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What are the odds for a young boy to achieve his dreams? Depends on your drive and depends on your luck. How badly do you want to achieve your goals? How about rising to the #1 Bay Area Elvis Tribute Artist since 2008 on Gigmasters?\u003c/p>\n\u003cp>As we hear testimony from Rick’s former drama teacher, his bandmates and, those who have hired him to be a part of their special occasions, we learn about Rick’s struggles and what inspires him to keep going.\u003c/p>\n\u003cp>[gallery size=\"medium\" ids=\"3334,3333,3332\"]\u003c/p>\n\u003cp>\u003cstrong>Directors Note:\u003c/strong>\u003cbr>\nLike many people, I am drawn to a good story. We all have special talents to share and unique voices. When I come across something or someone that inspires me, I want to share that inspiration with others.\u003c/p>\n\u003cp>\u003cem>[aside label=\"Check out the interview with director, Cate Celso\" link1=\"\u003ca href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/https://matthewtoffolo.com/2020/08/08/interview-with-filmmaker-cate-celso-king-of-the-road/player/embed/508608745/509179603\u003c/a>, Daily Summary, Matthew Toffolo\"]\u003c/em>\u003c/p>\n\u003cp>I met Rick six years ago when the company I worked for hired him to perform on-site. As I watched his energy fill the room he transformed his audience, I became curious about him and wanted to know more about his path, his story.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Our paths crossed again back in 2017 and for me, it was a sign to tackle my first documentary and share Rick’s inspirational story with you.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\">\u003cimg class=\"size-medium wp-image-3327 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\" alt=\"\" width=\"600\" height=\"300\" data-wp-editing=\"1\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cate Celso\u003c/strong> (Director) – is a filmmaker based in San Francisco, CA. She has worked for several years in live-action and animation film production. Cate started writing and directing short films with some fellow co-workers and eventually joined indie film groups where she continues to contribute her skills. Currently, she is working on building her body of work as a Director. This is her first documentary and third short film.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\">\u003cimg class=\"size-full wp-image-3326 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Ashley Hirt\u003c/strong> (Producer) – Ashley Hirt is a Canadian born filmmaker living in Los Angeles. Her storytelling often reflects her mixed cultural roots of growing up in a Metis and Scottish family. Known for co-producing the feature film \"Black Field\" which has received numerous accolades including the Amazon Video Direct Award (2017) at the Sundance Film Festival (2017). Ashley’s work is usually female-driven content and supports Indigenous artists. She is an alumna of the National Screen Institute of Canada and the Royal Academy of Dramatic Art (London).\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\">\u003cimg class=\"size-full wp-image-3328 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sean Wells\u003c/strong> (Director of Photography) - Sean makes stuff and likes to help other people make stuff. He mostly works in the dark as a colorist but as Director of Photography on King of the Road, he's working with light.\u003c/p>\n\n","disqusIdentifier":"3323 https://ww2.kqed.org/trulyca/?p=3323","disqusUrl":"https://ww2.kqed.org/trulyca/imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":474,"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":15},"modified":1610391248,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Growing up in east San Jose, California the youngest of six children from a single-parent household, Rick Torres had a passion for entertaining. What are the odds for a young boy to achieve his dreams? Depends on your drive and depends on your luck. How badly do you want to achieve your goals? How about","title":"Imitation continues to be the highest form of flattery, in short doc, King of the Road - Truly CA","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Imitation continues to be the highest form of flattery, in short doc, King of the Road","datePublished":"2021-01-08T05:00:42-08:00","dateModified":"2021-01-11T10:54:08-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road","status":"publish","videoEmbed":"https://www.youtube.com/watch?v=v6dw9TsezUQ","path":"/trulyca/3323/imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Growing up in east San Jose, California the youngest of six children from a single-parent household, Rick Torres had a passion for entertaining. What are the odds for a young boy to achieve his dreams? Depends on your drive and depends on your luck. How badly do you want to achieve your goals? How about rising to the #1 Bay Area Elvis Tribute Artist since 2008 on Gigmasters?\u003c/p>\n\u003cp>As we hear testimony from Rick’s former drama teacher, his bandmates and, those who have hired him to be a part of their special occasions, we learn about Rick’s struggles and what inspires him to keep going.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"size":"medium","ids":"3334,3333,3332","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Directors Note:\u003c/strong>\u003cbr>\nLike many people, I am drawn to a good story. We all have special talents to share and unique voices. When I come across something or someone that inspires me, I want to share that inspiration with others.\u003c/p>\n\u003cp>\u003cem>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"Check out the interview with director, Cate Celso link1=\"\u003ca href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/https://matthewtoffolo.com/2020/08/08/interview-with-filmmaker-cate-celso-king-of-the-road/player/embed/508608745/509179603\u003c/a>, Daily Summary, Matthew Toffolo\""},"numeric":["link1=\"\u003ca","href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/https://matthewtoffolo.com/2020/08/08/interview-with-filmmaker-cate-celso-king-of-the-road/player/embed/508608745/509179603\u003c/a>,","Daily","Summary,","Matthew","Toffolo\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/em>\u003c/p>\n\u003cp>I met Rick six years ago when the company I worked for hired him to perform on-site. As I watched his energy fill the room he transformed his audience, I became curious about him and wanted to know more about his path, his story.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Our paths crossed again back in 2017 and for me, it was a sign to tackle my first documentary and share Rick’s inspirational story with you.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\">\u003cimg class=\"size-medium wp-image-3327 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\" alt=\"\" width=\"600\" height=\"300\" data-wp-editing=\"1\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cate Celso\u003c/strong> (Director) – is a filmmaker based in San Francisco, CA. She has worked for several years in live-action and animation film production. Cate started writing and directing short films with some fellow co-workers and eventually joined indie film groups where she continues to contribute her skills. Currently, she is working on building her body of work as a Director. This is her first documentary and third short film.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\">\u003cimg class=\"size-full wp-image-3326 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Ashley Hirt\u003c/strong> (Producer) – Ashley Hirt is a Canadian born filmmaker living in Los Angeles. Her storytelling often reflects her mixed cultural roots of growing up in a Metis and Scottish family. Known for co-producing the feature film \"Black Field\" which has received numerous accolades including the Amazon Video Direct Award (2017) at the Sundance Film Festival (2017). Ashley’s work is usually female-driven content and supports Indigenous artists. She is an alumna of the National Screen Institute of Canada and the Royal Academy of Dramatic Art (London).\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\">\u003cimg class=\"size-full wp-image-3328 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sean Wells\u003c/strong> (Director of Photography) - Sean makes stuff and likes to help other people make stuff. He mostly works in the dark as a colorist but as Director of Photography on King of the Road, he's working with light.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3323/imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_33","trulyca_20","trulyca_31","trulyca_34","trulyca_32"],"tags":["trulyca_944","trulyca_947","trulyca_943","trulyca_946","trulyca_945"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3325","label":"trulyca_771"},"trulyca_3207":{"type":"posts","id":"trulyca_3207","meta":{"index":"posts_1716263798","site":"trulyca","id":"3207","score":null,"sort":[1595869253000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1595869253,"format":"video","disqusTitle":"Love, death and costumes: Meet the SF Pride Grand Marshals who introduced their community to art and reclaimed fashion.","title":"Love, death and costumes: Meet the SF Pride Grand Marshals who introduced their community to art and reclaimed fashion.","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>KQED's documentary acquisition series \u003ca href=\"https://www.youtube.com/playlist?list=PLeGdTT0--8Khz_o0pdGn7RMVcoK6z0zhw\">Truly CA: Our State, Our Stories\u003c/a> brings a feature film adapted from a previous short film released last season. The short, \u003ca href=\"https://www.kqed.org/trulyca/3024/verasphere-a-love-story-in-costume\">\u003cem>Verasphere: A Love Story in Costume\u003c/em>\u003c/a>, followed partners, David Faulk and Michael Johnstone; their story of love, survival, creation and self expression during the AIDS epidemic.\u003c/p>\n\u003cp>Now, the hour long documentary has come to the light, titled Mrs.\u003cem> Vera’s Daybook.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_3213\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3213\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-800x450.jpeg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-768x432.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Micheal Johnstone (L), Photographer and David Faulk (R) pose at their gallery opening at the Harvey Milk Center in San Francisco. \u003ccite>(NuReality Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During one of the darkest periods in US History, two men decide to bring joy and color to a broken community for which an entire movement has emerged.\u003c/p>\n\u003cp>Directed and Produced by Robert James, \u003cem>Mrs. Vera's Daybook, \u003c/em>a NuReality Production, tells a story of historic activism and community art through the works of two San Francisco artists, David Faulk and Michael Johnstone, who also happen to be long-term AIDS survivors.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-3212\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-800x450.jpeg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-768x432.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Becoming the unofficial costumers of the SF Pride Parade, the Verasphere Community has grown as the years go by. Supporters, fellow activists and members of the Queer Art Community join the film to help paint this vivid portrait of perseverance, compassion and outrageous dime-store fashion.[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=dmdhKJqirNI\">Watch Mrs. Vera's Daybook from NuReality Productions \u003c/a> [/pullquote]Having received the coveted Community Grand Marshal appointment for the SF PRIDE Parade in 2019, \u003cem>Daybook\u003c/em> subjects celebrate 25 years of making sensational art together.\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" ids=\"3210,3211,3216,3217,3218,3219,3220,3221,3222\" orderby=\"rand\"]\u003c/p>\n\u003ch4>\u003cb>Directors Statement, \u003c/b> Mrs. Vera’s Daybook\u003c/h4>\n\u003cp>A flamboyant subject from a feature documentary film I made wrote me an email and said ‘You should make a film about Mrs. Vera’. I didn’t know who or what Mrs. Vera was but after speaking with several people in the San Francisco art world, I set up a meeting. I soon learned that Mrs. Vera and the Verapshere was a costume-art collaboration born during desperate times when two people fell in love. Michael Johnstone and David Faulk, both long-term AIDS survivors met at a time when love was the last thing they were looking for.\u003c/p>\n\u003cp>This story turned into the Short Film VERASPHERE: A Love story in Costume in the summer of 2019 and aired on Truly CA thru KQED (PBS); but these two men that have created community art together for 25 years and delighted thousands of people was a much bigger story of historic activism and art, so we kept shooting.\u003c/p>\n\u003cp>This may be the sweetest film I’ve ever made. The idea that something shimmering and magnificent could spring from the plague years in San Francisco may not be the most original story, but the alien art experience offered for free by two loving souls that wish to include everyone sure is.\u003c/p>\n\u003cfigure id=\"attachment_3227\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3227 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1536x1152.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-2048x1536.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mrs. Vera's Daybook Director, Producer & Writer\u003c/figcaption>\u003c/figure>\n\u003ch4>\u003cstrong style=\"background-color: transparent;color: #2b2b2b;font-size: 16px\">Director Bio\u003c/strong>\u003c/h4>\n\u003cp>Robert began his film-making career at the age of 46 in 2009.\u003c/p>\n\u003cp>After 3 semesters of film production classes, he left school to intern for a celebrated documentary filmmaker in Los Angeles. Traveling the world with camera in hand he assisted on several projects learning videography and editing skills. This led to Robert co-directing his first short film ‘Library of Dust’ in 2011.\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>Producing that film and winning several awards inspired him to launch right into future projects and soon after NuReality Productions was born.\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>This small independent documentary film company located in Berkeley has fostered many talented collaborators that would assist in an array of diverse media ventures. Two documentary short films, a doc feature film and a five-part series along with\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>a rich collection of commercial work, music video and web content has Robert and his crew busy with several future projects in the works.\u003c/p>\n\u003ch5>\u003c/h5>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3237\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3237 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Producer, Editor & Co-Writer, Nick Blond\u003c/figcaption>\u003c/figure>\n\u003ch4>\u003cstrong>Producers Bio\u003c/strong>\u003c/h4>\n\u003cp>Since moving from Humboldt County to the SF Bay Area in 2011, Nick Blond has worked as a freelance videographer, capturing and editing commercial productions, corporate events, music videos, and award winning documentaries including R\u003cem>uminations \u003c/em>(2018), \u003cem>VERASPHERE: A Love Story in Costume \u003c/em>(2019), and \u003cem>King of the Road \u003c/em>(2019).\u003c/p>\n\u003cp>Though focusing primarily on editing, Nick has worn almost every hat in the industry at one point or another. With a wide range of projects under his belt, Nick finds most of his passion in telling lesser-known stories that educate, challenge, or otherwise make an impact on viewers and promote positive social change.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside label=\"More from the Verasphere\" link1=\"\u003ca href=\"https://veraspherefilm.com/the-filmmakers\" target=\"_blank\" rel=\"noopener noreferrer\"> https://veraspherefilm.com/the-filmmakers\u003c/a>\" link2=\"\u003ca href=\"https://www.kqed.org/arts/13842612/ever-expanding-verasphere-testifies-to-the-restorative-power-of-creativity\">https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\u003c/a>\"]\u003c/p>\n\u003ch4 style=\"text-align: left\">Production Credits\u003c/h4>\n\u003cp>Written, Produced and Directed by Robert James\u003c/p>\n\u003cp>Executive Producer - Howard Grothe\u003c/p>\n\u003cp>Produced, Edited and Co-Written by Nick Blond\u003c/p>\n\u003cp>Cinematographer - Rudy Behrens\u003c/p>\n\u003cp>Original Music by Steven Clark & Andy Cowitt\u003c/p>\n\u003cp>\u003cstrong>Cast\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Dave Christenson\u003c/p>\n\u003cp>Nicola Bosco-Alvarez\u003c/p>\n\u003cp>Don Bapst\u003c/p>\n\u003cp>Jon Harris\u003c/p>\n\u003cp>Larry Boly\u003c/p>\n\u003cp>Jack Collins\u003c/p>\n\u003cp>Ron Cordova\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>Julie Blankenship\u003c/p>\n\u003cp>Dale Van Dusen\u003c/p>\n\u003cp>Michael Wertz\u003c/p>\n\u003cp>Cameron Wolf\u003c/p>\n\u003cp>Annie Sprinkle\u003c/p>\n\u003cp>Beth Stevens\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Nell Jehu\u003c/p>\n\u003cp>Daniel Dagucon\u003c/p>\n\u003cp>Sean Lord\u003c/p>\n\u003cp>Andy Cowitt\u003c/p>\n\u003cp>\u003cstrong>Crew Cont’d\u003c/strong>\u003c/p>\n\u003cp>Production Sound - Steven Lagosh\u003c/p>\n\u003cp>Camera Operator - Nick Blond\u003c/p>\n\u003cp>Additional Camera - Susan Bradley, Robert James, Julian King, Ruby Rieke\u003c/p>\n\u003cp>Additional Media Provided by - Michael Johnstone, Rick Gerharter, Don Bapst, Ben Iliili, Qi Zheng, Sean Lord\u003c/p>\n\u003cp>Title Design and Motion Graphics - Susan Bradley\u003c/p>\n\u003cp>Additional Motion Graphics - Nick Blond\u003c/p>\n\u003cp>Sound Mixer - Dan Olmsted\u003c/p>\n\u003cp>Colorist - Mark Sterne\u003c/p>\n\u003cp>Archival Footage Courtesy of Michael Johnstone, Emma King, Mark Trevorrow, Eric Smith, Rand McIlvenna, Oddball Films, KPIX CBS Bay Area, Warner Bros. Television, ABC7, Kron 4, KOFY-TV\u003c/p>\n\u003cp>Fiscal Sponsorship Provided by Center for Independent Documentary\u003c/p>\n\u003cp>Legal Clearance - Justine Jacob\u003c/p>\n\u003ch6>Special Thanks\u003c/h6>\n\u003cp>Very Special Thanks - Anthony Cianciola, California Academy of Sciences San Francisco, Carl Linkhart, Carolyn Johnston, D’Arcy Drollinger, Ethan Rayvasg, Frameline, Gabrielle Javier, Heklina, Irene Tsouprake Holombo & Hilarious Family, Jennifer Kroot, Jon Harris, Kat Kai, Mark O’Connell & Elliott Fabian\u003c/p>\n\u003cp>Special Thanks To Our Contributors - Alex Nellas, Anne Whiteside, Antonio Leony, Bruce, Cameron Wolfe, Devon Popora, Francoise Herrmann, Gary Hutton, Gloria Kemper, Jean Johnston, Jeff Jackman, Jennifer Kilpatrick, Kay Jones, Marcello Forte, Mary Lanin, Michael Cullen & Gerald Lawson, Nancy Freedman, Peter Toscani, Radu Raduta, and Sheila-Merle Johnson\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","disqusIdentifier":"3207 https://ww2.kqed.org/trulyca/?p=3207","disqusUrl":"https://ww2.kqed.org/trulyca/love-death-and-costumes-meet-the-sf-pride-grand-marshals-who-introduced-their-community-to-art-and-reclaimed-fashion/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":1085,"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":59},"modified":1641834644,"excerpt":"Love, death and costumes. Meet two SF creatives who during the height of the HIV/AIDS crisis created an alter ego who kept them alive and become a community staple. ","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Love, art, creation and death, two S.F. artists at the height of the AIDS epidemic created a one Mrs. Vera. Her creators, David Faulk and Michael Johnstone created her in order to cope with their own diagnosis but now, many years later, she's become much more than that, watch the full documentary here.","title":"Love, death and costumes: Meet the SF Pride Grand Marshals who introduced their community to art and reclaimed fashion. - Truly CA","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Love, death and costumes: Meet the SF Pride Grand Marshals who introduced their community to art and reclaimed fashion.","datePublished":"2020-07-27T10:00:53-07:00","dateModified":"2022-01-10T09:10:44-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"love-death-and-costumes-meet-the-sf-pride-grand-marshals-who-introduced-their-community-to-art-and-reclaimed-fashion","status":"publish","excludeFromSiteSearch":"Include","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","path":"/trulyca/3207/love-death-and-costumes-meet-the-sf-pride-grand-marshals-who-introduced-their-community-to-art-and-reclaimed-fashion","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>KQED's documentary acquisition series \u003ca href=\"https://www.youtube.com/playlist?list=PLeGdTT0--8Khz_o0pdGn7RMVcoK6z0zhw\">Truly CA: Our State, Our Stories\u003c/a> brings a feature film adapted from a previous short film released last season. The short, \u003ca href=\"https://www.kqed.org/trulyca/3024/verasphere-a-love-story-in-costume\">\u003cem>Verasphere: A Love Story in Costume\u003c/em>\u003c/a>, followed partners, David Faulk and Michael Johnstone; their story of love, survival, creation and self expression during the AIDS epidemic.\u003c/p>\n\u003cp>Now, the hour long documentary has come to the light, titled Mrs.\u003cem> Vera’s Daybook.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_3213\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3213\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-800x450.jpeg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-768x432.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Micheal Johnstone (L), Photographer and David Faulk (R) pose at their gallery opening at the Harvey Milk Center in San Francisco. \u003ccite>(NuReality Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During one of the darkest periods in US History, two men decide to bring joy and color to a broken community for which an entire movement has emerged.\u003c/p>\n\u003cp>Directed and Produced by Robert James, \u003cem>Mrs. Vera's Daybook, \u003c/em>a NuReality Production, tells a story of historic activism and community art through the works of two San Francisco artists, David Faulk and Michael Johnstone, who also happen to be long-term AIDS survivors.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-3212\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-800x450.jpeg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-768x432.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Becoming the unofficial costumers of the SF Pride Parade, the Verasphere Community has grown as the years go by. Supporters, fellow activists and members of the Queer Art Community join the film to help paint this vivid portrait of perseverance, compassion and outrageous dime-store fashion.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=dmdhKJqirNI\">Watch Mrs. Vera's Daybook from NuReality Productions \u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Having received the coveted Community Grand Marshal appointment for the SF PRIDE Parade in 2019, \u003cem>Daybook\u003c/em> subjects celebrate 25 years of making sensational art together.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","ids":"3210,3211,3216,3217,3218,3219,3220,3221,3222","orderby":"rand","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch4>\u003cb>Directors Statement, \u003c/b> Mrs. Vera’s Daybook\u003c/h4>\n\u003cp>A flamboyant subject from a feature documentary film I made wrote me an email and said ‘You should make a film about Mrs. Vera’. I didn’t know who or what Mrs. Vera was but after speaking with several people in the San Francisco art world, I set up a meeting. I soon learned that Mrs. Vera and the Verapshere was a costume-art collaboration born during desperate times when two people fell in love. Michael Johnstone and David Faulk, both long-term AIDS survivors met at a time when love was the last thing they were looking for.\u003c/p>\n\u003cp>This story turned into the Short Film VERASPHERE: A Love story in Costume in the summer of 2019 and aired on Truly CA thru KQED (PBS); but these two men that have created community art together for 25 years and delighted thousands of people was a much bigger story of historic activism and art, so we kept shooting.\u003c/p>\n\u003cp>This may be the sweetest film I’ve ever made. The idea that something shimmering and magnificent could spring from the plague years in San Francisco may not be the most original story, but the alien art experience offered for free by two loving souls that wish to include everyone sure is.\u003c/p>\n\u003cfigure id=\"attachment_3227\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3227 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1536x1152.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-2048x1536.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mrs. Vera's Daybook Director, Producer & Writer\u003c/figcaption>\u003c/figure>\n\u003ch4>\u003cstrong style=\"background-color: transparent;color: #2b2b2b;font-size: 16px\">Director Bio\u003c/strong>\u003c/h4>\n\u003cp>Robert began his film-making career at the age of 46 in 2009.\u003c/p>\n\u003cp>After 3 semesters of film production classes, he left school to intern for a celebrated documentary filmmaker in Los Angeles. Traveling the world with camera in hand he assisted on several projects learning videography and editing skills. This led to Robert co-directing his first short film ‘Library of Dust’ in 2011.\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>Producing that film and winning several awards inspired him to launch right into future projects and soon after NuReality Productions was born.\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>This small independent documentary film company located in Berkeley has fostered many talented collaborators that would assist in an array of diverse media ventures. Two documentary short films, a doc feature film and a five-part series along with\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>a rich collection of commercial work, music video and web content has Robert and his crew busy with several future projects in the works.\u003c/p>\n\u003ch5>\u003c/h5>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3237\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3237 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Producer, Editor & Co-Writer, Nick Blond\u003c/figcaption>\u003c/figure>\n\u003ch4>\u003cstrong>Producers Bio\u003c/strong>\u003c/h4>\n\u003cp>Since moving from Humboldt County to the SF Bay Area in 2011, Nick Blond has worked as a freelance videographer, capturing and editing commercial productions, corporate events, music videos, and award winning documentaries including R\u003cem>uminations \u003c/em>(2018), \u003cem>VERASPHERE: A Love Story in Costume \u003c/em>(2019), and \u003cem>King of the Road \u003c/em>(2019).\u003c/p>\n\u003cp>Though focusing primarily on editing, Nick has worn almost every hat in the industry at one point or another. With a wide range of projects under his belt, Nick finds most of his passion in telling lesser-known stories that educate, challenge, or otherwise make an impact on viewers and promote positive social change.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More from the Verasphere link1=\"\u003ca rel=\"noopener noreferrer\"> https://veraspherefilm.com/the-filmmakers\u003c/a>\" link2=\"\u003ca href=\"https://www.kqed.org/arts/13842612/ever-expanding-verasphere-testifies-to-the-restorative-power-of-creativity\">https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\u003c/a>\"","href":"https://veraspherefilm.com/the-filmmakers","target":"_blank"},"numeric":["link1=\"\u003ca","rel=\"noopener","noreferrer\">","https://veraspherefilm.com/the-filmmakers\u003c/a>\"","link2=\"\u003ca","href=\"https://www.kqed.org/arts/13842612/ever-expanding-verasphere-testifies-to-the-restorative-power-of-creativity\">https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\u003c/a>\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch4 style=\"text-align: left\">Production Credits\u003c/h4>\n\u003cp>Written, Produced and Directed by Robert James\u003c/p>\n\u003cp>Executive Producer - Howard Grothe\u003c/p>\n\u003cp>Produced, Edited and Co-Written by Nick Blond\u003c/p>\n\u003cp>Cinematographer - Rudy Behrens\u003c/p>\n\u003cp>Original Music by Steven Clark & Andy Cowitt\u003c/p>\n\u003cp>\u003cstrong>Cast\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Dave Christenson\u003c/p>\n\u003cp>Nicola Bosco-Alvarez\u003c/p>\n\u003cp>Don Bapst\u003c/p>\n\u003cp>Jon Harris\u003c/p>\n\u003cp>Larry Boly\u003c/p>\n\u003cp>Jack Collins\u003c/p>\n\u003cp>Ron Cordova\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>Julie Blankenship\u003c/p>\n\u003cp>Dale Van Dusen\u003c/p>\n\u003cp>Michael Wertz\u003c/p>\n\u003cp>Cameron Wolf\u003c/p>\n\u003cp>Annie Sprinkle\u003c/p>\n\u003cp>Beth Stevens\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Nell Jehu\u003c/p>\n\u003cp>Daniel Dagucon\u003c/p>\n\u003cp>Sean Lord\u003c/p>\n\u003cp>Andy Cowitt\u003c/p>\n\u003cp>\u003cstrong>Crew Cont’d\u003c/strong>\u003c/p>\n\u003cp>Production Sound - Steven Lagosh\u003c/p>\n\u003cp>Camera Operator - Nick Blond\u003c/p>\n\u003cp>Additional Camera - Susan Bradley, Robert James, Julian King, Ruby Rieke\u003c/p>\n\u003cp>Additional Media Provided by - Michael Johnstone, Rick Gerharter, Don Bapst, Ben Iliili, Qi Zheng, Sean Lord\u003c/p>\n\u003cp>Title Design and Motion Graphics - Susan Bradley\u003c/p>\n\u003cp>Additional Motion Graphics - Nick Blond\u003c/p>\n\u003cp>Sound Mixer - Dan Olmsted\u003c/p>\n\u003cp>Colorist - Mark Sterne\u003c/p>\n\u003cp>Archival Footage Courtesy of Michael Johnstone, Emma King, Mark Trevorrow, Eric Smith, Rand McIlvenna, Oddball Films, KPIX CBS Bay Area, Warner Bros. Television, ABC7, Kron 4, KOFY-TV\u003c/p>\n\u003cp>Fiscal Sponsorship Provided by Center for Independent Documentary\u003c/p>\n\u003cp>Legal Clearance - Justine Jacob\u003c/p>\n\u003ch6>Special Thanks\u003c/h6>\n\u003cp>Very Special Thanks - Anthony Cianciola, California Academy of Sciences San Francisco, Carl Linkhart, Carolyn Johnston, D’Arcy Drollinger, Ethan Rayvasg, Frameline, Gabrielle Javier, Heklina, Irene Tsouprake Holombo & Hilarious Family, Jennifer Kroot, Jon Harris, Kat Kai, Mark O’Connell & Elliott Fabian\u003c/p>\n\u003cp>Special Thanks To Our Contributors - Alex Nellas, Anne Whiteside, Antonio Leony, Bruce, Cameron Wolfe, Devon Popora, Francoise Herrmann, Gary Hutton, Gloria Kemper, Jean Johnston, Jeff Jackman, Jennifer Kilpatrick, Kay Jones, Marcello Forte, Mary Lanin, Michael Cullen & Gerald Lawson, Nancy Freedman, Peter Toscani, Radu Raduta, and Sheila-Merle Johnson\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3207/love-death-and-costumes-meet-the-sf-pride-grand-marshals-who-introduced-their-community-to-art-and-reclaimed-fashion","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_38","trulyca_21","trulyca_32"],"tags":["trulyca_67","trulyca_891","trulyca_894","trulyca_68","trulyca_69","trulyca_893","trulyca_895","trulyca_890","trulyca_848","trulyca_892","trulyca_889"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3211","label":"trulyca_771"},"trulyca_3157":{"type":"posts","id":"trulyca_3157","meta":{"index":"posts_1716263798","site":"trulyca","id":"3157","score":null,"sort":[1592571645000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1592571645,"format":"video","disqusTitle":"Better Known As Peaches Christ","title":"Better Known As Peaches Christ","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>Two decades after Joshua Grannell gave birth to his bold, brazen, busty alter-ego, Peaches Christ has become a beloved cult icon.\u003c/p>\n\u003cp>This lush, intimate portrait offers a rare candid glimpse into the pre-show transformation of San Francisco’s most sought-after drag queen. Both man and queen get personal as they discuss transgression, catharsis, and how by becoming someone else, Joshua learned to love himself.\u003c/p>\n\u003cp>Through his development of Peaches Christ, Joshua was able to explore his feminine side and his sexuality. In the piece we hear from both Joshua and Peaches about their lives growing up Queer while attending Catholic school. Joshua developed the character of Peaches as a way to process and rebel against their Catholic upbringing.\u003c/p>\n\u003cp>As Joshua transforms into Peaches, we hear how Peaches helped him love himself. The film culminates in Joshua’s acceptance of himself, as we see Joshua/Peaches in their element at a drag show.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Directors Statement:\u003c/strong>\u003c/p>\n\u003cp>We were interested in the process of internal and external transformation that takes place in preparation for a drag show. Drag is as important and relevant as ever now. It’s a subversive act that is also a profound celebration of identity. I think a lot of people have felt like their identity has been under attack. We wanted to make a film, and actually a series of films, that celebrates diversity in thought, experience, and identity.\u003c/p>\n\u003cp>We wanted to make something that was accessible to people that have never seen a drag show, and get them interested in drag as an art form. At the same time, it was important to make a film about someone who learned to celebrate their own uniqueness, and we are hoping that it inspires others to embrace the qualities that make them unique. Jeff Dragomanovich and Nate Visconti (the directors) are both fans of Peaches.\u003c/p>\n\u003cp>\u003cstrong>Directors Bio:\u003c/strong>\u003c/p>\n\u003cp>Nate Visconti is a San Francisco Bay Area native. For the last 10 years, Nate has produced narrative and documentary shorts, worked on film and television sets, and shot and produced\u003cbr>\ncorporate training, recruiting, and promotional videos. Nate and the other filmmakers on Better Known as Peaches Christ have created a film collective to make films together.\u003c/p>\n\u003cp>Jeff Dragomanovich is freelance sound mixer that's worked on feature films, commercial and corporate videos. He is the owner and operator of Appetite For Production. Jeff is a San Francisco Bay Area native and has worked in the industry for nearly 10 years. His love of film led him to study cinema at San Francisco State University where he fell in love with documentary film making. Better Known as Peaches Christ is the third short documentary that he has directed.\u003c/p>\n\u003cp>To learn more about Nate & Jeff's work, check them out at the links below:\u003c/p>\n\u003cp>\u003ca href=\"http://fourcornerlabs.com\">http://fourcornerlabs.com\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/fourcornerlabs\">https://twitter.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/FourCornerLabs\">https://www.facebook.com/FourCornerLabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://vimeo.com/fourcornerlabs\">https://vimeo.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/fourcornerlabs\">https://www.instagram.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credit List\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Directed by Jeff Dragomanovich & Nate Visconti\u003cbr>\nProduced by Nate Visconti\u003cbr>\nCo-produced by Oli McCormack & Greg Armstrong\u003cbr>\nFeaturing Joshua Grannell as Peaches Christ\u003cbr>\nDirector of Photography Dan Williams\u003cbr>\nEditor Greg Armstrong\u003cbr>\nArt Direction Helen Slomowitz\u003cbr>\nGaffer Hart Perez\u003cbr>\nProduction Assistant Dan Isaacs\u003cbr>\nColorist Eric Escobar\u003cbr>\nCompositor Tim Kwong\u003cbr>\nSound engineer and Editor Patrick Schaffer\u003c/p>\n\n","disqusIdentifier":"3157 https://ww2.kqed.org/trulyca/?p=3157","disqusUrl":"https://ww2.kqed.org/trulyca/better-known-as-peaches-christ/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":550,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":15},"modified":1592534175,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Drag icon Peaches Christ offers a rare, intimate glimpse into her process of transformation, and describesthe path from stifled teen to brazen cult hero.","title":"Better Known As Peaches Christ - Truly CA","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Better Known As Peaches Christ","datePublished":"2020-06-19T06:00:45-07:00","dateModified":"2020-06-18T19:36:15-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"better-known-as-peaches-christ","status":"publish","videoEmbed":"https://youtu.be/LLSQUyXWlkE","path":"/trulyca/3157/better-known-as-peaches-christ","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Two decades after Joshua Grannell gave birth to his bold, brazen, busty alter-ego, Peaches Christ has become a beloved cult icon.\u003c/p>\n\u003cp>This lush, intimate portrait offers a rare candid glimpse into the pre-show transformation of San Francisco’s most sought-after drag queen. Both man and queen get personal as they discuss transgression, catharsis, and how by becoming someone else, Joshua learned to love himself.\u003c/p>\n\u003cp>Through his development of Peaches Christ, Joshua was able to explore his feminine side and his sexuality. In the piece we hear from both Joshua and Peaches about their lives growing up Queer while attending Catholic school. Joshua developed the character of Peaches as a way to process and rebel against their Catholic upbringing.\u003c/p>\n\u003cp>As Joshua transforms into Peaches, we hear how Peaches helped him love himself. The film culminates in Joshua’s acceptance of himself, as we see Joshua/Peaches in their element at a drag show.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Directors Statement:\u003c/strong>\u003c/p>\n\u003cp>We were interested in the process of internal and external transformation that takes place in preparation for a drag show. Drag is as important and relevant as ever now. It’s a subversive act that is also a profound celebration of identity. I think a lot of people have felt like their identity has been under attack. We wanted to make a film, and actually a series of films, that celebrates diversity in thought, experience, and identity.\u003c/p>\n\u003cp>We wanted to make something that was accessible to people that have never seen a drag show, and get them interested in drag as an art form. At the same time, it was important to make a film about someone who learned to celebrate their own uniqueness, and we are hoping that it inspires others to embrace the qualities that make them unique. Jeff Dragomanovich and Nate Visconti (the directors) are both fans of Peaches.\u003c/p>\n\u003cp>\u003cstrong>Directors Bio:\u003c/strong>\u003c/p>\n\u003cp>Nate Visconti is a San Francisco Bay Area native. For the last 10 years, Nate has produced narrative and documentary shorts, worked on film and television sets, and shot and produced\u003cbr>\ncorporate training, recruiting, and promotional videos. Nate and the other filmmakers on Better Known as Peaches Christ have created a film collective to make films together.\u003c/p>\n\u003cp>Jeff Dragomanovich is freelance sound mixer that's worked on feature films, commercial and corporate videos. He is the owner and operator of Appetite For Production. Jeff is a San Francisco Bay Area native and has worked in the industry for nearly 10 years. His love of film led him to study cinema at San Francisco State University where he fell in love with documentary film making. Better Known as Peaches Christ is the third short documentary that he has directed.\u003c/p>\n\u003cp>To learn more about Nate & Jeff's work, check them out at the links below:\u003c/p>\n\u003cp>\u003ca href=\"http://fourcornerlabs.com\">http://fourcornerlabs.com\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/fourcornerlabs\">https://twitter.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/FourCornerLabs\">https://www.facebook.com/FourCornerLabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://vimeo.com/fourcornerlabs\">https://vimeo.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/fourcornerlabs\">https://www.instagram.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credit List\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Directed by Jeff Dragomanovich & Nate Visconti\u003cbr>\nProduced by Nate Visconti\u003cbr>\nCo-produced by Oli McCormack & Greg Armstrong\u003cbr>\nFeaturing Joshua Grannell as Peaches Christ\u003cbr>\nDirector of Photography Dan Williams\u003cbr>\nEditor Greg Armstrong\u003cbr>\nArt Direction Helen Slomowitz\u003cbr>\nGaffer Hart Perez\u003cbr>\nProduction Assistant Dan Isaacs\u003cbr>\nColorist Eric Escobar\u003cbr>\nCompositor Tim Kwong\u003cbr>\nSound engineer and Editor Patrick Schaffer\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3157/better-known-as-peaches-christ","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_33","trulyca_38","trulyca_21","trulyca_32","trulyca_29"],"tags":["trulyca_877","trulyca_872","trulyca_870","trulyca_869","trulyca_874","trulyca_119","trulyca_69","trulyca_873","trulyca_871","trulyca_867","trulyca_868","trulyca_875","trulyca_876","trulyca_82"],"collections":["trulyca_81"],"featImg":"trulyca_3158","label":"trulyca_771"},"trulyca_3024":{"type":"posts","id":"trulyca_3024","meta":{"index":"posts_1716263798","site":"trulyca","id":"3024","score":null,"sort":[1555363717000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1555363717,"format":"video","disqusTitle":"Verasphere: A Love Story In Costume","title":"Verasphere: A Love Story In Costume","headTitle":"Season 14 | Truly CA | Truly CA | KQED Arts","content":"\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3026\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3026\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/david-michael-hallway-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere - David and Michael\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Verasphere: A Love Story In Costume\u003c/em> follows two San Francisco artists, David Faulk and Michael Johnstone, who fall in love at the height of the AIDS epidemic. While most of their community is overcome with grief and rage, David and Michael also discover an unlikely joy through the creation of Mrs. Vera, an outrageous costumed character made from found materials. What begins as an intimate art project and a way to pass the time while battling illness soon takes on a life of its own. Now 25 years later, a large and diverse community has evolved around Mrs. Vera, all centered around one day of costumed celebration in the San Francisco Pride Parade.\u003c/p>\n\u003cfigure id=\"attachment_3027\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3027 size-medium\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere at The San Francisco Pride Parade\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_3056\" class=\"wp-caption alignnone\" style=\"max-width: 214px\">\u003cimg class=\"size-full wp-image-3056\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Robert-James.jpg\" alt=\"\" width=\"214\" height=\"317\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Robert-James.jpg 214w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Robert-James-160x237.jpg 160w\" sizes=\"(max-width: 214px) 100vw, 214px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere Director - Robert James\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Robert James began his cinematic career by attending film classes at San Francisco City College in his late 40s. After interning with documentary filmmaker Ondi Timoner, the two co-directed the award-winning short film \u003cem>Library of Dust\u003c/em> in 2011. This led to a 7-year project about sex and religion that is currently in development. Robert has completed his first feature-length documentary, \u003cem>Ruminations,\u003c/em> about drag hippie icon Rumi Missabu of \u003cem>The Cockettes. \u003c/em>The short documentary \u003cem>Verasphere: A Love Story in Costume\u003c/em> is being adapted into a feature-length film.\u003c/p>\n\u003cp>Robert’s Bay Area film company, NuReality Productions, is continually at work on new projects, adhering to their motto: \"I’m Not Done.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Featuring\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Director, Writer, Producer: Robert James\u003c/p>\n\u003cp>Executive Producer: Howard Grothe\u003c/p>\n\u003cp>Producer and Editor: Nick Blond\u003c/p>\n\u003cp>Director of Photography and Associate Producer: Rudy Behrens\u003c/p>\n\u003cp>Production Sound: Steven Lagosh\u003c/p>\n\u003cp>Sound Mixer: Dan Olmsted\u003c/p>\n\u003cp>Colorist: Mark Sterne\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Additional Media: Susan Bradley, Michael Johnstone, and Rick Gerharter\u003c/p>\n\n","disqusIdentifier":"3024 https://ww2.kqed.org/trulyca/?p=3024","disqusUrl":"https://ww2.kqed.org/trulyca/verasphere-a-love-story-in-costume/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":307,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":20},"modified":1561396100,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Verasphere: A Love Story In Costume follows two San Francisco artists, David Faulk and Michael Johnstone, who fall in love at the height of the AIDS epidemic and discover an unlikely joy through the creation of Mrs. Vera, a collaborative art project.","title":"Verasphere: A Love Story In Costume | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Verasphere: A Love Story In Costume","datePublished":"2019-04-15T14:28:37-07:00","dateModified":"2019-06-24T10:08:20-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"verasphere-a-love-story-in-costume","status":"publish","videoEmbed":"https://youtu.be/fpy_yCo2U7s","path":"/trulyca/3024/verasphere-a-love-story-in-costume","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3026\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3026\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/david-michael-hallway-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere - David and Michael\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Verasphere: A Love Story In Costume\u003c/em> follows two San Francisco artists, David Faulk and Michael Johnstone, who fall in love at the height of the AIDS epidemic. While most of their community is overcome with grief and rage, David and Michael also discover an unlikely joy through the creation of Mrs. Vera, an outrageous costumed character made from found materials. What begins as an intimate art project and a way to pass the time while battling illness soon takes on a life of its own. Now 25 years later, a large and diverse community has evolved around Mrs. Vera, all centered around one day of costumed celebration in the San Francisco Pride Parade.\u003c/p>\n\u003cfigure id=\"attachment_3027\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3027 size-medium\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere at The San Francisco Pride Parade\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_3056\" class=\"wp-caption alignnone\" style=\"max-width: 214px\">\u003cimg class=\"size-full wp-image-3056\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Robert-James.jpg\" alt=\"\" width=\"214\" height=\"317\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Robert-James.jpg 214w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Robert-James-160x237.jpg 160w\" sizes=\"(max-width: 214px) 100vw, 214px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere Director - Robert James\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Robert James began his cinematic career by attending film classes at San Francisco City College in his late 40s. After interning with documentary filmmaker Ondi Timoner, the two co-directed the award-winning short film \u003cem>Library of Dust\u003c/em> in 2011. This led to a 7-year project about sex and religion that is currently in development. Robert has completed his first feature-length documentary, \u003cem>Ruminations,\u003c/em> about drag hippie icon Rumi Missabu of \u003cem>The Cockettes. \u003c/em>The short documentary \u003cem>Verasphere: A Love Story in Costume\u003c/em> is being adapted into a feature-length film.\u003c/p>\n\u003cp>Robert’s Bay Area film company, NuReality Productions, is continually at work on new projects, adhering to their motto: \"I’m Not Done.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Featuring\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Director, Writer, Producer: Robert James\u003c/p>\n\u003cp>Executive Producer: Howard Grothe\u003c/p>\n\u003cp>Producer and Editor: Nick Blond\u003c/p>\n\u003cp>Director of Photography and Associate Producer: Rudy Behrens\u003c/p>\n\u003cp>Production Sound: Steven Lagosh\u003c/p>\n\u003cp>Sound Mixer: Dan Olmsted\u003c/p>\n\u003cp>Colorist: Mark Sterne\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Additional Media: Susan Bradley, Michael Johnstone, and Rick Gerharter\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3024/verasphere-a-love-story-in-costume","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_815"],"categories":["trulyca_45","trulyca_33","trulyca_20","trulyca_38","trulyca_21","trulyca_32","trulyca_29"],"tags":["trulyca_83","trulyca_78","trulyca_849","trulyca_69","trulyca_814","trulyca_848","trulyca_572"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3072","label":"trulyca_771"},"trulyca_2970":{"type":"posts","id":"trulyca_2970","meta":{"index":"posts_1716263798","site":"trulyca","id":"2970","score":null,"sort":[1555352519000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1555352519,"format":"standard","disqusTitle":"Ruminations","title":"Ruminations","headTitle":"Season 14 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"1080\" height=\"720\" src=\"https://player.pbs.org/viralplayer/3028059268/\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan style=\"color: #2b2b2b;font-size: 16px\">Ruminations follows the life of a reclusive drag icon known as Rumi Missabu. As a founding member of the radical queer performance group, The Cockettes, Rumi leaves Hollywood a child actor and dives headfirst into the LSD fueled hippie culture of San Francisco. This lifestyle leads to Rumi burning out and disappearing off the grid for decades. It isn’t until the mid 90’s that Rumi finally regains his identity and reemerges on the stage with a new art form. However, Rumi’s health plummets and he is presented with a newfound sense of urgency to leave behind a meaningful legacy.\u003c/span>\u003c/p>\n\u003cp>A film by Robert James\u003c/p>\n\u003cfigure id=\"attachment_2972\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-2972 size-medium\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Ruminations-still-01-800x451.png\" alt=\"\" width=\"800\" height=\"451\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-800x451.png 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-768x433.png 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-1020x575.png 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-1200x676.png 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rumi Missabu\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Robert James started his cinematic career in 2009 by attending film classes at City College San Francisco in his late 40’s. After interning with documentary filmmaker Ondi Timoner and working on her projects, the two co-directed the short film Library of Dust in 2011, garnering many awards. This led to a 7-year journey shooting a story about sex and religion; evolving into a forthcoming documentary series that Robert is pursuing with collaborators. During these years Robert also completed his first documentary feature film \u003cem>RUMINATIONS\u003c/em> about a drag hippie icon and a short doc called \u003cem>VERASPHERE: A Love Story in Costume\u003c/em> about a performance troupe started by two long-terms AIDS survivors.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Robert’s tiny independent Bay Area film company, NuReality Productions is fast at work on new projects adhering to their motto ‘I’m Not Done’.\u003c/p>\n\n","disqusIdentifier":"2970 https://ww2.kqed.org/trulyca/?p=2970","disqusUrl":"https://ww2.kqed.org/trulyca/ruminations/","stats":{"hasVideo":false,"hasChartOrMap":true,"hasAudio":false,"hasPolis":false,"wordCount":268,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":["https://player.pbs.org/viralplayer/3028059268/"],"paragraphCount":8},"modified":1560797034,"excerpt":"Ruminations follows the life of Rumi Missabu, iconic perform for the group The Cocketttes.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Following along with iconic drag performer Rumi Missabu","title":"Ruminations | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Ruminations","datePublished":"2019-04-15T11:21:59-07:00","dateModified":"2019-06-17T11:43:54-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"ruminations","status":"publish","templateType":"standard","featuredImageType":"standard","path":"/trulyca/2970/ruminations","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"1080\" height=\"720\" src=\"https://player.pbs.org/viralplayer/3028059268/\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan style=\"color: #2b2b2b;font-size: 16px\">Ruminations follows the life of a reclusive drag icon known as Rumi Missabu. As a founding member of the radical queer performance group, The Cockettes, Rumi leaves Hollywood a child actor and dives headfirst into the LSD fueled hippie culture of San Francisco. This lifestyle leads to Rumi burning out and disappearing off the grid for decades. It isn’t until the mid 90’s that Rumi finally regains his identity and reemerges on the stage with a new art form. However, Rumi’s health plummets and he is presented with a newfound sense of urgency to leave behind a meaningful legacy.\u003c/span>\u003c/p>\n\u003cp>A film by Robert James\u003c/p>\n\u003cfigure id=\"attachment_2972\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-2972 size-medium\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Ruminations-still-01-800x451.png\" alt=\"\" width=\"800\" height=\"451\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-800x451.png 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-768x433.png 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-1020x575.png 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-1200x676.png 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rumi Missabu\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Robert James started his cinematic career in 2009 by attending film classes at City College San Francisco in his late 40’s. After interning with documentary filmmaker Ondi Timoner and working on her projects, the two co-directed the short film Library of Dust in 2011, garnering many awards. This led to a 7-year journey shooting a story about sex and religion; evolving into a forthcoming documentary series that Robert is pursuing with collaborators. During these years Robert also completed his first documentary feature film \u003cem>RUMINATIONS\u003c/em> about a drag hippie icon and a short doc called \u003cem>VERASPHERE: A Love Story in Costume\u003c/em> about a performance troupe started by two long-terms AIDS survivors.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Robert’s tiny independent Bay Area film company, NuReality Productions is fast at work on new projects adhering to their motto ‘I’m Not Done’.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2970/ruminations","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_815"],"categories":["trulyca_20","trulyca_38","trulyca_21","trulyca_31","trulyca_32","trulyca_29"],"tags":["trulyca_70","trulyca_250","trulyca_90","trulyca_498","trulyca_120","trulyca_119","trulyca_835","trulyca_834","trulyca_837","trulyca_814","trulyca_836","trulyca_99"],"collections":["trulyca_81"],"featImg":"trulyca_2973","label":"trulyca_771"},"trulyca_2875":{"type":"posts","id":"trulyca_2875","meta":{"index":"posts_1716263798","site":"trulyca","id":"2875","score":null,"sort":[1553715384000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1553715384,"format":"video","disqusTitle":"But I Love the Zine","title":"But I Love the Zine","headTitle":"Truly CA | Truly CA | KQED Arts","content":"\u003cfigure id=\"attachment_2883\" class=\"wp-caption alignnone\" style=\"max-width: 431px\">\u003cimg class=\" wp-image-2883\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/03/Jeffrey-Cheung-800x448.jpg\" alt=\"\" width=\"431\" height=\"237\">\u003cfigcaption class=\"wp-caption-text\">Jeffrey Cheung & Gabriel Ramirez: Unity Press\u003c/figcaption>\u003c/figure>\n\u003cp>If you think the digital age destroyed print culture, this short documentary may surprise you. \u003cem>But I Love The Zine\u003c/em> explores the thriving zine scene in the San Francisco Bay Area. To devotees, zines are more than just self-made publications, they're tools for building community and offer an antidote to the disconnectedness of internet culture. In this film, viewers are taken to studios, galleries, and zine conventions where they're introduced to a dynamic small press community. Publishers like Jeffrey Cheung (\u003cem>Unity Press\u003c/em>), V. Vale (\u003cem>Re/Search\u003c/em>), Tiny Splendor, and Jess Wu (\u003cem>Mixed Rice Zine\u003c/em>), share their process and explain why self-publishing matters.\u003c/p>\n\u003cp>\u003cstrong>Director Statement\u003c/strong>\u003c/p>\n\u003cp>I’ve always been drawn to the unique art scene and the passionate creators that permeate the Bay Area. But it was with great surprise if not shock, that I saw myself pictured on the cover of Zine at a festival in San Francisco! Unknown to me, the creator had photographed my responses to his first tattoo and made that into Zine: \u003cem>Look Mum My First Tattoo\u003c/em>. It was a very personal moment that ignited my desire to find out more.\u003c/p>\n\u003cp>I set out to discover what these self-made, intimate booklets and zine culture are all about telling the story through my relationship with my son Raphael, the owner of the tattoo, and through the many talented zine makers in the Bay Area. I wanted to convey the importance of these cheaply-hand-made, very personal pieces full of thoughts and dreams at a time when digital communication and social media are taking over.\u003c/p>\n\u003cp>I spent a lot of time at Zine festivals shooting people ensconced as they flipped through zines. With a DSLR, I moved easily around these vibrant crowds where there is an eclectic mass of people of all ages and cultures in all kinds of attire and bodily marks. I sometimes had the camera on sticks but more often than not I found freedom in just hand holding and moving quietly through crowds while trying to shoot tight on faces and Zines.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I interviewed in Zine makers’ spaces–bedrooms, tiny print shops above book shops–which are colorful spaces crammed with artwork and sometimes noisy risographs!It was important to include an interview with a curator at a traditional art institution to get an outsider’s perspective. I spent over 6 months reaching out to various people and organizations–sometimes I never heard back, but mostly I received polite rejections. Finally I gained access to a very insightful curator at the Oakland Museum where we were able to do the shoot on location.\u003c/p>\n\u003cp>Post production turned out to be far more intense that I had anticipated. My editor, Kat, was highly motivated with great energy and lots of ideas and she really wanted to add a hand-made look to the whole production. In fact we didn’t do any traditional, digital lower thirds, captions. Every name and title was typed out, cutout,and then photographed at different points to create a stop motion style.\u003c/p>\n\u003cp>But she really put me to the test when she talked me into making a zine for the credits! My hope in showing the documentary at different screenings and festivals, and through KQED, is that audiences will gain an understanding of what zines are and the power they hold to communicate personal thoughts to wide audiences without using social media platforms.\u003c/p>\n\u003cfigure id=\"attachment_2878\" class=\"wp-caption alignnone\" style=\"max-width: 286px\">\u003cimg class=\" wp-image-2878\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/03/FionaMcDougall.png\" alt=\"\" width=\"286\" height=\"450\">\u003cfigcaption class=\"wp-caption-text\">But I Love The Zine Director - Fiona McDougall\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">In her roles as both Creative Services Director and Video Producer at OneWorld, Fiona\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">oversees and coordinates all media production: TV broadcast PSAs and digital informational\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">and educational videos, radio, print, photography, \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">digital\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">. Many of the campaigns she\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">has produced incorporate all these media and she has produced them in Spanish,\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">Cantonese, and Mandarin, among other languages. Her work involves carrying out research\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">and meeting with clients to understand their programs and goals; contributing to strategy\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">and creative briefs; overseeing treatments and scripts, ensuring that they address all client\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">goals and will be effective in achieving required results; creating budgets, schedules; putting together the team:\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">director photography (DP), scriptwriter, director etc.; identifying talent and locations, identifying the types of\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">cameras to be used for the look, overseeing the field production and overseeing editing, music, audio, and special\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">effects. \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">Her most recent project, \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">But I Love the Zine\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">, was \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">nominated in \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">the \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">Short Doc category \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">in the O\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">regon Film Festival\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">, 2019.\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"EOP SCXW258139964 BCX0\"> \u003c/span>\u003c/p>\n\u003cp>\u003cstrong>Cast\u003c/strong>\u003c/p>\n\u003cp>V.Vale: Writer, Independent, Publisher\u003c/p>\n\u003cp>Jess Wu-O: Mixed Rice Zines\u003c/p>\n\u003cp>Max Stadnik & Sanaa Khan: Tiny Splendor\u003c/p>\n\u003cp>Raphael Villet : Play Press Zines\u003c/p>\n\u003cp>Jeffrey Cheung & Gabriel Ramirez: Unity Press\u003c/p>\n\u003cp>Carin Adams: Curator of Art, Oakland Museum of California\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Produced and Directed by Fiona McDougall\u003c/p>\n\u003cp>Script: Fiona McDougall\u003c/p>\n\u003cp>Consulting Scriptwriter: Jonathan Villet\u003c/p>\n\u003cp>Camera: Fiona McDougall, Cliff Traiman, Khaboshi Imbukwa\u003c/p>\n\u003cp>Editor & Art Director: Kat Cory\u003c/p>\n\u003cp>Sound Mixer & Designer: Thayer Walker\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Audio Post: Lowdownhaus\u003c/p>\n\n","disqusIdentifier":"2875 https://ww2.kqed.org/trulyca/?p=2875","disqusUrl":"https://ww2.kqed.org/trulyca/but-i-love-the-zine/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":854,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":27},"modified":1554403520,"excerpt":"'But I Love The Zine' is a short documentary exploring the thriving zine scene in the Bay Area. ","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"'But I Love The Zine' is a short documentary exploring the thriving zine scene in the Bay Area. ","title":"But I Love the Zine | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"But I Love the Zine","datePublished":"2019-03-27T12:36:24-07:00","dateModified":"2019-04-04T11:45:20-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"but-i-love-the-zine","status":"publish","videoEmbed":"https://www.youtube.com/watch?v=kMOGGY4tqXE&t=2s","path":"/trulyca/2875/but-i-love-the-zine","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_2883\" class=\"wp-caption alignnone\" style=\"max-width: 431px\">\u003cimg class=\" wp-image-2883\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/03/Jeffrey-Cheung-800x448.jpg\" alt=\"\" width=\"431\" height=\"237\">\u003cfigcaption class=\"wp-caption-text\">Jeffrey Cheung & Gabriel Ramirez: Unity Press\u003c/figcaption>\u003c/figure>\n\u003cp>If you think the digital age destroyed print culture, this short documentary may surprise you. \u003cem>But I Love The Zine\u003c/em> explores the thriving zine scene in the San Francisco Bay Area. To devotees, zines are more than just self-made publications, they're tools for building community and offer an antidote to the disconnectedness of internet culture. In this film, viewers are taken to studios, galleries, and zine conventions where they're introduced to a dynamic small press community. Publishers like Jeffrey Cheung (\u003cem>Unity Press\u003c/em>), V. Vale (\u003cem>Re/Search\u003c/em>), Tiny Splendor, and Jess Wu (\u003cem>Mixed Rice Zine\u003c/em>), share their process and explain why self-publishing matters.\u003c/p>\n\u003cp>\u003cstrong>Director Statement\u003c/strong>\u003c/p>\n\u003cp>I’ve always been drawn to the unique art scene and the passionate creators that permeate the Bay Area. But it was with great surprise if not shock, that I saw myself pictured on the cover of Zine at a festival in San Francisco! Unknown to me, the creator had photographed my responses to his first tattoo and made that into Zine: \u003cem>Look Mum My First Tattoo\u003c/em>. It was a very personal moment that ignited my desire to find out more.\u003c/p>\n\u003cp>I set out to discover what these self-made, intimate booklets and zine culture are all about telling the story through my relationship with my son Raphael, the owner of the tattoo, and through the many talented zine makers in the Bay Area. I wanted to convey the importance of these cheaply-hand-made, very personal pieces full of thoughts and dreams at a time when digital communication and social media are taking over.\u003c/p>\n\u003cp>I spent a lot of time at Zine festivals shooting people ensconced as they flipped through zines. With a DSLR, I moved easily around these vibrant crowds where there is an eclectic mass of people of all ages and cultures in all kinds of attire and bodily marks. I sometimes had the camera on sticks but more often than not I found freedom in just hand holding and moving quietly through crowds while trying to shoot tight on faces and Zines.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I interviewed in Zine makers’ spaces–bedrooms, tiny print shops above book shops–which are colorful spaces crammed with artwork and sometimes noisy risographs!It was important to include an interview with a curator at a traditional art institution to get an outsider’s perspective. I spent over 6 months reaching out to various people and organizations–sometimes I never heard back, but mostly I received polite rejections. Finally I gained access to a very insightful curator at the Oakland Museum where we were able to do the shoot on location.\u003c/p>\n\u003cp>Post production turned out to be far more intense that I had anticipated. My editor, Kat, was highly motivated with great energy and lots of ideas and she really wanted to add a hand-made look to the whole production. In fact we didn’t do any traditional, digital lower thirds, captions. Every name and title was typed out, cutout,and then photographed at different points to create a stop motion style.\u003c/p>\n\u003cp>But she really put me to the test when she talked me into making a zine for the credits! My hope in showing the documentary at different screenings and festivals, and through KQED, is that audiences will gain an understanding of what zines are and the power they hold to communicate personal thoughts to wide audiences without using social media platforms.\u003c/p>\n\u003cfigure id=\"attachment_2878\" class=\"wp-caption alignnone\" style=\"max-width: 286px\">\u003cimg class=\" wp-image-2878\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/03/FionaMcDougall.png\" alt=\"\" width=\"286\" height=\"450\">\u003cfigcaption class=\"wp-caption-text\">But I Love The Zine Director - Fiona McDougall\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">In her roles as both Creative Services Director and Video Producer at OneWorld, Fiona\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">oversees and coordinates all media production: TV broadcast PSAs and digital informational\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">and educational videos, radio, print, photography, \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">digital\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">. Many of the campaigns she\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">has produced incorporate all these media and she has produced them in Spanish,\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">Cantonese, and Mandarin, among other languages. Her work involves carrying out research\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">and meeting with clients to understand their programs and goals; contributing to strategy\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">and creative briefs; overseeing treatments and scripts, ensuring that they address all client\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">goals and will be effective in achieving required results; creating budgets, schedules; putting together the team:\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">director photography (DP), scriptwriter, director etc.; identifying talent and locations, identifying the types of\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">cameras to be used for the look, overseeing the field production and overseeing editing, music, audio, and special\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">effects. \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">Her most recent project, \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">But I Love the Zine\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">, was \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">nominated in \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">the \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">Short Doc category \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">in the O\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">regon Film Festival\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\">, 2019.\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW258139964 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW258139964 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"EOP SCXW258139964 BCX0\"> \u003c/span>\u003c/p>\n\u003cp>\u003cstrong>Cast\u003c/strong>\u003c/p>\n\u003cp>V.Vale: Writer, Independent, Publisher\u003c/p>\n\u003cp>Jess Wu-O: Mixed Rice Zines\u003c/p>\n\u003cp>Max Stadnik & Sanaa Khan: Tiny Splendor\u003c/p>\n\u003cp>Raphael Villet : Play Press Zines\u003c/p>\n\u003cp>Jeffrey Cheung & Gabriel Ramirez: Unity Press\u003c/p>\n\u003cp>Carin Adams: Curator of Art, Oakland Museum of California\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Produced and Directed by Fiona McDougall\u003c/p>\n\u003cp>Script: Fiona McDougall\u003c/p>\n\u003cp>Consulting Scriptwriter: Jonathan Villet\u003c/p>\n\u003cp>Camera: Fiona McDougall, Cliff Traiman, Khaboshi Imbukwa\u003c/p>\n\u003cp>Editor & Art Director: Kat Cory\u003c/p>\n\u003cp>Sound Mixer & Designer: Thayer Walker\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Audio Post: Lowdownhaus\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2875/but-i-love-the-zine","authors":["11272"],"programs":["trulyca_771"],"categories":["trulyca_45","trulyca_20","trulyca_32","trulyca_29"],"tags":["trulyca_812","trulyca_818","trulyca_819","trulyca_813","trulyca_811","trulyca_816","trulyca_814","trulyca_817","trulyca_99","trulyca_810"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2883","label":"trulyca_771"},"trulyca_2262":{"type":"posts","id":"trulyca_2262","meta":{"index":"posts_1716263798","site":"trulyca","id":"2262","score":null,"sort":[1534267569000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1534267569,"format":"video","disqusTitle":"Oddball","title":"Oddball","headTitle":"Season 13 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>In the dark depths of a 6,000 square foot industrial warehouse in San Francisco's Mission District, a shadowy figure of a man steps into the light. That man is Stephen Parr. He's an archivist, a curator, a collector, an artist, a writer, and an image maker, but if you ask him yourself he'll tell you he's in the memory business. That memory business is Oddball Films - the largest private film archive in Northern California, and also the most unusual.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003cstrong>ODDBALL | Director's Statement\u003c/strong>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">There's something magical and otherworldly about setting foot inside the Mission warehouse space that is San Francisco's Oddball Films. It's difficult to fully describe in words (though I just tried). It's more of a feeling and a wonder that comes over you as you navigate through the darkness of the floor to ceiling shelves stacked with film cans, past the other odds and ends only an eccentric collector of tchotchkes would have until you reach the cozy screening room that resembles equal parts burlesque lounge, movie theater and greasy spoon diner. Then a small man in a hat with a distinct voice and dressed in even more distinctive vintage clothing steps out from behind a 16mm projector and welcomes you to something you've never seen before. At least that's how I remembered it the first time I went to Oddball Films and what I've tried to capture here in this short portrait of the place and the lovely unique man behind it that is sadly no longer with us. I was fortunate to get to know Stephen Parr in what turned out to be the last year of his life and feel blessed I was able to share his story.\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">- Joshua Moore\u003c/p>\n\u003cfigure id=\"attachment_2480\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2480\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-800x535.jpg\" alt=\"\" width=\"800\" height=\"535\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-800x535.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-768x514.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-1020x682.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-960x642.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-240x161.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-375x251.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-520x348.jpg 520w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'Oddball' Director, Joshua Moore\u003c/figcaption>\u003c/figure>\n\u003cp>Joshua Moore is an award-winning filmmaker based in San Francisco. He curates film and new media for the Jewish Film Institute. His \"delightfully freewheeling debut\" feature, \u003cem>I Think It's Raining\u003c/em>, had its world premiere at the Karlovy Vary International Film Festival, Czech Republic, in 2011, where it was nominated for the Independent Camera Award and received glowing reviews from Screen Daily and Variety. \u003cem>I Think It's Raining\u003c/em> was also the opening night film for the Cinema by the Bay Festival, San Francisco, in 2011 and has played in many film festivals across the country including Rooftop Films, New York City. His most recent film, \u003cem>Oddball\u003c/em>, a creative profile on Stephen Parr, the Oddball behind San Francisco's Oddball Films, played numerous film festivals and is a Vimeo Staff Pick.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Crew\u003c/p>\n\u003cp>Director: Joshua Moore\u003c/p>\n\u003cp>Producer: VIMBY\u003c/p>\n\u003cp>Cinematography: Matt Rome\u003c/p>\n\u003cp>Editor: Liz Payne\u003c/p>\n\u003cp>Gaffer: Dan Juenemann\u003c/p>\n\u003cp>Sound Mixing: Dan Olmstead\u003c/p>\n\u003cp>Color Grade: Ayumi Ashley\u003c/p>\n\u003cp>Subject: Stephen Parr\u003c/p>\n\u003cp>Narrator: Joshua Moore\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Special Thanks: Oddball Films Dedicated to Stephen Parr\u003c/p>\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">Related Links:\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=gd6q96LCXgdJ8q2fX4n97MCWPuhS3LOlFJV%2FKPjS2OQ%3D&url=http%3A%2F%2Fjoshuasmoore.com%2Foddball\" target=\"_blank\" rel=\"noreferrer noopener\">http://joshuasmoore.com/oddball\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=U%2Feuv%2BEUj8S6Gl4vvPB97mBXPqARd35%2BiXhBa9B8XTE%3D&url=https%3A%2F%2Fvimeo.com%2Fuser5107909\" target=\"_blank\" rel=\"noreferrer noopener\">https://vimeo.com/user5107909\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=TiKVwsOSM4Uo1UM92z3bPsyFYUxRqP4fbh1ih2ETA3I%3D&url=https%3A%2F%2Fwww.instagram.com%2Fjoshuasmoore%2F\" target=\"_blank\" rel=\"noreferrer noopener\">https://www.instagram.com/joshuasmoore/\u003c/a>\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"links-layer\">\n\u003cdiv class=\"links-layer-inner\">\u003c/div>\n\u003c/div>\n\n","disqusIdentifier":"2262 https://ww2.kqed.org/trulyca/?p=2262","disqusUrl":"https://ww2.kqed.org/trulyca/oddball/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":488,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":15},"modified":1534267569,"excerpt":"Stephen Parr was an archivist, a curator, a collector, an artist, a writer, and an image maker, but if you asked him yourself he'd tell you he's in the memory business. That memory business is Oddball Films - the largest private film archive in Northern California, and also the most unusual.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Stephen Parr was an archivist, a curator, a collector, an artist, a writer, and an image maker, but if you asked him yourself he'd tell you he's in the memory business. That memory business is Oddball Films - the largest private film archive in Northern California, and also the most unusual.","title":"Oddball | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Oddball","datePublished":"2018-08-14T10:26:09-07:00","dateModified":"2018-08-14T10:26:09-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"oddball","status":"publish","videoEmbed":"https://www.youtube.com/watch?v=zoA-Z3OAKpc","path":"/trulyca/2262/oddball","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the dark depths of a 6,000 square foot industrial warehouse in San Francisco's Mission District, a shadowy figure of a man steps into the light. That man is Stephen Parr. He's an archivist, a curator, a collector, an artist, a writer, and an image maker, but if you ask him yourself he'll tell you he's in the memory business. That memory business is Oddball Films - the largest private film archive in Northern California, and also the most unusual.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003cstrong>ODDBALL | Director's Statement\u003c/strong>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">There's something magical and otherworldly about setting foot inside the Mission warehouse space that is San Francisco's Oddball Films. It's difficult to fully describe in words (though I just tried). It's more of a feeling and a wonder that comes over you as you navigate through the darkness of the floor to ceiling shelves stacked with film cans, past the other odds and ends only an eccentric collector of tchotchkes would have until you reach the cozy screening room that resembles equal parts burlesque lounge, movie theater and greasy spoon diner. Then a small man in a hat with a distinct voice and dressed in even more distinctive vintage clothing steps out from behind a 16mm projector and welcomes you to something you've never seen before. At least that's how I remembered it the first time I went to Oddball Films and what I've tried to capture here in this short portrait of the place and the lovely unique man behind it that is sadly no longer with us. I was fortunate to get to know Stephen Parr in what turned out to be the last year of his life and feel blessed I was able to share his story.\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">- Joshua Moore\u003c/p>\n\u003cfigure id=\"attachment_2480\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2480\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-800x535.jpg\" alt=\"\" width=\"800\" height=\"535\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-800x535.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-768x514.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-1020x682.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-960x642.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-240x161.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-375x251.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-520x348.jpg 520w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'Oddball' Director, Joshua Moore\u003c/figcaption>\u003c/figure>\n\u003cp>Joshua Moore is an award-winning filmmaker based in San Francisco. He curates film and new media for the Jewish Film Institute. His \"delightfully freewheeling debut\" feature, \u003cem>I Think It's Raining\u003c/em>, had its world premiere at the Karlovy Vary International Film Festival, Czech Republic, in 2011, where it was nominated for the Independent Camera Award and received glowing reviews from Screen Daily and Variety. \u003cem>I Think It's Raining\u003c/em> was also the opening night film for the Cinema by the Bay Festival, San Francisco, in 2011 and has played in many film festivals across the country including Rooftop Films, New York City. His most recent film, \u003cem>Oddball\u003c/em>, a creative profile on Stephen Parr, the Oddball behind San Francisco's Oddball Films, played numerous film festivals and is a Vimeo Staff Pick.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Crew\u003c/p>\n\u003cp>Director: Joshua Moore\u003c/p>\n\u003cp>Producer: VIMBY\u003c/p>\n\u003cp>Cinematography: Matt Rome\u003c/p>\n\u003cp>Editor: Liz Payne\u003c/p>\n\u003cp>Gaffer: Dan Juenemann\u003c/p>\n\u003cp>Sound Mixing: Dan Olmstead\u003c/p>\n\u003cp>Color Grade: Ayumi Ashley\u003c/p>\n\u003cp>Subject: Stephen Parr\u003c/p>\n\u003cp>Narrator: Joshua Moore\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Special Thanks: Oddball Films Dedicated to Stephen Parr\u003c/p>\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">Related Links:\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=gd6q96LCXgdJ8q2fX4n97MCWPuhS3LOlFJV%2FKPjS2OQ%3D&url=http%3A%2F%2Fjoshuasmoore.com%2Foddball\" target=\"_blank\" rel=\"noreferrer noopener\">http://joshuasmoore.com/oddball\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=U%2Feuv%2BEUj8S6Gl4vvPB97mBXPqARd35%2BiXhBa9B8XTE%3D&url=https%3A%2F%2Fvimeo.com%2Fuser5107909\" target=\"_blank\" rel=\"noreferrer noopener\">https://vimeo.com/user5107909\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=TiKVwsOSM4Uo1UM92z3bPsyFYUxRqP4fbh1ih2ETA3I%3D&url=https%3A%2F%2Fwww.instagram.com%2Fjoshuasmoore%2F\" target=\"_blank\" rel=\"noreferrer noopener\">https://www.instagram.com/joshuasmoore/\u003c/a>\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"links-layer\">\n\u003cdiv class=\"links-layer-inner\">\u003c/div>\n\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2262/oddball","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_503"],"categories":["trulyca_45","trulyca_33","trulyca_39","trulyca_20","trulyca_21","trulyca_32","trulyca_29"],"tags":["trulyca_793","trulyca_256","trulyca_790","trulyca_792","trulyca_788","trulyca_765","trulyca_791","trulyca_789"],"collections":["trulyca_81"],"featImg":"trulyca_2327","label":"trulyca_771"},"trulyca_2283":{"type":"posts","id":"trulyca_2283","meta":{"index":"posts_1716263798","site":"trulyca","id":"2283","score":null,"sort":[1533324403000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1533324403,"format":"standard","disqusTitle":"Desert X","title":"Desert X","headTitle":"Truly CA | Truly CA | KQED Arts","content":"\u003cfigure id=\"attachment_2324\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2324\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Desert X - Coachella Valley, CA - 2017\u003c/figcaption>\u003c/figure>\n\u003cp>The vast, strange, sometimes contradictory world of the urban desert and its people are explored in 11 public art exhibits and their respective locations scattered throughout Coachella Valley. Art includes Will Boone’s “Monument,” an underground bunker off Ramon Road in Rancho Mirage and Phillip K. Smith III’s “Circle of Land and Sky” in Palm Desert. Desert X is a site-specific biennial exhibition that first took place in the spring of 2017 where artists from different parts of the world were invited to create work in response to the unique conditions of the Coachella Valley.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","disqusIdentifier":"2283 https://ww2.kqed.org/trulyca/?p=2283","disqusUrl":"https://ww2.kqed.org/trulyca/desert-x/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":111,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":3},"modified":1537918516,"excerpt":"The world of the urban desert are explored in 11 public art exhibits throughout Coachella Valley.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"The world of the urban desert are explored in 11 public art exhibits throughout Coachella Valley.","title":"Desert X | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Desert X","datePublished":"2018-08-03T12:26:43-07:00","dateModified":"2018-09-25T16:35:16-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"desert-x","status":"publish","videoEmbed":"https://www.kcet.org/shows/artbound/episodes/desert-x","path":"/trulyca/2283/desert-x","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_2324\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2324\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Desert X - Coachella Valley, CA - 2017\u003c/figcaption>\u003c/figure>\n\u003cp>The vast, strange, sometimes contradictory world of the urban desert and its people are explored in 11 public art exhibits and their respective locations scattered throughout Coachella Valley. Art includes Will Boone’s “Monument,” an underground bunker off Ramon Road in Rancho Mirage and Phillip K. Smith III’s “Circle of Land and Sky” in Palm Desert. Desert X is a site-specific biennial exhibition that first took place in the spring of 2017 where artists from different parts of the world were invited to create work in response to the unique conditions of the Coachella Valley.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2283/desert-x","authors":["11272"],"programs":["trulyca_771"],"categories":["trulyca_45","trulyca_21","trulyca_32","trulyca_29"],"tags":["trulyca_86","trulyca_626","trulyca_498","trulyca_83","trulyca_765","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2324","label":"trulyca_771"},"trulyca_2046":{"type":"posts","id":"trulyca_2046","meta":{"index":"posts_1716263798","site":"trulyca","id":"2046","score":null,"sort":[1505326736000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1505326736,"format":"video","disqusTitle":"Nat Bates for Mayor","title":"Nat Bates for Mayor","headTitle":"Season 12 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>Nat Bates For Mayor tells the story of the outrageous 2014 mayor's race in Richmond, home to the second largest refinery in California. In a brazen move, Chevron spent more than $3 million to back 83-year-old African American stalwart Nat Bates.\u003c/p>\n\u003cp>Bates makes a Faustian bargain with the city's corporate behemoth in a cagey attempt to preserve the long-standing but waning power of Richmond's African-American working class community, whose rich history dates back to the formation of the Kaiser shipyards during World War Two. It's black against white. It's pro-development forces against eco-friendly Progressives. It's David versus Goliath. Is Nat Bates the savior or stooge? The movie is a wacky ride with some of the most entertaining and offbeat political characters you'll ever meet.\u003c/p>\n\u003cp>The guerilla-style documentary (with extraordinary access) follows the candidates on the campaign trail, in revealing personal moments, and during the city's audacious Jerry Springer-like city council meetings, as they lock in a battle for the mayor's seat and the future of the Bay Area's overlooked oil town.There are cameos by Vermont Senator Bernie Sanders and legendary civil rights leader Andrew Young. The documentary is a potent mix of corporate influence, race, gentrification, homophobia, political self-determination, and humor--all told through the lives of bigger-than-life small-town characters.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","disqusIdentifier":"2046 https://ww2.kqed.org/trulyca/?p=2046","disqusUrl":"https://ww2.kqed.org/trulyca/nat-bates-for-mayor/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":235,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":5},"modified":1531590268,"excerpt":"Richmond, California is the battlefield in a David & Goliath story to see who will control City Hall. A colorful cast of characters animate the struggle as a small band of progressives take on a big oil company in the 2014 mayoral election.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Richmond, California is the battlefield in a David & Goliath story to see who will control City Hall. A colorful cast of characters animate the struggle as a small band of progressives take on a big oil company in the 2014 mayoral election.","title":"Nat Bates for Mayor | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Nat Bates for Mayor","datePublished":"2017-09-13T11:18:56-07:00","dateModified":"2018-07-14T10:44:28-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"nat-bates-for-mayor","status":"publish","videoEmbed":"https://www.youtube.com/embed/n8r3G3xdE04","originalAirdate":"September, 15th, 2017","path":"/trulyca/2046/nat-bates-for-mayor","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Nat Bates For Mayor tells the story of the outrageous 2014 mayor's race in Richmond, home to the second largest refinery in California. In a brazen move, Chevron spent more than $3 million to back 83-year-old African American stalwart Nat Bates.\u003c/p>\n\u003cp>Bates makes a Faustian bargain with the city's corporate behemoth in a cagey attempt to preserve the long-standing but waning power of Richmond's African-American working class community, whose rich history dates back to the formation of the Kaiser shipyards during World War Two. It's black against white. It's pro-development forces against eco-friendly Progressives. It's David versus Goliath. Is Nat Bates the savior or stooge? The movie is a wacky ride with some of the most entertaining and offbeat political characters you'll ever meet.\u003c/p>\n\u003cp>The guerilla-style documentary (with extraordinary access) follows the candidates on the campaign trail, in revealing personal moments, and during the city's audacious Jerry Springer-like city council meetings, as they lock in a battle for the mayor's seat and the future of the Bay Area's overlooked oil town.There are cameos by Vermont Senator Bernie Sanders and legendary civil rights leader Andrew Young. The documentary is a potent mix of corporate influence, race, gentrification, homophobia, political self-determination, and humor--all told through the lives of bigger-than-life small-town characters.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2046/nat-bates-for-mayor","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_57"],"categories":["trulyca_45","trulyca_33","trulyca_20","trulyca_36","trulyca_32"],"tags":["trulyca_93","trulyca_90","trulyca_91","trulyca_78","trulyca_505","trulyca_92","trulyca_88","trulyca_89","trulyca_761","trulyca_85","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2104","label":"trulyca_771"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. 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Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.","airtime":"MON-FRI 3am-9am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/morning-edition/","meta":{"site":"news","source":"npr"},"link":"/radio/program/morning-edition"},"onourwatch":{"id":"onourwatch","title":"On Our Watch","tagline":"Police secrets, unsealed","info":"For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us","airtime":"SUN 2pm-3pm, MON 12am-1am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png","officialWebsiteLink":"https://www.wnycstudios.org/shows/otm","meta":{"site":"news","source":"wnyc"},"link":"/radio/program/on-the-media","subscribe":{"apple":"https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2","tuneIn":"https://tunein.com/radio/On-the-Media-p69/","rss":"http://feeds.wnyc.org/onthemedia"}},"our-body-politic":{"id":"our-body-politic","title":"Our Body Politic","info":"Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.","airtime":"SAT 6pm-7pm, SUN 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://our-body-politic.simplecast.com/","meta":{"site":"news","source":"kcrw"},"link":"/radio/program/our-body-politic","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/our-body-politic/id1533069868","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw","spotify":"https://open.spotify.com/show/4ApAiLT1kV153TttWAmqmc","rss":"https://feeds.simplecast.com/_xaPhs1s","tuneIn":"https://tunein.com/podcasts/News--Politics-Podcasts/Our-Body-Politic-p1369211/"}},"pbs-newshour":{"id":"pbs-newshour","title":"PBS NewsHour","info":"Analysis, background reports and updates from the PBS NewsHour putting today's news in context.","airtime":"MON-FRI 3pm-4pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.pbs.org/newshour/","meta":{"site":"news","source":"pbs"},"link":"/radio/program/pbs-newshour","subscribe":{"apple":"https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2","tuneIn":"https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/","rss":"https://www.pbs.org/newshour/feeds/rss/podcasts/show"}},"perspectives":{"id":"perspectives","title":"Perspectives","tagline":"KQED's series of of daily listener commentaries since 1991","info":"KQED's series of of daily listener commentaries since 1991.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Perspectives-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/perspectives/","meta":{"site":"radio","source":"kqed","order":"15"},"link":"/perspectives","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/id73801135","npr":"https://www.npr.org/podcasts/432309616/perspectives","rss":"https://ww2.kqed.org/perspectives/category/perspectives/feed/","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"}},"planet-money":{"id":"planet-money","title":"Planet Money","info":"The economy explained. 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