Burger Boogaloo to Return as Mosswood Meltdown in 2022; Bikini Kill Headline
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Bikini Kill to Headline Burger Boogaloo 2020
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Hot Summer Guide 2019: Get Outside in the East Bay this Summer
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He has worked as an editor and columnist at the \u003cem>East Bay Express\u003c/em>, \u003cem>SF Weekly \u003c/em>and Impose Magazine, and his journalism and criticism has appeared in \u003cem>The New York Times\u003c/em>, the Guardian and Pitchfork.","avatar":"https://secure.gravatar.com/avatar/143b570c3dec13ae74c6aa2369b04fc8?s=600&d=blank&r=g","twitter":"Lefebvre_Sam","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["author"]}],"headData":{"title":"Sam Lefebvre | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/143b570c3dec13ae74c6aa2369b04fc8?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/143b570c3dec13ae74c6aa2369b04fc8?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/slefebvre"},"nvoynovskaya":{"type":"authors","id":"11387","meta":{"index":"authors_1591205172","id":"11387","found":true},"name":"Nastia Voynovskaya","firstName":"Nastia","lastName":"Voynovskaya","slug":"nvoynovskaya","email":"nvoynovskaya@kqed.org","display_author_email":false,"staff_mastheads":["arts"],"title":"Associate Editor","bio":"Nastia Voynovskaya is a Russian-born journalist raised in the Bay Area and Tampa, Florida. She's the associate editor at KQED Arts & Culture. She's the recipient of the 2018 Society of Professional Journalists-Northern California award for arts & culture reporting. In 2021, a retrospective of the 2010s she edited and creative directed, Our Turbulent Decade, received the SPJ-NorCal award for web design. Nastia's work has been published in NPR Music, \u003cem>San Francisco Chronicle\u003c/em>, VICE, Paste Magazine, Bandcamp and SF MoMA Open Space. Previously, she served as music editor at \u003cem>East Bay Express\u003c/em> and online editor at \u003cem>Hi-Fructose Magazine\u003c/em>. She holds a B.A. in comparative literature from UC Berkeley.","avatar":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g","twitter":"nananastia","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["administrator"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["administrator"]},{"site":"bayareabites","roles":["editor"]},{"site":"podcasts","roles":["editor"]},{"site":"hiphop","roles":["editor"]}],"headData":{"title":"Nastia Voynovskaya | KQED","description":"Associate Editor","ogImgSrc":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g","twImgSrc":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g"},"isLoading":false,"link":"/author/nvoynovskaya"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13896449":{"type":"posts","id":"arts_13896449","meta":{"index":"posts_1591205157","site":"arts","id":"13896449","score":null,"sort":[1619635087000]},"guestAuthors":[],"slug":"burger-boogaloo-to-return-as-mosswood-meltdown-in-2022-bikini-kill-headline","title":"Burger Boogaloo to Return as Mosswood Meltdown in 2022; Bikini Kill Headline","publishDate":1619635087,"format":"standard","headTitle":"Burger Boogaloo to Return as Mosswood Meltdown in 2022; Bikini Kill Headline | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>As the live music scene comes back to life in the Bay Area, rock festival \u003ca href=\"https://www.eventbrite.com/e/mosswood-meltdown-tickets-65083832495\" target=\"_blank\" rel=\"noopener noreferrer\">Mosswood Meltdown\u003c/a> has announced a return in Oakland in July 2022 with Bikini Kill as headliners.\u003c/p>\n\u003cp>[aside postid='arts_13883674']The legendary riot grrrl band \u003ca href=\"https://www.kqed.org/arts/13855938/watch-bikini-kills-first-reunion-show-in-l-a\" target=\"_blank\" rel=\"noopener noreferrer\">reunited\u003c/a> in 2019 after a 22-year break, prompting happy tears from fans who grew up on their proudly feminist punk rock in the ’90s. Oakland’s own Shannon Shaw joins Bikini Kill on the bill with her blend of punk, soul and country, and multi-hyphenate author, dancer and musician Brontez Purnell will perform as well.\u003c/p>\n\u003cp>[UPDATE, Feb. 16: Kim Gordon, the Linda Lindas and more have been added to the festival. Full lineup below.]\u003c/p>\n\u003cp>This edition marks the festival’s first year since 2019; while on hiatus due to the pandemic in 2020, organizers changed its name from Burger Boogaloo after \u003ca href=\"https://www.kqed.org/arts/13883674/burger-boogaloo-festival-cuts-ties-with-record-label-after-sex-abuse-allegations\" target=\"_blank\" rel=\"noopener noreferrer\">cutting ties\u003c/a> with Burger Records. The change was part of the fallout surrounding the Southern California music label after numerous women, including some prominent artists, accused its musicians of grooming and sexual abuse.\u003c/p>\n\u003cp>Shortly afterward, Burger Records attempted to rebrand by hiring a woman as its interim president and announcing an all-female imprint called BRGRRRL. But the move didn’t go over well with its detractors, and the label disbanded last summer. Meanwhile, Total Trash Productions, the producer of the festival, denounced the label and clarified that it was only affiliated with the event in name.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postid='arts_13897650']In its announcement of Mosswood Meltdown, Total Trash Productions issued a statement acknowledging this fraught history. “While Total Trash Productions has always independently produced the festival and Burger Records only played a promotional role, we do not want to discount the problems of safety and inclusion that have plagued the music scene for far too long,” they wrote. “Instead, we would like to be part of the solution. We are committed to becoming a leader in event safety and are working to expand our policies beyond the accepted standards.”\u003c/p>\n\u003cp>Organizers said their safety plan will be announced in the coming months, and in the meantime they’re soliciting community feedback at safety@totaltrashproductions.com.\u003c/p>\n\u003cp>The full daily lineup:\u003c/p>\n\u003cp>\u003cstrong>July 2\u003c/strong>\u003cbr>\nKim Gordon, The Dirtbombs, Shannon Shaw, Bleached, Flipper, Twompsax, Carbonas, SNõõPER, Rubinoos\u003c/p>\n\u003cp>\u003cstrong>July 3\u003c/strong>\u003cbr>\nBikini Kill, Hunx and His Punx, Pansy Division, The Linda Lindas, The Fevers, Podium, Brontez Purnell, Fatty Cakes and the Puff Pastries\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Mosswood Meltdown takes place July 2–3, 2022, in Mosswood Park with John Waters as host. \u003ca href=\"https://www.eventbrite.com/e/mosswood-meltdown-tickets-65083832495\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\n","blocks":[],"excerpt":"Kim Gordon, the Linda Lindas, Shannon Shaw, Flipper, Brontez Purnell and others round out the lineup.","status":"publish","parent":0,"modified":1705019104,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":431},"headData":{"title":"Burger Boogaloo to Return as Mosswood Meltdown in 2022; Bikini Kill Headline | KQED","description":"Kim Gordon, the Linda Lindas, Shannon Shaw, Flipper, Brontez Purnell and others round out the lineup.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Burger Boogaloo to Return as Mosswood Meltdown in 2022; Bikini Kill Headline","datePublished":"2021-04-28T18:38:07.000Z","dateModified":"2024-01-12T00:25:04.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13896449/burger-boogaloo-to-return-as-mosswood-meltdown-in-2022-bikini-kill-headline","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>As the live music scene comes back to life in the Bay Area, rock festival \u003ca href=\"https://www.eventbrite.com/e/mosswood-meltdown-tickets-65083832495\" target=\"_blank\" rel=\"noopener noreferrer\">Mosswood Meltdown\u003c/a> has announced a return in Oakland in July 2022 with Bikini Kill as headliners.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13883674","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The legendary riot grrrl band \u003ca href=\"https://www.kqed.org/arts/13855938/watch-bikini-kills-first-reunion-show-in-l-a\" target=\"_blank\" rel=\"noopener noreferrer\">reunited\u003c/a> in 2019 after a 22-year break, prompting happy tears from fans who grew up on their proudly feminist punk rock in the ’90s. Oakland’s own Shannon Shaw joins Bikini Kill on the bill with her blend of punk, soul and country, and multi-hyphenate author, dancer and musician Brontez Purnell will perform as well.\u003c/p>\n\u003cp>[UPDATE, Feb. 16: Kim Gordon, the Linda Lindas and more have been added to the festival. Full lineup below.]\u003c/p>\n\u003cp>This edition marks the festival’s first year since 2019; while on hiatus due to the pandemic in 2020, organizers changed its name from Burger Boogaloo after \u003ca href=\"https://www.kqed.org/arts/13883674/burger-boogaloo-festival-cuts-ties-with-record-label-after-sex-abuse-allegations\" target=\"_blank\" rel=\"noopener noreferrer\">cutting ties\u003c/a> with Burger Records. The change was part of the fallout surrounding the Southern California music label after numerous women, including some prominent artists, accused its musicians of grooming and sexual abuse.\u003c/p>\n\u003cp>Shortly afterward, Burger Records attempted to rebrand by hiring a woman as its interim president and announcing an all-female imprint called BRGRRRL. But the move didn’t go over well with its detractors, and the label disbanded last summer. Meanwhile, Total Trash Productions, the producer of the festival, denounced the label and clarified that it was only affiliated with the event in name.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13897650","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>In its announcement of Mosswood Meltdown, Total Trash Productions issued a statement acknowledging this fraught history. “While Total Trash Productions has always independently produced the festival and Burger Records only played a promotional role, we do not want to discount the problems of safety and inclusion that have plagued the music scene for far too long,” they wrote. “Instead, we would like to be part of the solution. We are committed to becoming a leader in event safety and are working to expand our policies beyond the accepted standards.”\u003c/p>\n\u003cp>Organizers said their safety plan will be announced in the coming months, and in the meantime they’re soliciting community feedback at safety@totaltrashproductions.com.\u003c/p>\n\u003cp>The full daily lineup:\u003c/p>\n\u003cp>\u003cstrong>July 2\u003c/strong>\u003cbr>\nKim Gordon, The Dirtbombs, Shannon Shaw, Bleached, Flipper, Twompsax, Carbonas, SNõõPER, Rubinoos\u003c/p>\n\u003cp>\u003cstrong>July 3\u003c/strong>\u003cbr>\nBikini Kill, Hunx and His Punx, Pansy Division, The Linda Lindas, The Fevers, Podium, Brontez Purnell, Fatty Cakes and the Puff Pastries\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Mosswood Meltdown takes place July 2–3, 2022, in Mosswood Park with John Waters as host. \u003ca href=\"https://www.eventbrite.com/e/mosswood-meltdown-tickets-65083832495\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13896449/burger-boogaloo-to-return-as-mosswood-meltdown-in-2022-bikini-kill-headline","authors":["11387"],"programs":["arts_140"],"categories":["arts_1","arts_69"],"tags":["arts_7264","arts_1693","arts_10278","arts_1694"],"featImg":"arts_13896451","label":"arts_140"},"arts_13883674":{"type":"posts","id":"arts_13883674","meta":{"index":"posts_1591205157","site":"arts","id":"13883674","score":null,"sort":[1595372362000]},"guestAuthors":[],"slug":"burger-boogaloo-festival-cuts-ties-with-record-label-after-sex-abuse-allegations","title":"Burger Boogaloo Festival Cuts Ties with Record Label After Sex Abuse Allegations","publishDate":1595372362,"format":"standard","headTitle":"Burger Boogaloo Festival Cuts Ties with Record Label After Sex Abuse Allegations | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cem>\u003cstrong>Update, July 22, 10:13am: \u003c/strong>After announcing plans to rebrand following allegations of abuse, Burger Records shut down completely, \u003ca href=\"https://pitchfork.com/news/burger-records-shuts-down-completely/\" target=\"_blank\" rel=\"noopener noreferrer\">Pitchfork reports\u003c/a>. The label plans to remove all of its releases from streaming services, though co-founder Sean Bohrman said artists are free to re-upload their music themselves. \u003c/em>\u003c/p>\n\u003cp>This week, numerous women came forward with accusations of sexual assault and misconduct against several bands affiliated with Southern California rock label Burger Records. And today, the organizers of its namesake Oakland festival, Burger Boogaloo, announced they’re severing ties with the label and changing the festival name.\u003c/p>\n\u003cp>Claims of abuse surfaced on the Instagram account \u003ca href=\"https://www.instagram.com/Lured_By_Burger_Records/\" target=\"_blank\" rel=\"noopener noreferrer\">@Lured_By_Burger_Records\u003c/a>, which accused numerous musicians in the label’s orbit of rape, sexual harassment, emotional and physical abuse and sexual coercion of teenage girls. While some of the accusers are anonymous, others are notable musicians in the garage, punk and indie rock scenes.\u003c/p>\n\u003cp>Lydia Night, singer of The Regrettes, \u003ca href=\"https://www.instagram.com/p/CC4EzRqsU7U/\" target=\"_blank\" rel=\"noopener noreferrer\">accused\u003c/a> SWMRS drummer Joey Armstrong (son of Green Day frontman Billie Joe Armstrong) of pressuring her into a secretive, sexually coercive relationship when he was 22 and she was 16. (Armstrong has since published \u003ca href=\"https://www.instagram.com/p/CC6mefugfNX/\" target=\"_blank\" rel=\"noopener noreferrer\">an apology\u003c/a> to her on the band’s Instagram.) Cherry Glazerr singer Clementine Creevy \u003ca href=\"https://www.instagram.com/p/CCqb8P3FJb5/?utm_source=ig_embed\" target=\"_blank\" rel=\"noopener noreferrer\">came forward\u003c/a> with accusations of statutory rape against The Buttertones’ Sean Redman, who she said pressured her into a sexual relationship when she was 14 and gave her two sexually transmitted infections. (On Instagram, The Buttertones posted that Redman is out of the band before deleting their account.)\u003c/p>\n\u003cp>The @Lured_By_Burger_Records account also features screen shots of sexual misconduct accusations, many of them anonymous, against musicians from the bands Cosmonauts, The Growlers, The Black Lips, Magic Jake, Audacity and others. The accusers’ testimonies allege a pattern of older, male musicians pressuring mostly underage fans for sexual favors.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In response to the allegations, Burger Records released a statement on Monday promising structural changes at the label. Co-founder Sean Bohrman has been placed into a “transitional role,” and the other co-founder, Lee Rickard, stepped down as president. Jessa Zapor-Gray stepped in as interim label president, and the label has rebranded as BRGR RECS “to create a clear delineation between the old and the new Burger Records.” Furthermore, the label vowed to create an all-woman imprint called BRGRRRL, work with experts in consent education and set up a fund to pay for counseling for “those who suffered such trauma while engaging in the Burger scene.”\u003c/p>\n\u003cp>Still, some accusers and their supporters see these amends as insufficient. “Jessa, you can’t skip the difficult steps of authentically coming to terms with what this label has done (and coming to terms with your own decision to try to lend them credibility at this crucial time) and skip to the easier steps of planning hypothetical safe spaces at hypothetical future shows. Address the past and present abuse before trying to skate into the company’s imaginary future,” wrote the @Lured_By_Burger_Records account. “You are NOT trying to build a ‘new’ label. If that’s what you were doing, you would be so well supported! You’re trying to re-brand an existing label (in a comically bad way, btw) in order to distract from years of rampant and systemic predation, for the convenience of its ownership, and to possibly further your own career?”\u003c/p>\n\u003cp>Reached by KQED through their publicist, Burger Boogaloo organizers Marc Ribak and Amy Carver of Total Trash Productions said that they broke from Burger Records after hearing of the allegations on Monday night. “The label’s involvement was always fairly superficial, and Burger Records never profited from ticket sales; They simply lent their name to the festival, boosted the festival via social media, and were given a merch booth on the premises,” wrote Ribak and Carver.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Their statement continues: “As the organizers of Burger Boogaloo, we accept responsibility for what happens at the event, and while we have always worked to take swift actions in removing individuals from the event or our line-up who have acted violent or inappropriate, we know that we can always do better.” Their next show is still slated for July 2021, with feminist punk band Bikini Kill as the headliner. A new festival name has yet to be announced. Read the full text of Ribak and Carver’s statement \u003ca href=\"https://burgerboogaloo.com/dear-fans/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\n","blocks":[],"excerpt":"The music festival is going its own way after numerous accusations surfaced against Burger Records musicians.","status":"publish","parent":0,"modified":1705020397,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":747},"headData":{"title":"Burger Boogaloo Festival Cuts Ties with Record Label After Sex Abuse Allegations | KQED","description":"The music festival is going its own way after numerous accusations surfaced against Burger Records musicians.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Burger Boogaloo Festival Cuts Ties with Record Label After Sex Abuse Allegations","datePublished":"2020-07-21T22:59:22.000Z","dateModified":"2024-01-12T00:46:37.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13883674/burger-boogaloo-festival-cuts-ties-with-record-label-after-sex-abuse-allegations","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Update, July 22, 10:13am: \u003c/strong>After announcing plans to rebrand following allegations of abuse, Burger Records shut down completely, \u003ca href=\"https://pitchfork.com/news/burger-records-shuts-down-completely/\" target=\"_blank\" rel=\"noopener noreferrer\">Pitchfork reports\u003c/a>. The label plans to remove all of its releases from streaming services, though co-founder Sean Bohrman said artists are free to re-upload their music themselves. \u003c/em>\u003c/p>\n\u003cp>This week, numerous women came forward with accusations of sexual assault and misconduct against several bands affiliated with Southern California rock label Burger Records. And today, the organizers of its namesake Oakland festival, Burger Boogaloo, announced they’re severing ties with the label and changing the festival name.\u003c/p>\n\u003cp>Claims of abuse surfaced on the Instagram account \u003ca href=\"https://www.instagram.com/Lured_By_Burger_Records/\" target=\"_blank\" rel=\"noopener noreferrer\">@Lured_By_Burger_Records\u003c/a>, which accused numerous musicians in the label’s orbit of rape, sexual harassment, emotional and physical abuse and sexual coercion of teenage girls. While some of the accusers are anonymous, others are notable musicians in the garage, punk and indie rock scenes.\u003c/p>\n\u003cp>Lydia Night, singer of The Regrettes, \u003ca href=\"https://www.instagram.com/p/CC4EzRqsU7U/\" target=\"_blank\" rel=\"noopener noreferrer\">accused\u003c/a> SWMRS drummer Joey Armstrong (son of Green Day frontman Billie Joe Armstrong) of pressuring her into a secretive, sexually coercive relationship when he was 22 and she was 16. (Armstrong has since published \u003ca href=\"https://www.instagram.com/p/CC6mefugfNX/\" target=\"_blank\" rel=\"noopener noreferrer\">an apology\u003c/a> to her on the band’s Instagram.) Cherry Glazerr singer Clementine Creevy \u003ca href=\"https://www.instagram.com/p/CCqb8P3FJb5/?utm_source=ig_embed\" target=\"_blank\" rel=\"noopener noreferrer\">came forward\u003c/a> with accusations of statutory rape against The Buttertones’ Sean Redman, who she said pressured her into a sexual relationship when she was 14 and gave her two sexually transmitted infections. (On Instagram, The Buttertones posted that Redman is out of the band before deleting their account.)\u003c/p>\n\u003cp>The @Lured_By_Burger_Records account also features screen shots of sexual misconduct accusations, many of them anonymous, against musicians from the bands Cosmonauts, The Growlers, The Black Lips, Magic Jake, Audacity and others. The accusers’ testimonies allege a pattern of older, male musicians pressuring mostly underage fans for sexual favors.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In response to the allegations, Burger Records released a statement on Monday promising structural changes at the label. Co-founder Sean Bohrman has been placed into a “transitional role,” and the other co-founder, Lee Rickard, stepped down as president. Jessa Zapor-Gray stepped in as interim label president, and the label has rebranded as BRGR RECS “to create a clear delineation between the old and the new Burger Records.” Furthermore, the label vowed to create an all-woman imprint called BRGRRRL, work with experts in consent education and set up a fund to pay for counseling for “those who suffered such trauma while engaging in the Burger scene.”\u003c/p>\n\u003cp>Still, some accusers and their supporters see these amends as insufficient. “Jessa, you can’t skip the difficult steps of authentically coming to terms with what this label has done (and coming to terms with your own decision to try to lend them credibility at this crucial time) and skip to the easier steps of planning hypothetical safe spaces at hypothetical future shows. Address the past and present abuse before trying to skate into the company’s imaginary future,” wrote the @Lured_By_Burger_Records account. “You are NOT trying to build a ‘new’ label. If that’s what you were doing, you would be so well supported! You’re trying to re-brand an existing label (in a comically bad way, btw) in order to distract from years of rampant and systemic predation, for the convenience of its ownership, and to possibly further your own career?”\u003c/p>\n\u003cp>Reached by KQED through their publicist, Burger Boogaloo organizers Marc Ribak and Amy Carver of Total Trash Productions said that they broke from Burger Records after hearing of the allegations on Monday night. “The label’s involvement was always fairly superficial, and Burger Records never profited from ticket sales; They simply lent their name to the festival, boosted the festival via social media, and were given a merch booth on the premises,” wrote Ribak and Carver.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Their statement continues: “As the organizers of Burger Boogaloo, we accept responsibility for what happens at the event, and while we have always worked to take swift actions in removing individuals from the event or our line-up who have acted violent or inappropriate, we know that we can always do better.” Their next show is still slated for July 2021, with feminist punk band Bikini Kill as the headliner. A new festival name has yet to be announced. Read the full text of Ribak and Carver’s statement \u003ca href=\"https://burgerboogaloo.com/dear-fans/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13883674/burger-boogaloo-festival-cuts-ties-with-record-label-after-sex-abuse-allegations","authors":["11387"],"categories":["arts_1","arts_235"],"tags":["arts_1693","arts_10278","arts_2462"],"featImg":"arts_13883697","label":"arts"},"arts_13883464":{"type":"posts","id":"arts_13883464","meta":{"index":"posts_1591205157","site":"arts","id":"13883464","score":null,"sort":[1594927214000]},"guestAuthors":[],"slug":"bottlerock-music-festival-postponed-to-2021-as-covid-numbers-rise","title":"BottleRock Music Festival Postponed to 2021 as COVID Numbers Rise","publishDate":1594927214,"format":"standard","headTitle":"BottleRock Music Festival Postponed to 2021 as COVID Numbers Rise | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>After initially postponing its May 2020 dates to October of this year, \u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener noreferrer\">BottleRock Napa Valley\u003c/a> announced today that the music, arts and culinary festival will take place on May 28—30, 2021 at the Napa Valley Expo. Headliners Stevie Nicks, Red Hot Chili Peppers and Dave Matthews Band will still perform, and all 2020 passes will be honored for the new dates. Ticket holders can also request refunds.\u003c/p>\n\u003cp>The move comes as COVID-19 cases continue to rise across California. Earlier this week, the state scaled back some of its reopening efforts with an order to close all indoor bars and restaurants. New COVID-19 cases in California exceeded \u003ca href=\"https://www.nytimes.com/2020/07/16/us/california-coronavirus-cases.html\" target=\"_blank\" rel=\"noopener noreferrer\">10,000 a day\u003c/a> for the first time on Tuesday.\u003c/p>\n\u003cp>\u003ca href=\"https://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Burger Boogaloo\u003c/a>, the punk and garage rock festival hosted in Oakland’s Mosswood Park every year, also rescheduled for the second time this week. Featuring Bikini Kill and the Circle Jerks, the festival was originally postponed from July 2020 to October 2020, and is now postponed again to July 2021. Likewise, the \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands Music and Arts Festival\u003c/a>, which draws tens of thousands of fans to San Francisco’s Golden Gate Park every August, moved its dates to August 2021 with Lizzo, Tame Impala and the Strokes as headliners. Refunds are available to Outside Lands and Burger Boogaloo ticket holders as well.\u003c/p>\n\u003cp>\u003cem>—Nastia Voynovskaya (\u003ca href=\"https://twitter.com/nananastia\" target=\"_blank\" rel=\"noopener noreferrer\">@nananastia\u003c/a>)\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Stevie Nicks, Red Hot Chili Peppers and Dave Matthews Band will still headline, and ticket holders are eligible for refunds. ","status":"publish","parent":0,"modified":1705020422,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":230},"headData":{"title":"BottleRock Music Festival Postponed to 2021 as COVID Numbers Rise | KQED","description":"Stevie Nicks, Red Hot Chili Peppers and Dave Matthews Band will still headline, and ticket holders are eligible for refunds. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"BottleRock Music Festival Postponed to 2021 as COVID Numbers Rise","datePublished":"2020-07-16T19:20:14.000Z","dateModified":"2024-01-12T00:47:02.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","justInHeadline":"BottleRock music festival postponed to 2021","path":"/arts/13883464/bottlerock-music-festival-postponed-to-2021-as-covid-numbers-rise","redirect":{"type":"internal","url":"/coronavirusliveupdates/arts/13883464/bottlerock-music-festival-postponed-to-2021-as-covid-numbers-rise"},"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>After initially postponing its May 2020 dates to October of this year, \u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener noreferrer\">BottleRock Napa Valley\u003c/a> announced today that the music, arts and culinary festival will take place on May 28—30, 2021 at the Napa Valley Expo. Headliners Stevie Nicks, Red Hot Chili Peppers and Dave Matthews Band will still perform, and all 2020 passes will be honored for the new dates. Ticket holders can also request refunds.\u003c/p>\n\u003cp>The move comes as COVID-19 cases continue to rise across California. Earlier this week, the state scaled back some of its reopening efforts with an order to close all indoor bars and restaurants. New COVID-19 cases in California exceeded \u003ca href=\"https://www.nytimes.com/2020/07/16/us/california-coronavirus-cases.html\" target=\"_blank\" rel=\"noopener noreferrer\">10,000 a day\u003c/a> for the first time on Tuesday.\u003c/p>\n\u003cp>\u003ca href=\"https://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Burger Boogaloo\u003c/a>, the punk and garage rock festival hosted in Oakland’s Mosswood Park every year, also rescheduled for the second time this week. Featuring Bikini Kill and the Circle Jerks, the festival was originally postponed from July 2020 to October 2020, and is now postponed again to July 2021. Likewise, the \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands Music and Arts Festival\u003c/a>, which draws tens of thousands of fans to San Francisco’s Golden Gate Park every August, moved its dates to August 2021 with Lizzo, Tame Impala and the Strokes as headliners. Refunds are available to Outside Lands and Burger Boogaloo ticket holders as well.\u003c/p>\n\u003cp>\u003cem>—Nastia Voynovskaya (\u003ca href=\"https://twitter.com/nananastia\" target=\"_blank\" rel=\"noopener noreferrer\">@nananastia\u003c/a>)\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/coronavirusliveupdates/arts/13883464/bottlerock-music-festival-postponed-to-2021-as-covid-numbers-rise","authors":["11387"],"categories":["arts_1","arts_235"],"tags":["arts_1693","arts_10278","arts_10651","arts_1694","arts_1739"],"featImg":"arts_13879216","label":"arts"},"arts_13878050":{"type":"posts","id":"arts_13878050","meta":{"index":"posts_1591205157","site":"arts","id":"13878050","score":null,"sort":[1594750042000]},"guestAuthors":[],"slug":"punk-fest-burger-boogaloo-postponed-to-halloween-weekend","title":"Punk Fest Burger Boogaloo Postponed to 2021","publishDate":1594750042,"format":"standard","headTitle":"Punk Fest Burger Boogaloo Postponed to 2021 | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003cem>\u003cstrong>Update, July 14: \u003c/strong>\u003c/em> \u003cem>Burger Boogaloo has been postponed once again, this time to July 10 and 11, 2021. The lineup remains the same. Any ticketing concerns can be sent to burgerboogaloo@gmail.com.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.eventbrite.com/e/burger-boogaloo-11-tickets-65083832495\" target=\"_blank\" rel=\"noopener noreferrer\">Burger Boogaloo\u003c/a>, the garage rock and punk fest that comes to Oakland’s Mosswood Park each summer, announced today it’s postponing festivities to Halloween weekend, Oct. 31–Nov. 1, from its original July dates.\u003c/p>\n\u003cp>With shelter-in-place orders extended in the Bay Area through May 3, and national uncertainty about when the coronavirus will be contained enough to gather in groups again, the move is a public safety no-brainer. The \u003ca href=\"https://www.kqed.org/arts/13871212/bikini-kill-to-headline-burger-boogaloo-2020\" target=\"_blank\" rel=\"noopener noreferrer\">full lineup\u003c/a> is still intact, with Bikini Bill topping the bill. The festival will be the recently reunited riot grrrl group’s first Bay Area show in 25 years, and they’ll be joined by the Circle Jerks, Alice Bag, Flipper, the Rubinoos, Shannon Shaw and more. Filmmaker John Waters hosts.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Bikini Kill, the Circle Jerks, Alice Bag and the rest of the artists are confirmed for the new dates. ","status":"publish","parent":0,"modified":1705020441,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":165},"headData":{"title":"Punk Fest Burger Boogaloo Postponed to 2021 | KQED","description":"Bikini Kill, the Circle Jerks, Alice Bag and the rest of the artists are confirmed for the new dates. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Punk Fest Burger Boogaloo Postponed to 2021","datePublished":"2020-07-14T18:07:22.000Z","dateModified":"2024-01-12T00:47:21.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13878050/punk-fest-burger-boogaloo-postponed-to-halloween-weekend","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Update, July 14: \u003c/strong>\u003c/em> \u003cem>Burger Boogaloo has been postponed once again, this time to July 10 and 11, 2021. The lineup remains the same. Any ticketing concerns can be sent to burgerboogaloo@gmail.com.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.eventbrite.com/e/burger-boogaloo-11-tickets-65083832495\" target=\"_blank\" rel=\"noopener noreferrer\">Burger Boogaloo\u003c/a>, the garage rock and punk fest that comes to Oakland’s Mosswood Park each summer, announced today it’s postponing festivities to Halloween weekend, Oct. 31–Nov. 1, from its original July dates.\u003c/p>\n\u003cp>With shelter-in-place orders extended in the Bay Area through May 3, and national uncertainty about when the coronavirus will be contained enough to gather in groups again, the move is a public safety no-brainer. The \u003ca href=\"https://www.kqed.org/arts/13871212/bikini-kill-to-headline-burger-boogaloo-2020\" target=\"_blank\" rel=\"noopener noreferrer\">full lineup\u003c/a> is still intact, with Bikini Bill topping the bill. The festival will be the recently reunited riot grrrl group’s first Bay Area show in 25 years, and they’ll be joined by the Circle Jerks, Alice Bag, Flipper, the Rubinoos, Shannon Shaw and more. Filmmaker John Waters hosts.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13878050/punk-fest-burger-boogaloo-postponed-to-halloween-weekend","authors":["11387"],"programs":["arts_140"],"categories":["arts_71"],"tags":["arts_7264","arts_1693"],"featImg":"arts_13863823","label":"arts_140"},"arts_13871212":{"type":"posts","id":"arts_13871212","meta":{"index":"posts_1591205157","site":"arts","id":"13871212","score":null,"sort":[1575997252000]},"guestAuthors":[],"slug":"bikini-kill-to-headline-burger-boogaloo-2020","title":"Bikini Kill to Headline Burger Boogaloo 2020","publishDate":1575997252,"format":"standard","headTitle":"Bikini Kill to Headline Burger Boogaloo 2020 | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>When \u003ca href=\"https://www.kqed.org/arts/13855938/watch-bikini-kills-first-reunion-show-in-l-a\" target=\"_blank\" rel=\"noopener noreferrer\">Bikini Kill reunited\u003c/a> in Los Angeles earlier this year, it was a near-religious experience for longtime fans who hadn’t seen them since their split in 1997.\u003c/p>\n\u003cp>Now, the pioneering riot grrrl band is back to headline \u003ca href=\"https://www.eventbrite.com/e/burger-boogaloo-11-tickets-65083832495\" target=\"_blank\" rel=\"noopener noreferrer\">Burger Boogaloo\u003c/a> in Oakland. Burger Records’ annual fest returns to Mosswood Park on July 11–12, 2020, and it marks Bikini Kill’s first Bay Area show in 25 years.\u003c/p>\n\u003cp>Other punk royalty, including the Circle Jerks and Alice Bag, join Bikini Kill on the bill. The rest of the lineup includes a variety of punk, post-punk, indie rock and garage rock acts—veterans and young musicians alike—including Plastic Bertrand, Bleached, Pansy Division, Flipper, Carbonas, The Fevers, The Younger Lovers, Panty Raid and Midnite Snaxxx. As always, Burger Boogaloo is hosted by director and counterculture hero \u003ca href=\"https://www.kqed.org/arts/13860384/john-waters-talks-microdosing-homelessness-and-cops-in-pride-before-burger-boogaloo\" target=\"_blank\" rel=\"noopener noreferrer\">John Waters\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Burger Boogaloo is running a holiday ticket special to celebrate the lineup announcement. \u003ca href=\"https://www.eventbrite.com/e/burger-boogaloo-11-tickets-65083832495\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>https://youtu.be/RM31JAhFT88\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The pioneering riot grrrl band's first Bay Area show in 25 years takes place at Oakland's Mosswood Park in July.","status":"publish","parent":0,"modified":1705021701,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":166},"headData":{"title":"Bikini Kill to Headline Burger Boogaloo 2020 | KQED","description":"The pioneering riot grrrl band's first Bay Area show in 25 years takes place at Oakland's Mosswood Park in July.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Bikini Kill to Headline Burger Boogaloo 2020","datePublished":"2019-12-10T17:00:52.000Z","dateModified":"2024-01-12T01:08:21.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","startTime":1594450800,"endTime":1594537200,"startTimeString":"July 11–12, 2020","venueName":"Mosswood Park","eventLink":"https://www.eventbrite.com/e/burger-boogaloo-11-tickets-65083832495","path":"/arts/13871212/bikini-kill-to-headline-burger-boogaloo-2020","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>When \u003ca href=\"https://www.kqed.org/arts/13855938/watch-bikini-kills-first-reunion-show-in-l-a\" target=\"_blank\" rel=\"noopener noreferrer\">Bikini Kill reunited\u003c/a> in Los Angeles earlier this year, it was a near-religious experience for longtime fans who hadn’t seen them since their split in 1997.\u003c/p>\n\u003cp>Now, the pioneering riot grrrl band is back to headline \u003ca href=\"https://www.eventbrite.com/e/burger-boogaloo-11-tickets-65083832495\" target=\"_blank\" rel=\"noopener noreferrer\">Burger Boogaloo\u003c/a> in Oakland. Burger Records’ annual fest returns to Mosswood Park on July 11–12, 2020, and it marks Bikini Kill’s first Bay Area show in 25 years.\u003c/p>\n\u003cp>Other punk royalty, including the Circle Jerks and Alice Bag, join Bikini Kill on the bill. The rest of the lineup includes a variety of punk, post-punk, indie rock and garage rock acts—veterans and young musicians alike—including Plastic Bertrand, Bleached, Pansy Division, Flipper, Carbonas, The Fevers, The Younger Lovers, Panty Raid and Midnite Snaxxx. As always, Burger Boogaloo is hosted by director and counterculture hero \u003ca href=\"https://www.kqed.org/arts/13860384/john-waters-talks-microdosing-homelessness-and-cops-in-pride-before-burger-boogaloo\" target=\"_blank\" rel=\"noopener noreferrer\">John Waters\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Burger Boogaloo is running a holiday ticket special to celebrate the lineup announcement. \u003ca href=\"https://www.eventbrite.com/e/burger-boogaloo-11-tickets-65083832495\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/RM31JAhFT88'\n title='//www.youtube.com/embed/RM31JAhFT88'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13871212/bikini-kill-to-headline-burger-boogaloo-2020","authors":["11387"],"programs":["arts_140"],"categories":["arts_69","arts_235"],"tags":["arts_7264","arts_1693","arts_8246"],"featImg":"arts_13863823","label":"arts_140"},"arts_13860384":{"type":"posts","id":"arts_13860384","meta":{"index":"posts_1591205157","site":"arts","id":"13860384","score":null,"sort":[1561662868000]},"guestAuthors":[],"slug":"john-waters-talks-microdosing-homelessness-and-cops-in-pride-before-burger-boogaloo","title":"John Waters Talks Microdosing, Homelessness, and Cops in Pride Before Burger Boogaloo","publishDate":1561662868,"format":"standard","headTitle":"John Waters Talks Microdosing, Homelessness, and Cops in Pride Before Burger Boogaloo | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>The filmmaker and writer John Waters has since 2008 kept a home in San Francisco, but he reserves comparisons to his beloved Baltimore for the city that calls itself the town—Oakland. \u003c/p>\n\u003cp>Every year since 2015, Waters has hosted \u003ca href=\"http://burgerboogaloo.com/\">Burger Boogaloo\u003c/a>, an Oakland punk and garage rock festival serving a scene that regards him, the sultan of sleaze, as a sort of patron saint. His cult filmography with “Dreamlanders” Divine, Mink Stole and Edith Massey brought the delectable camp of the \u003ca href=\"https://youtu.be/TDHmgGHzDW0\" rel=\"noopener\" target=\"_blank\">Cockettes\u003c/a> into settings and storylines worthy of the most sordid paperback pulp, modeling a style of queer provocation with abiding underground and pop culture resonance. [aside postID=arts_13848767]\u003c/p>\n\u003cp>Waters, with his impish smile and pencil moustache, is as much a draw of the Boogaloo as this year’s headliners Jesus & Mary Chain, Scientists and the Dead Boys. Rounding out the festival, running Saturday, July 6 and Sunday, July 7 in Mosswood Park, are budget-rock legends Phantom Surfers and contemporary acts including Shannon & the Clams and Sheer Mag. \u003c/p>\n\u003cp>In the interview below, edited for clarity and concision, Waters discusses dropping acid as a senior citizen—an experience described in his most recent book, \u003cem>Mr. Know-It-All: The Tarnished Wisdom of a Filth Elder\u003c/em>—as well as his impressions of homelessness in the Bay Area and controversy surrounding cops in San Francisco Pride. \u003c/p>\n\u003cp>\u003cem>[\u003cstrong>Ed. Note\u003c/strong>: This is John Waters, y’all—you know what you’re getting. Obscenity, drugs, and references to sex acts follow.]\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Acid is big in Silicon Valley among the tech set. Are they doing it right? \u003c/strong>\u003c/p>\n\u003cp>Oh, but you’re talking about pussy little microdoses. I think that’s cowardly. If you’re going to trip, let’s trip. I wanted a full blown trip like I remember from 50 years ago, and I got one. But I’m not telling young people what to do. I’m telling old people that had good experiences with it to do it with some old friends you did it with back then as like a sort of high school reunion.\u003c/p>\n\u003cp>\u003cstrong>So you’re not recommending anyone dose at Burger Boogaloo?\u003c/strong>\u003c/p>\n\u003cp>No, I’m not telling anyone to take it at Burger Boogaloo, but God knows, I don’t have to tell anybody what to do at Burger Boogaloo. I’m their host, not their moral guardian. I was a drug enthusiast, I never had a drug problem. Each person has a different experience with drugs—some people instantly become junkies. But I haven’t had a bad trip in my life! \u003c/p>\n\u003cp>\u003cstrong>Would you say punk or garage rock lends itself to the psychedelic experience? \u003c/strong>\u003c/p>\n\u003cp>Not especially. When I tripped, I listed to Dionne Warwick and the soundtrack to \u003cem>Born Free\u003c/em>, and Fellini albums, so not exactly new wave.\u003c/p>\n\u003cp>\u003cstrong>In your previous book you hitchhiked across the country, and in this book you dropped acid. What’s next, joining a cult? Hare Krishna? \u003c/strong>\u003c/p>\n\u003cp>God no, I had enough experiences with a friend in a cult to make me never, ever want to join one. Hare Krishna, I did that material in \u003cem>Female Trouble\u003c/em>: Divine’s daughter goes Hare Krishna, so she kills her. Are there still Hare Krishnas? I don’t see them bothering people in airports.\u003c/p>\n\u003cfigure id=\"attachment_13860389\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-800x533.jpg\" alt=\"John Waters is patron saint of the scenes represented at Burger Boogaloo\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13860389\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Waters is patron saint of the scenes represented at Burger Boogaloo. \u003ccite>(Lily Chou/Courtesy Burger Boogaloo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>It’s 2019 and you’re hosting a festival with the Dead Boys.\u003c/strong>\u003c/p>\n\u003cp>I know, it’s very strange—the only Dead Boy I really knew is dead. Stiv [Bators] was a friend, and he was \u003ca href=\"https://www.youtube.com/watch?v=fZpxb5BIiig\">great in \u003cem>Polyester\u003c/em>\u003c/a>, which is being re-released again, by Criterion. I just saw the cover. I haven’t seen Cheetah [Chrome] since CBGB in the ’70s. I’m looking forward to it. I love meeting all of the bands. One I’m really interested in seeing is Amyl and the Sniffers. \u003c/p>\n\u003cp>\u003cstrong>We have Pride right now in San Francisco, and there’s some \u003ca href=\"https://www.kqed.org/arts/13857994/activists-demand-a-police-free-pride-as-sfpd-ramps-up-its-gay-friendly-image\">controversy\u003c/a> about whether or not cops should have floats and march in the parade. What do you think? \u003c/strong>\u003c/p>\n\u003cp>Yes, of course they should. First of all, I haven’t been to the gay parade in San Francisco for a while, but the one in New York feels like it’s mostly straight people. I don’t mind the cops in parades. Why wouldn’t they be? I mean, not all cops are homophobic. \u003c/p>\n\u003cp>\u003cstrong>I think it’s because of the legacy of cops repressing queer and transgender people.\u003c/strong>\u003c/p>\n\u003cp>I don’t know. I’m sure there are incidents of homophobic cops. I’m not saying that doesn’t happen, but I’ve also seen police guarding people fist-fucking at the Folsom Street Fair! \u003c/p>\n\u003cfigure id=\"attachment_13860390\" class=\"wp-caption alignright\" style=\"max-width: 219px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/John-Waters.jpg\" alt=\"John Waters has kept a home in San Francisco since 2008, but Oakland reminds him of his beloved Baltimore.\" width=\"219\" height=\"300\" class=\"size-full wp-image-13860390\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters.jpg 219w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-160x219.jpg 160w\" sizes=\"(max-width: 219px) 100vw, 219px\">\u003cfigcaption class=\"wp-caption-text\">John Waters has kept a home in San Francisco since 2008, but Oakland reminds him of his beloved Baltimore. \u003ccite>(Courtesy Burger Boogaloo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Speaking of controversies, last year Burger Boogaloo was \u003ca href=\"https://www.kqed.org/arts/13836097/homeless-cleared-from-mosswood-park-ahead-of-burger-boogaloo\">criticized\u003c/a> after Oakland cops had cleared the park of homeless people. Do you think the festival could have handled that better?\u003c/strong>\u003c/p>\n\u003cp>Well, I think [festival organizer] Marc [Ribak] has been very sensitive to people’s opinions. This year I know we have one stage, because we’re actually sharing the park with the homeless. \u003c/p>\n\u003cp>\u003cstrong>You’ve had a place in San Francisco for years, so you’ve noticed the uptick in people living on the streets. What does it say about the Bay Area?\u003c/strong>\u003c/p>\n\u003cp>Every city now is just rich people and very poor people. There’s no middle left, except Baltimore. What’s different about San Francisco is it’s so visible. In L.A., it’s worse, but most people never see. I was shocked the first time I saw Skid Row. Here you see someone nude in the street, shooting up in the middle of the day and think, wow, it’s so liberal here. They allow that? \u003c/p>\n\u003cp>\u003cstrong>What do you say to people who want these folks swept up and shipped off or in jail? \u003c/strong>\u003c/p>\n\u003cp>Does anybody in San Francisco want to put the homeless in jail? I never heard anybody be that right-wing.\u003c/p>\n\u003cp>\u003cstrong>I’m thinking about the controversy around navigation centers—a lot of people don’t want the homeless shelters and services in their neighborhoods. \u003c/strong>\u003c/p>\n\u003cp>Well I’m not going to be a hypocrite, if they opened one next to my house, I wouldn’t be happy about it either. It’s becoming like Mortville. That’s what I think it’s going to be like at Mosswood Park this year, kind of like Mortville in my movie \u003cem>Desperate Living\u003c/em>.\u003c/p>\n\u003cp>\u003cem>Burger Boogaloo takes place June 6–7, 2019, at Mosswood Park in Oakland. \u003ca href=\"http://burgerboogaloo.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"The filmmaker and writer this year hosts Burger Boogaloo music festival in Oakland’s Mosswood Park. ","status":"publish","parent":0,"modified":1705022602,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":30,"wordCount":1170},"headData":{"title":"John Waters Talks Microdosing, Homelessness, and Cops in Pride Before Burger Boogaloo | KQED","description":"The filmmaker and writer this year hosts Burger Boogaloo music festival in Oakland’s Mosswood Park. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"John Waters Talks Microdosing, Homelessness, and Cops in Pride Before Burger Boogaloo","datePublished":"2019-06-27T19:14:28.000Z","dateModified":"2024-01-12T01:23:22.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13860384/john-waters-talks-microdosing-homelessness-and-cops-in-pride-before-burger-boogaloo","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The filmmaker and writer John Waters has since 2008 kept a home in San Francisco, but he reserves comparisons to his beloved Baltimore for the city that calls itself the town—Oakland. \u003c/p>\n\u003cp>Every year since 2015, Waters has hosted \u003ca href=\"http://burgerboogaloo.com/\">Burger Boogaloo\u003c/a>, an Oakland punk and garage rock festival serving a scene that regards him, the sultan of sleaze, as a sort of patron saint. His cult filmography with “Dreamlanders” Divine, Mink Stole and Edith Massey brought the delectable camp of the \u003ca href=\"https://youtu.be/TDHmgGHzDW0\" rel=\"noopener\" target=\"_blank\">Cockettes\u003c/a> into settings and storylines worthy of the most sordid paperback pulp, modeling a style of queer provocation with abiding underground and pop culture resonance. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13848767","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Waters, with his impish smile and pencil moustache, is as much a draw of the Boogaloo as this year’s headliners Jesus & Mary Chain, Scientists and the Dead Boys. Rounding out the festival, running Saturday, July 6 and Sunday, July 7 in Mosswood Park, are budget-rock legends Phantom Surfers and contemporary acts including Shannon & the Clams and Sheer Mag. \u003c/p>\n\u003cp>In the interview below, edited for clarity and concision, Waters discusses dropping acid as a senior citizen—an experience described in his most recent book, \u003cem>Mr. Know-It-All: The Tarnished Wisdom of a Filth Elder\u003c/em>—as well as his impressions of homelessness in the Bay Area and controversy surrounding cops in San Francisco Pride. \u003c/p>\n\u003cp>\u003cem>[\u003cstrong>Ed. Note\u003c/strong>: This is John Waters, y’all—you know what you’re getting. Obscenity, drugs, and references to sex acts follow.]\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Acid is big in Silicon Valley among the tech set. Are they doing it right? \u003c/strong>\u003c/p>\n\u003cp>Oh, but you’re talking about pussy little microdoses. I think that’s cowardly. If you’re going to trip, let’s trip. I wanted a full blown trip like I remember from 50 years ago, and I got one. But I’m not telling young people what to do. I’m telling old people that had good experiences with it to do it with some old friends you did it with back then as like a sort of high school reunion.\u003c/p>\n\u003cp>\u003cstrong>So you’re not recommending anyone dose at Burger Boogaloo?\u003c/strong>\u003c/p>\n\u003cp>No, I’m not telling anyone to take it at Burger Boogaloo, but God knows, I don’t have to tell anybody what to do at Burger Boogaloo. I’m their host, not their moral guardian. I was a drug enthusiast, I never had a drug problem. Each person has a different experience with drugs—some people instantly become junkies. But I haven’t had a bad trip in my life! \u003c/p>\n\u003cp>\u003cstrong>Would you say punk or garage rock lends itself to the psychedelic experience? \u003c/strong>\u003c/p>\n\u003cp>Not especially. When I tripped, I listed to Dionne Warwick and the soundtrack to \u003cem>Born Free\u003c/em>, and Fellini albums, so not exactly new wave.\u003c/p>\n\u003cp>\u003cstrong>In your previous book you hitchhiked across the country, and in this book you dropped acid. What’s next, joining a cult? Hare Krishna? \u003c/strong>\u003c/p>\n\u003cp>God no, I had enough experiences with a friend in a cult to make me never, ever want to join one. Hare Krishna, I did that material in \u003cem>Female Trouble\u003c/em>: Divine’s daughter goes Hare Krishna, so she kills her. Are there still Hare Krishnas? I don’t see them bothering people in airports.\u003c/p>\n\u003cfigure id=\"attachment_13860389\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-800x533.jpg\" alt=\"John Waters is patron saint of the scenes represented at Burger Boogaloo\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13860389\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Lily-Chou.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Waters is patron saint of the scenes represented at Burger Boogaloo. \u003ccite>(Lily Chou/Courtesy Burger Boogaloo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>It’s 2019 and you’re hosting a festival with the Dead Boys.\u003c/strong>\u003c/p>\n\u003cp>I know, it’s very strange—the only Dead Boy I really knew is dead. Stiv [Bators] was a friend, and he was \u003ca href=\"https://www.youtube.com/watch?v=fZpxb5BIiig\">great in \u003cem>Polyester\u003c/em>\u003c/a>, which is being re-released again, by Criterion. I just saw the cover. I haven’t seen Cheetah [Chrome] since CBGB in the ’70s. I’m looking forward to it. I love meeting all of the bands. One I’m really interested in seeing is Amyl and the Sniffers. \u003c/p>\n\u003cp>\u003cstrong>We have Pride right now in San Francisco, and there’s some \u003ca href=\"https://www.kqed.org/arts/13857994/activists-demand-a-police-free-pride-as-sfpd-ramps-up-its-gay-friendly-image\">controversy\u003c/a> about whether or not cops should have floats and march in the parade. What do you think? \u003c/strong>\u003c/p>\n\u003cp>Yes, of course they should. First of all, I haven’t been to the gay parade in San Francisco for a while, but the one in New York feels like it’s mostly straight people. I don’t mind the cops in parades. Why wouldn’t they be? I mean, not all cops are homophobic. \u003c/p>\n\u003cp>\u003cstrong>I think it’s because of the legacy of cops repressing queer and transgender people.\u003c/strong>\u003c/p>\n\u003cp>I don’t know. I’m sure there are incidents of homophobic cops. I’m not saying that doesn’t happen, but I’ve also seen police guarding people fist-fucking at the Folsom Street Fair! \u003c/p>\n\u003cfigure id=\"attachment_13860390\" class=\"wp-caption alignright\" style=\"max-width: 219px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/06/John-Waters.jpg\" alt=\"John Waters has kept a home in San Francisco since 2008, but Oakland reminds him of his beloved Baltimore.\" width=\"219\" height=\"300\" class=\"size-full wp-image-13860390\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters.jpg 219w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-160x219.jpg 160w\" sizes=\"(max-width: 219px) 100vw, 219px\">\u003cfigcaption class=\"wp-caption-text\">John Waters has kept a home in San Francisco since 2008, but Oakland reminds him of his beloved Baltimore. \u003ccite>(Courtesy Burger Boogaloo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Speaking of controversies, last year Burger Boogaloo was \u003ca href=\"https://www.kqed.org/arts/13836097/homeless-cleared-from-mosswood-park-ahead-of-burger-boogaloo\">criticized\u003c/a> after Oakland cops had cleared the park of homeless people. Do you think the festival could have handled that better?\u003c/strong>\u003c/p>\n\u003cp>Well, I think [festival organizer] Marc [Ribak] has been very sensitive to people’s opinions. This year I know we have one stage, because we’re actually sharing the park with the homeless. \u003c/p>\n\u003cp>\u003cstrong>You’ve had a place in San Francisco for years, so you’ve noticed the uptick in people living on the streets. What does it say about the Bay Area?\u003c/strong>\u003c/p>\n\u003cp>Every city now is just rich people and very poor people. There’s no middle left, except Baltimore. What’s different about San Francisco is it’s so visible. In L.A., it’s worse, but most people never see. I was shocked the first time I saw Skid Row. Here you see someone nude in the street, shooting up in the middle of the day and think, wow, it’s so liberal here. They allow that? \u003c/p>\n\u003cp>\u003cstrong>What do you say to people who want these folks swept up and shipped off or in jail? \u003c/strong>\u003c/p>\n\u003cp>Does anybody in San Francisco want to put the homeless in jail? I never heard anybody be that right-wing.\u003c/p>\n\u003cp>\u003cstrong>I’m thinking about the controversy around navigation centers—a lot of people don’t want the homeless shelters and services in their neighborhoods. \u003c/strong>\u003c/p>\n\u003cp>Well I’m not going to be a hypocrite, if they opened one next to my house, I wouldn’t be happy about it either. It’s becoming like Mortville. That’s what I think it’s going to be like at Mosswood Park this year, kind of like Mortville in my movie \u003cem>Desperate Living\u003c/em>.\u003c/p>\n\u003cp>\u003cem>Burger Boogaloo takes place June 6–7, 2019, at Mosswood Park in Oakland. \u003ca href=\"http://burgerboogaloo.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13860384/john-waters-talks-microdosing-homelessness-and-cops-in-pride-before-burger-boogaloo","authors":["11091"],"categories":["arts_69"],"tags":["arts_1693","arts_1118","arts_977","arts_1355","arts_4165","arts_596","arts_1143","arts_5158"],"featImg":"arts_13860397","label":"arts"},"arts_13856920":{"type":"posts","id":"arts_13856920","meta":{"index":"posts_1591205157","site":"arts","id":"13856920","score":null,"sort":[1558562460000]},"guestAuthors":[],"slug":"hot-summer-guide-2019-get-outside-in-the-east-bay-this-summer","title":"Hot Summer Guide 2019: Get Outside in the East Bay this Summer","publishDate":1558562460,"format":"standard","headTitle":"Hot Summer Guide 2019: Get Outside in the East Bay this Summer | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>East Bay residents seize the summertime to bring culture into the streets and parks, showcasing music, dance and film outdoors in city centers and outlying neighborhoods alike. The events below offer opportunities for entertainment and education rooted in the cultural and even ecological history of the region. Many of these picks are free and family-friendly, and all but one take place outdoors. \u003c/p>\n\u003cfigure id=\"attachment_13856930\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/ruthissasadako-800x468.jpg\" alt=\"The Pointer Sisters headline the 2018 edition of Art + Soul.\" width=\"800\" height=\"468\" class=\"size-medium wp-image-13856930\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/ruthissasadako-800x468.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/ruthissasadako-160x94.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/ruthissasadako-768x449.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/ruthissasadako.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Pointer Sisters headline the 2018 edition of Art + Soul. \u003ccite>(Courtesy Pointer Sisters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Art + Soul\u003c/h2>\n\u003cp>\u003cem>July 27—28\u003cbr>\nDowntown Oakland\u003cbr>\n\u003ca href=\"https://www.artandsouloakland.com/\">More information\u003c/a>\u003c/em> \u003c/p>\n\u003cp>Art + Soul brings the spirit of Oakland to the heart of the city, with vendors, dancers and musicians sprawling throughout downtown. This year, the city-sponsored festival is headlined by artists yet to be announced. Other stages feature lineups themed around blues, gospel, salsa music and the kinetic or circus arts. As usual, there’s ample family-friendly programming in store, and tickets start at a modest $12 for adults. \u003c/p>\n\u003cfigure id=\"attachment_11722121\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/Garden.JohnBenson.MAIN_-800x450.jpg\" alt=\"John Benson performs with his milk-covered drum at Garden of Memory in 2016.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-11722121\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Garden.JohnBenson.MAIN_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Garden.JohnBenson.MAIN_-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Garden.JohnBenson.MAIN_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Garden.JohnBenson.MAIN_-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Garden.JohnBenson.MAIN_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Garden.JohnBenson.MAIN_-960x540.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Benson performs with his milk-covered drum at Garden of Memory in 2016. \u003ccite>(Kristin Shaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Garden of Memory\u003c/h2>\n\u003cp>\u003cem>June 21\u003cbr>\nChapel of the Chimes, Oakland\u003cbr>\n\u003ca href=\"http://www.gardenofmemory.com/\">More information \u003c/a>\u003c/em>\u003c/p>\n\u003cp>This one’s indoors, but there’s plenty of greenery and natural light. On the longest day of the year, the regal, naturally-lit Chapel of the Chimes columbarium erupts with sound as dozens of musicians perform simultaneously for a roaming audience at Garden of Memory. The annual event, which started in 1996, features small chamber groups, solo experimentalists and other ensembles expertly drawn from the local music scene, and culminates with a participatory bell-ringing ceremony to mark the solstice at sunset. \u003c/p>\n\u003cfigure id=\"attachment_13843026\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/mistah-fab-kenzie-hiero-day-2018-800x450.jpg\" alt=\"Mistah F.A.B. and Kenzie Smith at Hiero Day 2018.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13843026\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mistah-fab-kenzie-hiero-day-2018.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mistah-fab-kenzie-hiero-day-2018-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mistah-fab-kenzie-hiero-day-2018-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mistah-fab-kenzie-hiero-day-2018-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mistah-fab-kenzie-hiero-day-2018-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mistah-fab-kenzie-hiero-day-2018-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mistah F.A.B. and Kenzie Smith at Hiero Day 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Hiero Day\u003c/h2>\n\u003cp>\u003cem>Sept. 2\u003cbr>\nJack London District, Oakland\u003cbr>\n\u003ca href=\"https://www.hieroday.com/\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>The lineup and exact location of this year’s Hiero Day is still to be determined, but the annual Labor Day music festival has become one of the foremost hip-hop events in Oakland. Local rap group Hieroglyphics founded the festival (tickets cost $19.93, a nod to Souls of Mischief’s “‘93 Til Infinity”), and it reliably boasts an impressive lineup of golden-age headliners and emerging locals. Last year featured artists including The Roots’ Black Thought, Mannie Fresh, Guapdad4000, DJ Fresh and Traxamillion, and the festival spread across several blocks in the Jack London District of Oakland. Tickets generally sell out long before the lineup is confirmed. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cfigure id=\"attachment_11316316\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg\" alt=\"John Waters at Burger Boogaloo 2015.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-11316316\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_.jpg 913w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Waters at Burger Boogaloo 2015. \u003ccite>(Wild About You Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Burger Boogaloo\u003c/h2>\n\u003cp>\u003cem>July 6—7\u003cbr>\nMosswood Park, Oakland\u003cbr>\n\u003ca href=\"http://burgerboogaloo.com/\">More Information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>During the first weekend of July, the Burger Boogaloo turns a disused concrete amphitheater in the corner of Mosswood Park into a riot of color of sound. The music festival, a partnership between Total Trash Productions and Southern California label Burger Records, celebrates the campiness of punk and garage rock, and it’s fittingly hosted by the filmmaker John Waters—a sort of spiritual advisor and patron saint to the scene. Its tenth annual edition will draw thousands to Oakland’s Temescal district for first-wave punk acts such as the Dead Boys, newer groups Sheer Mag and Shannon & the Clams and headliner the Jesus & Mary Chain. \u003c/p>\n\u003cfigure id=\"attachment_13832897\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/703A5122-800x533.jpg\" alt=\"DJ Twelvz spins at Lake Merrit for "BBQ'n While Black," a celebration of African-American culture sparked by a white woman's widely lampooned police complaint.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13832897\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">DJ Twelvz spins at Lake Merrit for “BBQ’n While Black,” a celebration of African-American culture sparked by a white woman’s widely lampooned police complaint.\u003c/figcaption>\u003c/figure>\n\u003ch2>BBQin’ While Black at Lake Merritt\u003c/h2>\n\u003cp>\u003cem>July 21\u003cbr>\nLake Merritt, Oakland\u003cbr>\n\u003ca href=\"https://www.gofundme.com/f/BBQnWhileBlack\">More information\u003c/a>\u003c/em> \u003c/p>\n\u003cp>One afternoon last April, a white woman harassed two black men for grilling at Lake Merritt, and proceeded to call the Oakland Police Department. Cell-phone footage of the incident immortalized the woman online as “#BBQBecky,” and prompted a discussion about race and access to public space amid gentrification in Oakland. It also prompted black Oaklanders to double down on the perceived offense by continuing to grill, week in and week out, at Lake Merritt. This year there’s a fundraiser to support more of the same, on an even grander scale.\u003c/p>\n\u003cfigure id=\"attachment_13856933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/8587826505_6377441764_o-1440x933-800x518.jpg\" alt=\"Port of Oakland, from the Oakland estuary.\" width=\"800\" height=\"518\" class=\"size-medium wp-image-13856933\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/8587826505_6377441764_o-1440x933-800x518.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/8587826505_6377441764_o-1440x933-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/8587826505_6377441764_o-1440x933-768x498.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/8587826505_6377441764_o-1440x933-1020x661.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/8587826505_6377441764_o-1440x933-1200x778.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/8587826505_6377441764_o-1440x933.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Port of Oakland, from the Oakland estuary. \u003ccite>(Dan Brekke/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Waterfront Tours\u003c/h2>\n\u003cp>\u003cem>May 17—August 10\u003c/em> \u003c/p>\n\u003cp>The story of the Oakland waterfront is one of environmental degradation, intercontinental commerce, real-estate squabbles and even armed conflict. Soon, the waterfront will also be a part of the story of the Oakland A’s, when the baseball team erects a new stadium at Howard Terminal. This summer there are two ways to explore the waterfront by boat: Free harbor tours sponsored by the \u003ca href=\"https://jacklondonsquare.com/event/Free-Harbor-Tours/2145525184/\">Port of Oakland\u003c/a> on a Blue & Gold Fleet vessel, and $45 tours organized by local historian Liam O’Donoghue of the \u003ca href=\"https://eastbayyesterday.com/journey-through-centuries-of-waterfront-history/\">East Bay Yesterday\u003c/a> podcast. Tickets for the latter tour, which launches on an Emeryville fishing boat, are mostly sold out, so check for additional dates.\u003c/p>\n\u003cfigure id=\"attachment_11283312\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/01/BAMPFA-DSR-16-01-4786_A-800x533.jpg\" alt=\"Diller Scofidio + Renfro, UC Berkeley Art Museum and Pacific Film Archive, 2016; Aerial view from the UC Berkeley Campus.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-11283312\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/BAMPFA-DSR-16-01-4786_A-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/BAMPFA-DSR-16-01-4786_A-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/BAMPFA-DSR-16-01-4786_A-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/BAMPFA-DSR-16-01-4786_A-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/BAMPFA-DSR-16-01-4786_A-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/BAMPFA-DSR-16-01-4786_A.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Diller Scofidio + Renfro, UC Berkeley Art Museum and Pacific Film Archive, 2016; Aerial view from the UC Berkeley Campus. \u003ccite>(Courtesy Diller Scofidio + Renfro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Outdoor Rock ‘n’ Roll Film Screenings at Berkeley Art Museum\u003c/h2>\n\u003cp>\u003cem>June 13—August 8\u003cbr>\nBerkeley Art Museum and Pacific Film Archives, Berkeley\u003cbr>\nMore information \u003c/em>\u003c/p>\n\u003cp>Since reopening in downtown Berkeley, the Berkeley Art Museum and Pacific Film Archive has organized a free, outdoor summer cinema series on its massive LED screen at the corner of Addison and Oxford streets. This year, as part of a broader rock ‘n’ roll-themed film program, the museum is screening several classics: \u003cem>Stop Making Sense\u003c/em>, the 1984 Talking Heads concert film by Jonathan Demme; a British Invasion double-feature of \u003cem>A Hard Day’s Night\u003c/em> and \u003cem>Charlie is My Darling\u003c/em>; and a Bay Area counterculture pairing of \u003cem>Monterey Pop\u003c/em> and \u003cem>Jimi Plays Berkeley\u003c/em>. A pop-up stand operated by Babette, the BAMPFA cafe, will offer moviegoers refreshments. \u003c/p>\n\u003cfigure id=\"attachment_13825652\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/1-800x533.jpg\" alt=\"A young lady rides a horse, as a member of the Black Cowboys chaperones her, at a Juneteenth festival in East Oakland.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13825652\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A young lady rides a horse, as a member of the Black Cowboys chaperones her, at a Juneteenth festival in East Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Juneteenth in Berkeley and Richmond\u003c/h2>\n\u003cp>\u003cem>June 15—16\u003cbr>\nAlcatraz-Adeline corridor in \u003ca href=\"http://www.berkeleyjuneteenth.org/\">Berkeley\u003c/a> and Nicholl Park in \u003ca href=\"https://www.ci.richmond.ca.us/427/Festivals\">Richmond\u003c/a>\u003c/em>\u003c/p>\n\u003cp>On June 19, 1865, a regiment of Union soldiers arrived in Galveston, Texas with news that the Civil War was over, and slavery was officially abolished in the United States. Today the event is marked in cities nationwide by Juneteenth, a celebration of black culture and heritage. Berkeley’s festival, which launched in 1987, brings first-rate performers and food, along with historical exhibits and health screenings, to the Alcatraz-Adeline corridor for free. One day earlier in Richmond, meanwhile, a parade orbits the family-friendly festival in Nicholl Park. \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Our picks for music, dance, film and more outdoors and in the streets this summer in the East Bay.","status":"publish","parent":0,"modified":1705026158,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":1111},"headData":{"title":"Hot Summer Guide 2019: Get Outside in the East Bay this Summer | KQED","description":"Our picks for music, dance, film and more outdoors and in the streets this summer in the East Bay.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Hot Summer Guide 2019: Get Outside in the East Bay this Summer","datePublished":"2019-05-22T22:01:00.000Z","dateModified":"2024-01-12T02:22:38.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13856920/hot-summer-guide-2019-get-outside-in-the-east-bay-this-summer","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>East Bay residents seize the summertime to bring culture into the streets and parks, showcasing music, dance and film outdoors in city centers and outlying neighborhoods alike. The events below offer opportunities for entertainment and education rooted in the cultural and even ecological history of the region. Many of these picks are free and family-friendly, and all but one take place outdoors. \u003c/p>\n\u003cfigure id=\"attachment_13856930\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/ruthissasadako-800x468.jpg\" alt=\"The Pointer Sisters headline the 2018 edition of Art + Soul.\" width=\"800\" height=\"468\" class=\"size-medium wp-image-13856930\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/ruthissasadako-800x468.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/ruthissasadako-160x94.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/ruthissasadako-768x449.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/ruthissasadako.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Pointer Sisters headline the 2018 edition of Art + Soul. \u003ccite>(Courtesy Pointer Sisters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Art + Soul\u003c/h2>\n\u003cp>\u003cem>July 27—28\u003cbr>\nDowntown Oakland\u003cbr>\n\u003ca href=\"https://www.artandsouloakland.com/\">More information\u003c/a>\u003c/em> \u003c/p>\n\u003cp>Art + Soul brings the spirit of Oakland to the heart of the city, with vendors, dancers and musicians sprawling throughout downtown. This year, the city-sponsored festival is headlined by artists yet to be announced. Other stages feature lineups themed around blues, gospel, salsa music and the kinetic or circus arts. As usual, there’s ample family-friendly programming in store, and tickets start at a modest $12 for adults. \u003c/p>\n\u003cfigure id=\"attachment_11722121\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/Garden.JohnBenson.MAIN_-800x450.jpg\" alt=\"John Benson performs with his milk-covered drum at Garden of Memory in 2016.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-11722121\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Garden.JohnBenson.MAIN_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Garden.JohnBenson.MAIN_-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Garden.JohnBenson.MAIN_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Garden.JohnBenson.MAIN_-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Garden.JohnBenson.MAIN_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Garden.JohnBenson.MAIN_-960x540.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Benson performs with his milk-covered drum at Garden of Memory in 2016. \u003ccite>(Kristin Shaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Garden of Memory\u003c/h2>\n\u003cp>\u003cem>June 21\u003cbr>\nChapel of the Chimes, Oakland\u003cbr>\n\u003ca href=\"http://www.gardenofmemory.com/\">More information \u003c/a>\u003c/em>\u003c/p>\n\u003cp>This one’s indoors, but there’s plenty of greenery and natural light. On the longest day of the year, the regal, naturally-lit Chapel of the Chimes columbarium erupts with sound as dozens of musicians perform simultaneously for a roaming audience at Garden of Memory. The annual event, which started in 1996, features small chamber groups, solo experimentalists and other ensembles expertly drawn from the local music scene, and culminates with a participatory bell-ringing ceremony to mark the solstice at sunset. \u003c/p>\n\u003cfigure id=\"attachment_13843026\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/mistah-fab-kenzie-hiero-day-2018-800x450.jpg\" alt=\"Mistah F.A.B. and Kenzie Smith at Hiero Day 2018.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13843026\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mistah-fab-kenzie-hiero-day-2018.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mistah-fab-kenzie-hiero-day-2018-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mistah-fab-kenzie-hiero-day-2018-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mistah-fab-kenzie-hiero-day-2018-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mistah-fab-kenzie-hiero-day-2018-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mistah-fab-kenzie-hiero-day-2018-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mistah F.A.B. and Kenzie Smith at Hiero Day 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Hiero Day\u003c/h2>\n\u003cp>\u003cem>Sept. 2\u003cbr>\nJack London District, Oakland\u003cbr>\n\u003ca href=\"https://www.hieroday.com/\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>The lineup and exact location of this year’s Hiero Day is still to be determined, but the annual Labor Day music festival has become one of the foremost hip-hop events in Oakland. Local rap group Hieroglyphics founded the festival (tickets cost $19.93, a nod to Souls of Mischief’s “‘93 Til Infinity”), and it reliably boasts an impressive lineup of golden-age headliners and emerging locals. Last year featured artists including The Roots’ Black Thought, Mannie Fresh, Guapdad4000, DJ Fresh and Traxamillion, and the festival spread across several blocks in the Jack London District of Oakland. Tickets generally sell out long before the lineup is confirmed. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cfigure id=\"attachment_11316316\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg\" alt=\"John Waters at Burger Boogaloo 2015.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-11316316\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_.jpg 913w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Waters at Burger Boogaloo 2015. \u003ccite>(Wild About You Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Burger Boogaloo\u003c/h2>\n\u003cp>\u003cem>July 6—7\u003cbr>\nMosswood Park, Oakland\u003cbr>\n\u003ca href=\"http://burgerboogaloo.com/\">More Information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>During the first weekend of July, the Burger Boogaloo turns a disused concrete amphitheater in the corner of Mosswood Park into a riot of color of sound. The music festival, a partnership between Total Trash Productions and Southern California label Burger Records, celebrates the campiness of punk and garage rock, and it’s fittingly hosted by the filmmaker John Waters—a sort of spiritual advisor and patron saint to the scene. Its tenth annual edition will draw thousands to Oakland’s Temescal district for first-wave punk acts such as the Dead Boys, newer groups Sheer Mag and Shannon & the Clams and headliner the Jesus & Mary Chain. \u003c/p>\n\u003cfigure id=\"attachment_13832897\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/703A5122-800x533.jpg\" alt=\"DJ Twelvz spins at Lake Merrit for "BBQ'n While Black," a celebration of African-American culture sparked by a white woman's widely lampooned police complaint.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13832897\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/703A5122-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">DJ Twelvz spins at Lake Merrit for “BBQ’n While Black,” a celebration of African-American culture sparked by a white woman’s widely lampooned police complaint.\u003c/figcaption>\u003c/figure>\n\u003ch2>BBQin’ While Black at Lake Merritt\u003c/h2>\n\u003cp>\u003cem>July 21\u003cbr>\nLake Merritt, Oakland\u003cbr>\n\u003ca href=\"https://www.gofundme.com/f/BBQnWhileBlack\">More information\u003c/a>\u003c/em> \u003c/p>\n\u003cp>One afternoon last April, a white woman harassed two black men for grilling at Lake Merritt, and proceeded to call the Oakland Police Department. Cell-phone footage of the incident immortalized the woman online as “#BBQBecky,” and prompted a discussion about race and access to public space amid gentrification in Oakland. It also prompted black Oaklanders to double down on the perceived offense by continuing to grill, week in and week out, at Lake Merritt. This year there’s a fundraiser to support more of the same, on an even grander scale.\u003c/p>\n\u003cfigure id=\"attachment_13856933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/8587826505_6377441764_o-1440x933-800x518.jpg\" alt=\"Port of Oakland, from the Oakland estuary.\" width=\"800\" height=\"518\" class=\"size-medium wp-image-13856933\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/8587826505_6377441764_o-1440x933-800x518.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/8587826505_6377441764_o-1440x933-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/8587826505_6377441764_o-1440x933-768x498.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/8587826505_6377441764_o-1440x933-1020x661.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/8587826505_6377441764_o-1440x933-1200x778.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/8587826505_6377441764_o-1440x933.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Port of Oakland, from the Oakland estuary. \u003ccite>(Dan Brekke/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Waterfront Tours\u003c/h2>\n\u003cp>\u003cem>May 17—August 10\u003c/em> \u003c/p>\n\u003cp>The story of the Oakland waterfront is one of environmental degradation, intercontinental commerce, real-estate squabbles and even armed conflict. Soon, the waterfront will also be a part of the story of the Oakland A’s, when the baseball team erects a new stadium at Howard Terminal. This summer there are two ways to explore the waterfront by boat: Free harbor tours sponsored by the \u003ca href=\"https://jacklondonsquare.com/event/Free-Harbor-Tours/2145525184/\">Port of Oakland\u003c/a> on a Blue & Gold Fleet vessel, and $45 tours organized by local historian Liam O’Donoghue of the \u003ca href=\"https://eastbayyesterday.com/journey-through-centuries-of-waterfront-history/\">East Bay Yesterday\u003c/a> podcast. Tickets for the latter tour, which launches on an Emeryville fishing boat, are mostly sold out, so check for additional dates.\u003c/p>\n\u003cfigure id=\"attachment_11283312\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/01/BAMPFA-DSR-16-01-4786_A-800x533.jpg\" alt=\"Diller Scofidio + Renfro, UC Berkeley Art Museum and Pacific Film Archive, 2016; Aerial view from the UC Berkeley Campus.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-11283312\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/BAMPFA-DSR-16-01-4786_A-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/BAMPFA-DSR-16-01-4786_A-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/BAMPFA-DSR-16-01-4786_A-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/BAMPFA-DSR-16-01-4786_A-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/BAMPFA-DSR-16-01-4786_A-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/BAMPFA-DSR-16-01-4786_A.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Diller Scofidio + Renfro, UC Berkeley Art Museum and Pacific Film Archive, 2016; Aerial view from the UC Berkeley Campus. \u003ccite>(Courtesy Diller Scofidio + Renfro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Outdoor Rock ‘n’ Roll Film Screenings at Berkeley Art Museum\u003c/h2>\n\u003cp>\u003cem>June 13—August 8\u003cbr>\nBerkeley Art Museum and Pacific Film Archives, Berkeley\u003cbr>\nMore information \u003c/em>\u003c/p>\n\u003cp>Since reopening in downtown Berkeley, the Berkeley Art Museum and Pacific Film Archive has organized a free, outdoor summer cinema series on its massive LED screen at the corner of Addison and Oxford streets. This year, as part of a broader rock ‘n’ roll-themed film program, the museum is screening several classics: \u003cem>Stop Making Sense\u003c/em>, the 1984 Talking Heads concert film by Jonathan Demme; a British Invasion double-feature of \u003cem>A Hard Day’s Night\u003c/em> and \u003cem>Charlie is My Darling\u003c/em>; and a Bay Area counterculture pairing of \u003cem>Monterey Pop\u003c/em> and \u003cem>Jimi Plays Berkeley\u003c/em>. A pop-up stand operated by Babette, the BAMPFA cafe, will offer moviegoers refreshments. \u003c/p>\n\u003cfigure id=\"attachment_13825652\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/1-800x533.jpg\" alt=\"A young lady rides a horse, as a member of the Black Cowboys chaperones her, at a Juneteenth festival in East Oakland.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13825652\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A young lady rides a horse, as a member of the Black Cowboys chaperones her, at a Juneteenth festival in East Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Juneteenth in Berkeley and Richmond\u003c/h2>\n\u003cp>\u003cem>June 15—16\u003cbr>\nAlcatraz-Adeline corridor in \u003ca href=\"http://www.berkeleyjuneteenth.org/\">Berkeley\u003c/a> and Nicholl Park in \u003ca href=\"https://www.ci.richmond.ca.us/427/Festivals\">Richmond\u003c/a>\u003c/em>\u003c/p>\n\u003cp>On June 19, 1865, a regiment of Union soldiers arrived in Galveston, Texas with news that the Civil War was over, and slavery was officially abolished in the United States. Today the event is marked in cities nationwide by Juneteenth, a celebration of black culture and heritage. Berkeley’s festival, which launched in 1987, brings first-rate performers and food, along with historical exhibits and health screenings, to the Alcatraz-Adeline corridor for free. One day earlier in Richmond, meanwhile, a parade orbits the family-friendly festival in Nicholl Park. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13856920/hot-summer-guide-2019-get-outside-in-the-east-bay-this-summer","authors":["11091"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_74","arts_69"],"tags":["arts_1693","arts_5569","arts_1118","arts_1006","arts_1088","arts_7455","arts_7465","arts_596","arts_1143"],"featImg":"arts_13832899","label":"arts_140"},"arts_13857064":{"type":"posts","id":"arts_13857064","meta":{"index":"posts_1591205157","site":"arts","id":"13857064","score":null,"sort":[1558389651000]},"guestAuthors":[],"slug":"hot-summer-guide-2019-the-bay-areas-best-outdoor-concerts","title":"Hot Summer Guide 2019: The Bay Area's Best Outdoor Concerts","publishDate":1558389651,"format":"image","headTitle":"Hot Summer Guide 2019: The Bay Area’s Best Outdoor Concerts | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Summer in the Bay Area has no shortage of outdoor concerts and music festivals—some practically in our backyards, and others worth a scenic road trip to a gorgeous vineyard or beachside park. Whether you’re into low-key community gatherings or large-scale productions with stacked lineups, we’ve got you covered with our list of this summer’s must-see shows.\u003c/p>\n\u003cfigure id=\"attachment_13857335\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857335\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg\" alt=\"Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City. \u003ccite>(Theo Wargo/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>BottleRock\u003c/strong>\u003cbr>\n\u003cem>May 24–26, 2019\u003cbr>\nNapa Valley Expo, Napa\u003cbr>\n\u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>A wine-country summer staple, BottleRock returns with electro-pop band Imagine Dragons, rock’n’roll great Neil Young and indie-folk group Mumford & Sons as daily headliners. The rest of the lineup is even more eclectic, with highlights including guitar god Carlos Santana, super-producer Pharrell Williams and rapper Big Boi of Outkast. Local artists such as garage rock revivalist Shannon Shaw (plus her hand, Shannon and the Clams), Town legend Too Short and soul band Con Brio will rep the Bay.\u003c/p>\n\u003cfigure id=\"attachment_13857750\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857750\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-800x552.jpg\" alt=\"Musicians from the band Slightly Stoopid perform during day 1 of the Coachella Valley Music And Arts Festival held at the Empire Polo Field on April 25, 2008 in Indio, California. \" width=\"800\" height=\"552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-768x530.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Musicians from the band Slightly Stoopid perform during day 1 of the Coachella Valley Music And Arts Festival held at the Empire Polo Field on April 25, 2008 in Indio, California. \u003ccite>(Kevin Winter/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>California Roots\u003c/strong>\u003cbr>\n\u003cem>May 24–26, 2019\u003cbr>\nMonterey County Fairgrounds, Monterey\u003cbr>\n\u003ca href=\"https://californiarootsfestival.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sunshine, reggae and camping less than a mile from the beach? Say no more. This year’s California Roots Music and Arts Festival stars California bands Stick Figure and Slightly Stoopid, who both fuse elements of reggae, pop-punk and funk into their sound, as well as the Grammy-nominated Rebelution. For out-of-town guests who prefer not to stay in hotels, the festival offers on-site, luxury glamping. Attendees who prefer the much cheaper option of regular camping can pitch their tents at Laguna Seca, where a shuttle will take them to and from Cali Roots.\u003c/p>\n\u003cfigure id=\"attachment_13805318\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805318\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg\" alt=\"Thundercat performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Thundercat performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Live at Lagunitas\u003c/strong>\u003cbr>\n\u003cem>May 27–Oct. 7, 2019\u003cbr>\nLagunitas Brewery, Petaluma\u003cbr>\n\u003ca href=\"https://lagunitas.com/music\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Lagunitas Brewery’s Petaluma Amphitheater has shaped up to be one of the North Bay’s most popular outdoor music venues, hosting a wide variety of up-and-coming and established artists. This summer’s highlights include the high-energy pop-punk band Fidlar on June 4, virtuoso bassist Thundercat on June 24 and folk-rock singer-songwriter James McMurtry on Aug. 5. Bonus for beer lovers: Lagunitas offers plenty of locally brewed beverages to choose from.\u003c/p>\n\u003cfigure id=\"attachment_13835712\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13835712 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/lumerians_table-01-800x450.jpeg\" alt=\"The members of Lumerians say their ideas often start in the kitchen.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-800x450.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-160x90.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-768x432.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1020x574.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1200x675.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1180x664.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-960x540.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-240x135.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-375x211.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-520x293.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01.jpeg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lumerians. \u003ccite>(Courtesy of Lumerians)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Huichica Music Festival\u003c/strong>\u003cbr>\n\u003cem>June 7–8, 2019\u003cbr>\nGundlach Bundschu Winery, Sonoma\u003cbr>\n\u003ca href=\"https://www.huichica.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>As mega-festivals such as Coachella get more popular every year, Huichica provides a low-key alternative for those who want to see great live music in a less crowded setting. Set against the stunning backdrop of a historic winery, this year’s Huichica features indie disco experimentalist Connan Mockasin, psych rockers Lumerians, SF treasure Chuck Prophet, indie rock outfit Real Estate and more.\u003c/p>\n\u003cfigure id=\"attachment_13839071\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839071\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/Sol_horiz2-800x571.jpg\" alt=\"Sol Development.\" width=\"800\" height=\"571\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1020x729.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1200x857.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1180x843.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-960x686.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-520x371.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2.jpg 1512w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sol Development. \u003ccite>(Jean Melesaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Phono del Sol\u003c/strong>\u003cbr>\n\u003cem>June 15, 2019\u003cbr>\nPotrero del Sol Park, San Francisco\u003cbr>\n\u003ca href=\"https://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Back from a year-long hiatus, the free festival Phono Del Sol boasts a stacked lineup of must-see Bay Area rising stars. Hip-hop band Sol Development, whose uplifting work features social-justice themes and a rollicking instrumental section, performs, as well as experimental singer and loop pedal wiz Spellling. Ah-Mer-Ah-Su, whose delicate electropop soundtracked \u003ca href=\"https://www.kqed.org/arts/13844019/ah-mer-ah-sus-major-soundtrack-feeds-the-spirit-of-trans-resistance\" target=\"_blank\" rel=\"noopener\">a recent documentary\u003c/a> about trans activist Miss Major, is also slated to grace the stage, plus feminist rapper Queens D.Light and psych band Salami Rose Joe Lewis, who recently toured with Toro y Moi.\u003c/p>\n\u003cfigure id=\"attachment_13854290\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854290\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-800x450.jpg\" alt=\"Mitski performs onstage during the 2017 Panorama Music Festival - Day 2 at Randall's Island on July 29, 2017 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mitski performs during the 2017 Panorama Music Festival at Randall’s Island on July 29, 2017 in New York City. \u003ccite>(Nicholas Hunt/Getty Images for Panorama)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Stern Grove Festival\u003c/strong>\u003cbr>\n\u003cem>June 16–Aug. 18, 2019\u003cbr>\n19th Ave and Sloat Blvd., San Francisco\u003cbr>\n\u003ca href=\"http://www.sterngrove.org/#concerts\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>One of the Bay Area’s most beloved free concert series, Stern Grove features a slate of rising stars, local talent and all-time greats. Indie rocker Mitski, whose \u003cem>Be the Cowboy \u003c/em>was one of KQED Arts’ \u003ca href=\"https://www.kqed.org/arts/13846693/listen-kqed-arts-top-20-albums-of-2018\" target=\"_blank\" rel=\"noopener\">favorite 2018 albums\u003c/a>, performs July 14 (local singer-songwriter Madeline Kenney opens). The ’90s rap trio Digable Planets perform on June 16 with local bilingual hip-hop group Bang Data. July 7 presents a rare opportunity to see the San Francisco Symphony in a casual, outdoor setting, and the festival wraps up on Aug. 18 with a performance from soul music stars the Isley Brothers.\u003c/p>\n\u003cfigure id=\"attachment_11316316\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11316316\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg\" alt=\"John Waters at Burger Boogaloo 2015.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_.jpg 913w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Waters at Burger Boogaloo 2015. \u003ccite>(Wild About You Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Burger Boogaloo\u003c/strong>\u003cbr>\n\u003cem>July 6–7, 2019\u003cbr>\nMosswood Park, Oakland\u003cbr>\n\u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Now in its 10th year, Burger Boogaloo brings garage-punk weirdness to Oakland’s Mosswood Park, with filmmaker and counterculture icon John Waters as host. The festival provides a chance to catch old-school cult favorites such as the Jesus & Mary Chain, the Scientists and Dead Boys, plus newer acts such as Sheer Mag and Terry & Louie. Burger Boogaloo partners with the \u003ca href=\"http://homelessactioncenter.org/\" target=\"_blank\" rel=\"noopener\">Homeless Action Center\u003c/a> this year and encourages showgoers to donate to the nonprofit with their ticket purchase or at the festival.\u003c/p>\n\u003cfigure id=\"attachment_13857755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857755\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-800x566.jpg\" alt=\"Alex Davis and Phunne Stone of The Family Stone performs at the UAA Funk Break on Day 2 of the IEBA 2015 Conference on October 12, 2015 in Nashville, Tennessee. \" width=\"800\" height=\"566\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-768x543.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alex Davis and Phunne Stone of The Family Stone performs at the UAA Funk Break on Day 2 of the IEBA 2015 Conference on October 12, 2015 in Nashville, Tennessee. \u003ccite>(Jason Davis/Getty Images for IEBA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>San Jose Jazz Summer Fest\u003c/strong>\u003cbr>\n\u003cem>Aug. 9–11, 2019\u003cbr>\nPlaza de Cezar Chavez, San Jose\u003cbr>\n\u003ca href=\"http://summerfest.sanjosejazz.org/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>The San Jose Jazz Summer Fest is one of the South Bay’s most highly anticipated live music events, with a lineup of jazz, soul and blues legends, mid-career artists and up-and-comers alike. One of this year’s headliners is the Family Stone, born out of the pioneering Oakland funk band, with Sly Stone’s daughter Phunne Stone as bandleader. Rock’n’roll-Hall-of-Famers the O’Jays are set to perform as well, in addition to Afrofuturist psychedelic jazz sensations Sons of Kemet, Grammy-winning jazz contralto Dianne Reeves and Oakland’s well-loved and uplifting Interfaith Gospel Choir.\u003c/p>\n\u003cfigure id=\"attachment_13805124\" class=\"wp-caption aligncenter\" style=\"max-width: 700px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13805124\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/5.OL_.jpg\" alt=\"Kacey Musgraves at Outside Lands in 2014.\" width=\"700\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-520x371.jpg 520w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003cfigcaption class=\"wp-caption-text\">Kacey Musgraves at Outside Lands in 2014. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Outside Lands\u003c/strong>\u003cbr>\n\u003cem>Aug. 9–11, 2019\u003cbr>\nGolden Gate Park, San Francisco\u003cbr>\n\u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Paul Simon came out of retirement to headline this year’s Outside Lands, so you know it’s gonna be good. The long-running festival is one of the Bay Area’s largest and most popular, with Twenty One Pilots and Childish Gambino as 2019’s other big headliners. More acts to look forward to include country star Kacey Musgraves, Southern rap icon Lil Wayne, “Boo’d Up” singer Ella Mai and R&B and gospel legend Mavis Staples. Plus, up-and-coming Bay Area artists the Seshen, P-Lo and ALLBLACK also perform.\u003c/p>\n\u003cfigure id=\"attachment_13833809\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833809\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg\" alt=\"Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017.\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-520x325.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017. \u003ccite>(Samuel Reyes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sonido Clash\u003c/strong>\u003cbr>\n\u003cem>Sept. 1, 2019\u003cbr>\nMexican Heritage Plaza, San Jose\u003cbr>\n\u003ca href=\"http://sonidoclash.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sonido Clash celebrates left-of-center Chicanx and Latinx culture with live cumbia, twerk-worthy DJ sets, punk, indie and experimental bands, poetry readings and more. The fest was founded in 2016 by a party collective of the same name—one that’s been championing eclectic underground sounds in San Jose’s nightlife scene since the 2000s. Although this year’s festival lineup has yet to be announced, previous years have boasted self-described “Cholo goth” band Prayers, indie crooner Helado Negro and reggaeton producer Rosa Pistola.\u003c/p>\n\u003cfigure id=\"attachment_13840221\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840221\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_9400-800x533.jpg\" alt=\"Dj Fresh vs Traxamillion play Hiero Day in Oakland on Monday, September 3, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">DJ Fresh vs Traxamillion play Hiero Day in Oakland on Monday, September 3, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Hiero Day\u003c/strong>\u003cbr>\n\u003cem>Sept. 2, 2019\u003cbr>\nOakland\u003cbr>\n\u003ca href=\"https://www.hieroday.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Hiero Day is an Oakland staple, celebrating Bay Area rappers and R&B singers who hold it down for their community, as well as like-minded artists from across the country. The grassroots festival is curated by the influential hip-hop collective Hieroglyphics, who brought us hits like “You Never Know” and Souls of Mischief’s “93 Til Infinity.” The 2019 lineup hasn’t been released yet (that usually happens after the $19.93 tickets are sold out), but if the inclusion of Bun B, Goapele, Mistah Fab and Richie Rich in previous years is any indication, Hiero Day is always a good time for West Coast hip-hop lovers.\u003c/p>\n\n","blocks":[],"excerpt":"Your guide to free shows in the park, multi-day festivals, grassroots gatherings and more. ","status":"publish","parent":0,"modified":1705026185,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":25,"wordCount":1454},"headData":{"title":"Hot Summer Guide 2019: The Bay Area's Best Outdoor Concerts | KQED","description":"Your guide to free shows in the park, multi-day festivals, grassroots gatherings and more. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Hot Summer Guide 2019: The Bay Area's Best Outdoor Concerts","datePublished":"2019-05-20T22:00:51.000Z","dateModified":"2024-01-12T02:23:05.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13857064/hot-summer-guide-2019-the-bay-areas-best-outdoor-concerts","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Summer in the Bay Area has no shortage of outdoor concerts and music festivals—some practically in our backyards, and others worth a scenic road trip to a gorgeous vineyard or beachside park. Whether you’re into low-key community gatherings or large-scale productions with stacked lineups, we’ve got you covered with our list of this summer’s must-see shows.\u003c/p>\n\u003cfigure id=\"attachment_13857335\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857335\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg\" alt=\"Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City. \u003ccite>(Theo Wargo/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>BottleRock\u003c/strong>\u003cbr>\n\u003cem>May 24–26, 2019\u003cbr>\nNapa Valley Expo, Napa\u003cbr>\n\u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>A wine-country summer staple, BottleRock returns with electro-pop band Imagine Dragons, rock’n’roll great Neil Young and indie-folk group Mumford & Sons as daily headliners. The rest of the lineup is even more eclectic, with highlights including guitar god Carlos Santana, super-producer Pharrell Williams and rapper Big Boi of Outkast. Local artists such as garage rock revivalist Shannon Shaw (plus her hand, Shannon and the Clams), Town legend Too Short and soul band Con Brio will rep the Bay.\u003c/p>\n\u003cfigure id=\"attachment_13857750\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857750\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-800x552.jpg\" alt=\"Musicians from the band Slightly Stoopid perform during day 1 of the Coachella Valley Music And Arts Festival held at the Empire Polo Field on April 25, 2008 in Indio, California. \" width=\"800\" height=\"552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-768x530.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Musicians from the band Slightly Stoopid perform during day 1 of the Coachella Valley Music And Arts Festival held at the Empire Polo Field on April 25, 2008 in Indio, California. \u003ccite>(Kevin Winter/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>California Roots\u003c/strong>\u003cbr>\n\u003cem>May 24–26, 2019\u003cbr>\nMonterey County Fairgrounds, Monterey\u003cbr>\n\u003ca href=\"https://californiarootsfestival.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sunshine, reggae and camping less than a mile from the beach? Say no more. This year’s California Roots Music and Arts Festival stars California bands Stick Figure and Slightly Stoopid, who both fuse elements of reggae, pop-punk and funk into their sound, as well as the Grammy-nominated Rebelution. For out-of-town guests who prefer not to stay in hotels, the festival offers on-site, luxury glamping. Attendees who prefer the much cheaper option of regular camping can pitch their tents at Laguna Seca, where a shuttle will take them to and from Cali Roots.\u003c/p>\n\u003cfigure id=\"attachment_13805318\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805318\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg\" alt=\"Thundercat performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Thundercat performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Live at Lagunitas\u003c/strong>\u003cbr>\n\u003cem>May 27–Oct. 7, 2019\u003cbr>\nLagunitas Brewery, Petaluma\u003cbr>\n\u003ca href=\"https://lagunitas.com/music\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Lagunitas Brewery’s Petaluma Amphitheater has shaped up to be one of the North Bay’s most popular outdoor music venues, hosting a wide variety of up-and-coming and established artists. This summer’s highlights include the high-energy pop-punk band Fidlar on June 4, virtuoso bassist Thundercat on June 24 and folk-rock singer-songwriter James McMurtry on Aug. 5. Bonus for beer lovers: Lagunitas offers plenty of locally brewed beverages to choose from.\u003c/p>\n\u003cfigure id=\"attachment_13835712\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13835712 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/lumerians_table-01-800x450.jpeg\" alt=\"The members of Lumerians say their ideas often start in the kitchen.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-800x450.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-160x90.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-768x432.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1020x574.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1200x675.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1180x664.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-960x540.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-240x135.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-375x211.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-520x293.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01.jpeg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lumerians. \u003ccite>(Courtesy of Lumerians)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Huichica Music Festival\u003c/strong>\u003cbr>\n\u003cem>June 7–8, 2019\u003cbr>\nGundlach Bundschu Winery, Sonoma\u003cbr>\n\u003ca href=\"https://www.huichica.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>As mega-festivals such as Coachella get more popular every year, Huichica provides a low-key alternative for those who want to see great live music in a less crowded setting. Set against the stunning backdrop of a historic winery, this year’s Huichica features indie disco experimentalist Connan Mockasin, psych rockers Lumerians, SF treasure Chuck Prophet, indie rock outfit Real Estate and more.\u003c/p>\n\u003cfigure id=\"attachment_13839071\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839071\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/Sol_horiz2-800x571.jpg\" alt=\"Sol Development.\" width=\"800\" height=\"571\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1020x729.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1200x857.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1180x843.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-960x686.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-520x371.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2.jpg 1512w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sol Development. \u003ccite>(Jean Melesaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Phono del Sol\u003c/strong>\u003cbr>\n\u003cem>June 15, 2019\u003cbr>\nPotrero del Sol Park, San Francisco\u003cbr>\n\u003ca href=\"https://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Back from a year-long hiatus, the free festival Phono Del Sol boasts a stacked lineup of must-see Bay Area rising stars. Hip-hop band Sol Development, whose uplifting work features social-justice themes and a rollicking instrumental section, performs, as well as experimental singer and loop pedal wiz Spellling. Ah-Mer-Ah-Su, whose delicate electropop soundtracked \u003ca href=\"https://www.kqed.org/arts/13844019/ah-mer-ah-sus-major-soundtrack-feeds-the-spirit-of-trans-resistance\" target=\"_blank\" rel=\"noopener\">a recent documentary\u003c/a> about trans activist Miss Major, is also slated to grace the stage, plus feminist rapper Queens D.Light and psych band Salami Rose Joe Lewis, who recently toured with Toro y Moi.\u003c/p>\n\u003cfigure id=\"attachment_13854290\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854290\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-800x450.jpg\" alt=\"Mitski performs onstage during the 2017 Panorama Music Festival - Day 2 at Randall's Island on July 29, 2017 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mitski performs during the 2017 Panorama Music Festival at Randall’s Island on July 29, 2017 in New York City. \u003ccite>(Nicholas Hunt/Getty Images for Panorama)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Stern Grove Festival\u003c/strong>\u003cbr>\n\u003cem>June 16–Aug. 18, 2019\u003cbr>\n19th Ave and Sloat Blvd., San Francisco\u003cbr>\n\u003ca href=\"http://www.sterngrove.org/#concerts\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>One of the Bay Area’s most beloved free concert series, Stern Grove features a slate of rising stars, local talent and all-time greats. Indie rocker Mitski, whose \u003cem>Be the Cowboy \u003c/em>was one of KQED Arts’ \u003ca href=\"https://www.kqed.org/arts/13846693/listen-kqed-arts-top-20-albums-of-2018\" target=\"_blank\" rel=\"noopener\">favorite 2018 albums\u003c/a>, performs July 14 (local singer-songwriter Madeline Kenney opens). The ’90s rap trio Digable Planets perform on June 16 with local bilingual hip-hop group Bang Data. July 7 presents a rare opportunity to see the San Francisco Symphony in a casual, outdoor setting, and the festival wraps up on Aug. 18 with a performance from soul music stars the Isley Brothers.\u003c/p>\n\u003cfigure id=\"attachment_11316316\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11316316\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg\" alt=\"John Waters at Burger Boogaloo 2015.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_.jpg 913w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Waters at Burger Boogaloo 2015. \u003ccite>(Wild About You Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Burger Boogaloo\u003c/strong>\u003cbr>\n\u003cem>July 6–7, 2019\u003cbr>\nMosswood Park, Oakland\u003cbr>\n\u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Now in its 10th year, Burger Boogaloo brings garage-punk weirdness to Oakland’s Mosswood Park, with filmmaker and counterculture icon John Waters as host. The festival provides a chance to catch old-school cult favorites such as the Jesus & Mary Chain, the Scientists and Dead Boys, plus newer acts such as Sheer Mag and Terry & Louie. Burger Boogaloo partners with the \u003ca href=\"http://homelessactioncenter.org/\" target=\"_blank\" rel=\"noopener\">Homeless Action Center\u003c/a> this year and encourages showgoers to donate to the nonprofit with their ticket purchase or at the festival.\u003c/p>\n\u003cfigure id=\"attachment_13857755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857755\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-800x566.jpg\" alt=\"Alex Davis and Phunne Stone of The Family Stone performs at the UAA Funk Break on Day 2 of the IEBA 2015 Conference on October 12, 2015 in Nashville, Tennessee. \" width=\"800\" height=\"566\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-768x543.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alex Davis and Phunne Stone of The Family Stone performs at the UAA Funk Break on Day 2 of the IEBA 2015 Conference on October 12, 2015 in Nashville, Tennessee. \u003ccite>(Jason Davis/Getty Images for IEBA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>San Jose Jazz Summer Fest\u003c/strong>\u003cbr>\n\u003cem>Aug. 9–11, 2019\u003cbr>\nPlaza de Cezar Chavez, San Jose\u003cbr>\n\u003ca href=\"http://summerfest.sanjosejazz.org/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>The San Jose Jazz Summer Fest is one of the South Bay’s most highly anticipated live music events, with a lineup of jazz, soul and blues legends, mid-career artists and up-and-comers alike. One of this year’s headliners is the Family Stone, born out of the pioneering Oakland funk band, with Sly Stone’s daughter Phunne Stone as bandleader. Rock’n’roll-Hall-of-Famers the O’Jays are set to perform as well, in addition to Afrofuturist psychedelic jazz sensations Sons of Kemet, Grammy-winning jazz contralto Dianne Reeves and Oakland’s well-loved and uplifting Interfaith Gospel Choir.\u003c/p>\n\u003cfigure id=\"attachment_13805124\" class=\"wp-caption aligncenter\" style=\"max-width: 700px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13805124\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/5.OL_.jpg\" alt=\"Kacey Musgraves at Outside Lands in 2014.\" width=\"700\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-520x371.jpg 520w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003cfigcaption class=\"wp-caption-text\">Kacey Musgraves at Outside Lands in 2014. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Outside Lands\u003c/strong>\u003cbr>\n\u003cem>Aug. 9–11, 2019\u003cbr>\nGolden Gate Park, San Francisco\u003cbr>\n\u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Paul Simon came out of retirement to headline this year’s Outside Lands, so you know it’s gonna be good. The long-running festival is one of the Bay Area’s largest and most popular, with Twenty One Pilots and Childish Gambino as 2019’s other big headliners. More acts to look forward to include country star Kacey Musgraves, Southern rap icon Lil Wayne, “Boo’d Up” singer Ella Mai and R&B and gospel legend Mavis Staples. Plus, up-and-coming Bay Area artists the Seshen, P-Lo and ALLBLACK also perform.\u003c/p>\n\u003cfigure id=\"attachment_13833809\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833809\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg\" alt=\"Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017.\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-520x325.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017. \u003ccite>(Samuel Reyes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sonido Clash\u003c/strong>\u003cbr>\n\u003cem>Sept. 1, 2019\u003cbr>\nMexican Heritage Plaza, San Jose\u003cbr>\n\u003ca href=\"http://sonidoclash.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sonido Clash celebrates left-of-center Chicanx and Latinx culture with live cumbia, twerk-worthy DJ sets, punk, indie and experimental bands, poetry readings and more. The fest was founded in 2016 by a party collective of the same name—one that’s been championing eclectic underground sounds in San Jose’s nightlife scene since the 2000s. Although this year’s festival lineup has yet to be announced, previous years have boasted self-described “Cholo goth” band Prayers, indie crooner Helado Negro and reggaeton producer Rosa Pistola.\u003c/p>\n\u003cfigure id=\"attachment_13840221\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840221\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_9400-800x533.jpg\" alt=\"Dj Fresh vs Traxamillion play Hiero Day in Oakland on Monday, September 3, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">DJ Fresh vs Traxamillion play Hiero Day in Oakland on Monday, September 3, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Hiero Day\u003c/strong>\u003cbr>\n\u003cem>Sept. 2, 2019\u003cbr>\nOakland\u003cbr>\n\u003ca href=\"https://www.hieroday.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Hiero Day is an Oakland staple, celebrating Bay Area rappers and R&B singers who hold it down for their community, as well as like-minded artists from across the country. The grassroots festival is curated by the influential hip-hop collective Hieroglyphics, who brought us hits like “You Never Know” and Souls of Mischief’s “93 Til Infinity.” The 2019 lineup hasn’t been released yet (that usually happens after the $19.93 tickets are sold out), but if the inclusion of Bun B, Goapele, Mistah Fab and Richie Rich in previous years is any indication, Hiero Day is always a good time for West Coast hip-hop lovers.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13857064/hot-summer-guide-2019-the-bay-areas-best-outdoor-concerts","authors":["11387"],"programs":["arts_140"],"categories":["arts_835","arts_69","arts_235"],"tags":["arts_1853","arts_1693","arts_1118","arts_7455","arts_1694","arts_1739"],"featImg":"arts_13857761","label":"arts_140"},"arts_13848767":{"type":"posts","id":"arts_13848767","meta":{"index":"posts_1591205157","site":"arts","id":"13848767","score":null,"sort":[1547568009000]},"guestAuthors":[],"slug":"the-jesus-and-mary-chain-the-scientists-to-headline-burger-boogaloo","title":"The Jesus and Mary Chain, The Scientists to Headline Burger Boogaloo","publishDate":1547568009,"format":"standard","headTitle":"The Jesus and Mary Chain, The Scientists to Headline Burger Boogaloo | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003ca href=\"https://www.eventbrite.com/e/2019-burger-boogaloo-tickets-47604699939\" target=\"_blank\" rel=\"noopener\">Burger Boogaloo\u003c/a>, the annual fest celebrating all things vintage rock ‘n’ roll, returns to Oakland’s Mosswood Park for its 10th edition on July 6 and 7 with John Waters as host.\u003c/p>\n\u003cp>This year’s event boasts several acts that shaped the course of underground music in the ’60s, ’70s and ’80s, including British shoegaze pioneers \u003ca href=\"https://www.youtube.com/watch?v=7EgB__YratE\" target=\"_blank\" rel=\"noopener\">The Jesus and Mary Chain \u003c/a>and OG punk bands \u003ca href=\"https://www.youtube.com/watch?v=UpE8OIgaokY\" target=\"_blank\" rel=\"noopener\">The Scientists\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=30bv915bDtY\" target=\"_blank\" rel=\"noopener\">Dead Boys\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=e0aEXNelAGM\" target=\"_blank\" rel=\"noopener\">Jayne County & the Electric Chairs\u003c/a>. The lineup also features power pop vet \u003ca href=\"https://www.youtube.com/watch?v=3OWEBzO-La4\" target=\"_blank\" rel=\"noopener\">Nikki Corvette\u003c/a>, surf-rock band \u003ca href=\"https://www.youtube.com/watch?v=-rDQzmeEsr0\" target=\"_blank\" rel=\"noopener\">Phantom Surfers\u003c/a>, prolific interdisciplinary artist \u003ca href=\"https://www.youtube.com/watch?v=_sWHjwJwah8\" target=\"_blank\" rel=\"noopener\">Billy Childish\u003c/a> and Derv Gordon of ’60s anti-racist pop rock band \u003ca href=\"https://www.youtube.com/watch?v=y5B_U8ejClg\" target=\"_blank\" rel=\"noopener\">The Equals\u003c/a>.\u003c/p>\n\u003cp>In addition to shining a spotlight on these influential but oft-overlooked artists, the 2019 festival includes several newer acts: Oakland garage rockers \u003ca href=\"http://shannonandtheclams.com/\" target=\"_blank\" rel=\"noopener\">Shannon and the Clams\u003c/a>, Philly’s explosive \u003ca href=\"https://sheermag.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Sheer Mag\u003c/a>, Australian punks \u003ca href=\"https://amylandthesniffers.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Amyl and the Sniffers\u003c/a> and garage pop duo \u003ca href=\"https://tuffbreak.bandcamp.com/album/terry-louie-can-ya-tell-me-how-life-goes-on-45-single\" target=\"_blank\" rel=\"noopener\">Terry & Louie\u003c/a>, the new-ish project of Terry Six and King Louie Bankston from the \u003ca href=\"https://pitchfork.com/news/56798-the-exploding-hearts-terry-six-and-king-louie-bankston-reunite-share-im-lookin-for-a-heart/\" target=\"_blank\" rel=\"noopener\">Exploding Hearts\u003c/a>.\u003c/p>\n\u003cp>In 2018, Burger Boogaloo encountered backlash online after the City of Oakland forced the 20 or so unsheltered people living in Mosswood Park to relocate just days ahead of the fest. (Assistant City Administrator Joe DeVries \u003ca href=\"https://www.kqed.org/arts/13836097/homeless-cleared-from-mosswood-park-ahead-of-burger-boogaloo\" target=\"_blank\" rel=\"noopener\">said at the time\u003c/a> that the sweep was to make room for a camp for youth with disabilities.)\u003c/p>\n\u003cp>This year, Burger Boogaloo has partnered with the \u003ca href=\"http://homelessactioncenter.org\" target=\"_blank\" rel=\"noopener\">Homeless Action Center\u003c/a>, a nonprofit that provides free legal assistance to people experiencing homelessness. Showgoers have the option of donating to Homeless Action Center with their ticket purchase or at booths at the fest.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“While the dramatic increase in the park’s encampment population prior to last year’s festival caught us off guard, it wasn’t our decision nor our desire to have the park’s residents permanently removed,” writes Burger Boogaloo publicist Jim DeLuca in an email. “The festival was one of many events and programs that factored into the city’s decision to do so; however, this year we’re doing everything we can to make sure that the only impact we have is a positive one.”\u003c/p>\n\u003cp>DeLuca says that this year, the festival is considering downsizing stages so as not to infringe on the homeless encampment in Mosswood Park. “We’re in talks with the parks district about restructuring the festival’s layout in hopes that we can meet legal safety requirements without impacting the park’s new encampments,” he writes.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This post was updated to include quotes from Jim DeLuca. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"For its 10th anniversary, the garage rock fest partnered with the Homeless Action Center. ","status":"publish","parent":0,"modified":1705026752,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":446},"headData":{"title":"The Jesus and Mary Chain, The Scientists to Headline Burger Boogaloo | KQED","description":"For its 10th anniversary, the garage rock fest partnered with the Homeless Action Center. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Jesus and Mary Chain, The Scientists to Headline Burger Boogaloo","datePublished":"2019-01-15T16:00:09.000Z","dateModified":"2024-01-12T02:32:32.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13848767/the-jesus-and-mary-chain-the-scientists-to-headline-burger-boogaloo","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.eventbrite.com/e/2019-burger-boogaloo-tickets-47604699939\" target=\"_blank\" rel=\"noopener\">Burger Boogaloo\u003c/a>, the annual fest celebrating all things vintage rock ‘n’ roll, returns to Oakland’s Mosswood Park for its 10th edition on July 6 and 7 with John Waters as host.\u003c/p>\n\u003cp>This year’s event boasts several acts that shaped the course of underground music in the ’60s, ’70s and ’80s, including British shoegaze pioneers \u003ca href=\"https://www.youtube.com/watch?v=7EgB__YratE\" target=\"_blank\" rel=\"noopener\">The Jesus and Mary Chain \u003c/a>and OG punk bands \u003ca href=\"https://www.youtube.com/watch?v=UpE8OIgaokY\" target=\"_blank\" rel=\"noopener\">The Scientists\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=30bv915bDtY\" target=\"_blank\" rel=\"noopener\">Dead Boys\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=e0aEXNelAGM\" target=\"_blank\" rel=\"noopener\">Jayne County & the Electric Chairs\u003c/a>. The lineup also features power pop vet \u003ca href=\"https://www.youtube.com/watch?v=3OWEBzO-La4\" target=\"_blank\" rel=\"noopener\">Nikki Corvette\u003c/a>, surf-rock band \u003ca href=\"https://www.youtube.com/watch?v=-rDQzmeEsr0\" target=\"_blank\" rel=\"noopener\">Phantom Surfers\u003c/a>, prolific interdisciplinary artist \u003ca href=\"https://www.youtube.com/watch?v=_sWHjwJwah8\" target=\"_blank\" rel=\"noopener\">Billy Childish\u003c/a> and Derv Gordon of ’60s anti-racist pop rock band \u003ca href=\"https://www.youtube.com/watch?v=y5B_U8ejClg\" target=\"_blank\" rel=\"noopener\">The Equals\u003c/a>.\u003c/p>\n\u003cp>In addition to shining a spotlight on these influential but oft-overlooked artists, the 2019 festival includes several newer acts: Oakland garage rockers \u003ca href=\"http://shannonandtheclams.com/\" target=\"_blank\" rel=\"noopener\">Shannon and the Clams\u003c/a>, Philly’s explosive \u003ca href=\"https://sheermag.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Sheer Mag\u003c/a>, Australian punks \u003ca href=\"https://amylandthesniffers.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Amyl and the Sniffers\u003c/a> and garage pop duo \u003ca href=\"https://tuffbreak.bandcamp.com/album/terry-louie-can-ya-tell-me-how-life-goes-on-45-single\" target=\"_blank\" rel=\"noopener\">Terry & Louie\u003c/a>, the new-ish project of Terry Six and King Louie Bankston from the \u003ca href=\"https://pitchfork.com/news/56798-the-exploding-hearts-terry-six-and-king-louie-bankston-reunite-share-im-lookin-for-a-heart/\" target=\"_blank\" rel=\"noopener\">Exploding Hearts\u003c/a>.\u003c/p>\n\u003cp>In 2018, Burger Boogaloo encountered backlash online after the City of Oakland forced the 20 or so unsheltered people living in Mosswood Park to relocate just days ahead of the fest. (Assistant City Administrator Joe DeVries \u003ca href=\"https://www.kqed.org/arts/13836097/homeless-cleared-from-mosswood-park-ahead-of-burger-boogaloo\" target=\"_blank\" rel=\"noopener\">said at the time\u003c/a> that the sweep was to make room for a camp for youth with disabilities.)\u003c/p>\n\u003cp>This year, Burger Boogaloo has partnered with the \u003ca href=\"http://homelessactioncenter.org\" target=\"_blank\" rel=\"noopener\">Homeless Action Center\u003c/a>, a nonprofit that provides free legal assistance to people experiencing homelessness. Showgoers have the option of donating to Homeless Action Center with their ticket purchase or at booths at the fest.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“While the dramatic increase in the park’s encampment population prior to last year’s festival caught us off guard, it wasn’t our decision nor our desire to have the park’s residents permanently removed,” writes Burger Boogaloo publicist Jim DeLuca in an email. “The festival was one of many events and programs that factored into the city’s decision to do so; however, this year we’re doing everything we can to make sure that the only impact we have is a positive one.”\u003c/p>\n\u003cp>DeLuca says that this year, the festival is considering downsizing stages so as not to infringe on the homeless encampment in Mosswood Park. “We’re in talks with the parks district about restructuring the festival’s layout in hopes that we can meet legal safety requirements without impacting the park’s new encampments,” he writes.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This post was updated to include quotes from Jim DeLuca. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13848767/the-jesus-and-mary-chain-the-scientists-to-headline-burger-boogaloo","authors":["11387"],"categories":["arts_69","arts_235"],"tags":["arts_1693","arts_1355","arts_21788","arts_3823"],"featImg":"arts_13848772","label":"arts"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. Plus, KQED’s Bianca Taylor brings you the local KQED news you need to know.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Consider-This-Podcast-Tile-703x703-1.jpg","imageAlt":"Consider This from NPR and KQED","officialWebsiteLink":"/podcasts/considerthis","meta":{"site":"news","source":"kqed","order":"7"},"link":"/podcasts/considerthis","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1503226625?mt=2&at=11l79Y&ct=nprdirectory","npr":"https://rpb3r.app.goo.gl/coronavirusdaily","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM1NS9wb2RjYXN0LnhtbA","spotify":"https://open.spotify.com/show/3Z6JdCS2d0eFEpXHKI6WqH"}},"forum":{"id":"forum","title":"Forum","tagline":"The conversation starts here","info":"KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.","airtime":"MON-FRI 9am-11am, 10pm-11pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED Forum with Mina Kim and Alexis Madrigal","officialWebsiteLink":"/forum","meta":{"site":"news","source":"kqed","order":"8"},"link":"/forum","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz","npr":"https://www.npr.org/podcasts/432307980/forum","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast","rss":"https://feeds.megaphone.fm/KQINC9557381633"}},"freakonomics-radio":{"id":"freakonomics-radio","title":"Freakonomics Radio","info":"Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. 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Updated Monday through Friday at about 3:30 p.m. PT.","airtime":"MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.marketplace.org/","meta":{"site":"news","source":"American Public Media"},"link":"/radio/program/marketplace","subscribe":{"apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/APM-Marketplace-p88/","rss":"https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"}},"mindshift":{"id":"mindshift","title":"MindShift","tagline":"A podcast about the future of learning and how we raise our kids","info":"The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. 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On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. 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