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"content": "\u003cfigure id=\"attachment_7508\" class=\"wp-caption alignleft\" style=\"max-width: 150px\">\u003cimg class=\"size-thumbnail wp-image-7508\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/06/sasha-150x150.jpg\" alt=\"Sasha Khokha\" width=\"150\" height=\"150\">\u003cfigcaption class=\"wp-caption-text\">Sasha Khokha\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>SAN FRANCISCO, March 30, 2016\u003c/strong> -- KQED Public Radio 88.5 FM announced today that Sasha Khokha has been named host of the statewide public radio magazine program \u003cem>The California Report. \u003c/em>She begins her hosting duties on April 8.\u003c/p>\n\u003cp>“Sasha is a native Californian with a deep understanding of the people and issues throughout the Golden State,” said Executive Editor of KQED News Holly Kernan. “She’s a passionate journalist who has a unique ability to combine hard-hitting reporting with human storytelling. She has a fresh perspective and creative approach that’s right in line with the direction we hope to take the weekend program.”\u003c/p>\n\u003cp>“\u003cem>The California Report\u003c/em> is the only public radio show that brings a statewide perspective to this huge, diverse place,” said Khokha. “It allows listeners on the freeway in San Diego or brushing their teeth in San Francisco to hear stories from Fresno, Mendocino and Sacramento. It brings us the stories of real people, the intimacy of their voices, and helps knit together our diverse state.”\u003c/p>\n\u003cp>After joining KQED in 2004, Sasha rose to Central Valley Bureau Chief for \u003cem>The California Report.\u003c/em> In that role she covered a vast geographic beat, including the nation’s most productive farm belt, some of California’s poorest towns, and Yosemite and Sequoia/Kings Canyon National Parks. She reported on environmental justice issues, including air and water pollution, as well as bringing the lives and concerns of rural Californians to listeners across the state.\u003c/p>\n\u003cp>Sasha’s reporting has helped expose the hidden price that immigrant women janitors and farmworkers may pay to keep their jobs: sexual assault at work. Her “Rape in the Fields” radio series, produced in collaboration with the Center for Investigative Reporting and UC Berkeley’s Investigative Reporting Program, helped change California law with regard to sexual harassment training for farm supervisors. Her work has also won a national PRNDI award for investigative reporting, as well as multiple prizes from the Radio Television News Directors Association and the Society for Professional Journalists.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Sasha began her radio career in waterproof overalls filing stories about the salmon fishery at Raven Radio in Sitka, Alaska. She has produced and reported for several documentary films. \u003cem>Hunger in the Valley of Plenty\u003c/em>, exposing farmworkers’ lack of access to fresh produce for their families, won a Northern California Emmy. \u003cem>Calcutta Calling\u003c/em>, about children adopted from India to Swedish-Lutheran Minnesota, was nominated for a national Emmy Award.\u003c/p>\n\u003cp>Born in a multicultural household -- her father is from India, her mother Irish-American -- Sasha grew up in Los Angeles, spent more than a decade in the Bay Area, and moved to the Central Valley 11 years ago to head up the Fresno Bureau for \u003cem>The California Report\u003c/em>. She’s fluent in Spanish. Hello - whats\u003c/p>\n\u003cp>Sasha is a graduate of the UC Berkeley Graduate School of Journalism and Brown University, and the mother of two young children.\u003c/p>\n\u003cp>\u003cstrong>About \u003cem>The California Report\u003cbr>\n\u003c/em>\u003c/strong>Distributed by satellite from the KQED Public Radio studios in San Francisco, \u003cem>The California Report \u003c/em>provides daily coverage of issues, trends and public policy decisions affecting California and its diverse population. It is carried by more than 30 public radio stations from Arcata to San Diego. Many local station reporters are regular contributors to the program. The daily morning edition of\u003cem> The California Report\u003c/em>, a nine-minute program, airs on KQED 88.5 FM Monday through Friday at 5:50 a.m., 6:50 a.m. and 8:50 a.m. The Friday afternoon edition, a half-hour magazine, airs on KQED 88.5 FM at 4:30 p.m., 6:30 p.m. and 11p.m., and provides in-depth analysis, sound-rich radio excursions and commentaries from voices around the state. Subscribe to \u003cem>The California Report\u003c/em> podcast on iTunes. For more information, check out californiareport.org.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003cbr>\n\u003c/strong>KQED serves the people of Northern California with a public-supported alternative to commercial media. Home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program, and as a leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas. As other news organizations have shrunk, KQED has expanded its efforts to cover the issues and events that are important to the Bay Area. As the most trusted source of news in the Bay Area, KQED is a multiplatform operation with offices and bureaus in San Francisco, San Jose, Sacramento, Fresno and Los Angeles. Stories from all KQED news programs are featured online at KQED.org/news.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_7508\" class=\"wp-caption alignleft\" style=\"max-width: 150px\">\u003cimg class=\"size-thumbnail wp-image-7508\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/06/sasha-150x150.jpg\" alt=\"Sasha Khokha\" width=\"150\" height=\"150\">\u003cfigcaption class=\"wp-caption-text\">Sasha Khokha\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>SAN FRANCISCO, March 30, 2016\u003c/strong> -- KQED Public Radio 88.5 FM announced today that Sasha Khokha has been named host of the statewide public radio magazine program \u003cem>The California Report. \u003c/em>She begins her hosting duties on April 8.\u003c/p>\n\u003cp>“Sasha is a native Californian with a deep understanding of the people and issues throughout the Golden State,” said Executive Editor of KQED News Holly Kernan. “She’s a passionate journalist who has a unique ability to combine hard-hitting reporting with human storytelling. She has a fresh perspective and creative approach that’s right in line with the direction we hope to take the weekend program.”\u003c/p>\n\u003cp>“\u003cem>The California Report\u003c/em> is the only public radio show that brings a statewide perspective to this huge, diverse place,” said Khokha. “It allows listeners on the freeway in San Diego or brushing their teeth in San Francisco to hear stories from Fresno, Mendocino and Sacramento. It brings us the stories of real people, the intimacy of their voices, and helps knit together our diverse state.”\u003c/p>\n\u003cp>After joining KQED in 2004, Sasha rose to Central Valley Bureau Chief for \u003cem>The California Report.\u003c/em> In that role she covered a vast geographic beat, including the nation’s most productive farm belt, some of California’s poorest towns, and Yosemite and Sequoia/Kings Canyon National Parks. She reported on environmental justice issues, including air and water pollution, as well as bringing the lives and concerns of rural Californians to listeners across the state.\u003c/p>\n\u003cp>Sasha’s reporting has helped expose the hidden price that immigrant women janitors and farmworkers may pay to keep their jobs: sexual assault at work. Her “Rape in the Fields” radio series, produced in collaboration with the Center for Investigative Reporting and UC Berkeley’s Investigative Reporting Program, helped change California law with regard to sexual harassment training for farm supervisors. Her work has also won a national PRNDI award for investigative reporting, as well as multiple prizes from the Radio Television News Directors Association and the Society for Professional Journalists.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sasha began her radio career in waterproof overalls filing stories about the salmon fishery at Raven Radio in Sitka, Alaska. She has produced and reported for several documentary films. \u003cem>Hunger in the Valley of Plenty\u003c/em>, exposing farmworkers’ lack of access to fresh produce for their families, won a Northern California Emmy. \u003cem>Calcutta Calling\u003c/em>, about children adopted from India to Swedish-Lutheran Minnesota, was nominated for a national Emmy Award.\u003c/p>\n\u003cp>Born in a multicultural household -- her father is from India, her mother Irish-American -- Sasha grew up in Los Angeles, spent more than a decade in the Bay Area, and moved to the Central Valley 11 years ago to head up the Fresno Bureau for \u003cem>The California Report\u003c/em>. She’s fluent in Spanish. Hello - whats\u003c/p>\n\u003cp>Sasha is a graduate of the UC Berkeley Graduate School of Journalism and Brown University, and the mother of two young children.\u003c/p>\n\u003cp>\u003cstrong>About \u003cem>The California Report\u003cbr>\n\u003c/em>\u003c/strong>Distributed by satellite from the KQED Public Radio studios in San Francisco, \u003cem>The California Report \u003c/em>provides daily coverage of issues, trends and public policy decisions affecting California and its diverse population. It is carried by more than 30 public radio stations from Arcata to San Diego. Many local station reporters are regular contributors to the program. The daily morning edition of\u003cem> The California Report\u003c/em>, a nine-minute program, airs on KQED 88.5 FM Monday through Friday at 5:50 a.m., 6:50 a.m. and 8:50 a.m. The Friday afternoon edition, a half-hour magazine, airs on KQED 88.5 FM at 4:30 p.m., 6:30 p.m. and 11p.m., and provides in-depth analysis, sound-rich radio excursions and commentaries from voices around the state. Subscribe to \u003cem>The California Report\u003c/em> podcast on iTunes. For more information, check out californiareport.org.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003cbr>\n\u003c/strong>KQED serves the people of Northern California with a public-supported alternative to commercial media. Home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program, and as a leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas. As other news organizations have shrunk, KQED has expanded its efforts to cover the issues and events that are important to the Bay Area. As the most trusted source of news in the Bay Area, KQED is a multiplatform operation with offices and bureaus in San Francisco, San Jose, Sacramento, Fresno and Los Angeles. Stories from all KQED news programs are featured online at KQED.org/news.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "American Masters Presents Exclusive U.S. Broadcast Premiere of 'Janis: Little Girl Blue,' May 3 on KQED 9",
"title": "American Masters Presents Exclusive U.S. Broadcast Premiere of 'Janis: Little Girl Blue,' May 3 on KQED 9",
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"content": "\u003ch2>\u003cem>Never-before-seen extended cut features new interviews with Alecia Moore (a.k.a. Pink), Juliette Lewis, Melissa Etheridge, Laura Joplin and Narrator Chan Marshall (a.k.a. Cat Power)\u003c/em>\u003c/h2>\n\u003cfigure id=\"attachment_8337\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg class=\"size-medium wp-image-8337\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/Janis_LGB_Still3-300x207.jpg\" alt=\"UNSPECIFIED - CIRCA 1970: Photo of Janis Joplin Photo by Michael Ochs Archives/Getty Images\" width=\"300\" height=\"207\">\u003cfigcaption class=\"wp-caption-text\">UNSPECIFIED - CIRCA 1970: Photo of Janis Joplin Photo by Michael Ochs Archives/Getty Images\u003c/figcaption>\u003c/figure>\n\u003cp>One of the most revered and influential rock ’n’ roll singers of all time, Janis Joplin (January 19, 1943 – October 4, 1970) thrilled audiences and blazed new creative trails before her death at age 27. Oscar-nominated director Amy Berg (\u003cem>Deliver Us From Evil\u003c/em>, \u003cem>West of Memphis\u003c/em>, \u003cem>Prophet’s Prey\u003c/em>) examines Joplin’s story in depth, for the first time on film, presenting an intimate portrait of a complicated and driven artist.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>American Masters – Janis: Little Girl Blue\u003c/em>\u003c/strong> \u003cu>premieres Tuesday, May 3, 8-10 p.m. on KQED 9\u003c/u> as part of the 30\u003csup>th\u003c/sup> anniversary season of THIRTEEN’s \u003ca href=\"http://pbs.org/americanmasters\">\u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong>\u003c/a> series. The broadcast features a never-before-seen extended film cut with additional archival performance footage and new interviews with Joplin’s sister Laura Joplin and musicians influenced by Janis: Alecia Moore (a.k.a. Pink), Juliette Lewis, Melissa Etheridge and the film’s narrator, Chan Marshall, who is best known as indie rock star Cat Power. In tribute, she performs “A Woman Left Lonely” from Joplin’s final studio album \u003cem>Pearl\u003c/em>, released posthumously on January 11, 1971. This year marks the album’s 45\u003csup>th\u003c/sup> anniversary.\u003c/p>\n\u003cp>Original interviews with Joplin’s siblings Laura and Michael, friends, lovers and fellow musicians, including Big Brother and the Holding Company bandmates Peter Albin, Sam Andrew and Dave Getz, Bob Weir (Grateful Dead), Country Joe McDonald (Country Joe and the Fish), Kris Kristofferson, Dick Cavett and Clive Davis, give a complete sense of someone haunted by insecurity and a need for acceptance throughout her life, despite her on-stage bravado and uninhibited, sexualized persona.\u003c/p>\n\u003cp>Exploring her childhood, struggles with addiction, active role in the musical and cultural revolution of the 1960s, surprising rise to stardom and untimely demise, Joplin’s own words tell much of her story through a series of letters she wrote to her parents – many of them made public for the first time – and read by Marshall.\u003c/p>\n\u003cp>“The only way to tell Janis’ story was through Janis’ voice. Her letters show the vulnerable artist, daughter and lover Janis was in her short but impactful life,” said writer, director and producer Amy Berg.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Other previously unseen material Berg discovered during the seven years she spent working on \u003cstrong>\u003cem>Janis: Little Girl Blue\u003c/em>\u003c/strong> includes new audio and video of Joplin in concert and in the studio (some shot by legendary filmmaker D.A. Pennebaker), as well as rare footage from Joplin’s emotional return to her hometown, Port Arthur, Texas, for her 10\u003csup>th\u003c/sup> high school reunion.\u003c/p>\n\u003cp>“We were fortunately able to unearth footage of Janis that gives another glimpse into the joy Janis felt when she was playing music and performing,” said Berg.\u003c/p>\n\u003cp>“I’m thrilled that Janis Joplin is taking her rightful place in the series alongside other music icons of the era like Jimi Hendrix and The Doors,” said Michael Kantor, executive producer of \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong>. “I hope viewers enjoy Amy’s extended cut, made exclusively for our broadcast.”\u003c/p>\n\u003cp>Launched in 1986, \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> has earned 28 Emmy Awards — including 10 for Outstanding Non-Fiction Series and five for Outstanding Non-Fiction Special — 12 Peabodys, an Oscar, three Grammys, two Producers Guild Awards and many other honors. The series’ 30\u003csup>th\u003c/sup> anniversary season on PBS continues Friday, May 27 at 9 p.m. (check local listings) with \u003cstrong>\u003cem>The Highwaymen: Friends Till the End\u003c/em>\u003c/strong>. To further explore the lives and works of masters past and present, the \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> website (\u003ca href=\"http://www.pbs.org/americanmasters\">http://pbs.org/americanmasters\u003c/a>) offers streaming video of select films, outtakes, filmmaker interviews, photos, educational resources and more. The series is a production of \u003ca href=\"http://www.thirteen.org/\">THIRTEEN\u003c/a> PRODUCTIONS LLC for \u003ca href=\"http://www.wnet.org/\">WNET\u003c/a>and also seen on the WORLD channel.\u003c/p>\n\u003cp>The documentary’s official album companion, \u003cem>Janis: Little Girl Blue (Original Motion Picture Soundtrack)\u003c/em>, is available digitally and on CD via Columbia/Legacy Recordings. The DVD and Blu-ray will be available May 4 via FilmRise.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>American Masters – Janis: Little Girl Blue\u003c/em>\u003c/strong> is a production of Disarming Films, Jigsaw Productions and THIRTEEN PRODUCTIONS LLC’s \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> in association with Sony Music Entertainment and Union Entertainment Group. Amy Berg is writer, director and producer. Chan Marshall is narrator. Alex Gibney, Jeff Jampol and Katherine LeBlond are producers. Billy McMillin, Garrett Price and Joe Beshenkovsky are editors, with music by Joel Shearer. Francesco Carrozzini, Paula Huidobro and Jenna Rosher are cinematographers. Noah C. Haeussner, Michael Kantor, Susan Lacy, Stacey Offman and Michael Raimondi are executive producers.\u003c/p>\n\u003cp>Funding for \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> is provided by The Corporation for Public Broadcasting, Rosalind P. Walter, The Blanche & Irving Laurie Foundation, Rolf and Elizabeth Rosenthal, Rhoda Herrick, The André and Elizabeth Kertész Foundation, Jack Rudin, Michael & Helen Schaffer Foundation, Vital Projects Fund, and public television viewers. Additional funding for \u003cstrong>\u003cem>Janis: Little Girl Blue\u003c/em>\u003c/strong> is provided by Ellen and James S. Marcus, Lenore Hecht Foundation, and Judith and Burton Resnick.\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED PUBLIC TELEVISION:\u003cbr>\n\u003ca href=\"http://www.kqed.org/tv\">KQED Public Television\u003c/a>\u003c/strong>, the PBS affiliate that serves Northern California, is one of the country’s most popular public television stations. It brings the values of public media to homes around the Bay Area with Emmy Award–winning programming that inspires, informs and entertains, including \u003cem>Masterpiece Classic: Downton Abbey\u003c/em>, \u003cem>Masterpiece Mystery: Sherlock\u003c/em>, \u003cem>American Experience,\u003c/em> \u003cem>American Masters\u003c/em>, \u003cem>Great Performances\u003c/em>, \u003cem>POV\u003c/em>, \u003cem>Independent Lens\u003c/em>, \u003cem>NOVA\u003c/em> and \u003cem>Nature\u003c/em>. KQED produces local series like \u003cem>Check, Please! Bay Area\u003c/em>, \u003cem>KQED NEWSROOM\u003c/em>, \u003cem>San Francisco Opera\u003c/em>, \u003cem>Truly CA\u003c/em> and \u003cem>ImageMakers\u003c/em>, as well as popular programs for national broadcast such as \u003cem>Film School Shorts\u003c/em>, \u003cem>Essential Pépin\u003c/em> and \u003cem>QUEST\u003c/em>. KQED also distributes programming to public media stations across the country including \u003cem>The Cat in the Hat Knows a Lot About That!\u003c/em>, \u003cem>Roadtrip Nation\u003c/em> and \u003cem>Joanne Weir’s Gets Fresh\u003c/em>. For more information, please visit \u003ca href=\"http://www.kqed.org/tv\">kqed.org/tv\u003c/a>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>ABOUT WNET\u003cbr>\n\u003c/strong>As New York’s flagship public media provider and the parent company of \u003ca href=\"http://thirteen.org/\">THIRTEEN\u003c/a> and \u003ca href=\"http://wliw.org/\">WLIW21\u003c/a> and operator of \u003ca href=\"http://www.njtvonline.org/\">NJTV\u003c/a>, WNET brings quality arts, education and public affairs programming to more than 5 million viewers each week. WNET produces and presents such acclaimed PBS series as \u003ca href=\"http://www.pbs.org/wnet/nature\">Nature\u003c/a>, \u003ca href=\"http://www.pbs.org/wnet/gperf\">Great Performances\u003c/a>, \u003ca href=\"http://www.pbs.org/wnet/americanmasters\">American Masters\u003c/a>, \u003ca href=\"http://www.pbs.org/newshour/\">PBS NewsHour Weekend\u003c/a>, \u003ca href=\"http://www.charlierose.com/\">Charlie Rose\u003c/a> and a range of documentaries, children’s programs, and local news and cultural offerings available on air and online. Pioneers in educational programming, WNET has created such groundbreaking series as \u003ca href=\"http://www.thirteen.org/get-the-math\">Get the Math\u003c/a>, \u003ca href=\"http://www.pbskids.org/noah\">Oh Noah!\u003c/a> and \u003ca href=\"http://www.pbskids.org/cyberchase\">Cyberchase\u003c/a> and provides tools for educators that bring compelling content to life in the classroom and at home. WNET highlights the tri-state’s unique culture and diverse communities through \u003ca href=\"http://www.nyc-arts.org/\">NYC-ARTS\u003c/a>, \u003ca href=\"http://www.thirteen.org/sites/reel13\">Reel 13\u003c/a>, \u003ca href=\"http://www.njtvonline.org/news/\">NJTV News with Mary Alice Williams\u003c/a>and \u003ca href=\"http://www.thirteen.org/metrofocus\">MetroFocus\u003c/a>, the multi-platform news magazine focusing on the New York region. WNET is also a leader in connecting with viewers on emerging platforms, including the \u003ca href=\"http://www.thirteen.org/explore/\">THIRTEEN Explore App\u003c/a> where users can stream PBS content for free.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ch2>\u003cem>Never-before-seen extended cut features new interviews with Alecia Moore (a.k.a. Pink), Juliette Lewis, Melissa Etheridge, Laura Joplin and Narrator Chan Marshall (a.k.a. Cat Power)\u003c/em>\u003c/h2>\n\u003cfigure id=\"attachment_8337\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg class=\"size-medium wp-image-8337\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/Janis_LGB_Still3-300x207.jpg\" alt=\"UNSPECIFIED - CIRCA 1970: Photo of Janis Joplin Photo by Michael Ochs Archives/Getty Images\" width=\"300\" height=\"207\">\u003cfigcaption class=\"wp-caption-text\">UNSPECIFIED - CIRCA 1970: Photo of Janis Joplin Photo by Michael Ochs Archives/Getty Images\u003c/figcaption>\u003c/figure>\n\u003cp>One of the most revered and influential rock ’n’ roll singers of all time, Janis Joplin (January 19, 1943 – October 4, 1970) thrilled audiences and blazed new creative trails before her death at age 27. Oscar-nominated director Amy Berg (\u003cem>Deliver Us From Evil\u003c/em>, \u003cem>West of Memphis\u003c/em>, \u003cem>Prophet’s Prey\u003c/em>) examines Joplin’s story in depth, for the first time on film, presenting an intimate portrait of a complicated and driven artist.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>American Masters – Janis: Little Girl Blue\u003c/em>\u003c/strong> \u003cu>premieres Tuesday, May 3, 8-10 p.m. on KQED 9\u003c/u> as part of the 30\u003csup>th\u003c/sup> anniversary season of THIRTEEN’s \u003ca href=\"http://pbs.org/americanmasters\">\u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong>\u003c/a> series. The broadcast features a never-before-seen extended film cut with additional archival performance footage and new interviews with Joplin’s sister Laura Joplin and musicians influenced by Janis: Alecia Moore (a.k.a. Pink), Juliette Lewis, Melissa Etheridge and the film’s narrator, Chan Marshall, who is best known as indie rock star Cat Power. In tribute, she performs “A Woman Left Lonely” from Joplin’s final studio album \u003cem>Pearl\u003c/em>, released posthumously on January 11, 1971. This year marks the album’s 45\u003csup>th\u003c/sup> anniversary.\u003c/p>\n\u003cp>Original interviews with Joplin’s siblings Laura and Michael, friends, lovers and fellow musicians, including Big Brother and the Holding Company bandmates Peter Albin, Sam Andrew and Dave Getz, Bob Weir (Grateful Dead), Country Joe McDonald (Country Joe and the Fish), Kris Kristofferson, Dick Cavett and Clive Davis, give a complete sense of someone haunted by insecurity and a need for acceptance throughout her life, despite her on-stage bravado and uninhibited, sexualized persona.\u003c/p>\n\u003cp>Exploring her childhood, struggles with addiction, active role in the musical and cultural revolution of the 1960s, surprising rise to stardom and untimely demise, Joplin’s own words tell much of her story through a series of letters she wrote to her parents – many of them made public for the first time – and read by Marshall.\u003c/p>\n\u003cp>“The only way to tell Janis’ story was through Janis’ voice. Her letters show the vulnerable artist, daughter and lover Janis was in her short but impactful life,” said writer, director and producer Amy Berg.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Other previously unseen material Berg discovered during the seven years she spent working on \u003cstrong>\u003cem>Janis: Little Girl Blue\u003c/em>\u003c/strong> includes new audio and video of Joplin in concert and in the studio (some shot by legendary filmmaker D.A. Pennebaker), as well as rare footage from Joplin’s emotional return to her hometown, Port Arthur, Texas, for her 10\u003csup>th\u003c/sup> high school reunion.\u003c/p>\n\u003cp>“We were fortunately able to unearth footage of Janis that gives another glimpse into the joy Janis felt when she was playing music and performing,” said Berg.\u003c/p>\n\u003cp>“I’m thrilled that Janis Joplin is taking her rightful place in the series alongside other music icons of the era like Jimi Hendrix and The Doors,” said Michael Kantor, executive producer of \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong>. “I hope viewers enjoy Amy’s extended cut, made exclusively for our broadcast.”\u003c/p>\n\u003cp>Launched in 1986, \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> has earned 28 Emmy Awards — including 10 for Outstanding Non-Fiction Series and five for Outstanding Non-Fiction Special — 12 Peabodys, an Oscar, three Grammys, two Producers Guild Awards and many other honors. The series’ 30\u003csup>th\u003c/sup> anniversary season on PBS continues Friday, May 27 at 9 p.m. (check local listings) with \u003cstrong>\u003cem>The Highwaymen: Friends Till the End\u003c/em>\u003c/strong>. To further explore the lives and works of masters past and present, the \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> website (\u003ca href=\"http://www.pbs.org/americanmasters\">http://pbs.org/americanmasters\u003c/a>) offers streaming video of select films, outtakes, filmmaker interviews, photos, educational resources and more. The series is a production of \u003ca href=\"http://www.thirteen.org/\">THIRTEEN\u003c/a> PRODUCTIONS LLC for \u003ca href=\"http://www.wnet.org/\">WNET\u003c/a>and also seen on the WORLD channel.\u003c/p>\n\u003cp>The documentary’s official album companion, \u003cem>Janis: Little Girl Blue (Original Motion Picture Soundtrack)\u003c/em>, is available digitally and on CD via Columbia/Legacy Recordings. The DVD and Blu-ray will be available May 4 via FilmRise.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>American Masters – Janis: Little Girl Blue\u003c/em>\u003c/strong> is a production of Disarming Films, Jigsaw Productions and THIRTEEN PRODUCTIONS LLC’s \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> in association with Sony Music Entertainment and Union Entertainment Group. Amy Berg is writer, director and producer. Chan Marshall is narrator. Alex Gibney, Jeff Jampol and Katherine LeBlond are producers. Billy McMillin, Garrett Price and Joe Beshenkovsky are editors, with music by Joel Shearer. Francesco Carrozzini, Paula Huidobro and Jenna Rosher are cinematographers. Noah C. Haeussner, Michael Kantor, Susan Lacy, Stacey Offman and Michael Raimondi are executive producers.\u003c/p>\n\u003cp>Funding for \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> is provided by The Corporation for Public Broadcasting, Rosalind P. Walter, The Blanche & Irving Laurie Foundation, Rolf and Elizabeth Rosenthal, Rhoda Herrick, The André and Elizabeth Kertész Foundation, Jack Rudin, Michael & Helen Schaffer Foundation, Vital Projects Fund, and public television viewers. Additional funding for \u003cstrong>\u003cem>Janis: Little Girl Blue\u003c/em>\u003c/strong> is provided by Ellen and James S. Marcus, Lenore Hecht Foundation, and Judith and Burton Resnick.\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED PUBLIC TELEVISION:\u003cbr>\n\u003ca href=\"http://www.kqed.org/tv\">KQED Public Television\u003c/a>\u003c/strong>, the PBS affiliate that serves Northern California, is one of the country’s most popular public television stations. It brings the values of public media to homes around the Bay Area with Emmy Award–winning programming that inspires, informs and entertains, including \u003cem>Masterpiece Classic: Downton Abbey\u003c/em>, \u003cem>Masterpiece Mystery: Sherlock\u003c/em>, \u003cem>American Experience,\u003c/em> \u003cem>American Masters\u003c/em>, \u003cem>Great Performances\u003c/em>, \u003cem>POV\u003c/em>, \u003cem>Independent Lens\u003c/em>, \u003cem>NOVA\u003c/em> and \u003cem>Nature\u003c/em>. KQED produces local series like \u003cem>Check, Please! Bay Area\u003c/em>, \u003cem>KQED NEWSROOM\u003c/em>, \u003cem>San Francisco Opera\u003c/em>, \u003cem>Truly CA\u003c/em> and \u003cem>ImageMakers\u003c/em>, as well as popular programs for national broadcast such as \u003cem>Film School Shorts\u003c/em>, \u003cem>Essential Pépin\u003c/em> and \u003cem>QUEST\u003c/em>. KQED also distributes programming to public media stations across the country including \u003cem>The Cat in the Hat Knows a Lot About That!\u003c/em>, \u003cem>Roadtrip Nation\u003c/em> and \u003cem>Joanne Weir’s Gets Fresh\u003c/em>. For more information, please visit \u003ca href=\"http://www.kqed.org/tv\">kqed.org/tv\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>ABOUT WNET\u003cbr>\n\u003c/strong>As New York’s flagship public media provider and the parent company of \u003ca href=\"http://thirteen.org/\">THIRTEEN\u003c/a> and \u003ca href=\"http://wliw.org/\">WLIW21\u003c/a> and operator of \u003ca href=\"http://www.njtvonline.org/\">NJTV\u003c/a>, WNET brings quality arts, education and public affairs programming to more than 5 million viewers each week. WNET produces and presents such acclaimed PBS series as \u003ca href=\"http://www.pbs.org/wnet/nature\">Nature\u003c/a>, \u003ca href=\"http://www.pbs.org/wnet/gperf\">Great Performances\u003c/a>, \u003ca href=\"http://www.pbs.org/wnet/americanmasters\">American Masters\u003c/a>, \u003ca href=\"http://www.pbs.org/newshour/\">PBS NewsHour Weekend\u003c/a>, \u003ca href=\"http://www.charlierose.com/\">Charlie Rose\u003c/a> and a range of documentaries, children’s programs, and local news and cultural offerings available on air and online. Pioneers in educational programming, WNET has created such groundbreaking series as \u003ca href=\"http://www.thirteen.org/get-the-math\">Get the Math\u003c/a>, \u003ca href=\"http://www.pbskids.org/noah\">Oh Noah!\u003c/a> and \u003ca href=\"http://www.pbskids.org/cyberchase\">Cyberchase\u003c/a> and provides tools for educators that bring compelling content to life in the classroom and at home. WNET highlights the tri-state’s unique culture and diverse communities through \u003ca href=\"http://www.nyc-arts.org/\">NYC-ARTS\u003c/a>, \u003ca href=\"http://www.thirteen.org/sites/reel13\">Reel 13\u003c/a>, \u003ca href=\"http://www.njtvonline.org/news/\">NJTV News with Mary Alice Williams\u003c/a>and \u003ca href=\"http://www.thirteen.org/metrofocus\">MetroFocus\u003c/a>, the multi-platform news magazine focusing on the New York region. WNET is also a leader in connecting with viewers on emerging platforms, including the \u003ca href=\"http://www.thirteen.org/explore/\">THIRTEEN Explore App\u003c/a> where users can stream PBS content for free.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Brian Watt to Anchor KQED Morning News",
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"content": "\u003cfigure id=\"attachment_8305\" class=\"wp-caption alignleft\" style=\"max-width: 160px\">\u003cimg class=\"wp-image-8305 size-full\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/brian.watt_.jpg\" alt=\"Bill Youngblood for KPCC\" width=\"160\" height=\"239\">\u003cfigcaption class=\"wp-caption-text\">Brian Watt \u003cem>Photo Credit: Bill Youngblood for KPCC\u003c/em>\u003c/figcaption>\u003c/figure>\n\u003cp>KQED Public Radio 88.5 FM announced today that Brian Watt will host the station’s local news during its flagship program Morning Edition. His first day on air will be April 11, 2016.\u003c/p>\n\u003cp>Brian has been a reporter with Southern California Public Radio (SCPR), in Los Angeles, for nine years. Most recently he covered the working and entrepreneurship beat. Before joining SCPR, he worked as a producer for the Marketplace Morning Report. Brian’s work has won several awards from the Los Angeles Press Club, the Radio Television News Association of Southern California and Public Radio News Directors Incorporated.\u003c/p>\n\u003cp>“Brian’s passion for public service, great voice and depth of experience are exactly what we were looking for in a news anchor,” said Holly Kernan, KQED executive editor for news. “He’ll be a terrific addition to a very talented team, and we look forward to having Brian guide us through the local news landscape each morning.”\u003c/p>\n\u003cp>\"KQED is a gold standard in local public broadcasting, so I'm honored, thrilled and humbled to get this opportunity,” said Watt. \"This is the work that I've always wanted to do, in a place where I've always wanted to live. I'm very proud of my accomplishments as a reporter, but my ultimate goal in public radio has always been to host or anchor, to tell listeners things they need to know and bring them stories that they want to hear.”\u003c/p>\n\u003cp>Prior to dedicating himself full-time to journalism, Brian gained deep experience in the arts and politics. In 1998, he earned a masters in theater from the Sorbonne Theater Studies Institute in Paris. As an actor, he appeared on TV shows including The West Wing and The District and performed in France, Italy, Poland and Brazil, and even filmed a movie in Budapest, Hungary. After graduating from Yale in 1990, Brian served as a personal assistant to U.S. Senator Harris Wofford before becoming campaign manager for his father Mel Watt’s successful congressional campaign.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Watt has deep ties to the Bay Area, “I am lucky to have married a woman from San Francisco, whom I met two decades ago in Paris. After years of making numerous visits, we're bringing our four-year-old son to live closer to his grandparents and a huge Bay Area family.”\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/\">KQED\u003c/a> serves the people of Northern California with a public-supported alternative to commercial media. Home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program, and as a leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As other news organizations have shrunk, KQED has expanded its efforts to cover the issues and events that are important to the Bay Area. As the most trusted source of news in the Bay Area, KQED is a multiplatform operation with offices and bureaus in San Francisco, San Jose, Sacramento, Fresno and Los Angeles. Stories from all KQED news programs are featured online at \u003ca href=\"http://www.kqed.org/news/\">KQEDnews.org\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_8305\" class=\"wp-caption alignleft\" style=\"max-width: 160px\">\u003cimg class=\"wp-image-8305 size-full\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/brian.watt_.jpg\" alt=\"Bill Youngblood for KPCC\" width=\"160\" height=\"239\">\u003cfigcaption class=\"wp-caption-text\">Brian Watt \u003cem>Photo Credit: Bill Youngblood for KPCC\u003c/em>\u003c/figcaption>\u003c/figure>\n\u003cp>KQED Public Radio 88.5 FM announced today that Brian Watt will host the station’s local news during its flagship program Morning Edition. His first day on air will be April 11, 2016.\u003c/p>\n\u003cp>Brian has been a reporter with Southern California Public Radio (SCPR), in Los Angeles, for nine years. Most recently he covered the working and entrepreneurship beat. Before joining SCPR, he worked as a producer for the Marketplace Morning Report. Brian’s work has won several awards from the Los Angeles Press Club, the Radio Television News Association of Southern California and Public Radio News Directors Incorporated.\u003c/p>\n\u003cp>“Brian’s passion for public service, great voice and depth of experience are exactly what we were looking for in a news anchor,” said Holly Kernan, KQED executive editor for news. “He’ll be a terrific addition to a very talented team, and we look forward to having Brian guide us through the local news landscape each morning.”\u003c/p>\n\u003cp>\"KQED is a gold standard in local public broadcasting, so I'm honored, thrilled and humbled to get this opportunity,” said Watt. \"This is the work that I've always wanted to do, in a place where I've always wanted to live. I'm very proud of my accomplishments as a reporter, but my ultimate goal in public radio has always been to host or anchor, to tell listeners things they need to know and bring them stories that they want to hear.”\u003c/p>\n\u003cp>Prior to dedicating himself full-time to journalism, Brian gained deep experience in the arts and politics. In 1998, he earned a masters in theater from the Sorbonne Theater Studies Institute in Paris. As an actor, he appeared on TV shows including The West Wing and The District and performed in France, Italy, Poland and Brazil, and even filmed a movie in Budapest, Hungary. After graduating from Yale in 1990, Brian served as a personal assistant to U.S. Senator Harris Wofford before becoming campaign manager for his father Mel Watt’s successful congressional campaign.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Watt has deep ties to the Bay Area, “I am lucky to have married a woman from San Francisco, whom I met two decades ago in Paris. After years of making numerous visits, we're bringing our four-year-old son to live closer to his grandparents and a huge Bay Area family.”\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/\">KQED\u003c/a> serves the people of Northern California with a public-supported alternative to commercial media. Home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program, and as a leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As other news organizations have shrunk, KQED has expanded its efforts to cover the issues and events that are important to the Bay Area. As the most trusted source of news in the Bay Area, KQED is a multiplatform operation with offices and bureaus in San Francisco, San Jose, Sacramento, Fresno and Los Angeles. Stories from all KQED news programs are featured online at \u003ca href=\"http://www.kqed.org/news/\">KQEDnews.org\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "'Check, Please! Bay Area' Returns for 11th Season",
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"content": "\u003cp>\u003cstrong>Ten new episodes premiere Thursday, April 14, at 7:30pm on KQED 9.\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_8293\" class=\"wp-caption alignleft\" style=\"max-width: 150px\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/Timleft.jpg\">\u003cimg class=\"wp-image-8293 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/Timleft-150x150.jpg\" alt=\"Check, Please! Cheers (Photo: Wendy Goodfriend)\" width=\"150\" height=\"150\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Check, Please! Cheers (Photo: Wendy Goodfriend)\u003c/figcaption>\u003c/figure>\n\u003cp>SAN FRANCISCO – March 14, 2016 – \u003cstrong>\u003ca href=\"http://www.kqed.org/\">KQED\u003c/a>\u003c/strong>’s James Beard and Emmy Award-winning program \u003cem>\u003cstrong>\u003ca href=\"http://www.kqed.org/checkplease\">Check, Please! Bay Area\u003c/a>\u003c/strong>\u003c/em>\u003cem> is back. The 11\u003csup>th\u003c/sup> season premieres on \u003cstrong>Thursday, April 14, 2016, at 7:30pm on KQED \u003c/strong>9. \u003c/em>New guests celebrate their favorite Bay Area restaurants and Leslie Sbrocco\u003cem> (\u003c/em>thirstygirl\u003cem>, \u003c/em>\u003cem>The Today Show)\u003c/em> moderates the conversation adding humor, wit and expertise. The season includes 16 new episodes and four specials that bundle restaurants featured in past seasons around themes and cuisine. The second half of the new season will broadcast in September. The series also airs \u003cstrong>Sundays at 6:30pm on KQED Public Radio 88.5 FM\u003c/strong>. \u003cstrong>Watch online\u003c/strong> \u003cstrong>at\u003c/strong> \u003cstrong>\u003ca href=\"http://www.kqed.org/checkplease\">kqed.org/checkplease\u003c/a>.\u003c/strong>\u003c/p>\n\u003cp>In every \u003cem>Check, Please! \u003c/em>episode, each guest chooses their favorite place to eat and the other two guests visit anonymously — the restaurants are not notified that \u003cem>Check, Please!\u003c/em> “reviewers” are dining there. After trying each other’s recommendations, they join host and moderator Leslie Sbrocco to discuss, dispute, and celebrate their dining experiences with lively commentary.\u003c/p>\n\u003cfigure id=\"attachment_8295\" class=\"wp-caption alignleft\" style=\"max-width: 150px\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/leslie-2016.jpg\">\u003cimg class=\"wp-image-8295 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/leslie-2016-150x150.jpg\" alt=\"Leslie Sbrocco (Photo: Wendy Goodfriend) \" width=\"150\" height=\"150\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Leslie Sbrocco (Photo: Wendy Goodfriend)\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s an incredible time for the show and me!” says Sbrocco. “Now in our 11\u003csup>th\u003c/sup> season, we feel incredibly knowledgeable about the Bay Area’s dining scene. Yet with each episode, we meet another foodie who introduces us to something completely new and delicious.”\u003c/p>\n\u003cp>“Each year we’re astounded by the number of passionate Bay Area restaurant goers,” Producer Tina Salter adds. “There are a seemingly endless number of fantastic eateries and people who champion them. We feel lucky that those people come to us to share that love.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Restaurants featured in the first half of the 11th season come from all corners of the Bay Area and include The Hummingbird (Fairfax), SUMIKA (Los Altos), Orexi (San Francisco), To Bang (Santa Clara), Tina’s Place (Pinole), Hopscotch (Oakland), Sessions at The Presidio (San Francisco), Doppio Zero Pizzeria Napoletana (Mountain View), Waterbar (San Francisco), Duende (Oakland) and The Dark Horse Inn (San Francisco). The rest of the season’s restaurants will be announced at a later date.\u003c/p>\n\u003cp>On Tuesday, April 26, \u003cem>Check, Please! Bay Area\u003c/em>’s Taste & Sip will be held at the San Francisco Design Center. Cuisine from more than 50 of the series’ restaurants will be featured in addition to an assortment of wine. Tickets will be made available via City Box Office by March 30.\u003c/p>\n\u003cp>\u003cem>Check, Please! Bay Area \u003c/em>is made possible by the generous support of Integrated Resources Group, Oakland International Airport, European Sleep Works, Sutter CPMC2020, Walmart Global eCommerce and Safe Catch.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED PUBLIC TELEVISION:\u003cbr>\n\u003ca href=\"http://www.kqed.org/tv\">KQED Public Television\u003c/a>\u003c/strong>, the PBS affiliate that serves Northern California, is one of the country’s most popular public television stations. It brings the values of public media to homes around the Bay Area with Emmy Award–winning programming that inspires, informs and entertains, including \u003cem>Masterpiece Classic: Downton Abbey\u003c/em>, \u003cem>Masterpiece Mystery: Sherlock\u003c/em>, \u003cem>American Experience,\u003c/em> \u003cem>American Masters\u003c/em>, \u003cem>Great Performances\u003c/em>, \u003cem>POV\u003c/em>, \u003cem>Independent Lens\u003c/em>, \u003cem>NOVA\u003c/em> and \u003cem>Nature\u003c/em>. KQED produces local series like \u003cem>Check, Please! Bay Area\u003c/em>, \u003cem>KQED NEWSROOM\u003c/em>, \u003cem>San Francisco Opera\u003c/em>, \u003cem>Truly CA\u003c/em> and \u003cem>ImageMakers\u003c/em>, as well as popular programs for national broadcast such as \u003cem>Film School Shorts\u003c/em>, \u003cem>Essential Pépin\u003c/em> and \u003cem>QUEST\u003c/em>. KQED also distributes programming to public media stations across the country including \u003cem>The Cat in the Hat Knows a Lot About That!\u003c/em>, \u003cem>Roadtrip Nation\u003c/em> and \u003cem>Joanne Weir’s Cooking School\u003c/em>. For more information, please visit \u003ca href=\"http://www.kqed.org/tv\">kqed.org/tv\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Ten new episodes premiere Thursday, April 14, at 7:30pm on KQED 9.\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_8293\" class=\"wp-caption alignleft\" style=\"max-width: 150px\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/Timleft.jpg\">\u003cimg class=\"wp-image-8293 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/Timleft-150x150.jpg\" alt=\"Check, Please! Cheers (Photo: Wendy Goodfriend)\" width=\"150\" height=\"150\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Check, Please! Cheers (Photo: Wendy Goodfriend)\u003c/figcaption>\u003c/figure>\n\u003cp>SAN FRANCISCO – March 14, 2016 – \u003cstrong>\u003ca href=\"http://www.kqed.org/\">KQED\u003c/a>\u003c/strong>’s James Beard and Emmy Award-winning program \u003cem>\u003cstrong>\u003ca href=\"http://www.kqed.org/checkplease\">Check, Please! Bay Area\u003c/a>\u003c/strong>\u003c/em>\u003cem> is back. The 11\u003csup>th\u003c/sup> season premieres on \u003cstrong>Thursday, April 14, 2016, at 7:30pm on KQED \u003c/strong>9. \u003c/em>New guests celebrate their favorite Bay Area restaurants and Leslie Sbrocco\u003cem> (\u003c/em>thirstygirl\u003cem>, \u003c/em>\u003cem>The Today Show)\u003c/em> moderates the conversation adding humor, wit and expertise. The season includes 16 new episodes and four specials that bundle restaurants featured in past seasons around themes and cuisine. The second half of the new season will broadcast in September. The series also airs \u003cstrong>Sundays at 6:30pm on KQED Public Radio 88.5 FM\u003c/strong>. \u003cstrong>Watch online\u003c/strong> \u003cstrong>at\u003c/strong> \u003cstrong>\u003ca href=\"http://www.kqed.org/checkplease\">kqed.org/checkplease\u003c/a>.\u003c/strong>\u003c/p>\n\u003cp>In every \u003cem>Check, Please! \u003c/em>episode, each guest chooses their favorite place to eat and the other two guests visit anonymously — the restaurants are not notified that \u003cem>Check, Please!\u003c/em> “reviewers” are dining there. After trying each other’s recommendations, they join host and moderator Leslie Sbrocco to discuss, dispute, and celebrate their dining experiences with lively commentary.\u003c/p>\n\u003cfigure id=\"attachment_8295\" class=\"wp-caption alignleft\" style=\"max-width: 150px\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/leslie-2016.jpg\">\u003cimg class=\"wp-image-8295 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/leslie-2016-150x150.jpg\" alt=\"Leslie Sbrocco (Photo: Wendy Goodfriend) \" width=\"150\" height=\"150\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Leslie Sbrocco (Photo: Wendy Goodfriend)\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s an incredible time for the show and me!” says Sbrocco. “Now in our 11\u003csup>th\u003c/sup> season, we feel incredibly knowledgeable about the Bay Area’s dining scene. Yet with each episode, we meet another foodie who introduces us to something completely new and delicious.”\u003c/p>\n\u003cp>“Each year we’re astounded by the number of passionate Bay Area restaurant goers,” Producer Tina Salter adds. “There are a seemingly endless number of fantastic eateries and people who champion them. We feel lucky that those people come to us to share that love.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Restaurants featured in the first half of the 11th season come from all corners of the Bay Area and include The Hummingbird (Fairfax), SUMIKA (Los Altos), Orexi (San Francisco), To Bang (Santa Clara), Tina’s Place (Pinole), Hopscotch (Oakland), Sessions at The Presidio (San Francisco), Doppio Zero Pizzeria Napoletana (Mountain View), Waterbar (San Francisco), Duende (Oakland) and The Dark Horse Inn (San Francisco). The rest of the season’s restaurants will be announced at a later date.\u003c/p>\n\u003cp>On Tuesday, April 26, \u003cem>Check, Please! Bay Area\u003c/em>’s Taste & Sip will be held at the San Francisco Design Center. Cuisine from more than 50 of the series’ restaurants will be featured in addition to an assortment of wine. Tickets will be made available via City Box Office by March 30.\u003c/p>\n\u003cp>\u003cem>Check, Please! Bay Area \u003c/em>is made possible by the generous support of Integrated Resources Group, Oakland International Airport, European Sleep Works, Sutter CPMC2020, Walmart Global eCommerce and Safe Catch.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED PUBLIC TELEVISION:\u003cbr>\n\u003ca href=\"http://www.kqed.org/tv\">KQED Public Television\u003c/a>\u003c/strong>, the PBS affiliate that serves Northern California, is one of the country’s most popular public television stations. It brings the values of public media to homes around the Bay Area with Emmy Award–winning programming that inspires, informs and entertains, including \u003cem>Masterpiece Classic: Downton Abbey\u003c/em>, \u003cem>Masterpiece Mystery: Sherlock\u003c/em>, \u003cem>American Experience,\u003c/em> \u003cem>American Masters\u003c/em>, \u003cem>Great Performances\u003c/em>, \u003cem>POV\u003c/em>, \u003cem>Independent Lens\u003c/em>, \u003cem>NOVA\u003c/em> and \u003cem>Nature\u003c/em>. KQED produces local series like \u003cem>Check, Please! Bay Area\u003c/em>, \u003cem>KQED NEWSROOM\u003c/em>, \u003cem>San Francisco Opera\u003c/em>, \u003cem>Truly CA\u003c/em> and \u003cem>ImageMakers\u003c/em>, as well as popular programs for national broadcast such as \u003cem>Film School Shorts\u003c/em>, \u003cem>Essential Pépin\u003c/em> and \u003cem>QUEST\u003c/em>. KQED also distributes programming to public media stations across the country including \u003cem>The Cat in the Hat Knows a Lot About That!\u003c/em>, \u003cem>Roadtrip Nation\u003c/em> and \u003cem>Joanne Weir’s Cooking School\u003c/em>. For more information, please visit \u003ca href=\"http://www.kqed.org/tv\">kqed.org/tv\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>Picnic on Third offers tastes of series’ dishes on Wednesday, March 23\u003c/strong>\u003c/p>\n\u003cp>SAN FRANCSCIO – March 8, 2016 – \u003ca href=\"http://www.kqed.org/\">\u003cstrong>KQED\u003c/strong>\u003c/a> will help celebrate the second season of \u003ca href=\"https://www.joanneweir.com/getsfresh\">\u003cstrong>\u003cem>Joanne Weir Gets Fresh\u003c/em>\u003c/strong>\u003c/a> with a menu inspired by the award-winning cooking teacher, author, restaurateur, and television personality on \u003cstrong>March 23, 2016 at \u003c/strong>\u003ca href=\"http://picniconthird.com/\">\u003cstrong>Picnic on Third\u003c/strong>\u003c/a>. Joanne Weir will be in attendance with her new cookbook, \u003cem>Kitchen Gypsy\u003c/em>, for sale and signing from 11am-1pm.\u003c/p>\n\u003cp>Chefs Natalia Bushyager and Leigh Loper from Picnic on Third will curate the menu to reflect the dishes and the adventure from \u003cem>Joanne Weir Gets Fresh\u003c/em>. From fishing boats to farms and butcher shops, the very best provisions are selected for recipes Weir takes on in her San Francisco kitchen.\u003c/p>\n\u003cp>“This season has been a true joy for me,” says Weir. “I feel lucky to have gone on an incredible adventure to create the dishes featured this season. I can’t wait to see Natalia and Leigh’s renditions of those recipes.”\u003c/p>\n\u003cp>“We’re such huge fans of Joanne’s,” adds Lisa Landi, KQED’s director of program distribution for KQED Presents. “We’re excited Picnic on Third wants to celebrate the series with the community and share in her love of fresh ingredients and the meals she makes with them.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In each episode of \u003cem>Joanne Weir Gets Fresh\u003c/em>, Joanne Weir uses her vast culinary experience and relaxed, down-to-earth approach to help viewers create healthy meals while highlighting the unique and vibrant flavors of fresh ingredients. Each show sparkles with her reflections, practical insights, and love of adventure. Sometimes humorous, often personal, Joanne's mission is clear: that each of us can learn to create and improvise meals from an ever-changing wealth of fresh, market ingredients. The second season of \u003cem>Joanne Weir Gets Fresh\u003c/em> airs on Saturdays at 1pm on KQED 9. The season’s final episode airs on April 16.\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003c/strong>\u003cbr>\n\u003cstrong>KQED Public Broadcasting\u003c/strong> operates \u003cstrong>KQED Public Television 9\u003c/strong>, one of the nation’s most-watched public television stations during prime-time, and KQED’s digital television channels, which include \u003cstrong>KQED HD, KQED Encore, KQED World, KQED Life\u003c/strong>\u003cstrong> \u003c/strong>and \u003cstrong>KQED Kids\u003c/strong>; \u003cstrong>KQED Public Radio\u003c/strong>, the most-listened-to public radio station in the nation with an award-winning news and public affairs program service (88.5 FM in San Francisco and 89.3 FM in Sacramento); \u003ca href=\"http://www.kqed.org/\">\u003cstrong>KQED.org\u003c/strong>\u003c/a>, one of the most visited station sites in Public Broadcasting; and \u003cstrong>KQED Education Network\u003c/strong>, which brings the impact of KQED to thousands of teachers, students, parents and media professionals through workshops, seminars and resources.\u003c/p>\n\u003cp>\u003cstrong>About Joanne Weir\u003c/strong>\u003cbr>\nJoanne Weir is a James Beard award-winning cookbook author, cooking teacher, host and Executive Producer for the award-winning PBS TV series “Joanne Weir’s Cooking Confidence.” She is chef/owner of Copita, a tequileria & restaurant in Sausalito, California. In 2012, Joanne was also appointed by Hilary Clinton and the State Department to the American Chef Corp, a select group of chefs chosen to promote world relations through food. The author of 17 cookbooks, including the newly released Cooking Confidence, Joanne is the Culinary Editor at Large at \u003cem>Fine Cooking Magazine\u003c/em>. She recently launched Joanne Weir Wines receiving numerous accolades. A 4th-generation professional cook, Joanne spent 5 years cooking at Chez Panisse after receiving a Master Chef Diploma with Madeleine Kamman. She travels and teaches extensively around the world as well as in her San Francisco studio kitchen.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About Picnic on Third\u003cbr>\n\u003c/strong>The brainchild of longtime friends and accomplished chefs, Natalia Bushyager and Leigh Loper, Picnic on Third offers patrons a unique casual dining experience with a new menu every day inspired by people, places, and cuisines that the chefs love. Natalia’s resume boasts roots at Bay Area mainstays Chez Panisse and Camino, but her culinary passion for the flavors of her South Carolina upbringing often influence the menu. Leigh’s past work at Josey Baker Bread comes through in the delicious pastries offered daily, while her time at Michelin-starred Quince adds a gourmand’s eye to lunch offerings from their open kitchen at the corner of Third and Bryant. In addition to the “chefs’ compositions” featured at lunch, Picnic on Third offers grab-and-go breakfast items and an afternoon menu of lighter fare to accompany their beer and wine list.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In each episode of \u003cem>Joanne Weir Gets Fresh\u003c/em>, Joanne Weir uses her vast culinary experience and relaxed, down-to-earth approach to help viewers create healthy meals while highlighting the unique and vibrant flavors of fresh ingredients. Each show sparkles with her reflections, practical insights, and love of adventure. Sometimes humorous, often personal, Joanne's mission is clear: that each of us can learn to create and improvise meals from an ever-changing wealth of fresh, market ingredients. The second season of \u003cem>Joanne Weir Gets Fresh\u003c/em> airs on Saturdays at 1pm on KQED 9. The season’s final episode airs on April 16.\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003c/strong>\u003cbr>\n\u003cstrong>KQED Public Broadcasting\u003c/strong> operates \u003cstrong>KQED Public Television 9\u003c/strong>, one of the nation’s most-watched public television stations during prime-time, and KQED’s digital television channels, which include \u003cstrong>KQED HD, KQED Encore, KQED World, KQED Life\u003c/strong>\u003cstrong> \u003c/strong>and \u003cstrong>KQED Kids\u003c/strong>; \u003cstrong>KQED Public Radio\u003c/strong>, the most-listened-to public radio station in the nation with an award-winning news and public affairs program service (88.5 FM in San Francisco and 89.3 FM in Sacramento); \u003ca href=\"http://www.kqed.org/\">\u003cstrong>KQED.org\u003c/strong>\u003c/a>, one of the most visited station sites in Public Broadcasting; and \u003cstrong>KQED Education Network\u003c/strong>, which brings the impact of KQED to thousands of teachers, students, parents and media professionals through workshops, seminars and resources.\u003c/p>\n\u003cp>\u003cstrong>About Joanne Weir\u003c/strong>\u003cbr>\nJoanne Weir is a James Beard award-winning cookbook author, cooking teacher, host and Executive Producer for the award-winning PBS TV series “Joanne Weir’s Cooking Confidence.” She is chef/owner of Copita, a tequileria & restaurant in Sausalito, California. In 2012, Joanne was also appointed by Hilary Clinton and the State Department to the American Chef Corp, a select group of chefs chosen to promote world relations through food. The author of 17 cookbooks, including the newly released Cooking Confidence, Joanne is the Culinary Editor at Large at \u003cem>Fine Cooking Magazine\u003c/em>. She recently launched Joanne Weir Wines receiving numerous accolades. A 4th-generation professional cook, Joanne spent 5 years cooking at Chez Panisse after receiving a Master Chef Diploma with Madeleine Kamman. She travels and teaches extensively around the world as well as in her San Francisco studio kitchen.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About Picnic on Third\u003cbr>\n\u003c/strong>The brainchild of longtime friends and accomplished chefs, Natalia Bushyager and Leigh Loper, Picnic on Third offers patrons a unique casual dining experience with a new menu every day inspired by people, places, and cuisines that the chefs love. Natalia’s resume boasts roots at Bay Area mainstays Chez Panisse and Camino, but her culinary passion for the flavors of her South Carolina upbringing often influence the menu. Leigh’s past work at Josey Baker Bread comes through in the delicious pastries offered daily, while her time at Michelin-starred Quince adds a gourmand’s eye to lunch offerings from their open kitchen at the corner of Third and Bryant. In addition to the “chefs’ compositions” featured at lunch, Picnic on Third offers grab-and-go breakfast items and an afternoon menu of lighter fare to accompany their beer and wine list.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003ch3>Young people offer candidates advice on the issues they care about.\u003c/h3>\n\u003cp>\u003ca href=\"http://letters2president.org/\">\u003cimg class=\"alignleft wp-image-8302 size-full\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/LTP-logo.png\" alt=\"LTP-logo\" width=\"259\" height=\"142\">\u003c/a>As the nation prepares to elect a new President, The National Writing Project and KQED are hosting a collective of nonprofits and public media organizations across the United States to engage middle and high school students in the election. \u003ca href=\"http://letters2president.org/\">Letters to the Next President 2.0\u003c/a> (L2P 2.0) offers teachers resources, learning opportunities, and curriculum ideas that tap election-year excitement to get young people reading, researching, writing, making media and talking about issues that matter to them.\u003c/p>\n\u003cp>\"This project will create opportunities for educators to further engage youth in concerns that are central to their future,\" said Elyse Eidman-Aadahl, executive director of National Writing Project. \"It is important for students to be civically involved and lend their voice to a conversation about the ideas and issues of the upcoming election.”\u003c/p>\n\u003cp>Throughout the Spring and Summer, L2P 2.0 partners will share resources and opportunities to hone research, writing, and media making skills. By getting young people to explore questions like, “From your perspective, what are the issues the next president pay should attention to, and why?,” Letters to the Next President 2.0 gives teachers and parents tools to help teenagers become more engaged citizens and, eventually, voters.\u003c/p>\n\u003cp>\"As a public media organization, KQED is excited to join this effort to make sure that youth have a platform to be heard on Election Day,\" said Tim Olson, Vice President, Digital Media and Education. “Whether it’s the environment, jobs, human rights or healthcare, when a student knows how to produce a video or write compellingly for social media about a heart-felt issue, they can have a powerful voice in the political conversation right now.”\u003c/p>\n\u003cp>Later this year, Letters to the Next President 2.0 will launch a showcase website where young people 13–18 will be invited to publish and tag their work among other youth from around the country. This site will be open for entries up until the election and will remain open to promote and highlight youth voice and work into the inaugural year.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the last Presidential Election, 10,000 students from over 800 schools nationwide participated in the first Letters to the Next President initiative.\u003c/p>\n\u003cp>Visit \u003ca href=\"http://letters2president.org/\">letters2president.org\u003c/a> to connect and learn more and follow the conversation on social media using the hashtag #nextprez.\u003c/p>\n\u003cp style=\"text-align: center\">###\u003c/p>\n\u003cp>\u003cstrong>About KQED Education\u003c/strong>\u003cbr>\nEducation is central to the mandate of public media. KQED Education engages with community and educational organizations to broaden and deepen the impact of KQED’s award-winning media. KQED Education addresses the needs of educators in STEM (science, technology, engineering and math), arts and news by creating cutting-edge learning media, providing training in digital learning tools and distributing public media content to classrooms in the Bay Area and beyond via the KQED website, PBS LearningMedia and iTunes U.\u003c/p>\n\u003cp>\u003cstrong>About the National Writing Project\u003c/strong>\u003cbr>\nThrough its mission, the National Writing Project (NWP) focuses the knowledge, expertise, and leadership of our nation's educators on sustained efforts to help youth become successful writers and learners. NWP supports a network of local Writing Project sites, located on nearly 200 university and college campuses, to provide high-quality professional development in schools, universities, libraries, museums, and after-school programs. Through its many successful programs and partnerships, the organization reaches 1.4 million Pre-K through college-age students in over 3,000 school districts annually. NWP envisions a future where every person is an accomplished writer, engaged learner, and active participant in a digital, interconnected world.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ch3>Young people offer candidates advice on the issues they care about.\u003c/h3>\n\u003cp>\u003ca href=\"http://letters2president.org/\">\u003cimg class=\"alignleft wp-image-8302 size-full\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/LTP-logo.png\" alt=\"LTP-logo\" width=\"259\" height=\"142\">\u003c/a>As the nation prepares to elect a new President, The National Writing Project and KQED are hosting a collective of nonprofits and public media organizations across the United States to engage middle and high school students in the election. \u003ca href=\"http://letters2president.org/\">Letters to the Next President 2.0\u003c/a> (L2P 2.0) offers teachers resources, learning opportunities, and curriculum ideas that tap election-year excitement to get young people reading, researching, writing, making media and talking about issues that matter to them.\u003c/p>\n\u003cp>\"This project will create opportunities for educators to further engage youth in concerns that are central to their future,\" said Elyse Eidman-Aadahl, executive director of National Writing Project. \"It is important for students to be civically involved and lend their voice to a conversation about the ideas and issues of the upcoming election.”\u003c/p>\n\u003cp>Throughout the Spring and Summer, L2P 2.0 partners will share resources and opportunities to hone research, writing, and media making skills. By getting young people to explore questions like, “From your perspective, what are the issues the next president pay should attention to, and why?,” Letters to the Next President 2.0 gives teachers and parents tools to help teenagers become more engaged citizens and, eventually, voters.\u003c/p>\n\u003cp>\"As a public media organization, KQED is excited to join this effort to make sure that youth have a platform to be heard on Election Day,\" said Tim Olson, Vice President, Digital Media and Education. “Whether it’s the environment, jobs, human rights or healthcare, when a student knows how to produce a video or write compellingly for social media about a heart-felt issue, they can have a powerful voice in the political conversation right now.”\u003c/p>\n\u003cp>Later this year, Letters to the Next President 2.0 will launch a showcase website where young people 13–18 will be invited to publish and tag their work among other youth from around the country. This site will be open for entries up until the election and will remain open to promote and highlight youth voice and work into the inaugural year.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cfigure id=\"attachment_8278\" class=\"wp-caption alignleft\" style=\"max-width: 150px\">\u003ca href=\"http://www2.pri.org/infosite/networknews/truthbetold.cfm\">\u003cimg class=\"wp-image-8278 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/02/PREFERRED-Joshua-Johnson-150x150.jpg\" alt=\"Joshua Johnson's new project is "Truth Be Told." You can hear it Mondays in April at 11 a.m. on KQED 88.5 FM.\" width=\"150\" height=\"150\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joshua Johnson's new project is \"Truth Be Told.\" You can hear it Mondays in April at 11 a.m. on KQED 88.5 FM.\u003c/figcaption>\u003c/figure>\n\u003cp>This morning KQED Executive Editor of News Holly Kernan sent the following email to staff wishing morning newscaster Joshua Johnson well as he steps down from the anchor desk to pursue other interests, including his new national series \u003cem>Truth Be Told\u003c/em>. Here's what Kernan had to say:\u003c/p>\n\u003cblockquote>\u003cp>For the last five years, Joshua Johnson has been the voice of KQED news in the mornings. He’s helped us understand what’s happening in our Bay Area community of 7+ million and helped us feel a little closer to each other. He’s guided us through increasingly crowded freeways and BART cars and helped us navigate ballooning rents, technological breakthroughs and Warriors wins. For me, his is a steady and comforting voice of reason, helping me sort through a sea of information.\u003c/p>\n\u003cp>“I didn’t know what I was getting into when I joined KQED in 2010,” says Johnson, “but I’m glad I took the leap. Serving as your morning newscaster for the last 5 1/2 years has been an adventure, a challenge, an education and a blessing. (It’s also reinforced the value of a good night’s sleep!) Now it’s time to take my next adventurous leap: into producing Truth Be Told, into starting my own business, doing more teaching, staying open to new possibilities and just enjoying the ride. I hope these adventures keep me in California: a place I have come to adore. To everyone at KQED, especially our listeners, thank you for your time and your trust. You have changed my life, and I am deeply grateful.”\u003c/p>\n\u003cp>Today Joshua is stepping away from the morning anchor chair and moving to a new role, one for which he doesn’t need to wake up at 3:30 a.m. every day. I, like many others, will miss hearing him each morning.\u003c/p>\n\u003cp>In April, Joshua will be hosting KQED’s special series examining race and identity, called \u003cem>Truth Be Told\u003c/em>. You can hear it Mondays at 11 a.m. (in April) and find out more:\u003c/p>\n\u003cp>\u003ca href=\"http://www2.pri.org/infosite/networknews/truthbetold.cfm\">http://www2.pri.org/infosite/networknews/truthbetold.cfm\u003c/a>\u003c/p>\n\u003cp>I know you will join me in wishing Josh well in all his future endeavors,\u003c/p>\n\u003cp>Holly\u003c/p>\u003c/blockquote>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_8278\" class=\"wp-caption alignleft\" style=\"max-width: 150px\">\u003ca href=\"http://www2.pri.org/infosite/networknews/truthbetold.cfm\">\u003cimg class=\"wp-image-8278 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/02/PREFERRED-Joshua-Johnson-150x150.jpg\" alt=\"Joshua Johnson's new project is "Truth Be Told." You can hear it Mondays in April at 11 a.m. on KQED 88.5 FM.\" width=\"150\" height=\"150\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joshua Johnson's new project is \"Truth Be Told.\" You can hear it Mondays in April at 11 a.m. on KQED 88.5 FM.\u003c/figcaption>\u003c/figure>\n\u003cp>This morning KQED Executive Editor of News Holly Kernan sent the following email to staff wishing morning newscaster Joshua Johnson well as he steps down from the anchor desk to pursue other interests, including his new national series \u003cem>Truth Be Told\u003c/em>. Here's what Kernan had to say:\u003c/p>\n\u003cblockquote>\u003cp>For the last five years, Joshua Johnson has been the voice of KQED news in the mornings. He’s helped us understand what’s happening in our Bay Area community of 7+ million and helped us feel a little closer to each other. He’s guided us through increasingly crowded freeways and BART cars and helped us navigate ballooning rents, technological breakthroughs and Warriors wins. For me, his is a steady and comforting voice of reason, helping me sort through a sea of information.\u003c/p>\n\u003cp>“I didn’t know what I was getting into when I joined KQED in 2010,” says Johnson, “but I’m glad I took the leap. Serving as your morning newscaster for the last 5 1/2 years has been an adventure, a challenge, an education and a blessing. (It’s also reinforced the value of a good night’s sleep!) Now it’s time to take my next adventurous leap: into producing Truth Be Told, into starting my own business, doing more teaching, staying open to new possibilities and just enjoying the ride. I hope these adventures keep me in California: a place I have come to adore. To everyone at KQED, especially our listeners, thank you for your time and your trust. You have changed my life, and I am deeply grateful.”\u003c/p>\n\u003cp>Today Joshua is stepping away from the morning anchor chair and moving to a new role, one for which he doesn’t need to wake up at 3:30 a.m. every day. I, like many others, will miss hearing him each morning.\u003c/p>\n\u003cp>In April, Joshua will be hosting KQED’s special series examining race and identity, called \u003cem>Truth Be Told\u003c/em>. You can hear it Mondays at 11 a.m. (in April) and find out more:\u003c/p>\n\u003cp>\u003ca href=\"http://www2.pri.org/infosite/networknews/truthbetold.cfm\">http://www2.pri.org/infosite/networknews/truthbetold.cfm\u003c/a>\u003c/p>\n\u003cp>I know you will join me in wishing Josh well in all his future endeavors,\u003c/p>\n\u003cp>Holly\u003c/p>\u003c/blockquote>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "100Kin10 Announces 49 New Partners",
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"content": "\u003cp>\u003cstrong>KQED among the 49 new partners to join 100Kin10’s network of 275+ partners working to train and retain 100,000 STEM educators in the U.S. by 2021\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-8266\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/02/100kin100-300x63.png\" alt=\"100kin100\" width=\"500\" height=\"106\">\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"https://100kin10.org/\" target=\"_blank\">100Kin10\u003c/a>, a national network coordinating and accelerating efforts to bring 100,000 new excellent science, technology, engineering, and math (STEM) teachers into schools by 2021, announced today the addition of 49 new partner organizations, including \u003ca href=\"http://www.kqed.org/\" target=\"_blank\">KQED\u003c/a>, Girls Who Code and Harvard Graduate School of Education. The national network now includes over 280 of the country’s top businesses, nonprofits, foundations, and academic institutions working towards this common goal.\u003c/p>\n\u003cp>Existing 100Kin10 partners have made great strides towards this goal, training over 28,000 STEM educators for our nation’s schools in the first four years of the effort, while supporting tens of thousands more to improve their skills and stay in the classroom longer. The incoming class of partners, the organization’s largest to date, comes at a pivotal point in 100Kin10’s growth as they reach a halfway mark since President Obama’s call for 100,000 more and better STEM educators in his 2011 State of the Union address, a charge recently echoed in the White House’s “Computer Science for All” initiative.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“STEM is at the core of the most pressing challenges of the 21\u003csup>st\u003c/sup> century. To solve them, we need to activate all the brainpower and diverse experiences of our nation’s most precious natural resource: its people. Without excellent STEM teachers inspiring all of our nation’s youth, this challenge will continue to allude us,” said 100Kin10 co-founder and Executive Director Talia Milgrom-Elcott. “100Kin10 partners are bringing their individual passion, strengths, ideas, and resources to create solutions and together forge a path forward to reach the goal of 100,000 excellent STEM teachers.”\u003c/p>\n\u003cp>100Kin10 partners have access to exclusive research, learning, innovation, and funding opportunities, all designed to foster collaborative problem-solving and support partners to fulfill their ambitious commitments and overcome the system-level challenges to achieving 100Kin10’s shared goal.\u003c/p>\n\u003cp>“Training and recruiting CS teachers is one of the biggest challenges -- and opportunities -- that our nation faces today. Girls Who Code is thrilled to join 100Kin10 to bring top teachers to the classroom and give our students the computer science education they deserve” said Girls Who Code Founder & CEO Reshma Saujani.\u003c/p>\n\u003cp>“We are honored to have been selected into the 2016 class of 100Kin10 partners. The opportunity to learn from other leading programs and share from our own expertise is incredibly exciting. The College of Education at Purdue is thrilled to be a new partner in 100Kin10 and looks forward to tackling shared challenges through the network” said Maryann Santos, Dean of the College of Education at Purdue University.\u003c/p>\n\u003cp>Organizations are accepted as 100Kin10 partners following a rigorous vetting process conducted by a team of partner reviewers and a national selection panel of experts in education and STEM. Applicants are considered for partnership based on their organizational strength and STEM and teaching expertise; clear, meaningful commitments toward the 100,000 STEM teacher goal; and dedication to building the 100Kin10 movement.\u003c/p>\n\u003cp>\u003cstrong>About \u003ca href=\"http://ww2.kqed.org/education/\" target=\"_blank\">KQED Education\u003c/a>\u003cbr>\n\u003c/strong>Education is central to the mandate of public media. KQED Education engages with community and educational organizations to broaden and deepen the impact of KQED’s award-winning media. KQED Education addresses the needs of educators in STEM (science, technology, engineering and math), arts and news by creating cutting-edge learning media, providing training in digital learning tools and distributing public media content to classrooms in the Bay Area and beyond via the KQED website, PBS LearningMedia and iTunes U.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About 100Kin10\u003cbr>\n\u003c/strong>100Kin10 is an organization committed to recruiting, training, and retaining 100,000 excellent science, technology, engineering, and math (STEM) teachers by 2021. 100Kin10 encourages multi-sector collaboration and provides the vision and resources to help nonprofits, foundations, academic institutions and businesses meet their ambitious commitments to educate the next generation of innovators and problem solvers. More information is available at www.100kin10.org.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>KQED among the 49 new partners to join 100Kin10’s network of 275+ partners working to train and retain 100,000 STEM educators in the U.S. by 2021\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-8266\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/02/100kin100-300x63.png\" alt=\"100kin100\" width=\"500\" height=\"106\">\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"https://100kin10.org/\" target=\"_blank\">100Kin10\u003c/a>, a national network coordinating and accelerating efforts to bring 100,000 new excellent science, technology, engineering, and math (STEM) teachers into schools by 2021, announced today the addition of 49 new partner organizations, including \u003ca href=\"http://www.kqed.org/\" target=\"_blank\">KQED\u003c/a>, Girls Who Code and Harvard Graduate School of Education. The national network now includes over 280 of the country’s top businesses, nonprofits, foundations, and academic institutions working towards this common goal.\u003c/p>\n\u003cp>Existing 100Kin10 partners have made great strides towards this goal, training over 28,000 STEM educators for our nation’s schools in the first four years of the effort, while supporting tens of thousands more to improve their skills and stay in the classroom longer. The incoming class of partners, the organization’s largest to date, comes at a pivotal point in 100Kin10’s growth as they reach a halfway mark since President Obama’s call for 100,000 more and better STEM educators in his 2011 State of the Union address, a charge recently echoed in the White House’s “Computer Science for All” initiative.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“STEM is at the core of the most pressing challenges of the 21\u003csup>st\u003c/sup> century. To solve them, we need to activate all the brainpower and diverse experiences of our nation’s most precious natural resource: its people. Without excellent STEM teachers inspiring all of our nation’s youth, this challenge will continue to allude us,” said 100Kin10 co-founder and Executive Director Talia Milgrom-Elcott. “100Kin10 partners are bringing their individual passion, strengths, ideas, and resources to create solutions and together forge a path forward to reach the goal of 100,000 excellent STEM teachers.”\u003c/p>\n\u003cp>100Kin10 partners have access to exclusive research, learning, innovation, and funding opportunities, all designed to foster collaborative problem-solving and support partners to fulfill their ambitious commitments and overcome the system-level challenges to achieving 100Kin10’s shared goal.\u003c/p>\n\u003cp>“Training and recruiting CS teachers is one of the biggest challenges -- and opportunities -- that our nation faces today. Girls Who Code is thrilled to join 100Kin10 to bring top teachers to the classroom and give our students the computer science education they deserve” said Girls Who Code Founder & CEO Reshma Saujani.\u003c/p>\n\u003cp>“We are honored to have been selected into the 2016 class of 100Kin10 partners. The opportunity to learn from other leading programs and share from our own expertise is incredibly exciting. The College of Education at Purdue is thrilled to be a new partner in 100Kin10 and looks forward to tackling shared challenges through the network” said Maryann Santos, Dean of the College of Education at Purdue University.\u003c/p>\n\u003cp>Organizations are accepted as 100Kin10 partners following a rigorous vetting process conducted by a team of partner reviewers and a national selection panel of experts in education and STEM. Applicants are considered for partnership based on their organizational strength and STEM and teaching expertise; clear, meaningful commitments toward the 100,000 STEM teacher goal; and dedication to building the 100Kin10 movement.\u003c/p>\n\u003cp>\u003cstrong>About \u003ca href=\"http://ww2.kqed.org/education/\" target=\"_blank\">KQED Education\u003c/a>\u003cbr>\n\u003c/strong>Education is central to the mandate of public media. KQED Education engages with community and educational organizations to broaden and deepen the impact of KQED’s award-winning media. KQED Education addresses the needs of educators in STEM (science, technology, engineering and math), arts and news by creating cutting-edge learning media, providing training in digital learning tools and distributing public media content to classrooms in the Bay Area and beyond via the KQED website, PBS LearningMedia and iTunes U.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About 100Kin10\u003cbr>\n\u003c/strong>100Kin10 is an organization committed to recruiting, training, and retaining 100,000 excellent science, technology, engineering, and math (STEM) teachers by 2021. 100Kin10 encourages multi-sector collaboration and provides the vision and resources to help nonprofits, foundations, academic institutions and businesses meet their ambitious commitments to educate the next generation of innovators and problem solvers. More information is available at www.100kin10.org.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
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"meta": {
"site": "radio",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
"title": "Freakonomics Radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
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"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
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"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
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