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"content": "\u003cp>This summer, the Oakland Department of Transportation (OakDOT) is bringing neighborhoods together to beautify their streets as part of a new program called “\u003ca href=\"https://www.oaklandca.gov/services/dot/paint-the-town\" rel=\"noopener\" target=\"_blank\">Paint The Town\u003c/a>.”\u003c/p>\n\u003cp>The program, which began in May of this year, supplies permission and resources to artists who want to paint temporary murals on Oakland streets. The OakDOT started Paint the Town with the intention of giving local residents a sense of ownership in their neighborhoods, especially in under-resourced areas. \u003c/p>\n\u003cp>“Paint the Town is the first step in re-imagining what our streets are and what they can be,” OakDOT transportation planner Lily Brown said. \u003c/p>\n\u003cfigure id=\"attachment_13836047\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/Oakland-Mural-PTT-800x450.jpg\" alt=\"Overhead shot of a new mural in Oakland, at Herman and Ayala Streets.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13836047\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Oakland-Mural-PTT.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Oakland-Mural-PTT-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Oakland-Mural-PTT-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Oakland-Mural-PTT-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Oakland-Mural-PTT-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Oakland-Mural-PTT-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Overhead shot of a new mural in Oakland, at Herman and Ayala Streets. \u003ccite>(Courtesy of Oakland DOT)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Paint The Town came about from the results of the city’s 2017 \u003ca href=\"https://medium.com/@Oakland/transforming-oaklands-streets-into-public-space-b6ecb3fe7304\" rel=\"noopener\" target=\"_blank\">Request for Community Interest\u003c/a> survey. The 130 respondents said they wanted the city to use its resources to turn streets and crosswalks into works of art. \u003c/p>\n\u003cp>“Transforming a busy street doesn’t always need complicated plans or millions of dollars. There is real potential for Oaklanders to create playful and artistic public spaces,” the OakDOT report stated. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>After a call for submissions last winter, the city approved 30 mural applications. Each winner receives a $300 gift card for paint, plus liability insurance for the street closure. For seven winners, the Oakland Fund for Public Innovation pays for all materials and even assists with day-of logistics. \u003c/p>\n\u003cp>Of the 42 applications it received, the city focused on approving applications for projects in disadvantaged areas. For every one mural approved in a census tract with a low level of disadvantage, the city wanted two in high-to-medium disadvantaged areas. In the end, the city surpassed its intended 2-to-1 ratio, approving 27 projects in high-to-medium neighborhoods and three in areas of low disadvantage.\u003c/p>\n\u003cp>“We exceeded the goal for advancing equity in this program,” Brown said. \u003c/p>\n\u003cfigure id=\"attachment_13836668\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-800x450.jpg\" alt=\"Students help paint a mural near the ASCEND School in Oakland.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13836668\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Students help paint a mural near the ASCEND School in Oakland. \u003ccite>(Courtesy of OakDOT)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Paint The Town is currently in its pilot phase, but Brown says it’s proven to be quite successful. Local groups have painted \u003ca href=\"https://hoodline.com/2018/06/street-art-deal-oakland-dot-rolls-out-beautification-program\" rel=\"noopener\" target=\"_blank\">four murals since May\u003c/a>—the most recent a giant hummingbird on 25th Street, between Telegraph and Northgate Avenues.\u003c/p>\n\u003cp>Brown says the mural events are much like block parties, with the bonus of providing “an activity where people have to work together to accomplish something.” She attended the first mural painting at Dashwood and Arthur in East Oakland, and said that the event was a joyous occasion where participants and visitors alike expressed pride in the resulting art work. “Some people even got out of their cars to take pictures,” she said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“That’s the best part about Paint The Town: it’s something that seems really simple and relatively cheap but it has this huge, positive ripple effect,” Brown added. “A street doesn’t just have to be gray asphalt that cars are speeding through; it can be a canvas for people to showcase their neighborhood pride and their uniqueness. They can help foster a sense of ownership.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This summer, the Oakland Department of Transportation (OakDOT) is bringing neighborhoods together to beautify their streets as part of a new program called “\u003ca href=\"https://www.oaklandca.gov/services/dot/paint-the-town\" rel=\"noopener\" target=\"_blank\">Paint The Town\u003c/a>.”\u003c/p>\n\u003cp>The program, which began in May of this year, supplies permission and resources to artists who want to paint temporary murals on Oakland streets. The OakDOT started Paint the Town with the intention of giving local residents a sense of ownership in their neighborhoods, especially in under-resourced areas. \u003c/p>\n\u003cp>“Paint the Town is the first step in re-imagining what our streets are and what they can be,” OakDOT transportation planner Lily Brown said. \u003c/p>\n\u003cfigure id=\"attachment_13836047\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/Oakland-Mural-PTT-800x450.jpg\" alt=\"Overhead shot of a new mural in Oakland, at Herman and Ayala Streets.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13836047\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Oakland-Mural-PTT.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Oakland-Mural-PTT-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Oakland-Mural-PTT-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Oakland-Mural-PTT-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Oakland-Mural-PTT-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Oakland-Mural-PTT-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Overhead shot of a new mural in Oakland, at Herman and Ayala Streets. \u003ccite>(Courtesy of Oakland DOT)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Paint The Town came about from the results of the city’s 2017 \u003ca href=\"https://medium.com/@Oakland/transforming-oaklands-streets-into-public-space-b6ecb3fe7304\" rel=\"noopener\" target=\"_blank\">Request for Community Interest\u003c/a> survey. The 130 respondents said they wanted the city to use its resources to turn streets and crosswalks into works of art. \u003c/p>\n\u003cp>“Transforming a busy street doesn’t always need complicated plans or millions of dollars. There is real potential for Oaklanders to create playful and artistic public spaces,” the OakDOT report stated. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After a call for submissions last winter, the city approved 30 mural applications. Each winner receives a $300 gift card for paint, plus liability insurance for the street closure. For seven winners, the Oakland Fund for Public Innovation pays for all materials and even assists with day-of logistics. \u003c/p>\n\u003cp>Of the 42 applications it received, the city focused on approving applications for projects in disadvantaged areas. For every one mural approved in a census tract with a low level of disadvantage, the city wanted two in high-to-medium disadvantaged areas. In the end, the city surpassed its intended 2-to-1 ratio, approving 27 projects in high-to-medium neighborhoods and three in areas of low disadvantage.\u003c/p>\n\u003cp>“We exceeded the goal for advancing equity in this program,” Brown said. \u003c/p>\n\u003cfigure id=\"attachment_13836668\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-800x450.jpg\" alt=\"Students help paint a mural near the ASCEND School in Oakland.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13836668\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/PTS-ASCEND258-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Students help paint a mural near the ASCEND School in Oakland. \u003ccite>(Courtesy of OakDOT)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Paint The Town is currently in its pilot phase, but Brown says it’s proven to be quite successful. Local groups have painted \u003ca href=\"https://hoodline.com/2018/06/street-art-deal-oakland-dot-rolls-out-beautification-program\" rel=\"noopener\" target=\"_blank\">four murals since May\u003c/a>—the most recent a giant hummingbird on 25th Street, between Telegraph and Northgate Avenues.\u003c/p>\n\u003cp>Brown says the mural events are much like block parties, with the bonus of providing “an activity where people have to work together to accomplish something.” She attended the first mural painting at Dashwood and Arthur in East Oakland, and said that the event was a joyous occasion where participants and visitors alike expressed pride in the resulting art work. “Some people even got out of their cars to take pictures,” she said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“That’s the best part about Paint The Town: it’s something that seems really simple and relatively cheap but it has this huge, positive ripple effect,” Brown added. “A street doesn’t just have to be gray asphalt that cars are speeding through; it can be a canvas for people to showcase their neighborhood pride and their uniqueness. They can help foster a sense of ownership.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Homeless Cleared from Oakland's Mosswood Park Ahead of Burger Boogaloo",
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"headTitle": "Homeless Cleared from Oakland’s Mosswood Park Ahead of Burger Boogaloo | KQED",
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"content": "\u003cp>Oakland police officers cleared out homeless camps at Oakland’s Mosswood Park Tuesday, days before the popular punk festival Burger Boogaloo.\u003c/p>\n\u003cp>The sweep removed an estimated 20 people living in tents on the park grounds, according to Joe DeVries, assistant to the Oakland City Administrator. While the removal occurred just days before Burger Boogaloo, DeVries said that the city cleared the homeless in preparation for a program serving disabled youth. The program, which had been on hiatus since 2016 following a fire at the park’s recreation center, expects 150 participants next month.\u003c/p>\n\u003cp>Concerns over issues created by the encampment, such as the sizable amount of syringes littering the grounds, led to the city clearing the park, a decision DeVries said was announced four months ago.\u003c/p>\n\u003cp>“We can’t have 150 disabled students recreating in a park where we routinely collect hundreds of hypodermic needles,” DeVries \u003ca href=\"https://www.eastbaytimes.com/2018/06/26/homeless-cleared-out-of-north-oakland-park/\" rel=\"noopener\" target=\"_blank\">told the \u003cem>East Bay Times\u003c/em>\u003c/a>. \u003c/p>\n\u003cp>Meanwhile, news of the sweep \u003ca href=\"https://twitter.com/Indybay/status/1011699489332068356\" rel=\"noopener\" target=\"_blank\">spread on social media\u003c/a>, where \u003ca href=\"https://www.facebook.com/totaltrashproductions/\" rel=\"noopener\" target=\"_blank\">Burger Boogaloo promoters\u003c/a> came under \u003ca href=\"https://twitter.com/charmainesnames/status/1011821672775630854\" rel=\"noopener\" target=\"_blank\">criticism\u003c/a>. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Burger Boogaloo released an official statement Wednesday afternoon.\u003c/p>\n\u003cp>“Burger Boogaloo is pained by the ongoing homeless crisis in Oakland and everywhere,” it read. “As a consequence of events and programs planned at Mosswood Park, including our permitted event, people living there were asked to leave by Oakland Police. Prior to the Tuesday expulsion, Burger Boogaloo staff spent time assisting people in the park with the move.”\u003c/p>\n\u003cp>Burger Boogaloo also stated that it had donated to \u003ca href=\"http://apcollaborative.org/\" rel=\"noopener\" target=\"_blank\">Alameda Point Collaborative\u003c/a> and \u003ca href=\"http://www.homeaway.org/\" rel=\"noopener\" target=\"_blank\">A Home Away From Homelessness\u003c/a>, two homeless assistance organizations, adding that “we encourage our friends and anyone concerned about the plight of people here in our community to do the same.”\u003c/p>\n\u003cp>The festival further announced that the \u003ca href=\"http://homelessactioncenter.org/\" rel=\"noopener\" target=\"_blank\">Homeless Action Center\u003c/a> will have a presence at the two-day festival, with members collecting donations.\u003c/p>\n\u003cp>Calls to Boogaloo founder Marcos Ribak were not returned at press time.\u003c/p>\n\u003cp>Issues of homelessness have overlapped with the local music scene in recent weeks, with Jason Perkins of local venues the New Parish and Brick & Mortar Music Hall \u003ca href=\"https://www.eastbayexpress.com/SevenDays/archives/2018/06/14/jason-perkins-of-parish-entertainment-group-dubbed-valenciavigilante-accused-of-accosting-homeless-man\" rel=\"noopener\" target=\"_blank\">caught on security video pepper-spraying a homeless man\u003c/a>. Some say Perkins also appears to have been behind flyers posted around the Brick & Mortar Music Hall which called for homeless people to clear out, and \u003ca href=\"https://www.eastbayexpress.com/SevenDays/archives/2018/06/14/jason-perkins-of-parish-entertainment-group-dubbed-valenciavigilante-accused-of-accosting-homeless-man\" rel=\"noopener\" target=\"_blank\">threatened physical violence and burning\u003c/a> for those who did not. (A homeless benefit featuring Equipto, La Misa Negra and Mistah F.A.B. scheduled at the New Parish was \u003ca href=\"https://www.kqed.org/arts/13835668/with-latest-album-equipto-calls-out-housing-crisis-and-gentrification\" rel=\"noopener\" target=\"_blank\">moved to a different venue\u003c/a> in response.)\u003c/p>\n\u003cp>Aleksander Prechtl, friend of Ribak and singer for the band Battleship, who are scheduled to perform at the festival this weekend, told KQED that he was “confident” Boogaloo’s organizers “advocated the city on behalf of the homeless and would assist in minimizing the disruption to their lives.”\u003c/p>\n\u003cp>“I’ve known Marcos for many years and have no reason to think he’d be anything but kind and generous to everyone, especially the homeless,” Prechtl wrote in an email.\u003c/p>\n\u003cp>Prechtl opined that because the festival uses only half the park, an option might have been to move the encampment to another site in the park, but away from the festival. He added that it’s on the city to “treat the housing crisis as the emergency it is.”\u003c/p>\n\u003cp>“We should not allow homelessness to be ever seen as normal nor acceptable. We, as a society, need to treat housing and healthcare as the human rights that they are,” Prechtl wrote. \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story has been updated.\u003c/em>\u003c/p>\n\n",
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"headline": "Homeless Cleared from Oakland's Mosswood Park Ahead of Burger Boogaloo",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oakland police officers cleared out homeless camps at Oakland’s Mosswood Park Tuesday, days before the popular punk festival Burger Boogaloo.\u003c/p>\n\u003cp>The sweep removed an estimated 20 people living in tents on the park grounds, according to Joe DeVries, assistant to the Oakland City Administrator. While the removal occurred just days before Burger Boogaloo, DeVries said that the city cleared the homeless in preparation for a program serving disabled youth. The program, which had been on hiatus since 2016 following a fire at the park’s recreation center, expects 150 participants next month.\u003c/p>\n\u003cp>Concerns over issues created by the encampment, such as the sizable amount of syringes littering the grounds, led to the city clearing the park, a decision DeVries said was announced four months ago.\u003c/p>\n\u003cp>“We can’t have 150 disabled students recreating in a park where we routinely collect hundreds of hypodermic needles,” DeVries \u003ca href=\"https://www.eastbaytimes.com/2018/06/26/homeless-cleared-out-of-north-oakland-park/\" rel=\"noopener\" target=\"_blank\">told the \u003cem>East Bay Times\u003c/em>\u003c/a>. \u003c/p>\n\u003cp>Meanwhile, news of the sweep \u003ca href=\"https://twitter.com/Indybay/status/1011699489332068356\" rel=\"noopener\" target=\"_blank\">spread on social media\u003c/a>, where \u003ca href=\"https://www.facebook.com/totaltrashproductions/\" rel=\"noopener\" target=\"_blank\">Burger Boogaloo promoters\u003c/a> came under \u003ca href=\"https://twitter.com/charmainesnames/status/1011821672775630854\" rel=\"noopener\" target=\"_blank\">criticism\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Burger Boogaloo released an official statement Wednesday afternoon.\u003c/p>\n\u003cp>“Burger Boogaloo is pained by the ongoing homeless crisis in Oakland and everywhere,” it read. “As a consequence of events and programs planned at Mosswood Park, including our permitted event, people living there were asked to leave by Oakland Police. Prior to the Tuesday expulsion, Burger Boogaloo staff spent time assisting people in the park with the move.”\u003c/p>\n\u003cp>Burger Boogaloo also stated that it had donated to \u003ca href=\"http://apcollaborative.org/\" rel=\"noopener\" target=\"_blank\">Alameda Point Collaborative\u003c/a> and \u003ca href=\"http://www.homeaway.org/\" rel=\"noopener\" target=\"_blank\">A Home Away From Homelessness\u003c/a>, two homeless assistance organizations, adding that “we encourage our friends and anyone concerned about the plight of people here in our community to do the same.”\u003c/p>\n\u003cp>The festival further announced that the \u003ca href=\"http://homelessactioncenter.org/\" rel=\"noopener\" target=\"_blank\">Homeless Action Center\u003c/a> will have a presence at the two-day festival, with members collecting donations.\u003c/p>\n\u003cp>Calls to Boogaloo founder Marcos Ribak were not returned at press time.\u003c/p>\n\u003cp>Issues of homelessness have overlapped with the local music scene in recent weeks, with Jason Perkins of local venues the New Parish and Brick & Mortar Music Hall \u003ca href=\"https://www.eastbayexpress.com/SevenDays/archives/2018/06/14/jason-perkins-of-parish-entertainment-group-dubbed-valenciavigilante-accused-of-accosting-homeless-man\" rel=\"noopener\" target=\"_blank\">caught on security video pepper-spraying a homeless man\u003c/a>. Some say Perkins also appears to have been behind flyers posted around the Brick & Mortar Music Hall which called for homeless people to clear out, and \u003ca href=\"https://www.eastbayexpress.com/SevenDays/archives/2018/06/14/jason-perkins-of-parish-entertainment-group-dubbed-valenciavigilante-accused-of-accosting-homeless-man\" rel=\"noopener\" target=\"_blank\">threatened physical violence and burning\u003c/a> for those who did not. (A homeless benefit featuring Equipto, La Misa Negra and Mistah F.A.B. scheduled at the New Parish was \u003ca href=\"https://www.kqed.org/arts/13835668/with-latest-album-equipto-calls-out-housing-crisis-and-gentrification\" rel=\"noopener\" target=\"_blank\">moved to a different venue\u003c/a> in response.)\u003c/p>\n\u003cp>Aleksander Prechtl, friend of Ribak and singer for the band Battleship, who are scheduled to perform at the festival this weekend, told KQED that he was “confident” Boogaloo’s organizers “advocated the city on behalf of the homeless and would assist in minimizing the disruption to their lives.”\u003c/p>\n\u003cp>“I’ve known Marcos for many years and have no reason to think he’d be anything but kind and generous to everyone, especially the homeless,” Prechtl wrote in an email.\u003c/p>\n\u003cp>Prechtl opined that because the festival uses only half the park, an option might have been to move the encampment to another site in the park, but away from the festival. He added that it’s on the city to “treat the housing crisis as the emergency it is.”\u003c/p>\n\u003cp>“We should not allow homelessness to be ever seen as normal nor acceptable. We, as a society, need to treat housing and healthcare as the human rights that they are,” Prechtl wrote. \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story has been updated.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Empress Of, Jeff Rosenstock to Headline This Year's 20th Street Block Party",
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"content": "\u003cp>Local concert promoters Noise Pop have announced the lineup for the sixth annual \u003ca href=\"http://www.20thstreetblockparty.com/\" rel=\"noopener\" target=\"_blank\">20th Street Block Party\u003c/a>, the free outdoor festival held in the Mission District.\u003c/p>\n\u003cp>Held Aug. 18, this year’s 20th Street Block Party features performances by Empress Of, Jeff Rosenstock, The Marias and other groups, with more to be announced in the near future.\u003c/p>\n\u003cp>Empress Of is the electro-synth-pop project of Latin American-singer songwriter Lorely Rodriguez, who’s currently working on the follow-up to her critically acclaimed debut album \u003ci>Me\u003c/i>; festival-goers should anticipate hearing new tracks.\u003c/p>\n\u003cfigure id=\"attachment_13835557\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons-800x534.jpg\" alt=\"On stage during the 2017 20th Street Block Party\" width=\"800\" height=\"534\" class=\"size-medium wp-image-13835557\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">On stage during the 2017 20th Street Block Party. \u003ccite>(Paige K Parsons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The 2018 20th Block Street Party lineup also includes several local groups, such as San Francisco “\u003ca href=\"https://theshes.bandcamp.com/\" rel=\"noopener\" target=\"_blank\">all female rock and roll quartet\u003c/a>” The She’s, pop punkers \u003ca href=\"https://thetotalbettys.bandcamp.com/\" rel=\"noopener\" target=\"_blank\">The Total Bettys\u003c/a> and \u003ca href=\"https://fantheband.bandcamp.com/\" rel=\"noopener\" target=\"_blank\">FAN\u003c/a>, the new solo project from Meric Long, the singer/guitarist of the Dodos. \u003c/p>\n\u003cp>The final act on the bill will be revealed in the coming weeks, as it will be determined by a contest Noise Pop is holding with DoTheBay. The winner will perform first on the festival’s main stage.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The festival, which takes over the 20th Street corridor between Harrison and Bryant Streets, also features numerous food vendors and local artists. Over the past six years, the festival has grown into a massive event, drawing crowds over 20,000 and raising thousands for the Mission Language and Vocational School.\u003c/p>\n\u003cp>“We honestly love throwing on this event every summer, especially because it helps give back to our 20th Street neighborhood—the backyard to Noise Pop’s own offices,” Noise Pop general manager Dawson Ludwig said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>To learn more about the festival, visit \u003ca href=\"http://www.20thstreetblockparty.com/\" rel=\"noopener\" target=\"_blank\">20thstreetblockparty.com\u003c/a>. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Local concert promoters Noise Pop have announced the lineup for the sixth annual \u003ca href=\"http://www.20thstreetblockparty.com/\" rel=\"noopener\" target=\"_blank\">20th Street Block Party\u003c/a>, the free outdoor festival held in the Mission District.\u003c/p>\n\u003cp>Held Aug. 18, this year’s 20th Street Block Party features performances by Empress Of, Jeff Rosenstock, The Marias and other groups, with more to be announced in the near future.\u003c/p>\n\u003cp>Empress Of is the electro-synth-pop project of Latin American-singer songwriter Lorely Rodriguez, who’s currently working on the follow-up to her critically acclaimed debut album \u003ci>Me\u003c/i>; festival-goers should anticipate hearing new tracks.\u003c/p>\n\u003cfigure id=\"attachment_13835557\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons-800x534.jpg\" alt=\"On stage during the 2017 20th Street Block Party\" width=\"800\" height=\"534\" class=\"size-medium wp-image-13835557\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/20th-Street-Block-Party-2017-Credit-Paige-K-Parsons.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">On stage during the 2017 20th Street Block Party. \u003ccite>(Paige K Parsons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The 2018 20th Block Street Party lineup also includes several local groups, such as San Francisco “\u003ca href=\"https://theshes.bandcamp.com/\" rel=\"noopener\" target=\"_blank\">all female rock and roll quartet\u003c/a>” The She’s, pop punkers \u003ca href=\"https://thetotalbettys.bandcamp.com/\" rel=\"noopener\" target=\"_blank\">The Total Bettys\u003c/a> and \u003ca href=\"https://fantheband.bandcamp.com/\" rel=\"noopener\" target=\"_blank\">FAN\u003c/a>, the new solo project from Meric Long, the singer/guitarist of the Dodos. \u003c/p>\n\u003cp>The final act on the bill will be revealed in the coming weeks, as it will be determined by a contest Noise Pop is holding with DoTheBay. The winner will perform first on the festival’s main stage.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The festival, which takes over the 20th Street corridor between Harrison and Bryant Streets, also features numerous food vendors and local artists. Over the past six years, the festival has grown into a massive event, drawing crowds over 20,000 and raising thousands for the Mission Language and Vocational School.\u003c/p>\n\u003cp>“We honestly love throwing on this event every summer, especially because it helps give back to our 20th Street neighborhood—the backyard to Noise Pop’s own offices,” Noise Pop general manager Dawson Ludwig said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>To learn more about the festival, visit \u003ca href=\"http://www.20thstreetblockparty.com/\" rel=\"noopener\" target=\"_blank\">20thstreetblockparty.com\u003c/a>. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "San Rafael's Telltale Games Working on 'Stranger Things' Video Game",
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"content": "\u003cp>\u003ca href=\"https://telltale.com/\" rel=\"noopener\" target=\"_blank\">Telltale Games\u003c/a>, an independent game developer based in San Rafael, announced Wednesday that it has made a deal with Netflix to produce a video game based on the hit show, \u003ci>Stranger Things.\u003c/i>\u003c/p>\n\u003cp>Telltale Games revealed few details about the game, announcing the news while also announcing that Netflix would be streaming an interactive version of Telltale’s game \u003ci>Minecraft: Story Mode.\u003c/i> Telltale had little to say about either project.\u003c/p>\n\u003cp>“Our partnership with Netflix is something we’re incredibly proud of, and while we don’t have anything more to share right now, we’re excited to reveal details on these projects later in the year,” Telltale \u003ca href=\"https://twitter.com/telltalegames/status/1006996305082630144\" rel=\"noopener\" target=\"_blank\">posted on Twitter \u003c/a>Wednesday.\u003c/p>\n\u003cp>Three former LucasArts employees — Dan Connors, Kevin Bruner and Troy Molander — founded Telltale in 2004, following LucasArts’s cancellation of a game they worked on together called \u003ci>Sam & Max Hit the Road.\u003c/i> The company went on to create games for movies such as \u003cem>Back to the Future\u003c/em> and \u003cem>Jurassic Park\u003c/em>. But Telltale saw its first big success with the episodic game it created based on \u003ci>The Walking Dead\u003c/i> comic and television series. Upon its release in 2012, the game sold a million copies in 20 days. Telltale went on to develop four more games in the series.\u003c/p>\n\u003cfigure id=\"attachment_13835104\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-800x450.jpg\" alt=\"Screenshot from 'Minecraft: Story Mode'\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13835104\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Screenshot from ‘Minecraft: Story Mode.’ \u003ccite>(Netflix)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Building on its cinematic, episodic style developed for the \u003ci>The Walking Dead\u003c/i> games, it then produced games for notable properties such as \u003ci>Game of Thrones\u003c/i> and \u003ci>Guardians of the Galaxy.\u003c/i> Continuing successes led the company to grow to 400 employees, but the company couldn’t sustain the staffing level and it \u003ca href=\"https://www.usgamer.net/articles/exclusive-how-a-culture-of-crunch-brought-telltale-from-critical-darlings-to-layoffs\" rel=\"noopener\" target=\"_blank\">laid off 90 employees\u003c/a> — 25 percent of its staff — last year.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The deal Telltale inked with Netflix means two different products for the two licensed properties, \u003ci> Minecraft\u003c/i> and \u003ci>Stranger Things.\u003c/i>\u003ca href=\"https://www.techradar.com/news/netflix-to-add-games-to-its-service-including-stranger-things-and-minecraft\" rel=\"noopener\" target=\"_blank\"> TechRadar reports\u003c/a> that \u003cem>Minecraft: Story Mode\u003c/em> is a five-part interactive story series similar to other Netflix properties. \u003c/p>\n\u003cp>“It’s an extension of our other interactive stories we have on our service like \u003cem>Stretch Armstrong: The Breakout\u003c/em>, \u003cem>Puss in Book: Trapped in an Epic Tale\u003c/em> and \u003cem>Buddy Thunderstruck: The Maybe Pile\u003c/em>,” a Netflix representative \u003ca href=\"https://www.polygon.com/tv/2018/6/13/17460834/netflix-telltale-minecraft-story-mode-stranger-things-game\" rel=\"noopener\" target=\"_blank\">told Polygon\u003c/a>. \u003c/p>\n\u003cp>However, the \u003ci>Stranger Things\u003c/i> game will not be available for streaming on Netflix, as it is just a part of the streaming service’s marketing strategy.\u003c/p>\n\u003cp>“We don’t have any plans to get into gaming,” Netflix told TechRadar. “There’s a broad spectrum of entertainment available today. Games have become increasingly cinematic, but we view this as interactive narrative storytelling on our service.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Stranger Things,\u003c/i> a sci-fi horror series steeped in ’80s nostalgia, premiered on Netflix in 2016, becoming a sensation practically overnight. The third season of the show is currently in production.\u003c/p>\n\n",
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"headline": "San Rafael's Telltale Games Working on 'Stranger Things' Video Game",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://telltale.com/\" rel=\"noopener\" target=\"_blank\">Telltale Games\u003c/a>, an independent game developer based in San Rafael, announced Wednesday that it has made a deal with Netflix to produce a video game based on the hit show, \u003ci>Stranger Things.\u003c/i>\u003c/p>\n\u003cp>Telltale Games revealed few details about the game, announcing the news while also announcing that Netflix would be streaming an interactive version of Telltale’s game \u003ci>Minecraft: Story Mode.\u003c/i> Telltale had little to say about either project.\u003c/p>\n\u003cp>“Our partnership with Netflix is something we’re incredibly proud of, and while we don’t have anything more to share right now, we’re excited to reveal details on these projects later in the year,” Telltale \u003ca href=\"https://twitter.com/telltalegames/status/1006996305082630144\" rel=\"noopener\" target=\"_blank\">posted on Twitter \u003c/a>Wednesday.\u003c/p>\n\u003cp>Three former LucasArts employees — Dan Connors, Kevin Bruner and Troy Molander — founded Telltale in 2004, following LucasArts’s cancellation of a game they worked on together called \u003ci>Sam & Max Hit the Road.\u003c/i> The company went on to create games for movies such as \u003cem>Back to the Future\u003c/em> and \u003cem>Jurassic Park\u003c/em>. But Telltale saw its first big success with the episodic game it created based on \u003ci>The Walking Dead\u003c/i> comic and television series. Upon its release in 2012, the game sold a million copies in 20 days. Telltale went on to develop four more games in the series.\u003c/p>\n\u003cfigure id=\"attachment_13835104\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-800x450.jpg\" alt=\"Screenshot from 'Minecraft: Story Mode'\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13835104\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Minecraft-screenshot-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Screenshot from ‘Minecraft: Story Mode.’ \u003ccite>(Netflix)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Building on its cinematic, episodic style developed for the \u003ci>The Walking Dead\u003c/i> games, it then produced games for notable properties such as \u003ci>Game of Thrones\u003c/i> and \u003ci>Guardians of the Galaxy.\u003c/i> Continuing successes led the company to grow to 400 employees, but the company couldn’t sustain the staffing level and it \u003ca href=\"https://www.usgamer.net/articles/exclusive-how-a-culture-of-crunch-brought-telltale-from-critical-darlings-to-layoffs\" rel=\"noopener\" target=\"_blank\">laid off 90 employees\u003c/a> — 25 percent of its staff — last year.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The deal Telltale inked with Netflix means two different products for the two licensed properties, \u003ci> Minecraft\u003c/i> and \u003ci>Stranger Things.\u003c/i>\u003ca href=\"https://www.techradar.com/news/netflix-to-add-games-to-its-service-including-stranger-things-and-minecraft\" rel=\"noopener\" target=\"_blank\"> TechRadar reports\u003c/a> that \u003cem>Minecraft: Story Mode\u003c/em> is a five-part interactive story series similar to other Netflix properties. \u003c/p>\n\u003cp>“It’s an extension of our other interactive stories we have on our service like \u003cem>Stretch Armstrong: The Breakout\u003c/em>, \u003cem>Puss in Book: Trapped in an Epic Tale\u003c/em> and \u003cem>Buddy Thunderstruck: The Maybe Pile\u003c/em>,” a Netflix representative \u003ca href=\"https://www.polygon.com/tv/2018/6/13/17460834/netflix-telltale-minecraft-story-mode-stranger-things-game\" rel=\"noopener\" target=\"_blank\">told Polygon\u003c/a>. \u003c/p>\n\u003cp>However, the \u003ci>Stranger Things\u003c/i> game will not be available for streaming on Netflix, as it is just a part of the streaming service’s marketing strategy.\u003c/p>\n\u003cp>“We don’t have any plans to get into gaming,” Netflix told TechRadar. “There’s a broad spectrum of entertainment available today. Games have become increasingly cinematic, but we view this as interactive narrative storytelling on our service.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Stranger Things,\u003c/i> a sci-fi horror series steeped in ’80s nostalgia, premiered on Netflix in 2016, becoming a sensation practically overnight. The third season of the show is currently in production.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "SF Bay Times, City's First Newspaper Produced Jointly by Gay Men and Women, Celebrates 40th Anniversary",
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"content": "\u003cp>The \u003cem>San Francisco Bay Times\u003c/em>, the city’s first newspaper founded jointly by gay men\u003cbr>\nand women, is celebrating its 40th birthday this year, starting this LGBTQ Pride month.\u003c/p>\n\u003cp>Though the first issue came out in May of 1978, the newspaper’s publishers plan to celebrate its anniversary through the entire year, starting with having a big presence during this year’s pride parade. They’ve even adopted a slogan for the birthday: “A million stories in 40 years.”\u003c/p>\n\u003cfigure id=\"attachment_13834832\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-800x600.jpg\" alt=\"First issue of San Francisco Bay Times\" width=\"800\" height=\"600\" class=\"size-medium wp-image-13834832\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">First issue of the \u003cem>San Francisco Bay Times\u003c/em>. \u003ccite>(Courtesy of SF Bay Times)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s kind of metaphorical because I don’t know if we’ve really published a million stories,” \u003cem>Bay Times\u003c/em> publisher Betty Sullivan said. “It doesn’t really matter; it’s symbolic.”\u003c/p>\n\u003cp>Roland G. Schembari, a journalist who worked on KPFA’s \u003cem>Fruit Punch\u003c/em>, the nation’s first gay-themed radio show, started the paper with friend and respected journalist Randy Alfred. The two had big dreams for the newspaper, which was one of the first to focus exclusively on issues in the gay community. \u003c/p>\n\u003cp>“These guys decided they wanted lesbians involved, which is very forward-thinking because it recognizes that we need to put effort into that,” Sullivan said. “Otherwise, we just fall into segments.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But the first issue was fraught with problems — it had articles that said they continued on page 13, yet the paper was only 12 pages. It ended its run after three issues. Alfred, the paper’s first news editor, would later say that the publication was “ahead of its time and under budget.”\u003c/p>\n\u003cfigure id=\"attachment_13834889\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/1-SFVT-COVER-6.21.18-t-shirt-800x1197.jpg\" alt=\"Cover of SF Bay Times for June 21, 2018\" width=\"800\" height=\"1197\" class=\"size-medium wp-image-13834889\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-SFVT-COVER-6.21.18-t-shirt.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-SFVT-COVER-6.21.18-t-shirt-160x239.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-SFVT-COVER-6.21.18-t-shirt-768x1149.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-SFVT-COVER-6.21.18-t-shirt-240x359.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-SFVT-COVER-6.21.18-t-shirt-375x561.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-SFVT-COVER-6.21.18-t-shirt-520x778.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cover of SF Bay Times for June 21, 2018 \u003ccite>(Debra Walker/SF Bay Times)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Schembari and his friend Bill Hartman tried again the following year, starting a new four-page publication called \u003cem>Coming Up!\u003c/em>, which acted more as a gay-themed event calendar but still included some news coverage. It couldn’t have come at a better time, as 1979 was a huge year for gay issues, being the year of the National March on Washington for Lesbian and Gay Rights, which was then the largest ever political gathering in support of LGBTQ rights. It was also the year after Harvey Milk’s assassination and the White Night Riots.\u003c/p>\n\u003cp>In 1981, photographer Kim Corsaro became editor and publisher, and helped grow the paper to a circulation in the tens of thousands. That period was important, with the AIDS crisis wiping out much of the community and inspiring queer activism. Seven years after Corsaro became publisher, the newspaper changed its name back to the \u003cem>San Francisco Bay Times\u003c/em>.\u003c/p>\n\u003cp>The paper was at the center of controversy in 1992, after it ran a provactive graphic of then-San Francisco police chief Richard Hongisto, criticizing his handling of local protests over the Rodney King verdict. Hongisto reportedly ordered three officers take and destroy about 2,000 issues of the paper with the offending graphic. After some of the \u003ca href=\"http://articles.latimes.com/1992-05-16/news/mn-1980_1_police-chief\" rel=\"noopener\" target=\"_blank\">officers revealed Hongisto’s commands\u003c/a>, he was fired. He had been on the job for only 44 days.\u003c/p>\n\u003cp>Around a decade ago, the paper saw a change in leadership. Schembari \u003ca href=\"https://www.sfgate.com/news/article/Roland-Schembari-Co-Founder-of-S-F-Bay-Times-2773437.php\" rel=\"noopener\" target=\"_blank\">died in 2000 of cancer\u003c/a>, and Corsaro stepped down as publisher in 2011 because of some health and family issues, according to Sullivan. \u003c/p>\n\u003cp>“[Corsaro] held onto that position for 30 years. Being the publisher of a small gay-and-lesbian newspaper for three solid decades is pretty amazing,” Sullivan said. \u003c/p>\n\u003cp>Sullivan, a longtime journalist and founder of the influential LGBTQ listserve \u003ca href=\"http://www.bettyslist.com/\" rel=\"noopener\" target=\"_blank\">Betty’s List\u003c/a>, and Discovery Channel senior news correspondent Jennifer L. Viegas both took over the publisher roles at the \u003cem>Bay Times\u003c/em>. They focused expanding on their web presence and ensuring they stay an important voice in the community.\u003c/p>\n\u003cp>“I think we also want to make sure that we uphold our educational goal that we are providing information that people need to be in control of their own lives,” Sullivan said. \u003c/p>\n\u003cfigure id=\"attachment_13834831\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-800x450.jpg\" alt=\"SF Bay Times publisher Betty Sullivan (center), surrounded by LGBTQ leaders Gary Virginia and Donna Sachet\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13834831\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">\u003cem>San Francisco Bay Times\u003c/em> publisher Betty Sullivan (center), surrounded by LGBTQ leaders Gary Virginia and Donna Sachet. \u003ccite>(Courtesy of SF Bay Times)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sullivan and Viegas also work to ensure that the Times is a leading voice in the community. For example, in 2014, after then-San Francisco 49er Chris Culliver made offensive comments about the gay community at that year’s Super Bowl, \u003ca href=\"http://sfbaytimes.com/new-and-improved-chris-culliver/\" rel=\"noopener\" target=\"_blank\">he gave an exclusive interview \u003c/a>to the \u003cem>Bay Times\u003c/em> discussing how he had spent the following months learning about the LGTBQ community. \u003c/p>\n\u003cp>Last year, the paper set up the \u003ca href=\"http://sfbaytimes.com/castro-street-cam/\" rel=\"noopener\" target=\"_blank\">Castro Street Cam\u003c/a>, a webcam providing 24/7 live streaming views of the historic Castro Street in San Francisco. The cam provides a real look at the epicenter of culture, so people all over the world can see what it’s really like there. \u003c/p>\n\u003cp>“It is amazing to me how often people start dancing o\u003c!--more-->\u003c/p>\n\u003cp>n Castro Street,” Sullivan said. “I think it shows the happiness and joy of this community.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=fihxfjr3g6g\u003c/p>\n\u003cp>Sullivan and staff are working on a few events to celebrate the paper’s 40th year of publication, such as a dance party cruise around the San Francisco Bay and a panel talk that will include original news editor Alfred. Dates and venues are still being determined.\u003c/p>\n\u003cp>As for the future of the paper, Sullivan says they plan to keep doing what they’re doing. They hope to keep publishing a physical newspaper, but continue to expand their growing online audience and social media presence. The one thing Sullivan says will never change is the paper’s mission to having gay men and women working side-by-side. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are bound and determine to carry the flag or torch for that stated purpose of bringing men and women together,” Sullivan said.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The \u003cem>San Francisco Bay Times\u003c/em>, the city’s first newspaper founded jointly by gay men\u003cbr>\nand women, is celebrating its 40th birthday this year, starting this LGBTQ Pride month.\u003c/p>\n\u003cp>Though the first issue came out in May of 1978, the newspaper’s publishers plan to celebrate its anniversary through the entire year, starting with having a big presence during this year’s pride parade. They’ve even adopted a slogan for the birthday: “A million stories in 40 years.”\u003c/p>\n\u003cfigure id=\"attachment_13834832\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-800x600.jpg\" alt=\"First issue of San Francisco Bay Times\" width=\"800\" height=\"600\" class=\"size-medium wp-image-13834832\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-Bay-Times-First-Issue-Cover-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">First issue of the \u003cem>San Francisco Bay Times\u003c/em>. \u003ccite>(Courtesy of SF Bay Times)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s kind of metaphorical because I don’t know if we’ve really published a million stories,” \u003cem>Bay Times\u003c/em> publisher Betty Sullivan said. “It doesn’t really matter; it’s symbolic.”\u003c/p>\n\u003cp>Roland G. Schembari, a journalist who worked on KPFA’s \u003cem>Fruit Punch\u003c/em>, the nation’s first gay-themed radio show, started the paper with friend and respected journalist Randy Alfred. The two had big dreams for the newspaper, which was one of the first to focus exclusively on issues in the gay community. \u003c/p>\n\u003cp>“These guys decided they wanted lesbians involved, which is very forward-thinking because it recognizes that we need to put effort into that,” Sullivan said. “Otherwise, we just fall into segments.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But the first issue was fraught with problems — it had articles that said they continued on page 13, yet the paper was only 12 pages. It ended its run after three issues. Alfred, the paper’s first news editor, would later say that the publication was “ahead of its time and under budget.”\u003c/p>\n\u003cfigure id=\"attachment_13834889\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/1-SFVT-COVER-6.21.18-t-shirt-800x1197.jpg\" alt=\"Cover of SF Bay Times for June 21, 2018\" width=\"800\" height=\"1197\" class=\"size-medium wp-image-13834889\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-SFVT-COVER-6.21.18-t-shirt.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-SFVT-COVER-6.21.18-t-shirt-160x239.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-SFVT-COVER-6.21.18-t-shirt-768x1149.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-SFVT-COVER-6.21.18-t-shirt-240x359.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-SFVT-COVER-6.21.18-t-shirt-375x561.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/1-SFVT-COVER-6.21.18-t-shirt-520x778.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cover of SF Bay Times for June 21, 2018 \u003ccite>(Debra Walker/SF Bay Times)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Schembari and his friend Bill Hartman tried again the following year, starting a new four-page publication called \u003cem>Coming Up!\u003c/em>, which acted more as a gay-themed event calendar but still included some news coverage. It couldn’t have come at a better time, as 1979 was a huge year for gay issues, being the year of the National March on Washington for Lesbian and Gay Rights, which was then the largest ever political gathering in support of LGBTQ rights. It was also the year after Harvey Milk’s assassination and the White Night Riots.\u003c/p>\n\u003cp>In 1981, photographer Kim Corsaro became editor and publisher, and helped grow the paper to a circulation in the tens of thousands. That period was important, with the AIDS crisis wiping out much of the community and inspiring queer activism. Seven years after Corsaro became publisher, the newspaper changed its name back to the \u003cem>San Francisco Bay Times\u003c/em>.\u003c/p>\n\u003cp>The paper was at the center of controversy in 1992, after it ran a provactive graphic of then-San Francisco police chief Richard Hongisto, criticizing his handling of local protests over the Rodney King verdict. Hongisto reportedly ordered three officers take and destroy about 2,000 issues of the paper with the offending graphic. After some of the \u003ca href=\"http://articles.latimes.com/1992-05-16/news/mn-1980_1_police-chief\" rel=\"noopener\" target=\"_blank\">officers revealed Hongisto’s commands\u003c/a>, he was fired. He had been on the job for only 44 days.\u003c/p>\n\u003cp>Around a decade ago, the paper saw a change in leadership. Schembari \u003ca href=\"https://www.sfgate.com/news/article/Roland-Schembari-Co-Founder-of-S-F-Bay-Times-2773437.php\" rel=\"noopener\" target=\"_blank\">died in 2000 of cancer\u003c/a>, and Corsaro stepped down as publisher in 2011 because of some health and family issues, according to Sullivan. \u003c/p>\n\u003cp>“[Corsaro] held onto that position for 30 years. Being the publisher of a small gay-and-lesbian newspaper for three solid decades is pretty amazing,” Sullivan said. \u003c/p>\n\u003cp>Sullivan, a longtime journalist and founder of the influential LGBTQ listserve \u003ca href=\"http://www.bettyslist.com/\" rel=\"noopener\" target=\"_blank\">Betty’s List\u003c/a>, and Discovery Channel senior news correspondent Jennifer L. Viegas both took over the publisher roles at the \u003cem>Bay Times\u003c/em>. They focused expanding on their web presence and ensuring they stay an important voice in the community.\u003c/p>\n\u003cp>“I think we also want to make sure that we uphold our educational goal that we are providing information that people need to be in control of their own lives,” Sullivan said. \u003c/p>\n\u003cfigure id=\"attachment_13834831\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-800x450.jpg\" alt=\"SF Bay Times publisher Betty Sullivan (center), surrounded by LGBTQ leaders Gary Virginia and Donna Sachet\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13834831\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/5-Betty-Sullivan-with-Gary-Virginia-and-Donna-SachetCROPPED-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">\u003cem>San Francisco Bay Times\u003c/em> publisher Betty Sullivan (center), surrounded by LGBTQ leaders Gary Virginia and Donna Sachet. \u003ccite>(Courtesy of SF Bay Times)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sullivan and Viegas also work to ensure that the Times is a leading voice in the community. For example, in 2014, after then-San Francisco 49er Chris Culliver made offensive comments about the gay community at that year’s Super Bowl, \u003ca href=\"http://sfbaytimes.com/new-and-improved-chris-culliver/\" rel=\"noopener\" target=\"_blank\">he gave an exclusive interview \u003c/a>to the \u003cem>Bay Times\u003c/em> discussing how he had spent the following months learning about the LGTBQ community. \u003c/p>\n\u003cp>Last year, the paper set up the \u003ca href=\"http://sfbaytimes.com/castro-street-cam/\" rel=\"noopener\" target=\"_blank\">Castro Street Cam\u003c/a>, a webcam providing 24/7 live streaming views of the historic Castro Street in San Francisco. The cam provides a real look at the epicenter of culture, so people all over the world can see what it’s really like there. \u003c/p>\n\u003cp>“It is amazing to me how often people start dancing o\u003c!--more-->\u003c/p>\n\u003cp>n Castro Street,” Sullivan said. “I think it shows the happiness and joy of this community.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fihxfjr3g6g'\n title='//www.youtube.com/embed/fihxfjr3g6g'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Sullivan and staff are working on a few events to celebrate the paper’s 40th year of publication, such as a dance party cruise around the San Francisco Bay and a panel talk that will include original news editor Alfred. Dates and venues are still being determined.\u003c/p>\n\u003cp>As for the future of the paper, Sullivan says they plan to keep doing what they’re doing. They hope to keep publishing a physical newspaper, but continue to expand their growing online audience and social media presence. The one thing Sullivan says will never change is the paper’s mission to having gay men and women working side-by-side. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are bound and determine to carry the flag or torch for that stated purpose of bringing men and women together,” Sullivan said.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Celebrating Bobby Castro, Photographer of San Francisco's Punkest Moments",
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"content": "\u003cp>Bobby Castro, the photographer who documented San Francisco’s wilder side in the 1970s and ’80s, died Monday. He was 66. \u003c/p>\n\u003cp>Although mostly unrecognized outside of the Bay Area, Castro photographed national luminaries like the Rolling Stones, Billy Idol, Carol Channing and George Lucas. But Castro made his mark documenting the San Francisco punk scene from its very beginning. \u003c/p>\n\u003cp>“He was a real gentleman and didn’t let his ego get in the way of his eye,” fellow San Francisco punk photographer Ruby Ray said. “He was tirelessly dedicated to the punk scene for years without much credit.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=HWp79_YFODw\u003c/p>\n\u003cp>Castro was born and raised in San Francisco, and he experimented with art as a high school student, making collages for fun. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I didn’t even think of it as art when I was doing it back then,” Castro said during \u003ca href=\"http://www.blogtalkradio.com/girl-george/2015/05/31/bobby-castro-sf-rock-photographergirlgeo-radio-show-53115\" rel=\"noopener\" target=\"_blank\">an online radio show\u003c/a> in 2015. \u003c/p>\n\u003cp>In the 1970s, Castro began taking photos of San Francisco. He focused on the darker, sadder side of the city, like the then-crumbling amusement park at Ocean Beach, Playland at the Beach.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=G3q7pH96nfs\u003c/p>\n\u003cp>When punk came to San Francisco, Castro was there with his camera. He had taken pictures of bands before — most notably the Rolling Stones when they played Winterland in 1972. But the burgeoning punk scene inspired Castro, and he became a fixture at clubs like Mabuhay Gardens, Temple Beautiful and the Sound of Music. \u003c/p>\n\u003cp>https://www.youtube.com/watch?v=K3s5q-HMn8w\u003c/p>\n\u003cp>Castro also focused his camera on the women in the male-dominated scene, taking just as many photos of female-fronted bands as he did of the male ones. Notable San Francisco bands he shot include the Avengers, the Mutants and VKTMS. He was also a big supporter of San Francisco’s feminist punks Frightwig, documenting them through their decades-long career, which ended when drummer \u003ca href=\"https://www.kqed.org/arts/13186602/cecilia-kuhn-drummer-for-influential-feminist-punks-frightwig-dies-at-61\" rel=\"noopener\" target=\"_blank\">Cecelia Kuhn passed in 2017\u003c/a>. Frightwig guitarist Mia Simmans said that the band “owes him a huge debt.” \u003c/p>\n\u003cp>“[Castro] was a very dear and close friend. We refinished hardwood floors together for years, and I have eaten my lunch with him hundreds of times,” Simmans said. “He has documented my life mdash; every episode, every band, every kid.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=-eH-8jLigKo\u003c/p>\n\u003cp>In recent years, Castro’s been recognized for his work. A film he made featuring his photos of the Mabuhay Gardens was included in the \u003ca href=\"https://www.kqed.org/arts/10963517/in-the-beginning-ruby-ray-discusses-the-earliest-days-of-sf-punk\" rel=\"noopener\" target=\"_blank\">San Francisco Punk Renaissance celebration\u003c/a> in 2015 and later, he had a brick dedicated to him in the San Francisco Music Walk of Fame. \u003c/p>\n\u003cp>Friends of Castro’s said he died of a heart attack Monday morning. There’s been no announcements of any public memorials, but he can be remembered through all the work he posted online on his \u003ca href=\"https://www.youtube.com/channel/UCaq-IsgJZfAKvX9bAEyH4zQ\" rel=\"noopener\" target=\"_blank\">YouTube channel\u003c/a>. But take note: he’d probably prefer you to see his work in person and not on a computer.\u003c/p>\n\u003cp>“It’s not art. It’s not photography if it’s still on a screen,” Castro said in 2015. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=DprmUHYRAn8\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Bobby Castro, the photographer who documented San Francisco’s wilder side in the 1970s and ’80s, died Monday. He was 66. \u003c/p>\n\u003cp>Although mostly unrecognized outside of the Bay Area, Castro photographed national luminaries like the Rolling Stones, Billy Idol, Carol Channing and George Lucas. But Castro made his mark documenting the San Francisco punk scene from its very beginning. \u003c/p>\n\u003cp>“He was a real gentleman and didn’t let his ego get in the way of his eye,” fellow San Francisco punk photographer Ruby Ray said. “He was tirelessly dedicated to the punk scene for years without much credit.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/HWp79_YFODw'\n title='//www.youtube.com/embed/HWp79_YFODw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Castro was born and raised in San Francisco, and he experimented with art as a high school student, making collages for fun. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I didn’t even think of it as art when I was doing it back then,” Castro said during \u003ca href=\"http://www.blogtalkradio.com/girl-george/2015/05/31/bobby-castro-sf-rock-photographergirlgeo-radio-show-53115\" rel=\"noopener\" target=\"_blank\">an online radio show\u003c/a> in 2015. \u003c/p>\n\u003cp>In the 1970s, Castro began taking photos of San Francisco. He focused on the darker, sadder side of the city, like the then-crumbling amusement park at Ocean Beach, Playland at the Beach.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/G3q7pH96nfs'\n title='//www.youtube.com/embed/G3q7pH96nfs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>When punk came to San Francisco, Castro was there with his camera. He had taken pictures of bands before — most notably the Rolling Stones when they played Winterland in 1972. But the burgeoning punk scene inspired Castro, and he became a fixture at clubs like Mabuhay Gardens, Temple Beautiful and the Sound of Music. \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/K3s5q-HMn8w'\n title='//www.youtube.com/embed/K3s5q-HMn8w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Castro also focused his camera on the women in the male-dominated scene, taking just as many photos of female-fronted bands as he did of the male ones. Notable San Francisco bands he shot include the Avengers, the Mutants and VKTMS. He was also a big supporter of San Francisco’s feminist punks Frightwig, documenting them through their decades-long career, which ended when drummer \u003ca href=\"https://www.kqed.org/arts/13186602/cecilia-kuhn-drummer-for-influential-feminist-punks-frightwig-dies-at-61\" rel=\"noopener\" target=\"_blank\">Cecelia Kuhn passed in 2017\u003c/a>. Frightwig guitarist Mia Simmans said that the band “owes him a huge debt.” \u003c/p>\n\u003cp>“[Castro] was a very dear and close friend. We refinished hardwood floors together for years, and I have eaten my lunch with him hundreds of times,” Simmans said. “He has documented my life mdash; every episode, every band, every kid.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-eH-8jLigKo'\n title='//www.youtube.com/embed/-eH-8jLigKo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In recent years, Castro’s been recognized for his work. A film he made featuring his photos of the Mabuhay Gardens was included in the \u003ca href=\"https://www.kqed.org/arts/10963517/in-the-beginning-ruby-ray-discusses-the-earliest-days-of-sf-punk\" rel=\"noopener\" target=\"_blank\">San Francisco Punk Renaissance celebration\u003c/a> in 2015 and later, he had a brick dedicated to him in the San Francisco Music Walk of Fame. \u003c/p>\n\u003cp>Friends of Castro’s said he died of a heart attack Monday morning. There’s been no announcements of any public memorials, but he can be remembered through all the work he posted online on his \u003ca href=\"https://www.youtube.com/channel/UCaq-IsgJZfAKvX9bAEyH4zQ\" rel=\"noopener\" target=\"_blank\">YouTube channel\u003c/a>. But take note: he’d probably prefer you to see his work in person and not on a computer.\u003c/p>\n\u003cp>“It’s not art. It’s not photography if it’s still on a screen,” Castro said in 2015. \u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/DprmUHYRAn8'\n title='//www.youtube.com/embed/DprmUHYRAn8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Oakland-based art collective \u003ca href=\"https://www.rpscollective.org/\" rel=\"noopener\" target=\"_blank\">Rock Paper Scissors\u003c/a> announced this week that it is accepting applications for a new arts fund that honors the memory of an artist lost in the \u003ca href=\"https://www.kqed.org/arts/program/oakland-warehouse-memorial\" rel=\"noopener\" target=\"_blank\">Ghost Ship Fire\u003c/a>.\u003c/p>\n\u003cp>Through July 15, the collective is accepting applications to the Ara Jo Memorial Fund, named for its 29-year-old member \u003ca href=\"https://www.kqed.org/arts/12456882/ara-jo-a-multitalented-magnetic-personality-in-oaklands-art-scene\" rel=\"noopener\" target=\"_blank\">Ara Christina Jo,\u003c/a> who was one of 36 victims of the fire at an Oakland warehouse in December 2016. \u003c/p>\n\u003cp>The collective, in collaboration with Jo’s family, started the $25,000-fund this year to support “local, community-based artists and projects that benefit the East Bay.” The grants go up to $500, and the collective plans to award them in the summer and winter. This winter, it hopes to collaborate with the East Bay Alternative Book and Zine Festival (EBABZ) to target artists working in printed media.\u003c/p>\n\u003cp>“We hope to keep her collaborative energy and loving spirit alive by supporting projects that align with Ara’s life pursuits,” says grant manager Peter Pendergrass. \u003c/p>\n\u003cp>Jo was an artist and musician who came to Oakland in the mid-aughts from Los Angeles. She joined Rock Paper Scissors in 2009 and held a number of different jobs there, including gallery manager. Described as personifying “pure, unconditional love,” Jo had a knack for bringing people together, as seen in her work to help start Oakland First Fridays. She also provided much-needed encouragement to fellow artists trying to get projects off the ground.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“If you shared an idea with Ara, she would ask you all about it, brainstorm it with you, and co-imagine how amazing it would be,” Pendergrass told \u003ca href=\"https://www.kqed.org/arts/12456882/ara-jo-a-multitalented-magnetic-personality-in-oaklands-art-scene\" rel=\"noopener\" target=\"_blank\">KQED following Jo’s death in 2016\u003c/a>. “And in any way she could, she would support you in making it come to fruition.”\u003c/p>\n\u003cp>Pendergrass says that as of this week, he’s received just two applications, and if he receives 20 this first cycle, he’ll be thrilled. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For more information on the fund, visit \u003ca href=\"https://www.rpscollective.org/home/2018/6/1/ara-jo-memorial-fund\" rel=\"noopener\" target=\"_blank\">rpscollective.org\u003c/a>. Recipients will be announced July 31.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oakland-based art collective \u003ca href=\"https://www.rpscollective.org/\" rel=\"noopener\" target=\"_blank\">Rock Paper Scissors\u003c/a> announced this week that it is accepting applications for a new arts fund that honors the memory of an artist lost in the \u003ca href=\"https://www.kqed.org/arts/program/oakland-warehouse-memorial\" rel=\"noopener\" target=\"_blank\">Ghost Ship Fire\u003c/a>.\u003c/p>\n\u003cp>Through July 15, the collective is accepting applications to the Ara Jo Memorial Fund, named for its 29-year-old member \u003ca href=\"https://www.kqed.org/arts/12456882/ara-jo-a-multitalented-magnetic-personality-in-oaklands-art-scene\" rel=\"noopener\" target=\"_blank\">Ara Christina Jo,\u003c/a> who was one of 36 victims of the fire at an Oakland warehouse in December 2016. \u003c/p>\n\u003cp>The collective, in collaboration with Jo’s family, started the $25,000-fund this year to support “local, community-based artists and projects that benefit the East Bay.” The grants go up to $500, and the collective plans to award them in the summer and winter. This winter, it hopes to collaborate with the East Bay Alternative Book and Zine Festival (EBABZ) to target artists working in printed media.\u003c/p>\n\u003cp>“We hope to keep her collaborative energy and loving spirit alive by supporting projects that align with Ara’s life pursuits,” says grant manager Peter Pendergrass. \u003c/p>\n\u003cp>Jo was an artist and musician who came to Oakland in the mid-aughts from Los Angeles. She joined Rock Paper Scissors in 2009 and held a number of different jobs there, including gallery manager. Described as personifying “pure, unconditional love,” Jo had a knack for bringing people together, as seen in her work to help start Oakland First Fridays. She also provided much-needed encouragement to fellow artists trying to get projects off the ground.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“If you shared an idea with Ara, she would ask you all about it, brainstorm it with you, and co-imagine how amazing it would be,” Pendergrass told \u003ca href=\"https://www.kqed.org/arts/12456882/ara-jo-a-multitalented-magnetic-personality-in-oaklands-art-scene\" rel=\"noopener\" target=\"_blank\">KQED following Jo’s death in 2016\u003c/a>. “And in any way she could, she would support you in making it come to fruition.”\u003c/p>\n\u003cp>Pendergrass says that as of this week, he’s received just two applications, and if he receives 20 this first cycle, he’ll be thrilled. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For more information on the fund, visit \u003ca href=\"https://www.rpscollective.org/home/2018/6/1/ara-jo-memorial-fund\" rel=\"noopener\" target=\"_blank\">rpscollective.org\u003c/a>. Recipients will be announced July 31.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The African American Museum & Library at Oakland (AAMLO) \u003ca href=\"http://oaklandlibrary.org/news/2018/05/aamlo-awarded-recordings-risk-grant-digitize-black-panther-party-films\" target=\"_blank\" rel=\"noopener\">announced this week\u003c/a> that it won an almost-$20,000 grant to digitize and preserve donated archival footage of the Black Panther Party.\u003c/p>\n\u003cp>The museum and library received the collection of 98 films and four audiotapes in the early ’90s. The reels reportedly consist of unused footage from the documentary film collective \u003ca href=\"http://raisingofamerica.org/about-california-newsreel\" target=\"_blank\" rel=\"noopener\">California Newsreel\u003c/a>, and show the Black Panther Party and other protest movements from the late ’60s and ’70s. But the museum is not sure about what the 16-mm film footage contains, as its archivists haven’t been able to view it.\u003c/p>\n\u003cp>“We don’t even know what’s on the reels,” AAMLO archivist Sean Heyliger said Friday, adding that even the audio they have for the footage isn’t labeled correctly. “Right now we don’t know what goes with what.”\u003c/p>\n\u003cp>Heyliger says a man named Henry Williams donated the footage around 1992 and lost contact with the museum since.\u003c/p>\n\u003cp>Film footage has a limited lifespan—between 50 to 75 years before it begins to deteriorate, according to Heyliger—and though the Williams archival film is still in good condition, the library wants to keep it that way, especially when it could include unseen footage of Black Panther Party co-founder Huey Newton.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It’s important to fill in the gaps about the history of California and African Americans and the Black Power movement that started in California,” museum interim chief curator Susan Anderson told \u003ca href=\"https://hoodline.com/2018/05/african-american-museum-receives-grant-to-digitize-rare-protest-footage\" target=\"_blank\" rel=\"noopener\">Hoodline Wednesday\u003c/a>.\u003c/p>\n\u003cp>The footage also reportedly features recordings of Vietnam War protesters, as well as student protests at Oakland high schools following the police shooting of 16-year-old Melvin Black in 1979.\u003c/p>\n\u003cp>The grant AAMLO received was one of 16 “Recordings at Risk” grants awarded by the Council on Library and Information Resources (CLIR) this spring. The grant specifically for supporting “the preservation of rare and unique audio and audiovisual content.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>After digitizing the film, which AAMLO representatives estimate will take a year to complete, the museum will post the film online and make it accessible to the public. The footage will also be made available for licensing to filmmakers.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The African American Museum & Library at Oakland (AAMLO) \u003ca href=\"http://oaklandlibrary.org/news/2018/05/aamlo-awarded-recordings-risk-grant-digitize-black-panther-party-films\" target=\"_blank\" rel=\"noopener\">announced this week\u003c/a> that it won an almost-$20,000 grant to digitize and preserve donated archival footage of the Black Panther Party.\u003c/p>\n\u003cp>The museum and library received the collection of 98 films and four audiotapes in the early ’90s. The reels reportedly consist of unused footage from the documentary film collective \u003ca href=\"http://raisingofamerica.org/about-california-newsreel\" target=\"_blank\" rel=\"noopener\">California Newsreel\u003c/a>, and show the Black Panther Party and other protest movements from the late ’60s and ’70s. But the museum is not sure about what the 16-mm film footage contains, as its archivists haven’t been able to view it.\u003c/p>\n\u003cp>“We don’t even know what’s on the reels,” AAMLO archivist Sean Heyliger said Friday, adding that even the audio they have for the footage isn’t labeled correctly. “Right now we don’t know what goes with what.”\u003c/p>\n\u003cp>Heyliger says a man named Henry Williams donated the footage around 1992 and lost contact with the museum since.\u003c/p>\n\u003cp>Film footage has a limited lifespan—between 50 to 75 years before it begins to deteriorate, according to Heyliger—and though the Williams archival film is still in good condition, the library wants to keep it that way, especially when it could include unseen footage of Black Panther Party co-founder Huey Newton.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It’s important to fill in the gaps about the history of California and African Americans and the Black Power movement that started in California,” museum interim chief curator Susan Anderson told \u003ca href=\"https://hoodline.com/2018/05/african-american-museum-receives-grant-to-digitize-rare-protest-footage\" target=\"_blank\" rel=\"noopener\">Hoodline Wednesday\u003c/a>.\u003c/p>\n\u003cp>The footage also reportedly features recordings of Vietnam War protesters, as well as student protests at Oakland high schools following the police shooting of 16-year-old Melvin Black in 1979.\u003c/p>\n\u003cp>The grant AAMLO received was one of 16 “Recordings at Risk” grants awarded by the Council on Library and Information Resources (CLIR) this spring. The grant specifically for supporting “the preservation of rare and unique audio and audiovisual content.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>After digitizing the film, which AAMLO representatives estimate will take a year to complete, the museum will post the film online and make it accessible to the public. The footage will also be made available for licensing to filmmakers.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>San Francisco officials will unveil a new public art installation Thursday morning that celebrates the city’s sister relationship with Haifa, the third largest city in Israel. \u003c/p>\n\u003cp>The ceremony is scheduled for 11am on Pier 27, where the artwork will be revealed. The work celebrates a sister-city relationship that began in 1973, and expected attendees include San Francisco Mayor Mark Farrell and several officials from Haifa.\u003c/p>\n\u003cp>The work, titled “Point of View,” consists of two lighthouse-like structures, one installed along the waterfront in each city. The statues have periscopes that connect to cameras in the other structures, allowing users to see the other city thousands of miles away. \u003c/p>\n\u003cp>“In addition to the values of compassion and inclusion that we share, San Francisco and Haifa are now connected by this remarkable work of art that allows visitors to travel through space and experience the views for which each city is known,” Farrell said. \u003c/p>\n\u003cfigure id=\"attachment_13833911\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/POV-statue-Vert-800x1067.jpg\" alt='One half of \"Point Of View\" being installed in San Francisco.' width=\"800\" height=\"1067\" class=\"size-medium wp-image-13833911\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/POV-statue-Vert.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/POV-statue-Vert-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/POV-statue-Vert-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/POV-statue-Vert-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/POV-statue-Vert-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/POV-statue-Vert-520x694.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">One half of “Point Of View” being installed in San Francisco. \u003ccite>(Courtesy of the San Francisco Arts Commission)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The installation is dedicated to the memory of San Francisco Mayor Ed Lee, who died unexpectedly late last year. He championed the sister city relationship, believing it “would foster greater knowledge of and understanding between our two communities,” according to Kate Patterson, director of communications for the San Francisco Arts Commission.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The unveiling ceremony comes at a time of renewed conflict between Israelis and Palestinians. An estimated 121 Palestinians have been killed since March 30, according \u003ca href=\"https://www.aljazeera.com/news/2018/05/israeli-army-projectiles-fired-israel-gaza-180529051139606.html\" rel=\"noopener\" target=\"_blank\">to Al Jazeera\u003c/a>. On Wednesday, Hamas and other Palestinian militant groups announced they would agree to a \u003ca href=\"https://www.cnn.com/2018/05/30/middleeast/hamas-ceasefire-gaza-israel-intl/index.html\" rel=\"noopener\" target=\"_blank\">ceasefire with Israel\u003c/a>. \u003c/p>\n\u003cp>City officials say the project is trying to bring communities together. \u003c/p>\n\u003cp>“We hope the public will understand that this is a project between two great cities that share many things in common in terms of shared progressive values, topography and embrace of cultural and racial diversity,” Patterson said. \u003c/p>\n\u003cp>Israeli “experience designer” Saron Paz conceived “Point Of View,” and Bay Area artist Matthew Passmore designed it. Passmore has installed several works in San Francisco, including a gigantic, \u003ca href=\"http://morelab.com/portfolio/gigantry/\" rel=\"noopener\" target=\"_blank\">interactive play structure\u003c/a> in Hunters Point and a \u003ca href=\"http://morelab.com/portfolio/burrows-street-pocket-park/\" rel=\"noopener\" target=\"_blank\">pocket park on Burrows St. \u003c/a>in the Portola Neighborhood.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Point Of View” is a temporary structure, with a teardown date of May 31, 2019.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco officials will unveil a new public art installation Thursday morning that celebrates the city’s sister relationship with Haifa, the third largest city in Israel. \u003c/p>\n\u003cp>The ceremony is scheduled for 11am on Pier 27, where the artwork will be revealed. The work celebrates a sister-city relationship that began in 1973, and expected attendees include San Francisco Mayor Mark Farrell and several officials from Haifa.\u003c/p>\n\u003cp>The work, titled “Point of View,” consists of two lighthouse-like structures, one installed along the waterfront in each city. The statues have periscopes that connect to cameras in the other structures, allowing users to see the other city thousands of miles away. \u003c/p>\n\u003cp>“In addition to the values of compassion and inclusion that we share, San Francisco and Haifa are now connected by this remarkable work of art that allows visitors to travel through space and experience the views for which each city is known,” Farrell said. \u003c/p>\n\u003cfigure id=\"attachment_13833911\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/POV-statue-Vert-800x1067.jpg\" alt='One half of \"Point Of View\" being installed in San Francisco.' width=\"800\" height=\"1067\" class=\"size-medium wp-image-13833911\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/POV-statue-Vert.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/POV-statue-Vert-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/POV-statue-Vert-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/POV-statue-Vert-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/POV-statue-Vert-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/POV-statue-Vert-520x694.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">One half of “Point Of View” being installed in San Francisco. \u003ccite>(Courtesy of the San Francisco Arts Commission)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The installation is dedicated to the memory of San Francisco Mayor Ed Lee, who died unexpectedly late last year. He championed the sister city relationship, believing it “would foster greater knowledge of and understanding between our two communities,” according to Kate Patterson, director of communications for the San Francisco Arts Commission.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The unveiling ceremony comes at a time of renewed conflict between Israelis and Palestinians. An estimated 121 Palestinians have been killed since March 30, according \u003ca href=\"https://www.aljazeera.com/news/2018/05/israeli-army-projectiles-fired-israel-gaza-180529051139606.html\" rel=\"noopener\" target=\"_blank\">to Al Jazeera\u003c/a>. On Wednesday, Hamas and other Palestinian militant groups announced they would agree to a \u003ca href=\"https://www.cnn.com/2018/05/30/middleeast/hamas-ceasefire-gaza-israel-intl/index.html\" rel=\"noopener\" target=\"_blank\">ceasefire with Israel\u003c/a>. \u003c/p>\n\u003cp>City officials say the project is trying to bring communities together. \u003c/p>\n\u003cp>“We hope the public will understand that this is a project between two great cities that share many things in common in terms of shared progressive values, topography and embrace of cultural and racial diversity,” Patterson said. \u003c/p>\n\u003cp>Israeli “experience designer” Saron Paz conceived “Point Of View,” and Bay Area artist Matthew Passmore designed it. Passmore has installed several works in San Francisco, including a gigantic, \u003ca href=\"http://morelab.com/portfolio/gigantry/\" rel=\"noopener\" target=\"_blank\">interactive play structure\u003c/a> in Hunters Point and a \u003ca href=\"http://morelab.com/portfolio/burrows-street-pocket-park/\" rel=\"noopener\" target=\"_blank\">pocket park on Burrows St. \u003c/a>in the Portola Neighborhood.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Point Of View” is a temporary structure, with a teardown date of May 31, 2019.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>UPDATE:\u003c/b> Stone Brewing, the San Diego brewery that produces NOFX’s “Punk in Drublic” beer and the music festival of the same name, announced Wednesday that it was severing ties with the band. In a statement to \u003ca href=\"https://theblast.com/nofx-stone-sponsor-cuts-ties-las-vegas-shooting/\" rel=\"noopener\" target=\"_blank\">the Blast\u003c/a>, a company representative wrote:\u003c/p>\n\u003cblockquote>\u003cp>We at Stone Brewing are aware of NOFX’s insensitive and indefensible statements this past weekend. As a result, we are severing all our ties with NOFX, including festival sponsorship and the production of our collaboration beer.\u003c/p>\u003c/blockquote>\n\u003cp>\u003cb>Original Story:\u003c/b>\u003c/p>\n\u003cp>“Fat” Mike Burkett, frontman for San Francisco punk band NOFX and co-founder of Fat Wreck Chords, is at the center of growing internet firestorm after he made a joke about the Las Vegas massacre during a concert Sunday.\u003c/p>\n\u003cp>After finishing a song during NOFX’s headlining set at the Punk Rock Bowling & Music festival in downtown Las Vegas, Burkett bantered about being shot for playing a song about Muslims. That lead into an offensive riff about country bands being shot while playing in Las Vegas — a reference to the shooting at the Route 91 Harvest Music Festival in October of last year that killed 58 people, the deadliest mass shooting in U.S. history.\u003c/p>\n\u003cp>“I mean that sucked, but at least they were country fans and not punk rock fans,” Burkett said. After the audience recoiled, he added, “Did I offend somebody? I can’t f**king believe it.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"//cdnapisec.kaltura.com/p/591531/sp/59153100/embedIframeJs/uiconf_id/6740162/partner_id/591531?iframeembed=true&playerId=kaltura-player-9999999999-20911395868828064&entry_id=0_tffakjt0\" width=\"800\" height=\"450\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>A video of the exchange has since been shared by \u003ca href=\"http://www.tmz.com/2018/05/30/nofx-vegas-massacre-country-fans-punk-joke/\" rel=\"noopener\" target=\"_blank\">TMZ\u003c/a> and \u003ca href=\"https://www.spin.com/2018/05/nofx-shooting-country-fans-punk-fans-vegas/\" rel=\"noopener\" target=\"_blank\">other outlets\u003c/a>, as well as by conservative pundits like Laura Loomer.\u003c/p>\n\u003cp>“NOFX thought it would be ‘hilarious’ to joke about the October 1 shootings while on stage in Las Vegas,” representatives from the Dave and Mahoney Morning Show, a Las Vegas radio program, \u003ca href=\"https://www.facebook.com/DaveAndMahoney/videos/1812106465479253/\" rel=\"noopener\" target=\"_blank\">posted on Facebook\u003c/a>. “This is disgusting and callous. We will never support anything involving this band ever again.”\u003c/p>\n\u003cp>Fans of NOFX, meanwhile, have long known that being offensive is part of Burkett’s brand. No issue is off-limits for the band, be it \u003ca href=\"https://www.youtube.com/watch?v=ji_AZqgdMrg\" rel=\"noopener\" target=\"_blank\">racism\u003c/a> or even bestiality (adults can search for the cover of NOFX’s \u003ci>Heavy Petting Zoo\u003c/i> for an example). \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I’m scared of \u003cem>not\u003c/em> offending anyone, that would be terrible,” Fat Mike said on the \u003ca href=\"https://noisey.vice.com/en_uk/article/rq4de5/this-interview-with-fat-mike-is-ridiculous-even-by-fat-mike-standards\" rel=\"noopener\" target=\"_blank\">\u003ci>Going Off Track\u003c/i> podcast\u003c/a> in 2014. “Punk rock’s supposed to be offensive and make them think about stuff differently.” \u003c/p>\n\n",
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"excerpt": "NOFX's Fat Mike was widely criticized after he made an offensive comment about the Las Vegas massacre while playing there Sunday.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>UPDATE:\u003c/b> Stone Brewing, the San Diego brewery that produces NOFX’s “Punk in Drublic” beer and the music festival of the same name, announced Wednesday that it was severing ties with the band. In a statement to \u003ca href=\"https://theblast.com/nofx-stone-sponsor-cuts-ties-las-vegas-shooting/\" rel=\"noopener\" target=\"_blank\">the Blast\u003c/a>, a company representative wrote:\u003c/p>\n\u003cblockquote>\u003cp>We at Stone Brewing are aware of NOFX’s insensitive and indefensible statements this past weekend. As a result, we are severing all our ties with NOFX, including festival sponsorship and the production of our collaboration beer.\u003c/p>\u003c/blockquote>\n\u003cp>\u003cb>Original Story:\u003c/b>\u003c/p>\n\u003cp>“Fat” Mike Burkett, frontman for San Francisco punk band NOFX and co-founder of Fat Wreck Chords, is at the center of growing internet firestorm after he made a joke about the Las Vegas massacre during a concert Sunday.\u003c/p>\n\u003cp>After finishing a song during NOFX’s headlining set at the Punk Rock Bowling & Music festival in downtown Las Vegas, Burkett bantered about being shot for playing a song about Muslims. That lead into an offensive riff about country bands being shot while playing in Las Vegas — a reference to the shooting at the Route 91 Harvest Music Festival in October of last year that killed 58 people, the deadliest mass shooting in U.S. history.\u003c/p>\n\u003cp>“I mean that sucked, but at least they were country fans and not punk rock fans,” Burkett said. After the audience recoiled, he added, “Did I offend somebody? I can’t f**king believe it.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"//cdnapisec.kaltura.com/p/591531/sp/59153100/embedIframeJs/uiconf_id/6740162/partner_id/591531?iframeembed=true&playerId=kaltura-player-9999999999-20911395868828064&entry_id=0_tffakjt0\" width=\"800\" height=\"450\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>A video of the exchange has since been shared by \u003ca href=\"http://www.tmz.com/2018/05/30/nofx-vegas-massacre-country-fans-punk-joke/\" rel=\"noopener\" target=\"_blank\">TMZ\u003c/a> and \u003ca href=\"https://www.spin.com/2018/05/nofx-shooting-country-fans-punk-fans-vegas/\" rel=\"noopener\" target=\"_blank\">other outlets\u003c/a>, as well as by conservative pundits like Laura Loomer.\u003c/p>\n\u003cp>“NOFX thought it would be ‘hilarious’ to joke about the October 1 shootings while on stage in Las Vegas,” representatives from the Dave and Mahoney Morning Show, a Las Vegas radio program, \u003ca href=\"https://www.facebook.com/DaveAndMahoney/videos/1812106465479253/\" rel=\"noopener\" target=\"_blank\">posted on Facebook\u003c/a>. “This is disgusting and callous. We will never support anything involving this band ever again.”\u003c/p>\n\u003cp>Fans of NOFX, meanwhile, have long known that being offensive is part of Burkett’s brand. No issue is off-limits for the band, be it \u003ca href=\"https://www.youtube.com/watch?v=ji_AZqgdMrg\" rel=\"noopener\" target=\"_blank\">racism\u003c/a> or even bestiality (adults can search for the cover of NOFX’s \u003ci>Heavy Petting Zoo\u003c/i> for an example). \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I’m scared of \u003cem>not\u003c/em> offending anyone, that would be terrible,” Fat Mike said on the \u003ca href=\"https://noisey.vice.com/en_uk/article/rq4de5/this-interview-with-fat-mike-is-ridiculous-even-by-fat-mike-standards\" rel=\"noopener\" target=\"_blank\">\u003ci>Going Off Track\u003c/i> podcast\u003c/a> in 2014. “Punk rock’s supposed to be offensive and make them think about stuff differently.” \u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "rene-yanez-revered-chicano-artist-and-gallery-founder-dies",
"title": "René Yañez, Revered Chicano Artist and Gallery Founder, Dies",
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"content": "\u003cp>René Yañez, the Chicano artist who helped introduce the United States to Día de Los Muertos and the work of Frida Kahlo, died Tuesday morning from cancer. He was 75.\u003c/p>\n\u003cp>Yañez’s son Rio announced his father’s death on Facebook, saying the influential artist passed “surrounded by people who loved him.” Diagnosed with both prostate and bone cancer seven months before, the revered artist had been hospitalized for the past two weeks.\u003c/p>\n\u003cp>“Throughout the past two weeks my Dad’s spirit has defied every expectation of his mortality to talk, laugh, joke, and sing with us,” \u003ca href=\"https://www.facebook.com/rioyanez/posts/10156920238627573\" rel=\"noopener\" target=\"_blank\">Rio wrote\u003c/a>. “Once my Dad entered the hospital he was never alone, there was always a friend by his side.”\u003c/p>\n\u003cp>Described as “\u003ca href=\"https://www.sfgate.com/art/article/Rene-Ya-ez-an-elder-of-the-Bay-Area-Chicano-12733588.php\" rel=\"noopener\" target=\"_blank\">an elder of the Bay Area Chicano arts movement\u003c/a>,” Yañez spent most of his career in San Francisco, tirelessly promoting the work of Latinx artists and Chicano culture. An accomplished artist himself, his greatest work may have been his impact on the community. \u003c/p>\n\u003cp>“He was instrumental in reconnecting [Chicanos] to the traditions we hold dear, and making them more visible in the United States,” Galería de la Raza’s executive director Ani Rivera said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Yañez came to the United States from Mexico when he was 12 and moved to San Francisco in the ’60s, after being drafted during the Vietnam War. There, he attended several schools, including California College of the Arts and the San Francisco Art Institute.\u003c/p>\n\u003cp>In 1970, he and several other artists co-founded Galería de la Raza, a cultural institution in San Francisco’s Mission District. As the space’s first artistic director, he established the gallery as a premier venue for Chicano art, but also as a home for burgeoning artists. The gallery became a hub for the community, providing services for the neighborhood like youth programs and public murals, which Yañez helped mount.\u003c/p>\n\u003cp>“There was no separation between René and the gallery,” Rivera said.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=OGBHORYEF_8\u003c/p>\n\u003cp>Yañez made history in 1972 when he and his colleague Ralph Maradiaga brought the Mexican tradition of Día de Los Muertos, or Day of the Dead, to San Francisco. It began with an altar in front of the Galería de la Raza, later expanding to exhibits at the Yerba Buena Center for the Arts. The exhibitions became an annual event, helping establish the holiday as an important cultural celebration in the Mission District. \u003c/p>\n\u003cp>“I came to realize that everything that happens in this country is hybrid. It’s not totally pure,” Yañez later said \u003ca href=\"https://journals.openedition.org/lisa/2858\" rel=\"noopener\" target=\"_blank\">about his gallery’s impact\u003c/a>. “In fact we are creating the culture here.”\u003c/p>\n\u003cp>Later, after the San Francisco Museum of Modern Art (SFMOMA) reportedly declined his idea for a retrospective of Frida Kahlo’s works, Yañez hosted it at Galería de la Raza instead. It was one of the first comprehensive exhibits of Kahlo’s art in the United States, bringing her out of the shadow of husband Diego Rivera to be recognized as a talented artist in her own right.\u003c/p>\n\u003cp>In 2001, with the help of comedian Cheech Marin and his vast collection of Chicano art, Yañez curated \u003ci>Chicano Visions: American Painters on the Verge.\u003c/i> Described as “perhaps the most \u003ca href=\"http://cheechmarin.com/chicano-visions/\" rel=\"noopener\" target=\"_blank\">complete exhibition of Chicano art\u003c/a>,” the exhibit toured the United States for five years, reaching as far as Florida and Minnesota.\u003c/p>\n\u003cp>All the while Yañez promoted the work of others, he made his own art, both physical and performance-based. He started the Chicano comedy group \u003ca href=\"https://library.csun.edu/SCA/Peek-in-the-Stacks/culture-clash\" rel=\"noopener\" target=\"_blank\">Culture Clash\u003c/a> in 1984 and later, with his son Rio, they formed The Great Tortilla Conspiracy, which combined food-based art with humor. \u003c/p>\n\u003cp>https://www.youtube.com/watch?v=sWKFbtSTZkw\u003c/p>\n\u003cp>The community gave back to Yañez in the years before his death. In 2013, he and his family \u003ca href=\"https://www.kqed.org/news/135170/in-san-franciscos-mission-district-evicted-artists-hold-garage-sale-to-pay-for-move\" rel=\"noopener\" target=\"_blank\">faced eviction\u003c/a> from the building they had lived in since 1978. But two years later, the San Francisco Community Land Trust and the Mission Economic Development Agency bought the building, thereby allowing Yañez’s family to stay put. \u003c/p>\n\u003cp>This year, after learning he had just months to live, Yañez and friends curated one last show — a retrospective of his work. The exhibit, \u003ci>\u003ca href=\"https://www.sfgate.com/art/article/Rene-Ya-ez-an-elder-of-the-Bay-Area-Chicano-12733588.php\" rel=\"noopener\" target=\"_blank\">Into The Fade\u003c/a>\u003c/i> at the Luggage Store Gallery, showcased decades of work, from street art and abstract drawings to tortillas and virtual reality pieces. \u003c/p>\n\u003cp>When asked what he wanted to be remembered for before the opening of his show, the thoughtful, gentle Yañez did not mention his art, or his impact on the art world.\u003c/p>\n\u003cp>“I want to be remembered for how lucky I am to have such good friends,” Yañez told \u003ca href=\"http://eltecolote.org/content/en/features/rene-yanez-reflects-on-five-decades-of-being-an-artist-in-the-mission/\" rel=\"noopener\" target=\"_blank\">\u003cem>El Tecolote\u003c/em>\u003c/a>.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>At press time, a public memorial for Yañez has not been announced. We will update this story when we learn new details.\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13833788\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Rene-Yanez-2-800x450.jpg\" alt=\"René Yañez in 2017\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13833788\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Rene-Yanez-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Rene-Yanez-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Rene-Yanez-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Rene-Yanez-2.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Rene-Yanez-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Rene-Yanez-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Rene-Yanez-2-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">René Yañez in 2017 \u003ccite>(Rio Yañez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>René Yañez, the Chicano artist who helped introduce the United States to Día de Los Muertos and the work of Frida Kahlo, died Tuesday morning from cancer. He was 75.\u003c/p>\n\u003cp>Yañez’s son Rio announced his father’s death on Facebook, saying the influential artist passed “surrounded by people who loved him.” Diagnosed with both prostate and bone cancer seven months before, the revered artist had been hospitalized for the past two weeks.\u003c/p>\n\u003cp>“Throughout the past two weeks my Dad’s spirit has defied every expectation of his mortality to talk, laugh, joke, and sing with us,” \u003ca href=\"https://www.facebook.com/rioyanez/posts/10156920238627573\" rel=\"noopener\" target=\"_blank\">Rio wrote\u003c/a>. “Once my Dad entered the hospital he was never alone, there was always a friend by his side.”\u003c/p>\n\u003cp>Described as “\u003ca href=\"https://www.sfgate.com/art/article/Rene-Ya-ez-an-elder-of-the-Bay-Area-Chicano-12733588.php\" rel=\"noopener\" target=\"_blank\">an elder of the Bay Area Chicano arts movement\u003c/a>,” Yañez spent most of his career in San Francisco, tirelessly promoting the work of Latinx artists and Chicano culture. An accomplished artist himself, his greatest work may have been his impact on the community. \u003c/p>\n\u003cp>“He was instrumental in reconnecting [Chicanos] to the traditions we hold dear, and making them more visible in the United States,” Galería de la Raza’s executive director Ani Rivera said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Yañez came to the United States from Mexico when he was 12 and moved to San Francisco in the ’60s, after being drafted during the Vietnam War. There, he attended several schools, including California College of the Arts and the San Francisco Art Institute.\u003c/p>\n\u003cp>In 1970, he and several other artists co-founded Galería de la Raza, a cultural institution in San Francisco’s Mission District. As the space’s first artistic director, he established the gallery as a premier venue for Chicano art, but also as a home for burgeoning artists. The gallery became a hub for the community, providing services for the neighborhood like youth programs and public murals, which Yañez helped mount.\u003c/p>\n\u003cp>“There was no separation between René and the gallery,” Rivera said.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/OGBHORYEF_8'\n title='//www.youtube.com/embed/OGBHORYEF_8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Yañez made history in 1972 when he and his colleague Ralph Maradiaga brought the Mexican tradition of Día de Los Muertos, or Day of the Dead, to San Francisco. It began with an altar in front of the Galería de la Raza, later expanding to exhibits at the Yerba Buena Center for the Arts. The exhibitions became an annual event, helping establish the holiday as an important cultural celebration in the Mission District. \u003c/p>\n\u003cp>“I came to realize that everything that happens in this country is hybrid. It’s not totally pure,” Yañez later said \u003ca href=\"https://journals.openedition.org/lisa/2858\" rel=\"noopener\" target=\"_blank\">about his gallery’s impact\u003c/a>. “In fact we are creating the culture here.”\u003c/p>\n\u003cp>Later, after the San Francisco Museum of Modern Art (SFMOMA) reportedly declined his idea for a retrospective of Frida Kahlo’s works, Yañez hosted it at Galería de la Raza instead. It was one of the first comprehensive exhibits of Kahlo’s art in the United States, bringing her out of the shadow of husband Diego Rivera to be recognized as a talented artist in her own right.\u003c/p>\n\u003cp>In 2001, with the help of comedian Cheech Marin and his vast collection of Chicano art, Yañez curated \u003ci>Chicano Visions: American Painters on the Verge.\u003c/i> Described as “perhaps the most \u003ca href=\"http://cheechmarin.com/chicano-visions/\" rel=\"noopener\" target=\"_blank\">complete exhibition of Chicano art\u003c/a>,” the exhibit toured the United States for five years, reaching as far as Florida and Minnesota.\u003c/p>\n\u003cp>All the while Yañez promoted the work of others, he made his own art, both physical and performance-based. He started the Chicano comedy group \u003ca href=\"https://library.csun.edu/SCA/Peek-in-the-Stacks/culture-clash\" rel=\"noopener\" target=\"_blank\">Culture Clash\u003c/a> in 1984 and later, with his son Rio, they formed The Great Tortilla Conspiracy, which combined food-based art with humor. \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sWKFbtSTZkw'\n title='//www.youtube.com/embed/sWKFbtSTZkw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The community gave back to Yañez in the years before his death. In 2013, he and his family \u003ca href=\"https://www.kqed.org/news/135170/in-san-franciscos-mission-district-evicted-artists-hold-garage-sale-to-pay-for-move\" rel=\"noopener\" target=\"_blank\">faced eviction\u003c/a> from the building they had lived in since 1978. But two years later, the San Francisco Community Land Trust and the Mission Economic Development Agency bought the building, thereby allowing Yañez’s family to stay put. \u003c/p>\n\u003cp>This year, after learning he had just months to live, Yañez and friends curated one last show — a retrospective of his work. The exhibit, \u003ci>\u003ca href=\"https://www.sfgate.com/art/article/Rene-Ya-ez-an-elder-of-the-Bay-Area-Chicano-12733588.php\" rel=\"noopener\" target=\"_blank\">Into The Fade\u003c/a>\u003c/i> at the Luggage Store Gallery, showcased decades of work, from street art and abstract drawings to tortillas and virtual reality pieces. \u003c/p>\n\u003cp>When asked what he wanted to be remembered for before the opening of his show, the thoughtful, gentle Yañez did not mention his art, or his impact on the art world.\u003c/p>\n\u003cp>“I want to be remembered for how lucky I am to have such good friends,” Yañez told \u003ca href=\"http://eltecolote.org/content/en/features/rene-yanez-reflects-on-five-decades-of-being-an-artist-in-the-mission/\" rel=\"noopener\" target=\"_blank\">\u003cem>El Tecolote\u003c/em>\u003c/a>.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>At press time, a public memorial for Yañez has not been announced. We will update this story when we learn new details.\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13833788\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Rene-Yanez-2-800x450.jpg\" alt=\"René Yañez in 2017\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13833788\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Rene-Yanez-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Rene-Yanez-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Rene-Yanez-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Rene-Yanez-2.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Rene-Yanez-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Rene-Yanez-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Rene-Yanez-2-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">René Yañez in 2017 \u003ccite>(Rio Yañez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>ABC canceled its hit reboot of \u003cem>Roseanne\u003c/em> on Tuesday following star Roseanne Barr’s racist tweet that referred to former Obama adviser Valerie Jarrett as a product of the Muslim Brotherhood and the \u003cem>Planet of the Apes\u003c/em>.\u003c/p>\n\u003cp>ABC Entertainment President Channing Dungey said the comment “is abhorrent, repugnant and inconsistent with our values.” Barr had apologized and deleted her Monday-night tweet, calling it a “bad joke,” but the damage had already been done.\u003c/p>\n\u003cp>The revival of the comedy was a surprise smash for ABC, owned by the Walt Disney Co., and was counted on to lead the network’s fortunes next season. Its first new episode in March was seen by more than 25 million people, with delayed viewing counted in, numbers that are increasingly rare in network television.\u003c/p>\n\u003cp>It was particularly popular among many conservative viewers because Barr’s character expressed support for President Donald Trump.\u003c/p>\n\u003cp>The Jarrett comment was one of a series of political tweets made by Barr. She criticized Democratic financier George Soros and tweeted that Chelsea Clinton was “Chelsea Soros Clinton,” implying she was married to a nephew of Soros. Clinton herself corrected Barr online, and Donald Trump Jr. retweeted two of Barr’s statements about Soros, although not the remark about Jarrett.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Jarrett, who is black, was brought up in response to Twitter commentary that raised her name in relation to an Obama conspiracy theory. Barr tweeted: “muslim brotherhood & planet of the apes had a baby=vj.”\u003c/p>\n\u003cp>She later apologized “for making a bad joke” and announced she was \u003ca href=\"https://twitter.com/therealroseanne/status/1001470384556752898\" rel=\"noopener\" target=\"_blank\">leaving Twitter.\u003c/a>\u003c/p>\n\u003cp>https://twitter.com/therealroseanne/status/1001471669641216005\u003c/p>\n\u003cp>Dungey’s statement canceling the show came after Wanda Sykes, consulting producer for “Roseanne,” tweeted that she was leaving. Sara Gilbert, a co-star, also tweeted that the remark was abhorrent.\u003c/p>\n\u003cp>https://twitter.com/iamwandasykes/status/1001494592649342979\u003c/p>\n\u003cp>Following the news of the show’s cancellation, Barr’s agents, ICM Partners, announced they had dropped her as a client. In a statement Tuesday, ICM Partners said that Barr’s tweet was “disgraceful,” “unacceptable,” and “antithetical to our core values,” and that its relationship with Barr ended “effective immediately.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>The Associated Press also contributed to this report.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>ABC canceled its hit reboot of \u003cem>Roseanne\u003c/em> on Tuesday following star Roseanne Barr’s racist tweet that referred to former Obama adviser Valerie Jarrett as a product of the Muslim Brotherhood and the \u003cem>Planet of the Apes\u003c/em>.\u003c/p>\n\u003cp>ABC Entertainment President Channing Dungey said the comment “is abhorrent, repugnant and inconsistent with our values.” Barr had apologized and deleted her Monday-night tweet, calling it a “bad joke,” but the damage had already been done.\u003c/p>\n\u003cp>The revival of the comedy was a surprise smash for ABC, owned by the Walt Disney Co., and was counted on to lead the network’s fortunes next season. Its first new episode in March was seen by more than 25 million people, with delayed viewing counted in, numbers that are increasingly rare in network television.\u003c/p>\n\u003cp>It was particularly popular among many conservative viewers because Barr’s character expressed support for President Donald Trump.\u003c/p>\n\u003cp>The Jarrett comment was one of a series of political tweets made by Barr. She criticized Democratic financier George Soros and tweeted that Chelsea Clinton was “Chelsea Soros Clinton,” implying she was married to a nephew of Soros. Clinton herself corrected Barr online, and Donald Trump Jr. retweeted two of Barr’s statements about Soros, although not the remark about Jarrett.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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},
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
},
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},
"link": "https://www.cityarts.net",
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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}
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"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"id": "fresh-air",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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