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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On Sunday, before Shannon & the Clams croon the weekend to a close, Ty Segall’s ’70s-inspired \u003ca href=\"https://intheredrecords.com/collections/fuzz\" target=\"_blank\" rel=\"noopener noreferrer\">Fuzz\u003c/a> will bring the heavy riffs, \u003ca href=\"https://www.sheer-mag.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Sheer Mag\u003c/a> will provide the emotional anthems and \u003ca href=\"https://www.instagram.com/niis.losangeles/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">NIIS\u003c/a> will be offering unfiltered rage. Best of all, \u003ca href=\"https://josiecotton.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Josie Cotton\u003c/a> will make an appearance. In case you can’t quite remember where you’ve heard the name before, try a viewing of the 1983 classic \u003cem>Valley Girl\u003c/em>, including the number featured below.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/E3gzRg-8qD8'\n title='//www.youtube.com/embed/E3gzRg-8qD8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Those in need of some jump scares not provided by the music on offer will be pleased to hear there will also be a haunted house on site at the festival, as well as a costume contest.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Halloween Meltdown will take place at Oakland’s Mosswood Park on Oct. 8 and 9, 2022. \u003ca href=\"https://wl.seetickets.us/event/Halloween-Meltdown-2022-Hosted-by-John-Waters/493038?afflky=MosswoodMeltdown\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Mosswood Meltdown 2023 Lineup: Le Tigre, Bratmobile, ESG, J.J. Fad, Gravy Train!!!! and More",
"headTitle": "Mosswood Meltdown 2023 Lineup: Le Tigre, Bratmobile, ESG, J.J. Fad, Gravy Train!!!! and More | KQED",
"content": "\u003cp>\u003cem>This post has been updated.\u003c/em>\u003c/p>\n\u003cp>Oakland rock festival \u003ca href=\"https://mosswoodmeltdown.com/\">Mosswood Meltdown\u003c/a> has announced the full lineup for its 2023 event.\u003c/p>\n\u003cp>Set for 4th of July weekend, the festival will feature feminist electronic punk band Le Tigre, the first show in 20 years of groundbreaking riot grrrl group Bratmobile, “Supersonic” hitmakers J.J. Fad, proto-hip-hop New York group ESG, a reunion of the Oakland queercore group Gravy Train!!!!, Tina & the Total Babes, the Avengers, the Rondelles, Mika Miko, Quintron & Miss Pussycat and more.\u003c/p>\n\u003cp>Formerly known as Burger Boogaloo, \u003ca href=\"https://www.kqed.org/arts/13883674/burger-boogaloo-festival-cuts-ties-with-record-label-after-sex-abuse-allegations\">the festival underwent a rebranding\u003c/a> during the pandemic and emerged this past summer for the first time since 2019. In July, the festival bridged together generations of rock musicians, allowing newcomers like the Linda Lindas to share a stage with \u003ca href=\"https://www.kqed.org/arts/13915779/mosswood-meltdown-2022-bikini-kill-kim-gordon\">longtime performers like Bikini Kill\u003c/a>.\u003c/p>\n\u003cp>[aside label=\"Related Stories\" postID=\"arts_13915779,arts_13883674\"]For its upcoming festival, Mosswood will see the renaissance of musical acts that made splashes in the early 2000s punk scene, including the angsty bubblegum power-pop group Tina & The Total Babes. And a certain generation of local punks will be \u003cem>very\u003c/em> excited about the return of Gravy Train!!!! Featuring Bay Area multi-hyphenate \u003ca href=\"https://www.kqed.org/arts/tag/brontez-purnell\">Brontez Purnell\u003c/a>, the band made a name in the aughts with funny, raunchy, overtly queer lyrics and wildly entertaining live shows.\u003c/p>\n\u003cp>In a sea of corporate music festivals, Mosswood remains a refuge for punk and rockabilly lovers who prefer a DIY spirit and in-your-face music and expression. Once again, the festival will be hosted by filmmaking icon John Waters at Mosswood Park. \u003c/p>\n\u003cp>\u003cstrong>Full lineup:\u003c/strong>\u003c/p>\n\u003cp>Le Tigre\u003cbr>\nBratmobile\u003cbr>\nGravy Train!!!!\u003cbr>\nMika Miko\u003cbr>\nESG\u003cbr>\nTina & The Total Babes\u003cbr>\nThe Rondelles\u003cbr>\nJ.J. Fad\u003cbr>\nQuintron & Ms. Pussycat\u003cbr>\nThe Avengers\u003cbr>\nSnooper\u003cbr>\nBrower\u003cbr>\nMorgan & the Organ Donors\u003cbr>\nMemo P.S.T\u003cbr>\nCumgirl8\u003cbr>\nWarp\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Mosswood Meltdown takes place Saturday, July 1 to Sunday, July 2, 2023 at Mosswood Park in Oakland. \u003ca href=\"https://wl.seetickets.us/event/Mosswood-Meltdown-2023/521062?afflky=MosswoodMeltdown\">More information here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This post has been updated.\u003c/em>\u003c/p>\n\u003cp>Oakland rock festival \u003ca href=\"https://mosswoodmeltdown.com/\">Mosswood Meltdown\u003c/a> has announced the full lineup for its 2023 event.\u003c/p>\n\u003cp>Set for 4th of July weekend, the festival will feature feminist electronic punk band Le Tigre, the first show in 20 years of groundbreaking riot grrrl group Bratmobile, “Supersonic” hitmakers J.J. Fad, proto-hip-hop New York group ESG, a reunion of the Oakland queercore group Gravy Train!!!!, Tina & the Total Babes, the Avengers, the Rondelles, Mika Miko, Quintron & Miss Pussycat and more.\u003c/p>\n\u003cp>Formerly known as Burger Boogaloo, \u003ca href=\"https://www.kqed.org/arts/13883674/burger-boogaloo-festival-cuts-ties-with-record-label-after-sex-abuse-allegations\">the festival underwent a rebranding\u003c/a> during the pandemic and emerged this past summer for the first time since 2019. In July, the festival bridged together generations of rock musicians, allowing newcomers like the Linda Lindas to share a stage with \u003ca href=\"https://www.kqed.org/arts/13915779/mosswood-meltdown-2022-bikini-kill-kim-gordon\">longtime performers like Bikini Kill\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>For its upcoming festival, Mosswood will see the renaissance of musical acts that made splashes in the early 2000s punk scene, including the angsty bubblegum power-pop group Tina & The Total Babes. And a certain generation of local punks will be \u003cem>very\u003c/em> excited about the return of Gravy Train!!!! Featuring Bay Area multi-hyphenate \u003ca href=\"https://www.kqed.org/arts/tag/brontez-purnell\">Brontez Purnell\u003c/a>, the band made a name in the aughts with funny, raunchy, overtly queer lyrics and wildly entertaining live shows.\u003c/p>\n\u003cp>In a sea of corporate music festivals, Mosswood remains a refuge for punk and rockabilly lovers who prefer a DIY spirit and in-your-face music and expression. Once again, the festival will be hosted by filmmaking icon John Waters at Mosswood Park. \u003c/p>\n\u003cp>\u003cstrong>Full lineup:\u003c/strong>\u003c/p>\n\u003cp>Le Tigre\u003cbr>\nBratmobile\u003cbr>\nGravy Train!!!!\u003cbr>\nMika Miko\u003cbr>\nESG\u003cbr>\nTina & The Total Babes\u003cbr>\nThe Rondelles\u003cbr>\nJ.J. Fad\u003cbr>\nQuintron & Ms. Pussycat\u003cbr>\nThe Avengers\u003cbr>\nSnooper\u003cbr>\nBrower\u003cbr>\nMorgan & the Organ Donors\u003cbr>\nMemo P.S.T\u003cbr>\nCumgirl8\u003cbr>\nWarp\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Mosswood Meltdown takes place Saturday, July 1 to Sunday, July 2, 2023 at Mosswood Park in Oakland. \u003ca href=\"https://wl.seetickets.us/event/Mosswood-Meltdown-2023/521062?afflky=MosswoodMeltdown\">More information here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Dream Day 2019: Celebrating Mike 'Dream' Francisco's 50th Birthday",
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"content": "\u003cp>On Aug. 17, Mosswood Park in Oakland will be full of people gathered in celebration of the 50th birthday of the late, great Mike “Dream” Francisco.\u003c/p>\n\u003cp>Dream, a legendary graffiti writer, was raised in Alameda and spent time all over the Bay Area. But he found a home on the walls of Oakland—specifically those near 23rd Avenue and East 12th Street, in what’s known as Oakland’s 23rd Yards. He got his first taste of writing in 1983, and from that moment on, Dream used the walls of the Bay Area as a canvas to create artwork so impressive that publications around the world took note.\u003c/p>\n\u003cp>His notable hand styles and clever messages, as well as the proliferation of pieces that simply read DREAM, helped to spread his name in the graffiti writing world.\u003c/p>\n\u003cfigure id=\"attachment_13864061\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13864061\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/DSC01619-800x532.jpg\" alt=\"Best Of Both Worlds-Dream\" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/DSC01619-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/DSC01619-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/DSC01619-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/DSC01619-1020x678.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/DSC01619-1200x797.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/DSC01619-1920x1276.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/DSC01619.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Two of Dream’s more popular pieces, ‘The Best Of Both Worlds’ and ‘Sweet Dreams.’ \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Much more than just a writer, Dream was a hustler who grew to be politicized. He had the Bay Area vernacular and charisma, \u003ca href=\"https://www.youtube.com/watch?v=zklG2h4B86o\" target=\"_blank\" rel=\"noopener\">and used it in conversation\u003c/a>. He was a proud first-generation Filipino guy who loved hip-hop, and kicked it with folks of all nationalities.\u003c/p>\n\u003cp>He was also a founding member of a crew of writers known as TDK, which originally stood for “Those Damn Kids.” But you know how it is: multiple meanings for an acronym emerge, depending on what the crew got into. So, when they did devious things, they were “The Dark Knights.” When they were talking politics, it was “Tax Dollars Kill.” When they were bragging about how dope they were, they were “The Damn Kings.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Years have passed and the crew has grown. A lot of them still paint; you can find TDK pieces in all corners of the Town. Some have used their artistic ability for other things, like becoming tattoo artists. And a few of them became teachers, still carrying the TDK name—you know, “Teach Da Kids.”\u003c/p>\n\u003cfigure id=\"attachment_13864060\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13864060\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/IMG_1636-800x600.jpg\" alt=\"Dream memorial at the front door of East Side Arts Alliance\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/IMG_1636-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/IMG_1636-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/IMG_1636-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/IMG_1636-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/IMG_1636-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/IMG_1636-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/IMG_1636.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dream memorial at the front door of East Side Arts Alliance. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After Mike ‘Dream’ Francisco was killed on Feb. 17, 2000, in Oakland, the City of Oakland \u003ca href=\"http://nvrovr.blogspot.com/2010/02/city-of-oakland-honors-dream-day.html\" target=\"_blank\" rel=\"noopener\">officially designated\u003c/a> that day as Dream Day in 2010. His legacy not only lives on in the photos of his work and his crew’s continued contributions to the arts, but through his son Akil as well.\u003c/p>\n\u003cp>I have a close connection to Dream’s story: my 2014 documentary film, \u003ca href=\"https://www.youtube.com/watch?v=cDp38sltic8\" target=\"_blank\" rel=\"noopener\">\u003cem>TDK: The Dream Kontinues\u003c/em>\u003c/a>, highlights just a bit of his life and artistry.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But for a real sense of his legacy in the Bay Area, there’s nothing like being around the people he worked with, and the writers he inspired. At Mosswood Park this Saturday, friends, family and writers from around the world will share signatures, tell stories and listen to golden-era hip-hop, with music by DJ Qbert, Wes, Nump and more. It’s all to honor the life of one of the most well-loved graffiti artists of the region.\u003cem>—Pendarvis Harshaw\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Aug. 17, Mosswood Park in Oakland will be full of people gathered in celebration of the 50th birthday of the late, great Mike “Dream” Francisco.\u003c/p>\n\u003cp>Dream, a legendary graffiti writer, was raised in Alameda and spent time all over the Bay Area. But he found a home on the walls of Oakland—specifically those near 23rd Avenue and East 12th Street, in what’s known as Oakland’s 23rd Yards. He got his first taste of writing in 1983, and from that moment on, Dream used the walls of the Bay Area as a canvas to create artwork so impressive that publications around the world took note.\u003c/p>\n\u003cp>His notable hand styles and clever messages, as well as the proliferation of pieces that simply read DREAM, helped to spread his name in the graffiti writing world.\u003c/p>\n\u003cfigure id=\"attachment_13864061\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13864061\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/DSC01619-800x532.jpg\" alt=\"Best Of Both Worlds-Dream\" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/DSC01619-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/DSC01619-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/DSC01619-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/DSC01619-1020x678.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/DSC01619-1200x797.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/DSC01619-1920x1276.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/DSC01619.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Two of Dream’s more popular pieces, ‘The Best Of Both Worlds’ and ‘Sweet Dreams.’ \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Much more than just a writer, Dream was a hustler who grew to be politicized. He had the Bay Area vernacular and charisma, \u003ca href=\"https://www.youtube.com/watch?v=zklG2h4B86o\" target=\"_blank\" rel=\"noopener\">and used it in conversation\u003c/a>. He was a proud first-generation Filipino guy who loved hip-hop, and kicked it with folks of all nationalities.\u003c/p>\n\u003cp>He was also a founding member of a crew of writers known as TDK, which originally stood for “Those Damn Kids.” But you know how it is: multiple meanings for an acronym emerge, depending on what the crew got into. So, when they did devious things, they were “The Dark Knights.” When they were talking politics, it was “Tax Dollars Kill.” When they were bragging about how dope they were, they were “The Damn Kings.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Years have passed and the crew has grown. A lot of them still paint; you can find TDK pieces in all corners of the Town. Some have used their artistic ability for other things, like becoming tattoo artists. And a few of them became teachers, still carrying the TDK name—you know, “Teach Da Kids.”\u003c/p>\n\u003cfigure id=\"attachment_13864060\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13864060\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/IMG_1636-800x600.jpg\" alt=\"Dream memorial at the front door of East Side Arts Alliance\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/IMG_1636-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/IMG_1636-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/IMG_1636-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/IMG_1636-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/IMG_1636-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/IMG_1636-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/IMG_1636.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dream memorial at the front door of East Side Arts Alliance. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After Mike ‘Dream’ Francisco was killed on Feb. 17, 2000, in Oakland, the City of Oakland \u003ca href=\"http://nvrovr.blogspot.com/2010/02/city-of-oakland-honors-dream-day.html\" target=\"_blank\" rel=\"noopener\">officially designated\u003c/a> that day as Dream Day in 2010. His legacy not only lives on in the photos of his work and his crew’s continued contributions to the arts, but through his son Akil as well.\u003c/p>\n\u003cp>I have a close connection to Dream’s story: my 2014 documentary film, \u003ca href=\"https://www.youtube.com/watch?v=cDp38sltic8\" target=\"_blank\" rel=\"noopener\">\u003cem>TDK: The Dream Kontinues\u003c/em>\u003c/a>, highlights just a bit of his life and artistry.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But for a real sense of his legacy in the Bay Area, there’s nothing like being around the people he worked with, and the writers he inspired. At Mosswood Park this Saturday, friends, family and writers from around the world will share signatures, tell stories and listen to golden-era hip-hop, with music by DJ Qbert, Wes, Nump and more. It’s all to honor the life of one of the most well-loved graffiti artists of the region.\u003cem>—Pendarvis Harshaw\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "John Waters Talks Microdosing, Homelessness, and Cops in Pride Before Burger Boogaloo",
"headTitle": "John Waters Talks Microdosing, Homelessness, and Cops in Pride Before Burger Boogaloo | KQED",
"content": "\u003cp>The filmmaker and writer John Waters has since 2008 kept a home in San Francisco, but he reserves comparisons to his beloved Baltimore for the city that calls itself the town—Oakland. \u003c/p>\n\u003cp>Every year since 2015, Waters has hosted \u003ca href=\"http://burgerboogaloo.com/\">Burger Boogaloo\u003c/a>, an Oakland punk and garage rock festival serving a scene that regards him, the sultan of sleaze, as a sort of patron saint. His cult filmography with “Dreamlanders” Divine, Mink Stole and Edith Massey brought the delectable camp of the \u003ca href=\"https://youtu.be/TDHmgGHzDW0\" rel=\"noopener\" target=\"_blank\">Cockettes\u003c/a> into settings and storylines worthy of the most sordid paperback pulp, modeling a style of queer provocation with abiding underground and pop culture resonance. [aside postID=arts_13848767]\u003c/p>\n\u003cp>Waters, with his impish smile and pencil moustache, is as much a draw of the Boogaloo as this year’s headliners Jesus & Mary Chain, Scientists and the Dead Boys. Rounding out the festival, running Saturday, July 6 and Sunday, July 7 in Mosswood Park, are budget-rock legends Phantom Surfers and contemporary acts including Shannon & the Clams and Sheer Mag. \u003c/p>\n\u003cp>In the interview below, edited for clarity and concision, Waters discusses dropping acid as a senior citizen—an experience described in his most recent book, \u003cem>Mr. Know-It-All: The Tarnished Wisdom of a Filth Elder\u003c/em>—as well as his impressions of homelessness in the Bay Area and controversy surrounding cops in San Francisco Pride. \u003c/p>\n\u003cp>\u003cem>[\u003cstrong>Ed. Note\u003c/strong>: This is John Waters, y’all—you know what you’re getting. Obscenity, drugs, and references to sex acts follow.]\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Acid is big in Silicon Valley among the tech set. Are they doing it right? \u003c/strong>\u003c/p>\n\u003cp>Oh, but you’re talking about pussy little microdoses. I think that’s cowardly. If you’re going to trip, let’s trip. I wanted a full blown trip like I remember from 50 years ago, and I got one. But I’m not telling young people what to do. I’m telling old people that had good experiences with it to do it with some old friends you did it with back then as like a sort of high school reunion.\u003c/p>\n\u003cp>\u003cstrong>So you’re not recommending anyone dose at Burger Boogaloo?\u003c/strong>\u003c/p>\n\u003cp>No, I’m not telling anyone to take it at Burger Boogaloo, but God knows, I don’t have to tell anybody what to do at Burger Boogaloo. I’m their host, not their moral guardian. I was a drug enthusiast, I never had a drug problem. Each person has a different experience with drugs—some people instantly become junkies. But I haven’t had a bad trip in my life! \u003c/p>\n\u003cp>\u003cstrong>Would you say punk or garage rock lends itself to the psychedelic experience? \u003c/strong>\u003c/p>\n\u003cp>Not especially. When I tripped, I listed to Dionne Warwick and the soundtrack to \u003cem>Born Free\u003c/em>, and Fellini albums, so not exactly new wave.\u003c/p>\n\u003cp>\u003cstrong>In your previous book you hitchhiked across the country, and in this book you dropped acid. What’s next, joining a cult? Hare Krishna? \u003c/strong>\u003c/p>\n\u003cp>God no, I had enough experiences with a friend in a cult to make me never, ever want to join one. Hare Krishna, I did that material in \u003cem>Female Trouble\u003c/em>: Divine’s daughter goes Hare Krishna, so she kills her. Are there still Hare Krishnas? I don’t see them bothering people in airports.\u003c/p>\n\u003cfigure id=\"attachment_13860389\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-800x533.jpg\" alt=\"John Waters is patron saint of the scenes represented at Burger Boogaloo\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13860389\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Waters is patron saint of the scenes represented at Burger Boogaloo. \u003ccite>(Lily Chou/Courtesy Burger Boogaloo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>It’s 2019 and you’re hosting a festival with the Dead Boys.\u003c/strong>\u003c/p>\n\u003cp>I know, it’s very strange—the only Dead Boy I really knew is dead. Stiv [Bators] was a friend, and he was \u003ca href=\"https://www.youtube.com/watch?v=fZpxb5BIiig\">great in \u003cem>Polyester\u003c/em>\u003c/a>, which is being re-released again, by Criterion. I just saw the cover. I haven’t seen Cheetah [Chrome] since CBGB in the ’70s. I’m looking forward to it. I love meeting all of the bands. One I’m really interested in seeing is Amyl and the Sniffers. \u003c/p>\n\u003cp>\u003cstrong>We have Pride right now in San Francisco, and there’s some \u003ca href=\"https://www.kqed.org/arts/13857994/activists-demand-a-police-free-pride-as-sfpd-ramps-up-its-gay-friendly-image\">controversy\u003c/a> about whether or not cops should have floats and march in the parade. What do you think? \u003c/strong>\u003c/p>\n\u003cp>Yes, of course they should. First of all, I haven’t been to the gay parade in San Francisco for a while, but the one in New York feels like it’s mostly straight people. I don’t mind the cops in parades. Why wouldn’t they be? I mean, not all cops are homophobic. \u003c/p>\n\u003cp>\u003cstrong>I think it’s because of the legacy of cops repressing queer and transgender people.\u003c/strong>\u003c/p>\n\u003cp>I don’t know. I’m sure there are incidents of homophobic cops. I’m not saying that doesn’t happen, but I’ve also seen police guarding people fist-fucking at the Folsom Street Fair! \u003c/p>\n\u003cfigure id=\"attachment_13860390\" class=\"wp-caption alignright\" style=\"max-width: 219px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/John-Waters.jpg\" alt=\"John Waters has kept a home in San Francisco since 2008, but Oakland reminds him of his beloved Baltimore.\" width=\"219\" height=\"300\" class=\"size-full wp-image-13860390\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters.jpg 219w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-160x219.jpg 160w\" sizes=\"(max-width: 219px) 100vw, 219px\">\u003cfigcaption class=\"wp-caption-text\">John Waters has kept a home in San Francisco since 2008, but Oakland reminds him of his beloved Baltimore. \u003ccite>(Courtesy Burger Boogaloo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Speaking of controversies, last year Burger Boogaloo was \u003ca href=\"https://www.kqed.org/arts/13836097/homeless-cleared-from-mosswood-park-ahead-of-burger-boogaloo\">criticized\u003c/a> after Oakland cops had cleared the park of homeless people. Do you think the festival could have handled that better?\u003c/strong>\u003c/p>\n\u003cp>Well, I think [festival organizer] Marc [Ribak] has been very sensitive to people’s opinions. This year I know we have one stage, because we’re actually sharing the park with the homeless. \u003c/p>\n\u003cp>\u003cstrong>You’ve had a place in San Francisco for years, so you’ve noticed the uptick in people living on the streets. What does it say about the Bay Area?\u003c/strong>\u003c/p>\n\u003cp>Every city now is just rich people and very poor people. There’s no middle left, except Baltimore. What’s different about San Francisco is it’s so visible. In L.A., it’s worse, but most people never see. I was shocked the first time I saw Skid Row. Here you see someone nude in the street, shooting up in the middle of the day and think, wow, it’s so liberal here. They allow that? \u003c/p>\n\u003cp>\u003cstrong>What do you say to people who want these folks swept up and shipped off or in jail? \u003c/strong>\u003c/p>\n\u003cp>Does anybody in San Francisco want to put the homeless in jail? I never heard anybody be that right-wing.\u003c/p>\n\u003cp>\u003cstrong>I’m thinking about the controversy around navigation centers—a lot of people don’t want the homeless shelters and services in their neighborhoods. \u003c/strong>\u003c/p>\n\u003cp>Well I’m not going to be a hypocrite, if they opened one next to my house, I wouldn’t be happy about it either. It’s becoming like Mortville. That’s what I think it’s going to be like at Mosswood Park this year, kind of like Mortville in my movie \u003cem>Desperate Living\u003c/em>.\u003c/p>\n\u003cp>\u003cem>Burger Boogaloo takes place June 6–7, 2019, at Mosswood Park in Oakland. \u003ca href=\"http://burgerboogaloo.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The filmmaker and writer John Waters has since 2008 kept a home in San Francisco, but he reserves comparisons to his beloved Baltimore for the city that calls itself the town—Oakland. \u003c/p>\n\u003cp>Every year since 2015, Waters has hosted \u003ca href=\"http://burgerboogaloo.com/\">Burger Boogaloo\u003c/a>, an Oakland punk and garage rock festival serving a scene that regards him, the sultan of sleaze, as a sort of patron saint. His cult filmography with “Dreamlanders” Divine, Mink Stole and Edith Massey brought the delectable camp of the \u003ca href=\"https://youtu.be/TDHmgGHzDW0\" rel=\"noopener\" target=\"_blank\">Cockettes\u003c/a> into settings and storylines worthy of the most sordid paperback pulp, modeling a style of queer provocation with abiding underground and pop culture resonance. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Waters, with his impish smile and pencil moustache, is as much a draw of the Boogaloo as this year’s headliners Jesus & Mary Chain, Scientists and the Dead Boys. Rounding out the festival, running Saturday, July 6 and Sunday, July 7 in Mosswood Park, are budget-rock legends Phantom Surfers and contemporary acts including Shannon & the Clams and Sheer Mag. \u003c/p>\n\u003cp>In the interview below, edited for clarity and concision, Waters discusses dropping acid as a senior citizen—an experience described in his most recent book, \u003cem>Mr. Know-It-All: The Tarnished Wisdom of a Filth Elder\u003c/em>—as well as his impressions of homelessness in the Bay Area and controversy surrounding cops in San Francisco Pride. \u003c/p>\n\u003cp>\u003cem>[\u003cstrong>Ed. Note\u003c/strong>: This is John Waters, y’all—you know what you’re getting. Obscenity, drugs, and references to sex acts follow.]\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Acid is big in Silicon Valley among the tech set. Are they doing it right? \u003c/strong>\u003c/p>\n\u003cp>Oh, but you’re talking about pussy little microdoses. I think that’s cowardly. If you’re going to trip, let’s trip. I wanted a full blown trip like I remember from 50 years ago, and I got one. But I’m not telling young people what to do. I’m telling old people that had good experiences with it to do it with some old friends you did it with back then as like a sort of high school reunion.\u003c/p>\n\u003cp>\u003cstrong>So you’re not recommending anyone dose at Burger Boogaloo?\u003c/strong>\u003c/p>\n\u003cp>No, I’m not telling anyone to take it at Burger Boogaloo, but God knows, I don’t have to tell anybody what to do at Burger Boogaloo. I’m their host, not their moral guardian. I was a drug enthusiast, I never had a drug problem. Each person has a different experience with drugs—some people instantly become junkies. But I haven’t had a bad trip in my life! \u003c/p>\n\u003cp>\u003cstrong>Would you say punk or garage rock lends itself to the psychedelic experience? \u003c/strong>\u003c/p>\n\u003cp>Not especially. When I tripped, I listed to Dionne Warwick and the soundtrack to \u003cem>Born Free\u003c/em>, and Fellini albums, so not exactly new wave.\u003c/p>\n\u003cp>\u003cstrong>In your previous book you hitchhiked across the country, and in this book you dropped acid. What’s next, joining a cult? Hare Krishna? \u003c/strong>\u003c/p>\n\u003cp>God no, I had enough experiences with a friend in a cult to make me never, ever want to join one. Hare Krishna, I did that material in \u003cem>Female Trouble\u003c/em>: Divine’s daughter goes Hare Krishna, so she kills her. Are there still Hare Krishnas? I don’t see them bothering people in airports.\u003c/p>\n\u003cfigure id=\"attachment_13860389\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-800x533.jpg\" alt=\"John Waters is patron saint of the scenes represented at Burger Boogaloo\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13860389\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Waters is patron saint of the scenes represented at Burger Boogaloo. \u003ccite>(Lily Chou/Courtesy Burger Boogaloo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>It’s 2019 and you’re hosting a festival with the Dead Boys.\u003c/strong>\u003c/p>\n\u003cp>I know, it’s very strange—the only Dead Boy I really knew is dead. Stiv [Bators] was a friend, and he was \u003ca href=\"https://www.youtube.com/watch?v=fZpxb5BIiig\">great in \u003cem>Polyester\u003c/em>\u003c/a>, which is being re-released again, by Criterion. I just saw the cover. I haven’t seen Cheetah [Chrome] since CBGB in the ’70s. I’m looking forward to it. I love meeting all of the bands. One I’m really interested in seeing is Amyl and the Sniffers. \u003c/p>\n\u003cp>\u003cstrong>We have Pride right now in San Francisco, and there’s some \u003ca href=\"https://www.kqed.org/arts/13857994/activists-demand-a-police-free-pride-as-sfpd-ramps-up-its-gay-friendly-image\">controversy\u003c/a> about whether or not cops should have floats and march in the parade. What do you think? \u003c/strong>\u003c/p>\n\u003cp>Yes, of course they should. First of all, I haven’t been to the gay parade in San Francisco for a while, but the one in New York feels like it’s mostly straight people. I don’t mind the cops in parades. Why wouldn’t they be? I mean, not all cops are homophobic. \u003c/p>\n\u003cp>\u003cstrong>I think it’s because of the legacy of cops repressing queer and transgender people.\u003c/strong>\u003c/p>\n\u003cp>I don’t know. I’m sure there are incidents of homophobic cops. I’m not saying that doesn’t happen, but I’ve also seen police guarding people fist-fucking at the Folsom Street Fair! \u003c/p>\n\u003cfigure id=\"attachment_13860390\" class=\"wp-caption alignright\" style=\"max-width: 219px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/John-Waters.jpg\" alt=\"John Waters has kept a home in San Francisco since 2008, but Oakland reminds him of his beloved Baltimore.\" width=\"219\" height=\"300\" class=\"size-full wp-image-13860390\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters.jpg 219w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-160x219.jpg 160w\" sizes=\"(max-width: 219px) 100vw, 219px\">\u003cfigcaption class=\"wp-caption-text\">John Waters has kept a home in San Francisco since 2008, but Oakland reminds him of his beloved Baltimore. \u003ccite>(Courtesy Burger Boogaloo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Speaking of controversies, last year Burger Boogaloo was \u003ca href=\"https://www.kqed.org/arts/13836097/homeless-cleared-from-mosswood-park-ahead-of-burger-boogaloo\">criticized\u003c/a> after Oakland cops had cleared the park of homeless people. Do you think the festival could have handled that better?\u003c/strong>\u003c/p>\n\u003cp>Well, I think [festival organizer] Marc [Ribak] has been very sensitive to people’s opinions. This year I know we have one stage, because we’re actually sharing the park with the homeless. \u003c/p>\n\u003cp>\u003cstrong>You’ve had a place in San Francisco for years, so you’ve noticed the uptick in people living on the streets. What does it say about the Bay Area?\u003c/strong>\u003c/p>\n\u003cp>Every city now is just rich people and very poor people. There’s no middle left, except Baltimore. What’s different about San Francisco is it’s so visible. In L.A., it’s worse, but most people never see. I was shocked the first time I saw Skid Row. Here you see someone nude in the street, shooting up in the middle of the day and think, wow, it’s so liberal here. They allow that? \u003c/p>\n\u003cp>\u003cstrong>What do you say to people who want these folks swept up and shipped off or in jail? \u003c/strong>\u003c/p>\n\u003cp>Does anybody in San Francisco want to put the homeless in jail? I never heard anybody be that right-wing.\u003c/p>\n\u003cp>\u003cstrong>I’m thinking about the controversy around navigation centers—a lot of people don’t want the homeless shelters and services in their neighborhoods. \u003c/strong>\u003c/p>\n\u003cp>Well I’m not going to be a hypocrite, if they opened one next to my house, I wouldn’t be happy about it either. It’s becoming like Mortville. That’s what I think it’s going to be like at Mosswood Park this year, kind of like Mortville in my movie \u003cem>Desperate Living\u003c/em>.\u003c/p>\n\u003cp>\u003cem>Burger Boogaloo takes place June 6–7, 2019, at Mosswood Park in Oakland. \u003ca href=\"http://burgerboogaloo.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Homeless Cleared from Oakland's Mosswood Park Ahead of Burger Boogaloo",
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"content": "\u003cp>Oakland police officers cleared out homeless camps at Oakland’s Mosswood Park Tuesday, days before the popular punk festival Burger Boogaloo.\u003c/p>\n\u003cp>The sweep removed an estimated 20 people living in tents on the park grounds, according to Joe DeVries, assistant to the Oakland City Administrator. While the removal occurred just days before Burger Boogaloo, DeVries said that the city cleared the homeless in preparation for a program serving disabled youth. The program, which had been on hiatus since 2016 following a fire at the park’s recreation center, expects 150 participants next month.\u003c/p>\n\u003cp>Concerns over issues created by the encampment, such as the sizable amount of syringes littering the grounds, led to the city clearing the park, a decision DeVries said was announced four months ago.\u003c/p>\n\u003cp>“We can’t have 150 disabled students recreating in a park where we routinely collect hundreds of hypodermic needles,” DeVries \u003ca href=\"https://www.eastbaytimes.com/2018/06/26/homeless-cleared-out-of-north-oakland-park/\" rel=\"noopener\" target=\"_blank\">told the \u003cem>East Bay Times\u003c/em>\u003c/a>. \u003c/p>\n\u003cp>Meanwhile, news of the sweep \u003ca href=\"https://twitter.com/Indybay/status/1011699489332068356\" rel=\"noopener\" target=\"_blank\">spread on social media\u003c/a>, where \u003ca href=\"https://www.facebook.com/totaltrashproductions/\" rel=\"noopener\" target=\"_blank\">Burger Boogaloo promoters\u003c/a> came under \u003ca href=\"https://twitter.com/charmainesnames/status/1011821672775630854\" rel=\"noopener\" target=\"_blank\">criticism\u003c/a>. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Burger Boogaloo released an official statement Wednesday afternoon.\u003c/p>\n\u003cp>“Burger Boogaloo is pained by the ongoing homeless crisis in Oakland and everywhere,” it read. “As a consequence of events and programs planned at Mosswood Park, including our permitted event, people living there were asked to leave by Oakland Police. Prior to the Tuesday expulsion, Burger Boogaloo staff spent time assisting people in the park with the move.”\u003c/p>\n\u003cp>Burger Boogaloo also stated that it had donated to \u003ca href=\"http://apcollaborative.org/\" rel=\"noopener\" target=\"_blank\">Alameda Point Collaborative\u003c/a> and \u003ca href=\"http://www.homeaway.org/\" rel=\"noopener\" target=\"_blank\">A Home Away From Homelessness\u003c/a>, two homeless assistance organizations, adding that “we encourage our friends and anyone concerned about the plight of people here in our community to do the same.”\u003c/p>\n\u003cp>The festival further announced that the \u003ca href=\"http://homelessactioncenter.org/\" rel=\"noopener\" target=\"_blank\">Homeless Action Center\u003c/a> will have a presence at the two-day festival, with members collecting donations.\u003c/p>\n\u003cp>Calls to Boogaloo founder Marcos Ribak were not returned at press time.\u003c/p>\n\u003cp>Issues of homelessness have overlapped with the local music scene in recent weeks, with Jason Perkins of local venues the New Parish and Brick & Mortar Music Hall \u003ca href=\"https://www.eastbayexpress.com/SevenDays/archives/2018/06/14/jason-perkins-of-parish-entertainment-group-dubbed-valenciavigilante-accused-of-accosting-homeless-man\" rel=\"noopener\" target=\"_blank\">caught on security video pepper-spraying a homeless man\u003c/a>. Some say Perkins also appears to have been behind flyers posted around the Brick & Mortar Music Hall which called for homeless people to clear out, and \u003ca href=\"https://www.eastbayexpress.com/SevenDays/archives/2018/06/14/jason-perkins-of-parish-entertainment-group-dubbed-valenciavigilante-accused-of-accosting-homeless-man\" rel=\"noopener\" target=\"_blank\">threatened physical violence and burning\u003c/a> for those who did not. (A homeless benefit featuring Equipto, La Misa Negra and Mistah F.A.B. scheduled at the New Parish was \u003ca href=\"https://www.kqed.org/arts/13835668/with-latest-album-equipto-calls-out-housing-crisis-and-gentrification\" rel=\"noopener\" target=\"_blank\">moved to a different venue\u003c/a> in response.)\u003c/p>\n\u003cp>Aleksander Prechtl, friend of Ribak and singer for the band Battleship, who are scheduled to perform at the festival this weekend, told KQED that he was “confident” Boogaloo’s organizers “advocated the city on behalf of the homeless and would assist in minimizing the disruption to their lives.”\u003c/p>\n\u003cp>“I’ve known Marcos for many years and have no reason to think he’d be anything but kind and generous to everyone, especially the homeless,” Prechtl wrote in an email.\u003c/p>\n\u003cp>Prechtl opined that because the festival uses only half the park, an option might have been to move the encampment to another site in the park, but away from the festival. He added that it’s on the city to “treat the housing crisis as the emergency it is.”\u003c/p>\n\u003cp>“We should not allow homelessness to be ever seen as normal nor acceptable. We, as a society, need to treat housing and healthcare as the human rights that they are,” Prechtl wrote. \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story has been updated.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oakland police officers cleared out homeless camps at Oakland’s Mosswood Park Tuesday, days before the popular punk festival Burger Boogaloo.\u003c/p>\n\u003cp>The sweep removed an estimated 20 people living in tents on the park grounds, according to Joe DeVries, assistant to the Oakland City Administrator. While the removal occurred just days before Burger Boogaloo, DeVries said that the city cleared the homeless in preparation for a program serving disabled youth. The program, which had been on hiatus since 2016 following a fire at the park’s recreation center, expects 150 participants next month.\u003c/p>\n\u003cp>Concerns over issues created by the encampment, such as the sizable amount of syringes littering the grounds, led to the city clearing the park, a decision DeVries said was announced four months ago.\u003c/p>\n\u003cp>“We can’t have 150 disabled students recreating in a park where we routinely collect hundreds of hypodermic needles,” DeVries \u003ca href=\"https://www.eastbaytimes.com/2018/06/26/homeless-cleared-out-of-north-oakland-park/\" rel=\"noopener\" target=\"_blank\">told the \u003cem>East Bay Times\u003c/em>\u003c/a>. \u003c/p>\n\u003cp>Meanwhile, news of the sweep \u003ca href=\"https://twitter.com/Indybay/status/1011699489332068356\" rel=\"noopener\" target=\"_blank\">spread on social media\u003c/a>, where \u003ca href=\"https://www.facebook.com/totaltrashproductions/\" rel=\"noopener\" target=\"_blank\">Burger Boogaloo promoters\u003c/a> came under \u003ca href=\"https://twitter.com/charmainesnames/status/1011821672775630854\" rel=\"noopener\" target=\"_blank\">criticism\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Burger Boogaloo released an official statement Wednesday afternoon.\u003c/p>\n\u003cp>“Burger Boogaloo is pained by the ongoing homeless crisis in Oakland and everywhere,” it read. “As a consequence of events and programs planned at Mosswood Park, including our permitted event, people living there were asked to leave by Oakland Police. Prior to the Tuesday expulsion, Burger Boogaloo staff spent time assisting people in the park with the move.”\u003c/p>\n\u003cp>Burger Boogaloo also stated that it had donated to \u003ca href=\"http://apcollaborative.org/\" rel=\"noopener\" target=\"_blank\">Alameda Point Collaborative\u003c/a> and \u003ca href=\"http://www.homeaway.org/\" rel=\"noopener\" target=\"_blank\">A Home Away From Homelessness\u003c/a>, two homeless assistance organizations, adding that “we encourage our friends and anyone concerned about the plight of people here in our community to do the same.”\u003c/p>\n\u003cp>The festival further announced that the \u003ca href=\"http://homelessactioncenter.org/\" rel=\"noopener\" target=\"_blank\">Homeless Action Center\u003c/a> will have a presence at the two-day festival, with members collecting donations.\u003c/p>\n\u003cp>Calls to Boogaloo founder Marcos Ribak were not returned at press time.\u003c/p>\n\u003cp>Issues of homelessness have overlapped with the local music scene in recent weeks, with Jason Perkins of local venues the New Parish and Brick & Mortar Music Hall \u003ca href=\"https://www.eastbayexpress.com/SevenDays/archives/2018/06/14/jason-perkins-of-parish-entertainment-group-dubbed-valenciavigilante-accused-of-accosting-homeless-man\" rel=\"noopener\" target=\"_blank\">caught on security video pepper-spraying a homeless man\u003c/a>. Some say Perkins also appears to have been behind flyers posted around the Brick & Mortar Music Hall which called for homeless people to clear out, and \u003ca href=\"https://www.eastbayexpress.com/SevenDays/archives/2018/06/14/jason-perkins-of-parish-entertainment-group-dubbed-valenciavigilante-accused-of-accosting-homeless-man\" rel=\"noopener\" target=\"_blank\">threatened physical violence and burning\u003c/a> for those who did not. (A homeless benefit featuring Equipto, La Misa Negra and Mistah F.A.B. scheduled at the New Parish was \u003ca href=\"https://www.kqed.org/arts/13835668/with-latest-album-equipto-calls-out-housing-crisis-and-gentrification\" rel=\"noopener\" target=\"_blank\">moved to a different venue\u003c/a> in response.)\u003c/p>\n\u003cp>Aleksander Prechtl, friend of Ribak and singer for the band Battleship, who are scheduled to perform at the festival this weekend, told KQED that he was “confident” Boogaloo’s organizers “advocated the city on behalf of the homeless and would assist in minimizing the disruption to their lives.”\u003c/p>\n\u003cp>“I’ve known Marcos for many years and have no reason to think he’d be anything but kind and generous to everyone, especially the homeless,” Prechtl wrote in an email.\u003c/p>\n\u003cp>Prechtl opined that because the festival uses only half the park, an option might have been to move the encampment to another site in the park, but away from the festival. He added that it’s on the city to “treat the housing crisis as the emergency it is.”\u003c/p>\n\u003cp>“We should not allow homelessness to be ever seen as normal nor acceptable. We, as a society, need to treat housing and healthcare as the human rights that they are,” Prechtl wrote. \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story has been updated.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Burger Boogaloo 2018 Lineup Announced; Devo, Damned Headline",
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"content": "\u003cp>Burger Boogaloo, the Bay Area’s premiere festival for punk and garage rock, announced its 2018 lineup Monday — and it’s a doozy.\u003c/p>\n\u003cp>Headlining this year’s Burger Boogaloo festival are punk pioneers \u003ca href=\"https://www.kqed.org/arts/10138289/devos-hardcore-tour-in-the-beginning-was-the-end\" rel=\"noopener\" target=\"_blank\">Devo\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13012229/damned-if-you-do-dave-vanian-on-40-years-of-being-in-one-of-punks-best-bands\" rel=\"noopener\" target=\"_blank\">The Damned\u003c/a>, with the rest of the lineup including older punk acts like the Dwarves, the Mummies and the Dickies. Filmmaker and “Sultan of Sleaze” John Waters returns as host.\u003c/p>\n\u003cp>[contextly_sidebar id=”3abFfU6V470XWvO4M3DeSq6BBHf3BLEp”]\u003c/p>\n\u003cp>This year’s Burger Boogaloo also hosts several notable reunions, including the first show in 15 years from snotty So Cal punkers Le Shok. Many of the reuniting bands are local, like San Francisco’s garage punk icons The Rip Offs, who haven’t played a show in five years; and Battleship, the chaotic post-punkers from Oakland who haven’t come together for 10 years. \u003c/p>\n\u003cp>Burger Boogaloo began nine years ago and has slowly grown from a one-day festival in Mosswood Park to a two-day event with headliners like Iggy Pop playing to thousands. This year, $69 early bird tickets — made available before the lineup was announced — sold out not long after. Now that the lineup has been announced for June 30 and July 1, \u003ca href=\"https://www.ticketfly.com/purchase/event/1646107\" rel=\"noopener\" target=\"_blank\">general admission passes are $169\u003c/a>, on sale this Wednesday, March 7, at 9am. For more information, visit the \u003ca href=\"https://www.facebook.com/events/1990623251196805/\" rel=\"noopener\" target=\"_blank\">event page on Facebook\u003c/a>. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ci>The 2018 Burger Boogaloo lineup:\u003c/i>\u003c/p>\n\u003cp>Devo (first show in the Bay Area in three years)\u003cbr>\nThe Damned\u003cbr>\nLe Shok (first show in 15 years)\u003cbr>\nThe Traditional Fools (featuring Ty Segall; first show in five years)\u003cbr>\nThe Mummies\u003cbr>\nThe Rip-Offs (first show in five years)\u003cbr>\nThe Spits\u003cbr>\nHunx and his Punx\u003cbr>\nMudhoney\u003cbr>\nDwarves\u003cbr>\nDickies\u003cbr>\nGuida (from Italy)\u003cbr>\nThe Gris Gris (first show in 10 years)\u003cbr>\nQuintron and Ms Pussycat\u003cbr>\nThe Flakes\u003cbr>\nFirestarter (Japan)\u003cbr>\nSubsonics\u003cbr>\nThe Flytraps\u003cbr>\nCumstain\u003cbr>\nBattleship (first show in 10 years)\u003cbr>\nFrancis Lau\u003cbr>\nNots\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Hosted by John Waters\u003c/p>\n\n",
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"excerpt": "The 2018 Burger Boogaloo lineup features several influential punk bands and a bunch of other surprises.",
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"title": "Burger Boogaloo 2018 Lineup Announced; Devo, Damned Headline | KQED",
"description": "The 2018 Burger Boogaloo lineup features several influential punk bands and a bunch of other surprises.",
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"headline": "Burger Boogaloo 2018 Lineup Announced; Devo, Damned Headline",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Burger Boogaloo, the Bay Area’s premiere festival for punk and garage rock, announced its 2018 lineup Monday — and it’s a doozy.\u003c/p>\n\u003cp>Headlining this year’s Burger Boogaloo festival are punk pioneers \u003ca href=\"https://www.kqed.org/arts/10138289/devos-hardcore-tour-in-the-beginning-was-the-end\" rel=\"noopener\" target=\"_blank\">Devo\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13012229/damned-if-you-do-dave-vanian-on-40-years-of-being-in-one-of-punks-best-bands\" rel=\"noopener\" target=\"_blank\">The Damned\u003c/a>, with the rest of the lineup including older punk acts like the Dwarves, the Mummies and the Dickies. Filmmaker and “Sultan of Sleaze” John Waters returns as host.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>This year’s Burger Boogaloo also hosts several notable reunions, including the first show in 15 years from snotty So Cal punkers Le Shok. Many of the reuniting bands are local, like San Francisco’s garage punk icons The Rip Offs, who haven’t played a show in five years; and Battleship, the chaotic post-punkers from Oakland who haven’t come together for 10 years. \u003c/p>\n\u003cp>Burger Boogaloo began nine years ago and has slowly grown from a one-day festival in Mosswood Park to a two-day event with headliners like Iggy Pop playing to thousands. This year, $69 early bird tickets — made available before the lineup was announced — sold out not long after. Now that the lineup has been announced for June 30 and July 1, \u003ca href=\"https://www.ticketfly.com/purchase/event/1646107\" rel=\"noopener\" target=\"_blank\">general admission passes are $169\u003c/a>, on sale this Wednesday, March 7, at 9am. For more information, visit the \u003ca href=\"https://www.facebook.com/events/1990623251196805/\" rel=\"noopener\" target=\"_blank\">event page on Facebook\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>The 2018 Burger Boogaloo lineup:\u003c/i>\u003c/p>\n\u003cp>Devo (first show in the Bay Area in three years)\u003cbr>\nThe Damned\u003cbr>\nLe Shok (first show in 15 years)\u003cbr>\nThe Traditional Fools (featuring Ty Segall; first show in five years)\u003cbr>\nThe Mummies\u003cbr>\nThe Rip-Offs (first show in five years)\u003cbr>\nThe Spits\u003cbr>\nHunx and his Punx\u003cbr>\nMudhoney\u003cbr>\nDwarves\u003cbr>\nDickies\u003cbr>\nGuida (from Italy)\u003cbr>\nThe Gris Gris (first show in 10 years)\u003cbr>\nQuintron and Ms Pussycat\u003cbr>\nThe Flakes\u003cbr>\nFirestarter (Japan)\u003cbr>\nSubsonics\u003cbr>\nThe Flytraps\u003cbr>\nCumstain\u003cbr>\nBattleship (first show in 10 years)\u003cbr>\nFrancis Lau\u003cbr>\nNots\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Hosted by John Waters\u003c/p>\n\n\u003c/div>\u003c/p>",
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"soldout": {
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"title": "SOLD OUT: Rethinking Housing in America",
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