Film School Shorts Returns with a New Season of Dramatic, Comedic and Quirky Cinema
New Season of the MindShift Podcast Explores the Future of Learning and What it Means for Kids
Check, Please! Bay Area and Taste This Return with New Episodes
KQED’s Check, Please! Bay Area Taste & Sip Event Is Bigger Than Ever
KQED Announces Results of Spectrum Auction
KQED Launches Exactly, a New Podcast Series Hosted by Kelly Corrigan
KQED Introduces PBS KIDS
Experience Award-Winning Short Films by the Next Generation of Great Filmmakers in the New Season of KQED’s Film School Shorts
Introducing KQED Teach
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From exploring the immigrant experience to LGBTQ coming of age, this year’s selections offer a snapshot of the unique pastiche that is today’s American culture\u003c/p>\n\u003cp>Look for an outstanding performance from Brian George \u003cem>(Seinfeld, The Big Bang Theory) \u003c/em>as an Indian American woman’s overprotective father in the hilarious season premiere film \u003cem>Fanny Pack, \u003c/em>followed by the true story of comedian Hasan Minhaj’s \u003cem>(The Daily Show) \u003c/em>ill-fated prom night in \u003cem>Prom. \u003c/em>And don’t miss Gbenga Akinnagbe \u003cem>(The Good Wife) \u003c/em>as a forbidden lover in \u003cem>Sweet, Sweet Country. \u003c/em>\u003c/p>\n\u003cp>In addition to its lineup of talented actors, this film's directors have earned accolades at festivals that include Sundance and Tribeca, and some have already made the leap from shorts to feature films. \u003cem>AWOL \u003c/em>(episode three) has been adapted into a full-length movie purchased by Netflix, and \u003cem>Festus \u003c/em>(episode seven) director Shawn Snyder is wrapping up a feature starring Matthew Broderick.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The not-to-be-missed season finale (airing November 17) showcases filmmakers from Bay Area schools, including San Francisco State University and Ex’pression College.\u003c/p>\n\u003cp>\u003cstrong>The fifth season of \u003cem>Film School Shorts \u003c/em>airs Fridays at 11pm on KQED 9, beginning September 8.\u003c/strong>\u003cstrong>\u003cbr>\nIf you miss the television broadcast, full films are available on the \u003cem>Film School Shorts \u003c/em>YouTube and Vimeo channels.\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://kqed.org/fss\">\u003cstrong>kqed.org/fss\u003cbr>\n\u003c/strong>\u003c/a>\u003cstrong>\u003ca href=\"http://youtube.com/filmschoolshorts\">youtube.com/filmschoolshorts\u003cbr>\n\u003c/a>\u003c/strong>\u003cstrong>\u003ca href=\"http://vimeo.com/filmschoolshorts\">vimeo.com/filmschoolshorts\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003cem> \u003c/em>\u003cstrong>\u003cem>Film School Shorts\u003c/em>\u003c/strong> \u003cstrong>5th Season Broadcast Schedule on KQED 9\u003c/strong>\u003c/p>\n\u003cp>Friday, September 8, 11pm\u003cbr>\n\u003cstrong>First Gen 101\u003c/strong>\u003cbr>\nThree stories of misadventures as first generation Americans navigating identity, love and acceptance amid converging cultures: Fanny Pack by Uttera Singh, Prom by Imran J. Khan, and Groomed by Wyatt Rockefeller.\u003c/p>\n\u003cp>Friday, September 15, 11pm\u003cstrong>\u003cbr>\nBlood & Water\u003cbr>\n\u003c/strong>Three young women experience difficult homecomings as they grapple with the pain and complexity of growing up: AWOL by Deb Shoval, When We Were Young by Gabrielle Capili, and Bookends by Dominic Villarrubia.\u003c/p>\n\u003cp>Friday, September 22, 11pm\u003cbr>\n\u003cstrong>Coming Home\u003c/strong>\u003cbr>\nThree young women experience difficult homecomings as they grapple with the pain and complexity of growing up: AWOL by Deb Shoval, When We Were Young by Gabrielle Capili, and Bookends by Dominic Villarrubia.\u003c/p>\n\u003cp>Friday, September 29, 11pm\u003cbr>\n\u003cstrong>Pet Problems\u003cbr>\n\u003c/strong>Three wayward pets wreak havoc on the lives of their owners, neighbors and even distant acquaintances in these short films: Rosie, Oh by Andy Koeger and Apple Xenus, The Execution by Elise Ahrens, and Cupcake Bob by Olivia Accardo.\u003c/p>\n\u003cp>Friday, October 6, 11pm\u003cbr>\n\u003cstrong>Stranger Desires\u003cbr>\n\u003c/strong>Tom and Myrna are looking for love in all the wrong places in two stories of ill-advised affection: Tom by Michael Smigiel and Mr. Lamb by Jean Pesce.\u003c/p>\n\u003cp>Friday, October 13, 11pm\u003cbr>\n\u003cstrong>Uncharted Waters\u003cbr>\n\u003c/strong>Whether in rural Japan or upstate New York - fitting in isn't easy for two young men struggling to define their manhood without fathers: Stage Two by Laura Gallagher and Born with It by Emmanuel Osei-Kuffour.\u003c/p>\n\u003cp>Friday, October 20, 11pm\u003cbr>\n\u003cstrong>Hidden Passions\u003c/strong>\u003cbr>\nWe all harbor secrets we're afraid to share with the world, but sometimes, you just have to take a leap of faith: Festus by Shawn Snyder and Yeah Kowalski! by Evan Roberts.\u003c/p>\n\u003cp>Friday, October 27, 11pm\u003cstrong>\u003cbr>\nBorder Crossings\u003cbr>\n\u003c/strong>Two short films follow families as they travel great distances, both physically and emotionally, to find a new home: We are the Immigrants by Catalina Matamoros Puerto and Sweet, Sweet Country by Dehanza Rogers.\u003c/p>\n\u003cp>Friday, November 3, 11pm\u003cbr>\n\u003cstrong>Magical Beasts\u003cbr>\n\u003c/strong>From the coast of Ireland to Norway’s dense forest to a young girl’s imagination – magical beasts lurk in the shadows. \u003cem>Theodora\u003c/em> by Mike Makowsky. \u003cem>Vilt Gutt\u003c/em> by Dawson Taylor. \u003cem>Salt\u003c/em> by Ugla Hauksdóttir.\u003c/p>\n\u003cp>Friday, November 10, 11pm\u003cbr>\n\u003cstrong>Bewitched\u003cbr>\n\u003c/strong>uNomalanga is newly married and new to her small village in South Africa. When she attempts to befriend her notorious neighbor, she finds unexpected joy in the new friendship. \u003cem>uNomalanga and the Witch\u003c/em> by Palesa Shongwe.\u003c/p>\n\u003cp>Friday, November 17, 11pm\u003cbr>\n\u003cstrong>Best of the Bay\u003c/strong>\u003cbr>\nWith vampires roaming the back alleys of Chinatown, Tarantino-inspired kung-fu maters fighting in eucalyptus forests, jazz journeys in abstract super-8 film and a love triangle in a San Francisco apartment complex, these emerging filmmakers offer quirky a quirky glimpse at our unique metropolis.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Film School Shorts \u003c/em>is made possible by the generous support of Maurice Kanbar.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The not-to-be-missed season finale (airing November 17) showcases filmmakers from Bay Area schools, including San Francisco State University and Ex’pression College.\u003c/p>\n\u003cp>\u003cstrong>The fifth season of \u003cem>Film School Shorts \u003c/em>airs Fridays at 11pm on KQED 9, beginning September 8.\u003c/strong>\u003cstrong>\u003cbr>\nIf you miss the television broadcast, full films are available on the \u003cem>Film School Shorts \u003c/em>YouTube and Vimeo channels.\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://kqed.org/fss\">\u003cstrong>kqed.org/fss\u003cbr>\n\u003c/strong>\u003c/a>\u003cstrong>\u003ca href=\"http://youtube.com/filmschoolshorts\">youtube.com/filmschoolshorts\u003cbr>\n\u003c/a>\u003c/strong>\u003cstrong>\u003ca href=\"http://vimeo.com/filmschoolshorts\">vimeo.com/filmschoolshorts\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003cem> \u003c/em>\u003cstrong>\u003cem>Film School Shorts\u003c/em>\u003c/strong> \u003cstrong>5th Season Broadcast Schedule on KQED 9\u003c/strong>\u003c/p>\n\u003cp>Friday, September 8, 11pm\u003cbr>\n\u003cstrong>First Gen 101\u003c/strong>\u003cbr>\nThree stories of misadventures as first generation Americans navigating identity, love and acceptance amid converging cultures: Fanny Pack by Uttera Singh, Prom by Imran J. Khan, and Groomed by Wyatt Rockefeller.\u003c/p>\n\u003cp>Friday, September 15, 11pm\u003cstrong>\u003cbr>\nBlood & Water\u003cbr>\n\u003c/strong>Three young women experience difficult homecomings as they grapple with the pain and complexity of growing up: AWOL by Deb Shoval, When We Were Young by Gabrielle Capili, and Bookends by Dominic Villarrubia.\u003c/p>\n\u003cp>Friday, September 22, 11pm\u003cbr>\n\u003cstrong>Coming Home\u003c/strong>\u003cbr>\nThree young women experience difficult homecomings as they grapple with the pain and complexity of growing up: AWOL by Deb Shoval, When We Were Young by Gabrielle Capili, and Bookends by Dominic Villarrubia.\u003c/p>\n\u003cp>Friday, September 29, 11pm\u003cbr>\n\u003cstrong>Pet Problems\u003cbr>\n\u003c/strong>Three wayward pets wreak havoc on the lives of their owners, neighbors and even distant acquaintances in these short films: Rosie, Oh by Andy Koeger and Apple Xenus, The Execution by Elise Ahrens, and Cupcake Bob by Olivia Accardo.\u003c/p>\n\u003cp>Friday, October 6, 11pm\u003cbr>\n\u003cstrong>Stranger Desires\u003cbr>\n\u003c/strong>Tom and Myrna are looking for love in all the wrong places in two stories of ill-advised affection: Tom by Michael Smigiel and Mr. Lamb by Jean Pesce.\u003c/p>\n\u003cp>Friday, October 13, 11pm\u003cbr>\n\u003cstrong>Uncharted Waters\u003cbr>\n\u003c/strong>Whether in rural Japan or upstate New York - fitting in isn't easy for two young men struggling to define their manhood without fathers: Stage Two by Laura Gallagher and Born with It by Emmanuel Osei-Kuffour.\u003c/p>\n\u003cp>Friday, October 20, 11pm\u003cbr>\n\u003cstrong>Hidden Passions\u003c/strong>\u003cbr>\nWe all harbor secrets we're afraid to share with the world, but sometimes, you just have to take a leap of faith: Festus by Shawn Snyder and Yeah Kowalski! by Evan Roberts.\u003c/p>\n\u003cp>Friday, October 27, 11pm\u003cstrong>\u003cbr>\nBorder Crossings\u003cbr>\n\u003c/strong>Two short films follow families as they travel great distances, both physically and emotionally, to find a new home: We are the Immigrants by Catalina Matamoros Puerto and Sweet, Sweet Country by Dehanza Rogers.\u003c/p>\n\u003cp>Friday, November 3, 11pm\u003cbr>\n\u003cstrong>Magical Beasts\u003cbr>\n\u003c/strong>From the coast of Ireland to Norway’s dense forest to a young girl’s imagination – magical beasts lurk in the shadows. \u003cem>Theodora\u003c/em> by Mike Makowsky. \u003cem>Vilt Gutt\u003c/em> by Dawson Taylor. \u003cem>Salt\u003c/em> by Ugla Hauksdóttir.\u003c/p>\n\u003cp>Friday, November 10, 11pm\u003cbr>\n\u003cstrong>Bewitched\u003cbr>\n\u003c/strong>uNomalanga is newly married and new to her small village in South Africa. When she attempts to befriend her notorious neighbor, she finds unexpected joy in the new friendship. \u003cem>uNomalanga and the Witch\u003c/em> by Palesa Shongwe.\u003c/p>\n\u003cp>Friday, November 17, 11pm\u003cbr>\n\u003cstrong>Best of the Bay\u003c/strong>\u003cbr>\nWith vampires roaming the back alleys of Chinatown, Tarantino-inspired kung-fu maters fighting in eucalyptus forests, jazz journeys in abstract super-8 film and a love triangle in a San Francisco apartment complex, these emerging filmmakers offer quirky a quirky glimpse at our unique metropolis.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Film School Shorts \u003c/em>is made possible by the generous support of Maurice Kanbar.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003cimg class=\"alignnone wp-image-9816 size-full\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2017/08/Mindshift_podcast1.jpg\" alt=\"\" width=\"1440\" height=\"1103\">\u003c/em>KQED is pleased to announce the launch of a second season of the\u003ca href=\"https://ww2.kqed.org/mindshift/category/mindshiftpodcast/\">\u003cem> MindShift\u003c/em> podcas\u003c/a>t. Hosts Ki Sung and Katrina Schwartz, editors of KQED’s popular \u003cem>MindShift \u003c/em>blog, explore the innovations in education that are shaping how kids learn. The five-episode season officially launches on August 29, with new episodes every other Tuesday through October 24. \u003cem>\u003cbr>\n\u003c/em>\u003cbr>\nThe new season highlights the stories of educators who are developing innovative ways to improve how kids learn. Listeners will meet Michael Essien, a middle-school principal who shares the one thing that finally helped teachers get a grip on classroom management. After seeing the behavior of so many college students and their highly involved parents, former Stanford Dean of Freshmen Julie Lythcott-Haims cautions against overparenting so that young adults can develop self-efficacy. Catlin Tucker explains why she started an interdisciplinary program within her Sonoma County high school, and how it has upended the way she teaches and grades. Michael Godsey, a high school English teacher who started teaching with the \u003cem>Serial \u003c/em>podcast, shares his discoveries on how audio can help students be better readers and writers. And listeners will learn about a new approach to discipline at KIPP, a successful and controversial charter school network that prepares kids from low-income communities for college.\u003c/p>\n\u003cp>Look for \u003cem>MindShift \u003c/em>wherever you get your podcasts, including \u003ca href=\"https://itunes.apple.com/us/podcast/stories-teachers-share-mindshift/id1078765985?mt=2\">Apple Podcasts\u003c/a>, Google Play, Stitcher, and the NPR One app. You can also visit the \u003cem>MindShift \u003c/em>website for episodes and supplemental blog posts. \u003ca href=\"http://kqed.org/mindshift\">kqed.org/mindshift\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>\u003cu>\u003cbr>\nSeason Two Episodes\u003cbr>\n\u003c/u>\u003c/strong>\u003cstrong>\u003cbr>\nA Whole School Approach to Behavior Issues: \u003c/strong>August 29\u003cbr>\nWhen Principal Michael Essien arrived at Martin Luther King Middle School in San Francisco, he knew his first order of business would be helping teachers struggling to handle routine disruptions to class. But rather than kicking students out of class, he’s trying to a new approach — bringing counselors inside classrooms to help teachers de-escalate conflicts.\u003c/p>\n\u003cp>\u003cstrong>What Overparenting Looks Like from a Stanford Dean’s Perspective: \u003c/strong>September 12\u003cbr>\nParents are essential to a child’s development. But when parents get too involved in helping and directing a child’s every move, they can end up doing more harm than good. Former Stanford Dean of Freshman Julie Lythcott-Haims witnessed first-hand how parents were interfering with the lives of their college-aged children and keeping them from maturing into self-reliant adults.\u003c/p>\n\u003cp>\u003cstrong>Be the Change You Want to See: \u003c/strong>September 26\u003cbr>\nOver the course of her fifteen-year teaching career, Catlin Tucker has become increasingly worried that school isn’t preparing students for the world they will face after high school. As a public school teacher, Tucker is beholden to a specific set of standards, but she’s not letting that stand in the way of innovation. She’s co-piloting a program called “NEW School” that has upended how she teaches and grades, and changed her relationships with students for the better.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>How Listening to Podcasts Help Students Read and Learn:\u003c/strong> October 10\u003cbr>\nHigh school English teacher Michael Godsey found the \u003cem>Serial\u003c/em> podcast so compelling, he stopped teaching his favorite work of Shakespeare to teach the wildly popular podcast instead. What does audio have to do with learning traditional English skills? Godsey’s students helped him discover a new side of literacy.\u003c/p>\n\u003cp>\u003cstrong>The Courage to Change: \u003c/strong>October 24\u003cbr>\nThe KIPP charter school network has made a name for itself preparing kids from low-income communities for college. Its early years were marked by strict and controversial discipline policies meant to hold students to a rigorous standard of behavior. But KIPP Bay Area Schools are leading the network away from this model in favor of restorative discipline practices that build a school culture of understanding, trust and respect.\u003c/p>\n\u003cp>\u003cstrong>\u003cspan style=\"text-decoration: underline;\">About \u003cem>MindShift\u003c/em>\u003c/span>\u003cbr>\n\u003c/strong>\u003cem>MindShift\u003c/em> explores the future of learning in all its dimensions via its blog, email newsletter, social media accounts and podcast series. \u003cem>MindShift\u003c/em> examines how learning is being impacted by technology, discoveries about how the brain works, poverty and inequities, social and emotional practices, assessments, digital games, design thinking and music, among many other topics. We look at how learning is evolving in the classroom and beyond. We also revisit old ideas that have come full circle in the era of the over-scheduled child, such as unschooling, tinkering, playing in the woods, mindfulness, inquiry-based learning and student motivation. We report on shifts in how educators practice their craft as they apply innovative ideas to help students learn, while meeting the rigorous demands of their standards and curriculum.\u003c/p>\n\u003cp>\u003cem>MindShift\u003c/em> has a unique audience of educators, tinkerers, policy makers and life-long learners who engage in meaningful dialogue with one another on our sites. \u003ca href=\"http://kqed.org/mindshift\">kqed.org/mindshift\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline;\">\u003cstrong>About KQED\u003c/strong>\u003c/span>\u003cu>\u003cbr>\n\u003c/u>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas. \u003ca href=\"http://www.kqed.org\">www.kqed.org\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cimg class=\"alignnone wp-image-9816 size-full\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2017/08/Mindshift_podcast1.jpg\" alt=\"\" width=\"1440\" height=\"1103\">\u003c/em>KQED is pleased to announce the launch of a second season of the\u003ca href=\"https://ww2.kqed.org/mindshift/category/mindshiftpodcast/\">\u003cem> MindShift\u003c/em> podcas\u003c/a>t. Hosts Ki Sung and Katrina Schwartz, editors of KQED’s popular \u003cem>MindShift \u003c/em>blog, explore the innovations in education that are shaping how kids learn. The five-episode season officially launches on August 29, with new episodes every other Tuesday through October 24. \u003cem>\u003cbr>\n\u003c/em>\u003cbr>\nThe new season highlights the stories of educators who are developing innovative ways to improve how kids learn. Listeners will meet Michael Essien, a middle-school principal who shares the one thing that finally helped teachers get a grip on classroom management. After seeing the behavior of so many college students and their highly involved parents, former Stanford Dean of Freshmen Julie Lythcott-Haims cautions against overparenting so that young adults can develop self-efficacy. Catlin Tucker explains why she started an interdisciplinary program within her Sonoma County high school, and how it has upended the way she teaches and grades. Michael Godsey, a high school English teacher who started teaching with the \u003cem>Serial \u003c/em>podcast, shares his discoveries on how audio can help students be better readers and writers. And listeners will learn about a new approach to discipline at KIPP, a successful and controversial charter school network that prepares kids from low-income communities for college.\u003c/p>\n\u003cp>Look for \u003cem>MindShift \u003c/em>wherever you get your podcasts, including \u003ca href=\"https://itunes.apple.com/us/podcast/stories-teachers-share-mindshift/id1078765985?mt=2\">Apple Podcasts\u003c/a>, Google Play, Stitcher, and the NPR One app. You can also visit the \u003cem>MindShift \u003c/em>website for episodes and supplemental blog posts. \u003ca href=\"http://kqed.org/mindshift\">kqed.org/mindshift\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>\u003cu>\u003cbr>\nSeason Two Episodes\u003cbr>\n\u003c/u>\u003c/strong>\u003cstrong>\u003cbr>\nA Whole School Approach to Behavior Issues: \u003c/strong>August 29\u003cbr>\nWhen Principal Michael Essien arrived at Martin Luther King Middle School in San Francisco, he knew his first order of business would be helping teachers struggling to handle routine disruptions to class. But rather than kicking students out of class, he’s trying to a new approach — bringing counselors inside classrooms to help teachers de-escalate conflicts.\u003c/p>\n\u003cp>\u003cstrong>What Overparenting Looks Like from a Stanford Dean’s Perspective: \u003c/strong>September 12\u003cbr>\nParents are essential to a child’s development. But when parents get too involved in helping and directing a child’s every move, they can end up doing more harm than good. Former Stanford Dean of Freshman Julie Lythcott-Haims witnessed first-hand how parents were interfering with the lives of their college-aged children and keeping them from maturing into self-reliant adults.\u003c/p>\n\u003cp>\u003cstrong>Be the Change You Want to See: \u003c/strong>September 26\u003cbr>\nOver the course of her fifteen-year teaching career, Catlin Tucker has become increasingly worried that school isn’t preparing students for the world they will face after high school. As a public school teacher, Tucker is beholden to a specific set of standards, but she’s not letting that stand in the way of innovation. She’s co-piloting a program called “NEW School” that has upended how she teaches and grades, and changed her relationships with students for the better.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>How Listening to Podcasts Help Students Read and Learn:\u003c/strong> October 10\u003cbr>\nHigh school English teacher Michael Godsey found the \u003cem>Serial\u003c/em> podcast so compelling, he stopped teaching his favorite work of Shakespeare to teach the wildly popular podcast instead. What does audio have to do with learning traditional English skills? Godsey’s students helped him discover a new side of literacy.\u003c/p>\n\u003cp>\u003cstrong>The Courage to Change: \u003c/strong>October 24\u003cbr>\nThe KIPP charter school network has made a name for itself preparing kids from low-income communities for college. Its early years were marked by strict and controversial discipline policies meant to hold students to a rigorous standard of behavior. But KIPP Bay Area Schools are leading the network away from this model in favor of restorative discipline practices that build a school culture of understanding, trust and respect.\u003c/p>\n\u003cp>\u003cstrong>\u003cspan style=\"text-decoration: underline;\">About \u003cem>MindShift\u003c/em>\u003c/span>\u003cbr>\n\u003c/strong>\u003cem>MindShift\u003c/em> explores the future of learning in all its dimensions via its blog, email newsletter, social media accounts and podcast series. \u003cem>MindShift\u003c/em> examines how learning is being impacted by technology, discoveries about how the brain works, poverty and inequities, social and emotional practices, assessments, digital games, design thinking and music, among many other topics. We look at how learning is evolving in the classroom and beyond. We also revisit old ideas that have come full circle in the era of the over-scheduled child, such as unschooling, tinkering, playing in the woods, mindfulness, inquiry-based learning and student motivation. We report on shifts in how educators practice their craft as they apply innovative ideas to help students learn, while meeting the rigorous demands of their standards and curriculum.\u003c/p>\n\u003cp>\u003cem>MindShift\u003c/em> has a unique audience of educators, tinkerers, policy makers and life-long learners who engage in meaningful dialogue with one another on our sites. \u003ca href=\"http://kqed.org/mindshift\">kqed.org/mindshift\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline;\">\u003cstrong>About KQED\u003c/strong>\u003c/span>\u003cu>\u003cbr>\n\u003c/u>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas. \u003ca href=\"http://www.kqed.org\">www.kqed.org\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp style=\"text-align: left\">SAN FRANCISCO – August 23, 2017 – \u003ca href=\"http://www.kqed.org/\">KQED\u003c/a>’s James Beard and Emmy Award-winning program \u003ca href=\"http://www.kqed.org/checkplease\">\u003cem>Check, Please! Bay Area\u003c/em>\u003c/a> is back with new episodes this fall. The 12\u003csup>th \u003c/sup>season continues on Thursday, September 14, 2017, at 7:30pm on KQED 9 and online at kqed.org/checkplease. This fall, KQED’s \u003cem>Check, Please! Bay Area \u003c/em>offers six new episodes featuring a range of menu options like haggis from a Scottish pub in the Alhambra building in Redwood City, contemporary Indian cuisine with cocktails to match in San Francisco, wood fired delicacies in Sonoma County, and traditional Jewish deli-done-Berkeley-style in the East Bay.\u003c/p>\n\u003cp style=\"text-align: left\">Every episode gathers three local diners cast as restaurant critics to share their favorite spots. After trying each other’s recommendations, host Leslie Sbrocco moderates a lively discussion – and sometimes contentious debate – about their dining experiences.\u003c/p>\n\u003cp>“First, it’s amazing that we are coming to the end of Season 12. I did not imagine back in 2005 that \u003cem>Check, Please! Bay Area\u003c/em> would be so successful,” says Sbrocco. “The guests just keep getting better. They are more knowledgeable, articulate and willing to try almost anything for a new foodie experience.”\u003c/p>\n\u003cp>[gallery columns=\"2\" ids=\"9781,9780\"]\u003c/p>\n\u003cp>Restaurants featured in the second half of the 12th season reflect the diverse flavors of the Bay Area and include Martins West Pub (Redwood City), Red Tavern (San Francisco), August (1) Five (San Francisco), Waterfront Pizza and Mediterranean Restaurant (Foster City), Saul’s Restaurant & Delicatessen (Berkeley), Lolinda (San Francisco), Rusty’s Southern (San Francisco), Jupiter (Berkeley), Glen Ellen Star (Sonoma), CALA (San Francisco), Moss Beach Distillery (Moss Beach), Rocker Oysterfeller’s Kitchen + Saloon (Valley Ford), Los Arquitos Restaurant (Vallejo), Lavash Restaurant (San Francisco), Sir and Star at The Olema (Marin), Mingalaba Restaurant (Burlingame), The Brazen Head (San Francisco), and Áīna (San Francisco).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>Taste This\u003c/em>, the online companion series to \u003cem>Check Please! Bay Area\u003c/em>, returns with new episodes on September 12, 2017. Launched in 2016, \u003cem>Taste This\u003c/em> takes \u003ca href=\"https://ww2.kqed.org/checkplease/host-biography/\">Leslie Sbrocco\u003c/a> out of the studio and into the fields, vineyards and kitchens of some of the Bay Area’s finest beverage producers. From beer-making to craft cocktails, Sbrocco brings viewers along as she discovers the secrets to the tasty drinks that so often accompany a perfect meal. Watch online at \u003ca href=\"http://kqed.org/tastethis\">kqed.org/tastethis\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Check, Please! Bay Area \u003c/em>is made possible by the generous support of Integrated Resources Group, Oakland International Airport, European Sleep Works, Sutter CPMC 2020, La Tourangelle, and Total Wine & More.\u003c/p>\n\u003cp>\u003cem>Taste This\u003c/em> is made possible by the generous support of Visit Oakland.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED\u003cbr>\n\u003c/strong>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas. \u003ca href=\"http://www.kqed.org/soundbreaking\">www.kqed.org\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp style=\"text-align: left\">SAN FRANCISCO – August 23, 2017 – \u003ca href=\"http://www.kqed.org/\">KQED\u003c/a>’s James Beard and Emmy Award-winning program \u003ca href=\"http://www.kqed.org/checkplease\">\u003cem>Check, Please! Bay Area\u003c/em>\u003c/a> is back with new episodes this fall. The 12\u003csup>th \u003c/sup>season continues on Thursday, September 14, 2017, at 7:30pm on KQED 9 and online at kqed.org/checkplease. This fall, KQED’s \u003cem>Check, Please! Bay Area \u003c/em>offers six new episodes featuring a range of menu options like haggis from a Scottish pub in the Alhambra building in Redwood City, contemporary Indian cuisine with cocktails to match in San Francisco, wood fired delicacies in Sonoma County, and traditional Jewish deli-done-Berkeley-style in the East Bay.\u003c/p>\n\u003cp style=\"text-align: left\">Every episode gathers three local diners cast as restaurant critics to share their favorite spots. After trying each other’s recommendations, host Leslie Sbrocco moderates a lively discussion – and sometimes contentious debate – about their dining experiences.\u003c/p>\n\u003cp>“First, it’s amazing that we are coming to the end of Season 12. I did not imagine back in 2005 that \u003cem>Check, Please! Bay Area\u003c/em> would be so successful,” says Sbrocco. “The guests just keep getting better. They are more knowledgeable, articulate and willing to try almost anything for a new foodie experience.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Taste This\u003c/em>, the online companion series to \u003cem>Check Please! Bay Area\u003c/em>, returns with new episodes on September 12, 2017. Launched in 2016, \u003cem>Taste This\u003c/em> takes \u003ca href=\"https://ww2.kqed.org/checkplease/host-biography/\">Leslie Sbrocco\u003c/a> out of the studio and into the fields, vineyards and kitchens of some of the Bay Area’s finest beverage producers. From beer-making to craft cocktails, Sbrocco brings viewers along as she discovers the secrets to the tasty drinks that so often accompany a perfect meal. Watch online at \u003ca href=\"http://kqed.org/tastethis\">kqed.org/tastethis\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Check, Please! Bay Area \u003c/em>is made possible by the generous support of Integrated Resources Group, Oakland International Airport, European Sleep Works, Sutter CPMC 2020, La Tourangelle, and Total Wine & More.\u003c/p>\n\u003cp>\u003cem>Taste This\u003c/em> is made possible by the generous support of Visit Oakland.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED\u003cbr>\n\u003c/strong>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas. \u003ca href=\"http://www.kqed.org/soundbreaking\">www.kqed.org\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>The popular Bay Area tasting festival features more than 60 eateries and wineries.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>San Francisco, CA\u003c/em> — KQED’s popular \u003cem>Check, Please! Bay Area\u003c/em> Taste & Sip food and wine tasting will be held \u003cstrong>Tuesday,\u003c/strong> \u003cstrong>May 23, 2017, from 6:30 to 9pm at the San Francisco Design Center Galleria\u003c/strong>\u003cstrong>. Sample\u003c/strong> mouthwatering bites from nearly 50 \u003cem>Check, Please! Bay Area\u003c/em>–reviewed restaurants; sip wines from around the world; and enjoy specialty cocktails while listening to live gypsy jazz by Gaucho, courtesy of SFJAZZ. Guests can meet \u003cem>Check, Please! Bay Area \u003c/em>\u003cem>host\u003c/em> Leslie Sbrocco, the show’s production team and reviewers from past seasons.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2017/04/cpba-taste-sip-leslie-590.jpg\" rel=\"attachment wp-att-9568\">\u003cimg class=\" wp-image-9568 alignleft\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2017/04/cpba-taste-sip-leslie-590-300x169.jpg\" alt=\"taste & sip 2017\" width=\"392\" height=\"221\">\u003c/a>“Taste & Sip is my favorite event of the year,” said Sbrocco. “Not only are there world-class wines and spirits to sip, top-notch local eateries also show up to show off their best bites. It’s also my chance to meet and mingle with the fans of the show; making them a part of the \u003cem>Check, Please!\u003c/em> family is the goal of the event for me.”\u003c/p>\n\u003cp>Participating restaurants at this year’s event include: Auntie April’s Chicken-n-Waffles & Soul Food, BackDoor Bistro & Wine Bar, Basque Cultural Center, Bobo’s the Steak the Crab, Buddy’s Bites and Brews, Bull Valley Roadhouse, Cajun Pacific, Camber Restaurant Bar, Canela Bistro & Wine Bar, Copita Tequileria y Comida, Davey Jones Deli, Della Santina’s Trattoria, Doppio Zero, DOSA, Dragon Beaux, Duende, Farallon, farmerbrown, Gamine, Gaumenkitzel Organic German Slow Food Restaurant, Green Chile Kitchen, John Ash & Co., La Viga Restaurant, lers ros, Los Moles, Lovejoy's Tea Room, M.Y. China, Marinitas Restaurant, Marnee Thai Restaurant, Memphis Minnie’s BBQ Joint, MESCOLANZA, Myriad Gastropub, Nick’s Crispy Tacos, Old Jerusalem Restaurant, Old Skool Café, PABU Izakaya, Paradiso Restaurant, Park Tavern, Picán, PICANTE, Plaj Restaurant, Poesia, Poggio Trattoria, Rangoon Ruby, Sapore Italiano Ristorante, Sauce Restaurant Group, Sessions at the Presidio, and Waterbar.\u003c/p>\n\u003cp>Wine vendors offering samples include: Ca’ Momi, Chronic Cellars, Iron Horse Vineyards, J. Lohr Vineyards, Jamieson Ranch Vineyards, Joseph Carr, Le Grand Courtâge, McEvoy Ranch, New Zealand Winegrowers, Purple Heart Wines, Sebright Cellars and Steele Wines.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Main Event tickets are $85 for KQED members and $95 for the general public. Tickets for early access \u003cstrong>VIP reception + Main Event are \u003c/strong>$125 for KQED members and $135 for the general public. Tickets are on sale at \u003ca href=\"https://www.cityboxoffice.com/eventperformances.asp?evt=2162\">CityBoxOffice.com\u003c/a> or by phone at 415.392.4400.\u003c/p>\n\u003cp>\u003cem>Check, Please! Bay Area’s \u003c/em>12th season is made possible by the generous support of Integrated Resources Group, European Sleep Works, Oakland International Airport, Sutter CPMC 2020, La Tourangelle, and Total Wine & More.\u003c/p>\n\u003cp>Additional event support provided by: Provident Credit Union\u003c/p>\n\u003cp>\u003cstrong>About \u003c/strong>\u003cem>\u003cstrong>Check, Please! Bay Area\u003cbr>\n\u003c/strong>\u003c/em>\u003cem>Check, Please! Bay Area\u003c/em> features guests and eateries as diverse the Bay Area itself. In each episode of the James Beard and Emmy Award–winning program, three local diners share their favorite spots and critique each others’ choices. They visit each restaurant anonymously — the restaurants are not notified that \u003cem>Check, Please!\u003c/em> reviewers are present. After trying each others’ recommendations, the diners join host and moderator Leslie Sbrocco to discuss, dispute and celebrate their dining experiences with lively commentary.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003cbr>\n\u003c/strong>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>The popular Bay Area tasting festival features more than 60 eateries and wineries.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>San Francisco, CA\u003c/em> — KQED’s popular \u003cem>Check, Please! Bay Area\u003c/em> Taste & Sip food and wine tasting will be held \u003cstrong>Tuesday,\u003c/strong> \u003cstrong>May 23, 2017, from 6:30 to 9pm at the San Francisco Design Center Galleria\u003c/strong>\u003cstrong>. Sample\u003c/strong> mouthwatering bites from nearly 50 \u003cem>Check, Please! Bay Area\u003c/em>–reviewed restaurants; sip wines from around the world; and enjoy specialty cocktails while listening to live gypsy jazz by Gaucho, courtesy of SFJAZZ. Guests can meet \u003cem>Check, Please! Bay Area \u003c/em>\u003cem>host\u003c/em> Leslie Sbrocco, the show’s production team and reviewers from past seasons.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2017/04/cpba-taste-sip-leslie-590.jpg\" rel=\"attachment wp-att-9568\">\u003cimg class=\" wp-image-9568 alignleft\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2017/04/cpba-taste-sip-leslie-590-300x169.jpg\" alt=\"taste & sip 2017\" width=\"392\" height=\"221\">\u003c/a>“Taste & Sip is my favorite event of the year,” said Sbrocco. “Not only are there world-class wines and spirits to sip, top-notch local eateries also show up to show off their best bites. It’s also my chance to meet and mingle with the fans of the show; making them a part of the \u003cem>Check, Please!\u003c/em> family is the goal of the event for me.”\u003c/p>\n\u003cp>Participating restaurants at this year’s event include: Auntie April’s Chicken-n-Waffles & Soul Food, BackDoor Bistro & Wine Bar, Basque Cultural Center, Bobo’s the Steak the Crab, Buddy’s Bites and Brews, Bull Valley Roadhouse, Cajun Pacific, Camber Restaurant Bar, Canela Bistro & Wine Bar, Copita Tequileria y Comida, Davey Jones Deli, Della Santina’s Trattoria, Doppio Zero, DOSA, Dragon Beaux, Duende, Farallon, farmerbrown, Gamine, Gaumenkitzel Organic German Slow Food Restaurant, Green Chile Kitchen, John Ash & Co., La Viga Restaurant, lers ros, Los Moles, Lovejoy's Tea Room, M.Y. China, Marinitas Restaurant, Marnee Thai Restaurant, Memphis Minnie’s BBQ Joint, MESCOLANZA, Myriad Gastropub, Nick’s Crispy Tacos, Old Jerusalem Restaurant, Old Skool Café, PABU Izakaya, Paradiso Restaurant, Park Tavern, Picán, PICANTE, Plaj Restaurant, Poesia, Poggio Trattoria, Rangoon Ruby, Sapore Italiano Ristorante, Sauce Restaurant Group, Sessions at the Presidio, and Waterbar.\u003c/p>\n\u003cp>Wine vendors offering samples include: Ca’ Momi, Chronic Cellars, Iron Horse Vineyards, J. Lohr Vineyards, Jamieson Ranch Vineyards, Joseph Carr, Le Grand Courtâge, McEvoy Ranch, New Zealand Winegrowers, Purple Heart Wines, Sebright Cellars and Steele Wines.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Main Event tickets are $85 for KQED members and $95 for the general public. Tickets for early access \u003cstrong>VIP reception + Main Event are \u003c/strong>$125 for KQED members and $135 for the general public. Tickets are on sale at \u003ca href=\"https://www.cityboxoffice.com/eventperformances.asp?evt=2162\">CityBoxOffice.com\u003c/a> or by phone at 415.392.4400.\u003c/p>\n\u003cp>\u003cem>Check, Please! Bay Area’s \u003c/em>12th season is made possible by the generous support of Integrated Resources Group, European Sleep Works, Oakland International Airport, Sutter CPMC 2020, La Tourangelle, and Total Wine & More.\u003c/p>\n\u003cp>Additional event support provided by: Provident Credit Union\u003c/p>\n\u003cp>\u003cstrong>About \u003c/strong>\u003cem>\u003cstrong>Check, Please! Bay Area\u003cbr>\n\u003c/strong>\u003c/em>\u003cem>Check, Please! Bay Area\u003c/em> features guests and eateries as diverse the Bay Area itself. In each episode of the James Beard and Emmy Award–winning program, three local diners share their favorite spots and critique each others’ choices. They visit each restaurant anonymously — the restaurants are not notified that \u003cem>Check, Please!\u003c/em> reviewers are present. After trying each others’ recommendations, the diners join host and moderator Leslie Sbrocco to discuss, dispute and celebrate their dining experiences with lively commentary.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003cbr>\n\u003c/strong>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>San Francisco, CA —\u003c/em> KQED, the public media organization serving the San Francisco Bay Area, will receive a one-time sum of $95.4 million for relinquishing back to the Federal Communications Commission (FCC) six megahertz of broadcast spectrum as part of the recently concluded incentive auction. The FCC seeks to repurpose underutilized television broadcast spectrum to satisfy the growing demand for wireless services, and KQED was able to participate without a significant impact on either services or coverage for Bay Area residents. The KQED Board of Directors has determined that the auction proceeds will be invested in KQED’s long-term sustainability and none of the funds will be utilized for ongoing operating expenses.\u003c/p>\n\u003cp>KQED is in the unusual position of holding three FCC television broadcast licenses comprising 18 megahertz of overlapping spectrum in the Bay Area, broadcasting from towers in San Francisco, San Jose and Salinas. This extensive coverage made sense earlier in the 20th century when television used analog technology and most viewers received the signal over the air. Today, the vast majority of Bay Area residents receive their television via cable or satellite services, and digital broadcast technology now supports multiple channels of programming from each tower. Therefore, KQED will be able to relinquish six megahertz of spectrum, currently broadcasting from the San Jose tower, and maintain full service to the region, including the recent addition of the 24/7 PBS KIDS channel and the upgrade to high-definition (HD) broadcast on KQED Plus (KQEH).\u003c/p>\n\u003cp>The auction will have no impact on residents who receive their television via cable, satellite or the Internet, which accounts for approximately 90 percent of Bay Area households. Those viewers who utilize an antenna to receive KQED over the air, and who currently receive the signal from the San Jose tower, will need to redirect their antenna to either San Francisco or Salinas, both of which will be broadcasting the full suite of KQED channels, including KQED Plus. Of the more than 1 million TV households in the region, KQED estimates that less than 1,000 might have reception issues after the change, and the station will work directly with those viewers to mitigate any problems.\u003c/p>\n\u003cfigure id=\"attachment_9552\" class=\"wp-caption alignnone\" style=\"max-width: 720px\">\u003cimg class=\"wp-image-9552 size-full\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2017/04/KQED-Post-Auction-Spectrum_web.jpg\" alt=\"\" width=\"720\" height=\"405\">\u003cfigcaption class=\"wp-caption-text\">Click on image to enlarge.\u003c/figcaption>\u003c/figure>\n\u003cp>“The KQED Board carefully evaluated the opportunity presented by the auction and we retained outside financial and technical counsel to advise us. After many months of deliberation, the Board decided this was a unique opportunity coming at a pivotal time in KQED’s history,” said Board Chair Chuck Kissner. “KQED is in the midst of a significant transformation to serve the dramatically changing needs of the people of the Bay Area. The auction proceeds will be reserved for permanent assets related to our transformation and invested in our endowment for KQED’s long-term sustainability.”\u003c/p>\n\u003cp>KQED’s Board of Directors is made up of 29 community volunteers who oversee the organization, one of the largest in public media, serving nearly 3 million people each week with radio, television, mobile, social, online and classroom services and an annual budget of more than $70 million. The Board, in approving FCC auction participation, emphasized the importance of dedicating any auction proceeds to the long-term good of KQED and the community in return for relinquishing spectrum.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“This is one of those unusual win-win-win situations,” said KQED President John Boland. “The people of the Bay Area will have a 21st century KQED that adapts to the way they use media today. KQED will be more financially sustainable and stable well into the future, and the FCC will have the spectrum it needs to provide wireless services. Coincidentally, many people now receive their KQED content via wireless devices, so it all makes sense.”\u003c/p>\n\u003cp>Since the KQED Board has determined the funds will be placed in permanent assets and not be spent on ongoing operations, KQED will continue to rely on the generous support of its audience to fund quality programming and day-to-day operations. KQED is investigating ways to reduce dependency on prime-time pledge drives, but community support for the operation of broadcast and digital news and education services remains critically important.\u003c/p>\n\u003cp>“If you sold your home, it would not be prudent to utilize the proceeds to buy groceries and pay bus fare. Better to invest those funds in a new home or other permanent asset, or invest the funds and use only the income generated,” said Boland. “The same is true for KQED. We want this one-time infusion of capital to benefit the community long into the future.”\u003c/p>\n\u003cp>The bulk of the proceeds will be invested to double the size KQED’s endowment, which will provide, in perpetuity, a portion of the annual funds required to sustain the content and services KQED provides to the Bay Area community. The remainder will be invested in upgrades to KQED’s building and technology infrastructure.\u003c/p>\n\u003cp>\u003cem>To view the FCC's notice and other materials concerning the broadcast incentive auction and participating stations, click \u003ca href=\"https://www.fcc.gov/document/fcc-announces-results-worlds-first-broadcast-incentive-auction-0\">here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003cu> \u003c/u>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cu>About KQED\u003c/u>\u003c/strong>\u003cbr>\n\u003cstrong>KQED\u003c/strong> serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas. \u003ca href=\"http://www.kqed.org\">www.kqed.org\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>San Francisco, CA —\u003c/em> KQED, the public media organization serving the San Francisco Bay Area, will receive a one-time sum of $95.4 million for relinquishing back to the Federal Communications Commission (FCC) six megahertz of broadcast spectrum as part of the recently concluded incentive auction. The FCC seeks to repurpose underutilized television broadcast spectrum to satisfy the growing demand for wireless services, and KQED was able to participate without a significant impact on either services or coverage for Bay Area residents. The KQED Board of Directors has determined that the auction proceeds will be invested in KQED’s long-term sustainability and none of the funds will be utilized for ongoing operating expenses.\u003c/p>\n\u003cp>KQED is in the unusual position of holding three FCC television broadcast licenses comprising 18 megahertz of overlapping spectrum in the Bay Area, broadcasting from towers in San Francisco, San Jose and Salinas. This extensive coverage made sense earlier in the 20th century when television used analog technology and most viewers received the signal over the air. Today, the vast majority of Bay Area residents receive their television via cable or satellite services, and digital broadcast technology now supports multiple channels of programming from each tower. Therefore, KQED will be able to relinquish six megahertz of spectrum, currently broadcasting from the San Jose tower, and maintain full service to the region, including the recent addition of the 24/7 PBS KIDS channel and the upgrade to high-definition (HD) broadcast on KQED Plus (KQEH).\u003c/p>\n\u003cp>The auction will have no impact on residents who receive their television via cable, satellite or the Internet, which accounts for approximately 90 percent of Bay Area households. Those viewers who utilize an antenna to receive KQED over the air, and who currently receive the signal from the San Jose tower, will need to redirect their antenna to either San Francisco or Salinas, both of which will be broadcasting the full suite of KQED channels, including KQED Plus. Of the more than 1 million TV households in the region, KQED estimates that less than 1,000 might have reception issues after the change, and the station will work directly with those viewers to mitigate any problems.\u003c/p>\n\u003cfigure id=\"attachment_9552\" class=\"wp-caption alignnone\" style=\"max-width: 720px\">\u003cimg class=\"wp-image-9552 size-full\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2017/04/KQED-Post-Auction-Spectrum_web.jpg\" alt=\"\" width=\"720\" height=\"405\">\u003cfigcaption class=\"wp-caption-text\">Click on image to enlarge.\u003c/figcaption>\u003c/figure>\n\u003cp>“The KQED Board carefully evaluated the opportunity presented by the auction and we retained outside financial and technical counsel to advise us. After many months of deliberation, the Board decided this was a unique opportunity coming at a pivotal time in KQED’s history,” said Board Chair Chuck Kissner. “KQED is in the midst of a significant transformation to serve the dramatically changing needs of the people of the Bay Area. The auction proceeds will be reserved for permanent assets related to our transformation and invested in our endowment for KQED’s long-term sustainability.”\u003c/p>\n\u003cp>KQED’s Board of Directors is made up of 29 community volunteers who oversee the organization, one of the largest in public media, serving nearly 3 million people each week with radio, television, mobile, social, online and classroom services and an annual budget of more than $70 million. The Board, in approving FCC auction participation, emphasized the importance of dedicating any auction proceeds to the long-term good of KQED and the community in return for relinquishing spectrum.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“This is one of those unusual win-win-win situations,” said KQED President John Boland. “The people of the Bay Area will have a 21st century KQED that adapts to the way they use media today. KQED will be more financially sustainable and stable well into the future, and the FCC will have the spectrum it needs to provide wireless services. Coincidentally, many people now receive their KQED content via wireless devices, so it all makes sense.”\u003c/p>\n\u003cp>Since the KQED Board has determined the funds will be placed in permanent assets and not be spent on ongoing operations, KQED will continue to rely on the generous support of its audience to fund quality programming and day-to-day operations. KQED is investigating ways to reduce dependency on prime-time pledge drives, but community support for the operation of broadcast and digital news and education services remains critically important.\u003c/p>\n\u003cp>“If you sold your home, it would not be prudent to utilize the proceeds to buy groceries and pay bus fare. Better to invest those funds in a new home or other permanent asset, or invest the funds and use only the income generated,” said Boland. “The same is true for KQED. We want this one-time infusion of capital to benefit the community long into the future.”\u003c/p>\n\u003cp>The bulk of the proceeds will be invested to double the size KQED’s endowment, which will provide, in perpetuity, a portion of the annual funds required to sustain the content and services KQED provides to the Bay Area community. The remainder will be invested in upgrades to KQED’s building and technology infrastructure.\u003c/p>\n\u003cp>\u003cem>To view the FCC's notice and other materials concerning the broadcast incentive auction and participating stations, click \u003ca href=\"https://www.fcc.gov/document/fcc-announces-results-worlds-first-broadcast-incentive-auction-0\">here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003cu> \u003c/u>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cu>About KQED\u003c/u>\u003c/strong>\u003cbr>\n\u003cstrong>KQED\u003c/strong> serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas. \u003ca href=\"http://www.kqed.org\">www.kqed.org\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "KQED Launches Exactly, a New Podcast Series Hosted by Kelly Corrigan",
"title": "KQED Launches Exactly, a New Podcast Series Hosted by Kelly Corrigan",
"headTitle": "KQED's Pressroom | About KQED",
"content": "\u003cp>\u003cstrong>Hosted by the Three-Time \u003cem>New York Times\u003c/em> Bestselling Author Kelly Corrigan, KQED’s New Podcast features Conversations with Some of the Brightest Literary and Creative Minds Today\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone wp-image-9350 size-full\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2017/01/Exactly_Novak_web.jpg\" alt=\"\" width=\"1081\" height=\"720\">\u003cem>San Francisco, CA \u003c/em>— The gap between being inspired and entertained just got smaller. Take the brainy topics of a TED Talk, the informative wit of \u003cem>The Daily Show \u003c/em>and the insightful questioning of Terry Gross, sprinkle in a rapt studio audience, and you have \u003cem>Exactly\u003c/em>, a new podcast series from KQED\u003cem>. \u003c/em>Hosted by three-time \u003cem>New York Times \u003c/em>bestselling author Kelly Corrigan,\u003cem> Exactly \u003c/em>features interviews with some of the most creative writers and entertainers of our time. Corrigan and her guests roam with insight and humor toward that inevitable moment when you think, “Exactly!”\u003c/p>\n\u003cp>“Leading conversations with smart, funny thinkers is pretty much my dream,” says Corrigan. “Hosting \u003cem>\u003ca href=\"https://ww2.kqed.org/news/series/exactly/\">Exactly\u003c/a> \u003c/em>is the most fun I’m capable of having.”\u003c/p>\n\u003cp>The nine-episode series features interviews with Nicholas Kristof, Anne Lamott, BJ Novak, Jason Segel and others. Corrigan and her guests dig into such big-time ideas as “Is knowing more always better?” and trade stories on topics ranging from what makes creativity possible to how one convinces one’s husband to participate in a sex study. Laced with humor, Corrigan’s conversational style and easy connection with her audience bring out the best in her guests.\u003c/p>\n\u003cp>Exactly is available on iTunes, Google Play, NPR One and at \u003ca href=\"http://kqed.org/exactly\">kqed.org/exactly\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>\u003cu>\u003cbr>\n\u003c/u>\u003c/strong>\u003cstrong>\u003cu>Episode descriptions\u003c/u>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/06/bj-novak-why-does-dark-comedy-work/\">BJ Novak: Why Does Dark Comedy Work?\u003c/a>\u003cbr>\n\u003c/strong>A skeptical outlook on everything fosters an honest recalibration of how things really are versus how people think they are, says the author and actor BJ Novak, and that creates comedy. Novak digs into how dark comedy can bring people face-to-face with an ugly truth, and when is too soon after a tragedy to joke about it. Novak dishes on Hollywood, and talks about sources of creativity, but the surprise is his insight into the visceral nature of comedic truth.\u003cu>\u003c/u>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/06/nicholas-kristof-how-do-we-change-the-world/\">Nicholas Kristof: How Do We Change the World?\u003c/a>\u003c/strong>\u003cu>\u003cbr>\n\u003c/u>The greatest human kindness amid the worst human atrocities — that’s what Nicholas Kristof says he’s witnessed in more than three decades as a reporter around the globe. Kristof could have every reason to be cynical, but he believes in the value of every act of compassion, no matter how small. Probing the nature of hope, Kristof offers a grounded, rationale view on the vast realm of human potential.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/06/anne-lamott-how-do-we-forgive-one-another/\">Anne Lamott: How Do We Forgive One Another?\u003c/a>\u003cbr>\n\u003c/strong>How do we forgive the people we don’t like? Writer Anne Lamott doesn’t pretend she knows the answer to one of the toughest questions humanity faces, but, then, it turns out she kind of does. Lamott and Corrigan trade stories about compassion, empathy, growing older and doing love. Through it all, they spill the honesty, hilarity and transparent self-awareness that have made both women bestselling authors.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/06/mary-roach-is-it-w-good-to-know-more/\">Mary Roach: Is It Always Good to Know More?\u003c/a>\u003cbr>\n\u003c/strong>Does it deaden your sex life to participate in a sex study? That’s just one of the questions Corrigan tosses out to bestselling author Mary Roach in a quest to find out whether it’s really better to know more about everything. Roach and Corrigan roam through many of the topics that make us uncomfortable, from sex and death to meeting the “other” with an open heart. Along the way, they discover just a few of the ways human life can have meaning.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/06/jason-segel-whats-the-secret-to-being-great/\">Jason Segel: What’s the Secret to Being Great?\u003c/a>\u003cbr>\n\u003c/strong>Optimistic, pragmatic and multitalented, actor and screenwriter Jason Segel is convinced that we can all experience moments of magic, when possibilities from the future nudge our hearts. Segel and Corrigan talk about choosing to stick with something you aren’t very good at it. For anyone who imagines taking flight, Segel is air under your wings.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/06/walter-isaacson-how-does-innovation-happen/\">Walter Isaacson: How Does Innovation Happen?\u003c/a>\u003cbr>\n\u003c/strong>Innovation is not a solo act, says Walter Isaacson. The founder of the Aspen Institute and biographer of Steve Jobs and Albert Einstein confesses that even many biographers participate in the mythology of the lone inventor, struck by a bolt of lightning. But that’s not how it really is, he tells Corrigan, as their conversation ranges over everything from how Ada Lovelace prefigured the personal computer to how to cultivate our imagination.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/03/john-cleese-what-is-creativity/\">John Cleese: What Is Creativity?\u003c/a>\u003cbr>\n\u003c/strong>Creativity requires a space where nothing much is happening, says John Cleese. The iconic British comedian offers his recipe for getting out of ruts, defines humor and serves up some ingeniously bad behavior, leaving listeners both dumbfounded and delighted.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/06/matt-nathanson-where-does-optimism-come-from/\">Matt Nathanson: Where Does Optimism Come From?\u003c/a>\u003cbr>\n\u003c/strong>If you thought you were the only person with a demonic inner critic, Matt Nathanson is here to assure you that, not only do we all face down the naysayer, but also there may even be a role for pessimism. Corrigan and Nathanson exchange stories about what keeps them chipping away at making art, and offer up a survival manual for arguing with a spouse. Hint: It involves a five year old.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/06/margaret-atwood-what-does-the-future-hold/\">Margaret Atwood: What Does the Future Hold?\u003c/a>\u003c/strong>\u003cbr>\nFunny and insightful, Margaret Atwood muses on visions of learning, work and women’s lives a century from now, and tells tales of growing up in the wilderness of Canada where there was, literally, she says, nothing there. Atwood and Corrigan trade stories on what no one tells new mothers, and try to figure out what bioengineering means for humanity. From beginning to end, Atwood’s directness and humanity leave you with a sense of peering into a future both dark and hopeful.\u003c/p>\n\u003cp>\u003cstrong>\u003cu>\u003cbr>\nAbout Kelly Corrigan\u003c/u>\u003c/strong>\u003cbr>\n\u003cstrong>Kelly Corrigan\u003c/strong> is the author of \u003cem>Glitter and Glue\u003c/em>, \u003cem>The Middle Place\u003c/em> and \u003cem>Lift\u003c/em>, bestselling memoirs about family life that have earned her comparisons to Erma Bombeck and Nora Ephron. The Huffington Post called her “the poet laureate of the ordinary.” The comment she most often hears from readers about her takes on everything from ambition to crisis to the value of a simple apology is “Exactly.”\u003cbr>\n\u003cu>\u003c/u>\u003c/p>\n\u003cp>\u003cstrong>\u003cu>\u003cbr>\nSupport\u003cbr>\n\u003c/u>\u003c/strong>Interviews for \u003cem>Exactly\u003c/em> are made possible by \u003ca href=\"https://medium.com/\">Medium\u003c/a>. Funding is provided by the \u003ca href=\"https://www.templeton.org/\">John Templeton Foundation\u003c/a>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>\u003cu>\u003cbr>\nAbout KQED\u003c/u>\u003c/strong>\u003cbr>\n\u003cstrong>KQED\u003c/strong> serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003cbr>\n\u003ca href=\"http://www.kqed.org/soundbreaking\">www.kqed.org\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Hosted by the Three-Time \u003cem>New York Times\u003c/em> Bestselling Author Kelly Corrigan, KQED’s New Podcast features Conversations with Some of the Brightest Literary and Creative Minds Today\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone wp-image-9350 size-full\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2017/01/Exactly_Novak_web.jpg\" alt=\"\" width=\"1081\" height=\"720\">\u003cem>San Francisco, CA \u003c/em>— The gap between being inspired and entertained just got smaller. Take the brainy topics of a TED Talk, the informative wit of \u003cem>The Daily Show \u003c/em>and the insightful questioning of Terry Gross, sprinkle in a rapt studio audience, and you have \u003cem>Exactly\u003c/em>, a new podcast series from KQED\u003cem>. \u003c/em>Hosted by three-time \u003cem>New York Times \u003c/em>bestselling author Kelly Corrigan,\u003cem> Exactly \u003c/em>features interviews with some of the most creative writers and entertainers of our time. Corrigan and her guests roam with insight and humor toward that inevitable moment when you think, “Exactly!”\u003c/p>\n\u003cp>“Leading conversations with smart, funny thinkers is pretty much my dream,” says Corrigan. “Hosting \u003cem>\u003ca href=\"https://ww2.kqed.org/news/series/exactly/\">Exactly\u003c/a> \u003c/em>is the most fun I’m capable of having.”\u003c/p>\n\u003cp>The nine-episode series features interviews with Nicholas Kristof, Anne Lamott, BJ Novak, Jason Segel and others. Corrigan and her guests dig into such big-time ideas as “Is knowing more always better?” and trade stories on topics ranging from what makes creativity possible to how one convinces one’s husband to participate in a sex study. Laced with humor, Corrigan’s conversational style and easy connection with her audience bring out the best in her guests.\u003c/p>\n\u003cp>Exactly is available on iTunes, Google Play, NPR One and at \u003ca href=\"http://kqed.org/exactly\">kqed.org/exactly\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cu>\u003cbr>\n\u003c/u>\u003c/strong>\u003cstrong>\u003cu>Episode descriptions\u003c/u>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/06/bj-novak-why-does-dark-comedy-work/\">BJ Novak: Why Does Dark Comedy Work?\u003c/a>\u003cbr>\n\u003c/strong>A skeptical outlook on everything fosters an honest recalibration of how things really are versus how people think they are, says the author and actor BJ Novak, and that creates comedy. Novak digs into how dark comedy can bring people face-to-face with an ugly truth, and when is too soon after a tragedy to joke about it. Novak dishes on Hollywood, and talks about sources of creativity, but the surprise is his insight into the visceral nature of comedic truth.\u003cu>\u003c/u>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/06/nicholas-kristof-how-do-we-change-the-world/\">Nicholas Kristof: How Do We Change the World?\u003c/a>\u003c/strong>\u003cu>\u003cbr>\n\u003c/u>The greatest human kindness amid the worst human atrocities — that’s what Nicholas Kristof says he’s witnessed in more than three decades as a reporter around the globe. Kristof could have every reason to be cynical, but he believes in the value of every act of compassion, no matter how small. Probing the nature of hope, Kristof offers a grounded, rationale view on the vast realm of human potential.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/06/anne-lamott-how-do-we-forgive-one-another/\">Anne Lamott: How Do We Forgive One Another?\u003c/a>\u003cbr>\n\u003c/strong>How do we forgive the people we don’t like? Writer Anne Lamott doesn’t pretend she knows the answer to one of the toughest questions humanity faces, but, then, it turns out she kind of does. Lamott and Corrigan trade stories about compassion, empathy, growing older and doing love. Through it all, they spill the honesty, hilarity and transparent self-awareness that have made both women bestselling authors.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/06/mary-roach-is-it-w-good-to-know-more/\">Mary Roach: Is It Always Good to Know More?\u003c/a>\u003cbr>\n\u003c/strong>Does it deaden your sex life to participate in a sex study? That’s just one of the questions Corrigan tosses out to bestselling author Mary Roach in a quest to find out whether it’s really better to know more about everything. Roach and Corrigan roam through many of the topics that make us uncomfortable, from sex and death to meeting the “other” with an open heart. Along the way, they discover just a few of the ways human life can have meaning.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/06/jason-segel-whats-the-secret-to-being-great/\">Jason Segel: What’s the Secret to Being Great?\u003c/a>\u003cbr>\n\u003c/strong>Optimistic, pragmatic and multitalented, actor and screenwriter Jason Segel is convinced that we can all experience moments of magic, when possibilities from the future nudge our hearts. Segel and Corrigan talk about choosing to stick with something you aren’t very good at it. For anyone who imagines taking flight, Segel is air under your wings.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/06/walter-isaacson-how-does-innovation-happen/\">Walter Isaacson: How Does Innovation Happen?\u003c/a>\u003cbr>\n\u003c/strong>Innovation is not a solo act, says Walter Isaacson. The founder of the Aspen Institute and biographer of Steve Jobs and Albert Einstein confesses that even many biographers participate in the mythology of the lone inventor, struck by a bolt of lightning. But that’s not how it really is, he tells Corrigan, as their conversation ranges over everything from how Ada Lovelace prefigured the personal computer to how to cultivate our imagination.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/03/john-cleese-what-is-creativity/\">John Cleese: What Is Creativity?\u003c/a>\u003cbr>\n\u003c/strong>Creativity requires a space where nothing much is happening, says John Cleese. The iconic British comedian offers his recipe for getting out of ruts, defines humor and serves up some ingeniously bad behavior, leaving listeners both dumbfounded and delighted.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/06/matt-nathanson-where-does-optimism-come-from/\">Matt Nathanson: Where Does Optimism Come From?\u003c/a>\u003cbr>\n\u003c/strong>If you thought you were the only person with a demonic inner critic, Matt Nathanson is here to assure you that, not only do we all face down the naysayer, but also there may even be a role for pessimism. Corrigan and Nathanson exchange stories about what keeps them chipping away at making art, and offer up a survival manual for arguing with a spouse. Hint: It involves a five year old.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/01/06/margaret-atwood-what-does-the-future-hold/\">Margaret Atwood: What Does the Future Hold?\u003c/a>\u003c/strong>\u003cbr>\nFunny and insightful, Margaret Atwood muses on visions of learning, work and women’s lives a century from now, and tells tales of growing up in the wilderness of Canada where there was, literally, she says, nothing there. Atwood and Corrigan trade stories on what no one tells new mothers, and try to figure out what bioengineering means for humanity. From beginning to end, Atwood’s directness and humanity leave you with a sense of peering into a future both dark and hopeful.\u003c/p>\n\u003cp>\u003cstrong>\u003cu>\u003cbr>\nAbout Kelly Corrigan\u003c/u>\u003c/strong>\u003cbr>\n\u003cstrong>Kelly Corrigan\u003c/strong> is the author of \u003cem>Glitter and Glue\u003c/em>, \u003cem>The Middle Place\u003c/em> and \u003cem>Lift\u003c/em>, bestselling memoirs about family life that have earned her comparisons to Erma Bombeck and Nora Ephron. The Huffington Post called her “the poet laureate of the ordinary.” The comment she most often hears from readers about her takes on everything from ambition to crisis to the value of a simple apology is “Exactly.”\u003cbr>\n\u003cu>\u003c/u>\u003c/p>\n\u003cp>\u003cstrong>\u003cu>\u003cbr>\nSupport\u003cbr>\n\u003c/u>\u003c/strong>Interviews for \u003cem>Exactly\u003c/em> are made possible by \u003ca href=\"https://medium.com/\">Medium\u003c/a>. Funding is provided by the \u003ca href=\"https://www.templeton.org/\">John Templeton Foundation\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "KQED Introduces PBS KIDS",
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"content": "\u003cp>\u003cstrong>24/7 Channel Will Replace KQED Kids on January 16; PBS KIDS Free Multiplatform Service Includes Live Streaming and Interactive Games\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/12/PBSKIDS_logo_C.jpg\" rel=\"attachment wp-att-9342\">\u003cimg class=\"size-full wp-image-9342 alignleft\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/12/PBSKIDS_logo_C.jpg\" alt=\"PBSKIDS_logo_C\" width=\"200\" height=\"192\">\u003c/a>\u003cem>San Francisco, CA, December 20, 2016 \u003c/em>— KQED will introduce the new television channel PBS KIDS to Bay Area viewers on January 16, 2017. The 24/7 children’s channel will replace KQED Kids in the Bay Area. In addition to the new on-air channel, PBS KIDS on KQED features free services including a live video stream and interactive games for children on various digital platforms. The effort is KQED’s latest initiative to support early learning in the community.\u003c/p>\n\u003cp>KQED will broadcast PBS KIDS shows 24 hours a day on channels 54.4 and 25.3 and offer a branded live stream, making it easy for Bay Area children to watch their favorite programs whenever and wherever they access media. Viewers will be able to watch the live stream through \u003ca href=\"http://www.pbskids.org\">pbskids.org\u003c/a> and on the \u003ca href=\"http://pbskids.org/apps/pbs-kids-video.html\">PBS KIDS Video app\u003c/a>, which is available on a variety of mobile devices and tablets. Soon after the January 16 launch, the live stream will also be available on over-the-top platforms such as Roku, Apple TV, Amazon Fire TV, Android TV, Xbox One and Chromecast. The live stream complements on-demand clips and full episodes, which will continue to be available for free on the PBS KIDS Video App and streaming via \u003cu>pbskids.org\u003c/u>.\u003c/p>\n\u003cp>Following its initial launch, the localized live stream experience will expand to offer integrated games, enabling children to toggle between a PBS KIDS show and an activity that extends learning — all in one seamless digital experience. The live stream and games feature are grounded in research demonstrating that measurable gains in learning are achieved when children engage with PBS KIDS content on multiple platforms. The games will align with the learning goals of each TV series, deepening children’s involvement and supporting learning.\u003c/p>\n\u003cp>The 24/7 PBS KIDS offering is an integral part of KQED’s long-term vision for its children’s service and will build on its reach and impact in the community, where it provides essential services for kids, parents and teachers. “KQED has been a trusted partner with Bay Area parents for years, delivering educational television content that makes measurable impacts in children’s early learning,” says Susie Hernandez, KQED’s senior director, television programming. “With the new PBS KIDS 24/7 channel, we’re able to continue to deliver and expand on the same high quality of programming, while also making it more accessible to Bay Area families through digital and other platforms.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>PBS KIDS on KQED will include popular favorites such as \u003ca href=\"http://pbskids.org/daniel/\">\u003cem>Daniel Tiger's Neighborhood\u003c/em>\u003c/a>, \u003ca href=\"http://pbskids.org/oddsquad/\">\u003cem>Odd Squad\u003c/em>\u003c/a>, \u003ca href=\"http://pbskids.org/wildkratts/\">\u003cem>Wild Kratts\u003c/em>\u003c/a> and \u003ca href=\"http://pbskids.org/dinosaurtrain/\">\u003cem>Dinosaur Train\u003c/em>\u003c/a>. PBS KIDS’ newest series \u003ca href=\"http://pbskids.org/splashandbubbles\">\u003cem>Splash and Bubbles\u003c/em>\u003c/a>, \u003ca href=\"http://www.pbskids.org/naturecat\">\u003cem>Nature Cat\u003c/em>\u003c/a> and \u003ca href=\"http://www.pbskids.org/readyjetgo\">\u003cem>Ready Jet Go\u003c/em>\u003c/a>\u003ca href=\"http://www.pbskids.org/readyjetgo\">!\u003c/a> will also be featured. KQED will provide the PBS KIDS 24/7 channel on 54.4 and 25.3; XFINITY 192 (Monterey/Salinas 372 and Sacramento/Fairfield 391). It is also available on the Wave and San Bruno Cable.\u003c/p>\n\u003cp>In addition to replacing KQED Kids with PBS KIDS, KQED will also reconfigure its weekday children’s schedule on its two primary television channels — KQED 9 and KQED Plus — to better serve the needs of younger and older audiences. Beginning January 16, KQED 9 will begin hosting an uninterrupted block of children’s programming from 6am to 2:30pm. KQED Plus will offer an uninterrupted block of programming for adult audiences during those same hours, and will feature an after-school block of children’s programming between the hours of 4 and 6pm.\u003c/p>\n\u003cp>For schedule and program information, visit \u003ca href=\"http://www.kqed.org/tv/\">kqed.org/tv\u003c/a>.\u003c/p>\n\u003cp>ABOUT KQED\u003cbr>\nKQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/soundbreaking\">www.kqed.org\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>24/7 Channel Will Replace KQED Kids on January 16; PBS KIDS Free Multiplatform Service Includes Live Streaming and Interactive Games\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/12/PBSKIDS_logo_C.jpg\" rel=\"attachment wp-att-9342\">\u003cimg class=\"size-full wp-image-9342 alignleft\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/12/PBSKIDS_logo_C.jpg\" alt=\"PBSKIDS_logo_C\" width=\"200\" height=\"192\">\u003c/a>\u003cem>San Francisco, CA, December 20, 2016 \u003c/em>— KQED will introduce the new television channel PBS KIDS to Bay Area viewers on January 16, 2017. The 24/7 children’s channel will replace KQED Kids in the Bay Area. In addition to the new on-air channel, PBS KIDS on KQED features free services including a live video stream and interactive games for children on various digital platforms. The effort is KQED’s latest initiative to support early learning in the community.\u003c/p>\n\u003cp>KQED will broadcast PBS KIDS shows 24 hours a day on channels 54.4 and 25.3 and offer a branded live stream, making it easy for Bay Area children to watch their favorite programs whenever and wherever they access media. Viewers will be able to watch the live stream through \u003ca href=\"http://www.pbskids.org\">pbskids.org\u003c/a> and on the \u003ca href=\"http://pbskids.org/apps/pbs-kids-video.html\">PBS KIDS Video app\u003c/a>, which is available on a variety of mobile devices and tablets. Soon after the January 16 launch, the live stream will also be available on over-the-top platforms such as Roku, Apple TV, Amazon Fire TV, Android TV, Xbox One and Chromecast. The live stream complements on-demand clips and full episodes, which will continue to be available for free on the PBS KIDS Video App and streaming via \u003cu>pbskids.org\u003c/u>.\u003c/p>\n\u003cp>Following its initial launch, the localized live stream experience will expand to offer integrated games, enabling children to toggle between a PBS KIDS show and an activity that extends learning — all in one seamless digital experience. The live stream and games feature are grounded in research demonstrating that measurable gains in learning are achieved when children engage with PBS KIDS content on multiple platforms. The games will align with the learning goals of each TV series, deepening children’s involvement and supporting learning.\u003c/p>\n\u003cp>The 24/7 PBS KIDS offering is an integral part of KQED’s long-term vision for its children’s service and will build on its reach and impact in the community, where it provides essential services for kids, parents and teachers. “KQED has been a trusted partner with Bay Area parents for years, delivering educational television content that makes measurable impacts in children’s early learning,” says Susie Hernandez, KQED’s senior director, television programming. “With the new PBS KIDS 24/7 channel, we’re able to continue to deliver and expand on the same high quality of programming, while also making it more accessible to Bay Area families through digital and other platforms.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>PBS KIDS on KQED will include popular favorites such as \u003ca href=\"http://pbskids.org/daniel/\">\u003cem>Daniel Tiger's Neighborhood\u003c/em>\u003c/a>, \u003ca href=\"http://pbskids.org/oddsquad/\">\u003cem>Odd Squad\u003c/em>\u003c/a>, \u003ca href=\"http://pbskids.org/wildkratts/\">\u003cem>Wild Kratts\u003c/em>\u003c/a> and \u003ca href=\"http://pbskids.org/dinosaurtrain/\">\u003cem>Dinosaur Train\u003c/em>\u003c/a>. PBS KIDS’ newest series \u003ca href=\"http://pbskids.org/splashandbubbles\">\u003cem>Splash and Bubbles\u003c/em>\u003c/a>, \u003ca href=\"http://www.pbskids.org/naturecat\">\u003cem>Nature Cat\u003c/em>\u003c/a> and \u003ca href=\"http://www.pbskids.org/readyjetgo\">\u003cem>Ready Jet Go\u003c/em>\u003c/a>\u003ca href=\"http://www.pbskids.org/readyjetgo\">!\u003c/a> will also be featured. KQED will provide the PBS KIDS 24/7 channel on 54.4 and 25.3; XFINITY 192 (Monterey/Salinas 372 and Sacramento/Fairfield 391). It is also available on the Wave and San Bruno Cable.\u003c/p>\n\u003cp>In addition to replacing KQED Kids with PBS KIDS, KQED will also reconfigure its weekday children’s schedule on its two primary television channels — KQED 9 and KQED Plus — to better serve the needs of younger and older audiences. Beginning January 16, KQED 9 will begin hosting an uninterrupted block of children’s programming from 6am to 2:30pm. KQED Plus will offer an uninterrupted block of programming for adult audiences during those same hours, and will feature an after-school block of children’s programming between the hours of 4 and 6pm.\u003c/p>\n\u003cp>For schedule and program information, visit \u003ca href=\"http://www.kqed.org/tv/\">kqed.org/tv\u003c/a>.\u003c/p>\n\u003cp>ABOUT KQED\u003cbr>\nKQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/soundbreaking\">www.kqed.org\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Experience Award-Winning Short Films by the Next Generation of Great Filmmakers in the New Season of KQED’s Film School Shorts",
"title": "Experience Award-Winning Short Films by the Next Generation of Great Filmmakers in the New Season of KQED’s Film School Shorts",
"headTitle": "KQED's Pressroom | About KQED",
"content": "\u003cp>\u003cstrong>Fourth season premieres September 9 at a brand-new new time — 8:30pm on Fridays — on KQED 9.\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/08/MAIN_BANNER_HGOOGLY_EYES_IMAGE_web.jpg\" rel=\"attachment wp-att-9096\">\u003cimg class=\"size-medium wp-image-9096\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/08/MAIN_BANNER_HGOOGLY_EYES_IMAGE_web-300x168.jpg\" alt=\"Simon Savelyev's Googly Eyes, screening as part of the fourth season of Film School Shorts.\" width=\"300\" height=\"168\">\u003c/a>\u003c/p>\n\u003cp>\u003cem>August 4, 2016, San Francisco, CA\u003c/em> — KQED announces the fourth season of \u003cstrong>\u003cem>Film School Shorts\u003c/em>,\u003c/strong> a half-hour weekly series showcasing the best student-made shorts from around the country. Beginning on September 9, \u003cem>Film School Shorts\u003c/em> will air at a new time — 8:30pm on Fridays. The 10-episode season features 27 films from directors hailing from some of the most prestigious film schools in the country, including USC, UCLA, NYU, Columbia, and the American Film Institute. Boasting an eclectic mix of styles and genres, the latest season of \u003cem>Film School Shorts\u003c/em> features top-shelf performances by Patrick Fugit (\u003cem>Gone Girl\u003c/em>), Kaori Momoi (\u003cem>Memoirs of a Geisha\u003c/em>), Anna Camp (\u003cem>Pitch Perfect\u003c/em>) and Taissa Farmiga (\u003cem>American Horror Story\u003c/em>), to name a few.\u003c/p>\n\u003cp>The first episode of the new season, titled “Future,” features two original works from up-and-coming directors that explore very different aspects of the female domestic experience. In Thoranna Siqurdardottir’s \u003cem>Zelos\u003c/em>, a competitive mother orders a clone from North Korea to both help her around the house and help her outshine a seemingly flawless friend. But she eventually finds her new purchase to be an even more formidable rival. In Lamia Alami’s \u003cem>Salaam Ghourba (Farewell Exile)\u003c/em>, a desperate young mother living in an impoverished Moroccan neighborhood nervously awaits immigration papers that would allow her and her son to join her husband in France.\u003c/p>\n\u003cp>The season continues with a selection of equally compelling films. In Jessica dela Merced’s \u003cem>Hypebeasts\u003c/em>, racial tensions erupt between sneakerheads waiting in line for a chance to purchase the hottest new shoe on the market. Kaori Momoi delivers a bravura performance in Atsuko Hirayanagi’s \u003cem>Oh Lucy,\u003c/em> about a lonely Tokyo office worker whose outlook on life is transformed after she is given a blonde wig. In \u003cem>Sequin Raze\u003cstrong>, \u003c/strong>\u003c/em>the inspiration for the Lifetime series \u003cem>UnREAL\u003c/em>, Sarah Gertrude Shapiro explores the nasty relationship between a producer and a spurned beauty queen on the set of a \u003cem>Bachelor\u003c/em>-style reality show. It features a star-studded cast that includes Anna Camp, Frances Conroy (\u003cem>Six Feet Under\u003c/em>) and Ashley Williams (\u003cem>How I Met Your Mother\u003c/em>). And Reuben Guberek’s riotous \u003cem>Foodfellas\u003c/em> is a high-calorie-but-good-for-you fast food spoof of a Martin Scorsese classic.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>Film School Shorts’\u003c/em> fourth season also includes two films available for online-only viewing. In Amanda Milius’s post-apocalyptic western, \u003cem>The Lotus Gun\u003c/em> (available August 9), a pair of female lovers living a peaceful life in their makeshift home are threatened when they encounter a runaway from a misogynistic drug cult. Meanwhile, the world of Luke Jaden’s \u003cem>King Ripple\u003c/em> (available August 16) is no less dangerous. In this horror-fantasy, four teenagers wander into an abandoned junkyard and get lost looking for King Ripple. To view these films, visit and subscribe to the \u003cem>Film School Shorts \u003c/em>YouTube page: \u003ca href=\"http://youtube.com/FilmSchoolShorts\" target=\"_blank\">youtube.com/FilmSchoolShorts\u003c/a>.\u003c/p>\n\u003cp>For media inquiries, contact Peter Cavagnaro, Marketing and Communications Manager, at \u003ca href=\"mailto:pcavagnaro@kqed.org\">pcavagnaro@kqed.org\u003c/a> or 415.553.8451.\u003c/p>\n\u003cp>\u003cstrong>WEBSITE AND SOCIAL MEDIA\u003cbr>\nWebsite: \u003ca title=\"http://blogs.kqed.org/filmschoolshorts/\" href=\"http://blogs.kqed.org/filmschoolshorts/\" target=\"_blank\">http://blogs.kqed.org/filmschoolshorts/\u003c/a>\u003cbr>\nFacebook: \u003ca title=\"https://www.facebook.com/FilmSchoolShorts\" href=\"https://www.facebook.com/FilmSchoolShorts\" target=\"_blank\">https://www.facebook.com/FilmSchoolShorts\u003c/a>\u003cbr>\nTwitter: \u003ca title=\"https://twitter.com/filmschoolshort\" href=\"https://twitter.com/filmschoolshort\" target=\"_blank\">https://twitter.com/filmschoolshort\u003c/a>\u003ca href=\"http://www.youtube.com/subscription_center?add_user=filmschoolshorts%20\" target=\"_blank\">\u003cbr>\n\u003c/a>Vimeo: \u003ca href=\"https://vimeo.com/channels/filmschoolshorts\" target=\"_blank\">https://vimeo.com/channels/filmschoolshorts\u003c/a>\u003cbr>\nYouTube: \u003ca href=\"http://www.youtube.com/subscription_center?add_user=filmschoolshorts%20\" target=\"_blank\">https://www.youtube.com/FilmSchoolShorts\u003c/a>\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cspan style=\"color: #ff6600\">\u003cspan style=\"font-size: medium\">\u003cstrong>\u003cbr>\nSEASON 4 EPISODE DESCRIPTIONS\u003c/strong>\u003c/span>\u003c/span>\u003c/p>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 401 - \"Future\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Zelos_Still_04-1.png\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8645 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Zelos_Still_04-e1466012557646-150x150.png\" alt=\"Zelos by Thoranna Sigurdardottir and Andrea Zevallos\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cstrong>Zelos\u003c/strong>\u003c/span>\u003cbr>\n\u003cstrong>American Film Institute\u003cbr>\n\u003c/strong>A mother who strives to \"have it all\" orders a clone to keep her home life in order and outshine her flawless colleague, but soon realizes she purchased an unbeatable rival. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4866&preview=true\">Thoranna Sigurdardottir\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/FarewellExileHighRes.png\" target=\"_blank\" rel=\"attachment wp-att-8798\">\u003cimg class=\"aligncenter wp-image-8894 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/FarewellExileHighRes-150x150.png\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cstrong>Salaam Ghourba (Farewell Exile)\u003c/strong>\u003c/span>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>In an impoverished neighborhood of Casablanca, Morocco, Fatima impatiently awaits news from her husband in exile abroad. Will she be able to secure the immigration papers necessary to travel toward a better future for her and her son? Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4929&preview=true\">Lamia Alami\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 402 - \"America\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/01_TOTAL_FREAK_STILL-1.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8647 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/01_TOTAL_FREAK_STILL-150x150.jpg\" alt=\"Total Freak by Andrew Ellmaker\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cstrong>Total Freak\u003c/strong>\u003c/span>\u003cbr>\n\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>Summer camp takes a dark turn in this '80s-esque comedy about how the pursuit of a first kiss awakens a monster from the deep. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/filmmakers/andrew-ellmaker/\">Andrew Ellmaker\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Rita-3.png\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8774 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Rita-3-1-e1466101940562-150x150.png\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cstrong>Rita Mahtoubian is not a Terrorist\u003c/strong>\u003c/span>\u003cbr>\n\u003cb>American Film Institute\u003cbr>\n\u003c/b>When Iranian-born Rita sets out to change her life from ordinary to extraordinary, she captures the attention of a homeland security agent (\u003ca href=\"http://www.imdb.com/name/nm0297578/\" target=\"_blank\">Patrick Fugit\u003c/a>, \u003cem>Gone Girl\u003c/em>) in this satirical comedy about romance, terrorism and self help. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4861&preview=true\">Roja Gashtili and Julia Lerman\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Still-1-1.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8657 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Still-1-150x150.jpg\" alt=\"Timmy II by Imran J. Kahn\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cstrong>Timmy II\u003c/strong>\u003c/span>\u003cbr>\n\u003cstrong>New York University, Tisch Asia\u003cbr>\n\u003c/strong>One robot learns that fitting in isn’t all it’s cracked up to be when his new human form attracts the wrong kind of attention in post-9/11 America. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/filmmakers/imran-j-khan/\">Imran J. Kahn\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 403 - \"Mean Streets\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Share-27.png\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8777 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Share-27-1-e1466102149447-150x150.png\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Share\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>American Film Institute\u003cbr>\n\u003c/strong>\u003ca href=\"http://www.imdb.com/name/nm3920288/\" target=\"_blank\">Taissa Farmiga\u003c/a> (\u003cem>American Horror Story\u003c/em>) stars as a 15-year-old girl facing her return to school after someone shared an explicit video of her online. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/wp-admin/post.php?post=4835&action=edit\">Pippa Bianco\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Trio-1.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8655 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Trio-e1466013869335-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Hypebeasts\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>Inspired by \u003ca href=\"http://www.imdb.com/name/nm0000490/\" target=\"_blank\">Spike Lee’s\u003c/a> \u003cem>Do the Right Thing\u003c/em> (the director also advised on the film), racial tensions explode between young people waiting in line to buy the hottest new sneakers on the market. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/filmmakers/jess-dela-merced/\">Jessica dela Merced\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 404 - \"Daily Grind\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/SignatureFilmImage_MaxMarcy-1.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8780 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/SignatureFilmImage_MaxMarcy-2-e1466102274285-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Socks & Bonds\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>A sock merchant (\u003ca href=\"http://www.imdb.com/name/nm0802048/\" target=\"_blank\">Stephen Singer\u003c/a>, \u003cem>Obvious Child\u003c/em>) and his girlfriend head out to the Hamptons to sell the next big thing in socks and undergarments only to discover there's a more pressing negotiation at hand. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4857&preview=true\">Daniel Zimbler\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Screen-Shot-2016-05-23-at-9.39.11-AM.jpg\" target=\"_blank\">\u003cimg class=\"wp-image-8804 size-thumbnail alignleft\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/HDLLP_Still4-1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Hopkins & Delaney LLP\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>California Institute of the Arts\u003cbr>\n\u003c/strong>Jack, a recovering alcoholic and divorced father-of-two, has to look after his kids on New Year’s weekend. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/filmmakers/sean-buckelew/%20%E2%80%8E\">Sean Buckelew\u003c/a>.\u003cstrong>\u003cbr>\n\u003c/strong>\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003cimg class=\"alignleft wp-image-8782 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Butterfingers7-1-e1466102387187-150x150.png\" alt=\"\" width=\"150\" height=\"150\">\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Butterfingers\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>Every marriage has its moments, and this wife can’t listen to another word from her husband about work. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/wp-admin/post.php?post=4611&action=edit\">Milan Roganović\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 405 - \"Aspirations\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Bottle_still_01-1.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8648 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Bottle_still_01-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Bottle\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>California Institute of the Arts\u003cbr>\n\u003c/strong>Animated on location at a beach, in the snow and underwater, this stop-motion short details a transoceanic conversation between two characters via objects in a bottle. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4602&preview=true\">Kirsten Lepore\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Screen-Shot-2016-05-23-at-9.39.11-AM.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8652 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Screen-Shot-2016-05-23-at-9.39.11-AM-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Glory Days\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>Jack, a recovering alcoholic and divorced father-of-two, has to look after his kids on New Year’s weekend. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4822&preview=true\">Benjamin Rutkowski\u003c/a>.\u003cstrong>\u003cbr>\n\u003c/strong>\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Lea-1.png\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8738 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Lea_still01-e1466096717670-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Léa\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>A delusional actress with an affinity for burning bridges struggles to connect with the role that could make her career. Directed by Connor Simpson.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 406 - \"Crossed Stars\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/cd_still_7-1.png\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8787 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/cd_still_7-e1466102726891-150x150.png\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>The Life and Death Of Tommy Chaos and Stacey Danger\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>It's love at first sight in the midst of the dinosaur invasion for Tommy and Stacey. Together, they flee for a life of adventure and romance only to discover that even the brightest flames don’t burn forever. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4635&preview=true\">Michael Lukk Litwak\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Googly-Eyes-4-1.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8653 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Googly-Eyes-4-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Googly Eyes\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>University of California, Los Angeles\u003cbr>\n\u003c/strong>Gary’s (\u003ca href=\"https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=0ahUKEwi_7bPcmKvNAhULwWMKHeACAwwQFggeMAA&url=http%3A%2F%2Fwww.imdb.com%2Fname%2Fnm1640173%2F&usg=AFQjCNFgIPwTMFyeTvN6EXce6F-kKu81Xg&sig2=B62NVCmkgYi2nKo2bR5org\" target=\"_blank\">Cooper Barnes\u003c/a>, \u003cem>The Perfect Host\u003c/em>) chronic earache stirs up memories of his childhood and unresolved baggage with his ex-girlfriend. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4828&preview=true\">Simon Savelyev\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003cimg class=\"aligncenter wp-image-9015 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/FoolOfPeople_Social_1200x630-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Fool of People\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>Rhode Island School of Design\u003cbr>\n\u003c/strong>Dance across an old Victorian mansion filled with whimsical animated characters. Directed by Jose Rodriguez.\n\u003cdiv>\u003c/div>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 407 - \"Somebody to Love\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/OhLucy_Still1_KaoriMomoi_cOhLucy-1.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8661 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/OhLucy_Still1_KaoriMomoi_cOhLucy-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Oh Lucy!\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>\u003ca href=\"http://www.imdb.com/name/nm0597390/\" target=\"_blank\">Kaori Momoi\u003c/a> (\u003cem>Memoirs of a Geisha\u003c/em>) stars as a 55-year-old single office worker in Tokyo with nothing to look forward to but forced retirement and a lonely death. However, when her American English teacher gives her a blonde wig and a new identity, her perspective on life begins to change. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4541&preview=true\">Atsuko Hirayanagi\u003c/a>.\u003cstrong>\u003cbr>\n\u003c/strong>\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/vlcsnap-2016-06-16-09h24m41s373-1-e1466186702510.png\" target=\"_blank\">\u003cimg class=\"aligncenter wp-image-9017 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Tin_Social_1200x630-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Tin\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>University of Southern California\u003cbr>\n\u003c/strong>A man mourns life and lost love in this jazz-age inspired stop-motion animation. Directed by Brandon Lake.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 408 - \"Reality Bites\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/SequinRazeHighRes.png\" target=\"_blank\" rel=\"attachment wp-att-8793\">\u003cimg class=\"alignleft wp-image-8793 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/SEQUIN-RAZE-still-1-e1466103073780-150x150.png\" alt=\"SEQUIN RAZE still\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Sequin Raze\u003cbr>\n\u003c/b>\u003c/span>\u003cstrong>American Film Institute\u003cbr>\n\u003c/strong>\u003ca href=\"http://www.imdb.com/name/nm2319871/\" target=\"_blank\">Anna Camp\u003c/a> (\u003cem>Mad Men\u003c/em>), \u003ca href=\"http://www.imdb.com/name/nm0175814/\" target=\"_blank\">Frances Conroy\u003c/a> (\u003cem>Six Feet Under\u003c/em>), and \u003ca href=\"http://www.imdb.com/name/nm0930053/\" target=\"_blank\">Ashley Williams\u003c/a> (\u003cem>How I Met Your Mother\u003c/em>) star in this behind-the-scenes look at life on a \u003cem>Bachelor\u003c/em>-style reality television program. Adapted into Lifetime’s award-winning television series \u003ca href=\"http://www.mylifetime.com/shows/unreal\" target=\"_blank\">\u003cem>UnREAL\u003c/em>\u003c/a>. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4729&preview=true\">Sarah Gertrude Shapiro\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/KendallGotARoseHighRes.png\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8729 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/VimeoScreenshot2-061516-e1466034335209-150x150.png\" alt=\"VimeoScreenshot2-061516\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Kendall Got A Rose\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>University of Southern California\u003cbr>\n\u003c/strong>A couple discusses the latest episode of \u003cem>The Bachelor\u003c/em> as one gets ready for work. Directed by Luke Haskard.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 409 - \"Behind Closed Doors\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/SequinRazeHighRes.png\" target=\"_blank\" rel=\"attachment wp-att-8793\">\u003cimg class=\"aligncenter wp-image-9016 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/BustedOnBrighamLane_Social_1200x630-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Busted on Brigham Lane\u003cbr>\n\u003c/b>\u003c/span>\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>A young girl gets creative as she attempts to get her estranged father to attend her 18\u003csup>th\u003c/sup> birthday celebration. Directed by \u003ca href=\"http://www.imdb.com/name/nm2936752/\">Talibah Newman\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003cimg class=\"aligncenter wp-image-9020 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Production_Image_02-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Expiration Date\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>University of Southern California\u003cbr>\n\u003c/strong>Fridge foods come to life to fight a zombie apocalypse. Directed by Sarah Tejeda.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 410 - \"Our Culture\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/FF-PRIMARY-Still-1-1.jpg\" target=\"_blank\" rel=\"attachment wp-att-8789\">\u003cimg class=\"alignleft wp-image-8789 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/FF-PRIMARY-Still-1-e1466102896478-150x150.jpg\" alt=\"FF PRIMARY Still 1\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Foodfellas\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>University of Southern California\u003cbr>\n\u003c/strong>If the gangsters of \u003ca href=\"http://www.imdb.com/name/nm0000217/\" target=\"_blank\">Martin Scorsese’s\u003c/a> \u003cem>Goodfellas\u003c/em>\u003cstrong>\u003cem> \u003c/em>\u003c/strong>got into the fast food business, \u003cem>Foodfellas\u003c/em> would be the result. Follow one young burger flipper down a spiral of corruption, greed and French fries. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4621&preview=true\">Reuben Guberek\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Culture-KQED.mov.01_00_30_21.Still001-1.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8650 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Culture-KQED.mov.01_00_30_21.Still001-e1466014378188-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cstrong>Culture\u003c/strong>\u003c/span>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>“\u003cem>The best 60 seconds of film you’ll see at Sundance.\u003c/em>” – Reel.com Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4871&preview=true\">Ari Gold\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Still-8.jpg\" target=\"_blank\" rel=\"attachment wp-att-8791\">\u003cimg class=\"alignleft wp-image-8791 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Still-8-150x150.jpg\" alt=\"Film School Shorts - Season 4 - Open 24 Hours Promotional Image\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cstrong>Open 24 Hours\u003c/strong>\u003c/span>\u003cbr>\n\u003cstrong>Brown University\u003cbr>\n\u003c/strong>Featuring \u003ca href=\"http://www.imdb.com/name/nm0500894/\" target=\"_blank\">Brad Leland\u003c/a> (\u003cem>Friday Night Lights\u003c/em>) and \u003ca href=\"http://www.imdb.com/name/nm0710632/\" target=\"_blank\">Dale Raoul\u003c/a> (\u003cem>True Blood\u003c/em>), a quick stop for gas turns into a high-stress waiting game for one unlucky criminal. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4851&preview=true\">Henry Chaisson\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/trashcat-still6-1.png\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8672 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/trashcat-still6-e1466014465612-150x150.png\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cstrong>Trash Cat\u003c/strong>\u003c/span>\u003cbr>\n\u003cstrong>Savannah College of Art and Design\u003cbr>\n\u003c/strong>A mischievous cat loves knocking over trashcans, much to his owner’s dismay. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4644&preview=true\">Kelsey Goldych\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch5>\u003c/h5>\n\u003ch5>BEHIND-THE-SCENES PHOTOS\u003c/h5>\n\u003cp>[gallery type=\"slideshow\" link=\"file\" columns=\"4\" size=\"large\" ids=\"8702,8718,8715,8717,8823\"]\u003c/p>\n\u003ch2>\u003c/h2>\n\u003ch5>ABOUT FILM SCHOOL SHORTS\u003c/h5>\n\u003cp>\u003cem>Film School Shorts\u003c/em> is a nationally distributed series of KQED that airs in 88% of the country, including major markets like New York City, Los Angeles and Chicago. It’s a showcase for emerging filmmakers using social media to build an online community to capture the experience of going to film school. Personally selected by series producer Lisa Landi and associate producer Julia Shackelford, \u003cem>Film School Shorts\u003c/em> represents a wide range of styles and content, introducing vibrant young filmmakers soon to make an impact in the industry.\u003c/p>\n\u003cp>Meet our student filmmakers, learn more about the films, and view some of our award-winning shorts online at \u003cb>\u003ca href=\"http://www.kqed.org/fss\">kqed.org/fss\u003c/a>\u003c/b>, and be sure to follow us on Facebook and Twitter!\u003c/p>\n\u003ch5>ABOUT KQED\u003c/h5>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Fourth season premieres September 9 at a brand-new new time — 8:30pm on Fridays — on KQED 9.\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/08/MAIN_BANNER_HGOOGLY_EYES_IMAGE_web.jpg\" rel=\"attachment wp-att-9096\">\u003cimg class=\"size-medium wp-image-9096\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/08/MAIN_BANNER_HGOOGLY_EYES_IMAGE_web-300x168.jpg\" alt=\"Simon Savelyev's Googly Eyes, screening as part of the fourth season of Film School Shorts.\" width=\"300\" height=\"168\">\u003c/a>\u003c/p>\n\u003cp>\u003cem>August 4, 2016, San Francisco, CA\u003c/em> — KQED announces the fourth season of \u003cstrong>\u003cem>Film School Shorts\u003c/em>,\u003c/strong> a half-hour weekly series showcasing the best student-made shorts from around the country. Beginning on September 9, \u003cem>Film School Shorts\u003c/em> will air at a new time — 8:30pm on Fridays. The 10-episode season features 27 films from directors hailing from some of the most prestigious film schools in the country, including USC, UCLA, NYU, Columbia, and the American Film Institute. Boasting an eclectic mix of styles and genres, the latest season of \u003cem>Film School Shorts\u003c/em> features top-shelf performances by Patrick Fugit (\u003cem>Gone Girl\u003c/em>), Kaori Momoi (\u003cem>Memoirs of a Geisha\u003c/em>), Anna Camp (\u003cem>Pitch Perfect\u003c/em>) and Taissa Farmiga (\u003cem>American Horror Story\u003c/em>), to name a few.\u003c/p>\n\u003cp>The first episode of the new season, titled “Future,” features two original works from up-and-coming directors that explore very different aspects of the female domestic experience. In Thoranna Siqurdardottir’s \u003cem>Zelos\u003c/em>, a competitive mother orders a clone from North Korea to both help her around the house and help her outshine a seemingly flawless friend. But she eventually finds her new purchase to be an even more formidable rival. In Lamia Alami’s \u003cem>Salaam Ghourba (Farewell Exile)\u003c/em>, a desperate young mother living in an impoverished Moroccan neighborhood nervously awaits immigration papers that would allow her and her son to join her husband in France.\u003c/p>\n\u003cp>The season continues with a selection of equally compelling films. In Jessica dela Merced’s \u003cem>Hypebeasts\u003c/em>, racial tensions erupt between sneakerheads waiting in line for a chance to purchase the hottest new shoe on the market. Kaori Momoi delivers a bravura performance in Atsuko Hirayanagi’s \u003cem>Oh Lucy,\u003c/em> about a lonely Tokyo office worker whose outlook on life is transformed after she is given a blonde wig. In \u003cem>Sequin Raze\u003cstrong>, \u003c/strong>\u003c/em>the inspiration for the Lifetime series \u003cem>UnREAL\u003c/em>, Sarah Gertrude Shapiro explores the nasty relationship between a producer and a spurned beauty queen on the set of a \u003cem>Bachelor\u003c/em>-style reality show. It features a star-studded cast that includes Anna Camp, Frances Conroy (\u003cem>Six Feet Under\u003c/em>) and Ashley Williams (\u003cem>How I Met Your Mother\u003c/em>). And Reuben Guberek’s riotous \u003cem>Foodfellas\u003c/em> is a high-calorie-but-good-for-you fast food spoof of a Martin Scorsese classic.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Film School Shorts’\u003c/em> fourth season also includes two films available for online-only viewing. In Amanda Milius’s post-apocalyptic western, \u003cem>The Lotus Gun\u003c/em> (available August 9), a pair of female lovers living a peaceful life in their makeshift home are threatened when they encounter a runaway from a misogynistic drug cult. Meanwhile, the world of Luke Jaden’s \u003cem>King Ripple\u003c/em> (available August 16) is no less dangerous. In this horror-fantasy, four teenagers wander into an abandoned junkyard and get lost looking for King Ripple. To view these films, visit and subscribe to the \u003cem>Film School Shorts \u003c/em>YouTube page: \u003ca href=\"http://youtube.com/FilmSchoolShorts\" target=\"_blank\">youtube.com/FilmSchoolShorts\u003c/a>.\u003c/p>\n\u003cp>For media inquiries, contact Peter Cavagnaro, Marketing and Communications Manager, at \u003ca href=\"mailto:pcavagnaro@kqed.org\">pcavagnaro@kqed.org\u003c/a> or 415.553.8451.\u003c/p>\n\u003cp>\u003cstrong>WEBSITE AND SOCIAL MEDIA\u003cbr>\nWebsite: \u003ca title=\"http://blogs.kqed.org/filmschoolshorts/\" href=\"http://blogs.kqed.org/filmschoolshorts/\" target=\"_blank\">http://blogs.kqed.org/filmschoolshorts/\u003c/a>\u003cbr>\nFacebook: \u003ca title=\"https://www.facebook.com/FilmSchoolShorts\" href=\"https://www.facebook.com/FilmSchoolShorts\" target=\"_blank\">https://www.facebook.com/FilmSchoolShorts\u003c/a>\u003cbr>\nTwitter: \u003ca title=\"https://twitter.com/filmschoolshort\" href=\"https://twitter.com/filmschoolshort\" target=\"_blank\">https://twitter.com/filmschoolshort\u003c/a>\u003ca href=\"http://www.youtube.com/subscription_center?add_user=filmschoolshorts%20\" target=\"_blank\">\u003cbr>\n\u003c/a>Vimeo: \u003ca href=\"https://vimeo.com/channels/filmschoolshorts\" target=\"_blank\">https://vimeo.com/channels/filmschoolshorts\u003c/a>\u003cbr>\nYouTube: \u003ca href=\"http://www.youtube.com/subscription_center?add_user=filmschoolshorts%20\" target=\"_blank\">https://www.youtube.com/FilmSchoolShorts\u003c/a>\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cspan style=\"color: #ff6600\">\u003cspan style=\"font-size: medium\">\u003cstrong>\u003cbr>\nSEASON 4 EPISODE DESCRIPTIONS\u003c/strong>\u003c/span>\u003c/span>\u003c/p>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 401 - \"Future\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Zelos_Still_04-1.png\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8645 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Zelos_Still_04-e1466012557646-150x150.png\" alt=\"Zelos by Thoranna Sigurdardottir and Andrea Zevallos\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cstrong>Zelos\u003c/strong>\u003c/span>\u003cbr>\n\u003cstrong>American Film Institute\u003cbr>\n\u003c/strong>A mother who strives to \"have it all\" orders a clone to keep her home life in order and outshine her flawless colleague, but soon realizes she purchased an unbeatable rival. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4866&preview=true\">Thoranna Sigurdardottir\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/FarewellExileHighRes.png\" target=\"_blank\" rel=\"attachment wp-att-8798\">\u003cimg class=\"aligncenter wp-image-8894 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/FarewellExileHighRes-150x150.png\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cstrong>Salaam Ghourba (Farewell Exile)\u003c/strong>\u003c/span>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>In an impoverished neighborhood of Casablanca, Morocco, Fatima impatiently awaits news from her husband in exile abroad. Will she be able to secure the immigration papers necessary to travel toward a better future for her and her son? Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4929&preview=true\">Lamia Alami\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 402 - \"America\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/01_TOTAL_FREAK_STILL-1.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8647 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/01_TOTAL_FREAK_STILL-150x150.jpg\" alt=\"Total Freak by Andrew Ellmaker\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cstrong>Total Freak\u003c/strong>\u003c/span>\u003cbr>\n\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>Summer camp takes a dark turn in this '80s-esque comedy about how the pursuit of a first kiss awakens a monster from the deep. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/filmmakers/andrew-ellmaker/\">Andrew Ellmaker\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Rita-3.png\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8774 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Rita-3-1-e1466101940562-150x150.png\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cstrong>Rita Mahtoubian is not a Terrorist\u003c/strong>\u003c/span>\u003cbr>\n\u003cb>American Film Institute\u003cbr>\n\u003c/b>When Iranian-born Rita sets out to change her life from ordinary to extraordinary, she captures the attention of a homeland security agent (\u003ca href=\"http://www.imdb.com/name/nm0297578/\" target=\"_blank\">Patrick Fugit\u003c/a>, \u003cem>Gone Girl\u003c/em>) in this satirical comedy about romance, terrorism and self help. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4861&preview=true\">Roja Gashtili and Julia Lerman\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Still-1-1.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8657 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Still-1-150x150.jpg\" alt=\"Timmy II by Imran J. Kahn\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cstrong>Timmy II\u003c/strong>\u003c/span>\u003cbr>\n\u003cstrong>New York University, Tisch Asia\u003cbr>\n\u003c/strong>One robot learns that fitting in isn’t all it’s cracked up to be when his new human form attracts the wrong kind of attention in post-9/11 America. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/filmmakers/imran-j-khan/\">Imran J. Kahn\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 403 - \"Mean Streets\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Share-27.png\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8777 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Share-27-1-e1466102149447-150x150.png\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Share\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>American Film Institute\u003cbr>\n\u003c/strong>\u003ca href=\"http://www.imdb.com/name/nm3920288/\" target=\"_blank\">Taissa Farmiga\u003c/a> (\u003cem>American Horror Story\u003c/em>) stars as a 15-year-old girl facing her return to school after someone shared an explicit video of her online. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/wp-admin/post.php?post=4835&action=edit\">Pippa Bianco\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Trio-1.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8655 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Trio-e1466013869335-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Hypebeasts\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>Inspired by \u003ca href=\"http://www.imdb.com/name/nm0000490/\" target=\"_blank\">Spike Lee’s\u003c/a> \u003cem>Do the Right Thing\u003c/em> (the director also advised on the film), racial tensions explode between young people waiting in line to buy the hottest new sneakers on the market. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/filmmakers/jess-dela-merced/\">Jessica dela Merced\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 404 - \"Daily Grind\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/SignatureFilmImage_MaxMarcy-1.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8780 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/SignatureFilmImage_MaxMarcy-2-e1466102274285-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Socks & Bonds\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>A sock merchant (\u003ca href=\"http://www.imdb.com/name/nm0802048/\" target=\"_blank\">Stephen Singer\u003c/a>, \u003cem>Obvious Child\u003c/em>) and his girlfriend head out to the Hamptons to sell the next big thing in socks and undergarments only to discover there's a more pressing negotiation at hand. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4857&preview=true\">Daniel Zimbler\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Screen-Shot-2016-05-23-at-9.39.11-AM.jpg\" target=\"_blank\">\u003cimg class=\"wp-image-8804 size-thumbnail alignleft\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/HDLLP_Still4-1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Hopkins & Delaney LLP\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>California Institute of the Arts\u003cbr>\n\u003c/strong>Jack, a recovering alcoholic and divorced father-of-two, has to look after his kids on New Year’s weekend. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/filmmakers/sean-buckelew/%20%E2%80%8E\">Sean Buckelew\u003c/a>.\u003cstrong>\u003cbr>\n\u003c/strong>\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003cimg class=\"alignleft wp-image-8782 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Butterfingers7-1-e1466102387187-150x150.png\" alt=\"\" width=\"150\" height=\"150\">\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Butterfingers\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>Every marriage has its moments, and this wife can’t listen to another word from her husband about work. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/wp-admin/post.php?post=4611&action=edit\">Milan Roganović\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 405 - \"Aspirations\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Bottle_still_01-1.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8648 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Bottle_still_01-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Bottle\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>California Institute of the Arts\u003cbr>\n\u003c/strong>Animated on location at a beach, in the snow and underwater, this stop-motion short details a transoceanic conversation between two characters via objects in a bottle. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4602&preview=true\">Kirsten Lepore\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Screen-Shot-2016-05-23-at-9.39.11-AM.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8652 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Screen-Shot-2016-05-23-at-9.39.11-AM-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Glory Days\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>Jack, a recovering alcoholic and divorced father-of-two, has to look after his kids on New Year’s weekend. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4822&preview=true\">Benjamin Rutkowski\u003c/a>.\u003cstrong>\u003cbr>\n\u003c/strong>\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Lea-1.png\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8738 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Lea_still01-e1466096717670-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Léa\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>A delusional actress with an affinity for burning bridges struggles to connect with the role that could make her career. Directed by Connor Simpson.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 406 - \"Crossed Stars\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/cd_still_7-1.png\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8787 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/cd_still_7-e1466102726891-150x150.png\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>The Life and Death Of Tommy Chaos and Stacey Danger\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>It's love at first sight in the midst of the dinosaur invasion for Tommy and Stacey. Together, they flee for a life of adventure and romance only to discover that even the brightest flames don’t burn forever. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4635&preview=true\">Michael Lukk Litwak\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Googly-Eyes-4-1.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8653 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Googly-Eyes-4-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Googly Eyes\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>University of California, Los Angeles\u003cbr>\n\u003c/strong>Gary’s (\u003ca href=\"https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=0ahUKEwi_7bPcmKvNAhULwWMKHeACAwwQFggeMAA&url=http%3A%2F%2Fwww.imdb.com%2Fname%2Fnm1640173%2F&usg=AFQjCNFgIPwTMFyeTvN6EXce6F-kKu81Xg&sig2=B62NVCmkgYi2nKo2bR5org\" target=\"_blank\">Cooper Barnes\u003c/a>, \u003cem>The Perfect Host\u003c/em>) chronic earache stirs up memories of his childhood and unresolved baggage with his ex-girlfriend. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4828&preview=true\">Simon Savelyev\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003cimg class=\"aligncenter wp-image-9015 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/FoolOfPeople_Social_1200x630-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Fool of People\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>Rhode Island School of Design\u003cbr>\n\u003c/strong>Dance across an old Victorian mansion filled with whimsical animated characters. Directed by Jose Rodriguez.\n\u003cdiv>\u003c/div>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 407 - \"Somebody to Love\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/OhLucy_Still1_KaoriMomoi_cOhLucy-1.jpg\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8661 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/OhLucy_Still1_KaoriMomoi_cOhLucy-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Oh Lucy!\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>\u003ca href=\"http://www.imdb.com/name/nm0597390/\" target=\"_blank\">Kaori Momoi\u003c/a> (\u003cem>Memoirs of a Geisha\u003c/em>) stars as a 55-year-old single office worker in Tokyo with nothing to look forward to but forced retirement and a lonely death. However, when her American English teacher gives her a blonde wig and a new identity, her perspective on life begins to change. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4541&preview=true\">Atsuko Hirayanagi\u003c/a>.\u003cstrong>\u003cbr>\n\u003c/strong>\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/vlcsnap-2016-06-16-09h24m41s373-1-e1466186702510.png\" target=\"_blank\">\u003cimg class=\"aligncenter wp-image-9017 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Tin_Social_1200x630-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Tin\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>University of Southern California\u003cbr>\n\u003c/strong>A man mourns life and lost love in this jazz-age inspired stop-motion animation. Directed by Brandon Lake.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 408 - \"Reality Bites\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/SequinRazeHighRes.png\" target=\"_blank\" rel=\"attachment wp-att-8793\">\u003cimg class=\"alignleft wp-image-8793 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/SEQUIN-RAZE-still-1-e1466103073780-150x150.png\" alt=\"SEQUIN RAZE still\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Sequin Raze\u003cbr>\n\u003c/b>\u003c/span>\u003cstrong>American Film Institute\u003cbr>\n\u003c/strong>\u003ca href=\"http://www.imdb.com/name/nm2319871/\" target=\"_blank\">Anna Camp\u003c/a> (\u003cem>Mad Men\u003c/em>), \u003ca href=\"http://www.imdb.com/name/nm0175814/\" target=\"_blank\">Frances Conroy\u003c/a> (\u003cem>Six Feet Under\u003c/em>), and \u003ca href=\"http://www.imdb.com/name/nm0930053/\" target=\"_blank\">Ashley Williams\u003c/a> (\u003cem>How I Met Your Mother\u003c/em>) star in this behind-the-scenes look at life on a \u003cem>Bachelor\u003c/em>-style reality television program. Adapted into Lifetime’s award-winning television series \u003ca href=\"http://www.mylifetime.com/shows/unreal\" target=\"_blank\">\u003cem>UnREAL\u003c/em>\u003c/a>. Directed by \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/?post_type=filmmakers&p=4729&preview=true\">Sarah Gertrude Shapiro\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/KendallGotARoseHighRes.png\" target=\"_blank\">\u003cimg class=\"alignleft wp-image-8729 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/VimeoScreenshot2-061516-e1466034335209-150x150.png\" alt=\"VimeoScreenshot2-061516\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Kendall Got A Rose\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>University of Southern California\u003cbr>\n\u003c/strong>A couple discusses the latest episode of \u003cem>The Bachelor\u003c/em> as one gets ready for work. Directed by Luke Haskard.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 409 - \"Behind Closed Doors\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/SequinRazeHighRes.png\" target=\"_blank\" rel=\"attachment wp-att-8793\">\u003cimg class=\"aligncenter wp-image-9016 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/BustedOnBrighamLane_Social_1200x630-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Busted on Brigham Lane\u003cbr>\n\u003c/b>\u003c/span>\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>A young girl gets creative as she attempts to get her estranged father to attend her 18\u003csup>th\u003c/sup> birthday celebration. Directed by \u003ca href=\"http://www.imdb.com/name/nm2936752/\">Talibah Newman\u003c/a>.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003cimg class=\"aligncenter wp-image-9020 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/Production_Image_02-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Expiration Date\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>University of Southern California\u003cbr>\n\u003c/strong>Fridge foods come to life to fight a zombie apocalypse. Directed by Sarah Tejeda.\n\u003cpre>\u003c/pre>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ch3 style=\"text-align: left\">\u003cstrong>Episode 410 - \"Our Culture\"\u003c/strong>\u003c/h3>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/FF-PRIMARY-Still-1-1.jpg\" target=\"_blank\" rel=\"attachment wp-att-8789\">\u003cimg class=\"alignleft wp-image-8789 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/FF-PRIMARY-Still-1-e1466102896478-150x150.jpg\" alt=\"FF PRIMARY Still 1\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>Foodfellas\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>University of Southern California\u003cbr>\n\u003c/strong>If the gangsters of \u003ca href=\"http://www.imdb.com/name/nm0000217/\" target=\"_blank\">Martin Scorsese’s\u003c/a> \u003cem>Goodfellas\u003c/em>\u003cstrong>\u003cem> \u003c/em>\u003c/strong>got into the fast food business, \u003cem>Foodfellas\u003c/em> would be the result. Follow one young burger flipper down a spiral of corruption, greed and French fries. 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"content": "\u003cp>\u003cspan style=\"font-size: medium\">\u003cstrong>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/07/KQED-Teach-blog-image.jpg\" rel=\"attachment wp-att-8963\">\u003cimg class=\"size-medium wp-image-8963 alignnone\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/07/KQED-Teach-blog-image-300x150.jpg\" alt=\"KQED Teach-blog-image\" width=\"300\" height=\"150\">\u003c/a>\u003c/strong>\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: medium\">\u003cstrong>KQED’s new, free, online learning platform will focus on improving educator media literacy in a safe, fun and social environment.\u003c/strong>\u003c/span>\u003c/p>\n\u003cp>SAN FRANCISCO, CA — KQED Teach (\u003ca href=\"http://teach.kqed.org\" target=\"_blank\">\u003cb>teach.kqed.org\u003c/b>\u003c/a>), launching Monday, July 11, 2016 will provide a series of free, self-paced courses to help K-12 educators develop the media skills necessary to bring media production and communication to their learning environments. These courses will take place in an online platform developed by KQED Education that tracks user progress and encourages sharing and feedback through an integrated social community.\u003c/p>\n\u003cp>KQED Teach participants will have access to a wide range of social media and digital media tools allowing them to construct and remix media in multiple formats and across a variety of platforms while addressing many writing, reading, speaking and listening skills required by both the Common Core State Standards and Next Generation Science Standards.\u003c/p>\n\u003cp>“Increasingly, educators have demands placed on them to integrate media and media production into their curriculum, but a large percentage of them lack the 21st-century literacy skills necessary to make this transition,” explains KQED’s Vice President, Digital Media and Education, Tim Olson. “KQED Teach will improve educator media literacy and help busy teachers leverage media in their classrooms.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>KQED Education’s Lead Instructional Designer and project lead Randy Depew adds, “We want to give educators the opportunity to roll up their sleeves and start making media themselves, as well as with their students.” KQED Teach will also encourage educators to share their classroom media-making experiences with the KQED Teach community. Select stories will be published on KQED's \u003ci>In the Classroom\u003c/i> blog. Another feature of the platform currently in development will allow educators to earn open badges for achievement.\u003c/p>\n\u003cp>Examples of courses available at launch:\u003c/p>\n\u003cul>\n\u003cli>\u003cb>Media Essentials \u003c/b>reframes traditional media literacy concepts from an audience perspective to a producer perspective.\u003c/li>\n\u003cli>\u003cb>Taking Charge of Social Media \u003c/b>helps educators understand the ins and outs of social media tools and explore their applications for professional learning.\u003c/li>\n\u003cli>\u003cb>Video Storytelling Essentials \u003c/b>helps participants develop the specific knowledge and skills to begin telling great stories with video.\u003c/li>\n\u003c/ul>\n\u003cp>Through consistent, purposeful engagement with the social and digital media tools on KQED Teach, educators and their students can become active digital citizens who can gather, comprehend, evaluate, synthesize and report on information and ideas.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>About KQED\u003c/b>\u003c/p>\n\u003cp>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\u003cp>\u003cb>About KQED Education\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Education is central to the mandate of public media. KQED Education engages with community and educational organizations to broaden and deepen the impact of KQED’s award-winning media. KQED Education addresses the needs of educators in STEM (science, technology, engineering and math), arts and news by creating cutting-edge learning media, providing training in digital learning tools and distributing public media content to classrooms in the Bay Area and beyond via the KQED website, PBS LearningMedia and iTunes U.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>KQED Education’s Lead Instructional Designer and project lead Randy Depew adds, “We want to give educators the opportunity to roll up their sleeves and start making media themselves, as well as with their students.” KQED Teach will also encourage educators to share their classroom media-making experiences with the KQED Teach community. Select stories will be published on KQED's \u003ci>In the Classroom\u003c/i> blog. Another feature of the platform currently in development will allow educators to earn open badges for achievement.\u003c/p>\n\u003cp>Examples of courses available at launch:\u003c/p>\n\u003cul>\n\u003cli>\u003cb>Media Essentials \u003c/b>reframes traditional media literacy concepts from an audience perspective to a producer perspective.\u003c/li>\n\u003cli>\u003cb>Taking Charge of Social Media \u003c/b>helps educators understand the ins and outs of social media tools and explore their applications for professional learning.\u003c/li>\n\u003cli>\u003cb>Video Storytelling Essentials \u003c/b>helps participants develop the specific knowledge and skills to begin telling great stories with video.\u003c/li>\n\u003c/ul>\n\u003cp>Through consistent, purposeful engagement with the social and digital media tools on KQED Teach, educators and their students can become active digital citizens who can gather, comprehend, evaluate, synthesize and report on information and ideas.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>About KQED\u003c/b>\u003c/p>\n\u003cp>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\u003cp>\u003cb>About KQED Education\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Education is central to the mandate of public media. KQED Education engages with community and educational organizations to broaden and deepen the impact of KQED’s award-winning media. KQED Education addresses the needs of educators in STEM (science, technology, engineering and math), arts and news by creating cutting-edge learning media, providing training in digital learning tools and distributing public media content to classrooms in the Bay Area and beyond via the KQED website, PBS LearningMedia and iTunes U.\u003c/p>\n\n\u003c/div>\u003c/p>",
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}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
"meta": {
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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}
},
"city-arts": {
"id": "city-arts",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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},
"hidden-brain": {
"id": "hidden-brain",
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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