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"content": "\u003cp>Despite multiple apologies, rapper \u003ca href=\"https://www.npr.org/artists/735842489/dababy\" target=\"_blank\" rel=\"noopener noreferrer\">DaBaby\u003c/a> continues to face criticism—and cancellations—for homophobic comments he made during the Rolling Loud festival in late July.\u003c/p>\n\u003cp>Dua Lipa, who features the rapper on her mega-hit song “\u003ca href=\"https://www.youtube.com/watch?v=TUVcZfQe-Kw\" target=\"_blank\" rel=\"noopener noreferrer\">Levitating\u003c/a>,” was among those who \u003ca href=\"https://variety.com/2021/music/news/dua-lipa-dababy-homophobic-remarks-1235028796/\" target=\"_blank\" rel=\"noopener noreferrer\">quickly criticized\u003c/a> him. \u003ca href=\"https://www.cnn.com/2021/07/30/entertainment/dababy-elton-madonna-backlash-trnd/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">Elton John and Madonna\u003c/a> also lambasted DaBaby and railed against misinformation in his comments about HIV.\u003c/p>\n\u003cp>During the Miami performance, he \u003ca href=\"https://www.capitalxtra.com/news/what-did-dababy-say-homophobic-speech-rant-rolling-loud-festival-miami-video/\" target=\"_blank\" rel=\"noopener noreferrer\">had told\u003c/a> the audience: “If you didn’t show up today with HIV, AIDS, any of them deadly sexually transmitted diseases that’ll make you die in two or three weeks, put your cellphone light in the air.”\u003c/p>\n\u003cp>Music festivals including Lollapalooza, The Governors Ball and \u003ca href=\"https://twitter.com/aclfestival/status/1422573740311863300?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">Austin City Limits Music Festival\u003c/a> canceled his appearances, and he lost a sponsorship deal with the clothing brand BooHoo.\u003c/p>\n\u003cp>DaBaby has grown into a \u003ca href=\"https://www.washingtonpost.com/entertainment/music/fresh-off-snl-performance-dababy-brought-his-hits--and-sketches--to-dc/2019/12/09/24e27f86-1a9c-11ea-977a-15a6710ed6da_story.html\" target=\"_blank\" rel=\"noopener noreferrer\">critical\u003c/a> and commercial superstar in recent years, reigning over a powerful audience with his millions of followers on social media. He has won BET Awards and been nominated for Grammys.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The swift fallout from his remarks could signify a change in attitudes toward what the music business will tolerate when it comes to explicitly offensive and exclusionary language from some of its biggest stars.\u003c/p>\n\u003cp>“I think there’s definitely a new moment,” says Brown University professor \u003ca href=\"http://www.triciarose.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Tricia Rose\u003c/a> who has written two books on hip-hop.\u003c/p>\n\u003ch3>DaBaby has been accused of bad behavior before\u003c/h3>\n\u003cp>While Rose believes the festivals are doing the right thing by removing DaBaby from their rosters, she also sees more than a hint of hypocrisy in the organizers’ actions. 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That is a longstanding pattern that has not abated in any way,” Rose says. “Then when they step out of line about when and how they actually live into that identity, then there’s all this sort of ‘We’re all about peace, love and happiness.’ ”\u003c/p>\n\u003cp>Since the uproar, DaBaby has tried to be about peace and understanding in his efforts to counter the fallout. In his second \u003ca href=\"https://www.instagram.com/p/CSFMMBbpc3F/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">apology\u003c/a>, he wrote, “Social media moves so fast that people want to demolish you before you have a chance to grow, educate and learn from your mistakes.”\u003c/p>\n\u003ch3>Apologizing is one step; making amends is another\u003c/h3>\n\u003cp>\u003ca href=\"http://www.kevinpowell.net/about.php\" target=\"_blank\" rel=\"noopener noreferrer\">Kevin Powell\u003c/a>, who’s written extensively about hip-hop and toxic masculinity in American culture, says the language in DaBaby’s apology is important.\u003c/p>\n\u003cp>“I believe in counsel culture, not cancel culture,” says Powell. “Do we just want to keep canceling people out because of their racism, their sexism and homophobia, transphobia? Or do we actually want to educate people so we become a more educated populace so this does not become a normalized thing?”\u003c/p>\n\u003cp>Powell hopes DaBaby will do a lot more than just apologize for his behavior to protect his career.\u003c/p>\n\u003cp>“He has to be serious. No matter who you are you have to be serious about making amends. You have to become an advocate for women and girls. You have to become an advocate against homophobia and transphobia. You have to make amends by your actions or your deeds. It can’t just be an apology just because you’re trying to save your career,” Powell adds.\u003c/p>\n\u003cp>The uproar underscores how cultural attitudes about sexuality in pop music are changing. Right now, the openly gay rapper \u003ca href=\"https://www.npr.org/artists/718208340/lil-nas-x\" target=\"_blank\" rel=\"noopener noreferrer\">Lil Nas X\u003c/a> has two hit songs and was \u003ca href=\"https://www.nytimes.com/2021/07/07/magazine/lil-nas-x.html\" target=\"_blank\" rel=\"noopener noreferrer\">recently profiled\u003c/a> in \u003cem>The New York Times Magazine\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Both Powell and Tricia Rose believe his success signals progress, but they also say the work toward a more inclusive music industry is far from over.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+Music+Industry+Is+Holding+DaBaby+Accountable&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Despite multiple apologies, rapper \u003ca href=\"https://www.npr.org/artists/735842489/dababy\" target=\"_blank\" rel=\"noopener noreferrer\">DaBaby\u003c/a> continues to face criticism—and cancellations—for homophobic comments he made during the Rolling Loud festival in late July.\u003c/p>\n\u003cp>Dua Lipa, who features the rapper on her mega-hit song “\u003ca href=\"https://www.youtube.com/watch?v=TUVcZfQe-Kw\" target=\"_blank\" rel=\"noopener noreferrer\">Levitating\u003c/a>,” was among those who \u003ca href=\"https://variety.com/2021/music/news/dua-lipa-dababy-homophobic-remarks-1235028796/\" target=\"_blank\" rel=\"noopener noreferrer\">quickly criticized\u003c/a> him. \u003ca href=\"https://www.cnn.com/2021/07/30/entertainment/dababy-elton-madonna-backlash-trnd/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">Elton John and Madonna\u003c/a> also lambasted DaBaby and railed against misinformation in his comments about HIV.\u003c/p>\n\u003cp>During the Miami performance, he \u003ca href=\"https://www.capitalxtra.com/news/what-did-dababy-say-homophobic-speech-rant-rolling-loud-festival-miami-video/\" target=\"_blank\" rel=\"noopener noreferrer\">had told\u003c/a> the audience: “If you didn’t show up today with HIV, AIDS, any of them deadly sexually transmitted diseases that’ll make you die in two or three weeks, put your cellphone light in the air.”\u003c/p>\n\u003cp>Music festivals including Lollapalooza, The Governors Ball and \u003ca href=\"https://twitter.com/aclfestival/status/1422573740311863300?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">Austin City Limits Music Festival\u003c/a> canceled his appearances, and he lost a sponsorship deal with the clothing brand BooHoo.\u003c/p>\n\u003cp>DaBaby has grown into a \u003ca href=\"https://www.washingtonpost.com/entertainment/music/fresh-off-snl-performance-dababy-brought-his-hits--and-sketches--to-dc/2019/12/09/24e27f86-1a9c-11ea-977a-15a6710ed6da_story.html\" target=\"_blank\" rel=\"noopener noreferrer\">critical\u003c/a> and commercial superstar in recent years, reigning over a powerful audience with his millions of followers on social media. He has won BET Awards and been nominated for Grammys.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The swift fallout from his remarks could signify a change in attitudes toward what the music business will tolerate when it comes to explicitly offensive and exclusionary language from some of its biggest stars.\u003c/p>\n\u003cp>“I think there’s definitely a new moment,” says Brown University professor \u003ca href=\"http://www.triciarose.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Tricia Rose\u003c/a> who has written two books on hip-hop.\u003c/p>\n\u003ch3>DaBaby has been accused of bad behavior before\u003c/h3>\n\u003cp>While Rose believes the festivals are doing the right thing by removing DaBaby from their rosters, she also sees more than a hint of hypocrisy in the organizers’ actions. She notes that the music industry has long tolerated and profited from artists like DaBaby, who has been \u003ca href=\"https://apnews.com/article/hip-hop-and-rap-arrests-us-news-dababy-eddf29e3456162fefbfb6b099f467c68\" target=\"_blank\" rel=\"noopener noreferrer\">accused\u003c/a> of bad behavior before this incident.\u003c/p>\n\u003cp>At the same Rolling Loud festival, for example, he followed \u003ca href=\"https://www.npr.org/artists/728754756/megan-thee-stallion\" target=\"_blank\" rel=\"noopener noreferrer\">Megan Thee Stallion\u003c/a>‘s performance by bringing rapper Tory Lanez on stage, who \u003ca href=\"https://www.npr.org/2020/10/08/921902926/rapper-tory-lanez-charged-in-megan-thee-stallion-shooting\" target=\"_blank\" rel=\"noopener noreferrer\">Stallion alleges shot her in the foot\u003c/a> last year.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“There’s many artists who are promoted by the industry, who are celebrated by the industry because of their, quote, unquote, edgy extreme behavior. That is a longstanding pattern that has not abated in any way,” Rose says. “Then when they step out of line about when and how they actually live into that identity, then there’s all this sort of ‘We’re all about peace, love and happiness.’ ”\u003c/p>\n\u003cp>Since the uproar, DaBaby has tried to be about peace and understanding in his efforts to counter the fallout. In his second \u003ca href=\"https://www.instagram.com/p/CSFMMBbpc3F/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">apology\u003c/a>, he wrote, “Social media moves so fast that people want to demolish you before you have a chance to grow, educate and learn from your mistakes.”\u003c/p>\n\u003ch3>Apologizing is one step; making amends is another\u003c/h3>\n\u003cp>\u003ca href=\"http://www.kevinpowell.net/about.php\" target=\"_blank\" rel=\"noopener noreferrer\">Kevin Powell\u003c/a>, who’s written extensively about hip-hop and toxic masculinity in American culture, says the language in DaBaby’s apology is important.\u003c/p>\n\u003cp>“I believe in counsel culture, not cancel culture,” says Powell. “Do we just want to keep canceling people out because of their racism, their sexism and homophobia, transphobia? Or do we actually want to educate people so we become a more educated populace so this does not become a normalized thing?”\u003c/p>\n\u003cp>Powell hopes DaBaby will do a lot more than just apologize for his behavior to protect his career.\u003c/p>\n\u003cp>“He has to be serious. No matter who you are you have to be serious about making amends. You have to become an advocate for women and girls. You have to become an advocate against homophobia and transphobia. You have to make amends by your actions or your deeds. It can’t just be an apology just because you’re trying to save your career,” Powell adds.\u003c/p>\n\u003cp>The uproar underscores how cultural attitudes about sexuality in pop music are changing. Right now, the openly gay rapper \u003ca href=\"https://www.npr.org/artists/718208340/lil-nas-x\" target=\"_blank\" rel=\"noopener noreferrer\">Lil Nas X\u003c/a> has two hit songs and was \u003ca href=\"https://www.nytimes.com/2021/07/07/magazine/lil-nas-x.html\" target=\"_blank\" rel=\"noopener noreferrer\">recently profiled\u003c/a> in \u003cem>The New York Times Magazine\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Both Powell and Tricia Rose believe his success signals progress, but they also say the work toward a more inclusive music industry is far from over.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+Music+Industry+Is+Holding+DaBaby+Accountable&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "'It Made Me Appreciate Life': Keak Da Sneak Celebrates Prison Release at Rolling Loud",
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"content": "\u003cp>Just days after \u003ca href=\"https://www.instagram.com/officialkeakdasneak\" target=\"_blank\" rel=\"noopener\">Keak Da Sneak\u003c/a> was released from California state prison, he took the stage in Oakland in front of 40,000 cheering fans at the rap festival Rolling Loud, performing his Bay Area anthem “Super Hyphy” during headliner G-Eazy’s set.\u003c/p>\n\u003cp>“I don’t think no drug can amount to that feeling of being on stage and thousands of people wanting to see you and happy that you’re up there. It’s a feeling that I try to describe in words, but it’s just like—\u003cem>wow\u003c/em>,” says the rapper, whose real name is Charles Williams.\u003c/p>\n\u003cp>It marked a triumphant comeback from a \u003ca href=\"https://www.kqed.org/arts/13849409/keak-da-sneak-heads-to-prison-no-compassion-for-disabilities-he-says\" target=\"_blank\" rel=\"noopener\">situation that seemed dire six months ago\u003c/a>, when Williams was sentenced to 16 months in state custody despite requiring ongoing medical care for various physical disabilities. After \u003ca href=\"https://www.kqed.org/arts/13854812/keak-da-sneak-begins-prison-sentence-after-lengthy-legal-battle\" target=\"_blank\" rel=\"noopener\">turning himself in\u003c/a> on April 11, he was released on probation on Sept. 24 thanks to \u003ca href=\"https://www.kqed.org/news/11081078/gov-brown-sees-prop-57-as-key-to-ending-court-prison-oversight\" target=\"_blank\" rel=\"noopener\">Prop 57\u003c/a>, a recent California law that allowed him to earn 66.6% credit on his sentence as a minimum security inmate.\u003c/p>\n\u003cp>https://www.instagram.com/p/B2zmtZrHtQs/\u003c/p>\n\u003cp>Williams’ two-year legal battle stemmed from a 2017 charge of firearm possession as a convicted felon. As he told KQED in January, he carried a gun for protection after surviving a shooting. A police officer in Amador County discovered the firearm after searching his car in a situation Williams described as “racial profiling at an all-time high.” During the course of the trial, he survived yet another shooting that left him in a wheelchair and in need of medical care and physical therapy multiple times a week. His sentencing was delayed multiple times to give him time to complete medical procedures.\u003c/p>\n\u003cp>After \u003ca href=\"https://www.kqed.org/arts/13849409/keak-da-sneak-heads-to-prison-no-compassion-for-disabilities-he-says\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a> broke the story of his sentencing, high-profile music publications like \u003cem>XXL\u003c/em>, HipHopDX and Okayplayer as well as various cable news channels across Northern California covered Williams’ plight. Williams credits the media attention and the \u003ca href=\"https://www.change.org/p/alternative-sentencing-instead-of-prison-for-disabled-rapper-keak-da-sneak\" target=\"_blank\" rel=\"noopener\">Change.org petition\u003c/a> started by his wife, Dee Bowens—which amassed over 70,200 signatures—with pressuring state prison officials to send him to a state facility with quality medical care.\u003c/p>\n\u003cp>[pullquote align='right' citation='Keak Da Sneak']“God works in mysterious ways. I just know I was supposed to see that, and how fast your freedom can be taken from you, you know? It made me appreciate life and appreciate my freedom.”[/pullquote]\u003c/p>\n\u003cp>“Big shout out to y’all, I want to thank KQED,” he says. “I want to thank the people who signed my petition on Change.org. If it wasn’t for y’all, I don’t think it would have went as smooth for me, you know? I don’t know if they would have sent me where they sent me, because I made a big deal of the level of care I needed, so they made sure that was there for me.”\u003c/p>\n\u003cp>After turning himself in, Williams served his term at the California Health Care Facility (CHCF) in Stockton, which has round-the-clock medical care. Before he knew where he was headed, he feared the California Department of Corrections and Rehabilitation would send him to a facility that couldn’t meet his medical needs. Indeed, disability rights advocates say that quality of medical care and ADA accessibility varies greatly from facility to facility, even within the same state. The office of the California Inspector General rated medical care at CHCF “inadequate” in\u003ca href=\"https://www.oig.ca.gov/wp-content/uploads/2019/05/CHCF_Medical_Inspection_Report_Cycle_5.pdf\" target=\"_blank\" rel=\"noopener\"> an April 2019 report\u003c/a>.\u003c/p>\n\u003cp>“For the most part, man, it wasn’t as bad as I thought it was gonna be,” Williams says. “But for the other part—that jail shit ain’t where it’s at. There’s people in there that are never coming home, they don’t have a release date at all. So, God works in mysterious ways. I just know I was supposed to see that, and how fast your freedom can be taken from you, you know? It made me appreciate life and appreciate my freedom.” [aside postid='arts_13849409']\u003c/p>\n\u003cp>Still, Williams says that not all of his medical needs were met. For instance, after spending a month on a waiting list, he says he was only able to attend an hour of physical therapy once a week rather than several times a week—which slowed down his progress on relearning to stand up and eventually walk again.\u003c/p>\n\u003cp>“I don’t need someone to get me in and get me out of there,” he says. “I need someone to work with me on my therapy. In there, it was overcrowded with inmates.”\u003c/p>\n\u003cp>Nonetheless, Williams’ mood was optimistic during our interview. He’s now back home with his wife and kids, and his mom came over to treat him to a home cooked meal of oxtails, collard greens, macaroni and cheese and cornbread. “I ate three plates of it, too,” he says.\u003c/p>\n\u003cp>After hanging out with family and getting a pedicure, he hit the headlining stage at Rolling Loud on Sept. 28. This week, he’s busy reestablishing his medical care routine with the help of his doctor, and is already back in the studio working on two new mixtapes and searching for new talent for his label, AllnFallnDoe.\u003c/p>\n\u003cp>“I’m still blessed with opportunities,” he says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Just days after \u003ca href=\"https://www.instagram.com/officialkeakdasneak\" target=\"_blank\" rel=\"noopener\">Keak Da Sneak\u003c/a> was released from California state prison, he took the stage in Oakland in front of 40,000 cheering fans at the rap festival Rolling Loud, performing his Bay Area anthem “Super Hyphy” during headliner G-Eazy’s set.\u003c/p>\n\u003cp>“I don’t think no drug can amount to that feeling of being on stage and thousands of people wanting to see you and happy that you’re up there. It’s a feeling that I try to describe in words, but it’s just like—\u003cem>wow\u003c/em>,” says the rapper, whose real name is Charles Williams.\u003c/p>\n\u003cp>It marked a triumphant comeback from a \u003ca href=\"https://www.kqed.org/arts/13849409/keak-da-sneak-heads-to-prison-no-compassion-for-disabilities-he-says\" target=\"_blank\" rel=\"noopener\">situation that seemed dire six months ago\u003c/a>, when Williams was sentenced to 16 months in state custody despite requiring ongoing medical care for various physical disabilities. After \u003ca href=\"https://www.kqed.org/arts/13854812/keak-da-sneak-begins-prison-sentence-after-lengthy-legal-battle\" target=\"_blank\" rel=\"noopener\">turning himself in\u003c/a> on April 11, he was released on probation on Sept. 24 thanks to \u003ca href=\"https://www.kqed.org/news/11081078/gov-brown-sees-prop-57-as-key-to-ending-court-prison-oversight\" target=\"_blank\" rel=\"noopener\">Prop 57\u003c/a>, a recent California law that allowed him to earn 66.6% credit on his sentence as a minimum security inmate.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Williams’ two-year legal battle stemmed from a 2017 charge of firearm possession as a convicted felon. As he told KQED in January, he carried a gun for protection after surviving a shooting. A police officer in Amador County discovered the firearm after searching his car in a situation Williams described as “racial profiling at an all-time high.” During the course of the trial, he survived yet another shooting that left him in a wheelchair and in need of medical care and physical therapy multiple times a week. His sentencing was delayed multiple times to give him time to complete medical procedures.\u003c/p>\n\u003cp>After \u003ca href=\"https://www.kqed.org/arts/13849409/keak-da-sneak-heads-to-prison-no-compassion-for-disabilities-he-says\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a> broke the story of his sentencing, high-profile music publications like \u003cem>XXL\u003c/em>, HipHopDX and Okayplayer as well as various cable news channels across Northern California covered Williams’ plight. Williams credits the media attention and the \u003ca href=\"https://www.change.org/p/alternative-sentencing-instead-of-prison-for-disabled-rapper-keak-da-sneak\" target=\"_blank\" rel=\"noopener\">Change.org petition\u003c/a> started by his wife, Dee Bowens—which amassed over 70,200 signatures—with pressuring state prison officials to send him to a state facility with quality medical care.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "“God works in mysterious ways. I just know I was supposed to see that, and how fast your freedom can be taken from you, you know? It made me appreciate life and appreciate my freedom.”",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Big shout out to y’all, I want to thank KQED,” he says. “I want to thank the people who signed my petition on Change.org. If it wasn’t for y’all, I don’t think it would have went as smooth for me, you know? I don’t know if they would have sent me where they sent me, because I made a big deal of the level of care I needed, so they made sure that was there for me.”\u003c/p>\n\u003cp>After turning himself in, Williams served his term at the California Health Care Facility (CHCF) in Stockton, which has round-the-clock medical care. Before he knew where he was headed, he feared the California Department of Corrections and Rehabilitation would send him to a facility that couldn’t meet his medical needs. Indeed, disability rights advocates say that quality of medical care and ADA accessibility varies greatly from facility to facility, even within the same state. The office of the California Inspector General rated medical care at CHCF “inadequate” in\u003ca href=\"https://www.oig.ca.gov/wp-content/uploads/2019/05/CHCF_Medical_Inspection_Report_Cycle_5.pdf\" target=\"_blank\" rel=\"noopener\"> an April 2019 report\u003c/a>.\u003c/p>\n\u003cp>“For the most part, man, it wasn’t as bad as I thought it was gonna be,” Williams says. “But for the other part—that jail shit ain’t where it’s at. There’s people in there that are never coming home, they don’t have a release date at all. So, God works in mysterious ways. I just know I was supposed to see that, and how fast your freedom can be taken from you, you know? It made me appreciate life and appreciate my freedom.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Still, Williams says that not all of his medical needs were met. For instance, after spending a month on a waiting list, he says he was only able to attend an hour of physical therapy once a week rather than several times a week—which slowed down his progress on relearning to stand up and eventually walk again.\u003c/p>\n\u003cp>“I don’t need someone to get me in and get me out of there,” he says. “I need someone to work with me on my therapy. In there, it was overcrowded with inmates.”\u003c/p>\n\u003cp>Nonetheless, Williams’ mood was optimistic during our interview. He’s now back home with his wife and kids, and his mom came over to treat him to a home cooked meal of oxtails, collard greens, macaroni and cheese and cornbread. “I ate three plates of it, too,” he says.\u003c/p>\n\u003cp>After hanging out with family and getting a pedicure, he hit the headlining stage at Rolling Loud on Sept. 28. This week, he’s busy reestablishing his medical care routine with the help of his doctor, and is already back in the studio working on two new mixtapes and searching for new talent for his label, AllnFallnDoe.\u003c/p>\n\u003cp>“I’m still blessed with opportunities,” he says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "The Do List: Listen to Our Event Picks for Sept. 26–Oct. 2",
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"content": "\u003cp>The weekend is almost here. Hooray!\u003c/p>\n\u003cp>Looking for things to do? Listen to KQED Arts’ Gabe Meline and Nastia Voynovskaya discuss their event picks at the audio link above, or read about each event below.\u003c/p>\n\u003cp>\u003cstrong>Les Blank Documentaries\u003c/strong>: We’re coming off of a mini heat wave here in the Bay Area, so our first pick is to get inside a cool movie theater for some brilliant documentaries. Specifically, Les Blank’s film \u003cem>Del Mero Corazón\u003c/em>, which traces the history of Tex-Mex and norteño music along the Mexico-U.S. border. Les Blank, of course, was a master documentarian; most people know his film \u003cem>Burden of Dreams\u003c/em>, about the making of Werner Herzog’s \u003cem>Fitzcarraldo\u003c/em>, but his music documentaries are essential. Along with its sister film, \u003cem>Chulas Fronteras\u003c/em>, the films are screening around the Bay Area with in-person intros from Blank’s son, Harrod, and Chris Strachwicz from Arhoolie Records. They’re at the three Rialto locations, the Roxie, and the Rafael Film Center, and they run from Sept. 25–28. \u003ca href=\"https://lesblank.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Rolling Loud\u003c/strong>: This is the biggest rap festival in the country, and it’s returning to Oakland this weekend. Oakland’s own G-Eazy is one of the headliners alongside Migos, Future and Lil Uzi Vert. What we love about Rolling Loud is how their lineup juxtaposes mainstream stars with local artists and underground stars from across the country. Saweetie is definitely on the list of people to see, as well as Vallejo’s Nef the Pharaoh and Berkeley’s Rexx Life Raj. That’s in the Oakland Coliseum parking lot, and runs Saturday and Sunday, Sept. 28-29. \u003ca href=\"http://www.rollingloud.com/home\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘Triptych: Eyes of One on Another’\u003c/strong>: Robert Mapplethorpe was not a photographer you come across everyday. Before his death from complications related to AIDS, Mapplethorpe was in the middle of the Reagan-era culture wars with his explicit photos of naked gay men. The musician Bryce Dessner grew up during the controversy, which obviously had a big effect on him; he’s created a multi-sensory show of music, words, and visuals called \u003cem>Triptych: Eyes of One on Another\u003c/em> in homage to Mapplethorpe, with collaborations including Essex Hemphill and Mapplethorpe’s old partner Patti Smith. It runs at Zellerbach Hall in Berkeley on Sept. 28, and also at Stanford’s Memorial Auditorium on Oct. 3. Details \u003ca href=\"https://calperformances.org/performances/2019-20/theater/triptych-eyes-of-one-on-another.php\" rel=\"noopener\" target=\"_blank\">here\u003c/a> and \u003ca href=\"https://live.stanford.edu/calendar/october-2019/triptych-eyes-one-another\" rel=\"noopener\" target=\"_blank\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Not Ur Baby 3\u003c/strong>: Not Ur Baby is an Oakland phenomenon. The art show and music showcase is now in its third year, and began as a way for women artists to get together and make a statement against sexism with performers, visual artists and local vendors. They’re all getting together on the sunny patio of 7th West for an all-day art party; proceeds from this year’s event go to Regina’s Door, a vintage boutique that’s also a hub for activists fighting sex trafficking, and VisibiliT, an organization raising money for trans women seeking asylum in the United States. Not Ur Baby is on Sept. 28 at 7th West in Oakland. \u003ca href=\"https://www.kqed.org/arts/13866776/not-ur-baby-returns-in-oakland\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Two Jazz Picks\u003c/strong>: The vibraphonist Bobby Hutcherson made many classic albums for the Blue Note label and lived here, down near Half Moon Bay, before his death in 2016. The drummer Brian Blade pays tribute to Hutcherson, with a great group, in a show at SFJAZZ on Sept. 28. \u003ca href=\"https://www.sfjazz.org/tickets/productions/brian-blade/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>. And the Alonzo LINES Ballet has a fascinating collaboration with the tenor saxophonist Charles Llloyd and the pianist Jason Moran; that’s a premiere that runs Oct. 1–6 at YBCA. \u003ca href=\"https://ybca.org/event/lines-fall-season-2019/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>San Francisco Latino Film Festival\u003c/strong>: This festival wraps up this weekend, and there are a few more days to catch its dramas, thrillers and comedies. One highlight is \u003cem>Dead End\u003c/em>, a whodunit crime movie from Argentinian director Daniel De La Vega; it’s about a writer who ends up as the prime suspect in a murder that eerily resembles the plot of his unpublished novel, shot in a campy film noir style meant to resemble the 1930s and ’40s. The festival also features LGBTQ short films, a documentary about quinceañeras in Texas and more. It runs through Sunday, Sept. 29, at Opera Plaza Cinema and the Roxie Theater. \u003ca href=\"https://sflatinofilmfestival.org/2019/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The weekend is almost here. Hooray!\u003c/p>\n\u003cp>Looking for things to do? Listen to KQED Arts’ Gabe Meline and Nastia Voynovskaya discuss their event picks at the audio link above, or read about each event below.\u003c/p>\n\u003cp>\u003cstrong>Les Blank Documentaries\u003c/strong>: We’re coming off of a mini heat wave here in the Bay Area, so our first pick is to get inside a cool movie theater for some brilliant documentaries. Specifically, Les Blank’s film \u003cem>Del Mero Corazón\u003c/em>, which traces the history of Tex-Mex and norteño music along the Mexico-U.S. border. Les Blank, of course, was a master documentarian; most people know his film \u003cem>Burden of Dreams\u003c/em>, about the making of Werner Herzog’s \u003cem>Fitzcarraldo\u003c/em>, but his music documentaries are essential. Along with its sister film, \u003cem>Chulas Fronteras\u003c/em>, the films are screening around the Bay Area with in-person intros from Blank’s son, Harrod, and Chris Strachwicz from Arhoolie Records. They’re at the three Rialto locations, the Roxie, and the Rafael Film Center, and they run from Sept. 25–28. \u003ca href=\"https://lesblank.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Rolling Loud\u003c/strong>: This is the biggest rap festival in the country, and it’s returning to Oakland this weekend. Oakland’s own G-Eazy is one of the headliners alongside Migos, Future and Lil Uzi Vert. What we love about Rolling Loud is how their lineup juxtaposes mainstream stars with local artists and underground stars from across the country. Saweetie is definitely on the list of people to see, as well as Vallejo’s Nef the Pharaoh and Berkeley’s Rexx Life Raj. That’s in the Oakland Coliseum parking lot, and runs Saturday and Sunday, Sept. 28-29. \u003ca href=\"http://www.rollingloud.com/home\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘Triptych: Eyes of One on Another’\u003c/strong>: Robert Mapplethorpe was not a photographer you come across everyday. Before his death from complications related to AIDS, Mapplethorpe was in the middle of the Reagan-era culture wars with his explicit photos of naked gay men. The musician Bryce Dessner grew up during the controversy, which obviously had a big effect on him; he’s created a multi-sensory show of music, words, and visuals called \u003cem>Triptych: Eyes of One on Another\u003c/em> in homage to Mapplethorpe, with collaborations including Essex Hemphill and Mapplethorpe’s old partner Patti Smith. It runs at Zellerbach Hall in Berkeley on Sept. 28, and also at Stanford’s Memorial Auditorium on Oct. 3. Details \u003ca href=\"https://calperformances.org/performances/2019-20/theater/triptych-eyes-of-one-on-another.php\" rel=\"noopener\" target=\"_blank\">here\u003c/a> and \u003ca href=\"https://live.stanford.edu/calendar/october-2019/triptych-eyes-one-another\" rel=\"noopener\" target=\"_blank\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Not Ur Baby 3\u003c/strong>: Not Ur Baby is an Oakland phenomenon. The art show and music showcase is now in its third year, and began as a way for women artists to get together and make a statement against sexism with performers, visual artists and local vendors. They’re all getting together on the sunny patio of 7th West for an all-day art party; proceeds from this year’s event go to Regina’s Door, a vintage boutique that’s also a hub for activists fighting sex trafficking, and VisibiliT, an organization raising money for trans women seeking asylum in the United States. Not Ur Baby is on Sept. 28 at 7th West in Oakland. \u003ca href=\"https://www.kqed.org/arts/13866776/not-ur-baby-returns-in-oakland\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Two Jazz Picks\u003c/strong>: The vibraphonist Bobby Hutcherson made many classic albums for the Blue Note label and lived here, down near Half Moon Bay, before his death in 2016. The drummer Brian Blade pays tribute to Hutcherson, with a great group, in a show at SFJAZZ on Sept. 28. \u003ca href=\"https://www.sfjazz.org/tickets/productions/brian-blade/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>. And the Alonzo LINES Ballet has a fascinating collaboration with the tenor saxophonist Charles Llloyd and the pianist Jason Moran; that’s a premiere that runs Oct. 1–6 at YBCA. \u003ca href=\"https://ybca.org/event/lines-fall-season-2019/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>San Francisco Latino Film Festival\u003c/strong>: This festival wraps up this weekend, and there are a few more days to catch its dramas, thrillers and comedies. One highlight is \u003cem>Dead End\u003c/em>, a whodunit crime movie from Argentinian director Daniel De La Vega; it’s about a writer who ends up as the prime suspect in a murder that eerily resembles the plot of his unpublished novel, shot in a campy film noir style meant to resemble the 1930s and ’40s. The festival also features LGBTQ short films, a documentary about quinceañeras in Texas and more. It runs through Sunday, Sept. 29, at Opera Plaza Cinema and the Roxie Theater. \u003ca href=\"https://sflatinofilmfestival.org/2019/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "At Rolling Loud, Bay Area Rappers Outshine Mainstream Stars",
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"content": "\u003cp>On Sept. 15–16 at Oakland’s Coliseum grounds, a poster of P-Lo, the hyphy heartthrob, greeted Rolling Loud’s thousands of attendees as they entered the venue to witness an intergenerational lineup of Bay Area rappers and industry heavyweights like Travis Scott and Pusha T.\u003c/p>\n\u003cp>“The Bay is very important to the history of hip-hop,” Tariq Cherif, co-founder of Rolling Loud, told KQED Arts. “You know, a lot of the modern independent hip-hop scene was built and modeled after what guys in the Bay were doing.”\u003c/p>\n\u003cp>Since its debut in 2015, Rolling Loud has become the world’s largest traveling hip-hop festival, with editions in Miami and Los Angeles. But in 2017, its inaugural Bay Area event at Shoreline Amphitheater didn’t go off without a hitch: beloved Berkeley rapper Lil B was physically assaulted, allegedly by another rapper’s entourage, and some Bay Area rap fans and promoters lambasted the event online as a result.\u003c/p>\n\u003cp>Rolling Loud 2018 in Oakland, however, took a different tone: the two-day festival celebrated and uplifted the Bay Area’s regional sounds, with high-energy performances by over a dozen Northern California artists, including E-40, Kamaiyah, Saweetie, P-Lo, Mozzy and ALLBLACK.\u003c/p>\n\u003cp>[contextly_sidebar id=”dHZsarkx1OlSZd4KoCbxjiyUAUy2DwXc”]\u003c/p>\n\u003cp>The critical mass of Bay Area and Sacramento artists kept the fest from feeling generic and gave it a distinctively local flavor. Without these acts, Rolling Loud Oakland would have blended in with the festival’s other editions, where Travis Scott, Young Thug and Jaden Smith have already performed. The crowd looked familiar, too: neon fanny packs, NBA jerseys and white-girl cornrows resembled Instagram in real life. And as it often happens at music festivals, many non-black concertgoers seemed to feel disconcertingly at ease saying the n-word as they rapped along with their favorite artists.\u003c/p>\n\u003cfigure id=\"attachment_13840951\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840951\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0312-800x533.jpg\" alt=\"ALLBLACK backstage at Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0312.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0312-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0312-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0312-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0312-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0312-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">ALLBLACK backstage at Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At Rolling Loud’s Saturday kick-off, ALLBLACK didn’t let fans forget they were at a show in East Oakland, his home turf. He’s an emerging regional star on his way towards carrying Oakland’s sound beyond the 510. His set narrated his life experiences as a black man growing up in a neighborhood called the Murder Dubs, with an aggressive flow that blends the Town’s earlier music movements of mobb and hyphy into a forceful signature sound.[contextly_sidebar id=”CJzT37B5wN3POJuedBwhEnUML2PNFOi1″]\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>P-Lo, fresh off of a national tour with Oakland-born chart-topper G-Eazy, performed an energetic homecoming set. His memorable line from his track “Put Me on Somethin’,” “Last year they ain’t even like the Bay,” served as a reminder of the Bay Area’s fight for recognition in the national music scene. After the hyphy movement, the Bay’s relationship to mainstream hip-hop weakened. But the recent rise of artists like G-Eazy, Kamaiyah and Saweetie, all of whom have major label deals, indicates a shift. Bay Area artists have long fought for a seat at the table, and the numerous local artists at Rolling Loud certainly felt like a step in that direction.\u003c/p>\n\u003cp>When G-Eazy joined P-Lo to perform their collaborative Bay Area anthem, “Power,” P-Lo shouted to the crowd, “You proud to be from the Bay… because I’m reppin proud Bay Area sh-t.” He and his DJ, Cal-A, tore up the crowd like only some boys from the Bay could, gigging in the audience as they closed their set. To the side of the stage, members of HBK Gang and ALLBLACK went dumb in solidarity.\u003c/p>\n\u003cp>Later, Saweetie and Guapdad 4000 performed an unreleased collaboration during the “Icy Girl” rapper’s set; the sense of community among the local artists was palpable. For a weekend, Bay Area rappers set aside differences and performed as a united front as the industry’s underdogs, holding their own among a roster of mainstream artists.\u003c/p>\n\u003cfigure id=\"attachment_13840924\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840924\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0879-800x533.jpg\" alt=\"Kamaiyah plays Rolling Loud Bay Area in Oakland on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0879.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0879-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0879-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0879-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0879-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0879-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kamaiyah plays Rolling Loud Bay Area in Oakland on Sunday, September 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year’s Rolling Loud featured a notable increase of female rappers, including Kamaiyah, the reigning queen of the Bay Area rap scene.“I f-cking made it in Oakland, we ain’t never seen anything like this before,” she said as she opened her set. She grew up not far from the Coliseum, on 73rd Avenue.\u003c/p>\n\u003cp>Mozzy’s set linked his hometown of Sacramento to the Bay; he brought out “Do Better” rapper Prezi, who reps San Francisco’s Hunters Point. North Oakland’s Mistah F.A.B, a crucial figure in the Bay Area rap scene, came out during Mozzy’s performance to show the crowd how to “Ghost Ride It” with his instructional hyphy-era anthem.\u003c/p>\n\u003cp>“Them Bay Area rappers is legendary to me, I got F.A.B. coming out on my set,” Mozzy told KQED Arts backstage. “Rappers ain’t show nothing but love and I’m appreciative to take the stage after so many that have came before me.”\u003c/p>\n\u003cfigure id=\"attachment_13840899\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840899\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0296-800x533.jpg\" alt=\"G-Eazy joins P-Lo on stage at Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0296.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0296-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0296-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0296-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0296-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0296-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">G-Eazy joins P-Lo on stage at Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>E-40, godfather of Bay Area hip-hop, brought the spirit of the hyphy movement to Rolling Loud with “Tell Me When To Go.” As he spat the famous lines, “Jesus Christ had dreads / So shake ’em,” a new generation of Bay Area rappers, Kamaiyah and Slimmy B of SOB x RBE, watched in awe. When P-Lo and Nef The Pharaoh joined E-40 on stage to play “Bling Blaow” and “Put Me On Somethin’,” the joyful performance resembled a symbolic passing of the torch.[contextly_sidebar id=”Kx4Gqc1kCXqX2BJ2NuTXAqwsgKHdGca1″]\u003c/p>\n\u003cp>At Rolling Loud, Bay Area rappers proudly defined their space in a culture where their contributions have been historically ignored. The authentic sounds of the Bay transformed Rolling Loud, the world’s largest hip-hop festival, into a weekend in East Oakland where the region’s rap stars truly shone among a lineup of mainstream acts.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>More photos from Rolling Loud\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13840857\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840857\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0188-800x533.jpg\" alt=\"Saweetie plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0188.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0188-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0188-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0188-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0188-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0188-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Saweetie plays Rolling Loud Bay Area in Oakland onSept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840883\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840883\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0486-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0486.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0486-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0486-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0486-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0486-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0486-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840864\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840864\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0272-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0272.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0272-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0272-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0272-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0272-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0272-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840869\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0330-800x533.jpg\" alt=\"Jaden Smith plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0330.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0330-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0330-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0330-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0330-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0330-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jaden Smith plays Rolling Loud Bay Area in Oakland on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840873\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840873\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0377-800x533.jpg\" alt=\"Pusha T plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0377.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0377-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0377-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0377-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0377-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0377-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pusha T plays Rolling Loud Bay Area in Oakland on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840877\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840877\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0438-800x533.jpg\" alt=\"Playboi Carti plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0438.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0438-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0438-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0438-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0438-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0438-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Playboi Carti plays Rolling Loud Bay Area in Oakland on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840880\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840880\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0459-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0459.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0459-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0459-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0459-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0459-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0459-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840882\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840882\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0472-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0472.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0472-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0472-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0472-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0472-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0472-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840885\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840885\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0504-800x533.jpg\" alt=\"Joey BadA$$ plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0504.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0504-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0504-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0504-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0504-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0504-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Joey BadA$$ plays Rolling Loud Bay Area in Oakland on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840887\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840887\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0531-800x533.jpg\" alt=\"Gucci Mane plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0531-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0531-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0531-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0531-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0531-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gucci Mane plays Rolling Loud Bay Area in Oakland on Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840894\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840894\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0633-800x533.jpg\" alt=\"Wiz Khalifa plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0633.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0633-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0633-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0633-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0633-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0633-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wiz Khalifa plays Rolling Loud Bay Area in Oakland on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840948\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840948\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1214-Edit-800x533.jpg\" alt=\"Travis Scott plays Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1214-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1214-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1214-Edit-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1214-Edit-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1214-Edit-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1214-Edit-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Travis Scott plays Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840947\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840947\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1201-800x533.jpg\" alt=\"Travis Scott plays Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1201.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1201-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1201-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1201-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1201-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1201-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Travis Scott plays Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840946\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840946\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1186-800x533.jpg\" alt=\"Travis Scott plays Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1186.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1186-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1186-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1186-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1186-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1186-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Travis Scott plays Rolling Loud Bay Area on Sunday, September 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840944\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840944\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1157-800x533.jpg\" alt=\"Rae Sremmurd play Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1157.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1157-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1157-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1157-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1157-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1157-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rae Sremmurd play Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840942\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840942\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1133-800x533.jpg\" alt=\"Young Thug plays at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1133.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1133-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1133-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1133-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1133-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1133-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Young Thug plays at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840941\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840941\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1130-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1130.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1130-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1130-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1130-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1130-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1130-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840940\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840940\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1127-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1127.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1127-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1127-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1127-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1127-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1127-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840939\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840939\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1085-800x533.jpg\" alt=\"Young Thug plays at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1085.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1085-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1085-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1085-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1085-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1085-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Young Thug plays at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840937\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840937\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1066-2-800x533.jpg\" alt=\"Nef the Pharaoh backstage at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1066-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1066-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1066-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1066-2-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1066-2-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1066-2-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nef the Pharaoh backstage at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840934\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840934\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1021-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1021.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1021-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1021-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1021-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840931\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840931\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0969-800x533.jpg\" alt=\"E-40 plays Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0969.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0969-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0969-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0969-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0969-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0969-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E-40 plays Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840933\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1002-800x533.jpg\" alt=\"P-Lo performs with E-40 at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1002.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1002-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1002-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1002-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">P-Lo performs with E-40 at Rolling Loud Bay Area on Sunday, September 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840930\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840930\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0946-800x533.jpg\" alt=\"Famous Dex performs with Rich the Kid at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0946.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0946-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0946-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0946-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0946-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0946-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Famous Dex performs with Rich the Kid at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840928\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840928\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0929-800x533.jpg\" alt=\"Rich the Kid plays Rolling Loud Bay Area in Oakland on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0929.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0929-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0929-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0929-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0929-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0929-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rich the Kid plays Rolling Loud Bay Area in Oakland on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840926\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840926\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0903-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0903.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0903-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0903-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0903-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0903-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0903-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840912\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0732-800x533.jpg\" alt=\"Mozzy plays Rolling Loud Bay Area in Oakland on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13840912\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0732.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0732-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0732-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0732-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0732-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0732-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mozzy plays Rolling Loud Bay Area in Oakland on Sunday, September 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840925\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840925\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0899-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0899.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0899-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0899-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0899-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0899-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0899-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840921\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840921\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0825-800x533.jpg\" alt=\"Kamaiyah backstage at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0825.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0825-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0825-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0825-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0825-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0825-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kamaiyah backstage at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840920\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840920\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0809-800x533.jpg\" alt=\"Chief Keef plays Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0809.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0809-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0809-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0809-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0809-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0809-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chief Keef plays Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840918\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840918\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0798-800x533.jpg\" alt=\"Slimmy B backstage at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0798.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0798-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0798-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0798-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0798-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0798-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Slimmy B backstage at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840917\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840917\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0758-800x533.jpg\" alt=\"Berner plays Rolling Loud Bay Area in Oakland on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0758.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0758-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0758-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0758-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0758-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0758-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Berner plays Rolling Loud Bay Area in Oakland on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840914\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840914\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0747-800x533.jpg\" alt=\"Prezi at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0747.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0747-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0747-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0747-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0747-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0747-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Prezi at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840915\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840915\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0748-800x533.jpg\" alt=\"Mistah F.A.B. at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0748.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0748-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0748-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0748-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0748-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0748-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mistah F.A.B. at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840913\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840913\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0742-800x533.jpg\" alt=\"Marty Grimes at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0742.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0742-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0742-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0742-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0742-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0742-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Marty Grimes at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "Locals like E-40, ALLBLACK, P-Lo and G-Eazy injected the traveling rap fest with a distinctly regional flavor. ",
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"description": "Locals like E-40, ALLBLACK, P-Lo and G-Eazy injected the traveling rap fest with a distinctly regional flavor. ",
"title": "At Rolling Loud, Bay Area Rappers Outshine Mainstream Stars | KQED",
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"headline": "At Rolling Loud, Bay Area Rappers Outshine Mainstream Stars",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Sept. 15–16 at Oakland’s Coliseum grounds, a poster of P-Lo, the hyphy heartthrob, greeted Rolling Loud’s thousands of attendees as they entered the venue to witness an intergenerational lineup of Bay Area rappers and industry heavyweights like Travis Scott and Pusha T.\u003c/p>\n\u003cp>“The Bay is very important to the history of hip-hop,” Tariq Cherif, co-founder of Rolling Loud, told KQED Arts. “You know, a lot of the modern independent hip-hop scene was built and modeled after what guys in the Bay were doing.”\u003c/p>\n\u003cp>Since its debut in 2015, Rolling Loud has become the world’s largest traveling hip-hop festival, with editions in Miami and Los Angeles. But in 2017, its inaugural Bay Area event at Shoreline Amphitheater didn’t go off without a hitch: beloved Berkeley rapper Lil B was physically assaulted, allegedly by another rapper’s entourage, and some Bay Area rap fans and promoters lambasted the event online as a result.\u003c/p>\n\u003cp>Rolling Loud 2018 in Oakland, however, took a different tone: the two-day festival celebrated and uplifted the Bay Area’s regional sounds, with high-energy performances by over a dozen Northern California artists, including E-40, Kamaiyah, Saweetie, P-Lo, Mozzy and ALLBLACK.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The critical mass of Bay Area and Sacramento artists kept the fest from feeling generic and gave it a distinctively local flavor. Without these acts, Rolling Loud Oakland would have blended in with the festival’s other editions, where Travis Scott, Young Thug and Jaden Smith have already performed. The crowd looked familiar, too: neon fanny packs, NBA jerseys and white-girl cornrows resembled Instagram in real life. And as it often happens at music festivals, many non-black concertgoers seemed to feel disconcertingly at ease saying the n-word as they rapped along with their favorite artists.\u003c/p>\n\u003cfigure id=\"attachment_13840951\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840951\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0312-800x533.jpg\" alt=\"ALLBLACK backstage at Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0312.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0312-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0312-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0312-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0312-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0312-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">ALLBLACK backstage at Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At Rolling Loud’s Saturday kick-off, ALLBLACK didn’t let fans forget they were at a show in East Oakland, his home turf. He’s an emerging regional star on his way towards carrying Oakland’s sound beyond the 510. His set narrated his life experiences as a black man growing up in a neighborhood called the Murder Dubs, with an aggressive flow that blends the Town’s earlier music movements of mobb and hyphy into a forceful signature sound.\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>P-Lo, fresh off of a national tour with Oakland-born chart-topper G-Eazy, performed an energetic homecoming set. His memorable line from his track “Put Me on Somethin’,” “Last year they ain’t even like the Bay,” served as a reminder of the Bay Area’s fight for recognition in the national music scene. After the hyphy movement, the Bay’s relationship to mainstream hip-hop weakened. But the recent rise of artists like G-Eazy, Kamaiyah and Saweetie, all of whom have major label deals, indicates a shift. Bay Area artists have long fought for a seat at the table, and the numerous local artists at Rolling Loud certainly felt like a step in that direction.\u003c/p>\n\u003cp>When G-Eazy joined P-Lo to perform their collaborative Bay Area anthem, “Power,” P-Lo shouted to the crowd, “You proud to be from the Bay… because I’m reppin proud Bay Area sh-t.” He and his DJ, Cal-A, tore up the crowd like only some boys from the Bay could, gigging in the audience as they closed their set. To the side of the stage, members of HBK Gang and ALLBLACK went dumb in solidarity.\u003c/p>\n\u003cp>Later, Saweetie and Guapdad 4000 performed an unreleased collaboration during the “Icy Girl” rapper’s set; the sense of community among the local artists was palpable. For a weekend, Bay Area rappers set aside differences and performed as a united front as the industry’s underdogs, holding their own among a roster of mainstream artists.\u003c/p>\n\u003cfigure id=\"attachment_13840924\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840924\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0879-800x533.jpg\" alt=\"Kamaiyah plays Rolling Loud Bay Area in Oakland on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0879.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0879-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0879-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0879-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0879-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0879-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kamaiyah plays Rolling Loud Bay Area in Oakland on Sunday, September 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year’s Rolling Loud featured a notable increase of female rappers, including Kamaiyah, the reigning queen of the Bay Area rap scene.“I f-cking made it in Oakland, we ain’t never seen anything like this before,” she said as she opened her set. She grew up not far from the Coliseum, on 73rd Avenue.\u003c/p>\n\u003cp>Mozzy’s set linked his hometown of Sacramento to the Bay; he brought out “Do Better” rapper Prezi, who reps San Francisco’s Hunters Point. North Oakland’s Mistah F.A.B, a crucial figure in the Bay Area rap scene, came out during Mozzy’s performance to show the crowd how to “Ghost Ride It” with his instructional hyphy-era anthem.\u003c/p>\n\u003cp>“Them Bay Area rappers is legendary to me, I got F.A.B. coming out on my set,” Mozzy told KQED Arts backstage. “Rappers ain’t show nothing but love and I’m appreciative to take the stage after so many that have came before me.”\u003c/p>\n\u003cfigure id=\"attachment_13840899\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840899\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0296-800x533.jpg\" alt=\"G-Eazy joins P-Lo on stage at Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0296.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0296-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0296-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0296-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0296-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0296-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">G-Eazy joins P-Lo on stage at Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>E-40, godfather of Bay Area hip-hop, brought the spirit of the hyphy movement to Rolling Loud with “Tell Me When To Go.” As he spat the famous lines, “Jesus Christ had dreads / So shake ’em,” a new generation of Bay Area rappers, Kamaiyah and Slimmy B of SOB x RBE, watched in awe. When P-Lo and Nef The Pharaoh joined E-40 on stage to play “Bling Blaow” and “Put Me On Somethin’,” the joyful performance resembled a symbolic passing of the torch.\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>At Rolling Loud, Bay Area rappers proudly defined their space in a culture where their contributions have been historically ignored. The authentic sounds of the Bay transformed Rolling Loud, the world’s largest hip-hop festival, into a weekend in East Oakland where the region’s rap stars truly shone among a lineup of mainstream acts.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>More photos from Rolling Loud\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13840857\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840857\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0188-800x533.jpg\" alt=\"Saweetie plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0188.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0188-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0188-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0188-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0188-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0188-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Saweetie plays Rolling Loud Bay Area in Oakland onSept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840883\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840883\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0486-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0486.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0486-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0486-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0486-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0486-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0486-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840864\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840864\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0272-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0272.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0272-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0272-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0272-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0272-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0272-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840869\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0330-800x533.jpg\" alt=\"Jaden Smith plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0330.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0330-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0330-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0330-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0330-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0330-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jaden Smith plays Rolling Loud Bay Area in Oakland on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840873\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840873\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0377-800x533.jpg\" alt=\"Pusha T plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0377.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0377-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0377-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0377-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0377-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0377-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pusha T plays Rolling Loud Bay Area in Oakland on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840877\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840877\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0438-800x533.jpg\" alt=\"Playboi Carti plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0438.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0438-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0438-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0438-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0438-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0438-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Playboi Carti plays Rolling Loud Bay Area in Oakland on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840880\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840880\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0459-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0459.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0459-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0459-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0459-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0459-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0459-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840882\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840882\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0472-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0472.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0472-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0472-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0472-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0472-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0472-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840885\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840885\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0504-800x533.jpg\" alt=\"Joey BadA$$ plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0504.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0504-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0504-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0504-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0504-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0504-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Joey BadA$$ plays Rolling Loud Bay Area in Oakland on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840887\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840887\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0531-800x533.jpg\" alt=\"Gucci Mane plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0531-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0531-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0531-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0531-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0531-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gucci Mane plays Rolling Loud Bay Area in Oakland on Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840894\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840894\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0633-800x533.jpg\" alt=\"Wiz Khalifa plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0633.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0633-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0633-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0633-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0633-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0633-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wiz Khalifa plays Rolling Loud Bay Area in Oakland on Saturday, Sept. 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840948\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840948\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1214-Edit-800x533.jpg\" alt=\"Travis Scott plays Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1214-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1214-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1214-Edit-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1214-Edit-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1214-Edit-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1214-Edit-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Travis Scott plays Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840947\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840947\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1201-800x533.jpg\" alt=\"Travis Scott plays Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1201.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1201-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1201-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1201-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1201-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1201-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Travis Scott plays Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840946\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840946\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1186-800x533.jpg\" alt=\"Travis Scott plays Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1186.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1186-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1186-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1186-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1186-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1186-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Travis Scott plays Rolling Loud Bay Area on Sunday, September 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840944\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840944\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1157-800x533.jpg\" alt=\"Rae Sremmurd play Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1157.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1157-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1157-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1157-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1157-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1157-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rae Sremmurd play Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840942\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840942\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1133-800x533.jpg\" alt=\"Young Thug plays at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1133.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1133-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1133-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1133-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1133-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1133-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Young Thug plays at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840941\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840941\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1130-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1130.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1130-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1130-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1130-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1130-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1130-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840940\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840940\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1127-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1127.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1127-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1127-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1127-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1127-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1127-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840939\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840939\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1085-800x533.jpg\" alt=\"Young Thug plays at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1085.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1085-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1085-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1085-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1085-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1085-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Young Thug plays at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840937\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840937\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1066-2-800x533.jpg\" alt=\"Nef the Pharaoh backstage at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1066-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1066-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1066-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1066-2-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1066-2-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1066-2-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nef the Pharaoh backstage at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840934\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840934\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1021-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1021.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1021-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1021-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1021-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840931\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840931\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0969-800x533.jpg\" alt=\"E-40 plays Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0969.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0969-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0969-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0969-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0969-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0969-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E-40 plays Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840933\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_1002-800x533.jpg\" alt=\"P-Lo performs with E-40 at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1002.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1002-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1002-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_1002-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">P-Lo performs with E-40 at Rolling Loud Bay Area on Sunday, September 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840930\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840930\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0946-800x533.jpg\" alt=\"Famous Dex performs with Rich the Kid at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0946.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0946-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0946-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0946-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0946-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0946-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Famous Dex performs with Rich the Kid at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840928\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840928\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0929-800x533.jpg\" alt=\"Rich the Kid plays Rolling Loud Bay Area in Oakland on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0929.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0929-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0929-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0929-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0929-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0929-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rich the Kid plays Rolling Loud Bay Area in Oakland on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840926\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840926\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0903-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0903.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0903-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0903-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0903-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0903-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0903-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840912\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0732-800x533.jpg\" alt=\"Mozzy plays Rolling Loud Bay Area in Oakland on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13840912\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0732.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0732-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0732-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0732-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0732-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0732-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mozzy plays Rolling Loud Bay Area in Oakland on Sunday, September 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840925\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840925\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0899-800x533.jpg\" alt=\"The crowd during Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0899.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0899-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0899-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0899-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0899-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0899-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd during Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840921\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840921\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0825-800x533.jpg\" alt=\"Kamaiyah backstage at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0825.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0825-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0825-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0825-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0825-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0825-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kamaiyah backstage at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840920\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840920\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0809-800x533.jpg\" alt=\"Chief Keef plays Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0809.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0809-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0809-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0809-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0809-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0809-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chief Keef plays Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840918\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840918\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0798-800x533.jpg\" alt=\"Slimmy B backstage at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0798.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0798-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0798-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0798-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0798-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0798-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Slimmy B backstage at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840917\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840917\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0758-800x533.jpg\" alt=\"Berner plays Rolling Loud Bay Area in Oakland on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0758.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0758-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0758-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0758-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0758-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0758-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Berner plays Rolling Loud Bay Area in Oakland on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840914\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840914\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0747-800x533.jpg\" alt=\"Prezi at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0747.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0747-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0747-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0747-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0747-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0747-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Prezi at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840915\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840915\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0748-800x533.jpg\" alt=\"Mistah F.A.B. at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0748.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0748-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0748-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0748-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0748-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0748-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mistah F.A.B. at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13840913\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840913\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0742-800x533.jpg\" alt=\"Marty Grimes at Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0742.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0742-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0742-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0742-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0742-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0742-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Marty Grimes at Rolling Loud Bay Area on Sunday, Sept. 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"title": "11 Must-See Fall Concerts: Beyoncé, Giorgio Moroder, Blood Orange and More",
"headTitle": "11 Must-See Fall Concerts: Beyoncé, Giorgio Moroder, Blood Orange and More | KQED",
"content": "\u003cp>This fall, the Bay Area concert calendar is packed with music festivals, tours from all-time greats and club appearances from notable up-and-comers. Whether you’re nostalgic for hyphy, craving a rave or need a soul-cleansing night of protest anthems, we’ve got you covered with our selective list of shows not to miss this season. Stay tuned for our jazz and classical preview later this week.\u003c/p>\n\u003ch2>September\u003c/h2>\n\u003cfigure id=\"attachment_13839943\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839943\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-800x450.jpg\" alt=\"E-40 performs at the 2014 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E-40 performs at the 2014 Coachella Valley Music & Arts Festival. \u003ccite>(Kevin Winter/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.oraclearena.com/events/detail/rolling-loud\" target=\"_blank\" rel=\"noopener\">Rolling Loud\u003c/a>\u003cbr>\nSept. 15–16, Oracle Arena, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Rolling Loud, the traveling rap festival, comes to the Bay Area for the second year in a row, bringing a solid mix of local and national talent to Oakland’s Oracle Arena. This festival is all about street and party rap, booking underground favorites alongside established major label signees. E-40, Kamaiyah, Mozzy, Noni Blanco, ALLBLACK and Saweetie are just a few of the artists representing Northern California, while Wiz Khalifa and Travis Scott headline. Gucci Mane, one of the architects of modern-day trap music, also appears, alongside next-generation trap artists like Lil Uzi Vert and Playboy Carti.\u003c/p>\n\u003cfigure id=\"attachment_13839941\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839941\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-800x457.jpg\" alt=\"Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. \" width=\"800\" height=\"457\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-800x457.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-768x439.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1020x583.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1200x686.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1180x674.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-960x549.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-240x137.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-375x214.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-520x297.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://thefoxoakland.com/events/blood-orange-2\" target=\"_blank\" rel=\"noopener\">\u003cb>Blood Orange\u003c/b>\u003c/a>\u003cbr>\n\u003cstrong>Sept. 20, Fox Theater, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Devonté Hynes originally gained attention as a producer for indie-pop favorites Solange and Sky Ferreira before rising to major acclaim as a solo artist. As Blood Orange, his soulful tracks, with ’80s power-ballad drums and funky bass lines, stem from the lineages of Prince and Sade. Blood Orange brings a decisively melancholy overtone to his compositions; his latest album,\u003cem> Negro Swan\u003c/em>, is a highly personal project that deals with coming to terms with being different. He’s also a Bay Area favorite. When he opened for Grace Jones at the Greek Theater in 2016, he paid homage to Terrence McCrary, a.k.a TMACK, an artist and well-loved member of the creative community who was killed in a shooting.\u003c/p>\n\u003cfigure id=\"attachment_13829933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829933\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-800x450.jpg\" alt=\"Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1200x674.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1180x663.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison. \u003ccite>(Lance Dawes/Courtesy of Los Tigres del Norte)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.sapcenter.com/events/detail/lostigresdelnorteandalejandrofernandez\" target=\"_blank\" rel=\"noopener\">Los Tigres del Norte and Alejandro Fernández\u003c/a>\u003cbr>\nSept. 21, SAP Center, San Jose.\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Los Tigres del Norte are practically synonymous with Mexican norteño music. Led by three brothers originally from Mexico, the band was founded in San Jose, where they perform in September with Mexican singer Alexandro Fernández, son of the great balladeer Vicente Fernández. With several generations of fans, Los Tigres have leveraged their fame to make powerful political statements. Most recently, they performed at Folsom State Prison in an act of solidarity with incarcerated people; prior to that, their song “Paisano a Paisano” told the stories of undocumented farm workers who toil in the fields as their bosses reap the riches.\u003c/p>\n\u003cfigure id=\"attachment_13839939\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839939\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-800x450.jpg\" alt=\"Lil B performs at the 2015 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil B performs at the 2015 Coachella Valley Music & Arts Festival. \u003ccite>(Frazer Harrison/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/210090923180784/\" target=\"_blank\" rel=\"noopener\">DMP Music Festival\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Sept. 23, SoMa StrEat Food Park, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Nostalgic for the hyphy movement? DMP Music Festival, a new event in its first year, is the place to go stupid. The Pack, Lil B’s rap group responsible for songs like “Vans” and “Booty Bounce Boppa,” reunites for this event. Joining them on the bill is Vallejo rap prodigy Nef the Pharaoh, along with D-Lo, the North Oakland rapper whose 2009 song “No Hoe” still puts dance floors in a frenzy nearly 10 years later. Stunna shades and tall tees not required.\u003c/p>\n\u003cfigure id=\"attachment_10136103\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10136103 size-large\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/05/186799878_custom-49bd38fa52b87ae2afc5980791481eaa9028d70a-1440x1014.jpg\" alt=\"Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013.\" width=\"640\" height=\"451\">\u003cfigcaption class=\"wp-caption-text\">Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013. \u003ccite>(Gabriel Olsen/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://mezzaninesf.com/events/giorgio-moroder/\" target=\"_blank\" rel=\"noopener\">Giorgio Moroder\u003c/a>\u003cbr>\nSept. 28, Mezzanine, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Giorgio Moroder is the reason why half of the music on the radio sounds the way it does. Known as the father of disco and grandfather of house, the Italian producer helped popularize the synthesizer as a staple instrument of popular music, working with Donna Summer, Blondie, David Bowie, Daft Punk and many more. At 78 years old, he’s still touring and creating, and is considered the oldest DJ in the world. A true living legend.\u003c/p>\n\u003cp>\u003cb>\u003ca href=\"http://www.levisstadium.com/event/2018-09-29-otr-ll/\" target=\"_blank\" rel=\"noopener\">Beyoncé and Jay Z\u003c/a>\u003cbr>\n\u003cb>Sept. 29, Levi’s Stadium, Santa Clara.\u003c/b>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13829594\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829594\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-800x450.jpg\" alt=\"Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California. \u003ccite>(Larry Busacca/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jay Z may have spat some bars about financial literacy recently, but Beyoncé is the true star of her and her husband’s On the Run II tour. As we saw with her Coachella performance, her live show is a larger-than-life, dazzling showcase that celebrates black family, femininity, love, creativity and resistance. Beyoncé and Jay Z’s latest album, \u003cem>Everything is Love\u003c/em>, which they released as The Carters, is a jubilant victory lap that celebrates America’s first family of pop.\u003c/p>\n\u003ch2>October\u003c/h2>\n\u003cfigure id=\"attachment_13839867\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839867\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-800x450.jpg\" alt=\"Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana. \u003ccite>( Rick Diamond/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.hardlystrictlybluegrass.com/2018/\" target=\"_blank\" rel=\"noopener\">Hardly Strictly Bluegrass\u003c/a>\u003cbr>\nOct. 5–7, Golden Gate Park, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Hardly Strictly Bluegrass has become a San Francisco tradition over the past 18 years, and best of all, it’s free. The fest books mostly bluegrass, folk and country acts, but there are also usually surprises from other genres (past years have featured MC Hammer and Big Freedia). The 2018 lineup includes over 80 acts on six stages; notable artists to look out for include singer-songwriter Ani DiFranco, Chicano rockers Los Lobos, Graham Nash of Crosby, Stills, Nash & Young and lots more.\u003c/p>\n\u003cfigure id=\"attachment_13832404\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832404\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/tame-impala-800x450.jpg\" alt=\"Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.treasureislandfestival.com/\" target=\"_blank\" rel=\"noopener\">Treasure Island Music Festival\u003c/a>\u003cbr>\nOct. 13–14, Middle Harbor Shoreline Park, Oakland.\u003c/strong>\u003c/p>\n\u003cp>After skipping a year in 2017, Treasure Island is back—this time across the bay in West Oakland’s Middle Harbor Shoreline Park. Headliners this year include “L$D” rapper A$AP Rocky and psych rockers Tame Impala. Pusha T, who recently made a comeback on Kanye West’s G.O.O.D. Music after his infamous beef with Drake, will also be there, as well as Courtney Barnett and Soccer Mommy, two of the most interesting indie rock singer-songwriters to come out in years.\u003c/p>\n\u003ch2>November\u003c/h2>\n\u003cfigure id=\"attachment_13013074\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13013074\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-800x450.jpg\" alt=\"Joan Baez performs onstage at the ASCAP Centennial Awards in 2014.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Joan Baez performs onstage at the ASCAP Centennial Awards in 2014. \u003ccite>(Brian Ach/Getty Images for ASCAP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.stubhub.com/joan-baez-tickets/performer/228/\" target=\"_blank\" rel=\"noopener\">Joan Baez\u003c/a>\u003cbr>\nNov. 11, Weill Hall, Ronhert Park\u003cbr>\nNov. 15, The Masonic, San Francisco\u003cbr>\nNov. 16–17, Fox Theater, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Joan Baez—need I say more? The folk great and activist will be making her rounds through Northern California in November with four sold-out concerts. (At press time, tickets are still available on the secondary market starting in the $70 range.) Baez has used her voice to stand in solidarity with the civil rights, labor and anti-war movements and continues to give people hope in today’s political moment with classic songs like “We Shall Overcome.”\u003c/p>\n\u003cfigure id=\"attachment_13839946\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839946\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-800x450.jpg\" alt=\"Bonobo at the 2014 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bonobo at the 2014 Coachella Valley Music & Arts Festival. \u003ccite>(Jason Kempin/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.themidwaysf.com/event/1750684-bonobo-dj-set-san-francisco/\" target=\"_blank\" rel=\"noopener\">Bonobo\u003c/a>\u003cbr>\nNov. 17, The Midway, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>The Midway, the spacious warehouse-turned-venue in San Francisco’s Dogpatch neighborhood, is an excellent place to rave. This November, it plays host to British producer Bonobo, who’s earned a cult following over the past 20 years for his eclectic house, EDM and ambient production, fusing jazz and world music elements into his danceable and surprising beats.\u003c/p>\n\u003cfigure id=\"attachment_13839947\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839947\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-800x450.jpg\" alt=\"Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. \u003ccite>(Steven Ferdman/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.oraclearena.com/events/detail/fleetwood-mac-2\" target=\"_blank\" rel=\"noopener\">Fleetwood Mac\u003c/a>\u003cbr>\nNov. 25, Oracle Arena, Oakland.\u003c/strong>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Fleetwood Mac’s “Dreams” unexpectedly shot to the top of Billboard’s rock chart this year on the strength of a viral meme that paired the 1977 track with a video of Alcorn State University’s dance troupe—a testament to Fleetwood Mac’s enduring, cross-cultural and intergenerational appeal. The band is back on tour and working on new material, so here’s a chance to watch them perform classics like “The Chain” and “Go Your Own Way” and witness frontwoman Stevie Nicks in all her bohemian goddess glory.\u003c/p>\n\n",
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"excerpt": " Whether you're nostalgic for the hyphy movement, craving a rave or need a soul-cleansing moment of singing along to protest anthems, we've got you covered. ",
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"description": " Whether you're nostalgic for the hyphy movement, craving a rave or need a soul-cleansing moment of singing along to protest anthems, we've got you covered. ",
"title": "11 Must-See Fall Concerts: Beyoncé, Giorgio Moroder, Blood Orange and More | KQED",
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"headline": "11 Must-See Fall Concerts: Beyoncé, Giorgio Moroder, Blood Orange and More",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This fall, the Bay Area concert calendar is packed with music festivals, tours from all-time greats and club appearances from notable up-and-comers. Whether you’re nostalgic for hyphy, craving a rave or need a soul-cleansing night of protest anthems, we’ve got you covered with our selective list of shows not to miss this season. Stay tuned for our jazz and classical preview later this week.\u003c/p>\n\u003ch2>September\u003c/h2>\n\u003cfigure id=\"attachment_13839943\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839943\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-800x450.jpg\" alt=\"E-40 performs at the 2014 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E-40 performs at the 2014 Coachella Valley Music & Arts Festival. \u003ccite>(Kevin Winter/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.oraclearena.com/events/detail/rolling-loud\" target=\"_blank\" rel=\"noopener\">Rolling Loud\u003c/a>\u003cbr>\nSept. 15–16, Oracle Arena, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Rolling Loud, the traveling rap festival, comes to the Bay Area for the second year in a row, bringing a solid mix of local and national talent to Oakland’s Oracle Arena. This festival is all about street and party rap, booking underground favorites alongside established major label signees. E-40, Kamaiyah, Mozzy, Noni Blanco, ALLBLACK and Saweetie are just a few of the artists representing Northern California, while Wiz Khalifa and Travis Scott headline. Gucci Mane, one of the architects of modern-day trap music, also appears, alongside next-generation trap artists like Lil Uzi Vert and Playboy Carti.\u003c/p>\n\u003cfigure id=\"attachment_13839941\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839941\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-800x457.jpg\" alt=\"Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. \" width=\"800\" height=\"457\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-800x457.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-768x439.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1020x583.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1200x686.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1180x674.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-960x549.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-240x137.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-375x214.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-520x297.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://thefoxoakland.com/events/blood-orange-2\" target=\"_blank\" rel=\"noopener\">\u003cb>Blood Orange\u003c/b>\u003c/a>\u003cbr>\n\u003cstrong>Sept. 20, Fox Theater, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Devonté Hynes originally gained attention as a producer for indie-pop favorites Solange and Sky Ferreira before rising to major acclaim as a solo artist. As Blood Orange, his soulful tracks, with ’80s power-ballad drums and funky bass lines, stem from the lineages of Prince and Sade. Blood Orange brings a decisively melancholy overtone to his compositions; his latest album,\u003cem> Negro Swan\u003c/em>, is a highly personal project that deals with coming to terms with being different. He’s also a Bay Area favorite. When he opened for Grace Jones at the Greek Theater in 2016, he paid homage to Terrence McCrary, a.k.a TMACK, an artist and well-loved member of the creative community who was killed in a shooting.\u003c/p>\n\u003cfigure id=\"attachment_13829933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829933\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-800x450.jpg\" alt=\"Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1200x674.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1180x663.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison. \u003ccite>(Lance Dawes/Courtesy of Los Tigres del Norte)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.sapcenter.com/events/detail/lostigresdelnorteandalejandrofernandez\" target=\"_blank\" rel=\"noopener\">Los Tigres del Norte and Alejandro Fernández\u003c/a>\u003cbr>\nSept. 21, SAP Center, San Jose.\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Los Tigres del Norte are practically synonymous with Mexican norteño music. Led by three brothers originally from Mexico, the band was founded in San Jose, where they perform in September with Mexican singer Alexandro Fernández, son of the great balladeer Vicente Fernández. With several generations of fans, Los Tigres have leveraged their fame to make powerful political statements. Most recently, they performed at Folsom State Prison in an act of solidarity with incarcerated people; prior to that, their song “Paisano a Paisano” told the stories of undocumented farm workers who toil in the fields as their bosses reap the riches.\u003c/p>\n\u003cfigure id=\"attachment_13839939\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839939\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-800x450.jpg\" alt=\"Lil B performs at the 2015 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil B performs at the 2015 Coachella Valley Music & Arts Festival. \u003ccite>(Frazer Harrison/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/210090923180784/\" target=\"_blank\" rel=\"noopener\">DMP Music Festival\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Sept. 23, SoMa StrEat Food Park, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Nostalgic for the hyphy movement? DMP Music Festival, a new event in its first year, is the place to go stupid. The Pack, Lil B’s rap group responsible for songs like “Vans” and “Booty Bounce Boppa,” reunites for this event. Joining them on the bill is Vallejo rap prodigy Nef the Pharaoh, along with D-Lo, the North Oakland rapper whose 2009 song “No Hoe” still puts dance floors in a frenzy nearly 10 years later. Stunna shades and tall tees not required.\u003c/p>\n\u003cfigure id=\"attachment_10136103\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10136103 size-large\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/05/186799878_custom-49bd38fa52b87ae2afc5980791481eaa9028d70a-1440x1014.jpg\" alt=\"Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013.\" width=\"640\" height=\"451\">\u003cfigcaption class=\"wp-caption-text\">Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013. \u003ccite>(Gabriel Olsen/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://mezzaninesf.com/events/giorgio-moroder/\" target=\"_blank\" rel=\"noopener\">Giorgio Moroder\u003c/a>\u003cbr>\nSept. 28, Mezzanine, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Giorgio Moroder is the reason why half of the music on the radio sounds the way it does. Known as the father of disco and grandfather of house, the Italian producer helped popularize the synthesizer as a staple instrument of popular music, working with Donna Summer, Blondie, David Bowie, Daft Punk and many more. At 78 years old, he’s still touring and creating, and is considered the oldest DJ in the world. A true living legend.\u003c/p>\n\u003cp>\u003cb>\u003ca href=\"http://www.levisstadium.com/event/2018-09-29-otr-ll/\" target=\"_blank\" rel=\"noopener\">Beyoncé and Jay Z\u003c/a>\u003cbr>\n\u003cb>Sept. 29, Levi’s Stadium, Santa Clara.\u003c/b>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13829594\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829594\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-800x450.jpg\" alt=\"Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California. \u003ccite>(Larry Busacca/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jay Z may have spat some bars about financial literacy recently, but Beyoncé is the true star of her and her husband’s On the Run II tour. As we saw with her Coachella performance, her live show is a larger-than-life, dazzling showcase that celebrates black family, femininity, love, creativity and resistance. Beyoncé and Jay Z’s latest album, \u003cem>Everything is Love\u003c/em>, which they released as The Carters, is a jubilant victory lap that celebrates America’s first family of pop.\u003c/p>\n\u003ch2>October\u003c/h2>\n\u003cfigure id=\"attachment_13839867\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839867\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-800x450.jpg\" alt=\"Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana. \u003ccite>( Rick Diamond/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.hardlystrictlybluegrass.com/2018/\" target=\"_blank\" rel=\"noopener\">Hardly Strictly Bluegrass\u003c/a>\u003cbr>\nOct. 5–7, Golden Gate Park, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Hardly Strictly Bluegrass has become a San Francisco tradition over the past 18 years, and best of all, it’s free. The fest books mostly bluegrass, folk and country acts, but there are also usually surprises from other genres (past years have featured MC Hammer and Big Freedia). The 2018 lineup includes over 80 acts on six stages; notable artists to look out for include singer-songwriter Ani DiFranco, Chicano rockers Los Lobos, Graham Nash of Crosby, Stills, Nash & Young and lots more.\u003c/p>\n\u003cfigure id=\"attachment_13832404\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832404\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/tame-impala-800x450.jpg\" alt=\"Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.treasureislandfestival.com/\" target=\"_blank\" rel=\"noopener\">Treasure Island Music Festival\u003c/a>\u003cbr>\nOct. 13–14, Middle Harbor Shoreline Park, Oakland.\u003c/strong>\u003c/p>\n\u003cp>After skipping a year in 2017, Treasure Island is back—this time across the bay in West Oakland’s Middle Harbor Shoreline Park. Headliners this year include “L$D” rapper A$AP Rocky and psych rockers Tame Impala. Pusha T, who recently made a comeback on Kanye West’s G.O.O.D. Music after his infamous beef with Drake, will also be there, as well as Courtney Barnett and Soccer Mommy, two of the most interesting indie rock singer-songwriters to come out in years.\u003c/p>\n\u003ch2>November\u003c/h2>\n\u003cfigure id=\"attachment_13013074\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13013074\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-800x450.jpg\" alt=\"Joan Baez performs onstage at the ASCAP Centennial Awards in 2014.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Joan Baez performs onstage at the ASCAP Centennial Awards in 2014. \u003ccite>(Brian Ach/Getty Images for ASCAP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.stubhub.com/joan-baez-tickets/performer/228/\" target=\"_blank\" rel=\"noopener\">Joan Baez\u003c/a>\u003cbr>\nNov. 11, Weill Hall, Ronhert Park\u003cbr>\nNov. 15, The Masonic, San Francisco\u003cbr>\nNov. 16–17, Fox Theater, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Joan Baez—need I say more? The folk great and activist will be making her rounds through Northern California in November with four sold-out concerts. (At press time, tickets are still available on the secondary market starting in the $70 range.) Baez has used her voice to stand in solidarity with the civil rights, labor and anti-war movements and continues to give people hope in today’s political moment with classic songs like “We Shall Overcome.”\u003c/p>\n\u003cfigure id=\"attachment_13839946\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839946\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-800x450.jpg\" alt=\"Bonobo at the 2014 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bonobo at the 2014 Coachella Valley Music & Arts Festival. \u003ccite>(Jason Kempin/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.themidwaysf.com/event/1750684-bonobo-dj-set-san-francisco/\" target=\"_blank\" rel=\"noopener\">Bonobo\u003c/a>\u003cbr>\nNov. 17, The Midway, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>The Midway, the spacious warehouse-turned-venue in San Francisco’s Dogpatch neighborhood, is an excellent place to rave. This November, it plays host to British producer Bonobo, who’s earned a cult following over the past 20 years for his eclectic house, EDM and ambient production, fusing jazz and world music elements into his danceable and surprising beats.\u003c/p>\n\u003cfigure id=\"attachment_13839947\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839947\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-800x450.jpg\" alt=\"Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. \u003ccite>(Steven Ferdman/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.oraclearena.com/events/detail/fleetwood-mac-2\" target=\"_blank\" rel=\"noopener\">Fleetwood Mac\u003c/a>\u003cbr>\nNov. 25, Oracle Arena, Oakland.\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Fleetwood Mac’s “Dreams” unexpectedly shot to the top of Billboard’s rock chart this year on the strength of a viral meme that paired the 1977 track with a video of Alcorn State University’s dance troupe—a testament to Fleetwood Mac’s enduring, cross-cultural and intergenerational appeal. The band is back on tour and working on new material, so here’s a chance to watch them perform classics like “The Chain” and “Go Your Own Way” and witness frontwoman Stevie Nicks in all her bohemian goddess glory.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Wiz Khalifa, Rae Sremmurd, Travis Scott to Headline Rolling Loud in Oakland",
"headTitle": "Wiz Khalifa, Rae Sremmurd, Travis Scott to Headline Rolling Loud in Oakland | KQED",
"content": "\u003cp>Last time the rap festival Rolling Loud came to the Bay Area, it didn’t go off without a hitch. Local rap fans \u003ca href=\"https://twitter.com/Lefebvre_Sam/status/1006962099254276096\" target=\"_blank\" rel=\"noopener\">criticized\u003c/a> the \u003ca href=\"http://www.xxlmag.com/news/2017/08/travis-scott-lil-wayne-headline-2017-rolling-loud-bay-area/\" target=\"_blank\" rel=\"noopener\">festival’s booking\u003c/a>, which included few local artists. And A Boogie Wit a Hoodie and his entourage \u003ca href=\"http://www.thefader.com/2017/10/21/lil-b-jumped-at-rolling-loud\" target=\"_blank\" rel=\"noopener\">allegedly jumped beloved Bay Area rapper Lil B\u003c/a> in an altercation backstage; Lil B canceled his set, and told the audience that his equipment was stolen in the fight.\u003c/p>\n\u003cp>Although Rolling Loud organizers didn’t return KQED’s request for comment about the Lil B situation last year when we reached out to their publicist, it seems that they’ve taken the feedback about local talent into account for the festival’s 2018 return to the Bay Area.\u003c/p>\n\u003cp>This year’s Rolling Loud takes place at the Oakland Coliseum on Sept. 15–16. In addition to headlining sets by Wiz Khalifa, Rae Sremmurd and Travis Scott, the lineup includes many notable locals. Established OGs E-40 and Berner made the bill, as well as exciting up-and-comers from the Bay Area and Sacramento, including “Icy Girl” rapper Saweetie; buzzed-about East Oakland rapper \u003ca href=\"https://www.kqed.org/arts/13830210/with-brutal-honesty-oaklands-allblack-reaches-toward-peace\" target=\"_blank\" rel=\"noopener\">Allblack\u003c/a>; “Scamboy” rapper and internet comedian \u003ca href=\"https://www.kqed.org/arts/13819858/pro-tip-keep-your-credit-cards-away-from-guapdad-4000\" target=\"_blank\" rel=\"noopener\">Guapdad4000\u003c/a>; Oakland’s reigning rap queen \u003ca href=\"https://www.kqed.org/arts/13825052/kamaiyah-surprises-hayward-high-school-with-black-panther-tickets\" target=\"_blank\" rel=\"noopener\">Kamaiyah\u003c/a>; Sacramento’s Mozzy, who was featured on the \u003cem>Black Panther\u003c/em> soundtrack; and more.\u003c/p>\n\u003cp>Check out the full lineup below. Tickets go on sale July 20.\u003c/p>\n\u003cp>https://twitter.com/RollingLoud/status/1019699658233450496\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"excerpt": "The Sept. 15–16 festival also features E-40, Berner, Saweetie, Allblack, Kamaiyah and more. ",
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"description": "The Sept. 15–16 festival also features E-40, Berner, Saweetie, Allblack, Kamaiyah and more. ",
"title": "Wiz Khalifa, Rae Sremmurd, Travis Scott to Headline Rolling Loud in Oakland | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Last time the rap festival Rolling Loud came to the Bay Area, it didn’t go off without a hitch. Local rap fans \u003ca href=\"https://twitter.com/Lefebvre_Sam/status/1006962099254276096\" target=\"_blank\" rel=\"noopener\">criticized\u003c/a> the \u003ca href=\"http://www.xxlmag.com/news/2017/08/travis-scott-lil-wayne-headline-2017-rolling-loud-bay-area/\" target=\"_blank\" rel=\"noopener\">festival’s booking\u003c/a>, which included few local artists. And A Boogie Wit a Hoodie and his entourage \u003ca href=\"http://www.thefader.com/2017/10/21/lil-b-jumped-at-rolling-loud\" target=\"_blank\" rel=\"noopener\">allegedly jumped beloved Bay Area rapper Lil B\u003c/a> in an altercation backstage; Lil B canceled his set, and told the audience that his equipment was stolen in the fight.\u003c/p>\n\u003cp>Although Rolling Loud organizers didn’t return KQED’s request for comment about the Lil B situation last year when we reached out to their publicist, it seems that they’ve taken the feedback about local talent into account for the festival’s 2018 return to the Bay Area.\u003c/p>\n\u003cp>This year’s Rolling Loud takes place at the Oakland Coliseum on Sept. 15–16. In addition to headlining sets by Wiz Khalifa, Rae Sremmurd and Travis Scott, the lineup includes many notable locals. Established OGs E-40 and Berner made the bill, as well as exciting up-and-comers from the Bay Area and Sacramento, including “Icy Girl” rapper Saweetie; buzzed-about East Oakland rapper \u003ca href=\"https://www.kqed.org/arts/13830210/with-brutal-honesty-oaklands-allblack-reaches-toward-peace\" target=\"_blank\" rel=\"noopener\">Allblack\u003c/a>; “Scamboy” rapper and internet comedian \u003ca href=\"https://www.kqed.org/arts/13819858/pro-tip-keep-your-credit-cards-away-from-guapdad-4000\" target=\"_blank\" rel=\"noopener\">Guapdad4000\u003c/a>; Oakland’s reigning rap queen \u003ca href=\"https://www.kqed.org/arts/13825052/kamaiyah-surprises-hayward-high-school-with-black-panther-tickets\" target=\"_blank\" rel=\"noopener\">Kamaiyah\u003c/a>; Sacramento’s Mozzy, who was featured on the \u003cem>Black Panther\u003c/em> soundtrack; and more.\u003c/p>\n\u003cp>Check out the full lineup below. Tickets go on sale July 20.\u003c/p>\u003c/p>\u003c/div>",
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"title": "The Music Industry Needs to Hold Alleged Abusers Like XXXTentacion Accountable",
"headTitle": "The Music Industry Needs to Hold Alleged Abusers Like XXXTentacion Accountable | KQED",
"content": "\u003cp>Prior to Pitchfork publishing gruesome details from \u003ca href=\"https://pitchfork.com/thepitch/xxxtentacions-reported-victim-details-grim-pattern-of-abuse-in-testimony/\" target=\"_blank\" rel=\"noopener\">XXXtentacion’s accuser’s deposition\u003c/a> last Friday, many in the music industry regarded allegations of domestic violence against the rapper as an inconvenient detail that, while unsettling, was easy to ignore. After all, his album, \u003cem>17\u003c/em>, \u003ca href=\"http://www.rollingstone.com/music/news/on-the-charts-lil-uzi-vert-xxxtentacion-take-top-two-spots-w501076\" target=\"_blank\" rel=\"noopener\">just hit No. 2 on the Billboard 200 chart\u003c/a>; the rapper (whose real name is Jahseh Onfroy) was also featured on \u003ca href=\"http://freshman.xxlmag.com/\" target=\"_blank\" rel=\"noopener\">\u003cem>XXL’s\u003c/em> Freshman 15 list\u003c/a>, positioning him as a rising star. \u003c/p>\n\u003cp>But Pitchfork’s extensive report cast a shadow on XXXTentacion’s successful year: The deposition spelled out an alleged pattern of violence and torture, details of which culminate with XXXTentacion kidnapping his then-girlfriend and holding her prisoner in a North Miami Beach apartment. He now faces charges for aggravated battery of a pregnant woman, domestic battery by strangulation, false imprisonment, and witness-tampering.\u003c/p>\n\u003cp>These gruesome details should be a wake-up call for industry gatekeepers, whose continued silence on the matter is deafening. \u003c/p>\n\u003cfigure id=\"attachment_13808602\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/Empire.XXXtentacion-800x516.jpg\" alt=\"XXXTentacion's latest album, '17,' was released by San Francisco-based Empire. \" width=\"800\" height=\"516\" class=\"size-medium wp-image-13808602\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Empire.XXXtentacion-800x516.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Empire.XXXtentacion-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Empire.XXXtentacion-768x495.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Empire.XXXtentacion-240x155.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Empire.XXXtentacion-375x242.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Empire.XXXtentacion-520x335.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Empire.XXXtentacion.jpg 957w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">XXXTentacion’s latest album, ’17,’ was released by San Francisco-based Empire. \u003ccite>(@EMPIRE / IG)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The debate of whether we should separate art from artist is a long and sticky one: How many of us are disturbed by the accusations of sexual abuse against R. Kelly but still can’t help but “Step in the Name of Love”? And how many of us forget Rihanna’s bruised face when we hum along to Chris Brown’s “Loyal”? For many, it’s difficult to sever allegiance to an artist after years or even decades of fandom. Our love of these artists’ work, coupled with implicit gender bias, often prevents us from holding them accountable. \u003c/p>\n\u003caside class=\"pullquote alignright\">Right now, the wheels of the music industry are turning to make viral upstarts like XXXTentacion into idols through record deals, PR campaigns, and prominent bookings.\u003c/aside>\n\u003cp>But this pattern of normalizing domestic violence and sexual abuse in the entertainment industry has to end somewhere. Perhaps the generations of people raised on R. Kelly will never fully turn their backs on his music. But people in powerful positions in today’s industry also have a responsibility not to make icons out of a new generation of abusers.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Well before his accuser’s deposition was published on Pitchfork, it was known that XXXTentacion faced an October trial for allegedly beating a pregnant woman. And yet the San Francisco record label \u003ca href=\"https://www.empi.re/\" target=\"_blank\" rel=\"noopener\">Empire\u003c/a> — whose roster includes progressive, feminist singer Goapele — still put out \u003cem>17\u003c/em>. (Empire did not respond to KQED’s request for comment about the future of its relationship with XXXTentacion.) \u003c/p>\n\u003cp>Furthermore, the rap tour \u003ca href=\"http://www.rollingloud.com/\" target=\"_blank\" rel=\"noopener\">Rolling Loud\u003c/a>, which makes its Bay Area stop at Shoreline Pavilion on Oct. 21–22, features XXXTentacion and two other accused abusers: Famous Dex and Kodak Black. A \u003ca href=\"http://www.complex.com/music/2016/09/shocking-footage-shows-famous-dex-assaulting-woman\" target=\"_blank\" rel=\"noopener\">surveillance video\u003c/a> circulated last year of Famous Dex chasing and beating a woman in a hallway; and there’s an \u003ca href=\"http://www.thefader.com/2016/11/30/kodak-blacks-sexual-battery-accusation-case\" target=\"_blank\" rel=\"noopener\">ongoing sexual battery case\u003c/a> against Kodak Black along with \u003ca href=\"http://www.thefader.com/2017/04/05/kodak-black-assault-miami-strip-club\" target=\"_blank\" rel=\"noopener\">new allegations of him assaulting a female bartender\u003c/a> at a Miami strip club. (The organizers of Rolling Loud also did not comment on the matter when contacted by KQED.)\u003c/p>\n\u003cfigure id=\"attachment_13808601\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/KodakBlack-800x533.jpg\" alt=\"Kodak Black attends the 2017 MTV Video Music Awards at The Forum on August 27, 2017 in Inglewood, California. \" width=\"800\" height=\"533\" class=\"size-medium wp-image-13808601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kodak Black attends the 2017 MTV Video Music Awards at The Forum on August 27, 2017 in Inglewood, California. \u003ccite>(Rich Fury/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>These artists have faced some backlash — most notably from comedian \u003ca href=\"http://www.billboard.com/articles/columns/hip-hop/7934250/eric-andre-comedian-twitter-rant-kodak-black-xxxtentacion\" target=\"_blank\" rel=\"noopener\">Eric Andre\u003c/a> — but their careers have continued almost undisturbed. Part of the reason is that XXXTentacion, Kodak Black, and Famous Dex’s followings skew largely young and male. And in a country \u003ca href=\"https://www.nytimes.com/2015/10/15/us/california-high-schools-sexual-consent-classes.html?mcubz=3\" target=\"_blank\" rel=\"noopener\">that lacks progressive, consent-based sex education\u003c/a>, those fans might not fully comprehend the gravity of the allegations. But the onus is not solely on the fans: right now, the wheels of the music industry are turning to make viral upstarts like XXXTentacion into idols through record deals, PR campaigns, and prominent bookings. \u003c/p>\n\u003cp>It’s one thing for a viral Soundcloud hit like “Look At Me” to propel XXXTentacion into the public eye. But festival curators, record executives, and editors at tastemaking publications like \u003cem>XXL\u003c/em> have the power to turn a fleeting 15 minutes of viral fame into a long-term, mainstream career, and they need to wield that power wisely. There are plenty of other buzzed-about, up-and-coming artists who haven’t been accused of domestic violence or sexual assault who industry gatekeepers can choose for these lucrative, career-defining opportunities. \u003c/p>\n\u003cfigure id=\"attachment_13808618\" class=\"wp-caption aligncenter\" style=\"max-width: 480px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/xxxtentacion.gif\" alt=\"XXXTentacion during his XXL Freshman Freestyle.\" width=\"480\" height=\"270\" class=\"size-full wp-image-13808618\">\u003cfigcaption class=\"wp-caption-text\">XXXTentacion during his XXL Freshman Freestyle.\u003c/figcaption>\u003c/figure>\n\u003cp>“Booking a show or running a music label is an imperfect science, but it involves a lot of really deliberate decisions,” said Will Bundy, the co-founder of culture blog \u003ca href=\"http://wineandbowties.com/\" target=\"_blank\" rel=\"noopener\">Wine & Bowties\u003c/a> and its popular Oakland festival, Feels. “When you see XXX on a bill — or you see Famous Dex, or you see R. Kelly on a bill — someone is writing a check. You’re making the conscious decision to put money in that person’s pocket. If you have the luxury of choice and a big budget, I can’t imagine why you’d feel like you can’t avoid people who do these disgusting things.”\u003c/p>\n\u003cp>Hip-hop is a notoriously male-dominated industry, so male artists who use their platforms to speak out against gender-based violence can have a powerful impact. For instance, rape accusations against A$AP Mob-adjacent fashion stylist Ian Connor went largely ignored — despite the fact that several alleged victims came forward — \u003ca href=\"http://www.thefader.com/2016/06/23/theophilus-london-calls-ian-connor-rapist\" target=\"_blank\" rel=\"noopener\">until rapper Theophilus London called him out\u003c/a> on Twitter last year. The beef with London — and the press it generated — made Connor’s name synonymous with sexual assault, and Connor has since receded from the public eye. \u003c/p>\n\u003cp>Since the release of his accuser’s deposition on Pitchfork, public condemnation of XXXTentacion has become louder. Stefan Aguilar, a.k.a. DJ Aux Cord of the popular Bay Area DJ collective \u003ca href=\"http://anotherpartyfam.tumblr.com/\" target=\"_blank\" rel=\"noopener\">Another Party Fam\u003c/a>, tweeted that he will personally unplug the laptop of any DJ who plays XXXTentacion or Kodak Black at his parties, which draw thousands of attendees every first Friday.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp lang=\"en\" dir=\"ltr\">AYE \u003ca href=\"https://twitter.com/xxxtentacion\">@XXXTENTACION\u003c/a> AND \u003ca href=\"https://twitter.com/KodakBlack1k\">@KODAKBLACK1K\u003c/a> CAN NO LONGER BE PLAYED AT \u003ca href=\"https://twitter.com/AnotherPartyFam\">@ANOTHERPARTYFAM\u003c/a> PARTIES – I WILL PERSONALLY UNPLUG YOUR LAPTOP IF YOU TRY!!!\u003c/p>\n\u003cp>— DJ AUX CORD (@heyauxcord) \u003ca href=\"https://twitter.com/heyauxcord/status/906353381802782720\">September 9, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Aguilar had known about the domestic abuse allegations, but “I didn’t know how heavy it was ’til I read the article that just came out,” he said when reached by phone. “The biggest thing is that the majority of our guests are women. And we have girls in our collective, so we have to make sure that everyone is comfortable.”\u003c/p>\n\u003cp>“Abuse is so ‘normal’ in the music industry,” tweeted Richmond singer Rayana Jay the day the deposition was published on Pitchfork, adding that “It’s a cycle that’s been going on forever. [It] has to stop.”\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp lang=\"en\" dir=\"ltr\">Abuse is so \"normal\" in the music industry and it's fucking sickening. It's a cycle that's been going on forever. Has to stop\u003c/p>\n\u003cp>— BAD MOM (@RayanaJay) \u003ca href=\"https://twitter.com/RayanaJay/status/906268315491852288\">September 8, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>As for XXXTentacion, he still hasn’t shown remorse — or indicated in any way that he takes domestic violence seriously. He responded to the allegations with \u003ca href=\"https://www.vibe.com/2017/09/xxxtentacion-disturbing-response-domestic-abuse/?utm_source=twitter&utm_medium=social&utm_campaign=timeline\" target=\"_blank\" rel=\"noopener\">an explicit Instagram video\u003c/a> where he threatened his accusers with more sexual violence. “I’ma f–k y’all little sisters in they throats, I swear to God. I swear to God, everybody that called me a domestic abuser, I’m finna domestically abuse y’all little sister p—y from the back.”\u003c/p>\n\u003cp>His response speaks for itself.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"excerpt": "The Florida rapper faces charges for aggravated battery of a pregnant woman, domestic battery by strangulation and more. He also has industry support and the No. 2 album in the country.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Prior to Pitchfork publishing gruesome details from \u003ca href=\"https://pitchfork.com/thepitch/xxxtentacions-reported-victim-details-grim-pattern-of-abuse-in-testimony/\" target=\"_blank\" rel=\"noopener\">XXXtentacion’s accuser’s deposition\u003c/a> last Friday, many in the music industry regarded allegations of domestic violence against the rapper as an inconvenient detail that, while unsettling, was easy to ignore. After all, his album, \u003cem>17\u003c/em>, \u003ca href=\"http://www.rollingstone.com/music/news/on-the-charts-lil-uzi-vert-xxxtentacion-take-top-two-spots-w501076\" target=\"_blank\" rel=\"noopener\">just hit No. 2 on the Billboard 200 chart\u003c/a>; the rapper (whose real name is Jahseh Onfroy) was also featured on \u003ca href=\"http://freshman.xxlmag.com/\" target=\"_blank\" rel=\"noopener\">\u003cem>XXL’s\u003c/em> Freshman 15 list\u003c/a>, positioning him as a rising star. \u003c/p>\n\u003cp>But Pitchfork’s extensive report cast a shadow on XXXTentacion’s successful year: The deposition spelled out an alleged pattern of violence and torture, details of which culminate with XXXTentacion kidnapping his then-girlfriend and holding her prisoner in a North Miami Beach apartment. He now faces charges for aggravated battery of a pregnant woman, domestic battery by strangulation, false imprisonment, and witness-tampering.\u003c/p>\n\u003cp>These gruesome details should be a wake-up call for industry gatekeepers, whose continued silence on the matter is deafening. \u003c/p>\n\u003cfigure id=\"attachment_13808602\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/Empire.XXXtentacion-800x516.jpg\" alt=\"XXXTentacion's latest album, '17,' was released by San Francisco-based Empire. \" width=\"800\" height=\"516\" class=\"size-medium wp-image-13808602\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Empire.XXXtentacion-800x516.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Empire.XXXtentacion-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Empire.XXXtentacion-768x495.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Empire.XXXtentacion-240x155.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Empire.XXXtentacion-375x242.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Empire.XXXtentacion-520x335.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Empire.XXXtentacion.jpg 957w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">XXXTentacion’s latest album, ’17,’ was released by San Francisco-based Empire. \u003ccite>(@EMPIRE / IG)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The debate of whether we should separate art from artist is a long and sticky one: How many of us are disturbed by the accusations of sexual abuse against R. Kelly but still can’t help but “Step in the Name of Love”? And how many of us forget Rihanna’s bruised face when we hum along to Chris Brown’s “Loyal”? For many, it’s difficult to sever allegiance to an artist after years or even decades of fandom. Our love of these artists’ work, coupled with implicit gender bias, often prevents us from holding them accountable. \u003c/p>\n\u003caside class=\"pullquote alignright\">Right now, the wheels of the music industry are turning to make viral upstarts like XXXTentacion into idols through record deals, PR campaigns, and prominent bookings.\u003c/aside>\n\u003cp>But this pattern of normalizing domestic violence and sexual abuse in the entertainment industry has to end somewhere. Perhaps the generations of people raised on R. Kelly will never fully turn their backs on his music. But people in powerful positions in today’s industry also have a responsibility not to make icons out of a new generation of abusers.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Well before his accuser’s deposition was published on Pitchfork, it was known that XXXTentacion faced an October trial for allegedly beating a pregnant woman. And yet the San Francisco record label \u003ca href=\"https://www.empi.re/\" target=\"_blank\" rel=\"noopener\">Empire\u003c/a> — whose roster includes progressive, feminist singer Goapele — still put out \u003cem>17\u003c/em>. (Empire did not respond to KQED’s request for comment about the future of its relationship with XXXTentacion.) \u003c/p>\n\u003cp>Furthermore, the rap tour \u003ca href=\"http://www.rollingloud.com/\" target=\"_blank\" rel=\"noopener\">Rolling Loud\u003c/a>, which makes its Bay Area stop at Shoreline Pavilion on Oct. 21–22, features XXXTentacion and two other accused abusers: Famous Dex and Kodak Black. A \u003ca href=\"http://www.complex.com/music/2016/09/shocking-footage-shows-famous-dex-assaulting-woman\" target=\"_blank\" rel=\"noopener\">surveillance video\u003c/a> circulated last year of Famous Dex chasing and beating a woman in a hallway; and there’s an \u003ca href=\"http://www.thefader.com/2016/11/30/kodak-blacks-sexual-battery-accusation-case\" target=\"_blank\" rel=\"noopener\">ongoing sexual battery case\u003c/a> against Kodak Black along with \u003ca href=\"http://www.thefader.com/2017/04/05/kodak-black-assault-miami-strip-club\" target=\"_blank\" rel=\"noopener\">new allegations of him assaulting a female bartender\u003c/a> at a Miami strip club. (The organizers of Rolling Loud also did not comment on the matter when contacted by KQED.)\u003c/p>\n\u003cfigure id=\"attachment_13808601\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/KodakBlack-800x533.jpg\" alt=\"Kodak Black attends the 2017 MTV Video Music Awards at The Forum on August 27, 2017 in Inglewood, California. \" width=\"800\" height=\"533\" class=\"size-medium wp-image-13808601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/KodakBlack.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kodak Black attends the 2017 MTV Video Music Awards at The Forum on August 27, 2017 in Inglewood, California. \u003ccite>(Rich Fury/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>These artists have faced some backlash — most notably from comedian \u003ca href=\"http://www.billboard.com/articles/columns/hip-hop/7934250/eric-andre-comedian-twitter-rant-kodak-black-xxxtentacion\" target=\"_blank\" rel=\"noopener\">Eric Andre\u003c/a> — but their careers have continued almost undisturbed. Part of the reason is that XXXTentacion, Kodak Black, and Famous Dex’s followings skew largely young and male. And in a country \u003ca href=\"https://www.nytimes.com/2015/10/15/us/california-high-schools-sexual-consent-classes.html?mcubz=3\" target=\"_blank\" rel=\"noopener\">that lacks progressive, consent-based sex education\u003c/a>, those fans might not fully comprehend the gravity of the allegations. But the onus is not solely on the fans: right now, the wheels of the music industry are turning to make viral upstarts like XXXTentacion into idols through record deals, PR campaigns, and prominent bookings. \u003c/p>\n\u003cp>It’s one thing for a viral Soundcloud hit like “Look At Me” to propel XXXTentacion into the public eye. But festival curators, record executives, and editors at tastemaking publications like \u003cem>XXL\u003c/em> have the power to turn a fleeting 15 minutes of viral fame into a long-term, mainstream career, and they need to wield that power wisely. There are plenty of other buzzed-about, up-and-coming artists who haven’t been accused of domestic violence or sexual assault who industry gatekeepers can choose for these lucrative, career-defining opportunities. \u003c/p>\n\u003cfigure id=\"attachment_13808618\" class=\"wp-caption aligncenter\" style=\"max-width: 480px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/xxxtentacion.gif\" alt=\"XXXTentacion during his XXL Freshman Freestyle.\" width=\"480\" height=\"270\" class=\"size-full wp-image-13808618\">\u003cfigcaption class=\"wp-caption-text\">XXXTentacion during his XXL Freshman Freestyle.\u003c/figcaption>\u003c/figure>\n\u003cp>“Booking a show or running a music label is an imperfect science, but it involves a lot of really deliberate decisions,” said Will Bundy, the co-founder of culture blog \u003ca href=\"http://wineandbowties.com/\" target=\"_blank\" rel=\"noopener\">Wine & Bowties\u003c/a> and its popular Oakland festival, Feels. “When you see XXX on a bill — or you see Famous Dex, or you see R. Kelly on a bill — someone is writing a check. You’re making the conscious decision to put money in that person’s pocket. If you have the luxury of choice and a big budget, I can’t imagine why you’d feel like you can’t avoid people who do these disgusting things.”\u003c/p>\n\u003cp>Hip-hop is a notoriously male-dominated industry, so male artists who use their platforms to speak out against gender-based violence can have a powerful impact. For instance, rape accusations against A$AP Mob-adjacent fashion stylist Ian Connor went largely ignored — despite the fact that several alleged victims came forward — \u003ca href=\"http://www.thefader.com/2016/06/23/theophilus-london-calls-ian-connor-rapist\" target=\"_blank\" rel=\"noopener\">until rapper Theophilus London called him out\u003c/a> on Twitter last year. The beef with London — and the press it generated — made Connor’s name synonymous with sexual assault, and Connor has since receded from the public eye. \u003c/p>\n\u003cp>Since the release of his accuser’s deposition on Pitchfork, public condemnation of XXXTentacion has become louder. Stefan Aguilar, a.k.a. DJ Aux Cord of the popular Bay Area DJ collective \u003ca href=\"http://anotherpartyfam.tumblr.com/\" target=\"_blank\" rel=\"noopener\">Another Party Fam\u003c/a>, tweeted that he will personally unplug the laptop of any DJ who plays XXXTentacion or Kodak Black at his parties, which draw thousands of attendees every first Friday.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp lang=\"en\" dir=\"ltr\">AYE \u003ca href=\"https://twitter.com/xxxtentacion\">@XXXTENTACION\u003c/a> AND \u003ca href=\"https://twitter.com/KodakBlack1k\">@KODAKBLACK1K\u003c/a> CAN NO LONGER BE PLAYED AT \u003ca href=\"https://twitter.com/AnotherPartyFam\">@ANOTHERPARTYFAM\u003c/a> PARTIES – I WILL PERSONALLY UNPLUG YOUR LAPTOP IF YOU TRY!!!\u003c/p>\n\u003cp>— DJ AUX CORD (@heyauxcord) \u003ca href=\"https://twitter.com/heyauxcord/status/906353381802782720\">September 9, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Aguilar had known about the domestic abuse allegations, but “I didn’t know how heavy it was ’til I read the article that just came out,” he said when reached by phone. “The biggest thing is that the majority of our guests are women. And we have girls in our collective, so we have to make sure that everyone is comfortable.”\u003c/p>\n\u003cp>“Abuse is so ‘normal’ in the music industry,” tweeted Richmond singer Rayana Jay the day the deposition was published on Pitchfork, adding that “It’s a cycle that’s been going on forever. [It] has to stop.”\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp lang=\"en\" dir=\"ltr\">Abuse is so \"normal\" in the music industry and it's fucking sickening. It's a cycle that's been going on forever. Has to stop\u003c/p>\n\u003cp>— BAD MOM (@RayanaJay) \u003ca href=\"https://twitter.com/RayanaJay/status/906268315491852288\">September 8, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>As for XXXTentacion, he still hasn’t shown remorse — or indicated in any way that he takes domestic violence seriously. He responded to the allegations with \u003ca href=\"https://www.vibe.com/2017/09/xxxtentacion-disturbing-response-domestic-abuse/?utm_source=twitter&utm_medium=social&utm_campaign=timeline\" target=\"_blank\" rel=\"noopener\">an explicit Instagram video\u003c/a> where he threatened his accusers with more sexual violence. “I’ma f–k y’all little sisters in they throats, I swear to God. I swear to God, everybody that called me a domestic abuser, I’m finna domestically abuse y’all little sister p—y from the back.”\u003c/p>\n\u003cp>His response speaks for itself.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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"rss": "http://feeds.revealradio.org/revealpodcast"
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