Residents and volunteers at Zorthian Ranch on March 28 in Altadena, California. From left to right: Sam Anderson, Robert “Blobbie” Kirkhuff, Tara Zorthian, Caroline Zorthian, Ian Rosenzweig, Aslan Scardina, Billie Grey Heck (back), Moses Hamborg (front), and Solange Stefanelli. After the Eaton Fire blazed through Altadena, past and present residents of Zorthian Ranch, a bohemian art colony in the Los Angeles foothills, shared stories of the Ranch’s transformative “magic,” and witnessed the wildfire’s destruction. (Stella Kalinina for KQED)
“It woke you up in a way where you felt your humanity and you felt the humanity of the people around you. You understood what it felt like to really love people.”
I can’t stop thinking about this line from my friend Tara Zorthian. I was interviewing her about her former home, the Zorthian Ranch, which burned down in the Eaton Canyon fire.
I was searching to capture the meaning of a place that is impossible to define.
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It’s a ranch. An artist community. A homestead. A portal to a different way of life. But there’s something else going on there. A sense of magic, hidden in the mountains, that reveals itself to those who leave behind the trappings of modern urban life and surrender to the silliest, most whimsical, most open version of themselves.
I have witnessed this place transform people. It even happened to me, a journalist from New Jersey with a rather serious disposition. I only lived at the Ranch for a matter of months, but have been a visitor for much longer. And during that time, I unlocked a new version of myself that I didn’t know existed.
(Left) Writer Sam Anderson outside a burned out bus at Zorthian Ranch on March 28 in Altadena, California. (Right) One of the burned vehicles on the ranch. (Stella Kalinina for KQED)
The first time I came to the Ranch was in 2019 for a volunteer workday. As my tiny Volkswagen rattled across the precarious bridge and up the windy dirt road, I felt nervous with anticipation. What is this place? How does it possibly exist among the dense urban sprawl of Los Angeles?
I arrived at the top of the road to find a rambling property filled with strange buildings and objects. Art was everywhere. It was like nothing I had ever seen before.
I joined a group of twenty or so people engaged in some form of toiling. I can’t remember what we did that day – probably pulled weeds or tossed some rocks into a pile or something similar. It was a sweltering summer day and by the afternoon everyone was covered in dirt and sweat.
What’s emblazoned in my memory forever is what happened after the work was done. Everyone stripped completely naked and jumped in the pool. Music turned on. Drinks appeared. A raucous party began.
The pool was perched on top of a mountain with a panoramic view of Los Angeles. As the sun began to set over the hills, brilliant shades of orange and pink blazed across the sky and I had an indescribable feeling that I tapped into something special. What was this community I had encountered, filled with such creative, brilliant people?
I came back as frequently as I could, driven by some deep impulse that what I experienced there was magic. I couldn’t quite define the feeling, but I knew I wanted more of it.
Over the next five years, I got to know the place and its people in a more intimate way. Words are a poor substitute for what I experienced there, but it involved strange art performances, puppet shows, pizza parties and surrealist dinners, costumes and music of all types, deep conversations, sleepovers with friends, staying up all night until the sunrise and a profound sense of love and belonging.
Like Tara said, it woke you up. You felt your humanity. You understood what it meant to really love people.
My experience is but a small fraction of what the Zorthian Ranch really was — and is.
The Ranch has been around for nearly a century. It was founded by Jirayr Zorthian, a refugee from the Armenian genocide, who over the years developed a unique space that was both homestead and social scene. It became a magnet for bohemian artists in the ’50s and ’60s. It hosted countless parties, shows and performances, and over the years what happened to me — the discovery of magic within myself — happened to hundreds, if not thousands of people.
Tara Zorthian, a granddaughter of founder Jirayr Zorthian, at Zorthian Ranch on March 28 in Altadena, California. She lived on the ranch for eight years before moving away two years ago. The Eaton fire destroyed several structures as well as vegetation on the Ranch. (Stella Kalinina for KQED)
The cliche is that you don’t know what you got till it’s gone. But I think we did know. All of us who lived, visited and participated in the Ranch came away with a sense of how special it was.
In the course of producing this non-narrated radio piece, I set out to capture that sense of specialness. And I knew that would be a challenge from the outset.
For starters, the 20 people who used to live here are now displaced. The community has scattered. Where previously I could simply show up and find several people to talk to, now I had to go about tracking them down to the various friend’s houses (and couches) where they were staying.
Another challenge was trying to wrap my arms around such a sprawling subject. I understood that ultimately, any attempt to tell the entire story of the Zorthian Ranch in a single piece would be doomed to failure. I myself had actually tried — and failed — before. Along with a colleague of mine, I set out to uncover the fate of The Phantasmagoria of Military Intelligence Training, which is the most enduring mystery of the Zorthian Ranch.
The story goes that Jirayr Zorthian created his greatest artwork of all time — a true masterpiece — in the form of a 157-foot mural that was first installed at the Pentagon, then possibly shuffled around other military locations, before it was lost forever.
The piece depicted the training and recruitment process of the military in not uncritical terms (could that be a motivation behind its disappearance?) and while the original has never been found, there is at least a video documenting what it looked like.
Suffice it to say my documentary about this missing art piece didn’t pan out. But the particular rabbit hole it sent me down — playfully referred to as “the Zortex” by those who live here — only reinforced my enduring fascination with the place.
Several talented individuals have contributed to telling the story of the Zorthian Ranch, and while no one’s produced a truly definitive documentary about the place, there are several great attempts currently available to view (such as this one, directed by Elisabeth de LeDoulx).
In typical Zorthian fashion, it becomes not about the efforts of one individual, but rather a collective effort spanning decades to document our own community, and articulate why it matters.
In my own small way, I hope to contribute to those efforts. But where most efforts to tell this story have been celebratory, this one is a tragedy.
Zorthian community members volunteer to clean up the rubble that remains after Eaton Fire destroyed The Barn, photographed on March 28, 2025 in Altadena, California. The Barn is where art shows and classes used to be held on the Ranch. (Stella Kalinina for KQED)
Interviewing members of the community in the aftermath of this fire was a difficult and emotional experience for everyone involved. But in spite of the grim circumstances, I am surprised at how much cohesion emerged from what appeared to be a rather difficult and chaotic subject.
Themes like community, friendship, and love rose to the surface.
Now, after spending the last few weeks trying to document that ethereal feeling I experienced in my first visit to the Ranch in 2019, I’ve arrived at a simpler explanation for why it all matters.
The Ranch was a space where community could gather. Where artists, musicians and performers could live for very low rent. Where humans could coexist and care for the land and the plants and animals that call it home, like our ancestors did.
In a way, life at the Ranch couldn’t be more simple. But in a city that often feels trapped in the vice of late stage capitalism, the Ranch became a radical idea.
What remains of the kitchen in Julia Zorthian and Gunner Sixx’s home, photographed on March 28, 2025 in Altadena, California. (Stella Kalinina for KQED)(Left) The former site of The Barn at Zorthian Ranch on March 28 in Altadena, California. The Barn is where art shows and classes were held before the fire. (Right) Robert “Blobbie” Kirkhuff among the ruins of the Watchtower at Zorthian Ranch. The Watchtower was his home before the Eaton fire destroyed it. The skyline of downtown Los Angeles is visible in the background. (Stella Kalinina for KQED)
What happens when you create a space for community to live and gather together, to be in harmony with nature and to create and cultivate our own resources, both materially and spiritually?
The answer is magic. And unfortunately, that kind of magic is not available to very many people these days.
The devastating fire that destroyed Altadena — and most of the Zorthian Ranch — exposed the fragility of so many broken systems in the Western way of life: the lack of affordable housing or any real social safety net, the way we’ve ravaged our ecosystem and ignored Indigenous knowledge around fire, the lack of access to green open spaces for city dwellers and the difficulty of sourcing local and sustainable food products.
But among the most important gaps in our current way of life is cultivating places to gather together, with the people you love, and experience what it is to be a human in communion with other humans.
In that way, the Zorthian Ranch is more than a place in Altadena. It’s an idea. And ideas cannot be destroyed by fire.
My hope is that by sharing stories about places like the Ranch, we keep alive the idea that cultivating spaces for community to gather together in love and creativity is among the most important things we will ever do in our lifetimes.
I’m excited to watch how the Zorthians choose to rebuild. If you want to help contribute to those efforts, you can support their fundraiser.
Now, this place that transformed the lives of so many people is undergoing a great transformation of its own. Jirayr’s son Alan is steadfast in his commitment to rebuilding. Cleanup efforts are ongoing, and some residents have already begun to move back to the Ranch.
And if the past is any indication, the future of the Zorthian Ranch will be something special to behold.
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"content": "\u003cp>“It woke you up in a way where you felt your humanity and you felt the humanity of the people around you. You understood what it felt like to really love people.”\u003c/p>\n\u003cp>I can’t stop thinking about this line from my friend Tara Zorthian. I was interviewing her about her former home, the Zorthian Ranch, which burned down in\u003ca href=\"https://www.kqed.org/news/12033286/in-fire-scarred-altadena-these-residents-refused-to-leave\"> the Eaton Canyon fire\u003c/a>.\u003c/p>\n\u003cp>I was searching to capture the meaning of a place that is impossible to define.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s a ranch. An artist community. A homestead. A portal to a different way of life. But there’s something else going on there. A sense of magic, hidden in the mountains, that reveals itself to those who leave behind the trappings of modern urban life and surrender to the silliest, most whimsical, most open version of themselves.\u003c/p>\n\u003cp>I have witnessed this place transform people. It even happened to me, a journalist from New Jersey with a rather serious disposition. I only lived at the Ranch for a matter of months, but have been a visitor for much longer. And during that time, I unlocked a new version of myself that I didn’t know existed.\u003c/p>\n\u003cfigure id=\"attachment_12034244\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12034244\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1585\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-800x495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-1020x632.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-1536x951.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-2048x1268.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-1920x1189.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">(Left) Writer Sam Anderson outside a burned out bus at Zorthian Ranch on March 28 in Altadena, California. (Right) One of the burned vehicles on the ranch. \u003ccite>(Stella Kalinina for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The first time I came to the Ranch was in 2019 for a volunteer workday. As my tiny Volkswagen rattled across the precarious bridge and up the windy dirt road, I felt nervous with anticipation. What is this place? How does it possibly exist among the dense urban sprawl of \u003ca href=\"https://www.kqed.org/news/tag/los-angeles-county\">Los Angeles\u003c/a>?\u003c/p>\n\u003cp>I arrived at the top of the road to find a rambling property filled with strange buildings and objects. Art was everywhere. It was like nothing I had ever seen before.\u003c/p>\n\u003cp>I joined a group of twenty or so people engaged in some form of toiling. I can’t remember what we did that day – probably pulled weeds or tossed some rocks into a pile or something similar. It was a sweltering summer day and by the afternoon everyone was covered in dirt and sweat.\u003c/p>\n\u003cp>What’s emblazoned in my memory forever is what happened after the work was done. Everyone stripped completely naked and jumped in the pool. Music turned on. Drinks appeared. A raucous party began.\u003c/p>\n\u003cp>The pool was perched on top of a mountain with a panoramic view of Los Angeles. As the sun began to set over the hills, brilliant shades of orange and pink blazed across the sky and I had an indescribable feeling that I tapped into something special. What was this community I had encountered, filled with such creative, brilliant people?\u003c/p>\n\u003cp>[aside postID=news_12033286 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250312_Stay-Behinds_JB_00010-1020x680.jpg']\u003c/p>\n\u003cp>I came back as frequently as I could, driven by some deep impulse that what I experienced there was magic. I couldn’t quite define the feeling, but I knew I wanted more of it.\u003c/p>\n\u003cp>Over the next five years, I got to know the place and its people in a more intimate way. Words are a poor substitute for what I experienced there, but it involved strange art performances, puppet shows,\u003ca href=\"https://slamgranderson.substack.com/p/zorthian-ranch-pizza-party\"> pizza parties\u003c/a> and surrealist dinners, costumes and music of all types, deep conversations, sleepovers with friends, staying up all night until the sunrise and a profound sense of love and belonging.\u003c/p>\n\u003cp>Like Tara said, it woke you up. You felt your humanity. You understood what it meant to really love people.\u003c/p>\n\u003cp>My experience is but a small fraction of what the Zorthian Ranch really was — and is.\u003c/p>\n\u003cp>The Ranch has been around for nearly a century. It was founded by Jirayr Zorthian, a refugee from the Armenian genocide, who over the years developed a unique space that was both homestead and social scene. It became a magnet for bohemian artists in the ’50s and ’60s. It hosted countless parties, shows and performances, and over the years what happened to me — the discovery of magic within myself — happened to hundreds, if not thousands of people.\u003c/p>\n\u003cfigure id=\"attachment_12034239\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_23.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12034239\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_23.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_23.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_23-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_23-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_23-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_23-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_23-1920x1281.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tara Zorthian, a granddaughter of founder Jirayr Zorthian, at Zorthian Ranch on March 28 in Altadena, California. She lived on the ranch for eight years before moving away two years ago. The Eaton fire destroyed several structures as well as vegetation on the Ranch. \u003ccite>(Stella Kalinina for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The cliche is that you don’t know what you got till it’s gone. But I think we did know. All of us who lived, visited and participated in the Ranch came away with a sense of how special it was.\u003c/p>\n\u003cp>In the course of producing this non-narrated radio piece, I set out to capture that sense of specialness. And I knew that would be a challenge from the outset.\u003c/p>\n\u003cp>For starters, the 20 people who used to live here are now displaced. The community has scattered. Where previously I could simply show up and find several people to talk to, now I had to go about tracking them down to the various friend’s houses (and couches) where they were staying.\u003c/p>\n\u003cp>Another challenge was trying to wrap my arms around such a sprawling subject. I understood that ultimately, any attempt to tell the entire story of the Zorthian Ranch in a single piece would be doomed to failure. I myself had actually tried — and failed — before. Along with a colleague of mine, I set out to uncover the fate of The Phantasmagoria of Military Intelligence Training, which is the most enduring mystery of the Zorthian Ranch.\u003c/p>\n\u003cp>The story goes that Jirayr Zorthian created his greatest artwork of all time — a true masterpiece — in the form of a 157-foot mural that was first installed at the Pentagon, then possibly shuffled around other military locations, before it was lost forever.[aside postID=news_12029129 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/0A4A3428-1020x680.jpg']The piece depicted the training and recruitment process of the military in not uncritical terms (could that be a motivation behind its disappearance?) and while the original has never been found, there is at least\u003ca href=\"https://www.youtube.com/watch?v=LOFV1Mp1Nc4\"> a video\u003c/a> documenting what it looked like.\u003c/p>\n\u003cp>Suffice it to say my documentary about this missing art piece didn’t pan out. But the particular rabbit hole it sent me down — playfully referred to as “the Zortex” by those who live here — only reinforced my enduring fascination with the place.\u003c/p>\n\u003cp>Several talented individuals have contributed to telling the story of the Zorthian Ranch, and while no one’s produced a truly definitive documentary about the place, there are several great attempts currently available to view (\u003ca href=\"https://www.youtube.com/watch?v=kQ-GOuEZBUk\">such as this one, directed by Elisabeth de LeDoulx)\u003c/a>.\u003c/p>\n\u003cp>In typical Zorthian fashion, it becomes not about the efforts of one individual, but rather a collective effort spanning decades to document our own community, and articulate why it matters.\u003c/p>\n\u003cp>In my own small way, I hope to contribute to those efforts. But where most efforts to tell this story have been celebratory, this one is a tragedy.\u003c/p>\n\u003cfigure id=\"attachment_12034252\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_05.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12034252\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_05.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_05.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_05-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_05-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_05-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_05-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_05-1920x1281.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Zorthian community members volunteer to clean up the rubble that remains after Eaton Fire destroyed The Barn, photographed on March 28, 2025 in Altadena, California. The Barn is where art shows and classes used to be held on the Ranch. \u003ccite>(Stella Kalinina for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Interviewing members of the community in the aftermath of this fire was a difficult and emotional experience for everyone involved. But in spite of the grim circumstances, I am surprised at how much cohesion emerged from what appeared to be a rather difficult and chaotic subject.\u003c/p>\n\u003cp>Themes like community, friendship, and love rose to the surface.\u003c/p>\n\u003cp>Now, after spending the last few weeks trying to document that ethereal feeling I experienced in my first visit to the Ranch in 2019, I’ve arrived at a simpler explanation for why it all matters.\u003c/p>\n\u003cp>The Ranch was a space where community could gather. Where artists, musicians and performers could live for very low rent. Where humans could coexist and care for the land and the plants and animals that call it home, like our ancestors did.\u003c/p>\n\u003cp>In a way, life at the Ranch couldn’t be more simple. But in a city that often feels trapped in the vice of late stage capitalism, the Ranch became a radical idea.\u003c/p>\n\u003cfigure id=\"attachment_12034235\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_11.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12034235\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_11.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_11.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_11-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_11-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_11-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_11-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_11-1920x1281.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">What remains of the kitchen in Julia Zorthian and Gunner Sixx’s home, photographed on March 28, 2025 in Altadena, California. \u003ccite>(Stella Kalinina for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12034245\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_30_duo-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12034245\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_30_duo-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1585\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">(Left) The former site of The Barn at Zorthian Ranch on March 28 in Altadena, California. The Barn is where art shows and classes were held before the fire. (Right) Robert “Blobbie” Kirkhuff among the ruins of the Watchtower at Zorthian Ranch. The Watchtower was his home before the Eaton fire destroyed it. The skyline of downtown Los Angeles is visible in the background. \u003ccite>(Stella Kalinina for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>What happens when you create a space for community to live and gather together, to be in harmony with nature and to create and cultivate our own resources, both materially and spiritually?\u003c/p>\n\u003cp>The answer is magic. And unfortunately, that kind of magic is not available to very many people these days.\u003c/p>\n\u003cp>The devastating fire that destroyed Altadena — and most of the Zorthian Ranch — exposed the fragility of so many broken systems in the Western way of life: the lack of affordable housing or any real social safety net, the way we’ve ravaged our ecosystem and ignored Indigenous knowledge around fire, the lack of access to green open spaces for city dwellers and the difficulty of sourcing local and sustainable food products.\u003c/p>\n\u003cp>[aside postID=news_12020872 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/GettyImages-2193000280-1020x653.jpg']\u003c/p>\n\u003cp>But among the most important gaps in our current way of life is cultivating places to gather together, with the people you love, and experience what it is to be a human in communion with other humans.\u003c/p>\n\u003cp>In that way, the Zorthian Ranch is more than a place in \u003ca href=\"https://www.kqed.org/news/12026093/they-want-to-rebuild-after-the-eaton-fire-but-first-comes-the-struggle-to-survive\">Altadena\u003c/a>. It’s an idea. And ideas cannot be destroyed by fire.\u003c/p>\n\u003cp>My hope is that by sharing stories about places like the Ranch, we keep alive the idea that cultivating spaces for community to gather together in love and creativity is among the most important things we will ever do in our lifetimes.\u003c/p>\n\u003cp>I’m excited to watch how the Zorthians choose to rebuild. If you want to help contribute to those efforts, you can\u003ca href=\"https://www.gofundme.com/f/Support-zorthian-ranch\"> support their fundraiser\u003c/a>.\u003c/p>\n\u003cp>Now, this place that transformed the lives of so many people is undergoing a great transformation of its own. Jirayr’s son Alan is steadfast in his commitment to rebuilding. Cleanup efforts are ongoing, and some residents have already begun to move back to the Ranch.\u003c/p>\n\u003cp>And if the past is any indication, the future of the Zorthian Ranch will be something special to behold.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“It woke you up in a way where you felt your humanity and you felt the humanity of the people around you. You understood what it felt like to really love people.”\u003c/p>\n\u003cp>I can’t stop thinking about this line from my friend Tara Zorthian. I was interviewing her about her former home, the Zorthian Ranch, which burned down in\u003ca href=\"https://www.kqed.org/news/12033286/in-fire-scarred-altadena-these-residents-refused-to-leave\"> the Eaton Canyon fire\u003c/a>.\u003c/p>\n\u003cp>I was searching to capture the meaning of a place that is impossible to define.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s a ranch. An artist community. A homestead. A portal to a different way of life. But there’s something else going on there. A sense of magic, hidden in the mountains, that reveals itself to those who leave behind the trappings of modern urban life and surrender to the silliest, most whimsical, most open version of themselves.\u003c/p>\n\u003cp>I have witnessed this place transform people. It even happened to me, a journalist from New Jersey with a rather serious disposition. I only lived at the Ranch for a matter of months, but have been a visitor for much longer. And during that time, I unlocked a new version of myself that I didn’t know existed.\u003c/p>\n\u003cfigure id=\"attachment_12034244\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12034244\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1585\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-800x495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-1020x632.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-1536x951.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-2048x1268.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_06_duo-1920x1189.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">(Left) Writer Sam Anderson outside a burned out bus at Zorthian Ranch on March 28 in Altadena, California. (Right) One of the burned vehicles on the ranch. \u003ccite>(Stella Kalinina for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The first time I came to the Ranch was in 2019 for a volunteer workday. As my tiny Volkswagen rattled across the precarious bridge and up the windy dirt road, I felt nervous with anticipation. What is this place? How does it possibly exist among the dense urban sprawl of \u003ca href=\"https://www.kqed.org/news/tag/los-angeles-county\">Los Angeles\u003c/a>?\u003c/p>\n\u003cp>I arrived at the top of the road to find a rambling property filled with strange buildings and objects. Art was everywhere. It was like nothing I had ever seen before.\u003c/p>\n\u003cp>I joined a group of twenty or so people engaged in some form of toiling. I can’t remember what we did that day – probably pulled weeds or tossed some rocks into a pile or something similar. It was a sweltering summer day and by the afternoon everyone was covered in dirt and sweat.\u003c/p>\n\u003cp>What’s emblazoned in my memory forever is what happened after the work was done. Everyone stripped completely naked and jumped in the pool. Music turned on. Drinks appeared. A raucous party began.\u003c/p>\n\u003cp>The pool was perched on top of a mountain with a panoramic view of Los Angeles. As the sun began to set over the hills, brilliant shades of orange and pink blazed across the sky and I had an indescribable feeling that I tapped into something special. What was this community I had encountered, filled with such creative, brilliant people?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I came back as frequently as I could, driven by some deep impulse that what I experienced there was magic. I couldn’t quite define the feeling, but I knew I wanted more of it.\u003c/p>\n\u003cp>Over the next five years, I got to know the place and its people in a more intimate way. Words are a poor substitute for what I experienced there, but it involved strange art performances, puppet shows,\u003ca href=\"https://slamgranderson.substack.com/p/zorthian-ranch-pizza-party\"> pizza parties\u003c/a> and surrealist dinners, costumes and music of all types, deep conversations, sleepovers with friends, staying up all night until the sunrise and a profound sense of love and belonging.\u003c/p>\n\u003cp>Like Tara said, it woke you up. You felt your humanity. You understood what it meant to really love people.\u003c/p>\n\u003cp>My experience is but a small fraction of what the Zorthian Ranch really was — and is.\u003c/p>\n\u003cp>The Ranch has been around for nearly a century. It was founded by Jirayr Zorthian, a refugee from the Armenian genocide, who over the years developed a unique space that was both homestead and social scene. It became a magnet for bohemian artists in the ’50s and ’60s. It hosted countless parties, shows and performances, and over the years what happened to me — the discovery of magic within myself — happened to hundreds, if not thousands of people.\u003c/p>\n\u003cfigure id=\"attachment_12034239\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_23.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12034239\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_23.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_23.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_23-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_23-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_23-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_23-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_23-1920x1281.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tara Zorthian, a granddaughter of founder Jirayr Zorthian, at Zorthian Ranch on March 28 in Altadena, California. She lived on the ranch for eight years before moving away two years ago. The Eaton fire destroyed several structures as well as vegetation on the Ranch. \u003ccite>(Stella Kalinina for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The cliche is that you don’t know what you got till it’s gone. But I think we did know. All of us who lived, visited and participated in the Ranch came away with a sense of how special it was.\u003c/p>\n\u003cp>In the course of producing this non-narrated radio piece, I set out to capture that sense of specialness. And I knew that would be a challenge from the outset.\u003c/p>\n\u003cp>For starters, the 20 people who used to live here are now displaced. The community has scattered. Where previously I could simply show up and find several people to talk to, now I had to go about tracking them down to the various friend’s houses (and couches) where they were staying.\u003c/p>\n\u003cp>Another challenge was trying to wrap my arms around such a sprawling subject. I understood that ultimately, any attempt to tell the entire story of the Zorthian Ranch in a single piece would be doomed to failure. I myself had actually tried — and failed — before. Along with a colleague of mine, I set out to uncover the fate of The Phantasmagoria of Military Intelligence Training, which is the most enduring mystery of the Zorthian Ranch.\u003c/p>\n\u003cp>The story goes that Jirayr Zorthian created his greatest artwork of all time — a true masterpiece — in the form of a 157-foot mural that was first installed at the Pentagon, then possibly shuffled around other military locations, before it was lost forever.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The piece depicted the training and recruitment process of the military in not uncritical terms (could that be a motivation behind its disappearance?) and while the original has never been found, there is at least\u003ca href=\"https://www.youtube.com/watch?v=LOFV1Mp1Nc4\"> a video\u003c/a> documenting what it looked like.\u003c/p>\n\u003cp>Suffice it to say my documentary about this missing art piece didn’t pan out. But the particular rabbit hole it sent me down — playfully referred to as “the Zortex” by those who live here — only reinforced my enduring fascination with the place.\u003c/p>\n\u003cp>Several talented individuals have contributed to telling the story of the Zorthian Ranch, and while no one’s produced a truly definitive documentary about the place, there are several great attempts currently available to view (\u003ca href=\"https://www.youtube.com/watch?v=kQ-GOuEZBUk\">such as this one, directed by Elisabeth de LeDoulx)\u003c/a>.\u003c/p>\n\u003cp>In typical Zorthian fashion, it becomes not about the efforts of one individual, but rather a collective effort spanning decades to document our own community, and articulate why it matters.\u003c/p>\n\u003cp>In my own small way, I hope to contribute to those efforts. But where most efforts to tell this story have been celebratory, this one is a tragedy.\u003c/p>\n\u003cfigure id=\"attachment_12034252\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_05.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12034252\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_05.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_05.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_05-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_05-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_05-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_05-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_05-1920x1281.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Zorthian community members volunteer to clean up the rubble that remains after Eaton Fire destroyed The Barn, photographed on March 28, 2025 in Altadena, California. The Barn is where art shows and classes used to be held on the Ranch. \u003ccite>(Stella Kalinina for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Interviewing members of the community in the aftermath of this fire was a difficult and emotional experience for everyone involved. But in spite of the grim circumstances, I am surprised at how much cohesion emerged from what appeared to be a rather difficult and chaotic subject.\u003c/p>\n\u003cp>Themes like community, friendship, and love rose to the surface.\u003c/p>\n\u003cp>Now, after spending the last few weeks trying to document that ethereal feeling I experienced in my first visit to the Ranch in 2019, I’ve arrived at a simpler explanation for why it all matters.\u003c/p>\n\u003cp>The Ranch was a space where community could gather. Where artists, musicians and performers could live for very low rent. Where humans could coexist and care for the land and the plants and animals that call it home, like our ancestors did.\u003c/p>\n\u003cp>In a way, life at the Ranch couldn’t be more simple. But in a city that often feels trapped in the vice of late stage capitalism, the Ranch became a radical idea.\u003c/p>\n\u003cfigure id=\"attachment_12034235\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_11.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12034235\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_11.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_11.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_11-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_11-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_11-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_11-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_11-1920x1281.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">What remains of the kitchen in Julia Zorthian and Gunner Sixx’s home, photographed on March 28, 2025 in Altadena, California. \u003ccite>(Stella Kalinina for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12034245\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_30_duo-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12034245\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2025/04/20250328_Zorthian-Ranch_SK_30_duo-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1585\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">(Left) The former site of The Barn at Zorthian Ranch on March 28 in Altadena, California. The Barn is where art shows and classes were held before the fire. (Right) Robert “Blobbie” Kirkhuff among the ruins of the Watchtower at Zorthian Ranch. The Watchtower was his home before the Eaton fire destroyed it. The skyline of downtown Los Angeles is visible in the background. \u003ccite>(Stella Kalinina for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>What happens when you create a space for community to live and gather together, to be in harmony with nature and to create and cultivate our own resources, both materially and spiritually?\u003c/p>\n\u003cp>The answer is magic. And unfortunately, that kind of magic is not available to very many people these days.\u003c/p>\n\u003cp>The devastating fire that destroyed Altadena — and most of the Zorthian Ranch — exposed the fragility of so many broken systems in the Western way of life: the lack of affordable housing or any real social safety net, the way we’ve ravaged our ecosystem and ignored Indigenous knowledge around fire, the lack of access to green open spaces for city dwellers and the difficulty of sourcing local and sustainable food products.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But among the most important gaps in our current way of life is cultivating places to gather together, with the people you love, and experience what it is to be a human in communion with other humans.\u003c/p>\n\u003cp>In that way, the Zorthian Ranch is more than a place in \u003ca href=\"https://www.kqed.org/news/12026093/they-want-to-rebuild-after-the-eaton-fire-but-first-comes-the-struggle-to-survive\">Altadena\u003c/a>. It’s an idea. And ideas cannot be destroyed by fire.\u003c/p>\n\u003cp>My hope is that by sharing stories about places like the Ranch, we keep alive the idea that cultivating spaces for community to gather together in love and creativity is among the most important things we will ever do in our lifetimes.\u003c/p>\n\u003cp>I’m excited to watch how the Zorthians choose to rebuild. If you want to help contribute to those efforts, you can\u003ca href=\"https://www.gofundme.com/f/Support-zorthian-ranch\"> support their fundraiser\u003c/a>.\u003c/p>\n\u003cp>Now, this place that transformed the lives of so many people is undergoing a great transformation of its own. Jirayr’s son Alan is steadfast in his commitment to rebuilding. Cleanup efforts are ongoing, and some residents have already begun to move back to the Ranch.\u003c/p>\n\u003cp>And if the past is any indication, the future of the Zorthian Ranch will be something special to behold.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"order": 10
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"how-i-built-this": {
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"airtime": "SUN 7:30pm-8pm",
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"info": "Inside Europe, a one-hour weekly news magazine hosted by Helen Seeney and Keith Walker, explores the topical issues shaping the continent. No other part of the globe has experienced such dynamic political and social change in recent years.",
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"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
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"live-from-here-highlights": {
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"title": "Live from Here Highlights",
"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
"airtime": "SAT 6pm-8pm, SUN 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Live-From-Here-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.livefromhere.org/",
"meta": {
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"link": "/radio/program/live-from-here-highlights",
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"rss": "https://feeds.publicradio.org/public_feeds/a-prairie-home-companion-highlights/rss/rss"
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"marketplace": {
"id": "marketplace",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
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"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 13
},
"link": "/podcasts/mindshift",
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"onourwatch": {
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"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"order": 12
},
"link": "/podcasts/onourwatch",
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
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"our-body-politic": {
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"title": "Our Body Politic",
"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg",
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"meta": {
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},
"link": "/radio/program/our-body-politic",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw",
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},
"perspectives": {
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"officialWebsiteLink": "/perspectives/",
"meta": {
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"order": 15
},
"link": "/perspectives",
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"planet-money": {
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"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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"politicalbreakdown": {
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 6
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5Nzk2MzI2MTEx",
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"pri-the-world": {
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