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Credit: Cheyenne Bearfoot\u003c/figcaption>\u003c/figure>\n\u003cp>Musee Mecanique is bringing vintage arcade fun and wackiness to San Francisco! The space, located at Pier 45, has over 300 coin-operated machines and is free to enter. You can spot the owner, Dan Zelinsky, traveling around on roller skates, and find cool (creepy?) animatronics greeting you with laughter – or sometimes a cry!\u003c/p>\n\u003cfigure id=\"attachment_538261\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538261 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Enzo prepares the slate for the next scene. Credit: Cheyenne Bearfoot\u003c/figcaption>\u003c/figure>\n\u003cp>The humble origins of Musee Mecanique began when Dan’s father, the founder, started collecting coin operated machines when he was just 11 years old. Dan recollects that it all started when his father won a case of oil for a car at a bingo game; after selling the oil to his piano teacher for 50 cents, he bought his first penny-operated machine. His friends and family would pay a penny to play the machine, and once he earned his first 50 cents, he went out and bought another machine, adding more and more to his collection. The rest is history!\u003c/p>\n\u003cp>Our host, Caleb, is joined by plucky contestants Summer and Ryan on this whirlwind tour. And, of course, they’ll compete for the ultimate mediocre prize!\u003c/p>\n\u003cfigure id=\"attachment_538255\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538255 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(left to right) Caleb, Annelise, and Lauren discuss filming the tour scene at Musee Mecanique.\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>CREDITS\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">HOST – Caleb Monteiro | \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">DIRECTOR – Enzo Choi |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">CAMERA A – Samantha Jimenez Garcia |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">CAMERA B – Annelise Wunderlich |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">PRODUCERS – Annelise Wunderlich, Cheyenne Bearfoot |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">TALENT COACH – Cheyenne Bearfoot |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">EDITOR – Lauren Farrar\u003c/span>\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_538258\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538258 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Samantha Jimenez Garcia adjusts settings on her camera at Musee Mecanique. Credit: Cheyenne Bearfoot\u003c/figcaption>\u003c/figure>\n\u003cp>Musee Mecanique is bringing vintage arcade fun and wackiness to San Francisco! The space, located at Pier 45, has over 300 coin-operated machines and is free to enter. You can spot the owner, Dan Zelinsky, traveling around on roller skates, and find cool (creepy?) animatronics greeting you with laughter – or sometimes a cry!\u003c/p>\n\u003cfigure id=\"attachment_538261\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538261 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Enzo prepares the slate for the next scene. Credit: Cheyenne Bearfoot\u003c/figcaption>\u003c/figure>\n\u003cp>The humble origins of Musee Mecanique began when Dan’s father, the founder, started collecting coin operated machines when he was just 11 years old. Dan recollects that it all started when his father won a case of oil for a car at a bingo game; after selling the oil to his piano teacher for 50 cents, he bought his first penny-operated machine. His friends and family would pay a penny to play the machine, and once he earned his first 50 cents, he went out and bought another machine, adding more and more to his collection. The rest is history!\u003c/p>\n\u003cp>Our host, Caleb, is joined by plucky contestants Summer and Ryan on this whirlwind tour. And, of course, they’ll compete for the ultimate mediocre prize!\u003c/p>\n\u003cfigure id=\"attachment_538255\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538255 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(left to right) Caleb, Annelise, and Lauren discuss filming the tour scene at Musee Mecanique.\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>CREDITS\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">HOST – Caleb Monteiro | \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">DIRECTOR – Enzo Choi |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">CAMERA A – Samantha Jimenez Garcia |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">CAMERA B – Annelise Wunderlich |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">PRODUCERS – Annelise Wunderlich, Cheyenne Bearfoot |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">TALENT COACH – Cheyenne Bearfoot |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">EDITOR – Lauren Farrar\u003c/span>\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">The iconic Silver Sprocket isn’t your average comic store. Located in San Francisco’s Mission District, you won’t find mainstream publications like Marvel or DC.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_538162\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538162 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/SSC-Crew--800x600.jpeg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/SSC-Crew--800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/SSC-Crew--1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/SSC-Crew--160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/SSC-Crew--768x576.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/SSC-Crew--1536x1152.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/SSC-Crew--1920x1440.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/SSC-Crew-.jpeg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">L-R: Samantha Jimenez Garcia, Cheyenne Bearfoot, Vincent Yandall, Gemma, Kit in the KQED lower lobby. Photo Cheyenne Bearfoot \u003ccite>(Annelise Wunderlich)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Avi Ehrlich, founder of Springman Records, started Silver Sprocket in 2007 as an independent record label and comics publisher. The business has since expanded to include a gallery, art crew, and comic shop. Silver Sprocket publishes comics, graphic novels, and related arts, and also supports independent musicians and community initiatives. Erlich describes the business as a “radical indie comic publisher” representing historically excluded artists’ work. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_538160\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538160 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/20231209_141507-scaled-e1723417924433-800x499.jpg\" alt=\"\" width=\"800\" height=\"499\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/20231209_141507-scaled-e1723417924433-800x499.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/20231209_141507-scaled-e1723417924433-1020x636.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/20231209_141507-scaled-e1723417924433-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/20231209_141507-scaled-e1723417924433-768x479.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/20231209_141507-scaled-e1723417924433.jpg 1441w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(left to right) Contestants Gemma & Kit prepare for the quiz in the KQED lower lobby. \u003ccite>(Annelise Wunderlich)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Perhaps nothing embodies the store’s indie, do-it-yourself spirit as the zines you can find there. Zines are a small-batch, self-published work that’s usually non-commercial. They’re similar to magazines or graphic novels but often are made of easy-to-find, low-cost materials – like cut-outs, text, found objects, and original drawings. One big difference between zines and regular, big commercial publications? They’re usually made by an individual out of interest and passion, rather than for profit.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_538166\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538166 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/Calab-SSC-Crew--e1723417971215-800x695.jpeg\" alt=\"\" width=\"800\" height=\"695\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/Calab-SSC-Crew--e1723417971215-800x695.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/Calab-SSC-Crew--e1723417971215-1020x886.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/Calab-SSC-Crew--e1723417971215-160x139.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/Calab-SSC-Crew--e1723417971215-768x667.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/Calab-SSC-Crew--e1723417971215.jpeg 1535w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Caleb Monteiro films B-roll in the KQED lower lobby for the opening scene of FTG’s first episode\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">In this inaugural episode, FTG’s host, Kayen, leads a ragtag camera crew and intrepid contestants Kit and Gemma to SSC, Here, they learned ACAB means: \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">All Comix Are Bisexual \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">and encountered the store’s very own wheel of consequences…and boy, did they face them. Who will win? Who will die? (Wait, someone dies?!) Find out by tuning into \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Field Trip Game: A Ridiculous Adventure Game with Mediocre Prizes!\u003c/span>\u003c/i>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>CREDITS: \u003c/strong>\u003ci>\u003cspan style=\"font-weight: 400\">HOST – Kayen Manovil, \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">DIRECTOR – Samantha Jimenez Garcia, \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">CAMERA B – Caleb Monteiro, \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">CAMERA A – Cheyenne Bearfoot, \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">SOUND – Annelise Wunderlich, \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">PRODUCER – Annelise Wunderlich, \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">PRODUCTION ASSISTANT – Vincent Yandall, \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">EDITOR – Lauren Farrar\u003c/span>\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">The iconic Silver Sprocket isn’t your average comic store. Located in San Francisco’s Mission District, you won’t find mainstream publications like Marvel or DC.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_538162\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538162 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/SSC-Crew--800x600.jpeg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/SSC-Crew--800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/SSC-Crew--1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/SSC-Crew--160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/SSC-Crew--768x576.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/SSC-Crew--1536x1152.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/SSC-Crew--1920x1440.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/SSC-Crew-.jpeg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">L-R: Samantha Jimenez Garcia, Cheyenne Bearfoot, Vincent Yandall, Gemma, Kit in the KQED lower lobby. Photo Cheyenne Bearfoot \u003ccite>(Annelise Wunderlich)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Avi Ehrlich, founder of Springman Records, started Silver Sprocket in 2007 as an independent record label and comics publisher. The business has since expanded to include a gallery, art crew, and comic shop. Silver Sprocket publishes comics, graphic novels, and related arts, and also supports independent musicians and community initiatives. Erlich describes the business as a “radical indie comic publisher” representing historically excluded artists’ work. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_538160\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538160 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/20231209_141507-scaled-e1723417924433-800x499.jpg\" alt=\"\" width=\"800\" height=\"499\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/20231209_141507-scaled-e1723417924433-800x499.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/20231209_141507-scaled-e1723417924433-1020x636.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/20231209_141507-scaled-e1723417924433-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/20231209_141507-scaled-e1723417924433-768x479.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/20231209_141507-scaled-e1723417924433.jpg 1441w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(left to right) Contestants Gemma & Kit prepare for the quiz in the KQED lower lobby. \u003ccite>(Annelise Wunderlich)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Perhaps nothing embodies the store’s indie, do-it-yourself spirit as the zines you can find there. Zines are a small-batch, self-published work that’s usually non-commercial. They’re similar to magazines or graphic novels but often are made of easy-to-find, low-cost materials – like cut-outs, text, found objects, and original drawings. One big difference between zines and regular, big commercial publications? They’re usually made by an individual out of interest and passion, rather than for profit.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_538166\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538166 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/Calab-SSC-Crew--e1723417971215-800x695.jpeg\" alt=\"\" width=\"800\" height=\"695\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/Calab-SSC-Crew--e1723417971215-800x695.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/Calab-SSC-Crew--e1723417971215-1020x886.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/Calab-SSC-Crew--e1723417971215-160x139.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/Calab-SSC-Crew--e1723417971215-768x667.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/Calab-SSC-Crew--e1723417971215.jpeg 1535w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Caleb Monteiro films B-roll in the KQED lower lobby for the opening scene of FTG’s first episode\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">In this inaugural episode, FTG’s host, Kayen, leads a ragtag camera crew and intrepid contestants Kit and Gemma to SSC, Here, they learned ACAB means: \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">All Comix Are Bisexual \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">and encountered the store’s very own wheel of consequences…and boy, did they face them. Who will win? Who will die? (Wait, someone dies?!) Find out by tuning into \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Field Trip Game: A Ridiculous Adventure Game with Mediocre Prizes!\u003c/span>\u003c/i>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>What do you get when you mix car stunts, youth culture, and Oakland? Sideshows! Sideshows have become big in Oakland, where drivers will block major intersections to perform car stunts like donuts and figure eights, while large crowds gather to watch. But here’s the catch– they can be real dangerous and because of that they are totally illegal. And chances are in some way or another there’s a clash between youth and car culture and cops near you too. In Oakland, they are creating a huge divide in the community, where many supporters say sideshows are part of Oakland culture and are calling for legal safe venues. While many opponents view sideshows as a dangerous public nuisance and are calling for harsher legal penalties. So students in the PBS NewsHour Student Reporting Labs program at Oakland Military Institute in Oakland, California are asking: what should Oakland do about sideshows? And chances are there’s a clash between youth, car culture and cops near you too.\u003c/p>\n\u003cp>\u003cstrong>What are sideshows in Oakland?\u003c/strong>\u003c/p>\n\u003cp>In Oakland California sideshows are events where drivers perform car stunts like donuts and figure eights, as large crowds gather to watch. They often block major intersections, bridges or highways.\u003c/p>\n\u003cp>\u003cstrong>Are Sideshows in Oakland dangerous?\u003c/strong>\u003c/p>\n\u003cp>Sideshows in Oakland can be dangerous. Sometimes drivers doing stunts can lose control of their cars and hit people in the crowds. Additionally, crowds can get rowdy and fights can break out, and guns get pulled. When police are called to the scene– sometimes there can be car chases and there have been reports of tear gas.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>What are the arguments for legalizing sideshows and creating safe venues for car stunts?\u003c/strong>\u003c/p>\n\u003cp>Many people feel that sideshows are an important part of Oakland culture and should not be criminalized. If legal safe venues were created, then the number of dangerous illegal sideshows would decrease. It would also create a business opportunity for Oakland. Instead of spending money on policing these illegal events, the city could charge admission fees to legal safe venues which would generate income, and provide economic opportunity to the drivers.\u003c/p>\n\u003cp>\u003cstrong>SOURCES\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://abc7news.com/archive/7070018/\">ABC7: 3 Killed in Sideshow Crash in Oakland\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfchronicle.com/crime/article/Person-injured-in-fall-from-highway-ramp-during-13437877.php\">SF Chronicle: Person Injured in Fall From Highway Ramp During Crokett Sideshow\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://abc30.com/richmond-officer-trying-to-stop-sideshow-hit-by-car/3001412/\">ABC30: Richmond Police Officer Hit By Car While Trying to Breakup Sideshow\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13824571/oakland-sideshows-legalize-macarthur\">KQED: Make Sideshows an Opportunity in Oakland, Not a Problem\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://bayarea.blogs.nytimes.com/2009/10/27/the-idea-of-decriminalizing-oakland-sideshows/\">NY Times: The Idea of Decriminalizing Oakland ‘Sideshows’\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://money.cnn.com/2005/07/18/Autos/funonwheels/sixfigs_fourteen_prodriver/index.htm\">CNN: Six Figure Job: Stunt Drivers\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>What do you get when you mix car stunts, youth culture, and Oakland? Sideshows! Sideshows have become big in Oakland, where drivers will block major intersections to perform car stunts like donuts and figure eights, while large crowds gather to watch. But here’s the catch– they can be real dangerous and because of that they are totally illegal. And chances are in some way or another there’s a clash between youth and car culture and cops near you too. In Oakland, they are creating a huge divide in the community, where many supporters say sideshows are part of Oakland culture and are calling for legal safe venues. While many opponents view sideshows as a dangerous public nuisance and are calling for harsher legal penalties. So students in the PBS NewsHour Student Reporting Labs program at Oakland Military Institute in Oakland, California are asking: what should Oakland do about sideshows? And chances are there’s a clash between youth, car culture and cops near you too.\u003c/p>\n\u003cp>\u003cstrong>What are sideshows in Oakland?\u003c/strong>\u003c/p>\n\u003cp>In Oakland California sideshows are events where drivers perform car stunts like donuts and figure eights, as large crowds gather to watch. They often block major intersections, bridges or highways.\u003c/p>\n\u003cp>\u003cstrong>Are Sideshows in Oakland dangerous?\u003c/strong>\u003c/p>\n\u003cp>Sideshows in Oakland can be dangerous. Sometimes drivers doing stunts can lose control of their cars and hit people in the crowds. Additionally, crowds can get rowdy and fights can break out, and guns get pulled. When police are called to the scene– sometimes there can be car chases and there have been reports of tear gas.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Circles in the map below are scaled according to the number of sworn officers in each police department. As shown in the blue legend at bottom, the shade of each circle indicates the size of the race gap between the police force (sworn officers) and the population; the darker the circle, the larger the gap. General population demographics are sourced from the \u003ca href=\"http://quickfacts.census.gov/qfd/index.html\" target=\"_blank\">2010 U.S. Census Bureau; \u003c/a>police force demographics are based on the \u003ca href=\"http://www.bjs.gov/index.cfm?ty=dcdetail&iid=248\" target=\"_blank\">Bureau of Justice Statistics' police force questionnaire\u003c/a> from 2007 (see below the map for additional notes and methodology).\u003c/p>\n\u003cdiv style=\"background: transparent;width: 620px;height: 700px;margin-top: -700px\">\u003c/div>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"http://kariannemah.github.io/bay-area-police-map/\" width=\"620\" height=\"700\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c!--more-->Darren Wilson, the police officer who shot and killed Michael Brown last August, was one of 50 white officers on Ferguson's 53-member police force. That's in a city with a two-thirds black population.\u003c/p>\n\u003cp>The wide race gap between Ferguson's police force and its community is not unusual. A recent \u003ca href=\"http://www.nytimes.com/interactive/2014/09/03/us/the-race-gap-in-americas-police-departments.html?_r=0\" target=\"_blank\">New York Times\u003c/a> analysis of 2007 government survey data on local police demographics found that hundreds of police forces across the country are more than 30 percentage points more white than the communities they serve.\u003c/p>\n\u003cp>This is no exception in many Bay Area cities. In our own analysis of data collected from the federal Bureau of Justice Statistics' police force questionnaire from 2007 -- the most recent comprehensive data available -- at least 10 cities in the region have police forces that are more than 30 percentage points more white than the general population of the communities they serve.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>While it's unclear to what degree police demographics affect community relations in specific cities -- as opposed to factors such as residency -- many law enforcement experts agree that more diverse police forces often gain greater credibility in the communities they serve.\u003c/p>\n\u003cp>\"Police departments have struggled to achieve diversity for several decades now,\" says Justin McCrary, a professor of law at UC Berkeley who studies police demographics and is director of the \u003ca href=\"http://dlab.berkeley.edu/\" target=\"_blank\">D-Lab\u003c/a>.\u003c/p>\n\u003cp>\"One of the major problems departments confront is hiring qualified applicants. Most are averse to putting any restrictions on their pool of applicants.\"\u003c/p>\n\u003cp>He argues, though, that if more people in the community had a better awareness of the decent pay and excellent benefits that come with most law enforcement positions, the diversity and size of the hiring pool would likely increase.\u003c/p>\n\u003cp>\"Enlisting the support of community leaders really helps police departments bridge that gap, particularly when a department is struggling with community relations.”\u003c/p>\n\u003cp>\u003cstrong>Notes:\u003c/strong>\u003c/p>\n\u003cp>-- Data for each police department, except Hayward, was derived from the 2007 Bureau of Justice Statistics (BJS) survey, the most recent comprehensive data available (although some police force ranks have likely changed since then). Only cities that participated in the survey are included. \u003ca href=\"https://docs.google.com/spreadsheets/d/1p4EMqtyiedo4c5KBVz0jdHdRsqlICn78m8rfTgh-HHU/edit#gid=957119660\" target=\"_blank\">View the data set here\u003c/a>.\u003c/p>\n\u003cp>-- Individuals enumerated in the BJS survey as American Indian or Alaskan, Native Hawaiian or Pacific Islander, two or more races, and \"Other\" are combined here as \"Other.\"\u003c/p>\n\u003cp>-- In five of the 28 police departments, the race or ethnicity of some officers was unknown. For each of the five departments, this group comprised less than 5% of the total police force. These officers are included here as \"Other.\"\u003c/p>\n\u003cp>-- Racial demographic data on the Hayward Police Department was not provided in the BJS survey. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Circles in the map below are scaled according to the number of sworn officers in each police department. As shown in the blue legend at bottom, the shade of each circle indicates the size of the race gap between the police force (sworn officers) and the population; the darker the circle, the larger the gap. General population demographics are sourced from the \u003ca href=\"http://quickfacts.census.gov/qfd/index.html\" target=\"_blank\">2010 U.S. Census Bureau; \u003c/a>police force demographics are based on the \u003ca href=\"http://www.bjs.gov/index.cfm?ty=dcdetail&iid=248\" target=\"_blank\">Bureau of Justice Statistics' police force questionnaire\u003c/a> from 2007 (see below the map for additional notes and methodology).\u003c/p>\n\u003cdiv style=\"background: transparent;width: 620px;height: 700px;margin-top: -700px\">\u003c/div>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"http://kariannemah.github.io/bay-area-police-map/\" width=\"620\" height=\"700\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c!--more-->Darren Wilson, the police officer who shot and killed Michael Brown last August, was one of 50 white officers on Ferguson's 53-member police force. That's in a city with a two-thirds black population.\u003c/p>\n\u003cp>The wide race gap between Ferguson's police force and its community is not unusual. A recent \u003ca href=\"http://www.nytimes.com/interactive/2014/09/03/us/the-race-gap-in-americas-police-departments.html?_r=0\" target=\"_blank\">New York Times\u003c/a> analysis of 2007 government survey data on local police demographics found that hundreds of police forces across the country are more than 30 percentage points more white than the communities they serve.\u003c/p>\n\u003cp>This is no exception in many Bay Area cities. In our own analysis of data collected from the federal Bureau of Justice Statistics' police force questionnaire from 2007 -- the most recent comprehensive data available -- at least 10 cities in the region have police forces that are more than 30 percentage points more white than the general population of the communities they serve.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>While it's unclear to what degree police demographics affect community relations in specific cities -- as opposed to factors such as residency -- many law enforcement experts agree that more diverse police forces often gain greater credibility in the communities they serve.\u003c/p>\n\u003cp>\"Police departments have struggled to achieve diversity for several decades now,\" says Justin McCrary, a professor of law at UC Berkeley who studies police demographics and is director of the \u003ca href=\"http://dlab.berkeley.edu/\" target=\"_blank\">D-Lab\u003c/a>.\u003c/p>\n\u003cp>\"One of the major problems departments confront is hiring qualified applicants. Most are averse to putting any restrictions on their pool of applicants.\"\u003c/p>\n\u003cp>He argues, though, that if more people in the community had a better awareness of the decent pay and excellent benefits that come with most law enforcement positions, the diversity and size of the hiring pool would likely increase.\u003c/p>\n\u003cp>\"Enlisting the support of community leaders really helps police departments bridge that gap, particularly when a department is struggling with community relations.”\u003c/p>\n\u003cp>\u003cstrong>Notes:\u003c/strong>\u003c/p>\n\u003cp>-- Data for each police department, except Hayward, was derived from the 2007 Bureau of Justice Statistics (BJS) survey, the most recent comprehensive data available (although some police force ranks have likely changed since then). Only cities that participated in the survey are included. \u003ca href=\"https://docs.google.com/spreadsheets/d/1p4EMqtyiedo4c5KBVz0jdHdRsqlICn78m8rfTgh-HHU/edit#gid=957119660\" target=\"_blank\">View the data set here\u003c/a>.\u003c/p>\n\u003cp>-- Individuals enumerated in the BJS survey as American Indian or Alaskan, Native Hawaiian or Pacific Islander, two or more races, and \"Other\" are combined here as \"Other.\"\u003c/p>\n\u003cp>-- In five of the 28 police departments, the race or ethnicity of some officers was unknown. For each of the five departments, this group comprised less than 5% of the total police force. These officers are included here as \"Other.\"\u003c/p>\n\u003cp>-- Racial demographic data on the Hayward Police Department was not provided in the BJS survey. It is, instead, sourced here from the City of Hayward's 2013 Commission on Accreditation for Law Enforcement Agencies, Inc. \u003ca href=\"http://www.ci.hayward.ca.us/NEWS/2014/CALEA_Final_Report.pdf\" target=\"_blank\">Assessment Report\u003c/a>. The report includes only White, Black, Hispanic, or Other.\u003c/p>\n\u003cp>-- From the \u003ca href=\"http://www.bjs.gov/index.cfm?ty=dcdetail&iid=248\" target=\"_blank\">BJS questionnaire\u003c/a>:\u003c/p>\n\u003cp>\"The BJS collects data from over 3,000 state and local law enforcement agencies, including all those that employ 100 or more sworn officers and a nationally representative sample of smaller agencies. Data are obtained on the organization and administration of police and sheriffs' departments, including agency responsibilities, operating expenditures, job functions of sworn and civilian employees, officer salaries and special pay, demographic characteristics of officers, weapons and armor policies, education and training requirements, computers and information systems, vehicles, special units, and community policing activities.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Ryan Mah, Andrew Cohn and Lisa Pickoff-White contributed to this project\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>On June 10, the California Academy of Sciences hosted the first annual KQED Science Youth Media Festival. Young filmmakers with their friends and family came from all over the area to participate in a great showcase of over 20 videos about environmental issues. The videos ranged in a variety of environmental issues like air quality, greenhouse gases, water quality, ocean acidification, conservation, food justice, and sustainability. All selected videos were granted iTunes gift cards.\u003c/p>\n\u003cp>The festival showcased the videos under 5 categories: Water, Air, Food, Sustainability, and Conservation. \u003c/p>\n\u003cp>The jurors awarded three winning videos in both the high school and middle school age groups. The winners won Apple mobile devices. Below are the winners. \u003c/p>\n\u003cp>\u003cem>Each of the video players are playlists that host 3 videos, respectively. To view the other videos in the playlist, click on the text that says “Playlist” on the bottom of the player. A window will slide up and you can see the other videos. Click on one to view. \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003c/strong>\u003c/p>\n\u003ch2>High school winners:\u003c/h2>\n\u003cp>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[youtube=http://www.youtube.com/watch?v=videoseries?list=PL5584D2DF132841BE&hl=en_US]\u003c/p>\n\u003cp>\u003cstrong>\u003c/strong>\u003c/p>\n\u003ch2>Middle school winners:\u003c/h2>\n\u003cp>\u003c/p>\n\u003cp>[youtube=http://www.youtube.com/watch?v=videoseries?list=PLE08912922B860D52&hl=en_US]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Congratulations to all of the accepted entries and winners of the festival. See you next year!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On June 10, the California Academy of Sciences hosted the first annual KQED Science Youth Media Festival. Young filmmakers with their friends and family came from all over the area to participate in a great showcase of over 20 videos about environmental issues. The videos ranged in a variety of environmental issues like air quality, greenhouse gases, water quality, ocean acidification, conservation, food justice, and sustainability. All selected videos were granted iTunes gift cards.\u003c/p>\n\u003cp>The festival showcased the videos under 5 categories: Water, Air, Food, Sustainability, and Conservation. \u003c/p>\n\u003cp>The jurors awarded three winning videos in both the high school and middle school age groups. The winners won Apple mobile devices. Below are the winners. \u003c/p>\n\u003cp>\u003cem>Each of the video players are playlists that host 3 videos, respectively. To view the other videos in the playlist, click on the text that says “Playlist” on the bottom of the player. A window will slide up and you can see the other videos. Click on one to view. \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003c/strong>\u003c/p>\n\u003ch2>High school winners:\u003c/h2>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "BAYMN Presents Rise to the Occasion Youth Media Festival -- Call for Entries",
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2012/06/rise_banner1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2012/06/rise_banner1.jpg\" alt=\"\" title=\"rise_banner\" width=\"640\" height=\"410\" class=\"alignnone size-full wp-image-2748\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2012/06/rise_banner1.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/38/2012/06/rise_banner1-400x256.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003c/p>\n\u003cp>Applications are now open for BAYMN’s Rise to the Occasion Youth Media Festival, hosted at the Kaiser Center in Oakland on October 13, 2012, 2-5pm.\u003c/p>\n\u003cp>\u003cstrong>Deadline for submission: September 10, 2012\u003c/strong>\u003c/p>\n\u003cp>For its first public festival, the \u003ca href=\"http://www.baymn.org\">Bay Area Youth Media Network\u003c/a> (BAYMN) is seeking youth-produced videos that tell stories or highlight issues of social change. Two issues of specific interest are:\u003c/p>\n\u003col>\n\u003cli>The 2012 Presidential Election\u003c/li>\n\u003cli>The High School Dropout Crisis\u003c/li>\n\u003c/ol>\n\u003cp>Prizes will be awarded in both of these categories as well as in the general competition.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So what constitutes social change? Issues that affect people in your community, nationally and globally. Issues such as gang violence, drug abuse, bullying, college access, unemployment, affordable housing, medical care, teen pregnancy, racism, sexism, financial inequity… you get the picture. Any issue that you feel passionate about and want your voice to be heard. We want to hear it. And so do your peers.\u003c/p>\n\u003cp>We are now accepting submissions from youth ages 12–24 who have made video projects in school, in an after-school program, in a summer program, or independently. The video must be self-contained and able to stand alone (e.g., not a segment of a larger project). Digital media presentations that are not film or video (e.g., PowerPoint, Prezi, etc.) will not be accepted. Projects must be published on a video-hosting site such as YouTube, SchoolTube, or Vimeo. Videos may not exceed 15 minutes and must have been produced AFTER June 1, 2011.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2012/06/baymn_rubric1.pdf\">Download our criteria for selecting entries to the Rise to the Occasion Youth Media Festival.\u003c/a>\u003c/p>\n\u003cp>Youth whose entries are accepted to the festival will receive iTunes gift cards. Grand prizes include Apple mobile devices.\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003cstrong>SUBMISSION\u003c/strong>\u003c/p>\n\u003cp>Before submitting your project, post the video on a video-hosting site such as YouTube, SchoolTube or Vimeo, and make sure that your video is public (we will not be able to view or judge a project that is set to private). To submit your project, fill out our online entry form below. Please read the guidelines completely BEFORE filling out the form. You can download a copy of the entry form \u003ca href=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2012/06/BAYMN-Presents-Rise-to-the-Occasion-Youth-Media-Festival-Entry-Form1.pdf\">HERE\u003c/a> to review it.\u003c/p>\n\u003cp>\u003cem>Submission Guidelines:\u003c/em>\u003c/p>\n\u003col>\n\u003cli>Rise to the Occasion showcases the work of youth media makers (ages 12-24). If you are younger than 13, please have a parent, teacher or instructor submit your project. All communication will be sent to the email listed in the form, so please be sure it is active and checked often.\u003c/li>\n\u003cli>Teachers: For classroom projects, please submit only the “best” one or two for consideration (e.g., if your students are all creating similar projects on air pollution, please submit no more than two for consideration for the Festival).\u003c/li>\n\u003cli>Create a complete, high-resolution copy of your project. This is required for all projects that are selected for the Festival.\u003c/li>\n\u003cli>Entries must be received by 11:59pm PST, September 10, 2012.\u003c/li>\n\u003cli>Entries must represent work that was completed after June 1, 2011.\u003c/li>\n\u003cli>All entries must be submitted online using a preferred web-hosting partner or other media-hosting provider (e.g. SchoolTube, YouTube, Vimeo, etc.). All entries MUST have a valid, public URL that our judges can access.\u003c/li>\n\u003cli>If your project includes copyrighted material, please follow the \u003ca href=\"http://www.centerforsocialmedia.org/fair-use/related-materials/codes/code-best-practices-fair-use-media-literacy-education\">Center for Social Media guidelines for Fair Use\u003c/a> or \u003ca href=\"http://ww2.kqed.org/education/2012/01/25/can-i-use-this-in-my-media-project/\">view the post on KQED Edspace\u003c/a> and be sure to cite your sources in the end credits.\u003c/li>\n\u003c/ol>\n\u003cp>Please contact mwilliams@kqed.org with submission questions, or if you need an alternate submission option.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://docs.google.com/spreadsheet/embeddedform?formkey=dGpwZ1JTQk92WjZHb05XUEc3Y28yaHc6MA\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" width=\"640\" height=\"770\">\u003c/iframe>\u003cbr>\n \u003c/p>\n\u003ch2>This festival is made possible by the \u003ca href=\"http://cpb.org/\">Corporation for Public Broadcasting\u003c/a> and is part of the \u003ca href=\"http://blogs.kqed.org/americangraduate/\">American Graduate Initiative\u003c/a>.\u003c/h2>\n\u003cp>\u003c/p>\n\u003cp> \u003cbr>\n\u003ca href=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2012/06/Unknown1.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2012/06/Unknown1.jpeg\" alt=\"\" title=\"Unknown\" width=\"250\" height=\"154\" class=\"alignnone size-full wp-image-2737\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2012/06/Unknown1.jpeg 925w, https://cdn.kqed.org/wp-content/uploads/sites/38/2012/06/Unknown1-400x246.jpeg 400w, https://cdn.kqed.org/wp-content/uploads/sites/38/2012/06/Unknown1-800x491.jpeg 800w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>\u003cbr>\n \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So what constitutes social change? Issues that affect people in your community, nationally and globally. Issues such as gang violence, drug abuse, bullying, college access, unemployment, affordable housing, medical care, teen pregnancy, racism, sexism, financial inequity… you get the picture. Any issue that you feel passionate about and want your voice to be heard. We want to hear it. And so do your peers.\u003c/p>\n\u003cp>We are now accepting submissions from youth ages 12–24 who have made video projects in school, in an after-school program, in a summer program, or independently. The video must be self-contained and able to stand alone (e.g., not a segment of a larger project). Digital media presentations that are not film or video (e.g., PowerPoint, Prezi, etc.) will not be accepted. Projects must be published on a video-hosting site such as YouTube, SchoolTube, or Vimeo. Videos may not exceed 15 minutes and must have been produced AFTER June 1, 2011.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2012/06/baymn_rubric1.pdf\">Download our criteria for selecting entries to the Rise to the Occasion Youth Media Festival.\u003c/a>\u003c/p>\n\u003cp>Youth whose entries are accepted to the festival will receive iTunes gift cards. Grand prizes include Apple mobile devices.\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003cstrong>SUBMISSION\u003c/strong>\u003c/p>\n\u003cp>Before submitting your project, post the video on a video-hosting site such as YouTube, SchoolTube or Vimeo, and make sure that your video is public (we will not be able to view or judge a project that is set to private). To submit your project, fill out our online entry form below. Please read the guidelines completely BEFORE filling out the form. 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"id": "baycurious",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
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},
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"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
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},
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"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1MDAyODE4NTgz",
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},
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"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
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"order": 1
},
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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},
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},
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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},
"freakonomics-radio": {
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"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
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"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
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"airtime": "SUN 7:30pm-8pm",
"meta": {
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},
"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
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