Cellist Mika Larson (second from right) runs through the songs from the Pasadena Right Here, Right Now rock opera for the first time together with Street Symphony members Sarena Hsu, Xenia Deviatkina-Loh and Zach Dellinger. “It’s fun, but also there are moments that are poignant and kind of speak to the weight on everybody’s shoulders right now,” said drummer Alexander Eckhoff. “But like with a lot of the stuff that I’ve heard of [Mark’s] is always interesting, always slightly offbeat, but in a good way.” (Steven Cuevas for KQED)
With just days to go before their performance, a musical ensemble gathered in composer and singer-songwriter Russell Mark’s East Pasadena home for rehearsal.
The string quartet, which featured Mark’s wife, cellist Mika Larson, played in the dining room, while the other five musicians, twin guitars, piano, bass and drums crowded into the adjoining living room. The artists prepared for the June 6 debut of Pasadena Right Here, Right Now — a rock opera, inspired by Pasadena.
The musicians felt their way through the score, a biting fusion of buzzing, modern power pop melded with classical strings. The ensemble included members of the Street Symphony, a band of professional classical players led by a former Los Angeles Philharmonic violinist, that performs regular free concerts on L.A.’s Skid Row.
The story begins in Pasadena in the year 2125. A professor from the city’s renowned California Institute of Technology develops a time machine to travel back in time — to Pasadena in 2025.
Why travel back to 2025 from 100 years in the future? Well, this is where speculative science fiction takes over. Our time-traveling Caltech heroine wants to investigate what exactly sparked the deadly 2025 Eaton Fire. But her detective work leads to an unforeseen hiccup, typically found only in the pages of pulp sci-fi novels.
“The 2025 person and her companions feel like they need to show these people around and what’s happening at this chaotic time of political upheaval, natural disasters, [and show them] all of the amazing — and the equally scary — things happening in this world.”
Composer and singer-songwriter Russell Mark spent a year soliciting feedback from scores of Pasadena- and Altadena-area residents about the place where they live. Their detailed and, at times, emotional responses inform much of the opera’s lyrics and help guide the plot of the story. Mark kept stacks of responses around him at the studio while working on the music throughout the last year. (Steven Cuevas for KQED)
Time travel aside, Pasadena Right Here, Right Now ultimately becomes a vehicle to explore the Pasadena and Altadena area of today, a way for our present selves to explain these times to someone a hundred years in the past, and a hundred years in the future. (Spoiler alert: It’s the time machine that sparked the fire.)
“You can’t take that stuff too seriously, the time travel stuff, you just need to let it go,” he said, laughing. “You just have to accept it! But the backbone is this coming together of the past and the future, here in the present.”
To create the lyrics, Mark spent the better part of the past year soliciting feedback from dozens of Pasadena and Altadena residents, in person and online, via a survey that asked a series of probing questions about their lives in what lots of locals affectionately call the ‘Dena.
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“I’m calling this project a ‘musical time capsule,’” Mark said. “I’m asking people what they think people from 1925 will be surprised about. And what would you want people to know about you in 2125 that you think might end up distorted or mistranslated somehow?”
A song called “Time Capsule” playfully namechecks a lot of the local ‘Dena treasures that survey respondents say they’d be proud to share with a resident from 1925 or 2125. This includes local gems like the sci-fi novels of longtime Altadena resident Octavia Butler, cassette tapes from Pasadena’s own hard rock heroes Van Halen, flocks of wild parrots and the feral peacocks of East Pasadena.
“I made it a point to talk about this moment in 2025 and elaborate on the things that I have available to me, but also what is slightly out of my reach in the hybrid ways that we live,” said local writer Natalie Lydick, who responded to Mark’s survey questions.
Lydick said she wanted to remind anyone from Pasadena’s past or future that not everything modernizes as radically or as rapidly as we might think.
“I said, I have a cell phone and a computer, and I’m digitally literate, but I also have two full bookshelves, and I love to read print media,” Lydick said. “Electrical vehicles are widely available, but most people, including me, still drive gas-powered cars. Hindsight creates this idea of progress, [but] time moves so much slower than we think.”
That idea made its way into the lyrics of a song called “We Tried with the House,” in which one of the characters is explaining the Pasadena of today to one of the story’s time travelers.
Russell Mark sits in his recording studio to play some rough demos from his new project Pasadena Right Here, Right Now, an ambitious, bitter-sweet rock opera involving a time-traveling Caltech professor, the Eaton Fire and the thoughts of contemporary Pasadena-Altadena area residents. (Steven Cuevas for KQED)
“And I hope you recognize the place, I hope it seems familiar / We still got cars and planes and trains / And even horses up in Altadena / We got books and vinyl records on our shelves / And we care for neighbors like we care for ourselves.”
Guitarist and backup singer Myron Kaplan recalled how she answered a survey question that asked, what would you want to put in a physical time capsule representing this community?
“A snow globe with embers from a house burning down instead of snowflakes,” Kaplan said, making a direct reference to the Eaton Fire, which killed 19 people and destroyed hundreds of homes and businesses in Altadena, North Pasadena and Sierra Madre.
“I mean, it was a rough year, man, anyone who lives here can tell you that,” said Kaplan, recalling how she temporarily relocated to Las Vegas for several weeks after the fire to escape the poor air quality and process the shock and trauma of the disaster.
Mark had no clue how the plot would unfold when he embarked on the project. But he said the survey responses that informed much of the project’s lyrics were remarkably consistent.
Cellist Mika Larson (center left), and composer Russell Mark (seated) with members of the Pasadena Right Here, Right Now ensemble, including Street Symphony founder Vijay Gupta (fourth from left) and Symphony board chair Georgia Hawley (right), after a live preview of the rock opera at the Midnight Mission’s weekly live music series in L.A.’s Skid Row neighborhood. (Steven Cuevas for KQED)
“People love the town, they love the beauty of the town, the trees, the architecture, the mountains, the friendliness, the number of cultural institutions,” Mark said. “The answers weren’t very different at all.”
“It makes you feel you live somewhere significant / So listen when they tell you / We’re living in the center of the universe! Pasadena is the center of the universe,” booms the anthemic pop rock chorus in “Center of the Universe,” a centerpiece of the show that reflects the affection and local pride that so many share for the Pasadena area.
“It’s easy to forget that it doesn’t matter whether you live in a mansion or you live on the street, you’re still a member of this community,” Mark said.
Hear songs from Pasadena Right Here, Right Now, on Mark’s website.
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"title": "A New Time-Traveling Rock Opera Celebrates Pasadena",
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"content": "\u003cp>With just days to go before their performance, a musical ensemble gathered in composer and singer-songwriter Russell Mark’s \u003ca href=\"https://www.kqed.org/news/12071233/a-year-after-the-la-fires-a-journalist-looks-back-on-the-stories-from-his-neighborhood\">East Pasadena \u003c/a>home for rehearsal.\u003c/p>\n\u003cp>The string quartet, which featured Mark’s wife, cellist Mika Larson, played in the dining room, while the other five musicians, twin guitars, piano, bass and drums crowded into the adjoining living room. The artists prepared for the June 6 debut of \u003ca href=\"https://www.russellmarkmusic.com/pasadena\">\u003cem>Pasadena Right Here, Right Now\u003c/em>\u003c/a>\u003cem> —\u003c/em> a rock opera, inspired by Pasadena.\u003c/p>\n\u003cp>The musicians felt their way through the score, a biting fusion of buzzing, modern power pop melded with classical strings. The ensemble included members of the Street Symphony, a band of professional classical players led by a former Los Angeles Philharmonic violinist, that performs regular free concerts on L.A.’s Skid Row.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The story begins in Pasadena in the year 2125. A professor from the city’s renowned California Institute of Technology develops a time machine to travel back in time — to Pasadena in 2025.\u003c/p>\n\u003cp>Why travel back to 2025 from 100 years in the future? Well, this is where speculative science fiction takes over. Our time-traveling Caltech heroine wants to investigate what exactly sparked the \u003ca href=\"https://www.kqed.org/news/tag/eaton-fire\">deadly 2025 Eaton Fire\u003c/a>. But her detective work leads to an unforeseen hiccup, typically found only in the pages of pulp sci-fi novels.\u003c/p>\n\u003cp>“The 2025 person and her companions feel like they need to show these people around and what’s happening at this chaotic time of political upheaval, natural disasters, [and show them] all of the amazing — and the equally scary — things happening in this world.”\u003c/p>\n\u003cfigure id=\"attachment_12088190\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088190 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC03-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC03-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC03-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC03-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Composer and singer-songwriter Russell Mark spent a year soliciting feedback from scores of Pasadena- and Altadena-area residents about the place where they live. Their detailed and, at times, emotional responses inform much of the opera’s lyrics and help guide the plot of the story. Mark kept stacks of responses around him at the studio while working on the music throughout the last year. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Time travel aside, \u003cem>Pasadena Right Here, Right Now\u003c/em> ultimately becomes a vehicle to explore the Pasadena and Altadena area of today, a way for our present selves to explain these times to someone a hundred years in the past, and a hundred years in the future. (Spoiler alert: It’s the time machine that sparked the fire.)\u003c/p>\n\u003cp>“You can’t take that stuff too seriously, the time travel stuff, you just need to let it go,” he said, laughing. “You just have to accept it! But the backbone is this coming together of the past and the future, here in the present.”\u003c/p>\n\u003cp>To create the lyrics, Mark spent the better part of the past year soliciting feedback from dozens of Pasadena and Altadena residents, in person and online, via a survey that asked a series of probing questions about their lives in what lots of locals affectionately call the ‘Dena.[aside postID=news_12087945 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Untitled-1.jpg']“I’m calling this project a ‘musical time capsule,’” Mark said. “I’m asking people what they think people from 1925 will be surprised about. And what would you want people to know about you in 2125 that you think might end up distorted or mistranslated somehow?”\u003c/p>\n\u003cp>A song called “Time Capsule” playfully namechecks a lot of the local ‘Dena treasures that survey respondents say they’d be proud to share with a resident from 1925 or 2125. This includes local gems like the sci-fi novels of longtime Altadena resident Octavia Butler, cassette tapes from Pasadena’s own hard rock heroes Van Halen, flocks of wild parrots and the feral peacocks of East Pasadena.\u003c/p>\n\u003cp>“I made it a point to talk about this moment in 2025 and elaborate on the things that I have available to me, but also what is slightly out of my reach in the hybrid ways that we live,” said local writer Natalie Lydick, who responded to Mark’s survey questions.\u003c/p>\n\u003cp>Lydick said she wanted to remind anyone from Pasadena’s past or future that not everything modernizes as radically or as rapidly as we might think.\u003c/p>\n\u003cp>“I said, I have a cell phone and a computer, and I’m digitally literate, but I also have two full bookshelves, and I love to read print media,” Lydick said. “Electrical vehicles are widely available, but most people, including me, still drive gas-powered cars. Hindsight creates this idea of progress, [but] time moves so much slower than we think.”\u003c/p>\n\u003cp>That idea made its way into the lyrics of a song called “We Tried with the House,” in which one of the characters is explaining the Pasadena of today to one of the story’s time travelers.\u003c/p>\n\u003cfigure id=\"attachment_12088189\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088189 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC02-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC02-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC02-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC02-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Russell Mark sits in his recording studio to play some rough demos from his new project Pasadena Right Here, Right Now, an ambitious, bitter-sweet rock opera involving a time-traveling Caltech professor, the Eaton Fire and the thoughts of contemporary Pasadena-Altadena area residents. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“And I hope you recognize the place, I hope it seems familiar / We still got cars and planes and trains / And even horses up in Altadena / We got books and vinyl records on our shelves / And we care for neighbors like we care for ourselves.”\u003c/em>\u003c/p>\n\u003cp>Guitarist and backup singer Myron Kaplan recalled how she answered a survey question that asked, what would you want to put in a physical time capsule representing this community?\u003c/p>\n\u003cp>“A snow globe with embers from a house burning down instead of snowflakes,” Kaplan said, making a direct reference to the Eaton Fire, which killed 19 people and destroyed hundreds of homes and businesses in Altadena, North Pasadena and Sierra Madre.\u003c/p>\n\u003cp>“I mean, it was a rough year, man, anyone who lives here can tell you that,” said Kaplan, recalling how she temporarily relocated to Las Vegas for several weeks after the fire to escape the poor air quality and process the shock and trauma of the disaster.\u003c/p>\n\u003cp>Mark had no clue how the plot would unfold when he embarked on the project. But he said the survey responses that informed much of the project’s lyrics were remarkably consistent.\u003c/p>\n\u003cfigure id=\"attachment_12088192\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088192 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC05-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC05-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC05-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC05-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cellist Mika Larson (center left), and composer Russell Mark (seated) with members of the Pasadena Right Here, Right Now ensemble, including Street Symphony founder Vijay Gupta (fourth from left) and Symphony board chair Georgia Hawley (right), after a live preview of the rock opera at the Midnight Mission’s weekly live music series in L.A.’s Skid Row neighborhood. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“People love the town, they love the beauty of the town, the trees, the architecture, the mountains, the friendliness, the number of cultural institutions,” Mark said. “The answers weren’t very different at all.”\u003c/p>\n\u003cp>“It makes you feel you live somewhere significant / So listen when they tell you / We’re living in the center of the universe! Pasadena is the center of the universe,” booms the anthemic pop rock chorus in “Center of the Universe,” a centerpiece of the show that reflects the affection and local pride that so many share for the Pasadena area.\u003c/p>\n\u003cp>“It’s easy to forget that it doesn’t matter whether you live in a mansion or you live on the street, you’re still a member of this community,” Mark said.\u003c/p>\n\u003cp>\u003cem>Hear songs from Pasadena Right Here, Right Now, on \u003c/em>\u003ca href=\"https://www.russellmarkmusic.com/pasadena\">\u003cem>Mark’s website\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>With just days to go before their performance, a musical ensemble gathered in composer and singer-songwriter Russell Mark’s \u003ca href=\"https://www.kqed.org/news/12071233/a-year-after-the-la-fires-a-journalist-looks-back-on-the-stories-from-his-neighborhood\">East Pasadena \u003c/a>home for rehearsal.\u003c/p>\n\u003cp>The string quartet, which featured Mark’s wife, cellist Mika Larson, played in the dining room, while the other five musicians, twin guitars, piano, bass and drums crowded into the adjoining living room. The artists prepared for the June 6 debut of \u003ca href=\"https://www.russellmarkmusic.com/pasadena\">\u003cem>Pasadena Right Here, Right Now\u003c/em>\u003c/a>\u003cem> —\u003c/em> a rock opera, inspired by Pasadena.\u003c/p>\n\u003cp>The musicians felt their way through the score, a biting fusion of buzzing, modern power pop melded with classical strings. The ensemble included members of the Street Symphony, a band of professional classical players led by a former Los Angeles Philharmonic violinist, that performs regular free concerts on L.A.’s Skid Row.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The story begins in Pasadena in the year 2125. A professor from the city’s renowned California Institute of Technology develops a time machine to travel back in time — to Pasadena in 2025.\u003c/p>\n\u003cp>Why travel back to 2025 from 100 years in the future? Well, this is where speculative science fiction takes over. Our time-traveling Caltech heroine wants to investigate what exactly sparked the \u003ca href=\"https://www.kqed.org/news/tag/eaton-fire\">deadly 2025 Eaton Fire\u003c/a>. But her detective work leads to an unforeseen hiccup, typically found only in the pages of pulp sci-fi novels.\u003c/p>\n\u003cp>“The 2025 person and her companions feel like they need to show these people around and what’s happening at this chaotic time of political upheaval, natural disasters, [and show them] all of the amazing — and the equally scary — things happening in this world.”\u003c/p>\n\u003cfigure id=\"attachment_12088190\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088190 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC03-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC03-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC03-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC03-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Composer and singer-songwriter Russell Mark spent a year soliciting feedback from scores of Pasadena- and Altadena-area residents about the place where they live. Their detailed and, at times, emotional responses inform much of the opera’s lyrics and help guide the plot of the story. Mark kept stacks of responses around him at the studio while working on the music throughout the last year. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Time travel aside, \u003cem>Pasadena Right Here, Right Now\u003c/em> ultimately becomes a vehicle to explore the Pasadena and Altadena area of today, a way for our present selves to explain these times to someone a hundred years in the past, and a hundred years in the future. (Spoiler alert: It’s the time machine that sparked the fire.)\u003c/p>\n\u003cp>“You can’t take that stuff too seriously, the time travel stuff, you just need to let it go,” he said, laughing. “You just have to accept it! But the backbone is this coming together of the past and the future, here in the present.”\u003c/p>\n\u003cp>To create the lyrics, Mark spent the better part of the past year soliciting feedback from dozens of Pasadena and Altadena residents, in person and online, via a survey that asked a series of probing questions about their lives in what lots of locals affectionately call the ‘Dena.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“I’m calling this project a ‘musical time capsule,’” Mark said. “I’m asking people what they think people from 1925 will be surprised about. And what would you want people to know about you in 2125 that you think might end up distorted or mistranslated somehow?”\u003c/p>\n\u003cp>A song called “Time Capsule” playfully namechecks a lot of the local ‘Dena treasures that survey respondents say they’d be proud to share with a resident from 1925 or 2125. This includes local gems like the sci-fi novels of longtime Altadena resident Octavia Butler, cassette tapes from Pasadena’s own hard rock heroes Van Halen, flocks of wild parrots and the feral peacocks of East Pasadena.\u003c/p>\n\u003cp>“I made it a point to talk about this moment in 2025 and elaborate on the things that I have available to me, but also what is slightly out of my reach in the hybrid ways that we live,” said local writer Natalie Lydick, who responded to Mark’s survey questions.\u003c/p>\n\u003cp>Lydick said she wanted to remind anyone from Pasadena’s past or future that not everything modernizes as radically or as rapidly as we might think.\u003c/p>\n\u003cp>“I said, I have a cell phone and a computer, and I’m digitally literate, but I also have two full bookshelves, and I love to read print media,” Lydick said. “Electrical vehicles are widely available, but most people, including me, still drive gas-powered cars. Hindsight creates this idea of progress, [but] time moves so much slower than we think.”\u003c/p>\n\u003cp>That idea made its way into the lyrics of a song called “We Tried with the House,” in which one of the characters is explaining the Pasadena of today to one of the story’s time travelers.\u003c/p>\n\u003cfigure id=\"attachment_12088189\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088189 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC02-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC02-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC02-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC02-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Russell Mark sits in his recording studio to play some rough demos from his new project Pasadena Right Here, Right Now, an ambitious, bitter-sweet rock opera involving a time-traveling Caltech professor, the Eaton Fire and the thoughts of contemporary Pasadena-Altadena area residents. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“And I hope you recognize the place, I hope it seems familiar / We still got cars and planes and trains / And even horses up in Altadena / We got books and vinyl records on our shelves / And we care for neighbors like we care for ourselves.”\u003c/em>\u003c/p>\n\u003cp>Guitarist and backup singer Myron Kaplan recalled how she answered a survey question that asked, what would you want to put in a physical time capsule representing this community?\u003c/p>\n\u003cp>“A snow globe with embers from a house burning down instead of snowflakes,” Kaplan said, making a direct reference to the Eaton Fire, which killed 19 people and destroyed hundreds of homes and businesses in Altadena, North Pasadena and Sierra Madre.\u003c/p>\n\u003cp>“I mean, it was a rough year, man, anyone who lives here can tell you that,” said Kaplan, recalling how she temporarily relocated to Las Vegas for several weeks after the fire to escape the poor air quality and process the shock and trauma of the disaster.\u003c/p>\n\u003cp>Mark had no clue how the plot would unfold when he embarked on the project. But he said the survey responses that informed much of the project’s lyrics were remarkably consistent.\u003c/p>\n\u003cfigure id=\"attachment_12088192\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088192 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC05-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC05-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC05-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC05-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cellist Mika Larson (center left), and composer Russell Mark (seated) with members of the Pasadena Right Here, Right Now ensemble, including Street Symphony founder Vijay Gupta (fourth from left) and Symphony board chair Georgia Hawley (right), after a live preview of the rock opera at the Midnight Mission’s weekly live music series in L.A.’s Skid Row neighborhood. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“People love the town, they love the beauty of the town, the trees, the architecture, the mountains, the friendliness, the number of cultural institutions,” Mark said. “The answers weren’t very different at all.”\u003c/p>\n\u003cp>“It makes you feel you live somewhere significant / So listen when they tell you / We’re living in the center of the universe! Pasadena is the center of the universe,” booms the anthemic pop rock chorus in “Center of the Universe,” a centerpiece of the show that reflects the affection and local pride that so many share for the Pasadena area.\u003c/p>\n\u003cp>“It’s easy to forget that it doesn’t matter whether you live in a mansion or you live on the street, you’re still a member of this community,” Mark said.\u003c/p>\n\u003cp>\u003cem>Hear songs from Pasadena Right Here, Right Now, on \u003c/em>\u003ca href=\"https://www.russellmarkmusic.com/pasadena\">\u003cem>Mark’s website\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
},
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"source": "kqed",
"order": 9
},
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"meta": {
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"how-i-built-this": {
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"order": 18
},
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
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