Robin Pressman on the air at KRSH-FM in Santa Rosa. Pressman lost her house in the Oct. 8 fires, and finds weekly healing in music for listeners. (Gabe Meline/KQED)
While the hills still burned, and while her listeners remained on watch for high winds and possible evacuations, Robin Pressman knew exactly which song to open her first show back on the radio since the fires: “I Wish It Would Rain,” by Nanci Griffith.
Pressman feels the region’s loss as much as anyone. Like many of her listeners, she also lost everything in the Oct. 8 fire, when her house in the Foothills in Santa Rosa burned to the ground overnight.
Robin Pressman at John Lennon’s ‘Strawberry Fields’ memorial site in New York. (Courtesy Robin Pressman)
Pressman has been on the air in Sonoma County for 24 years; she was previously the program director at KRCB in Rohnert Park and the host of “Our Roots are Showing” before coming to KRSH (“The Krush”) in Santa Rosa. In the weeks after the fire, Pressman’s weekly program on KRSH, “The Sunday Muse,” has turned into a communal source of comfort and understanding.
In the studio on a recent morning, it’s clear that the solace found in music runs both ways.
“This is Robin Pressman on the Krush, and we’re trying to stay upbeat here as we dig ourselves out, and continue, and try to see if life goes on,” Pressman announces, between songs. “That song we just heard was Audrey Auld, one of our dear departed favorites, with ‘Cryin’ the Blues,’ which is not what we’re going to spend a lot of time doing around here with the music at all. No, no — music is for keeping us up and going.”
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With that, she plays her next selection, a song about finding one’s way out of loss performed by Dar Williams, Lucy Kaplansky and Richard Shindell, called “By Way of Sorrow”:
You have come by way of sorrow
You have come by way of tears
But you’ll reach your destiny
Meant to find you all these years
The remains of Pressman’s house, with Mt. St. Helena in the distance. (Catherine Vibert)
Pressman’s house had been, well, more than a house. It often hosted living room concerts by touring singer-songwriters on the folk circuit, with dozens of people gathered inside to listen. When it burned, Pressman and her husband Peter, along with a roommate, lost all their belongings, including their chickens, a large art collection, and Pressman’s massive music library of CDs.
“I really quickly made my peace with the things, my possessions,” she says. “We were in that house for nearly 18 years; Peter and I have been together for 31 years. Stuff where you remember when you bought it, or the antique stuff — that part I didn’t spend much time dwelling on. It’s the art that is really hurting my heart. We really did create that space, where it was meaningful for us to have that art.”
The lost artwork includes pieces by friends and family, including her mother’s bronze sculptures, her great grandmother’s needlepoint ducks, and works by her great-grand-uncle, the Poland-born artist Marek Szwarc. Though she’s walked up the long driveway to see what little is left, on this day she has yet to sift through the ashes like so many others in the area are doing, searching for any recognizable remains.
“So now I’m thinking, ‘I’ve got nothing… maybe I don’t need anything,'” she says. “Maybe I’ll just be a nomad for a while.”
Robin Pressman on KRSH-FM. (Gabe Meline/KRSH)
Pressman does need CDs, however, to play on her radio show, and her collection contained many small-run pressings and CD-Rs by independent folk and acoustic artists that are long out of print. In a microcosm of the community’s goodwill in the wake of the fires, replacements have been donated to her from friends, listeners, and well-wishing strangers.
She also received an offer she couldn’t pass up: fellow radio host Bill Frater gave her four boxes of CDs once owned by mutual friend Laurie Schaeffer, a listening-room concert promoter whose name is hallowed in Sonoma County music circles. A passionate supporter of folk music, Schaeffer died in 2015, and playing her CDs, for Pressman, becomes an act of one loss repairing another.
“There was a while, after she died, when I would do my show and I would have a new CD, and I couldn’t help but think ‘What’s the point?’ Because I knew Laurie would love it, and she wasn’t there to hear it.”
A recording of the first house concert booked by Laurie Schaeffer, with the folksinger Cheryl Wheeler, at Robin Pressman’s former house near Lake Sonoma. (Gabe Meline/KQED)
The phone rings, and it’s another regular listener calling with good wishes. “Hi Lynn! Oh, so nice to hear from you… Awww, do you? How fantastic… I remember! That was the first time you called me… 18 years ago? Wow… Yes, we’re OK. And you survived? You’re still here?… That’s good, thank you. OK, gotta go.”
Four or five such calls come in over the first hour of Pressman’s show, and for a moment, it feels like Santa Rosa is still at its heart a small town. From the stack of donated CDs, she pops in a recording of Kate Wolf at the Great American Music Hall, singing “Everybody’s Lookin’ for the Same Thing,” a song about the notes people leave on the bulletin board outside the hardware store.
“There’s a lot of that happening right now,” Pressman announces over the airwaves, “I hope you’re finding what you need if you were impacted by the fire, and I hope that life is beginning to return to a little bit of normalcy. Happy to be here on the radio on Sunday morning – that’s normalcy for me.”
Robin Pressman hosts ‘The Sunday Muse’ on KRSH-FM from 11am-1pm Sundays. Details here.
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"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">W\u003c/span>hile the hills still burned, and while her listeners remained on watch for high winds and possible evacuations, Robin Pressman knew exactly which song to open her first show back on the radio since the fires: “I Wish It Would Rain,” by Nanci Griffith.\u003c/p>\n\u003cp>Pressman feels the region’s loss as much as anyone. Like many of her listeners, she also lost everything in the Oct. 8 fire, when her house in the Foothills in Santa Rosa burned to the ground overnight. \u003c/p>\n\u003cfigure id=\"attachment_13813737\" class=\"wp-caption alignright\" style=\"max-width: 636px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Pressman.imagine.jpg\" alt=\"Robin Pressman at John Lennon's 'Strawberry Fields' memorial site in New York.\" width=\"636\" height=\"636\" class=\"size-full wp-image-13813737\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine.jpg 636w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-150x150.jpg 150w\" sizes=\"(max-width: 636px) 100vw, 636px\">\u003cfigcaption class=\"wp-caption-text\">Robin Pressman at John Lennon’s ‘Strawberry Fields’ memorial site in New York. \u003ccite>(Courtesy Robin Pressman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pressman has been on the air in Sonoma County for 24 years; she was previously the program director at KRCB in Rohnert Park and the host of “Our Roots are Showing” before coming to KRSH (“The Krush”) in Santa Rosa. In the weeks after the fire, Pressman’s weekly program on KRSH, “\u003ca href=\"http://www.krsh.com/pages/21774565.php\" rel=\"noopener\" target=\"_blank\">The Sunday Muse\u003c/a>,” has turned into a communal source of comfort and understanding.\u003c/p>\n\u003cp>In the studio on a recent morning, it’s clear that the solace found in music runs both ways.\u003c/p>\n\u003cp>“This is Robin Pressman on the Krush, and we’re trying to stay upbeat here as we dig ourselves out, and continue, and try to see if life goes on,” Pressman announces, between songs. “That song we just heard was Audrey Auld, one of our dear departed favorites, with ‘Cryin’ the Blues,’ which is \u003cem>not\u003c/em> what we’re going to spend a lot of time doing around here with the music at all. No, no — music is for keeping us up and going.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>With that, she plays her next selection, a song about finding one’s way out of loss performed by Dar Williams, Lucy Kaplansky and Richard Shindell, called “By Way of Sorrow”:\u003c/p>\n\u003cblockquote>\u003cp>You have come by way of sorrow\u003cbr>\nYou have come by way of tears\u003cbr>\nBut you’ll reach your destiny\u003cbr>\nMeant to find you all these years\u003c/p>\u003c/blockquote>\n\u003cfigure id=\"attachment_13813757\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Pressman.Vibert.jpg\" alt=\"The remains of Pressman's house, with Mt. St. Helena in the distance.\" width=\"800\" height=\"533\" class=\"size-full wp-image-13813757\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Vibert.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Vibert-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Vibert-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Vibert-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Vibert-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Vibert-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The remains of Pressman’s house, with Mt. St. Helena in the distance. \u003ccite>(Catherine Vibert)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">P\u003c/span>ressman’s house had been, well, more than a house. It often hosted living room concerts by touring singer-songwriters on the folk circuit, with dozens of people gathered inside to listen. When it burned, Pressman and her husband Peter, along with a roommate, lost all their belongings, including their chickens, a large art collection, and Pressman’s massive music library of CDs. \u003c/p>\n\u003cp>“I really quickly made my peace with the things, my possessions,” she says. “We were in that house for nearly 18 years; Peter and I have been together for 31 years. Stuff where you remember when you bought it, or the antique stuff — that part I didn’t spend much time dwelling on. It’s the art that is really hurting my heart. We really did create that space, where it was meaningful for us to have that art.”\u003c/p>\n\u003cp>The lost artwork includes pieces by friends and family, including her mother’s bronze sculptures, her great grandmother’s needlepoint ducks, and works by her great-grand-uncle, the Poland-born artist \u003ca href=\"http://marekszwarc.com/\" rel=\"noopener\" target=\"_blank\">Marek Szwarc\u003c/a>. Though she’s walked up the long driveway to see what little is left, on this day she has yet to sift through the ashes like so many others in the area are doing, searching for any recognizable remains.\u003c/p>\n\u003cp>“So now I’m thinking, ‘I’ve got nothing… maybe I don’t need anything,'” she says. “Maybe I’ll just be a nomad for a while.”\u003c/p>\n\u003cfigure id=\"attachment_13813742\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Pressman.Inline-800x500.jpg\" alt=\"Robin Pressman on KRSH-FM.\" width=\"800\" height=\"500\" class=\"size-medium wp-image-13813742\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-520x325.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Robin Pressman on KRSH-FM. \u003ccite>(Gabe Meline/KRSH)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">P\u003c/span>ressman does need CDs, however, to play on her radio show, and her collection contained many small-run pressings and CD-Rs by independent folk and acoustic artists that are long out of print. In a microcosm of the community’s goodwill in the wake of the fires, replacements have been donated to her from friends, listeners, and well-wishing strangers.\u003c/p>\n\u003cp>She also received an offer she couldn’t pass up: fellow radio host \u003ca href=\"http://www.krsh.com/pages/21774584.php\" rel=\"noopener\" target=\"_blank\">Bill Frater\u003c/a> gave her four boxes of CDs once owned by mutual friend \u003ca href=\"http://www.pressdemocrat.com/news/3883017-181/laurie-schaeffer-sonoma-county-concert\" rel=\"noopener\" target=\"_blank\">Laurie Schaeffer\u003c/a>, a listening-room concert promoter whose name is hallowed in Sonoma County music circles. A passionate supporter of folk music, Schaeffer died in 2015, and playing her CDs, for Pressman, becomes an act of one loss repairing another.\u003c/p>\n\u003cp>“There was a while, after she died, when I would do my show and I would have a new CD, and I couldn’t help but think ‘What’s the point?’ Because I knew Laurie would love it, and she wasn’t there to hear it.”\u003c/p>\n\u003cfigure id=\"attachment_13813740\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-800x510.jpg\" alt=\"A recording of the first house concert hosted by Robin Pressman, with the folksinger Cheryl Wheeler, at her former house in 1997.\" width=\"800\" height=\"510\" class=\"size-medium wp-image-13813740\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-800x510.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-768x489.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-1020x650.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-1180x752.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-960x611.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-240x153.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-375x239.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-520x331.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD.jpg 1746w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A recording of the first house concert booked by Laurie Schaeffer, with the folksinger Cheryl Wheeler, at Robin Pressman’s former house near Lake Sonoma. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The phone rings, and it’s another regular listener calling with good wishes. “Hi Lynn! Oh, so nice to hear from you… Awww, do you? How fantastic… I remember! That was the first time you called me… 18 years ago? Wow… Yes, we’re OK. And you survived? You’re still here?… That’s good, thank you. OK, gotta go.”\u003c/p>\n\u003cp>Four or five such calls come in over the first hour of Pressman’s show, and for a moment, it feels like Santa Rosa is still at its heart a small town. From the stack of donated CDs, she pops in a recording of Kate Wolf at the Great American Music Hall, singing “Everybody’s Lookin’ for the Same Thing,” a song about the notes people leave on the bulletin board outside the hardware store.\u003c/p>\n\u003cp>“There’s a lot of that happening right now,” Pressman announces over the airwaves, “I hope you’re finding what you need if you were impacted by the fire, and I hope that life is beginning to return to a little bit of normalcy. Happy to be here on the radio on Sunday morning – that’s normalcy for me.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Robin Pressman hosts ‘The Sunday Muse’ on KRSH-FM from 11am-1pm Sundays. \u003ca href=\"http://www.krsh.com/pages/21774565.php\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">W\u003c/span>hile the hills still burned, and while her listeners remained on watch for high winds and possible evacuations, Robin Pressman knew exactly which song to open her first show back on the radio since the fires: “I Wish It Would Rain,” by Nanci Griffith.\u003c/p>\n\u003cp>Pressman feels the region’s loss as much as anyone. Like many of her listeners, she also lost everything in the Oct. 8 fire, when her house in the Foothills in Santa Rosa burned to the ground overnight. \u003c/p>\n\u003cfigure id=\"attachment_13813737\" class=\"wp-caption alignright\" style=\"max-width: 636px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Pressman.imagine.jpg\" alt=\"Robin Pressman at John Lennon's 'Strawberry Fields' memorial site in New York.\" width=\"636\" height=\"636\" class=\"size-full wp-image-13813737\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine.jpg 636w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.imagine-150x150.jpg 150w\" sizes=\"(max-width: 636px) 100vw, 636px\">\u003cfigcaption class=\"wp-caption-text\">Robin Pressman at John Lennon’s ‘Strawberry Fields’ memorial site in New York. \u003ccite>(Courtesy Robin Pressman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pressman has been on the air in Sonoma County for 24 years; she was previously the program director at KRCB in Rohnert Park and the host of “Our Roots are Showing” before coming to KRSH (“The Krush”) in Santa Rosa. In the weeks after the fire, Pressman’s weekly program on KRSH, “\u003ca href=\"http://www.krsh.com/pages/21774565.php\" rel=\"noopener\" target=\"_blank\">The Sunday Muse\u003c/a>,” has turned into a communal source of comfort and understanding.\u003c/p>\n\u003cp>In the studio on a recent morning, it’s clear that the solace found in music runs both ways.\u003c/p>\n\u003cp>“This is Robin Pressman on the Krush, and we’re trying to stay upbeat here as we dig ourselves out, and continue, and try to see if life goes on,” Pressman announces, between songs. “That song we just heard was Audrey Auld, one of our dear departed favorites, with ‘Cryin’ the Blues,’ which is \u003cem>not\u003c/em> what we’re going to spend a lot of time doing around here with the music at all. No, no — music is for keeping us up and going.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>With that, she plays her next selection, a song about finding one’s way out of loss performed by Dar Williams, Lucy Kaplansky and Richard Shindell, called “By Way of Sorrow”:\u003c/p>\n\u003cblockquote>\u003cp>You have come by way of sorrow\u003cbr>\nYou have come by way of tears\u003cbr>\nBut you’ll reach your destiny\u003cbr>\nMeant to find you all these years\u003c/p>\u003c/blockquote>\n\u003cfigure id=\"attachment_13813757\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Pressman.Vibert.jpg\" alt=\"The remains of Pressman's house, with Mt. St. Helena in the distance.\" width=\"800\" height=\"533\" class=\"size-full wp-image-13813757\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Vibert.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Vibert-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Vibert-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Vibert-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Vibert-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Vibert-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The remains of Pressman’s house, with Mt. St. Helena in the distance. \u003ccite>(Catherine Vibert)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">P\u003c/span>ressman’s house had been, well, more than a house. It often hosted living room concerts by touring singer-songwriters on the folk circuit, with dozens of people gathered inside to listen. When it burned, Pressman and her husband Peter, along with a roommate, lost all their belongings, including their chickens, a large art collection, and Pressman’s massive music library of CDs. \u003c/p>\n\u003cp>“I really quickly made my peace with the things, my possessions,” she says. “We were in that house for nearly 18 years; Peter and I have been together for 31 years. Stuff where you remember when you bought it, or the antique stuff — that part I didn’t spend much time dwelling on. It’s the art that is really hurting my heart. We really did create that space, where it was meaningful for us to have that art.”\u003c/p>\n\u003cp>The lost artwork includes pieces by friends and family, including her mother’s bronze sculptures, her great grandmother’s needlepoint ducks, and works by her great-grand-uncle, the Poland-born artist \u003ca href=\"http://marekszwarc.com/\" rel=\"noopener\" target=\"_blank\">Marek Szwarc\u003c/a>. Though she’s walked up the long driveway to see what little is left, on this day she has yet to sift through the ashes like so many others in the area are doing, searching for any recognizable remains.\u003c/p>\n\u003cp>“So now I’m thinking, ‘I’ve got nothing… maybe I don’t need anything,'” she says. “Maybe I’ll just be a nomad for a while.”\u003c/p>\n\u003cfigure id=\"attachment_13813742\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Pressman.Inline-800x500.jpg\" alt=\"Robin Pressman on KRSH-FM.\" width=\"800\" height=\"500\" class=\"size-medium wp-image-13813742\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.Inline-520x325.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Robin Pressman on KRSH-FM. \u003ccite>(Gabe Meline/KRSH)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">P\u003c/span>ressman does need CDs, however, to play on her radio show, and her collection contained many small-run pressings and CD-Rs by independent folk and acoustic artists that are long out of print. In a microcosm of the community’s goodwill in the wake of the fires, replacements have been donated to her from friends, listeners, and well-wishing strangers.\u003c/p>\n\u003cp>She also received an offer she couldn’t pass up: fellow radio host \u003ca href=\"http://www.krsh.com/pages/21774584.php\" rel=\"noopener\" target=\"_blank\">Bill Frater\u003c/a> gave her four boxes of CDs once owned by mutual friend \u003ca href=\"http://www.pressdemocrat.com/news/3883017-181/laurie-schaeffer-sonoma-county-concert\" rel=\"noopener\" target=\"_blank\">Laurie Schaeffer\u003c/a>, a listening-room concert promoter whose name is hallowed in Sonoma County music circles. A passionate supporter of folk music, Schaeffer died in 2015, and playing her CDs, for Pressman, becomes an act of one loss repairing another.\u003c/p>\n\u003cp>“There was a while, after she died, when I would do my show and I would have a new CD, and I couldn’t help but think ‘What’s the point?’ Because I knew Laurie would love it, and she wasn’t there to hear it.”\u003c/p>\n\u003cfigure id=\"attachment_13813740\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-800x510.jpg\" alt=\"A recording of the first house concert hosted by Robin Pressman, with the folksinger Cheryl Wheeler, at her former house in 1997.\" width=\"800\" height=\"510\" class=\"size-medium wp-image-13813740\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-800x510.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-768x489.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-1020x650.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-1180x752.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-960x611.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-240x153.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-375x239.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD-520x331.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Pressman.CherylWheelerCD.jpg 1746w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A recording of the first house concert booked by Laurie Schaeffer, with the folksinger Cheryl Wheeler, at Robin Pressman’s former house near Lake Sonoma. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The phone rings, and it’s another regular listener calling with good wishes. “Hi Lynn! Oh, so nice to hear from you… Awww, do you? How fantastic… I remember! That was the first time you called me… 18 years ago? Wow… Yes, we’re OK. And you survived? You’re still here?… That’s good, thank you. OK, gotta go.”\u003c/p>\n\u003cp>Four or five such calls come in over the first hour of Pressman’s show, and for a moment, it feels like Santa Rosa is still at its heart a small town. From the stack of donated CDs, she pops in a recording of Kate Wolf at the Great American Music Hall, singing “Everybody’s Lookin’ for the Same Thing,” a song about the notes people leave on the bulletin board outside the hardware store.\u003c/p>\n\u003cp>“There’s a lot of that happening right now,” Pressman announces over the airwaves, “I hope you’re finding what you need if you were impacted by the fire, and I hope that life is beginning to return to a little bit of normalcy. Happy to be here on the radio on Sunday morning – that’s normalcy for me.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Robin Pressman hosts ‘The Sunday Muse’ on KRSH-FM from 11am-1pm Sundays. \u003ca href=\"http://www.krsh.com/pages/21774565.php\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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"rss": "http://feeds.revealradio.org/revealpodcast"
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