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href=\"https://www.youtube.com/watch?v=iLxFLi5IO0Q\">Watch the film Reforestation\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cstrong>About the Film - Reforestation\u003c/strong>\u003c/p>\n\u003cp>Amidst intensifying wildfires and global warming, CAL FIRE and USDA face an overwhelming struggle to replant millions of acres lost to recent wildfires. The process of replanting starts by picking the cones of mature conifers. By identifying species that are more adapted to climate change, geneticists are able to replant conifers that can better survive climate change. Facing the tremendous demand for fighting wildfires, authorities like CAL FIRE also struggle to find climbers to pick cones for seeds.\u003c/p>\n\u003cp>\u003cstrong>Directors Statement: \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Reporter Mallory Pickett and I wanted to explain to viewers the scientific processes that geneticists are using to replant our state’s burnt forests. We filmed the climbers, who collect conifer cones, using a GoPro and a DJI Mavic 2 drone in hopes of portraying the lofty efforts that are being made to rejuvenate California’s forests by authorities like CAL FIRE and U.S. Forestry Service. As the state loses more and more trees to intensifying wildfires, geneticists believe that forests can be regrown by selecting trees that are better adapted to global warming. We were inspired by the dogged efforts of sources like Arnaldo Ferreira and Jessica Huang whose work softens the negative impacts of climate change.\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Jennifer Cain is an independent filmmaker based in Santa Cruz, California. She \u003ca href=\"http://www.jenn-cain.com\">directs and produces\u003c/a> short documentaries and television news stories that have appeared with AJ+ and the PBS NewsHour. Jennifer graduated from the University of California, Graduate School of Journalism with an M.A. in video storytelling. As a project manager, she has led data-driven, interactive projects with digital news outlets like YR Media (formerly Youth Radio).\u003c/p>\n\u003cfigure id=\"attachment_3477\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam.jpg\">\u003cimg class=\"wp-image-3477 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-800x727.jpg\" alt=\"\" width=\"800\" height=\"727\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-800x727.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-1020x927.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-160x145.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-768x698.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam.jpg 1402w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Filmmaker Jenn Cain\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>To keep up with the Reforestation Crew\u003c/strong>\u003c/p>\n\u003cp>You can find them on social\u003c/p>\n\u003cp>\u003cstrong>Editor, Producer - Jenn Cain\u003c/strong>\u003c/p>\n\u003cp>@\u003ca href=\"https://twitter.com/jennymcain\">jennymcain\u003c/a> on Twitter\u003c/p>\n\u003cp>@\u003ca href=\"https://www.instagram.com/cennyjain/\">cennyjain\u003c/a> on Instagram\u003c/p>\n\u003cp>\u003cstrong>Reporter, Producer\u003c/strong> \u003cstrong>- Mallory Pickett\u003c/strong>\u003c/p>\n\u003cp>@\u003ca href=\"https://twitter.com/MalloryLPickett\">MalloryLPickett\u003c/a> on Twitter\u003c/p>\n\u003cp>\u003cstrong>Editor, Producer - Isara Krieger\u003c/strong>\u003c/p>\n\u003cp>@isarakrieger on \u003ca href=\"https://www.facebook.com/isara.krieger\">FB\u003c/a> or \u003ca href=\"https://twitter.com/isarakrieger\">Twitter\u003c/a>\u003c/p>\n\u003cp>@\u003ca href=\"https://www.instagram.com/alonewithacupcake/\">alonewithacupcake\u003c/a> on IG\u003c/p>\n\u003cp>Website: \u003ca href=\"https://www.isarakrieger.com/\">https://www.isarakrieger.com/\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credits for Reforestation:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">Mallory Pickett Reporter, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Jenn Cain Director, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Erika Staud Editor, Photographer\u003c/p>\n\u003cp style=\"text-align: left\">Isara Krieger Editor, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Bijan Sharifi Sound Mix\u003c/p>\n\u003cp style=\"text-align: left\">LaTrina Candia Sound Recorder\u003c/p>\n\u003cp style=\"text-align: left\">Gary Coates Color Grading\u003c/p>\n\u003cp>\u003c/p>\n\u003cp style=\"text-align: left\">William Sammons Sound Design\u003c/p>\n\n","disqusIdentifier":"3474 https://ww2.kqed.org/trulyca/?p=3474","disqusUrl":"https://ww2.kqed.org/trulyca/reforestation/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":519,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":22},"modified":1650556148,"excerpt":"Amidst intensifying wildfires and global warming, CAL FIRE and USDA face an overwhelming struggle to replant millions of acres lost to recent wildfires. ","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Amidst intensifying wildfires and global warming, CAL FIRE and USDA face an overwhelming struggle to replant millions of acres lost to recent wildfires.","title":"Reforestation - How Scientists Are Fighting For Forest Regrowth - Truly CA","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How Scientists are Fighting to Save California Forests with Reforestation, a short film.","datePublished":"2022-04-21T05:00:12-07:00","dateModified":"2022-04-21T08:49:08-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"reforestation","status":"publish","templateType":"standard","videoEmbed":"https://www.youtube.com/watch?v=iLxFLi5IO0Q","excludeFromSiteSearch":"Include","featuredImageType":"standard","subhead":"California can’t keep up in the race to replant the state’s burnt forests.","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","path":"/trulyca/3474/reforestation","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Reforestation is a short film made by Jenn Cain and Mallory Pickett.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=iLxFLi5IO0Q\">Watch the film Reforestation\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About the Film - Reforestation\u003c/strong>\u003c/p>\n\u003cp>Amidst intensifying wildfires and global warming, CAL FIRE and USDA face an overwhelming struggle to replant millions of acres lost to recent wildfires. The process of replanting starts by picking the cones of mature conifers. By identifying species that are more adapted to climate change, geneticists are able to replant conifers that can better survive climate change. Facing the tremendous demand for fighting wildfires, authorities like CAL FIRE also struggle to find climbers to pick cones for seeds.\u003c/p>\n\u003cp>\u003cstrong>Directors Statement: \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Reporter Mallory Pickett and I wanted to explain to viewers the scientific processes that geneticists are using to replant our state’s burnt forests. We filmed the climbers, who collect conifer cones, using a GoPro and a DJI Mavic 2 drone in hopes of portraying the lofty efforts that are being made to rejuvenate California’s forests by authorities like CAL FIRE and U.S. Forestry Service. As the state loses more and more trees to intensifying wildfires, geneticists believe that forests can be regrown by selecting trees that are better adapted to global warming. We were inspired by the dogged efforts of sources like Arnaldo Ferreira and Jessica Huang whose work softens the negative impacts of climate change.\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Jennifer Cain is an independent filmmaker based in Santa Cruz, California. She \u003ca href=\"http://www.jenn-cain.com\">directs and produces\u003c/a> short documentaries and television news stories that have appeared with AJ+ and the PBS NewsHour. Jennifer graduated from the University of California, Graduate School of Journalism with an M.A. in video storytelling. As a project manager, she has led data-driven, interactive projects with digital news outlets like YR Media (formerly Youth Radio).\u003c/p>\n\u003cfigure id=\"attachment_3477\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam.jpg\">\u003cimg class=\"wp-image-3477 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-800x727.jpg\" alt=\"\" width=\"800\" height=\"727\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-800x727.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-1020x927.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-160x145.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-768x698.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam.jpg 1402w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Filmmaker Jenn Cain\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>To keep up with the Reforestation Crew\u003c/strong>\u003c/p>\n\u003cp>You can find them on social\u003c/p>\n\u003cp>\u003cstrong>Editor, Producer - Jenn Cain\u003c/strong>\u003c/p>\n\u003cp>@\u003ca href=\"https://twitter.com/jennymcain\">jennymcain\u003c/a> on Twitter\u003c/p>\n\u003cp>@\u003ca href=\"https://www.instagram.com/cennyjain/\">cennyjain\u003c/a> on Instagram\u003c/p>\n\u003cp>\u003cstrong>Reporter, Producer\u003c/strong> \u003cstrong>- Mallory Pickett\u003c/strong>\u003c/p>\n\u003cp>@\u003ca href=\"https://twitter.com/MalloryLPickett\">MalloryLPickett\u003c/a> on Twitter\u003c/p>\n\u003cp>\u003cstrong>Editor, Producer - Isara Krieger\u003c/strong>\u003c/p>\n\u003cp>@isarakrieger on \u003ca href=\"https://www.facebook.com/isara.krieger\">FB\u003c/a> or \u003ca href=\"https://twitter.com/isarakrieger\">Twitter\u003c/a>\u003c/p>\n\u003cp>@\u003ca href=\"https://www.instagram.com/alonewithacupcake/\">alonewithacupcake\u003c/a> on IG\u003c/p>\n\u003cp>Website: \u003ca href=\"https://www.isarakrieger.com/\">https://www.isarakrieger.com/\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credits for Reforestation:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">Mallory Pickett Reporter, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Jenn Cain Director, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Erika Staud Editor, Photographer\u003c/p>\n\u003cp style=\"text-align: left\">Isara Krieger Editor, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Bijan Sharifi Sound Mix\u003c/p>\n\u003cp style=\"text-align: left\">LaTrina Candia Sound Recorder\u003c/p>\n\u003cp style=\"text-align: left\">Gary Coates Color Grading\u003c/p>\n\u003cp>\u003c/p>\n\u003cp style=\"text-align: left\">William Sammons Sound Design\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3474/reforestation","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_45","trulyca_971","trulyca_969","trulyca_20","trulyca_972","trulyca_29"],"tags":["trulyca_977","trulyca_973","trulyca_986","trulyca_979","trulyca_978","trulyca_983","trulyca_984","trulyca_982","trulyca_985","trulyca_981"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3478","label":"trulyca_771"},"trulyca_3456":{"type":"posts","id":"trulyca_3456","meta":{"index":"posts_1716263798","site":"trulyca","id":"3456","score":null,"sort":[1642168814000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1642168814,"format":"video","title":"Last Days At Paradise High","headTitle":"Last Days At Paradise High | KQED","content":"\u003cp>Last Days of Paradise High is a short film made by Emily Thomas and Derek Knowles.\u003c/p>\n\u003cp>[pullquote size=”medium” align=”right”]\u003ca href=\"https://youtu.be/K5SkVMKKPek\">Watch Last Days at Paradise High Now\u003c/a> [/pullquote]\u003c/p>\n\u003cp>After the most destructive fire in California history destroys the town of Paradise, the end of the school year takes on added meaning for two seniors, Harmony and Kody, and their beloved teacher, Mrs. Partain. As the end of school approaches, these displaced teens grapple with their fading youth like their peers across the country —\u003cbr>\nstruggling to stay motivated in class, fighting to be heard, capriciously asserting newfound independence, and deciding what to do after graduation. But these moments of classic teenage drama are routinely ruptured by jarring reminders that they have lived through one of the greatest disasters in their country’s history. Told from the perspective of America’s youngest climate refugees, Last Days at Paradise High is an intimate portrait of fading youth and the search for home after it’s gone.\u003c/p>\n\u003cp>[gallery columns=\"2\" ids=\"3469,3468,3467,3466,3465,3464,3463,3462,3461,3460\"]\u003c/p>\n\u003cp>Directors’ Statement\u003cbr>\nIncreasing traumatic events around the nation and world—from school shootings to COVID-19—are bringing a new generation of young adults into adulthood with inherited trauma. These events are creating a generation of survivors with a shared understanding of the impermanence of our world, anxiety about impending disaster,\u003cbr>\nand a resolve to embark upon radical change. As filmmakers, we hope to honor and highlight their stories so that they not be forgotten. The ultimate aim with this film is to include the good with the bad, the familiar with the unexpected, to broaden the perception and deepen the understanding of a disaster and its unforeseen impacts. We want to show both young and old generations how\u003cbr>\nthey might live beyond the grim issues of the day, to remind them of the complications and joys of youth, and to demonstrate, through the examples of our subjects, the opportunity for collective healing\u003cbr>\nList of film festival screenings SFFILM, DocLands, DCEFF, Alexander Valley Film Festival, Sebastopol Film Festival’s, Declare Your Independents program.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>EMILY THOMAS | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nEmily is a nonfiction filmmaker and cinematographer driven by a passion for documenting the human experience. Her work is rooted in the belief that stories are the most powerful way to connect people, bridge cultures, and embolden the voiceless.\u003c/p>\n\u003cp>She is co-director of Last Days at Paradise High, a documentary chronicling the end of adolescence in the wake of the devastating wildfire in Northern California that burned down the town of Paradise. The film screened at film festivals around the country and was originally published in The New Yorker. She is currently working on her first feature-length documentary, The Price of Freedom, a vignette film that illuminates the hidden worlds at the gates of the criminal justice system. Her work can be seen on Frontline, CBS, POV, The Guardian and many others.\u003c/p>\n\u003cp>DEREK KNOWLES | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nDerek Knowles is a documentary filmmaker whose work has been featured as a Vimeo Staff pick and on outlets like The Atlantic. He prefers to focus his work on people’s unheralded, often overlooked experiences, and has been a part of projects for Frontline, National Geographic, CNN, POV, and The Documentary Group. Recently, he\u003cbr>\nwas an Artist-in-Residence at “the camp” in the south of France where he developed an interactive intergenerational project aimed at connecting young and older generations. His recent film, “After the Fire,” winner of the Tribeca Film Institute’s “If/Then” Shorts Award, follows three residents of his hometown in the months\u003cbr>\nfollowing 2017’s historic wildfires. It aired on California PBS stations in August 2019.\u003c/p>\n\u003cp>Derek graduated with honors from Stanford University in 2011 with a degree in American Studies.\u003c/p>\n\u003cp>PETER RICHARDS | EXECUTIVE-PRODUCER\u003cbr>\nPeter Richardson’s thoughtful and compelling documentary work has gained widespread recognition, including the Sundance Grand Jury Prize for Best Documentary and an Emmy Nomination for Best Documentary for How to Die in Oregon, his second feature. The film was broadcast on HBO, and the Chicago Sun-Times noted that “it will likely be viewed as one of the most historically significant\u003cbr>\ndocumentaries of this decade.” Richardson’s first feature doc also premiered at Sundance and was broadcast on the Sundance Channel. Richardson has worked extensively on premium documentary series, most recently show running two seasons\u003cbr>\nof QB1: Beyond the Lights, a 10-part documentary series about high school football, executive produced by Peter Berg. Prior to his work on QB1, Richardson was Series Director of Dark Net and Co-Executive Producer of The Circus: The Greatest Political\u003cbr>\nShow on Earth, both for Showtime Networks.\u003c/p>\n\u003cp>CREDITS\u003cbr>\nA Film By:\u003cbr>\nEmily Thomas and Derek Knowles\u003c/p>\n\u003cp>Featuring:\u003cbr>\nVirginia Partain\u003cbr>\nHarmony VonStockhausen\u003cbr>\nKody Loesch\u003cbr>\nJennifer Lyle\u003c/p>\n\u003cp>Executive Producer\u003cbr>\nPeter Richardson\u003cbr>\nIn Association with Blue Chalk Media and Lemon Tree Productions\u003c/p>\n\u003cp>Cinematography:\u003cbr>\nDerek Knowles\u003cbr>\nEmily Thomas\u003c/p>\n\u003cp>Producers\u003cbr>\nEmily Thomas\u003cbr>\nDerek Knowles\u003cbr>\nBlue Chalk\u003c/p>\n\u003cp>Executive Producers\u003cbr>\nGreg Moyer\u003cbr>\nPam Huling\u003c/p>\n\u003cp>Editor\u003cbr>\nGreg Snider\u003c/p>\n\u003cp>Assistant Editor\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Post Production Manager\u003cbr>\nAmy Polansky\u003c/p>\n\u003cp>Color Grade\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Audio Mix\u003cbr>\nJim Cooke\u003c/p>\n\u003cp>Original Music\u003cbr>\nAdam Gunther\u003c/p>\n\u003cp>Additional Music\u003cbr>\nAlice Bauman\u003c/p>\n\u003cp>Consulting Editor\u003cbr>\nDan Sadowksy\u003c/p>\n\u003cp>Production Assistant\u003cbr>\nJohn Toner\u003c/p>\n\u003cp>Additional Camera:\u003cbr>\nLevi Baker\u003cbr>\nBasil Glew-Galloway\u003cbr>\nCraig Hickerson\u003cbr>\nChris Smith\u003c/p>\n\u003cp>Confessionals:\u003cbr>\nIsiah Anderson\u003cbr>\nMackenzie Anderson\u003cbr>\nMegan Brewer\u003cbr>\nFaith Brown\u003cbr>\nThomas Corcoran\u003cbr>\nSofia DiBenedetto\u003cbr>\nEmily Headman\u003cbr>\nVicki Kelleman\u003cbr>\nIsiah Kent\u003cbr>\nAnthony Kern\u003cbr>\nMarissa Metker\u003cbr>\nTiril Mong\u003cbr>\nSarah Peters\u003cbr>\nJuliette Salls\u003cbr>\nAutumn Spoolman\u003cbr>\nKaylee Sunega\u003cbr>\nRachel Warren\u003c/p>\n\u003cp>Thank You:\u003cbr>\nStaff and administrators of Paradise High School\u003cbr>\nParadise Unified School District\u003cbr>\nJuan Arboleda\u003cbr>\nSamantha Clark\u003cbr>\nMichelle John\u003cbr>\nMargaret Katcher\u003cbr>\nDebra Knowles\u003cbr>\nDan Krauss\u003cbr>\nLawrence Lerew\u003cbr>\nGabriel Long\u003cbr>\nStacie Martin\u003cbr>\nSofia Melo\u003cbr>\nJeff Plunkett\u003cbr>\nSerghino Roosblad\u003cbr>\nMark Schapiro\u003cbr>\nLauren Schwartzman\u003cbr>\nSpencer Seibert\u003cbr>\nConor Spicer\u003cbr>\nElliott Thomas\u003cbr>\nToner Family\u003cbr>\nLuke Wigren\u003cbr>\nKirt Woodman\u003c/p>\n\u003cp>Funding Provided By:\u003cbr>\nBerkeley Film Foundation\u003cbr>\nErin and Francis Collins\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":1005,"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":31},"modified":1642108247,"excerpt":"A coming of age story set in the wake of a 21st century disaster.","headData":{"twImgId":"","twTitle":"","socialTitle":"Last Days At Paradise High %%page%% %%sep%% A coming of age story set in the wake of a 21st-century disaster. %%page%% %%sep%% %%sitename%%","ogTitle":"","ogImgId":"","twDescription":"","description":"After the most destructive fire in California history destroys the town of Paradise, the end of the school year takes on added meaning for two seniors, Harmony and Kody, and their beloved teacher, Mrs. Partain.","socialDescription":"After the most destructive fire in California history destroys the town of Paradise, the end of the school year takes on added meaning for two seniors, Harmony and Kody, and their beloved teacher, Mrs. Partain.","title":"Last Days At Paradise High - A coming of age story set in the wake of a 21st-century disaster. - Truly CA","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Last Days At Paradise High","datePublished":"2022-01-14T06:00:14-08:00","dateModified":"2022-01-13T13:10:47-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"last-days-at-paradise-high","status":"publish","templateType":"standard","videoEmbed":"https://youtu.be/K5SkVMKKPek","excludeFromSiteSearch":"Include","featuredImageType":"standard","sticky":false,"subhead":"A coming of age story set in the wake of a 21st century disaster.","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","path":"/trulyca/3456/last-days-at-paradise-high","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Last Days of Paradise High is a short film made by Emily Thomas and Derek Knowles.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://youtu.be/K5SkVMKKPek\">Watch Last Days at Paradise High Now\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"”medium”","align":"”right”","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After the most destructive fire in California history destroys the town of Paradise, the end of the school year takes on added meaning for two seniors, Harmony and Kody, and their beloved teacher, Mrs. Partain. As the end of school approaches, these displaced teens grapple with their fading youth like their peers across the country —\u003cbr>\nstruggling to stay motivated in class, fighting to be heard, capriciously asserting newfound independence, and deciding what to do after graduation. But these moments of classic teenage drama are routinely ruptured by jarring reminders that they have lived through one of the greatest disasters in their country’s history. Told from the perspective of America’s youngest climate refugees, Last Days at Paradise High is an intimate portrait of fading youth and the search for home after it’s gone.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"2","ids":"3469,3468,3467,3466,3465,3464,3463,3462,3461,3460","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Directors’ Statement\u003cbr>\nIncreasing traumatic events around the nation and world—from school shootings to COVID-19—are bringing a new generation of young adults into adulthood with inherited trauma. These events are creating a generation of survivors with a shared understanding of the impermanence of our world, anxiety about impending disaster,\u003cbr>\nand a resolve to embark upon radical change. As filmmakers, we hope to honor and highlight their stories so that they not be forgotten. The ultimate aim with this film is to include the good with the bad, the familiar with the unexpected, to broaden the perception and deepen the understanding of a disaster and its unforeseen impacts. We want to show both young and old generations how\u003cbr>\nthey might live beyond the grim issues of the day, to remind them of the complications and joys of youth, and to demonstrate, through the examples of our subjects, the opportunity for collective healing\u003cbr>\nList of film festival screenings SFFILM, DocLands, DCEFF, Alexander Valley Film Festival, Sebastopol Film Festival’s, Declare Your Independents program.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>EMILY THOMAS | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nEmily is a nonfiction filmmaker and cinematographer driven by a passion for documenting the human experience. Her work is rooted in the belief that stories are the most powerful way to connect people, bridge cultures, and embolden the voiceless.\u003c/p>\n\u003cp>She is co-director of Last Days at Paradise High, a documentary chronicling the end of adolescence in the wake of the devastating wildfire in Northern California that burned down the town of Paradise. The film screened at film festivals around the country and was originally published in The New Yorker. She is currently working on her first feature-length documentary, The Price of Freedom, a vignette film that illuminates the hidden worlds at the gates of the criminal justice system. Her work can be seen on Frontline, CBS, POV, The Guardian and many others.\u003c/p>\n\u003cp>DEREK KNOWLES | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nDerek Knowles is a documentary filmmaker whose work has been featured as a Vimeo Staff pick and on outlets like The Atlantic. He prefers to focus his work on people’s unheralded, often overlooked experiences, and has been a part of projects for Frontline, National Geographic, CNN, POV, and The Documentary Group. Recently, he\u003cbr>\nwas an Artist-in-Residence at “the camp” in the south of France where he developed an interactive intergenerational project aimed at connecting young and older generations. His recent film, “After the Fire,” winner of the Tribeca Film Institute’s “If/Then” Shorts Award, follows three residents of his hometown in the months\u003cbr>\nfollowing 2017’s historic wildfires. It aired on California PBS stations in August 2019.\u003c/p>\n\u003cp>Derek graduated with honors from Stanford University in 2011 with a degree in American Studies.\u003c/p>\n\u003cp>PETER RICHARDS | EXECUTIVE-PRODUCER\u003cbr>\nPeter Richardson’s thoughtful and compelling documentary work has gained widespread recognition, including the Sundance Grand Jury Prize for Best Documentary and an Emmy Nomination for Best Documentary for How to Die in Oregon, his second feature. The film was broadcast on HBO, and the Chicago Sun-Times noted that “it will likely be viewed as one of the most historically significant\u003cbr>\ndocumentaries of this decade.” Richardson’s first feature doc also premiered at Sundance and was broadcast on the Sundance Channel. Richardson has worked extensively on premium documentary series, most recently show running two seasons\u003cbr>\nof QB1: Beyond the Lights, a 10-part documentary series about high school football, executive produced by Peter Berg. Prior to his work on QB1, Richardson was Series Director of Dark Net and Co-Executive Producer of The Circus: The Greatest Political\u003cbr>\nShow on Earth, both for Showtime Networks.\u003c/p>\n\u003cp>CREDITS\u003cbr>\nA Film By:\u003cbr>\nEmily Thomas and Derek Knowles\u003c/p>\n\u003cp>Featuring:\u003cbr>\nVirginia Partain\u003cbr>\nHarmony VonStockhausen\u003cbr>\nKody Loesch\u003cbr>\nJennifer Lyle\u003c/p>\n\u003cp>Executive Producer\u003cbr>\nPeter Richardson\u003cbr>\nIn Association with Blue Chalk Media and Lemon Tree Productions\u003c/p>\n\u003cp>Cinematography:\u003cbr>\nDerek Knowles\u003cbr>\nEmily Thomas\u003c/p>\n\u003cp>Producers\u003cbr>\nEmily Thomas\u003cbr>\nDerek Knowles\u003cbr>\nBlue Chalk\u003c/p>\n\u003cp>Executive Producers\u003cbr>\nGreg Moyer\u003cbr>\nPam Huling\u003c/p>\n\u003cp>Editor\u003cbr>\nGreg Snider\u003c/p>\n\u003cp>Assistant Editor\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Post Production Manager\u003cbr>\nAmy Polansky\u003c/p>\n\u003cp>Color Grade\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Audio Mix\u003cbr>\nJim Cooke\u003c/p>\n\u003cp>Original Music\u003cbr>\nAdam Gunther\u003c/p>\n\u003cp>Additional Music\u003cbr>\nAlice Bauman\u003c/p>\n\u003cp>Consulting Editor\u003cbr>\nDan Sadowksy\u003c/p>\n\u003cp>Production Assistant\u003cbr>\nJohn Toner\u003c/p>\n\u003cp>Additional Camera:\u003cbr>\nLevi Baker\u003cbr>\nBasil Glew-Galloway\u003cbr>\nCraig Hickerson\u003cbr>\nChris Smith\u003c/p>\n\u003cp>Confessionals:\u003cbr>\nIsiah Anderson\u003cbr>\nMackenzie Anderson\u003cbr>\nMegan Brewer\u003cbr>\nFaith Brown\u003cbr>\nThomas Corcoran\u003cbr>\nSofia DiBenedetto\u003cbr>\nEmily Headman\u003cbr>\nVicki Kelleman\u003cbr>\nIsiah Kent\u003cbr>\nAnthony Kern\u003cbr>\nMarissa Metker\u003cbr>\nTiril Mong\u003cbr>\nSarah Peters\u003cbr>\nJuliette Salls\u003cbr>\nAutumn Spoolman\u003cbr>\nKaylee Sunega\u003cbr>\nRachel Warren\u003c/p>\n\u003cp>Thank You:\u003cbr>\nStaff and administrators of Paradise High School\u003cbr>\nParadise Unified School District\u003cbr>\nJuan Arboleda\u003cbr>\nSamantha Clark\u003cbr>\nMichelle John\u003cbr>\nMargaret Katcher\u003cbr>\nDebra Knowles\u003cbr>\nDan Krauss\u003cbr>\nLawrence Lerew\u003cbr>\nGabriel Long\u003cbr>\nStacie Martin\u003cbr>\nSofia Melo\u003cbr>\nJeff Plunkett\u003cbr>\nSerghino Roosblad\u003cbr>\nMark Schapiro\u003cbr>\nLauren Schwartzman\u003cbr>\nSpencer Seibert\u003cbr>\nConor Spicer\u003cbr>\nElliott Thomas\u003cbr>\nToner Family\u003cbr>\nLuke Wigren\u003cbr>\nKirt Woodman\u003c/p>\n\u003cp>Funding Provided By:\u003cbr>\nBerkeley Film Foundation\u003cbr>\nErin and Francis Collins\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3456/last-days-at-paradise-high","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_45","trulyca_971","trulyca_969","trulyca_20","trulyca_972","trulyca_36","trulyca_884","trulyca_29","trulyca_46"],"tags":["trulyca_977","trulyca_973","trulyca_975","trulyca_939","trulyca_908","trulyca_436","trulyca_980","trulyca_954","trulyca_976","trulyca_287"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3468","label":"trulyca_771"},"trulyca_3433":{"type":"posts","id":"trulyca_3433","meta":{"index":"posts_1716263798","site":"trulyca","id":"3433","score":null,"sort":[1631034048000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1631034048,"format":"video","disqusTitle":"Fighting Fire With Fire, a short film.","title":"Fighting Fire With Fire, a short film.","headTitle":"Season 16 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>Fighting Fire with Fire is a short film made by Cameron Nielsen.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=Fe43QK85448\">Watch Fighting Fire With Fire Now\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cstrong>About the Film - Fighting Fire with Fire\u003c/strong>\u003c/p>\n\u003cp>As wildfires in Sonoma County become increasingly devastating a growing group of people revives a Native American practice of fighting fire with fire.\u003c/p>\n\u003cp>\u003cstrong>Directors Statement: \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Although turning 24 is not a particularly special birthday, I will never forget that day. I sit at the dinner table with a few friends who have decided to share the evening with me despite the fires creeping closer. The awkward, out-of-sync “happy birthday to you” is followed by sudden darkness. PG&E has cut our power to prevent the high winds from starting any more fires. Our phones ring with alerts that evacuation alerts are coming closer to us. Flustered, my guests make their way home. The sounds of sirens echo through the streets, and my heart palpitates as a wave of fear overcomes me. I pack the car with essential possessions. As I drive, my car wobbles in the wind. I arrive at my cousin’s house in Sacramento at 1 am, becoming one of many Sonoma County evacuees.\u003c/p>\n\u003cp>While fire seasons are getting more prolonged and intense, my community is learning how to adapt to this changing reality. This past December, I witnessed a glimmer of hope for the coming years of fire. I was invited to film at a ranch in the hills of Bodega that was performing a controlled burn. These ranchers were burning part of their 1,000 acres of grassland and forest to prevent a devastating wildfire and keep the land healthy. I stood on a hill filming, surrounded by CalFire and local volunteers from the community, all looking at Red Bird, a local indigenous man. Red Bird blesses the burn, apologizing to any creature hurt during the controlled burn process. A school-grade girl who grew up on the land begins to rub a stick back and forth to create a traditional friction fire. She places an ember into the grass, and the prescribed burn has started. The very same spark sent me on my journey to make \u003cem>Fighting Fire with Fire\u003c/em>.\u003c/p>\n\u003cp>Through the experience of making this film, I have been amazed by the enthusiasm to relearn what it means to steward the land in Sonoma County.\u003c/p>\n\u003cp>[gallery size=\"medium\" ids=\"3439,3445,3434,3435,3436,3437,3438,3440,3441,3442,3443,3444\"]\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Cameron Nielsen is a San Francisco Bay Area-based documentary filmmaker dedicated to telling stories that reimagine complex issues of our times. His film \u003cem>Rewilding Honeybees\u003c/em> won Best Documentary Short at Sonoma International Film Festival and premiered at Telluride Mountainfilm Festival. Cameron is currently in the documentary program at the UC Berkeley Graduate School of Journalism and freelancing as a video journalist for organizations such as AJ+ and Business Insider, and KQED.\u003c/p>\n\u003cfigure id=\"attachment_3450\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-scaled.jpg\">\u003cimg class=\"wp-image-3450 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-800x540.jpg\" alt=\"\" width=\"800\" height=\"540\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-800x540.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1020x689.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-768x519.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1536x1037.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-2048x1383.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1920x1296.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Director of Cameron Nielsen\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>To keep up with Cameron Nielsen\u003c/strong>\u003c/p>\n\u003cp>You can check out his\u003c/p>\n\u003cp>Instagram: \u003ca href=\"https://www.instagram.com/cameronpnielsen/?hl=en\">@cameronpnielsen\u003c/a>\u003c/p>\n\u003cp>Twitter: \u003ca href=\"https://twitter.com/cameronpnielsen\">@cameronpnielsen\u003c/a>\u003c/p>\n\u003cp>Website: \u003ca href=\"https://protect-us.mimecast.com/s/x1HnCG69GouBxV7WUKIIwQ?domain=cameronnielsen.com\">cameronnielsen.com\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credits for Fighting Fire With Fire :\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Director, Producer, Camera & Editor: \u003c/em>Cameron Nielsen\u003c/p>\n\u003cp>\u003cem>Supervising Producer: \u003c/em>Andrés Cediel\u003c/p>\n\u003cp>\u003cem>Featuring: \u003c/em>Edward \"Red Bird\" Willie, Sasha Berleman, Jay Silva & Shepley Schroth-Cary\u003c/p>\n\u003cp>\u003cem>Archival Footage:\u003c/em> Jacqueline Jorgenson\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Special Thanks:\u003c/em> Cassandra Herrman, James Fahn & Alyssum Revallo\u003c/p>\n\n","disqusIdentifier":"3433 https://ww2.kqed.org/trulyca/?p=3433","disqusUrl":"https://ww2.kqed.org/trulyca/how-native-americans-prevent-wildfires/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":559,"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":24},"modified":1631207423,"excerpt":"As wildfires in Sonoma County become increasingly devastating a growing group of people revives a Native American practice of fighting fire with fire.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"As wildfires in Sonoma County become increasingly devastating a growing group of people revives a Native American practice of fighting fire with fire.","title":"Fighting Fire With Fire - How Native Americans Prevent Wildfires - Truly CA","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Fighting Fire With Fire, a short film.","datePublished":"2021-09-07T10:00:48-07:00","dateModified":"2021-09-09T10:10:23-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"how-native-americans-prevent-wildfires","status":"publish","templateType":"standard","videoEmbed":"https://www.youtube.com/watch?v=Fe43QK85448","featuredImageType":"standard","subhead":"Native American Tribes Help Control California Wildfires.","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","path":"/trulyca/3433/how-native-americans-prevent-wildfires","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Fighting Fire with Fire is a short film made by Cameron Nielsen.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=Fe43QK85448\">Watch Fighting Fire With Fire Now\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About the Film - Fighting Fire with Fire\u003c/strong>\u003c/p>\n\u003cp>As wildfires in Sonoma County become increasingly devastating a growing group of people revives a Native American practice of fighting fire with fire.\u003c/p>\n\u003cp>\u003cstrong>Directors Statement: \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Although turning 24 is not a particularly special birthday, I will never forget that day. I sit at the dinner table with a few friends who have decided to share the evening with me despite the fires creeping closer. The awkward, out-of-sync “happy birthday to you” is followed by sudden darkness. PG&E has cut our power to prevent the high winds from starting any more fires. Our phones ring with alerts that evacuation alerts are coming closer to us. Flustered, my guests make their way home. The sounds of sirens echo through the streets, and my heart palpitates as a wave of fear overcomes me. I pack the car with essential possessions. As I drive, my car wobbles in the wind. I arrive at my cousin’s house in Sacramento at 1 am, becoming one of many Sonoma County evacuees.\u003c/p>\n\u003cp>While fire seasons are getting more prolonged and intense, my community is learning how to adapt to this changing reality. This past December, I witnessed a glimmer of hope for the coming years of fire. I was invited to film at a ranch in the hills of Bodega that was performing a controlled burn. These ranchers were burning part of their 1,000 acres of grassland and forest to prevent a devastating wildfire and keep the land healthy. I stood on a hill filming, surrounded by CalFire and local volunteers from the community, all looking at Red Bird, a local indigenous man. Red Bird blesses the burn, apologizing to any creature hurt during the controlled burn process. A school-grade girl who grew up on the land begins to rub a stick back and forth to create a traditional friction fire. She places an ember into the grass, and the prescribed burn has started. The very same spark sent me on my journey to make \u003cem>Fighting Fire with Fire\u003c/em>.\u003c/p>\n\u003cp>Through the experience of making this film, I have been amazed by the enthusiasm to relearn what it means to steward the land in Sonoma County.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"size":"medium","ids":"3439,3445,3434,3435,3436,3437,3438,3440,3441,3442,3443,3444","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Cameron Nielsen is a San Francisco Bay Area-based documentary filmmaker dedicated to telling stories that reimagine complex issues of our times. His film \u003cem>Rewilding Honeybees\u003c/em> won Best Documentary Short at Sonoma International Film Festival and premiered at Telluride Mountainfilm Festival. Cameron is currently in the documentary program at the UC Berkeley Graduate School of Journalism and freelancing as a video journalist for organizations such as AJ+ and Business Insider, and KQED.\u003c/p>\n\u003cfigure id=\"attachment_3450\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-scaled.jpg\">\u003cimg class=\"wp-image-3450 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-800x540.jpg\" alt=\"\" width=\"800\" height=\"540\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-800x540.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1020x689.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-768x519.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1536x1037.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-2048x1383.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1920x1296.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Director of Cameron Nielsen\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>To keep up with Cameron Nielsen\u003c/strong>\u003c/p>\n\u003cp>You can check out his\u003c/p>\n\u003cp>Instagram: \u003ca href=\"https://www.instagram.com/cameronpnielsen/?hl=en\">@cameronpnielsen\u003c/a>\u003c/p>\n\u003cp>Twitter: \u003ca href=\"https://twitter.com/cameronpnielsen\">@cameronpnielsen\u003c/a>\u003c/p>\n\u003cp>Website: \u003ca href=\"https://protect-us.mimecast.com/s/x1HnCG69GouBxV7WUKIIwQ?domain=cameronnielsen.com\">cameronnielsen.com\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credits for Fighting Fire With Fire :\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Director, Producer, Camera & Editor: \u003c/em>Cameron Nielsen\u003c/p>\n\u003cp>\u003cem>Supervising Producer: \u003c/em>Andrés Cediel\u003c/p>\n\u003cp>\u003cem>Featuring: \u003c/em>Edward \"Red Bird\" Willie, Sasha Berleman, Jay Silva & Shepley Schroth-Cary\u003c/p>\n\u003cp>\u003cem>Archival Footage:\u003c/em> Jacqueline Jorgenson\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Special Thanks:\u003c/em> Cassandra Herrman, James Fahn & Alyssum Revallo\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3433/how-native-americans-prevent-wildfires","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_45","trulyca_971","trulyca_969","trulyca_20","trulyca_972","trulyca_970","trulyca_29"],"tags":["trulyca_977","trulyca_973","trulyca_979","trulyca_978","trulyca_975","trulyca_151","trulyca_974","trulyca_406","trulyca_976"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3435","label":"trulyca_771"},"trulyca_3390":{"type":"posts","id":"trulyca_3390","meta":{"index":"posts_1716263798","site":"trulyca","id":"3390","score":null,"sort":[1627654533000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1627654533,"format":"video","disqusTitle":"The Nostalgia Museum, a short film on San Francisco's Musée Mécanique","title":"The Nostalgia Museum, a short film on San Francisco's Musée Mécanique","headTitle":"Season 16 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>Nostalgia Museum is a short film made by Sofie Kodner & Eleonora Bianchi.\u003c/p>\n\u003cp>San Francisco’s Musée Mécanique sat empty and under threat of permanent closure for 15 months during the pandemic. The short film, \u003cem>Nostalgia Museum,\u003c/em> is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.\u003c/p>\n\u003cp>\u003cstrong>About the Film - Nostalgia Museum\u003c/strong>\u003c/p>\n\u003cp>Antique arcade Musée Mécanique has provided entertainment to San Franciscans and tourists alike for nearly a century. But the pandemic almost marked its end. “Nostalgia Museum” provides an intimate portrayal of owner Dan Zelinsky as he struggles to keep the legacy of this iconic San Francisco institution, and of his father, alive in the face of economic loss and mechanical deterioration.\u003c/p>\n\u003cp>“It’s one of the few things in the city that is exactly the way it used to be. These machines are these machines.”\u003c/p>\n\u003cp>[gallery size=\"medium\" ids=\"3404,3396,3392,3393,3394,3395,3401,3402,3403,3406,3409,3410,3411,3412,3413\"]\u003c/p>\n\u003cp>\u003cstrong>Directors Statement:\u003c/strong>\u003c/p>\n\u003cp>Many establishments with long, rich histories did not make it to the other side of the pandemic. In a year defined by loss, we wondered how communities felt about losing pieces of their cultural heritage. Musée Mécanique is full of meaning for many throughout San Francisco. It is an eccentric home that delights across generations. For the 15 months that the arcade was closed to the public, patrons near and far donated to support the maintenance of the Musée in hopes that it would one day reopen. We were lucky that Dan Zelinsky welcomed us behind the museum’s shuttered doors and gave us a view into the history of his family, his city, and of the relentless labor required to keep century-old machines in working condition. All Dan has ever wanted is to share his collection with any person who happens to wander in. His love of fun and knowledge of mechanical restoration is unmatched. Together through the film, we explored themes of time, memory, community, family, and what it takes to preserve whimsy in a serious, commercial world.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=l8SbTiIWils\">Watch Nostalgia Museum Now\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Sofie Kodner is a journalist and documentarian based in San Francisco, California. She often reports at the nexus of history, design, and culture. Her work has appeared in CalMatters, KALW, Protocol, and the Jackson Hole News and Guide. She is currently pursuing a master’s degree at the University of California, Berkeley Graduate School of Journalism. Sofie grew up in St. Louis, Missouri.\u003c/p>\n\u003cp>Eleonora Bianchi is a Swiss-Italian journalist based in Berkeley, California. Before moving to the United States, she earned a degree in Human Rights and worked for Swiss Radio and Television. Eleonora is currently a master’s student at the UC Berkeley Graduate School of Journalism, where she focuses on investigative reporting and narrative writing. She is an avid traveler who enjoys learning about different cultures through story.\u003c/p>\n\u003cp>\u003cstrong>Credit List of Cast & Crew: \u003c/strong>\u003c/p>\n\u003cp>A film by Sofie Kodner & Eleonora Bianchi\u003cbr>\nCreative Advisors: Andrés Cediel & Samantha Grant\u003cbr>\nSpecial Thanks: Dan Zelinsky, Nicole Meldahl, Ken Eaton, Judith Taylor Dixon, Noah Haydon, Peter Mintun, James Matison, Derek Lipkin\u003cbr>\nArchival: Dan Zelinksy, Western Neighborhoods Project, Geoff Svendsgaard\u003cbr>\nTechnical Assistance: Chris O’Dea\u003cbr>\nProduced at the Graduate School of Journalism, University of California, Berkeley\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" link=\"file\" ids=\"3408,3407,3400,3391\"]\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">[ad fullwidth]\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n","disqusIdentifier":"3390 https://ww2.kqed.org/trulyca/?p=3390","disqusUrl":"https://ww2.kqed.org/trulyca/nostalgia-museum/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":595,"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":17},"modified":1627660701,"excerpt":"San Francisco’s Musée Mécanique sat empty and under threat of permanent closure for 15 months during the pandemic. Nostalgia Museum is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"San Francisco’s Musée Mécanique sat empty and under threat of permanent closure for 15 months during the pandemic. 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The short film, \u003cem>Nostalgia Museum,\u003c/em> is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.\u003c/p>\n\u003cp>\u003cstrong>About the Film - Nostalgia Museum\u003c/strong>\u003c/p>\n\u003cp>Antique arcade Musée Mécanique has provided entertainment to San Franciscans and tourists alike for nearly a century. But the pandemic almost marked its end. “Nostalgia Museum” provides an intimate portrayal of owner Dan Zelinsky as he struggles to keep the legacy of this iconic San Francisco institution, and of his father, alive in the face of economic loss and mechanical deterioration.\u003c/p>\n\u003cp>“It’s one of the few things in the city that is exactly the way it used to be. These machines are these machines.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"size":"medium","ids":"3404,3396,3392,3393,3394,3395,3401,3402,3403,3406,3409,3410,3411,3412,3413","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Directors Statement:\u003c/strong>\u003c/p>\n\u003cp>Many establishments with long, rich histories did not make it to the other side of the pandemic. In a year defined by loss, we wondered how communities felt about losing pieces of their cultural heritage. Musée Mécanique is full of meaning for many throughout San Francisco. It is an eccentric home that delights across generations. For the 15 months that the arcade was closed to the public, patrons near and far donated to support the maintenance of the Musée in hopes that it would one day reopen. We were lucky that Dan Zelinsky welcomed us behind the museum’s shuttered doors and gave us a view into the history of his family, his city, and of the relentless labor required to keep century-old machines in working condition. All Dan has ever wanted is to share his collection with any person who happens to wander in. His love of fun and knowledge of mechanical restoration is unmatched. Together through the film, we explored themes of time, memory, community, family, and what it takes to preserve whimsy in a serious, commercial world.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=l8SbTiIWils\">Watch Nostalgia Museum Now\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Sofie Kodner is a journalist and documentarian based in San Francisco, California. She often reports at the nexus of history, design, and culture. Her work has appeared in CalMatters, KALW, Protocol, and the Jackson Hole News and Guide. She is currently pursuing a master’s degree at the University of California, Berkeley Graduate School of Journalism. Sofie grew up in St. Louis, Missouri.\u003c/p>\n\u003cp>Eleonora Bianchi is a Swiss-Italian journalist based in Berkeley, California. Before moving to the United States, she earned a degree in Human Rights and worked for Swiss Radio and Television. Eleonora is currently a master’s student at the UC Berkeley Graduate School of Journalism, where she focuses on investigative reporting and narrative writing. She is an avid traveler who enjoys learning about different cultures through story.\u003c/p>\n\u003cp>\u003cstrong>Credit List of Cast & Crew: \u003c/strong>\u003c/p>\n\u003cp>A film by Sofie Kodner & Eleonora Bianchi\u003cbr>\nCreative Advisors: Andrés Cediel & Samantha Grant\u003cbr>\nSpecial Thanks: Dan Zelinsky, Nicole Meldahl, Ken Eaton, Judith Taylor Dixon, Noah Haydon, Peter Mintun, James Matison, Derek Lipkin\u003cbr>\nArchival: Dan Zelinksy, Western Neighborhoods Project, Geoff Svendsgaard\u003cbr>\nTechnical Assistance: Chris O’Dea\u003cbr>\nProduced at the Graduate School of Journalism, University of California, Berkeley\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","link":"file","ids":"3408,3407,3400,3391","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3390/nostalgia-museum","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_45","trulyca_33","trulyca_40","trulyca_20","trulyca_21","trulyca_884","trulyca_35","trulyca_29","trulyca_46"],"tags":["trulyca_968","trulyca_963","trulyca_962","trulyca_961","trulyca_960","trulyca_967","trulyca_964","trulyca_966","trulyca_267","trulyca_965","trulyca_406"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3399","label":"trulyca_771"},"trulyca_3366":{"type":"posts","id":"trulyca_3366","meta":{"index":"posts_1716263798","site":"trulyca","id":"3366","score":null,"sort":[1627311140000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1627311140,"format":"video","disqusTitle":"The Titan Rises Explores Gun Violence and High School Football amid a Pandemic","title":"The Titan Rises Explores Gun Violence and High School Football amid a Pandemic","headTitle":"Season 16 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cem>The Titan Rises\u003c/em> is a short documentary directed by Brian Wollitz following Skyline High's Football team as they navigate senior year, the pandemic, and the tragic loss of a teammate to gun violence.\u003c/p>\n\u003cp>\u003cstrong>About the Film - The Titan Rises\u003c/strong>\u003c/p>\n\u003cp>The Skyline High School football team in Oakland, California prepares for their delayed season amid the Covid-19 pandemic. For senior players, this season is one of their last shots at showcasing their talents to earn a college football scholarship, and an even more pressing opportunity to escape the violent threats surrounding them in their community. This documentary short follows head coach Joe Bates and the Titans as they navigate through playing football during the coronavirus pandemic, the life & death struggle of Oakland’s streets, and the toll it takes on these inner-city athletes.\u003c/p>\n\u003cp>[gallery size=\"medium\" ids=\"3367,3368,3369,3370,3371,3372\"]\u003c/p>\n\u003cp>\u003cstrong>Directors Statement by Brian Wollitz\u003c/strong>\u003c/p>\n\u003cp>At the beginning of the pandemic, I had the idea to do a feature story on athletes whose futures were in jeopardy because of the countless youth sports cancellations nationwide. With my prior experience as a high school sports reporter, I’ve seen just how important the final season can be for players who are on the brink of getting a shot to continue their athletics and education in college.\u003c/p>\n\u003cp>When I first met head coach Joe Bates of Skyline’s football team, he talked at length about how important sports are for his community in Oakland, California. Bates emphasized how he uses football as a central tool for youth development and a path for his players to achieve higher education and escape the systemic conditions and potentially violent threats surrounding them with inner-city influences.\u003c/p>\n\u003cp>Coach Bates explained that because of the pandemic, his team and players were even more adversely affected because of shutdowns and stay-at-home orders. To Bates, it was proving to be a great challenge to not only plan for a potential season but to more importantly stay connected with his team and provide mentorship when they weren’t able to be together during the pandemic.\u003c/p>\n\u003cp>Not long into filming, the entire scope of the project changed as a sudden tragedy hit the team, and illustrated what Bates talked so often about. I was forced to refocus my efforts, but in turn, it provided a deeper and more raw look into the life of Oakland’s communities, families, and the promising athletes they produce.\u003c/p>\n\u003cp>In all, it was a challenging experience producing, editing, and mostly shooting on my own, but I felt this allowed me to gain trust while creating a less distracting and better relationship with the team over the nine months I was following them.\u003c/p>\n\u003cp>I want to thank everyone who helped make this film a possibility – especially the 2020-21 Skyline football team and the Pryor family – for allowing me to learn and help share a glimpse of their struggles and successes during the pandemic.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=QEY0A5I_G2Q&feature=youtu.be\">Watch The Titan Rises Now\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cstrong>Director Bio:\u003c/strong>\u003c/p>\n\u003cp>Brian Wollitz is a multimedia journalist, video producer, and filmmaker from Pacifica, California. His interests include reporting on the intersection of sports & social issues, food, music, art, and culture. His writing has been featured in \u003cem>The New York Times, The Times-Picayune | The New Orleans Advocate, The Rugby Journal, \u003c/em>and\u003cem> OffBeat Magazine\u003c/em>. He’s also worked in various production and reporting positions for \u003cem>ESPN, The Investigative Reporting Program, WVUE-TV FOX 8, \u003c/em>and\u003cem> NOLA Gold Rugby\u003c/em>. He earned his master’s degree from the UC Berkeley Graduate School of Journalism.\u003c/p>\n\u003cp>\u003cstrong>Credit List of Cast & Crew: \u003c/strong>\u003c/p>\n\u003cp>Producer: Brian Wollitz\u003cbr>\nDirector of Photography: Brian Wollitz\u003c/p>\n\u003cp>Additional Camera: Clara Mokri\u003cbr>\nEditor: Brian Wollitz\u003cbr>\nCreative Advisors: Andrés Cediel, Mike Shen\u003cbr>\nContent Advisors: Jon Reiss, Jeremy Rue\u003c/p>\n\u003cp>Technical Advisor & Colorist: Chris O'Dea\u003c/p>\n\u003cp>Featuring:\u003c/p>\n\u003cp>Joe Bates\u003c/p>\n\u003cp>Julian Jackson\u003c/p>\n\u003cp>Simeon Milan\u003c/p>\n\u003cp>Kweke Garth Jr.\u003c/p>\n\u003cp>Taijuan Pryor\u003c/p>\n\u003cp>Aria Patterson\u003c/p>\n\u003cp>Jason Santana\u003c/p>\n\u003cp>Mata Fifita\u003c/p>\n\u003cp>Composer & Original Score: Alexander Turk\u003cbr>\nPost Production Sound: Mark Escott, Phoenix Sound Design\u003c/p>\n\u003cp>Special Thanks:\u003c/p>\n\u003cp>Tiffany Winters\u003c/p>\n\u003cp>Jacqueline Winters\u003c/p>\n\u003cp>Patrick Walsh\u003c/p>\n\u003cp>James Salazar\u003c/p>\n\u003cp>John Sasaki\u003c/p>\n\u003cp>Franky Navarro\u003c/p>\n\u003cp>Anthony Petty\u003c/p>\n\u003cp>Skyline High School\u003c/p>\n\u003cp>Castlemont High School\u003c/p>\n\u003cp>Blackmagic Design\u003c/p>\n\u003cp>Canon USA\u003c/p>\n\u003cp>Archival Photos:\u003c/p>\n\u003cp>Tiffany Winters\u003c/p>\n\u003cp>Taijuan Pryor\u003c/p>\n\u003cp>Yolanda James, San Francisco Chronicle | Polaris Images\u003c/p>\n\u003cp>Archival Video:\u003c/p>\n\u003cp>Joe Bates\u003c/p>\n\u003cp>Mustafa Muhyee\u003c/p>\n\u003cp>Lamont Prince Jr.\u003c/p>\n\u003cp>\u003cstrong>Produced At:\u003c/strong>\u003c/p>\n\u003cp>The Graduate School of Journalism, University of California, Berkeley\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" link=\"file\" ids=\"3373,3374,3375,3377,3379,3378\"]\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">[ad fullwidth]\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n","disqusIdentifier":"3366 https://ww2.kqed.org/trulyca/?p=3366","disqusUrl":"https://ww2.kqed.org/trulyca/the-titan-rises-explores-gun-violence-and-high-school-football-amid-a-pandemic/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":758,"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":53},"modified":1627503032,"excerpt":"An Oakland high school football coach and his team highlight the struggles of playing through the pandemic coupled with the inner-city threats they face in their community daily.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"An Oakland high school football coach and his team highlight the struggles of playing through the pandemic coupled with the inner-city threats they face in their community daily.","title":"The Titan Rises Explores Gun Violence and High School Football amid a Pandemic - Truly CA","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Titan Rises Explores Gun Violence and High School Football amid a Pandemic","datePublished":"2021-07-26T07:52:20-07:00","dateModified":"2021-07-28T13:10:32-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"the-titan-rises-explores-gun-violence-and-high-school-football-amid-a-pandemic","status":"publish","videoEmbed":"https://www.youtube.com/watch?v=QEY0A5I_G2Q&feature=youtu.be","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","path":"/trulyca/3366/the-titan-rises-explores-gun-violence-and-high-school-football-amid-a-pandemic","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>The Titan Rises\u003c/em> is a short documentary directed by Brian Wollitz following Skyline High's Football team as they navigate senior year, the pandemic, and the tragic loss of a teammate to gun violence.\u003c/p>\n\u003cp>\u003cstrong>About the Film - The Titan Rises\u003c/strong>\u003c/p>\n\u003cp>The Skyline High School football team in Oakland, California prepares for their delayed season amid the Covid-19 pandemic. For senior players, this season is one of their last shots at showcasing their talents to earn a college football scholarship, and an even more pressing opportunity to escape the violent threats surrounding them in their community. This documentary short follows head coach Joe Bates and the Titans as they navigate through playing football during the coronavirus pandemic, the life & death struggle of Oakland’s streets, and the toll it takes on these inner-city athletes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"size":"medium","ids":"3367,3368,3369,3370,3371,3372","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Directors Statement by Brian Wollitz\u003c/strong>\u003c/p>\n\u003cp>At the beginning of the pandemic, I had the idea to do a feature story on athletes whose futures were in jeopardy because of the countless youth sports cancellations nationwide. With my prior experience as a high school sports reporter, I’ve seen just how important the final season can be for players who are on the brink of getting a shot to continue their athletics and education in college.\u003c/p>\n\u003cp>When I first met head coach Joe Bates of Skyline’s football team, he talked at length about how important sports are for his community in Oakland, California. Bates emphasized how he uses football as a central tool for youth development and a path for his players to achieve higher education and escape the systemic conditions and potentially violent threats surrounding them with inner-city influences.\u003c/p>\n\u003cp>Coach Bates explained that because of the pandemic, his team and players were even more adversely affected because of shutdowns and stay-at-home orders. To Bates, it was proving to be a great challenge to not only plan for a potential season but to more importantly stay connected with his team and provide mentorship when they weren’t able to be together during the pandemic.\u003c/p>\n\u003cp>Not long into filming, the entire scope of the project changed as a sudden tragedy hit the team, and illustrated what Bates talked so often about. I was forced to refocus my efforts, but in turn, it provided a deeper and more raw look into the life of Oakland’s communities, families, and the promising athletes they produce.\u003c/p>\n\u003cp>In all, it was a challenging experience producing, editing, and mostly shooting on my own, but I felt this allowed me to gain trust while creating a less distracting and better relationship with the team over the nine months I was following them.\u003c/p>\n\u003cp>I want to thank everyone who helped make this film a possibility – especially the 2020-21 Skyline football team and the Pryor family – for allowing me to learn and help share a glimpse of their struggles and successes during the pandemic.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=QEY0A5I_G2Q&feature=youtu.be\">Watch The Titan Rises Now\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Director Bio:\u003c/strong>\u003c/p>\n\u003cp>Brian Wollitz is a multimedia journalist, video producer, and filmmaker from Pacifica, California. His interests include reporting on the intersection of sports & social issues, food, music, art, and culture. His writing has been featured in \u003cem>The New York Times, The Times-Picayune | The New Orleans Advocate, The Rugby Journal, \u003c/em>and\u003cem> OffBeat Magazine\u003c/em>. He’s also worked in various production and reporting positions for \u003cem>ESPN, The Investigative Reporting Program, WVUE-TV FOX 8, \u003c/em>and\u003cem> NOLA Gold Rugby\u003c/em>. He earned his master’s degree from the UC Berkeley Graduate School of Journalism.\u003c/p>\n\u003cp>\u003cstrong>Credit List of Cast & Crew: \u003c/strong>\u003c/p>\n\u003cp>Producer: Brian Wollitz\u003cbr>\nDirector of Photography: Brian Wollitz\u003c/p>\n\u003cp>Additional Camera: Clara Mokri\u003cbr>\nEditor: Brian Wollitz\u003cbr>\nCreative Advisors: Andrés Cediel, Mike Shen\u003cbr>\nContent Advisors: Jon Reiss, Jeremy Rue\u003c/p>\n\u003cp>Technical Advisor & Colorist: Chris O'Dea\u003c/p>\n\u003cp>Featuring:\u003c/p>\n\u003cp>Joe Bates\u003c/p>\n\u003cp>Julian Jackson\u003c/p>\n\u003cp>Simeon Milan\u003c/p>\n\u003cp>Kweke Garth Jr.\u003c/p>\n\u003cp>Taijuan Pryor\u003c/p>\n\u003cp>Aria Patterson\u003c/p>\n\u003cp>Jason Santana\u003c/p>\n\u003cp>Mata Fifita\u003c/p>\n\u003cp>Composer & Original Score: Alexander Turk\u003cbr>\nPost Production Sound: Mark Escott, Phoenix Sound Design\u003c/p>\n\u003cp>Special Thanks:\u003c/p>\n\u003cp>Tiffany Winters\u003c/p>\n\u003cp>Jacqueline Winters\u003c/p>\n\u003cp>Patrick Walsh\u003c/p>\n\u003cp>James Salazar\u003c/p>\n\u003cp>John Sasaki\u003c/p>\n\u003cp>Franky Navarro\u003c/p>\n\u003cp>Anthony Petty\u003c/p>\n\u003cp>Skyline High School\u003c/p>\n\u003cp>Castlemont High School\u003c/p>\n\u003cp>Blackmagic Design\u003c/p>\n\u003cp>Canon USA\u003c/p>\n\u003cp>Archival Photos:\u003c/p>\n\u003cp>Tiffany Winters\u003c/p>\n\u003cp>Taijuan Pryor\u003c/p>\n\u003cp>Yolanda James, San Francisco Chronicle | Polaris Images\u003c/p>\n\u003cp>Archival Video:\u003c/p>\n\u003cp>Joe Bates\u003c/p>\n\u003cp>Mustafa Muhyee\u003c/p>\n\u003cp>Lamont Prince Jr.\u003c/p>\n\u003cp>\u003cstrong>Produced At:\u003c/strong>\u003c/p>\n\u003cp>The Graduate School of Journalism, University of California, Berkeley\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","link":"file","ids":"3373,3374,3375,3377,3379,3378","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3366/the-titan-rises-explores-gun-violence-and-high-school-football-amid-a-pandemic","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_20","trulyca_21","trulyca_36","trulyca_44","trulyca_46"],"tags":["trulyca_958","trulyca_959","trulyca_953","trulyca_957","trulyca_939","trulyca_955","trulyca_956","trulyca_954","trulyca_952","trulyca_406"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3378","label":"trulyca_771"},"trulyca_3346":{"type":"posts","id":"trulyca_3346","meta":{"index":"posts_1716263798","site":"trulyca","id":"3346","score":null,"sort":[1613138533000]},"parent":0,"labelTerm":{},"blocks":[],"publishDate":1613138533,"format":"video","disqusTitle":"Bloodline and the birth of a chef featuring Bay Area’s Tu David Phu","title":"Bloodline and the birth of a chef featuring Bay Area’s Tu David Phu","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cstrong>Directors James Q. Chan and Santhosh Daniel discuss \u003c/strong>\u003cem>\u003cstrong>Bloodline, \u003c/strong>\u003c/em>\u003cstrong>a \u003c/strong>\u003cstrong>documentary about Oakland chef Tu David Phu: \u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">How do you transform what we might see as negative into something positive? The is the question at the heart of the short food documentary \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bloodline\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">--a metaphorical, personal exploration by Tu David Phu of his genesis as a chef, as seen through his parents' memories of the Vietnam War and Khmer Rouge, and how US culture often disregards certain seminal life experiences as “scrap,” similar to how the physical bloodline of fish is often thrown away by chefs, even though it carries the animal’s “essence.”\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">The story, directed by James Q. Chan (\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Forever, Chinatown\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">) and Santhosh Daniel, is framed around Tu, just as he returns home to Oakland, California after being a contestant on the competitive cooking series, Top Chef (Season 15). As he and his parents prepare a Saturday dinner, drawing on his mother’s self-taught culinary repertoire (which began in a Thai refugee camp), and his father’s ancestry as a free-diver and fishmonger from \u003c/span>\u003cspan style=\"font-weight: 400\">Phú Quốc\u003c/span>\u003cspan style=\"font-weight: 400\">, Vietnam, Tu reflects on his visibility as a “celebrity chef,” tracing how he went from refugee roots and a childhood in West Oakland, to this new life by relying on things learned from his family kitchen--rather than the “formal” skills and training learned in culinary school--including how to turn something “inedible,” such as fish bloodline, into a beautiful dish.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Bloodline is the first release of First Kitchen, a documentary food series created by Santhosh Daniel co-executive produced with Tu David Phu and produced with James Q. Chan and Miles Ito, that spotlights ‘everyday people with exceptional stories.’ At the series’ core is a belief that ‘every voice deserves a place at the table’ and a vision to cultivate greater equity and equality in food media. Bloodline is the inaugural project of this vision and a template for cultural inclusivity and creativity the producers envision for all films in the series.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>[gallery link=\"file\" ids=\"3352,3351,3349,3350,3348\"]\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Production Credits\u003c/em>\u003c/strong>\u003cbr>\nDirected by: James Q. Chan and Santhosh Daniel\u003cbr>\nStory by: Santhosh Daniel and Tu David Phu\u003cbr>\nEditor: Jeff den Broeder\u003cbr>\nCinematography: James Q. Chan\u003cbr>\nAdditional Camera: Jeff den Broeder and Kat Ma\u003cbr>\nMusic by: Miles Ito\u003cbr>\nSound Mixer: Matthew Kulewicz\u003cbr>\nTitles by: James DiRito\u003cbr>\nProduction Assistant: Jean O\u003cbr>\nAssociate Producers: Matthew Kulewicz, Kat Ma, Kim Phu and Penelope Wong\u003cbr>\nProducers: Jeff den Broeder and Miles Ito\u003cbr>\nExecutive Producers: James Q. Chan, Santhosh Daniel and Tu David Phu\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Presenting Partners\u003c/em>\u003c/strong>\u003cbr>\nKQED\u003cbr>\nCenter for Asian American Media\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Major Funding\u003c/em>\u003c/strong>\u003cbr>\nCorporation for Public Broadcasting (via Center for Asian American Media)\u003cbr>\nPrivate individuals\u003c/p>\n\u003cp>BLOODLINE is now available streaming online via Truly CA, and is presented by American Public Media and broadcasting on your local PBS Station. Check your local listings.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cem>Bloodline is the first release of First Kitchen, a documentary food series created by Santhosh Daniel, James Q. Chan, and The Center for Asian American Media. Funding is provided by The Corporation for Public Broadcasting.\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>Directors' and Producers' Statement:\u003c/strong>\u003c/p>\n\u003cp>\u003cem>The artistic vision for Bloodline, our first story from the First Kitchen series, is to create a visual and narrative environment that is lush, both in terms of food, ingredients, and physical setting, but also emotion. This is evident in the opening scenes, which feature the family garden, but also pay close attention to skin texture and tone as Tu speaks about his tattoos, as well as lighting and color (i.e. most scenes are lit with direct or reflected sunlight, and include distinct color contrasts with clothing, ingredients, etc). The quiet family moments are juxtaposed by bright and vibrant flavors of the family meal that go together which, James Q. Chan, co-director and cinematographer, refracts through his personal history; living in refugee camps after fleeing war-torn Vietnam where he was born, and memories of his mother’s Vietnamese recipes shape the visceral sensibilities of the film.\u003c/em>\u003c/p>\n\u003cp>\u003cem>The narrative approach was to film in multiple settings that contrast one another (i.e. \u003c/em>\u003cem>Phú Quốc\u003c/em>\u003cem>, the wharf, etc) and incorporate “found sounds” from those settings into our soundtrack (i.e. BART train, sewing machine, etc) to demonstrate the rich complexity of the family’s story, and how seemingly disparate elements all eventually lead and merge into Tu. And, we built it in such a way so as to mimic how a chef would build a dish—meaning, a five-act structure that begins with the “raw ingredients” of Tu and his parents, upon which we gradually layer elements (i.e. garden, war, marriage, etc) to create a story whose message is not realized until the conclusion, similar to how a dish is not actualized until plated. This approach, captured beautifully by the camera and dressed with original music by Miles Ito, results in a sense of being with the family, in their kitchen and at their table, which we hope everyone experiences as they watch the film.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","disqusIdentifier":"3346 https://ww2.kqed.org/trulyca/?p=3346","disqusUrl":"https://ww2.kqed.org/trulyca/bloodline-and-the-birth-of-a-chef-featuring-bay-areas-tu-david-phu/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":862,"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":13},"modified":1631654863,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"An intimate profile of Vietnamese-American chef, Tu David Phu, and the evolution of his culinary aesthetic.","title":"Bloodline and the birth of a chef featuring Bay Area’s Tu David Phu - Truly CA","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Bloodline and the birth of a chef featuring Bay Area’s Tu David Phu","datePublished":"2021-02-12T06:02:13-08:00","dateModified":"2021-09-14T14:27:43-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"bloodline-and-the-birth-of-a-chef-featuring-bay-areas-tu-david-phu","status":"publish","sourceUrl":"/food/","videoEmbed":"https://youtu.be/gD1-Y14duIU","source":"Food","WpOldSlug":"short-doc-explores-culture-and-cuisine-featuring-bay-areas-chef-tu-david-phu","path":"/trulyca/3346/bloodline-and-the-birth-of-a-chef-featuring-bay-areas-tu-david-phu","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Directors James Q. Chan and Santhosh Daniel discuss \u003c/strong>\u003cem>\u003cstrong>Bloodline, \u003c/strong>\u003c/em>\u003cstrong>a \u003c/strong>\u003cstrong>documentary about Oakland chef Tu David Phu: \u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">How do you transform what we might see as negative into something positive? The is the question at the heart of the short food documentary \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bloodline\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">--a metaphorical, personal exploration by Tu David Phu of his genesis as a chef, as seen through his parents' memories of the Vietnam War and Khmer Rouge, and how US culture often disregards certain seminal life experiences as “scrap,” similar to how the physical bloodline of fish is often thrown away by chefs, even though it carries the animal’s “essence.”\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">The story, directed by James Q. Chan (\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Forever, Chinatown\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">) and Santhosh Daniel, is framed around Tu, just as he returns home to Oakland, California after being a contestant on the competitive cooking series, Top Chef (Season 15). As he and his parents prepare a Saturday dinner, drawing on his mother’s self-taught culinary repertoire (which began in a Thai refugee camp), and his father’s ancestry as a free-diver and fishmonger from \u003c/span>\u003cspan style=\"font-weight: 400\">Phú Quốc\u003c/span>\u003cspan style=\"font-weight: 400\">, Vietnam, Tu reflects on his visibility as a “celebrity chef,” tracing how he went from refugee roots and a childhood in West Oakland, to this new life by relying on things learned from his family kitchen--rather than the “formal” skills and training learned in culinary school--including how to turn something “inedible,” such as fish bloodline, into a beautiful dish.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Bloodline is the first release of First Kitchen, a documentary food series created by Santhosh Daniel co-executive produced with Tu David Phu and produced with James Q. Chan and Miles Ito, that spotlights ‘everyday people with exceptional stories.’ At the series’ core is a belief that ‘every voice deserves a place at the table’ and a vision to cultivate greater equity and equality in food media. Bloodline is the inaugural project of this vision and a template for cultural inclusivity and creativity the producers envision for all films in the series.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"link":"file","ids":"3352,3351,3349,3350,3348","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Production Credits\u003c/em>\u003c/strong>\u003cbr>\nDirected by: James Q. Chan and Santhosh Daniel\u003cbr>\nStory by: Santhosh Daniel and Tu David Phu\u003cbr>\nEditor: Jeff den Broeder\u003cbr>\nCinematography: James Q. Chan\u003cbr>\nAdditional Camera: Jeff den Broeder and Kat Ma\u003cbr>\nMusic by: Miles Ito\u003cbr>\nSound Mixer: Matthew Kulewicz\u003cbr>\nTitles by: James DiRito\u003cbr>\nProduction Assistant: Jean O\u003cbr>\nAssociate Producers: Matthew Kulewicz, Kat Ma, Kim Phu and Penelope Wong\u003cbr>\nProducers: Jeff den Broeder and Miles Ito\u003cbr>\nExecutive Producers: James Q. Chan, Santhosh Daniel and Tu David Phu\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Presenting Partners\u003c/em>\u003c/strong>\u003cbr>\nKQED\u003cbr>\nCenter for Asian American Media\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Major Funding\u003c/em>\u003c/strong>\u003cbr>\nCorporation for Public Broadcasting (via Center for Asian American Media)\u003cbr>\nPrivate individuals\u003c/p>\n\u003cp>BLOODLINE is now available streaming online via Truly CA, and is presented by American Public Media and broadcasting on your local PBS Station. Check your local listings.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cem>Bloodline is the first release of First Kitchen, a documentary food series created by Santhosh Daniel, James Q. Chan, and The Center for Asian American Media. Funding is provided by The Corporation for Public Broadcasting.\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>Directors' and Producers' Statement:\u003c/strong>\u003c/p>\n\u003cp>\u003cem>The artistic vision for Bloodline, our first story from the First Kitchen series, is to create a visual and narrative environment that is lush, both in terms of food, ingredients, and physical setting, but also emotion. This is evident in the opening scenes, which feature the family garden, but also pay close attention to skin texture and tone as Tu speaks about his tattoos, as well as lighting and color (i.e. most scenes are lit with direct or reflected sunlight, and include distinct color contrasts with clothing, ingredients, etc). The quiet family moments are juxtaposed by bright and vibrant flavors of the family meal that go together which, James Q. Chan, co-director and cinematographer, refracts through his personal history; living in refugee camps after fleeing war-torn Vietnam where he was born, and memories of his mother’s Vietnamese recipes shape the visceral sensibilities of the film.\u003c/em>\u003c/p>\n\u003cp>\u003cem>The narrative approach was to film in multiple settings that contrast one another (i.e. \u003c/em>\u003cem>Phú Quốc\u003c/em>\u003cem>, the wharf, etc) and incorporate “found sounds” from those settings into our soundtrack (i.e. BART train, sewing machine, etc) to demonstrate the rich complexity of the family’s story, and how seemingly disparate elements all eventually lead and merge into Tu. And, we built it in such a way so as to mimic how a chef would build a dish—meaning, a five-act structure that begins with the “raw ingredients” of Tu and his parents, upon which we gradually layer elements (i.e. garden, war, marriage, etc) to create a story whose message is not realized until the conclusion, similar to how a dish is not actualized until plated. This approach, captured beautifully by the camera and dressed with original music by Miles Ito, results in a sense of being with the family, in their kitchen and at their table, which we hope everyone experiences as they watch the film.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3346/bloodline-and-the-birth-of-a-chef-featuring-bay-areas-tu-david-phu","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_42"],"tags":["trulyca_949","trulyca_948","trulyca_96","trulyca_950"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3428","label":"source_trulyca_3346"},"trulyca_3323":{"type":"posts","id":"trulyca_3323","meta":{"index":"posts_1716263798","site":"trulyca","id":"3323","score":null,"sort":[1610110842000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1610110842,"format":"video","disqusTitle":"Imitation continues to be the highest form of flattery, in short doc, King of the Road","title":"Imitation continues to be the highest form of flattery, in short doc, King of the Road","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>Growing up in east San Jose, California the youngest of six children from a single-parent household, Rick Torres had a passion for entertaining. What are the odds for a young boy to achieve his dreams? Depends on your drive and depends on your luck. How badly do you want to achieve your goals? How about rising to the #1 Bay Area Elvis Tribute Artist since 2008 on Gigmasters?\u003c/p>\n\u003cp>As we hear testimony from Rick’s former drama teacher, his bandmates and, those who have hired him to be a part of their special occasions, we learn about Rick’s struggles and what inspires him to keep going.\u003c/p>\n\u003cp>[gallery size=\"medium\" ids=\"3334,3333,3332\"]\u003c/p>\n\u003cp>\u003cstrong>Directors Note:\u003c/strong>\u003cbr>\nLike many people, I am drawn to a good story. We all have special talents to share and unique voices. When I come across something or someone that inspires me, I want to share that inspiration with others.\u003c/p>\n\u003cp>\u003cem>[aside label=\"Check out the interview with director, Cate Celso\" link1=\"\u003ca href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/https://matthewtoffolo.com/2020/08/08/interview-with-filmmaker-cate-celso-king-of-the-road/player/embed/508608745/509179603\u003c/a>, Daily Summary, Matthew Toffolo\"]\u003c/em>\u003c/p>\n\u003cp>I met Rick six years ago when the company I worked for hired him to perform on-site. As I watched his energy fill the room he transformed his audience, I became curious about him and wanted to know more about his path, his story.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Our paths crossed again back in 2017 and for me, it was a sign to tackle my first documentary and share Rick’s inspirational story with you.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\">\u003cimg class=\"size-medium wp-image-3327 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\" alt=\"\" width=\"600\" height=\"300\" data-wp-editing=\"1\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cate Celso\u003c/strong> (Director) – is a filmmaker based in San Francisco, CA. She has worked for several years in live-action and animation film production. Cate started writing and directing short films with some fellow co-workers and eventually joined indie film groups where she continues to contribute her skills. Currently, she is working on building her body of work as a Director. This is her first documentary and third short film.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\">\u003cimg class=\"size-full wp-image-3326 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Ashley Hirt\u003c/strong> (Producer) – Ashley Hirt is a Canadian born filmmaker living in Los Angeles. Her storytelling often reflects her mixed cultural roots of growing up in a Metis and Scottish family. Known for co-producing the feature film \"Black Field\" which has received numerous accolades including the Amazon Video Direct Award (2017) at the Sundance Film Festival (2017). Ashley’s work is usually female-driven content and supports Indigenous artists. She is an alumna of the National Screen Institute of Canada and the Royal Academy of Dramatic Art (London).\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\">\u003cimg class=\"size-full wp-image-3328 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sean Wells\u003c/strong> (Director of Photography) - Sean makes stuff and likes to help other people make stuff. He mostly works in the dark as a colorist but as Director of Photography on King of the Road, he's working with light.\u003c/p>\n\n","disqusIdentifier":"3323 https://ww2.kqed.org/trulyca/?p=3323","disqusUrl":"https://ww2.kqed.org/trulyca/imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":474,"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":15},"modified":1610391248,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Growing up in east San Jose, California the youngest of six children from a single-parent household, Rick Torres had a passion for entertaining. What are the odds for a young boy to achieve his dreams? Depends on your drive and depends on your luck. How badly do you want to achieve your goals? How about","title":"Imitation continues to be the highest form of flattery, in short doc, King of the Road - Truly CA","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Imitation continues to be the highest form of flattery, in short doc, King of the Road","datePublished":"2021-01-08T05:00:42-08:00","dateModified":"2021-01-11T10:54:08-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road","status":"publish","videoEmbed":"https://www.youtube.com/watch?v=v6dw9TsezUQ","path":"/trulyca/3323/imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Growing up in east San Jose, California the youngest of six children from a single-parent household, Rick Torres had a passion for entertaining. What are the odds for a young boy to achieve his dreams? Depends on your drive and depends on your luck. How badly do you want to achieve your goals? How about rising to the #1 Bay Area Elvis Tribute Artist since 2008 on Gigmasters?\u003c/p>\n\u003cp>As we hear testimony from Rick’s former drama teacher, his bandmates and, those who have hired him to be a part of their special occasions, we learn about Rick’s struggles and what inspires him to keep going.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"size":"medium","ids":"3334,3333,3332","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Directors Note:\u003c/strong>\u003cbr>\nLike many people, I am drawn to a good story. We all have special talents to share and unique voices. When I come across something or someone that inspires me, I want to share that inspiration with others.\u003c/p>\n\u003cp>\u003cem>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"Check out the interview with director, Cate Celso link1=\"\u003ca href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/https://matthewtoffolo.com/2020/08/08/interview-with-filmmaker-cate-celso-king-of-the-road/player/embed/508608745/509179603\u003c/a>, Daily Summary, Matthew Toffolo\""},"numeric":["link1=\"\u003ca","href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/https://matthewtoffolo.com/2020/08/08/interview-with-filmmaker-cate-celso-king-of-the-road/player/embed/508608745/509179603\u003c/a>,","Daily","Summary,","Matthew","Toffolo\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/em>\u003c/p>\n\u003cp>I met Rick six years ago when the company I worked for hired him to perform on-site. As I watched his energy fill the room he transformed his audience, I became curious about him and wanted to know more about his path, his story.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Our paths crossed again back in 2017 and for me, it was a sign to tackle my first documentary and share Rick’s inspirational story with you.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\">\u003cimg class=\"size-medium wp-image-3327 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\" alt=\"\" width=\"600\" height=\"300\" data-wp-editing=\"1\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cate Celso\u003c/strong> (Director) – is a filmmaker based in San Francisco, CA. She has worked for several years in live-action and animation film production. Cate started writing and directing short films with some fellow co-workers and eventually joined indie film groups where she continues to contribute her skills. Currently, she is working on building her body of work as a Director. This is her first documentary and third short film.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\">\u003cimg class=\"size-full wp-image-3326 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Ashley Hirt\u003c/strong> (Producer) – Ashley Hirt is a Canadian born filmmaker living in Los Angeles. Her storytelling often reflects her mixed cultural roots of growing up in a Metis and Scottish family. Known for co-producing the feature film \"Black Field\" which has received numerous accolades including the Amazon Video Direct Award (2017) at the Sundance Film Festival (2017). Ashley’s work is usually female-driven content and supports Indigenous artists. She is an alumna of the National Screen Institute of Canada and the Royal Academy of Dramatic Art (London).\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\">\u003cimg class=\"size-full wp-image-3328 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sean Wells\u003c/strong> (Director of Photography) - Sean makes stuff and likes to help other people make stuff. He mostly works in the dark as a colorist but as Director of Photography on King of the Road, he's working with light.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3323/imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_33","trulyca_20","trulyca_31","trulyca_34","trulyca_32"],"tags":["trulyca_944","trulyca_947","trulyca_943","trulyca_946","trulyca_945"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3325","label":"trulyca_771"},"trulyca_3293":{"type":"posts","id":"trulyca_3293","meta":{"index":"posts_1716263798","site":"trulyca","id":"3293","score":null,"sort":[1600434000000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1600434000,"format":"video","disqusTitle":"Emancipating from the foster care system explored in the short documentary, Unadopted.","title":"Emancipating from the foster care system explored in the short documentary, Unadopted.","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cspan style=\"font-weight: 400\">Noel Anaya entered the system at age one, and was never adopted. Since he claimed his independence at age 21, Anaya has a lot to say, and he says it now as writer and producer of \u003cem>Unadopted.\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\"\u003c/strong>\u003cem>\u003cstrong>Your gray hands just taught me how to survive in a world. We never learned how to love ourselves unconditionally. I've been with multiple foster families, I've been with multiple shelters. How does a person like me not end up with a family. ...\"\u003c/strong> - Noel Anaya in an open letter to the foster care system. \u003c/em>\u003c/p>\n\u003cp>\u003cem>[aside label=\"Listen to the original NPR Story from Noel\" link1=\"\u003ca href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/player/embed/508608745/509179603\u003c/a>, NPR, Noel Anaya\"]\u003c/em>\u003c/p>\n\u003cp>\u003cem>Unadopted\u003c/em> follows Noel Anaya in his quest for answers about, his family, and his experience in the foster care system, interweaving his own journey with the stories of three other teens who, like so many foster youth, are at emotional crossroads, confronted with what may be the most important decision of their lives: whether to emancipate from the foster care system, opt into “extended care,” or pursue a \"forever family.\" This documentary is produced by YR Media.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://medium.com/@mitunetwork/noel-anaya-shared-his-story-about-divorcing-the-foster-care-system-f3b8290116c6\">Read more coverage on Noel Anaya and his sunder from the foster care system.\u003c/a> [/pullquote]\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" link=\"file\" ids=\"3296,3305,3301,3306,3304\"]\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">[ad fullwidth]\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n","disqusIdentifier":"3293 https://ww2.kqed.org/trulyca/?p=3293","disqusUrl":"https://ww2.kqed.org/trulyca/unadopted/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":231,"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":8},"modified":1600446412,"excerpt":"In Unadopted, 22 year-old producer Noel Anaya takes his audience on an insider's tour of what it’s like to grow up in the foster care system. ","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"In Unadopted, 22 year-old producer Noel Anaya takes his audience on an insider's tour of what it’s like to grow up in the foster care system.","title":"Emancipating from the foster care system explored in the short documentary, Unadopted. - Truly CA","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Emancipating from the foster care system explored in the short documentary, Unadopted.","datePublished":"2020-09-18T06:00:00-07:00","dateModified":"2020-09-18T09:26:52-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"unadopted","status":"publish","videoEmbed":"https://www.youtube.com/watch?v=h6vdKVyNedc","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","path":"/trulyca/3293/unadopted","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Noel Anaya entered the system at age one, and was never adopted. Since he claimed his independence at age 21, Anaya has a lot to say, and he says it now as writer and producer of \u003cem>Unadopted.\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\"\u003c/strong>\u003cem>\u003cstrong>Your gray hands just taught me how to survive in a world. We never learned how to love ourselves unconditionally. I've been with multiple foster families, I've been with multiple shelters. How does a person like me not end up with a family. ...\"\u003c/strong> - Noel Anaya in an open letter to the foster care system. \u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"Listen to the original NPR Story from Noel link1=\"\u003ca href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/player/embed/508608745/509179603\u003c/a>, NPR, Noel Anaya\""},"numeric":["link1=\"\u003ca","href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/player/embed/508608745/509179603\u003c/a>,","NPR,","Noel","Anaya\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/em>\u003c/p>\n\u003cp>\u003cem>Unadopted\u003c/em> follows Noel Anaya in his quest for answers about, his family, and his experience in the foster care system, interweaving his own journey with the stories of three other teens who, like so many foster youth, are at emotional crossroads, confronted with what may be the most important decision of their lives: whether to emancipate from the foster care system, opt into “extended care,” or pursue a \"forever family.\" This documentary is produced by YR Media.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://medium.com/@mitunetwork/noel-anaya-shared-his-story-about-divorcing-the-foster-care-system-f3b8290116c6\">Read more coverage on Noel Anaya and his sunder from the foster care system.\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","link":"file","ids":"3296,3305,3301,3306,3304","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3293/unadopted","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_33","trulyca_41","trulyca_20","trulyca_21","trulyca_36","trulyca_884","trulyca_46"],"tags":["trulyca_927","trulyca_924","trulyca_926","trulyca_928","trulyca_384","trulyca_925","trulyca_920","trulyca_923","trulyca_929","trulyca_921","trulyca_287","trulyca_922"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3307","label":"trulyca_771"},"trulyca_3285":{"type":"posts","id":"trulyca_3285","meta":{"index":"posts_1716263798","site":"trulyca","id":"3285","score":null,"sort":[1599217235000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1599217235,"format":"video","disqusTitle":"Doing Stand Up as the Can't Stand up Comedian - The Dan Smith Story","title":"Doing Stand Up as the Can't Stand up Comedian - The Dan Smith Story","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.facebook.com/CantStandUpComedy\">Dan Smith is the “The Can’t Stand Up Comedian,”\u003c/a> a Sacramento comic born with \u003c/span>\u003cspan style=\"font-weight: 400\">spina bifida\u003c/span>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003cspan style=\"font-weight: 400\">a condition that occurs when the spine and spinal cord don't form properly. His is the most severe form of spina bifida, \u003c/span>\u003cspan style=\"font-weight: 400\">myelomeningocele, because, as Dan jokes, “if you’re going to commit to something, go all the way.” Dan has always been funny but he’d never felt confident enough to get up on stage himself until taking a stand up comedy class in 2017.\u003c/span>\u003cspan style=\"font-weight: 400\"> Now, just 3 years later, Dan is hosting and headlining comedy shows online and around the city. Including the now online Body Posi Comedy Show run by \u003ca href=\"https://www.facebook.com/stabcomedytheater\">STAB! Comedy\u003c/a>.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> In this short documentary, Dan shares his experiences in the Sacramento comedy scene, opens up about his sobriety, and chronicles his evolution as a sitting-down stand up comedian. Writing and performing comedy, along with people's laughter, is what has kept him going through some of his darkest times. \u003c/span>\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=XS7-dR8znvY\">Watch The Dan Smith Story Here By. Ainé Henderson\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I first met Dan Smith on a dare. A dare to try one of the most terrifying things known to humanity: stand up comedy. Dan and I met at an open mic hosted at the famous Italian restaurant, Vince’s, which is delightfully snuggled up in between a Motel 6 parking lot and a Del Taco in South Sacramento. It was my first time doing stand up and Dan, the comedy pro, was hard to miss. He was the only one who took the term “front and center stage” seriously. There was a bar placed horizontally across the stage exactly at hip height, my hip height, which is where Dan’s face height is when he’s sitting in his wheelchair. To be seen, he had to perform in front of the stage. As an outsider and a newcomer, I was full of nerves but Dan greeted me warmly and the rest of the comedians greeted him with love and admiration.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That night, Dan had me rolling with laughter, the kind of laughter that comes from a combination of agony mixing with humor, the kind that makes you feel uncomfortable for laughing, but so uncomfortable you continue to laugh. My favorite type of comedy: dark comedy. I’d never come across a comic who used comedy to express themselves like Dan had. Sure, I’d just been on stage talking about my broken love life and that got some laughs but Dan’s story was unique, just as he is. His jokes ranged from getting a DUI in his wheelchair to “running” not running in the family. After that night, Dan and I stayed in touch and he opened up to the possibility of being the subject of this documentary.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[pullquote size=\"large\" align=\"left\"]I’ve begun to refer to Dan as an onion, not only because he makes me cry laughing, but because the more you get to know him, the more layers you begin to see he has. [/pullquote] Dan is one of the goofiest and sweetest people I’ve met. At first glance, I saw someone with a disability using comedy to express themselves. But the more I got to know him, I saw someone who has used the transformative power of comedy to better themselves. Dan credits stand up comedy for his sobriety, a statement that very few people can identify with as many comedians are notorious for drug use. Dan’s passion for making people laugh and for connecting with his fellow comedians, is what drove him to quit drinking. This drive to self betterment, an evolution of strength and ability to overcome whatever health adversity he is thrown, is inspiring. The love Dan has for his wife is also inspiring. I’m honored to be able to share some of Dan’s story.\u003c/span>\u003c/p>\n\u003cp>[aside label=\"More from Dan Smith\" link1=\"\u003ca href=\"http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\">http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\u003c/a>, Dan Smith on Serious Talk. Seriously. Podcast\"]\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" link=\"file\" ids=\"3286,3287,3288\"]\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">[ad fullwidth]\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Dan Smith Bio: \u003c/strong>\u003c/p>\n\u003cp>Dan Smith (aka Dan the Can’t Stand Up Comedian) was born in Walnut Creek. He was born with a birth defect called Spina Bifida and has been a paraplegic his whole life. Much of his material comes from his experiences spending his life in a wheelchair. He has been performing comedy for 3 years in clubs, including Punch Line, Laughs Unlimited and all over Sacramento, as well as performing in San Francisco, and Reno and numerous other places throughout California and Nevada. When he’s not doing comedy, he enjoys spending time with his wife Anna and their Boston Terrier Kepi Joe.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Credits:\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ainé Henderson\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Asal Ehsanipour\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Alex Irwin\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Janelle Hessig\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Music\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Black Silhouette\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">By. Blockhead & Alan Parker & Eric Allen &\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Frank Reidy & Peter Shade\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">De Wolfe Music // De Wolfe LTD\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Documentary Minimalism\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">By. Benjamin McAvoy\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">De Wolfe Music // De Wolfe LTD \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Special Thanks \u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dan Smith\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Justin Isaacks \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Highwater Restaurant\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Vic Mauleon\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sasha Khokha\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Amy Miller\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Abby Staeble\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Derek Dozier\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Body Posi Comedy Show\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n","disqusIdentifier":"3285 https://ww2.kqed.org/trulyca/?p=3285","disqusUrl":"https://ww2.kqed.org/trulyca/doing-stand-up-as-the-cant-stand-up-comedian-the-dan-smith-story/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":894,"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":35},"modified":1599232426,"excerpt":"Dan Smith calls himself the “Can’t Stand Up Comedian.” Born with the most severe type of spina bifida, he’s turned to comedy to express himself.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Dan Smith calls himself the “Can’t Stand Up Comedian.” Born with the most severe type of spina bifida, he’s turned to comedy to express himself.","title":"Doing Stand Up as the Can't Stand up Comedian - The Dan Smith Story - Truly CA","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Doing Stand Up as the Can't Stand up Comedian - The Dan Smith Story","datePublished":"2020-09-04T04:00:35-07:00","dateModified":"2020-09-04T08:13:46-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"doing-stand-up-as-the-cant-stand-up-comedian-the-dan-smith-story","status":"publish","videoEmbed":"https://www.youtube.com/watch?v=XS7-dR8znvY","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","path":"/trulyca/3285/doing-stand-up-as-the-cant-stand-up-comedian-the-dan-smith-story","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.facebook.com/CantStandUpComedy\">Dan Smith is the “The Can’t Stand Up Comedian,”\u003c/a> a Sacramento comic born with \u003c/span>\u003cspan style=\"font-weight: 400\">spina bifida\u003c/span>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003cspan style=\"font-weight: 400\">a condition that occurs when the spine and spinal cord don't form properly. His is the most severe form of spina bifida, \u003c/span>\u003cspan style=\"font-weight: 400\">myelomeningocele, because, as Dan jokes, “if you’re going to commit to something, go all the way.” Dan has always been funny but he’d never felt confident enough to get up on stage himself until taking a stand up comedy class in 2017.\u003c/span>\u003cspan style=\"font-weight: 400\"> Now, just 3 years later, Dan is hosting and headlining comedy shows online and around the city. Including the now online Body Posi Comedy Show run by \u003ca href=\"https://www.facebook.com/stabcomedytheater\">STAB! Comedy\u003c/a>.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> In this short documentary, Dan shares his experiences in the Sacramento comedy scene, opens up about his sobriety, and chronicles his evolution as a sitting-down stand up comedian. Writing and performing comedy, along with people's laughter, is what has kept him going through some of his darkest times. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=XS7-dR8znvY\">Watch The Dan Smith Story Here By. Ainé Henderson\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I first met Dan Smith on a dare. A dare to try one of the most terrifying things known to humanity: stand up comedy. Dan and I met at an open mic hosted at the famous Italian restaurant, Vince’s, which is delightfully snuggled up in between a Motel 6 parking lot and a Del Taco in South Sacramento. It was my first time doing stand up and Dan, the comedy pro, was hard to miss. He was the only one who took the term “front and center stage” seriously. There was a bar placed horizontally across the stage exactly at hip height, my hip height, which is where Dan’s face height is when he’s sitting in his wheelchair. To be seen, he had to perform in front of the stage. As an outsider and a newcomer, I was full of nerves but Dan greeted me warmly and the rest of the comedians greeted him with love and admiration.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That night, Dan had me rolling with laughter, the kind of laughter that comes from a combination of agony mixing with humor, the kind that makes you feel uncomfortable for laughing, but so uncomfortable you continue to laugh. My favorite type of comedy: dark comedy. I’d never come across a comic who used comedy to express themselves like Dan had. Sure, I’d just been on stage talking about my broken love life and that got some laughs but Dan’s story was unique, just as he is. His jokes ranged from getting a DUI in his wheelchair to “running” not running in the family. After that night, Dan and I stayed in touch and he opened up to the possibility of being the subject of this documentary.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"I’ve begun to refer to Dan as an onion, not only because he makes me cry laughing, but because the more you get to know him, the more layers you begin to see he has. ","name":"pullquote","attributes":{"named":{"size":"large","align":"left","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp> Dan is one of the goofiest and sweetest people I’ve met. At first glance, I saw someone with a disability using comedy to express themselves. But the more I got to know him, I saw someone who has used the transformative power of comedy to better themselves. Dan credits stand up comedy for his sobriety, a statement that very few people can identify with as many comedians are notorious for drug use. Dan’s passion for making people laugh and for connecting with his fellow comedians, is what drove him to quit drinking. This drive to self betterment, an evolution of strength and ability to overcome whatever health adversity he is thrown, is inspiring. The love Dan has for his wife is also inspiring. I’m honored to be able to share some of Dan’s story.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More from Dan Smith link1=\"\u003ca href=\"http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\">http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\u003c/a>, Dan Smith on Serious Talk. Seriously. Podcast\""},"numeric":["link1=\"\u003ca","href=\"http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\">http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\u003c/a>,","Dan","Smith","on","Serious","Talk.","Seriously.","Podcast\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","link":"file","ids":"3286,3287,3288","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Dan Smith Bio: \u003c/strong>\u003c/p>\n\u003cp>Dan Smith (aka Dan the Can’t Stand Up Comedian) was born in Walnut Creek. He was born with a birth defect called Spina Bifida and has been a paraplegic his whole life. Much of his material comes from his experiences spending his life in a wheelchair. He has been performing comedy for 3 years in clubs, including Punch Line, Laughs Unlimited and all over Sacramento, as well as performing in San Francisco, and Reno and numerous other places throughout California and Nevada. When he’s not doing comedy, he enjoys spending time with his wife Anna and their Boston Terrier Kepi Joe.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Credits:\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ainé Henderson\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Asal Ehsanipour\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Alex Irwin\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Janelle Hessig\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Music\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Black Silhouette\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">By. Blockhead & Alan Parker & Eric Allen &\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Frank Reidy & Peter Shade\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">De Wolfe Music // De Wolfe LTD\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Documentary Minimalism\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">By. 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