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"disqusTitle": "'Mrs. Maisel' and 'G.O.T.' Win Big at The Emmy's—Diversity, Not So Much",
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"content": "\u003cp>Rarely has the opening of an awards show felt as inauspicious as the first 10 minutes or so of Monday night's Emmy Awards. An opening number called \"We Solved It,\" making light of the idea that Hollywood's meager progress toward greater diversity constitutes a meaningful resolution to the issue, featured a number of appealing TV personalities: \u003cem>Saturday Night Live\u003c/em>'s Kenan Thompson and Kate McKinnon, Tituss Burgess of \u003cem>The Unbreakable Kimmy Schmidt\u003c/em>, Kristen Bell of \u003cem>The Good Place\u003c/em>, RuPaul, Sterling K. Brown of \u003cem>This Is Us\u003c/em>, and Ricky Martin. It even included what they called the One Of Each Dancers, a group that, taken together, supposedly checked every demographic box. It worked better in theory than in execution: the song wasn't great, and the number seemed a little sloppy, like they'd all just learned it. Regrettably, it got worse before it got better.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=J74hHQgCjrc\u003c/p>\n\u003cp>Because what came after that was the introduction of the hosts, Colin Jost and Michael Che, both of \u003cem>SNL'\u003c/em>s \u003cem>Weekend Update \u003c/em>segment. They seemed awkward, miserable, unfunny, and cursed with mostly weak jokes. Devoid of charisma and struggling to get the audience on their side, they plodded on, looking like two dads forced to emcee a school assembly where they didn't particularly want to be there, but someone had prevailed upon them to help out. Equally grim were Fred Armisen and Maya Rudolph, not helping their new Amazon series \u003cem>Forever \u003c/em>by appearing together in a series of resolutely dull and (here's that word again) awkward scenes in which the joke seemed to be that there was no joke.\u003c/p>\n\u003cp>Especially in the first half of the show, a pall hung over the ceremony as if much of the crowd had been heavily sedated. Jeff Daniels rambled about his horse and people chuckled politely. Aidy Bryant and Bob Odenkirk — both known to be funny people! — haltingly executed a bit of scripted patter about doing scripted patter, a gambit that's been taking down presenters for ages. (This never works. Stop doing this.) Speech after speech seemed dragged down by the energy around it. It's not that there were no successes at all among the presenters; Michael Douglas was very funny talking about the deep resentment he believes in carrying around about the awards you've lost.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=CVYtkqBSgoc\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But it didn't help that the first two award-winners of the night were probably the most energetic ones to hit the stage for quite a while. Henry Winkler, honored for his supporting work in \u003cem>Barry\u003c/em> and receiving the first Primetime Emmy Award of his long career, was just as charming as you'd hope, and just as excited, saying he only had 37 seconds for a speech he'd been holding for 43 years. And Alex Borstein, who won in the supporting category for \u003cem>The Marvelous Mrs. Maisel\u003c/em>, started by announcing she wasn't wearing a bra and asking other women not to pee on the seats of public toilets. It might not have been a traditional awards speech, but it had a certain verve.\u003c/p>\n\u003cp>Others were just fine: Rachel Brosnahan won for her leading performance in \u003cem>The Marvelous Mrs. Maisel\u003c/em> and encouraged everyone to vote in the midterms, and Bill Hader won for his leading performance in \u003cem>Barry \u003c/em>and seemed genuinely shocked. Actor Darren Criss and director Ryan Murphy both won for \u003cem>The Assassination of Gianni Versace: American Crime Story\u003c/em>, part of the \u003cem>ACS \u003c/em>anthology series that picked up a bunch of awards for its previous season about the O.J. Simpson trial. Peter Dinklage won in the supporting category for \u003cem>Game of Thrones\u003c/em>, as he has twice before. Things rolled along.\u003c/p>\n\u003cp>But on an awards ceremony that started off trying to do edgy humor about the limits of progress toward diversity, it was hard not to notice that it took quite a while to get to the first nonwhite winner in an acting category: Regina King for the Netflix limited series \u003cem>Seven Seconds\u003c/em>, which will not return for a second season (as many \"limited\" series, in fact, do). Thandie Newton also won in the supporting actress in a drama series category for \u003cem>Westworld\u003c/em>, but some of the actors of color for whom hopes were highest — Sandra Oh in \u003cem>Killing Eve\u003c/em>, for instance — they didn't come to pass.\u003c/p>\n\u003cp>One of the hosts' few successful bits was Che's \"Reparations Emmys,\" where he handed out Emmy statuettes he said he'd stolen from Bill Cosby to beloved black actors who hadn't won in the past: Marla Gibbs from \u003cem>The Jeffersons \u003c/em>and \u003cem>227\u003c/em>, Jimmie Walker from \u003cem>Good Times\u003c/em>, Kadeem Hardison from \u003cem>A Different World\u003c/em>, Tichina Arnold from \u003cem>Martin\u003c/em>, comedy journeyman John Witherspoon, and even Jaleel White — that's right, Che gave an honorary award to Urkel.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=mFLk09CJHCY\u003c/p>\n\u003cp>One reason why the awards looked as white as they did was that the shows that really cleaned up were ... really white shows. \u003cem>The Marvelous Mrs. Maisel \u003c/em>and \u003cem>Barry \u003c/em>cornered all of the comedy awards, and it was a decent showing for the last season of \u003cem>The Americans \u003c/em>on FX, which won in the writing category for drama and was recognized for Matthew Rhys' lead performance. Keri Russell, on the other hand, lost out to \u003cem>The Crown\u003c/em>'s Claire Foy — as did Sandra Oh. \u003cem>Atlanta\u003c/em>, which has an embarrassment of riches in its cast, including some of the most sought-after young actors in Hollywood at the moment, was shut out of the major awards entirely. The excellent shows \u003cem>Vida\u003c/em>, \u003cem>One Day At A Time \u003c/em>and \u003cem>Jane The Virgin \u003c/em>weren't even in the running, and there are plenty of other examples. When you miss out on whole shows, you miss out on nominees, and you miss out on winners. There's an inevitability to it.\u003c/p>\n\u003cp>The most viral-ready moment of the evening came from Glenn Weiss, who won for directing the Oscars (yes, you can win at an awards show for directing another awards show). He proposed to his girlfriend on stage, and she accepted. That is a man who knows how to produce a moment.\u003c/p>\n\u003cp>In the end, none of the winners at the show level were surprises: \u003cem>RuPaul's Drag Race\u003c/em>, \u003cem>Last Week Tonight\u003c/em>, and \u003cem>Saturday Night Live\u003c/em> won in reality and variety categories. \u003cem>American Crime Story: The Assassination of Gianni Versace \u003c/em>won in the limited series category. After seeing \u003cem>The Marvelous Mrs. Maisel \u003c/em>rack up four of the six available comedy awards at the beginning of the broadcast, it was no surprise to see it take outstanding comedy series near the end of it. And \u003cem>Game of Thrones\u003c/em> won its third Emmy for outstanding drama series — a win for a season that didn't garner as much praise as some past cycles have.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>So what have we learned? Well, we've learned that a musical number jokingly announcing that you've solved your diversity problem actually makes your diversity problem more awkward. We've learned that the hosts of an awards show should behave as if they're glad to be there and as if they care that the audience is glad to be there. And we've certainly learned that the Emmy voters really liked \u003cem>The Marvelous Mrs. Maisel\u003c/em>, they still like \u003cem>Game Of Thrones\u003c/em>, and maybe they didn't get those \u003cem>Killing Eve \u003c/em>screeners. Were they sent by registered mail?\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003c/em>\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=At+The+2018+Emmys%2C+%27Game+Of+Thrones%27+And+%27Mrs.+Maisel%27+Soar+While+The+Hosts+Struggle&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Rarely has the opening of an awards show felt as inauspicious as the first 10 minutes or so of Monday night's Emmy Awards. An opening number called \"We Solved It,\" making light of the idea that Hollywood's meager progress toward greater diversity constitutes a meaningful resolution to the issue, featured a number of appealing TV personalities: \u003cem>Saturday Night Live\u003c/em>'s Kenan Thompson and Kate McKinnon, Tituss Burgess of \u003cem>The Unbreakable Kimmy Schmidt\u003c/em>, Kristen Bell of \u003cem>The Good Place\u003c/em>, RuPaul, Sterling K. Brown of \u003cem>This Is Us\u003c/em>, and Ricky Martin. It even included what they called the One Of Each Dancers, a group that, taken together, supposedly checked every demographic box. It worked better in theory than in execution: the song wasn't great, and the number seemed a little sloppy, like they'd all just learned it. Regrettably, it got worse before it got better.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/J74hHQgCjrc'\n title='//www.youtube.com/embed/J74hHQgCjrc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Because what came after that was the introduction of the hosts, Colin Jost and Michael Che, both of \u003cem>SNL'\u003c/em>s \u003cem>Weekend Update \u003c/em>segment. They seemed awkward, miserable, unfunny, and cursed with mostly weak jokes. Devoid of charisma and struggling to get the audience on their side, they plodded on, looking like two dads forced to emcee a school assembly where they didn't particularly want to be there, but someone had prevailed upon them to help out. Equally grim were Fred Armisen and Maya Rudolph, not helping their new Amazon series \u003cem>Forever \u003c/em>by appearing together in a series of resolutely dull and (here's that word again) awkward scenes in which the joke seemed to be that there was no joke.\u003c/p>\n\u003cp>Especially in the first half of the show, a pall hung over the ceremony as if much of the crowd had been heavily sedated. Jeff Daniels rambled about his horse and people chuckled politely. Aidy Bryant and Bob Odenkirk — both known to be funny people! — haltingly executed a bit of scripted patter about doing scripted patter, a gambit that's been taking down presenters for ages. (This never works. Stop doing this.) Speech after speech seemed dragged down by the energy around it. It's not that there were no successes at all among the presenters; Michael Douglas was very funny talking about the deep resentment he believes in carrying around about the awards you've lost.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/CVYtkqBSgoc'\n title='//www.youtube.com/embed/CVYtkqBSgoc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But it didn't help that the first two award-winners of the night were probably the most energetic ones to hit the stage for quite a while. Henry Winkler, honored for his supporting work in \u003cem>Barry\u003c/em> and receiving the first Primetime Emmy Award of his long career, was just as charming as you'd hope, and just as excited, saying he only had 37 seconds for a speech he'd been holding for 43 years. And Alex Borstein, who won in the supporting category for \u003cem>The Marvelous Mrs. Maisel\u003c/em>, started by announcing she wasn't wearing a bra and asking other women not to pee on the seats of public toilets. It might not have been a traditional awards speech, but it had a certain verve.\u003c/p>\n\u003cp>Others were just fine: Rachel Brosnahan won for her leading performance in \u003cem>The Marvelous Mrs. Maisel\u003c/em> and encouraged everyone to vote in the midterms, and Bill Hader won for his leading performance in \u003cem>Barry \u003c/em>and seemed genuinely shocked. Actor Darren Criss and director Ryan Murphy both won for \u003cem>The Assassination of Gianni Versace: American Crime Story\u003c/em>, part of the \u003cem>ACS \u003c/em>anthology series that picked up a bunch of awards for its previous season about the O.J. Simpson trial. Peter Dinklage won in the supporting category for \u003cem>Game of Thrones\u003c/em>, as he has twice before. Things rolled along.\u003c/p>\n\u003cp>But on an awards ceremony that started off trying to do edgy humor about the limits of progress toward diversity, it was hard not to notice that it took quite a while to get to the first nonwhite winner in an acting category: Regina King for the Netflix limited series \u003cem>Seven Seconds\u003c/em>, which will not return for a second season (as many \"limited\" series, in fact, do). Thandie Newton also won in the supporting actress in a drama series category for \u003cem>Westworld\u003c/em>, but some of the actors of color for whom hopes were highest — Sandra Oh in \u003cem>Killing Eve\u003c/em>, for instance — they didn't come to pass.\u003c/p>\n\u003cp>One of the hosts' few successful bits was Che's \"Reparations Emmys,\" where he handed out Emmy statuettes he said he'd stolen from Bill Cosby to beloved black actors who hadn't won in the past: Marla Gibbs from \u003cem>The Jeffersons \u003c/em>and \u003cem>227\u003c/em>, Jimmie Walker from \u003cem>Good Times\u003c/em>, Kadeem Hardison from \u003cem>A Different World\u003c/em>, Tichina Arnold from \u003cem>Martin\u003c/em>, comedy journeyman John Witherspoon, and even Jaleel White — that's right, Che gave an honorary award to Urkel.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/mFLk09CJHCY'\n title='//www.youtube.com/embed/mFLk09CJHCY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>One reason why the awards looked as white as they did was that the shows that really cleaned up were ... really white shows. \u003cem>The Marvelous Mrs. Maisel \u003c/em>and \u003cem>Barry \u003c/em>cornered all of the comedy awards, and it was a decent showing for the last season of \u003cem>The Americans \u003c/em>on FX, which won in the writing category for drama and was recognized for Matthew Rhys' lead performance. Keri Russell, on the other hand, lost out to \u003cem>The Crown\u003c/em>'s Claire Foy — as did Sandra Oh. \u003cem>Atlanta\u003c/em>, which has an embarrassment of riches in its cast, including some of the most sought-after young actors in Hollywood at the moment, was shut out of the major awards entirely. The excellent shows \u003cem>Vida\u003c/em>, \u003cem>One Day At A Time \u003c/em>and \u003cem>Jane The Virgin \u003c/em>weren't even in the running, and there are plenty of other examples. When you miss out on whole shows, you miss out on nominees, and you miss out on winners. There's an inevitability to it.\u003c/p>\n\u003cp>The most viral-ready moment of the evening came from Glenn Weiss, who won for directing the Oscars (yes, you can win at an awards show for directing another awards show). He proposed to his girlfriend on stage, and she accepted. That is a man who knows how to produce a moment.\u003c/p>\n\u003cp>In the end, none of the winners at the show level were surprises: \u003cem>RuPaul's Drag Race\u003c/em>, \u003cem>Last Week Tonight\u003c/em>, and \u003cem>Saturday Night Live\u003c/em> won in reality and variety categories. \u003cem>American Crime Story: The Assassination of Gianni Versace \u003c/em>won in the limited series category. After seeing \u003cem>The Marvelous Mrs. Maisel \u003c/em>rack up four of the six available comedy awards at the beginning of the broadcast, it was no surprise to see it take outstanding comedy series near the end of it. And \u003cem>Game of Thrones\u003c/em> won its third Emmy for outstanding drama series — a win for a season that didn't garner as much praise as some past cycles have.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So what have we learned? Well, we've learned that a musical number jokingly announcing that you've solved your diversity problem actually makes your diversity problem more awkward. We've learned that the hosts of an awards show should behave as if they're glad to be there and as if they care that the audience is glad to be there. And we've certainly learned that the Emmy voters really liked \u003cem>The Marvelous Mrs. Maisel\u003c/em>, they still like \u003cem>Game Of Thrones\u003c/em>, and maybe they didn't get those \u003cem>Killing Eve \u003c/em>screeners. Were they sent by registered mail?\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003c/em>\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=At+The+2018+Emmys%2C+%27Game+Of+Thrones%27+And+%27Mrs.+Maisel%27+Soar+While+The+Hosts+Struggle&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The 2018 Emmy Awards are airing Monday night on NBC beginning at 7:30 PM. How can you remember they're on NBC, should you forget? Well, for one thing, the hosts are \u003cem>Saturday Night Live \u003c/em>cast members and \u003cem>Weekend Update \u003c/em>co-anchors Colin Jost and Michael Che, two guys who fit more into the category of \"the Emmys will be good for them\" than into the category of \"they will be good for the Emmys.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Ck222VlWdHQ\u003c/p>\n\u003cp>But whether or not you pay any attention to the hosts, it should be a fun evening to watch established dramas slug it out while fresh comedies try to elbow their way in. There are seven shows in the running for outstanding drama series including \u003cem>The Handmaid's Tale \u003c/em>(last year's winner), \u003cem>Game of Thrones \u003c/em>(won the two years before that)\u003cem>, This Is Us (\u003c/em>holding down the fort for broadcast networks for the second year in a row), \u003cem>The Americans \u003c/em>(which wrapped up its acclaimed run this year) and repeat nominees from 2017 \u003cem>The Crown\u003c/em>, \u003cem>Stranger Things\u003c/em>, and \u003cem>Westworld\u003c/em>. Not one new show was nominated, and there are a lot of very heavy hitters in the category.\u003c/p>\n\u003cp>The comedy side, which often changes very slowly, is a lot more exciting in terms of new entries. Of the eight nominees, three are new shows: \u003cem>GLOW\u003c/em>, \u003cem>Barry \u003c/em>and \u003cem>The Marvelous Mrs. Maisel\u003c/em>. The five others — \u003cem>Silicon Valley\u003c/em>, \u003cem>Atlanta, Black-ish\u003c/em>, \u003cem>Unbreakable Kimmy Schmidt\u003c/em>, and \u003cem>Curb Your Enthusiasm\u003c/em> — have never won. Except for \u003cem>Curb Your Enthusiasm\u003c/em>, which before this cycle hadn't had a new season since 2011, they've all been shut out by the one-two punch of \u003cem>Modern Family \u003c/em>winning from 2010-2014 and then \u003cem>Veep \u003c/em>winning in 2015-2017.\u003c/p>\n\u003cp>But both of those shows are out of the running this year: \u003cem>Veep \u003c/em>took a season off and isn't eligible, while \u003cem>Modern Family \u003c/em>went without a nomination for the first time in its long run. What that means is that you are guaranteed an outstanding comedy series winner that's never won before, and a shakeup to a category that's long tended to pick a winner it likes and go with it. (The same goes for the lead actress in a comedy category, where the great Julia Louis-Dreyfus, who's won six times in a row, is out of the running, which opens the door for someone like Rachel Brosnahan of \u003cem>Mrs. Maisel \u003c/em>or Tracee Ellis Ross of \u003cem>Black-ish\u003c/em>.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So there will be plenty of drama (and comedy!) to watch out for, and plenty of opportunities for fresh faces. There will also be gowns — \u003ca href=\"https://www.eonline.com/news/967683/e-will-be-live-from-the-red-carpet-with-extensive-coverage-for-the-2018-emmys-don-t-miss-a-moment\">watch or stream\u003c/a> the red carpet show on E! at 6 p.m. if that's your kind of thing — and speeches, surprising losses and unbelievable wins. At least we hope there will be, because that's the best part. And we'll be following on Twitter: you can follow \u003ca href=\"http://www.twitter.com/lindaholmes\">me\u003c/a>, \u003ca href=\"http://www.twitter.com/idislikestephen\">Stephen Thompson\u003c/a>, \u003ca href=\"http://twitter.com/ghweldon\">Glen Weldon\u003c/a> and \u003ca href=\"http://twitter.com/deggans\">Eric Deggans\u003c/a> as we put our feet up to see what happens.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And whatever does happen, we'll be here on Tuesday with a wrap-up of everything you need to know, and you'll be able to hear an episode of \u003ca href=\"https://www.npr.org/podcasts/510282/pop-culture-happy-hour\">Pop Culture Happy Hour\u003c/a> on Tuesday morning where we tell you what you missed Monday night.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=New+Faces+And+Old+Favorites+Will+Face+Off+At+The+Emmy+Awards&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The 2018 Emmy Awards are airing Monday night on NBC beginning at 7:30 PM. How can you remember they're on NBC, should you forget? Well, for one thing, the hosts are \u003cem>Saturday Night Live \u003c/em>cast members and \u003cem>Weekend Update \u003c/em>co-anchors Colin Jost and Michael Che, two guys who fit more into the category of \"the Emmys will be good for them\" than into the category of \"they will be good for the Emmys.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Ck222VlWdHQ'\n title='//www.youtube.com/embed/Ck222VlWdHQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>But whether or not you pay any attention to the hosts, it should be a fun evening to watch established dramas slug it out while fresh comedies try to elbow their way in. There are seven shows in the running for outstanding drama series including \u003cem>The Handmaid's Tale \u003c/em>(last year's winner), \u003cem>Game of Thrones \u003c/em>(won the two years before that)\u003cem>, This Is Us (\u003c/em>holding down the fort for broadcast networks for the second year in a row), \u003cem>The Americans \u003c/em>(which wrapped up its acclaimed run this year) and repeat nominees from 2017 \u003cem>The Crown\u003c/em>, \u003cem>Stranger Things\u003c/em>, and \u003cem>Westworld\u003c/em>. Not one new show was nominated, and there are a lot of very heavy hitters in the category.\u003c/p>\n\u003cp>The comedy side, which often changes very slowly, is a lot more exciting in terms of new entries. Of the eight nominees, three are new shows: \u003cem>GLOW\u003c/em>, \u003cem>Barry \u003c/em>and \u003cem>The Marvelous Mrs. Maisel\u003c/em>. The five others — \u003cem>Silicon Valley\u003c/em>, \u003cem>Atlanta, Black-ish\u003c/em>, \u003cem>Unbreakable Kimmy Schmidt\u003c/em>, and \u003cem>Curb Your Enthusiasm\u003c/em> — have never won. Except for \u003cem>Curb Your Enthusiasm\u003c/em>, which before this cycle hadn't had a new season since 2011, they've all been shut out by the one-two punch of \u003cem>Modern Family \u003c/em>winning from 2010-2014 and then \u003cem>Veep \u003c/em>winning in 2015-2017.\u003c/p>\n\u003cp>But both of those shows are out of the running this year: \u003cem>Veep \u003c/em>took a season off and isn't eligible, while \u003cem>Modern Family \u003c/em>went without a nomination for the first time in its long run. What that means is that you are guaranteed an outstanding comedy series winner that's never won before, and a shakeup to a category that's long tended to pick a winner it likes and go with it. (The same goes for the lead actress in a comedy category, where the great Julia Louis-Dreyfus, who's won six times in a row, is out of the running, which opens the door for someone like Rachel Brosnahan of \u003cem>Mrs. Maisel \u003c/em>or Tracee Ellis Ross of \u003cem>Black-ish\u003c/em>.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So there will be plenty of drama (and comedy!) to watch out for, and plenty of opportunities for fresh faces. There will also be gowns — \u003ca href=\"https://www.eonline.com/news/967683/e-will-be-live-from-the-red-carpet-with-extensive-coverage-for-the-2018-emmys-don-t-miss-a-moment\">watch or stream\u003c/a> the red carpet show on E! at 6 p.m. if that's your kind of thing — and speeches, surprising losses and unbelievable wins. At least we hope there will be, because that's the best part. And we'll be following on Twitter: you can follow \u003ca href=\"http://www.twitter.com/lindaholmes\">me\u003c/a>, \u003ca href=\"http://www.twitter.com/idislikestephen\">Stephen Thompson\u003c/a>, \u003ca href=\"http://twitter.com/ghweldon\">Glen Weldon\u003c/a> and \u003ca href=\"http://twitter.com/deggans\">Eric Deggans\u003c/a> as we put our feet up to see what happens.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And whatever does happen, we'll be here on Tuesday with a wrap-up of everything you need to know, and you'll be able to hear an episode of \u003ca href=\"https://www.npr.org/podcasts/510282/pop-culture-happy-hour\">Pop Culture Happy Hour\u003c/a> on Tuesday morning where we tell you what you missed Monday night.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=New+Faces+And+Old+Favorites+Will+Face+Off+At+The+Emmy+Awards&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "What You Missed While You Were Getting Ready For Breaking Bad: The Emmys Roundup",
"title": "What You Missed While You Were Getting Ready For Breaking Bad: The Emmys Roundup",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>\u003cimg class=\"alignnone size-full wp-image-110275\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/PettyMeanGoose-size_restricted.gif\" alt=\"\" width=\"550\" height=\"309\">\u003c/p>\n\u003cp>I did not watch the Emmy's last night. I don't have an actual TV because I am a Millennial who watches everything on her laptop computer in order to destroy the very fabric of society, and I reserve live TV watching at friends' houses for real important events like \u003cem>Breaking Bad\u003c/em>. But, as a lover of TV programs and a person who has been consistently angered by awards shows since I was probably 8, I watched social media with interest during last night's show, as I prepped myself for the real show (\u003cem>Breaking Bad\u003c/em>!\u003cem> Breaking Bad\u003c/em>!). Without watching the show, I \"watched the show.\" I even tweeted about it:\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\u003cp>I'm confused because I'm not watching the Emmys but did Jeff Daniels seriously just beat Bryan Cranston? Who votes? I need addresses.\u003c/p>\n\u003cp>— Lizzy Acker (@lizzzyacker) \u003ca href=\"https://twitter.com/lizzzyacker/statuses/381959847672942592\">September 23, 2013\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Luckily for you--luckily for all of us--there are people with the job \"watch the Emmys and tell people about it\" so we don't have to sit through hours of nonsense and we can experience just the super good bits. Here is a round-up of the things on the internet about the Emmys that I think you should look at:\u003c/p>\n\u003cp>\u003cimg class=\"size-full wp-image-110276 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/gUL.gif\" alt=\"\" width=\"245\" height=\"260\">\u003c/p>\n\u003cdiv>\n\u003cdiv class=\"embedly\">\n\u003cp>\u003ca class=\"embedly-title\" href=\"http://gawker.com/the-best-emmys-speech-of-all-time-just-happened-1368496149\">The Best Emmys Speech of All Time Just Happened\u003c/a>\u003cbr>\nHere's Merritt Wever winning for Outstanding Supporting Actress in a Comedy Series for her work on Nurse Jackie. They should all be this short and this weird. None of them will be.\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-110277\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/giphy.gif\" alt=\"\" width=\"500\" height=\"244\">\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv>\n\u003cdiv class=\"embedly\">\n\u003cp>\u003ca class=\"embedly-title\" href=\"http://www.vulture.com/2013/09/best-frozen-moments-from-the-2013-emmys.html\">The Best Frozen Moments From the 2013 Emmys\u003c/a>\u003cbr>\nLast night's Emmys went by in a blur, as in it got so wearisome by the end that one's eyeballs started rebelling. So here is one last clear look back at the nuances of the night that you may have missed while struggling to focus.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv>\n\u003cdiv class=\"embedly\">\n\u003cp>\u003cimg class=\"thumb embedly-thumbnail-small\" src=\"http://media.heavy.com/img/thumbnails/464303-20130923-034329-640x360.jpg\" alt=\"\">\u003ca class=\"embedly-title\" href=\"http://www.heavy.com/entertainment/2013/09/will-ferrell-emmys-awards-2013-presents-breaking-bad-modern-family-video/\">WATCH: Will Ferrell Presents at Emmy Awards 2013\u003c/a>\u003cbr>\nWill Ferrell is hilarious as he presents the last two awards at the 2013 Emmy Awards. Check out the video here.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv>\n\u003cdiv class=\"embedly\">\n\u003cp>\u003ca class=\"embedly-title\" href=\"http://tv.yahoo.com/video/tina-fey-amy-poeher-steal-010218466.html\">Tina Fey and Amy Poehler steal the Emmys stage\u003c/a>\u003cbr>\nWatch the video Tina Fey and Amy Poehler steal the Emmys stage on Yahoo TV . From the 65th Primetime Emmy Awards Courtesy of Academy of Television Arts & Sciences and CBS Television Network.\u003c/p>\n\u003cdiv class=\"media-attribution\">\u003cimg class=\"alignnone size-full wp-image-110278\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/BoldFoolishAnhinga-size_restricted.gif\" alt=\"\" width=\"500\" height=\"280\">\u003c/div>\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"alignnone size-full wp-image-110275\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/PettyMeanGoose-size_restricted.gif\" alt=\"\" width=\"550\" height=\"309\">\u003c/p>\n\u003cp>I did not watch the Emmy's last night. I don't have an actual TV because I am a Millennial who watches everything on her laptop computer in order to destroy the very fabric of society, and I reserve live TV watching at friends' houses for real important events like \u003cem>Breaking Bad\u003c/em>. But, as a lover of TV programs and a person who has been consistently angered by awards shows since I was probably 8, I watched social media with interest during last night's show, as I prepped myself for the real show (\u003cem>Breaking Bad\u003c/em>!\u003cem> Breaking Bad\u003c/em>!). Without watching the show, I \"watched the show.\" I even tweeted about it:\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\u003cp>I'm confused because I'm not watching the Emmys but did Jeff Daniels seriously just beat Bryan Cranston? Who votes? I need addresses.\u003c/p>\n\u003cp>— Lizzy Acker (@lizzzyacker) \u003ca href=\"https://twitter.com/lizzzyacker/statuses/381959847672942592\">September 23, 2013\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Luckily for you--luckily for all of us--there are people with the job \"watch the Emmys and tell people about it\" so we don't have to sit through hours of nonsense and we can experience just the super good bits. Here is a round-up of the things on the internet about the Emmys that I think you should look at:\u003c/p>\n\u003cp>\u003cimg class=\"size-full wp-image-110276 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/gUL.gif\" alt=\"\" width=\"245\" height=\"260\">\u003c/p>\n\u003cdiv>\n\u003cdiv class=\"embedly\">\n\u003cp>\u003ca class=\"embedly-title\" href=\"http://gawker.com/the-best-emmys-speech-of-all-time-just-happened-1368496149\">The Best Emmys Speech of All Time Just Happened\u003c/a>\u003cbr>\nHere's Merritt Wever winning for Outstanding Supporting Actress in a Comedy Series for her work on Nurse Jackie. They should all be this short and this weird. None of them will be.\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-110277\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/giphy.gif\" alt=\"\" width=\"500\" height=\"244\">\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv>\n\u003cdiv class=\"embedly\">\n\u003cp>\u003ca class=\"embedly-title\" href=\"http://www.vulture.com/2013/09/best-frozen-moments-from-the-2013-emmys.html\">The Best Frozen Moments From the 2013 Emmys\u003c/a>\u003cbr>\nLast night's Emmys went by in a blur, as in it got so wearisome by the end that one's eyeballs started rebelling. So here is one last clear look back at the nuances of the night that you may have missed while struggling to focus.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv>\n\u003cdiv class=\"embedly\">\n\u003cp>\u003cimg class=\"thumb embedly-thumbnail-small\" src=\"http://media.heavy.com/img/thumbnails/464303-20130923-034329-640x360.jpg\" alt=\"\">\u003ca class=\"embedly-title\" href=\"http://www.heavy.com/entertainment/2013/09/will-ferrell-emmys-awards-2013-presents-breaking-bad-modern-family-video/\">WATCH: Will Ferrell Presents at Emmy Awards 2013\u003c/a>\u003cbr>\nWill Ferrell is hilarious as he presents the last two awards at the 2013 Emmy Awards. Check out the video here.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv>\n\u003cdiv class=\"embedly\">\n\u003cp>\u003ca class=\"embedly-title\" href=\"http://tv.yahoo.com/video/tina-fey-amy-poeher-steal-010218466.html\">Tina Fey and Amy Poehler steal the Emmys stage\u003c/a>\u003cbr>\nWatch the video Tina Fey and Amy Poehler steal the Emmys stage on Yahoo TV . From the 65th Primetime Emmy Awards Courtesy of Academy of Television Arts & Sciences and CBS Television Network.\u003c/p>\n\u003cdiv class=\"media-attribution\">\u003cimg class=\"alignnone size-full wp-image-110278\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/BoldFoolishAnhinga-size_restricted.gif\" alt=\"\" width=\"500\" height=\"280\">\u003c/div>\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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},
"rightnowish": {
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"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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