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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Supervisor Dean Preston, one of San Francisco’s most progressive politicians, has been pushed out of office, conceding the District 5 race to Bilal Mahmood.\u003c/p>\n\u003cp>The latest count in the ranked choice race from the San Francisco Department of Elections showed Mahmood with more than 5 percentage points ahead of Preston. Preston, a Democratic Socialist who was first elected supervisor in a special election in 2019 and then reelected in 2020, had had a slight lead in first-choice votes.\u003c/p>\n\u003cp>“I’m proud to stand up to the disinformation fueled by some of the wealthiest in our country, and I will continue to push back against the right-wing pressure groups that backed my opponents and spent seemingly unlimited funds in our district and throughout the city,” Preston wrote in his Sunday \u003ca href=\"https://www.instagram.com/p/DCNsEWuRCiu/?utm_source=ig_embed&ig_rid=794853f8-29a5-486a-9e19-bd407c6fa420\">concession message on Instagram\u003c/a>. “This city has been a beacon of hope for people, the bastion for progressive change, and we will continue to carry that torch.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Big-money donors have played a big role in funding Preston’s opponents. Grow SF’s PAC raised nearly $300,000, which went into the “Dump Dean” campaign. It created a website listing 31 reasons to oppose Preston and commissioned billboards around the district blasting his housing record, saying he\u003ca href=\"https://www.kqed.org/news/11992055/san-francisco-supervisor-defends-housing-record-calling-lawsuit-a-publicity-stunt\"> blocks development\u003c/a> — although Preston has\u003ca href=\"https://www.kqed.org/news/11997837/yimby-lawsuit-over-sf-supervisor-dean-prestons-housing-record-is-thrown-out\"> staunchly defended\u003c/a> his pro-housing platform.\u003c/p>\n\u003cp>Some of the billboards expressed support for Mahmood, a tech entrepreneur who worked as a policy analyst in the Obama administration and is the director of climate action nonprofit, Electric Action. \u003cspan style=\"margin: 0px;padding: 0px\">Former \u003ca href=\"https://www.kqed.org/news/tag/london-breed\" target=\"_blank\" rel=\"noopener\">San Francisco Mayor London Breed\u003c/a> and \u003ca href=\"https://www.kqed.org/news/12013408/east-bay-to-congress-lateefah-simon-ready-fight-like-hell\" target=\"_blank\" rel=\"noopener\">U.S. Rep.-elect Lateefah Simon endorsed him\u003c/a>\u003c/span>.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>In a Monday interview with KQED, Mahmood said he was excited to serve District 5, which encompasses the Tenderloin, Western Addition, Fillmore and Hayes Valley.\u003c/p>\n\u003cp>“We campaigned on a message and a platform of leadership that not just says it’s progressive, but delivers results and progressive values,” he said.\u003c/p>\n\u003cp>Mahmood, who was supported by both the carpenters and building trades unions, said that in his first 100 days in office, he’ll be focused on streamlining housing development. He has suggested parallel permitting, which allows developers to pursue multiple permits at the same time instead of successively.\u003c/p>\n\u003cp>This is similar to a policy in San José that Mahmood said could cut down the average time it takes for permit approvals, which was about 450 days in 2022, according to a \u003ca href=\"https://www.sfchronicle.com/sf/article/housing-permits-san-francisco-17652633.php\">\u003cem>San Francisco Chronicle\u003c/em> investigation\u003c/a>.\u003c/p>\n\u003cp>As Trump returns to the White House with his eyes almost certainly \u003ca href=\"https://www.kqed.org/news/12013535/california-and-the-bay-area-took-on-trump-before-theyre-ready-to-do-it-again\">set on San Francisco\u003c/a> and California, Mahmood will be one of the relatively inexperienced legislators leading the city. Both he and \u003ca href=\"https://www.kqed.org/news/12013667/daniel-lurie-san-franciscos-next-mayor-what-will-that-look-like\">Mayor-elect Daniel Lurie\u003c/a> have never held office, and many veteran supervisors, like Aaron Peskin, Hillary Ronen and Preston, will no longer sit on the Board of Supervisors.\u003c/p>\n\u003cp>Mahmood has high hopes for the new leadership.\u003c/p>\n\u003cp>“The onus of responsibility will be on the new Board of Supervisors and the new mayor to show leadership,” he told KQED. “I think we have an opportunity now to present a new phase of pragmatic progressivism where we live up to our progressive values, where we ensure our neighbors are housed and our streets are safe and clean, but actually address those solutions.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop\u003c/a> is a weekly radio series hosted by the KQED weekend news team. In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>This week’s episode of Sunday Music Drop is about a band that came about following a discussion on … the universe.\u003c/p>\n\u003cp>“On a fateful day, we played a show together, and then a few months later, [fellow band member Rob Nicol] was at Hardly Strictly Bluegrass on a blanket, and we sat down for like a good couple hours together and talked about the nature of reality in the universe,” says Austin Wasielewski, vocalist, guitarist, keyboard and synth player for Analog Dog. “Then we found our other mates and the five years have gone by, like, in the blink of an eye.”\u003c/p>\n\u003cp>In that blink of the eye, Analog Dog has become a project that Wasielewski says embraces “magical thinking” in a way that enables them to “break beyond those boundaries and see the depth of our connection to each other and the depth of our connection to the earth.”\u003c/p>\n\u003cp>“So I think that we strive to awaken that magic within people so that we can kind of exist in a more community space and in a more magical space,” Wasielewski says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Analog Dog is a San Francisco band inspired by the Bay Area, which Nicol considers a “hotbed of ideas and cultural growth” — and yet, none of the band members are from the Bay Area.\u003c/p>\n\u003cp>“We hail almost like, distinctly from every corner of the country except for California and the West Coast,” Nicol says. “And so we all ended up here, and I think what brought us all out here is ideas.\u003c/p>\n\u003cp>“If you look at like the Grateful Dead and you look at California in general and all the artists that have come out from the West, I think that there’s just a there’s a pull and their gravity that brought us all here that I don’t think is in any way coincidence.”\u003c/p>\n\u003cp>So, what does Analog Dog sound like?\u003c/p>\n\u003cp>“… Its music is essentially genre fluid … encompassed in rock and roll roots, indie vibes, disco-dance passion, some improvisation and jam philosophy, with a little bit of jazz sprinkled on top.”\u003c/p>\n\u003cp>Their song “Disco Dani, Part One” is not just any song for them, it’s the one they close almost every show with, because “by then, everybody’s warmed up and it just hits in such a simple, fun way.”\u003c/p>\n\u003cp>“People lose it because we lose it because we know no matter where we’re at in the set, no matter how the set went, we just have this closer that everybody’s going to lose their pants … you wouldn’t believe the pants!”\u003c/p>\n\u003cp>There’s a song called Patience by Tame Impala. And I was super into it, and I was like, let’s write one like this and our keyboardist Jason. He kind of had a lick based on that, and we worked through that.\u003c/p>\n\u003cp>We also felt that if it was just part one — that’s been done a million times — It’s a great song, but it’s still just like a pop song. And so [we made] part two [which] has these… just like we got into three different keys and there’s time changes and it just goes crazy!\u003c/p>\n\u003cp>Rob Nicol describes the “flux” that underlies the song.\u003c/p>\n\u003cp>“[On the one hand, it’s a] kind of pop and really palatable, easy-to-digest music. And then this other hand in a more complex, challenging musical landscape that we’re both inspired by. And so it’s finding that right balance that people can connect with, but also that will keep things, keep people, keep people coming back to find something new.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.analogdogband.com/\">Analog Dog\u003c/a> also includes Celia Ford on bass and vocals; Jason Blasingame on keyboard, synth and saxophone; and Kale Frank on drums. They will perform live at \u003ca href=\"https://www.jamcellarsballroom.com/tm-attraction/analog-dog/\">JaM Cellars Ballroom in Napa on Oct. 18\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>San Francisco-based band Starfish Prime has been influenced 100% by the city they’re from, says band member Joey Goodman, who has a background in jazz and an affinity for beatnik literature and “old hippie” writers. Half the band has Grateful Dead roots, while the other half, he says, has roots in jazz.\u003c/p>\n\u003cp>“I think if you move somewhere and you appreciate the beauty and the history of its music scene, then I think it’s almost inevitable that your sound will reflect its history somehow,” he says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The opening lyrics of their song “62nd Street” have fog and buses, both of which are quintessentially San Francisco. They recorded the song live, Goodman says because they “like doing things by the seat of their pants.” And the meaning of “62nd Street”?\u003c/p>\n\u003cp>“I don’t know if this is fun to reveal or not, but the title of 62nd Street is a pun on 60 seconds, the amount of time … the fact that one place can, in a short amount of time, change meanings so severely. … You can pass someplace and, in different times of your life, think about it so fondly or so regretfully, even though it’s the same place.”\u003c/p>\n\u003cp>But Goodman doesn’t want the listener to focus too much on that. He believes listeners can bring whatever meaning they have to it.\u003c/p>\n\u003cp>Starfish Prime are guitarist and lead vocals Joey Goodman, Nathan Kruse on keyboards, Ben Stolz on drums and Alex Wolfert on bass. Goodman and Kruse met as students at UC Santa Barbara, both of them jazz musicians who started jamming together. They eventually met drummer Stolz and through friends Wolfert. Goodman says they all get along great and that there’s no “\u003cspan style=\"font-weight: 400\">battling at all of personalities,” which comes through in the recording of “62nd Street.”\u003c/span>\u003c/p>\n\u003cp>“I think you can tell that we play well together. … Once the band knows the vibe of the melody and the words, we really just stay out of each other’s way, and we appreciate the idiosyncrasies each player has.”\u003c/p>\n\u003cp>You can see Starfish Prime perform live at Green Apple Books (9th Avenue location) in San Francisco on Aug. 24 at 5:30 p.m.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The opening lyrics of their song “62nd Street” have fog and buses, both of which are quintessentially San Francisco. They recorded the song live, Goodman says because they “like doing things by the seat of their pants.” And the meaning of “62nd Street”?\u003c/p>\n\u003cp>“I don’t know if this is fun to reveal or not, but the title of 62nd Street is a pun on 60 seconds, the amount of time … the fact that one place can, in a short amount of time, change meanings so severely. … You can pass someplace and, in different times of your life, think about it so fondly or so regretfully, even though it’s the same place.”\u003c/p>\n\u003cp>But Goodman doesn’t want the listener to focus too much on that. He believes listeners can bring whatever meaning they have to it.\u003c/p>\n\u003cp>Starfish Prime are guitarist and lead vocals Joey Goodman, Nathan Kruse on keyboards, Ben Stolz on drums and Alex Wolfert on bass. Goodman and Kruse met as students at UC Santa Barbara, both of them jazz musicians who started jamming together. They eventually met drummer Stolz and through friends Wolfert. Goodman says they all get along great and that there’s no “\u003cspan style=\"font-weight: 400\">battling at all of personalities,” which comes through in the recording of “62nd Street.”\u003c/span>\u003c/p>\n\u003cp>“I think you can tell that we play well together. … Once the band knows the vibe of the melody and the words, we really just stay out of each other’s way, and we appreciate the idiosyncrasies each player has.”\u003c/p>\n\u003cp>You can see Starfish Prime perform live at Green Apple Books (9th Avenue location) in San Francisco on Aug. 24 at 5:30 p.m.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>West Oakland-based multidisciplinary artist, student and experimental saxophonist Zekarias Musele Thompson is, in their own words, “concerned with humanity’s conceptual and emotional organizational structures and how we bring them into material form.” This, almost by definition, demands a multifaceted approach, one that spans sound, image, performance and facilitation, involving photography, writing, sonic composition and collaborative performances. Thompson covers it all and seeks to bring about a sense of “deep, empathic listening.”\u003c/p>\n\u003cp>Thompson has presented their work in exhibitions and concerts across the Bay Area and in Iceland, having collaborated with dozens of artists. They are a cofounder of Working Name Studios, “a collectively owned and organized arts institution with the mission of building institutional stability and equity for underrepresented creative practices, ideas, and people.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This week, we bring you Thompson’s “A New Bootymix Redux,” which inspired their upcoming \u003ca href=\"https://www.moadsf.org/programs-residencies-awards/emerging-artists-2024-2025\">solo exhibition and group of compositions \u003c/a>titled \u003cem>The Meeting Place\u003c/em>: photographic landscapes embellished with oil paint, accompanied by eight musical compositions playing continuously as group participation is enhanced through sculptures that double as seating, creating an experience that intervenes with “entrenched ideas about the nature and interpretation of the art object, its authorship, and its viewership.”\u003c/p>\n\u003cp>Of “A New Bootymix Redux,” Thompson says, “I was thinking about the ways that the sounds of the breath that is going through the saxophone can interact with these analog synth electrical signals that are also doing something in ways that are similar but very different …”\u003c/p>\n\u003cp>You can experience Thompson’s work from July 24 to Sept. 1 at MoAD — Museum of the African Diaspora, located at 685 Mission St. and Third Street in San Francisco, on the ground floor of the St. Regis.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Isaac Butler Brown and Noah Pawl Silverman St. John are childhood friends. Over family dinners and long conversations, Brown says they formed a friendship that give him an “original sense of what friendship as therapy should look like.”\u003c/p>\n\u003cp>They also feel safe taking risks together — so they started a band. Brown and his friend Griffin Camm were at a wedding when they saw their friend and drummer John Spencer playing with his punk band, having returned to the Bay Area from New York.\u003c/p>\n\u003cp>“He’s killer at drums and I thought we should just make a pop punk band,” said Brown. “Noah and I had been freestyling and doing a lot of, you know, one off musical things and many, many shared moments of musical creativity … and this just immediately mades sense.”\u003c/p>\n\u003cp>A couple of months later, they brought in their friend Ben Klausner on second guitar, and the pop punk band Adventure Playground was born. The sound is what St. John describes as a “duality of punchiness and loudness on one side, and on the other side … shiny and sweet.” Brown adds that their music has “huge amounts of power and sweatiness. It smells kind of funky, but also it’s like, you take a little taste of it and it’s like, ooh, so sweet, you know?’”\u003c/p>\n\u003cp>Their song “Hands on Me to Heal” comes from a tough time in songwriter St. John’s life. It was a time when, living in his childhood room — which he described as “the most chaotic possible depression room in the entire world” — he would drink coffee, play guitar and write in his journal.\u003c/p>\n\u003cp>“It was one of those mornings this … burst of lyrics came out. I was really inspired by the Modern Lovers and Jonathan Richman’s vocal performance, which is sort of not exactly what the song ended up being in reference to … but, that’s what it originally was heavily inspired by.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>St. John says the song is about a time when he was away at college and had a mental health crisis. He had to leave campus and return home. It was an abruptly separated him from the people he loved there.\u003c/p>\n\u003cp>“The simplest thing I’m articulating is ‘I miss you,’” says St. John. “So the song is just really about [me] calling to tell you that I still absolutely love you for real, for real, and when you get back into town, if you could perhaps maybe put your ‘hands on me to heal’.”\u003c/p>\n\u003cp>“We’ve got plenty of love songs for you romantics out there,” adds Brown. “Just not this one.”\u003c/p>\n\u003cp>The Bay Area has been a big part of shaping the sound and style of the band. St. John cites as inspirations venues, organizations and people like \u003ca href=\"https://youthspeaks.org/\">Youth Speaks\u003c/a>, \u003ca href=\"https://calshakes.org/\">Cal Shakes\u003c/a>, and “various teachers at Berkeley High, or King Middle School, or Malcolm X Elementary School.”\u003c/p>\n\u003cp>“We’re in a place that I think celebrates art more than some places do,” says St. John.\u003c/p>\n\u003cp>“I had never been in a band before,” says St. John, who says wasn’t looking for any “formalized artistic thing” but needed an outlet. “So I was really thrilled because everybody wants to be in a band before they die.”\u003c/p>\n\u003cp>St. John and Brown say their creative process involves a lot of freestyling and improvisation, and that often songs come from sessions where they all jam together until a song begins to take shape. And the result?\u003c/p>\n\u003cp>“Like just a sense of embodied catharsis,” says Brown. Of the audience, he says: “I want them to feel it washing over them. Like they should feel cleansed by the end of the song. And sweaty. You could go to Archimedes Banya for 60 whatever dollars for three hours, or you could just put this song on. Your choice.”\u003c/p>\n\u003cp>Oakland-based Adventure Playground are singer Noah Pawl Silverman St. John, producer and guitar player Issac Butler Brown, drummer John Spencer, bass guitarist Griffin Camm, and guitarist Ben Klausner.\u003c/p>\n\u003cp>Adventure Playground will be \u003ca href=\"https://wl.seetickets.us/event/adventure-playground-planetmercury-furious-tits/580945?afflky=HotelUtahSaloon\">performing at the Hotel Utah Saloon\u003c/a> in San Francisco on February 23.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>St. John says the song is about a time when he was away at college and had a mental health crisis. He had to leave campus and return home. It was an abruptly separated him from the people he loved there.\u003c/p>\n\u003cp>“The simplest thing I’m articulating is ‘I miss you,’” says St. John. “So the song is just really about [me] calling to tell you that I still absolutely love you for real, for real, and when you get back into town, if you could perhaps maybe put your ‘hands on me to heal’.”\u003c/p>\n\u003cp>“We’ve got plenty of love songs for you romantics out there,” adds Brown. “Just not this one.”\u003c/p>\n\u003cp>The Bay Area has been a big part of shaping the sound and style of the band. St. John cites as inspirations venues, organizations and people like \u003ca href=\"https://youthspeaks.org/\">Youth Speaks\u003c/a>, \u003ca href=\"https://calshakes.org/\">Cal Shakes\u003c/a>, and “various teachers at Berkeley High, or King Middle School, or Malcolm X Elementary School.”\u003c/p>\n\u003cp>“We’re in a place that I think celebrates art more than some places do,” says St. John.\u003c/p>\n\u003cp>“I had never been in a band before,” says St. John, who says wasn’t looking for any “formalized artistic thing” but needed an outlet. “So I was really thrilled because everybody wants to be in a band before they die.”\u003c/p>\n\u003cp>St. John and Brown say their creative process involves a lot of freestyling and improvisation, and that often songs come from sessions where they all jam together until a song begins to take shape. And the result?\u003c/p>\n\u003cp>“Like just a sense of embodied catharsis,” says Brown. Of the audience, he says: “I want them to feel it washing over them. Like they should feel cleansed by the end of the song. And sweaty. You could go to Archimedes Banya for 60 whatever dollars for three hours, or you could just put this song on. Your choice.”\u003c/p>\n\u003cp>Oakland-based Adventure Playground are singer Noah Pawl Silverman St. John, producer and guitar player Issac Butler Brown, drummer John Spencer, bass guitarist Griffin Camm, and guitarist Ben Klausner.\u003c/p>\n\u003cp>Adventure Playground will be \u003ca href=\"https://wl.seetickets.us/event/adventure-playground-planetmercury-furious-tits/580945?afflky=HotelUtahSaloon\">performing at the Hotel Utah Saloon\u003c/a> in San Francisco on February 23.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>“\u003cspan style=\"font-weight: 400\">We’re all losing probably collectively gallons of sweat on stage — I mean, everybody’s shirt is soaked wet at the end of the show.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That’s how Marco Peris Coppola, the Italian-born San Franciscan percussionist and creative strategist of Balkan brass band Inspector Gadje describes one of their stage performances. \u003c/span>\u003c/p>\n\u003cp>With 14 band members, Inspector Gadje is a frenzied force of nature that Coppola describes as participatory and celebratory, inspired by Balkan weddings and funerals. But it’s also a very demanding style of music. He says it’s not just the kind of music that makes you jump up and dance, it’s like a “therapy session,” and a way of “liberating emotions.”\u003c/p>\n\u003cp>“\u003cspan style=\"font-weight: 400\">This is not just for my band … anytime you go and listen to this style of music, I see people walking in with a certain face, and I see them walking out with a smile,” he says.\u003c/span>\u003c/p>\n\u003cp>Their song “Gangam” is no exception.\u003c/p>\n\u003cp>“It’s … a very high energy, hard-to-sit-still-through kind of music,” says Coppola. “It’s embedded in the Hijaz scale [that] is used not only in the Balkans, but also in Turkey and some parts of Middle East. But really, it’s embedded in solos as well. Sometimes it feels like the song is an excuse to get to the solo where the improvisation happens and where people get a chance to show themselves.”\u003c/p>\n\u003cp>Growing up in Italy, Coppola played drums with a protest band. When he moved to San Francisco he joined the \u003cspan style=\"font-weight: 400\">Brass Liberation Orchestra, a band that plays at progressive demonstrations around the Bay Area. An association called Voice of Roma, a cultural nonprofit that promotes Roma music and works to dismantle stereotypes about Roma people, invited him and the other band members to do a six-month course with a master teacher of Roma music. That’s where Coppola learned to play a Balkan drum called the “tapan,” or “davul.” \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“\u003cspan style=\"font-weight: 400\">After I got like an initial grip on the style, I was hooked — it was like a drug,” Coppola explains. He and four other students from the course founded Inspector Gadje.\u003c/span>\u003c/p>\n\u003cp>They’ve now been playing Balkan music in the Bay Area for the last 11 years. He says their music has evolved over that time and that while they knew they could never play Balkan music like they do in the Balkans, he says they created their own American, Bay Area style that they have been playing at biannual Balkan parties since 2013.\u003c/p>\n\u003cp>“It kind of became almost like a ritual for this community here in San Francisco and the greater Bay Area to meet twice a year,” he says about their parties. “When I do the programming, I always try to have a different or new element per show so that there’s always a change in the color and the feeling of the evening.”\u003c/p>\n\u003cp>Another huge influence in the band has been Coppola’s fellow band member Ismail Lumanovski, who lives in New York but whom Coppola says they try to fly out to San Francisco at least once a year to perform and play with Inspector Gadje. Lumanovski started out as a prodigy in the Roma community, which, Coppola adds, is no mean feat.\u003c/p>\n\u003cp>“Ismail stood out and somebody saw him and give him a scholarship to come and do a senior high school summer program here,” says Coppola of Lumanovski, whom he says is now known throughout the Balkans and Turkey. “Then Juilliard landed their eyes on him and gave him a full-ride scholarship. … He became the first clarinetist at Juilliard. So now his career is very interesting, because he will play featured solos on various symphonies and orchestras around the world, and then he has his own project called New York Gypsy All-Stars, which is sort of like jazz, for lack of a better word.”\u003c/p>\n\u003cp>Ultimately, the Bay Area has also been a huge influence in the music they make.\u003c/p>\n\u003cp>“Coming to the Bay and seeing how all these different cultural backgrounds interact with each other, I feel like that energy and that combination of people leads us to new spots in the music that maybe have not been tried because we haven’t had this particular mix of personnel in the same room practicing together,” he says. “The level of focus has to be there. But we always try to goof off and have a great time on stage either way. And, yeah, a lot of times I have a hard time falling asleep after.”\u003c/p>\n\u003cp>The band’s members include Danny Cao, Noah Levitt, Will Magid, Shane Cox, Ismail Lumanovski, Morgan Nilsen, Mike Perlmutter, Greg Jenkins, Ofir Uziel, Paul Marini, Joshua Sirotiak, Jeff Giaquinto, Greg Stevens, Greg Michalec, and Andrew Cohen.\u003c/p>\n\u003cp>You can hear Inspector Gadje live, performing at the \u003ca href=\"https://rickshawstop.com/seetickets-event/kafana-balkan-with-ismail-lumanovsky-and-inspector-gadje/\">Kafana Balkan Party at Rickshaw Stop\u003c/a>, 155 Fell St. and Van Ness Avenue in San Francisco, on Feb. 3.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“\u003cspan style=\"font-weight: 400\">After I got like an initial grip on the style, I was hooked — it was like a drug,” Coppola explains. He and four other students from the course founded Inspector Gadje.\u003c/span>\u003c/p>\n\u003cp>They’ve now been playing Balkan music in the Bay Area for the last 11 years. He says their music has evolved over that time and that while they knew they could never play Balkan music like they do in the Balkans, he says they created their own American, Bay Area style that they have been playing at biannual Balkan parties since 2013.\u003c/p>\n\u003cp>“It kind of became almost like a ritual for this community here in San Francisco and the greater Bay Area to meet twice a year,” he says about their parties. “When I do the programming, I always try to have a different or new element per show so that there’s always a change in the color and the feeling of the evening.”\u003c/p>\n\u003cp>Another huge influence in the band has been Coppola’s fellow band member Ismail Lumanovski, who lives in New York but whom Coppola says they try to fly out to San Francisco at least once a year to perform and play with Inspector Gadje. Lumanovski started out as a prodigy in the Roma community, which, Coppola adds, is no mean feat.\u003c/p>\n\u003cp>“Ismail stood out and somebody saw him and give him a scholarship to come and do a senior high school summer program here,” says Coppola of Lumanovski, whom he says is now known throughout the Balkans and Turkey. “Then Juilliard landed their eyes on him and gave him a full-ride scholarship. … He became the first clarinetist at Juilliard. So now his career is very interesting, because he will play featured solos on various symphonies and orchestras around the world, and then he has his own project called New York Gypsy All-Stars, which is sort of like jazz, for lack of a better word.”\u003c/p>\n\u003cp>Ultimately, the Bay Area has also been a huge influence in the music they make.\u003c/p>\n\u003cp>“Coming to the Bay and seeing how all these different cultural backgrounds interact with each other, I feel like that energy and that combination of people leads us to new spots in the music that maybe have not been tried because we haven’t had this particular mix of personnel in the same room practicing together,” he says. “The level of focus has to be there. But we always try to goof off and have a great time on stage either way. And, yeah, a lot of times I have a hard time falling asleep after.”\u003c/p>\n\u003cp>The band’s members include Danny Cao, Noah Levitt, Will Magid, Shane Cox, Ismail Lumanovski, Morgan Nilsen, Mike Perlmutter, Greg Jenkins, Ofir Uziel, Paul Marini, Joshua Sirotiak, Jeff Giaquinto, Greg Stevens, Greg Michalec, and Andrew Cohen.\u003c/p>\n\u003cp>You can hear Inspector Gadje live, performing at the \u003ca href=\"https://rickshawstop.com/seetickets-event/kafana-balkan-with-ismail-lumanovsky-and-inspector-gadje/\">Kafana Balkan Party at Rickshaw Stop\u003c/a>, 155 Fell St. and Van Ness Avenue in San Francisco, on Feb. 3.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Scarlett Levinson and Fauxes bandmates Nick Bielak, Daniel Loor, and Dan March have been playing music together since 2019. The friends met at UC Berkeley in the co-op housing, and sang in choir together.\u003c/p>\n\u003cp>After that, Levinson said, they “went on this kind of garage rock, shoegazy, psychedelic path,” inspired by the San Francisco and Bay Area underground music scene.\u003c/p>\n\u003cp>As for their song “Peaches,” she said, that was inspired by … a crush.\u003c/p>\n\u003cp>“I wrote it because I was annoyed at somebody who I thought was mean to me, who I had a crush on,” said Levinson.\u003c/p>\n\u003cp>The original instrumentation, Levinson explained, was surfy and grungy until, in rehearsal, they experimented with “shoegaze tones” looping in parts that gave it a more ethereal sound that also shows sassiness.\u003c/p>\n\u003cp>“It’s kind of got like a bite to it — it’s masochistic,” said Levinson, who added that Fauxes aims to be big and flamboyant. “It really shows the evolution of our sound as a band. … A big goal of ours is creating sounds that are big and kind of overtake whatever you’re doing. Really incredible art … like, commands attention.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Levinson was a student at Ruth Asawa San Francisco School of the Arts (SOTA), where she said she didn’t enjoy the “rigidity of classical music.” But it was the Berkeley DIY scene, she said, that changed everything.\u003c/p>\n\u003cp>“There were some really cool bands doing some crazy experimental stuff … and I thought that that was so liberating, so cool. That gave me the courage to kind of be involved in the music scene in general,” she explained. “Go to a DIY show. You will see some of the best music you’ve ever seen and meet some really cool people. It’s a very inspirational community of musicians.”\u003c/p>\n\u003cp>Fauxes’ Nick Bielak said a big part of his musical journey was inspired by the city he grew up in — a city that he says is now very hard to live in and that artists are being priced out of.\u003c/p>\n\u003cp>“Whenever you hear about all these great San Francisco bands, when you hear about Jefferson Airplane, you hear about The Grateful Dead, you hear about Brian Jonestown Massacre, Ty Segall … it’s really cool to know that a lot of these artists that I idolize or listen to … were here, and I knew that I wanted to contribute to that scene as well,” said Bielak.\u003c/p>\n\u003cp>“Peaches” also features Jakob Karstens on the keys. Fauxes will be performing at The Rickshaw Stop in San Francisco on Wednesday, Dec. 20 at 8 p.m. Follow Fauxes on instagram @fauxesband and listen to their music on \u003ca href=\"https://fauxes.bandcamp.com/\">Bandcamp\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n",
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"title": "Alameda County DA's Office Wants Your Help Investigating Schnitzer Steel Fire",
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"content": "\u003cp>\u003cem>Updated 6:30 p.m. Tuesday\u003c/em>\u003c/p>\n\u003cp>The Alameda County District Attorney’s Office announced Monday they are investigating the fire at Schnitzer Steel metal recycling facility near the Port of Oakland that sent plumes of stinky smoke across a large swath of the East Bay on August 9.\u003c/p>\n\u003cp>The District Attorney’s office announced the investigation on X, formerly known as Twitter, by asking the public for leads.\u003c/p>\n\u003cp>“We call on any community members who may possess evidence or leads regarding the fire, contact us. 510-383-8600, or email askcjb-DA@acgov.org,” they said.\u003c/p>\n\u003cp>https://twitter.com/AlamedaCountyDA/status/1693763671795843394\u003c/p>\n\u003cp>“It was very overdue,” said Margaret Gordon, co-director of the \u003ca href=\"https://woeip.org/\">West Oakland Environmental Indicators Project\u003c/a>. “We should have a joint effort of all these agencies at the table.” She’d like to see more due diligence, and more transparency in an effort to end harms against residents of West Oakland.\u003c/p>\n\u003cp>Gordon also spoke at a meeting on Saturday with over 50 people, including local residents, environmental groups, and Assemblymember Mia Bonta. The meeting at \u003ca href=\"https://www.oakhella.com/blog/2018/10/20/n49ng0yjhin8puy7z7aoo48cnhb0cp\">Bottoms Up Community Garden\u003c/a> in Oakland brought together locals to discuss air quality concerns in the aftermath of the Schnitzer Steel recycling yard fire.[pullquote size=\"medium\" align=\"right\" citation=\"Pam White, Oakland resident\"]‘They say they’re doing everything they can and there’s still these toxic fires that happen year after year after year.’[/pullquote]“If they can’t clean up, they need to go,” Gordon said. Many in attendance want to see Schnitzer Steel take responsibility, or leave.\u003c/p>\n\u003cp>“I know that people are here to be solution-oriented, but also to make sure that people are accountable, and one of those entities that need to be accountable, I believe, is the state,” said Bonta, who represents the 18th Assembly District that includes Oakland, Alameda and Emeryville. “My job is to make sure that those solutions turn into actions that can lead to accountability when the state is involved.”\u003c/p>\n\u003cp>The fire at Schnitzer Steel — which was \u003ca href=\"https://www.radiusrecycling.com/company/investors/news-release-details/22391\">recently rebranded as Radius Recycling\u003c/a> — broke out on Aug. 9 in a large scrap metal pile that sent thick black plumes with aluminum, tin, steel and iron particles and other toxic air contaminants across the East Bay, as far as Milpitas in the south, before spreading north all the way to Martinez. The blaze lasted four hours and involved more than 20 firefighters, three fire engines and two fireboats, including crews from Oakland, San Francisco and Alameda. But those most immediately affected were West Oakland residents and communities who live in close proximity to the plant.\u003c/p>\n\u003cp>“[They say] they’re doing everything they can and there’s still these toxic fires that happen year after year after year,” said Oakland resident Pam White, who is a member of the climate justice group \u003ca href=\"https://www.1000grandmothers.com/\">1000 Grandmothers for Future Generations\u003c/a>. “That raises questions about whether they should, in fact, be in a residential neighborhood.”[aside tag=\"pollution, schnitzer-steel\" label=\"More Related Stories\"]“Allowing an organized industrial company like that, performing the sort of industrial activities that they have this close and up front to a residential area is completely inappropriate,” said another West Oakland resident, Philip Patrick. “And the fact that our state leaders, federal leaders have allowed something like this to take place is really a travesty.”\u003c/p>\n\u003cp>Oakland Fire Department spokesperson Mike Hunt said in a statement to KQED late last week that there was as yet no official cause for the fire, although he added “historically, these fires are typically caused by lithium ion batteries that get damaged while in the piles.”\u003c/p>\n\u003cp>During the Q&A section of Saturday’s meeting, residents asked what is being done to prevent toxic fires. Representatives from Schnitzer Steel said they inspect every load that comes onto the site. They also said an investigation is underway to learn from the most recent fire. “We are looking to enclose the rest of our shredder,” said Tasion Kwamilele, Public Affairs manager for Schnitzer Steel.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In a statement to KQED on Tuesday, Eric Potashner, chief public affairs and communications officer of Radius Recycling, said: “\u003c/span>\u003cspan style=\"font-weight: 400\">The Company has fully cooperated and will continue to cooperate with the investigation conducted by the Alameda County District Attorney’s Office regarding the fire on August 9th, in which no injuries were reported. We are grateful for the prompt response of the Oakland Fire Department and other first responders, who swiftly arrived at our recycling facility and brought the situation to a safe conclusion.”\u003c/span>\u003c/p>\n\u003cp>\u003cem>KQED’s Billy Cruz contributed to this report.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>“It was very overdue,” said Margaret Gordon, co-director of the \u003ca href=\"https://woeip.org/\">West Oakland Environmental Indicators Project\u003c/a>. “We should have a joint effort of all these agencies at the table.” She’d like to see more due diligence, and more transparency in an effort to end harms against residents of West Oakland.\u003c/p>\n\u003cp>Gordon also spoke at a meeting on Saturday with over 50 people, including local residents, environmental groups, and Assemblymember Mia Bonta. The meeting at \u003ca href=\"https://www.oakhella.com/blog/2018/10/20/n49ng0yjhin8puy7z7aoo48cnhb0cp\">Bottoms Up Community Garden\u003c/a> in Oakland brought together locals to discuss air quality concerns in the aftermath of the Schnitzer Steel recycling yard fire.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“If they can’t clean up, they need to go,” Gordon said. Many in attendance want to see Schnitzer Steel take responsibility, or leave.\u003c/p>\n\u003cp>“I know that people are here to be solution-oriented, but also to make sure that people are accountable, and one of those entities that need to be accountable, I believe, is the state,” said Bonta, who represents the 18th Assembly District that includes Oakland, Alameda and Emeryville. “My job is to make sure that those solutions turn into actions that can lead to accountability when the state is involved.”\u003c/p>\n\u003cp>The fire at Schnitzer Steel — which was \u003ca href=\"https://www.radiusrecycling.com/company/investors/news-release-details/22391\">recently rebranded as Radius Recycling\u003c/a> — broke out on Aug. 9 in a large scrap metal pile that sent thick black plumes with aluminum, tin, steel and iron particles and other toxic air contaminants across the East Bay, as far as Milpitas in the south, before spreading north all the way to Martinez. The blaze lasted four hours and involved more than 20 firefighters, three fire engines and two fireboats, including crews from Oakland, San Francisco and Alameda. But those most immediately affected were West Oakland residents and communities who live in close proximity to the plant.\u003c/p>\n\u003cp>“[They say] they’re doing everything they can and there’s still these toxic fires that happen year after year after year,” said Oakland resident Pam White, who is a member of the climate justice group \u003ca href=\"https://www.1000grandmothers.com/\">1000 Grandmothers for Future Generations\u003c/a>. “That raises questions about whether they should, in fact, be in a residential neighborhood.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“Allowing an organized industrial company like that, performing the sort of industrial activities that they have this close and up front to a residential area is completely inappropriate,” said another West Oakland resident, Philip Patrick. “And the fact that our state leaders, federal leaders have allowed something like this to take place is really a travesty.”\u003c/p>\n\u003cp>Oakland Fire Department spokesperson Mike Hunt said in a statement to KQED late last week that there was as yet no official cause for the fire, although he added “historically, these fires are typically caused by lithium ion batteries that get damaged while in the piles.”\u003c/p>\n\u003cp>During the Q&A section of Saturday’s meeting, residents asked what is being done to prevent toxic fires. Representatives from Schnitzer Steel said they inspect every load that comes onto the site. They also said an investigation is underway to learn from the most recent fire. “We are looking to enclose the rest of our shredder,” said Tasion Kwamilele, Public Affairs manager for Schnitzer Steel.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In a statement to KQED on Tuesday, Eric Potashner, chief public affairs and communications officer of Radius Recycling, said: “\u003c/span>\u003cspan style=\"font-weight: 400\">The Company has fully cooperated and will continue to cooperate with the investigation conducted by the Alameda County District Attorney’s Office regarding the fire on August 9th, in which no injuries were reported. We are grateful for the prompt response of the Oakland Fire Department and other first responders, who swiftly arrived at our recycling facility and brought the situation to a safe conclusion.”\u003c/span>\u003c/p>\n\u003cp>\u003cem>KQED’s Billy Cruz contributed to this report.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
},
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"how-i-built-this": {
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
},
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
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