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"slug": "chinese-immigrants-were-forced-out-of-eureka-in-1885-heres-how-locals-are-making-that-history-known",
"title": "Chinese Immigrants Were Forced Out of Eureka in 1885 — Here's How Locals Are Making That History Known",
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"content": "\u003cp>Chinese immigrants have played a pivotal role in shaping California throughout its history. During the mid-1860s, they built infrastructure like railroads and boosted economies with their businesses. Their efforts led to flourishing Chinatowns in cities like San Francisco and San Jose.\u003c/p>\n\u003cp>But by 1882, anti-Chinese sentiment and policy \u003ca href=\"https://www.kqed.org/news/11877801/san-jose-had-5-chinatowns-why-did-they-vanish\">forced many out of the communities\u003c/a> they helped build. In Humboldt County, nearly all Chinese residents of Eureka were expelled in 1885.\u003c/p>\n\u003cp>Today, in Eureka, a small California port town just south of the Oregon border, local Chinese Americans and their allies are fighting to bring a more complete local history to the surface.\u003c/p>\n\u003cp>“There used to be a Chinatown here,” said Brieanne Mirjah D’Souza, the coordinator for the\u003ca href=\"https://hapihumboldt.org/Eureka-Chinatown-Project\"> Eureka Chinatown Project\u003c/a>. “Not only a Chinatown, but a thriving, vibrant Chinatown, and it’s no longer here. We don’t even talk about it.”\u003c/p>\n\u003cp>D’Souza, who is Chinese American and West Indian, has been organizing to memorialize the city’s Chinatown. The historic block, which is bounded by F and E Streets, was home to hundreds of immigrants who came to work in Northern California before they were forced out by a mob of white settlers.\u003c/p>\n\u003cfigure id=\"attachment_11892110\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11892110\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/10/ChinatownDocuments-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownDocuments-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownDocuments-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownDocuments-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownDocuments-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownDocuments-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownDocuments-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A photo of a Chinese vendor carrying his goods is displayed inside the Clarke Historical Museum. \u003ccite>(Photo by Héctor Alejandro Arzate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We just wanted to put up a plaque saying Chinatown was here,” D’Souza said. “We were here, and we helped build modern-day Humboldt County and Eureka as we know it.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>With support from the city and the local\u003ca href=\"http://www.clarkemuseum.org/\"> Clarke Historical Museum\u003c/a> the effort has grown way beyond a simple plaque, D’Souza said. In late August, the city unveiled a large mural, titled “Fowl,” to pay homage to its former Chinese residents. The work was painted by Oakland artist Dave Kim and features a large mandarin duck, the silhouette of the former Chinatown, and a portrait of Ben Chin, a Chinese American Army veteran who opened Eureka’s Canton Cafe in 1954.\u003c/p>\n\u003ch3>\u003cstrong>The Eureka plan\u003c/strong>\u003c/h3>\n\u003cp>On February 6, 1885, Eureka Councilmember David Kendall was walking near Chinatown when he was shot and killed in the crossfire of a shootout. Soon after, a crowd of about 300 mostly white people gathered at the city’s Centennial Hall. According to Katie Buesch, the director of the Clarke Historical Museum, the crowd grew angry and blamed Chinese “gangsters” for Kendall’s death.\u003c/p>\n\u003cp>“There was a precedent around the West to do things like burn down Chinatowns with the residents inside, running people out of town, boycotting Chinese businesses or employers who employed Chinese workers,” Buesch said. “Eureka went a different route.”\u003c/p>\n\u003cfigure id=\"attachment_11892118\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11892118\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/10/BueschePoints-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/BueschePoints-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/BueschePoints-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/BueschePoints-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/BueschePoints-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/BueschePoints-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/BueschePoints-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Buesch reviews a modified Sanborn map from May 1886. The Sanborn Map Company made detailed maps of cities to determine risks for insuring businesses against fire. \u003ccite>(Photo by Héctor Alejandro Arzate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A local white businessman who owned most of the block pleaded with the mob to spare his buildings. Instead, the crowd formed a committee of fifteen local leaders, which ordered all Chinese residents to leave Eureka within 48 hours. They arranged for ships to take the entire community down to the port of San Francisco and threatened anybody who stayed.\u003c/p>\n\u003cp>According to Buesch, the mob set up gallows nearby with signs that threatened to hang all who remained. She said they also hung effigies made to look like Chinese people.\u003c/p>\n\u003cp>“It’s called the ‘Eureka Plan,’ and it was replicated in many parts of Humboldt County and also in other areas around the West,” Buesch said. “It was touted as really successful, this ‘nonviolent’ way of removing people from places where they’ve lived for decades or many years, in some cases.”\u003c/p>\n\u003cfigure id=\"attachment_11892103\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11892103\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/10/ChinatownLeft1885-800x541.jpg\" alt=\"\" width=\"800\" height=\"541\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownLeft1885-800x541.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownLeft1885-1020x690.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownLeft1885-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownLeft1885-1536x1038.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownLeft1885-2048x1384.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownLeft1885-1920x1298.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A black and white photo of Eureka’s Chinatown after its residents were forced out in 1885. \u003ccite>(Photo provided by the Clarke Historical Museum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Anti-Chinese expulsions and riots are well documented throughout the West, but Buesch said many of the details in Eureka have long been one-sided as a result of local newspapers celebrating the event for its nonviolence.\u003c/p>\n\u003cp>“It’s a much deeper story and one that’s plagued with lots of issues around finding historical documents that really tell you the full accurate story,” Buesch said. “But how can it be nonviolent if you’re forcibly removing people?”\u003c/p>\n\u003ch3>\u003cstrong>\u003cem>Wing Hing v. Eureka\u003c/em>, and the legacy of Charlie Moon\u003c/strong>\u003c/h3>\n\u003cfigure id=\"attachment_11892143\" class=\"wp-caption alignnone\" style=\"max-width: 767px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11892143\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/10/WingHingpage1-e1634160892536.png\" alt=\"\" width=\"767\" height=\"1279\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/WingHingpage1-e1634160892536.png 767w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/WingHingpage1-e1634160892536-160x267.png 160w\" sizes=\"(max-width: 767px) 100vw, 767px\">\u003cfigcaption class=\"wp-caption-text\">The first page of Wing Hing v. The City of Eureka. The court case was brought on by 53 Chinese residents who were expelled from Eureka. \u003ccite>(Special Collections Digitized Publications at Humboldt State University)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Many of the displaced Chinese residents were business owners who were forced to leave their property and savings behind, according to some historical documents. Rather than resign themselves to the financial loss, 53 residents filed a lawsuit for reparations — \u003ca href=\"https://digitalcommons.humboldt.edu/archivepub/11/\">Wing Hing v. Eureka\u003c/a>.\u003c/p>\n\u003cp>“It was the first lawsuit for reparations filed by Chinese residents against a city, and it was a very big deal that it happened at all,” Buesch said. “The Chinese were found to not own any property because they weren’t legal citizens of the United States. So the case was thrown out against the city and the reparations were not made.”\u003c/p>\n\u003cp>Although the lawsuit was unsuccessful, Buesch said the resistance made by Chinese immigrants throughout Humboldt County is a crucial part of history that’s often left out. Meanwhile, D’Souza said other individuals who stood their ground should be celebrated, including one man named Charlie Moon.\u003c/p>\n\u003cp>“He represents the Chinese people that stayed behind, that resisted and fought back in some way,” said D’Souza. “And that’s so important because this isn’t a victim story.”\u003c/p>\n\u003cp>Like many immigrants who moved to Humboldt County, Moon found work in manual labor during the late 1800s, earning his keep as a ranch hand for a man named Tom Bair nearby in Redwood Creek. But soon after the expulsion, some men got word that Moon was still in Humboldt County.\u003c/p>\n\u003cp>According to Buesch, the men showed up to the ranch carrying weapons and demanded that Bair give Moon up. Bair stood up for Moon.\u003c/p>\n\u003cp>“The story goes that Tom Bair picks up a shotgun and said, ‘If you want, Charlie, you’ve got to get through me first,’” Buesch said.\u003c/p>\n\u003cp>Charlie Moon never left Humboldt County. When Bair and his wife died, Moon raised the couple’s children. He married a Native Chilula woman named Minnie Tom. Many of their descendants, like Yolanda Latham, still live in the area.\u003c/p>\n\u003cp>Latham said her great-great-great-grandfather — and others like him — built Humboldt County.\u003c/p>\n\u003cfigure id=\"attachment_11892105\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11892105\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/10/image0-800x1067.jpeg\" alt=\"\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/image0-800x1067.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/image0-1020x1360.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/image0-160x213.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/image0-1152x1536.jpeg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/image0.jpeg 1512w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Charlie Moon poses for a photo. Date unknown. \u003ccite>(Photo provided by Yolanda Latham)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“When you look around Humboldt County or any county in California, you have to ask yourself, how did they get that?” Latham said. “That was on the backs of the Chinese and the workers and the Native Americans that they had to move out of the way or use.”\u003c/p>\n\u003cp>Latham said she sees Moon as a survivor. Still, she can’t help but think of the hardships he and his family went through.\u003c/p>\n\u003cp>“I would love to say Charlie Moon had an amazing story, but he worked hard and he probably saw a lot of hard things and had to go through a lot of difficult moments,” Latham said.\u003c/p>\n\u003ch3>\u003cstrong>69 years later, Ben Chin\u003c/strong>\u003c/h3>\n\u003cp>Latham commends the Eureka Chinatown Project for its effort to acknowledge the hard truths in Humboldt’s past. She said it’s an especially crucial story to tell at a time of renewed anti-Asian violence throughout the country.\u003c/p>\n\u003cp>“It’s like a beaming light that needs to be put on Humboldt County and the counties around here,” Latham said. “I think we need to be honest about the history. We need to be truthful about it and accept it. What’s done is done, but at least acknowledge it and memorialize it so that it’s not dismissed.”\u003c/p>\n\u003cp>D’Souza said Humboldt County Chinese American history did not end after the expulsion. In 1954, a Chinese American Army veteran named Ben Chin moved to Eureka and opened up Canton Cafe. Although he wasn’t part of the group of residents who were forced out in 1885, he is thought to be the first Chinese American to settle in Eureka after nearly 70 years.\u003c/p>\n\u003cp>“He was the first to kind of come back and publicly say ‘I am Chinese, here is my Chinese restaurant and come and enjoy it,’” D’Souza said. “He did face a lot of discrimination when he came back. A lot of threats, a lot of just people badgering him, telling him to leave and close up shop. And he resisted. He stayed. That was a very courageous thing for him to do.”\u003c/p>\n\u003cp>Chin went on to open multiple restaurants in Eureka despite the hardships he faced. He died in 2019.\u003c/p>\n\u003cp>Today, less than three percent of Humboldt County identifies as Asian American. According to the \u003ca href=\"https://www.census.gov/quickfacts/fact/table/humboldtcountycalifornia,US/RHI425219\">latest census data\u003c/a>, that’s slightly fewer than 4,000 people in the entire county.\u003c/p>\n\u003cp>Some cities, like \u003ca href=\"https://www.kqed.org/news/11890341/san-jose-to-apologize-for-the-1887-burning-of-the-citys-chinatown\">San Jose, are apologizing for destroying Chinatowns\u003c/a> and displacing their residents. D’Souza said Eureka has not taken that action.\u003c/p>\n\u003cp>“We’ve not received a formal apology in terms of the expulsion of 1885 and the decades of discrimination after that,” D’Souza said. “It’s so important to be able to see your culture and your history reflected in your community. And until this mural went up or until the Chinatown project really started, I can’t really say that I felt that way.”\u003c/p>\n\u003cp>She sees the support she’s received from local leaders as a tangible step in the right direction.\u003c/p>\n\u003cfigure id=\"attachment_11892117\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11892117\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/10/Brieanne-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/Brieanne-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/Brieanne-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/Brieanne-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/Brieanne-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/Brieanne-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/Brieanne-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brieanne Mirjah D’Souza, project coordinator for the Eureka Chinatown Project, points at a map of Eureka. \u003ccite>(Photo by Héctor Alejandro Arzate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Eureka Chinatown Project plans on establishing a new monument on the block within the next year. They are also working with the city to rename the alley after Charlie Moon. Eventually, they want to implement Chinese history in the local school curriculum. As a new mother, D’Souza said she’s hopeful for what the future holds for her son.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“I’m excited for my son to be able to grow up one day and be able to come here and see this,” she said, “to feel included and to be part of the story being told in our community.”\u003c/p>\n\n",
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"title": "Chinese Immigrants Were Forced Out of Eureka in 1885 — Here's How Locals Are Making That History Known | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Chinese immigrants have played a pivotal role in shaping California throughout its history. During the mid-1860s, they built infrastructure like railroads and boosted economies with their businesses. Their efforts led to flourishing Chinatowns in cities like San Francisco and San Jose.\u003c/p>\n\u003cp>But by 1882, anti-Chinese sentiment and policy \u003ca href=\"https://www.kqed.org/news/11877801/san-jose-had-5-chinatowns-why-did-they-vanish\">forced many out of the communities\u003c/a> they helped build. In Humboldt County, nearly all Chinese residents of Eureka were expelled in 1885.\u003c/p>\n\u003cp>Today, in Eureka, a small California port town just south of the Oregon border, local Chinese Americans and their allies are fighting to bring a more complete local history to the surface.\u003c/p>\n\u003cp>“There used to be a Chinatown here,” said Brieanne Mirjah D’Souza, the coordinator for the\u003ca href=\"https://hapihumboldt.org/Eureka-Chinatown-Project\"> Eureka Chinatown Project\u003c/a>. “Not only a Chinatown, but a thriving, vibrant Chinatown, and it’s no longer here. We don’t even talk about it.”\u003c/p>\n\u003cp>D’Souza, who is Chinese American and West Indian, has been organizing to memorialize the city’s Chinatown. The historic block, which is bounded by F and E Streets, was home to hundreds of immigrants who came to work in Northern California before they were forced out by a mob of white settlers.\u003c/p>\n\u003cfigure id=\"attachment_11892110\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11892110\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/10/ChinatownDocuments-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownDocuments-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownDocuments-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownDocuments-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownDocuments-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownDocuments-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownDocuments-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A photo of a Chinese vendor carrying his goods is displayed inside the Clarke Historical Museum. \u003ccite>(Photo by Héctor Alejandro Arzate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We just wanted to put up a plaque saying Chinatown was here,” D’Souza said. “We were here, and we helped build modern-day Humboldt County and Eureka as we know it.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>With support from the city and the local\u003ca href=\"http://www.clarkemuseum.org/\"> Clarke Historical Museum\u003c/a> the effort has grown way beyond a simple plaque, D’Souza said. In late August, the city unveiled a large mural, titled “Fowl,” to pay homage to its former Chinese residents. The work was painted by Oakland artist Dave Kim and features a large mandarin duck, the silhouette of the former Chinatown, and a portrait of Ben Chin, a Chinese American Army veteran who opened Eureka’s Canton Cafe in 1954.\u003c/p>\n\u003ch3>\u003cstrong>The Eureka plan\u003c/strong>\u003c/h3>\n\u003cp>On February 6, 1885, Eureka Councilmember David Kendall was walking near Chinatown when he was shot and killed in the crossfire of a shootout. Soon after, a crowd of about 300 mostly white people gathered at the city’s Centennial Hall. According to Katie Buesch, the director of the Clarke Historical Museum, the crowd grew angry and blamed Chinese “gangsters” for Kendall’s death.\u003c/p>\n\u003cp>“There was a precedent around the West to do things like burn down Chinatowns with the residents inside, running people out of town, boycotting Chinese businesses or employers who employed Chinese workers,” Buesch said. “Eureka went a different route.”\u003c/p>\n\u003cfigure id=\"attachment_11892118\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11892118\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/10/BueschePoints-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/BueschePoints-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/BueschePoints-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/BueschePoints-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/BueschePoints-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/BueschePoints-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/BueschePoints-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Buesch reviews a modified Sanborn map from May 1886. The Sanborn Map Company made detailed maps of cities to determine risks for insuring businesses against fire. \u003ccite>(Photo by Héctor Alejandro Arzate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A local white businessman who owned most of the block pleaded with the mob to spare his buildings. Instead, the crowd formed a committee of fifteen local leaders, which ordered all Chinese residents to leave Eureka within 48 hours. They arranged for ships to take the entire community down to the port of San Francisco and threatened anybody who stayed.\u003c/p>\n\u003cp>According to Buesch, the mob set up gallows nearby with signs that threatened to hang all who remained. She said they also hung effigies made to look like Chinese people.\u003c/p>\n\u003cp>“It’s called the ‘Eureka Plan,’ and it was replicated in many parts of Humboldt County and also in other areas around the West,” Buesch said. “It was touted as really successful, this ‘nonviolent’ way of removing people from places where they’ve lived for decades or many years, in some cases.”\u003c/p>\n\u003cfigure id=\"attachment_11892103\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11892103\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/10/ChinatownLeft1885-800x541.jpg\" alt=\"\" width=\"800\" height=\"541\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownLeft1885-800x541.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownLeft1885-1020x690.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownLeft1885-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownLeft1885-1536x1038.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownLeft1885-2048x1384.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/ChinatownLeft1885-1920x1298.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A black and white photo of Eureka’s Chinatown after its residents were forced out in 1885. \u003ccite>(Photo provided by the Clarke Historical Museum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Anti-Chinese expulsions and riots are well documented throughout the West, but Buesch said many of the details in Eureka have long been one-sided as a result of local newspapers celebrating the event for its nonviolence.\u003c/p>\n\u003cp>“It’s a much deeper story and one that’s plagued with lots of issues around finding historical documents that really tell you the full accurate story,” Buesch said. “But how can it be nonviolent if you’re forcibly removing people?”\u003c/p>\n\u003ch3>\u003cstrong>\u003cem>Wing Hing v. Eureka\u003c/em>, and the legacy of Charlie Moon\u003c/strong>\u003c/h3>\n\u003cfigure id=\"attachment_11892143\" class=\"wp-caption alignnone\" style=\"max-width: 767px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11892143\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/10/WingHingpage1-e1634160892536.png\" alt=\"\" width=\"767\" height=\"1279\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/WingHingpage1-e1634160892536.png 767w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/WingHingpage1-e1634160892536-160x267.png 160w\" sizes=\"(max-width: 767px) 100vw, 767px\">\u003cfigcaption class=\"wp-caption-text\">The first page of Wing Hing v. The City of Eureka. The court case was brought on by 53 Chinese residents who were expelled from Eureka. \u003ccite>(Special Collections Digitized Publications at Humboldt State University)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Many of the displaced Chinese residents were business owners who were forced to leave their property and savings behind, according to some historical documents. Rather than resign themselves to the financial loss, 53 residents filed a lawsuit for reparations — \u003ca href=\"https://digitalcommons.humboldt.edu/archivepub/11/\">Wing Hing v. Eureka\u003c/a>.\u003c/p>\n\u003cp>“It was the first lawsuit for reparations filed by Chinese residents against a city, and it was a very big deal that it happened at all,” Buesch said. “The Chinese were found to not own any property because they weren’t legal citizens of the United States. So the case was thrown out against the city and the reparations were not made.”\u003c/p>\n\u003cp>Although the lawsuit was unsuccessful, Buesch said the resistance made by Chinese immigrants throughout Humboldt County is a crucial part of history that’s often left out. Meanwhile, D’Souza said other individuals who stood their ground should be celebrated, including one man named Charlie Moon.\u003c/p>\n\u003cp>“He represents the Chinese people that stayed behind, that resisted and fought back in some way,” said D’Souza. “And that’s so important because this isn’t a victim story.”\u003c/p>\n\u003cp>Like many immigrants who moved to Humboldt County, Moon found work in manual labor during the late 1800s, earning his keep as a ranch hand for a man named Tom Bair nearby in Redwood Creek. But soon after the expulsion, some men got word that Moon was still in Humboldt County.\u003c/p>\n\u003cp>According to Buesch, the men showed up to the ranch carrying weapons and demanded that Bair give Moon up. Bair stood up for Moon.\u003c/p>\n\u003cp>“The story goes that Tom Bair picks up a shotgun and said, ‘If you want, Charlie, you’ve got to get through me first,’” Buesch said.\u003c/p>\n\u003cp>Charlie Moon never left Humboldt County. When Bair and his wife died, Moon raised the couple’s children. He married a Native Chilula woman named Minnie Tom. Many of their descendants, like Yolanda Latham, still live in the area.\u003c/p>\n\u003cp>Latham said her great-great-great-grandfather — and others like him — built Humboldt County.\u003c/p>\n\u003cfigure id=\"attachment_11892105\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11892105\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/10/image0-800x1067.jpeg\" alt=\"\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/image0-800x1067.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/image0-1020x1360.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/image0-160x213.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/image0-1152x1536.jpeg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/image0.jpeg 1512w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Charlie Moon poses for a photo. Date unknown. \u003ccite>(Photo provided by Yolanda Latham)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“When you look around Humboldt County or any county in California, you have to ask yourself, how did they get that?” Latham said. “That was on the backs of the Chinese and the workers and the Native Americans that they had to move out of the way or use.”\u003c/p>\n\u003cp>Latham said she sees Moon as a survivor. Still, she can’t help but think of the hardships he and his family went through.\u003c/p>\n\u003cp>“I would love to say Charlie Moon had an amazing story, but he worked hard and he probably saw a lot of hard things and had to go through a lot of difficult moments,” Latham said.\u003c/p>\n\u003ch3>\u003cstrong>69 years later, Ben Chin\u003c/strong>\u003c/h3>\n\u003cp>Latham commends the Eureka Chinatown Project for its effort to acknowledge the hard truths in Humboldt’s past. She said it’s an especially crucial story to tell at a time of renewed anti-Asian violence throughout the country.\u003c/p>\n\u003cp>“It’s like a beaming light that needs to be put on Humboldt County and the counties around here,” Latham said. “I think we need to be honest about the history. We need to be truthful about it and accept it. What’s done is done, but at least acknowledge it and memorialize it so that it’s not dismissed.”\u003c/p>\n\u003cp>D’Souza said Humboldt County Chinese American history did not end after the expulsion. In 1954, a Chinese American Army veteran named Ben Chin moved to Eureka and opened up Canton Cafe. Although he wasn’t part of the group of residents who were forced out in 1885, he is thought to be the first Chinese American to settle in Eureka after nearly 70 years.\u003c/p>\n\u003cp>“He was the first to kind of come back and publicly say ‘I am Chinese, here is my Chinese restaurant and come and enjoy it,’” D’Souza said. “He did face a lot of discrimination when he came back. A lot of threats, a lot of just people badgering him, telling him to leave and close up shop. And he resisted. He stayed. That was a very courageous thing for him to do.”\u003c/p>\n\u003cp>Chin went on to open multiple restaurants in Eureka despite the hardships he faced. He died in 2019.\u003c/p>\n\u003cp>Today, less than three percent of Humboldt County identifies as Asian American. According to the \u003ca href=\"https://www.census.gov/quickfacts/fact/table/humboldtcountycalifornia,US/RHI425219\">latest census data\u003c/a>, that’s slightly fewer than 4,000 people in the entire county.\u003c/p>\n\u003cp>Some cities, like \u003ca href=\"https://www.kqed.org/news/11890341/san-jose-to-apologize-for-the-1887-burning-of-the-citys-chinatown\">San Jose, are apologizing for destroying Chinatowns\u003c/a> and displacing their residents. D’Souza said Eureka has not taken that action.\u003c/p>\n\u003cp>“We’ve not received a formal apology in terms of the expulsion of 1885 and the decades of discrimination after that,” D’Souza said. “It’s so important to be able to see your culture and your history reflected in your community. And until this mural went up or until the Chinatown project really started, I can’t really say that I felt that way.”\u003c/p>\n\u003cp>She sees the support she’s received from local leaders as a tangible step in the right direction.\u003c/p>\n\u003cfigure id=\"attachment_11892117\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11892117\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/10/Brieanne-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/Brieanne-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/Brieanne-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/Brieanne-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/Brieanne-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/Brieanne-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/10/Brieanne-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brieanne Mirjah D’Souza, project coordinator for the Eureka Chinatown Project, points at a map of Eureka. \u003ccite>(Photo by Héctor Alejandro Arzate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Eureka Chinatown Project plans on establishing a new monument on the block within the next year. They are also working with the city to rename the alley after Charlie Moon. Eventually, they want to implement Chinese history in the local school curriculum. As a new mother, D’Souza said she’s hopeful for what the future holds for her son.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I’m excited for my son to be able to grow up one day and be able to come here and see this,” she said, “to feel included and to be part of the story being told in our community.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Chasing Waterfalls at California's Second-Oldest State Park",
"title": "Chasing Waterfalls at California's Second-Oldest State Park",
"headTitle": "The California Report Magazine | KQED News",
"content": "\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"https://www.kqed.org/news/tag/hidden-gems\">\u003cem>Read more from The California Report Magazine's 'Hidden Gems' series.\u003c/em>\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>The hip-hop and R&B group TLC once famously sang, \"Don't go chasing waterfalls.\" And while the chorus of their 1995 hit single has stuck around, it's hard to follow their wisdom at McArthur-Burney Falls Memorial State Park in Shasta County.\u003c/p>\n\u003cp>It's the second-oldest state park in California and home to a breathtaking 129-foot cascade that draws visitors year-round. Supposedly, former U.S. President Theodore Roosevelt once called this spot the \"Eighth Wonder of the World.\"\u003c/p>\n\u003cfigure id=\"attachment_11886332\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11886332 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5578-800x600.jpg\" alt=\"A brown-and-white state park sign with distances to three trails listed, amid a clearing alongside a trail. \" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5578-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5578-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5578-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5578-1536x1152.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5578-2048x1536.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5578-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A trail sign at McArthur-Burney Falls Memorial State Park. \u003ccite>(Héctor Alejandro Arzate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"This is a very powerful, beautiful place,\" says Marlon Sloan, the park's interpretive specialist. \"It's truly a singularly unique and beautiful place.\"\u003c/p>\n\u003cp>For the past 15 years, it's been Sloan's job to get visitors excited about the falls and surrounding forest. Dressed in khaki shorts and a big smile, he's eager to share a wealth of knowledge about its history and the local wildlife.\u003c/p>\n\u003cp>\"I like meeting the people and being able to entertain and educate them about why the falls are working the way they are — seeing that little light bulb go off as they see the land in a whole new light,\" says Sloan, who was born and raised in the area.\u003c/p>\n\u003cp>He says the falls never stop or slow down. That’s because there’s a constant flow of millions of gallons of water every day, even during drought years, like this one.\u003c/p>\n\u003cp>At the base of the falls is a deep blue pool, and in the air you can see water droplets create rainbows. It also causes a cooling effect on typically hot summer days, when temperatures can rise above 90 degrees.\u003c/p>\n\u003cfigure id=\"attachment_11886438\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11886438 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/Image-from-iOS-2-800x600.jpg\" alt=\"A lush waterfall, with dozens of separate cascades from a green, rocky cliff into a turquoise pool.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/Image-from-iOS-2-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/Image-from-iOS-2-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/Image-from-iOS-2-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/Image-from-iOS-2-1536x1152.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/Image-from-iOS-2-2048x1536.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/Image-from-iOS-2-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Park visitors gather around the base of Burney Falls. \u003ccite>(Héctor Alejandro Arzate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"It's so nice. It’s very hot everywhere and it's very cool here. It's like a refrigerator,\" says Leah Brorstrom, who’s visiting from Sonoma County.\u003c/p>\n\u003cp>The water looks refreshing, and while it may be tempting to go for a swim around the base of the falls, doing so is not allowed. It can be dangerous, and keeping people out is meant to protect some of the species living there.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">These waterfalls are worth chasing! \u003ca href=\"https://t.co/uWm2x1Unzs\">pic.twitter.com/uWm2x1Unzs\u003c/a>\u003c/p>\n\u003cp>— Héctor Alejandro Arzate (@hrzate) \u003ca href=\"https://twitter.com/hrzate/status/1430997860217102336?ref_src=twsrc%5Etfw\">August 26, 2021\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Sloan says wildlife in and around the waterfalls is abundant, including mule deer, porcupines and trout.\u003c/p>\n\u003cfigure id=\"attachment_11886335\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11886335 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG_6665-scaled-e1629929503492-800x1067.jpg\" alt=\"Couple posing in front of falls\" width=\"800\" height=\"1067\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG_6665-scaled-e1629929503492-800x1067.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG_6665-scaled-e1629929503492-1020x1360.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG_6665-scaled-e1629929503492-160x213.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG_6665-scaled-e1629929503492-1152x1536.jpg 1152w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG_6665-scaled-e1629929503492-1536x2048.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG_6665-scaled-e1629929503492.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Reporter Héctor Alejandro Arzate with his wife, Michelle. \u003ccite>(Courtesy of Héctor Alejandro Arzate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"We benefit from having this cool water coming out and in this canyon,\" says Sloan. \"So there are animals living in the canyon that can't live anywhere else, as well as benefiting from that terrific ecology that we're getting from all these different rocks and geologies, too.\"\u003c/p>\n\u003cp>Sloan says bird species are also plentiful in the park's unique ecosystem.\u003c/p>\n\u003cp>[ad fullwidth]\"We're on the bird migratory routes, so there's about 260 different birds you can see in the park,\" he says. \"We've got bald eagles down at the lake, osprey flying overhead. Black swifts migrate in from the main colony, from the coast, to nest behind the falls.\"\u003c/p>\n\u003cp>Sloan says people from all over California and beyond have taken notice of the park in recent years. He thinks it’s because of the pandemic, which has prompted more people to get outdoors.\u003c/p>\n\u003cp>Charisse Hedgebeth, who drove here from Sacramento, says Burney Falls is simply a must-see.\u003c/p>\n\u003cp>\"Well, it's my birthday tomorrow,\" she says. \"So what's a better way than to chase waterfalls for my birthday? This is one of my bucket list items that I can check off now.\"\u003c/p>\n\u003cfigure id=\"attachment_11886334\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11886334 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5584-800x600.jpg\" alt=\"A long, steep concrete stairway in sun, with a rocky hillside on one side and a rock composite wall and trees on the other.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5584-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5584-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5584-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5584-1536x1152.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5584-2048x1536.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5584-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A staircase leading to the base of the waterfalls. \u003ccite>(Photo by Héctor Alejandro Arzate.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The park is located off Highway 89, about six miles north of the town of Burney. It costs $10 per vehicle to get in. Once inside, a paved trail slightly over a quarter-mile long — with multiple stairs — leads visitors to the base of the falls.\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "It's rumored that former U.S. President Theodore Roosevelt once called the 129-foot Burney Falls in Shasta County the \"Eighth Wonder of the World.\" But you don't have to take his word for it.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"https://www.kqed.org/news/tag/hidden-gems\">\u003cem>Read more from The California Report Magazine's 'Hidden Gems' series.\u003c/em>\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>The hip-hop and R&B group TLC once famously sang, \"Don't go chasing waterfalls.\" And while the chorus of their 1995 hit single has stuck around, it's hard to follow their wisdom at McArthur-Burney Falls Memorial State Park in Shasta County.\u003c/p>\n\u003cp>It's the second-oldest state park in California and home to a breathtaking 129-foot cascade that draws visitors year-round. Supposedly, former U.S. President Theodore Roosevelt once called this spot the \"Eighth Wonder of the World.\"\u003c/p>\n\u003cfigure id=\"attachment_11886332\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11886332 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5578-800x600.jpg\" alt=\"A brown-and-white state park sign with distances to three trails listed, amid a clearing alongside a trail. \" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5578-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5578-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5578-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5578-1536x1152.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5578-2048x1536.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5578-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A trail sign at McArthur-Burney Falls Memorial State Park. \u003ccite>(Héctor Alejandro Arzate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"This is a very powerful, beautiful place,\" says Marlon Sloan, the park's interpretive specialist. \"It's truly a singularly unique and beautiful place.\"\u003c/p>\n\u003cp>For the past 15 years, it's been Sloan's job to get visitors excited about the falls and surrounding forest. Dressed in khaki shorts and a big smile, he's eager to share a wealth of knowledge about its history and the local wildlife.\u003c/p>\n\u003cp>\"I like meeting the people and being able to entertain and educate them about why the falls are working the way they are — seeing that little light bulb go off as they see the land in a whole new light,\" says Sloan, who was born and raised in the area.\u003c/p>\n\u003cp>He says the falls never stop or slow down. That’s because there’s a constant flow of millions of gallons of water every day, even during drought years, like this one.\u003c/p>\n\u003cp>At the base of the falls is a deep blue pool, and in the air you can see water droplets create rainbows. It also causes a cooling effect on typically hot summer days, when temperatures can rise above 90 degrees.\u003c/p>\n\u003cfigure id=\"attachment_11886438\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11886438 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/Image-from-iOS-2-800x600.jpg\" alt=\"A lush waterfall, with dozens of separate cascades from a green, rocky cliff into a turquoise pool.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/Image-from-iOS-2-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/Image-from-iOS-2-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/Image-from-iOS-2-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/Image-from-iOS-2-1536x1152.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/Image-from-iOS-2-2048x1536.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/Image-from-iOS-2-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Park visitors gather around the base of Burney Falls. \u003ccite>(Héctor Alejandro Arzate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"It's so nice. It’s very hot everywhere and it's very cool here. It's like a refrigerator,\" says Leah Brorstrom, who’s visiting from Sonoma County.\u003c/p>\n\u003cp>The water looks refreshing, and while it may be tempting to go for a swim around the base of the falls, doing so is not allowed. It can be dangerous, and keeping people out is meant to protect some of the species living there.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">These waterfalls are worth chasing! \u003ca href=\"https://t.co/uWm2x1Unzs\">pic.twitter.com/uWm2x1Unzs\u003c/a>\u003c/p>\n\u003cp>— Héctor Alejandro Arzate (@hrzate) \u003ca href=\"https://twitter.com/hrzate/status/1430997860217102336?ref_src=twsrc%5Etfw\">August 26, 2021\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Sloan says wildlife in and around the waterfalls is abundant, including mule deer, porcupines and trout.\u003c/p>\n\u003cfigure id=\"attachment_11886335\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11886335 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG_6665-scaled-e1629929503492-800x1067.jpg\" alt=\"Couple posing in front of falls\" width=\"800\" height=\"1067\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG_6665-scaled-e1629929503492-800x1067.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG_6665-scaled-e1629929503492-1020x1360.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG_6665-scaled-e1629929503492-160x213.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG_6665-scaled-e1629929503492-1152x1536.jpg 1152w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG_6665-scaled-e1629929503492-1536x2048.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG_6665-scaled-e1629929503492.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Reporter Héctor Alejandro Arzate with his wife, Michelle. \u003ccite>(Courtesy of Héctor Alejandro Arzate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"We benefit from having this cool water coming out and in this canyon,\" says Sloan. \"So there are animals living in the canyon that can't live anywhere else, as well as benefiting from that terrific ecology that we're getting from all these different rocks and geologies, too.\"\u003c/p>\n\u003cp>Sloan says bird species are also plentiful in the park's unique ecosystem.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\"We're on the bird migratory routes, so there's about 260 different birds you can see in the park,\" he says. \"We've got bald eagles down at the lake, osprey flying overhead. Black swifts migrate in from the main colony, from the coast, to nest behind the falls.\"\u003c/p>\n\u003cp>Sloan says people from all over California and beyond have taken notice of the park in recent years. He thinks it’s because of the pandemic, which has prompted more people to get outdoors.\u003c/p>\n\u003cp>Charisse Hedgebeth, who drove here from Sacramento, says Burney Falls is simply a must-see.\u003c/p>\n\u003cp>\"Well, it's my birthday tomorrow,\" she says. \"So what's a better way than to chase waterfalls for my birthday? This is one of my bucket list items that I can check off now.\"\u003c/p>\n\u003cfigure id=\"attachment_11886334\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11886334 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5584-800x600.jpg\" alt=\"A long, steep concrete stairway in sun, with a rocky hillside on one side and a rock composite wall and trees on the other.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5584-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5584-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5584-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5584-1536x1152.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5584-2048x1536.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/IMG-5584-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A staircase leading to the base of the waterfalls. \u003ccite>(Photo by Héctor Alejandro Arzate.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The park is located off Highway 89, about six miles north of the town of Burney. It costs $10 per vehicle to get in. Once inside, a paved trail slightly over a quarter-mile long — with multiple stairs — leads visitors to the base of the falls.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "'Come on Papi, La Vacuna!': A New Arts Campaign Aims to Boost Vaccination Rates in San Joaquin Valley",
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"headTitle": "‘Come on Papi, La Vacuna!’: A New Arts Campaign Aims to Boost Vaccination Rates in San Joaquin Valley | KQED",
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"content": "\u003cp>“Together, so many years,” writes \u003ca href=\"https://www.kqed.org/news/10683695/californias-juan-felipe-herrera-inaugurates-term-as-u-s-poet-laureate\">Juan Felipe Herrera, former U.S. poet laureate\u003c/a>, in his recent poem “\u003ca href=\"https://actaonline.org/wp-content/uploads/2021/06/Tantos-An%CC%83os-Juntos_Bilingual.pdf\">Tantos Años Juntos\u003c/a>,” created to encourage farmworkers to get vaccinated.\u003c/p>\n\u003cp>“I do not want you to leave my side.”\u003c/p>\n\u003cp>Herrera has performed this poem at events throughout the Central Valley as part of a new cultural campaign called ACTAvando Contra COVID that is bringing songs, poems and radio dramas to farmworkers and other Spanish-speaking audiences. It’s a collaboration between the \u003ca href=\"http://actaonline.org\">Alliance for California Traditional Arts\u003c/a> (ACTA) and \u003ca href=\"http://radiobilingue.org/en/\">Radio Bilingüe\u003c/a>, the national Latino public radio network.\u003c/p>\n\u003cp>“Take the vaccine, I do not want you to leave my side,” the poem continues. “Nothing is stronger than our family and our love.”\u003c/p>\n\u003cfigure id=\"attachment_11879938\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11879938 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-scaled.jpg\" alt=\"A person wearing a hat reads a poem and smiles in an open-air space.\" width=\"2560\" height=\"1680\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-800x525.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-1020x669.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-1536x1008.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-2048x1344.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-1920x1260.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Juan Felipe Herrera, former poet laureate of the United States, performs with Los Originarios del Plan at the Madera Flea Market on June 13, 2021. \u003ccite>(Courtesy of Jenn Emerling/ACTA.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Since the beginning of the pandemic, farmworkers throughout the Central Valley have been \u003ca href=\"https://www.cirsinc.org/phocadownload/farmworker_vulnerability_covid-19_research-report_final_villarejo_07-26-2020.pdf\">hard hit by COVID infections\u003c/a>.\u003c/p>\n\u003cp>“The farmworkers had to be out there,” said Hugo Morales, executive director and co-founder of Radio Bilingüe. “Because they had to eat, they had to feed their families. They had to earn an income. \u003cspan style=\"font-weight: 400\">Many of them are undocumented, so there was essentially no assistance for them.”\u003c/span>\u003c/p>\n\u003cp>[pullquote align=\"right\" size=\"medium\" citation=\"Hugo Morales, Radio Bilingüe\"]‘The farmworkers had to be out there … because they had to eat, they had to feed their families. They had to earn an income.’[/pullquote]But the vaccination rate among farmworkers still lags far behind the rest of the state.\u003c/p>\n\u003cp>Nearly\u003ca href=\"https://covid19.ca.gov/vaccination-progress-data/\"> 60% of \u003c/a>Californians are fully vaccinated, but health experts warn that some regions, like the San Joaquin Valley, still have dramatically low vaccination rates. In Kings County, for example, \u003ca href=\"https://covid19.ca.gov/vaccination-progress-data/\">nearly three-quarters of Latino residents have yet to get a shot.\u003c/a>\u003c/p>\n\u003cp>One of the key challenges for boosting vaccinations rates has been the spread of misinformation on social media platforms.\u003c/p>\n\u003cp>Morales explains that the historic mistreatment of migrant workers has led to a mistrust of Western medicine — like when migrants who arrived as part of the Bracero program in the 1950s and 1960s were \u003ca href=\"https://thebraceroprogram.weebly.com/dehumanization.html\">sprayed with DDT.\u003c/a>\u003c/p>\n\u003cp>[aside postID=\"news_10341616\" hero=\"https://ww2.kqed.org/app/uploads/sites/10/2014/09/morenocrop1.jpeg\"]“Unfortunately, [misinformation] plays on the fears,” he said. “There’s a history there that is very concrete.”\u003c/p>\n\u003cp>But Morales and the other organizers of the campaign hope that art can help address these concerns.\u003c/p>\n\u003cp>Along with Herrera, ACTA has commissioned other celebrated artists, like Carmencristina Moreno, known as the \u003ca href=\"https://www.kqed.org/news/10341616/the-chicana-first-lady-of-song\">Chicana First Lady of Song\u003c/a>, who has written original works encouraging vulnerable communities like farmworkers to stay safe by utilizing face masks, washing their hands and getting vaccinated.\u003c/p>\n\u003cp>https://youtu.be/9GFBkDwh9rY\u003c/p>\n\u003cp>The campaign is also relying on musicians with deep ties to the immigrant community, like Leonel Mendoza Acevedo. His acoustic string ensemble, \u003ca href=\"https://www.facebook.com/pages/category/Musician-Band/Originarios-del-Plan-149320349234548/\">Los Originarios del Plan,\u003c/a> has roots in the Mexican state of Michoacán.\u003c/p>\n\u003cp>“When we talked about what kind of song would they compose for this, Leonel immediately said, ‘We should we should use the form of a Valona,’ ” said Amy Kitchener, ACTA’s executive director. “It’s like lyric poetry, for expressing social concerns.”\u003c/p>\n\u003cfigure id=\"attachment_11879939\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11879939 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-scaled.jpg\" alt=\"A band, including a pair of violinists, a harpist and a guitarist, perform on a stage.\" width=\"2560\" height=\"1693\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-800x529.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-1020x675.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-1536x1016.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-2048x1354.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-1920x1270.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Los Originarios del Plan perform at the Madera Flea Market on June 13, 2021. \u003ccite>(Courtesy of Jenn Emerling/ACTA.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mendoza thought it was really important to use the very traditional form from his area because it was a way to call his community into action. “When people hear the Valona, they know I’m talking to them,” he said.\u003c/p>\n\u003cp>“We were all hit by the pandemic, with the death of two good friends,” added Mendoza. “We know how important it is to get vaccinated and we don’t want any more deaths. The longer it takes for us to all get vaccinated, death may be waiting for us around the corner.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=dUR9R09a6wM\u003c/p>\n\u003cp>Meanwhile, artists like \u003ca href=\"https://www.facebook.com/Gruporecreacion\">Grupo Recreación Musical\u003c/a> are increasing messaging to Spanish and Mixteco-speaking communities by writing and composing songs in both languages.\u003c/p>\n\u003cp>“One of the communities that is most vulnerable to this pandemic has been the Indigenous community,” said Morales, a Mixteco immigrant himself who pioneered radio programming in Indigenous languages spoken in Mexico.\u003c/p>\n\u003cp>“Those that are dying under the age of 50 are often Mexican-Americans and Indigenous people,” he said. “So it’s not over for the essential workers.”\u003c/p>\n\u003cfigure id=\"attachment_11879937\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11879937 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014.jpg\" alt=\"A small child gets tested for COVID-19 by a nurse.\" width=\"2000\" height=\"1363\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-800x545.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-1020x695.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-1536x1047.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-1920x1308.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A child being tested for COVID-19 during an ACTAvando Contra COVID event at the Madera Flea Market on June 13, 2021. Visitors could get tested and sign up for vaccines while musicians played. \u003ccite>(Courtesy of Jenn Emerling/ACTA.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Radio drama is another tool artists are using to to get the word out.\u003c/p>\n\u003cp>Former Poet Laureate Herrera wrote and directed “¡Vacúnate Prudencio!,” a radio drama inspired by a weekly radio-comedy program from the 1930s called “La Familia Feliz” in Ciudad Juárez.\u003c/p>\n\u003cp>[aside postID=\"news_10683695\" hero=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/Herrera-1440x1080.jpg\"]“The style is similar to Teatro Campesino, and farmworkers’ theater,” said Herrera. “A beautiful form, because it is so familiar, funny, exaggerated and real all at the same time.”\u003c/p>\n\u003cp>“It’s for the people. With all our love. The actors are from the San Joaquin Valley, my former students. It is an embrace for our communities.”\u003c/p>\n\u003cp>The story follows Prudencio, a father and husband who refuses to get vaccinated out of pride.\u003c/p>\n\u003cp>“He’s fairly sure that he’s so strong,” Kitchener from ACTA explained. “He’s strong like iron and like a tree, like he’s not going to need the vaccine. So his son in middle school comes in and starts to urge him [to get vaccinated] based on his information.”\u003c/p>\n\u003cp>“Come on papi, la vacuna! Just a shot in the arm and a cool mask, dad,” says Prudencio’s son in the story. “Tenemos que usarla, papi.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“Together, so many years,” writes \u003ca href=\"https://www.kqed.org/news/10683695/californias-juan-felipe-herrera-inaugurates-term-as-u-s-poet-laureate\">Juan Felipe Herrera, former U.S. poet laureate\u003c/a>, in his recent poem “\u003ca href=\"https://actaonline.org/wp-content/uploads/2021/06/Tantos-An%CC%83os-Juntos_Bilingual.pdf\">Tantos Años Juntos\u003c/a>,” created to encourage farmworkers to get vaccinated.\u003c/p>\n\u003cp>“I do not want you to leave my side.”\u003c/p>\n\u003cp>Herrera has performed this poem at events throughout the Central Valley as part of a new cultural campaign called ACTAvando Contra COVID that is bringing songs, poems and radio dramas to farmworkers and other Spanish-speaking audiences. It’s a collaboration between the \u003ca href=\"http://actaonline.org\">Alliance for California Traditional Arts\u003c/a> (ACTA) and \u003ca href=\"http://radiobilingue.org/en/\">Radio Bilingüe\u003c/a>, the national Latino public radio network.\u003c/p>\n\u003cp>“Take the vaccine, I do not want you to leave my side,” the poem continues. “Nothing is stronger than our family and our love.”\u003c/p>\n\u003cfigure id=\"attachment_11879938\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11879938 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-scaled.jpg\" alt=\"A person wearing a hat reads a poem and smiles in an open-air space.\" width=\"2560\" height=\"1680\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-800x525.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-1020x669.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-1536x1008.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-2048x1344.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-1920x1260.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Juan Felipe Herrera, former poet laureate of the United States, performs with Los Originarios del Plan at the Madera Flea Market on June 13, 2021. \u003ccite>(Courtesy of Jenn Emerling/ACTA.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Since the beginning of the pandemic, farmworkers throughout the Central Valley have been \u003ca href=\"https://www.cirsinc.org/phocadownload/farmworker_vulnerability_covid-19_research-report_final_villarejo_07-26-2020.pdf\">hard hit by COVID infections\u003c/a>.\u003c/p>\n\u003cp>“The farmworkers had to be out there,” said Hugo Morales, executive director and co-founder of Radio Bilingüe. “Because they had to eat, they had to feed their families. They had to earn an income. \u003cspan style=\"font-weight: 400\">Many of them are undocumented, so there was essentially no assistance for them.”\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "‘The farmworkers had to be out there … because they had to eat, they had to feed their families. They had to earn an income.’",
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"content": "\u003cdiv class=\"post-body\">\u003cp>But the vaccination rate among farmworkers still lags far behind the rest of the state.\u003c/p>\n\u003cp>Nearly\u003ca href=\"https://covid19.ca.gov/vaccination-progress-data/\"> 60% of \u003c/a>Californians are fully vaccinated, but health experts warn that some regions, like the San Joaquin Valley, still have dramatically low vaccination rates. In Kings County, for example, \u003ca href=\"https://covid19.ca.gov/vaccination-progress-data/\">nearly three-quarters of Latino residents have yet to get a shot.\u003c/a>\u003c/p>\n\u003cp>One of the key challenges for boosting vaccinations rates has been the spread of misinformation on social media platforms.\u003c/p>\n\u003cp>Morales explains that the historic mistreatment of migrant workers has led to a mistrust of Western medicine — like when migrants who arrived as part of the Bracero program in the 1950s and 1960s were \u003ca href=\"https://thebraceroprogram.weebly.com/dehumanization.html\">sprayed with DDT.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“Unfortunately, [misinformation] plays on the fears,” he said. “There’s a history there that is very concrete.”\u003c/p>\n\u003cp>But Morales and the other organizers of the campaign hope that art can help address these concerns.\u003c/p>\n\u003cp>Along with Herrera, ACTA has commissioned other celebrated artists, like Carmencristina Moreno, known as the \u003ca href=\"https://www.kqed.org/news/10341616/the-chicana-first-lady-of-song\">Chicana First Lady of Song\u003c/a>, who has written original works encouraging vulnerable communities like farmworkers to stay safe by utilizing face masks, washing their hands and getting vaccinated.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/9GFBkDwh9rY'\n title='//www.youtube.com/embed/9GFBkDwh9rY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The campaign is also relying on musicians with deep ties to the immigrant community, like Leonel Mendoza Acevedo. His acoustic string ensemble, \u003ca href=\"https://www.facebook.com/pages/category/Musician-Band/Originarios-del-Plan-149320349234548/\">Los Originarios del Plan,\u003c/a> has roots in the Mexican state of Michoacán.\u003c/p>\n\u003cp>“When we talked about what kind of song would they compose for this, Leonel immediately said, ‘We should we should use the form of a Valona,’ ” said Amy Kitchener, ACTA’s executive director. “It’s like lyric poetry, for expressing social concerns.”\u003c/p>\n\u003cfigure id=\"attachment_11879939\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11879939 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-scaled.jpg\" alt=\"A band, including a pair of violinists, a harpist and a guitarist, perform on a stage.\" width=\"2560\" height=\"1693\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-800x529.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-1020x675.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-1536x1016.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-2048x1354.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-1920x1270.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Los Originarios del Plan perform at the Madera Flea Market on June 13, 2021. \u003ccite>(Courtesy of Jenn Emerling/ACTA.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mendoza thought it was really important to use the very traditional form from his area because it was a way to call his community into action. “When people hear the Valona, they know I’m talking to them,” he said.\u003c/p>\n\u003cp>“We were all hit by the pandemic, with the death of two good friends,” added Mendoza. “We know how important it is to get vaccinated and we don’t want any more deaths. The longer it takes for us to all get vaccinated, death may be waiting for us around the corner.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dUR9R09a6wM'\n title='//www.youtube.com/embed/dUR9R09a6wM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Meanwhile, artists like \u003ca href=\"https://www.facebook.com/Gruporecreacion\">Grupo Recreación Musical\u003c/a> are increasing messaging to Spanish and Mixteco-speaking communities by writing and composing songs in both languages.\u003c/p>\n\u003cp>“One of the communities that is most vulnerable to this pandemic has been the Indigenous community,” said Morales, a Mixteco immigrant himself who pioneered radio programming in Indigenous languages spoken in Mexico.\u003c/p>\n\u003cp>“Those that are dying under the age of 50 are often Mexican-Americans and Indigenous people,” he said. “So it’s not over for the essential workers.”\u003c/p>\n\u003cfigure id=\"attachment_11879937\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11879937 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014.jpg\" alt=\"A small child gets tested for COVID-19 by a nurse.\" width=\"2000\" height=\"1363\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-800x545.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-1020x695.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-1536x1047.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-1920x1308.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A child being tested for COVID-19 during an ACTAvando Contra COVID event at the Madera Flea Market on June 13, 2021. Visitors could get tested and sign up for vaccines while musicians played. \u003ccite>(Courtesy of Jenn Emerling/ACTA.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Radio drama is another tool artists are using to to get the word out.\u003c/p>\n\u003cp>Former Poet Laureate Herrera wrote and directed “¡Vacúnate Prudencio!,” a radio drama inspired by a weekly radio-comedy program from the 1930s called “La Familia Feliz” in Ciudad Juárez.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“The style is similar to Teatro Campesino, and farmworkers’ theater,” said Herrera. “A beautiful form, because it is so familiar, funny, exaggerated and real all at the same time.”\u003c/p>\n\u003cp>“It’s for the people. With all our love. The actors are from the San Joaquin Valley, my former students. It is an embrace for our communities.”\u003c/p>\n\u003cp>The story follows Prudencio, a father and husband who refuses to get vaccinated out of pride.\u003c/p>\n\u003cp>“He’s fairly sure that he’s so strong,” Kitchener from ACTA explained. “He’s strong like iron and like a tree, like he’s not going to need the vaccine. So his son in middle school comes in and starts to urge him [to get vaccinated] based on his information.”\u003c/p>\n\u003cp>“Come on papi, la vacuna! Just a shot in the arm and a cool mask, dad,” says Prudencio’s son in the story. “Tenemos que usarla, papi.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "a-star-without-a-star-an-oakland-mans-mission-to-get-his-aunt-on-the-hollywood-walk-of-fame",
"title": "‘A Star Without a Star’: An Oakland Man's Mission to Get his Aunt on the Hollywood Walk of Fame",
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"headTitle": "‘A Star Without a Star’: An Oakland Man’s Mission to Get his Aunt on the Hollywood Walk of Fame | KQED",
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"content": "\u003cp>Long before the current reckoning with the Golden Globe Awards and the push for more diverse representation in media, Black actors in Hollywood’s golden age paved the way in an industry that gave them few options and, often, no credit. In her seven-decade stage and screen career, Juanita Moore made more than 80 film and television appearances.\u003c/p>\n\u003cp>Though she was nominated for an Academy Award for her performance in the 1959 film, \u003ca href=\"https://www.imdb.com/title/tt0052918/?ref_=tt_mv_close\">“Imitation of Life,” \u003c/a>she didn’t reach the level of fame and recognition that might normally follow such a nomination. Her nephew, Arnett Moore, says her spotlight is long overdue. [pullquote size=\"medium\" align=\"right\" citation=\"Arnett Moore\"]‘In the ’50s when I was growing up, when you saw a Black person on the TV screen, you got excited. And Juanita was that face you saw again and again and again. You might not know her name, but you knew that she was that person.’[/pullquote]\u003c/p>\n\u003cp>From his home in the Oakland Hills, 75-year-old Arnett has launched a one-man campaign to get his late aunt a star on the Hollywood Walk of Fame. The Hollywood Chamber of Commerce only picks one posthumous candidate each year to get a star. Applications are due by May 28, and this is the third year in a row Arnett has submitted Juanita for consideration.\u003c/p>\n\u003cp>“In the ’50s when I was growing up, when you saw a Black person on the TV screen, you got excited. And Juanita was that face you saw again and again and again,” he says, “You might not know her name, but you knew that she was that person.”\u003c/p>\n\u003cfigure id=\"attachment_11874869\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-Portrait.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11874869 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-Portrait-800x947.jpg\" alt=\"\" width=\"800\" height=\"947\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Portrait-800x947.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Portrait-1020x1207.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Portrait-160x189.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Portrait-1298x1536.jpg 1298w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Portrait-1731x2048.jpg 1731w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Portrait.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Portrait of Juanita Moore. Photo courtesy Arnett Moore \u003ccite>(Courtesy of Arnett Moore)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Juanita was born in Itta Bena, Mississippi, one of seven sisters, and the youngest of nine children, though one of her brothers died in childhood. Her other brother was Arnett’s father. Juanita’s mother moved all the children to Los Angeles around 1921. Her brother, Juanita’s uncle, was a sleeping car porter and was able to get train tickets for the family to come to California.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>While attending Thomas Jefferson High School in Los Angeles, Juanita was part of the glee club, singing and dancing. A teacher saw her perform and suggested that she had the talent to pursue a career on stage. Arnett says she and a friend moved to New York City to do just that.\u003c/p>\n\u003cp>“She was a showgirl at 18 at Small’s Paradise, at the (Cafe Zanzibar), at several venues throughout New York, during the Harlem Renaissance. This is in the thirties.\u003ci>” \u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_11874820\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-Age-18.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11874820 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-Age-18-800x653.jpg\" alt=\"\" width=\"800\" height=\"653\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Age-18-800x653.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Age-18-1020x833.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Age-18-160x131.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Age-18-1536x1255.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Age-18.jpg 1921w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Juanita Moore, around 18 years old, as a Chorus Girl in New York circa 1933. Photo courtesy Arnett Moore \u003ccite>(Courtesy of Arnett Moore)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But soon after, says Arnett, Juanita headed to Europe, “Because Black entertainers weren’t as well received in America as they were in Europe.” She sang at the London Palladium, at the Moulin Rouge, and Arnett says she even had a chance to sing and dance with Josephine Baker, the entertainer and civil rights activist.\u003c/p>\n\u003cfigure id=\"attachment_11874838\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-and-Friend.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11874838 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-and-Friend-800x983.jpg\" alt=\"\" width=\"800\" height=\"983\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-and-Friend-800x983.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-and-Friend-1020x1253.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-and-Friend-160x197.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-and-Friend-1250x1536.jpg 1250w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-and-Friend-1667x2048.jpg 1667w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-and-Friend.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Juanita Moore (right), with a friend, sometime in the early ’30s. Photo courtesy Arnett Moore \u003ccite>(Courtesy of Arnett Moore)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Juanita returned to California after the death of her mother, and it was then that she began to pursue acting. “She started out in, they called it, Black cinema or\u003ca href=\"https://www.npr.org/sections/codeswitch/2016/03/04/469149240/restored-movies-by-african-american-filmmakers-find-new-audiences\"> race movies,\u003c/a>” Arnett says. These were films made by Black filmmakers featuring primary Black casts for Black audiences. “But these were all movies that you aren’t getting credit for, for being a Hollywood star yet.\u003cem>” \u003c/em>\u003c/p>\n\u003cp>Her first appearance in a mainstream movie came in the 1949 film, “Pinky,” in which she had a few lines as a nurse. Many of the roles available to her were based on negative stereotypes, Arnett says.\u003c/p>\n\u003cp>“She once said she was from the boudoir to the jungle,” he says, “In other words, she played a maid to a savage. And that was her early career.” Those were the roles available to Black women at the time, says Arnett, but Juanita had her limits. “One thing she wouldn’t do is play the mammy role or the buffoon roles. She would not do those, and those that did became very successful. But she refused to do those.”\u003c/p>\n\u003cp>It wasn’t until 1959 that Juanita got her big break when she was cast in the drama, “Imitation of Life,” alongside Lana Turner and Susan Kohner. Juanita plays Annie, a woman whose light-skinned daughter rejects her Black identity, to live her life passing as white.\u003c/p>\n\u003cp>https://youtu.be/-_ax1pt8zp0\u003c/p>\n\u003cp>“I remember that it was a very emotional picture,” Arnett says, “I once was asked by a friend of mine who was older, ‘Did you cry during Imitation of Life?’ I said, ‘No!’ I didn’t want him to think I cried. But yes,” Arnett admits, laughing, “I cry even today. And I cried then.”\u003c/p>\n\u003cp>During a 1995 interview with Turner Classic Movies, Juanita Moore remembered what the film’s producer, Ross Hunter, told her when she got the part: “’Juanita,’ he said, ‘I’ve put my neck out for you. If you’re no good, the picture is not gonna be any good.’”\u003c/p>\n\u003cfigure id=\"attachment_11874895\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11874895 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-800x1234.jpg\" alt=\"\" width=\"800\" height=\"1234\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-800x1234.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-1020x1573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-160x247.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-996x1536.jpg 996w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-1328x2048.jpg 1328w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-1920x2960.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-scaled.jpg 1660w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Juanita with Ross Hunter, the producer of ‘Imitation of Life,’ and Sammy Davis Jr. Sammy was a friend of Juanita’s, and stopped by the set for a visit. Photo courtesy Arnett Moore \u003ccite>(Courtesy of Arnett Moore)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“That was significant pressure,” Arnett says, “Because really that was her coming out too. She had been in movies prior to that, playing small parts and some uncredited parts. But this was her opportunity to bust out at 44-years-old.”\u003c/p>\n\u003cp>The film was a success and Juanita received an Academy Awards nomination for Best Supporting Actress. She became the fifth Black actor ever to be nominated for an Oscar. Although she didn’t win, Juanita hoped she would get cast in more leading roles. But the offers never came. She didn’t work for a year after that.\u003c/p>\n\u003cp>“I didn’t want to carry the trays anymore,” recalled Juanita during the 1995 interview. “I knew that was the only kind of job that I was going to get. I knew that, but I did not want to do that. So I don’t know if being nominated helped me or not.”\u003c/p>\n\u003cp>But true to her passion, Juanita never quit acting. She went on to perform in mostly small roles. Her last role was in 2000, as a grandmother in Disney’s “The Kid” with Bruce Willis.\u003c/p>\n\u003cp>She died just before New Year’s Day 2014, at the age of 99.\u003c/p>\n\u003cfigure id=\"attachment_11874843\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-Laughing-1950s.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11874843 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-Laughing-1950s-800x995.jpg\" alt=\"\" width=\"800\" height=\"995\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Juanita Moore in the 1950s. Photo courtesy Arnett Moore\u003c/figcaption>\u003c/figure>\n\u003cp>Arnett says his aunt never talked much about her career when he was a kid growing up in LA.[aside tag=\"hollywood, golden globes\" label=\"More Hollywood Stories\"] He’s had to uncover much of her professional history himself after her death, including digging up hundreds of photos. A three-inch-thick binder holds much of the information he’s found about his aunt, and many family photos too. Framed portraits of her sit in his living room. His affection and admiration for her is clear.\u003c/p>\n\u003cp>“I’m very proud of her,” he says, “She had a lot of obstacles, the biggest one being racism … she’s a star without a star.”\u003c/p>\n\u003cp>Arnett recalls a conversation he had with Juanita just a few months before her death.\u003c/p>\n\u003cp>“I said, Nita, do you want a star on the Hollywood Walk of Fame? And she says, ‘If you think I deserve one, baby.’ From that point on, I did everything I could to look and research and see how she could earn a star on the Hollywood Walk of Fame.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Arnett says he’s mostly optimistic. If Juanita isn’t selected this time around, he says he’ll keep trying until she gets her star.\u003c/p>\n\n",
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"title": "‘A Star Without a Star’: An Oakland Man's Mission to Get his Aunt on the Hollywood Walk of Fame | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Long before the current reckoning with the Golden Globe Awards and the push for more diverse representation in media, Black actors in Hollywood’s golden age paved the way in an industry that gave them few options and, often, no credit. In her seven-decade stage and screen career, Juanita Moore made more than 80 film and television appearances.\u003c/p>\n\u003cp>Though she was nominated for an Academy Award for her performance in the 1959 film, \u003ca href=\"https://www.imdb.com/title/tt0052918/?ref_=tt_mv_close\">“Imitation of Life,” \u003c/a>she didn’t reach the level of fame and recognition that might normally follow such a nomination. Her nephew, Arnett Moore, says her spotlight is long overdue. \u003c/p>\u003c/div>",
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"content": "‘In the ’50s when I was growing up, when you saw a Black person on the TV screen, you got excited. And Juanita was that face you saw again and again and again. You might not know her name, but you knew that she was that person.’",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>From his home in the Oakland Hills, 75-year-old Arnett has launched a one-man campaign to get his late aunt a star on the Hollywood Walk of Fame. The Hollywood Chamber of Commerce only picks one posthumous candidate each year to get a star. Applications are due by May 28, and this is the third year in a row Arnett has submitted Juanita for consideration.\u003c/p>\n\u003cp>“In the ’50s when I was growing up, when you saw a Black person on the TV screen, you got excited. And Juanita was that face you saw again and again and again,” he says, “You might not know her name, but you knew that she was that person.”\u003c/p>\n\u003cfigure id=\"attachment_11874869\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-Portrait.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11874869 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-Portrait-800x947.jpg\" alt=\"\" width=\"800\" height=\"947\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Portrait-800x947.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Portrait-1020x1207.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Portrait-160x189.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Portrait-1298x1536.jpg 1298w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Portrait-1731x2048.jpg 1731w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Portrait.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Portrait of Juanita Moore. Photo courtesy Arnett Moore \u003ccite>(Courtesy of Arnett Moore)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Juanita was born in Itta Bena, Mississippi, one of seven sisters, and the youngest of nine children, though one of her brothers died in childhood. Her other brother was Arnett’s father. Juanita’s mother moved all the children to Los Angeles around 1921. Her brother, Juanita’s uncle, was a sleeping car porter and was able to get train tickets for the family to come to California.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>While attending Thomas Jefferson High School in Los Angeles, Juanita was part of the glee club, singing and dancing. A teacher saw her perform and suggested that she had the talent to pursue a career on stage. Arnett says she and a friend moved to New York City to do just that.\u003c/p>\n\u003cp>“She was a showgirl at 18 at Small’s Paradise, at the (Cafe Zanzibar), at several venues throughout New York, during the Harlem Renaissance. This is in the thirties.\u003ci>” \u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_11874820\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-Age-18.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11874820 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-Age-18-800x653.jpg\" alt=\"\" width=\"800\" height=\"653\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Age-18-800x653.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Age-18-1020x833.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Age-18-160x131.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Age-18-1536x1255.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-Age-18.jpg 1921w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Juanita Moore, around 18 years old, as a Chorus Girl in New York circa 1933. Photo courtesy Arnett Moore \u003ccite>(Courtesy of Arnett Moore)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But soon after, says Arnett, Juanita headed to Europe, “Because Black entertainers weren’t as well received in America as they were in Europe.” She sang at the London Palladium, at the Moulin Rouge, and Arnett says she even had a chance to sing and dance with Josephine Baker, the entertainer and civil rights activist.\u003c/p>\n\u003cfigure id=\"attachment_11874838\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-and-Friend.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11874838 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-and-Friend-800x983.jpg\" alt=\"\" width=\"800\" height=\"983\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-and-Friend-800x983.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-and-Friend-1020x1253.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-and-Friend-160x197.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-and-Friend-1250x1536.jpg 1250w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-and-Friend-1667x2048.jpg 1667w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-and-Friend.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Juanita Moore (right), with a friend, sometime in the early ’30s. Photo courtesy Arnett Moore \u003ccite>(Courtesy of Arnett Moore)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Juanita returned to California after the death of her mother, and it was then that she began to pursue acting. “She started out in, they called it, Black cinema or\u003ca href=\"https://www.npr.org/sections/codeswitch/2016/03/04/469149240/restored-movies-by-african-american-filmmakers-find-new-audiences\"> race movies,\u003c/a>” Arnett says. These were films made by Black filmmakers featuring primary Black casts for Black audiences. “But these were all movies that you aren’t getting credit for, for being a Hollywood star yet.\u003cem>” \u003c/em>\u003c/p>\n\u003cp>Her first appearance in a mainstream movie came in the 1949 film, “Pinky,” in which she had a few lines as a nurse. Many of the roles available to her were based on negative stereotypes, Arnett says.\u003c/p>\n\u003cp>“She once said she was from the boudoir to the jungle,” he says, “In other words, she played a maid to a savage. And that was her early career.” Those were the roles available to Black women at the time, says Arnett, but Juanita had her limits. “One thing she wouldn’t do is play the mammy role or the buffoon roles. She would not do those, and those that did became very successful. But she refused to do those.”\u003c/p>\n\u003cp>It wasn’t until 1959 that Juanita got her big break when she was cast in the drama, “Imitation of Life,” alongside Lana Turner and Susan Kohner. Juanita plays Annie, a woman whose light-skinned daughter rejects her Black identity, to live her life passing as white.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-_ax1pt8zp0'\n title='//www.youtube.com/embed/-_ax1pt8zp0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“I remember that it was a very emotional picture,” Arnett says, “I once was asked by a friend of mine who was older, ‘Did you cry during Imitation of Life?’ I said, ‘No!’ I didn’t want him to think I cried. But yes,” Arnett admits, laughing, “I cry even today. And I cried then.”\u003c/p>\n\u003cp>During a 1995 interview with Turner Classic Movies, Juanita Moore remembered what the film’s producer, Ross Hunter, told her when she got the part: “’Juanita,’ he said, ‘I’ve put my neck out for you. If you’re no good, the picture is not gonna be any good.’”\u003c/p>\n\u003cfigure id=\"attachment_11874895\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11874895 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-800x1234.jpg\" alt=\"\" width=\"800\" height=\"1234\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-800x1234.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-1020x1573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-160x247.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-996x1536.jpg 996w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-1328x2048.jpg 1328w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-1920x2960.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/05/Juanita-with-Ross-and-Sammy-scaled.jpg 1660w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Juanita with Ross Hunter, the producer of ‘Imitation of Life,’ and Sammy Davis Jr. Sammy was a friend of Juanita’s, and stopped by the set for a visit. Photo courtesy Arnett Moore \u003ccite>(Courtesy of Arnett Moore)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“That was significant pressure,” Arnett says, “Because really that was her coming out too. She had been in movies prior to that, playing small parts and some uncredited parts. But this was her opportunity to bust out at 44-years-old.”\u003c/p>\n\u003cp>The film was a success and Juanita received an Academy Awards nomination for Best Supporting Actress. She became the fifth Black actor ever to be nominated for an Oscar. Although she didn’t win, Juanita hoped she would get cast in more leading roles. But the offers never came. She didn’t work for a year after that.\u003c/p>\n\u003cp>“I didn’t want to carry the trays anymore,” recalled Juanita during the 1995 interview. “I knew that was the only kind of job that I was going to get. I knew that, but I did not want to do that. So I don’t know if being nominated helped me or not.”\u003c/p>\n\u003cp>But true to her passion, Juanita never quit acting. She went on to perform in mostly small roles. Her last role was in 2000, as a grandmother in Disney’s “The Kid” with Bruce Willis.\u003c/p>\n\u003cp>She died just before New Year’s Day 2014, at the age of 99.\u003c/p>\n\u003cfigure id=\"attachment_11874843\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-Laughing-1950s.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11874843 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/Juanita-Laughing-1950s-800x995.jpg\" alt=\"\" width=\"800\" height=\"995\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Juanita Moore in the 1950s. Photo courtesy Arnett Moore\u003c/figcaption>\u003c/figure>\n\u003cp>Arnett says his aunt never talked much about her career when he was a kid growing up in LA.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp> He’s had to uncover much of her professional history himself after her death, including digging up hundreds of photos. A three-inch-thick binder holds much of the information he’s found about his aunt, and many family photos too. Framed portraits of her sit in his living room. His affection and admiration for her is clear.\u003c/p>\n\u003cp>“I’m very proud of her,” he says, “She had a lot of obstacles, the biggest one being racism … she’s a star without a star.”\u003c/p>\n\u003cp>Arnett recalls a conversation he had with Juanita just a few months before her death.\u003c/p>\n\u003cp>“I said, Nita, do you want a star on the Hollywood Walk of Fame? And she says, ‘If you think I deserve one, baby.’ From that point on, I did everything I could to look and research and see how she could earn a star on the Hollywood Walk of Fame.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Arnett says he’s mostly optimistic. If Juanita isn’t selected this time around, he says he’ll keep trying until she gets her star.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>There’s formal power, the kind you can get by winning an election or being appointed CEO of a company, and then there’s also informal power, the kind that can be asserted on your own.\u003c/p>\n\u003cp>Aarti Shahani thinks power sits deep inside each one of us. It can be like a volcano, dormant most of the time, but brimming with energy. [pullquote size=\"medium\" align=\"right\" citation=\"Aarti Shahani, journalist and podcast host\"]‘I felt like when I first came into news, I was hiding who I was because I felt like I am only going to make it in this competitive industry if I whitewash myself.’[/pullquote]\u003c/p>\n\u003cp>“That kind of power is in everyone,” said Shahani, a former KQED and NPR reporter. “It just depends on how — and when — you let yourself erupt.”\u003c/p>\n\u003cp>Shahani’s new podcast, \u003ca href=\"https://podcasts.apple.com/us/podcast/art-of-power/id1557529681\" target=\"_blank\" rel=\"noopener noreferrer\">Art of Power\u003c/a> focuses on interviews about what power means to different kinds of leaders, from elected officials to artists and community organizers, and how they’ve been able to tap into it, to create change in the world.\u003c/p>\n\u003cfigure id=\"attachment_11871853\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/04/ArtofPower-Final_1920.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11871853 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/04/ArtofPower-Final_1920-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/ArtofPower-Final_1920-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/ArtofPower-Final_1920-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/ArtofPower-Final_1920-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/ArtofPower-Final_1920-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/ArtofPower-Final_1920.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Art of Power, is Aarti Shahani’s new podcast (Image courtesy of WBEZ Chicago)\u003c/figcaption>\u003c/figure>\n\u003cp>Shahani’s understanding of power, and who wields it, was shaped by her youth as an undocumented kid and the daughter of working-class Indian immigrants. When her father faced deportation as a teenager, it changed her life.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>She became a fighter, a community organizer, and eventually, a journalist. “I’ve gotten to experience what it’s like to vie for power when you’re excluded [by design],” Shahani said. “I spent a lot of my young life being part of the ‘powerless.’ The obsession with the practice of power, started very much out of family necessity and survival.”\u003c/p>\n\u003cp>She spent her twenties as an activist, meeting a lot of jailhouse lawyers, and in her thirties, she said she was curious to meet the architects of artificial intelligence. As she said, these tech powers are “temperamentally very different from jailhouse lawyers. But what they share is intensity.”\u003c/p>\n\u003cp>Later on, as NPR’s Silicon Valley correspondent, Shahani frequently alerted listeners to mega breaches and hacks, reminding them to change their passwords, among other things. “I lovingly, but comedically refer to that chapter of my life as being the Indian IT lady,” laughed Shahani.\u003c/p>\n\u003cfigure id=\"attachment_11871858\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/04/NPR-Portrait.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11871858 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/04/NPR-Portrait-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/NPR-Portrait-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/NPR-Portrait-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/NPR-Portrait-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/NPR-Portrait-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/NPR-Portrait.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">‘It’s unfortunate that my way into the industry was playing into stereotypes that people around me had,’ Shahani told KQED. \u003ccite>(Courtesy of Aarti Shahani)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s unfortunate that my way into the industry was playing into stereotypes that people around me had,” Shahani said. “I felt like when I first came into news, I was hiding who I was because I felt like I am only going to make it in this competitive industry if I whitewash myself.”\u003c/p>\n\u003cp>Shahani was in the room when Elon Musk introduced the self-driving Tesla. During her time as a Silicon Valley reporter she had access to many big names. “My access to power, capital P, exploded and I just became a student of how it functions,” she said.\u003c/p>\n\u003cp>Shahani decided to share more of her own personal story in 2019, publishing \u003ca href=\"https://www.powells.com/book/here-we-are-american-dreams-american-nightmares-9781250204752\" target=\"_blank\" rel=\"noopener noreferrer\">Here We Are: American Dreams, American Nightmares\u003c/a>. The book is a memoir about the saga her family endured when her father’s electronics store was caught up in a sting targeting members of the Colombian Cali Cartel in the mid-1990s. Her father found himself facing deportation orders under a Clinton-era law that expanded the definition of deportable offenses for longtime green card holders.\u003c/p>\n\u003cp>After publishing the book, she said some South Asian Americans have asked her, “‘How did you feel writing about the skeletons in your family’s closet, the dirty laundry?’ Part of the burden of being a ‘model minority’ is that you have to be a model,” she said. “You’re not supposed to talk about family problems.” However, with so few examples of what modern migrants experience in the deportation system, she wanted to use her own story, “I just felt like, let me just do a true case study,” she said.\u003c/p>\n\u003cp>On her podcast, Shahani pushes her guests to talk about the ways their path to power may be unconventional, or unexpected. During one episode, she asked U.S. Surgeon General Vivek Murthy about his winding journey to becoming the nation’s top doctor.\u003c/p>\n\u003cp>Murthy told her about a moment as a college student when he was helping with HIV/AIDS education in India, standing in front of a group of students at an assembly.\u003c/p>\n\u003cp>“I felt this energy sort of rising like off my spine,” Murthy told Shahani. “It felt like this surreal but incredibly powerful moment of deep connection,” he said. He came out of that experience with a clearer sense of what he wanted to experience in life. “I want to work on things where I feel such a sense of flow that I feel like the universe is conspiring to help me and to guide me,” Murthy said.\u003c/p>\n\u003cp>Shahani believes every human who achieves extraordinary things has some sort of deep primal, emotional, or spiritual drive. But this moment in her interview with Murthy left her shaken. “Here we’ve got the top dog in medicine talking about his spiritual awakening. And I’m like, ‘Thank you. Now, I think I actually understand you.’ I’m proud that we have a show where people are delving deeper into themselves,” she said. [aside tag=\"migration\" label=\"More Related Stories\"]\u003c/p>\n\u003cp>Another episode of Art of Power features Carol Moseley Braun, the first Black woman elected to the U.S. Senate. “Look at the possibilities, not the limitations, because if you look at the limitations, you will not try anything new,” Moseley Braun told Shahani, “you’ll intimidate yourself and you’ll tell yourself no. And that is not how the world changes.”\u003c/p>\n\u003cp>Moseley Braun explained both what it takes to be the first — what it takes to break a glass ceiling, as well as “how it will cut you,” Shahani said.\u003c/p>\n\u003cp>Through her show, Shahani wants her audience to rethink deeply engrained concepts of power. She’s starting by taking to task the American myth of ‘picking yourself up by the bootstraps.’\u003c/p>\n\u003cp>Using her own position as a reference point, Shahani asks, “What does the conversation, about entrepreneurship look like when it’s hosted by the white guy who comes from a well-to-do family versus when it’s hosted by the woman of color who comes from a poor family?”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>She said when someone tells her, “‘I just built this thing out of my parents’ garage,’ I don’t think, ‘Oh wow, you just bootstrapped it all by yourself,’ I think, ‘Oh, your parents had a garage. What else do they have that they gave you?'”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There’s formal power, the kind you can get by winning an election or being appointed CEO of a company, and then there’s also informal power, the kind that can be asserted on your own.\u003c/p>\n\u003cp>Aarti Shahani thinks power sits deep inside each one of us. It can be like a volcano, dormant most of the time, but brimming with energy. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“That kind of power is in everyone,” said Shahani, a former KQED and NPR reporter. “It just depends on how — and when — you let yourself erupt.”\u003c/p>\n\u003cp>Shahani’s new podcast, \u003ca href=\"https://podcasts.apple.com/us/podcast/art-of-power/id1557529681\" target=\"_blank\" rel=\"noopener noreferrer\">Art of Power\u003c/a> focuses on interviews about what power means to different kinds of leaders, from elected officials to artists and community organizers, and how they’ve been able to tap into it, to create change in the world.\u003c/p>\n\u003cfigure id=\"attachment_11871853\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/04/ArtofPower-Final_1920.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11871853 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/04/ArtofPower-Final_1920-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/ArtofPower-Final_1920-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/ArtofPower-Final_1920-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/ArtofPower-Final_1920-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/ArtofPower-Final_1920-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/ArtofPower-Final_1920.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Art of Power, is Aarti Shahani’s new podcast (Image courtesy of WBEZ Chicago)\u003c/figcaption>\u003c/figure>\n\u003cp>Shahani’s understanding of power, and who wields it, was shaped by her youth as an undocumented kid and the daughter of working-class Indian immigrants. When her father faced deportation as a teenager, it changed her life.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>She became a fighter, a community organizer, and eventually, a journalist. “I’ve gotten to experience what it’s like to vie for power when you’re excluded [by design],” Shahani said. “I spent a lot of my young life being part of the ‘powerless.’ The obsession with the practice of power, started very much out of family necessity and survival.”\u003c/p>\n\u003cp>She spent her twenties as an activist, meeting a lot of jailhouse lawyers, and in her thirties, she said she was curious to meet the architects of artificial intelligence. As she said, these tech powers are “temperamentally very different from jailhouse lawyers. But what they share is intensity.”\u003c/p>\n\u003cp>Later on, as NPR’s Silicon Valley correspondent, Shahani frequently alerted listeners to mega breaches and hacks, reminding them to change their passwords, among other things. “I lovingly, but comedically refer to that chapter of my life as being the Indian IT lady,” laughed Shahani.\u003c/p>\n\u003cfigure id=\"attachment_11871858\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/04/NPR-Portrait.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11871858 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/04/NPR-Portrait-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/NPR-Portrait-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/NPR-Portrait-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/NPR-Portrait-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/NPR-Portrait-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/04/NPR-Portrait.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">‘It’s unfortunate that my way into the industry was playing into stereotypes that people around me had,’ Shahani told KQED. \u003ccite>(Courtesy of Aarti Shahani)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s unfortunate that my way into the industry was playing into stereotypes that people around me had,” Shahani said. “I felt like when I first came into news, I was hiding who I was because I felt like I am only going to make it in this competitive industry if I whitewash myself.”\u003c/p>\n\u003cp>Shahani was in the room when Elon Musk introduced the self-driving Tesla. During her time as a Silicon Valley reporter she had access to many big names. “My access to power, capital P, exploded and I just became a student of how it functions,” she said.\u003c/p>\n\u003cp>Shahani decided to share more of her own personal story in 2019, publishing \u003ca href=\"https://www.powells.com/book/here-we-are-american-dreams-american-nightmares-9781250204752\" target=\"_blank\" rel=\"noopener noreferrer\">Here We Are: American Dreams, American Nightmares\u003c/a>. The book is a memoir about the saga her family endured when her father’s electronics store was caught up in a sting targeting members of the Colombian Cali Cartel in the mid-1990s. Her father found himself facing deportation orders under a Clinton-era law that expanded the definition of deportable offenses for longtime green card holders.\u003c/p>\n\u003cp>After publishing the book, she said some South Asian Americans have asked her, “‘How did you feel writing about the skeletons in your family’s closet, the dirty laundry?’ Part of the burden of being a ‘model minority’ is that you have to be a model,” she said. “You’re not supposed to talk about family problems.” However, with so few examples of what modern migrants experience in the deportation system, she wanted to use her own story, “I just felt like, let me just do a true case study,” she said.\u003c/p>\n\u003cp>On her podcast, Shahani pushes her guests to talk about the ways their path to power may be unconventional, or unexpected. 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But this moment in her interview with Murthy left her shaken. “Here we’ve got the top dog in medicine talking about his spiritual awakening. And I’m like, ‘Thank you. Now, I think I actually understand you.’ I’m proud that we have a show where people are delving deeper into themselves,” she said. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Another episode of Art of Power features Carol Moseley Braun, the first Black woman elected to the U.S. Senate. “Look at the possibilities, not the limitations, because if you look at the limitations, you will not try anything new,” Moseley Braun told Shahani, “you’ll intimidate yourself and you’ll tell yourself no. And that is not how the world changes.”\u003c/p>\n\u003cp>Moseley Braun explained both what it takes to be the first — what it takes to break a glass ceiling, as well as “how it will cut you,” Shahani said.\u003c/p>\n\u003cp>Through her show, Shahani wants her audience to rethink deeply engrained concepts of power. She’s starting by taking to task the American myth of ‘picking yourself up by the bootstraps.’\u003c/p>\n\u003cp>Using her own position as a reference point, Shahani asks, “What does the conversation, about entrepreneurship look like when it’s hosted by the white guy who comes from a well-to-do family versus when it’s hosted by the woman of color who comes from a poor family?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "‘Everybody’s Hoping to See You at Their Door’: Lila Downs Honors Essential Workers Through Song",
"title": "‘Everybody’s Hoping to See You at Their Door’: Lila Downs Honors Essential Workers Through Song",
"headTitle": "The California Report Magazine | KQED News",
"content": "\u003cp>It's been more than a year since the pandemic began. And while some Californians are looking back at a year of working from home and ordering groceries online, essential workers are marking a year of risking their lives to stock grocery shelves, work in restaurant kitchens or to harvest crops. And COVID-19 has taken an especially heavy toll on migrant farmworkers in the state.\u003c/p>\n\u003cp>\"This time has been more difficult,\" says Nicolasa González, an Indigenous Mixteca farmworker who lives in Fresno. \"We need to protect ourselves, but some of my co-workers have gotten sick.\"\u003c/p>\n\u003cp>Like González, musician Lila Downs has Indigenous roots in the Mexican state of Oaxaca. She's released a new song to honor essential workers called “Dark Eyes.\" The lyrics reflect on people locked inside their homes who are \"waiting for the dark eyes outside\" to deliver food and packages, saying \"everybody's hoping to see you at their door.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=bdC2gE3SNWw\u003c/p>\n\u003cp>“You see the harsh way that sometimes people are treated in the U.S.,” Downs \u003ca href=\"https://www.npr.org/2021/01/20/958437186/lila-downs-new-song-is-about-indigenous-workers-invisible-labor\">told NPR in a recent interview\u003c/a>. “There still is a lot of discrimination and racism, and it's a difficult thing to face, especially when they are the people who are providing our food.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Proceeds from the song will benefit the \u003ca href=\"https://www.centrobinacional.org\">Centro Binacional para el Desarrollo Indígena Oaxaqueño\u003c/a> (CBDIO), a nonprofit based in Fresno that advocates for Indigenous migrant communities living throughout the Central Valley and Central Coast.\u003c/p>\n\u003cp>Sarait Martinez, CBDIO's executive director, says Indigenous immigrants from Oaxaca are crucial to the agriculture industry and keeping California fed.\u003c/p>\n\u003cp>“It’s not a coincidence that [Indigenous people] work in agriculture, because we know how to take care of the land and produce our food,” says Martinez, who is Zapoteca. “It’s because of [farmworkers] that we continue to have food on our tables.”\u003c/p>\n\u003cfigure id=\"attachment_11866139\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11866139\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/03/03-800x537.jpg\" alt=\"\" width=\"800\" height=\"537\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/03/03-800x537.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/03-1020x685.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/03-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/03-1536x1031.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/03-2048x1374.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/03-1920x1289.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Manuel Ortiz’s hands show a lifetime of work. Ortiz came to the U.S. from Mexico as a bracero in the late 1950s, and spent decades working on farms in California and Washington. \u003ccite>(David Bacon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Still, farmworkers like González worry about getting sick on the job and losing wages as a result.\u003c/p>\n\u003cp>\"If that happens to me, how will I make enough to pay rent?\" says González, who harvests bell peppers and table grapes each season.\u003c/p>\n\u003cp>According to a \u003ca href=\"https://www.cirsinc.org/phocadownload/farmworker_vulnerability_covid-19_research-report_final_villarejo_07-26-2020.pdf\">study last year by the California Institute for Rural Studies\u003c/a>, agricultural workers in Monterey County were infected by COVID-19 at rates three times higher than non-agricultural workers. Meanwhile, \u003ca href=\"https://cerch.berkeley.edu/sites/default/files/ucb_csvs_white_paper_12_01_20_final_compressed.pdf\">a study from UC Berkeley\u003c/a> that followed 1,091 participants in the Salinas Valley found that farmworkers with lower levels of education or who spoke an Indigenous language had a higher test positivity rate of 23% for COVID-19.\u003c/p>\n\u003cp>Martinez says that language accessibility is key to keeping people safe. Proceeds from the song have helped CBDIO provide workers with information on testing and vaccine sites, in Indigenous languages like Zapoteco and Mixteco.\u003c/p>\n\u003cfigure id=\"attachment_11866140\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11866140\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/03/02-800x537.jpg\" alt=\"\" width=\"800\" height=\"537\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/03/02-800x537.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/02-1020x685.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/02-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/02-1536x1031.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/02-2048x1374.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/02-1920x1289.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A farmworker named Petra tosses the pluots into a bag held on her shoulders by a harness. When the bag is full, it can weigh 40 to 50 pounds. In July, the temperature rises to over 105 degrees. It seems counterintuitive, but farmworkers dress in multiple layers of clothing because it provides insulation from the heat. \u003ccite>(David Bacon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“When you think of farmworkers, you think of folks that speak Spanish,\" Martinez said. \"But Indigenous farmworkers have very different linguistic and cultural needs that we keep forgetting about. The song really helps us to bring visibility to our work.”\u003c/p>\n\u003cp>Martinez attributes the high COVID-19 rates for farmworkers to factors like substandard housing, a lack of reliable transportation and the exploitation of undocumented workers.\u003c/p>\n\u003cp>“I’m really hoping that as we go through the pandemic, we reflect on [working conditions],” Martinez says. “And really paint not only us as farmworkers as heroes, but [also people who deserve] respect and dignity. And that that translates into adequate policies that ensure that we have a living wage for farmworkers and full labor rights at the workplace.”\u003c/p>\n\u003cfigure id=\"attachment_11866141\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11866141\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/03/01-800x537.jpg\" alt=\"\" width=\"800\" height=\"537\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/03/01-800x537.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/01-1020x685.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/01-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/01-1536x1031.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/01-2048x1374.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/01-1920x1289.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Erika, a farmworker in Tulare County, California, carries her ladder from one row of pluot trees to the next. The ladder weighs about 30 pounds. \u003ccite>(David Bacon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With the help of proceeds from \"Dark Eyes,\" and a partnership with local counties, the CBDIO has provided some essential workers with direct financial relief checks of $500 each.\u003c/p>\n\u003cp>Martinez says that some families are using the money to cover hours lost from work if they need to quarantine or to support their kids' expenses during virtual school.\u003c/p>\n\u003cp>For González, who pays about $600 for rent each month, the fund has put food on the table during the offseason.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"I was able to pay rent and buy food, that what's helped me the most,\" González says. \"God bless them for supporting us and helping us.\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It's been more than a year since the pandemic began. And while some Californians are looking back at a year of working from home and ordering groceries online, essential workers are marking a year of risking their lives to stock grocery shelves, work in restaurant kitchens or to harvest crops. And COVID-19 has taken an especially heavy toll on migrant farmworkers in the state.\u003c/p>\n\u003cp>\"This time has been more difficult,\" says Nicolasa González, an Indigenous Mixteca farmworker who lives in Fresno. \"We need to protect ourselves, but some of my co-workers have gotten sick.\"\u003c/p>\n\u003cp>Like González, musician Lila Downs has Indigenous roots in the Mexican state of Oaxaca. She's released a new song to honor essential workers called “Dark Eyes.\" The lyrics reflect on people locked inside their homes who are \"waiting for the dark eyes outside\" to deliver food and packages, saying \"everybody's hoping to see you at their door.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/bdC2gE3SNWw'\n title='//www.youtube.com/embed/bdC2gE3SNWw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“You see the harsh way that sometimes people are treated in the U.S.,” Downs \u003ca href=\"https://www.npr.org/2021/01/20/958437186/lila-downs-new-song-is-about-indigenous-workers-invisible-labor\">told NPR in a recent interview\u003c/a>. “There still is a lot of discrimination and racism, and it's a difficult thing to face, especially when they are the people who are providing our food.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Proceeds from the song will benefit the \u003ca href=\"https://www.centrobinacional.org\">Centro Binacional para el Desarrollo Indígena Oaxaqueño\u003c/a> (CBDIO), a nonprofit based in Fresno that advocates for Indigenous migrant communities living throughout the Central Valley and Central Coast.\u003c/p>\n\u003cp>Sarait Martinez, CBDIO's executive director, says Indigenous immigrants from Oaxaca are crucial to the agriculture industry and keeping California fed.\u003c/p>\n\u003cp>“It’s not a coincidence that [Indigenous people] work in agriculture, because we know how to take care of the land and produce our food,” says Martinez, who is Zapoteca. “It’s because of [farmworkers] that we continue to have food on our tables.”\u003c/p>\n\u003cfigure id=\"attachment_11866139\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11866139\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/03/03-800x537.jpg\" alt=\"\" width=\"800\" height=\"537\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/03/03-800x537.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/03-1020x685.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/03-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/03-1536x1031.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/03-2048x1374.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/03-1920x1289.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Manuel Ortiz’s hands show a lifetime of work. Ortiz came to the U.S. from Mexico as a bracero in the late 1950s, and spent decades working on farms in California and Washington. \u003ccite>(David Bacon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Still, farmworkers like González worry about getting sick on the job and losing wages as a result.\u003c/p>\n\u003cp>\"If that happens to me, how will I make enough to pay rent?\" says González, who harvests bell peppers and table grapes each season.\u003c/p>\n\u003cp>According to a \u003ca href=\"https://www.cirsinc.org/phocadownload/farmworker_vulnerability_covid-19_research-report_final_villarejo_07-26-2020.pdf\">study last year by the California Institute for Rural Studies\u003c/a>, agricultural workers in Monterey County were infected by COVID-19 at rates three times higher than non-agricultural workers. Meanwhile, \u003ca href=\"https://cerch.berkeley.edu/sites/default/files/ucb_csvs_white_paper_12_01_20_final_compressed.pdf\">a study from UC Berkeley\u003c/a> that followed 1,091 participants in the Salinas Valley found that farmworkers with lower levels of education or who spoke an Indigenous language had a higher test positivity rate of 23% for COVID-19.\u003c/p>\n\u003cp>Martinez says that language accessibility is key to keeping people safe. Proceeds from the song have helped CBDIO provide workers with information on testing and vaccine sites, in Indigenous languages like Zapoteco and Mixteco.\u003c/p>\n\u003cfigure id=\"attachment_11866140\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11866140\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/03/02-800x537.jpg\" alt=\"\" width=\"800\" height=\"537\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/03/02-800x537.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/02-1020x685.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/02-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/02-1536x1031.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/02-2048x1374.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/02-1920x1289.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A farmworker named Petra tosses the pluots into a bag held on her shoulders by a harness. When the bag is full, it can weigh 40 to 50 pounds. In July, the temperature rises to over 105 degrees. It seems counterintuitive, but farmworkers dress in multiple layers of clothing because it provides insulation from the heat. \u003ccite>(David Bacon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“When you think of farmworkers, you think of folks that speak Spanish,\" Martinez said. \"But Indigenous farmworkers have very different linguistic and cultural needs that we keep forgetting about. The song really helps us to bring visibility to our work.”\u003c/p>\n\u003cp>Martinez attributes the high COVID-19 rates for farmworkers to factors like substandard housing, a lack of reliable transportation and the exploitation of undocumented workers.\u003c/p>\n\u003cp>“I’m really hoping that as we go through the pandemic, we reflect on [working conditions],” Martinez says. “And really paint not only us as farmworkers as heroes, but [also people who deserve] respect and dignity. And that that translates into adequate policies that ensure that we have a living wage for farmworkers and full labor rights at the workplace.”\u003c/p>\n\u003cfigure id=\"attachment_11866141\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11866141\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/03/01-800x537.jpg\" alt=\"\" width=\"800\" height=\"537\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/03/01-800x537.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/01-1020x685.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/01-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/01-1536x1031.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/01-2048x1374.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/03/01-1920x1289.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Erika, a farmworker in Tulare County, California, carries her ladder from one row of pluot trees to the next. The ladder weighs about 30 pounds. \u003ccite>(David Bacon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With the help of proceeds from \"Dark Eyes,\" and a partnership with local counties, the CBDIO has provided some essential workers with direct financial relief checks of $500 each.\u003c/p>\n\u003cp>Martinez says that some families are using the money to cover hours lost from work if they need to quarantine or to support their kids' expenses during virtual school.\u003c/p>\n\u003cp>For González, who pays about $600 for rent each month, the fund has put food on the table during the offseason.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"I was able to pay rent and buy food, that what's helped me the most,\" González says. \"God bless them for supporting us and helping us.\"\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "without-vaccines-las-garment-workers-are-hanging-by-a-thread",
"title": "Without COVID-19 Vaccine, LA's Garment Workers Are Hanging by a Thread",
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"headTitle": "Without COVID-19 Vaccine, LA’s Garment Workers Are Hanging by a Thread | KQED",
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"content": "\u003cp>Olegaria Ruiz is among scores of undocumented front-line workers who feel left out of California’s new age-based COVID-19 vaccination plan.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Alex Sanchez, Garment Worker Center\" ]‘It might be funny to say, but maybe I needed to walk in somebody else’s shoes in order to understand what they’re going through.’[/pullquote]“More than anything, we need the government to help us get the vaccine, too,” said Ruiz, 46, who’s worked in the garment industry in Los Angeles for 27 years.\u003c/p>\n\u003cp>Ruiz says she doesn’t know of any co-workers, including those over 65, who have gotten the vaccine yet. A lot of them, she says, lack internet access and don’t know how to navigate the state’s complicated sign-up system.\u003c/p>\n\u003cp>Throughout the pandemic, Ruiz has worked 12-hour shifts, seven days a week to sew masks, hospital gowns and surgical hair nets for doctors and nurses, she says.\u003c/p>\n\u003cp>But she says she’s not always paid for all the hours she works and sometimes earns less than minimum wage.\u003c/p>\n\u003cfigure id=\"attachment_11858873\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/02/94B2E043-0339-4F3B-8C38-A5A3EACDEB12.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11858873 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/02/94B2E043-0339-4F3B-8C38-A5A3EACDEB12.jpeg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/94B2E043-0339-4F3B-8C38-A5A3EACDEB12.jpeg 600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/94B2E043-0339-4F3B-8C38-A5A3EACDEB12-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/94B2E043-0339-4F3B-8C38-A5A3EACDEB12-550x550.jpeg 550w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/94B2E043-0339-4F3B-8C38-A5A3EACDEB12-470x470.jpeg 470w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ruiz sews face masks at her station in a garment factory. \u003ccite>(Courtesy of Estela Perez, a member of the Garment Workers Center.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the same time, it’s difficult to socially distance in sweatshop factories, where upward of 50 seamstresses can often be sewing in one room. To make matters worse, Ruiz says many of her co-workers workers aren’t being provided face masks by their employers.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside label=\"related coverage\" tag=\"essential-workers\"]“There’s no social distancing, and people don’t use masks,” Ruiz said. “[Some of my co-workers] sometimes can’t afford to buy masks because we aren’t being paid what we’re supposed to — a minimum salary.”\u003c/p>\n\u003cp>Ruiz worries about getting sick, but feels like she has no choice but to show up to work. As an undocumented worker, she doesn’t qualify for unemployment benefits or government stimulus payments. For now, she has to focus on keeping a roof over her family’s head.\u003c/p>\n\u003cp>“We’re afraid to work, but we have to do it,” said Ruiz. “How are we going to pay rent? How are we going to pay bills? We can’t force our children to live on the street.”\u003c/p>\n\u003cp>It’s hard to know how bad COVID-19 outbreaks have been in sweatshop factories because many of them operate in the shadows, and workers like Ruiz frequently move between jobs.\u003c/p>\n\u003cp>“I don’t believe the ICU numbers tell the whole story as far as how many people are going to live and die because of reopening [California’s economy],” said Alex Sanchez, a field organizer with the \u003ca href=\"https://garmentworkercenter.org/\">Garment Worker Center\u003c/a>, which advocates for the estimated 45,000 garment workers in Los Angeles. “I think it’s way too soon. And I don’t believe we are going to be able to flatten the curve if we still have people out there at high risk not having access to a vaccine.”\u003c/p>\n\u003cp>Sanchez, 44, contracted COVID-19 in late December, likely from his son, who works at an Amazon warehouse where there have been several outbreaks. He had no preexisting conditions, but was hospitalized in the ICU for nearly two weeks. He’s now home, recovering with the help of an oxygen machine.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">I’ve been sick battling Covid and pneumonia since 12/27. I was hospitalized for two weeks. Even if anything reopens, please protect yourself. I am 44 years old with no pre-existing conditions and almost died. Please be safe. I’m now home on oxygen \u003ca href=\"https://t.co/BZ3lLryZNq\">pic.twitter.com/BZ3lLryZNq\u003c/a>\u003c/p>\n\u003cp>— Alex Sanchez (@LALiving213) \u003ca href=\"https://twitter.com/LALiving213/status/1353598378874085376?ref_src=twsrc%5Etfw\">January 25, 2021\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>From his living room, he’s been trying to help older garment workers who meet the age requirements to secure vaccine appointments online.\u003c/p>\n\u003cp>In between doing hourly exercises to expand his lung capacity, Sanchez has also been advocating for all garment workers — and other low-wage essential workers who have to perform their jobs inside — to get the vaccine as soon as possible.\u003c/p>\n\u003cfigure id=\"attachment_11858875\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/02/IMG_20210117_222540_6901.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11858875 size-large\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/02/IMG_20210117_222540_6901-1020x1020.jpg\" alt=\"\" width=\"640\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901-1472x1472.jpg 1472w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901-1104x1104.jpg 1104w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901-912x912.jpg 912w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901-550x550.jpg 550w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901-470x470.jpg 470w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901.jpg 1498w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Alex Sanchez, field organizer for the Garment Worker Center, who is recovering from COVID-19, holds his two children while breathing oxygen. \u003ccite>(Courtesy of Alex Sanchez.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Those are the people that should be focused on first,” Sanchez said. “But it just seems like they don’t have a voice or big lobbying power, that they’re being excluded from the vaccine delivery, even though they are producing masks and gowns for the health care community.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I had the privilege of having health care to go to the doctor, but most folks don’t,” Sanchez added. “It might be funny to say, but maybe I needed to walk in somebody else’s shoes in order to understand what they’re going through. So maybe I had to live it in order for me to be able to preach it. So I’m glad I’m here. I’m just trying to do whatever I can to keep everybody safe.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“More than anything, we need the government to help us get the vaccine, too,” said Ruiz, 46, who’s worked in the garment industry in Los Angeles for 27 years.\u003c/p>\n\u003cp>Ruiz says she doesn’t know of any co-workers, including those over 65, who have gotten the vaccine yet. A lot of them, she says, lack internet access and don’t know how to navigate the state’s complicated sign-up system.\u003c/p>\n\u003cp>Throughout the pandemic, Ruiz has worked 12-hour shifts, seven days a week to sew masks, hospital gowns and surgical hair nets for doctors and nurses, she says.\u003c/p>\n\u003cp>But she says she’s not always paid for all the hours she works and sometimes earns less than minimum wage.\u003c/p>\n\u003cfigure id=\"attachment_11858873\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/02/94B2E043-0339-4F3B-8C38-A5A3EACDEB12.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11858873 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/02/94B2E043-0339-4F3B-8C38-A5A3EACDEB12.jpeg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/94B2E043-0339-4F3B-8C38-A5A3EACDEB12.jpeg 600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/94B2E043-0339-4F3B-8C38-A5A3EACDEB12-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/94B2E043-0339-4F3B-8C38-A5A3EACDEB12-550x550.jpeg 550w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/94B2E043-0339-4F3B-8C38-A5A3EACDEB12-470x470.jpeg 470w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ruiz sews face masks at her station in a garment factory. \u003ccite>(Courtesy of Estela Perez, a member of the Garment Workers Center.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the same time, it’s difficult to socially distance in sweatshop factories, where upward of 50 seamstresses can often be sewing in one room. To make matters worse, Ruiz says many of her co-workers workers aren’t being provided face masks by their employers.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“There’s no social distancing, and people don’t use masks,” Ruiz said. “[Some of my co-workers] sometimes can’t afford to buy masks because we aren’t being paid what we’re supposed to — a minimum salary.”\u003c/p>\n\u003cp>Ruiz worries about getting sick, but feels like she has no choice but to show up to work. As an undocumented worker, she doesn’t qualify for unemployment benefits or government stimulus payments. For now, she has to focus on keeping a roof over her family’s head.\u003c/p>\n\u003cp>“We’re afraid to work, but we have to do it,” said Ruiz. “How are we going to pay rent? How are we going to pay bills? We can’t force our children to live on the street.”\u003c/p>\n\u003cp>It’s hard to know how bad COVID-19 outbreaks have been in sweatshop factories because many of them operate in the shadows, and workers like Ruiz frequently move between jobs.\u003c/p>\n\u003cp>“I don’t believe the ICU numbers tell the whole story as far as how many people are going to live and die because of reopening [California’s economy],” said Alex Sanchez, a field organizer with the \u003ca href=\"https://garmentworkercenter.org/\">Garment Worker Center\u003c/a>, which advocates for the estimated 45,000 garment workers in Los Angeles. “I think it’s way too soon. And I don’t believe we are going to be able to flatten the curve if we still have people out there at high risk not having access to a vaccine.”\u003c/p>\n\u003cp>Sanchez, 44, contracted COVID-19 in late December, likely from his son, who works at an Amazon warehouse where there have been several outbreaks. He had no preexisting conditions, but was hospitalized in the ICU for nearly two weeks. He’s now home, recovering with the help of an oxygen machine.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">I’ve been sick battling Covid and pneumonia since 12/27. I was hospitalized for two weeks. Even if anything reopens, please protect yourself. I am 44 years old with no pre-existing conditions and almost died. Please be safe. I’m now home on oxygen \u003ca href=\"https://t.co/BZ3lLryZNq\">pic.twitter.com/BZ3lLryZNq\u003c/a>\u003c/p>\n\u003cp>— Alex Sanchez (@LALiving213) \u003ca href=\"https://twitter.com/LALiving213/status/1353598378874085376?ref_src=twsrc%5Etfw\">January 25, 2021\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>From his living room, he’s been trying to help older garment workers who meet the age requirements to secure vaccine appointments online.\u003c/p>\n\u003cp>In between doing hourly exercises to expand his lung capacity, Sanchez has also been advocating for all garment workers — and other low-wage essential workers who have to perform their jobs inside — to get the vaccine as soon as possible.\u003c/p>\n\u003cfigure id=\"attachment_11858875\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2021/02/IMG_20210117_222540_6901.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11858875 size-large\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/02/IMG_20210117_222540_6901-1020x1020.jpg\" alt=\"\" width=\"640\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901-1472x1472.jpg 1472w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901-1104x1104.jpg 1104w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901-912x912.jpg 912w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901-550x550.jpg 550w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901-470x470.jpg 470w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/02/IMG_20210117_222540_6901.jpg 1498w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Alex Sanchez, field organizer for the Garment Worker Center, who is recovering from COVID-19, holds his two children while breathing oxygen. \u003ccite>(Courtesy of Alex Sanchez.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Those are the people that should be focused on first,” Sanchez said. “But it just seems like they don’t have a voice or big lobbying power, that they’re being excluded from the vaccine delivery, even though they are producing masks and gowns for the health care community.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I had the privilege of having health care to go to the doctor, but most folks don’t,” Sanchez added. “It might be funny to say, but maybe I needed to walk in somebody else’s shoes in order to understand what they’re going through. So maybe I had to live it in order for me to be able to preach it. So I’m glad I’m here. I’m just trying to do whatever I can to keep everybody safe.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
"meta": {
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"here-and-now": {
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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},
"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
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"order": 18
},
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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