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"bio": "\u003cspan style=\"font-weight: 400;\">Samuel Getachew is an 18-year-old poet and writer from Oakland, California. He is the 2019 Oakland Youth Poet Laureate, a 2020 Finalist for National Youth Poet Laureate, and a 4-time YoungArts Winner. His writing has been published in Teen Vogue, the New York Times, the Washington Post, and more. He will attend Yale University in the fall of 2021.\u003c/span>",
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"bio": "Adesh Thapliyal is KQED Arts' Editorial Intern. Previously, he wrote for the experimental newsletter \u003cem>Tone Glow\u003c/em> and the pop music blog \u003cem>The Singles Jukebox\u003c/em>.",
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"title": "PHOTOS: Kehlani, Tame Impala Bring a Festive Close to Outside Lands",
"headTitle": "PHOTOS: Kehlani, Tame Impala Bring a Festive Close to Outside Lands | KQED",
"content": "\u003cp>Outside Lands ended on a particularly festive note on Halloween, which brought the most people out of the three days, the majority of them in costume. A group of guys wore bowties and diapers in what I gathered was a “man baby” costume. A couple dressed as a lit-up Golden Gate Bridge complete with tulle fog. There was an AOC in a “Tax the Rich” dress from the Met Gala, some KISS members, obligatory \u003ci>Squid Game\u003c/i> contestants in tracksuits, space cowboys and many different kinds of aliens.[aside postid='arts_13905544']\u003c/p>\n\u003cp>The scene was as close as a mainstream festival gets to what people imagine when they think of San Franciscans letting their freak flags fly and setting aside differences to have fun. These are the musical acts that stood out on the final day of the festival’s pandemic-era return.\u003c/p>\n\u003cfigure id=\"attachment_13905598\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Kehlani-performs-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905598\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Kehlani-performs-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Kehlani-performs-at-Outside-Lands-on-Sunday-Oct.-31-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Kehlani-performs-at-Outside-Lands-on-Sunday-Oct.-31-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kehlani performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kehlani plays an intimate hometown show\u003c/h2>\n\u003cp>Most people packed out the Lands End stage to see headliner Tame Impala, who sounded great but projected such distorted, trippy visuals that it was impossible to see what was happening on stage unless you decided to brave the crowds and get up close. The vibe at Kehlani’s Sutro Stage set at the same time was much more intimate, and she embraced it. “I know y’all came to a festival to dance and be crazy and mosh pit, but you know I make love songs,” she told the audience, which contained a notable number of couples in embrace. They began to sway when Kehlani sang the opening bars of the syrupy R&B track “Hate the Club.” \u003c/p>\n\u003cp>The Oakland native interspersed more recent radio singles like “Nights Like This” and “Ring,” her track with Cardi B, with earlier work that put her on the map. Tracks like “Distraction” and “CRZY” got big cheers from her hometown fans, many of whom have followed her since before her mixtape era. Kehlani performed with a full band, but rather than wow us with huge crescendos and guitar solos, they let her singularly warm voice be the star. The down-to-earth approach worked well, especially for the tender, queer love song “Honey,” which she introduced, in true Town fashion, by yelling “Where my gay bitches at?!”\u003c/p>\n\u003cfigure id=\"attachment_13905621\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-Egyptian-Lover-performs-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905621\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-Egyptian-Lover-performs-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-Egyptian-Lover-performs-at-Outside-Lands-on-Sunday-Oct.-31-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-Egyptian-Lover-performs-at-Outside-Lands-on-Sunday-Oct.-31-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Egyptian Lover performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Egyptian Lover works his vinyl wizardry\u003c/h2>\n\u003cp>[aside postid='arts_13905536']A DJ set from Egyptian Lover, an elder statesman of the first pillar of hip-hop, made a trip to the House by Heineken tent worth it, even if it meant missing the action on the big music stages. At his concerts, Egyptian Lover typically raps live and does tricks on his 808, but at Outside Lands he let the ones and twos do the talking. He spun b-boy classics from the electrofunk era he came up in, like “Planet Rock” and “Rock It, Don’t Stop It.” But he never played them straight, scratching, fading vocals in and out and creating a sonic collage by putting the needle to the groove. The 50 person or so audience was dancing it out—someone dressed as Mrs. Doubtfire was shaking their butt pads, a \u003ci>Squid Game\u003c/i> guy was doing the most and another person twerked so hard they slipped in the mud.\u003c/p>\n\u003cfigure id=\"attachment_13905593\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Burna-Boy-performs-at-Outside-Lands-on-Sunday-Oct.-31.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Burna-Boy-performs-at-Outside-Lands-on-Sunday-Oct.-31.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Burna-Boy-performs-at-Outside-Lands-on-Sunday-Oct.-31-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Burna-Boy-performs-at-Outside-Lands-on-Sunday-Oct.-31-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Burna Boy performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Burna Boy leaves a powerful message\u003c/h2>\n\u003cp>The mood was sunny during Burna Boy’s set at the Twin Peaks stage, where he performed with a full band that got the crowd winding their hips to Afrobeats. The guitarist played breezy melodies; the horns ushered in a celebratory atmosphere. Thunderous drums added gravitas as the Nigerian superstar sang in his big, booming voice, and rapped on tracks that shared a vernacular with American hip-hop. Within the uptempo set, some songs in Burna Boy’s catalogue introduced a darker edge. “20 10 20,” a song he wrote in response to \u003ca href=\"https://www.kqed.org/arts/13888379/oakland-artists-join-nigerias-endsars-movement-against-police-violence-from-afar\" rel=\"noopener noreferrer\" target=\"_blank\">Nigeria’s movement against corruption and police brutality\u003c/a>, marked an especially powerful moment as visuals depicting the country’s colonial history flashed on-screen. “Put one fist up and pump that shit because this is protest music,” Burna Boy said. \u003c/p>\n\u003cfigure id=\"attachment_13905589\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Brittany-Howard-performs-at-Outside-Lands-on-Sunday-Oct.-31-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905589\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Brittany-Howard-performs-at-Outside-Lands-on-Sunday-Oct.-31-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Brittany-Howard-performs-at-Outside-Lands-on-Sunday-Oct.-31-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Brittany-Howard-performs-at-Outside-Lands-on-Sunday-Oct.-31-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brittany Howard performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Brittany Howard’s sunset groove\u003c/h2>\n\u003cp>Outside Lands felt like \u003ca href=\"https://www.npr.org/2021/07/01/1010306918/summer-of-soul-questlove-movie-review-harlem-cultural-festival\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cem>Summer of Soul\u003c/em>\u003c/a> during Brittany Howard’s set, which took place at Lands End during the golden hour. Even though Howard performed on the big stage, she managed to convey the relaxed atmosphere of a block party. She and her band took their time to settle into the groove of each track, weaving together elements of R&B, funk and blues as the audience two-stepped along. Howard belted in her low alto, let out high notes in a falsetto and shouted impassioned ad libs in the vein of James Brown as gospel-style backup singers supported her with an angelic chorus. She ended the set with the uplifting track “Give It To Love,” a manifesto about kindness and connection that I’m pretty sure inspired everyone in the audience to do at least one good deed as they continued their day. \u003c/p>\n\u003cfigure id=\"attachment_13905596\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Cam-backstage-at-Outside-Lands-on-Sunday-Oct.-31_.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905596\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Cam-backstage-at-Outside-Lands-on-Sunday-Oct.-31_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Cam-backstage-at-Outside-Lands-on-Sunday-Oct.-31_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Cam-backstage-at-Outside-Lands-on-Sunday-Oct.-31_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cam backstage at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905601\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/mxmtoon-performs-at-Outside-Lands-on-Sunday-Oct.-31-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/mxmtoon-performs-at-Outside-Lands-on-Sunday-Oct.-31-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/mxmtoon-performs-at-Outside-Lands-on-Sunday-Oct.-31-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/mxmtoon-performs-at-Outside-Lands-on-Sunday-Oct.-31-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">mxmtoon performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905611\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-5.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905611\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-5.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-5-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905623\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Yves-Tumor-and-Its-Band-perform-at-Outside-Lands-on-Sunday-Oct.-31_.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905623\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Yves-Tumor-and-Its-Band-perform-at-Outside-Lands-on-Sunday-Oct.-31_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Yves-Tumor-and-Its-Band-perform-at-Outside-Lands-on-Sunday-Oct.-31_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Yves-Tumor-and-Its-Band-perform-at-Outside-Lands-on-Sunday-Oct.-31_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yves Tumor and Its Band perform at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905603\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Sofi-Tukker-backstage-at-Outside-Lands-on-Sunday-Oct.-3_.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905603\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Sofi-Tukker-backstage-at-Outside-Lands-on-Sunday-Oct.-3_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Sofi-Tukker-backstage-at-Outside-Lands-on-Sunday-Oct.-3_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Sofi-Tukker-backstage-at-Outside-Lands-on-Sunday-Oct.-3_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sofi Tukker backstage at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905609\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905609\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905617\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-11.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905617\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-11.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-11-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-11-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905613\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-7.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905613\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-7.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-7-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905606\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Tame-Impala-performs-at-Outside-Lands-on-Sunday-Oct.-31.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905606\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Tame-Impala-performs-at-Outside-Lands-on-Sunday-Oct.-31.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Tame-Impala-performs-at-Outside-Lands-on-Sunday-Oct.-31-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Tame-Impala-performs-at-Outside-Lands-on-Sunday-Oct.-31-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905607\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31_.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905607\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "Halloween saw the biggest crowds and lots of costumes on the final day of Outside Lands.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Outside Lands ended on a particularly festive note on Halloween, which brought the most people out of the three days, the majority of them in costume. A group of guys wore bowties and diapers in what I gathered was a “man baby” costume. A couple dressed as a lit-up Golden Gate Bridge complete with tulle fog. There was an AOC in a “Tax the Rich” dress from the Met Gala, some KISS members, obligatory \u003ci>Squid Game\u003c/i> contestants in tracksuits, space cowboys and many different kinds of aliens.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The scene was as close as a mainstream festival gets to what people imagine when they think of San Franciscans letting their freak flags fly and setting aside differences to have fun. These are the musical acts that stood out on the final day of the festival’s pandemic-era return.\u003c/p>\n\u003cfigure id=\"attachment_13905598\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Kehlani-performs-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905598\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Kehlani-performs-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Kehlani-performs-at-Outside-Lands-on-Sunday-Oct.-31-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Kehlani-performs-at-Outside-Lands-on-Sunday-Oct.-31-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kehlani performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kehlani plays an intimate hometown show\u003c/h2>\n\u003cp>Most people packed out the Lands End stage to see headliner Tame Impala, who sounded great but projected such distorted, trippy visuals that it was impossible to see what was happening on stage unless you decided to brave the crowds and get up close. The vibe at Kehlani’s Sutro Stage set at the same time was much more intimate, and she embraced it. “I know y’all came to a festival to dance and be crazy and mosh pit, but you know I make love songs,” she told the audience, which contained a notable number of couples in embrace. They began to sway when Kehlani sang the opening bars of the syrupy R&B track “Hate the Club.” \u003c/p>\n\u003cp>The Oakland native interspersed more recent radio singles like “Nights Like This” and “Ring,” her track with Cardi B, with earlier work that put her on the map. Tracks like “Distraction” and “CRZY” got big cheers from her hometown fans, many of whom have followed her since before her mixtape era. Kehlani performed with a full band, but rather than wow us with huge crescendos and guitar solos, they let her singularly warm voice be the star. The down-to-earth approach worked well, especially for the tender, queer love song “Honey,” which she introduced, in true Town fashion, by yelling “Where my gay bitches at?!”\u003c/p>\n\u003cfigure id=\"attachment_13905621\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-Egyptian-Lover-performs-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905621\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-Egyptian-Lover-performs-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-Egyptian-Lover-performs-at-Outside-Lands-on-Sunday-Oct.-31-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-Egyptian-Lover-performs-at-Outside-Lands-on-Sunday-Oct.-31-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Egyptian Lover performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Egyptian Lover works his vinyl wizardry\u003c/h2>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>A DJ set from Egyptian Lover, an elder statesman of the first pillar of hip-hop, made a trip to the House by Heineken tent worth it, even if it meant missing the action on the big music stages. At his concerts, Egyptian Lover typically raps live and does tricks on his 808, but at Outside Lands he let the ones and twos do the talking. He spun b-boy classics from the electrofunk era he came up in, like “Planet Rock” and “Rock It, Don’t Stop It.” But he never played them straight, scratching, fading vocals in and out and creating a sonic collage by putting the needle to the groove. The 50 person or so audience was dancing it out—someone dressed as Mrs. Doubtfire was shaking their butt pads, a \u003ci>Squid Game\u003c/i> guy was doing the most and another person twerked so hard they slipped in the mud.\u003c/p>\n\u003cfigure id=\"attachment_13905593\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Burna-Boy-performs-at-Outside-Lands-on-Sunday-Oct.-31.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Burna-Boy-performs-at-Outside-Lands-on-Sunday-Oct.-31.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Burna-Boy-performs-at-Outside-Lands-on-Sunday-Oct.-31-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Burna-Boy-performs-at-Outside-Lands-on-Sunday-Oct.-31-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Burna Boy performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Burna Boy leaves a powerful message\u003c/h2>\n\u003cp>The mood was sunny during Burna Boy’s set at the Twin Peaks stage, where he performed with a full band that got the crowd winding their hips to Afrobeats. The guitarist played breezy melodies; the horns ushered in a celebratory atmosphere. Thunderous drums added gravitas as the Nigerian superstar sang in his big, booming voice, and rapped on tracks that shared a vernacular with American hip-hop. Within the uptempo set, some songs in Burna Boy’s catalogue introduced a darker edge. “20 10 20,” a song he wrote in response to \u003ca href=\"https://www.kqed.org/arts/13888379/oakland-artists-join-nigerias-endsars-movement-against-police-violence-from-afar\" rel=\"noopener noreferrer\" target=\"_blank\">Nigeria’s movement against corruption and police brutality\u003c/a>, marked an especially powerful moment as visuals depicting the country’s colonial history flashed on-screen. “Put one fist up and pump that shit because this is protest music,” Burna Boy said. \u003c/p>\n\u003cfigure id=\"attachment_13905589\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Brittany-Howard-performs-at-Outside-Lands-on-Sunday-Oct.-31-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905589\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Brittany-Howard-performs-at-Outside-Lands-on-Sunday-Oct.-31-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Brittany-Howard-performs-at-Outside-Lands-on-Sunday-Oct.-31-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Brittany-Howard-performs-at-Outside-Lands-on-Sunday-Oct.-31-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brittany Howard performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Brittany Howard’s sunset groove\u003c/h2>\n\u003cp>Outside Lands felt like \u003ca href=\"https://www.npr.org/2021/07/01/1010306918/summer-of-soul-questlove-movie-review-harlem-cultural-festival\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cem>Summer of Soul\u003c/em>\u003c/a> during Brittany Howard’s set, which took place at Lands End during the golden hour. Even though Howard performed on the big stage, she managed to convey the relaxed atmosphere of a block party. She and her band took their time to settle into the groove of each track, weaving together elements of R&B, funk and blues as the audience two-stepped along. Howard belted in her low alto, let out high notes in a falsetto and shouted impassioned ad libs in the vein of James Brown as gospel-style backup singers supported her with an angelic chorus. She ended the set with the uplifting track “Give It To Love,” a manifesto about kindness and connection that I’m pretty sure inspired everyone in the audience to do at least one good deed as they continued their day. \u003c/p>\n\u003cfigure id=\"attachment_13905596\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Cam-backstage-at-Outside-Lands-on-Sunday-Oct.-31_.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905596\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Cam-backstage-at-Outside-Lands-on-Sunday-Oct.-31_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Cam-backstage-at-Outside-Lands-on-Sunday-Oct.-31_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Cam-backstage-at-Outside-Lands-on-Sunday-Oct.-31_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cam backstage at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905601\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/mxmtoon-performs-at-Outside-Lands-on-Sunday-Oct.-31-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/mxmtoon-performs-at-Outside-Lands-on-Sunday-Oct.-31-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/mxmtoon-performs-at-Outside-Lands-on-Sunday-Oct.-31-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/mxmtoon-performs-at-Outside-Lands-on-Sunday-Oct.-31-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">mxmtoon performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905611\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-5.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905611\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-5.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-5-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905623\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Yves-Tumor-and-Its-Band-perform-at-Outside-Lands-on-Sunday-Oct.-31_.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905623\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Yves-Tumor-and-Its-Band-perform-at-Outside-Lands-on-Sunday-Oct.-31_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Yves-Tumor-and-Its-Band-perform-at-Outside-Lands-on-Sunday-Oct.-31_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Yves-Tumor-and-Its-Band-perform-at-Outside-Lands-on-Sunday-Oct.-31_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yves Tumor and Its Band perform at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905603\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Sofi-Tukker-backstage-at-Outside-Lands-on-Sunday-Oct.-3_.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905603\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Sofi-Tukker-backstage-at-Outside-Lands-on-Sunday-Oct.-3_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Sofi-Tukker-backstage-at-Outside-Lands-on-Sunday-Oct.-3_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Sofi-Tukker-backstage-at-Outside-Lands-on-Sunday-Oct.-3_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sofi Tukker backstage at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905609\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905609\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905617\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-11.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905617\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-11.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-11-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-11-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905613\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-7.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905613\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-7.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31-7-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905606\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/Tame-Impala-performs-at-Outside-Lands-on-Sunday-Oct.-31.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905606\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Tame-Impala-performs-at-Outside-Lands-on-Sunday-Oct.-31.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Tame-Impala-performs-at-Outside-Lands-on-Sunday-Oct.-31-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/Tame-Impala-performs-at-Outside-Lands-on-Sunday-Oct.-31-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala performs at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905607\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31_.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905607\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/The-crowd-at-Outside-Lands-on-Sunday-Oct.-31_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Oct. 31. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "PHOTOS: Lizzo’s Sex-Positive Charisma Lights Up Outside Lands Saturday",
"headTitle": "PHOTOS: Lizzo’s Sex-Positive Charisma Lights Up Outside Lands Saturday | KQED",
"content": "\u003cp>After a high-energy opening day, Outside Lands continued its pandemic-era return on an even more packed Saturday, with tens of thousands of fans flocking to Golden Gate Park. The genre-agnostic fest offered nonstop stimuli between the four music stages, culinary offerings, live art, DJ sets and other diversions. And with everything happening at once, it was easy to log several days worth of steps in your health app trying to do it all. Here’s who impressed on day two. [aside postid='arts_13905536'] \u003c/p>\n\u003ch2>Lizzo brings powerhouse vocals and a few laughs\u003c/h2>\n\u003cp>Lizzo makes everyone feel like she could be their bestie. She might be the headliner of Outside Lands, belting out megawatt vocal runs with a full band and cadre of stylish, spandex-wearing dancers. But she’ll also tell you her thong leotard is riding up to uncomfortable places from all the twerking happening on stage. It’s this mix of five-star talent and humor that made her set so endearing. (At one point, she even came out dressed as the creepy doll from \u003cem>Squid Game\u003c/em>.)\u003c/p>\n\u003cfigure id=\"attachment_13905558\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Lizzo-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905558\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Lizzo-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Lizzo-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Lizzo-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lizzo Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pausing to reflect on the pandemic, Lizzo told the crowd, “That’s what music is about, bringing us back together so we can grieve and heal and grow together,” she said before pivoting to a gag. “In these unprecedented times, nothing is for certain. Except that I’ll always have good pussy.” \u003c/p>\n\u003cp>Between sex-positive self-love tracks like “Soulmate” and “Boys,” Lizzo sang snippets of covers of Aretha Franklin and Whitney Houston. These are artists no one should touch unless they really, \u003cem>really\u003c/em> know what they’re doing, and Lizzo did. She remade and remixed “Respect” and “I’m Every Woman” into her own versions, and strategically positioned herself as an heiress to a lineage of all-time greats. It was a bold move matched by her powerhouse voice. \u003c/p>\n\u003cfigure id=\"attachment_13905564\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Rico-Nasty-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905564\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rico-Nasty-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rico-Nasty-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rico-Nasty-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rico Nasty Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Rico Nasty lets out her rage\u003c/h2>\n\u003cp>Rico Nasty’s early evening set at the Twin Peaks stage was a chaotic good. “Y’all got a lot of energy for me and I appreciate that,” she told the crowd. That was an understatement. As she launched into her rambunctious diss track “STFU,” rapping in the gruffest end of her register, people climbed on metal barricades and sprayed water into the air. The crowd pulsed up and down like an enormous organism—if the area in front of Twin Peaks was especially muddy, this was why. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Rico turned her goth aesthetic up a notch for the Halloween weekend show, taking the stage in a red and black tutu and corset like a sexy-yet-evil harlequin. Dancers in inflatable gremlin outfits hyped her as she rapped hits like “Cold,” “Poppin’” and “Rage.” The latter, with the screamo refrain “I like bad bitches who be ragin’,” unleashed fury in the crowd like a modern-day “Knuck If You Buck,” giving the women in particular permission to let it all out in the mosh pit.\u003c/p>\n\u003cfigure id=\"attachment_13905560\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Reggie-Watts-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Reggie-Watts-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Reggie-Watts-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Reggie-Watts-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Reggie Watts Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Reggie Watts fits dad jokes between beatboxing\u003c/h2>\n\u003cp>Comedian-with-a-drum machine Marc Rebillet had to bow out of his Sutro Stage set because of an injury, but the festival replaced him with another electronic music star with a sense of humor: Reggie Watts. Though taking the stage completely solo, Watts performed with the power of a three- or four-piece band, beatboxing, looping his voice, rapping, singing into a vocoder and somehow fitting in some stand-up material. Watching him, you get the sensation that his brain has a processing power several times greater than that of an average human. Oh, did I mention he has a four-and-a-half-octave vocal range? \u003c/p>\n\u003cp>Watts says his sets are 100% improvised, which would explain some of the bizarro directions of his lyrics and monologues. He cracked the audience up with dad jokes when he referred to Vampire Weekend as Werewolf Weekday. At one point, he acted like he was about to perform a magic trick with a cloth but used it to clean his glasses, and then sang about how fans give him crap when his lenses are dirty. Ketamine came up as a topic several times—he told the audience to try it while laying in bed and listening to Brian Eno to “allow reality to reveal itself in its natural, unfettered state.” Not sure how many people took him up on that, but his goofy humor and rare abilities left big grins on people’s faces.\u003c/p>\n\u003cfigure id=\"attachment_13905576\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905576\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Vampire Weekend Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Vampire Weekend’s polished indie rock\u003c/h2>\n\u003cp>Vampire Weekend’s set design was like something you’d see on bumper stickers in the Berkeley Bowl parking lot: a big, hanging globe and a background of symbols alluding to nature, unity and peace. It matched the cheerful vibe of their jangly, hook-driven indie rock, which the mostly 20-something crowd knew word for word even though the band’s heyday was in the late 2000s and early 2010s music blog era.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Vampire Weekend was incredibly efficient and tightly rehearsed, with two guitars and a keyboard often playing in unison like an Olympic synchronized swimming team. The shekere and other African percussion instruments enhanced their clean-cut tracks, and occasionally they broke loose from their structure, like when Brian Robert Jones unleashed a Slash-worthy guitar solo during “Sunshine,” a track from their 2019 album \u003cem>Father of the Bride\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13905548\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/24kGolden-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905548\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/24kGolden-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/24kGolden-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/24kGolden-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">24kGolden Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905549\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Amin%C3%A9-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905549\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Aminé-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Aminé-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Aminé-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Aminé Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905552\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Angel-Olsen-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Angel-Olsen-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Angel-Olsen-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Angel-Olsen-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Angel Olsen Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905570\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-6.-CR2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905570\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-6.-CR2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-6.-CR2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-6.-CR2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905577\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/D7A7588.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905577\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/D7A7588.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/D7A7588-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/D7A7588-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brijean Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905561\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Rexx-Life-Raj-backstage-at-Outisde-Lands-on-Saturday-Oct.-30-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905561\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rexx-Life-Raj-backstage-at-Outisde-Lands-on-Saturday-Oct.-30-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rexx-Life-Raj-backstage-at-Outisde-Lands-on-Saturday-Oct.-30-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rexx-Life-Raj-backstage-at-Outisde-Lands-on-Saturday-Oct.-30-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rexx Life Raj backstage at Outisde Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905569\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-5.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905569\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-5.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-5-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905574\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905574\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Vampire Weekend Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905573\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905573\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "The headliner’s performance put her in a lineage of all-time greats; Rico Nasty, Reggie Watts and Vampire Weekend all impressed.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After a high-energy opening day, Outside Lands continued its pandemic-era return on an even more packed Saturday, with tens of thousands of fans flocking to Golden Gate Park. The genre-agnostic fest offered nonstop stimuli between the four music stages, culinary offerings, live art, DJ sets and other diversions. And with everything happening at once, it was easy to log several days worth of steps in your health app trying to do it all. Here’s who impressed on day two. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp> \u003c/p>\n\u003ch2>Lizzo brings powerhouse vocals and a few laughs\u003c/h2>\n\u003cp>Lizzo makes everyone feel like she could be their bestie. She might be the headliner of Outside Lands, belting out megawatt vocal runs with a full band and cadre of stylish, spandex-wearing dancers. But she’ll also tell you her thong leotard is riding up to uncomfortable places from all the twerking happening on stage. It’s this mix of five-star talent and humor that made her set so endearing. (At one point, she even came out dressed as the creepy doll from \u003cem>Squid Game\u003c/em>.)\u003c/p>\n\u003cfigure id=\"attachment_13905558\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Lizzo-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905558\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Lizzo-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Lizzo-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Lizzo-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lizzo Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pausing to reflect on the pandemic, Lizzo told the crowd, “That’s what music is about, bringing us back together so we can grieve and heal and grow together,” she said before pivoting to a gag. “In these unprecedented times, nothing is for certain. Except that I’ll always have good pussy.” \u003c/p>\n\u003cp>Between sex-positive self-love tracks like “Soulmate” and “Boys,” Lizzo sang snippets of covers of Aretha Franklin and Whitney Houston. These are artists no one should touch unless they really, \u003cem>really\u003c/em> know what they’re doing, and Lizzo did. She remade and remixed “Respect” and “I’m Every Woman” into her own versions, and strategically positioned herself as an heiress to a lineage of all-time greats. It was a bold move matched by her powerhouse voice. \u003c/p>\n\u003cfigure id=\"attachment_13905564\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Rico-Nasty-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905564\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rico-Nasty-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rico-Nasty-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rico-Nasty-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rico Nasty Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Rico Nasty lets out her rage\u003c/h2>\n\u003cp>Rico Nasty’s early evening set at the Twin Peaks stage was a chaotic good. “Y’all got a lot of energy for me and I appreciate that,” she told the crowd. That was an understatement. As she launched into her rambunctious diss track “STFU,” rapping in the gruffest end of her register, people climbed on metal barricades and sprayed water into the air. The crowd pulsed up and down like an enormous organism—if the area in front of Twin Peaks was especially muddy, this was why. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Rico turned her goth aesthetic up a notch for the Halloween weekend show, taking the stage in a red and black tutu and corset like a sexy-yet-evil harlequin. Dancers in inflatable gremlin outfits hyped her as she rapped hits like “Cold,” “Poppin’” and “Rage.” The latter, with the screamo refrain “I like bad bitches who be ragin’,” unleashed fury in the crowd like a modern-day “Knuck If You Buck,” giving the women in particular permission to let it all out in the mosh pit.\u003c/p>\n\u003cfigure id=\"attachment_13905560\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Reggie-Watts-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Reggie-Watts-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Reggie-Watts-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Reggie-Watts-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Reggie Watts Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Reggie Watts fits dad jokes between beatboxing\u003c/h2>\n\u003cp>Comedian-with-a-drum machine Marc Rebillet had to bow out of his Sutro Stage set because of an injury, but the festival replaced him with another electronic music star with a sense of humor: Reggie Watts. Though taking the stage completely solo, Watts performed with the power of a three- or four-piece band, beatboxing, looping his voice, rapping, singing into a vocoder and somehow fitting in some stand-up material. Watching him, you get the sensation that his brain has a processing power several times greater than that of an average human. Oh, did I mention he has a four-and-a-half-octave vocal range? \u003c/p>\n\u003cp>Watts says his sets are 100% improvised, which would explain some of the bizarro directions of his lyrics and monologues. He cracked the audience up with dad jokes when he referred to Vampire Weekend as Werewolf Weekday. At one point, he acted like he was about to perform a magic trick with a cloth but used it to clean his glasses, and then sang about how fans give him crap when his lenses are dirty. Ketamine came up as a topic several times—he told the audience to try it while laying in bed and listening to Brian Eno to “allow reality to reveal itself in its natural, unfettered state.” Not sure how many people took him up on that, but his goofy humor and rare abilities left big grins on people’s faces.\u003c/p>\n\u003cfigure id=\"attachment_13905576\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905576\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Vampire Weekend Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Vampire Weekend’s polished indie rock\u003c/h2>\n\u003cp>Vampire Weekend’s set design was like something you’d see on bumper stickers in the Berkeley Bowl parking lot: a big, hanging globe and a background of symbols alluding to nature, unity and peace. It matched the cheerful vibe of their jangly, hook-driven indie rock, which the mostly 20-something crowd knew word for word even though the band’s heyday was in the late 2000s and early 2010s music blog era.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Vampire Weekend was incredibly efficient and tightly rehearsed, with two guitars and a keyboard often playing in unison like an Olympic synchronized swimming team. The shekere and other African percussion instruments enhanced their clean-cut tracks, and occasionally they broke loose from their structure, like when Brian Robert Jones unleashed a Slash-worthy guitar solo during “Sunshine,” a track from their 2019 album \u003cem>Father of the Bride\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13905548\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/24kGolden-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905548\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/24kGolden-Performs-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/24kGolden-Performs-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/24kGolden-Performs-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">24kGolden Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905549\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Amin%C3%A9-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905549\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Aminé-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Aminé-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Aminé-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Aminé Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905552\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Angel-Olsen-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Angel-Olsen-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Angel-Olsen-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Angel-Olsen-Performs-at-Outside-Lands-on-Saturday-Oct.-30-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Angel Olsen Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905570\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-6.-CR2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905570\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-6.-CR2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-6.-CR2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-6.-CR2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905577\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/D7A7588.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905577\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/D7A7588.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/D7A7588-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/D7A7588-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brijean Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905561\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Rexx-Life-Raj-backstage-at-Outisde-Lands-on-Saturday-Oct.-30-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905561\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rexx-Life-Raj-backstage-at-Outisde-Lands-on-Saturday-Oct.-30-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rexx-Life-Raj-backstage-at-Outisde-Lands-on-Saturday-Oct.-30-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Rexx-Life-Raj-backstage-at-Outisde-Lands-on-Saturday-Oct.-30-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rexx Life Raj backstage at Outisde Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905569\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-5.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905569\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-5.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-5-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905574\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905574\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Vampire-Weekend-Performs-at-Outside-Lands-on-Saturday-Oct.-30-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Vampire Weekend Performs at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905573\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-full wp-image-13905573\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Saturday-Oct.-30-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Saturday, Oct. 30. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"title": "PHOTOS: An Electric Return for Outside Lands with Tyler, the Creator and More",
"headTitle": "PHOTOS: An Electric Return for Outside Lands with Tyler, the Creator and More | KQED",
"content": "\u003cp>“This really is beautiful,” Tyler, the Creator wondered out loud in the silence in between songs. “The fog came in, that shit was cute. And the trees,” he said, looking out into the thousands of faces jostling in the muddy grounds of Golden Gate Park on Friday.\u003c/p>\n\u003cp>It was true: there was something especially beautiful about the scene set by the first day of Outside Lands. Sometime during Puerto Rican synthpop duo’s Buscabulla’s set the fog rolled in, like the Bay’s natural smoke machine. The haze wrapped around the glowing mushroom sculptures and windmill decor, giving everything an autumnal, Ren Faire look. This was the first time the festival, usually held in August, has taken place this late in the year, and even the park dressed appropriately for the season.\u003c/p>\n\u003cp>In this special Halloween edition of Outside Lands, the festival continued its tilt away from its indie rock origins to its current big-tent incarnation, with acts as disparate as Glass Animals, Kaytranada and Sharon Van Etten sharing space in the lineup.\u003c/p>\n\u003cp>Here’s who impressed the most during the opening day of the festival.\u003c/p>\n\u003cfigure id=\"attachment_13905521\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905521\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-8.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-8.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-8-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-8-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Flo Milli’s short but mighty raps\u003c/h2>\n\u003cp>I arrived to Flo Milli’s set after checking out Khruangbin, the Houston trio whose psychedelic, dub-inflected instrumental rock got an initially stiff and awkward audience reaction—this isn’t the Acid Test era of San Francisco anymore. The crowd at Flo Milli, however, was bouncing and screaming her tagline (“Ho, Flo Milli Shit, ho!”) over bass so deep that it made my ribcage vibrate like a tuning fork.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Flo Milli’s debut album, and so far, her only album, has exactly 30 minutes of music on it, so it was hard to imagine how she would fill up the 40 minutes of her allotted stage time. It turns out, she chose to perform a lean, 20 minute set with only her biggest hits. But, hey, it’s hard to complain when the crowd could sing every word of her schoolyard-taunt raps at the top of their lungs.\u003c/p>\n\u003cfigure id=\"attachment_13905525\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905525\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-Soul-Rebels-perform-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Soul-Rebels-perform-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Soul-Rebels-perform-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Soul-Rebels-perform-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Soul Rebels perform at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The Soul Rebels brought NOLA to the Bay\u003c/h2>\n\u003cp>This New Orleans eight-piece bass band was a surprise hit with festival-goers. Sure, they don’t have the Gold records or Billboard toppers, but who cares when they’re this good? They’re NOLA through and through: their set is accompanied by B-roll featuring the band posing in front of shotgun houses and shopping in the French Quarter. Everyone was dressed up in their best George Clinton funk outfits, and they played their original work mixed in with crowd-pleasing covers of Ice Cube and Thundercat. Though they’ve headlined their own tours for years, some fans know The Soul Rebels as a backing band \u003ca href=\"http://freshisthepodcast.com/breakin-recordz-8-the-soul-rebels/\" target=\"_blank\" rel=\"noopener noreferrer\">for other people’s concerts\u003c/a>. But at Outside Lands, they showed they can hold their own as a main act.\u003c/p>\n\u003cfigure id=\"attachment_13905497\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905497\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/EARTHGANG-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/EARTHGANG-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/EARTHGANG-performs-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/EARTHGANG-performs-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">EARTHGANG performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>EARTHGANG’s stripped-down set wowed without distractions\u003c/h2>\n\u003cp>No vocal backing track. No razzle-dazzle. Olu and Wowgr8, the duo behind EARTHGANG, kept it simple: a static logo on screen, one DJ and themselves. I admit, I wondered how these two minor stars managed to secure a prime-time slot on one of the big stages, but they made me swallow my words. By the end of the night, the word on the shuttle bus was that they had Friday’s best set.\u003c/p>\n\u003cp>Their recipe for success is simple: get the crowd hyped, get the music going hard, and then let their talent rip. I mean, these guys are the equivalent of kids who go on \u003cem>America’s Got Talent\u003c/em> and tear through “Flight of the Bumblebee” on the violin—they’re rap virtuosos who aren’t afraid to show it off. Triplet flow, double time, freestyle: EARTHGANG could switch it up on a dime, which they did on almost every track.\u003c/p>\n\u003cp>They even premiered a new single, “Ghetto Gods,” and everyone can check it out via \u003ca href=\"https://www.youtube.com/watch?v=LqG5_Hlkrmo\">surreptitious upload on YouTube\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13905502\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905502\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/JPEGMAFIA-performs-at-Outside-Lands-on-Friday-Oct.-29-3.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/JPEGMAFIA-performs-at-Outside-Lands-on-Friday-Oct.-29-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/JPEGMAFIA-performs-at-Outside-Lands-on-Friday-Oct.-29-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/JPEGMAFIA-performs-at-Outside-Lands-on-Friday-Oct.-29-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">JPEGMAFIA performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>JPEGMafia didn’t water down his weirdness\u003c/h2>\n\u003cp>The last time I saw Peggy was at 2018’s Treasure Island Music Festival, where he played an early slot on a tiny stage to maybe 50 people. And those 50 people were really into it, thrashing and crashing their bodies into each other like football players on the line of scrimmage. At one point Peggy jumped off the stage, started moshing just as hard as his fans, and looked like he was about to fight one of them (his backstage team seemed to talk him out of it).\u003c/p>\n\u003cp>A few more critically acclaimed albums later, and JPEGMafia’s gotten enough clout to score a prominent spot in Friday’s schedule. But even in the major leagues, Peggy’s punk-y, D.I.Y. ethos remains unchanged. If EARTHGANG’s set was stripped down, I’m not sure what to call JPEGMafia’s performance. There was literally nothing besides his MacBook and the man himself on stage. I mean, he had to walk to his laptop between every song to hit play on the next track. After his first song, a rough and unintelligible performance of “Jesus Forgive Me, I am a Thot,” he took a hard look at his computer screen and announced, a little sheepishly: “Sorry, everyone, I had two layers of autotune on.”\u003c/p>\n\u003cp>Not that Peggy’s experimental hip-hop needs an audio slip-up to sound harsh and dissonant. Parts of the audience kept on peeling off with every song, pushed away by the unfriendly sound (this is an artist, after all, that makes “\u003ca href=\"https://www.vice.com/en/article/kzjpka/jpegmafia-explains-why-he-makes-music-to-be-hated\">Music to be Hated\u003c/a>”). Who was left by the end of the set was the faithful Peggy fans, and for them, they wouldn’t have it any other way.\u003c/p>\n\u003cfigure id=\"attachment_13905533\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905533\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-9.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-9.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-9-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-9-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, The Creator performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Tyler, the Creator embraced his evolution in a powerful closer\u003c/h2>\n\u003cp>The less said about The Strokes, who played Outside Lands like they were their own cover band, the better. Tyler, the Creator was the better headliner of the night; he played a downscaled version of his critically \u003ca href=\"https://www.vulture.com/2021/08/watch-tyler-the-creators-cinematic-lollapalooza-set.html\" target=\"_blank\" rel=\"noopener noreferrer\">acclaimed Lollapalooza set from July\u003c/a>.\u003c/p>\n\u003cp>Like that earlier show, Tyler’s Outside Lands performance was a sentimental look back at his decade-long career, from his beginnings as an scrappy blogazine favorite to his current softboy pop star aesthetic. He dressed the Land’s End stage up in plastic rocks and projected pine trees to look like a lakeside pier, complete with prop speedboat rocking on fake water. It was all very reminiscent of “\u003ca href=\"https://www.youtube.com/watch?v=fXJc2NYwHjw&ab_channel=SoulsOfMischiefVEVO\" target=\"_blank\" rel=\"noopener noreferrer\">93 ’Til Infinity\u003c/a>,” tapping into a Bay Area tradition of flexing on picturesque scenery.\u003c/p>\n\u003cp>Tyler was relaxed and casual during his set, chatting with his audience between tracks. “A lot of you found me through \u003cem>Call Me If You Get Lost\u003c/em>, \u003cem>Igor\u003c/em>, \u003cem>Flower Boy\u003c/em> … but [there was] a time where [people] were cancelling me in real life,” Tyler said, referring to his controversial and \u003ca href=\"https://genius.com/a/tyler-the-creator-says-his-2011-album-goblin-is-horrible-in-hindsight\" target=\"_blank\" rel=\"noopener noreferrer\">now partially disowned early work\u003c/a>. “Can I do songs from that album?”\u003c/p>\n\u003cp>As he went deeper into his back catalog, the scenery on stage got darker, from a sunny day to the evening to a starry night, and finally, during a performance of “She,” to a blank, pitch-black void. It’s a reflection of the complicated relationship that Tyler has with his past persona of a homophobic, misogynist edgelord—he acknowledges that it came from a dark place in his life, but he’s reluctant to distance himself from his breakout hits any further than that.\u003c/p>\n\u003cp>I’m ambivalent about this gambit, but I can acknowledge that Tyler’s stagecraft is setting a high bar. I mean, how many festival sets are artfully composed enough to allow a glimpse into an artist’s psyche? In the end, the sun rises on stage, and Tyler starts performing songs off his latest album, \u003cem>Call Me If You Get Lost\u003c/em>. The message is clear: whatever you think about his past, for Tyler at least, it’s a new day—a fresh start.\u003c/p>\n\u003cfigure id=\"attachment_13905506\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905506\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Khruangbin performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905505\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905505\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-2.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Khruangbin performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905528\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905528\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-Strokes-perform-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Strokes-perform-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Strokes-perform-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Strokes-perform-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Strokes perform at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905520\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905520\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-7.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-7.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-7-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905508\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905508\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Madeline-Kenney-backstage-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Madeline-Kenney-backstage-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Madeline-Kenney-backstage-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Madeline-Kenney-backstage-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Madeline Kenney backstage at Outside Lands on Friday Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905509\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905509\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Moses-Sumney-performs-at-Outside-Lands-on-Friday-Oct.-29-2.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Moses-Sumney-performs-at-Outside-Lands-on-Friday-Oct.-29-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Moses-Sumney-performs-at-Outside-Lands-on-Friday-Oct.-29-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Moses-Sumney-performs-at-Outside-Lands-on-Friday-Oct.-29-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Moses Sumney performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905513\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905513\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Sharon-Van-Etten-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Sharon-Van-Etten-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Sharon-Van-Etten-performs-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Sharon-Van-Etten-performs-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sharon Van Etten performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905515\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905515\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-copy.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-copy.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-copy-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-copy-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905529\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905529\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-3.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, The Creator performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905535\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905535\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-11-1.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-11-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-11-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-11-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, The Creator performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905518\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905518\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-4.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-4.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-4-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-4-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905499\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905499\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Glass-Animals-perform-at-Outside-Lands-on-Friday-Oct.-29-6.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Glass-Animals-perform-at-Outside-Lands-on-Friday-Oct.-29-6.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Glass-Animals-perform-at-Outside-Lands-on-Friday-Oct.-29-6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Glass-Animals-perform-at-Outside-Lands-on-Friday-Oct.-29-6-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Glass Animals perform at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905514\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905514\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-Crowd-at-Outside-Lands-on-Friday-Oct-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Crowd-at-Outside-Lands-on-Friday-Oct-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Crowd-at-Outside-Lands-on-Friday-Oct-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Crowd-at-Outside-Lands-on-Friday-Oct-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"excerpt": "EARTHGANG wowed with virtuosic rapping; Nola funk band The Soul Rebels held their own. ",
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"title": "PHOTOS: An Electric Return for Outside Lands with Tyler, the Creator and More | KQED",
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"headline": "PHOTOS: An Electric Return for Outside Lands with Tyler, the Creator and More",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“This really is beautiful,” Tyler, the Creator wondered out loud in the silence in between songs. “The fog came in, that shit was cute. And the trees,” he said, looking out into the thousands of faces jostling in the muddy grounds of Golden Gate Park on Friday.\u003c/p>\n\u003cp>It was true: there was something especially beautiful about the scene set by the first day of Outside Lands. Sometime during Puerto Rican synthpop duo’s Buscabulla’s set the fog rolled in, like the Bay’s natural smoke machine. The haze wrapped around the glowing mushroom sculptures and windmill decor, giving everything an autumnal, Ren Faire look. This was the first time the festival, usually held in August, has taken place this late in the year, and even the park dressed appropriately for the season.\u003c/p>\n\u003cp>In this special Halloween edition of Outside Lands, the festival continued its tilt away from its indie rock origins to its current big-tent incarnation, with acts as disparate as Glass Animals, Kaytranada and Sharon Van Etten sharing space in the lineup.\u003c/p>\n\u003cp>Here’s who impressed the most during the opening day of the festival.\u003c/p>\n\u003cfigure id=\"attachment_13905521\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905521\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-8.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-8.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-8-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-8-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Flo Milli’s short but mighty raps\u003c/h2>\n\u003cp>I arrived to Flo Milli’s set after checking out Khruangbin, the Houston trio whose psychedelic, dub-inflected instrumental rock got an initially stiff and awkward audience reaction—this isn’t the Acid Test era of San Francisco anymore. The crowd at Flo Milli, however, was bouncing and screaming her tagline (“Ho, Flo Milli Shit, ho!”) over bass so deep that it made my ribcage vibrate like a tuning fork.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Flo Milli’s debut album, and so far, her only album, has exactly 30 minutes of music on it, so it was hard to imagine how she would fill up the 40 minutes of her allotted stage time. It turns out, she chose to perform a lean, 20 minute set with only her biggest hits. But, hey, it’s hard to complain when the crowd could sing every word of her schoolyard-taunt raps at the top of their lungs.\u003c/p>\n\u003cfigure id=\"attachment_13905525\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905525\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-Soul-Rebels-perform-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Soul-Rebels-perform-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Soul-Rebels-perform-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Soul-Rebels-perform-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Soul Rebels perform at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The Soul Rebels brought NOLA to the Bay\u003c/h2>\n\u003cp>This New Orleans eight-piece bass band was a surprise hit with festival-goers. Sure, they don’t have the Gold records or Billboard toppers, but who cares when they’re this good? They’re NOLA through and through: their set is accompanied by B-roll featuring the band posing in front of shotgun houses and shopping in the French Quarter. Everyone was dressed up in their best George Clinton funk outfits, and they played their original work mixed in with crowd-pleasing covers of Ice Cube and Thundercat. Though they’ve headlined their own tours for years, some fans know The Soul Rebels as a backing band \u003ca href=\"http://freshisthepodcast.com/breakin-recordz-8-the-soul-rebels/\" target=\"_blank\" rel=\"noopener noreferrer\">for other people’s concerts\u003c/a>. But at Outside Lands, they showed they can hold their own as a main act.\u003c/p>\n\u003cfigure id=\"attachment_13905497\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905497\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/EARTHGANG-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/EARTHGANG-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/EARTHGANG-performs-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/EARTHGANG-performs-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">EARTHGANG performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>EARTHGANG’s stripped-down set wowed without distractions\u003c/h2>\n\u003cp>No vocal backing track. No razzle-dazzle. Olu and Wowgr8, the duo behind EARTHGANG, kept it simple: a static logo on screen, one DJ and themselves. I admit, I wondered how these two minor stars managed to secure a prime-time slot on one of the big stages, but they made me swallow my words. By the end of the night, the word on the shuttle bus was that they had Friday’s best set.\u003c/p>\n\u003cp>Their recipe for success is simple: get the crowd hyped, get the music going hard, and then let their talent rip. I mean, these guys are the equivalent of kids who go on \u003cem>America’s Got Talent\u003c/em> and tear through “Flight of the Bumblebee” on the violin—they’re rap virtuosos who aren’t afraid to show it off. Triplet flow, double time, freestyle: EARTHGANG could switch it up on a dime, which they did on almost every track.\u003c/p>\n\u003cp>They even premiered a new single, “Ghetto Gods,” and everyone can check it out via \u003ca href=\"https://www.youtube.com/watch?v=LqG5_Hlkrmo\">surreptitious upload on YouTube\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13905502\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905502\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/JPEGMAFIA-performs-at-Outside-Lands-on-Friday-Oct.-29-3.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/JPEGMAFIA-performs-at-Outside-Lands-on-Friday-Oct.-29-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/JPEGMAFIA-performs-at-Outside-Lands-on-Friday-Oct.-29-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/JPEGMAFIA-performs-at-Outside-Lands-on-Friday-Oct.-29-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">JPEGMAFIA performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>JPEGMafia didn’t water down his weirdness\u003c/h2>\n\u003cp>The last time I saw Peggy was at 2018’s Treasure Island Music Festival, where he played an early slot on a tiny stage to maybe 50 people. And those 50 people were really into it, thrashing and crashing their bodies into each other like football players on the line of scrimmage. At one point Peggy jumped off the stage, started moshing just as hard as his fans, and looked like he was about to fight one of them (his backstage team seemed to talk him out of it).\u003c/p>\n\u003cp>A few more critically acclaimed albums later, and JPEGMafia’s gotten enough clout to score a prominent spot in Friday’s schedule. But even in the major leagues, Peggy’s punk-y, D.I.Y. ethos remains unchanged. If EARTHGANG’s set was stripped down, I’m not sure what to call JPEGMafia’s performance. There was literally nothing besides his MacBook and the man himself on stage. I mean, he had to walk to his laptop between every song to hit play on the next track. After his first song, a rough and unintelligible performance of “Jesus Forgive Me, I am a Thot,” he took a hard look at his computer screen and announced, a little sheepishly: “Sorry, everyone, I had two layers of autotune on.”\u003c/p>\n\u003cp>Not that Peggy’s experimental hip-hop needs an audio slip-up to sound harsh and dissonant. Parts of the audience kept on peeling off with every song, pushed away by the unfriendly sound (this is an artist, after all, that makes “\u003ca href=\"https://www.vice.com/en/article/kzjpka/jpegmafia-explains-why-he-makes-music-to-be-hated\">Music to be Hated\u003c/a>”). Who was left by the end of the set was the faithful Peggy fans, and for them, they wouldn’t have it any other way.\u003c/p>\n\u003cfigure id=\"attachment_13905533\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905533\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-9.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-9.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-9-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-9-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, The Creator performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Tyler, the Creator embraced his evolution in a powerful closer\u003c/h2>\n\u003cp>The less said about The Strokes, who played Outside Lands like they were their own cover band, the better. Tyler, the Creator was the better headliner of the night; he played a downscaled version of his critically \u003ca href=\"https://www.vulture.com/2021/08/watch-tyler-the-creators-cinematic-lollapalooza-set.html\" target=\"_blank\" rel=\"noopener noreferrer\">acclaimed Lollapalooza set from July\u003c/a>.\u003c/p>\n\u003cp>Like that earlier show, Tyler’s Outside Lands performance was a sentimental look back at his decade-long career, from his beginnings as an scrappy blogazine favorite to his current softboy pop star aesthetic. He dressed the Land’s End stage up in plastic rocks and projected pine trees to look like a lakeside pier, complete with prop speedboat rocking on fake water. It was all very reminiscent of “\u003ca href=\"https://www.youtube.com/watch?v=fXJc2NYwHjw&ab_channel=SoulsOfMischiefVEVO\" target=\"_blank\" rel=\"noopener noreferrer\">93 ’Til Infinity\u003c/a>,” tapping into a Bay Area tradition of flexing on picturesque scenery.\u003c/p>\n\u003cp>Tyler was relaxed and casual during his set, chatting with his audience between tracks. “A lot of you found me through \u003cem>Call Me If You Get Lost\u003c/em>, \u003cem>Igor\u003c/em>, \u003cem>Flower Boy\u003c/em> … but [there was] a time where [people] were cancelling me in real life,” Tyler said, referring to his controversial and \u003ca href=\"https://genius.com/a/tyler-the-creator-says-his-2011-album-goblin-is-horrible-in-hindsight\" target=\"_blank\" rel=\"noopener noreferrer\">now partially disowned early work\u003c/a>. “Can I do songs from that album?”\u003c/p>\n\u003cp>As he went deeper into his back catalog, the scenery on stage got darker, from a sunny day to the evening to a starry night, and finally, during a performance of “She,” to a blank, pitch-black void. It’s a reflection of the complicated relationship that Tyler has with his past persona of a homophobic, misogynist edgelord—he acknowledges that it came from a dark place in his life, but he’s reluctant to distance himself from his breakout hits any further than that.\u003c/p>\n\u003cp>I’m ambivalent about this gambit, but I can acknowledge that Tyler’s stagecraft is setting a high bar. I mean, how many festival sets are artfully composed enough to allow a glimpse into an artist’s psyche? In the end, the sun rises on stage, and Tyler starts performing songs off his latest album, \u003cem>Call Me If You Get Lost\u003c/em>. The message is clear: whatever you think about his past, for Tyler at least, it’s a new day—a fresh start.\u003c/p>\n\u003cfigure id=\"attachment_13905506\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905506\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Khruangbin performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905505\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905505\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-2.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Khruangbin-performs-at-Outside-Lands-on-Friday-Oct.-29-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Khruangbin performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905528\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905528\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-Strokes-perform-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Strokes-perform-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Strokes-perform-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Strokes-perform-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Strokes perform at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905520\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905520\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-7.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-7.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-7-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905508\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905508\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Madeline-Kenney-backstage-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Madeline-Kenney-backstage-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Madeline-Kenney-backstage-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Madeline-Kenney-backstage-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Madeline Kenney backstage at Outside Lands on Friday Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905509\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905509\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Moses-Sumney-performs-at-Outside-Lands-on-Friday-Oct.-29-2.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Moses-Sumney-performs-at-Outside-Lands-on-Friday-Oct.-29-2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Moses-Sumney-performs-at-Outside-Lands-on-Friday-Oct.-29-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Moses-Sumney-performs-at-Outside-Lands-on-Friday-Oct.-29-2-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Moses Sumney performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905513\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905513\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Sharon-Van-Etten-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Sharon-Van-Etten-performs-at-Outside-Lands-on-Friday-Oct.-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Sharon-Van-Etten-performs-at-Outside-Lands-on-Friday-Oct.-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Sharon-Van-Etten-performs-at-Outside-Lands-on-Friday-Oct.-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sharon Van Etten performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905515\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905515\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-copy.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-copy.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-copy-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-copy-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905529\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905529\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-3.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-3-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, The Creator performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905535\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905535\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-11-1.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-11-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-11-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Tyler-The-Creator-performs-at-Outside-Lands-on-Friday-Oct.-29.-11-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tyler, The Creator performs at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905518\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905518\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-4.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-4.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-4-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-crowd-at-Outside-Lands-on-Friday-Oct.-29-4-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905499\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905499\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Glass-Animals-perform-at-Outside-Lands-on-Friday-Oct.-29-6.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Glass-Animals-perform-at-Outside-Lands-on-Friday-Oct.-29-6.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Glass-Animals-perform-at-Outside-Lands-on-Friday-Oct.-29-6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Glass-Animals-perform-at-Outside-Lands-on-Friday-Oct.-29-6-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Glass Animals perform at Outside Lands on Friday, Oct. 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13905514\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13905514\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/The-Crowd-at-Outside-Lands-on-Friday-Oct-29.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Crowd-at-Outside-Lands-on-Friday-Oct-29.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Crowd-at-Outside-Lands-on-Friday-Oct-29-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/The-Crowd-at-Outside-Lands-on-Friday-Oct-29-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Friday, Oct 29. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "5 Must-See Bay Area Artists at Outside Lands",
"headTitle": "5 Must-See Bay Area Artists at Outside Lands | KQED",
"content": "\u003cp>With headlining sets from Lizzo, The Strokes and Tame Impala, \u003ca href=\"https://www.sfoutsidelands.com/lineup/#/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> is making its long-awaited comeback on Halloween weekend after a year off because of COVID. The festival’s curation features a savvy mix of mainstream stars (reggaeton’s J Balvin, rap trendsetter Tyler, the Creator and indie rock favorites Vampire Weekend) and artists on the rise, many of whom are local. [aside postid='arts_13901835']\u003c/p>\n\u003cp>Between the three main stages, a new club-like \u003ca href=\"https://www.sfoutsidelands.com/soma-tent\" target=\"_blank\" rel=\"noopener noreferrer\">Soma Tent\u003c/a>, the \u003ca href=\"https://www.sfoutsidelands.com/gastro-magic/\" target=\"_blank\" rel=\"noopener noreferrer\">GastroMagic culinary programming\u003c/a> and the \u003ca href=\"https://www.sfoutsidelands.com/news/grass-lands-presented-by-eaze/\" target=\"_blank\" rel=\"noopener noreferrer\">Grass Lands cannabis expo\u003c/a>, choosing what to see and do can feel overwhelming. So to help you with your planning, we have a short list of five must-see Bay Area artists to catch this year.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3439415137/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cb>Salami Rose Joe Louis\u003c/b>\u003cbr>\n\u003ci>Friday, Oct. 29\u003cbr>\nPanhandle Stage, 1:25pm\u003cbr>\nGrass Lands, 6pm\u003c/i>\u003cbr>\nInstead of singing about worldly matters, Salami Rose Joe Louis brings an extraterrestrial perspective. The Oakland vocalist, multi-instrumentalist and composer’s albums play like sci-fi novels where alien beings and human characters undertake interdimensional odysseys. Her recent \u003cem>Zdenka\u003c/em> album series conceals a prescient commentary on class, climate change and the state of the environment. Salami Rose sometimes performs alone with a menagerie of keyboards, and other times with her jazz ensemble Science Band, but either way her live shows always spark the imagination.\u003c/p>\n\u003cp>https://youtu.be/yi3OlzYSP2c\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>Zhu\u003c/b>\u003cbr>\n\u003ci>Saturday, Oct. 30\u003cbr>\nTwin Peaks Stage, 8:35pm\u003c/i>\u003cbr>\nZhu’s take on EDM is sleek like the engine of a sports car, with sophisticated, low-end-heavy beats that radiate a dark aura. The San Francisco native used to keep his face and identity hidden, and managed to captivate international dance floors on the strength of his sound alone. With his latest album, \u003cem>DREAMLAND 2021\u003c/em>, Zhu reaches for a crossover pop appeal with features from Yuna and Channel Tres. The tracks celebrate the urge to dance and create that unites all people, so expect his Outside Lands performance to turn Golden Gate Park into a rave.\u003c/p>\n\u003cp>https://youtu.be/GrAchTdepsU\u003c/p>\n\u003cp>\u003cb>24kGoldn\u003c/b>\u003cbr>\n\u003ci>Saturday, Oct. 30\u003cbr>\nTwin Peaks Stage, 6:55pm\u003c/i>\u003cbr>\n24kGoldn bypassed the typical Bay Area rapper trajectory of playing small, local clubs and working his way up. Instead, in true Gen Z fashion, the 20-year-old San Francisco artist went viral on TikTok in his freshman year as a USC business major. Online fame catapulted him into a major-label deal, and he’s now an in-demand hitmaker working with the likes of Justin Beiber, Quavo and Jack Harlow. Equally comfortable swag-rapping over trap beats and singing to post-rock melodies (more in the vein of The Killers than Xanned-out emo), Goldn embraces a genreless, borderless style that’s earning him mainstream acclaim.\u003c/p>\n\u003cp>https://youtu.be/j8ykx_PLPNg\u003c/p>\n\u003cp>\u003cb>Brijean\u003c/b>\u003cbr>\n\u003ci>Saturday, Oct. 30\u003cbr>\nPanhandle Stage, 3pm\u003c/i>\u003cbr>\nBrijean makes percussion-forward disco- and house-pop, but not the glossy, overproduced variety you might hear on the radio. Instead, the duo (comprised of Brijean Murphy and Doug Stuart) specializes in fat grooves with a retro tinge and iridescent layers of instrumental complexity. At the center of it all is Murphy’s nimble conga playing, guiding Brijean’s hypnotic songs from dream space to dance floor. After years of playing the congas for artists like Poolside and Toro y Moi, here Murphy lets her drumming shine as the star of the show—not just the auxiliary percussion.\u003c/p>\n\u003cp>https://youtu.be/XfKYd_8CMJU\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Cam\u003c/b>\u003cbr>\n\u003ci>Sunday, Oct. 31\u003cbr>\nSutro Stage, 1:55pm\u003c/i>\u003cbr>\nCam’s emotionally rich country-pop took her from playing cafes in Oakland to penning hits for Miley Cyrus and Sam Smith. Once a psychology researcher at Stanford by day, she pivoted into a successful solo music career in Nashville, eventually signing with RCA and collaborating with pop hitmakers like Jack Antonoff and Diplo. With her big, expressive voice and delicate guitar playing, she tells vulnerable stories of love and loss, unafraid to speak truth to power and connect with listeners on a soul level.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Between the three main stages, a new club-like \u003ca href=\"https://www.sfoutsidelands.com/soma-tent\" target=\"_blank\" rel=\"noopener noreferrer\">Soma Tent\u003c/a>, the \u003ca href=\"https://www.sfoutsidelands.com/gastro-magic/\" target=\"_blank\" rel=\"noopener noreferrer\">GastroMagic culinary programming\u003c/a> and the \u003ca href=\"https://www.sfoutsidelands.com/news/grass-lands-presented-by-eaze/\" target=\"_blank\" rel=\"noopener noreferrer\">Grass Lands cannabis expo\u003c/a>, choosing what to see and do can feel overwhelming. So to help you with your planning, we have a short list of five must-see Bay Area artists to catch this year.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3439415137/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cb>Salami Rose Joe Louis\u003c/b>\u003cbr>\n\u003ci>Friday, Oct. 29\u003cbr>\nPanhandle Stage, 1:25pm\u003cbr>\nGrass Lands, 6pm\u003c/i>\u003cbr>\nInstead of singing about worldly matters, Salami Rose Joe Louis brings an extraterrestrial perspective. The Oakland vocalist, multi-instrumentalist and composer’s albums play like sci-fi novels where alien beings and human characters undertake interdimensional odysseys. Her recent \u003cem>Zdenka\u003c/em> album series conceals a prescient commentary on class, climate change and the state of the environment. Salami Rose sometimes performs alone with a menagerie of keyboards, and other times with her jazz ensemble Science Band, but either way her live shows always spark the imagination.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yi3OlzYSP2c'\n title='//www.youtube.com/embed/yi3OlzYSP2c'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Zhu\u003c/b>\u003cbr>\n\u003ci>Saturday, Oct. 30\u003cbr>\nTwin Peaks Stage, 8:35pm\u003c/i>\u003cbr>\nZhu’s take on EDM is sleek like the engine of a sports car, with sophisticated, low-end-heavy beats that radiate a dark aura. The San Francisco native used to keep his face and identity hidden, and managed to captivate international dance floors on the strength of his sound alone. With his latest album, \u003cem>DREAMLAND 2021\u003c/em>, Zhu reaches for a crossover pop appeal with features from Yuna and Channel Tres. The tracks celebrate the urge to dance and create that unites all people, so expect his Outside Lands performance to turn Golden Gate Park into a rave.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GrAchTdepsU'\n title='//www.youtube.com/embed/GrAchTdepsU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cb>24kGoldn\u003c/b>\u003cbr>\n\u003ci>Saturday, Oct. 30\u003cbr>\nTwin Peaks Stage, 6:55pm\u003c/i>\u003cbr>\n24kGoldn bypassed the typical Bay Area rapper trajectory of playing small, local clubs and working his way up. Instead, in true Gen Z fashion, the 20-year-old San Francisco artist went viral on TikTok in his freshman year as a USC business major. Online fame catapulted him into a major-label deal, and he’s now an in-demand hitmaker working with the likes of Justin Beiber, Quavo and Jack Harlow. Equally comfortable swag-rapping over trap beats and singing to post-rock melodies (more in the vein of The Killers than Xanned-out emo), Goldn embraces a genreless, borderless style that’s earning him mainstream acclaim.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/j8ykx_PLPNg'\n title='//www.youtube.com/embed/j8ykx_PLPNg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cb>Brijean\u003c/b>\u003cbr>\n\u003ci>Saturday, Oct. 30\u003cbr>\nPanhandle Stage, 3pm\u003c/i>\u003cbr>\nBrijean makes percussion-forward disco- and house-pop, but not the glossy, overproduced variety you might hear on the radio. Instead, the duo (comprised of Brijean Murphy and Doug Stuart) specializes in fat grooves with a retro tinge and iridescent layers of instrumental complexity. At the center of it all is Murphy’s nimble conga playing, guiding Brijean’s hypnotic songs from dream space to dance floor. After years of playing the congas for artists like Poolside and Toro y Moi, here Murphy lets her drumming shine as the star of the show—not just the auxiliary percussion.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/XfKYd_8CMJU'\n title='//www.youtube.com/embed/XfKYd_8CMJU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>\u003cb>Cam\u003c/b>\u003cbr>\n\u003ci>Sunday, Oct. 31\u003cbr>\nSutro Stage, 1:55pm\u003c/i>\u003cbr>\nCam’s emotionally rich country-pop took her from playing cafes in Oakland to penning hits for Miley Cyrus and Sam Smith. Once a psychology researcher at Stanford by day, she pivoted into a successful solo music career in Nashville, eventually signing with RCA and collaborating with pop hitmakers like Jack Antonoff and Diplo. With her big, expressive voice and delicate guitar playing, she tells vulnerable stories of love and loss, unafraid to speak truth to power and connect with listeners on a soul level.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>If you want to see Tame Impala, Lizzo or The Strokes light up San Francisco’s Golden Gate Park at \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> in October, you’ll need to bring proof of vaccination or a negative COVID test alongside your tickets and clear plastic backpacks.\u003c/p>\n\u003cp>“Our most important role as festival producers is to provide a safe environment during Outside Lands weekend,” reads the festival’s statement announcing the policy change. “Vaccinations are strongly encouraged to protect from the spread of COVID-19.”\u003c/p>\n\u003cp>https://twitter.com/sfoutsidelands/status/1430245264602943500\u003c/p>\n\u003cp>Earlier in the year, Outside Lands \u003ca href=\"https://www.kqed.org/arts/13894172/outside-lands-scheduled-to-return-on-halloween-weekend\">announced\u003c/a> it would postpone the festival from its traditional August date until October’s Halloween weekend out of an abundance of caution for developments in the pandemic. Though an outdoor festival like Outside Lands doesn’t have to comply with San Francisco’s \u003ca href=\"https://www.kqed.org/news/11884778/san-franciscos-new-vaccine-mandate-when-it-starts-what-it-covers\">new vaccine mandate\u003c/a> for public indoor spaces, the new restrictions mirror the Bay Area live music scene’s voluntary acceptance of safety measures in light of the spread of the Delta variant of COVID-19. [aside postID='arts_13900368']\u003c/p>\n\u003cp>Performers at this year’s Outside Lands include Bay Area stars like Kehlani and 24kGoldn and big names like J Balvin, Vampire Weekend and Young Thug. Other guests include rap sensation Rico Nasty, psychedelic aficionados Khruangbin and avant-pop star Caroline Polachek.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003cem>Outside Lands runs Oct. 29 to 31. \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Performers at this year’s Outside Lands include Bay Area stars like Kehlani and 24kGoldn and big names like J Balvin, Vampire Weekend and Young Thug. Other guests include rap sensation Rico Nasty, psychedelic aficionados Khruangbin and avant-pop star Caroline Polachek.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003cem>Outside Lands runs Oct. 29 to 31. \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>After over a year without festivals or concerts, music lovers may have something to look forward to this fall. The iconic \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> festival, which typically takes place in San Francisco’s Golden Gate Park every August, has moved to Halloween weekend in the hopes that a later date will allow for greater safety and a more widely vaccinated audience.\u003c/p>\n\u003cp>“The shift in dates allows us to work collectively to determine any new safety measures necessary to implement during the festival weekend,” said festival co-producer Allen Scott. “We ask fans to use this time before the festival to continue exercising common sense COVID safety practices and we look forward to being together again soon.” Current ticket holders who are unable to attend the new dates can request refunds until Apr. 15.\u003c/p>\n\u003cp>This year’s star-studded lineup includes a few Bay Area artists, like Oakland’s Kehlani and San Francisco’s 24kGolden, in addition to huge names like Lizzo, Tame Impala, The Strokes, Young Thug and Tyler, the Creator. Recent double Grammy winner Kaytranada and female rap sensations Flo Milli and Rico Nasty are set to perform as well.\u003c/p>\n\u003cp>Outside Lands is one of the first major music festivals to announce a post-COVID return, and may set a precedent for others to do the same. The pandemic was particularly hard on the \u003ca href=\"https://www.kqed.org/arts/13890093/2020-decimated-the-concert-industry-and-it-cant-rebuild-without-government-help\" target=\"_blank\" rel=\"noopener noreferrer\">live music industry\u003c/a>, and while many venues had to permanently close their doors, concert-goers are eager to return, and the future of live music seems bright.\u003c/p>\n\u003cp>While individual passes are not yet for sale, three-day passes are currently available on the \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> website. The festival will take place Oct. 29-31.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After over a year without festivals or concerts, music lovers may have something to look forward to this fall. The iconic \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> festival, which typically takes place in San Francisco’s Golden Gate Park every August, has moved to Halloween weekend in the hopes that a later date will allow for greater safety and a more widely vaccinated audience.\u003c/p>\n\u003cp>“The shift in dates allows us to work collectively to determine any new safety measures necessary to implement during the festival weekend,” said festival co-producer Allen Scott. “We ask fans to use this time before the festival to continue exercising common sense COVID safety practices and we look forward to being together again soon.” Current ticket holders who are unable to attend the new dates can request refunds until Apr. 15.\u003c/p>\n\u003cp>This year’s star-studded lineup includes a few Bay Area artists, like Oakland’s Kehlani and San Francisco’s 24kGolden, in addition to huge names like Lizzo, Tame Impala, The Strokes, Young Thug and Tyler, the Creator. Recent double Grammy winner Kaytranada and female rap sensations Flo Milli and Rico Nasty are set to perform as well.\u003c/p>\n\u003cp>Outside Lands is one of the first major music festivals to announce a post-COVID return, and may set a precedent for others to do the same. The pandemic was particularly hard on the \u003ca href=\"https://www.kqed.org/arts/13890093/2020-decimated-the-concert-industry-and-it-cant-rebuild-without-government-help\" target=\"_blank\" rel=\"noopener noreferrer\">live music industry\u003c/a>, and while many venues had to permanently close their doors, concert-goers are eager to return, and the future of live music seems bright.\u003c/p>\n\u003cp>While individual passes are not yet for sale, three-day passes are currently available on the \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> website. The festival will take place Oct. 29-31.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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},
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
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"order": 8
},
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},
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},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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},
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"order": 9
},
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"id": "freakonomics-radio",
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"officialWebsiteLink": "http://freakonomics.com/",
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"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
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},
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"id": "fresh-air",
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"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
"id": "hidden-brain",
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
},
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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