I interviewed in Zine makers’ spaces–bedrooms, tiny print shops above book shops–which are colorful spaces crammed with artwork and sometimes noisy risographs!It was important to include an interview with a curator at a traditional art institution to get an outsider’s perspective. I spent over 6 months reaching out to various people and organizations–sometimes I never heard back, but mostly I received polite rejections. Finally I gained access to a very insightful curator at the Oakland Museum where we were able to do the shoot on location.

Post production turned out to be far more intense that I had anticipated. My editor, Kat, was highly motivated with great energy and lots of ideas and she really wanted to add a hand-made look to the whole production. In fact we didn’t do any traditional, digital lower thirds, captions. Every name and title was typed out, cutout,and then photographed at different points to create a stop motion style.

But she really put me to the test when she talked me into making a zine for the credits! My hope in showing the documentary at different screenings and festivals, and through KQED, is that audiences will gain an understanding of what zines are and the power they hold to communicate personal thoughts to wide audiences without using social media platforms.

But I Love The Zine Director - Fiona McDougall

Director Bio

In her roles as both Creative Services Director and Video Producer at OneWorld, Fiona oversees and coordinates all media production: TV broadcast PSAs and digital informational and educational videos, radio, print, photography, digital. Many of the campaigns she has produced incorporate all these media and she has produced them in Spanish, Cantonese, and Mandarin, among other languages. Her work involves carrying out research and meeting with clients to understand their programs and goals; contributing to strategy and creative briefs; overseeing treatments and scripts, ensuring that they address all client goals and will be effective in achieving required results; creating budgets, schedules; putting together the team: director photography (DP), scriptwriter, director etc.; identifying talent and locations, identifying the types of cameras to be used for the look, overseeing the field production and overseeing editing, music, audio, and special effects. Her most recent project, But I Love the Zine, was nominated in the Short Doc category in the Oregon Film Festival, 2019.

Cast

V.Vale: Writer, Independent, Publisher

Jess Wu-O: Mixed Rice Zines

Max Stadnik & Sanaa Khan: Tiny Splendor

Raphael Villet : Play Press Zines

Jeffrey Cheung & Gabriel Ramirez: Unity Press

Carin Adams: Curator of Art, Oakland Museum of California

Crew

Produced and Directed by Fiona McDougall

Script: Fiona McDougall

Consulting Scriptwriter: Jonathan Villet

Camera: Fiona McDougall, Cliff Traiman, Khaboshi Imbukwa

Editor & Art Director: Kat Cory

Sound Mixer & Designer: Thayer Walker

Audio Post: Lowdownhaus

Pop CulturePop Culture

Imitation continues to be the highest form of flattery, in short doc, King of the Road

Love, death and costumes: Meet the SF Pride Grand Marshals who introduced their community to art and reclaimed fashion.

Better Known As Peaches Christ

Verasphere: A Love Story In Costume

Ruminations

But I Love the Zine

Oddball

Desert X

Nat Bates for Mayor