Rachel Kuruma poses for Dorothea Lange on Apr. 20, 1942. A few days later, she and her family were sent away to prison camp. (Photo: Dorothea Lange Courtesy of National Archives)
There are nearly 200 photographs in Michael Williams and Richard Cahan’s new book Un-American: The Incarceration of Japanese Americans During World War Two. But one in particular stands out for Cahan. “The photograph of Rachel, in my opinion, was the most compelling and beautiful photograph in the book,” Cahan says. “Dorothea Lange had this unique ability to get so close to people, even people that were strangers, and look into their eyes.”
Lange’s portrait of Rachel Kuruma is startling in its simplicity: The 11-year-old San Francisco schoolkid looks into the camera, smiling quietly, in a cute, floral-print dress. The shock comes at the fact that only days after Lange shot this photo at Raphael Weill Elementary School on April 20, 1942, Kuruma and her family were bundled off to prison camp.
Awakening long-lost memories
Fast forward 75 years, and Kuruma is back at her former school for the very first time since Lange took her picture in 1942. Cahan and Kuruma have become friends since he tracked her down for his book project last year, and we’re there to see if the surroundings might help jog childhood memories for Kuruma. But the school, which is now called Rosa Parks Elementary, has changed almost beyond recognition since she was a student. And the spry, 85-year-old has absolutely no recollection of posing for Lange.
Rachel Kuruma returns to Raphael Weill Elementary School, now called Rosa Parks Elementary, on Jan. 24, 2017. It was her first time back since Dorothea Lange took her picture there in 1942. (Photo: Chloe Veltman/KQED)
Cahan has brought a copy of Lange’s photo along. Being at the school and looking at the picture gradually brings back distant memories for Kuruma of the three-plus years she spent living in the prison camps at Tanforan, California, and Topaz, Utah as a girl. “The toilets, none of them had doors,” she says. “So you tried to pick one that was facing against the wall, preferably the one in the corner so you have some privacy.”
Executive order 9066
On Feb. 19, 1942, in response to the Japanese attack on Pearl Harbor, President Franklin D. Roosevelt signed Executive Order 9066. This led to the incarceration of 120,000 Japanese Americans during World War II at prison camps across the western United States.
Roosevelt’s government hired photographers like Lange to show off the camps in their best light. But she and some of the other hired guns ended up exposing what life in the dusty, hastily-built enclaves was really like. As a result, Cahan says, some of her images were locked away during the war. “They were impounded primarily because they gave away ‘military secrets’ — that guards were using machine guns and that there was barbed wire around the camp,” Cahan says.
Tracking down survivors
After the war, the photos ended up in the National Archives in Washington, D.C, where the collection can still be found today. (It’s also available online.) Many more photos from the approx. 7,500-image collection have appeared in publications since the war years. But Cahan and his co-author decided they wanted to go deeper, to truly get people to understand what innocent Japanese Americans went through during the war. So they set about capturing the personal stories of as many of the people in the pictures as they could.
Rachel Kuruma poses for Richard Cahan in roughly the same spot where Dorothea Lange took Kurumas picture on Apr. 20, 1942. (Photo: Chloe Veltman/KQED)
“The book lets you hear the words of the people who were picked up,” Cahan says. “When you see a person 75 years earlier and hear them talk about that very picture and that very day and what happened to them, I think it has great power. I think that there’s an emotional hole that it fills that really has not been filled before.”
Cahan says tracking down survivors wasn’t easy. In Kuruma’s case, her name was misspelled in the records — as “Rachael Kurumi” instead of “Rachel Kuruma.” “I had the list of all of the survivors of the camps,” Cahan says. “There was no ‘Rachael’ spelled that way, and there was no ‘Kurumi’ spelled that way.”
Rachel Kuruma hung up the phone when Richard Cahan first called her. Now the prison camp survivor and photojournalist are friends. (Photo: Chloe Veltman/KQED)
A search on the genealogy website Ancestry.com led Cahan to a 1949 yearbook photo of Kuruma as a student at Lowell High School. He did more poking around on Google. Then, one day, he got hold of her phone number. But Kuruma thought the caller was trying to sell her something. “I called her, and she picked up the phone,” Cahan says. “I said ‘My name is Rich Cahan and I’m a…’ and before I had said ‘journalist’ she hung up the phone.”
Cahan was persistent. Eventually, he managed to meet Kuruma. She says she rarely thinks or talks about the prison camps, and had no idea the photograph existed until the day Cahan showed it to her. “He’s talking about this picture. I say, what picture?” Kuruma says. “So he brought it over and I looked. It was kind of interesting.”
The past as a catalyst for present-day activism
Some of the people the authors approached weren’t so taken by surprise when Cahan got in touch. Berkeley psychotherapist, filmmaker and activist Satsuki Ina was born in a maximum security prison camp in Tule Lake, California in 1944, after her parents were labeled as dissidents for refusing to swear unqualified allegiance to the United States. She’s studied the National Archives photo collection. The arresting image in Cahan and Williams’ book of a young woman standing in line in San Francisco, waiting to hear news of her fate, is one Ina knows very well.
Shizuko Ina waits in line in San Francisco to hear news of her fate in the wake of President Franklin D. Roosevelt signing Executive Order 9066. (Photo: Dorothea Lange Courtesy of National Archives)
“This is a photo of my mother,” she says, looking at the picture in Un-American. “She had no idea what this was going to lead to, where they were going to be and for how long. So I see that expression on her face. It captures the confusion and the fear that she wrote about in her diary.”
Ina has made a study of her parents’ diaries and letters from the camp. She shows me her mother’s original journals, segments of which she gave Cahan and Williams permission to use in their book. Ina locates the entry dated Friday, Apr. 24, 1942, from right before Lange took that photo of her mother.
She reads it aloud, and the reality of this young woman’s predicament, as she waits to receive her marching orders, suddenly feels three-dimensional: “Twelve noon today our evacuation order is effective,” Ina reads. “Every corner of the block has a notice on it. There are so many people that we’ve been waiting almost three hours to get a slip of appointment for tomorrow.”
Satsuki Ina reads her mother’s journal at home in Berkeley. (Photo: Chloe Veltman/KQED)
Ina has made documentary films based on the diaries and other memorabilia, and is at work on a book. Like others from her community, she sees a worrying link between how the U.S. government treated Japanese Americans during the Second World War and recent calls by the Trump administration for a Muslim registry. “People were hysterical about Japan attacking the U.S.,” she says. “So today of course that resonates with the same kind of mass hysteria that is being rung up about terrorism.”
Like Cahan, Ina says she wants to do everything she can to teach people about this irredeemable chapter of American history — to prevent the same horrors from happening again.
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Editor’s note: Although the phrase “internment camps” is most commonly used in this country to describe the sites where 120,000 people of Japanese ancestry were incarcerated during the WWII, many members of the Japanese community believe that “internment” is not an accurate descriptor for the camps. Members of the Japanese community believe they were wrongfully imprisoned, and many use the terms “incarceration camps” or “prison camps” to describe the sites where they were detained against their will. We opted to use these terms in lieu of the more common term out of respect for the community.
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"title": "Dorothea Lange Photos Lead Historians to Japanese Camp Survivors",
"headTitle": "Dorothea Lange Photos Lead Historians to Japanese Camp Survivors | KQED",
"content": "\u003cp>There are nearly 200 photographs in Michael Williams and Richard Cahan’s new book \u003cem>Un-American: The Incarceration of Japanese Americans During World War Two\u003c/em>. But one in particular stands out for Cahan. “The photograph of Rachel, in my opinion, was the most compelling and beautiful photograph in the book,” Cahan says. “Dorothea Lange had this unique ability to get so close to people, even people that were strangers, and look into their eyes.”\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/308876410″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”150″ iframe=”true” /]\u003c/p>\n\u003cp>Lange’s portrait of Rachel Kuruma is startling in its simplicity: The 11-year-old San Francisco schoolkid looks into the camera, smiling quietly, in a cute, floral-print dress. The shock comes at the fact that only days after Lange shot this photo at Raphael Weill Elementary School on April 20, 1942, Kuruma and her family were bundled off to prison camp.\u003c/p>\n\u003ch3>Awakening long-lost memories\u003c/h3>\n\u003cp>Fast forward 75 years, and Kuruma is back at her former school for the very first time since Lange took her picture in 1942. Cahan and Kuruma have become friends since he tracked her down for his book project last year, and we’re there to see if the surroundings might help jog childhood memories for Kuruma. But the school, which is now called Rosa Parks Elementary, has changed almost beyond recognition since she was a student. And the spry, 85-year-old has absolutely no recollection of posing for Lange.\u003c/p>\n\u003cfigure id=\"attachment_12781144\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12781144\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-800x450.jpg\" alt=\"Rachel Kuruma returns to Raphael Weill Elementary School, now called Rosa Parks Elementary, on Jan. 24, 2017. It was her first time back since Dorothea Lange took her picture in 1942.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174.jpg 2037w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rachel Kuruma returns to Raphael Weill Elementary School, now called Rosa Parks Elementary, on Jan. 24, 2017. It was her first time back since Dorothea Lange took her picture there in 1942. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cahan has brought a copy of Lange’s photo along. Being at the school and looking at the picture gradually brings back distant memories for Kuruma of the three-plus years she spent living in the prison camps at Tanforan, California, and Topaz, Utah as a girl. “The toilets, none of them had doors,” she says. “So you tried to pick one that was facing against the wall, preferably the one in the corner so you have some privacy.”\u003c/p>\n\u003ch3>Executive order 9066\u003c/h3>\n\u003cp>On Feb. 19, 1942, in response to the Japanese attack on Pearl Harbor, President Franklin D. Roosevelt signed Executive Order 9066. This led to the incarceration of 120,000 Japanese Americans during World War II at prison camps across the western United States.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=62o1QuAE0Iw\">https://www.youtube.com/watch?v=62o1QuAE0Iw\u003c/a>\u003c/p>\n\u003cp>Roosevelt’s government hired photographers like Lange to show off the camps in their best light. But she and some of the other hired guns ended up exposing what life in the dusty, hastily-built enclaves was really like. As a result, Cahan says, some of her images were locked away during the war. “They were impounded primarily because they gave away ‘military secrets’ — that guards were using machine guns and that there was barbed wire around the camp,” Cahan says.\u003c/p>\n\u003ch3>Tracking down survivors\u003c/h3>\n\u003cp>After the war, the photos ended up in the National Archives in Washington, D.C, where the collection can still be found today. (It’s also available \u003ca href=\"https://www.archives.gov/news/japanese-american-internment\" target=\"_blank\" rel=\"noopener\">online\u003c/a>.) Many more photos from the approx. 7,500-image collection have appeared in publications since the war years. But Cahan and his co-author decided they wanted to go deeper, to truly get people to understand what innocent Japanese Americans went through during the war. So they set about capturing the personal stories of as many of the people in the pictures as they could.\u003c/p>\n\u003cfigure id=\"attachment_12781146\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12781146\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-800x452.jpg\" alt=\"Rachel Kuruma poses for Richard Cahan in roughly the same spot where Dorothea Lange took Kurumas picture on Apr. 20, 1942.\" width=\"800\" height=\"452\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-800x452.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-1020x576.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-1920x1084.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-1180x666.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-960x542.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-520x294.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988.jpg 1986w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rachel Kuruma poses for Richard Cahan in roughly the same spot where Dorothea Lange took Kurumas picture on Apr. 20, 1942. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The book lets you hear the words of the people who were picked up,” Cahan says. “When you see a person 75 years earlier and hear them talk about that very picture and that very day and what happened to them, I think it has great power. I think that there’s an emotional hole that it fills that really has not been filled before.”\u003c/p>\n\u003cp>Cahan says tracking down survivors wasn’t easy. In Kuruma’s case, her name was misspelled in the records — as “Rachael Kurumi” instead of “Rachel Kuruma.” “I had the list of all of the survivors of the camps,” Cahan says. “There was no ‘Rachael’ spelled that way, and there was no ‘Kurumi’ spelled that way.”\u003c/p>\n\u003cfigure id=\"attachment_12781258\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12781258\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-800x450.jpg\" alt=\"Rachel Kuruma hung up the phone when Richard Cahan called her for the first time. Now the prison camp survivor and photo journalist are friends.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976.jpg 2037w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rachel Kuruma hung up the phone when Richard Cahan first called her. Now the prison camp survivor and photojournalist are friends. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A search on the genealogy website \u003ca href=\"https://www.ancestry.com/\" target=\"_blank\" rel=\"noopener\">Ancestry.com\u003c/a> led Cahan to a 1949 yearbook photo of Kuruma as a student at Lowell High School. He did more poking around on Google. Then, one day, he got hold of her phone number. But Kuruma thought the caller was trying to sell her something. “I called her, and she picked up the phone,” Cahan says. “I said ‘My name is Rich Cahan and I’m a…’ and before I had said ‘journalist’ she hung up the phone.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12667846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>Cahan was persistent. Eventually, he managed to meet Kuruma. She says she rarely thinks or talks about the prison camps, and had no idea the photograph existed until the day Cahan showed it to her. “He’s talking about this picture. I say, what picture?” Kuruma says. “So he brought it over and I looked. It was kind of interesting.”\u003c/p>\n\u003ch3>The past as a catalyst for present-day activism\u003c/h3>\n\u003cp>Some of the people the authors approached weren’t so taken by surprise when Cahan got in touch. Berkeley psychotherapist, filmmaker and activist Satsuki Ina was born in a maximum security prison camp in Tule Lake, California in 1944, after her parents were labeled as dissidents for refusing to swear unqualified allegiance to the United States. She’s studied the National Archives photo collection. The arresting image in Cahan and Williams’ book of a young woman standing in line in San Francisco, waiting to hear news of her fate, is one Ina knows very well.\u003c/p>\n\u003cfigure id=\"attachment_12781329\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12781329 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-800x451.jpg\" alt=\"Shizuko Ina waits in line in San Francisco to hear news of her fate in the wake of President Franklin D. Roosevelt signing Executive Order 9066.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-1920x1083.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-1180x666.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-960x542.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987.jpg 1996w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Shizuko Ina waits in line in San Francisco to hear news of her fate in the wake of President Franklin D. Roosevelt signing Executive Order 9066. \u003ccite>(Photo: Dorothea Lange Courtesy of National Archives)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This is a photo of my mother,” she says, looking at the picture in \u003cem>Un-American\u003c/em>. “She had no idea what this was going to lead to, where they were going to be and for how long. So I see that expression on her face. It captures the confusion and the fear that she wrote about in her diary.”\u003c/p>\n\u003cp>Ina has made a study of her parents’ diaries and letters from the camp. She shows me her mother’s original journals, segments of which she gave Cahan and Williams permission to use in their book. Ina locates the entry dated Friday, Apr. 24, 1942, from right before Lange took that photo of her mother.\u003c/p>\n\u003cp>She reads it aloud, and the reality of this young woman’s predicament, as she waits to receive her marching orders, suddenly feels three-dimensional: “Twelve noon today our evacuation order is effective,” Ina reads. “Every corner of the block has a notice on it. There are so many people that we’ve been waiting almost three hours to get a slip of appointment for tomorrow.”\u003c/p>\n\u003cfigure id=\"attachment_12781334\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12781334 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-800x507.jpg\" alt=\"Satsuki Ina reads her mothers journal at home in Berkeley.\" width=\"800\" height=\"507\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-800x507.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-160x101.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-768x486.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-1020x646.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-1920x1216.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-1180x747.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-960x608.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-240x152.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-375x237.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-520x329.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404.jpg 2037w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Satsuki Ina reads her mother’s journal at home in Berkeley. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ina has made documentary films based on the diaries and other memorabilia, and is at work on a book. Like others from her community, she sees a worrying link between how the U.S. government treated Japanese Americans during the Second World War and recent calls by the Trump administration for a Muslim registry. “People were hysterical about Japan attacking the U.S.,” she says. “So today of course that resonates with the same kind of mass hysteria that is being rung up about terrorism.”\u003c/p>\n\u003cp>Like Cahan, Ina says she wants to do everything she can to teach people about this irredeemable chapter of American history — to prevent the same horrors from happening again.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Editor’s note: Although the phrase “internment camps” is most commonly used in this country to describe the sites where 120,000 people of Japanese ancestry were incarcerated during the WWII, many members of the Japanese community believe that “internment” is not an accurate descriptor for the camps. Members of the Japanese community believe they were wrongfully imprisoned, and many use the terms “incarceration camps” or “prison camps” to describe the sites where they were detained against their will. We opted to use these terms in lieu of the more common term out of respect for the community.\u003c/em>\u003c/p>\n\n",
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"excerpt": "Rachel Kuruma was 11 when Dorothea Lange took her picture at school in San Francisco, days before being sent to a WWII incarceration camp for Japanese Americans. Seventy-five years later, she returned.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There are nearly 200 photographs in Michael Williams and Richard Cahan’s new book \u003cem>Un-American: The Incarceration of Japanese Americans During World War Two\u003c/em>. But one in particular stands out for Cahan. “The photograph of Rachel, in my opinion, was the most compelling and beautiful photograph in the book,” Cahan says. “Dorothea Lange had this unique ability to get so close to people, even people that were strangers, and look into their eyes.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”150″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/308876410″&visual=true&”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true”'\n title='”https://api.soundcloud.com/tracks/308876410″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Lange’s portrait of Rachel Kuruma is startling in its simplicity: The 11-year-old San Francisco schoolkid looks into the camera, smiling quietly, in a cute, floral-print dress. The shock comes at the fact that only days after Lange shot this photo at Raphael Weill Elementary School on April 20, 1942, Kuruma and her family were bundled off to prison camp.\u003c/p>\n\u003ch3>Awakening long-lost memories\u003c/h3>\n\u003cp>Fast forward 75 years, and Kuruma is back at her former school for the very first time since Lange took her picture in 1942. Cahan and Kuruma have become friends since he tracked her down for his book project last year, and we’re there to see if the surroundings might help jog childhood memories for Kuruma. But the school, which is now called Rosa Parks Elementary, has changed almost beyond recognition since she was a student. And the spry, 85-year-old has absolutely no recollection of posing for Lange.\u003c/p>\n\u003cfigure id=\"attachment_12781144\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12781144\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-800x450.jpg\" alt=\"Rachel Kuruma returns to Raphael Weill Elementary School, now called Rosa Parks Elementary, on Jan. 24, 2017. It was her first time back since Dorothea Lange took her picture in 1942.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-3-e1487369507174.jpg 2037w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rachel Kuruma returns to Raphael Weill Elementary School, now called Rosa Parks Elementary, on Jan. 24, 2017. It was her first time back since Dorothea Lange took her picture there in 1942. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cahan has brought a copy of Lange’s photo along. Being at the school and looking at the picture gradually brings back distant memories for Kuruma of the three-plus years she spent living in the prison camps at Tanforan, California, and Topaz, Utah as a girl. “The toilets, none of them had doors,” she says. “So you tried to pick one that was facing against the wall, preferably the one in the corner so you have some privacy.”\u003c/p>\n\u003ch3>Executive order 9066\u003c/h3>\n\u003cp>On Feb. 19, 1942, in response to the Japanese attack on Pearl Harbor, President Franklin D. Roosevelt signed Executive Order 9066. This led to the incarceration of 120,000 Japanese Americans during World War II at prison camps across the western United States.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=62o1QuAE0Iw\">https://www.youtube.com/watch?v=62o1QuAE0Iw\u003c/a>\u003c/p>\n\u003cp>Roosevelt’s government hired photographers like Lange to show off the camps in their best light. But she and some of the other hired guns ended up exposing what life in the dusty, hastily-built enclaves was really like. As a result, Cahan says, some of her images were locked away during the war. “They were impounded primarily because they gave away ‘military secrets’ — that guards were using machine guns and that there was barbed wire around the camp,” Cahan says.\u003c/p>\n\u003ch3>Tracking down survivors\u003c/h3>\n\u003cp>After the war, the photos ended up in the National Archives in Washington, D.C, where the collection can still be found today. (It’s also available \u003ca href=\"https://www.archives.gov/news/japanese-american-internment\" target=\"_blank\" rel=\"noopener\">online\u003c/a>.) Many more photos from the approx. 7,500-image collection have appeared in publications since the war years. But Cahan and his co-author decided they wanted to go deeper, to truly get people to understand what innocent Japanese Americans went through during the war. So they set about capturing the personal stories of as many of the people in the pictures as they could.\u003c/p>\n\u003cfigure id=\"attachment_12781146\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12781146\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-800x452.jpg\" alt=\"Rachel Kuruma poses for Richard Cahan in roughly the same spot where Dorothea Lange took Kurumas picture on Apr. 20, 1942.\" width=\"800\" height=\"452\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-800x452.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-1020x576.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-1920x1084.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-1180x666.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-960x542.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988-520x294.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-4-e1487369841988.jpg 1986w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rachel Kuruma poses for Richard Cahan in roughly the same spot where Dorothea Lange took Kurumas picture on Apr. 20, 1942. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The book lets you hear the words of the people who were picked up,” Cahan says. “When you see a person 75 years earlier and hear them talk about that very picture and that very day and what happened to them, I think it has great power. I think that there’s an emotional hole that it fills that really has not been filled before.”\u003c/p>\n\u003cp>Cahan says tracking down survivors wasn’t easy. In Kuruma’s case, her name was misspelled in the records — as “Rachael Kurumi” instead of “Rachel Kuruma.” “I had the list of all of the survivors of the camps,” Cahan says. “There was no ‘Rachael’ spelled that way, and there was no ‘Kurumi’ spelled that way.”\u003c/p>\n\u003cfigure id=\"attachment_12781258\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12781258\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-800x450.jpg\" alt=\"Rachel Kuruma hung up the phone when Richard Cahan called her for the first time. Now the prison camp survivor and photo journalist are friends.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/kuruma-2-e1487370215976.jpg 2037w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rachel Kuruma hung up the phone when Richard Cahan first called her. Now the prison camp survivor and photojournalist are friends. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A search on the genealogy website \u003ca href=\"https://www.ancestry.com/\" target=\"_blank\" rel=\"noopener\">Ancestry.com\u003c/a> led Cahan to a 1949 yearbook photo of Kuruma as a student at Lowell High School. He did more poking around on Google. Then, one day, he got hold of her phone number. But Kuruma thought the caller was trying to sell her something. “I called her, and she picked up the phone,” Cahan says. “I said ‘My name is Rich Cahan and I’m a…’ and before I had said ‘journalist’ she hung up the phone.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12667846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>Cahan was persistent. Eventually, he managed to meet Kuruma. She says she rarely thinks or talks about the prison camps, and had no idea the photograph existed until the day Cahan showed it to her. “He’s talking about this picture. I say, what picture?” Kuruma says. “So he brought it over and I looked. It was kind of interesting.”\u003c/p>\n\u003ch3>The past as a catalyst for present-day activism\u003c/h3>\n\u003cp>Some of the people the authors approached weren’t so taken by surprise when Cahan got in touch. Berkeley psychotherapist, filmmaker and activist Satsuki Ina was born in a maximum security prison camp in Tule Lake, California in 1944, after her parents were labeled as dissidents for refusing to swear unqualified allegiance to the United States. She’s studied the National Archives photo collection. The arresting image in Cahan and Williams’ book of a young woman standing in line in San Francisco, waiting to hear news of her fate, is one Ina knows very well.\u003c/p>\n\u003cfigure id=\"attachment_12781329\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12781329 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-800x451.jpg\" alt=\"Shizuko Ina waits in line in San Francisco to hear news of her fate in the wake of President Franklin D. Roosevelt signing Executive Order 9066.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-1920x1083.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-1180x666.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-960x542.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ina-e1487370421987.jpg 1996w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Shizuko Ina waits in line in San Francisco to hear news of her fate in the wake of President Franklin D. Roosevelt signing Executive Order 9066. \u003ccite>(Photo: Dorothea Lange Courtesy of National Archives)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This is a photo of my mother,” she says, looking at the picture in \u003cem>Un-American\u003c/em>. “She had no idea what this was going to lead to, where they were going to be and for how long. So I see that expression on her face. It captures the confusion and the fear that she wrote about in her diary.”\u003c/p>\n\u003cp>Ina has made a study of her parents’ diaries and letters from the camp. She shows me her mother’s original journals, segments of which she gave Cahan and Williams permission to use in their book. Ina locates the entry dated Friday, Apr. 24, 1942, from right before Lange took that photo of her mother.\u003c/p>\n\u003cp>She reads it aloud, and the reality of this young woman’s predicament, as she waits to receive her marching orders, suddenly feels three-dimensional: “Twelve noon today our evacuation order is effective,” Ina reads. “Every corner of the block has a notice on it. There are so many people that we’ve been waiting almost three hours to get a slip of appointment for tomorrow.”\u003c/p>\n\u003cfigure id=\"attachment_12781334\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12781334 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-800x507.jpg\" alt=\"Satsuki Ina reads her mothers journal at home in Berkeley.\" width=\"800\" height=\"507\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-800x507.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-160x101.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-768x486.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-1020x646.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-1920x1216.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-1180x747.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-960x608.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-240x152.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-375x237.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404-520x329.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Tsatsuki-Ina-1-e1487370541404.jpg 2037w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Satsuki Ina reads her mother’s journal at home in Berkeley. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ina has made documentary films based on the diaries and other memorabilia, and is at work on a book. Like others from her community, she sees a worrying link between how the U.S. government treated Japanese Americans during the Second World War and recent calls by the Trump administration for a Muslim registry. “People were hysterical about Japan attacking the U.S.,” she says. “So today of course that resonates with the same kind of mass hysteria that is being rung up about terrorism.”\u003c/p>\n\u003cp>Like Cahan, Ina says she wants to do everything she can to teach people about this irredeemable chapter of American history — to prevent the same horrors from happening again.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Editor’s note: Although the phrase “internment camps” is most commonly used in this country to describe the sites where 120,000 people of Japanese ancestry were incarcerated during the WWII, many members of the Japanese community believe that “internment” is not an accurate descriptor for the camps. Members of the Japanese community believe they were wrongfully imprisoned, and many use the terms “incarceration camps” or “prison camps” to describe the sites where they were detained against their will. We opted to use these terms in lieu of the more common term out of respect for the community.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
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"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
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"source": "kqed",
"order": 19
},
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"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
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"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"order": 4
},
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"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
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},
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"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
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"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
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"officialWebsiteLink": "http://freakonomics.com/",
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"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"meta": {
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"link": "/radio/program/fresh-air",
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"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"link": "/radio/program/how-i-built-this",
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},
"inside-europe": {
"id": "inside-europe",
"title": "Inside Europe",
"info": "Inside Europe, a one-hour weekly news magazine hosted by Helen Seeney and Keith Walker, explores the topical issues shaping the continent. No other part of the globe has experienced such dynamic political and social change in recent years.",
"airtime": "SAT 3am-4am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Inside-Europe-Podcast-Tile-300x300-1.jpg",
"meta": {
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"source": "Deutsche Welle"
},
"link": "/radio/program/inside-europe",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/inside-europe/id80106806?mt=2",
"tuneIn": "https://tunein.com/radio/Inside-Europe-p731/",
"rss": "https://partner.dw.com/xml/podcast_inside-europe"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"live-from-here-highlights": {
"id": "live-from-here-highlights",
"title": "Live from Here Highlights",
"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
"airtime": "SAT 6pm-8pm, SUN 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Live-From-Here-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.livefromhere.org/",
"meta": {
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"source": "american public media"
},
"link": "/radio/program/live-from-here-highlights",
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"tuneIn": "https://tunein.com/radio/Live-from-Here-Highlights-p921744/",
"rss": "https://feeds.publicradio.org/public_feeds/a-prairie-home-companion-highlights/rss/rss"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 13
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/onourwatch",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
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"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"our-body-politic": {
"id": "our-body-politic",
"title": "Our Body Politic",
"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://our-body-politic.simplecast.com/",
"meta": {
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"source": "kcrw"
},
"link": "/radio/program/our-body-politic",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw",
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"rss": "https://feeds.simplecast.com/_xaPhs1s",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/Our-Body-Politic-p1369211/"
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},
"pbs-newshour": {
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