad and they’re like, my crops are dying, what can I do? And so they just start Googling around. And one farmer told me basically that he learned that because of some European Union law, the Ukrainian version of this software was available and also could work with the American version of a John Deere tractor. And so we pulled up to this farm and he met us with a laptop, like a really old like, ThinkPad and he had this…he had like a USB dongle that was like a USB dongle to like, a tractor port dongle…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What?!\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">…that basically is like connected to the computer of the tractor.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Jason wanted to see it himself. The farmer told him that you could download the software from a torrent site, aptly named the Pirate Bay. Or you could try to join a web forum, which on its surface was about car repair and modification. Jason did the latter. He found one and after he requested entry, he got an email with a link to a third party website. On that website, he had to buy a $25 car diagnostic tool. But they didn’t ship him the tool he purchased. Instead, they sent him a password to join the forum.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">And then on there, there was like all of these threads about different versions of John Deere software that you could download and how to use it and like all these guides and things like that. And so it was just like a few farmers who were really fed up and they like learned that this was possible. They went into these modification forums, like, it’s really affiliated with people who like modify their cars to, you know, make them run faster or like overclock the engine, like that sort of thing. It’s like, that was some of the other stuff that was happening on this forum. And then there was like a whole separate section where it was like agricultural equipment. It was like how to like make your Mustang go faster or like how to replace an air intake sensor in your John Deere tractor.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The forums had all this software that you could download and sold the cables, that dongle that Jason mentioned, to connect a tractor to a computer. The farmer showed Jason how it worked.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">He, like, opened his laptop, connected the laptop to his tractor, and he ran the program and then was able to like activate the part that he was showing me, which was some sort of like, emission sensor or something like that. And it was really crazy because I had actually just spent a day with another farmer who didn’t have this dongle and didn’t have this software and he was trying to fix the exact same thing. And he’s like, look, I can’t, like I’ve put the new part in, but I can activate it. It just, now my tractor won’t turn on, it doesn’t work. It was like, well, this guy has figured it out somehow.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Tractor hacking was full of legal landmines. The software was technically pirated, which raised all these questions around copyright and licensing agreements. Farmers started speaking out and connecting with people from totally different industries facing similar issues. And so, an unlikely alliance was born between legacy farmers and tech repair DIYers.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Time for a new tab: Big tractor versus farmers and tech nerds? So farmers had actually found a way to keep their equipment running, but it wasn’t exactly on the up and up. And there was always the chance that John Deere would implement a fix to foil these hacking attempts, and the farmers would be back at square one. To find a permanent solution, they needed help.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">They eventually got connected to groups like iFixit and some of these other electronics repair people who had already been talking about this problem in electronics and realizing that it was the same problem for farmers as well.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">One of the most outspoken advocates for farmers actually has roots in the tech world, Kyle Wiens, the co-founder and CEO of the repair community, iFixit. Kyle’s background is in computer programming, but then a friend asked him for help bypassing his tractor’s sensor issue. Both Kyle, a software engineer and repair expert, and his farmer friend, a pretty adept DIYer, were stumped. They started lurking in agriculture forums and realized that this was actually a very common issue in the tech world and in farming. Kyle wrote about this whole experience in Wired in 2015, advocating for a copyright exemption for farmers to fix their equipment. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Okay, buckle up. We’re about to dive into copyright law. So, in 1998, the US passed a law called the Digital Millennium Copyright Act, or DMCA. It basically modernized copyright law for the digital age. There’s one part of the DMCA that matters for our story, section 1201. It governs technical access to all kinds of machines, like the McFlurry machine or tractors. The software lock on McFlurry machines is allowed to exist because of section 1201. But there are also exemptions to this law, rules that decide who gets to bypass these software locks and how. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Every three years, the Librarian of Congress revisits these exemptions. And every three years, Right-to-Repair advocates have pushed to expand them. In 2015, iFixit and other digital rights groups successfully won an exemption for land vehicles. That exemption allows owners to modify their vehicles’ computer programs, as long as it’s for legal repair, this includes tractors. And though that sounds promising, the reality was still extremely thorny. For instance, was it legal to pirate software for repair? Unclear. Plus, third party hacking, AKA taking the tractor to a local repair shop, was still super illegal. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Then there is this other sneaky part of it, licensing agreements. Around the time the copyright office approved the land vehicle exemption, John Deere started requiring farmers to sign contracts promising that they wouldn’t modify their tractor software. So hacking your own tractor, even to fix it, could get you sued for breach of contract. Hacking someone else’s, even as a repair tech, could get your arrested for copyright infringement.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler: \u003c/b>\u003cspan style=\"font-weight: 400\">I’ve watched many hearings at state houses where a farmer will go up and they’ll talk about this problem and then a lobbyist for John Deere or for an industry group will say, okay, but if you give farmers access to this stuff, they might modify their tractors in a way that makes them unsafe. They might modify them in a way that causes them to fail emissions tests. And for the first few years, this argument was really persuasive to lawmakers who didn’t really understand the problem. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">But then there was just so much, kind of, momentum behind this problem. Like, it became worse and worse and worse over the years as older tractors started getting phased out and farmers started buying more computerized tractors and more people started having this problem. It became like a much stronger political movement and over the last few years there’s been quite a lot of gains for farmers, both through negotiated agreements with John Deere, but then also through state-level legislation that has passed that does enshrine some of these Right-to-Repair ideals.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So each exemption cycle, the Right-to-Repair movement makes some progress and the impact snowballed. The 2018 exemptions allow third-party repair technicians to bypass the digital locks for land vehicles, like tractors, which means that repair techs are also allowed to hack tractors now, for repair, of course. In 2021, the land vehicle exemption was expanded to cover all consumer electronics, like smartphones and TVs. And then in 2024, it expanded again, this time for food preparation equipment. That’s right, I’m talking about the McFlurry machine.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[News clip fron FOX4 Dallas-Fort Worth]\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\"> For the first time ever McDonald’s store operators are now allowed to fix their own ice cream machines! Can you believe it?\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">But when it comes to tractors, it’s still very much illegal to make and distribute the software that breaks these digital locks. And it’s also still technically illegal to buy the tools that you need for tractor hacking.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">I mean, it’s like really complicated. It’s like the concept is so simple. It’s, like, the farmers just want to be able to fix their tractors. But then the actual details of it are incredibly complicated in terms of what they can fix, when they can fix it, how they can fix it which software they need, where they can get that software, which parts.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">John Deere hasn’t made it any easier either. Let’s get into that in one last tab: can farmers finally fix their tractors?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">The answer is that they can do more than they could do when I first started covering this. But what’s happened is John Deere has made some repairs accessible and some parts accessible, but some parts are still not. And as farming gets more high tech, it’s called precision agriculture. Like, a lot of tractors now essentially drive themselves. They’re guided by like GPS and cameras and all these sensors. There are increasingly things that are still not able to be fixed by the average farmer. But by and large, the situation is better now. It is legal to hack a tractor now. And when I say it’s legal to track a tractor, it is legal to hack your own tractor to fix your own tracker. It’s not legal to like, hack your tractor and make it drive a hundred miles an hour. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Right now it’s a situation where, kind of like, the devil is in the details where farmers still want more. And I think they also want better protections because a lot of what’s happening right now is John Deere is, kind of, voluntarily saying, okay, you can fix these things and we can decide what you can fix. And the farmers want it enshrined in law saying, no, anything that your dealer can fix, we should also be able to fix essentially. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">A lot of farmers also, I’ve heard from, they’ll go to buy a part that they need to fix their tractor and it just won’t be in stock. And so the dealer that sells them will not say like, you can’t have this part. They’ll just say, oh, we don’t have it and it’s on backorder. And maybe it’s backorder for months. And so like functionally, they are not able to access the parts that they should be able to access just because there’s not anything in the legislation that says these companies have to sell you parts and they also have to have them in stock at all times. And so compliance is a really big problem. And then also just like what’s the enforcement gonna be because very often the penalties are like a slap on the wrist if that.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So although seven states now have right to repair laws, only two of them have laws that cover farm equipment. So how does that complicate the issue for farmers who started this movement? What is the state of fixing their tractors like for them?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">The fact that only some states have passed this legislation actually complicates things for everyone, not just farmers. It complicates things for John Deere as well, because you’re a big company, like, companies generally don’t like regulations. But if there are gonna be regulations, they want the regulations to be the same everywhere so that they don’t have to comply with 50 different laws in 50 different states. And if you’re farmer, it’s like, well, you want the same rights that someone in another state might have. And so it has created a bit of a patchwork system. That said, the fact that there is right to repair legislation in some states has made things better for all farmers because it’s not like John Deere can sell a part in one state and prevent that part from traveling to another state. And it can’t like, release a repair guide in one state and not have that repair guide be shared over the internet. And so what’s happened is like the fact that some of these states have passed laws has made the situation a lot better for everyone.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The right to repair is an issue internationally, but these roadblocks are especially prevalent in the U.S. Jason said that other countries either have stronger consumer protection laws, a more widespread culture of DIY repair, or they don’t enforce copyright laws as strictly. That’s why farmers depended on pirated Ukrainian software for tractor hacking. So the Right-to-Repair movement isn’t uniquely American. But what is unique about it, for Americans, is that it’s a political movement that both sides can agree on.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler: \u003c/b>\u003cspan style=\"font-weight: 400\">Right-to-Repair is one of the few things that I’ve ever covered as a journalist where there is like very broad bipartisan support. Like this is not a Republican issue, it’s not a Democratic issue. It is like, everyone is pissed about this. It’s like, a lot of the farmers I spoke to are like, you know, pretty like, very conservative, not all, but a lot of them are very conservative. A lot of the electronics repair people are very liberal. They’re facing the exact same issue. And this is something that they’ve been able to find common ground on. And there’s only been like a few polls about Right-to Repair that I’ve seen, but it’s an issue where like 90% of Americans agree that this is an ideal worth fighting for.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">In the last few days of Joe Biden’s presidency, former FTC chair Lena Kahn filed an antitrust lawsuit against John Deere. When Trump took office, the second time, his administration dismantled a lot of Lena Kahan’s antitrust efforts. But they decided to keep pursuing the lawsuit against John Deere. That’s how bipartisan this is. This is an issue that affects everyone, legacy farmers and tech DIYers alike. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">I, for one, am beefing with the company that makes my fridge. The sensor on the ice dispenser is broken, but the company doesn’t sell that. They have to replace the entire fridge door. The door is backordered and hasn’t been in stock all year. And once it is in stock, I’ll probably have to wait for an authorized repair tech to come by and install it. So now I have this fridge that has all these cool app controlled features, but I’m still manually filling the ice tray. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">I didn’t even want a smart fridge in the first place, but I didn’t have a choice because my apartment building already had an exclusive contract with the company that makes it. According to Reddit and the many repair guides I found online, I could probably replace the sensor myself. However, doing that might violate my lease. So I’m back to using old-fashioned ice trays. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">The Right-to-Repair is a constant fight. Companies love malicious compliance. You know, doing things that are technically legal but still unproductive. Some advocates are pushing to repeal Section 1201 of the DMCA altogether, or at least reform it so that the exemption process for software locks is less cumbersome. At least things are starting to look up for farmers. John Deere had argued that the FTC lawsuit should be thrown out, but last year, a judge ruled that it can and should move forward. Equipment manufacturers, like John Deere, have long argued that they limit independent repair to comply with emissions regulations in the Clean Air Act. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Last month, the EPA issued new guidance that said that, actually, they aren’t allowed to do that. The Clean Air Act can’t be used to stop farmers from fixing their own stuff. And then, also last month, lawmakers in Iowa voted to advance a bill that would allow farmers to repair their equipment, including tractors. The big tractor lobby isn’t as strong as it used to be. And every day, people gain a little more of the right to repair tractors and McFlurry machines and everything in between. Okay, now let’s close all these tabs.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Close All Tabs is a production of KQED Studios and is reported and hosted by me, Morgan Sung. This episode was produced by Maya Cueva and edited by Chris Egusa, who also composed our theme song and credits music. The Close All Tabs team also includes editor, Chris Hambrick and audio engineer, Brendan Willard. Additional music by APM. Audience engagement support from Maha Sanad. Jen Chien is our director of podcasts and Ethan Toven-Lindsey is our editor in chief. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco Northern California Local. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">This episode’s keyboard sounds were submitted by Alex Tran and recorded on his white Epomaker Hi-75 keyboard with Fogruaden red samurai keycaps and gateron milky yellow pro v2 switches. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Do you like these deep dives? Are you closing your tabs? Then don’t forget to rate and review us on Spotify, Apple podcasts, or wherever you listen to the show. Maybe drop a comment too. And if you really like Close All Tabs and want to support public media, go to donate.kqed.org slash podcasts. Thanks for listening.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "What do farmers and broken McFlurry machines have in common? Both are part of the \"right to repair\" movement.",
"status": "publish",
"parent": 0,
"modified": 1774653681,
"stats": {
"hasAudio": true,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 73,
"wordCount": 5637
},
"headData": {
"title": "To Hack a Tractor: How Farmers Won the Right to Repair | KQED",
"description": "What do pissed off farmers and broken McFlurry machines have to do with each other? More than you’d think. Both are part of the story behind the modern right-to-repair movement. In this episode, Jason Koebler, tech journalist and co-founder at 404 Media, explains how an unlikely alliance between Midwestern farmers and electronics repair technicians helped win right-to repair-protections across multiple states — and why the farmers’ fight to fix their own tractors is far from over.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"socialDescription": "What do pissed off farmers and broken McFlurry machines have to do with each other? More than you’d think. Both are part of the story behind the modern right-to-repair movement. In this episode, Jason Koebler, tech journalist and co-founder at 404 Media, explains how an unlikely alliance between Midwestern farmers and electronics repair technicians helped win right-to repair-protections across multiple states — and why the farmers’ fight to fix their own tractors is far from over.",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "To Hack a Tractor: How Farmers Won the Right to Repair",
"datePublished": "2026-03-25T03:00:20-07:00",
"dateModified": "2026-03-27T16:21:21-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"primaryCategory": {
"termId": 33520,
"slug": "podcast",
"name": "Podcast"
},
"source": "Close All Tabs",
"sourceUrl": "https://www.kqed.org/podcasts/closealltabs",
"audioUrl": "https://traffic.megaphone.fm/KQINC7702059355.mp3",
"sticky": false,
"nprStoryId": "kqed-12077465",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/news/12077465/to-hack-a-tractor-how-farmers-won-the-right-to-repair",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">What do pissed off farmers and broken McFlurry machines have to do with each other? More than you’d think. Both are part of the story behind the modern right-to-repair movement. In this episode, Jason Koebler, tech journalist and co-founder at 404 Media, explains how an unlikely alliance between Midwestern farmers and electronics repair technicians helped win right-to repair-protections across multiple states — and why the farmers’ fight to fix their own tractors is far from over. \u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC7702059355\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guest:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.404media.co/author/jason-koebler/\">\u003cspan style=\"font-weight: 400\">Jason Koebler\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, tech journalist and co-founder of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">404 Media\u003c/span>\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Further Reading/Listening:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.404media.co/it-is-now-legal-to-hack-mcflurry-machines-and-medical-devices-to-fix-them/\">\u003cspan style=\"font-weight: 400\">It Is Now Legal to Hack McFlurry Machines (and Medical Devices) to Fix Them\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Jason Koebler, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">404 Media \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.404media.co/the-walls-are-closing-in-on-john-deeres-tractor-repair-monopoly/\">The Walls Are Closing in on John Deere’s Tractor Repair Monopoly\u003c/a> — Jason Koebler, \u003ci>404 Media\u003c/i>\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://civileats.com/2026/02/05/epa-affirms-farmers-right-to-repair/\">EPA Affirms Farmers’ Right to Repair \u003c/a>\u003ci>—\u003c/i> Lisa Held\u003ci>, \u003ci>Civil Eats\u003c/i>\u003c/i>\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.wired.com/story/latest-repair-battlefield-iowa-farmlands-again/\">The Latest Repair Battlefield Is the Iowa Farmlands—Again\u003c/a> — Boone Ashworth, \u003ci>\u003ci>\u003ci>Wired \u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://reason.com/2024/01/08/how-john-deere-hijacked-copyright-law-to-keep-you-from-tinkering-with-your-tractor/\">How John Deere hijacked copyright law to keep you from tinkering with your tractor\u003c/a> — Luke Hogg, \u003ci>\u003ci>\u003ci>\u003ci>Reason Magazine\u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.vice.com/en/article/tractor-hacking-right-to-repair/\">Tractor-Hacking Farmers Are Leading a Revolt Against Big Tech’s Repair Monopolies\u003c/a> — Jason Koebler, \u003ci>\u003ci>\u003ci>\u003ci>\u003ci>Vice\u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/li>\n\u003cli>\u003ca href=\"https://www.vice.com/en/article/why-american-farmers-are-hacking-their-tractors-with-ukrainian-firmware/\">\u003cspan style=\"font-weight: 400\">Why American Farmers Are Hacking Their Tractors With Ukrainian Firmware\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Jason Koebler, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Vice\u003c/span>\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-content post-body\">\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">If you’ve ever tried to order a McFlurry at McDonald’s and couldn’t get one, you’re not alone.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">There’s this kind of meme where if you want a McFlurry, you have maybe like a 50% chance of trying to order it and the cashier saying that the machine is broken.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Jason Kabler is a tech journalist and co-founder of 404Media. That’s the worker-owned independent tech publication.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler: \u003c/b>\u003cspan style=\"font-weight: 400\">And so it became this kind of like nationwide phenomenon where people were trying to order McFlurries and basically half the time they couldn’t get them. There was this guy who created a McFlurry tracker that would track like the thousands of McDonald’s locations that didn’t have McFlurries at any given moment.\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s called McBroken.com, and it shows up as an interactive map of McDonald’s locations all over the world. If a store has a working ice cream machine, it gets a green dot. If its machine is down, that’s a red dot. When the McFlurry tracker launched in 2020, the US was scattered with red dots.\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">And sort of like as this cult item, people got like really frustrated with this state of affairs.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Conspiracy theories started spreading about why the McFlurry machines were always broken.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip from TikTok user@filspixel] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">You are not ready for how diabolical the McFlurry conspiracy rabbit hole really is.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip from TikTok user@iancarrollshow] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">I am talking about the McDonald’s ice cream conspiracy, and oh boy is it bigger and more sinister than you might think.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Clip from TikTok user@mariannenafsu] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Rumor has it that the machine isn’t always broke. It just needs cleaning.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\"> That last one is actually the closest to the truth.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">The franchises that I spoke to, they were like, we know how to clean the machine. We just don’t know how to reset it so that it actually works again.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">You see, only an authorized repair tech from the company that made the machines could get them running again.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">Essentially what was happening was you just needed to reset the McFlurry machine. Like there was a series of buttons that you needed to hit, uh, like a code that you need to enter and it would go into this, like refresh mode. And it’s not that it was like so difficult to repair the McFlurry machines. It’s just that the franchises didn’t have this code.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Only the authorized repair techs had the code, but there weren’t nearly enough of them to repair all of the machines. So the employees were stuck.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">They would have to wait a long time to actually get their machines repaired. And then you multiply that by all the McDonald’s in the United States and you get a situation where like McFlurry machines are broken all the time.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Then something happened that was kind of surprising.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">So what happened was folks in the right to repair movement, they basically argued to the federal government that it should be legal to bypass this artificial password slash code that was preventing McDonald’s franchises from fixing and resetting their machines.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The Right to Repair is a consumer rights movement that advocates for people’s ability to repair and maintain their own things.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">And they actually won, and now it’s legal to hack your McFlurry machine in order to repair it. I think they’re still broken more often than people would like, but for the most part, it’s like a better state of affairs.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">At the time of writing this narration, McBroken.com reports that roughly 9% of the world’s McFlurry machines are broken. Still a lot of red dots, but way down from before. Okay, but this episode isn’t just about McFlurries. McDonald’s employees getting the ability to maintain their own equipment is part of a much bigger story, the Right-to-Repair movement. We’ve been diving into this movement over the last few weeks. We’ve looked into DIY vape modders and the legal fights over electronic repairs, like fixing laptops. And here’s the interesting part. Jason says that a lot of the Right-to-Repair protection we have now exists because of farmers who’ve been fighting for this for more than a decade.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">It’s actually a pretty direct line, like basically the problem that McDonald’s franchises have had fixing McFlurry machines, farmers have had fixing their John Deere tractors, their combines, their harvesters, like all sorts of different farm equipment. And farmers got very pissed and they essentially joined the Right-to-Repair movement where they were basically saying like, it’s a political movement to essentially like, free the tractors from this tyranny.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Today, we’re getting into a relatively unknown piece of Right-to-Repair history: the world of farmers, gray market tractor hacking, and an unlikely alliance with DIY repair nerds, a partnership responsible for many of the right to prepare protections we have today.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This is Close All Tabs. I’m Morgan Sung, tech journalist and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. Let’s get into it.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As usual, we’re starting with a new tab, Farmers and the Right-to-Repair. Jason has been covering the right to repair for almost a decade. And like many who get interested in the movement, his story begins with a mishap.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">I had a MacBook and I got drunk one night. I was watching a comedy special or something and I fell asleep. And I woke up and I kicked the laptop off of my bed. It landed like face down on the screen and the LCD broke. Like actual glass didn’t break but the LCD behind it broke. And I was, I don’t know, like 21 years old. I didn’t have a lot of money. I had kind of just bought this MacBook and I needed to get it fixed. It had like, you know, a rainbow screen. I couldn’t see anything on it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So Jason took his broken MacBook to the Apple Store, and guess what they quoted him to fix this $1,000 laptop, $800!\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">I didn’t have $800 at the time, so I just started Googling, like, how to fix MacBook. And I came across this website called iFixit, which is this community of people who create repair guides. And I saw that with a simple, like 65-step process or something, like a really long process that it was possible to fix the problem that I had, and I just needed to find the part. And so, I went on eBay. And I found the LCD screen for my MacBook and I’ve found one for $50.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">He ordered the part and a couple tools and spent a long night painstakingly replacing the screen.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler: \u003c/b>\u003cspan style=\"font-weight: 400\">Disconnecting little tiny wires and like unscrewing tiny little screws and losing the screws and then finding them again By the end I had fully fixed my computer and I used that computer for like six more years and it worked, no problem. And the total cost to me was like, I don’t know 70 bucks with the parts in the, you know, the screen.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">and the sleepless night.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">The sleepless night for sure. It awakened something in me where I was like, huh, why did Apple want $800 to do this? Maybe because it was so hard for me to fix it, but I did fix it nonetheless. And so I started looking into this and started learning that this is actually like the business model of a lot of electronics companies where they’ll sell you the gadget, but then when it breaks, the repair cost is so high or so inaccessible that you’ll either just buy a new one or you’ll pay them to repair it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">This is a common theme. A lot of people we spoke to described a moment when they started asking why things were so hard to repair. And once they noticed, they couldn’t unsee it. So Jason started reporting on the Right-to-Repair, mostly covering the obstacles in fixing consumer tech, iPhones, laptops, that kind of thing. He also went to repair conventions and profiled some of the leaders of the movement. He became the reporter on the Repair Beat at Vice, where he worked at the time. And then one day, a few years in, he got an email from a farmer.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">Saying, hey, like, you’re writing about this problem of fixing MacBooks, but we are facing the exact same problem in agriculture. And it’s pretty crazy because tractors cost upwards of $100,000, sometimes they cost like half a million dollars. Like we’re not talking about a $1,000 MacBook. We’re talking about something that is core to someone’s livelihood, is really time sensitive because if a tractor breaks while you’re trying to plant during these really tight planting windows, or if you’re tryin’ to harvest during these tight harvest windows, the crops will just over-ripen and die. And so they were like, this is really critical, but we’re facing the exact same thing. Like, John Deere is controlling all of the repairs. We can’t get the parts. It’s really expensive. We have to wait sometimes for days or weeks, depending on how busy the repair people are. You should come to Nebraska and see what we do.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And so he did. And it was there that Jason learned about the underground community of farmers trading pirated software so they could hack their tractors. Not for any crazy mods, but just to get them to run. Next, we head to Nebraska after this break.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Welcome back. Ready for a quick trip to the Corn Belt? Let’s open a new tab: The tractor hacking problem. So Jason Kepler was reporting for Vice at the time, covering the right to repair movement when a farmer reached out and invited him to Nebraska. He spent a few days there and met with multiple farmers who all had the same issue with their tractors.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">What has happened is for decades and decades and decades, farmers have considered themselves to be incredibly self-sufficient. When something breaks, like they know how to change the oil, they know to change different sensors, they know change different parts on their tractors. That hasn’t necessarily changed, but what changed is that John Deere, which is the most popular tractor manufacturer in the country, has started adding these technical protection measures to tractors So it’s not that there’s like, anything wrong with the replacement parts, or that it’s now that the farmers don’t know how to do these repairs. It’s that there is just like an artificial code that they need in order to make it talk to the tractor that they have.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Sound familiar? It’s the McFlurry machine debacle all over again. These protection measures are like digital locks put in place by copyright holders. They’re used in digital games, or ebooks, or tractor software. Getting around them could be considered copyright infringement.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">And a lot of them are sort of legacy farmers where their dad was a farmer, their grandma was a farmer on that same land. And for decades, it was like, well, my dad fixed the tractor, like, why can’t I fix the tractor anymore? And I think that not being able to do that makes them feel disempowered and like they don’t own their farm anymore. Like, the success of their farm has been outsourced to John Deere or like a major ag tech company.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Not getting a McFlurry because McDonald’s employees don’t have the digital key to reset the machines, annoying. But not having the key for farm equipment during the peak of harvesting season, financially devastating.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">They used to do this repair all the time before tractors were so computerized. It’s the same general process. They do it, it won’t turn on. They have to call a John Deere dealer or authorized repair person. They’re told to wait a day or two days or a week. And all that time, they’re losing money. And these farms run on such small margins already. So they’re mad and they’re like, my crops are dying, what can I do? And so they just start Googling around. And one farmer told me basically that he learned that because of some European Union law, the Ukrainian version of this software was available and also could work with the American version of a John Deere tractor. And so we pulled up to this farm and he met us with a laptop, like a really old like, ThinkPad and he had this…he had like a USB dongle that was like a USB dongle to like, a tractor port dongle…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What?!\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">…that basically is like connected to the computer of the tractor.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Jason wanted to see it himself. The farmer told him that you could download the software from a torrent site, aptly named the Pirate Bay. Or you could try to join a web forum, which on its surface was about car repair and modification. Jason did the latter. He found one and after he requested entry, he got an email with a link to a third party website. On that website, he had to buy a $25 car diagnostic tool. But they didn’t ship him the tool he purchased. Instead, they sent him a password to join the forum.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">And then on there, there was like all of these threads about different versions of John Deere software that you could download and how to use it and like all these guides and things like that. And so it was just like a few farmers who were really fed up and they like learned that this was possible. They went into these modification forums, like, it’s really affiliated with people who like modify their cars to, you know, make them run faster or like overclock the engine, like that sort of thing. It’s like, that was some of the other stuff that was happening on this forum. And then there was like a whole separate section where it was like agricultural equipment. It was like how to like make your Mustang go faster or like how to replace an air intake sensor in your John Deere tractor.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The forums had all this software that you could download and sold the cables, that dongle that Jason mentioned, to connect a tractor to a computer. The farmer showed Jason how it worked.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">He, like, opened his laptop, connected the laptop to his tractor, and he ran the program and then was able to like activate the part that he was showing me, which was some sort of like, emission sensor or something like that. And it was really crazy because I had actually just spent a day with another farmer who didn’t have this dongle and didn’t have this software and he was trying to fix the exact same thing. And he’s like, look, I can’t, like I’ve put the new part in, but I can activate it. It just, now my tractor won’t turn on, it doesn’t work. It was like, well, this guy has figured it out somehow.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Tractor hacking was full of legal landmines. The software was technically pirated, which raised all these questions around copyright and licensing agreements. Farmers started speaking out and connecting with people from totally different industries facing similar issues. And so, an unlikely alliance was born between legacy farmers and tech repair DIYers.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Time for a new tab: Big tractor versus farmers and tech nerds? So farmers had actually found a way to keep their equipment running, but it wasn’t exactly on the up and up. And there was always the chance that John Deere would implement a fix to foil these hacking attempts, and the farmers would be back at square one. To find a permanent solution, they needed help.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">They eventually got connected to groups like iFixit and some of these other electronics repair people who had already been talking about this problem in electronics and realizing that it was the same problem for farmers as well.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">One of the most outspoken advocates for farmers actually has roots in the tech world, Kyle Wiens, the co-founder and CEO of the repair community, iFixit. Kyle’s background is in computer programming, but then a friend asked him for help bypassing his tractor’s sensor issue. Both Kyle, a software engineer and repair expert, and his farmer friend, a pretty adept DIYer, were stumped. They started lurking in agriculture forums and realized that this was actually a very common issue in the tech world and in farming. Kyle wrote about this whole experience in Wired in 2015, advocating for a copyright exemption for farmers to fix their equipment. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Okay, buckle up. We’re about to dive into copyright law. So, in 1998, the US passed a law called the Digital Millennium Copyright Act, or DMCA. It basically modernized copyright law for the digital age. There’s one part of the DMCA that matters for our story, section 1201. It governs technical access to all kinds of machines, like the McFlurry machine or tractors. The software lock on McFlurry machines is allowed to exist because of section 1201. But there are also exemptions to this law, rules that decide who gets to bypass these software locks and how. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Every three years, the Librarian of Congress revisits these exemptions. And every three years, Right-to-Repair advocates have pushed to expand them. In 2015, iFixit and other digital rights groups successfully won an exemption for land vehicles. That exemption allows owners to modify their vehicles’ computer programs, as long as it’s for legal repair, this includes tractors. And though that sounds promising, the reality was still extremely thorny. For instance, was it legal to pirate software for repair? Unclear. Plus, third party hacking, AKA taking the tractor to a local repair shop, was still super illegal. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Then there is this other sneaky part of it, licensing agreements. Around the time the copyright office approved the land vehicle exemption, John Deere started requiring farmers to sign contracts promising that they wouldn’t modify their tractor software. So hacking your own tractor, even to fix it, could get you sued for breach of contract. Hacking someone else’s, even as a repair tech, could get your arrested for copyright infringement.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler: \u003c/b>\u003cspan style=\"font-weight: 400\">I’ve watched many hearings at state houses where a farmer will go up and they’ll talk about this problem and then a lobbyist for John Deere or for an industry group will say, okay, but if you give farmers access to this stuff, they might modify their tractors in a way that makes them unsafe. They might modify them in a way that causes them to fail emissions tests. And for the first few years, this argument was really persuasive to lawmakers who didn’t really understand the problem. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">But then there was just so much, kind of, momentum behind this problem. Like, it became worse and worse and worse over the years as older tractors started getting phased out and farmers started buying more computerized tractors and more people started having this problem. It became like a much stronger political movement and over the last few years there’s been quite a lot of gains for farmers, both through negotiated agreements with John Deere, but then also through state-level legislation that has passed that does enshrine some of these Right-to-Repair ideals.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So each exemption cycle, the Right-to-Repair movement makes some progress and the impact snowballed. The 2018 exemptions allow third-party repair technicians to bypass the digital locks for land vehicles, like tractors, which means that repair techs are also allowed to hack tractors now, for repair, of course. In 2021, the land vehicle exemption was expanded to cover all consumer electronics, like smartphones and TVs. And then in 2024, it expanded again, this time for food preparation equipment. That’s right, I’m talking about the McFlurry machine.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[News clip fron FOX4 Dallas-Fort Worth]\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\"> For the first time ever McDonald’s store operators are now allowed to fix their own ice cream machines! Can you believe it?\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">But when it comes to tractors, it’s still very much illegal to make and distribute the software that breaks these digital locks. And it’s also still technically illegal to buy the tools that you need for tractor hacking.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">I mean, it’s like really complicated. It’s like the concept is so simple. It’s, like, the farmers just want to be able to fix their tractors. But then the actual details of it are incredibly complicated in terms of what they can fix, when they can fix it, how they can fix it which software they need, where they can get that software, which parts.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">John Deere hasn’t made it any easier either. Let’s get into that in one last tab: can farmers finally fix their tractors?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">The answer is that they can do more than they could do when I first started covering this. But what’s happened is John Deere has made some repairs accessible and some parts accessible, but some parts are still not. And as farming gets more high tech, it’s called precision agriculture. Like, a lot of tractors now essentially drive themselves. They’re guided by like GPS and cameras and all these sensors. There are increasingly things that are still not able to be fixed by the average farmer. But by and large, the situation is better now. It is legal to hack a tractor now. And when I say it’s legal to track a tractor, it is legal to hack your own tractor to fix your own tracker. It’s not legal to like, hack your tractor and make it drive a hundred miles an hour. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Right now it’s a situation where, kind of like, the devil is in the details where farmers still want more. And I think they also want better protections because a lot of what’s happening right now is John Deere is, kind of, voluntarily saying, okay, you can fix these things and we can decide what you can fix. And the farmers want it enshrined in law saying, no, anything that your dealer can fix, we should also be able to fix essentially. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">A lot of farmers also, I’ve heard from, they’ll go to buy a part that they need to fix their tractor and it just won’t be in stock. And so the dealer that sells them will not say like, you can’t have this part. They’ll just say, oh, we don’t have it and it’s on backorder. And maybe it’s backorder for months. And so like functionally, they are not able to access the parts that they should be able to access just because there’s not anything in the legislation that says these companies have to sell you parts and they also have to have them in stock at all times. And so compliance is a really big problem. And then also just like what’s the enforcement gonna be because very often the penalties are like a slap on the wrist if that.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So although seven states now have right to repair laws, only two of them have laws that cover farm equipment. So how does that complicate the issue for farmers who started this movement? What is the state of fixing their tractors like for them?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler:\u003c/b>\u003cspan style=\"font-weight: 400\">The fact that only some states have passed this legislation actually complicates things for everyone, not just farmers. It complicates things for John Deere as well, because you’re a big company, like, companies generally don’t like regulations. But if there are gonna be regulations, they want the regulations to be the same everywhere so that they don’t have to comply with 50 different laws in 50 different states. And if you’re farmer, it’s like, well, you want the same rights that someone in another state might have. And so it has created a bit of a patchwork system. That said, the fact that there is right to repair legislation in some states has made things better for all farmers because it’s not like John Deere can sell a part in one state and prevent that part from traveling to another state. And it can’t like, release a repair guide in one state and not have that repair guide be shared over the internet. And so what’s happened is like the fact that some of these states have passed laws has made the situation a lot better for everyone.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The right to repair is an issue internationally, but these roadblocks are especially prevalent in the U.S. Jason said that other countries either have stronger consumer protection laws, a more widespread culture of DIY repair, or they don’t enforce copyright laws as strictly. That’s why farmers depended on pirated Ukrainian software for tractor hacking. So the Right-to-Repair movement isn’t uniquely American. But what is unique about it, for Americans, is that it’s a political movement that both sides can agree on.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jason Koebler: \u003c/b>\u003cspan style=\"font-weight: 400\">Right-to-Repair is one of the few things that I’ve ever covered as a journalist where there is like very broad bipartisan support. Like this is not a Republican issue, it’s not a Democratic issue. It is like, everyone is pissed about this. It’s like, a lot of the farmers I spoke to are like, you know, pretty like, very conservative, not all, but a lot of them are very conservative. A lot of the electronics repair people are very liberal. They’re facing the exact same issue. And this is something that they’ve been able to find common ground on. And there’s only been like a few polls about Right-to Repair that I’ve seen, but it’s an issue where like 90% of Americans agree that this is an ideal worth fighting for.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">In the last few days of Joe Biden’s presidency, former FTC chair Lena Kahn filed an antitrust lawsuit against John Deere. When Trump took office, the second time, his administration dismantled a lot of Lena Kahan’s antitrust efforts. But they decided to keep pursuing the lawsuit against John Deere. That’s how bipartisan this is. This is an issue that affects everyone, legacy farmers and tech DIYers alike. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">I, for one, am beefing with the company that makes my fridge. The sensor on the ice dispenser is broken, but the company doesn’t sell that. They have to replace the entire fridge door. The door is backordered and hasn’t been in stock all year. And once it is in stock, I’ll probably have to wait for an authorized repair tech to come by and install it. So now I have this fridge that has all these cool app controlled features, but I’m still manually filling the ice tray. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">I didn’t even want a smart fridge in the first place, but I didn’t have a choice because my apartment building already had an exclusive contract with the company that makes it. According to Reddit and the many repair guides I found online, I could probably replace the sensor myself. However, doing that might violate my lease. So I’m back to using old-fashioned ice trays. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">The Right-to-Repair is a constant fight. Companies love malicious compliance. You know, doing things that are technically legal but still unproductive. Some advocates are pushing to repeal Section 1201 of the DMCA altogether, or at least reform it so that the exemption process for software locks is less cumbersome. At least things are starting to look up for farmers. John Deere had argued that the FTC lawsuit should be thrown out, but last year, a judge ruled that it can and should move forward. Equipment manufacturers, like John Deere, have long argued that they limit independent repair to comply with emissions regulations in the Clean Air Act. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Last month, the EPA issued new guidance that said that, actually, they aren’t allowed to do that. The Clean Air Act can’t be used to stop farmers from fixing their own stuff. And then, also last month, lawmakers in Iowa voted to advance a bill that would allow farmers to repair their equipment, including tractors. The big tractor lobby isn’t as strong as it used to be. And every day, people gain a little more of the right to repair tractors and McFlurry machines and everything in between. Okay, now let’s close all these tabs.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Close All Tabs is a production of KQED Studios and is reported and hosted by me, Morgan Sung. This episode was produced by Maya Cueva and edited by Chris Egusa, who also composed our theme song and credits music. The Close All Tabs team also includes editor, Chris Hambrick and audio engineer, Brendan Willard. Additional music by APM. Audience engagement support from Maha Sanad. Jen Chien is our director of podcasts and Ethan Toven-Lindsey is our editor in chief. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco Northern California Local. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">This episode’s keyboard sounds were submitted by Alex Tran and recorded on his white Epomaker Hi-75 keyboard with Fogruaden red samurai keycaps and gateron milky yellow pro v2 switches. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Do you like these deep dives? Are you closing your tabs? Then don’t forget to rate and review us on Spotify, Apple podcasts, or wherever you listen to the show. Maybe drop a comment too. And if you really like Close All Tabs and want to support public media, go to donate.kqed.org slash podcasts. Thanks for listening.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>"
}
],
"link": "/news/12077465/to-hack-a-tractor-how-farmers-won-the-right-to-repair",
"authors": [
"11944",
"11943",
"11869",
"11832"
],
"programs": [
"news_35082"
],
"categories": [
"news_33520"
],
"tags": [
"news_35092",
"news_22973",
"news_34188",
"news_18163",
"news_34646",
"news_34506",
"news_1631"
],
"featImg": "news_12077469",
"label": "source_news_12077465"
},
"news_12076820": {
"type": "posts",
"id": "news_12076820",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12076820",
"score": null,
"sort": [
1773828043000
]
},
"guestAuthors": [],
"slug": "the-fight-for-your-right-to-repair",
"title": "The Fight for Your Right to Repair",
"publishDate": 1773828043,
"format": "audio",
"headTitle": "The Fight for Your Right to Repair | KQED",
"labelTerm": {},
"content": "\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Today’s culture of overconsumption urges us to simply throw broken items away and buy new ones. But there’s a growing shift to treat non-working devices differently. In this episode, we dig into the “right to repair” movement with Louis Rossmann, a repair technician, YouTuber and consumer rights advocate. Rossmann has spent years pushing back against the companies that make our devices harder, or even impossible, to fix. From parts pairing to “authorized repair” loopholes, we unpack how tech companies maintain control over the products you’ve already paid for. As devices like phones and even cars move toward subscription-based use models, we examine the question ‘do you truly own something if you can’t repair it?’\u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC9606298932\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guest:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.youtube.com/@rossmanngroup\">\u003cspan style=\"font-weight: 400\">Louis Rossmann\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, repair technician and advocate at Rossman Repair Group\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Further Reading/Listening:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.wired.com/story/expired-tired-wired-right-to-repair/\">\u003cspan style=\"font-weight: 400\">The Gloves Are Off in the Fight for Your Right to Repair\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Boone Ashworth, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">WIRED\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.bbc.com/news/technology-57763037\">\u003cspan style=\"font-weight: 400\">Apple founder Steve Wozniak backs right-to-repair movement\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">BBC\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.fastcompany.com/91387927/clippy-is-back-as-a-mascot-for-big-tech-protests\">\u003cspan style=\"font-weight: 400\">Clippy is back—this time as a mascot for Big Tech protests\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Eve Upton-Clark, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Fast Company\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.motherjones.com/politics/2025/08/power-wheelchair-duopoly-right-repair-law/\">\u003cspan style=\"font-weight: 400\">Wheelchair Users Are Finally Winning the Right to Repair\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Julia Métraux, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Mother Jones\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.kqed.org/news/11976969/a-growing-right-to-repair-culture-in-california\">A Growing ‘Right to Repair’ Culture in California\u003c/a> — Azul Dahlstrom-Eckman, \u003ci>KQED’s The Bay\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors\u003cbr>\n\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio From Repair Cafe Silicon Valley] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">A vacuum is it.. Oh, we need to ring the bell, let’s ring the bell. All right everybody, pay attention, uh, we’re going to ring the bell here.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung,Host: \u003c/b>\u003cspan style=\"font-weight: 400\"> We’re at a repair cafe. These days, it’s one of the hottest spots in town.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio From Repair Cafe Silicon Valley] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">We just repaired, what did we repair? A vacuum! Alright, ring the bell now, let’s go! Woohoo! We fixed the vacuum! Thank you! Thank you all the lovely repair people!\u003c/span>\u003c/i>\u003ci>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Repair cafes are community events, where people bring in their faulty espresso machines, vacuums on the fritz, and other broken items. Volunteers help with repairs, to the best of their abilities, like soldering wires or replacing errant bike chains. The whole point is to encourage people to repair and reuse their stuff, instead of tossing them into a landfill as soon as they stop functioning. Last month, Close All Tabs senior editor Chris Egusa popped into the library in Milpitas, California for Repair Cafe, Silicon Valley.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Chris Egusa \u003c/b>\u003cspan style=\"font-weight: 400\">How many of these repair cafes do you think that you’ve done or the organization is running?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesse Kornblum:\u003c/b>\u003cspan style=\"font-weight: 400\"> Oh, my God! We’ve certainly ramped up over the past few years. It used to be about one a month, now it’s two, sometimes three a month.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Jessie Kornblum is one of the organizers for this repair cafe.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesse Kornblum:\u003c/b>\u003cspan style=\"font-weight: 400\"> The one thing I do know is between now and the end of May, we have 12 events planned.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Here’s how it works: members of the community bring in their broken stuff, fill out a form, and then get paired with a volunteer who might have the skills to fix that specific item.\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesse Kornblum: \u003c/b>\u003cspan style=\"font-weight: 400\">We have volunteers who sign up ahead of time. They specialize in things like sewing or bikes, and we have a lot of general fixers who can work on electronic devices, some mechanical devices, and we’ve a few people with special skills for things like microwaves.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">At this repair cafe, a volunteer with a shock of red hair helps a woman with her tower fan. The fan only spun for a few seconds before shutting off.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Kay, Volunteer at Repair Cafe Silicon Valley Usually that means that there’s like a dead capacitor somewhere on the power supply. So operating on that assumption, we opened it up and we found a capacitor and we found a whole bunch of brown gunk around it, which means that the capacitor’s electrolyte has probably leaked out and the capacitor has gone dead.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Kay, the volunteer, takes a closer look inside the fan.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Kay, Volunteer at Repair Cafe Silicon Valley:\u003c/b>\u003cspan style=\"font-weight: 400\"> So this capacitor is probably good. I think this capacitor is fine, which is upsetting because now we don’t know what’s wrong with it. [\u003cem>laughs\u003c/em>]\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">At a nearby table, another volunteer, Sofia, hunches over a disassembled device, wielding a soldering iron with surgical precision. Tragedy had struck.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Sofia, Volunteer at Repair Cafe Silicon Valley:\u003c/b>\u003cspan style=\"font-weight: 400\"> We have a Dyson hairdryer right now that has been chewed up by a German shepherd. And since there’s some warranty issues with it, they weren’t able to get it repaired by Dyson. So we are here doing some re-soldering on some wires that have been chewed up.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Dyson hairdryers are pricey. They’re like top of the line. We’re talking hundreds of dollars. For the person who brought it in, this repair cafe is her last resort.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Repair Cafe Silicon Valley Attendee :\u003c/b>\u003cspan style=\"font-weight: 400\"> I also checked the appliance repair shop. They say they don’t fix those small appliance. And my last hope is here, and it’s also my first time here. And I’m super happy to have this helped by somebody.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">This is part of the reason repair cafes are taking off. They’ll try to fix things that manufacturers like Dyson or authorized repair shops won’t touch. For many, the biggest draw is a shift in mindset, feeling empowered by fixing what they own, even if the companies that made them discourage repair. Shonu Sen first came to one of these events with a pair of jeans that needed mending. Yes, they fix clothing too. Inspired by the experience, she later joined as a volunteer to learn new skills and to give back.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Shonu Sen, Attendee Repair Cafe Silicon Valley: \u003c/b>\u003cspan style=\"font-weight: 400\">It doesn’t matter if you want to save something, if you don’t have a way to learn how to maintain and repair your things, then there’s no one to teach you.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> This repair cafe, and the many others popping up around the country, represent a bigger shift from consumers across industries, but especially in electronics. Do you really own what you bought if you can’t fix it? I mean, even the word consumer suggests a lack of ownership. Today, we’re talking about the Right to Repair movement, what it is, how big tech companies have responded, and why this movement is changing our relationship to our stuff.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">This is Close All Tabs. I’m Morgan Sung, tech journalist and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. Let’s get into it.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Leading us through this deep dive is one of the key voices in the movement. He started out as a DIY guy, flipping broken laptops as a side hustle, and went on to build a massive YouTube following and push for actual legislation. Ready? Let’s open a new tab. What is the right to repair?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> Right to repair to me is the idea that you should have the ability to fix what you bought and paid for. It doesn’t mean that you have to fix everything that you own. It doesn’t mean that the manufacturer has to make it easy. It simply means not putting intentional barriers in place to you being able to repair what you bought and paid for.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> This is Louis Rossman. He owns a data recovery and laptop repair company, and he’s been fighting for the right to repair across the United States. If his voice sounds familiar, it might be because he followed one of his repair tutorials on YouTube. Also, he’s a pretty fast talker, especially today. He isn’t a regular coffee drinker, but told me he had some caffeine before this interview. So try to keep up.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> If you are unable to fix what you own, do you really own it? Is it yours or are you just leasing it from the manufacturer? Who has control over your product, the manufacturer or you?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Back in the 2000s, Louis started working at a recording studio in Manhattan. As an aspiring recording engineer, he needed a demo reel. To make that, he need a program called Logic, what some of you might know as a DAW, or Digital Audio Workstation. The thing with Logic is that it’s owned by Apple and will only run on Apple products. The problem, MacBooks were super expensive. Louis didn’t have that kind of money.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> So I’ve got a used one on eBay. It showed up broken. I got a partial refund for it. And when I finished the session, I sold it and I made $250. And I thought I’ve never made more than $400 to $600 a month in my life at that point. And here I just made $200 for what was about 15 to 20 minutes of work. Let me try that again. And it has kind of snowballed into the repair company that I have today.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> This started as his side hustle. Louis doesn’t have any formal training in tech repair, but working at the recording studio, he started to think like a technician. He got into the mindset of troubleshooting, learning to problem solve the way other engineers did.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann: \u003c/b>\u003cspan style=\"font-weight: 400\">And as time went on, I started adding to the services I offered. So instead of just basic screen repairs, here, we’ll do component-level motherboard repairs. So if Apple says it’s $1,200 to fix, we will fix it for a few hundred dollars by just replacing the one thing that’s broken, rather than replacing everything. I started hiring more people, I got a real store, and I showed people how to do these repairs on YouTube because my customers would tell me, Apple has told me if somebody says they can fix the motherboard instead of replacing it, they’re probably scamming you. So I thought, oh, really? Okay, cool. You’re calling me a scammer? Let’s go.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Louis had started a second business that sold replacement parts, but was struggling to keep it afloat. He found it really therapeutic to talk about what he was dealing with on camera, on YouTube, like a video diary. Then he started making repair videos.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann: \u003c/b>\u003cspan style=\"font-weight: 400\">Originally it was just for my own customers to show like, I’m not scamming you and I didn’t expect the channel to explode into like millions of subscribers. Anybody that looks at my early content probably sees this and just thinks like why would anybody watch this? I had no idea why anybody would watch it, but it just kind of exploded and went from there.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Right, I was going to ask like how did you learn how to fix a laptop, right? If your background was in fixing like recording equipment.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann: \u003c/b>\u003cspan style=\"font-weight: 400\">You don’t learn how to fix it, you learn how not to break it by virtue of breaking it. So usually there’s two types of technicians, and I’ll fully admit to being the second type. There are technicians that can open something and follow instructions and go, oh, here’s exactly what I do to do a good job. I’m not that person. What I’m good at is messing with something like, how hard can I pull on this tab before it breaks? Oh, okay. So once you break it, you know how to not break it. I would go through all the excuses I had. Well, I would fix this, but I don’t know what chip is which. Okay, why don’t I know that? I don’t have a schematic. Okay, now I have the schematic, but I don’t know how to read this, so, uh, I don’t know what the components do. Okay, I know what components do, but I don’t what the circuit does. And now I would just go through all the excuses that I had in my head for why I didn’t know how something worked, and then use those to try and figure it out. And I would tell myself, well, I’m a tech. Not, I, I dunno what I’m doing, I’d say, I am a tech, and a tech would say, if they don’t now what this is, they’d probably ask for somebody’s opinion, and they’d read a book. And if the book didn’t make sense, they’d ask somebody else. If they asked somebody else and it didn’t makes sense, then they’d try to find a video on it. I just kept going through all the things that were excuses to me for five years and… I would have students when I was teaching a class on this that would feel really bad if they made a mistake three or four days in and then they corrected themselves and I would always have to remind them, you corrected yourself four days, I corrected myself like after two or three years of making that same mistake, so don’t feel bad.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> As Louis honed his own skills, his client base grew. And that’s when he started to notice the barriers to actually repairing phones and laptops. A few years in, another repair shop owner told him about their spot getting raided by law enforcement. Because they weren’t authorized Apple repair providers, the police assumed that the shop’s replacement parts were stolen. It didn’t help that a lot of these parts, from iPhone screens to laptop motherboards, were recycled. Louis remembers being frustrated that even back then, it was nearly impossible to get individual parts from Apple. They only sold pre-assembled replacements.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> If I go to Apple, they’re gonna want me to pay almost $400 to buy this entire assembly when all I need is this $30 or $50 screen. I don’t need your hinges. I don’t need your camera. I don’t need the Wi-Fi antenna, the invertible, all this other extra stuff that’s showing up there.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> That was just one of dozens of hurdles he faced as a repair tech. His suppliers would get shut down and Louis would have to scramble to find new parts. Apple, for one, would force authorized recyclers to shred old MacBooks and iPhones so that their parts couldn’t be reused. Companies would release new laptop models, but wouldn’t make the new schematics available to even authorized service providers. So fixing a faulty motherboard was a process of trial and error, which took a lot longer.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> So I’ve never really asked the question of, why is this entire business based on dumpster diving? Why is it based on Alibaba and eBay and random people, like random suppliers that go in business and go out of business? I never really ask that question. I never even had the consciousness to ask that question until around 2013 to 2015. And then when I heard about right to repair in the automotive field, where in 2012, I believe there was a law or a memorandum of understanding in Massachusetts where it was, yeah, the manufacturer should make available to the people fixing vehicles, the parts and diagnostics software, everything else needed to fix a vehicle. Why don’t we have that? Why do I need to buy a donor board and then pray that the chip on the donor board, that was in a garbage somewhere, is good? Why can’t I just go to any vendor and just buy the chip? It never really occurred to me. And then when I started asking that question, it was impossible to unring that bell. And once I started unraveling that and asking about it, it kind of took on a life of its own.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> All he wanted to do was fix laptops. It didn’t have to be this hard. And that’s when he started speaking out about it on his YouTube channel and got involved in the Right to Repair movement. We’ll hear more of his story in a new tab after this break.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">We’re back with Louis Rossman, data recovery technician, right to repair activist and YouTuber. Let’s open a new tab: The Fight for the Right to Repair. Let’s talk about the history of the right to repair movement. Like you said, this affects almost every person, tech people, farmers, people who work in the medical field. Can you give us a little history of the Right to Repair movement? When did people start to push back?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> I think 2012 in Massachusetts with the Memorandum of Understanding for Motor Vehicle Repair. Most of the right to repair legislation that you see coming out around 2015 was a copy and paste of that and they just crossed out motor vehicles and put in consumer electronics.\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">As these legal efforts spread, more and more states held hearings to consider repair protections for consumers. Right to Repair advocates showed up to make their case, but so did tech industry lobbyists.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann: \u003c/b>\u003cspan style=\"font-weight: 400\">I started showing up to these hearings and I would bring my camera and the idea is if I win, I win and if I lose, I’m hoping that people will see this and just understand how frustrating it is for me. When I sit in front of a politician and I bring up my argument, and my opposition says something like, these people stand to make a lot of money being here today. And it’s just like, you’re getting paid $200,000 to $300,000 a year as a lobbyist to be here today. I paid $250 for my hotel and my plane ticket and I gave up on income to be here today. Yeah, who’s making money to be here, motherf*cker? I wanted people to hear this and like, instead of me making the argument as to why you should care about rights of repair because then I’m putting a thought in your head and it’s not my place to tell you what to think. I want you to listen to what I said and listen to they said and tell me what you think. And people would listen to this and go, my God, that is the biggest bunch of b*llshit I’ve ever heard in my life. And the thing is, a lot of these rooms that I was going into to record these hearings, they were set up for newscasters. They had a good position to put a camera. They had an XLR patch panel, so you’d have the microphones for all the different people testifying. It was all set up, but nobody was taking the time to do this. The news was covering something else because, again, when you look at even just the news right now, you’re talking about invading Greenland, the Epstein files, ICE. Regardless of where anybody watching this is on any of these issues, whether or not somebody can clear an error code in their tractor just kind of falls to the bottom of the list of priorities for CBS and Fox and MSNBC. They’re not showing up. To these local hearings to hear Louis talk about not being able to get a charging chip to somebody’s luxury Facebook machine. They just don’t care. It was simply having these people that have been lying and saying crazy, messed up sh*t for years. The one that was the biggest to me was in 2015, where this one politician, assemblyperson in New York said, “the opposition lobbyist for Apple said that when you work on a MacBook motherboard, you actually have converted it to a PC. You’re converting it to PC, but then you don’t tell your customer that you’ve converted it into a PC, and you misrepresent it to them as if it’s still a MacBook, which is fraud.” And I just had steam coming out of my ears.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> What does that mean?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> It’s kind of like, well, if you have a Ford F-150 truck, and if you change the tires from Goodyear to Michelin, now it’s not an F- 150. You have to rip the Ford badge off of it. Like really? And I tried to explain this to him, and I brought the broken device with a wire on it that fixed it, and I purposely disconnected it. I showed him the schematic and I said, ‘here’s why this wire is important. See when I reattached the fan spins? This is what I do. I teach people how to do this. Explain to me how this is no longer a MacBook and explain to me how this analogy would work if we were talking about your truck changing from Goodyear to Michelin.’ And then he just starts writing and I’m like, ‘are you even listening to me? What are you doing? I spent all this time to show up here…’ He’s like, I’m co-sponsoring your bill, *sshole, and then he hands it back to me. He says…he shows me, and I realized it was that simple. And I wished I had a camera in the room. I was so mad to this day, 11 years later, that I did not have a camera in that room so that I could have on record that that’s what somebody who was Apple lobbyist said. It pisses me off. So I said, I’m gonna show up with a camera to every single one of these. Because the reason that all these people have been getting away with this is because there hasn’t been any sunlight. Nobody looks at it. Nobody listens and watches. And if they did watch it, they would realize. That they can’t make things up like this anymore. They’re getting away with these lies because they’re talking to legislators that don’t understand technology and there’s nobody calling them out on it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> From 2017 to 2020, Louis was posting right to repair updates on YouTube, traveling across the country to show up to state hearings, rallying his viewers to urge their representatives to sponsor consumer rights bills, all while still running his repair shop. In 2020, Louis got a phone call from an unknown number. He picked up. There was a mysterious voice on the other end…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> …who asked, what would I do if I had, let’s say, a million dollars to help push forward right to repair? I’m like, yeah, this is a scam. Never mind, what do I have to do? Let me guess, I have the wire you 5,000 first.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Morgan Sung: He thought it was “total b*llshit,” his words, and hung up. But then the number called again. As it turned out, that voice on the other end was calling on behalf of a billionaire, Eron Jokipii, the founder of Yahoo Games and one of the first investors in WhatsApp. He’s big into tech freedom and consumer ownership. Eron offered initial funding for Louis to start Repair Preservation Group, a nonprofit organization dedicated to repair education. The group launched RepairWiki, a massive online repository for repairing all kinds of consumer electronics, from printers to e-bikes. But as a 501c3 organization, Repair Preservation Group is limited in how much it can spend on lobbying efforts. So, Louis started a second nonprofit, Repair Preservation Group Action Fund, specifically for pushing for Right to Repair laws. With the help of his viewers, he crowdfunded nearly $800,000.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Louis Rossmann: Instead of just me showing up with my camera and giving my testimony, I was able to actually help work with grassroots organizations. I was about to hire lobbyists to do that job. And after that happened, you started seeing Right to Repair get talked about a lot more. It wasn’t just me anymore. It was a lot of people organizing at the local level to try to get things pushed forward.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Louis even got Steve Wozniak to respond to a cameo request about it. Yes, that Steve Wozniak, as in the co-founder of Apple.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Audio clip from Steve Wosniak Cameo\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">] \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Hi Louis, Steve Wozniak here. I’ve read a lot of articles about the right to repair issue. I’m always totally supportive and I totally think the people behind it are doing the right thing. We wouldn’t have had an Apple had I not grown up in a very open technology world, an open electronics world. Back then when you bought electronic things like TVs and radios, every bit of the circuits and designs were included on paper, total open source. Someone with skill could get in and modify things to fix broken radios or televisions or to improve them or to even replace destroyed parts. Very motivating for creative minds. Believe me, that’s how I grew up. Anyway, it’s time to recognize the right to repair more fully.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> So far, all 50 states have introduced right to repair legislation. Seven states have passed actual laws: California, Colorado, Minnesota, Maine, New York, Oregon, and Washington. It’s a huge win for the movement, but there’s a catch, several actually.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> Most of those laws have loopholes that make them not very worthwhile. So like culturally, there’s been a lot of progress. A lot of people know what Right to Repair is that didn’t before. They know how their rights are being violated. They know ownership is going away every single day, but the law has not really kept up or had any teeth to push back against it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Which means that the fight for the right to repair is far from over. Each state’s laws are different, and this patchwork of right to prepare requirements leaves many gaps in actual consumer protection. What does the right-to-repair landscape look like now? We’re getting into that in a new tab: Right to Repair loopholes. The existing right to repair laws vary state by state. California covers consumer electronics, wheelchairs, and appliances, but not farm equipment. Maine and Massachusetts only cover car data, like access to diagnostic information. New York only covers personal electronics. Minnesota doesn’t cover wheelchairs, but does cover business equipment. And so far, of all of the state right to prepare laws, only Colorado, Oregon, and Washington banned this tricky practice called “parts pairing.” That practice has become increasingly common among tech manufacturers, and it makes it much harder to actually repair products.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> Parts pairing is the idea that even if I take a new part from a new device and put it in my device, it will not work because that part has a serial number on it. And when the device senses that even if it’s an OEM part, it’s not my original OEM part, It won’t work properly.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> OEM stands for Original Equipment Manufacturer.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> Versus some random other person making it. So there’s aftermarket parts, there’s knockoff parts, there’s used originals, and then there’s OEM, which is this part is what the original equipment manufacturer used and the same grade and quality. Starting maybe five to seven years ago, this started to become more popular where you would change a part and it wouldn’t work. And people would say, “well, you must have put a knockoff.” And you say, no, I took this out of a new device. And then they would buy a new device just to see if they were going insane, put the part in to their device and it would work. Because the device could sense that it wasn’t my original one. And that’s a problem because it makes the whole concept of recycling go away. If I have a device where everything is broken on it, it’s not economically viable to repair, but this thing still works, I want to be able to use this part to fix this thing. It destroys that in a very bad way.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> But how else has Big Tech responded to the right to repair movement? Are companies behind it? Are they pushing against it? What’s your read?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann: \u003c/b>\u003cspan style=\"font-weight: 400\">Fake programs. They say, look, we released our right to repair program. Here’s our parts list on our website. And I don’t blame the press for this. The press covers thousands of different news items across thousands of things every day. So if I see, look, a repair program. I see pictures of parts, I see in stock, I see it’s not $10,000, I’ll think it’s okay. But when a repair person looks at this, they see you want $206 for a smartphone battery because you say that it is glued to the screen. A lot of these programs are put together in a way where it makes no economic sense whatsoever. Now, when I say no economic sense, I don’t mean that it’s just the repair person says, I wanna make 100,000 a year and I can only make 50,000 year. No, I mean that when I buy that part, if I were to charge my customer for the repair, just the cost of the part by itself, my customer would look at me and give me the middle finger and say, that’s a ripoff. And that’s the problem with a lot of these programs is they were made to appease legislators and the press, they weren’t actually made to be viable repair programs that repair technicians actually wanna use.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yeah, I was also going to ask like, you know, what does the current landscape of Right to Repair laws look like in the United States right now? Do some states have better laws than others? What are these laws missing?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> Every law has something missing, like in New York, there’s an exemption for trade secrets and safety. Now, when you have people showing up to legislative hearings and saying that if independent technicians fix your microwave, a magtrometer will explode, that’s a safety issue. What is a magtrometer? A magtrometer doesn’t exist. So I don’t want there to be something in the bill that says, you know, we can have exemptions if the manufacturer says there’s a safety issue, because they’ve made up safety issues. They’ve made names of parts that don’t exist and testified in front of state legislatures numerous times to fear monger politicians into believing that everything’s gonna blow up if people can fix things. So I don’t like the idea of a safety exemption because they’re just gonna say anything. Like what if a replacement screen, man, you could get glass, you could get a paper cut. What if that person has like a blood clotting disorder? Maybe they’ll bleed out and die. I wouldn’t be surprised if a manufacturer tried to say something silly like that. A lithium-ion battery could explode. And true, a lithium- ion battery could explore. Your car could also not stop when going 80 miles down the highway and kill 30 people. We don’t say that you can’t replace your brakes. The other is that in Minnesota, there is Right to Repair that was pushed through a budget process, and that excludes game consoles. So I mean, game consoles are a really big field of consumer electronics. So when you have a bill that says it excludes this, it excluds that, there are so many exemptions in many of these laws and carve-outs for all these industries. Like you can’t repair medical equipment, you can’t repair farm equipment, you can’t prepare this, that, and the other. And even if you didn’t have those carve-out at all, when it says make available what you make available to your authorized service centers. The entire reason that people are coming to repair shops like mine to begin with is because the authorized repair center doesn’t fix anything. It’s easy to legislate, you must have a one year warranty on your product. When it comes to repair, you’re really trying to legislate, don’t be a dick. And that’s why the battle, as I see it, is the cultural one. I want people that have watched my channel or got into engineering and electronics who become designers and engineers of these businesses because they grew up watching me live streaming in 2016 at two in the morning, cursing as I’m trying to figure out where this trace goes without a schematic. When they get into this field and they’re asked to do something that’s anti-repair, when they’re asked to send that email, oh, by the way, make sure that this part is only available to our authorized people and nobody else can buy that charging chip. I want them to remember what got them into this and then say, ‘you know what, I’m not doing that. And if you want to make me do that, I quit.’ And I want to live in a society where everybody is open to doing that. So I realize that a lot of what I’m pushing for, very likely, I will be dead or long dead by the time we actually get it. All of these seeds that I’m planting are cultural seeds that will take a few generations to actually change. Hopefully there’s some success there.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> But like you said, in the past, people did just fix their stuff, it was the norm to just fix your stuff. It seems like we can still go back to that, hopefully.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> I would like to see things go back to that and I’d like to see more people across more industries become aware of this. And the biggest pushback that I’ve seen is not even what companies do, it’s what people accept. And I would to see people be more open to sticking together rather than saying, you deserve it. This happens in my comment section all the time and I always point it out. What kind of moron would buy a digital picture frame? You should buy something like this. But that person who made fun of that user for that may also have a fridge that they didn’t even realize has ads in it. Or that person may have a smart TV that they didn’t realize was spying on them. It’s like, well, what kind of moron buys a smart tv that has this? And they’re like, you should have bought what I bought. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And I really want to see people coalesce and come together and realize that simping for billion dollar companies that are ripping you off, stealing your data, robbing you blind and trying to take away the rights of ownership is not the thing to do. It’s to band together and say, you know what, I don’t accept this practice. And even if I would not buy the thing my neighbor bought, that may happen to me someday. Let’s work together rather than all sh*t on each other as we get robbed blind.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Some companies are featuring repairability as like a key selling point in their marketing. One example is the laptop manufacturer, Framework, which builds laptops that are easily disassembled, upgraded and repaired. What do you think about this trend? What does it signal for the Right to Repair movement?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann: \u003c/b>\u003cspan style=\"font-weight: 400\">The fact that they have not gone bankrupt several years in, in a very difficult and wavy economy, like, I think that their products just started to become popular right as interest rates were soaring and all this economic volatility I think it’s very cool. They actually do try to make things repairable and for any of the faults the company has had on like certain issues with certain products, I think their heart is in the right place and I like seeing that. And the fact that there’s actually a market for it is great now the problem is, they’re competing in a very low profit margin industry. Like, companies like Lenovo and Acer, and the companies that are making these products that a lot of people buy, their profit margins are in the single digit percentage, and that’s acting at economies of scale at tens of hundreds of billions of dollars.\u003c/span>\u003c/p>\n\u003cp>So for a new player to come in and do anything here, they’re either gonna have less choices available, which means less people buy the product, or they’re gonna have a higher price. So I love seeing it, I’d love to see more of it. The fact that they exist at all is very validating for the fact that people are actually willing to spend more money just for a company that respects them, and I think that’s a big part of it. It’s not always about the money, it’s about the respect.\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So what do you want people to take away from the Right to Repair movement? Like, why should, why should they care?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> It’s about ownership in general. And right to repair is a very small portion under the ownership umbrella, and that’s where I’ve been focusing more of my work on in the past few years. Everything is moving to the subscription model. So look around at all these different products and take note of the fact that you don’t really own them. The fact that hundreds of thousands of Nest thermostats across the world stopped functioning with the functionality that they were advertised with simply because Google decided we don’t want to support it anymore. If Google can flip a switch and your device has stopped working, if your car manufacturer could flip a switch and your heated seats are no longer activated, do you actually own any of the things that you bought and paid for?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> It seems like that’s the kind of mentality of a lot of Right to Repair is just like trial and error instead of just giving up and accepting that you have to buy something new.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yeah, and the thing is the people that are authorized or say you’re not authorized and you don’t know what you’re doing, the way you figure out how to work on it to begin with very often is by tinkering and messing around when you don’t know what you’re, doing. And I hope that people who don’t know what they’re doing feel confident in, in trying to open things. At the very…again, if it doesn’t belong to somebody else. If it belongs to you and you’re not sacrificing, you know, your significant other’s data or something, mess with something that you’re clueless about and constantly learn something. And even if you’ve taken a chip off and you just put the chip back on it still works, celebrate that. Celebrate every time you’ve done something without making the device work. Trying to figure things out as you go is one of the best ways to learn and I hope that more people feel confident in telling themselves, I’m completely clueless and that’s okay, I’m just going to try it anyway.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">That mentality is exactly what community repair cafes are all about. Back in the Milpitas Library, at the Silicon Valley Repair Cafe, volunteers dissected faulty appliances, rearranging and re-soldering guts of wires in hopes of sparking some life back into them. One of the volunteers, named Tara, recalled the repair cafe’s early days.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Tara, Volunteer at Repair Cafe Silicon Valley: \u003c/b>\u003cspan style=\"font-weight: 400\">So, yeah, last year, a woman came walking up cradling this beautiful cherry apple red toaster. It looked gorgeous. And so I looked at it and said, I know what it is. It’s a spring, and it can be fixed. And I said, what’s the story with your toaster? And she just beamed, her face lit up, and she’s like, this was the toaster I won on “Price is Right.” This is the only thing I have left over from college. And she said she and a whole bunch of her friends went to the “Price is Right” one morning and she was the first person. Kareen, come on down and she won $25,000.\u003c/span>\u003c/p>\n\u003cp>I said, “Did you get to spin the wheel?” She’s like, “Oh, yes I did,” and she’s like “Well, the only thing left is this toaster and it’s my college toaster.” And so we were able to fix it and she walked away beaming and that was just a great example of the kinds of things that we see here on a regular basis. It’s just a toaster, but it was her college toaster that she won at “Price is Right! ”\u003c/p>\n\u003cp>\u003cb>Chris Egusa:\u003c/b>\u003cspan style=\"font-weight: 400\"> Irreplaceable.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Tara, Volunteer at Repair Cafe Silicon Valley:\u003c/b>\u003cspan style=\"font-weight: 400\"> Irreplaceable.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> We’ve heard about the consumer electronic side of the right to repair movement, laptop repair technicians like Louis, who just want to replace hard drives without the headache of everything we drove into today. But did you know that a lot of today’s repairs are only legal because of farmers who were sick of hacking their tractors? That’s next week. For now, let’s close all these tabs.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung\u003c/b>\u003cspan style=\"font-weight: 400\">: Close All Tabs is a production of KQED Studios, and it’s reported and hosted by me, Morgan Sung. This episode was produced by our senior editor, Chris Egusa, who also composed our theme song and credits music. It was edited by Chris Hambrick, additional production help from Gabriela Glueck. Our team includes producer Maya Cueva. Additional music by APM. Brendan Willard is our audio engineer. Jen Chien is our director of podcasts. Ethan Toven-Lindsey is our editor in chief.\u003c/span>\u003c/p>\n\u003cp>Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco, Northern California Local.\u003c/p>\n\u003cp>This episode’s keyboard sounds were submitted by Alex Tran and recorded on his white Epomaker Hi75 keyboard with Fogruaden red samurai keycaps and gateron milky yellow pro v2 switches.\u003c/p>\n\u003cp>Do you like these deep dives? Are you closing your tabs? Then don’t forget to rate and review us on Spotify, Apple podcasts, or wherever you listen to the show. Maybe drop a comment too. And if you really like Close All Tabs and want to support public media, go to donate.kqed.org/podcasts. Thanks for listening.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "Right to repair advocate Louis Rossmann examines the question, ‘do you truly own something if you can’t repair it?’",
"status": "publish",
"parent": 0,
"modified": 1773813368,
"stats": {
"hasAudio": true,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 90,
"wordCount": 7650
},
"headData": {
"title": "The Fight for Your Right to Repair | KQED",
"description": "Today’s culture of overconsumption urges us to simply throw broken items away and buy new ones. But there’s a growing shift to treat non-working devices differently. In this episode, we dig into the “right to repair” movement with Louis Rossmann, a repair technician, YouTuber and consumer rights advocate. Rossmann has spent years pushing back against the companies that make our devices harder, or even impossible, to fix. From parts pairing to “authorized repair” loopholes, we unpack how tech companies maintain control over the products you’ve already paid for. As devices like phones and even cars move toward subscription-based use models, we examine the question ‘do you truly own something if you can’t repair it?’",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"socialDescription": "Today’s culture of overconsumption urges us to simply throw broken items away and buy new ones. But there’s a growing shift to treat non-working devices differently. In this episode, we dig into the “right to repair” movement with Louis Rossmann, a repair technician, YouTuber and consumer rights advocate. Rossmann has spent years pushing back against the companies that make our devices harder, or even impossible, to fix. From parts pairing to “authorized repair” loopholes, we unpack how tech companies maintain control over the products you’ve already paid for. As devices like phones and even cars move toward subscription-based use models, we examine the question ‘do you truly own something if you can’t repair it?’",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "The Fight for Your Right to Repair",
"datePublished": "2026-03-18T03:00:43-07:00",
"dateModified": "2026-03-17T22:56:08-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"primaryCategory": {
"termId": 33520,
"slug": "podcast",
"name": "Podcast"
},
"source": "Close All Tabs",
"sourceUrl": "https://www.kqed.org/podcasts/closealltabs",
"audioUrl": "https://traffic.megaphone.fm/KQINC9606298932.mp3",
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/news/12076820/the-fight-for-your-right-to-repair",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Today’s culture of overconsumption urges us to simply throw broken items away and buy new ones. But there’s a growing shift to treat non-working devices differently. In this episode, we dig into the “right to repair” movement with Louis Rossmann, a repair technician, YouTuber and consumer rights advocate. Rossmann has spent years pushing back against the companies that make our devices harder, or even impossible, to fix. From parts pairing to “authorized repair” loopholes, we unpack how tech companies maintain control over the products you’ve already paid for. As devices like phones and even cars move toward subscription-based use models, we examine the question ‘do you truly own something if you can’t repair it?’\u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC9606298932\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guest:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.youtube.com/@rossmanngroup\">\u003cspan style=\"font-weight: 400\">Louis Rossmann\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, repair technician and advocate at Rossman Repair Group\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Further Reading/Listening:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.wired.com/story/expired-tired-wired-right-to-repair/\">\u003cspan style=\"font-weight: 400\">The Gloves Are Off in the Fight for Your Right to Repair\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Boone Ashworth, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">WIRED\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.bbc.com/news/technology-57763037\">\u003cspan style=\"font-weight: 400\">Apple founder Steve Wozniak backs right-to-repair movement\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">BBC\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.fastcompany.com/91387927/clippy-is-back-as-a-mascot-for-big-tech-protests\">\u003cspan style=\"font-weight: 400\">Clippy is back—this time as a mascot for Big Tech protests\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Eve Upton-Clark, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Fast Company\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.motherjones.com/politics/2025/08/power-wheelchair-duopoly-right-repair-law/\">\u003cspan style=\"font-weight: 400\">Wheelchair Users Are Finally Winning the Right to Repair\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Julia Métraux, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Mother Jones\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.kqed.org/news/11976969/a-growing-right-to-repair-culture-in-california\">A Growing ‘Right to Repair’ Culture in California\u003c/a> — Azul Dahlstrom-Eckman, \u003ci>KQED’s The Bay\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-content post-body\">\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors\u003cbr>\n\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio From Repair Cafe Silicon Valley] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">A vacuum is it.. Oh, we need to ring the bell, let’s ring the bell. All right everybody, pay attention, uh, we’re going to ring the bell here.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung,Host: \u003c/b>\u003cspan style=\"font-weight: 400\"> We’re at a repair cafe. These days, it’s one of the hottest spots in town.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio From Repair Cafe Silicon Valley] \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">We just repaired, what did we repair? A vacuum! Alright, ring the bell now, let’s go! Woohoo! We fixed the vacuum! Thank you! Thank you all the lovely repair people!\u003c/span>\u003c/i>\u003ci>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Repair cafes are community events, where people bring in their faulty espresso machines, vacuums on the fritz, and other broken items. Volunteers help with repairs, to the best of their abilities, like soldering wires or replacing errant bike chains. The whole point is to encourage people to repair and reuse their stuff, instead of tossing them into a landfill as soon as they stop functioning. Last month, Close All Tabs senior editor Chris Egusa popped into the library in Milpitas, California for Repair Cafe, Silicon Valley.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Chris Egusa \u003c/b>\u003cspan style=\"font-weight: 400\">How many of these repair cafes do you think that you’ve done or the organization is running?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesse Kornblum:\u003c/b>\u003cspan style=\"font-weight: 400\"> Oh, my God! We’ve certainly ramped up over the past few years. It used to be about one a month, now it’s two, sometimes three a month.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Jessie Kornblum is one of the organizers for this repair cafe.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesse Kornblum:\u003c/b>\u003cspan style=\"font-weight: 400\"> The one thing I do know is between now and the end of May, we have 12 events planned.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Here’s how it works: members of the community bring in their broken stuff, fill out a form, and then get paired with a volunteer who might have the skills to fix that specific item.\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesse Kornblum: \u003c/b>\u003cspan style=\"font-weight: 400\">We have volunteers who sign up ahead of time. They specialize in things like sewing or bikes, and we have a lot of general fixers who can work on electronic devices, some mechanical devices, and we’ve a few people with special skills for things like microwaves.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">At this repair cafe, a volunteer with a shock of red hair helps a woman with her tower fan. The fan only spun for a few seconds before shutting off.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Kay, Volunteer at Repair Cafe Silicon Valley Usually that means that there’s like a dead capacitor somewhere on the power supply. So operating on that assumption, we opened it up and we found a capacitor and we found a whole bunch of brown gunk around it, which means that the capacitor’s electrolyte has probably leaked out and the capacitor has gone dead.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Kay, the volunteer, takes a closer look inside the fan.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Kay, Volunteer at Repair Cafe Silicon Valley:\u003c/b>\u003cspan style=\"font-weight: 400\"> So this capacitor is probably good. I think this capacitor is fine, which is upsetting because now we don’t know what’s wrong with it. [\u003cem>laughs\u003c/em>]\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">At a nearby table, another volunteer, Sofia, hunches over a disassembled device, wielding a soldering iron with surgical precision. Tragedy had struck.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Sofia, Volunteer at Repair Cafe Silicon Valley:\u003c/b>\u003cspan style=\"font-weight: 400\"> We have a Dyson hairdryer right now that has been chewed up by a German shepherd. And since there’s some warranty issues with it, they weren’t able to get it repaired by Dyson. So we are here doing some re-soldering on some wires that have been chewed up.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Dyson hairdryers are pricey. They’re like top of the line. We’re talking hundreds of dollars. For the person who brought it in, this repair cafe is her last resort.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Repair Cafe Silicon Valley Attendee :\u003c/b>\u003cspan style=\"font-weight: 400\"> I also checked the appliance repair shop. They say they don’t fix those small appliance. And my last hope is here, and it’s also my first time here. And I’m super happy to have this helped by somebody.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">This is part of the reason repair cafes are taking off. They’ll try to fix things that manufacturers like Dyson or authorized repair shops won’t touch. For many, the biggest draw is a shift in mindset, feeling empowered by fixing what they own, even if the companies that made them discourage repair. Shonu Sen first came to one of these events with a pair of jeans that needed mending. Yes, they fix clothing too. Inspired by the experience, she later joined as a volunteer to learn new skills and to give back.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Shonu Sen, Attendee Repair Cafe Silicon Valley: \u003c/b>\u003cspan style=\"font-weight: 400\">It doesn’t matter if you want to save something, if you don’t have a way to learn how to maintain and repair your things, then there’s no one to teach you.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> This repair cafe, and the many others popping up around the country, represent a bigger shift from consumers across industries, but especially in electronics. Do you really own what you bought if you can’t fix it? I mean, even the word consumer suggests a lack of ownership. Today, we’re talking about the Right to Repair movement, what it is, how big tech companies have responded, and why this movement is changing our relationship to our stuff.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">This is Close All Tabs. I’m Morgan Sung, tech journalist and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. Let’s get into it.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Leading us through this deep dive is one of the key voices in the movement. He started out as a DIY guy, flipping broken laptops as a side hustle, and went on to build a massive YouTube following and push for actual legislation. Ready? Let’s open a new tab. What is the right to repair?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> Right to repair to me is the idea that you should have the ability to fix what you bought and paid for. It doesn’t mean that you have to fix everything that you own. It doesn’t mean that the manufacturer has to make it easy. It simply means not putting intentional barriers in place to you being able to repair what you bought and paid for.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> This is Louis Rossman. He owns a data recovery and laptop repair company, and he’s been fighting for the right to repair across the United States. If his voice sounds familiar, it might be because he followed one of his repair tutorials on YouTube. Also, he’s a pretty fast talker, especially today. He isn’t a regular coffee drinker, but told me he had some caffeine before this interview. So try to keep up.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> If you are unable to fix what you own, do you really own it? Is it yours or are you just leasing it from the manufacturer? Who has control over your product, the manufacturer or you?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Back in the 2000s, Louis started working at a recording studio in Manhattan. As an aspiring recording engineer, he needed a demo reel. To make that, he need a program called Logic, what some of you might know as a DAW, or Digital Audio Workstation. The thing with Logic is that it’s owned by Apple and will only run on Apple products. The problem, MacBooks were super expensive. Louis didn’t have that kind of money.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> So I’ve got a used one on eBay. It showed up broken. I got a partial refund for it. And when I finished the session, I sold it and I made $250. And I thought I’ve never made more than $400 to $600 a month in my life at that point. And here I just made $200 for what was about 15 to 20 minutes of work. Let me try that again. And it has kind of snowballed into the repair company that I have today.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> This started as his side hustle. Louis doesn’t have any formal training in tech repair, but working at the recording studio, he started to think like a technician. He got into the mindset of troubleshooting, learning to problem solve the way other engineers did.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann: \u003c/b>\u003cspan style=\"font-weight: 400\">And as time went on, I started adding to the services I offered. So instead of just basic screen repairs, here, we’ll do component-level motherboard repairs. So if Apple says it’s $1,200 to fix, we will fix it for a few hundred dollars by just replacing the one thing that’s broken, rather than replacing everything. I started hiring more people, I got a real store, and I showed people how to do these repairs on YouTube because my customers would tell me, Apple has told me if somebody says they can fix the motherboard instead of replacing it, they’re probably scamming you. So I thought, oh, really? Okay, cool. You’re calling me a scammer? Let’s go.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Louis had started a second business that sold replacement parts, but was struggling to keep it afloat. He found it really therapeutic to talk about what he was dealing with on camera, on YouTube, like a video diary. Then he started making repair videos.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann: \u003c/b>\u003cspan style=\"font-weight: 400\">Originally it was just for my own customers to show like, I’m not scamming you and I didn’t expect the channel to explode into like millions of subscribers. Anybody that looks at my early content probably sees this and just thinks like why would anybody watch this? I had no idea why anybody would watch it, but it just kind of exploded and went from there.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Right, I was going to ask like how did you learn how to fix a laptop, right? If your background was in fixing like recording equipment.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann: \u003c/b>\u003cspan style=\"font-weight: 400\">You don’t learn how to fix it, you learn how not to break it by virtue of breaking it. So usually there’s two types of technicians, and I’ll fully admit to being the second type. There are technicians that can open something and follow instructions and go, oh, here’s exactly what I do to do a good job. I’m not that person. What I’m good at is messing with something like, how hard can I pull on this tab before it breaks? Oh, okay. So once you break it, you know how to not break it. I would go through all the excuses I had. Well, I would fix this, but I don’t know what chip is which. Okay, why don’t I know that? I don’t have a schematic. Okay, now I have the schematic, but I don’t know how to read this, so, uh, I don’t know what the components do. Okay, I know what components do, but I don’t what the circuit does. And now I would just go through all the excuses that I had in my head for why I didn’t know how something worked, and then use those to try and figure it out. And I would tell myself, well, I’m a tech. Not, I, I dunno what I’m doing, I’d say, I am a tech, and a tech would say, if they don’t now what this is, they’d probably ask for somebody’s opinion, and they’d read a book. And if the book didn’t make sense, they’d ask somebody else. If they asked somebody else and it didn’t makes sense, then they’d try to find a video on it. I just kept going through all the things that were excuses to me for five years and… I would have students when I was teaching a class on this that would feel really bad if they made a mistake three or four days in and then they corrected themselves and I would always have to remind them, you corrected yourself four days, I corrected myself like after two or three years of making that same mistake, so don’t feel bad.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> As Louis honed his own skills, his client base grew. And that’s when he started to notice the barriers to actually repairing phones and laptops. A few years in, another repair shop owner told him about their spot getting raided by law enforcement. Because they weren’t authorized Apple repair providers, the police assumed that the shop’s replacement parts were stolen. It didn’t help that a lot of these parts, from iPhone screens to laptop motherboards, were recycled. Louis remembers being frustrated that even back then, it was nearly impossible to get individual parts from Apple. They only sold pre-assembled replacements.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> If I go to Apple, they’re gonna want me to pay almost $400 to buy this entire assembly when all I need is this $30 or $50 screen. I don’t need your hinges. I don’t need your camera. I don’t need the Wi-Fi antenna, the invertible, all this other extra stuff that’s showing up there.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> That was just one of dozens of hurdles he faced as a repair tech. His suppliers would get shut down and Louis would have to scramble to find new parts. Apple, for one, would force authorized recyclers to shred old MacBooks and iPhones so that their parts couldn’t be reused. Companies would release new laptop models, but wouldn’t make the new schematics available to even authorized service providers. So fixing a faulty motherboard was a process of trial and error, which took a lot longer.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> So I’ve never really asked the question of, why is this entire business based on dumpster diving? Why is it based on Alibaba and eBay and random people, like random suppliers that go in business and go out of business? I never really ask that question. I never even had the consciousness to ask that question until around 2013 to 2015. And then when I heard about right to repair in the automotive field, where in 2012, I believe there was a law or a memorandum of understanding in Massachusetts where it was, yeah, the manufacturer should make available to the people fixing vehicles, the parts and diagnostics software, everything else needed to fix a vehicle. Why don’t we have that? Why do I need to buy a donor board and then pray that the chip on the donor board, that was in a garbage somewhere, is good? Why can’t I just go to any vendor and just buy the chip? It never really occurred to me. And then when I started asking that question, it was impossible to unring that bell. And once I started unraveling that and asking about it, it kind of took on a life of its own.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> All he wanted to do was fix laptops. It didn’t have to be this hard. And that’s when he started speaking out about it on his YouTube channel and got involved in the Right to Repair movement. We’ll hear more of his story in a new tab after this break.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">We’re back with Louis Rossman, data recovery technician, right to repair activist and YouTuber. Let’s open a new tab: The Fight for the Right to Repair. Let’s talk about the history of the right to repair movement. Like you said, this affects almost every person, tech people, farmers, people who work in the medical field. Can you give us a little history of the Right to Repair movement? When did people start to push back?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> I think 2012 in Massachusetts with the Memorandum of Understanding for Motor Vehicle Repair. Most of the right to repair legislation that you see coming out around 2015 was a copy and paste of that and they just crossed out motor vehicles and put in consumer electronics.\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">As these legal efforts spread, more and more states held hearings to consider repair protections for consumers. Right to Repair advocates showed up to make their case, but so did tech industry lobbyists.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann: \u003c/b>\u003cspan style=\"font-weight: 400\">I started showing up to these hearings and I would bring my camera and the idea is if I win, I win and if I lose, I’m hoping that people will see this and just understand how frustrating it is for me. When I sit in front of a politician and I bring up my argument, and my opposition says something like, these people stand to make a lot of money being here today. And it’s just like, you’re getting paid $200,000 to $300,000 a year as a lobbyist to be here today. I paid $250 for my hotel and my plane ticket and I gave up on income to be here today. Yeah, who’s making money to be here, motherf*cker? I wanted people to hear this and like, instead of me making the argument as to why you should care about rights of repair because then I’m putting a thought in your head and it’s not my place to tell you what to think. I want you to listen to what I said and listen to they said and tell me what you think. And people would listen to this and go, my God, that is the biggest bunch of b*llshit I’ve ever heard in my life. And the thing is, a lot of these rooms that I was going into to record these hearings, they were set up for newscasters. They had a good position to put a camera. They had an XLR patch panel, so you’d have the microphones for all the different people testifying. It was all set up, but nobody was taking the time to do this. The news was covering something else because, again, when you look at even just the news right now, you’re talking about invading Greenland, the Epstein files, ICE. Regardless of where anybody watching this is on any of these issues, whether or not somebody can clear an error code in their tractor just kind of falls to the bottom of the list of priorities for CBS and Fox and MSNBC. They’re not showing up. To these local hearings to hear Louis talk about not being able to get a charging chip to somebody’s luxury Facebook machine. They just don’t care. It was simply having these people that have been lying and saying crazy, messed up sh*t for years. The one that was the biggest to me was in 2015, where this one politician, assemblyperson in New York said, “the opposition lobbyist for Apple said that when you work on a MacBook motherboard, you actually have converted it to a PC. You’re converting it to PC, but then you don’t tell your customer that you’ve converted it into a PC, and you misrepresent it to them as if it’s still a MacBook, which is fraud.” And I just had steam coming out of my ears.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> What does that mean?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> It’s kind of like, well, if you have a Ford F-150 truck, and if you change the tires from Goodyear to Michelin, now it’s not an F- 150. You have to rip the Ford badge off of it. Like really? And I tried to explain this to him, and I brought the broken device with a wire on it that fixed it, and I purposely disconnected it. I showed him the schematic and I said, ‘here’s why this wire is important. See when I reattached the fan spins? This is what I do. I teach people how to do this. Explain to me how this is no longer a MacBook and explain to me how this analogy would work if we were talking about your truck changing from Goodyear to Michelin.’ And then he just starts writing and I’m like, ‘are you even listening to me? What are you doing? I spent all this time to show up here…’ He’s like, I’m co-sponsoring your bill, *sshole, and then he hands it back to me. He says…he shows me, and I realized it was that simple. And I wished I had a camera in the room. I was so mad to this day, 11 years later, that I did not have a camera in that room so that I could have on record that that’s what somebody who was Apple lobbyist said. It pisses me off. So I said, I’m gonna show up with a camera to every single one of these. Because the reason that all these people have been getting away with this is because there hasn’t been any sunlight. Nobody looks at it. Nobody listens and watches. And if they did watch it, they would realize. That they can’t make things up like this anymore. They’re getting away with these lies because they’re talking to legislators that don’t understand technology and there’s nobody calling them out on it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> From 2017 to 2020, Louis was posting right to repair updates on YouTube, traveling across the country to show up to state hearings, rallying his viewers to urge their representatives to sponsor consumer rights bills, all while still running his repair shop. In 2020, Louis got a phone call from an unknown number. He picked up. There was a mysterious voice on the other end…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> …who asked, what would I do if I had, let’s say, a million dollars to help push forward right to repair? I’m like, yeah, this is a scam. Never mind, what do I have to do? Let me guess, I have the wire you 5,000 first.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Morgan Sung: He thought it was “total b*llshit,” his words, and hung up. But then the number called again. As it turned out, that voice on the other end was calling on behalf of a billionaire, Eron Jokipii, the founder of Yahoo Games and one of the first investors in WhatsApp. He’s big into tech freedom and consumer ownership. Eron offered initial funding for Louis to start Repair Preservation Group, a nonprofit organization dedicated to repair education. The group launched RepairWiki, a massive online repository for repairing all kinds of consumer electronics, from printers to e-bikes. But as a 501c3 organization, Repair Preservation Group is limited in how much it can spend on lobbying efforts. So, Louis started a second nonprofit, Repair Preservation Group Action Fund, specifically for pushing for Right to Repair laws. With the help of his viewers, he crowdfunded nearly $800,000.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Louis Rossmann: Instead of just me showing up with my camera and giving my testimony, I was able to actually help work with grassroots organizations. I was about to hire lobbyists to do that job. And after that happened, you started seeing Right to Repair get talked about a lot more. It wasn’t just me anymore. It was a lot of people organizing at the local level to try to get things pushed forward.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Louis even got Steve Wozniak to respond to a cameo request about it. Yes, that Steve Wozniak, as in the co-founder of Apple.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Audio clip from Steve Wosniak Cameo\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">] \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Hi Louis, Steve Wozniak here. I’ve read a lot of articles about the right to repair issue. I’m always totally supportive and I totally think the people behind it are doing the right thing. We wouldn’t have had an Apple had I not grown up in a very open technology world, an open electronics world. Back then when you bought electronic things like TVs and radios, every bit of the circuits and designs were included on paper, total open source. Someone with skill could get in and modify things to fix broken radios or televisions or to improve them or to even replace destroyed parts. Very motivating for creative minds. Believe me, that’s how I grew up. Anyway, it’s time to recognize the right to repair more fully.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> So far, all 50 states have introduced right to repair legislation. Seven states have passed actual laws: California, Colorado, Minnesota, Maine, New York, Oregon, and Washington. It’s a huge win for the movement, but there’s a catch, several actually.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> Most of those laws have loopholes that make them not very worthwhile. So like culturally, there’s been a lot of progress. A lot of people know what Right to Repair is that didn’t before. They know how their rights are being violated. They know ownership is going away every single day, but the law has not really kept up or had any teeth to push back against it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Which means that the fight for the right to repair is far from over. Each state’s laws are different, and this patchwork of right to prepare requirements leaves many gaps in actual consumer protection. What does the right-to-repair landscape look like now? We’re getting into that in a new tab: Right to Repair loopholes. The existing right to repair laws vary state by state. California covers consumer electronics, wheelchairs, and appliances, but not farm equipment. Maine and Massachusetts only cover car data, like access to diagnostic information. New York only covers personal electronics. Minnesota doesn’t cover wheelchairs, but does cover business equipment. And so far, of all of the state right to prepare laws, only Colorado, Oregon, and Washington banned this tricky practice called “parts pairing.” That practice has become increasingly common among tech manufacturers, and it makes it much harder to actually repair products.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> Parts pairing is the idea that even if I take a new part from a new device and put it in my device, it will not work because that part has a serial number on it. And when the device senses that even if it’s an OEM part, it’s not my original OEM part, It won’t work properly.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> OEM stands for Original Equipment Manufacturer.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> Versus some random other person making it. So there’s aftermarket parts, there’s knockoff parts, there’s used originals, and then there’s OEM, which is this part is what the original equipment manufacturer used and the same grade and quality. Starting maybe five to seven years ago, this started to become more popular where you would change a part and it wouldn’t work. And people would say, “well, you must have put a knockoff.” And you say, no, I took this out of a new device. And then they would buy a new device just to see if they were going insane, put the part in to their device and it would work. Because the device could sense that it wasn’t my original one. And that’s a problem because it makes the whole concept of recycling go away. If I have a device where everything is broken on it, it’s not economically viable to repair, but this thing still works, I want to be able to use this part to fix this thing. It destroys that in a very bad way.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> But how else has Big Tech responded to the right to repair movement? Are companies behind it? Are they pushing against it? What’s your read?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann: \u003c/b>\u003cspan style=\"font-weight: 400\">Fake programs. They say, look, we released our right to repair program. Here’s our parts list on our website. And I don’t blame the press for this. The press covers thousands of different news items across thousands of things every day. So if I see, look, a repair program. I see pictures of parts, I see in stock, I see it’s not $10,000, I’ll think it’s okay. But when a repair person looks at this, they see you want $206 for a smartphone battery because you say that it is glued to the screen. A lot of these programs are put together in a way where it makes no economic sense whatsoever. Now, when I say no economic sense, I don’t mean that it’s just the repair person says, I wanna make 100,000 a year and I can only make 50,000 year. No, I mean that when I buy that part, if I were to charge my customer for the repair, just the cost of the part by itself, my customer would look at me and give me the middle finger and say, that’s a ripoff. And that’s the problem with a lot of these programs is they were made to appease legislators and the press, they weren’t actually made to be viable repair programs that repair technicians actually wanna use.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yeah, I was also going to ask like, you know, what does the current landscape of Right to Repair laws look like in the United States right now? Do some states have better laws than others? What are these laws missing?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> Every law has something missing, like in New York, there’s an exemption for trade secrets and safety. Now, when you have people showing up to legislative hearings and saying that if independent technicians fix your microwave, a magtrometer will explode, that’s a safety issue. What is a magtrometer? A magtrometer doesn’t exist. So I don’t want there to be something in the bill that says, you know, we can have exemptions if the manufacturer says there’s a safety issue, because they’ve made up safety issues. They’ve made names of parts that don’t exist and testified in front of state legislatures numerous times to fear monger politicians into believing that everything’s gonna blow up if people can fix things. So I don’t like the idea of a safety exemption because they’re just gonna say anything. Like what if a replacement screen, man, you could get glass, you could get a paper cut. What if that person has like a blood clotting disorder? Maybe they’ll bleed out and die. I wouldn’t be surprised if a manufacturer tried to say something silly like that. A lithium-ion battery could explode. And true, a lithium- ion battery could explore. Your car could also not stop when going 80 miles down the highway and kill 30 people. We don’t say that you can’t replace your brakes. The other is that in Minnesota, there is Right to Repair that was pushed through a budget process, and that excludes game consoles. So I mean, game consoles are a really big field of consumer electronics. So when you have a bill that says it excludes this, it excluds that, there are so many exemptions in many of these laws and carve-outs for all these industries. Like you can’t repair medical equipment, you can’t repair farm equipment, you can’t prepare this, that, and the other. And even if you didn’t have those carve-out at all, when it says make available what you make available to your authorized service centers. The entire reason that people are coming to repair shops like mine to begin with is because the authorized repair center doesn’t fix anything. It’s easy to legislate, you must have a one year warranty on your product. When it comes to repair, you’re really trying to legislate, don’t be a dick. And that’s why the battle, as I see it, is the cultural one. I want people that have watched my channel or got into engineering and electronics who become designers and engineers of these businesses because they grew up watching me live streaming in 2016 at two in the morning, cursing as I’m trying to figure out where this trace goes without a schematic. When they get into this field and they’re asked to do something that’s anti-repair, when they’re asked to send that email, oh, by the way, make sure that this part is only available to our authorized people and nobody else can buy that charging chip. I want them to remember what got them into this and then say, ‘you know what, I’m not doing that. And if you want to make me do that, I quit.’ And I want to live in a society where everybody is open to doing that. So I realize that a lot of what I’m pushing for, very likely, I will be dead or long dead by the time we actually get it. All of these seeds that I’m planting are cultural seeds that will take a few generations to actually change. Hopefully there’s some success there.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> But like you said, in the past, people did just fix their stuff, it was the norm to just fix your stuff. It seems like we can still go back to that, hopefully.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> I would like to see things go back to that and I’d like to see more people across more industries become aware of this. And the biggest pushback that I’ve seen is not even what companies do, it’s what people accept. And I would to see people be more open to sticking together rather than saying, you deserve it. This happens in my comment section all the time and I always point it out. What kind of moron would buy a digital picture frame? You should buy something like this. But that person who made fun of that user for that may also have a fridge that they didn’t even realize has ads in it. Or that person may have a smart TV that they didn’t realize was spying on them. It’s like, well, what kind of moron buys a smart tv that has this? And they’re like, you should have bought what I bought. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And I really want to see people coalesce and come together and realize that simping for billion dollar companies that are ripping you off, stealing your data, robbing you blind and trying to take away the rights of ownership is not the thing to do. It’s to band together and say, you know what, I don’t accept this practice. And even if I would not buy the thing my neighbor bought, that may happen to me someday. Let’s work together rather than all sh*t on each other as we get robbed blind.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Some companies are featuring repairability as like a key selling point in their marketing. One example is the laptop manufacturer, Framework, which builds laptops that are easily disassembled, upgraded and repaired. What do you think about this trend? What does it signal for the Right to Repair movement?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann: \u003c/b>\u003cspan style=\"font-weight: 400\">The fact that they have not gone bankrupt several years in, in a very difficult and wavy economy, like, I think that their products just started to become popular right as interest rates were soaring and all this economic volatility I think it’s very cool. They actually do try to make things repairable and for any of the faults the company has had on like certain issues with certain products, I think their heart is in the right place and I like seeing that. And the fact that there’s actually a market for it is great now the problem is, they’re competing in a very low profit margin industry. Like, companies like Lenovo and Acer, and the companies that are making these products that a lot of people buy, their profit margins are in the single digit percentage, and that’s acting at economies of scale at tens of hundreds of billions of dollars.\u003c/span>\u003c/p>\n\u003cp>So for a new player to come in and do anything here, they’re either gonna have less choices available, which means less people buy the product, or they’re gonna have a higher price. So I love seeing it, I’d love to see more of it. The fact that they exist at all is very validating for the fact that people are actually willing to spend more money just for a company that respects them, and I think that’s a big part of it. It’s not always about the money, it’s about the respect.\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So what do you want people to take away from the Right to Repair movement? Like, why should, why should they care?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> It’s about ownership in general. And right to repair is a very small portion under the ownership umbrella, and that’s where I’ve been focusing more of my work on in the past few years. Everything is moving to the subscription model. So look around at all these different products and take note of the fact that you don’t really own them. The fact that hundreds of thousands of Nest thermostats across the world stopped functioning with the functionality that they were advertised with simply because Google decided we don’t want to support it anymore. If Google can flip a switch and your device has stopped working, if your car manufacturer could flip a switch and your heated seats are no longer activated, do you actually own any of the things that you bought and paid for?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> It seems like that’s the kind of mentality of a lot of Right to Repair is just like trial and error instead of just giving up and accepting that you have to buy something new.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Louis Rossmann:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yeah, and the thing is the people that are authorized or say you’re not authorized and you don’t know what you’re doing, the way you figure out how to work on it to begin with very often is by tinkering and messing around when you don’t know what you’re, doing. And I hope that people who don’t know what they’re doing feel confident in, in trying to open things. At the very…again, if it doesn’t belong to somebody else. If it belongs to you and you’re not sacrificing, you know, your significant other’s data or something, mess with something that you’re clueless about and constantly learn something. And even if you’ve taken a chip off and you just put the chip back on it still works, celebrate that. Celebrate every time you’ve done something without making the device work. Trying to figure things out as you go is one of the best ways to learn and I hope that more people feel confident in telling themselves, I’m completely clueless and that’s okay, I’m just going to try it anyway.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">That mentality is exactly what community repair cafes are all about. Back in the Milpitas Library, at the Silicon Valley Repair Cafe, volunteers dissected faulty appliances, rearranging and re-soldering guts of wires in hopes of sparking some life back into them. One of the volunteers, named Tara, recalled the repair cafe’s early days.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Tara, Volunteer at Repair Cafe Silicon Valley: \u003c/b>\u003cspan style=\"font-weight: 400\">So, yeah, last year, a woman came walking up cradling this beautiful cherry apple red toaster. It looked gorgeous. And so I looked at it and said, I know what it is. It’s a spring, and it can be fixed. And I said, what’s the story with your toaster? And she just beamed, her face lit up, and she’s like, this was the toaster I won on “Price is Right.” This is the only thing I have left over from college. And she said she and a whole bunch of her friends went to the “Price is Right” one morning and she was the first person. Kareen, come on down and she won $25,000.\u003c/span>\u003c/p>\n\u003cp>I said, “Did you get to spin the wheel?” She’s like, “Oh, yes I did,” and she’s like “Well, the only thing left is this toaster and it’s my college toaster.” And so we were able to fix it and she walked away beaming and that was just a great example of the kinds of things that we see here on a regular basis. It’s just a toaster, but it was her college toaster that she won at “Price is Right! ”\u003c/p>\n\u003cp>\u003cb>Chris Egusa:\u003c/b>\u003cspan style=\"font-weight: 400\"> Irreplaceable.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Tara, Volunteer at Repair Cafe Silicon Valley:\u003c/b>\u003cspan style=\"font-weight: 400\"> Irreplaceable.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> We’ve heard about the consumer electronic side of the right to repair movement, laptop repair technicians like Louis, who just want to replace hard drives without the headache of everything we drove into today. But did you know that a lot of today’s repairs are only legal because of farmers who were sick of hacking their tractors? That’s next week. For now, let’s close all these tabs.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung\u003c/b>\u003cspan style=\"font-weight: 400\">: Close All Tabs is a production of KQED Studios, and it’s reported and hosted by me, Morgan Sung. This episode was produced by our senior editor, Chris Egusa, who also composed our theme song and credits music. It was edited by Chris Hambrick, additional production help from Gabriela Glueck. Our team includes producer Maya Cueva. Additional music by APM. Brendan Willard is our audio engineer. Jen Chien is our director of podcasts. Ethan Toven-Lindsey is our editor in chief.\u003c/span>\u003c/p>\n\u003cp>Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco, Northern California Local.\u003c/p>\n\u003cp>This episode’s keyboard sounds were submitted by Alex Tran and recorded on his white Epomaker Hi75 keyboard with Fogruaden red samurai keycaps and gateron milky yellow pro v2 switches.\u003c/p>\n\u003cp>Do you like these deep dives? Are you closing your tabs? Then don’t forget to rate and review us on Spotify, Apple podcasts, or wherever you listen to the show. Maybe drop a comment too. And if you really like Close All Tabs and want to support public media, go to donate.kqed.org/podcasts. Thanks for listening.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>"
}
],
"link": "/news/12076820/the-fight-for-your-right-to-repair",
"authors": [
"11944",
"11869",
"11832",
"11943"
],
"programs": [
"news_35082"
],
"categories": [
"news_33520"
],
"tags": [
"news_22973",
"news_3137",
"news_34646",
"news_30035",
"news_34506",
"news_1631"
],
"featImg": "news_12076821",
"label": "source_news_12076820"
},
"news_12075951": {
"type": "posts",
"id": "news_12075951",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12075951",
"score": null,
"sort": [
1773223242000
]
},
"guestAuthors": [],
"slug": "twitter-on-a-vape-puff-post-pollute-2",
"title": "'Twitter on a Vape' and The Great E-Waste Crisis",
"publishDate": 1773223242,
"format": "audio",
"headTitle": "‘Twitter on a Vape’ and The Great E-Waste Crisis | KQED",
"labelTerm": {},
"content": "\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A legal loophole has led to a surge in single-use vapes packed with a surprising amount of electronic components. It’s a glimpse into how our disposable tech habits are fueling a growing e-waste problem. In this episode, tech reporter Samatha Cole shares what happened when she tried to “vape the internet” after seeing a viral post about a disposable touchscreen vape with built-in social media. We also hear from environmental philosopher and public health researcher Yogi Hale Hendlin, who explains how flavored vape bans have led to the flood of high-tech disposables — and how tackling the e-waste crisis will take a radical rethink of our relationship with the products we consume.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This episode first aired on \u003ca href=\"https://www.kqed.org/news/12036123/twitter-on-a-vape-puff-post-pollute\">April 16th, 2025\u003c/a> \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC7649358517\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guests:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.404media.co/author/samantha-cole/\">\u003cspan style=\"font-weight: 400\">Samantha Cole\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, reporter and co-founder of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">404 Media\u003c/span>\u003c/i>\u003ci>\u003c/i>\u003c/li>\n\u003cli>\u003ca href=\"https://www.eur.nl/en/people/yogi-hendlin\">\u003cspan style=\"font-weight: 400\">Yogi Hale Hendlin\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, environmental philosopher and assistant professor at Erasmus University\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Further Reading:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.404media.co/twitter-internet-vape-touchscreen-swype/\">\u003cspan style=\"font-weight: 400\">I Tried to Vape the Internet\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> – Samantha Cole, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">404 Media\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://apnews.com/article/vaping-ecigarettes-waste-environment-disposable-pollution-3d19dce9693ce78dd244729f524df02a\">Communities can’t recycle or trash disposable e-cigarettes. So what happens to them? \u003c/a>– Matthew Perrone, \u003ci>Associated Press\u003c/i>\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.politico.com/news/magazine/2025/01/26/vapes-flavors-china-teens-00194082\">How ‘Sour Raspberry Gummy Bear’ — and Other Chinese Vapes — Made Fools of American Lawmakers \u003c/a>\u003ci>– \u003c/i>Marc Novicoff, \u003ci>\u003ci>Politico \u003c/i>\u003c/i>\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://grist.org/regulation/the-right-to-repair-is-now-law-in-3-states-is-big-tech-complying/\">The right to repair electronics is now law in 3 states. Is Big Tech complying? \u003c/a>– Maddie Stone, \u003ci>\u003ci>\u003ci>Grist\u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/li>\n\u003cli>\u003ca href=\"https://www.materialfocus.org.uk/?press-releases=disposable-single-use-vapes-thrown-away-have-quadrupled-to-5-million-per-week\">Disposable vapes thrown away quadruples to 5 M per week\u003c/a> – \u003ci>Material Focus\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci data-stringify-type=\"italic\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/i>\u003c/p>\n\u003cp>\u003cstrong>Morgan Sung: \u003c/strong>Hi! You’re listening to Close All Tabs, I’m Morgan Sung. About a year ago, we aired an episode about the great vape e-waste crisis. You know those disposable little bricks that let you puff nicotine clouds that taste like icy candy? Well, so-called “disposable” vapes have gotten pretty advanced, and are increasingly actually complex electronic devices. Some even have LED screens. Yeah, you can play games on your vape now!\u003c/p>\n\u003cp>And while they could be recycled, more often than not, they’re tossed in the trash. California actually proposed a ban on the sale and distribution of disposable nicotine vapes by 2028 — the bill passed the assembly and is now in the state senate.\u003c/p>\n\u003cp>Since releasing that episode, we’ve been thinking about our relationship with disposable culture and how it’s changing. Specifically, we’ve been keeping tabs on the right to repair movement — this idea that if you buy something, you should be allowed to maintain it, repair it, and even modify it, instead of just replacing it.\u003c/p>\n\u003cp>We’re digging into this movement in the next two episodes. But first, here’s a refresher on the story that sparked our interest in the right to repair in the first place. Today, we’re re-airing Twitter On A Vape.\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">I have never been a smoker, period. I have never smoked nicotine of any kind. Such a loser. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003cspan style=\"font-weight: 400\">Sam Cole is a tech journalist and co-founder of 404 Media, and in the summer of 2024, she tried to vape the internet. \u003c/span>\u003c/b>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">There was this tweet going super viral back in July. It was a guy that was like, “no way we got Twitter on my vape.” And it was a photo of him holding a vape with Twitter on it, reading tweets on it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It was exactly what it sounds like, a little flip phone-sized disposable vape, with a digital screen. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">And everyone was freaking out about it. It became a meme format. Like, there was one where someone was putting Zillow on a vape. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">In other posts, people were getting breaking news alerts on their vapes or playing games like Tetris and 2048. And Sam, being an intrepid journalist, was determined to figure out if it was real. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m always looking for new ways to ingest the internet. So I was like, let me look in the comments or in the replies and see if anybody actually has it. And it turned out someone did have a link. God bless the internet. A lot of them were sold out. The other flavors were Fucking Fab — I wish I knew what Fucking Fab tasted like — Juicy Peach, obviously you can imagine. Violent Rainbow was also sold out, I’m sure it was disgusting, but Watermelon Ice was like the only one left. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Sam lives in New York, but was staying in California for a few weeks. So she bought the Watermelon Ice smart vape and shipped it to her friend’s house in Los Angeles. This is relevant. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">I was like, first of all, I can’t believe this goes through the mail. This definitely seems like something that shouldn’t between the battery and the vape juice and everything else and the electronics involved. I was like house sitting. I was, like, “I hope this doesn’t catch fire while I’m not at home.” It looks like a phone. It was, a pink, like a light pink square, kind of like a deck of cards almost. It had a touch screen that wasn’t, like, as janky as I expected a vape touch screen to be. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, so the vape looked like a phone, but it didn’t really function as one. It couldn’t connect to the internet by itself. Sam actually had to download a separate app and connect it to the vape via Bluetooth, and then authorize different apps to send notifications to the vape. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">Once you connected it to your phone, it would start getting push notifications from whatever apps that you set up to connect to the vape. So that’s where the Twitter on the vape came from. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">There was a calculator in case you need to do math while you’re vaping, and it also had a step tracker and a weather app and a few games, but a lot of the apps didn’t really work unless Sam’s phone was nearby. She said she couldn’t actually browse the internet on her vape, but because she was getting notifications on it, it created this cycle of getting pinged while puffing some watermelon ice and then checking her phone and then puffing again. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">I mean, I was very quickly like literally addicted to this thing, cause it was nicotine. I was bringing it everywhere. I was like, it was like a fun thing to show people ’cause obviously it’s like weird and kooky. I had it out like drinking and then I was vaping. I was, like, “man, this is, I need to put this away. I need you to put it in a drawer and not think about it.” And then it was just like calling me like the Green Goblin mask. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Green Goblin Mask: \u003c/b>\u003cspan style=\"font-weight: 400\">COWARD! We have a new world to conquer. Hahaha!\u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">It was like, “I need a little, I need Watermelon Ice.”\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So Sam wrote up this tongue-in-cheek blog post for 404 Media about trying to “vape the internet,” but after publishing it, she still found herself reaching for the vape. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">So I was just like, this is like the dumbest blog I’ve ever written. It’s up there on like “the dumbest ways to get addicted to vaping” is this stunt where I’m trying to read Twitter on a vape. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, it’s like you’re addicted to the nicotine and you’re addicted to your feed. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">Right, yeah, I was addicted to all of it at the same time, which is just so dark. Connecting like this very like neurochemical process of like being addicted to nicotine and then getting like dms on the vape and being like, “ooh who’s DMing me on twitter.” This is like such a dark path uh to go to down.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Sam ended up kicking the habit when she left the vape at her friend’s house in LA. She said she was scared to take it through airport security. And when she got back to New York, she resisted the temptation to buy another one. Since then, she’s managed to keep her nicotine consumption limited to the very occasional analog cigarette shared among friends. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But Sam said that her vape experience was an eye-opener in more ways than one. There was her brush with this combined nicotine and internet addiction, sure, but she’s also been thinking about another issue: just how wasteful these vapes are. Remember, they’re disposable. There’s no vape pod to swap out if you want to change flavors. You can’t refill it once it’s empty. And a lot of them aren’t even rechargeable. You can easily go through one in a few weeks or a few days if you’re really puffing. Which means that you’re constantly replacing them. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">There was a time in like New York / Bushwick, surely you recall this, but just the ground was just covered in used Juul pods. It was just everywhere. At the time, I was like, “this is an ecological disaster.” And now I think- \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It was like plastic everywhere. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, and it’s disgusting. And like, and you know, it’s like, I guess they put them in like cigarette butts, except they don’t degrade or anything. But then this I was like, “okay, when I finish this vape, I can’t refill it?” Even though it has all this stuff in it. Like it has like the touch screen, like it has chips inside of it, it has a battery inside of obviously, lots of plastic. So I was like, “damn, there’s a lot of like engineering that goes into this thing and then it becomes disposable within like a couple of weeks?” \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, so what exactly makes vapes an “ecological disaster,” like Sam said? Are you supposed to recycle them? And how big of a problem is this really? That’s what we’re getting into today. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This is Close All Tabs. I’m Morgan Sung:, tech journalist, and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. Let’s get into it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">E-waste, or electronic waste, includes any electronic device that’s thrown away instead of recycled. It’s copper wires, semiconductors, circuit boards, LED screens, heavy metals, batteries, and more. It’s the stuff in our refrigerators and our old iPhones, and in our vapes. When these materials are dumped in landfills, they don’t really break down. And the sheer rate at which people are now buying, puffing, and then tossing disposable vapes, is rapidly adding to the e-waste crisis. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Let’s make that our first tab. Disposable vapes and e-waste. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To explain how disposable vapes became so popular, let me take you back in time to the year 2019. This was the first ever “hot girl summer” as coined by Megan Thee Stallion and mango Juul pods were everywhere. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ty Dolla $ign: \u003c/b>\u003cspan style=\"font-weight: 400\">Does she got it? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It was a simpler time. And then, fear of popcorn lung swept the nation. Popcorn lung is the informal name for a lung condition in which the small airways in your lungs become so inflamed and scarred that breathing becomes extremely difficult. It’s from inhaling a chemical called diacetyl, which is used as a buttery flavoring in products like popcorn. It’s safe to eat, but when inhaled, it can cause permanent damage. That year, a ton of people especially teenagers, started to get really sick with mysterious lung issues. \u003c/span>\u003c/p>\n\u003cp>\u003cb>News Anchor 1: \u003c/b>\u003cspan style=\"font-weight: 400\">A seemingly healthy Texas teenager suddenly unable to breathe and hospitalized with lung failure. His doctors suspect vaping was the cause. \u003c/span>\u003c/p>\n\u003cp>\u003cb>News Anchor 2: \u003c/b>\u003cspan style=\"font-weight: 400\">The CDC released some new numbers today. The new numbers show more than 2,000 people now have been diagnosed with a vaping illness. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">In the United States, there were over 2,700 confirmed cases related to this mysterious vape illness and 68 deaths. One teenager in Canada had symptoms that aligned with popcorn lung, but all of the cases in the US involved pneumonia and other symptoms that aren’t present in popcorn lung. That pointed to another culprit. The CDC actually identified a different chemical as the probable cause of these vape-related cases: Vitamin E acetate. It was used in a lot of black market weed vape cartridges to dilute cannabis oil and essentially make a cheaper product. The CDC never confirmed whether diacetyl, the flavoring chemical, was related. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Still, the fear of popcorn lung and the amount of teenagers getting sick contributed to a nationwide crackdown on flavored vapes, whether or not they contained diacetyl. At the time, Juul was the biggest e-cigarette company. They sold different flavor pods, like mango, crème brûlée, and berry, which were all interchangeable and worked with a rechargeable battery. In 2020, the FDA banned most flavored cartridges, like Juul pods. \u003c/span>\u003c/p>\n\u003cp>\u003cb>News Anchor 3: \u003c/b>\u003cspan style=\"font-weight: 400\">A targeted ban on the fruit-flavored e-cigarette cartridges, including mint, most popular with teens. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And a recent Supreme Court decision sided with the FDA over its flavored vape ban. \u003c/span>\u003c/p>\n\u003cp>\u003cb>News Anchor 4: \u003c/b>\u003cspan style=\"font-weight: 400\">In a unanimous ruling, the Supreme Court has given the FDA victory in its ability to regulate e-cigarettes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I confess that I was once a Juul kid. Frankly, the flavor ban made getting ahold of my beloved mango flavored nicotine so inconvenient that I stopped vaping entirely. But that flavor ban did not apply to disposable vapes. And in the years since, an entire unregulated gray market opened up, offering more dessert flavors than Juul ever carried. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So to break this down, we’re going to hear from someone with expertise in both public health and the environment. Dr. Yogi Hale Hendlin. He’s an environmental philosopher who currently teaches at Erasmus University, Rotterdam. But when he was a researcher at UC San Francisco during the height of the vape illness crisis, he very closely studied vaping and nicotine habits. And that included keeping tabs on how people were getting rid of their vapes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">The FDA banned flavors for refillable, reusable vapes, but not for disposable ones. Because at the time they weren’t a thing really. Juul was the thing. They were 70% of the market for a while. You can hold them accountable at least. But when you get this disposable vape market taking this loophole and exploiting it as much as they can for the thousands and thousands of flavors. Guess which market is most interested in flavors, it’s not 80-year-old smokers looking to quit. It’s kids and young adults, and the industry knows this. The FDA has had years to close this loophole, to do something about it, because it’s really all about flavors. So flavors is driving the disposable vapes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">For a while, it seemed like smoking was really falling out of popularity. I mean, cigarettes were really out, at least in the United States. But now it seems like vaping is more popular. What impact is this having on the environment? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">If we look at these devices, they’re not being recycled, they’re not being built for long time use, but to last as long as necessary for a disposable vape and then thrown out. And that’s accumulating in our dumps, in our incinerators. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">A 2023 report commissioned by the United Nations found that 844 million vapes are thrown away every year. That is enough lithium to make batteries for 5,000 electric cars. Lithium is already a finite resource and mining it involves significant water consumption and deforestation. Even though lithium itself isn’t renewable, batteries that contain it can be rechargeable or can be repurposed. But single-use vapes aren’t always meant to be taken apart or recycled, so these lithium batteries are usually just discarded. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">So this is really quite alarming that we’re allocating our resources towards continued addiction by other means, and at the same time, junking the planet. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Right. Can you talk about why disposables are so popular, whether for e-cigarettes or even for weed vapes? Which, weed vape cartridges aren’t banned the same way that a mango Juul pod is, but people do gravitate toward disposables anyway. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">Right now, they’re making them so cheap. We’re not reflecting the true cost of these items in our economy. We are basically subsidizing the waste at the end of life. There’s no extended producer responsibility where the manufacturer has to be responsible for it. There is no brand loyalty where you have to make sure that your device works properly for a certain amount of time. Right now, it is really a race to the bottom in terms of how much can you pack into this single thing, then you throw away. It makes it much easier for students who they can flush it down the toilet if it’s about to get confiscated, which unfortunately happens way too much. And it’s something that they can pass around. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Are you familiar with those very advanced, like vapes with screens on them that can connect to your smartphone? They have games, some of them have step trackers. Have you seen these? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">Absolutely. They are the logical progression of tracking multiple addictions all on one device. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Right. And what is astonishing to me is that, yeah, these aren’t refillable. You’re not going to buy like, you know, nicotine juice at a vape shop and refill it. You are just going to use it and then get rid of it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, there’s no way to even refill it if you’d want to. You know, you’d probably like break the thing. But these things have LED screens. They have like, you know, they’re like basically old school game boys. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I mean, can you speak about like how this trend of super advanced gamified vapes exacerbates the waste issue? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m just gonna take a step back to the problem of disposables, right? So, before you would finish your juice and you’d get a refill and you do that with the same device for a year or two or three. But now you have like this whole unit, this thing that has the battery, that has now these screens, but all this circuitry too, the heating component, and you’re throwing that all away as soon as the juice is gone. Sometimes they integrate with your smartphone, but they also have like GPS tracking, social media notifications, like you said, fitness tracking and built-in games. So it’s like increasing the association of entertainment and sort of the practicality and weaves in like seamlessly with the rest of your life. And I think that this sort of integration is the dream of any product manufacturer. But when you do it with something that’s so addictive and isn’t good for you, that this raises a host of moral problems and societal ones. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I also wanted to clarify the difference between what goes into a disposable vape and what goes in to a rechargeable vape battery. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">Obviously with a 10,000-hit, non-rechargeable, disposable vape, you need a bigger battery to compensate for all of those hits, right, to get the heating coil to work. So you’re actually using a bigger in a disposable than you would in your standard rechargeable like a Juul, but you’re only using the battery once. Rather than renewing it, like, you know, 100 or 1,000 times, you’re using that battery once. None of these are really being made in the US anyhow, so there’s also questions about safety for health, safety for the environment, and yeah, it’s a Wild West right now. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What happens when a vape is, you know, dropped in the environment? Like what happens to the environment, how does it break down? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">I mean, the lithium batteries, oftentimes in dumpsters, you get dumpster fires if the thing gets impacted. Chemical fire is not so easy to put out either. Sometimes you just have to let it burn out. What happens when it’s on the curb, ultimately, it probably goes into our storm drains and probably leaches a lot of particulate matter, heavy metals into our water stream that goes out to the ocean ultimately. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh great, so we’re turning the ocean into a giant like vape juice container. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">Totally with the lithium ion batteries and all the like soldering components that are usually made with mercury it’s no bueno \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">According to CDC data released last year, Americans threw away 5.7 disposable vapes \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">per second\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> in 2023 — roughly five hundred \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">thousand\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, every day, in the US alone.\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Trying to regulate the disposable vape market is like playing a game of whack a mole. Nearly all of them are manufactured in China, which ironically also bans flavored e-cigarettes.\u003c/span>\u003cspan style=\"font-weight: 400\"> But it doesn’t ban the export of vapes — which is how the US became flooded with cotton candy flavored disposables after 2020. There’s really nothing stopping retailers from selling them, despite attempts from local lawmakers.\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The FDA keeps trying to crack down on them, and has seized tens of millions of dollars worth of illegal vape shipments.\u003c/span>\u003cspan style=\"font-weight: 400\"> But, new companies pop up and find more loopholes, or just sell them on the black market. And although the Trump administration’s tariffs \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">have\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> put a dent in the disposable vape supply,\u003c/span>\u003cspan style=\"font-weight: 400\"> there’s no national standard for actually recycling these things. That also means that trash is piling up. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So if it isn’t the FDA, is anyone regulating the disposal of these things? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’ll talk about that after the break.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">California has some of the strictest e-waste laws in the country, but when it comes to nicotine vapes, disposal guidelines are fuzzy. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">New tab, California vape laws. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So in California, it’s actually illegal to throw away a lot of electronics, from old computers to TVs to even weed pens. They have to be disposed of at special facilities. As of 2024, cannabis companies aren’t allowed to market their vapes as disposable, and a lot of dispensaries have started taking back used vapes to safely get rid of them. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In fact, there is a whole cottage industry of cannabis waste companies that collect used vapes from dispensaries. Then, they separate the batteries and cartridges to recycle them.\u003c/span>\u003cspan style=\"font-weight: 400\"> Not all of it is recyclable, and it’s not a perfect system, but it’s a start.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It helps that THC products in California are pretty vigorously regulated, so weed vapes have to be made to a certain standard. This same system doesn’t really exist for those disposable, flavored nicotine vapes. And local recycling programs often refuse to take them.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">One of the major conundrums that keeps these things from being more recyclable than they are currently is that vapes are currently treated as both hazardous waste because of the nicotine and electronic waste, right? So you basically have this thing that you can’t just put in electronic waste and deal with it because it has nicotine. And so you can really have a circular economy with the way that the laws are currently set up. Circular economy is an economy where the products that you’re using are made to be disassembled, refurbished, reassembled and re-appropriated into new products with minimum energy use, minimum waste. In California, I believe that our laws are still preventing us from fully being able to recycle these things. Currently they’re not made to spec so that we can all say, okay, so this is how you take it apart and easily get the valuable metals, take the battery out. They’re not modular. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. I mean, I didn’t know about the vape disposal law until I started reporting on this story, and a lot of people I’ve talked to also just did not know about this law. As a public health expert, is there anything California should be doing to get the message out about vape recycling? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">We need to make it easy as pie. And this is how we do it. You put the deposit on the vape. You say, hey, you wanna buy a vape? Great, here is $5 deposit that you pay when you buy it. When you deposit your vape to be recycled, you get your five bucks back. And everybody, especially those who are in need of money, especially those were young, are going to properly deal with their vape. It’s called the deposit return system. It’s been used for milk bottles for over a century. It’s also in California on our computers. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So California lawmakers also introduced a bill that wants to ban disposable vapes entirely. Some are concerned that banning disposable vaping entirely will push people to buy it from the black market instead. What do you think of this? Is this just fear-mongering from the big vaping industry? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">Yes, it is. I mean, we’ve heard for a long time from the tobacco industry that, you know, if you tax cigarettes, the black market will be the place where people get their cigarettes. Most kids are not getting their things from the black market. So it’s an idea of proportionality. It’s not that those arguments are absolutely incorrect, it’s just that they overplay their hand. If we want to protect kids and young adults from these devices, if we want to get rid of the environmental harms, which are so considerable, of single-use vapes, then all you have to do is ban single- use vapes and then they’re not going to become the cool thing anymore. That’s not what people will be using. And the overton window will shift and consumer preferences will change. And so the black market issue for me is sort of a non-starter if you think it logically all the way through. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Right. I mean, again, going back to my 21 year old little Juul addicted brain, I stopped dueling because it became inconvenient to buy Juuls. Like, is it that simple, really? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">It really is that simple. If we make access a little bit more difficult, and a deposit is a great way to do that for an addictive drug that harms the environment, you can easily put a deposit on it and it makes it a little less accessible for kids. And it also makes sure that people who do use these devices, that they return them where they’re supposed to go. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There was a recent study showing that somewhere between 70 and 80 percent all vapes are improperly disposed of. Where are they going? They’re going in our waterways. I have a whole collection that I found on the streets of San Francisco. Not that people are always just discarding them, but people also lose them. They fall out of backpacks. So there’s a lot of carelessness because they’re so cheap and disposable and because there’s no accountability. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">If this ban passes, will moving to rechargeable vapes actually do anything for the environment, or will people just keep treating their rechargeable vape like they’re disposable and keep losing them and keep easily tossing them without actually recycling them, just paying more for it? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">Obviously, just moving to reusable versus disposable is not going to solve the whole issue. I think we still need to deposit because there’s still going to be an end of life issue. If we want to make sure that we get those in the proper place, we also need accessibility. We need it to make it easy for people like you go to your supermarket and there’s a bin and you go the grocer and you give your device, you get your five bucks back and it’s over. So we need to integrate it into our recycling infrastructure. Yeah, there’s going to be a lag time. Just as every generation has to learn new technologies, people are going to have to get used to moving from disposable to non-disposable, just as they also did move from reusable to disposable. That was also a learning curve. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">With the current administration, the likelihood of further federal regulation on disposable vapes is unclear. Despite spearheading the flavored vape ban in 2019, Trump has backtracked. He’s since promised to, quote “save vaping. He made it one of the hallmarks of his 2024 campaign, with Business Insider reporting that some conservative circles have embraced nicotine consumption as masculine and contrarian.\u003c/span>\u003cspan style=\"font-weight: 400\"> Just this week, the FDA released a document that said it would consider allowing \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">some\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> flavored vape options, like coffee or tea or mint — while continuing to ban fruity, sweet flavors that appeal to teenagers.\u003c/span>\u003cspan style=\"font-weight: 400\"> But the FDA didn’t say anything about disposables specifically. \u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003cspan style=\"font-weight: 400\">Look, we can regulate vapes until we’re blue in the face, but to meaningfully reduce vape waste, we need a culture-wide shift in how we consume tech products. The current state of vape prohibition hasn’t stopped people from buying flavored vapes, or curbed e-waste. That’s why some DIY enthusiasts are actually taking it upon themselves to prove that disposable vapes \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">can\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> be recycled. \u003c/span>\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Let’s do one more tab, the circular economy and the right to repair. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Last month, this YouTuber who goes by NekoMichi went super viral after someone dumped a single-use vape on their doorstep. Instead of tossing it, NekoMichi broke open the plastic casing, pried the lithium battery out, and wired it to an old iPod Touch. They actually managed to power the iPod using the vape battery. NekoMichi is one of many DIYers who salvage batteries and other parts from so-called disposable vapes and repurpose them for power banks, gaming controllers, and other small devices. One person on the DIY electronics subreddit even built an e-bike battery out of 130 disposable vapes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">That is a great reuse of these batteries that otherwise would just end up in our landfills or incinerated. At the same time, you can’t expect your average vaper to know how to use Arduino chips and be able to do this. I think it’s a great proof of concept, right? It shows these things are totally reusable. Like it’s insane that we’re just throwing them out after, you know, a single run. We also have to be aware however, that because the batteries are not made to last, that there are lots of possible hazards that could come from that. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Like Yogi pointed out, DIY recycling is not exactly going to solve a massive systemic issue. Taking apart, and then repurposing, vape components is extremely labor intensive, requires highly technical skills, and may cause a fire that’s nearly impossible to put out. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But what \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">is\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> inching us closer to building the circular economy that Yogi was talking about earlier is the right to repair movement. \u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003cspan style=\"font-weight: 400\">Under right to repair laws – now in place in at least seven states\u003c/span>\u003cspan style=\"font-weight: 400\"> — if you buy a new electronic device, the company that sold you that device has to sell the repair manuals and spare parts to fix it if it breaks — instead of forcing you to buy a whole new one.\u003c/span>\u003cspan style=\"font-weight: 400\"> In addition to taking back used cartridges and batteries for recycling, some cannabis vape companies also sell replacement parts and offer repair services.\u003c/span>\u003cspan style=\"font-weight: 400\"> This might be a way forward for more sustainable e-cigarettes, too. \u003c/span>\u003c/b>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">I don’t want to be in disposable relationships. I like having my old cell phone that works exactly the way I like it to, and I don t have to use a month of my time figuring out the new configurations on a new one and getting them exactly how I like. I like stuff that lasts a while so that I can get cozy with it, that I get to know it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I mean, people will always be determined to get their nicotine fix. So when addressing this e-waste issue and having that in mind, is there any sustainable way forward? Do you think? Like, is the answer just to go back to cigarettes? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">No, I don’t think so. But, you know, at the birth of the e-cigarette movement, there were a lot of these mods, they called them, right? So it was sort of-. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I remember the Vapelords. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, exactly, right. So build your own e-cigarette. And it really did have a lot of that maker’s sort of ethos behind it, where you could optimize, you know, the liquid, the juice, and the battery, and the heating coil, look at the right ohms, so that everything’s perfect and you can blow these amazing clouds, right? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So I do think that we can help raise awareness of making things more sustainable in terms of reusable, number one, by taking off the market the option just to be totally mindless about it. And hopefully all of this is in tandem with raising awareness of the long-term effects of vaping as well because if people need their nicotine fix, they’re going to get it. But there are so many better ways to do so than with disposables. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, so here’s what you’re supposed to do when you’re ready to throw away a vape. Don’t toss them in your regular trash or rinse them out. We don’t want those chemicals hitting municipal water systems. Treat it like getting rid of batteries. Put it aside in a cool, dry place until you can drop it off at a household hazardous waste disposal spot. You can look up your local site online, contact your waste management company, or ask at the place where you bought the vape, and maybe… Consider leaving disposable vapes behind. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">I really understand that we are social animals. We are mammals that mimic each other. And so when we are in situations where it’s just easy, out of sight, out-of-mind, hey, that’s really convenient for us. But when we’re forced to understand, okay, so maybe you had to blow up a mountain to get the lithium to make that vape, maybe you have to deforest lots of land in Malawi and have people who got green leaf sickness from harvesting the tobacco leaves. And then you had to flu cure them and extract the nicotine and make that juice. And that’s how I got my thing. Like you become a lot more aware and you treat it in a more sacred way because I’m not saying that people shouldn’t do X or Y, but when we’re aware of the full ramifications of what we’re doing, the whole commodity chain, the global commodity chains that make it super simple just to press a few buttons on the internet, have this thing delivered to me, I suck on it, I throw it in the garbage can, it goes away and that’s it, that’s my entire relationship to it. That makes it all too easy for me to totally bypass the actual impacts that it’s having on people and the environment. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>Close All Tabs is a production of KQED Studios, and is reported and hosted by me, Morgan Sung. Our producer is Maya Cueva. Chris Hambrick is our editor. Chris Egusa is our Senior Editor and wrote our theme song and credits music. Additional music by APM. Brendan Willard is our audio engineer.\u003c/p>\n\u003cp>Audience engagement support from Maha Sanad. Katie Sprenger is our Director of Content Operations.Jen Chien is our director of podcasts and Ethan Toven-Lindsay is our Editor in Chief.\u003c/p>\n\u003cp>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/p>\n\u003cp>Keyboard sounds were recorded on my purple and pink Dustsilver K-84 wired mechanical keyboard with Gateron Red switches.\u003c/p>\n\u003cp>If you have feedback, or a topic you think we should cover, hit us up at CloseAllTabs@kqed.org. Follow us on instagram at “close all tabs pod.” Or drop it on Discord — we’re in the Close All Tabs channel at discord.gg/KQED. And if you’re enjoying the show, give us a rating on Apple podcasts or whatever platform you use.\u003c/p>\n\u003cp>Thanks for listening!\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">I wish this thing had like a little Tamagotchi on it so then I could like. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh my god, yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">Care, care for my little pet and then also be vaping. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Don’t give them ideas.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">I bet that exists.\u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "Morgan Sung explores how high-tech disposable vapes are fueling the e-waste crisis.",
"status": "publish",
"parent": 0,
"modified": 1773207590,
"stats": {
"hasAudio": true,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 121,
"wordCount": 6645
},
"headData": {
"title": "'Twitter on a Vape' and The Great E-Waste Crisis | KQED",
"description": "A legal loophole has led to a surge in single-use vapes packed with a surprising amount of electronic components. It’s also a glimpse into how our disposable tech habits are fueling a growing e-waste problem. In this episode, tech reporter Samatha Cole shares what happened when she tried to “vape the internet” after seeing a viral post about a disposable touchscreen vape with built-in social media. We also hear from environmental philosopher and public health researcher Yogi Hale Hendlin, who explains how flavored vape bans have led to the flood of high-tech disposables — and how tackling the e-waste crisis will take a radical rethink of our relationship with the products we consume.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"socialDescription": "A legal loophole has led to a surge in single-use vapes packed with a surprising amount of electronic components. It’s also a glimpse into how our disposable tech habits are fueling a growing e-waste problem. In this episode, tech reporter Samatha Cole shares what happened when she tried to “vape the internet” after seeing a viral post about a disposable touchscreen vape with built-in social media. We also hear from environmental philosopher and public health researcher Yogi Hale Hendlin, who explains how flavored vape bans have led to the flood of high-tech disposables — and how tackling the e-waste crisis will take a radical rethink of our relationship with the products we consume.",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "'Twitter on a Vape' and The Great E-Waste Crisis",
"datePublished": "2026-03-11T03:00:42-07:00",
"dateModified": "2026-03-10T22:39:50-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"primaryCategory": {
"termId": 33520,
"slug": "podcast",
"name": "Podcast"
},
"source": "Close All Tabs",
"sourceUrl": "https://www.kqed.org/podcasts/closealltabs",
"audioUrl": "https://traffic.megaphone.fm/KQINC7649358517.mp3",
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/news/12075951/twitter-on-a-vape-puff-post-pollute-2",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A legal loophole has led to a surge in single-use vapes packed with a surprising amount of electronic components. It’s a glimpse into how our disposable tech habits are fueling a growing e-waste problem. In this episode, tech reporter Samatha Cole shares what happened when she tried to “vape the internet” after seeing a viral post about a disposable touchscreen vape with built-in social media. We also hear from environmental philosopher and public health researcher Yogi Hale Hendlin, who explains how flavored vape bans have led to the flood of high-tech disposables — and how tackling the e-waste crisis will take a radical rethink of our relationship with the products we consume.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This episode first aired on \u003ca href=\"https://www.kqed.org/news/12036123/twitter-on-a-vape-puff-post-pollute\">April 16th, 2025\u003c/a> \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC7649358517\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guests:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.404media.co/author/samantha-cole/\">\u003cspan style=\"font-weight: 400\">Samantha Cole\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, reporter and co-founder of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">404 Media\u003c/span>\u003c/i>\u003ci>\u003c/i>\u003c/li>\n\u003cli>\u003ca href=\"https://www.eur.nl/en/people/yogi-hendlin\">\u003cspan style=\"font-weight: 400\">Yogi Hale Hendlin\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, environmental philosopher and assistant professor at Erasmus University\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Further Reading:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.404media.co/twitter-internet-vape-touchscreen-swype/\">\u003cspan style=\"font-weight: 400\">I Tried to Vape the Internet\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> – Samantha Cole, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">404 Media\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://apnews.com/article/vaping-ecigarettes-waste-environment-disposable-pollution-3d19dce9693ce78dd244729f524df02a\">Communities can’t recycle or trash disposable e-cigarettes. So what happens to them? \u003c/a>– Matthew Perrone, \u003ci>Associated Press\u003c/i>\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.politico.com/news/magazine/2025/01/26/vapes-flavors-china-teens-00194082\">How ‘Sour Raspberry Gummy Bear’ — and Other Chinese Vapes — Made Fools of American Lawmakers \u003c/a>\u003ci>– \u003c/i>Marc Novicoff, \u003ci>\u003ci>Politico \u003c/i>\u003c/i>\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://grist.org/regulation/the-right-to-repair-is-now-law-in-3-states-is-big-tech-complying/\">The right to repair electronics is now law in 3 states. Is Big Tech complying? \u003c/a>– Maddie Stone, \u003ci>\u003ci>\u003ci>Grist\u003c/i>\u003c/i>\u003c/i>\u003c/span>\u003c/li>\n\u003cli>\u003ca href=\"https://www.materialfocus.org.uk/?press-releases=disposable-single-use-vapes-thrown-away-have-quadrupled-to-5-million-per-week\">Disposable vapes thrown away quadruples to 5 M per week\u003c/a> – \u003ci>Material Focus\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-content post-body\">\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci data-stringify-type=\"italic\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/i>\u003c/p>\n\u003cp>\u003cstrong>Morgan Sung: \u003c/strong>Hi! You’re listening to Close All Tabs, I’m Morgan Sung. About a year ago, we aired an episode about the great vape e-waste crisis. You know those disposable little bricks that let you puff nicotine clouds that taste like icy candy? Well, so-called “disposable” vapes have gotten pretty advanced, and are increasingly actually complex electronic devices. Some even have LED screens. Yeah, you can play games on your vape now!\u003c/p>\n\u003cp>And while they could be recycled, more often than not, they’re tossed in the trash. California actually proposed a ban on the sale and distribution of disposable nicotine vapes by 2028 — the bill passed the assembly and is now in the state senate.\u003c/p>\n\u003cp>Since releasing that episode, we’ve been thinking about our relationship with disposable culture and how it’s changing. Specifically, we’ve been keeping tabs on the right to repair movement — this idea that if you buy something, you should be allowed to maintain it, repair it, and even modify it, instead of just replacing it.\u003c/p>\n\u003cp>We’re digging into this movement in the next two episodes. But first, here’s a refresher on the story that sparked our interest in the right to repair in the first place. Today, we’re re-airing Twitter On A Vape.\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">I have never been a smoker, period. I have never smoked nicotine of any kind. Such a loser. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003cspan style=\"font-weight: 400\">Sam Cole is a tech journalist and co-founder of 404 Media, and in the summer of 2024, she tried to vape the internet. \u003c/span>\u003c/b>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">There was this tweet going super viral back in July. It was a guy that was like, “no way we got Twitter on my vape.” And it was a photo of him holding a vape with Twitter on it, reading tweets on it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It was exactly what it sounds like, a little flip phone-sized disposable vape, with a digital screen. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">And everyone was freaking out about it. It became a meme format. Like, there was one where someone was putting Zillow on a vape. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">In other posts, people were getting breaking news alerts on their vapes or playing games like Tetris and 2048. And Sam, being an intrepid journalist, was determined to figure out if it was real. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m always looking for new ways to ingest the internet. So I was like, let me look in the comments or in the replies and see if anybody actually has it. And it turned out someone did have a link. God bless the internet. A lot of them were sold out. The other flavors were Fucking Fab — I wish I knew what Fucking Fab tasted like — Juicy Peach, obviously you can imagine. Violent Rainbow was also sold out, I’m sure it was disgusting, but Watermelon Ice was like the only one left. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Sam lives in New York, but was staying in California for a few weeks. So she bought the Watermelon Ice smart vape and shipped it to her friend’s house in Los Angeles. This is relevant. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">I was like, first of all, I can’t believe this goes through the mail. This definitely seems like something that shouldn’t between the battery and the vape juice and everything else and the electronics involved. I was like house sitting. I was, like, “I hope this doesn’t catch fire while I’m not at home.” It looks like a phone. It was, a pink, like a light pink square, kind of like a deck of cards almost. It had a touch screen that wasn’t, like, as janky as I expected a vape touch screen to be. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, so the vape looked like a phone, but it didn’t really function as one. It couldn’t connect to the internet by itself. Sam actually had to download a separate app and connect it to the vape via Bluetooth, and then authorize different apps to send notifications to the vape. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">Once you connected it to your phone, it would start getting push notifications from whatever apps that you set up to connect to the vape. So that’s where the Twitter on the vape came from. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">There was a calculator in case you need to do math while you’re vaping, and it also had a step tracker and a weather app and a few games, but a lot of the apps didn’t really work unless Sam’s phone was nearby. She said she couldn’t actually browse the internet on her vape, but because she was getting notifications on it, it created this cycle of getting pinged while puffing some watermelon ice and then checking her phone and then puffing again. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">I mean, I was very quickly like literally addicted to this thing, cause it was nicotine. I was bringing it everywhere. I was like, it was like a fun thing to show people ’cause obviously it’s like weird and kooky. I had it out like drinking and then I was vaping. I was, like, “man, this is, I need to put this away. I need you to put it in a drawer and not think about it.” And then it was just like calling me like the Green Goblin mask. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Green Goblin Mask: \u003c/b>\u003cspan style=\"font-weight: 400\">COWARD! We have a new world to conquer. Hahaha!\u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">It was like, “I need a little, I need Watermelon Ice.”\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So Sam wrote up this tongue-in-cheek blog post for 404 Media about trying to “vape the internet,” but after publishing it, she still found herself reaching for the vape. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">So I was just like, this is like the dumbest blog I’ve ever written. It’s up there on like “the dumbest ways to get addicted to vaping” is this stunt where I’m trying to read Twitter on a vape. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, it’s like you’re addicted to the nicotine and you’re addicted to your feed. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">Right, yeah, I was addicted to all of it at the same time, which is just so dark. Connecting like this very like neurochemical process of like being addicted to nicotine and then getting like dms on the vape and being like, “ooh who’s DMing me on twitter.” This is like such a dark path uh to go to down.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Sam ended up kicking the habit when she left the vape at her friend’s house in LA. She said she was scared to take it through airport security. And when she got back to New York, she resisted the temptation to buy another one. Since then, she’s managed to keep her nicotine consumption limited to the very occasional analog cigarette shared among friends. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But Sam said that her vape experience was an eye-opener in more ways than one. There was her brush with this combined nicotine and internet addiction, sure, but she’s also been thinking about another issue: just how wasteful these vapes are. Remember, they’re disposable. There’s no vape pod to swap out if you want to change flavors. You can’t refill it once it’s empty. And a lot of them aren’t even rechargeable. You can easily go through one in a few weeks or a few days if you’re really puffing. Which means that you’re constantly replacing them. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">There was a time in like New York / Bushwick, surely you recall this, but just the ground was just covered in used Juul pods. It was just everywhere. At the time, I was like, “this is an ecological disaster.” And now I think- \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It was like plastic everywhere. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, and it’s disgusting. And like, and you know, it’s like, I guess they put them in like cigarette butts, except they don’t degrade or anything. But then this I was like, “okay, when I finish this vape, I can’t refill it?” Even though it has all this stuff in it. Like it has like the touch screen, like it has chips inside of it, it has a battery inside of obviously, lots of plastic. So I was like, “damn, there’s a lot of like engineering that goes into this thing and then it becomes disposable within like a couple of weeks?” \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, so what exactly makes vapes an “ecological disaster,” like Sam said? Are you supposed to recycle them? And how big of a problem is this really? That’s what we’re getting into today. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This is Close All Tabs. I’m Morgan Sung:, tech journalist, and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. Let’s get into it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">E-waste, or electronic waste, includes any electronic device that’s thrown away instead of recycled. It’s copper wires, semiconductors, circuit boards, LED screens, heavy metals, batteries, and more. It’s the stuff in our refrigerators and our old iPhones, and in our vapes. When these materials are dumped in landfills, they don’t really break down. And the sheer rate at which people are now buying, puffing, and then tossing disposable vapes, is rapidly adding to the e-waste crisis. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Let’s make that our first tab. Disposable vapes and e-waste. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To explain how disposable vapes became so popular, let me take you back in time to the year 2019. This was the first ever “hot girl summer” as coined by Megan Thee Stallion and mango Juul pods were everywhere. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ty Dolla $ign: \u003c/b>\u003cspan style=\"font-weight: 400\">Does she got it? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">It was a simpler time. And then, fear of popcorn lung swept the nation. Popcorn lung is the informal name for a lung condition in which the small airways in your lungs become so inflamed and scarred that breathing becomes extremely difficult. It’s from inhaling a chemical called diacetyl, which is used as a buttery flavoring in products like popcorn. It’s safe to eat, but when inhaled, it can cause permanent damage. That year, a ton of people especially teenagers, started to get really sick with mysterious lung issues. \u003c/span>\u003c/p>\n\u003cp>\u003cb>News Anchor 1: \u003c/b>\u003cspan style=\"font-weight: 400\">A seemingly healthy Texas teenager suddenly unable to breathe and hospitalized with lung failure. His doctors suspect vaping was the cause. \u003c/span>\u003c/p>\n\u003cp>\u003cb>News Anchor 2: \u003c/b>\u003cspan style=\"font-weight: 400\">The CDC released some new numbers today. The new numbers show more than 2,000 people now have been diagnosed with a vaping illness. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">In the United States, there were over 2,700 confirmed cases related to this mysterious vape illness and 68 deaths. One teenager in Canada had symptoms that aligned with popcorn lung, but all of the cases in the US involved pneumonia and other symptoms that aren’t present in popcorn lung. That pointed to another culprit. The CDC actually identified a different chemical as the probable cause of these vape-related cases: Vitamin E acetate. It was used in a lot of black market weed vape cartridges to dilute cannabis oil and essentially make a cheaper product. The CDC never confirmed whether diacetyl, the flavoring chemical, was related. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Still, the fear of popcorn lung and the amount of teenagers getting sick contributed to a nationwide crackdown on flavored vapes, whether or not they contained diacetyl. At the time, Juul was the biggest e-cigarette company. They sold different flavor pods, like mango, crème brûlée, and berry, which were all interchangeable and worked with a rechargeable battery. In 2020, the FDA banned most flavored cartridges, like Juul pods. \u003c/span>\u003c/p>\n\u003cp>\u003cb>News Anchor 3: \u003c/b>\u003cspan style=\"font-weight: 400\">A targeted ban on the fruit-flavored e-cigarette cartridges, including mint, most popular with teens. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And a recent Supreme Court decision sided with the FDA over its flavored vape ban. \u003c/span>\u003c/p>\n\u003cp>\u003cb>News Anchor 4: \u003c/b>\u003cspan style=\"font-weight: 400\">In a unanimous ruling, the Supreme Court has given the FDA victory in its ability to regulate e-cigarettes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I confess that I was once a Juul kid. Frankly, the flavor ban made getting ahold of my beloved mango flavored nicotine so inconvenient that I stopped vaping entirely. But that flavor ban did not apply to disposable vapes. And in the years since, an entire unregulated gray market opened up, offering more dessert flavors than Juul ever carried. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So to break this down, we’re going to hear from someone with expertise in both public health and the environment. Dr. Yogi Hale Hendlin. He’s an environmental philosopher who currently teaches at Erasmus University, Rotterdam. But when he was a researcher at UC San Francisco during the height of the vape illness crisis, he very closely studied vaping and nicotine habits. And that included keeping tabs on how people were getting rid of their vapes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">The FDA banned flavors for refillable, reusable vapes, but not for disposable ones. Because at the time they weren’t a thing really. Juul was the thing. They were 70% of the market for a while. You can hold them accountable at least. But when you get this disposable vape market taking this loophole and exploiting it as much as they can for the thousands and thousands of flavors. Guess which market is most interested in flavors, it’s not 80-year-old smokers looking to quit. It’s kids and young adults, and the industry knows this. The FDA has had years to close this loophole, to do something about it, because it’s really all about flavors. So flavors is driving the disposable vapes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">For a while, it seemed like smoking was really falling out of popularity. I mean, cigarettes were really out, at least in the United States. But now it seems like vaping is more popular. What impact is this having on the environment? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">If we look at these devices, they’re not being recycled, they’re not being built for long time use, but to last as long as necessary for a disposable vape and then thrown out. And that’s accumulating in our dumps, in our incinerators. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">A 2023 report commissioned by the United Nations found that 844 million vapes are thrown away every year. That is enough lithium to make batteries for 5,000 electric cars. Lithium is already a finite resource and mining it involves significant water consumption and deforestation. Even though lithium itself isn’t renewable, batteries that contain it can be rechargeable or can be repurposed. But single-use vapes aren’t always meant to be taken apart or recycled, so these lithium batteries are usually just discarded. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">So this is really quite alarming that we’re allocating our resources towards continued addiction by other means, and at the same time, junking the planet. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Right. Can you talk about why disposables are so popular, whether for e-cigarettes or even for weed vapes? Which, weed vape cartridges aren’t banned the same way that a mango Juul pod is, but people do gravitate toward disposables anyway. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">Right now, they’re making them so cheap. We’re not reflecting the true cost of these items in our economy. We are basically subsidizing the waste at the end of life. There’s no extended producer responsibility where the manufacturer has to be responsible for it. There is no brand loyalty where you have to make sure that your device works properly for a certain amount of time. Right now, it is really a race to the bottom in terms of how much can you pack into this single thing, then you throw away. It makes it much easier for students who they can flush it down the toilet if it’s about to get confiscated, which unfortunately happens way too much. And it’s something that they can pass around. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Are you familiar with those very advanced, like vapes with screens on them that can connect to your smartphone? They have games, some of them have step trackers. Have you seen these? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">Absolutely. They are the logical progression of tracking multiple addictions all on one device. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Right. And what is astonishing to me is that, yeah, these aren’t refillable. You’re not going to buy like, you know, nicotine juice at a vape shop and refill it. You are just going to use it and then get rid of it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, there’s no way to even refill it if you’d want to. You know, you’d probably like break the thing. But these things have LED screens. They have like, you know, they’re like basically old school game boys. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I mean, can you speak about like how this trend of super advanced gamified vapes exacerbates the waste issue? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m just gonna take a step back to the problem of disposables, right? So, before you would finish your juice and you’d get a refill and you do that with the same device for a year or two or three. But now you have like this whole unit, this thing that has the battery, that has now these screens, but all this circuitry too, the heating component, and you’re throwing that all away as soon as the juice is gone. Sometimes they integrate with your smartphone, but they also have like GPS tracking, social media notifications, like you said, fitness tracking and built-in games. So it’s like increasing the association of entertainment and sort of the practicality and weaves in like seamlessly with the rest of your life. And I think that this sort of integration is the dream of any product manufacturer. But when you do it with something that’s so addictive and isn’t good for you, that this raises a host of moral problems and societal ones. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I also wanted to clarify the difference between what goes into a disposable vape and what goes in to a rechargeable vape battery. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">Obviously with a 10,000-hit, non-rechargeable, disposable vape, you need a bigger battery to compensate for all of those hits, right, to get the heating coil to work. So you’re actually using a bigger in a disposable than you would in your standard rechargeable like a Juul, but you’re only using the battery once. Rather than renewing it, like, you know, 100 or 1,000 times, you’re using that battery once. None of these are really being made in the US anyhow, so there’s also questions about safety for health, safety for the environment, and yeah, it’s a Wild West right now. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">What happens when a vape is, you know, dropped in the environment? Like what happens to the environment, how does it break down? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">I mean, the lithium batteries, oftentimes in dumpsters, you get dumpster fires if the thing gets impacted. Chemical fire is not so easy to put out either. Sometimes you just have to let it burn out. What happens when it’s on the curb, ultimately, it probably goes into our storm drains and probably leaches a lot of particulate matter, heavy metals into our water stream that goes out to the ocean ultimately. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh great, so we’re turning the ocean into a giant like vape juice container. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">Totally with the lithium ion batteries and all the like soldering components that are usually made with mercury it’s no bueno \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">According to CDC data released last year, Americans threw away 5.7 disposable vapes \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">per second\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> in 2023 — roughly five hundred \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">thousand\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, every day, in the US alone.\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Trying to regulate the disposable vape market is like playing a game of whack a mole. Nearly all of them are manufactured in China, which ironically also bans flavored e-cigarettes.\u003c/span>\u003cspan style=\"font-weight: 400\"> But it doesn’t ban the export of vapes — which is how the US became flooded with cotton candy flavored disposables after 2020. There’s really nothing stopping retailers from selling them, despite attempts from local lawmakers.\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The FDA keeps trying to crack down on them, and has seized tens of millions of dollars worth of illegal vape shipments.\u003c/span>\u003cspan style=\"font-weight: 400\"> But, new companies pop up and find more loopholes, or just sell them on the black market. And although the Trump administration’s tariffs \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">have\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> put a dent in the disposable vape supply,\u003c/span>\u003cspan style=\"font-weight: 400\"> there’s no national standard for actually recycling these things. That also means that trash is piling up. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So if it isn’t the FDA, is anyone regulating the disposal of these things? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’ll talk about that after the break.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">California has some of the strictest e-waste laws in the country, but when it comes to nicotine vapes, disposal guidelines are fuzzy. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">New tab, California vape laws. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So in California, it’s actually illegal to throw away a lot of electronics, from old computers to TVs to even weed pens. They have to be disposed of at special facilities. As of 2024, cannabis companies aren’t allowed to market their vapes as disposable, and a lot of dispensaries have started taking back used vapes to safely get rid of them. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In fact, there is a whole cottage industry of cannabis waste companies that collect used vapes from dispensaries. Then, they separate the batteries and cartridges to recycle them.\u003c/span>\u003cspan style=\"font-weight: 400\"> Not all of it is recyclable, and it’s not a perfect system, but it’s a start.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It helps that THC products in California are pretty vigorously regulated, so weed vapes have to be made to a certain standard. This same system doesn’t really exist for those disposable, flavored nicotine vapes. And local recycling programs often refuse to take them.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">One of the major conundrums that keeps these things from being more recyclable than they are currently is that vapes are currently treated as both hazardous waste because of the nicotine and electronic waste, right? So you basically have this thing that you can’t just put in electronic waste and deal with it because it has nicotine. And so you can really have a circular economy with the way that the laws are currently set up. Circular economy is an economy where the products that you’re using are made to be disassembled, refurbished, reassembled and re-appropriated into new products with minimum energy use, minimum waste. In California, I believe that our laws are still preventing us from fully being able to recycle these things. Currently they’re not made to spec so that we can all say, okay, so this is how you take it apart and easily get the valuable metals, take the battery out. They’re not modular. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. I mean, I didn’t know about the vape disposal law until I started reporting on this story, and a lot of people I’ve talked to also just did not know about this law. As a public health expert, is there anything California should be doing to get the message out about vape recycling? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">We need to make it easy as pie. And this is how we do it. You put the deposit on the vape. You say, hey, you wanna buy a vape? Great, here is $5 deposit that you pay when you buy it. When you deposit your vape to be recycled, you get your five bucks back. And everybody, especially those who are in need of money, especially those were young, are going to properly deal with their vape. It’s called the deposit return system. It’s been used for milk bottles for over a century. It’s also in California on our computers. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">So California lawmakers also introduced a bill that wants to ban disposable vapes entirely. Some are concerned that banning disposable vaping entirely will push people to buy it from the black market instead. What do you think of this? Is this just fear-mongering from the big vaping industry? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">Yes, it is. I mean, we’ve heard for a long time from the tobacco industry that, you know, if you tax cigarettes, the black market will be the place where people get their cigarettes. Most kids are not getting their things from the black market. So it’s an idea of proportionality. It’s not that those arguments are absolutely incorrect, it’s just that they overplay their hand. If we want to protect kids and young adults from these devices, if we want to get rid of the environmental harms, which are so considerable, of single-use vapes, then all you have to do is ban single- use vapes and then they’re not going to become the cool thing anymore. That’s not what people will be using. And the overton window will shift and consumer preferences will change. And so the black market issue for me is sort of a non-starter if you think it logically all the way through. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Right. I mean, again, going back to my 21 year old little Juul addicted brain, I stopped dueling because it became inconvenient to buy Juuls. Like, is it that simple, really? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">It really is that simple. If we make access a little bit more difficult, and a deposit is a great way to do that for an addictive drug that harms the environment, you can easily put a deposit on it and it makes it a little less accessible for kids. And it also makes sure that people who do use these devices, that they return them where they’re supposed to go. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There was a recent study showing that somewhere between 70 and 80 percent all vapes are improperly disposed of. Where are they going? They’re going in our waterways. I have a whole collection that I found on the streets of San Francisco. Not that people are always just discarding them, but people also lose them. They fall out of backpacks. So there’s a lot of carelessness because they’re so cheap and disposable and because there’s no accountability. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">If this ban passes, will moving to rechargeable vapes actually do anything for the environment, or will people just keep treating their rechargeable vape like they’re disposable and keep losing them and keep easily tossing them without actually recycling them, just paying more for it? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">Obviously, just moving to reusable versus disposable is not going to solve the whole issue. I think we still need to deposit because there’s still going to be an end of life issue. If we want to make sure that we get those in the proper place, we also need accessibility. We need it to make it easy for people like you go to your supermarket and there’s a bin and you go the grocer and you give your device, you get your five bucks back and it’s over. So we need to integrate it into our recycling infrastructure. Yeah, there’s going to be a lag time. Just as every generation has to learn new technologies, people are going to have to get used to moving from disposable to non-disposable, just as they also did move from reusable to disposable. That was also a learning curve. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">With the current administration, the likelihood of further federal regulation on disposable vapes is unclear. Despite spearheading the flavored vape ban in 2019, Trump has backtracked. He’s since promised to, quote “save vaping. He made it one of the hallmarks of his 2024 campaign, with Business Insider reporting that some conservative circles have embraced nicotine consumption as masculine and contrarian.\u003c/span>\u003cspan style=\"font-weight: 400\"> Just this week, the FDA released a document that said it would consider allowing \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">some\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> flavored vape options, like coffee or tea or mint — while continuing to ban fruity, sweet flavors that appeal to teenagers.\u003c/span>\u003cspan style=\"font-weight: 400\"> But the FDA didn’t say anything about disposables specifically. \u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003cspan style=\"font-weight: 400\">Look, we can regulate vapes until we’re blue in the face, but to meaningfully reduce vape waste, we need a culture-wide shift in how we consume tech products. The current state of vape prohibition hasn’t stopped people from buying flavored vapes, or curbed e-waste. That’s why some DIY enthusiasts are actually taking it upon themselves to prove that disposable vapes \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">can\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> be recycled. \u003c/span>\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Let’s do one more tab, the circular economy and the right to repair. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Last month, this YouTuber who goes by NekoMichi went super viral after someone dumped a single-use vape on their doorstep. Instead of tossing it, NekoMichi broke open the plastic casing, pried the lithium battery out, and wired it to an old iPod Touch. They actually managed to power the iPod using the vape battery. NekoMichi is one of many DIYers who salvage batteries and other parts from so-called disposable vapes and repurpose them for power banks, gaming controllers, and other small devices. One person on the DIY electronics subreddit even built an e-bike battery out of 130 disposable vapes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">That is a great reuse of these batteries that otherwise would just end up in our landfills or incinerated. At the same time, you can’t expect your average vaper to know how to use Arduino chips and be able to do this. I think it’s a great proof of concept, right? It shows these things are totally reusable. Like it’s insane that we’re just throwing them out after, you know, a single run. We also have to be aware however, that because the batteries are not made to last, that there are lots of possible hazards that could come from that. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Like Yogi pointed out, DIY recycling is not exactly going to solve a massive systemic issue. Taking apart, and then repurposing, vape components is extremely labor intensive, requires highly technical skills, and may cause a fire that’s nearly impossible to put out. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But what \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">is\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> inching us closer to building the circular economy that Yogi was talking about earlier is the right to repair movement. \u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003cspan style=\"font-weight: 400\">Under right to repair laws – now in place in at least seven states\u003c/span>\u003cspan style=\"font-weight: 400\"> — if you buy a new electronic device, the company that sold you that device has to sell the repair manuals and spare parts to fix it if it breaks — instead of forcing you to buy a whole new one.\u003c/span>\u003cspan style=\"font-weight: 400\"> In addition to taking back used cartridges and batteries for recycling, some cannabis vape companies also sell replacement parts and offer repair services.\u003c/span>\u003cspan style=\"font-weight: 400\"> This might be a way forward for more sustainable e-cigarettes, too. \u003c/span>\u003c/b>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">I don’t want to be in disposable relationships. I like having my old cell phone that works exactly the way I like it to, and I don t have to use a month of my time figuring out the new configurations on a new one and getting them exactly how I like. I like stuff that lasts a while so that I can get cozy with it, that I get to know it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I mean, people will always be determined to get their nicotine fix. So when addressing this e-waste issue and having that in mind, is there any sustainable way forward? Do you think? Like, is the answer just to go back to cigarettes? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">No, I don’t think so. But, you know, at the birth of the e-cigarette movement, there were a lot of these mods, they called them, right? So it was sort of-. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">I remember the Vapelords. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, exactly, right. So build your own e-cigarette. And it really did have a lot of that maker’s sort of ethos behind it, where you could optimize, you know, the liquid, the juice, and the battery, and the heating coil, look at the right ohms, so that everything’s perfect and you can blow these amazing clouds, right? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So I do think that we can help raise awareness of making things more sustainable in terms of reusable, number one, by taking off the market the option just to be totally mindless about it. And hopefully all of this is in tandem with raising awareness of the long-term effects of vaping as well because if people need their nicotine fix, they’re going to get it. But there are so many better ways to do so than with disposables. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Okay, so here’s what you’re supposed to do when you’re ready to throw away a vape. Don’t toss them in your regular trash or rinse them out. We don’t want those chemicals hitting municipal water systems. Treat it like getting rid of batteries. Put it aside in a cool, dry place until you can drop it off at a household hazardous waste disposal spot. You can look up your local site online, contact your waste management company, or ask at the place where you bought the vape, and maybe… Consider leaving disposable vapes behind. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Yogi Hale Hendlin: \u003c/b>\u003cspan style=\"font-weight: 400\">I really understand that we are social animals. We are mammals that mimic each other. And so when we are in situations where it’s just easy, out of sight, out-of-mind, hey, that’s really convenient for us. But when we’re forced to understand, okay, so maybe you had to blow up a mountain to get the lithium to make that vape, maybe you have to deforest lots of land in Malawi and have people who got green leaf sickness from harvesting the tobacco leaves. And then you had to flu cure them and extract the nicotine and make that juice. And that’s how I got my thing. Like you become a lot more aware and you treat it in a more sacred way because I’m not saying that people shouldn’t do X or Y, but when we’re aware of the full ramifications of what we’re doing, the whole commodity chain, the global commodity chains that make it super simple just to press a few buttons on the internet, have this thing delivered to me, I suck on it, I throw it in the garbage can, it goes away and that’s it, that’s my entire relationship to it. That makes it all too easy for me to totally bypass the actual impacts that it’s having on people and the environment. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>Close All Tabs is a production of KQED Studios, and is reported and hosted by me, Morgan Sung. Our producer is Maya Cueva. Chris Hambrick is our editor. Chris Egusa is our Senior Editor and wrote our theme song and credits music. Additional music by APM. Brendan Willard is our audio engineer.\u003c/p>\n\u003cp>Audience engagement support from Maha Sanad. Katie Sprenger is our Director of Content Operations.Jen Chien is our director of podcasts and Ethan Toven-Lindsay is our Editor in Chief.\u003c/p>\n\u003cp>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/p>\n\u003cp>Keyboard sounds were recorded on my purple and pink Dustsilver K-84 wired mechanical keyboard with Gateron Red switches.\u003c/p>\n\u003cp>If you have feedback, or a topic you think we should cover, hit us up at CloseAllTabs@kqed.org. Follow us on instagram at “close all tabs pod.” Or drop it on Discord — we’re in the Close All Tabs channel at discord.gg/KQED. And if you’re enjoying the show, give us a rating on Apple podcasts or whatever platform you use.\u003c/p>\n\u003cp>Thanks for listening!\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">I wish this thing had like a little Tamagotchi on it so then I could like. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh my god, yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">Care, care for my little pet and then also be vaping. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Don’t give them ideas.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Samantha Cole: \u003c/b>\u003cspan style=\"font-weight: 400\">I bet that exists.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>"
}
],
"link": "/news/12075951/twitter-on-a-vape-puff-post-pollute-2",
"authors": [
"11944",
"11943",
"11869",
"11832"
],
"programs": [
"news_35082"
],
"categories": [
"news_33520"
],
"tags": [
"news_22973",
"news_20023",
"news_31830",
"news_3137",
"news_34646",
"news_458",
"news_1089",
"news_1631",
"news_25879"
],
"featImg": "news_12076011",
"label": "source_news_12075951"
},
"news_12075321": {
"type": "posts",
"id": "news_12075321",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12075321",
"score": null,
"sort": [
1772622037000
]
},
"guestAuthors": [],
"slug": "sex-workers-tried-to-warn-us-about-age-verification-laws",
"title": "Sex Workers Tried to Warn Us About Age Verification Laws",
"publishDate": 1772622037,
"format": "audio",
"headTitle": "Sex Workers Tried to Warn Us About Age Verification Laws | KQED",
"labelTerm": {},
"content": "\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Requiring internet users to verify their ages before accessing mature content may sound reasonable. Shouldn’t we be doing a better job protecting kids from online vulgarities? But free speech advocates say the push for age verification isn’t really about protecting children — and that bills like the Kids Online Safety Act (KOSA) would open the door to greater surveillance, censorship and control of what people can do online. Those same free speech advocates say the evidence lies in what happened to sex workers after the passage of the bills known as Allow States and Victims To Fight Online Sex Trafficking Act (FOSTA) and the Stop Enabling Sex Traffickers Act (SESTA) in 2018. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In this episode, Morgan is joined by writer, researcher and dominatrix Dr. Olivia Snow and Mashable associate editor Anna Iovine to explore the connections between porn, sex work and surveillance — and what age verification laws could mean for the future of the internet. \u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC5614462230\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guests:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://datax.ucla.edu/people/olivia-snow\">\u003cspan style=\"font-weight: 400\">Dr. Olivia Snow\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, research fellow at UCLA’s Center on Resilience & Digital Justice\u003c/span>\u003c/li>\n\u003cli>\u003ca href=\"https://mashable.com/author/anna-iovine\">\u003cspan style=\"font-weight: 400\">Anna Iovine\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, associate editor of features at \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Mashable\u003c/span>\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Further Reading/Listening:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://mashable.com/article/age-verification-is-going-to-destroy-the-entire-internet\">\u003cspan style=\"font-weight: 400\">Age verification is going to destroy the entire internet \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Anna Iovine, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Mashable\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ca href=\"https://www.wired.com/story/roe-abortion-sex-worker-policy/\">\u003cspan style=\"font-weight: 400\">Are You Ready to Be Surveilled Like A Sex Worker?\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Dr. Olivia Snow, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">WIRED\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.thenation.com/article/society/airbnb-banning-sex-workers/\">\u003cspan style=\"font-weight: 400\">Sex Workers Have Been Banned From Airbnb for Years. Will You Be Next?\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Dr. Olivia Snow, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Nation\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.polygon.com/discord-delays-age-id-verification/\">\u003cspan style=\"font-weight: 400\">Discord delays age verification measures as it admits what it got ‘wrong’\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Austin Manchester, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Polygon\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://whyy.org/segments/fosta-sesta-was-supposed-to-thwart-sex-trafficking-instead-its-sparked-a-movement/\">\u003cspan style=\"font-weight: 400\">FOSTA-SESTA was supposed to thwart sex trafficking. Instead, it’s sparked a movement \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Liz Tung, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">WHYY \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.theswaddle.com/the-internet-loves-sex-why-does-it-hate-sex-workers\">\u003cspan style=\"font-weight: 400\">The Internet Loves Sex. Why Does it Hate Sex Workers? \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Luna, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Swaddle\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.usatoday.com/story/news/investigations/2023/09/12/breast-cancer-content-creators-at-odds-with-social-media-rules/70731774007/\">\u003cspan style=\"font-weight: 400\">When social media censorship gets it wrong: The struggle of breast cancer content creators\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Savannah Kuchar, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">USA Today\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://mashable.com/article/ethical-age-verification-assurance\">\u003cspan style=\"font-weight: 400\">What would ethical age verification look like online? \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Anna Iovine, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Mashable\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://theintercept.com/2024/08/16/project-2025-russ-vought-porn-ban/\">\u003cspan style=\"font-weight: 400\">Project 2025 Co-Author Caught Admitting Secret Conservative Plan to Ban Porn\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Shawn Musgrave, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Intercept\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.eff.org/pages/algorithmic-suppression-abortion-content-creators#main-content\">\u003cspan style=\"font-weight: 400\">Going Viral vs. Going Dark: Why Extremism Trends and Abortion Content Gets Censored\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Kenyatta Thomas, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Electronic Frontier Foundation: Stop Censoring Abortion Campaign \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.sfchronicle.com/super-bowl-lx/article/fcc-clears-bad-bunny-21357728.php\">\u003cspan style=\"font-weight: 400\">FCC finds no violations in Bad Bunny’s Super Bowl halftime show at Levi’s Stadium\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Aidin Vaziri, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">San Francisco Chronicle \u003c/span>\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">So you know the messaging app Discord? Well, they recently announced that later this year, everyone on Discord will be a teen by default. Does this mean you’ll be transported back to middle school, confront your teenage bullies, and kiss your childhood crush like some kind of reverse 13 going on 30? Sorry, but no. It does mean that the way you can use Discord now might be very different. It’s part of a bigger push to “age gate” the internet. Discord’s new Teen by Default setting means that all users automatically get the teen version of the platform. So sensitive content is blurred out, and certain servers are off-limits. Discord said it’ll use both AI detection and human review to decide which servers are for adults only. How do you get past the age gating? Easy. Just upload a face scan or a photo of your government ID. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">So on its face, that seems like a pretty good idea. Like, I mean, who needs to be accessing adult content on Discord? Like, sure, we’ll all be safe, fine, but I mean none of this was ever about protecting children, ever. This is about data farming and mass surveillance. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">This is Dr. Olivia Snow. She’s a researcher at UCLA’s Center for Resilience and Data Justice, where she studies sex work and algorithmic surveillance. And she’s writing a book about this topic. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">And I’m also a dominatrix. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">It turns out, being a sex worker has become increasingly perilous on today’s internet. As a sex worker herself, Olivia has seen firsthand the way platforms have targeted and surveilled sex workers, even if they aren’t posting explicit or sexual content that violates the site’s rules. She says that Discord’s new age verification policy raises a lot of red flags about privacy. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">By requiring ID, like on one hand, that can prove that you’re of, you know, the right age. On the other, it also provides a digital footprint of the content that you are consuming, which under our current administration can be really dangerous if that content happens to be, for example, like queer-related. If it’s organizing around racial justice. Now Discord could potentially just offer up a list of names. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Discord said they’re offering privacy forward verification options. They claim that facial scans would never leave the user’s device and that IDs would only be used to verify age. They also said that users’ real identities would never be associated with their accounts and that their third-party vendors wouldn’t store any of this verification data. It’s all supposedly deleted right after users are age-checked. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">Of course they’re not doing that, but like there have been multiple reports of that data getting breached and leaked. And you know, how would that happen if they were getting rid of our data? Oh, right. They aren’t. They’re selling it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Yeah, Discord had a major data breach last year that exposed about 70,000 users’ government IDs. The company initially enforced age checks in the UK and Australia last year to comply with local social media regulations. But hey, the company said that the vendors they’re working with now had nothing to do with that huge violation of user privacy, so it’s all good now. Last week, we talked about Roblox, the super popular kids’ gaming platform and their new age verification policy. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That came on the heels of dozens of lawsuits against the company over allegations of predators grooming children on the platform. Age gating is becoming the norm online as platforms face increasing pressure to keep kids from seeing potentially harmful content. With age verification laws sweeping the UK, Australia, much of Europe and even here in the U.S. Free speech advocates are sounding the alarm about censorship and surveillance. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">Of course we want to protect children. We always want to protect children, but that’s not what the legislation is actually about. If any legislation were about protecting children, then we’d have like gun reform, but we don’t. It’s really about expanding the surveillance state and using protecting kids and protecting, you know, children’s purity, whatever, as an excuse. And it’s an excellent excuse. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">And there’s one group that’s been warning us about this exact issue for decades, sex workers. Today, we’re diving into the link between porn and the First Amendment and how the tactics first used to censor and surveil sex workers are now being used against everyone else. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This is Close All Tabs. I’m Morgan Sung, tech journalist and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. Let’s get into it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So what does sex work have to do with free speech? A lot more than you’d think. The UK’s Online Safety Act went into effect last year, which puts the onus on platforms to ensure that minors aren’t exposed to, quote, harmful content like porn or violence or self-harm. It’s a very broad and subjective umbrella, which means that all kinds of content can now be age-gated, like footage of police brutality against pro-Palestinian protesters. Or discussions of LGBTQ relationships. The UK’s Online Safety Act is responsible for the most recent and widespread changes, but it’s definitely not the first piece of legislation to require age verification. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Let’s start with a new tab. Why do I have to verify my age on Discord? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Joining me is Anna Iovine, associate features editor at Mashable, who primarily covers dating, relationships, sex, and sex work, and how they’re all linked to this current digital landscape. So she’s been covering the effects of age verification laws pretty closely. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">Very broadly, age verification laws require personal data, such as a facial scan or a government ID, in order to access data that might be deemed, quote, harmful for minors. So in a lot of cases, this has to do with pornography. And in the United States, around half of the country has these laws now, but they’re all different because they’re state laws. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Indiana was the first state to enact one of these laws back in 2023. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">And we’ve seen this moral panic around pornography really for years leading up to that point. And since then, there have been copycat bills of the Louisiana law. And then last year, the Supreme Court deemed that the Texas age verification law was constitutional. So that proved that age verification laws were here to stay in the country, at least for now. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">So the United Kingdom’s Online Safety Act went into effect this year. What are some of the unexpected places that we’re seeing this rollout? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">So some platforms that are not NSFW have started age gating their content such as Spotify and now we see Discord. And even some subreddits have been age gated in the UK such as Stop Drinking, which obviously doesn’t have anything to do with pornography. But the UK Online Safety Act deemed some content categories potentially harmful for minors and addiction content does fall into that, even if you’re talking about recovery — which is the issue with some of these laws in that if you are discussing some of these quote unquote adult topics, you might not even be posting anything harmful or you might be trying to get help. So that’s just one ill effect of these law, but it’s spread way beyond pornography. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Yeah, I mean, we’re seeing this across the world, like these laws initially targeted porn sites and sexually explicit content. But now we have to submit your face to Discord to chat with strangers. What is the logic behind trying to age gate some of this content? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">There are the outward purposes of these bills, which is to protect children. But in actuality, children are not protected when they have to scan their face and input their personal data, sensitive data, into websites that might not know how to hold this data. I don’t think that makes children safe. And I also don’t it’s safe to prevent children from seeing certain types of content. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For instance, one category that falls under the Online Safety Act is eating disorder content, which can be very harmful. But if you’re in eating disorder recovery, why should you not have access to recovery content? I don’t think that algorithms or AI or whatever systems they use to filter out what content is, quote unquote, for adults, knows the difference between what can be helpful and what can be harmful. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And I also think that, at least in the United States historically, moral panics have been outwardly centered on children, like, “Oh, think of the children.” Such as the satanic panic in the 80s. But really, I would speak for myself, I think it’s to chill speech and to chill sexuality and just blame it on like, “Oh, we cannot have this content around children.” But as a result, now adults have to input their personal data, adults may not have access to content that is their right to. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Are these policies effective? Like, can’t you just use a VPN to get around it? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">Exactly. You can use a VPN and they are not effective is the problem. What people see when these laws go into effect is that searches for VPNs go way up because people will figure out a way to get around them. That’s what happens with censorship. And in the case of porn sites that have to implement an age verification system, In the US and in the UK, if a site is based there, there’s a high likelihood that they will comply or will try to comply. But otherwise, if the website isn’t based in one of these territories, then they might not comply at all. And that’s something that Pornhub has pointed out that if other porn sites are based in other European countries or what have you, why would they want to follow a law in a different territory? It doesn’t make sense. So people can either use a VPN or just go to a site that doesn’t comply with the law. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">While the use of age verification technology is relatively recent, the crackdown on porn really ramped up almost a decade ago. And similar to age verification laws today, the legislation that led to the porn crackdown made online platforms responsible for the content their users posted, sweeping changes that heavily surveilled and censored sex workers. We’re now seeing similar tactics being used against the general public. We’ll dive into the ripple effects of a pair of laws. Called FOSTA and SESTA, but first, a quick break. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’re back, and we’re diving into the great porn ban of 2018. Let’s open a new tab. Are you ready to be surveilled like a sex worker? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Right now, age verification laws in the UK, Australia, and in the US are leading to a crackdown on porn in the name of protecting children. We saw similar restrictions years ago, but that was in the name of stopping sex trafficking. So back in 2018, President Trump signed a pair of bills into law called FOSTA and SESTA and drastically changed the internet. Here’s Mashable editor Anna Iovine again. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">So FASTA-SESTA stands for Fight Online Sex Trafficking Act and Stop Enabling Sex Traficking Act. And outwardly, it was to stop online sex trafficking and it had bipartisan support because if you said, “Oh, I’m not voting for the bill that stops online sex-trafficking,” it looks really bad. But in actuality, this bill made sex workers less safe and did not do much for sex trafficking at all. I was actually looking at a report released in 2021 that there was only one federal conviction from FOSTA-SESTA of a sex trafficker. But this made people less safe because as a result of FOSSTA-SESTTA, which was a carve out of Section 230, all these online platforms will now be liable for any content that is quote unquote soliciting or enabling prostitution or sex work. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">If you’ve been listening to the show for a while, you may notice that Section 230 comes up pretty often. It’s known as the 26 words that made the internet. Section 230 of the 1996 Communications Decency Act protects online platforms from liability for what their users post. It also protects platforms from liability if they choose to remove or restrict user content, even if it’s not criminal. That’s why platforms are allowed to remove hate speech. Now, section 230 doesn’t let platforms get away with criminal activity, like openly selling drugs. It holds platforms responsible for their own actions, but not for those of third parties. It means that if you have a blog and someone else leaves a comment that says, hey, buy drugs here, you aren’t liable for what they commented on your post. And they also can’t sue you if you delete their comment. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Section 230 enabled Facebook, Twitter, Reddit, Substack, and even the New York Times recipe comments section to become the vibrant town squares of discourse that they are today. Okay, maybe that’s optimistic. Whether you love or hate the incessant arguing online, that level of openness and exchange is only possible because of Section 230. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">However, FOSTA and SESTA removed that legal immunity for platforms that “facilitate sex trafficking.” A phrase that has been interpreted very broadly. Platforms are now held legally accountable for any of their users’ activity that could be linked to sex work. One of the biggest sites to go down after FOSTA-SESTA passed was Backpage. It was kind of like Craigslist, an online bulletin board where users could advertise equipment rentals, seasonal gigs, and escort services. Backpage was notorious for its role in trafficking minors. And multiple investigations shut down the site. But FOSTA-SESTA also wiped out platforms for consensual sex work. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">As a result of this, people who wanted to do sex work suddenly found that they had fewer resources. They couldn’t talk to each other about clients or the like. They couldn’t vet clients online because all these avenues of finding clients suddenly went away. And if they wanted to, say, advertise their services or just live online and have an online presence like all of us do, they had their accounts banned or what’s called shadow banned, which means it gets deprioritized by the platform and it can’t be searched and they don’t show up on the explore page and such. So if anything, it actually was a boon to sex traffickers because it made sex workers more vulnerable. They were suddenly more disconnected from each other and potential safer clients. And I think it made it easier who prey on sex workers because they didn’t have the, because they had fewer online resources than they did before FOSTA-SESTA. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And there are multiple studies that say that as a result of FOSTA-SESTA, sex workers are less safe now. I also want to mention the ripple effects of FOSTA-SESTA, a ton of people that are not sex workers are also getting their accounts shut down or getting shadow banned, especially if they’re people of color or LGBTQ people and maybe show a little bit of skin. And these are all people who do not have power. Like Kim Kardashian can post whatever she wants, whatever scantily clad photo she wants. She can show it. She will not get de-prioritized because she’s rich and famous. But if someone, if an erotic artist or a content creator or God forbid someone has an OnlyFans and wants to find some clients, they cannot post on Instagram the way that Kim Kardashian does. And that is a big effect of FOSTA-SESTA as well. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">This overcorrection has made it much harder to post anything related to sexuality or women’s bodies. And it extends into all online platforms. Pole dancing instructors have been banned for showing off their athletic feats. Sex educators have been banned for trying to raise awareness about STIs and birth control. Instagram bans images of, quote, female breasts that include the nipple, but makes exceptions for depictions of breastfeeding or posts about mastectomies. However, like many other platforms, Instagram’s automated moderation isn’t great at understanding context. So, content about breast cancer awarneness is still taken down. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">And in terms of women’s health, we’ve also seen that on Meta in particular, women’s health ads get rejected, such as if you’re trying to sell period products or rather create ads for period products, you can get rejected for being sexual. And yet in a lot of cases, ads for male sex toys or erectile dysfunction medications often don’t have that problem. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">And it’s not just social media platforms. Payment processors, for example, don’t want to be held liable for potentially facilitating sex trafficking. So they’ve refused to service anything related to sex, from adult content creator subscriptions to the sale of sex toys. FOSTA SESTA has rippled into every online service, and it’s affected sex workers on platforms totally unrelated to their work. Like how Airbnb flags sex workers and anyone close to them, like roommates and partners. Dr. Olivia Snow, the UCLA surveillance researcher and dominatrix, has been flagged on Venmo and Cash App. Even her DoorDash account was suspended a few years ago. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">So one day I had a friend who had just moved to Los Angeles and she was struggling and like living in a hostel and I was like, “Yeah, I’m gonna send her a sandwich. Like I’m going to be a good pal.” And I like get on DoorDash and I’m sending her a sandwich and it just suspended my account like as the transaction was about to go through. And then I got an email about it that was like your account has been suspended due to like X, Y, and Z. I was flagged as a high-risk user the same way that I’ve been flagged on Venmo or Cash App, but Venmo and Cash App make a little bit of sense because I’ve received tribute from clients on those. I haven’t received the same on DoorDash, but it’s still the same technologies that were able to flag me. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">How do platforms know? According to Olivia, algorithmic surveillance. Like everyone else on the internet, sex workers have been tracked across platforms. All of this data has been used to identify certain users as high risk. It’s not unlike the way that platforms track user activity to figure out what their specific demographic likes to buy. For example, Olivia’s cat made an appearance right before we started recording this interview. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">We were talking about my cat earlier, right? It is not unlikely that after me saying that or you hearing that or anyone watching this, if they open up Instagram, they’re gonna get an ad for cat food, right? They share data and they sell it to each other, mainly to better market to us. By us, I mean like everyone who’s using the internet. They know what device we’re on, they know our phone number, they know our email address, they know credit card number, social security number. So when you have like this, like these constellations of data points that we are willingly sharing with these platforms and it’s really not too difficult to link these things together. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Olivia often compares sex workers to “the canary in the coal mine” when it comes to surveillance. She said sex workers are often the test population for data collection, surveillance, and censorship. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">One thing I really love about the canary and the coal mine metaphor is that the way that the canaries functioned in coal mining was that it was when the canary stopped singing that you wanted to take note because that meant that the oxygen levels weren’t enough to sustain the canary’s consciousness. So it’s not that like, “Oh, I finally hear the canary,” like, which is how I feel that is that’s often misinterpreted as. It’s more like, “Oh, the canary’s been singing and now just isn’t anymore.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And that is openly the plan for how to deal with sex workers on the internet and on various technologies. We don’t want to see porn. And then when we don’t see the porn, we know that our content moderation is working. But the people who you’re moderating out of sight are same people who are saying like, “Hey, you know, this is going to get you used against you next,” but you don’t hear that because you can’t hear them anymore. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Let’s look at a real-world example of this. Surveillance and censorship after Roe v. Wade was overturned. FOSTA-SESTA cast a very broad net around the quote, facilitation of trafficking, which meant that platforms cracked down on anything related to sexuality. They responded similarly after the Dobbs decision in 2022. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">We almost immediately saw this censorship expand to people sharing information on how to access abortions, how to excess contraceptives, safe sex in general. There’s no language in there that criminalizes talking about abortion on Instagram, especially if you’re in a state where abortion is protected. But, out of, you know, whether it’s an abundance of caution or plausible deniability or a genuine desire to silence activists or, you know, censor this information and stymieing its circulation, platforms just started going after abortion and like safe sex content, you know, pretty immediately. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Olivia pointed to the Texas Heartbeat Act, which effectively bans abortions after six weeks. The law also allows private individuals to sue anyone who performs, induces, or aids and abets abortions, after the cutoff. “Aids and abets” is very broad. It can include clinic staff members, Uber drivers who take someone to an abortion clinic, or even friends who help pay for the procedure. The same methods used to identify sex workers as “high risk,” like tracking activity across platforms, collecting location data, tracking keystrokes, can also be used to flag anyone seeking or providing abortions, especially in states where it’s criminalized. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">So that certainly mimics FOSTA-SESTA in the criminalization of facilitation. And I mean, that rhetoric and that language and these other policies around prostitution already existing made it really easy to justify expanding that to people seeking or accessing or providing abortions. Another demographic that I’ve seen absolutely throttled is Palestinians and pro-Palestine activists. Like I noticed myself when I was tweeting about Palestine, I got far more severe shadow banning doing that than I ever did tweeting about sex work. But you know, the reason they were able to do that is because the infrastructure was already in place. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">So, FOSTA-SESTA led to a widespread suppression of sexual content, and much more surveillance, in an effort to stop trafficking. And now, a few years later, we’re seeing another legislative push to restrict the internet. But this time, it’s in the name of protecting children. The era of age verification is here. Since 2022, Congress has been trying to pass a federal law, similar to the UK’s, called the Kids Online Safety Act, or KOSA. Here’s Anna again. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">KOSA is interesting because it almost combines FOSTA-SESTA with age verification laws because it requires platforms to have a duty of care to basically make it so children cannot see quote-unquote harmful content. And like the Online Safety Act, what qualifies as content harmful for children is really broad and includes harmful behaviors such as the eating disorders and addiction and also covers. Bullying, and such, in addition to pornographic and sexual content. So what would this do? It’s so broad, I think it signals that people don’t know about how the internet works because it’s like, how would this even happen? How can you prevent children from seeing this? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Anna thinks it’ll result in a combination of FOSTA-SESTA and age verification laws, which means that a lot of content will be wiped from the internet. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">I think a lot of this content would be removed. I think tech platforms would just delete everything. Or if they’re using different tools, I think they would install age verification systems in order to corner off this content from minors. So it potentially has the power to be worse. Granted, KOSA has been introduced and failed and reintroduced a bunch of times, so I don’t know the viability of this law, but it keeps coming back. So it does seem like it’s not going away, but it does have the potential to be scary because I think it’s internet policy written by people who don’t know how the internet works. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">So there’s a real dilemma here. Obviously, we don’t want to expose kids to sexual or harmful content. But do we have to give up our privacy for that? Let’s open one more tab. Protecting kids versus the First Amendment. Free speech advocates are very concerned about KOSA and laws like it. So how does age-gating porn affect the way we can interact with the internet outside of just sexual content? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">It seems like as age verification laws become more and more widespread that it will be harder to be anonymous online, which I think is a huge privacy and security concern. And it also is scary because it, in terms of content that can be harmful for children, there’s a capacity for people to point at something that they don’t like such as criticism of the government and saying “you’re actually bullying,” or to look at two people of the same sex and say that’s pornography. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So, it really has the capacity to chill free speech and make it so you cannot be yourself online or you cannot say what you want to say, and the internet can be fundamentally changed from 30 years ago when Section 230 was passed. Whenever there is censorship, people will try to go around that, which is exactly what people are doing with VPNs, and now there’s a push to ban VPNs or at least ban them for children, which according to First Amendment and internet experts that I’ve spoken to, falls under second-order censorship. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">So a lot of lawmakers are making the assurance that they’re not trying to just ban porn with AV laws. But in Project 2025, the blueprint for Trump’s second term, they literally did lay out a plan to ban porn and imprison sexual content creators. What is the environment right now around a so-called porn ban? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">They don’t want porn, I think because they don’t like it, they don’t like human sexuality, they think it’s disgusting, what have you, but I also think it’ because they know that if porn is banned, they can call things that are not pornographic porn and just chill speech that has nothing to do with explicit content. We’re already seeing it. There was a congressman who called Bad Bunny’s Super Bowl halftime show pornography, which I think is exactly the kind of thing that we should be seeing because it shows that it’s not just about the explicit content. It’s not about just people being naked and having sex on camera. It’s about much more than that. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Right. Is there an ethical way to keep kids from seeing sexual or harmful content without severely restricting the internet for everyone else? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">Yes, there is a way. It’s called device level filters. So free speech advocates and sex workers and the like have been advocating for this method for years. A device level filter is on the actual device and it blocks all websites deemed “restricted to adults,” and you cannot get around it. You can’t use a VPN on the device. You can’t like suddenly, I don’t know, turn it off and turn it back on again and it’s gone. It is on to device. And yet, if you’re an adult, you won’t have this filter and you won’t have to submit your ID or a facial scan or what have you. So according to these advocates, it is the best way. And it’s also what Pornhub and its parent company have been advocating for for years. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Why is sex so intertwined with free speech online? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">I think because it is so shamed in our society because people in person don’t talk about sex a lot. We’re not taught it in schools. Our parents maybe don’t talked about it as much. So I think it’s really the third rail in a lot of these cases because it’s such a charged topic in our society. But human sexuality exists and it’s within us and it’s natural to want to express it whether it’s talk about sex, learn about it, or watch people have it. And we also see that whenever technology advances, porn is the first thing to go on it. Pornographers were very early adopters of the internet. They were early adopter of VR, and now they’re seeing they’re early adopters of AI — if it’s done consensually, deepfakes are a whole different story. But I think it’s natural. It’s one of those things like food and sleep, and even though it’s not compulsory like those other two things, I think it’s natural to want to discuss it, especially when it’s so squashed as a topic of conversation. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Porn is often credited as the driving force behind the internet. The sex industry pioneered streaming, digital advertising, and e-commerce. Sex and the internet are so intertwined that it’s been enshrined in internet lore. Rule 34 is this meme that says, “If it exists, there’s definitely porn of it online.” And like we’ve heard throughout this episode, banning porn, or even restricting sexual content will affect everyone, regardless of whether you google smut. Olivia warns that teenagers will always be able to access porn if they’re determined enough, but these restrictions on sexual or harmful content will ultimately stop them from accessing information about safe sex or consent. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Many free speech advocates argue that it should be up to parents, not the government, to monitor and limit what their kids do online. In December, a House subcommittee advanced 18 bills that revolve around protecting kids online, including KOSA. The debate between protecting kids and protecting free speech and privacy is an ongoing fight. And Olivia said that it’s never been a better time to listen to sex workers. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">Because what they’re doing to us, they will do to you next and you’re not going to like it. It sounds excessive, it sounds like a moral panic, and yet all of these things that sex workers have been predicting for years are happening every day. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Discord’s Teen-by-Default policy was supposed to start this month. It would require users to submit facial scans and upload their government IDs in order to access flagged servers. But last week, after significant backlash from users, the company announced that it’s postponing age verification requirements until the second half of this year. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In a blog post, Discord CTO and co-founder Stanislav Vyshnevskiy acknowledged that the platform “missed the mark.” And said that he “gets the skepticism.” Discord’s age verification is still going to happen, but Vyshnevskiy at least promised more transparency and alternative options that don’t involve giving her face to a third-party vendor. Okay, let’s close all these tabs. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Close All Tabs is a production of KQED Studios and is reported and hosted by me, Morgan Sung. This episode was produced by Maya Cueva. It was edited by Chris Hambrick and Chris Egusa, who also composed our theme song and credits music. Our team includes Jen Chien, who is the director of podcasts. Additional music by APM. Brendan Willard is our audio engineer. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Audience engagement support from Maha Sanad. Ethan Toven-Lindsey is our editor in chief. Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco, Northern California Local. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode’s keyboard sounds were submitted by my dad, Casey Sung, and recorded on his white and blue Epomaker Aula F99 keyboard with Greywood V3 switches and Cherry Profile PBT keycaps. Do you like these deep dives? Are you closing your tabs? Then don’t forget to rate and review us on Spotify, Apple Podcasts, or wherever you listen to the show. Maybe drop a comment too. And if you really like Close All Tabs and want to support public media, go to donate.kqed.org slash podcasts. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Thanks for listening. \u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "Morgan explores what age verification laws could mean for the future of the internet. ",
"status": "publish",
"parent": 0,
"modified": 1773964937,
"stats": {
"hasAudio": true,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 82,
"wordCount": 6479
},
"headData": {
"title": "Sex Workers Tried to Warn Us About Age Verification Laws | KQED",
"description": "Requiring internet users to verify their ages before accessing mature content may sound reasonable. Shouldn’t we be doing a better job protecting kids from online vulgarities? But free speech advocates say the push for age verification isn’t really about protecting children — and that bills like the Kids Online Safety Act (KOSA) would open the door to greater surveillance, censorship and control of what people can do online. Those same free speech advocates say the evidence lies in what happened to sex workers after the passage of the bills known as Allow States and Victims To Fight Online Sex Trafficking Act (FOSTA) and the Stop Enabling Sex Traffickers Act (SESTA) in 2018. In this episode, Morgan is joined by writer, researcher and dominatrix Dr. Olivia Snow and Mashable associate editor Anna Iovine to explore the connections between porn, sex work and surveillance — and what age verification laws could mean for the future of the internet. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"socialDescription": "Requiring internet users to verify their ages before accessing mature content may sound reasonable. Shouldn’t we be doing a better job protecting kids from online vulgarities? But free speech advocates say the push for age verification isn’t really about protecting children — and that bills like the Kids Online Safety Act (KOSA) would open the door to greater surveillance, censorship and control of what people can do online. Those same free speech advocates say the evidence lies in what happened to sex workers after the passage of the bills known as Allow States and Victims To Fight Online Sex Trafficking Act (FOSTA) and the Stop Enabling Sex Traffickers Act (SESTA) in 2018. In this episode, Morgan is joined by writer, researcher and dominatrix Dr. Olivia Snow and Mashable associate editor Anna Iovine to explore the connections between porn, sex work and surveillance — and what age verification laws could mean for the future of the internet. ",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "Sex Workers Tried to Warn Us About Age Verification Laws",
"datePublished": "2026-03-04T03:00:37-08:00",
"dateModified": "2026-03-19T17:02:17-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"primaryCategory": {
"termId": 33520,
"slug": "podcast",
"name": "Podcast"
},
"source": "Close All Tabs",
"sourceUrl": "https://www.kqed.org/podcasts/closealltabs",
"audioUrl": "https://traffic.megaphone.fm/KQINC5614462230.mp3",
"sticky": false,
"nprStoryId": "kqed-12075321",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/news/12075321/sex-workers-tried-to-warn-us-about-age-verification-laws",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Requiring internet users to verify their ages before accessing mature content may sound reasonable. Shouldn’t we be doing a better job protecting kids from online vulgarities? But free speech advocates say the push for age verification isn’t really about protecting children — and that bills like the Kids Online Safety Act (KOSA) would open the door to greater surveillance, censorship and control of what people can do online. Those same free speech advocates say the evidence lies in what happened to sex workers after the passage of the bills known as Allow States and Victims To Fight Online Sex Trafficking Act (FOSTA) and the Stop Enabling Sex Traffickers Act (SESTA) in 2018. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In this episode, Morgan is joined by writer, researcher and dominatrix Dr. Olivia Snow and Mashable associate editor Anna Iovine to explore the connections between porn, sex work and surveillance — and what age verification laws could mean for the future of the internet. \u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC5614462230\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guests:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://datax.ucla.edu/people/olivia-snow\">\u003cspan style=\"font-weight: 400\">Dr. Olivia Snow\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, research fellow at UCLA’s Center on Resilience & Digital Justice\u003c/span>\u003c/li>\n\u003cli>\u003ca href=\"https://mashable.com/author/anna-iovine\">\u003cspan style=\"font-weight: 400\">Anna Iovine\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, associate editor of features at \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Mashable\u003c/span>\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Further Reading/Listening:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://mashable.com/article/age-verification-is-going-to-destroy-the-entire-internet\">\u003cspan style=\"font-weight: 400\">Age verification is going to destroy the entire internet \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Anna Iovine, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Mashable\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ca href=\"https://www.wired.com/story/roe-abortion-sex-worker-policy/\">\u003cspan style=\"font-weight: 400\">Are You Ready to Be Surveilled Like A Sex Worker?\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Dr. Olivia Snow, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">WIRED\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.thenation.com/article/society/airbnb-banning-sex-workers/\">\u003cspan style=\"font-weight: 400\">Sex Workers Have Been Banned From Airbnb for Years. Will You Be Next?\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Dr. Olivia Snow, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Nation\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.polygon.com/discord-delays-age-id-verification/\">\u003cspan style=\"font-weight: 400\">Discord delays age verification measures as it admits what it got ‘wrong’\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Austin Manchester, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Polygon\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://whyy.org/segments/fosta-sesta-was-supposed-to-thwart-sex-trafficking-instead-its-sparked-a-movement/\">\u003cspan style=\"font-weight: 400\">FOSTA-SESTA was supposed to thwart sex trafficking. Instead, it’s sparked a movement \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Liz Tung, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">WHYY \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.theswaddle.com/the-internet-loves-sex-why-does-it-hate-sex-workers\">\u003cspan style=\"font-weight: 400\">The Internet Loves Sex. Why Does it Hate Sex Workers? \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Luna, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Swaddle\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.usatoday.com/story/news/investigations/2023/09/12/breast-cancer-content-creators-at-odds-with-social-media-rules/70731774007/\">\u003cspan style=\"font-weight: 400\">When social media censorship gets it wrong: The struggle of breast cancer content creators\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Savannah Kuchar, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">USA Today\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://mashable.com/article/ethical-age-verification-assurance\">\u003cspan style=\"font-weight: 400\">What would ethical age verification look like online? \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">— Anna Iovine, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Mashable\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://theintercept.com/2024/08/16/project-2025-russ-vought-porn-ban/\">\u003cspan style=\"font-weight: 400\">Project 2025 Co-Author Caught Admitting Secret Conservative Plan to Ban Porn\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Shawn Musgrave, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Intercept\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.eff.org/pages/algorithmic-suppression-abortion-content-creators#main-content\">\u003cspan style=\"font-weight: 400\">Going Viral vs. Going Dark: Why Extremism Trends and Abortion Content Gets Censored\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Kenyatta Thomas, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Electronic Frontier Foundation: Stop Censoring Abortion Campaign \u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003c/i>\u003ca href=\"https://www.sfchronicle.com/super-bowl-lx/article/fcc-clears-bad-bunny-21357728.php\">\u003cspan style=\"font-weight: 400\">FCC finds no violations in Bad Bunny’s Super Bowl halftime show at Levi’s Stadium\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Aidin Vaziri, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">San Francisco Chronicle \u003c/span>\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-content post-body\">\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">So you know the messaging app Discord? Well, they recently announced that later this year, everyone on Discord will be a teen by default. Does this mean you’ll be transported back to middle school, confront your teenage bullies, and kiss your childhood crush like some kind of reverse 13 going on 30? Sorry, but no. It does mean that the way you can use Discord now might be very different. It’s part of a bigger push to “age gate” the internet. Discord’s new Teen by Default setting means that all users automatically get the teen version of the platform. So sensitive content is blurred out, and certain servers are off-limits. Discord said it’ll use both AI detection and human review to decide which servers are for adults only. How do you get past the age gating? Easy. Just upload a face scan or a photo of your government ID. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">So on its face, that seems like a pretty good idea. Like, I mean, who needs to be accessing adult content on Discord? Like, sure, we’ll all be safe, fine, but I mean none of this was ever about protecting children, ever. This is about data farming and mass surveillance. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">This is Dr. Olivia Snow. She’s a researcher at UCLA’s Center for Resilience and Data Justice, where she studies sex work and algorithmic surveillance. And she’s writing a book about this topic. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">And I’m also a dominatrix. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">It turns out, being a sex worker has become increasingly perilous on today’s internet. As a sex worker herself, Olivia has seen firsthand the way platforms have targeted and surveilled sex workers, even if they aren’t posting explicit or sexual content that violates the site’s rules. She says that Discord’s new age verification policy raises a lot of red flags about privacy. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">By requiring ID, like on one hand, that can prove that you’re of, you know, the right age. On the other, it also provides a digital footprint of the content that you are consuming, which under our current administration can be really dangerous if that content happens to be, for example, like queer-related. If it’s organizing around racial justice. Now Discord could potentially just offer up a list of names. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Discord said they’re offering privacy forward verification options. They claim that facial scans would never leave the user’s device and that IDs would only be used to verify age. They also said that users’ real identities would never be associated with their accounts and that their third-party vendors wouldn’t store any of this verification data. It’s all supposedly deleted right after users are age-checked. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">Of course they’re not doing that, but like there have been multiple reports of that data getting breached and leaked. And you know, how would that happen if they were getting rid of our data? Oh, right. They aren’t. They’re selling it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Yeah, Discord had a major data breach last year that exposed about 70,000 users’ government IDs. The company initially enforced age checks in the UK and Australia last year to comply with local social media regulations. But hey, the company said that the vendors they’re working with now had nothing to do with that huge violation of user privacy, so it’s all good now. Last week, we talked about Roblox, the super popular kids’ gaming platform and their new age verification policy. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That came on the heels of dozens of lawsuits against the company over allegations of predators grooming children on the platform. Age gating is becoming the norm online as platforms face increasing pressure to keep kids from seeing potentially harmful content. With age verification laws sweeping the UK, Australia, much of Europe and even here in the U.S. Free speech advocates are sounding the alarm about censorship and surveillance. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">Of course we want to protect children. We always want to protect children, but that’s not what the legislation is actually about. If any legislation were about protecting children, then we’d have like gun reform, but we don’t. It’s really about expanding the surveillance state and using protecting kids and protecting, you know, children’s purity, whatever, as an excuse. And it’s an excellent excuse. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">And there’s one group that’s been warning us about this exact issue for decades, sex workers. Today, we’re diving into the link between porn and the First Amendment and how the tactics first used to censor and surveil sex workers are now being used against everyone else. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This is Close All Tabs. I’m Morgan Sung, tech journalist and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. Let’s get into it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So what does sex work have to do with free speech? A lot more than you’d think. The UK’s Online Safety Act went into effect last year, which puts the onus on platforms to ensure that minors aren’t exposed to, quote, harmful content like porn or violence or self-harm. It’s a very broad and subjective umbrella, which means that all kinds of content can now be age-gated, like footage of police brutality against pro-Palestinian protesters. Or discussions of LGBTQ relationships. The UK’s Online Safety Act is responsible for the most recent and widespread changes, but it’s definitely not the first piece of legislation to require age verification. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Let’s start with a new tab. Why do I have to verify my age on Discord? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Joining me is Anna Iovine, associate features editor at Mashable, who primarily covers dating, relationships, sex, and sex work, and how they’re all linked to this current digital landscape. So she’s been covering the effects of age verification laws pretty closely. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">Very broadly, age verification laws require personal data, such as a facial scan or a government ID, in order to access data that might be deemed, quote, harmful for minors. So in a lot of cases, this has to do with pornography. And in the United States, around half of the country has these laws now, but they’re all different because they’re state laws. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Indiana was the first state to enact one of these laws back in 2023. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">And we’ve seen this moral panic around pornography really for years leading up to that point. And since then, there have been copycat bills of the Louisiana law. And then last year, the Supreme Court deemed that the Texas age verification law was constitutional. So that proved that age verification laws were here to stay in the country, at least for now. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">So the United Kingdom’s Online Safety Act went into effect this year. What are some of the unexpected places that we’re seeing this rollout? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">So some platforms that are not NSFW have started age gating their content such as Spotify and now we see Discord. And even some subreddits have been age gated in the UK such as Stop Drinking, which obviously doesn’t have anything to do with pornography. But the UK Online Safety Act deemed some content categories potentially harmful for minors and addiction content does fall into that, even if you’re talking about recovery — which is the issue with some of these laws in that if you are discussing some of these quote unquote adult topics, you might not even be posting anything harmful or you might be trying to get help. So that’s just one ill effect of these law, but it’s spread way beyond pornography. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Yeah, I mean, we’re seeing this across the world, like these laws initially targeted porn sites and sexually explicit content. But now we have to submit your face to Discord to chat with strangers. What is the logic behind trying to age gate some of this content? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">There are the outward purposes of these bills, which is to protect children. But in actuality, children are not protected when they have to scan their face and input their personal data, sensitive data, into websites that might not know how to hold this data. I don’t think that makes children safe. And I also don’t it’s safe to prevent children from seeing certain types of content. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For instance, one category that falls under the Online Safety Act is eating disorder content, which can be very harmful. But if you’re in eating disorder recovery, why should you not have access to recovery content? I don’t think that algorithms or AI or whatever systems they use to filter out what content is, quote unquote, for adults, knows the difference between what can be helpful and what can be harmful. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And I also think that, at least in the United States historically, moral panics have been outwardly centered on children, like, “Oh, think of the children.” Such as the satanic panic in the 80s. But really, I would speak for myself, I think it’s to chill speech and to chill sexuality and just blame it on like, “Oh, we cannot have this content around children.” But as a result, now adults have to input their personal data, adults may not have access to content that is their right to. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Are these policies effective? Like, can’t you just use a VPN to get around it? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">Exactly. You can use a VPN and they are not effective is the problem. What people see when these laws go into effect is that searches for VPNs go way up because people will figure out a way to get around them. That’s what happens with censorship. And in the case of porn sites that have to implement an age verification system, In the US and in the UK, if a site is based there, there’s a high likelihood that they will comply or will try to comply. But otherwise, if the website isn’t based in one of these territories, then they might not comply at all. And that’s something that Pornhub has pointed out that if other porn sites are based in other European countries or what have you, why would they want to follow a law in a different territory? It doesn’t make sense. So people can either use a VPN or just go to a site that doesn’t comply with the law. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">While the use of age verification technology is relatively recent, the crackdown on porn really ramped up almost a decade ago. And similar to age verification laws today, the legislation that led to the porn crackdown made online platforms responsible for the content their users posted, sweeping changes that heavily surveilled and censored sex workers. We’re now seeing similar tactics being used against the general public. We’ll dive into the ripple effects of a pair of laws. Called FOSTA and SESTA, but first, a quick break. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’re back, and we’re diving into the great porn ban of 2018. Let’s open a new tab. Are you ready to be surveilled like a sex worker? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Right now, age verification laws in the UK, Australia, and in the US are leading to a crackdown on porn in the name of protecting children. We saw similar restrictions years ago, but that was in the name of stopping sex trafficking. So back in 2018, President Trump signed a pair of bills into law called FOSTA and SESTA and drastically changed the internet. Here’s Mashable editor Anna Iovine again. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">So FASTA-SESTA stands for Fight Online Sex Trafficking Act and Stop Enabling Sex Traficking Act. And outwardly, it was to stop online sex trafficking and it had bipartisan support because if you said, “Oh, I’m not voting for the bill that stops online sex-trafficking,” it looks really bad. But in actuality, this bill made sex workers less safe and did not do much for sex trafficking at all. I was actually looking at a report released in 2021 that there was only one federal conviction from FOSTA-SESTA of a sex trafficker. But this made people less safe because as a result of FOSSTA-SESTTA, which was a carve out of Section 230, all these online platforms will now be liable for any content that is quote unquote soliciting or enabling prostitution or sex work. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">If you’ve been listening to the show for a while, you may notice that Section 230 comes up pretty often. It’s known as the 26 words that made the internet. Section 230 of the 1996 Communications Decency Act protects online platforms from liability for what their users post. It also protects platforms from liability if they choose to remove or restrict user content, even if it’s not criminal. That’s why platforms are allowed to remove hate speech. Now, section 230 doesn’t let platforms get away with criminal activity, like openly selling drugs. It holds platforms responsible for their own actions, but not for those of third parties. It means that if you have a blog and someone else leaves a comment that says, hey, buy drugs here, you aren’t liable for what they commented on your post. And they also can’t sue you if you delete their comment. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Section 230 enabled Facebook, Twitter, Reddit, Substack, and even the New York Times recipe comments section to become the vibrant town squares of discourse that they are today. Okay, maybe that’s optimistic. Whether you love or hate the incessant arguing online, that level of openness and exchange is only possible because of Section 230. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">However, FOSTA and SESTA removed that legal immunity for platforms that “facilitate sex trafficking.” A phrase that has been interpreted very broadly. Platforms are now held legally accountable for any of their users’ activity that could be linked to sex work. One of the biggest sites to go down after FOSTA-SESTA passed was Backpage. It was kind of like Craigslist, an online bulletin board where users could advertise equipment rentals, seasonal gigs, and escort services. Backpage was notorious for its role in trafficking minors. And multiple investigations shut down the site. But FOSTA-SESTA also wiped out platforms for consensual sex work. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">As a result of this, people who wanted to do sex work suddenly found that they had fewer resources. They couldn’t talk to each other about clients or the like. They couldn’t vet clients online because all these avenues of finding clients suddenly went away. And if they wanted to, say, advertise their services or just live online and have an online presence like all of us do, they had their accounts banned or what’s called shadow banned, which means it gets deprioritized by the platform and it can’t be searched and they don’t show up on the explore page and such. So if anything, it actually was a boon to sex traffickers because it made sex workers more vulnerable. They were suddenly more disconnected from each other and potential safer clients. And I think it made it easier who prey on sex workers because they didn’t have the, because they had fewer online resources than they did before FOSTA-SESTA. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And there are multiple studies that say that as a result of FOSTA-SESTA, sex workers are less safe now. I also want to mention the ripple effects of FOSTA-SESTA, a ton of people that are not sex workers are also getting their accounts shut down or getting shadow banned, especially if they’re people of color or LGBTQ people and maybe show a little bit of skin. And these are all people who do not have power. Like Kim Kardashian can post whatever she wants, whatever scantily clad photo she wants. She can show it. She will not get de-prioritized because she’s rich and famous. But if someone, if an erotic artist or a content creator or God forbid someone has an OnlyFans and wants to find some clients, they cannot post on Instagram the way that Kim Kardashian does. And that is a big effect of FOSTA-SESTA as well. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">This overcorrection has made it much harder to post anything related to sexuality or women’s bodies. And it extends into all online platforms. Pole dancing instructors have been banned for showing off their athletic feats. Sex educators have been banned for trying to raise awareness about STIs and birth control. Instagram bans images of, quote, female breasts that include the nipple, but makes exceptions for depictions of breastfeeding or posts about mastectomies. However, like many other platforms, Instagram’s automated moderation isn’t great at understanding context. So, content about breast cancer awarneness is still taken down. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">And in terms of women’s health, we’ve also seen that on Meta in particular, women’s health ads get rejected, such as if you’re trying to sell period products or rather create ads for period products, you can get rejected for being sexual. And yet in a lot of cases, ads for male sex toys or erectile dysfunction medications often don’t have that problem. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">And it’s not just social media platforms. Payment processors, for example, don’t want to be held liable for potentially facilitating sex trafficking. So they’ve refused to service anything related to sex, from adult content creator subscriptions to the sale of sex toys. FOSTA SESTA has rippled into every online service, and it’s affected sex workers on platforms totally unrelated to their work. Like how Airbnb flags sex workers and anyone close to them, like roommates and partners. Dr. Olivia Snow, the UCLA surveillance researcher and dominatrix, has been flagged on Venmo and Cash App. Even her DoorDash account was suspended a few years ago. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">So one day I had a friend who had just moved to Los Angeles and she was struggling and like living in a hostel and I was like, “Yeah, I’m gonna send her a sandwich. Like I’m going to be a good pal.” And I like get on DoorDash and I’m sending her a sandwich and it just suspended my account like as the transaction was about to go through. And then I got an email about it that was like your account has been suspended due to like X, Y, and Z. I was flagged as a high-risk user the same way that I’ve been flagged on Venmo or Cash App, but Venmo and Cash App make a little bit of sense because I’ve received tribute from clients on those. I haven’t received the same on DoorDash, but it’s still the same technologies that were able to flag me. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">How do platforms know? According to Olivia, algorithmic surveillance. Like everyone else on the internet, sex workers have been tracked across platforms. All of this data has been used to identify certain users as high risk. It’s not unlike the way that platforms track user activity to figure out what their specific demographic likes to buy. For example, Olivia’s cat made an appearance right before we started recording this interview. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">We were talking about my cat earlier, right? It is not unlikely that after me saying that or you hearing that or anyone watching this, if they open up Instagram, they’re gonna get an ad for cat food, right? They share data and they sell it to each other, mainly to better market to us. By us, I mean like everyone who’s using the internet. They know what device we’re on, they know our phone number, they know our email address, they know credit card number, social security number. So when you have like this, like these constellations of data points that we are willingly sharing with these platforms and it’s really not too difficult to link these things together. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Olivia often compares sex workers to “the canary in the coal mine” when it comes to surveillance. She said sex workers are often the test population for data collection, surveillance, and censorship. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">One thing I really love about the canary and the coal mine metaphor is that the way that the canaries functioned in coal mining was that it was when the canary stopped singing that you wanted to take note because that meant that the oxygen levels weren’t enough to sustain the canary’s consciousness. So it’s not that like, “Oh, I finally hear the canary,” like, which is how I feel that is that’s often misinterpreted as. It’s more like, “Oh, the canary’s been singing and now just isn’t anymore.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And that is openly the plan for how to deal with sex workers on the internet and on various technologies. We don’t want to see porn. And then when we don’t see the porn, we know that our content moderation is working. But the people who you’re moderating out of sight are same people who are saying like, “Hey, you know, this is going to get you used against you next,” but you don’t hear that because you can’t hear them anymore. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Let’s look at a real-world example of this. Surveillance and censorship after Roe v. Wade was overturned. FOSTA-SESTA cast a very broad net around the quote, facilitation of trafficking, which meant that platforms cracked down on anything related to sexuality. They responded similarly after the Dobbs decision in 2022. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">We almost immediately saw this censorship expand to people sharing information on how to access abortions, how to excess contraceptives, safe sex in general. There’s no language in there that criminalizes talking about abortion on Instagram, especially if you’re in a state where abortion is protected. But, out of, you know, whether it’s an abundance of caution or plausible deniability or a genuine desire to silence activists or, you know, censor this information and stymieing its circulation, platforms just started going after abortion and like safe sex content, you know, pretty immediately. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Olivia pointed to the Texas Heartbeat Act, which effectively bans abortions after six weeks. The law also allows private individuals to sue anyone who performs, induces, or aids and abets abortions, after the cutoff. “Aids and abets” is very broad. It can include clinic staff members, Uber drivers who take someone to an abortion clinic, or even friends who help pay for the procedure. The same methods used to identify sex workers as “high risk,” like tracking activity across platforms, collecting location data, tracking keystrokes, can also be used to flag anyone seeking or providing abortions, especially in states where it’s criminalized. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">So that certainly mimics FOSTA-SESTA in the criminalization of facilitation. And I mean, that rhetoric and that language and these other policies around prostitution already existing made it really easy to justify expanding that to people seeking or accessing or providing abortions. Another demographic that I’ve seen absolutely throttled is Palestinians and pro-Palestine activists. Like I noticed myself when I was tweeting about Palestine, I got far more severe shadow banning doing that than I ever did tweeting about sex work. But you know, the reason they were able to do that is because the infrastructure was already in place. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">So, FOSTA-SESTA led to a widespread suppression of sexual content, and much more surveillance, in an effort to stop trafficking. And now, a few years later, we’re seeing another legislative push to restrict the internet. But this time, it’s in the name of protecting children. The era of age verification is here. Since 2022, Congress has been trying to pass a federal law, similar to the UK’s, called the Kids Online Safety Act, or KOSA. Here’s Anna again. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">KOSA is interesting because it almost combines FOSTA-SESTA with age verification laws because it requires platforms to have a duty of care to basically make it so children cannot see quote-unquote harmful content. And like the Online Safety Act, what qualifies as content harmful for children is really broad and includes harmful behaviors such as the eating disorders and addiction and also covers. Bullying, and such, in addition to pornographic and sexual content. So what would this do? It’s so broad, I think it signals that people don’t know about how the internet works because it’s like, how would this even happen? How can you prevent children from seeing this? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Anna thinks it’ll result in a combination of FOSTA-SESTA and age verification laws, which means that a lot of content will be wiped from the internet. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">I think a lot of this content would be removed. I think tech platforms would just delete everything. Or if they’re using different tools, I think they would install age verification systems in order to corner off this content from minors. So it potentially has the power to be worse. Granted, KOSA has been introduced and failed and reintroduced a bunch of times, so I don’t know the viability of this law, but it keeps coming back. So it does seem like it’s not going away, but it does have the potential to be scary because I think it’s internet policy written by people who don’t know how the internet works. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">So there’s a real dilemma here. Obviously, we don’t want to expose kids to sexual or harmful content. But do we have to give up our privacy for that? Let’s open one more tab. Protecting kids versus the First Amendment. Free speech advocates are very concerned about KOSA and laws like it. So how does age-gating porn affect the way we can interact with the internet outside of just sexual content? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">It seems like as age verification laws become more and more widespread that it will be harder to be anonymous online, which I think is a huge privacy and security concern. And it also is scary because it, in terms of content that can be harmful for children, there’s a capacity for people to point at something that they don’t like such as criticism of the government and saying “you’re actually bullying,” or to look at two people of the same sex and say that’s pornography. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So, it really has the capacity to chill free speech and make it so you cannot be yourself online or you cannot say what you want to say, and the internet can be fundamentally changed from 30 years ago when Section 230 was passed. Whenever there is censorship, people will try to go around that, which is exactly what people are doing with VPNs, and now there’s a push to ban VPNs or at least ban them for children, which according to First Amendment and internet experts that I’ve spoken to, falls under second-order censorship. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">So a lot of lawmakers are making the assurance that they’re not trying to just ban porn with AV laws. But in Project 2025, the blueprint for Trump’s second term, they literally did lay out a plan to ban porn and imprison sexual content creators. What is the environment right now around a so-called porn ban? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">They don’t want porn, I think because they don’t like it, they don’t like human sexuality, they think it’s disgusting, what have you, but I also think it’ because they know that if porn is banned, they can call things that are not pornographic porn and just chill speech that has nothing to do with explicit content. We’re already seeing it. There was a congressman who called Bad Bunny’s Super Bowl halftime show pornography, which I think is exactly the kind of thing that we should be seeing because it shows that it’s not just about the explicit content. It’s not about just people being naked and having sex on camera. It’s about much more than that. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Right. Is there an ethical way to keep kids from seeing sexual or harmful content without severely restricting the internet for everyone else? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">Yes, there is a way. It’s called device level filters. So free speech advocates and sex workers and the like have been advocating for this method for years. A device level filter is on the actual device and it blocks all websites deemed “restricted to adults,” and you cannot get around it. You can’t use a VPN on the device. You can’t like suddenly, I don’t know, turn it off and turn it back on again and it’s gone. It is on to device. And yet, if you’re an adult, you won’t have this filter and you won’t have to submit your ID or a facial scan or what have you. So according to these advocates, it is the best way. And it’s also what Pornhub and its parent company have been advocating for for years. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Why is sex so intertwined with free speech online? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Anna Iovine:\u003c/b> \u003cspan style=\"font-weight: 400\">I think because it is so shamed in our society because people in person don’t talk about sex a lot. We’re not taught it in schools. Our parents maybe don’t talked about it as much. So I think it’s really the third rail in a lot of these cases because it’s such a charged topic in our society. But human sexuality exists and it’s within us and it’s natural to want to express it whether it’s talk about sex, learn about it, or watch people have it. And we also see that whenever technology advances, porn is the first thing to go on it. Pornographers were very early adopters of the internet. They were early adopter of VR, and now they’re seeing they’re early adopters of AI — if it’s done consensually, deepfakes are a whole different story. But I think it’s natural. It’s one of those things like food and sleep, and even though it’s not compulsory like those other two things, I think it’s natural to want to discuss it, especially when it’s so squashed as a topic of conversation. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Porn is often credited as the driving force behind the internet. The sex industry pioneered streaming, digital advertising, and e-commerce. Sex and the internet are so intertwined that it’s been enshrined in internet lore. Rule 34 is this meme that says, “If it exists, there’s definitely porn of it online.” And like we’ve heard throughout this episode, banning porn, or even restricting sexual content will affect everyone, regardless of whether you google smut. Olivia warns that teenagers will always be able to access porn if they’re determined enough, but these restrictions on sexual or harmful content will ultimately stop them from accessing information about safe sex or consent. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Many free speech advocates argue that it should be up to parents, not the government, to monitor and limit what their kids do online. In December, a House subcommittee advanced 18 bills that revolve around protecting kids online, including KOSA. The debate between protecting kids and protecting free speech and privacy is an ongoing fight. And Olivia said that it’s never been a better time to listen to sex workers. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Olivia Snow:\u003c/b> \u003cspan style=\"font-weight: 400\">Because what they’re doing to us, they will do to you next and you’re not going to like it. It sounds excessive, it sounds like a moral panic, and yet all of these things that sex workers have been predicting for years are happening every day. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b> \u003cspan style=\"font-weight: 400\">Discord’s Teen-by-Default policy was supposed to start this month. It would require users to submit facial scans and upload their government IDs in order to access flagged servers. But last week, after significant backlash from users, the company announced that it’s postponing age verification requirements until the second half of this year. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In a blog post, Discord CTO and co-founder Stanislav Vyshnevskiy acknowledged that the platform “missed the mark.” And said that he “gets the skepticism.” Discord’s age verification is still going to happen, but Vyshnevskiy at least promised more transparency and alternative options that don’t involve giving her face to a third-party vendor. Okay, let’s close all these tabs. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Close All Tabs is a production of KQED Studios and is reported and hosted by me, Morgan Sung. This episode was produced by Maya Cueva. It was edited by Chris Hambrick and Chris Egusa, who also composed our theme song and credits music. Our team includes Jen Chien, who is the director of podcasts. Additional music by APM. Brendan Willard is our audio engineer. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Audience engagement support from Maha Sanad. Ethan Toven-Lindsey is our editor in chief. Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco, Northern California Local. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode’s keyboard sounds were submitted by my dad, Casey Sung, and recorded on his white and blue Epomaker Aula F99 keyboard with Greywood V3 switches and Cherry Profile PBT keycaps. Do you like these deep dives? Are you closing your tabs? Then don’t forget to rate and review us on Spotify, Apple Podcasts, or wherever you listen to the show. Maybe drop a comment too. And if you really like Close All Tabs and want to support public media, go to donate.kqed.org slash podcasts. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Thanks for listening. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>"
}
],
"link": "/news/12075321/sex-workers-tried-to-warn-us-about-age-verification-laws",
"authors": [
"11944",
"11943",
"11832",
"11869"
],
"programs": [
"news_35082"
],
"categories": [
"news_33520"
],
"tags": [
"news_22973",
"news_3137",
"news_34646",
"news_2960",
"news_34481"
],
"featImg": "news_12075323",
"label": "source_news_12075321"
},
"news_12074525": {
"type": "posts",
"id": "news_12074525",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12074525",
"score": null,
"sort": [
1772017226000
]
},
"guestAuthors": [],
"slug": "send-pics-roblox-wants-to-know-your-age",
"title": "Send Pics? Roblox Wants to Know Your Age",
"publishDate": 1772017226,
"format": "audio",
"headTitle": "Send Pics? Roblox Wants to Know Your Age | KQED",
"labelTerm": {},
"content": "\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Roblox is one of the most popular gaming platforms for kids, with millions of young gamers playing user-created games. It’s also been heavily criticized for its track record on child safety, and is now facing more than 80 lawsuits alleging child abuse and grooming. In response, the company recently rolled out a new safety measure: AI-powered facial age verification that restricts who players can talk with. The reception from players has been anything but warm.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In this episode, host Morgan Sung is joined by youth mental health reporter Rachel Hale, who explains how predators operate on the platform, why everyone seems to hate Roblox’s new AI age verification feature, and the incredible lengths some users are willing to go to get around it. And while Roblox says age verification is about improving safety, questions have emerged about its accuracy, digital privacy and how this move impacts the broader push for age verification across the internet.\u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC8728402132\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guest:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cspan style=\"font-weight: 400\">Rachel Hale, youth mental health reporter at \u003cem>USA Today\u003c/em>\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Further Reading/Listening:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.usatoday.com/story/tech/2026/01/05/roblox-face-scan-child-safety-features/87970290007/\">\u003cspan style=\"font-weight: 400\">I got an up-close look at Roblox’s new safety feature. Here’s what I found.\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Rachel Hale, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">USA Today \u003c/span>\u003c/i>\u003ci>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.usatoday.com/story/life/health-wellness/2025/12/18/roblox-lawsuits-sexual-abuse/87780803007/\">She just wanted to play Roblox with friends. Then the messages from a predator began.\u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\"> — Rachel Hale\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">, \u003ci>USA Today\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://restofworld.org/2026/social-media-age-verification-tools/\">Can social media age verification really protect kids?\u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\"> — Rina Chandran\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">, \u003ci>Rest Of World\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003ci>\u003c/i>\u003c/i>\u003ca href=\"https://www.engadget.com/gaming/robloxs-age-verification-system-is-reportedly-a-trainwreck-220320016.html\">\u003cspan style=\"font-weight: 400\">Roblox’s age verification system is reportedly a trainwreck\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Will Shanklin, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Engadget \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Morgan Sung, Host: \u003c/b>\u003cspan style=\"font-weight: 400\">Hey, a quick heads up: this episode discusses abuse and grooming, which may be triggering for some people, so listen with care. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio clip from Youtube User \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Foxboy12\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">]\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Now, as a content creator, you can see why all this is really bad because how am I supposed to communicate with my fans if Roblox just doesn’t let me hear what they have to say?\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Ok, let me explain what’s going on here. This is a Roblox creator who’s complaining about the new Roblox age verification system. It limits interactions between players depending on their age. This creator, and many others, are pretty frustrated about it. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio clip from Youtube User \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Foxboy12\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">]\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">I won’t be able to chat to them! Because they’ll have no idea what I’m saying because Roblox just filters everything out. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">If you have kids, or nieces or nephews or little neighbors you’ve probably heard of Roblox. If not, let me try to explain just how popular this game is among children. It has 83 million daily users\u003c/span>\u003cspan style=\"font-weight: 400\">, and 42% of them are under the age of 13.\u003c/span>\u003cspan style=\"font-weight: 400\"> And it’s not actually a single game, but really a platform with lots of different games, all created with the Roblox’s game engine, Roblox Studio. And it has millions of user-created games, called experiences.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There’s Dress To Impress, where you get six minutes to put together an outfit based on a theme, and then strut down a runway with other players who vote on the best look.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">[\u003cem>Audio clip from Youtube User CakeMiix\u003c/em>]\u003cbr>\n\u003cem>She said she hated my videos and needed to learn how to dress. I decided to copy my hater’s outfits every round, but make them better.\u003c/em>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cstrong>Morgan Sung:\u003c/strong> Or there’s Siberian Coal Mining Simulator, where the only objective is to work the mines, collaborating or competing with other players. And if you don’t meet your quota, the debt collectors might come for you.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">And then there’s the very popular Steal a Brainrot, which is kind of like capture the flag, but you’re stealing creatures called brainrots. The more rare the brainrot, the more valuable it is. And you can build fortresses to protect your brainrot collection. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Almost all of these games are multiplayer experiences, and revolve around interaction with other players. Here’s the snag: Roblox introduced the new age verification system in select countries late last year, and in January, made it a worldwide requirement. It limits players’ ability to chat with others, based on their Roblox-determined age group. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Here’s another creator pointing out how much quieter Roblox is now.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">[\u003cem>Audio clip from Youtube User Flamingo\u003c/em>]\u003cbr>\n\u003c/span>\u003cem>\u003cspan class=\"s1\">We have officially entered the new era of Roblox. We are in the silent era of Roblox. We are in the “shh” era.\u003c/span>\u003c/em>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Roblox rolled out age checks because the platform does have a real child safety issue on its hands. The company is facing over 80 lawsuits\u003c/span>\u003cspan style=\"font-weight: 400\"> over allegations of child abuse and grooming. The lawsuits allege that Roblox not only markets its games to children, but also enables predators to contact underage users. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But a lot of players aren’t happy with the new system — and it’s not just because they’re siloed by age group. The way Roblox is determining players’ ages raises red flags when it comes to privacy. Many parents aren’t thrilled about the new system, either. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Today, we’re diving into the world of Roblox — and why age checks aren’t the perfect solution to child safety issues.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>\u003ci>\u003cbr>\n\u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\">This is Close All Tabs. I’m Morgan Sung, tech journalist and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. Let’s get into it.\u003c/span>\u003cb>\u003ci>\u003cbr>\n\u003c/i>\u003c/b>\u003cb>\u003ci>\u003cbr>\n\u003c/i>\u003c/b>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Before we get into the privacy questions, we need to understand the Roblox landscape. Let’s open a new tab: The Roblox predator problem.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Rachel Hale is a USA Today reporter who covers youth mental health. She’s been reporting on child safety across digital platforms, and has been following the Roblox lawsuits. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">She’s spoken to several parents who allege that their children were groomed by predators they met on the platform. Here’s Rachel, telling the story of Amie and her 13-year-old daughter. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale, Guest:\u003c/b>\u003cspan style=\"font-weight: 400\"> In Amie’s case as well as in many others, the Predator initially reached out on Roblox and then moved the interactions and messaging to another platform. In Amie’s specific case, you know, you had someone who asked. Something that is irresistible to, to kids all around the world, “Do you wanna make Robux?”\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Robux is the in-game currency that costs real money. Like a lot of freemium games, Roblox runs on micro-transactions; you get the base experience, but with Robux, you can buy cool outfits, use unique weapons, and get game passes that grant perks like accessing special areas. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">After the predator reached out to Amie’s daughter through Roblox’s in-game chat feature, and told her that she could make Robux by playing a game. They told her that in order to play, they had to move to Discord. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> They first asked Amie’s daughter to hold up two fingers to verify before they started the game, and then asked Amie’s daughter to send sexually explicit videos and images. But it didn’t stop there. It turned into, you know, what many people would classify as grooming. If Amie’s daughter went more than a few hours without contacting the predator, they would message, I’ve missed you.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">He would shower her with affection saying, “I love you so much,” or sending her sexually explicit content of himself. “I would never leave you,” messages like that. It was relentless. And when Amie discovered what was happening to her daughter, she discontinued her daughter’s use of both Roblox and Discord and reported the username to the FBI. And this is a situation that has happened countless times and that I spoke with numerous parents about, um, with stories that sound really similar to Amie’s.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">This is such a common problem that some creators have taken it upon themselves to confront predators. Like this one YouTuber, who goes by Schlep. He’s conducted Roblox sting operations, where he and other creators pretend to be minors, collect incriminating explicit messages from predators, lure them into in-person meetings and then alert police about it. To date, he’s documented six arrests in his YouTube videos.\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">[\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Audio from the account of Youtube user Schlep\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">] \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">He was arrested and charged with three felony counts related to illicit material . . . I’m so proud to see our efforts at stopping predators finally make an impact beyond the screen… I don’t hate Roblox. I love it. And that’s why I care so much about this problem. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Schlep is kind of like a modern day version of Chris Hansen and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">To Catch A Predator.\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> Schlep was even referenced in one of the child safety lawsuits against Roblox. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Bad actors exist on all online platforms, but child predation is especially prevalent on Roblox. Part of it is sheer volume because it’s so popular with kids — again, more than 40% of users are under 13.\u003c/span>\u003cspan style=\"font-weight: 400\"> But other games are also popular with minors, like Fortnite or Minecraft. What makes Roblox different? Here’s Rachel again.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> It’s a combination of the business model and the steps a company is willing to take towards safety, even if that could potentially harm their usage patterns and profits.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So Roblox uses a free model, some people might call it a freemium model. The game is free to download and play, and the company makes their money from players spending Robux. So from their in-game interactions. And the more time a user spends on the platform, the more likely they are to spend Robux and generate, um, money for the platform.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Minecraft, on the other hand, is a paid model and you buy it upfront, so there’s less incentive to push user interaction with each other. Take another example, like Fortnite. It’s got a similar freemium model to Roblox, but some safety advocates that I spoke with have credited Fortnite for choosing to implement it.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Kid protective features, like more options for private or controlled play zones. Roblox does have some of those same features, including parent controls, but in Fortnite, kids are usually playing with a smaller group, sometimes with their preexisting friends as opposed to roaming in these social spaces.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So Roblox is really set up based on having people, um, move through these different experiences and interacting with strangers in the public.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> How has Roblox responded to this issue? How are people criticizing the way that they’ve responded?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I visited Roblox’s headquarters in San Mateo, California in December, to ask them about the steps that they’ve taken following these lawsuits and the criticism that they’ve received, and they emphasized that they take their child safety very seriously.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The biggest step that they’ve taken, uh, in this area is implementing a new facial age verification feature. It started rolling out in November in select markets and became mandatory on January 7th for anyone looking to use the chat bar feature. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> So the way that it works is that once you open the app, if you wanna go to the chat bar, Roblox will now prompt any users past, present, anyone who’s on the platform to decide if they would like to go through facial age estimation or if they would like to not use the chat bar feature.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And if you choose to continue, it uses AI to take a scan of your face and estimates your age. Roblox, as executives told me that their data shows that it can estimate an age within two years of accuracy. And after that, users are placed into one of six different age groups. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">They said that they were working on this feature and they wouldn’t necessarily portray it as like directly a response to these lawsuits, but of course it is in response to, um, the child safety issues that they’ve had. And they’ve really tried to emphasize that they’re the one of the largest platforms that has implemented this type of age verification. So that’s really the biggest step that they’ve taken in conjunction with their parental controls, which they say can make a big difference in how users, um, are, are engaging on the platform.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Because of Roblos’s new features, the age checks to chat now look like this and, bear with me here, you’re about to hear a lot of numbers. So if your child is under 9 years old, they can’t talk to anyone 13 or older. Kids between 10 and 13 can’t message anyone over 16. Users in the 13 to 15 group can’t chat with anyone over 17. But users who are 16 to 17 can’t chat with anyone under 13, or over 21. If you’re 18-20, you can chat with anyone over the age of 16, but not under. And if you’re over 21, you can only chat with users who are over 18. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">If you’re overwhelmed right now, I don’t blame you. Roblox’s age-gating is pretty granular. It’s supposed to imitate the clusters of age groups that would interact in real life. Like, it’s appropriate for a 14 year old and 16 year old to hang out and be friends, but it would raise red flags if it was a 12 year old and a 19 year old. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I think that it is confusing for players. The way that Roblox has described it is that these groups are supposed to kind of mimic real life groups that you would see at like, a lunch table or you know, on sporting teams. So the idea is that users would be playing alongside other users who are of similar ages.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The AI estimation works by analyzing the user’s face for physiological markers that correlate with a specific age. A person’s face changes the most when they’re young, so it’s easier for the system to estimate someone’s age when they’re, say, between 6 and 10 years old as opposed to 40 or 45. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> Once you go through the facial age estimation, you’re able to upload a photo of an ID if you, if it was incorrect, um, in estimating your age. But you know, as they’ve started to roll it out, there’s been a lot of talk about it online, especially in online communities like the r/roblox subreddit. So we’ve been able to already start to see some of the feedback there from current users of Roblox and I think that what users are concerned about is those cases where the facial age estimation feature is inaccurate.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And then you might have a user who’s 12, who is able to talk with 17 year olds or 18 year olds if their age is inaccurately estimated as 16. So these of course, are more the outlier cases, but there are enough of them that people have criticized it pretty heavily online.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">We’re going to get into the community backlash against Roblox’s age checks in a new tab … after this break. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Welcome back! Roblox rolled out a new age verification system, but it can be inaccurate and now, Roblox players and their parents are raising concerns over it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Let’s open a new tab: Did Roblox Age Verification flop?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Back in December, USA Today reporter Rachel Hale flew out from New York to visit the Roblox headquarters in San Mateo, California. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale: \u003c/b>\u003cspan style=\"font-weight: 400\">And when I was there, I was able to meet with multiple Roblox executives, including Matt Kaufman, who is the chief Safety Officer there, then Elizabeth Milo, Roblox Global Head of Parental Advocacy, and both of those people walked me through how they think about, uh, safety on the app. After we did our standard interviews, we did a demo of the facial age estimation feature and of the parental control features with two of the safety leads who had helped put together these features. So I was able to kind of pick their brains about how the AI was going to work in the facial age estimation feature. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">So we walked through it with a phone and an iPad so that I could see what it would be like for a parent who had kids of two different ages, and I could see how that would change users experiences playing on the app.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> So what did you expect going in? I know you tried the feature ahead of time and it wasn’t quite right.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I will say I was disappointed with the features accuracy, because Roblox had emphasized in prior press conferences that it would be within two years of accuracy. And because I’m under 25, so I’m still in that younger range that they said the accuracy is usually within those two years. I was hoping that it would get my age within one to two years. But when I did the demo, I tried it the night before in my hotel room, not wearing any makeup, you know, with kind of different lighting behind me. And then I did it again the next day at their office wearing a full face of makeup with much brighter, better lighting on me. I’m 24, and both times it estimated my age as 18 to 20.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So I found that that didn’t make a difference. I have seen users online talk about things like, how facial hair, things like that, how that might impact what age you’re estimated as. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Some players have complained that they were incorrectly placed in older age groups because they went through puberty earlier than their peers. And others have complained that they were incorrectly placed in younger age groups because they just look younger. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Another thing that I’ve seen anecdotally online in some of these same online forums, um, or in direct messages to me, are concerns about kids who might have different developmental markers.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So maybe someone who’s, you know, has developmental disability that might change the way that they look and that’s a valid concern. I think that that exists across platforms with age verification. So that’s not specific to roblox. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> If you spend some time, like you said, in Roblox Communities online, a lot of users are really unhappy with this change. Their concern is that it hasn’t actually worked to solve child safety because of issues with accuracy.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">I’ve seen parents who are concerned because their kids who are maybe 12 years old have used the feature and it’s estimated them as 15 and now they’re able to be on the platform without the parental controls. And it’s very hard for the parent to kind of roll that back, um, unless the kid is willing to cooperate with them.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And now, YouTube and TikTok are brimming with tutorials for bypassing the age check system. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Snippet from How to unlock chat in Roblox video\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">] \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">In this video, I’m going to be showing you exactly how you can verify your age on Roblox and unlock any Roblox feature you want, including the chat. And this works for all ages.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> The facial recognition system isn’t that difficult to trick, either. Users have managed to pass as adults by drawing fake mustaches on themselves, or by caking on really heavy, Jersey Shore-type makeup. They’ve also gotten around it by scanning videos of other people’s faces. On YouTube, there’s this video from 12 years ago, of a woman slowly turning her face left and right, for artists to use as a figure drawing reference.\u003c/span>\u003cspan style=\"font-weight: 400\"> Today, that video has more than half a million views … and nearly all of the 800 comments are from Roblox users who’ve used her face to pass the age check. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Rachel isn’t surprised at how far users are going to pass as adults. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I wish I could say that I was, but I think when you have a platform this big, you know, there are going to be people who will go to any links, uh, especially just at scale with how many users there are. So taken in isolation it does feel, um, pretty alarming, but put into context, it makes sense with what we know about Roblox.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’ve also seen people start to try to work around the chat feature as a whole by making custom avatars that might say their discord username or username for another platform, which then circumvents the, the whole purpose of the safety in the feature and the idea of getting people to keep the chat in game.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’ve also even seen things as extreme as people talking about someone selling an underage account on eBay (this was later taken down.) So we’ve definitely seen Roblox users start to try to either circumvent the system, uh, and who have been extreme in their criticisms that it hasn’t really been accurate in solving the safety issue.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> The AI facial age estimator seems pretty concerning to a lot of people, especially parents. Can you explain why this technology is so controversial?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> So part of the reason that the artificial intelligence is controversial is because people have data privacy concerns. The artificial intelligence here is used to estimate the user’s age after the face scan and the picture is deleted afterwards. Roblox outsources this to a company called Persona and says that users can trust that their picture is deleted afterwards.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But some families that I spoke with, and you can also find this on Reddit and online communities, people have concerns because of issues with similar features on other platforms. For example, in October of last year, the messaging platform Discord had hackers who compromised five CA, their third party vendor that they used for age verification, and stole nearly 70,000 images of government issued IDs in Australia and the UK.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So even though Roblox says that you can trust that artificial intelligence, um, I think that people have some concerns because of what’s happened on other platforms with similar features.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I think that parents who are tuned in enough to what’s happening on Roblox are already having conversations with their children about digital safety. Um, I think that the real issue is kids whose parents aren’t tuned in, and so they’re probably making decisions about whether or not to use the feature without parental input.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">But I do think that a lot of parents who are already tuned into Roblox and are closely following their children’s gameplay, some of those parents have made the decision to not use the feature and to instead decide that their child won’t use the chat bar feature.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Roblox’s age checks are an attempt to prevent predators from interacting with children, but that’s not the only reason the platform rolled it out. It’s also to comply with the United Kingdom’s Online Safety Act, which went into effect last year.\u003c/span>\u003cspan style=\"font-weight: 400\"> This law requires all internet users to be at least 18 to access quote, “harmful content.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Certain Roblox experiences that are more graphic or have more mature themes are rated as “Restricted.” They’re for players who are at least 18. Now, only players who have verified their age with Roblox can access this content.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Harmful content” is a very broad umbrella — and now, many websites and social platforms are enforcing age checks like Roblox. Efforts to age-gate the internet are sweeping Europe, Australia, and here, in the US, too. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But like we’ve explored in this deep dive, it’s not going great for Roblox. Surely there are other ways to protect children.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We have time to open one more tab. Right?: Is Roblox’s method the future of age verification?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Roblox CEO Dave Baszucki isn’t exactly helping the situation, either. Late last year, he went on the New York Times tech podcast Hard Fork to talk about the age-gating policy. Here’s how he responded to a question about Roblox’s predator problem: \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">[\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Hard Fork Podcast clip\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">]\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">David Baszucki: We think of it not necessarily just as a problem but an opportunity as well. How do we allow young people to build, communicate and hang out together? How do we build the future of communication at the same time? So we, you know, we’ve been, I think, in a good way working on this ever since we started.\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Here’s Rachel again.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I mean, there’s been a lot of criticism toward Roblox. And as you’ll see in that New York Times interview, you know, uh, a lot of head employees at the company, it’s really tense when they’re asked about it because they know that they’re pushed between a rock and a hard place.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And so, uh, Dave and other top employees there who are in charge of safety, like Matt Kaufman, have faced a lot of personal and direct criticism over the ways that they’ve led child safety on the app. And I think it’s an issue that Roblox will continue to have to deal with.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> In some ways Roblox seems to be in a real lose-lose situation. Um, I mean, they had to respond to the predator issue and the lawsuits, and yet the solution that they’ve come up with has been received incredibly poorly. How do you think the company views the situation that they’re currently in?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I think that question is what they’re going to have to think about this year. And ultimately if more of these lawsuits continue to come out. I think that they will have to consider more heavily if they want to continue to prioritize profits or if they would move to implement safety features that would maybe take a hit toward the number of users on the platform.\u003c/span> \u003cspan style=\"font-weight: 400\">So I think that they’re going to have to think about that decision much more heavily this year than they have in the past as these lawsuits have continued to gain a lot more publicity and traction. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">The other two things that the company has faced a lot of scrutiny over that I think they’ll need to consider in line with this, um, is their removal of so-called vigilantes from the platform who, you know, call themselves predator hunters. Roblox faced a lot of scrutiny over their removal of these vigilantes, uh, without more efforts put toward the actual child safety issues on the platform.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And then there’s also been a push for some legal cases to be resolved via arbitration instead of in public court. And Roblox has faced a lot of criticism over not having these cases play out more publicly, uh, because a lot of safety advocates and families feel that that’s what would be in the best interest for, for the public in terms of transparency and accountability. So I think that Roblox is going to have to really think about those different things in line with the child safety this year.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Are there any other solutions that have been suggested?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> A lot of people have suggested that Roblox remove the chat feature altogether for in-game. How plausible this is? I’m not sure. Um, I think that that would change the entire nature of the game. Other people have brought up that Roblox could implement more options for private play among friends that you already know.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The way that that works right now is through something called trusted users. So you could play with someone who’s not your exact age, but who through parental controls has been listed as a trusted user, like an older cousin or an aunt or uncle, that type of thing. Um, but some safety advocates have brought up that it would be beneficial for Roblox to put more efforts into those private play places, uh, or groups as opposed to putting so much emphasis on the public gameplay, uh, between each other.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">The issue there, again, is it comes back to profits and the way that the platform is set up and because the profits are based off of users, um, generating new games or experiences and using those in-game robux. The incentive is definitely to keep people playing with each other in a public space and moving through as many new games as possible.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So I think that Roblox will have to make some decisions about their priorities in terms of, um, profits compared to child safety.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> As you mentioned like, earlier in our interview, Roblox really sees themselves as pioneering this technology. Do you see other companies like Fortnite, like Minecraft, um, I guess Club Penguin, if it was still around by like, also adopting a kind of facial recognition, age verification?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I think that based on how Roblox’s rollout has gone, places who may have been looking into this will probably take a longer pause to think about the best way to implement it. I do think a lot of the concerns come down to AI and how accurate it is, and even though Roblox has emphasized that they’ve been the first to do this and that they’ve been leading the way. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Roblox also has a much larger issue with child predators than Minecraft or Fortnite does. So I don’t necessarily see other platforms moving to implement this right away as a result of Roblox. If anything, I think people are probably looking at how Roblox’s user database has responded and thinking about that and how they’re shaping their responses to safety on their own platforms.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> This situation with Roblox especially, it comes at a time when age verification is being pushed all over the internet, um, often through legislation in Australia and the UK, soon enough probably here in the U.S. How does that impact the larger conversation around this issue and the way that other gaming platforms will probably also have to, in some way, age-gate their content?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I think that it continues to make it so that it’s a norm of these platforms. You know, um, five years ago, hardly any platform had an age verification feature. We’re seeing the same thing with Beyond Games, things like sports betting platforms, you know. We’re seeing it go from a user-oriented age verification, where it’s just you’re putting in an email and checking and it’s very easy to just check the box they’re over 13, to an actual form of verification. What that verification looks like likely will differ between platforms, but I do think that Roblox implementing this feature has contributed to that wider norm of age verification being a more common practice on online platforms.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> As a youth mental health reporter, what are you keeping your eye on when it comes to this situation?\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I think that right now I am really looking at how not just the general community is responding, but how parents are responding. One thing that we did is we did an AMA, like, an ask-me-anything in the r/roblox subreddit and it was really interesting to see the questions that different families had about Roblox and about this new feature.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">So I think I’m keeping my eye on how that community continues to respond and then also on how these lawsuits are going to play out. and if we’re going to see more. The other thing that I’m looking at in conjunction with Roblox is Discord and other platforms. Because even if the initial messaging with a predator happens on Roblox, it is then usually turning to other platforms that, you know, have turned into situations where a child is really unsafe. So I think that that goes hand in hand with the issues on Roblox, and it’s something that I’m continuing to look into.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Roblox’s age verification system is unique, because the platform is trying to tackle a very real problem with predators. But age gating is becoming the norm online, as platforms face increasing pressure to keep kids from seeing potentially harmful content, namely, porn. But restricting access to sexual content opens the door for broader censorship, beyond just porn.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">So what does this have to do with free speech? A lot more than you’d think. For years, sex workers have been ringing the alarm bell when it comes to online surveillance and censorship. If age verification does become the norm, the internet will change for everyone and cracking down on porn is the first step. \u003c/span>\u003cb>\u003cbr>\n\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">We’re diving into that next week. But for Roblox, let’s close all these tabs.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Close All Tabs is a production of KQED Studios, and is reported and hosted by me, Morgan Sung.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode was produced by Maya Cueva, with support from Gabriela Glueck. It was edited by Chris Hambrick.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Our team includes our senior editor Chris Egusa, who also composed our theme song and credits music and Jen Chien, who is the Director of Podcasts. Additional music by APM. Brendan Willard is our audio engineer.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Audience engagement support from Maha Sanad. Ethan Toven-Lindsey is our Editor in Chief.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode’s keyboard sounds were submitted by my dad, Casey Sung, and recorded on his white and blue Epomaker Aula F99 keyboard with Graywood v3 switches, and Cherry profile PBT keycaps. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Do you like these deep dives? Are you closing your tabs? Then don’t forget to rate and review us on Spotify, Apple podcasts, or wherever you listen to the show! Maybe drop a comment too! And if you really like Close All Tabs and want to support public media, go to donate dot KQED.org/podcasts\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Thanks for listening! \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "Roblox says their new age verification is about improving safety, but will it compromise digital privacy?",
"status": "publish",
"parent": 0,
"modified": 1773259766,
"stats": {
"hasAudio": true,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 93,
"wordCount": 6052
},
"headData": {
"title": "Send Pics? Roblox Wants to Know Your Age | KQED",
"description": "Roblox is one of the most popular gaming platforms for kids, with millions of young gamers playing user-created games. It’s also been heavily criticized for its track record on child safety, and is now facing more than 80 lawsuits alleging child abuse and grooming. In response, the company recently rolled out a new safety measure: AI-powered facial age verification that restricts who players can talk with. The reception from players has been anything but warm.In this episode, host Morgan Sung is joined by youth mental health reporter Rachel Hale, who explains how predators operate on the platform, why everyone seems to hate Roblox’s new AI age verification feature, and the incredible lengths some users are willing to go to get around it. And while Roblox says age verification is about improving safety, questions have emerged about its accuracy, digital privacy and how this move impacts the broader push for age verification across the internet.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"socialDescription": "Roblox is one of the most popular gaming platforms for kids, with millions of young gamers playing user-created games. It’s also been heavily criticized for its track record on child safety, and is now facing more than 80 lawsuits alleging child abuse and grooming. In response, the company recently rolled out a new safety measure: AI-powered facial age verification that restricts who players can talk with. The reception from players has been anything but warm.In this episode, host Morgan Sung is joined by youth mental health reporter Rachel Hale, who explains how predators operate on the platform, why everyone seems to hate Roblox’s new AI age verification feature, and the incredible lengths some users are willing to go to get around it. And while Roblox says age verification is about improving safety, questions have emerged about its accuracy, digital privacy and how this move impacts the broader push for age verification across the internet.",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "Send Pics? Roblox Wants to Know Your Age",
"datePublished": "2026-02-25T03:00:26-08:00",
"dateModified": "2026-03-11T13:09:26-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"primaryCategory": {
"termId": 33520,
"slug": "podcast",
"name": "Podcast"
},
"source": "Close All Tabs",
"sourceUrl": "https://www.kqed.org/podcasts/closealltabs",
"audioUrl": "https://traffic.megaphone.fm/KQINC8728402132.mp3?updated=1771995978",
"sticky": false,
"nprStoryId": "kqed-12074525",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/news/12074525/send-pics-roblox-wants-to-know-your-age",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Roblox is one of the most popular gaming platforms for kids, with millions of young gamers playing user-created games. It’s also been heavily criticized for its track record on child safety, and is now facing more than 80 lawsuits alleging child abuse and grooming. In response, the company recently rolled out a new safety measure: AI-powered facial age verification that restricts who players can talk with. The reception from players has been anything but warm.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In this episode, host Morgan Sung is joined by youth mental health reporter Rachel Hale, who explains how predators operate on the platform, why everyone seems to hate Roblox’s new AI age verification feature, and the incredible lengths some users are willing to go to get around it. And while Roblox says age verification is about improving safety, questions have emerged about its accuracy, digital privacy and how this move impacts the broader push for age verification across the internet.\u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC8728402132\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Guest:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cspan style=\"font-weight: 400\">Rachel Hale, youth mental health reporter at \u003cem>USA Today\u003c/em>\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Further Reading/Listening:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.usatoday.com/story/tech/2026/01/05/roblox-face-scan-child-safety-features/87970290007/\">\u003cspan style=\"font-weight: 400\">I got an up-close look at Roblox’s new safety feature. Here’s what I found.\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Rachel Hale, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">USA Today \u003c/span>\u003c/i>\u003ci>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.usatoday.com/story/life/health-wellness/2025/12/18/roblox-lawsuits-sexual-abuse/87780803007/\">She just wanted to play Roblox with friends. Then the messages from a predator began.\u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\"> — Rachel Hale\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">, \u003ci>USA Today\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://restofworld.org/2026/social-media-age-verification-tools/\">Can social media age verification really protect kids?\u003c/a>\u003c/span>\u003cspan style=\"font-weight: 400\"> — Rina Chandran\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">, \u003ci>Rest Of World\u003c/i>\u003c/span>\u003c/i>\u003c/li>\n\u003cli>\u003ci>\u003ci>\u003c/i>\u003c/i>\u003ca href=\"https://www.engadget.com/gaming/robloxs-age-verification-system-is-reportedly-a-trainwreck-220320016.html\">\u003cspan style=\"font-weight: 400\">Roblox’s age verification system is reportedly a trainwreck\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — Will Shanklin, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Engadget \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>Want to give us feedback on the show? Shoot us an email at \u003ca href=\"mailto:CloseAllTabs@KQED.org\">CloseAllTabs@KQED.org\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Follow us on\u003c/span>\u003ca href=\"https://www.instagram.com/closealltabspod/\"> \u003cspan style=\"font-weight: 400\">Instagram\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.tiktok.com/@closealltabs\"> \u003cspan style=\"font-weight: 400\">TikTok\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-content post-body\">\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Morgan Sung, Host: \u003c/b>\u003cspan style=\"font-weight: 400\">Hey, a quick heads up: this episode discusses abuse and grooming, which may be triggering for some people, so listen with care. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio clip from Youtube User \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Foxboy12\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">]\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Now, as a content creator, you can see why all this is really bad because how am I supposed to communicate with my fans if Roblox just doesn’t let me hear what they have to say?\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Ok, let me explain what’s going on here. This is a Roblox creator who’s complaining about the new Roblox age verification system. It limits interactions between players depending on their age. This creator, and many others, are pretty frustrated about it. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Audio clip from Youtube User \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Foxboy12\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">]\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">I won’t be able to chat to them! Because they’ll have no idea what I’m saying because Roblox just filters everything out. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">If you have kids, or nieces or nephews or little neighbors you’ve probably heard of Roblox. If not, let me try to explain just how popular this game is among children. It has 83 million daily users\u003c/span>\u003cspan style=\"font-weight: 400\">, and 42% of them are under the age of 13.\u003c/span>\u003cspan style=\"font-weight: 400\"> And it’s not actually a single game, but really a platform with lots of different games, all created with the Roblox’s game engine, Roblox Studio. And it has millions of user-created games, called experiences.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There’s Dress To Impress, where you get six minutes to put together an outfit based on a theme, and then strut down a runway with other players who vote on the best look.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">[\u003cem>Audio clip from Youtube User CakeMiix\u003c/em>]\u003cbr>\n\u003cem>She said she hated my videos and needed to learn how to dress. I decided to copy my hater’s outfits every round, but make them better.\u003c/em>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cstrong>Morgan Sung:\u003c/strong> Or there’s Siberian Coal Mining Simulator, where the only objective is to work the mines, collaborating or competing with other players. And if you don’t meet your quota, the debt collectors might come for you.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">And then there’s the very popular Steal a Brainrot, which is kind of like capture the flag, but you’re stealing creatures called brainrots. The more rare the brainrot, the more valuable it is. And you can build fortresses to protect your brainrot collection. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Almost all of these games are multiplayer experiences, and revolve around interaction with other players. Here’s the snag: Roblox introduced the new age verification system in select countries late last year, and in January, made it a worldwide requirement. It limits players’ ability to chat with others, based on their Roblox-determined age group. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Here’s another creator pointing out how much quieter Roblox is now.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">[\u003cem>Audio clip from Youtube User Flamingo\u003c/em>]\u003cbr>\n\u003c/span>\u003cem>\u003cspan class=\"s1\">We have officially entered the new era of Roblox. We are in the silent era of Roblox. We are in the “shh” era.\u003c/span>\u003c/em>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Roblox rolled out age checks because the platform does have a real child safety issue on its hands. The company is facing over 80 lawsuits\u003c/span>\u003cspan style=\"font-weight: 400\"> over allegations of child abuse and grooming. The lawsuits allege that Roblox not only markets its games to children, but also enables predators to contact underage users. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But a lot of players aren’t happy with the new system — and it’s not just because they’re siloed by age group. The way Roblox is determining players’ ages raises red flags when it comes to privacy. Many parents aren’t thrilled about the new system, either. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Today, we’re diving into the world of Roblox — and why age checks aren’t the perfect solution to child safety issues.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>\u003ci>\u003cbr>\n\u003c/i>\u003c/b>\u003cspan style=\"font-weight: 400\">This is Close All Tabs. I’m Morgan Sung, tech journalist and your chronically online friend, here to open as many browser tabs as it takes to help you understand how the digital world affects our real lives. Let’s get into it.\u003c/span>\u003cb>\u003ci>\u003cbr>\n\u003c/i>\u003c/b>\u003cb>\u003ci>\u003cbr>\n\u003c/i>\u003c/b>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Before we get into the privacy questions, we need to understand the Roblox landscape. Let’s open a new tab: The Roblox predator problem.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Rachel Hale is a USA Today reporter who covers youth mental health. She’s been reporting on child safety across digital platforms, and has been following the Roblox lawsuits. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">She’s spoken to several parents who allege that their children were groomed by predators they met on the platform. Here’s Rachel, telling the story of Amie and her 13-year-old daughter. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale, Guest:\u003c/b>\u003cspan style=\"font-weight: 400\"> In Amie’s case as well as in many others, the Predator initially reached out on Roblox and then moved the interactions and messaging to another platform. In Amie’s specific case, you know, you had someone who asked. Something that is irresistible to, to kids all around the world, “Do you wanna make Robux?”\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Robux is the in-game currency that costs real money. Like a lot of freemium games, Roblox runs on micro-transactions; you get the base experience, but with Robux, you can buy cool outfits, use unique weapons, and get game passes that grant perks like accessing special areas. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">After the predator reached out to Amie’s daughter through Roblox’s in-game chat feature, and told her that she could make Robux by playing a game. They told her that in order to play, they had to move to Discord. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> They first asked Amie’s daughter to hold up two fingers to verify before they started the game, and then asked Amie’s daughter to send sexually explicit videos and images. But it didn’t stop there. It turned into, you know, what many people would classify as grooming. If Amie’s daughter went more than a few hours without contacting the predator, they would message, I’ve missed you.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">He would shower her with affection saying, “I love you so much,” or sending her sexually explicit content of himself. “I would never leave you,” messages like that. It was relentless. And when Amie discovered what was happening to her daughter, she discontinued her daughter’s use of both Roblox and Discord and reported the username to the FBI. And this is a situation that has happened countless times and that I spoke with numerous parents about, um, with stories that sound really similar to Amie’s.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">This is such a common problem that some creators have taken it upon themselves to confront predators. Like this one YouTuber, who goes by Schlep. He’s conducted Roblox sting operations, where he and other creators pretend to be minors, collect incriminating explicit messages from predators, lure them into in-person meetings and then alert police about it. To date, he’s documented six arrests in his YouTube videos.\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">[\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Audio from the account of Youtube user Schlep\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">] \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">He was arrested and charged with three felony counts related to illicit material . . . I’m so proud to see our efforts at stopping predators finally make an impact beyond the screen… I don’t hate Roblox. I love it. And that’s why I care so much about this problem. \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Schlep is kind of like a modern day version of Chris Hansen and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">To Catch A Predator.\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> Schlep was even referenced in one of the child safety lawsuits against Roblox. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Bad actors exist on all online platforms, but child predation is especially prevalent on Roblox. Part of it is sheer volume because it’s so popular with kids — again, more than 40% of users are under 13.\u003c/span>\u003cspan style=\"font-weight: 400\"> But other games are also popular with minors, like Fortnite or Minecraft. What makes Roblox different? Here’s Rachel again.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> It’s a combination of the business model and the steps a company is willing to take towards safety, even if that could potentially harm their usage patterns and profits.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So Roblox uses a free model, some people might call it a freemium model. The game is free to download and play, and the company makes their money from players spending Robux. So from their in-game interactions. And the more time a user spends on the platform, the more likely they are to spend Robux and generate, um, money for the platform.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Minecraft, on the other hand, is a paid model and you buy it upfront, so there’s less incentive to push user interaction with each other. Take another example, like Fortnite. It’s got a similar freemium model to Roblox, but some safety advocates that I spoke with have credited Fortnite for choosing to implement it.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Kid protective features, like more options for private or controlled play zones. Roblox does have some of those same features, including parent controls, but in Fortnite, kids are usually playing with a smaller group, sometimes with their preexisting friends as opposed to roaming in these social spaces.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So Roblox is really set up based on having people, um, move through these different experiences and interacting with strangers in the public.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> How has Roblox responded to this issue? How are people criticizing the way that they’ve responded?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I visited Roblox’s headquarters in San Mateo, California in December, to ask them about the steps that they’ve taken following these lawsuits and the criticism that they’ve received, and they emphasized that they take their child safety very seriously.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The biggest step that they’ve taken, uh, in this area is implementing a new facial age verification feature. It started rolling out in November in select markets and became mandatory on January 7th for anyone looking to use the chat bar feature. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> So the way that it works is that once you open the app, if you wanna go to the chat bar, Roblox will now prompt any users past, present, anyone who’s on the platform to decide if they would like to go through facial age estimation or if they would like to not use the chat bar feature.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And if you choose to continue, it uses AI to take a scan of your face and estimates your age. Roblox, as executives told me that their data shows that it can estimate an age within two years of accuracy. And after that, users are placed into one of six different age groups. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">They said that they were working on this feature and they wouldn’t necessarily portray it as like directly a response to these lawsuits, but of course it is in response to, um, the child safety issues that they’ve had. And they’ve really tried to emphasize that they’re the one of the largest platforms that has implemented this type of age verification. So that’s really the biggest step that they’ve taken in conjunction with their parental controls, which they say can make a big difference in how users, um, are, are engaging on the platform.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Because of Roblos’s new features, the age checks to chat now look like this and, bear with me here, you’re about to hear a lot of numbers. So if your child is under 9 years old, they can’t talk to anyone 13 or older. Kids between 10 and 13 can’t message anyone over 16. Users in the 13 to 15 group can’t chat with anyone over 17. But users who are 16 to 17 can’t chat with anyone under 13, or over 21. If you’re 18-20, you can chat with anyone over the age of 16, but not under. And if you’re over 21, you can only chat with users who are over 18. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">If you’re overwhelmed right now, I don’t blame you. Roblox’s age-gating is pretty granular. It’s supposed to imitate the clusters of age groups that would interact in real life. Like, it’s appropriate for a 14 year old and 16 year old to hang out and be friends, but it would raise red flags if it was a 12 year old and a 19 year old. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I think that it is confusing for players. The way that Roblox has described it is that these groups are supposed to kind of mimic real life groups that you would see at like, a lunch table or you know, on sporting teams. So the idea is that users would be playing alongside other users who are of similar ages.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">The AI estimation works by analyzing the user’s face for physiological markers that correlate with a specific age. A person’s face changes the most when they’re young, so it’s easier for the system to estimate someone’s age when they’re, say, between 6 and 10 years old as opposed to 40 or 45. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> Once you go through the facial age estimation, you’re able to upload a photo of an ID if you, if it was incorrect, um, in estimating your age. But you know, as they’ve started to roll it out, there’s been a lot of talk about it online, especially in online communities like the r/roblox subreddit. So we’ve been able to already start to see some of the feedback there from current users of Roblox and I think that what users are concerned about is those cases where the facial age estimation feature is inaccurate.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And then you might have a user who’s 12, who is able to talk with 17 year olds or 18 year olds if their age is inaccurately estimated as 16. So these of course, are more the outlier cases, but there are enough of them that people have criticized it pretty heavily online.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">We’re going to get into the community backlash against Roblox’s age checks in a new tab … after this break. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Welcome back! Roblox rolled out a new age verification system, but it can be inaccurate and now, Roblox players and their parents are raising concerns over it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Let’s open a new tab: Did Roblox Age Verification flop?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Back in December, USA Today reporter Rachel Hale flew out from New York to visit the Roblox headquarters in San Mateo, California. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale: \u003c/b>\u003cspan style=\"font-weight: 400\">And when I was there, I was able to meet with multiple Roblox executives, including Matt Kaufman, who is the chief Safety Officer there, then Elizabeth Milo, Roblox Global Head of Parental Advocacy, and both of those people walked me through how they think about, uh, safety on the app. After we did our standard interviews, we did a demo of the facial age estimation feature and of the parental control features with two of the safety leads who had helped put together these features. So I was able to kind of pick their brains about how the AI was going to work in the facial age estimation feature. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">So we walked through it with a phone and an iPad so that I could see what it would be like for a parent who had kids of two different ages, and I could see how that would change users experiences playing on the app.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> So what did you expect going in? I know you tried the feature ahead of time and it wasn’t quite right.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I will say I was disappointed with the features accuracy, because Roblox had emphasized in prior press conferences that it would be within two years of accuracy. And because I’m under 25, so I’m still in that younger range that they said the accuracy is usually within those two years. I was hoping that it would get my age within one to two years. But when I did the demo, I tried it the night before in my hotel room, not wearing any makeup, you know, with kind of different lighting behind me. And then I did it again the next day at their office wearing a full face of makeup with much brighter, better lighting on me. I’m 24, and both times it estimated my age as 18 to 20.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So I found that that didn’t make a difference. I have seen users online talk about things like, how facial hair, things like that, how that might impact what age you’re estimated as. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Some players have complained that they were incorrectly placed in older age groups because they went through puberty earlier than their peers. And others have complained that they were incorrectly placed in younger age groups because they just look younger. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Another thing that I’ve seen anecdotally online in some of these same online forums, um, or in direct messages to me, are concerns about kids who might have different developmental markers.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So maybe someone who’s, you know, has developmental disability that might change the way that they look and that’s a valid concern. I think that that exists across platforms with age verification. So that’s not specific to roblox. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> If you spend some time, like you said, in Roblox Communities online, a lot of users are really unhappy with this change. Their concern is that it hasn’t actually worked to solve child safety because of issues with accuracy.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">I’ve seen parents who are concerned because their kids who are maybe 12 years old have used the feature and it’s estimated them as 15 and now they’re able to be on the platform without the parental controls. And it’s very hard for the parent to kind of roll that back, um, unless the kid is willing to cooperate with them.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">And now, YouTube and TikTok are brimming with tutorials for bypassing the age check system. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Snippet from How to unlock chat in Roblox video\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">] \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">In this video, I’m going to be showing you exactly how you can verify your age on Roblox and unlock any Roblox feature you want, including the chat. And this works for all ages.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> The facial recognition system isn’t that difficult to trick, either. Users have managed to pass as adults by drawing fake mustaches on themselves, or by caking on really heavy, Jersey Shore-type makeup. They’ve also gotten around it by scanning videos of other people’s faces. On YouTube, there’s this video from 12 years ago, of a woman slowly turning her face left and right, for artists to use as a figure drawing reference.\u003c/span>\u003cspan style=\"font-weight: 400\"> Today, that video has more than half a million views … and nearly all of the 800 comments are from Roblox users who’ve used her face to pass the age check. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Rachel isn’t surprised at how far users are going to pass as adults. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I wish I could say that I was, but I think when you have a platform this big, you know, there are going to be people who will go to any links, uh, especially just at scale with how many users there are. So taken in isolation it does feel, um, pretty alarming, but put into context, it makes sense with what we know about Roblox.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’ve also seen people start to try to work around the chat feature as a whole by making custom avatars that might say their discord username or username for another platform, which then circumvents the, the whole purpose of the safety in the feature and the idea of getting people to keep the chat in game.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’ve also even seen things as extreme as people talking about someone selling an underage account on eBay (this was later taken down.) So we’ve definitely seen Roblox users start to try to either circumvent the system, uh, and who have been extreme in their criticisms that it hasn’t really been accurate in solving the safety issue.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> The AI facial age estimator seems pretty concerning to a lot of people, especially parents. Can you explain why this technology is so controversial?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> So part of the reason that the artificial intelligence is controversial is because people have data privacy concerns. The artificial intelligence here is used to estimate the user’s age after the face scan and the picture is deleted afterwards. Roblox outsources this to a company called Persona and says that users can trust that their picture is deleted afterwards.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But some families that I spoke with, and you can also find this on Reddit and online communities, people have concerns because of issues with similar features on other platforms. For example, in October of last year, the messaging platform Discord had hackers who compromised five CA, their third party vendor that they used for age verification, and stole nearly 70,000 images of government issued IDs in Australia and the UK.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So even though Roblox says that you can trust that artificial intelligence, um, I think that people have some concerns because of what’s happened on other platforms with similar features.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I think that parents who are tuned in enough to what’s happening on Roblox are already having conversations with their children about digital safety. Um, I think that the real issue is kids whose parents aren’t tuned in, and so they’re probably making decisions about whether or not to use the feature without parental input.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">But I do think that a lot of parents who are already tuned into Roblox and are closely following their children’s gameplay, some of those parents have made the decision to not use the feature and to instead decide that their child won’t use the chat bar feature.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Roblox’s age checks are an attempt to prevent predators from interacting with children, but that’s not the only reason the platform rolled it out. It’s also to comply with the United Kingdom’s Online Safety Act, which went into effect last year.\u003c/span>\u003cspan style=\"font-weight: 400\"> This law requires all internet users to be at least 18 to access quote, “harmful content.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Certain Roblox experiences that are more graphic or have more mature themes are rated as “Restricted.” They’re for players who are at least 18. Now, only players who have verified their age with Roblox can access this content.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Harmful content” is a very broad umbrella — and now, many websites and social platforms are enforcing age checks like Roblox. Efforts to age-gate the internet are sweeping Europe, Australia, and here, in the US, too. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But like we’ve explored in this deep dive, it’s not going great for Roblox. Surely there are other ways to protect children.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We have time to open one more tab. Right?: Is Roblox’s method the future of age verification?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Roblox CEO Dave Baszucki isn’t exactly helping the situation, either. Late last year, he went on the New York Times tech podcast Hard Fork to talk about the age-gating policy. Here’s how he responded to a question about Roblox’s predator problem: \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">[\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Hard Fork Podcast clip\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">]\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">David Baszucki: We think of it not necessarily just as a problem but an opportunity as well. How do we allow young people to build, communicate and hang out together? How do we build the future of communication at the same time? So we, you know, we’ve been, I think, in a good way working on this ever since we started.\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/i>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Here’s Rachel again.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I mean, there’s been a lot of criticism toward Roblox. And as you’ll see in that New York Times interview, you know, uh, a lot of head employees at the company, it’s really tense when they’re asked about it because they know that they’re pushed between a rock and a hard place.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And so, uh, Dave and other top employees there who are in charge of safety, like Matt Kaufman, have faced a lot of personal and direct criticism over the ways that they’ve led child safety on the app. And I think it’s an issue that Roblox will continue to have to deal with.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> In some ways Roblox seems to be in a real lose-lose situation. Um, I mean, they had to respond to the predator issue and the lawsuits, and yet the solution that they’ve come up with has been received incredibly poorly. How do you think the company views the situation that they’re currently in?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I think that question is what they’re going to have to think about this year. And ultimately if more of these lawsuits continue to come out. I think that they will have to consider more heavily if they want to continue to prioritize profits or if they would move to implement safety features that would maybe take a hit toward the number of users on the platform.\u003c/span> \u003cspan style=\"font-weight: 400\">So I think that they’re going to have to think about that decision much more heavily this year than they have in the past as these lawsuits have continued to gain a lot more publicity and traction. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">The other two things that the company has faced a lot of scrutiny over that I think they’ll need to consider in line with this, um, is their removal of so-called vigilantes from the platform who, you know, call themselves predator hunters. Roblox faced a lot of scrutiny over their removal of these vigilantes, uh, without more efforts put toward the actual child safety issues on the platform.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And then there’s also been a push for some legal cases to be resolved via arbitration instead of in public court. And Roblox has faced a lot of criticism over not having these cases play out more publicly, uh, because a lot of safety advocates and families feel that that’s what would be in the best interest for, for the public in terms of transparency and accountability. So I think that Roblox is going to have to really think about those different things in line with the child safety this year.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> Are there any other solutions that have been suggested?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> A lot of people have suggested that Roblox remove the chat feature altogether for in-game. How plausible this is? I’m not sure. Um, I think that that would change the entire nature of the game. Other people have brought up that Roblox could implement more options for private play among friends that you already know.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The way that that works right now is through something called trusted users. So you could play with someone who’s not your exact age, but who through parental controls has been listed as a trusted user, like an older cousin or an aunt or uncle, that type of thing. Um, but some safety advocates have brought up that it would be beneficial for Roblox to put more efforts into those private play places, uh, or groups as opposed to putting so much emphasis on the public gameplay, uh, between each other.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">The issue there, again, is it comes back to profits and the way that the platform is set up and because the profits are based off of users, um, generating new games or experiences and using those in-game robux. The incentive is definitely to keep people playing with each other in a public space and moving through as many new games as possible.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So I think that Roblox will have to make some decisions about their priorities in terms of, um, profits compared to child safety.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> As you mentioned like, earlier in our interview, Roblox really sees themselves as pioneering this technology. Do you see other companies like Fortnite, like Minecraft, um, I guess Club Penguin, if it was still around by like, also adopting a kind of facial recognition, age verification?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I think that based on how Roblox’s rollout has gone, places who may have been looking into this will probably take a longer pause to think about the best way to implement it. I do think a lot of the concerns come down to AI and how accurate it is, and even though Roblox has emphasized that they’ve been the first to do this and that they’ve been leading the way. \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Roblox also has a much larger issue with child predators than Minecraft or Fortnite does. So I don’t necessarily see other platforms moving to implement this right away as a result of Roblox. If anything, I think people are probably looking at how Roblox’s user database has responded and thinking about that and how they’re shaping their responses to safety on their own platforms.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> This situation with Roblox especially, it comes at a time when age verification is being pushed all over the internet, um, often through legislation in Australia and the UK, soon enough probably here in the U.S. How does that impact the larger conversation around this issue and the way that other gaming platforms will probably also have to, in some way, age-gate their content?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I think that it continues to make it so that it’s a norm of these platforms. You know, um, five years ago, hardly any platform had an age verification feature. We’re seeing the same thing with Beyond Games, things like sports betting platforms, you know. We’re seeing it go from a user-oriented age verification, where it’s just you’re putting in an email and checking and it’s very easy to just check the box they’re over 13, to an actual form of verification. What that verification looks like likely will differ between platforms, but I do think that Roblox implementing this feature has contributed to that wider norm of age verification being a more common practice on online platforms.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Morgan Sung:\u003c/b>\u003cspan style=\"font-weight: 400\"> As a youth mental health reporter, what are you keeping your eye on when it comes to this situation?\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Rachel Hale:\u003c/b>\u003cspan style=\"font-weight: 400\"> I think that right now I am really looking at how not just the general community is responding, but how parents are responding. One thing that we did is we did an AMA, like, an ask-me-anything in the r/roblox subreddit and it was really interesting to see the questions that different families had about Roblox and about this new feature.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">So I think I’m keeping my eye on how that community continues to respond and then also on how these lawsuits are going to play out. and if we’re going to see more. The other thing that I’m looking at in conjunction with Roblox is Discord and other platforms. Because even if the initial messaging with a predator happens on Roblox, it is then usually turning to other platforms that, you know, have turned into situations where a child is really unsafe. So I think that that goes hand in hand with the issues on Roblox, and it’s something that I’m continuing to look into.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Morgan Sung: \u003c/b>\u003cspan style=\"font-weight: 400\">Roblox’s age verification system is unique, because the platform is trying to tackle a very real problem with predators. But age gating is becoming the norm online, as platforms face increasing pressure to keep kids from seeing potentially harmful content, namely, porn. But restricting access to sexual content opens the door for broader censorship, beyond just porn.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">So what does this have to do with free speech? A lot more than you’d think. For years, sex workers have been ringing the alarm bell when it comes to online surveillance and censorship. If age verification does become the norm, the internet will change for everyone and cracking down on porn is the first step. \u003c/span>\u003cb>\u003cbr>\n\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">We’re diving into that next week. But for Roblox, let’s close all these tabs.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Close All Tabs is a production of KQED Studios, and is reported and hosted by me, Morgan Sung.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode was produced by Maya Cueva, with support from Gabriela Glueck. It was edited by Chris Hambrick.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Our team includes our senior editor Chris Egusa, who also composed our theme song and credits music and Jen Chien, who is the Director of Podcasts. Additional music by APM. Brendan Willard is our audio engineer.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Audience engagement support from Maha Sanad. Ethan Toven-Lindsey is our Editor in Chief.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode’s keyboard sounds were submitted by my dad, Casey Sung, and recorded on his white and blue Epomaker Aula F99 keyboard with Graywood v3 switches, and Cherry profile PBT keycaps. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Do you like these deep dives? Are you closing your tabs? Then don’t forget to rate and review us on Spotify, Apple podcasts, or wherever you listen to the show! Maybe drop a comment too! And if you really like Close All Tabs and want to support public media, go to donate dot KQED.org/podcasts\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Thanks for listening! \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>"
}
],
"link": "/news/12074525/send-pics-roblox-wants-to-know-your-age",
"authors": [
"11944",
"11943",
"11946",
"11869",
"11832"
],
"programs": [
"news_35082"
],
"categories": [
"news_33520"
],
"tags": [
"news_25184",
"news_35092",
"news_23800",
"news_3137",
"news_31079",
"news_34646",
"news_2125",
"news_1631"
],
"featImg": "news_12074528",
"label": "source_news_12074525"
}
},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "\"KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1MDAyODE4NTgz",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "\"KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9zZXJpZXMvamVycnlicm93bi9mZWVkL3BvZGNhc3Qv"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5Nzk2MzI2MTEx",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vc29sZG91dA"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM4MjU5Nzg2MzI3",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM0NTcwODQ2MjY2",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/news?program=close-all-tabs": {
"isFetching": false,
"latestQuery": {
"from": 0,
"postsToRender": 9
},
"tag": null,
"vitalsOnly": true,
"totalRequested": 9,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 63,
"relation": "eq"
},
"items": [
"news_12080824",
"news_12079935",
"news_12079067",
"news_12078303",
"news_12077465",
"news_12076820",
"news_12075951",
"news_12075321",
"news_12074525"
]
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"pfsSessionReducer": {},
"subscriptionsReducer": {},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"news_35082": {
"type": "terms",
"id": "news_35082",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "35082",
"found": true
},
"relationships": {},
"name": "Close All Tabs",
"slug": "close-all-tabs",
"taxonomy": "program",
"description": null,
"featImg": null,
"headData": {
"title": "Close All Tabs | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null,
"imageData": {
"ogImageSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"width": 1200,
"height": 630
},
"twImageSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
},
"twitterCard": "summary_large_image"
}
},
"ttid": 35099,
"isLoading": false,
"link": "/news/program/close-all-tabs"
},
"source_news_12080824": {
"type": "terms",
"id": "source_news_12080824",
"meta": {
"override": true
},
"name": "Close All Tabs",
"link": "https://www.kqed.org/podcasts/closealltabs",
"isLoading": false
},
"source_news_12079935": {
"type": "terms",
"id": "source_news_12079935",
"meta": {
"override": true
},
"name": "Close All Tabs",
"link": "https://www.kqed.org/podcasts/closealltabs",
"isLoading": false
},
"source_news_12079067": {
"type": "terms",
"id": "source_news_12079067",
"meta": {
"override": true
},
"name": "Close All Tabs",
"link": "https://www.kqed.org/podcasts/closealltabs",
"isLoading": false
},
"source_news_12078303": {
"type": "terms",
"id": "source_news_12078303",
"meta": {
"override": true
},
"name": "Close All Tabs",
"link": "https://www.kqed.org/podcasts/closealltabs",
"isLoading": false
},
"source_news_12077465": {
"type": "terms",
"id": "source_news_12077465",
"meta": {
"override": true
},
"name": "Close All Tabs",
"link": "https://www.kqed.org/podcasts/closealltabs",
"isLoading": false
},
"source_news_12076820": {
"type": "terms",
"id": "source_news_12076820",
"meta": {
"override": true
},
"name": "Close All Tabs",
"link": "https://www.kqed.org/podcasts/closealltabs",
"isLoading": false
},
"source_news_12075951": {
"type": "terms",
"id": "source_news_12075951",
"meta": {
"override": true
},
"name": "Close All Tabs",
"link": "https://www.kqed.org/podcasts/closealltabs",
"isLoading": false
},
"source_news_12075321": {
"type": "terms",
"id": "source_news_12075321",
"meta": {
"override": true
},
"name": "Close All Tabs",
"link": "https://www.kqed.org/podcasts/closealltabs",
"isLoading": false
},
"source_news_12074525": {
"type": "terms",
"id": "source_news_12074525",
"meta": {
"override": true
},
"name": "Close All Tabs",
"link": "https://www.kqed.org/podcasts/closealltabs",
"isLoading": false
},
"news_33520": {
"type": "terms",
"id": "news_33520",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33520",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Podcast",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Podcast Archives | KQED News",
"ogDescription": null
},
"ttid": 33537,
"slug": "podcast",
"isLoading": false,
"link": "/news/category/podcast"
},
"news_22973": {
"type": "terms",
"id": "news_22973",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "22973",
"found": true
},
"relationships": {},
"featImg": null,
"name": "culture",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "culture Archives | KQED News",
"ogDescription": null
},
"ttid": 22990,
"slug": "culture",
"isLoading": false,
"link": "/news/tag/culture"
},
"news_20526": {
"type": "terms",
"id": "news_20526",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "20526",
"found": true
},
"relationships": {},
"featImg": null,
"name": "H-1B visas",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "H-1B visas Archives | KQED News",
"ogDescription": null
},
"ttid": 20543,
"slug": "h-1b-visas",
"isLoading": false,
"link": "/news/tag/h-1b-visas"
},
"news_20611": {
"type": "terms",
"id": "news_20611",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "20611",
"found": true
},
"relationships": {},
"featImg": null,
"name": "immigrant",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "immigrant Archives | KQED News",
"ogDescription": null
},
"ttid": 20628,
"slug": "immigrant",
"isLoading": false,
"link": "/news/tag/immigrant"
},
"news_3137": {
"type": "terms",
"id": "news_3137",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "3137",
"found": true
},
"relationships": {},
"featImg": null,
"name": "internet",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "internet Archives | KQED News",
"ogDescription": null
},
"ttid": 3155,
"slug": "internet",
"isLoading": false,
"link": "/news/tag/internet"
},
"news_34646": {
"type": "terms",
"id": "news_34646",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "34646",
"found": true
},
"relationships": {},
"name": "internet culture",
"slug": "internet-culture",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "internet culture | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 34663,
"isLoading": false,
"link": "/news/tag/internet-culture"
},
"news_1631": {
"type": "terms",
"id": "news_1631",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "1631",
"found": true
},
"relationships": {},
"name": "Technology",
"slug": "technology",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Technology | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 1643,
"isLoading": false,
"link": "/news/tag/technology"
},
"news_5702": {
"type": "terms",
"id": "news_5702",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "5702",
"found": true
},
"relationships": {},
"featImg": null,
"name": "video games",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "video games Archives | KQED News",
"ogDescription": null
},
"ttid": 5726,
"slug": "video-games",
"isLoading": false,
"link": "/news/tag/video-games"
},
"news_35248": {
"type": "terms",
"id": "news_35248",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "35248",
"found": true
},
"relationships": {},
"name": "visa",
"slug": "visa",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "visa | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 35265,
"isLoading": false,
"link": "/news/tag/visa"
},
"news_33732": {
"type": "terms",
"id": "news_33732",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33732",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Technology",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Technology Archives | KQED News",
"ogDescription": null
},
"ttid": 33749,
"slug": "technology",
"isLoading": false,
"link": "/news/interest/technology"
},
"news_25184": {
"type": "terms",
"id": "news_25184",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "25184",
"found": true
},
"relationships": {},
"featImg": null,
"name": "AI",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "AI Archives | KQED News",
"ogDescription": null
},
"ttid": 25201,
"slug": "ai",
"isLoading": false,
"link": "/news/tag/ai"
},
"news_34755": {
"type": "terms",
"id": "news_34755",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "34755",
"found": true
},
"relationships": {},
"name": "artificial intelligence",
"slug": "artificial-intelligence",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "artificial intelligence | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 34772,
"isLoading": false,
"link": "/news/tag/artificial-intelligence"
},
"news_35691": {
"type": "terms",
"id": "news_35691",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "35691",
"found": true
},
"relationships": {},
"name": "Love Island",
"slug": "love-island",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Love Island | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 35708,
"isLoading": false,
"link": "/news/tag/love-island"
},
"news_30214": {
"type": "terms",
"id": "news_30214",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "30214",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Meta",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Meta Archives | KQED News",
"ogDescription": null
},
"ttid": 30231,
"slug": "meta",
"isLoading": false,
"link": "/news/tag/meta"
},
"news_1089": {
"type": "terms",
"id": "news_1089",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "1089",
"found": true
},
"relationships": {},
"featImg": null,
"name": "social media",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "social media Archives | KQED News",
"ogDescription": null
},
"ttid": 1100,
"slug": "social-media",
"isLoading": false,
"link": "/news/tag/social-media"
},
"news_35940": {
"type": "terms",
"id": "news_35940",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "35940",
"found": true
},
"relationships": {},
"name": "tech industry",
"slug": "tech-industry",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "tech industry | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 35957,
"isLoading": false,
"link": "/news/tag/tech-industry"
},
"news_34645": {
"type": "terms",
"id": "news_34645",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "34645",
"found": true
},
"relationships": {},
"name": "close all tabs",
"slug": "close-all-tabs",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "close all tabs | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null,
"metaRobotsNoIndex": "noindex"
},
"ttid": 34662,
"isLoading": false,
"link": "/news/tag/close-all-tabs"
},
"news_35692": {
"type": "terms",
"id": "news_35692",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "35692",
"found": true
},
"relationships": {},
"name": "influencers",
"slug": "influencers",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "influencers | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 35709,
"isLoading": false,
"link": "/news/tag/influencers"
},
"news_2637": {
"type": "terms",
"id": "news_2637",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "2637",
"found": true
},
"relationships": {},
"name": "mormon",
"slug": "mormon",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "mormon | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null,
"metaRobotsNoIndex": "noindex"
},
"ttid": 2654,
"isLoading": false,
"link": "/news/tag/mormon"
},
"news_1149": {
"type": "terms",
"id": "news_1149",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "1149",
"found": true
},
"relationships": {},
"name": "April Fool's",
"slug": "april-fools",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "April Fool's | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null,
"metaRobotsNoIndex": "noindex"
},
"ttid": 1160,
"isLoading": false,
"link": "/news/tag/april-fools"
},
"news_35111": {
"type": "terms",
"id": "news_35111",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "35111",
"found": true
},
"relationships": {},
"name": "meme",
"slug": "meme",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "meme | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 35128,
"isLoading": false,
"link": "/news/tag/meme"
},
"news_3415": {
"type": "terms",
"id": "news_3415",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "3415",
"found": true
},
"relationships": {},
"name": "online",
"slug": "online",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "online | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null,
"metaRobotsNoIndex": "noindex"
},
"ttid": 3433,
"isLoading": false,
"link": "/news/tag/online"
},
"news_35092": {
"type": "terms",
"id": "news_35092",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "35092",
"found": true
},
"relationships": {},
"name": "closealltabs",
"slug": "closealltabs",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "closealltabs | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 35109,
"isLoading": false,
"link": "/news/tag/closealltabs"
},
"news_34188": {
"type": "terms",
"id": "news_34188",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "34188",
"found": true
},
"relationships": {},
"name": "Equipment",
"slug": "equipment",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Equipment | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null,
"metaRobotsNoIndex": "noindex"
},
"ttid": 34205,
"isLoading": false,
"link": "/news/tag/equipment"
},
"news_18163": {
"type": "terms",
"id": "news_18163",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "18163",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Farmers",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Farmers Archives | KQED News",
"ogDescription": null
},
"ttid": 18197,
"slug": "farmers",
"isLoading": false,
"link": "/news/tag/farmers"
},
"news_34506": {
"type": "terms",
"id": "news_34506",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "34506",
"found": true
},
"relationships": {},
"name": "right to repair",
"slug": "right-to-repair",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "right to repair | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null,
"metaRobotsNoIndex": "noindex"
},
"ttid": 34523,
"isLoading": false,
"link": "/news/tag/right-to-repair"
},
"news_30035": {
"type": "terms",
"id": "news_30035",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "30035",
"found": true
},
"relationships": {},
"name": "repair",
"slug": "repair",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "repair | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null,
"metaRobotsNoIndex": "noindex"
},
"ttid": 30052,
"isLoading": false,
"link": "/news/tag/repair"
},
"news_20023": {
"type": "terms",
"id": "news_20023",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "20023",
"found": true
},
"relationships": {},
"featImg": null,
"name": "environment",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "environment Archives | KQED News",
"ogDescription": null
},
"ttid": 20040,
"slug": "environment",
"isLoading": false,
"link": "/news/tag/environment"
},
"news_31830": {
"type": "terms",
"id": "news_31830",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "31830",
"found": true
},
"relationships": {},
"featImg": null,
"name": "environmental pollution",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "environmental pollution Archives | KQED News",
"ogDescription": null
},
"ttid": 31847,
"slug": "environmental-pollution",
"isLoading": false,
"link": "/news/tag/environmental-pollution"
},
"news_458": {
"type": "terms",
"id": "news_458",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "458",
"found": true
},
"relationships": {},
"featImg": null,
"name": "smoking",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "smoking Archives | KQED News",
"ogDescription": null
},
"ttid": 467,
"slug": "smoking",
"isLoading": false,
"link": "/news/tag/smoking"
},
"news_25879": {
"type": "terms",
"id": "news_25879",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "25879",
"found": true
},
"relationships": {},
"featImg": null,
"name": "vape",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "vape Archives | KQED News",
"ogDescription": null
},
"ttid": 25896,
"slug": "vape",
"isLoading": false,
"link": "/news/tag/vape"
},
"news_2960": {
"type": "terms",
"id": "news_2960",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "2960",
"found": true
},
"relationships": {},
"featImg": null,
"name": "legislation",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "legislation Archives | KQED News",
"ogDescription": null
},
"ttid": 2978,
"slug": "legislation",
"isLoading": false,
"link": "/news/tag/legislation"
},
"news_34481": {
"type": "terms",
"id": "news_34481",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "34481",
"found": true
},
"relationships": {},
"name": "sex work",
"slug": "sex-work",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "sex work | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null,
"metaRobotsNoIndex": "noindex"
},
"ttid": 34498,
"isLoading": false,
"link": "/news/tag/sex-work"
},
"news_23800": {
"type": "terms",
"id": "news_23800",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "23800",
"found": true
},
"relationships": {},
"featImg": null,
"name": "facial recognition",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "facial recognition Archives | KQED News",
"ogDescription": null
},
"ttid": 23817,
"slug": "facial-recognition",
"isLoading": false,
"link": "/news/tag/facial-recognition"
},
"news_31079": {
"type": "terms",
"id": "news_31079",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "31079",
"found": true
},
"relationships": {},
"featImg": null,
"name": "internet access",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "internet access Archives | KQED News",
"ogDescription": null
},
"ttid": 31096,
"slug": "internet-access",
"isLoading": false,
"link": "/news/tag/internet-access"
},
"news_2125": {
"type": "terms",
"id": "news_2125",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "2125",
"found": true
},
"relationships": {},
"featImg": null,
"name": "online privacy",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "online privacy Archives | KQED News",
"ogDescription": null
},
"ttid": 2140,
"slug": "online-privacy",
"isLoading": false,
"link": "/news/tag/online-privacy"
}
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"localStorageReducer": {},
"browserHistoryReducer": [],
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"location": {
"pathname": "/news/program/close-all-tabs",
"previousPathname": "/"
}
}