How Scientists are Fighting to Save California Forests with Reforestation, a short film.
Last Days At Paradise High
Fighting Fire With Fire, a short film.
The Nostalgia Museum, a short film on San Francisco's Musée Mécanique
The Titan Rises Explores Gun Violence and High School Football amid a Pandemic
Sponsored
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The process of replanting starts by picking the cones of mature conifers. By identifying species that are more adapted to climate change, geneticists are able to replant conifers that can better survive climate change. Facing the tremendous demand for fighting wildfires, authorities like CAL FIRE also struggle to find climbers to pick cones for seeds.\u003c/p>\n\u003cp>\u003cstrong>Directors Statement: \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Reporter Mallory Pickett and I wanted to explain to viewers the scientific processes that geneticists are using to replant our state’s burnt forests. We filmed the climbers, who collect conifer cones, using a GoPro and a DJI Mavic 2 drone in hopes of portraying the lofty efforts that are being made to rejuvenate California’s forests by authorities like CAL FIRE and U.S. Forestry Service. As the state loses more and more trees to intensifying wildfires, geneticists believe that forests can be regrown by selecting trees that are better adapted to global warming. We were inspired by the dogged efforts of sources like Arnaldo Ferreira and Jessica Huang whose work softens the negative impacts of climate change.\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Jennifer Cain is an independent filmmaker based in Santa Cruz, California. She \u003ca href=\"http://www.jenn-cain.com\">directs and produces\u003c/a> short documentaries and television news stories that have appeared with AJ+ and the PBS NewsHour. Jennifer graduated from the University of California, Graduate School of Journalism with an M.A. in video storytelling. As a project manager, she has led data-driven, interactive projects with digital news outlets like YR Media (formerly Youth Radio).\u003c/p>\n\u003cfigure id=\"attachment_3477\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam.jpg\">\u003cimg class=\"wp-image-3477 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-800x727.jpg\" alt=\"\" width=\"800\" height=\"727\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-800x727.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-1020x927.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-160x145.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-768x698.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam.jpg 1402w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Filmmaker Jenn Cain\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>To keep up with the Reforestation Crew\u003c/strong>\u003c/p>\n\u003cp>You can find them on social\u003c/p>\n\u003cp>\u003cstrong>Editor, Producer - Jenn Cain\u003c/strong>\u003c/p>\n\u003cp>@\u003ca href=\"https://twitter.com/jennymcain\">jennymcain\u003c/a> on Twitter\u003c/p>\n\u003cp>@\u003ca href=\"https://www.instagram.com/cennyjain/\">cennyjain\u003c/a> on Instagram\u003c/p>\n\u003cp>\u003cstrong>Reporter, Producer\u003c/strong> \u003cstrong>- Mallory Pickett\u003c/strong>\u003c/p>\n\u003cp>@\u003ca href=\"https://twitter.com/MalloryLPickett\">MalloryLPickett\u003c/a> on Twitter\u003c/p>\n\u003cp>\u003cstrong>Editor, Producer - Isara Krieger\u003c/strong>\u003c/p>\n\u003cp>@isarakrieger on \u003ca href=\"https://www.facebook.com/isara.krieger\">FB\u003c/a> or \u003ca href=\"https://twitter.com/isarakrieger\">Twitter\u003c/a>\u003c/p>\n\u003cp>@\u003ca href=\"https://www.instagram.com/alonewithacupcake/\">alonewithacupcake\u003c/a> on IG\u003c/p>\n\u003cp>Website: \u003ca href=\"https://www.isarakrieger.com/\">https://www.isarakrieger.com/\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credits for Reforestation:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">Mallory Pickett Reporter, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Jenn Cain Director, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Erika Staud Editor, Photographer\u003c/p>\n\u003cp style=\"text-align: left\">Isara Krieger Editor, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Bijan Sharifi Sound Mix\u003c/p>\n\u003cp style=\"text-align: left\">LaTrina Candia Sound Recorder\u003c/p>\n\u003cp style=\"text-align: left\">Gary Coates Color Grading\u003c/p>\n\u003cp>\u003c/p>\n\u003cp style=\"text-align: left\">William Sammons Sound Design\u003c/p>\n\n","blocks":[],"excerpt":"Amidst intensifying wildfires and global warming, CAL FIRE and USDA face an overwhelming struggle to replant millions of acres lost to recent wildfires. ","status":"publish","parent":0,"modified":1650556148,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":22,"wordCount":519},"headData":{"title":"Reforestation - How Scientists Are Fighting For Forest Regrowth - Truly CA","description":"Amidst intensifying wildfires and global warming, CAL FIRE and USDA face an overwhelming struggle to replant millions of acres lost to recent wildfires.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How Scientists are Fighting to Save California Forests with Reforestation, a short film.","datePublished":"2022-04-21T12:00:12.000Z","dateModified":"2022-04-21T15:49:08.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"3474 https://ww2.kqed.org/trulyca/?p=3474","disqusUrl":"https://ww2.kqed.org/trulyca/reforestation/","disqusTitle":"How Scientists are Fighting to Save California Forests with Reforestation, a short film.","videoEmbed":"https://www.youtube.com/watch?v=iLxFLi5IO0Q","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","templateType":"standard","featuredImageType":"standard","subhead":"California can’t keep up in the race to replant the state’s burnt forests.","excludeFromSiteSearch":"Include","path":"/trulyca/3474/reforestation","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Reforestation is a short film made by Jenn Cain and Mallory Pickett.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=iLxFLi5IO0Q\">Watch the film Reforestation\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About the Film - Reforestation\u003c/strong>\u003c/p>\n\u003cp>Amidst intensifying wildfires and global warming, CAL FIRE and USDA face an overwhelming struggle to replant millions of acres lost to recent wildfires. The process of replanting starts by picking the cones of mature conifers. By identifying species that are more adapted to climate change, geneticists are able to replant conifers that can better survive climate change. Facing the tremendous demand for fighting wildfires, authorities like CAL FIRE also struggle to find climbers to pick cones for seeds.\u003c/p>\n\u003cp>\u003cstrong>Directors Statement: \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Reporter Mallory Pickett and I wanted to explain to viewers the scientific processes that geneticists are using to replant our state’s burnt forests. We filmed the climbers, who collect conifer cones, using a GoPro and a DJI Mavic 2 drone in hopes of portraying the lofty efforts that are being made to rejuvenate California’s forests by authorities like CAL FIRE and U.S. Forestry Service. As the state loses more and more trees to intensifying wildfires, geneticists believe that forests can be regrown by selecting trees that are better adapted to global warming. We were inspired by the dogged efforts of sources like Arnaldo Ferreira and Jessica Huang whose work softens the negative impacts of climate change.\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Jennifer Cain is an independent filmmaker based in Santa Cruz, California. She \u003ca href=\"http://www.jenn-cain.com\">directs and produces\u003c/a> short documentaries and television news stories that have appeared with AJ+ and the PBS NewsHour. Jennifer graduated from the University of California, Graduate School of Journalism with an M.A. in video storytelling. As a project manager, she has led data-driven, interactive projects with digital news outlets like YR Media (formerly Youth Radio).\u003c/p>\n\u003cfigure id=\"attachment_3477\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam.jpg\">\u003cimg class=\"wp-image-3477 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-800x727.jpg\" alt=\"\" width=\"800\" height=\"727\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-800x727.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-1020x927.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-160x145.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-768x698.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam.jpg 1402w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Filmmaker Jenn Cain\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>To keep up with the Reforestation Crew\u003c/strong>\u003c/p>\n\u003cp>You can find them on social\u003c/p>\n\u003cp>\u003cstrong>Editor, Producer - Jenn Cain\u003c/strong>\u003c/p>\n\u003cp>@\u003ca href=\"https://twitter.com/jennymcain\">jennymcain\u003c/a> on Twitter\u003c/p>\n\u003cp>@\u003ca href=\"https://www.instagram.com/cennyjain/\">cennyjain\u003c/a> on Instagram\u003c/p>\n\u003cp>\u003cstrong>Reporter, Producer\u003c/strong> \u003cstrong>- Mallory Pickett\u003c/strong>\u003c/p>\n\u003cp>@\u003ca href=\"https://twitter.com/MalloryLPickett\">MalloryLPickett\u003c/a> on Twitter\u003c/p>\n\u003cp>\u003cstrong>Editor, Producer - Isara Krieger\u003c/strong>\u003c/p>\n\u003cp>@isarakrieger on \u003ca href=\"https://www.facebook.com/isara.krieger\">FB\u003c/a> or \u003ca href=\"https://twitter.com/isarakrieger\">Twitter\u003c/a>\u003c/p>\n\u003cp>@\u003ca href=\"https://www.instagram.com/alonewithacupcake/\">alonewithacupcake\u003c/a> on IG\u003c/p>\n\u003cp>Website: \u003ca href=\"https://www.isarakrieger.com/\">https://www.isarakrieger.com/\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credits for Reforestation:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">Mallory Pickett Reporter, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Jenn Cain Director, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Erika Staud Editor, Photographer\u003c/p>\n\u003cp style=\"text-align: left\">Isara Krieger Editor, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Bijan Sharifi Sound Mix\u003c/p>\n\u003cp style=\"text-align: left\">LaTrina Candia Sound Recorder\u003c/p>\n\u003cp style=\"text-align: left\">Gary Coates Color Grading\u003c/p>\n\u003cp>\u003c/p>\n\u003cp style=\"text-align: left\">William Sammons Sound Design\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3474/reforestation","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_45","trulyca_971","trulyca_969","trulyca_20","trulyca_972","trulyca_29"],"tags":["trulyca_977","trulyca_973","trulyca_986","trulyca_979","trulyca_978","trulyca_983","trulyca_984","trulyca_982","trulyca_985","trulyca_981"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3478","label":"trulyca_771"},"trulyca_3456":{"type":"posts","id":"trulyca_3456","meta":{"index":"posts_1591205157","site":"trulyca","id":"3456","score":null,"sort":[1642168814000]},"guestAuthors":[],"slug":"last-days-at-paradise-high","title":"Last Days At Paradise High","publishDate":1642168814,"format":"video","headTitle":"Season 16 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>Last Days of Paradise High is a short film made by Emily Thomas and Derek Knowles.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://youtu.be/K5SkVMKKPek\">Watch Last Days at Paradise High Now\u003c/a> [/pullquote]\u003c/p>\n\u003cp>After the most destructive fire in California history destroys the town of Paradise, the end of the school year takes on added meaning for two seniors, Harmony and Kody, and their beloved teacher, Mrs. Partain. As the end of school approaches, these displaced teens grapple with their fading youth like their peers across the country —\u003cbr>\nstruggling to stay motivated in class, fighting to be heard, capriciously asserting newfound independence, and deciding what to do after graduation. But these moments of classic teenage drama are routinely ruptured by jarring reminders that they have lived through one of the greatest disasters in their country’s history. Told from the perspective of America's youngest climate refugees, Last Days at Paradise High is an intimate portrait of fading youth and the search for home after it's gone.\u003c/p>\n\u003cp>[gallery columns=\"2\" ids=\"3469,3468,3467,3466,3465,3464,3463,3462,3461,3460\"]\u003c/p>\n\u003cp>Directors’ Statement\u003cbr>\nIncreasing traumatic events around the nation and world—from school shootings to COVID-19—are bringing a new generation of young adults into adulthood with inherited trauma. These events are creating a generation of survivors with a shared understanding of the impermanence of our world, anxiety about impending disaster,\u003cbr>\nand a resolve to embark upon radical change. As filmmakers, we hope to honor and highlight their stories so that they not be forgotten. The ultimate aim with this film is to include the good with the bad, the familiar with the unexpected, to broaden the perception and deepen the understanding of a disaster and its unforeseen impacts. We want to show both young and old generations how\u003cbr>\nthey might live beyond the grim issues of the day, to remind them of the complications and joys of youth, and to demonstrate, through the examples of our subjects, the opportunity for collective healing\u003cbr>\nList of film festival screenings SFFILM, DocLands, DCEFF, Alexander Valley Film Festival, Sebastopol Film Festival’s, Declare Your Independents program.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>EMILY THOMAS | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nEmily is a nonfiction filmmaker and cinematographer driven by a passion for documenting the human experience. Her work is rooted in the belief that stories are the most powerful way to connect people, bridge cultures, and embolden the voiceless.\u003c/p>\n\u003cp>She is co-director of Last Days at Paradise High, a documentary chronicling the end of adolescence in the wake of the devastating wildfire in Northern California that burned down the town of Paradise. The film screened at film festivals around the country and was originally published in The New Yorker. She is currently working on her first feature-length documentary, The Price of Freedom, a vignette film that illuminates the hidden worlds at the gates of the criminal justice system. Her work can be seen on Frontline, CBS, POV, The Guardian and many others.\u003c/p>\n\u003cp>DEREK KNOWLES | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nDerek Knowles is a documentary filmmaker whose work has been featured as a Vimeo Staff pick and on outlets like The Atlantic. He prefers to focus his work on people’s unheralded, often overlooked experiences, and has been a part of projects for Frontline, National Geographic, CNN, POV, and The Documentary Group. Recently, he\u003cbr>\nwas an Artist-in-Residence at “the camp” in the south of France where he developed an interactive intergenerational project aimed at connecting young and older generations. His recent film, \"After the Fire,\" winner of the Tribeca Film Institute's \"If/Then\" Shorts Award, follows three residents of his hometown in the months\u003cbr>\nfollowing 2017’s historic wildfires. It aired on California PBS stations in August 2019.\u003c/p>\n\u003cp>Derek graduated with honors from Stanford University in 2011 with a degree in American Studies.\u003c/p>\n\u003cp>PETER RICHARDS | EXECUTIVE-PRODUCER\u003cbr>\nPeter Richardson’s thoughtful and compelling documentary work has gained widespread recognition, including the Sundance Grand Jury Prize for Best Documentary and an Emmy Nomination for Best Documentary for How to Die in Oregon, his second feature. The film was broadcast on HBO, and the Chicago Sun-Times noted that “it will likely be viewed as one of the most historically significant\u003cbr>\ndocumentaries of this decade.” Richardson’s first feature doc also premiered at Sundance and was broadcast on the Sundance Channel. Richardson has worked extensively on premium documentary series, most recently show running two seasons\u003cbr>\nof QB1: Beyond the Lights, a 10-part documentary series about high school football, executive produced by Peter Berg. Prior to his work on QB1, Richardson was Series Director of Dark Net and Co-Executive Producer of The Circus: The Greatest Political\u003cbr>\nShow on Earth, both for Showtime Networks.\u003c/p>\n\u003cp>CREDITS\u003cbr>\nA Film By:\u003cbr>\nEmily Thomas and Derek Knowles\u003c/p>\n\u003cp>Featuring:\u003cbr>\nVirginia Partain\u003cbr>\nHarmony VonStockhausen\u003cbr>\nKody Loesch\u003cbr>\nJennifer Lyle\u003c/p>\n\u003cp>Executive Producer\u003cbr>\nPeter Richardson\u003cbr>\nIn Association with Blue Chalk Media and Lemon Tree Productions\u003c/p>\n\u003cp>Cinematography:\u003cbr>\nDerek Knowles\u003cbr>\nEmily Thomas\u003c/p>\n\u003cp>Producers\u003cbr>\nEmily Thomas\u003cbr>\nDerek Knowles\u003cbr>\nBlue Chalk\u003c/p>\n\u003cp>Executive Producers\u003cbr>\nGreg Moyer\u003cbr>\nPam Huling\u003c/p>\n\u003cp>Editor\u003cbr>\nGreg Snider\u003c/p>\n\u003cp>Assistant Editor\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Post Production Manager\u003cbr>\nAmy Polansky\u003c/p>\n\u003cp>Color Grade\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Audio Mix\u003cbr>\nJim Cooke\u003c/p>\n\u003cp>Original Music\u003cbr>\nAdam Gunther\u003c/p>\n\u003cp>Additional Music\u003cbr>\nAlice Bauman\u003c/p>\n\u003cp>Consulting Editor\u003cbr>\nDan Sadowksy\u003c/p>\n\u003cp>Production Assistant\u003cbr>\nJohn Toner\u003c/p>\n\u003cp>Additional Camera:\u003cbr>\nLevi Baker\u003cbr>\nBasil Glew-Galloway\u003cbr>\nCraig Hickerson\u003cbr>\nChris Smith\u003c/p>\n\u003cp>Confessionals:\u003cbr>\nIsiah Anderson\u003cbr>\nMackenzie Anderson\u003cbr>\nMegan Brewer\u003cbr>\nFaith Brown\u003cbr>\nThomas Corcoran\u003cbr>\nSofia DiBenedetto\u003cbr>\nEmily Headman\u003cbr>\nVicki Kelleman\u003cbr>\nIsiah Kent\u003cbr>\nAnthony Kern\u003cbr>\nMarissa Metker\u003cbr>\nTiril Mong\u003cbr>\nSarah Peters\u003cbr>\nJuliette Salls\u003cbr>\nAutumn Spoolman\u003cbr>\nKaylee Sunega\u003cbr>\nRachel Warren\u003c/p>\n\u003cp>Thank You:\u003cbr>\nStaff and administrators of Paradise High School\u003cbr>\nParadise Unified School District\u003cbr>\nJuan Arboleda\u003cbr>\nSamantha Clark\u003cbr>\nMichelle John\u003cbr>\nMargaret Katcher\u003cbr>\nDebra Knowles\u003cbr>\nDan Krauss\u003cbr>\nLawrence Lerew\u003cbr>\nGabriel Long\u003cbr>\nStacie Martin\u003cbr>\nSofia Melo\u003cbr>\nJeff Plunkett\u003cbr>\nSerghino Roosblad\u003cbr>\nMark Schapiro\u003cbr>\nLauren Schwartzman\u003cbr>\nSpencer Seibert\u003cbr>\nConor Spicer\u003cbr>\nElliott Thomas\u003cbr>\nToner Family\u003cbr>\nLuke Wigren\u003cbr>\nKirt Woodman\u003c/p>\n\u003cp>Funding Provided By:\u003cbr>\nBerkeley Film Foundation\u003cbr>\nErin and Francis Collins\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":"A coming of age story set in the wake of a 21st century disaster.","status":"publish","parent":0,"modified":1642108247,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":31,"wordCount":994},"headData":{"title":"Last Days At Paradise High - A coming of age story set in the wake of a 21st-century disaster. - Truly CA","description":"After the most destructive fire in California history destroys the town of Paradise, the end of the school year takes on added meaning for two seniors, Harmony and Kody, and their beloved teacher, Mrs. Partain.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Last Days At Paradise High","datePublished":"2022-01-14T14:00:14.000Z","dateModified":"2022-01-13T21:10:47.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"3456 https://ww2.kqed.org/trulyca/?p=3456","disqusUrl":"https://ww2.kqed.org/trulyca/last-days-at-paradise-high/","disqusTitle":"Last Days At Paradise High","videoEmbed":"https://youtu.be/K5SkVMKKPek","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","templateType":"standard","featuredImageType":"standard","subhead":"A coming of age story set in the wake of a 21st century disaster.","excludeFromSiteSearch":"Include","path":"/trulyca/3456/last-days-at-paradise-high","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Last Days of Paradise High is a short film made by Emily Thomas and Derek Knowles.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://youtu.be/K5SkVMKKPek\">Watch Last Days at Paradise High Now\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After the most destructive fire in California history destroys the town of Paradise, the end of the school year takes on added meaning for two seniors, Harmony and Kody, and their beloved teacher, Mrs. Partain. As the end of school approaches, these displaced teens grapple with their fading youth like their peers across the country —\u003cbr>\nstruggling to stay motivated in class, fighting to be heard, capriciously asserting newfound independence, and deciding what to do after graduation. But these moments of classic teenage drama are routinely ruptured by jarring reminders that they have lived through one of the greatest disasters in their country’s history. Told from the perspective of America's youngest climate refugees, Last Days at Paradise High is an intimate portrait of fading youth and the search for home after it's gone.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"2","ids":"3469,3468,3467,3466,3465,3464,3463,3462,3461,3460","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Directors’ Statement\u003cbr>\nIncreasing traumatic events around the nation and world—from school shootings to COVID-19—are bringing a new generation of young adults into adulthood with inherited trauma. These events are creating a generation of survivors with a shared understanding of the impermanence of our world, anxiety about impending disaster,\u003cbr>\nand a resolve to embark upon radical change. As filmmakers, we hope to honor and highlight their stories so that they not be forgotten. The ultimate aim with this film is to include the good with the bad, the familiar with the unexpected, to broaden the perception and deepen the understanding of a disaster and its unforeseen impacts. We want to show both young and old generations how\u003cbr>\nthey might live beyond the grim issues of the day, to remind them of the complications and joys of youth, and to demonstrate, through the examples of our subjects, the opportunity for collective healing\u003cbr>\nList of film festival screenings SFFILM, DocLands, DCEFF, Alexander Valley Film Festival, Sebastopol Film Festival’s, Declare Your Independents program.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>EMILY THOMAS | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nEmily is a nonfiction filmmaker and cinematographer driven by a passion for documenting the human experience. Her work is rooted in the belief that stories are the most powerful way to connect people, bridge cultures, and embolden the voiceless.\u003c/p>\n\u003cp>She is co-director of Last Days at Paradise High, a documentary chronicling the end of adolescence in the wake of the devastating wildfire in Northern California that burned down the town of Paradise. The film screened at film festivals around the country and was originally published in The New Yorker. She is currently working on her first feature-length documentary, The Price of Freedom, a vignette film that illuminates the hidden worlds at the gates of the criminal justice system. Her work can be seen on Frontline, CBS, POV, The Guardian and many others.\u003c/p>\n\u003cp>DEREK KNOWLES | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nDerek Knowles is a documentary filmmaker whose work has been featured as a Vimeo Staff pick and on outlets like The Atlantic. He prefers to focus his work on people’s unheralded, often overlooked experiences, and has been a part of projects for Frontline, National Geographic, CNN, POV, and The Documentary Group. Recently, he\u003cbr>\nwas an Artist-in-Residence at “the camp” in the south of France where he developed an interactive intergenerational project aimed at connecting young and older generations. His recent film, \"After the Fire,\" winner of the Tribeca Film Institute's \"If/Then\" Shorts Award, follows three residents of his hometown in the months\u003cbr>\nfollowing 2017’s historic wildfires. It aired on California PBS stations in August 2019.\u003c/p>\n\u003cp>Derek graduated with honors from Stanford University in 2011 with a degree in American Studies.\u003c/p>\n\u003cp>PETER RICHARDS | EXECUTIVE-PRODUCER\u003cbr>\nPeter Richardson’s thoughtful and compelling documentary work has gained widespread recognition, including the Sundance Grand Jury Prize for Best Documentary and an Emmy Nomination for Best Documentary for How to Die in Oregon, his second feature. The film was broadcast on HBO, and the Chicago Sun-Times noted that “it will likely be viewed as one of the most historically significant\u003cbr>\ndocumentaries of this decade.” Richardson’s first feature doc also premiered at Sundance and was broadcast on the Sundance Channel. Richardson has worked extensively on premium documentary series, most recently show running two seasons\u003cbr>\nof QB1: Beyond the Lights, a 10-part documentary series about high school football, executive produced by Peter Berg. Prior to his work on QB1, Richardson was Series Director of Dark Net and Co-Executive Producer of The Circus: The Greatest Political\u003cbr>\nShow on Earth, both for Showtime Networks.\u003c/p>\n\u003cp>CREDITS\u003cbr>\nA Film By:\u003cbr>\nEmily Thomas and Derek Knowles\u003c/p>\n\u003cp>Featuring:\u003cbr>\nVirginia Partain\u003cbr>\nHarmony VonStockhausen\u003cbr>\nKody Loesch\u003cbr>\nJennifer Lyle\u003c/p>\n\u003cp>Executive Producer\u003cbr>\nPeter Richardson\u003cbr>\nIn Association with Blue Chalk Media and Lemon Tree Productions\u003c/p>\n\u003cp>Cinematography:\u003cbr>\nDerek Knowles\u003cbr>\nEmily Thomas\u003c/p>\n\u003cp>Producers\u003cbr>\nEmily Thomas\u003cbr>\nDerek Knowles\u003cbr>\nBlue Chalk\u003c/p>\n\u003cp>Executive Producers\u003cbr>\nGreg Moyer\u003cbr>\nPam Huling\u003c/p>\n\u003cp>Editor\u003cbr>\nGreg Snider\u003c/p>\n\u003cp>Assistant Editor\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Post Production Manager\u003cbr>\nAmy Polansky\u003c/p>\n\u003cp>Color Grade\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Audio Mix\u003cbr>\nJim Cooke\u003c/p>\n\u003cp>Original Music\u003cbr>\nAdam Gunther\u003c/p>\n\u003cp>Additional Music\u003cbr>\nAlice Bauman\u003c/p>\n\u003cp>Consulting Editor\u003cbr>\nDan Sadowksy\u003c/p>\n\u003cp>Production Assistant\u003cbr>\nJohn Toner\u003c/p>\n\u003cp>Additional Camera:\u003cbr>\nLevi Baker\u003cbr>\nBasil Glew-Galloway\u003cbr>\nCraig Hickerson\u003cbr>\nChris Smith\u003c/p>\n\u003cp>Confessionals:\u003cbr>\nIsiah Anderson\u003cbr>\nMackenzie Anderson\u003cbr>\nMegan Brewer\u003cbr>\nFaith Brown\u003cbr>\nThomas Corcoran\u003cbr>\nSofia DiBenedetto\u003cbr>\nEmily Headman\u003cbr>\nVicki Kelleman\u003cbr>\nIsiah Kent\u003cbr>\nAnthony Kern\u003cbr>\nMarissa Metker\u003cbr>\nTiril Mong\u003cbr>\nSarah Peters\u003cbr>\nJuliette Salls\u003cbr>\nAutumn Spoolman\u003cbr>\nKaylee Sunega\u003cbr>\nRachel Warren\u003c/p>\n\u003cp>Thank You:\u003cbr>\nStaff and administrators of Paradise High School\u003cbr>\nParadise Unified School District\u003cbr>\nJuan Arboleda\u003cbr>\nSamantha Clark\u003cbr>\nMichelle John\u003cbr>\nMargaret Katcher\u003cbr>\nDebra Knowles\u003cbr>\nDan Krauss\u003cbr>\nLawrence Lerew\u003cbr>\nGabriel Long\u003cbr>\nStacie Martin\u003cbr>\nSofia Melo\u003cbr>\nJeff Plunkett\u003cbr>\nSerghino Roosblad\u003cbr>\nMark Schapiro\u003cbr>\nLauren Schwartzman\u003cbr>\nSpencer Seibert\u003cbr>\nConor Spicer\u003cbr>\nElliott Thomas\u003cbr>\nToner Family\u003cbr>\nLuke Wigren\u003cbr>\nKirt Woodman\u003c/p>\n\u003cp>Funding Provided By:\u003cbr>\nBerkeley Film Foundation\u003cbr>\nErin and Francis Collins\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3456/last-days-at-paradise-high","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_45","trulyca_971","trulyca_969","trulyca_20","trulyca_972","trulyca_36","trulyca_884","trulyca_29","trulyca_46"],"tags":["trulyca_977","trulyca_973","trulyca_975","trulyca_939","trulyca_908","trulyca_436","trulyca_980","trulyca_954","trulyca_976","trulyca_287"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3468","label":"trulyca_771"},"trulyca_3433":{"type":"posts","id":"trulyca_3433","meta":{"index":"posts_1591205157","site":"trulyca","id":"3433","score":null,"sort":[1631034048000]},"guestAuthors":[],"slug":"how-native-americans-prevent-wildfires","title":"Fighting Fire With Fire, a short film.","publishDate":1631034048,"format":"video","headTitle":"Season 16 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>Fighting Fire with Fire is a short film made by Cameron Nielsen.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=Fe43QK85448\">Watch Fighting Fire With Fire Now\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cstrong>About the Film - Fighting Fire with Fire\u003c/strong>\u003c/p>\n\u003cp>As wildfires in Sonoma County become increasingly devastating a growing group of people revives a Native American practice of fighting fire with fire.\u003c/p>\n\u003cp>\u003cstrong>Directors Statement: \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Although turning 24 is not a particularly special birthday, I will never forget that day. I sit at the dinner table with a few friends who have decided to share the evening with me despite the fires creeping closer. The awkward, out-of-sync “happy birthday to you” is followed by sudden darkness. PG&E has cut our power to prevent the high winds from starting any more fires. Our phones ring with alerts that evacuation alerts are coming closer to us. Flustered, my guests make their way home. The sounds of sirens echo through the streets, and my heart palpitates as a wave of fear overcomes me. I pack the car with essential possessions. As I drive, my car wobbles in the wind. I arrive at my cousin’s house in Sacramento at 1 am, becoming one of many Sonoma County evacuees.\u003c/p>\n\u003cp>While fire seasons are getting more prolonged and intense, my community is learning how to adapt to this changing reality. This past December, I witnessed a glimmer of hope for the coming years of fire. I was invited to film at a ranch in the hills of Bodega that was performing a controlled burn. These ranchers were burning part of their 1,000 acres of grassland and forest to prevent a devastating wildfire and keep the land healthy. I stood on a hill filming, surrounded by CalFire and local volunteers from the community, all looking at Red Bird, a local indigenous man. Red Bird blesses the burn, apologizing to any creature hurt during the controlled burn process. A school-grade girl who grew up on the land begins to rub a stick back and forth to create a traditional friction fire. She places an ember into the grass, and the prescribed burn has started. The very same spark sent me on my journey to make \u003cem>Fighting Fire with Fire\u003c/em>.\u003c/p>\n\u003cp>Through the experience of making this film, I have been amazed by the enthusiasm to relearn what it means to steward the land in Sonoma County.\u003c/p>\n\u003cp>[gallery size=\"medium\" ids=\"3439,3445,3434,3435,3436,3437,3438,3440,3441,3442,3443,3444\"]\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Cameron Nielsen is a San Francisco Bay Area-based documentary filmmaker dedicated to telling stories that reimagine complex issues of our times. His film \u003cem>Rewilding Honeybees\u003c/em> won Best Documentary Short at Sonoma International Film Festival and premiered at Telluride Mountainfilm Festival. Cameron is currently in the documentary program at the UC Berkeley Graduate School of Journalism and freelancing as a video journalist for organizations such as AJ+ and Business Insider, and KQED.\u003c/p>\n\u003cfigure id=\"attachment_3450\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-scaled.jpg\">\u003cimg class=\"wp-image-3450 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-800x540.jpg\" alt=\"\" width=\"800\" height=\"540\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-800x540.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1020x689.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-768x519.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1536x1037.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-2048x1383.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1920x1296.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Director of Cameron Nielsen\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>To keep up with Cameron Nielsen\u003c/strong>\u003c/p>\n\u003cp>You can check out his\u003c/p>\n\u003cp>Instagram: \u003ca href=\"https://www.instagram.com/cameronpnielsen/?hl=en\">@cameronpnielsen\u003c/a>\u003c/p>\n\u003cp>Twitter: \u003ca href=\"https://twitter.com/cameronpnielsen\">@cameronpnielsen\u003c/a>\u003c/p>\n\u003cp>Website: \u003ca href=\"https://protect-us.mimecast.com/s/x1HnCG69GouBxV7WUKIIwQ?domain=cameronnielsen.com\">cameronnielsen.com\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credits for Fighting Fire With Fire :\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Director, Producer, Camera & Editor: \u003c/em>Cameron Nielsen\u003c/p>\n\u003cp>\u003cem>Supervising Producer: \u003c/em>Andrés Cediel\u003c/p>\n\u003cp>\u003cem>Featuring: \u003c/em>Edward \"Red Bird\" Willie, Sasha Berleman, Jay Silva & Shepley Schroth-Cary\u003c/p>\n\u003cp>\u003cem>Archival Footage:\u003c/em> Jacqueline Jorgenson\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Special Thanks:\u003c/em> Cassandra Herrman, James Fahn & Alyssum Revallo\u003c/p>\n\n","blocks":[],"excerpt":"As wildfires in Sonoma County become increasingly devastating a growing group of people revives a Native American practice of fighting fire with fire.","status":"publish","parent":0,"modified":1631207423,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":24,"wordCount":559},"headData":{"title":"Fighting Fire With Fire - How Native Americans Prevent Wildfires - Truly CA","description":"As wildfires in Sonoma County become increasingly devastating a growing group of people revives a Native American practice of fighting fire with fire.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Fighting Fire With Fire, a short film.","datePublished":"2021-09-07T17:00:48.000Z","dateModified":"2021-09-09T17:10:23.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"3433 https://ww2.kqed.org/trulyca/?p=3433","disqusUrl":"https://ww2.kqed.org/trulyca/how-native-americans-prevent-wildfires/","disqusTitle":"Fighting Fire With Fire, a short film.","videoEmbed":"https://www.youtube.com/watch?v=Fe43QK85448","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","templateType":"standard","featuredImageType":"standard","subhead":"Native American Tribes Help Control California Wildfires.","path":"/trulyca/3433/how-native-americans-prevent-wildfires","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Fighting Fire with Fire is a short film made by Cameron Nielsen.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=Fe43QK85448\">Watch Fighting Fire With Fire Now\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About the Film - Fighting Fire with Fire\u003c/strong>\u003c/p>\n\u003cp>As wildfires in Sonoma County become increasingly devastating a growing group of people revives a Native American practice of fighting fire with fire.\u003c/p>\n\u003cp>\u003cstrong>Directors Statement: \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Although turning 24 is not a particularly special birthday, I will never forget that day. I sit at the dinner table with a few friends who have decided to share the evening with me despite the fires creeping closer. The awkward, out-of-sync “happy birthday to you” is followed by sudden darkness. PG&E has cut our power to prevent the high winds from starting any more fires. Our phones ring with alerts that evacuation alerts are coming closer to us. Flustered, my guests make their way home. The sounds of sirens echo through the streets, and my heart palpitates as a wave of fear overcomes me. I pack the car with essential possessions. As I drive, my car wobbles in the wind. I arrive at my cousin’s house in Sacramento at 1 am, becoming one of many Sonoma County evacuees.\u003c/p>\n\u003cp>While fire seasons are getting more prolonged and intense, my community is learning how to adapt to this changing reality. This past December, I witnessed a glimmer of hope for the coming years of fire. I was invited to film at a ranch in the hills of Bodega that was performing a controlled burn. These ranchers were burning part of their 1,000 acres of grassland and forest to prevent a devastating wildfire and keep the land healthy. I stood on a hill filming, surrounded by CalFire and local volunteers from the community, all looking at Red Bird, a local indigenous man. Red Bird blesses the burn, apologizing to any creature hurt during the controlled burn process. A school-grade girl who grew up on the land begins to rub a stick back and forth to create a traditional friction fire. She places an ember into the grass, and the prescribed burn has started. The very same spark sent me on my journey to make \u003cem>Fighting Fire with Fire\u003c/em>.\u003c/p>\n\u003cp>Through the experience of making this film, I have been amazed by the enthusiasm to relearn what it means to steward the land in Sonoma County.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"size":"medium","ids":"3439,3445,3434,3435,3436,3437,3438,3440,3441,3442,3443,3444","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Cameron Nielsen is a San Francisco Bay Area-based documentary filmmaker dedicated to telling stories that reimagine complex issues of our times. His film \u003cem>Rewilding Honeybees\u003c/em> won Best Documentary Short at Sonoma International Film Festival and premiered at Telluride Mountainfilm Festival. Cameron is currently in the documentary program at the UC Berkeley Graduate School of Journalism and freelancing as a video journalist for organizations such as AJ+ and Business Insider, and KQED.\u003c/p>\n\u003cfigure id=\"attachment_3450\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-scaled.jpg\">\u003cimg class=\"wp-image-3450 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-800x540.jpg\" alt=\"\" width=\"800\" height=\"540\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-800x540.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1020x689.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-768x519.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1536x1037.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-2048x1383.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1920x1296.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Director of Cameron Nielsen\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>To keep up with Cameron Nielsen\u003c/strong>\u003c/p>\n\u003cp>You can check out his\u003c/p>\n\u003cp>Instagram: \u003ca href=\"https://www.instagram.com/cameronpnielsen/?hl=en\">@cameronpnielsen\u003c/a>\u003c/p>\n\u003cp>Twitter: \u003ca href=\"https://twitter.com/cameronpnielsen\">@cameronpnielsen\u003c/a>\u003c/p>\n\u003cp>Website: \u003ca href=\"https://protect-us.mimecast.com/s/x1HnCG69GouBxV7WUKIIwQ?domain=cameronnielsen.com\">cameronnielsen.com\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credits for Fighting Fire With Fire :\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Director, Producer, Camera & Editor: \u003c/em>Cameron Nielsen\u003c/p>\n\u003cp>\u003cem>Supervising Producer: \u003c/em>Andrés Cediel\u003c/p>\n\u003cp>\u003cem>Featuring: \u003c/em>Edward \"Red Bird\" Willie, Sasha Berleman, Jay Silva & Shepley Schroth-Cary\u003c/p>\n\u003cp>\u003cem>Archival Footage:\u003c/em> Jacqueline Jorgenson\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Special Thanks:\u003c/em> Cassandra Herrman, James Fahn & Alyssum Revallo\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3433/how-native-americans-prevent-wildfires","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_45","trulyca_971","trulyca_969","trulyca_20","trulyca_972","trulyca_970","trulyca_29"],"tags":["trulyca_977","trulyca_973","trulyca_979","trulyca_978","trulyca_975","trulyca_151","trulyca_974","trulyca_406","trulyca_976"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3435","label":"trulyca_771"},"trulyca_3390":{"type":"posts","id":"trulyca_3390","meta":{"index":"posts_1591205157","site":"trulyca","id":"3390","score":null,"sort":[1627654533000]},"guestAuthors":[],"slug":"nostalgia-museum","title":"The Nostalgia Museum, a short film on San Francisco's Musée Mécanique","publishDate":1627654533,"format":"video","headTitle":"Season 16 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>Nostalgia Museum is a short film made by Sofie Kodner & Eleonora Bianchi.\u003c/p>\n\u003cp>San Francisco’s Musée Mécanique sat empty and under threat of permanent closure for 15 months during the pandemic. The short film, \u003cem>Nostalgia Museum,\u003c/em> is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.\u003c/p>\n\u003cp>\u003cstrong>About the Film - Nostalgia Museum\u003c/strong>\u003c/p>\n\u003cp>Antique arcade Musée Mécanique has provided entertainment to San Franciscans and tourists alike for nearly a century. But the pandemic almost marked its end. “Nostalgia Museum” provides an intimate portrayal of owner Dan Zelinsky as he struggles to keep the legacy of this iconic San Francisco institution, and of his father, alive in the face of economic loss and mechanical deterioration.\u003c/p>\n\u003cp>“It’s one of the few things in the city that is exactly the way it used to be. These machines are these machines.”\u003c/p>\n\u003cp>[gallery size=\"medium\" ids=\"3404,3396,3392,3393,3394,3395,3401,3402,3403,3406,3409,3410,3411,3412,3413\"]\u003c/p>\n\u003cp>\u003cstrong>Directors Statement:\u003c/strong>\u003c/p>\n\u003cp>Many establishments with long, rich histories did not make it to the other side of the pandemic. In a year defined by loss, we wondered how communities felt about losing pieces of their cultural heritage. Musée Mécanique is full of meaning for many throughout San Francisco. It is an eccentric home that delights across generations. For the 15 months that the arcade was closed to the public, patrons near and far donated to support the maintenance of the Musée in hopes that it would one day reopen. We were lucky that Dan Zelinsky welcomed us behind the museum’s shuttered doors and gave us a view into the history of his family, his city, and of the relentless labor required to keep century-old machines in working condition. All Dan has ever wanted is to share his collection with any person who happens to wander in. His love of fun and knowledge of mechanical restoration is unmatched. Together through the film, we explored themes of time, memory, community, family, and what it takes to preserve whimsy in a serious, commercial world.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=l8SbTiIWils\">Watch Nostalgia Museum Now\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Sofie Kodner is a journalist and documentarian based in San Francisco, California. She often reports at the nexus of history, design, and culture. Her work has appeared in CalMatters, KALW, Protocol, and the Jackson Hole News and Guide. She is currently pursuing a master’s degree at the University of California, Berkeley Graduate School of Journalism. Sofie grew up in St. Louis, Missouri.\u003c/p>\n\u003cp>Eleonora Bianchi is a Swiss-Italian journalist based in Berkeley, California. Before moving to the United States, she earned a degree in Human Rights and worked for Swiss Radio and Television. Eleonora is currently a master’s student at the UC Berkeley Graduate School of Journalism, where she focuses on investigative reporting and narrative writing. She is an avid traveler who enjoys learning about different cultures through story.\u003c/p>\n\u003cp>\u003cstrong>Credit List of Cast & Crew: \u003c/strong>\u003c/p>\n\u003cp>A film by Sofie Kodner & Eleonora Bianchi\u003cbr>\nCreative Advisors: Andrés Cediel & Samantha Grant\u003cbr>\nSpecial Thanks: Dan Zelinsky, Nicole Meldahl, Ken Eaton, Judith Taylor Dixon, Noah Haydon, Peter Mintun, James Matison, Derek Lipkin\u003cbr>\nArchival: Dan Zelinksy, Western Neighborhoods Project, Geoff Svendsgaard\u003cbr>\nTechnical Assistance: Chris O’Dea\u003cbr>\nProduced at the Graduate School of Journalism, University of California, Berkeley\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" link=\"file\" ids=\"3408,3407,3400,3391\"]\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">[ad fullwidth]\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"San Francisco’s Musée Mécanique sat empty and under threat of permanent closure for 15 months during the pandemic. Nostalgia Museum is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.","status":"publish","parent":0,"modified":1627660701,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":595},"headData":{"title":"The Nostalgia Museum, a short film on San Francisco's Musée Mécanique - Truly CA","description":"San Francisco’s Musée Mécanique sat empty and under threat of permanent closure for 15 months during the pandemic. Nostalgia Museum is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Nostalgia Museum, a short film on San Francisco's Musée Mécanique","datePublished":"2021-07-30T14:15:33.000Z","dateModified":"2021-07-30T15:58:21.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"3390 https://ww2.kqed.org/trulyca/?p=3390","disqusUrl":"https://ww2.kqed.org/trulyca/nostalgia-museum/","disqusTitle":"The Nostalgia Museum, a short film on San Francisco's Musée Mécanique","videoEmbed":"https://www.youtube.com/watch?v=l8SbTiIWils","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","templateType":"standard","featuredImageType":"standard","subhead":"Nostalgia Museum is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.","path":"/trulyca/3390/nostalgia-museum","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Nostalgia Museum is a short film made by Sofie Kodner & Eleonora Bianchi.\u003c/p>\n\u003cp>San Francisco’s Musée Mécanique sat empty and under threat of permanent closure for 15 months during the pandemic. The short film, \u003cem>Nostalgia Museum,\u003c/em> is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.\u003c/p>\n\u003cp>\u003cstrong>About the Film - Nostalgia Museum\u003c/strong>\u003c/p>\n\u003cp>Antique arcade Musée Mécanique has provided entertainment to San Franciscans and tourists alike for nearly a century. But the pandemic almost marked its end. “Nostalgia Museum” provides an intimate portrayal of owner Dan Zelinsky as he struggles to keep the legacy of this iconic San Francisco institution, and of his father, alive in the face of economic loss and mechanical deterioration.\u003c/p>\n\u003cp>“It’s one of the few things in the city that is exactly the way it used to be. These machines are these machines.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"size":"medium","ids":"3404,3396,3392,3393,3394,3395,3401,3402,3403,3406,3409,3410,3411,3412,3413","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Directors Statement:\u003c/strong>\u003c/p>\n\u003cp>Many establishments with long, rich histories did not make it to the other side of the pandemic. In a year defined by loss, we wondered how communities felt about losing pieces of their cultural heritage. Musée Mécanique is full of meaning for many throughout San Francisco. It is an eccentric home that delights across generations. For the 15 months that the arcade was closed to the public, patrons near and far donated to support the maintenance of the Musée in hopes that it would one day reopen. We were lucky that Dan Zelinsky welcomed us behind the museum’s shuttered doors and gave us a view into the history of his family, his city, and of the relentless labor required to keep century-old machines in working condition. All Dan has ever wanted is to share his collection with any person who happens to wander in. His love of fun and knowledge of mechanical restoration is unmatched. Together through the film, we explored themes of time, memory, community, family, and what it takes to preserve whimsy in a serious, commercial world.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=l8SbTiIWils\">Watch Nostalgia Museum Now\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Sofie Kodner is a journalist and documentarian based in San Francisco, California. She often reports at the nexus of history, design, and culture. Her work has appeared in CalMatters, KALW, Protocol, and the Jackson Hole News and Guide. She is currently pursuing a master’s degree at the University of California, Berkeley Graduate School of Journalism. Sofie grew up in St. Louis, Missouri.\u003c/p>\n\u003cp>Eleonora Bianchi is a Swiss-Italian journalist based in Berkeley, California. Before moving to the United States, she earned a degree in Human Rights and worked for Swiss Radio and Television. Eleonora is currently a master’s student at the UC Berkeley Graduate School of Journalism, where she focuses on investigative reporting and narrative writing. She is an avid traveler who enjoys learning about different cultures through story.\u003c/p>\n\u003cp>\u003cstrong>Credit List of Cast & Crew: \u003c/strong>\u003c/p>\n\u003cp>A film by Sofie Kodner & Eleonora Bianchi\u003cbr>\nCreative Advisors: Andrés Cediel & Samantha Grant\u003cbr>\nSpecial Thanks: Dan Zelinsky, Nicole Meldahl, Ken Eaton, Judith Taylor Dixon, Noah Haydon, Peter Mintun, James Matison, Derek Lipkin\u003cbr>\nArchival: Dan Zelinksy, Western Neighborhoods Project, Geoff Svendsgaard\u003cbr>\nTechnical Assistance: Chris O’Dea\u003cbr>\nProduced at the Graduate School of Journalism, University of California, Berkeley\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","link":"file","ids":"3408,3407,3400,3391","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3390/nostalgia-museum","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_45","trulyca_33","trulyca_40","trulyca_20","trulyca_21","trulyca_884","trulyca_35","trulyca_29","trulyca_46"],"tags":["trulyca_968","trulyca_963","trulyca_962","trulyca_961","trulyca_960","trulyca_967","trulyca_964","trulyca_966","trulyca_267","trulyca_965","trulyca_406"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3399","label":"trulyca_771"},"trulyca_3366":{"type":"posts","id":"trulyca_3366","meta":{"index":"posts_1591205157","site":"trulyca","id":"3366","score":null,"sort":[1627311140000]},"guestAuthors":[],"slug":"the-titan-rises-explores-gun-violence-and-high-school-football-amid-a-pandemic","title":"The Titan Rises Explores Gun Violence and High School Football amid a Pandemic","publishDate":1627311140,"format":"video","headTitle":"Season 16 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cem>The Titan Rises\u003c/em> is a short documentary directed by Brian Wollitz following Skyline High's Football team as they navigate senior year, the pandemic, and the tragic loss of a teammate to gun violence.\u003c/p>\n\u003cp>\u003cstrong>About the Film - The Titan Rises\u003c/strong>\u003c/p>\n\u003cp>The Skyline High School football team in Oakland, California prepares for their delayed season amid the Covid-19 pandemic. For senior players, this season is one of their last shots at showcasing their talents to earn a college football scholarship, and an even more pressing opportunity to escape the violent threats surrounding them in their community. This documentary short follows head coach Joe Bates and the Titans as they navigate through playing football during the coronavirus pandemic, the life & death struggle of Oakland’s streets, and the toll it takes on these inner-city athletes.\u003c/p>\n\u003cp>[gallery size=\"medium\" ids=\"3367,3368,3369,3370,3371,3372\"]\u003c/p>\n\u003cp>\u003cstrong>Directors Statement by Brian Wollitz\u003c/strong>\u003c/p>\n\u003cp>At the beginning of the pandemic, I had the idea to do a feature story on athletes whose futures were in jeopardy because of the countless youth sports cancellations nationwide. With my prior experience as a high school sports reporter, I’ve seen just how important the final season can be for players who are on the brink of getting a shot to continue their athletics and education in college.\u003c/p>\n\u003cp>When I first met head coach Joe Bates of Skyline’s football team, he talked at length about how important sports are for his community in Oakland, California. Bates emphasized how he uses football as a central tool for youth development and a path for his players to achieve higher education and escape the systemic conditions and potentially violent threats surrounding them with inner-city influences.\u003c/p>\n\u003cp>Coach Bates explained that because of the pandemic, his team and players were even more adversely affected because of shutdowns and stay-at-home orders. To Bates, it was proving to be a great challenge to not only plan for a potential season but to more importantly stay connected with his team and provide mentorship when they weren’t able to be together during the pandemic.\u003c/p>\n\u003cp>Not long into filming, the entire scope of the project changed as a sudden tragedy hit the team, and illustrated what Bates talked so often about. I was forced to refocus my efforts, but in turn, it provided a deeper and more raw look into the life of Oakland’s communities, families, and the promising athletes they produce.\u003c/p>\n\u003cp>In all, it was a challenging experience producing, editing, and mostly shooting on my own, but I felt this allowed me to gain trust while creating a less distracting and better relationship with the team over the nine months I was following them.\u003c/p>\n\u003cp>I want to thank everyone who helped make this film a possibility – especially the 2020-21 Skyline football team and the Pryor family – for allowing me to learn and help share a glimpse of their struggles and successes during the pandemic.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=QEY0A5I_G2Q&feature=youtu.be\">Watch The Titan Rises Now\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cstrong>Director Bio:\u003c/strong>\u003c/p>\n\u003cp>Brian Wollitz is a multimedia journalist, video producer, and filmmaker from Pacifica, California. His interests include reporting on the intersection of sports & social issues, food, music, art, and culture. His writing has been featured in \u003cem>The New York Times, The Times-Picayune | The New Orleans Advocate, The Rugby Journal, \u003c/em>and\u003cem> OffBeat Magazine\u003c/em>. He’s also worked in various production and reporting positions for \u003cem>ESPN, The Investigative Reporting Program, WVUE-TV FOX 8, \u003c/em>and\u003cem> NOLA Gold Rugby\u003c/em>. He earned his master’s degree from the UC Berkeley Graduate School of Journalism.\u003c/p>\n\u003cp>\u003cstrong>Credit List of Cast & Crew: \u003c/strong>\u003c/p>\n\u003cp>Producer: Brian Wollitz\u003cbr>\nDirector of Photography: Brian Wollitz\u003c/p>\n\u003cp>Additional Camera: Clara Mokri\u003cbr>\nEditor: Brian Wollitz\u003cbr>\nCreative Advisors: Andrés Cediel, Mike Shen\u003cbr>\nContent Advisors: Jon Reiss, Jeremy Rue\u003c/p>\n\u003cp>Technical Advisor & Colorist: Chris O'Dea\u003c/p>\n\u003cp>Featuring:\u003c/p>\n\u003cp>Joe Bates\u003c/p>\n\u003cp>Julian Jackson\u003c/p>\n\u003cp>Simeon Milan\u003c/p>\n\u003cp>Kweke Garth Jr.\u003c/p>\n\u003cp>Taijuan Pryor\u003c/p>\n\u003cp>Aria Patterson\u003c/p>\n\u003cp>Jason Santana\u003c/p>\n\u003cp>Mata Fifita\u003c/p>\n\u003cp>Composer & Original Score: Alexander Turk\u003cbr>\nPost Production Sound: Mark Escott, Phoenix Sound Design\u003c/p>\n\u003cp>Special Thanks:\u003c/p>\n\u003cp>Tiffany Winters\u003c/p>\n\u003cp>Jacqueline Winters\u003c/p>\n\u003cp>Patrick Walsh\u003c/p>\n\u003cp>James Salazar\u003c/p>\n\u003cp>John Sasaki\u003c/p>\n\u003cp>Franky Navarro\u003c/p>\n\u003cp>Anthony Petty\u003c/p>\n\u003cp>Skyline High School\u003c/p>\n\u003cp>Castlemont High School\u003c/p>\n\u003cp>Blackmagic Design\u003c/p>\n\u003cp>Canon USA\u003c/p>\n\u003cp>Archival Photos:\u003c/p>\n\u003cp>Tiffany Winters\u003c/p>\n\u003cp>Taijuan Pryor\u003c/p>\n\u003cp>Yolanda James, San Francisco Chronicle | Polaris Images\u003c/p>\n\u003cp>Archival Video:\u003c/p>\n\u003cp>Joe Bates\u003c/p>\n\u003cp>Mustafa Muhyee\u003c/p>\n\u003cp>Lamont Prince Jr.\u003c/p>\n\u003cp>\u003cstrong>Produced At:\u003c/strong>\u003c/p>\n\u003cp>The Graduate School of Journalism, University of California, Berkeley\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" link=\"file\" ids=\"3373,3374,3375,3377,3379,3378\"]\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">[ad fullwidth]\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"An Oakland high school football coach and his team highlight the struggles of playing through the pandemic coupled with the inner-city threats they face in their community daily.","status":"publish","parent":0,"modified":1627503032,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":53,"wordCount":758},"headData":{"title":"The Titan Rises Explores Gun Violence and High School Football amid a Pandemic - Truly CA","description":"An Oakland high school football coach and his team highlight the struggles of playing through the pandemic coupled with the inner-city threats they face in their community daily.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Titan Rises Explores Gun Violence and High School Football amid a Pandemic","datePublished":"2021-07-26T14:52:20.000Z","dateModified":"2021-07-28T20:10:32.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"3366 https://ww2.kqed.org/trulyca/?p=3366","disqusUrl":"https://ww2.kqed.org/trulyca/the-titan-rises-explores-gun-violence-and-high-school-football-amid-a-pandemic/","disqusTitle":"The Titan Rises Explores Gun Violence and High School Football amid a Pandemic","videoEmbed":"https://www.youtube.com/watch?v=QEY0A5I_G2Q&feature=youtu.be","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","path":"/trulyca/3366/the-titan-rises-explores-gun-violence-and-high-school-football-amid-a-pandemic","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>The Titan Rises\u003c/em> is a short documentary directed by Brian Wollitz following Skyline High's Football team as they navigate senior year, the pandemic, and the tragic loss of a teammate to gun violence.\u003c/p>\n\u003cp>\u003cstrong>About the Film - The Titan Rises\u003c/strong>\u003c/p>\n\u003cp>The Skyline High School football team in Oakland, California prepares for their delayed season amid the Covid-19 pandemic. For senior players, this season is one of their last shots at showcasing their talents to earn a college football scholarship, and an even more pressing opportunity to escape the violent threats surrounding them in their community. This documentary short follows head coach Joe Bates and the Titans as they navigate through playing football during the coronavirus pandemic, the life & death struggle of Oakland’s streets, and the toll it takes on these inner-city athletes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"size":"medium","ids":"3367,3368,3369,3370,3371,3372","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Directors Statement by Brian Wollitz\u003c/strong>\u003c/p>\n\u003cp>At the beginning of the pandemic, I had the idea to do a feature story on athletes whose futures were in jeopardy because of the countless youth sports cancellations nationwide. With my prior experience as a high school sports reporter, I’ve seen just how important the final season can be for players who are on the brink of getting a shot to continue their athletics and education in college.\u003c/p>\n\u003cp>When I first met head coach Joe Bates of Skyline’s football team, he talked at length about how important sports are for his community in Oakland, California. Bates emphasized how he uses football as a central tool for youth development and a path for his players to achieve higher education and escape the systemic conditions and potentially violent threats surrounding them with inner-city influences.\u003c/p>\n\u003cp>Coach Bates explained that because of the pandemic, his team and players were even more adversely affected because of shutdowns and stay-at-home orders. To Bates, it was proving to be a great challenge to not only plan for a potential season but to more importantly stay connected with his team and provide mentorship when they weren’t able to be together during the pandemic.\u003c/p>\n\u003cp>Not long into filming, the entire scope of the project changed as a sudden tragedy hit the team, and illustrated what Bates talked so often about. I was forced to refocus my efforts, but in turn, it provided a deeper and more raw look into the life of Oakland’s communities, families, and the promising athletes they produce.\u003c/p>\n\u003cp>In all, it was a challenging experience producing, editing, and mostly shooting on my own, but I felt this allowed me to gain trust while creating a less distracting and better relationship with the team over the nine months I was following them.\u003c/p>\n\u003cp>I want to thank everyone who helped make this film a possibility – especially the 2020-21 Skyline football team and the Pryor family – for allowing me to learn and help share a glimpse of their struggles and successes during the pandemic.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=QEY0A5I_G2Q&feature=youtu.be\">Watch The Titan Rises Now\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Director Bio:\u003c/strong>\u003c/p>\n\u003cp>Brian Wollitz is a multimedia journalist, video producer, and filmmaker from Pacifica, California. His interests include reporting on the intersection of sports & social issues, food, music, art, and culture. His writing has been featured in \u003cem>The New York Times, The Times-Picayune | The New Orleans Advocate, The Rugby Journal, \u003c/em>and\u003cem> OffBeat Magazine\u003c/em>. He’s also worked in various production and reporting positions for \u003cem>ESPN, The Investigative Reporting Program, WVUE-TV FOX 8, \u003c/em>and\u003cem> NOLA Gold Rugby\u003c/em>. He earned his master’s degree from the UC Berkeley Graduate School of Journalism.\u003c/p>\n\u003cp>\u003cstrong>Credit List of Cast & Crew: \u003c/strong>\u003c/p>\n\u003cp>Producer: Brian Wollitz\u003cbr>\nDirector of Photography: Brian Wollitz\u003c/p>\n\u003cp>Additional Camera: Clara Mokri\u003cbr>\nEditor: Brian Wollitz\u003cbr>\nCreative Advisors: Andrés Cediel, Mike Shen\u003cbr>\nContent Advisors: Jon Reiss, Jeremy Rue\u003c/p>\n\u003cp>Technical Advisor & Colorist: Chris O'Dea\u003c/p>\n\u003cp>Featuring:\u003c/p>\n\u003cp>Joe Bates\u003c/p>\n\u003cp>Julian Jackson\u003c/p>\n\u003cp>Simeon Milan\u003c/p>\n\u003cp>Kweke Garth Jr.\u003c/p>\n\u003cp>Taijuan Pryor\u003c/p>\n\u003cp>Aria Patterson\u003c/p>\n\u003cp>Jason Santana\u003c/p>\n\u003cp>Mata Fifita\u003c/p>\n\u003cp>Composer & Original Score: Alexander Turk\u003cbr>\nPost Production Sound: Mark Escott, Phoenix Sound Design\u003c/p>\n\u003cp>Special Thanks:\u003c/p>\n\u003cp>Tiffany Winters\u003c/p>\n\u003cp>Jacqueline Winters\u003c/p>\n\u003cp>Patrick Walsh\u003c/p>\n\u003cp>James Salazar\u003c/p>\n\u003cp>John Sasaki\u003c/p>\n\u003cp>Franky Navarro\u003c/p>\n\u003cp>Anthony Petty\u003c/p>\n\u003cp>Skyline High School\u003c/p>\n\u003cp>Castlemont High School\u003c/p>\n\u003cp>Blackmagic Design\u003c/p>\n\u003cp>Canon USA\u003c/p>\n\u003cp>Archival Photos:\u003c/p>\n\u003cp>Tiffany Winters\u003c/p>\n\u003cp>Taijuan Pryor\u003c/p>\n\u003cp>Yolanda James, San Francisco Chronicle | Polaris Images\u003c/p>\n\u003cp>Archival Video:\u003c/p>\n\u003cp>Joe Bates\u003c/p>\n\u003cp>Mustafa Muhyee\u003c/p>\n\u003cp>Lamont Prince Jr.\u003c/p>\n\u003cp>\u003cstrong>Produced At:\u003c/strong>\u003c/p>\n\u003cp>The Graduate School of Journalism, University of California, Berkeley\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","link":"file","ids":"3373,3374,3375,3377,3379,3378","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3366/the-titan-rises-explores-gun-violence-and-high-school-football-amid-a-pandemic","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_20","trulyca_21","trulyca_36","trulyca_44","trulyca_46"],"tags":["trulyca_958","trulyca_959","trulyca_953","trulyca_957","trulyca_939","trulyca_955","trulyca_956","trulyca_954","trulyca_952","trulyca_406"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3378","label":"trulyca_771"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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