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"content": "\u003cp>\u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a>, the music and arts festival that brings tens of thousands of music fans to San Francisco’s Golden Gate Park every August, has been rescheduled to 2021 due to the pandemic. Bay Area concert promoter Another Planet Entertainment announced the move today along with the lineup, which features Tame Impala, Lizzo and The Strokes at the top of the bill. (Fans caught a glimpse of the headliners, originally scheduled for this year, when Outside Lands published and then deleted the lineup from its website in April.)\u003c/p>\n\u003cp>Now taking place August 6–8, 2021, the festival also features genre-bending rapper and producer Tyler, the Creator, Oakland-raised R&B singer Kehlani, Colombian reggaeton-pop superstar J Balvin, indie rock band The 1975, singer-producer Zhu and hit-making rapper Young Thug.\u003c/p>\n\u003cp>Of course, the festival’s new dates are contingent upon California reaching phase four of its reopening plan, which would require the development of therapeutics to treat COVID-19. “We are in close contact with local and state officials, working together to create the safest possible environment for you, our fans,” the Outside Lands team wrote in a statement.\u003c/p>\n\u003cp>For those who already purchased early-bird passes, tickets for this year’s event will roll over to next year, and fans who can’t make the new dates have until July 24 to request a refund.\u003c/p>\n\u003cp>See the full lineup and more details \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>— Nastia Voynovskaya (\u003ca href=\"https://twitter.com/nananastia\" rel=\"noopener noreferrer\" target=\"_blank\">@nananastia\u003c/a>)\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a>, the music and arts festival that brings tens of thousands of music fans to San Francisco’s Golden Gate Park every August, has been rescheduled to 2021 due to the pandemic. Bay Area concert promoter Another Planet Entertainment announced the move today along with the lineup, which features Tame Impala, Lizzo and The Strokes at the top of the bill. (Fans caught a glimpse of the headliners, originally scheduled for this year, when Outside Lands published and then deleted the lineup from its website in April.)\u003c/p>\n\u003cp>Now taking place August 6–8, 2021, the festival also features genre-bending rapper and producer Tyler, the Creator, Oakland-raised R&B singer Kehlani, Colombian reggaeton-pop superstar J Balvin, indie rock band The 1975, singer-producer Zhu and hit-making rapper Young Thug.\u003c/p>\n\u003cp>Of course, the festival’s new dates are contingent upon California reaching phase four of its reopening plan, which would require the development of therapeutics to treat COVID-19. “We are in close contact with local and state officials, working together to create the safest possible environment for you, our fans,” the Outside Lands team wrote in a statement.\u003c/p>\n\u003cp>For those who already purchased early-bird passes, tickets for this year’s event will roll over to next year, and fans who can’t make the new dates have until July 24 to request a refund.\u003c/p>\n\u003cp>See the full lineup and more details \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>— Nastia Voynovskaya (\u003ca href=\"https://twitter.com/nananastia\" rel=\"noopener noreferrer\" target=\"_blank\">@nananastia\u003c/a>)\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "CANCELED: Tame Impala to Bring 'Slow Rush' Tour to SF's Chase Center",
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"content": "\u003cp>\u003cstrong>\u003cem>NOTE: This show has been \u003ca href=\"https://www.chasecenter.com/events/CglD6bGUKIDCTNfpKrLLa\" rel=\"noopener noreferrer\" target=\"_blank\">canceled\u003c/a> due to coronavirus restrictions.\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>Australian band Tame Impala has fans from just about every musical scene and subculture—that even includes pop superstar Rihanna, who \u003ca href=\"https://www.youtube.com/watch?v=x57ZM02NhF0\" target=\"_blank\" rel=\"noopener noreferrer\">covered\u003c/a> their track “\u003ca href=\"https://www.youtube.com/watch?v=tEXYfT_G0W0\" target=\"_blank\" rel=\"noopener noreferrer\">New Person, Same Old Mistakes\u003c/a>” on her acclaimed 2016 album, \u003cem>ANTI\u003c/em>.\u003c/p>\n\u003cp>After a five-year gap between albums, Tame Impala’s new project \u003cem>The Slow Rush\u003c/em> finds bandleader Kevin Parker weaving hip-hop drums and house music’s exuberant pulse into his expansive, psychedelic rock. \u003cem>The Slow Rush\u003c/em> has a smoother, more pop-oriented approach than Parker’s previous releases, but that doesn’t make it generic.\u003c/p>\n\u003cp>The multi-instrumentalist’s omnivorous tastes lead each track to surprising places, like the pensive “\u003ca href=\"https://www.youtube.com/watch?v=44lWO3qhQMk\" target=\"_blank\" rel=\"noopener noreferrer\">Posthumous Forgiveness\u003c/a>.” The song is full of tense, building surf-guitar riffs as Parker contemplates his complicated relationship with a father who wasn’t there for him, ultimately coming to an understanding of him as a man. The track’s R&B coda resolves the tension and brings a sense of peace that mirrors Parker’s emotional journey in the lyrics.\u003c/p>\n\u003cp>In the studio, Parker mostly works alone, but Tame Impala’s live shows bring out his music’s complex layers and sentimental undercurrents with a full band and stunning visuals. (At Treasure Island Music Festival in Oakland two years ago, they bathed the stage in a trippy light show and then showered the audience in confetti.) Tame Impala performs Friday, March 13, at the Chase Center in San Francisco. \u003ca href=\"https://www.chasecenter.com/events/CglD6bGUKIDCTNfpKrLLa\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003cem>—Nastia Voynovskaya\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://youtu.be/utCjuKDXQsE\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>\u003cem>NOTE: This show has been \u003ca href=\"https://www.chasecenter.com/events/CglD6bGUKIDCTNfpKrLLa\" rel=\"noopener noreferrer\" target=\"_blank\">canceled\u003c/a> due to coronavirus restrictions.\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>Australian band Tame Impala has fans from just about every musical scene and subculture—that even includes pop superstar Rihanna, who \u003ca href=\"https://www.youtube.com/watch?v=x57ZM02NhF0\" target=\"_blank\" rel=\"noopener noreferrer\">covered\u003c/a> their track “\u003ca href=\"https://www.youtube.com/watch?v=tEXYfT_G0W0\" target=\"_blank\" rel=\"noopener noreferrer\">New Person, Same Old Mistakes\u003c/a>” on her acclaimed 2016 album, \u003cem>ANTI\u003c/em>.\u003c/p>\n\u003cp>After a five-year gap between albums, Tame Impala’s new project \u003cem>The Slow Rush\u003c/em> finds bandleader Kevin Parker weaving hip-hop drums and house music’s exuberant pulse into his expansive, psychedelic rock. \u003cem>The Slow Rush\u003c/em> has a smoother, more pop-oriented approach than Parker’s previous releases, but that doesn’t make it generic.\u003c/p>\n\u003cp>The multi-instrumentalist’s omnivorous tastes lead each track to surprising places, like the pensive “\u003ca href=\"https://www.youtube.com/watch?v=44lWO3qhQMk\" target=\"_blank\" rel=\"noopener noreferrer\">Posthumous Forgiveness\u003c/a>.” The song is full of tense, building surf-guitar riffs as Parker contemplates his complicated relationship with a father who wasn’t there for him, ultimately coming to an understanding of him as a man. The track’s R&B coda resolves the tension and brings a sense of peace that mirrors Parker’s emotional journey in the lyrics.\u003c/p>\n\u003cp>In the studio, Parker mostly works alone, but Tame Impala’s live shows bring out his music’s complex layers and sentimental undercurrents with a full band and stunning visuals. (At Treasure Island Music Festival in Oakland two years ago, they bathed the stage in a trippy light show and then showered the audience in confetti.) Tame Impala performs Friday, March 13, at the Chase Center in San Francisco. \u003ca href=\"https://www.chasecenter.com/events/CglD6bGUKIDCTNfpKrLLa\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003cem>—Nastia Voynovskaya\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Treasure Island's New Oakland Edition a Success—Now It's Time to Mix Genres",
"headTitle": "Treasure Island’s New Oakland Edition a Success—Now It’s Time to Mix Genres | KQED",
"content": "\u003cp>At the \u003ca href=\"https://www.kqed.org/arts/13832219/treasure-island-music-festival-to-return-relocate-to-oakland-shore-in-2018\" target=\"_blank\" rel=\"noopener\">newly relocated\u003c/a> Treasure Island Music Festival on Saturday, Santigold thrashed to “L.E.S. Artistes” and swayed to the reggae rhythm of “Run the Road” wearing a red cape covered in money, plastic water bottles and green moss. With its eccentric and eco-conscious attire (“money and plastic are ruining the environment” was the message I got) and textured, pastel-hued set design, Santigold’s performance looked and felt like something out of a ’90s Nickelodeon show—and it was glorious.\u003c/p>\n\u003cp>Her set wasn’t exactly PG, though—during her dancehall bop “Coo Coo Coo,” a dis to men who catcall women, a cartoon pig with six-pack abs and exposed genitals appeared on screen. The audience was clearly there for it: dozens of girls in Vans and tube tops stampeded to the front of the stage to join the singer for her electro-punk anthem “Creator,” about making one’s own rules.\u003c/p>\n\u003cfigure id=\"attachment_13842781\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842781\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3883-800x533.jpg\" alt=\"A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Santigold’s out-there set was a climactic point of this year’s TIMF, which returned this year after a hiatus in 2017. Though it retains the Treasure Island name, the festival now takes place in Oakland’s Middle Harbor Shoreline Park due to \u003ca href=\"https://www.kqed.org/arts/13832219/treasure-island-music-festival-to-return-relocate-to-oakland-shore-in-2018\" target=\"_blank\" rel=\"noopener\">ongoing construction\u003c/a> on the actual Treasure Island.\u003c/p>\n\u003cp>The misnomer might be a little awkward, but the abundance of eclectic talent, warm weather and sweeping views of the San Francisco skyline made the festival’s growing pains easy to forget. Treasure Island was a little more bare this year—no Ferris wheel or silent disco—which kept the focus on the music.\u003c/p>\n\u003cfigure id=\"attachment_13842828\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842828\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-800x533.jpg\" alt=\"Tame Impala perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Still, after Saturday’s colorful and eclectic lineup, the energy waned a bit on Sunday, which leaned toward indie rock. With the new location, Treasure Island could have also benefitted from a new approach to genres. The festival’s dichotomous schedule, with electronic music on the first day and rock on the second, is an institution that dates back to the festival’s beginnings in the late 2000s, when the prevalent hipster aesthetics were bloghouse electro and indie rock. But at this point, the separation between genres feels arcane and unnecessary, especially as Saturday grows more varied with additional hip-hop, pop and electronic subgenres each year and Sunday stays essentially the same.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Saturday, the more exciting day of the fest, was all about impressive vocalists. Moses Sumney, a rising singer-producer with the self-reflectiveness of Frank Ocean and baroque instrumental arrangements of Sigur Rós, wowed the audience with his high-flying falsetto and live vocal manipulations. Throughout his set, he harmonized with his loop pedal and improvised off his violinist’s playing, which swelled from plucked, staccato beats to a chill-inducing solo.\u003c/p>\n\u003cfigure id=\"attachment_13842748\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842748\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3391-800x533.jpg\" alt=\"Hiatus Kaiyote perform at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hiatus Kaiyote perform at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Later, Naomi “Nai Palm” Saalfield from neo-soul group Hiatus Kaiyote stunned festival-goers with her diva-worthy vocal chops. Much like Amy Winehouse, the Australian Saalfield is clearly inspired by African-American jazz, soul and gospel traditions; Hiatus Kaiyote’s raucous instrumentation ignited the band’s R&B and soul compositions and transformed them into chaotic jam sessions. Rapper Aminé, who also played an excellent set Saturday evening, came out from backstage and watched Hiatus Kaiyote from the photo pit, mouth agape.\u003c/p>\n\u003cp>The rest of Saturday’s lineup was stacked: A$AP Rocky’s headlining set sparked several mosh pits; Pusha T’s performance had legions of hip-hop heads rapping along; Silk City (Diplo and Mark Ronson’s DJ duo) spun ’90s house; Laff Trax (Toro y Moi and Nosaj Thing) got a dance party going with self-produced disco and funk. In contrast, Sunday was dedicated to mostly shoegazey indie rock and a bit of post-punk; it felt more mellow and much less eventful. A large contingent of fans, in fact, showed up at the very end for Tame Impala’s excellent headlining set, bypassing the earlier bands.\u003c/p>\n\u003cfigure id=\"attachment_13842777\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842777\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3789-800x533.jpg\" alt=\"Pusha T performs at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pusha T performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year, a majority of the musicians on stage Sunday were white guys; Cigarettes After Sex and Lord Huron’s reverb-laden guitars began to blend together in the hours between Courtney Barnett’s high-energy rock’n’roll and Tame Impala’s ornate psychedelia. The band Jungle got the people moving, but their take on disco sounded a bit too much like Bee Gees karaoke. One earlier band in particular, U.S. Girls, deserves a shoutout for their lively, danceable performance, which included Kate Bush-esque vocals and saxophone solos.\u003c/p>\n\u003cfigure id=\"attachment_13842809\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842809\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4152-800x533.jpg\" alt=\"U.S. Girls perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">U.S. Girls perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Music listeners today are complex, and it doesn’t feel like festival promoters give them enough credit when they split up the days by genre. Mixing up U.K. band Shame’s hyperactive, angry post-punk, for instance, and Aminé’s mosh-worthy rap could’ve created exciting cross-pollination. Still, Treasure Island offers a chance to see internationally touring acts without the same level of sensory overload and overcrowding as bigger fests, and thus is a welcome part of the Bay Area’s music festival ecosystem. It’s good to have it back.\u003c/p>\n\u003ch2>More photos below.\u003c/h2>\n\u003cfigure id=\"attachment_13842749\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842749\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3399-800x533.jpg\" alt=\"Polo and Pan backstage at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Polo and Pan backstage at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842836\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842836\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4619-800x533.jpg\" alt=\"Tame Impala perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842755\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3437-800x533.jpg\" alt=\"Laff Trax perform at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Laff Trax perform at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842831\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842831\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4552-800x533.jpg\" alt=\"The crowd at Treasure Island Music Festival 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Treasure Island Music Festival 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842766\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842766\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3587-800x533.jpg\" alt=\"Aminé performs at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Aminé performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842813\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842813\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4253-800x533.jpg\" alt=\"Courtney Barnett performs at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Courtney Barnett performs at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842769\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842769\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3639-800x533.jpg\" alt=\"The crowd at Treasure Island Music Festival 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Treasure Island Music Festival 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842807\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842807\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4101-800x533.jpg\" alt=\"Sharon Van Etten performs at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sharon Van Etten performs at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842773\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842773\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3745-800x533.jpg\" alt=\"The crowd at Treasure Island Music Festival 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Treasure Island Music Festival 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842803\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842803\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4054-800x533.jpg\" alt=\"Courtney Barnett backstage at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Courtney Barnett backstage at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842804\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842804\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4077-800x533.jpg\" alt=\"Shame perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Shame perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842784\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842784\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3960-800x533.jpg\" alt=\"A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842762\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842762\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3507-800x533.jpg\" alt=\"Laff Trax backstage at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Laff Trax backstage at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842817\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842817\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4337-800x533.jpg\" alt=\"Lord Huron perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lord Huron perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842772\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842772\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3710-800x533.jpg\" alt=\"Silk City perform at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Silk City perform at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842811\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842811\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4189-800x533.jpg\" alt=\"Lord Huron backstage at Treasure Island Music Festival on Oct. 13, 2018. Lord Huron backstage at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lord Huron backstage at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842775\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842775\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3772-800x533.jpg\" alt=\"The crowd at Treasure Island Music Festival 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Treasure Island Music Festival 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842750\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842750\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3406-800x533.jpg\" alt=\"Hiatus Kaiyote backstage at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hiatus Kaiyote backstage at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842779\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842779\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3850-800x533.jpg\" alt=\"A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842756\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842756\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3468-800x533.jpg\" alt=\"Santigold performs at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Santigold performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "After an eventful first year in Oakland, the Treasure Island Music Festival may want to desegregate music genres by day. ",
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"description": "After an eventful first year in Oakland, the Treasure Island Music Festival may want to desegregate music genres by day. ",
"title": "Treasure Island's New Oakland Edition a Success—Now It's Time to Mix Genres | KQED",
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"headline": "Treasure Island's New Oakland Edition a Success—Now It's Time to Mix Genres",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At the \u003ca href=\"https://www.kqed.org/arts/13832219/treasure-island-music-festival-to-return-relocate-to-oakland-shore-in-2018\" target=\"_blank\" rel=\"noopener\">newly relocated\u003c/a> Treasure Island Music Festival on Saturday, Santigold thrashed to “L.E.S. Artistes” and swayed to the reggae rhythm of “Run the Road” wearing a red cape covered in money, plastic water bottles and green moss. With its eccentric and eco-conscious attire (“money and plastic are ruining the environment” was the message I got) and textured, pastel-hued set design, Santigold’s performance looked and felt like something out of a ’90s Nickelodeon show—and it was glorious.\u003c/p>\n\u003cp>Her set wasn’t exactly PG, though—during her dancehall bop “Coo Coo Coo,” a dis to men who catcall women, a cartoon pig with six-pack abs and exposed genitals appeared on screen. The audience was clearly there for it: dozens of girls in Vans and tube tops stampeded to the front of the stage to join the singer for her electro-punk anthem “Creator,” about making one’s own rules.\u003c/p>\n\u003cfigure id=\"attachment_13842781\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842781\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3883-800x533.jpg\" alt=\"A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Santigold’s out-there set was a climactic point of this year’s TIMF, which returned this year after a hiatus in 2017. Though it retains the Treasure Island name, the festival now takes place in Oakland’s Middle Harbor Shoreline Park due to \u003ca href=\"https://www.kqed.org/arts/13832219/treasure-island-music-festival-to-return-relocate-to-oakland-shore-in-2018\" target=\"_blank\" rel=\"noopener\">ongoing construction\u003c/a> on the actual Treasure Island.\u003c/p>\n\u003cp>The misnomer might be a little awkward, but the abundance of eclectic talent, warm weather and sweeping views of the San Francisco skyline made the festival’s growing pains easy to forget. Treasure Island was a little more bare this year—no Ferris wheel or silent disco—which kept the focus on the music.\u003c/p>\n\u003cfigure id=\"attachment_13842828\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842828\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-800x533.jpg\" alt=\"Tame Impala perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Still, after Saturday’s colorful and eclectic lineup, the energy waned a bit on Sunday, which leaned toward indie rock. With the new location, Treasure Island could have also benefitted from a new approach to genres. The festival’s dichotomous schedule, with electronic music on the first day and rock on the second, is an institution that dates back to the festival’s beginnings in the late 2000s, when the prevalent hipster aesthetics were bloghouse electro and indie rock. But at this point, the separation between genres feels arcane and unnecessary, especially as Saturday grows more varied with additional hip-hop, pop and electronic subgenres each year and Sunday stays essentially the same.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Saturday, the more exciting day of the fest, was all about impressive vocalists. Moses Sumney, a rising singer-producer with the self-reflectiveness of Frank Ocean and baroque instrumental arrangements of Sigur Rós, wowed the audience with his high-flying falsetto and live vocal manipulations. Throughout his set, he harmonized with his loop pedal and improvised off his violinist’s playing, which swelled from plucked, staccato beats to a chill-inducing solo.\u003c/p>\n\u003cfigure id=\"attachment_13842748\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842748\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3391-800x533.jpg\" alt=\"Hiatus Kaiyote perform at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hiatus Kaiyote perform at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Later, Naomi “Nai Palm” Saalfield from neo-soul group Hiatus Kaiyote stunned festival-goers with her diva-worthy vocal chops. Much like Amy Winehouse, the Australian Saalfield is clearly inspired by African-American jazz, soul and gospel traditions; Hiatus Kaiyote’s raucous instrumentation ignited the band’s R&B and soul compositions and transformed them into chaotic jam sessions. Rapper Aminé, who also played an excellent set Saturday evening, came out from backstage and watched Hiatus Kaiyote from the photo pit, mouth agape.\u003c/p>\n\u003cp>The rest of Saturday’s lineup was stacked: A$AP Rocky’s headlining set sparked several mosh pits; Pusha T’s performance had legions of hip-hop heads rapping along; Silk City (Diplo and Mark Ronson’s DJ duo) spun ’90s house; Laff Trax (Toro y Moi and Nosaj Thing) got a dance party going with self-produced disco and funk. In contrast, Sunday was dedicated to mostly shoegazey indie rock and a bit of post-punk; it felt more mellow and much less eventful. A large contingent of fans, in fact, showed up at the very end for Tame Impala’s excellent headlining set, bypassing the earlier bands.\u003c/p>\n\u003cfigure id=\"attachment_13842777\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842777\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3789-800x533.jpg\" alt=\"Pusha T performs at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pusha T performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year, a majority of the musicians on stage Sunday were white guys; Cigarettes After Sex and Lord Huron’s reverb-laden guitars began to blend together in the hours between Courtney Barnett’s high-energy rock’n’roll and Tame Impala’s ornate psychedelia. The band Jungle got the people moving, but their take on disco sounded a bit too much like Bee Gees karaoke. One earlier band in particular, U.S. Girls, deserves a shoutout for their lively, danceable performance, which included Kate Bush-esque vocals and saxophone solos.\u003c/p>\n\u003cfigure id=\"attachment_13842809\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842809\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4152-800x533.jpg\" alt=\"U.S. Girls perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">U.S. Girls perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Music listeners today are complex, and it doesn’t feel like festival promoters give them enough credit when they split up the days by genre. Mixing up U.K. band Shame’s hyperactive, angry post-punk, for instance, and Aminé’s mosh-worthy rap could’ve created exciting cross-pollination. Still, Treasure Island offers a chance to see internationally touring acts without the same level of sensory overload and overcrowding as bigger fests, and thus is a welcome part of the Bay Area’s music festival ecosystem. It’s good to have it back.\u003c/p>\n\u003ch2>More photos below.\u003c/h2>\n\u003cfigure id=\"attachment_13842749\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842749\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3399-800x533.jpg\" alt=\"Polo and Pan backstage at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Polo and Pan backstage at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842836\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842836\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4619-800x533.jpg\" alt=\"Tame Impala perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842755\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3437-800x533.jpg\" alt=\"Laff Trax perform at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Laff Trax perform at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842831\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842831\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4552-800x533.jpg\" alt=\"The crowd at Treasure Island Music Festival 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Treasure Island Music Festival 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842766\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842766\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3587-800x533.jpg\" alt=\"Aminé performs at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Aminé performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842813\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842813\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4253-800x533.jpg\" alt=\"Courtney Barnett performs at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Courtney Barnett performs at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842769\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842769\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3639-800x533.jpg\" alt=\"The crowd at Treasure Island Music Festival 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Treasure Island Music Festival 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842807\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842807\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4101-800x533.jpg\" alt=\"Sharon Van Etten performs at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sharon Van Etten performs at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842773\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842773\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3745-800x533.jpg\" alt=\"The crowd at Treasure Island Music Festival 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Treasure Island Music Festival 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842803\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842803\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4054-800x533.jpg\" alt=\"Courtney Barnett backstage at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Courtney Barnett backstage at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842804\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842804\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4077-800x533.jpg\" alt=\"Shame perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Shame perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842784\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842784\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3960-800x533.jpg\" alt=\"A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842762\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842762\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3507-800x533.jpg\" alt=\"Laff Trax backstage at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Laff Trax backstage at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842817\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842817\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4337-800x533.jpg\" alt=\"Lord Huron perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lord Huron perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842772\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842772\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3710-800x533.jpg\" alt=\"Silk City perform at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Silk City perform at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842811\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842811\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4189-800x533.jpg\" alt=\"Lord Huron backstage at Treasure Island Music Festival on Oct. 13, 2018. Lord Huron backstage at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lord Huron backstage at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842775\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842775\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3772-800x533.jpg\" alt=\"The crowd at Treasure Island Music Festival 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Treasure Island Music Festival 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842750\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842750\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3406-800x533.jpg\" alt=\"Hiatus Kaiyote backstage at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hiatus Kaiyote backstage at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842779\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842779\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3850-800x533.jpg\" alt=\"A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842756\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842756\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3468-800x533.jpg\" alt=\"Santigold performs at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Santigold performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"title": "11 Must-See Fall Concerts: Beyoncé, Giorgio Moroder, Blood Orange and More",
"headTitle": "11 Must-See Fall Concerts: Beyoncé, Giorgio Moroder, Blood Orange and More | KQED",
"content": "\u003cp>This fall, the Bay Area concert calendar is packed with music festivals, tours from all-time greats and club appearances from notable up-and-comers. Whether you’re nostalgic for hyphy, craving a rave or need a soul-cleansing night of protest anthems, we’ve got you covered with our selective list of shows not to miss this season. Stay tuned for our jazz and classical preview later this week.\u003c/p>\n\u003ch2>September\u003c/h2>\n\u003cfigure id=\"attachment_13839943\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839943\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-800x450.jpg\" alt=\"E-40 performs at the 2014 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E-40 performs at the 2014 Coachella Valley Music & Arts Festival. \u003ccite>(Kevin Winter/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.oraclearena.com/events/detail/rolling-loud\" target=\"_blank\" rel=\"noopener\">Rolling Loud\u003c/a>\u003cbr>\nSept. 15–16, Oracle Arena, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Rolling Loud, the traveling rap festival, comes to the Bay Area for the second year in a row, bringing a solid mix of local and national talent to Oakland’s Oracle Arena. This festival is all about street and party rap, booking underground favorites alongside established major label signees. E-40, Kamaiyah, Mozzy, Noni Blanco, ALLBLACK and Saweetie are just a few of the artists representing Northern California, while Wiz Khalifa and Travis Scott headline. Gucci Mane, one of the architects of modern-day trap music, also appears, alongside next-generation trap artists like Lil Uzi Vert and Playboy Carti.\u003c/p>\n\u003cfigure id=\"attachment_13839941\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839941\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-800x457.jpg\" alt=\"Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. \" width=\"800\" height=\"457\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-800x457.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-768x439.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1020x583.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1200x686.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1180x674.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-960x549.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-240x137.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-375x214.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-520x297.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://thefoxoakland.com/events/blood-orange-2\" target=\"_blank\" rel=\"noopener\">\u003cb>Blood Orange\u003c/b>\u003c/a>\u003cbr>\n\u003cstrong>Sept. 20, Fox Theater, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Devonté Hynes originally gained attention as a producer for indie-pop favorites Solange and Sky Ferreira before rising to major acclaim as a solo artist. As Blood Orange, his soulful tracks, with ’80s power-ballad drums and funky bass lines, stem from the lineages of Prince and Sade. Blood Orange brings a decisively melancholy overtone to his compositions; his latest album,\u003cem> Negro Swan\u003c/em>, is a highly personal project that deals with coming to terms with being different. He’s also a Bay Area favorite. When he opened for Grace Jones at the Greek Theater in 2016, he paid homage to Terrence McCrary, a.k.a TMACK, an artist and well-loved member of the creative community who was killed in a shooting.\u003c/p>\n\u003cfigure id=\"attachment_13829933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829933\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-800x450.jpg\" alt=\"Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1200x674.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1180x663.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison. \u003ccite>(Lance Dawes/Courtesy of Los Tigres del Norte)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.sapcenter.com/events/detail/lostigresdelnorteandalejandrofernandez\" target=\"_blank\" rel=\"noopener\">Los Tigres del Norte and Alejandro Fernández\u003c/a>\u003cbr>\nSept. 21, SAP Center, San Jose.\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Los Tigres del Norte are practically synonymous with Mexican norteño music. Led by three brothers originally from Mexico, the band was founded in San Jose, where they perform in September with Mexican singer Alexandro Fernández, son of the great balladeer Vicente Fernández. With several generations of fans, Los Tigres have leveraged their fame to make powerful political statements. Most recently, they performed at Folsom State Prison in an act of solidarity with incarcerated people; prior to that, their song “Paisano a Paisano” told the stories of undocumented farm workers who toil in the fields as their bosses reap the riches.\u003c/p>\n\u003cfigure id=\"attachment_13839939\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839939\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-800x450.jpg\" alt=\"Lil B performs at the 2015 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil B performs at the 2015 Coachella Valley Music & Arts Festival. \u003ccite>(Frazer Harrison/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/210090923180784/\" target=\"_blank\" rel=\"noopener\">DMP Music Festival\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Sept. 23, SoMa StrEat Food Park, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Nostalgic for the hyphy movement? DMP Music Festival, a new event in its first year, is the place to go stupid. The Pack, Lil B’s rap group responsible for songs like “Vans” and “Booty Bounce Boppa,” reunites for this event. Joining them on the bill is Vallejo rap prodigy Nef the Pharaoh, along with D-Lo, the North Oakland rapper whose 2009 song “No Hoe” still puts dance floors in a frenzy nearly 10 years later. Stunna shades and tall tees not required.\u003c/p>\n\u003cfigure id=\"attachment_10136103\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10136103 size-large\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/05/186799878_custom-49bd38fa52b87ae2afc5980791481eaa9028d70a-1440x1014.jpg\" alt=\"Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013.\" width=\"640\" height=\"451\">\u003cfigcaption class=\"wp-caption-text\">Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013. \u003ccite>(Gabriel Olsen/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://mezzaninesf.com/events/giorgio-moroder/\" target=\"_blank\" rel=\"noopener\">Giorgio Moroder\u003c/a>\u003cbr>\nSept. 28, Mezzanine, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Giorgio Moroder is the reason why half of the music on the radio sounds the way it does. Known as the father of disco and grandfather of house, the Italian producer helped popularize the synthesizer as a staple instrument of popular music, working with Donna Summer, Blondie, David Bowie, Daft Punk and many more. At 78 years old, he’s still touring and creating, and is considered the oldest DJ in the world. A true living legend.\u003c/p>\n\u003cp>\u003cb>\u003ca href=\"http://www.levisstadium.com/event/2018-09-29-otr-ll/\" target=\"_blank\" rel=\"noopener\">Beyoncé and Jay Z\u003c/a>\u003cbr>\n\u003cb>Sept. 29, Levi’s Stadium, Santa Clara.\u003c/b>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13829594\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829594\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-800x450.jpg\" alt=\"Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California. \u003ccite>(Larry Busacca/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jay Z may have spat some bars about financial literacy recently, but Beyoncé is the true star of her and her husband’s On the Run II tour. As we saw with her Coachella performance, her live show is a larger-than-life, dazzling showcase that celebrates black family, femininity, love, creativity and resistance. Beyoncé and Jay Z’s latest album, \u003cem>Everything is Love\u003c/em>, which they released as The Carters, is a jubilant victory lap that celebrates America’s first family of pop.\u003c/p>\n\u003ch2>October\u003c/h2>\n\u003cfigure id=\"attachment_13839867\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839867\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-800x450.jpg\" alt=\"Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana. \u003ccite>( Rick Diamond/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.hardlystrictlybluegrass.com/2018/\" target=\"_blank\" rel=\"noopener\">Hardly Strictly Bluegrass\u003c/a>\u003cbr>\nOct. 5–7, Golden Gate Park, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Hardly Strictly Bluegrass has become a San Francisco tradition over the past 18 years, and best of all, it’s free. The fest books mostly bluegrass, folk and country acts, but there are also usually surprises from other genres (past years have featured MC Hammer and Big Freedia). The 2018 lineup includes over 80 acts on six stages; notable artists to look out for include singer-songwriter Ani DiFranco, Chicano rockers Los Lobos, Graham Nash of Crosby, Stills, Nash & Young and lots more.\u003c/p>\n\u003cfigure id=\"attachment_13832404\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832404\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/tame-impala-800x450.jpg\" alt=\"Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.treasureislandfestival.com/\" target=\"_blank\" rel=\"noopener\">Treasure Island Music Festival\u003c/a>\u003cbr>\nOct. 13–14, Middle Harbor Shoreline Park, Oakland.\u003c/strong>\u003c/p>\n\u003cp>After skipping a year in 2017, Treasure Island is back—this time across the bay in West Oakland’s Middle Harbor Shoreline Park. Headliners this year include “L$D” rapper A$AP Rocky and psych rockers Tame Impala. Pusha T, who recently made a comeback on Kanye West’s G.O.O.D. Music after his infamous beef with Drake, will also be there, as well as Courtney Barnett and Soccer Mommy, two of the most interesting indie rock singer-songwriters to come out in years.\u003c/p>\n\u003ch2>November\u003c/h2>\n\u003cfigure id=\"attachment_13013074\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13013074\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-800x450.jpg\" alt=\"Joan Baez performs onstage at the ASCAP Centennial Awards in 2014.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Joan Baez performs onstage at the ASCAP Centennial Awards in 2014. \u003ccite>(Brian Ach/Getty Images for ASCAP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.stubhub.com/joan-baez-tickets/performer/228/\" target=\"_blank\" rel=\"noopener\">Joan Baez\u003c/a>\u003cbr>\nNov. 11, Weill Hall, Ronhert Park\u003cbr>\nNov. 15, The Masonic, San Francisco\u003cbr>\nNov. 16–17, Fox Theater, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Joan Baez—need I say more? The folk great and activist will be making her rounds through Northern California in November with four sold-out concerts. (At press time, tickets are still available on the secondary market starting in the $70 range.) Baez has used her voice to stand in solidarity with the civil rights, labor and anti-war movements and continues to give people hope in today’s political moment with classic songs like “We Shall Overcome.”\u003c/p>\n\u003cfigure id=\"attachment_13839946\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839946\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-800x450.jpg\" alt=\"Bonobo at the 2014 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bonobo at the 2014 Coachella Valley Music & Arts Festival. \u003ccite>(Jason Kempin/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.themidwaysf.com/event/1750684-bonobo-dj-set-san-francisco/\" target=\"_blank\" rel=\"noopener\">Bonobo\u003c/a>\u003cbr>\nNov. 17, The Midway, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>The Midway, the spacious warehouse-turned-venue in San Francisco’s Dogpatch neighborhood, is an excellent place to rave. This November, it plays host to British producer Bonobo, who’s earned a cult following over the past 20 years for his eclectic house, EDM and ambient production, fusing jazz and world music elements into his danceable and surprising beats.\u003c/p>\n\u003cfigure id=\"attachment_13839947\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839947\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-800x450.jpg\" alt=\"Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. \u003ccite>(Steven Ferdman/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.oraclearena.com/events/detail/fleetwood-mac-2\" target=\"_blank\" rel=\"noopener\">Fleetwood Mac\u003c/a>\u003cbr>\nNov. 25, Oracle Arena, Oakland.\u003c/strong>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Fleetwood Mac’s “Dreams” unexpectedly shot to the top of Billboard’s rock chart this year on the strength of a viral meme that paired the 1977 track with a video of Alcorn State University’s dance troupe—a testament to Fleetwood Mac’s enduring, cross-cultural and intergenerational appeal. The band is back on tour and working on new material, so here’s a chance to watch them perform classics like “The Chain” and “Go Your Own Way” and witness frontwoman Stevie Nicks in all her bohemian goddess glory.\u003c/p>\n\n",
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"excerpt": " Whether you're nostalgic for the hyphy movement, craving a rave or need a soul-cleansing moment of singing along to protest anthems, we've got you covered. ",
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"description": " Whether you're nostalgic for the hyphy movement, craving a rave or need a soul-cleansing moment of singing along to protest anthems, we've got you covered. ",
"title": "11 Must-See Fall Concerts: Beyoncé, Giorgio Moroder, Blood Orange and More | KQED",
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"headline": "11 Must-See Fall Concerts: Beyoncé, Giorgio Moroder, Blood Orange and More",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This fall, the Bay Area concert calendar is packed with music festivals, tours from all-time greats and club appearances from notable up-and-comers. Whether you’re nostalgic for hyphy, craving a rave or need a soul-cleansing night of protest anthems, we’ve got you covered with our selective list of shows not to miss this season. Stay tuned for our jazz and classical preview later this week.\u003c/p>\n\u003ch2>September\u003c/h2>\n\u003cfigure id=\"attachment_13839943\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839943\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-800x450.jpg\" alt=\"E-40 performs at the 2014 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E-40 performs at the 2014 Coachella Valley Music & Arts Festival. \u003ccite>(Kevin Winter/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.oraclearena.com/events/detail/rolling-loud\" target=\"_blank\" rel=\"noopener\">Rolling Loud\u003c/a>\u003cbr>\nSept. 15–16, Oracle Arena, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Rolling Loud, the traveling rap festival, comes to the Bay Area for the second year in a row, bringing a solid mix of local and national talent to Oakland’s Oracle Arena. This festival is all about street and party rap, booking underground favorites alongside established major label signees. E-40, Kamaiyah, Mozzy, Noni Blanco, ALLBLACK and Saweetie are just a few of the artists representing Northern California, while Wiz Khalifa and Travis Scott headline. Gucci Mane, one of the architects of modern-day trap music, also appears, alongside next-generation trap artists like Lil Uzi Vert and Playboy Carti.\u003c/p>\n\u003cfigure id=\"attachment_13839941\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839941\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-800x457.jpg\" alt=\"Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. \" width=\"800\" height=\"457\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-800x457.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-768x439.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1020x583.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1200x686.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1180x674.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-960x549.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-240x137.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-375x214.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-520x297.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://thefoxoakland.com/events/blood-orange-2\" target=\"_blank\" rel=\"noopener\">\u003cb>Blood Orange\u003c/b>\u003c/a>\u003cbr>\n\u003cstrong>Sept. 20, Fox Theater, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Devonté Hynes originally gained attention as a producer for indie-pop favorites Solange and Sky Ferreira before rising to major acclaim as a solo artist. As Blood Orange, his soulful tracks, with ’80s power-ballad drums and funky bass lines, stem from the lineages of Prince and Sade. Blood Orange brings a decisively melancholy overtone to his compositions; his latest album,\u003cem> Negro Swan\u003c/em>, is a highly personal project that deals with coming to terms with being different. He’s also a Bay Area favorite. When he opened for Grace Jones at the Greek Theater in 2016, he paid homage to Terrence McCrary, a.k.a TMACK, an artist and well-loved member of the creative community who was killed in a shooting.\u003c/p>\n\u003cfigure id=\"attachment_13829933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829933\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-800x450.jpg\" alt=\"Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1200x674.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1180x663.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison. \u003ccite>(Lance Dawes/Courtesy of Los Tigres del Norte)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.sapcenter.com/events/detail/lostigresdelnorteandalejandrofernandez\" target=\"_blank\" rel=\"noopener\">Los Tigres del Norte and Alejandro Fernández\u003c/a>\u003cbr>\nSept. 21, SAP Center, San Jose.\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Los Tigres del Norte are practically synonymous with Mexican norteño music. Led by three brothers originally from Mexico, the band was founded in San Jose, where they perform in September with Mexican singer Alexandro Fernández, son of the great balladeer Vicente Fernández. With several generations of fans, Los Tigres have leveraged their fame to make powerful political statements. Most recently, they performed at Folsom State Prison in an act of solidarity with incarcerated people; prior to that, their song “Paisano a Paisano” told the stories of undocumented farm workers who toil in the fields as their bosses reap the riches.\u003c/p>\n\u003cfigure id=\"attachment_13839939\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839939\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-800x450.jpg\" alt=\"Lil B performs at the 2015 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil B performs at the 2015 Coachella Valley Music & Arts Festival. \u003ccite>(Frazer Harrison/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/210090923180784/\" target=\"_blank\" rel=\"noopener\">DMP Music Festival\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Sept. 23, SoMa StrEat Food Park, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Nostalgic for the hyphy movement? DMP Music Festival, a new event in its first year, is the place to go stupid. The Pack, Lil B’s rap group responsible for songs like “Vans” and “Booty Bounce Boppa,” reunites for this event. Joining them on the bill is Vallejo rap prodigy Nef the Pharaoh, along with D-Lo, the North Oakland rapper whose 2009 song “No Hoe” still puts dance floors in a frenzy nearly 10 years later. Stunna shades and tall tees not required.\u003c/p>\n\u003cfigure id=\"attachment_10136103\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10136103 size-large\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/05/186799878_custom-49bd38fa52b87ae2afc5980791481eaa9028d70a-1440x1014.jpg\" alt=\"Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013.\" width=\"640\" height=\"451\">\u003cfigcaption class=\"wp-caption-text\">Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013. \u003ccite>(Gabriel Olsen/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://mezzaninesf.com/events/giorgio-moroder/\" target=\"_blank\" rel=\"noopener\">Giorgio Moroder\u003c/a>\u003cbr>\nSept. 28, Mezzanine, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Giorgio Moroder is the reason why half of the music on the radio sounds the way it does. Known as the father of disco and grandfather of house, the Italian producer helped popularize the synthesizer as a staple instrument of popular music, working with Donna Summer, Blondie, David Bowie, Daft Punk and many more. At 78 years old, he’s still touring and creating, and is considered the oldest DJ in the world. A true living legend.\u003c/p>\n\u003cp>\u003cb>\u003ca href=\"http://www.levisstadium.com/event/2018-09-29-otr-ll/\" target=\"_blank\" rel=\"noopener\">Beyoncé and Jay Z\u003c/a>\u003cbr>\n\u003cb>Sept. 29, Levi’s Stadium, Santa Clara.\u003c/b>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13829594\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829594\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-800x450.jpg\" alt=\"Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California. \u003ccite>(Larry Busacca/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jay Z may have spat some bars about financial literacy recently, but Beyoncé is the true star of her and her husband’s On the Run II tour. As we saw with her Coachella performance, her live show is a larger-than-life, dazzling showcase that celebrates black family, femininity, love, creativity and resistance. Beyoncé and Jay Z’s latest album, \u003cem>Everything is Love\u003c/em>, which they released as The Carters, is a jubilant victory lap that celebrates America’s first family of pop.\u003c/p>\n\u003ch2>October\u003c/h2>\n\u003cfigure id=\"attachment_13839867\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839867\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-800x450.jpg\" alt=\"Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana. \u003ccite>( Rick Diamond/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.hardlystrictlybluegrass.com/2018/\" target=\"_blank\" rel=\"noopener\">Hardly Strictly Bluegrass\u003c/a>\u003cbr>\nOct. 5–7, Golden Gate Park, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Hardly Strictly Bluegrass has become a San Francisco tradition over the past 18 years, and best of all, it’s free. The fest books mostly bluegrass, folk and country acts, but there are also usually surprises from other genres (past years have featured MC Hammer and Big Freedia). The 2018 lineup includes over 80 acts on six stages; notable artists to look out for include singer-songwriter Ani DiFranco, Chicano rockers Los Lobos, Graham Nash of Crosby, Stills, Nash & Young and lots more.\u003c/p>\n\u003cfigure id=\"attachment_13832404\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832404\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/tame-impala-800x450.jpg\" alt=\"Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.treasureislandfestival.com/\" target=\"_blank\" rel=\"noopener\">Treasure Island Music Festival\u003c/a>\u003cbr>\nOct. 13–14, Middle Harbor Shoreline Park, Oakland.\u003c/strong>\u003c/p>\n\u003cp>After skipping a year in 2017, Treasure Island is back—this time across the bay in West Oakland’s Middle Harbor Shoreline Park. Headliners this year include “L$D” rapper A$AP Rocky and psych rockers Tame Impala. Pusha T, who recently made a comeback on Kanye West’s G.O.O.D. Music after his infamous beef with Drake, will also be there, as well as Courtney Barnett and Soccer Mommy, two of the most interesting indie rock singer-songwriters to come out in years.\u003c/p>\n\u003ch2>November\u003c/h2>\n\u003cfigure id=\"attachment_13013074\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13013074\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-800x450.jpg\" alt=\"Joan Baez performs onstage at the ASCAP Centennial Awards in 2014.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Joan Baez performs onstage at the ASCAP Centennial Awards in 2014. \u003ccite>(Brian Ach/Getty Images for ASCAP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.stubhub.com/joan-baez-tickets/performer/228/\" target=\"_blank\" rel=\"noopener\">Joan Baez\u003c/a>\u003cbr>\nNov. 11, Weill Hall, Ronhert Park\u003cbr>\nNov. 15, The Masonic, San Francisco\u003cbr>\nNov. 16–17, Fox Theater, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Joan Baez—need I say more? The folk great and activist will be making her rounds through Northern California in November with four sold-out concerts. (At press time, tickets are still available on the secondary market starting in the $70 range.) Baez has used her voice to stand in solidarity with the civil rights, labor and anti-war movements and continues to give people hope in today’s political moment with classic songs like “We Shall Overcome.”\u003c/p>\n\u003cfigure id=\"attachment_13839946\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839946\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-800x450.jpg\" alt=\"Bonobo at the 2014 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bonobo at the 2014 Coachella Valley Music & Arts Festival. \u003ccite>(Jason Kempin/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.themidwaysf.com/event/1750684-bonobo-dj-set-san-francisco/\" target=\"_blank\" rel=\"noopener\">Bonobo\u003c/a>\u003cbr>\nNov. 17, The Midway, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>The Midway, the spacious warehouse-turned-venue in San Francisco’s Dogpatch neighborhood, is an excellent place to rave. This November, it plays host to British producer Bonobo, who’s earned a cult following over the past 20 years for his eclectic house, EDM and ambient production, fusing jazz and world music elements into his danceable and surprising beats.\u003c/p>\n\u003cfigure id=\"attachment_13839947\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839947\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-800x450.jpg\" alt=\"Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. \u003ccite>(Steven Ferdman/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.oraclearena.com/events/detail/fleetwood-mac-2\" target=\"_blank\" rel=\"noopener\">Fleetwood Mac\u003c/a>\u003cbr>\nNov. 25, Oracle Arena, Oakland.\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Fleetwood Mac’s “Dreams” unexpectedly shot to the top of Billboard’s rock chart this year on the strength of a viral meme that paired the 1977 track with a video of Alcorn State University’s dance troupe—a testament to Fleetwood Mac’s enduring, cross-cultural and intergenerational appeal. The band is back on tour and working on new material, so here’s a chance to watch them perform classics like “The Chain” and “Go Your Own Way” and witness frontwoman Stevie Nicks in all her bohemian goddess glory.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Full Treasure Island 2018 Lineup: Tame Impala, A$AP Rocky, Diplo, More",
"headTitle": "Full Treasure Island 2018 Lineup: Tame Impala, A$AP Rocky, Diplo, More | KQED",
"content": "\u003cp>The Treasure Island Musical Festival lineup has arrived.\u003c/p>\n\u003cp>After taking a year off in 2017, the Treasure Island Music Festival this week announced its return on Oct. 13-14, 2018 — this time, not to its namesake location, but at \u003ca href=\"https://www.kqed.org/arts/13832219/treasure-island-music-festival-to-return-relocate-to-oakland-shore-in-2018\" target=\"_blank\" rel=\"noopener\">Middle Harbor Shoreline Park in Oakland\u003c/a>.\u003c/p>\n\u003cp>Now, just a day later, festival promoters Noise Pop and Another Planet Entertainment have announced the complete lineup, featuring psychedelic indie rockers Tame Impala and rapper A$AP Rocky as headliners. Other acts to look forward to include Pusha T; electro-pop singer Santigold; rapidly rising bedroom pop artist Soccer Mommy; and Silk City, a production duo of Diplo and Mark Ronson.\u003c/p>\n\u003cp>Two-day tickets go on sale this Friday, May 18, at noon. \u003ca href=\"https://www.treasureislandfestival.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Full Lineup: \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Tame Impala\u003cbr>\nA$AP Rocky\u003cbr>\nSilk City (Diplo & Mark Ronson)\u003cbr>\nLord Huron\u003cbr>\nSantigold\u003cbr>\nCourtney Barnett\u003cbr>\nJungle\u003cbr>\nPusha T\u003cbr>\nSharon Van Etten\u003cbr>\nAminé\u003cbr>\nCigarettes After Sex\u003cbr>\nHiatus Kaiyote\u003cbr>\nLaff Trax (Toro y Moi & Nosaj Thing)\u003cbr>\nU.S. Girls\u003cbr>\nPolo & Pan\u003cbr>\nMoses Sumney\u003cbr>\nAlex Cameron\u003cbr>\nPolo & Pan\u003cbr>\nPond\u003cbr>\nShame\u003cbr>\nGeorge Fitzgerald\u003cbr>\nSoccer Mommy\u003cbr>\nserpentwithfeet\u003cbr>\nJPEGMAFIA\u003cbr>\nGilligan Moss\u003c/strong>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Treasure Island Musical Festival lineup has arrived.\u003c/p>\n\u003cp>After taking a year off in 2017, the Treasure Island Music Festival this week announced its return on Oct. 13-14, 2018 — this time, not to its namesake location, but at \u003ca href=\"https://www.kqed.org/arts/13832219/treasure-island-music-festival-to-return-relocate-to-oakland-shore-in-2018\" target=\"_blank\" rel=\"noopener\">Middle Harbor Shoreline Park in Oakland\u003c/a>.\u003c/p>\n\u003cp>Now, just a day later, festival promoters Noise Pop and Another Planet Entertainment have announced the complete lineup, featuring psychedelic indie rockers Tame Impala and rapper A$AP Rocky as headliners. Other acts to look forward to include Pusha T; electro-pop singer Santigold; rapidly rising bedroom pop artist Soccer Mommy; and Silk City, a production duo of Diplo and Mark Ronson.\u003c/p>\n\u003cp>Two-day tickets go on sale this Friday, May 18, at noon. \u003ca href=\"https://www.treasureislandfestival.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Full Lineup: \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"title": "Rightnowish",
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"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"soldout": {
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"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
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