This fall, the Bay Area concert calendar is packed with music festivals, tours from all-time greats and club appearances from notable up-and-comers. Whether you’re nostalgic for hyphy, craving a rave or need a soul-cleansing night of protest anthems, we’ve got you covered with our selective list of shows not to miss this season. Stay tuned for our jazz and classical preview later this week.
September
E-40 performs at the 2014 Coachella Valley Music & Arts Festival. (Kevin Winter/Getty Images for Coachella)
Rolling Loud, the traveling rap festival, comes to the Bay Area for the second year in a row, bringing a solid mix of local and national talent to Oakland’s Oracle Arena. This festival is all about street and party rap, booking underground favorites alongside established major label signees. E-40, Kamaiyah, Mozzy, Noni Blanco, ALLBLACK and Saweetie are just a few of the artists representing Northern California, while Wiz Khalifa and Travis Scott headline. Gucci Mane, one of the architects of modern-day trap music, also appears, alongside next-generation trap artists like Lil Uzi Vert and Playboy Carti.
Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. (Kevin Winter/Getty Images for FYF)
Devonté Hynes originally gained attention as a producer for indie-pop favorites Solange and Sky Ferreira before rising to major acclaim as a solo artist. As Blood Orange, his soulful tracks, with ’80s power-ballad drums and funky bass lines, stem from the lineages of Prince and Sade. Blood Orange brings a decisively melancholy overtone to his compositions; his latest album, Negro Swan, is a highly personal project that deals with coming to terms with being different. He’s also a Bay Area favorite. When he opened for Grace Jones at the Greek Theater in 2016, he paid homage to Terrence McCrary, a.k.a TMACK, an artist and well-loved member of the creative community who was killed in a shooting.
Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison. (Lance Dawes/Courtesy of Los Tigres del Norte)
Los Tigres del Norte are practically synonymous with Mexican norteño music. Led by three brothers originally from Mexico, the band was founded in San Jose, where they perform in September with Mexican singer Alexandro Fernández, son of the great balladeer Vicente Fernández. With several generations of fans, Los Tigres have leveraged their fame to make powerful political statements. Most recently, they performed at Folsom State Prison in an act of solidarity with incarcerated people; prior to that, their song “Paisano a Paisano” told the stories of undocumented farm workers who toil in the fields as their bosses reap the riches.
Lil B performs at the 2015 Coachella Valley Music & Arts Festival. (Frazer Harrison/Getty Images for Coachella)
Nostalgic for the hyphy movement? DMP Music Festival, a new event in its first year, is the place to go stupid. The Pack, Lil B’s rap group responsible for songs like “Vans” and “Booty Bounce Boppa,” reunites for this event. Joining them on the bill is Vallejo rap prodigy Nef the Pharaoh, along with D-Lo, the North Oakland rapper whose 2009 song “No Hoe” still puts dance floors in a frenzy nearly 10 years later. Stunna shades and tall tees not required.
Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013. (Gabriel Olsen/Getty Images)
Giorgio Moroder is the reason why half of the music on the radio sounds the way it does. Known as the father of disco and grandfather of house, the Italian producer helped popularize the synthesizer as a staple instrument of popular music, working with Donna Summer, Blondie, David Bowie, Daft Punk and many more. At 78 years old, he’s still touring and creating, and is considered the oldest DJ in the world. A true living legend.
Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California. (Larry Busacca/Getty Images for Coachella)
Jay Z may have spat some bars about financial literacy recently, but Beyoncé is the true star of her and her husband’s On the Run II tour. As we saw with her Coachella performance, her live show is a larger-than-life, dazzling showcase that celebrates black family, femininity, love, creativity and resistance. Beyoncé and Jay Z’s latest album, Everything is Love, which they released as The Carters, is a jubilant victory lap that celebrates America’s first family of pop.
October
Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana. ( Rick Diamond/Getty Images)
Hardly Strictly Bluegrass has become a San Francisco tradition over the past 18 years, and best of all, it’s free. The fest books mostly bluegrass, folk and country acts, but there are also usually surprises from other genres (past years have featured MC Hammer and Big Freedia). The 2018 lineup includes over 80 acts on six stages; notable artists to look out for include singer-songwriter Ani DiFranco, Chicano rockers Los Lobos, Graham Nash of Crosby, Stills, Nash & Young and lots more.
Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016. (Kevin Winter/Getty Images for FYF)
After skipping a year in 2017, Treasure Island is back—this time across the bay in West Oakland’s Middle Harbor Shoreline Park. Headliners this year include “L$D” rapper A$AP Rocky and psych rockers Tame Impala. Pusha T, who recently made a comeback on Kanye West’s G.O.O.D. Music after his infamous beef with Drake, will also be there, as well as Courtney Barnett and Soccer Mommy, two of the most interesting indie rock singer-songwriters to come out in years.
November
Joan Baez performs onstage at the ASCAP Centennial Awards in 2014. (Brian Ach/Getty Images for ASCAP)
Joan Baez
Nov. 11, Weill Hall, Ronhert Park
Nov. 15, The Masonic, San Francisco
Nov. 16–17, Fox Theater, Oakland.
Joan Baez—need I say more? The folk great and activist will be making her rounds through Northern California in November with four sold-out concerts. (At press time, tickets are still available on the secondary market starting in the $70 range.) Baez has used her voice to stand in solidarity with the civil rights, labor and anti-war movements and continues to give people hope in today’s political moment with classic songs like “We Shall Overcome.”
Bonobo at the 2014 Coachella Valley Music & Arts Festival. (Jason Kempin/Getty Images for Coachella)
The Midway, the spacious warehouse-turned-venue in San Francisco’s Dogpatch neighborhood, is an excellent place to rave. This November, it plays host to British producer Bonobo, who’s earned a cult following over the past 20 years for his eclectic house, EDM and ambient production, fusing jazz and world music elements into his danceable and surprising beats.
Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. (Steven Ferdman/Getty Images)
Fleetwood Mac’s “Dreams” unexpectedly shot to the top of Billboard’s rock chart this year on the strength of a viral meme that paired the 1977 track with a video of Alcorn State University’s dance troupe—a testament to Fleetwood Mac’s enduring, cross-cultural and intergenerational appeal. The band is back on tour and working on new material, so here’s a chance to watch them perform classics like “The Chain” and “Go Your Own Way” and witness frontwoman Stevie Nicks in all her bohemian goddess glory.
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"title": "11 Must-See Fall Concerts: Beyoncé, Giorgio Moroder, Blood Orange and More",
"headTitle": "11 Must-See Fall Concerts: Beyoncé, Giorgio Moroder, Blood Orange and More | KQED",
"content": "\u003cp>This fall, the Bay Area concert calendar is packed with music festivals, tours from all-time greats and club appearances from notable up-and-comers. Whether you’re nostalgic for hyphy, craving a rave or need a soul-cleansing night of protest anthems, we’ve got you covered with our selective list of shows not to miss this season. Stay tuned for our jazz and classical preview later this week.\u003c/p>\n\u003ch2>September\u003c/h2>\n\u003cfigure id=\"attachment_13839943\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839943\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-800x450.jpg\" alt=\"E-40 performs at the 2014 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E-40 performs at the 2014 Coachella Valley Music & Arts Festival. \u003ccite>(Kevin Winter/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.oraclearena.com/events/detail/rolling-loud\" target=\"_blank\" rel=\"noopener\">Rolling Loud\u003c/a>\u003cbr>\nSept. 15–16, Oracle Arena, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Rolling Loud, the traveling rap festival, comes to the Bay Area for the second year in a row, bringing a solid mix of local and national talent to Oakland’s Oracle Arena. This festival is all about street and party rap, booking underground favorites alongside established major label signees. E-40, Kamaiyah, Mozzy, Noni Blanco, ALLBLACK and Saweetie are just a few of the artists representing Northern California, while Wiz Khalifa and Travis Scott headline. Gucci Mane, one of the architects of modern-day trap music, also appears, alongside next-generation trap artists like Lil Uzi Vert and Playboy Carti.\u003c/p>\n\u003cfigure id=\"attachment_13839941\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839941\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-800x457.jpg\" alt=\"Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. \" width=\"800\" height=\"457\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-800x457.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-768x439.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1020x583.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1200x686.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1180x674.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-960x549.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-240x137.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-375x214.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-520x297.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://thefoxoakland.com/events/blood-orange-2\" target=\"_blank\" rel=\"noopener\">\u003cb>Blood Orange\u003c/b>\u003c/a>\u003cbr>\n\u003cstrong>Sept. 20, Fox Theater, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Devonté Hynes originally gained attention as a producer for indie-pop favorites Solange and Sky Ferreira before rising to major acclaim as a solo artist. As Blood Orange, his soulful tracks, with ’80s power-ballad drums and funky bass lines, stem from the lineages of Prince and Sade. Blood Orange brings a decisively melancholy overtone to his compositions; his latest album,\u003cem> Negro Swan\u003c/em>, is a highly personal project that deals with coming to terms with being different. He’s also a Bay Area favorite. When he opened for Grace Jones at the Greek Theater in 2016, he paid homage to Terrence McCrary, a.k.a TMACK, an artist and well-loved member of the creative community who was killed in a shooting.\u003c/p>\n\u003cfigure id=\"attachment_13829933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829933\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-800x450.jpg\" alt=\"Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1200x674.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1180x663.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison. \u003ccite>(Lance Dawes/Courtesy of Los Tigres del Norte)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.sapcenter.com/events/detail/lostigresdelnorteandalejandrofernandez\" target=\"_blank\" rel=\"noopener\">Los Tigres del Norte and Alejandro Fernández\u003c/a>\u003cbr>\nSept. 21, SAP Center, San Jose.\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Los Tigres del Norte are practically synonymous with Mexican norteño music. Led by three brothers originally from Mexico, the band was founded in San Jose, where they perform in September with Mexican singer Alexandro Fernández, son of the great balladeer Vicente Fernández. With several generations of fans, Los Tigres have leveraged their fame to make powerful political statements. Most recently, they performed at Folsom State Prison in an act of solidarity with incarcerated people; prior to that, their song “Paisano a Paisano” told the stories of undocumented farm workers who toil in the fields as their bosses reap the riches.\u003c/p>\n\u003cfigure id=\"attachment_13839939\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839939\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-800x450.jpg\" alt=\"Lil B performs at the 2015 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil B performs at the 2015 Coachella Valley Music & Arts Festival. \u003ccite>(Frazer Harrison/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/210090923180784/\" target=\"_blank\" rel=\"noopener\">DMP Music Festival\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Sept. 23, SoMa StrEat Food Park, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Nostalgic for the hyphy movement? DMP Music Festival, a new event in its first year, is the place to go stupid. The Pack, Lil B’s rap group responsible for songs like “Vans” and “Booty Bounce Boppa,” reunites for this event. Joining them on the bill is Vallejo rap prodigy Nef the Pharaoh, along with D-Lo, the North Oakland rapper whose 2009 song “No Hoe” still puts dance floors in a frenzy nearly 10 years later. Stunna shades and tall tees not required.\u003c/p>\n\u003cfigure id=\"attachment_10136103\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10136103 size-large\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/05/186799878_custom-49bd38fa52b87ae2afc5980791481eaa9028d70a-1440x1014.jpg\" alt=\"Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013.\" width=\"640\" height=\"451\">\u003cfigcaption class=\"wp-caption-text\">Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013. \u003ccite>(Gabriel Olsen/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://mezzaninesf.com/events/giorgio-moroder/\" target=\"_blank\" rel=\"noopener\">Giorgio Moroder\u003c/a>\u003cbr>\nSept. 28, Mezzanine, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Giorgio Moroder is the reason why half of the music on the radio sounds the way it does. Known as the father of disco and grandfather of house, the Italian producer helped popularize the synthesizer as a staple instrument of popular music, working with Donna Summer, Blondie, David Bowie, Daft Punk and many more. At 78 years old, he’s still touring and creating, and is considered the oldest DJ in the world. A true living legend.\u003c/p>\n\u003cp>\u003cb>\u003ca href=\"http://www.levisstadium.com/event/2018-09-29-otr-ll/\" target=\"_blank\" rel=\"noopener\">Beyoncé and Jay Z\u003c/a>\u003cbr>\n\u003cb>Sept. 29, Levi’s Stadium, Santa Clara.\u003c/b>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13829594\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829594\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-800x450.jpg\" alt=\"Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California. \u003ccite>(Larry Busacca/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jay Z may have spat some bars about financial literacy recently, but Beyoncé is the true star of her and her husband’s On the Run II tour. As we saw with her Coachella performance, her live show is a larger-than-life, dazzling showcase that celebrates black family, femininity, love, creativity and resistance. Beyoncé and Jay Z’s latest album, \u003cem>Everything is Love\u003c/em>, which they released as The Carters, is a jubilant victory lap that celebrates America’s first family of pop.\u003c/p>\n\u003ch2>October\u003c/h2>\n\u003cfigure id=\"attachment_13839867\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839867\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-800x450.jpg\" alt=\"Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana. \u003ccite>( Rick Diamond/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.hardlystrictlybluegrass.com/2018/\" target=\"_blank\" rel=\"noopener\">Hardly Strictly Bluegrass\u003c/a>\u003cbr>\nOct. 5–7, Golden Gate Park, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Hardly Strictly Bluegrass has become a San Francisco tradition over the past 18 years, and best of all, it’s free. The fest books mostly bluegrass, folk and country acts, but there are also usually surprises from other genres (past years have featured MC Hammer and Big Freedia). The 2018 lineup includes over 80 acts on six stages; notable artists to look out for include singer-songwriter Ani DiFranco, Chicano rockers Los Lobos, Graham Nash of Crosby, Stills, Nash & Young and lots more.\u003c/p>\n\u003cfigure id=\"attachment_13832404\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832404\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/tame-impala-800x450.jpg\" alt=\"Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.treasureislandfestival.com/\" target=\"_blank\" rel=\"noopener\">Treasure Island Music Festival\u003c/a>\u003cbr>\nOct. 13–14, Middle Harbor Shoreline Park, Oakland.\u003c/strong>\u003c/p>\n\u003cp>After skipping a year in 2017, Treasure Island is back—this time across the bay in West Oakland’s Middle Harbor Shoreline Park. Headliners this year include “L$D” rapper A$AP Rocky and psych rockers Tame Impala. Pusha T, who recently made a comeback on Kanye West’s G.O.O.D. Music after his infamous beef with Drake, will also be there, as well as Courtney Barnett and Soccer Mommy, two of the most interesting indie rock singer-songwriters to come out in years.\u003c/p>\n\u003ch2>November\u003c/h2>\n\u003cfigure id=\"attachment_13013074\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13013074\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-800x450.jpg\" alt=\"Joan Baez performs onstage at the ASCAP Centennial Awards in 2014.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Joan Baez performs onstage at the ASCAP Centennial Awards in 2014. \u003ccite>(Brian Ach/Getty Images for ASCAP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.stubhub.com/joan-baez-tickets/performer/228/\" target=\"_blank\" rel=\"noopener\">Joan Baez\u003c/a>\u003cbr>\nNov. 11, Weill Hall, Ronhert Park\u003cbr>\nNov. 15, The Masonic, San Francisco\u003cbr>\nNov. 16–17, Fox Theater, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Joan Baez—need I say more? The folk great and activist will be making her rounds through Northern California in November with four sold-out concerts. (At press time, tickets are still available on the secondary market starting in the $70 range.) Baez has used her voice to stand in solidarity with the civil rights, labor and anti-war movements and continues to give people hope in today’s political moment with classic songs like “We Shall Overcome.”\u003c/p>\n\u003cfigure id=\"attachment_13839946\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839946\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-800x450.jpg\" alt=\"Bonobo at the 2014 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bonobo at the 2014 Coachella Valley Music & Arts Festival. \u003ccite>(Jason Kempin/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.themidwaysf.com/event/1750684-bonobo-dj-set-san-francisco/\" target=\"_blank\" rel=\"noopener\">Bonobo\u003c/a>\u003cbr>\nNov. 17, The Midway, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>The Midway, the spacious warehouse-turned-venue in San Francisco’s Dogpatch neighborhood, is an excellent place to rave. This November, it plays host to British producer Bonobo, who’s earned a cult following over the past 20 years for his eclectic house, EDM and ambient production, fusing jazz and world music elements into his danceable and surprising beats.\u003c/p>\n\u003cfigure id=\"attachment_13839947\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839947\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-800x450.jpg\" alt=\"Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. \u003ccite>(Steven Ferdman/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.oraclearena.com/events/detail/fleetwood-mac-2\" target=\"_blank\" rel=\"noopener\">Fleetwood Mac\u003c/a>\u003cbr>\nNov. 25, Oracle Arena, Oakland.\u003c/strong>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Fleetwood Mac’s “Dreams” unexpectedly shot to the top of Billboard’s rock chart this year on the strength of a viral meme that paired the 1977 track with a video of Alcorn State University’s dance troupe—a testament to Fleetwood Mac’s enduring, cross-cultural and intergenerational appeal. The band is back on tour and working on new material, so here’s a chance to watch them perform classics like “The Chain” and “Go Your Own Way” and witness frontwoman Stevie Nicks in all her bohemian goddess glory.\u003c/p>\n\n",
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"excerpt": " Whether you're nostalgic for the hyphy movement, craving a rave or need a soul-cleansing moment of singing along to protest anthems, we've got you covered. ",
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"title": "11 Must-See Fall Concerts: Beyoncé, Giorgio Moroder, Blood Orange and More | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This fall, the Bay Area concert calendar is packed with music festivals, tours from all-time greats and club appearances from notable up-and-comers. Whether you’re nostalgic for hyphy, craving a rave or need a soul-cleansing night of protest anthems, we’ve got you covered with our selective list of shows not to miss this season. Stay tuned for our jazz and classical preview later this week.\u003c/p>\n\u003ch2>September\u003c/h2>\n\u003cfigure id=\"attachment_13839943\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839943\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-800x450.jpg\" alt=\"E-40 performs at the 2014 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E-40 performs at the 2014 Coachella Valley Music & Arts Festival. \u003ccite>(Kevin Winter/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.oraclearena.com/events/detail/rolling-loud\" target=\"_blank\" rel=\"noopener\">Rolling Loud\u003c/a>\u003cbr>\nSept. 15–16, Oracle Arena, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Rolling Loud, the traveling rap festival, comes to the Bay Area for the second year in a row, bringing a solid mix of local and national talent to Oakland’s Oracle Arena. This festival is all about street and party rap, booking underground favorites alongside established major label signees. E-40, Kamaiyah, Mozzy, Noni Blanco, ALLBLACK and Saweetie are just a few of the artists representing Northern California, while Wiz Khalifa and Travis Scott headline. Gucci Mane, one of the architects of modern-day trap music, also appears, alongside next-generation trap artists like Lil Uzi Vert and Playboy Carti.\u003c/p>\n\u003cfigure id=\"attachment_13839941\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839941\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-800x457.jpg\" alt=\"Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. \" width=\"800\" height=\"457\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-800x457.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-768x439.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1020x583.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1200x686.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1180x674.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-960x549.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-240x137.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-375x214.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-520x297.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://thefoxoakland.com/events/blood-orange-2\" target=\"_blank\" rel=\"noopener\">\u003cb>Blood Orange\u003c/b>\u003c/a>\u003cbr>\n\u003cstrong>Sept. 20, Fox Theater, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Devonté Hynes originally gained attention as a producer for indie-pop favorites Solange and Sky Ferreira before rising to major acclaim as a solo artist. As Blood Orange, his soulful tracks, with ’80s power-ballad drums and funky bass lines, stem from the lineages of Prince and Sade. Blood Orange brings a decisively melancholy overtone to his compositions; his latest album,\u003cem> Negro Swan\u003c/em>, is a highly personal project that deals with coming to terms with being different. He’s also a Bay Area favorite. When he opened for Grace Jones at the Greek Theater in 2016, he paid homage to Terrence McCrary, a.k.a TMACK, an artist and well-loved member of the creative community who was killed in a shooting.\u003c/p>\n\u003cfigure id=\"attachment_13829933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829933\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-800x450.jpg\" alt=\"Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1200x674.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1180x663.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison. \u003ccite>(Lance Dawes/Courtesy of Los Tigres del Norte)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.sapcenter.com/events/detail/lostigresdelnorteandalejandrofernandez\" target=\"_blank\" rel=\"noopener\">Los Tigres del Norte and Alejandro Fernández\u003c/a>\u003cbr>\nSept. 21, SAP Center, San Jose.\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Los Tigres del Norte are practically synonymous with Mexican norteño music. Led by three brothers originally from Mexico, the band was founded in San Jose, where they perform in September with Mexican singer Alexandro Fernández, son of the great balladeer Vicente Fernández. With several generations of fans, Los Tigres have leveraged their fame to make powerful political statements. Most recently, they performed at Folsom State Prison in an act of solidarity with incarcerated people; prior to that, their song “Paisano a Paisano” told the stories of undocumented farm workers who toil in the fields as their bosses reap the riches.\u003c/p>\n\u003cfigure id=\"attachment_13839939\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839939\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-800x450.jpg\" alt=\"Lil B performs at the 2015 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil B performs at the 2015 Coachella Valley Music & Arts Festival. \u003ccite>(Frazer Harrison/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/210090923180784/\" target=\"_blank\" rel=\"noopener\">DMP Music Festival\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Sept. 23, SoMa StrEat Food Park, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Nostalgic for the hyphy movement? DMP Music Festival, a new event in its first year, is the place to go stupid. The Pack, Lil B’s rap group responsible for songs like “Vans” and “Booty Bounce Boppa,” reunites for this event. Joining them on the bill is Vallejo rap prodigy Nef the Pharaoh, along with D-Lo, the North Oakland rapper whose 2009 song “No Hoe” still puts dance floors in a frenzy nearly 10 years later. Stunna shades and tall tees not required.\u003c/p>\n\u003cfigure id=\"attachment_10136103\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10136103 size-large\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/05/186799878_custom-49bd38fa52b87ae2afc5980791481eaa9028d70a-1440x1014.jpg\" alt=\"Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013.\" width=\"640\" height=\"451\">\u003cfigcaption class=\"wp-caption-text\">Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013. \u003ccite>(Gabriel Olsen/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://mezzaninesf.com/events/giorgio-moroder/\" target=\"_blank\" rel=\"noopener\">Giorgio Moroder\u003c/a>\u003cbr>\nSept. 28, Mezzanine, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Giorgio Moroder is the reason why half of the music on the radio sounds the way it does. Known as the father of disco and grandfather of house, the Italian producer helped popularize the synthesizer as a staple instrument of popular music, working with Donna Summer, Blondie, David Bowie, Daft Punk and many more. At 78 years old, he’s still touring and creating, and is considered the oldest DJ in the world. A true living legend.\u003c/p>\n\u003cp>\u003cb>\u003ca href=\"http://www.levisstadium.com/event/2018-09-29-otr-ll/\" target=\"_blank\" rel=\"noopener\">Beyoncé and Jay Z\u003c/a>\u003cbr>\n\u003cb>Sept. 29, Levi’s Stadium, Santa Clara.\u003c/b>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13829594\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829594\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-800x450.jpg\" alt=\"Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California. \u003ccite>(Larry Busacca/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jay Z may have spat some bars about financial literacy recently, but Beyoncé is the true star of her and her husband’s On the Run II tour. As we saw with her Coachella performance, her live show is a larger-than-life, dazzling showcase that celebrates black family, femininity, love, creativity and resistance. Beyoncé and Jay Z’s latest album, \u003cem>Everything is Love\u003c/em>, which they released as The Carters, is a jubilant victory lap that celebrates America’s first family of pop.\u003c/p>\n\u003ch2>October\u003c/h2>\n\u003cfigure id=\"attachment_13839867\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839867\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-800x450.jpg\" alt=\"Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana. \u003ccite>( Rick Diamond/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.hardlystrictlybluegrass.com/2018/\" target=\"_blank\" rel=\"noopener\">Hardly Strictly Bluegrass\u003c/a>\u003cbr>\nOct. 5–7, Golden Gate Park, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Hardly Strictly Bluegrass has become a San Francisco tradition over the past 18 years, and best of all, it’s free. The fest books mostly bluegrass, folk and country acts, but there are also usually surprises from other genres (past years have featured MC Hammer and Big Freedia). The 2018 lineup includes over 80 acts on six stages; notable artists to look out for include singer-songwriter Ani DiFranco, Chicano rockers Los Lobos, Graham Nash of Crosby, Stills, Nash & Young and lots more.\u003c/p>\n\u003cfigure id=\"attachment_13832404\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832404\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/tame-impala-800x450.jpg\" alt=\"Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.treasureislandfestival.com/\" target=\"_blank\" rel=\"noopener\">Treasure Island Music Festival\u003c/a>\u003cbr>\nOct. 13–14, Middle Harbor Shoreline Park, Oakland.\u003c/strong>\u003c/p>\n\u003cp>After skipping a year in 2017, Treasure Island is back—this time across the bay in West Oakland’s Middle Harbor Shoreline Park. Headliners this year include “L$D” rapper A$AP Rocky and psych rockers Tame Impala. Pusha T, who recently made a comeback on Kanye West’s G.O.O.D. Music after his infamous beef with Drake, will also be there, as well as Courtney Barnett and Soccer Mommy, two of the most interesting indie rock singer-songwriters to come out in years.\u003c/p>\n\u003ch2>November\u003c/h2>\n\u003cfigure id=\"attachment_13013074\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13013074\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-800x450.jpg\" alt=\"Joan Baez performs onstage at the ASCAP Centennial Awards in 2014.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Joan Baez performs onstage at the ASCAP Centennial Awards in 2014. \u003ccite>(Brian Ach/Getty Images for ASCAP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.stubhub.com/joan-baez-tickets/performer/228/\" target=\"_blank\" rel=\"noopener\">Joan Baez\u003c/a>\u003cbr>\nNov. 11, Weill Hall, Ronhert Park\u003cbr>\nNov. 15, The Masonic, San Francisco\u003cbr>\nNov. 16–17, Fox Theater, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Joan Baez—need I say more? The folk great and activist will be making her rounds through Northern California in November with four sold-out concerts. (At press time, tickets are still available on the secondary market starting in the $70 range.) Baez has used her voice to stand in solidarity with the civil rights, labor and anti-war movements and continues to give people hope in today’s political moment with classic songs like “We Shall Overcome.”\u003c/p>\n\u003cfigure id=\"attachment_13839946\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839946\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-800x450.jpg\" alt=\"Bonobo at the 2014 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bonobo at the 2014 Coachella Valley Music & Arts Festival. \u003ccite>(Jason Kempin/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.themidwaysf.com/event/1750684-bonobo-dj-set-san-francisco/\" target=\"_blank\" rel=\"noopener\">Bonobo\u003c/a>\u003cbr>\nNov. 17, The Midway, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>The Midway, the spacious warehouse-turned-venue in San Francisco’s Dogpatch neighborhood, is an excellent place to rave. This November, it plays host to British producer Bonobo, who’s earned a cult following over the past 20 years for his eclectic house, EDM and ambient production, fusing jazz and world music elements into his danceable and surprising beats.\u003c/p>\n\u003cfigure id=\"attachment_13839947\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839947\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-800x450.jpg\" alt=\"Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. \u003ccite>(Steven Ferdman/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.oraclearena.com/events/detail/fleetwood-mac-2\" target=\"_blank\" rel=\"noopener\">Fleetwood Mac\u003c/a>\u003cbr>\nNov. 25, Oracle Arena, Oakland.\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Fleetwood Mac’s “Dreams” unexpectedly shot to the top of Billboard’s rock chart this year on the strength of a viral meme that paired the 1977 track with a video of Alcorn State University’s dance troupe—a testament to Fleetwood Mac’s enduring, cross-cultural and intergenerational appeal. The band is back on tour and working on new material, so here’s a chance to watch them perform classics like “The Chain” and “Go Your Own Way” and witness frontwoman Stevie Nicks in all her bohemian goddess glory.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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},
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"airtime": "SUN 7:30pm-8pm",
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"info": "Inside Europe, a one-hour weekly news magazine hosted by Helen Seeney and Keith Walker, explores the topical issues shaping the continent. No other part of the globe has experienced such dynamic political and social change in recent years.",
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"title": "Latino USA",
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"live-from-here-highlights": {
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"title": "Live from Here Highlights",
"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
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"rss": "https://feeds.publicradio.org/public_feeds/a-prairie-home-companion-highlights/rss/rss"
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
"id": "mindshift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 13
},
"link": "/podcasts/mindshift",
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"order": 12
},
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
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"link": "/radio/program/on-the-media",
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},
"our-body-politic": {
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"title": "Our Body Politic",
"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg",
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"meta": {
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},
"link": "/radio/program/our-body-politic",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw",
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"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
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},
"perspectives": {
"id": "perspectives",
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"tagline": "KQED's series of daily listener commentaries since 1991",
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"officialWebsiteLink": "/perspectives/",
"meta": {
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"order": 15
},
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