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"content": "\u003cp>The Bay Area’s LGBTQ community has far more to celebrate than can possibly fit into one month of Pride—or even two months, including Oakland’s Pride in September. And for the visual artists profiled in KQED Arts’ series \u003cem>\u003ca href=\"https://www.kqed.org/arts/tag/redefining-pride\" rel=\"noopener\" target=\"_blank\">Redefining Pride: The East Bay’s Queer Artists\u003c/a>\u003c/em>, the work of creating greater visibility and acceptance doesn’t end with a dedicated month—it’s a year-long (and sometimes lifelong) pursuit.\u003c/p>\n\u003cp>In this series, running every Tuesday for the month of September, KQED Arts contributor \u003ca href=\"https://www.kqed.org/author/eholmes\" rel=\"noopener\" target=\"_blank\">Emily Holmes\u003c/a> highlights the work of queer-identified artists of the East Bay who are redefining our understanding of pride, foregrounding visual artists of color and a wide range of artistic approaches.\u003c/p>\n\u003cp>For these artists, pride is about honoring the people and histories not necessarily included in mainstream presentations of the queer community. It’s about pride of place; how they’ve made homes for themselves and found their artistic support networks in the East Bay. And it’s about creating, through their work, platforms for not just their own voices, but spaces in which others can see their lives and their stories reflected.\u003c/p>\n\u003cp>The artists of \u003cem>Redefining Pride\u003c/em> are just four examples of the Bay Area’s extraordinary artistic talent, who can serve as introductions, we hope, to a thriving scene of ambitious, radical and queer East Bay-rooted art.\u003c/p>\n\u003cp>\u003ci>—Sarah Hotchkiss, Visual Arts Editor, KQED Arts\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Bay Area’s LGBTQ community has far more to celebrate than can possibly fit into one month of Pride—or even two months, including Oakland’s Pride in September. And for the visual artists profiled in KQED Arts’ series \u003cem>\u003ca href=\"https://www.kqed.org/arts/tag/redefining-pride\" rel=\"noopener\" target=\"_blank\">Redefining Pride: The East Bay’s Queer Artists\u003c/a>\u003c/em>, the work of creating greater visibility and acceptance doesn’t end with a dedicated month—it’s a year-long (and sometimes lifelong) pursuit.\u003c/p>\n\u003cp>In this series, running every Tuesday for the month of September, KQED Arts contributor \u003ca href=\"https://www.kqed.org/author/eholmes\" rel=\"noopener\" target=\"_blank\">Emily Holmes\u003c/a> highlights the work of queer-identified artists of the East Bay who are redefining our understanding of pride, foregrounding visual artists of color and a wide range of artistic approaches.\u003c/p>\n\u003cp>For these artists, pride is about honoring the people and histories not necessarily included in mainstream presentations of the queer community. It’s about pride of place; how they’ve made homes for themselves and found their artistic support networks in the East Bay. And it’s about creating, through their work, platforms for not just their own voices, but spaces in which others can see their lives and their stories reflected.\u003c/p>\n\u003cp>The artists of \u003cem>Redefining Pride\u003c/em> are just four examples of the Bay Area’s extraordinary artistic talent, who can serve as introductions, we hope, to a thriving scene of ambitious, radical and queer East Bay-rooted art.\u003c/p>\n\u003cp>\u003ci>—Sarah Hotchkiss, Visual Arts Editor, KQED Arts\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>San Francisco is known as a gay mecca, but Pride hasn’t always been mainstream. In the ’60s, gender non-conforming and visibly gay people were often \u003ca href=\"https://www.kqed.org/arts/13835520/a-new-generation-gathers-strength-from-the-courageous-queens-of-the-comptons-cafeteria-riot\" target=\"_blank\" rel=\"noopener\">targets of police harassment\u003c/a> and discrimination. LGBTQ culture thrived in the night—when queer people could express themselves among peers without judgment.\u003c/p>\n\u003cp>As we celebrate the Bay Area LGBTQ community this Pride month, KQED recently unearthed a rare video of a 1968 gay costume ball, with footage of fabulous drag queens and socialites dancing the night away on Columbus Avenue in San Francisco, likely at The Village Club.\u003c/p>\n\u003cp>Watch the video above and read about today’s drag scene in \u003ca href=\"https://www.kqed.org/arts/series/changing-face-of-drag\" target=\"_blank\" rel=\"noopener\">\u003cem>The Changing Face of Drag\u003c/em>\u003c/a>, which celebrates the queer community’s creativity, diversity and continuing resilience.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco is known as a gay mecca, but Pride hasn’t always been mainstream. In the ’60s, gender non-conforming and visibly gay people were often \u003ca href=\"https://www.kqed.org/arts/13835520/a-new-generation-gathers-strength-from-the-courageous-queens-of-the-comptons-cafeteria-riot\" target=\"_blank\" rel=\"noopener\">targets of police harassment\u003c/a> and discrimination. LGBTQ culture thrived in the night—when queer people could express themselves among peers without judgment.\u003c/p>\n\u003cp>As we celebrate the Bay Area LGBTQ community this Pride month, KQED recently unearthed a rare video of a 1968 gay costume ball, with footage of fabulous drag queens and socialites dancing the night away on Columbus Avenue in San Francisco, likely at The Village Club.\u003c/p>\n\u003cp>Watch the video above and read about today’s drag scene in \u003ca href=\"https://www.kqed.org/arts/series/changing-face-of-drag\" target=\"_blank\" rel=\"noopener\">\u003cem>The Changing Face of Drag\u003c/em>\u003c/a>, which celebrates the queer community’s creativity, diversity and continuing resilience.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Juanita MORE!, Beloved Drag Mother, is Queering San Francisco Politics",
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"content": "\u003cp>\u003cem>Editor’s Note: \u003c/em>The Changing Face of Drag\u003cem> is a five-part KQED Arts series spotlighting innovative performers pushing the boundaries of drag in the Bay Area. Click to read more \u003ca href=\"https://www.kqed.org/arts/series/changing-face-of-drag\" target=\"_blank\" rel=\"noopener\">about the series\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>On the day of the San Francisco mayoral election, \u003ca href=\"http://juanitamore.com\" target=\"_blank\" rel=\"noopener\">Juanita MORE!\u003c/a> couldn’t meet because she had too many places to be.\u003c/p>\n\u003cfigure id=\"attachment_13835563\" class=\"wp-caption alignright\" style=\"max-width: 250px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13835563\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/juanitainfo.jpg\" alt=\"Creo Noveno/KQED\" width=\"250\" height=\"333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/juanitainfo.jpg 250w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/juanitainfo-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/juanitainfo-240x320.jpg 240w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003cfigcaption class=\"wp-caption-text\">Creo Noveno/KQED\u003c/figcaption>\u003c/figure>\n\u003cp>In a last-minute campaign effort, she rode around the Castro in a convertible with candidate Mark Leno, her red tassel earrings and cotton candy-shaped wig blowing in the wind. (“My wig stayed on my head, too,” she says.) After hearing Leno speak at Harvey Milk Plaza, she stopped by a campaign party for Rafael Mandelman—a young, gay politician who wore drag at a recent edition of MORE!’s party, Powerblouse—to congratulate him on his win for District 8 supervisor.\u003c/p>\n\u003cp>Drag, an art form that bucks the heteronormative status quo, has been \u003ca href=\"https://www.kqed.org/arts/13835520/a-new-generation-gathers-strength-from-the-courageous-queens-of-the-comptons-cafeteria-riot\" target=\"_blank\" rel=\"noopener\">a central part of queer resistance\u003c/a> for decades. But MORE!, who’s performed in San Francisco for nearly 30 years, is one of the only drag queens to leverage her popularity to make an impact on mainstream city politics.\u003c/p>\n\u003cfigure id=\"attachment_13835554\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13835554\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/303A8506-800x533.jpg\" alt=\"Juanita MORE! leverages her popularity as a drag queen to rally for political causes. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Juanita MORE! leverages her popularity as a drag queen to rally for political causes. \u003ccite>(Christina Campbell)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In addition to campaigning for queer candidates and mobilizing the LGBTQ community to vote with her \u003ca href=\"http://juanitamore.com/vote-1/\" target=\"_blank\" rel=\"noopener\">election guides\u003c/a>, MORE! uses her platform to raise money for a variety of causes. Her party Powerblouse (where she and her drag mother, Glamamore, give newbies their first-time drag makeovers) raises money for the \u003ca href=\"https://theqfoundation.org/\" target=\"_blank\" rel=\"noopener\">Q Foundation\u003c/a>, which helps HIV- and AIDS-positive people secure affordable housing. And her wildly popular \u003ca href=\"http://juanitamore.com/pride/\" target=\"_blank\" rel=\"noopener\">Pride celebrations\u003c/a>, taking place at \u003ca href=\"https://www.kqed.org/arts/13835038/former-fillmore-west-to-host-first-event-in-45-years-for-pride-weekend\" target=\"_blank\" rel=\"noopener\">SVN West\u003c/a> and Jones during the June 23–24 Pride weekend, benefit \u003ca href=\"https://transgenderlawcenter.org/programs/truth\" target=\"_blank\" rel=\"noopener\">TRUTH (TRans yoUTH)\u003c/a>, a program from the Transgender Law Center that gives trans young people a safe space to build community and share their struggles.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>MORE! specializes in an old-school, Hollywood glamour of big hair, an hourglass figure and flowing couture gowns (think Bette Davis, Celia Cruz and Diana Ross). She says that she didn’t always see her drag as part of a bigger purpose. “Looking back on those early years, I was probably like every other young drag queen who gets born every day,” she says. “You’re just going out all the time; you’re performing wherever for a dime; you’re drinking all night.”\u003c/p>\n\u003cfigure id=\"attachment_13835555\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13835555\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/303A8410-800x1200.jpg\" alt=\"Evening wear is Juanita MORE!'s specialty. \" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-1180x1770.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-960x1440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-240x360.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-375x562.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-520x780.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410.jpg 1366w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Evening wear is Juanita MORE!’s specialty. \u003ccite>(Christina Campbell)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But as she matured over the course of her career, so did her approach. As a beloved and experienced drag mother and grandmother who’s initiated two generations of performers into the art form, she began to notice that people looked to her for guidance not just on where find the hottest parties with the cutest guys, but on many civic issues, too.\u003c/p>\n\u003cp>“People come to me all the time, especially in the political world, in a way of like, ‘Let’s sit down and talk about this. I wanna share something with you that we need to really think about and figure out and fix it before it really affects our city,'” she says.\u003c/p>\n\u003cp>MORE! was born in Fremont and raised in Hayward, where she remembers passing by five gay bars on the way home from high school. But she didn’t become interested in drag until she was in her 20s and living in New York, immersed in its late-’80s gay club culture. When she returned to San Francisco in 1992, her good friend Glamamore, who followed her out west, dressed her in a leopard print get-up one night before she hit the town.\u003c/p>\n\u003cp>“When I came back, he was here,” she says, sitting at the dining table of her Tenderloin studio apartment, her bulldog, Jackson, at her feet. “And I was like, ‘Oh my god, I had so much fun! I want to do it again tomorrow.'”\u003c/p>\n\u003cfigure id=\"attachment_13835558\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13835558\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/303A8309-800x533.jpg\" alt=\"Juanita MORE! hosts two monthly parties at Powerhouse: Beatpig and Powerblouse.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Juanita MORE! hosts two monthly parties at Powerhouse: Beatpig and Powerblouse. \u003ccite>(Christina Campbell)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>MORE! remembers lip-syncing jazz standards at drag bars like Lily’s—the predecessor to Castro piano bar Martuni’s—and dozens more that have since shuttered. Nowadays, she’s more likely to be found at the SoMA leather bar Powerhouse, where she hosts \u003ca href=\"http://juanitamore.com/powerblouse-1/\" target=\"_blank\" rel=\"noopener\">Powerblouse\u003c/a> and her other monthly party, \u003ca href=\"http://juanitamore.com/beatpig/\" target=\"_blank\" rel=\"noopener\">Beatpig\u003c/a>—though her penchant for Sarah Vaughan and Etta James for her numbers has remained the same.\u003c/p>\n\u003cp>Glamamore and Juanita MORE!’s creative partnership runs even deeper than drag mother and daughter. Outside of drag as \u003ca href=\"https://www.jhphrydas.com/mrdavidglamamore/\" target=\"_blank\" rel=\"noopener\">Mr. David\u003c/a>, Glamamore has sewn thousands of custom couture gowns for MORE! over the past three decades. At her apartment, MORE! shows me an elegant, black evening gown speckled with splashes of gold; its sculptural neckline puffs out like a flower in bloom. Heading over to her velvet-curtained closet, she pulls out a pair of tangerine-hued, wide-leg silk pants fit for a ’70s disco queen.\u003c/p>\n\u003cp>“In general, I’ve only worn Mr. David’s clothes, which is really kind of incredible,” she says. In 2016, the De Young Museum hosted a \u003ca href=\"http://sfist.com/2016/05/20/regarding_the_art_and_style_of_mr_d.php#photo-1\" target=\"_blank\" rel=\"noopener\">runway show of Mr. David’s creations\u003c/a>. Most of MORE!’s personal collection is currently in storage, as it’s too big to fit in her modest studio. She has her assistant pull pieces from it for shows. “It’s organized in clear bins by color, so there’s 26 years of red dresses in the ‘red’ bin.”\u003c/p>\n\u003cfigure id=\"attachment_13835556\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13835556\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/303A8538-800x533.jpg\" alt=\""Loads of Love" is Juanita MORE!'s motto. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Loads of Love’ is Juanita MORE!’s motto. \u003ccite>(Christina Campbell)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As one of the elder members of the House of MORE!, the family of drag performers that Glamamore founded, Juanita MORE! is a mentor figure and friend to dozens of younger queer people. \u003ca href=\"https://www.billboard.com/articles/news/pride/7882234/a-club-called-rhonda-phyllis-navidad-drag-interview\" target=\"_blank\" rel=\"noopener\">Phyllis Navidad\u003c/a> and \u003ca href=\"https://www.facebook.com/dulce.deleche2\" target=\"_blank\" rel=\"noopener\">Dulce De Leche\u003c/a> were some of her first drag daughters, and she’s a drag aunt to \u003ca href=\"https://www.instagram.com/nicki_jizz/\" target=\"_blank\" rel=\"noopener\">Nicki Jizz\u003c/a>, a sex-positive firecracker whose parties intentionally make space for queer and trans people of color in nightlife.\u003c/p>\n\u003cp>That concept of an intergenerational chosen family is important to MORE!—in her art, activism and personally. In lieu of nuclear family structures, chosen families are how many in the LGBTQ community care for one another; a nurturing and support that MORE! clearly evinces.\u003c/p>\n\u003cp>“I really care about queer kids and queer elders,” she says. “Queer kids are gonna be my voice when I can’t speak anymore, and our queer elders have stories and history that needs to be supported. They need to be loved.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13835025\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-768x75.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-375x37.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-520x51.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Juanita MORE! performs for Pride at SVN West on June 23 and Jones on June 24. Details \u003ca href=\"http://juanitamore.com/pride/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"excerpt": "The longtime performer leverages her popularity to campaign for LGBTQ candidates and raise money for queer and trans causes.",
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"title": "Juanita MORE!, Beloved Drag Mother, is Queering San Francisco Politics | KQED",
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"headline": "Juanita MORE!, Beloved Drag Mother, is Queering San Francisco Politics",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Editor’s Note: \u003c/em>The Changing Face of Drag\u003cem> is a five-part KQED Arts series spotlighting innovative performers pushing the boundaries of drag in the Bay Area. Click to read more \u003ca href=\"https://www.kqed.org/arts/series/changing-face-of-drag\" target=\"_blank\" rel=\"noopener\">about the series\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>On the day of the San Francisco mayoral election, \u003ca href=\"http://juanitamore.com\" target=\"_blank\" rel=\"noopener\">Juanita MORE!\u003c/a> couldn’t meet because she had too many places to be.\u003c/p>\n\u003cfigure id=\"attachment_13835563\" class=\"wp-caption alignright\" style=\"max-width: 250px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13835563\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/juanitainfo.jpg\" alt=\"Creo Noveno/KQED\" width=\"250\" height=\"333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/juanitainfo.jpg 250w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/juanitainfo-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/juanitainfo-240x320.jpg 240w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003cfigcaption class=\"wp-caption-text\">Creo Noveno/KQED\u003c/figcaption>\u003c/figure>\n\u003cp>In a last-minute campaign effort, she rode around the Castro in a convertible with candidate Mark Leno, her red tassel earrings and cotton candy-shaped wig blowing in the wind. (“My wig stayed on my head, too,” she says.) After hearing Leno speak at Harvey Milk Plaza, she stopped by a campaign party for Rafael Mandelman—a young, gay politician who wore drag at a recent edition of MORE!’s party, Powerblouse—to congratulate him on his win for District 8 supervisor.\u003c/p>\n\u003cp>Drag, an art form that bucks the heteronormative status quo, has been \u003ca href=\"https://www.kqed.org/arts/13835520/a-new-generation-gathers-strength-from-the-courageous-queens-of-the-comptons-cafeteria-riot\" target=\"_blank\" rel=\"noopener\">a central part of queer resistance\u003c/a> for decades. But MORE!, who’s performed in San Francisco for nearly 30 years, is one of the only drag queens to leverage her popularity to make an impact on mainstream city politics.\u003c/p>\n\u003cfigure id=\"attachment_13835554\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13835554\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/303A8506-800x533.jpg\" alt=\"Juanita MORE! leverages her popularity as a drag queen to rally for political causes. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8506.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Juanita MORE! leverages her popularity as a drag queen to rally for political causes. \u003ccite>(Christina Campbell)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In addition to campaigning for queer candidates and mobilizing the LGBTQ community to vote with her \u003ca href=\"http://juanitamore.com/vote-1/\" target=\"_blank\" rel=\"noopener\">election guides\u003c/a>, MORE! uses her platform to raise money for a variety of causes. Her party Powerblouse (where she and her drag mother, Glamamore, give newbies their first-time drag makeovers) raises money for the \u003ca href=\"https://theqfoundation.org/\" target=\"_blank\" rel=\"noopener\">Q Foundation\u003c/a>, which helps HIV- and AIDS-positive people secure affordable housing. And her wildly popular \u003ca href=\"http://juanitamore.com/pride/\" target=\"_blank\" rel=\"noopener\">Pride celebrations\u003c/a>, taking place at \u003ca href=\"https://www.kqed.org/arts/13835038/former-fillmore-west-to-host-first-event-in-45-years-for-pride-weekend\" target=\"_blank\" rel=\"noopener\">SVN West\u003c/a> and Jones during the June 23–24 Pride weekend, benefit \u003ca href=\"https://transgenderlawcenter.org/programs/truth\" target=\"_blank\" rel=\"noopener\">TRUTH (TRans yoUTH)\u003c/a>, a program from the Transgender Law Center that gives trans young people a safe space to build community and share their struggles.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>MORE! specializes in an old-school, Hollywood glamour of big hair, an hourglass figure and flowing couture gowns (think Bette Davis, Celia Cruz and Diana Ross). She says that she didn’t always see her drag as part of a bigger purpose. “Looking back on those early years, I was probably like every other young drag queen who gets born every day,” she says. “You’re just going out all the time; you’re performing wherever for a dime; you’re drinking all night.”\u003c/p>\n\u003cfigure id=\"attachment_13835555\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13835555\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/303A8410-800x1200.jpg\" alt=\"Evening wear is Juanita MORE!'s specialty. \" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-1180x1770.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-960x1440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-240x360.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-375x562.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410-520x780.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8410.jpg 1366w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Evening wear is Juanita MORE!’s specialty. \u003ccite>(Christina Campbell)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But as she matured over the course of her career, so did her approach. As a beloved and experienced drag mother and grandmother who’s initiated two generations of performers into the art form, she began to notice that people looked to her for guidance not just on where find the hottest parties with the cutest guys, but on many civic issues, too.\u003c/p>\n\u003cp>“People come to me all the time, especially in the political world, in a way of like, ‘Let’s sit down and talk about this. I wanna share something with you that we need to really think about and figure out and fix it before it really affects our city,'” she says.\u003c/p>\n\u003cp>MORE! was born in Fremont and raised in Hayward, where she remembers passing by five gay bars on the way home from high school. But she didn’t become interested in drag until she was in her 20s and living in New York, immersed in its late-’80s gay club culture. When she returned to San Francisco in 1992, her good friend Glamamore, who followed her out west, dressed her in a leopard print get-up one night before she hit the town.\u003c/p>\n\u003cp>“When I came back, he was here,” she says, sitting at the dining table of her Tenderloin studio apartment, her bulldog, Jackson, at her feet. “And I was like, ‘Oh my god, I had so much fun! I want to do it again tomorrow.'”\u003c/p>\n\u003cfigure id=\"attachment_13835558\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13835558\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/303A8309-800x533.jpg\" alt=\"Juanita MORE! hosts two monthly parties at Powerhouse: Beatpig and Powerblouse.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8309.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Juanita MORE! hosts two monthly parties at Powerhouse: Beatpig and Powerblouse. \u003ccite>(Christina Campbell)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>MORE! remembers lip-syncing jazz standards at drag bars like Lily’s—the predecessor to Castro piano bar Martuni’s—and dozens more that have since shuttered. Nowadays, she’s more likely to be found at the SoMA leather bar Powerhouse, where she hosts \u003ca href=\"http://juanitamore.com/powerblouse-1/\" target=\"_blank\" rel=\"noopener\">Powerblouse\u003c/a> and her other monthly party, \u003ca href=\"http://juanitamore.com/beatpig/\" target=\"_blank\" rel=\"noopener\">Beatpig\u003c/a>—though her penchant for Sarah Vaughan and Etta James for her numbers has remained the same.\u003c/p>\n\u003cp>Glamamore and Juanita MORE!’s creative partnership runs even deeper than drag mother and daughter. Outside of drag as \u003ca href=\"https://www.jhphrydas.com/mrdavidglamamore/\" target=\"_blank\" rel=\"noopener\">Mr. David\u003c/a>, Glamamore has sewn thousands of custom couture gowns for MORE! over the past three decades. At her apartment, MORE! shows me an elegant, black evening gown speckled with splashes of gold; its sculptural neckline puffs out like a flower in bloom. Heading over to her velvet-curtained closet, she pulls out a pair of tangerine-hued, wide-leg silk pants fit for a ’70s disco queen.\u003c/p>\n\u003cp>“In general, I’ve only worn Mr. David’s clothes, which is really kind of incredible,” she says. In 2016, the De Young Museum hosted a \u003ca href=\"http://sfist.com/2016/05/20/regarding_the_art_and_style_of_mr_d.php#photo-1\" target=\"_blank\" rel=\"noopener\">runway show of Mr. David’s creations\u003c/a>. Most of MORE!’s personal collection is currently in storage, as it’s too big to fit in her modest studio. She has her assistant pull pieces from it for shows. “It’s organized in clear bins by color, so there’s 26 years of red dresses in the ‘red’ bin.”\u003c/p>\n\u003cfigure id=\"attachment_13835556\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13835556\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/303A8538-800x533.jpg\" alt=\""Loads of Love" is Juanita MORE!'s motto. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/303A8538.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Loads of Love’ is Juanita MORE!’s motto. \u003ccite>(Christina Campbell)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As one of the elder members of the House of MORE!, the family of drag performers that Glamamore founded, Juanita MORE! is a mentor figure and friend to dozens of younger queer people. \u003ca href=\"https://www.billboard.com/articles/news/pride/7882234/a-club-called-rhonda-phyllis-navidad-drag-interview\" target=\"_blank\" rel=\"noopener\">Phyllis Navidad\u003c/a> and \u003ca href=\"https://www.facebook.com/dulce.deleche2\" target=\"_blank\" rel=\"noopener\">Dulce De Leche\u003c/a> were some of her first drag daughters, and she’s a drag aunt to \u003ca href=\"https://www.instagram.com/nicki_jizz/\" target=\"_blank\" rel=\"noopener\">Nicki Jizz\u003c/a>, a sex-positive firecracker whose parties intentionally make space for queer and trans people of color in nightlife.\u003c/p>\n\u003cp>That concept of an intergenerational chosen family is important to MORE!—in her art, activism and personally. In lieu of nuclear family structures, chosen families are how many in the LGBTQ community care for one another; a nurturing and support that MORE! clearly evinces.\u003c/p>\n\u003cp>“I really care about queer kids and queer elders,” she says. “Queer kids are gonna be my voice when I can’t speak anymore, and our queer elders have stories and history that needs to be supported. They need to be loved.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13835025\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-768x75.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-375x37.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-520x51.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Do List was taken over this week and we’re delighted. My co-host is Nick Abraham, a member of KQED’s Youth Advisory Board, guitarist in the band Unpopular Opinion, a high school junior at Sequoia High School in Redwood City, and a lover of pop-punk music. He’s also a member of the invasion force for KQED’s Youth Takeover week, in which we featured news stories and commentary by students from ten Bay Area high schools. Thanks Nick; we’d love to have you co-host again.\u003c/p>\n\u003cp>Here’s the show he and I picked:\u003c/p>\n\u003cp>\u003cstrong>April 29:\u003c/strong> \u003ca href=\"https://www.kqed.org/arts/13830445/keeping-musical-traditions-alive-from-generation-to-generation\" target=\"_blank\" rel=\"noopener\">The California Alliance for Traditional Arts celebrates four bands in which master musicians pass on their knowledge to a new generation\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>April 28-29: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13830383/a-whole-world-of-books-at-berkeleys-bay-area-book-fest\" target=\"_blank\" rel=\"noopener\">The Bay Area Book Festival makes the case that books will never be obsolete.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>May 5\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13830429/the-pride-prom-returns-to-924-gilman\" target=\"_blank\" rel=\"noopener\">The Pride Prom returns to Berkeley’s 924 Gilman, offering a safe place for LGBTQ teens.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>April 20-July 15\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13830393/not-your-grandmothers-quilts-in-an-exhibition-on-gun-violence\" target=\"_blank\" rel=\"noopener\">The San Jose Museum of Quilts and Textiles opens an exhibition on gun violence that proves these are not your grandmother’s quilts.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>May 3 and 4\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13830478/torrance-band-joyce-manor-makes-perfect-pop-punk-miniatures\" target=\"_blank\" rel=\"noopener\">Joyce Manor and awakebutstillinbed make loud intense music in shows in the North and South Bay.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>April 27:\u003c/strong> \u003ca href=\"https://loscenzontles.networkforgood.com/events/5805-cd-release-party\" target=\"_blank\" rel=\"noopener\">Los Cenzontles Juvenil, the kids at the Los Cenzontles Cultural Academy, stage a record release show.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>May 3: \u003c/strong>\u003ca href=\"https://www.facebook.com/unpopularopinionband/\" target=\"_blank\" rel=\"noopener\">Nick Abraham’s punk band Backyard Brew plays a gig at Backyard Brew in Palo Alto, and they’re good.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13830499\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13830499\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/IMG_4072-800x495.jpg\" alt=\"The Do List got a youth takeover this week from guitarist and KQED Youth Advisory Board Member Nick Abraham\" width=\"800\" height=\"495\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/IMG_4072-800x495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/IMG_4072-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/IMG_4072-768x475.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/IMG_4072-1020x631.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/IMG_4072-1200x742.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/IMG_4072-1920x1187.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/IMG_4072-1180x730.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/IMG_4072-960x594.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/IMG_4072-240x148.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/IMG_4072-375x232.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/IMG_4072-520x322.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/IMG_4072.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Do List got a youth takeover this week from guitarist and KQED Youth Advisory Board Member Nick Abraham \u003ccite>(Nadia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"id": "baycurious",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
},
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
},
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"how-i-built-this": {
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
},
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
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