treasure island music festivaltreasure island music festival
Treasure Island Music Festival On Indefinite Hiatus
Future of Treasure Island Music Festival Uncertain After Cease-and-Desist
Ruffled Feathers: Can Birds and Music Festivals Share Middle Harbor Park?
Treasure Island's New Oakland Edition a Success—Now It's Time to Mix Genres
On the Air: Gabe & Ariana's Do List Picks for May 18, 2018
Treasure Island Music Festival to Return, Relocate to Oakland Shore in 2018
Treasure Island Music Festival Postponed for 2017
Photos and Highlights From TIMF 10: A Rain-Soaked, Final Fest on the Island
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"content": "\u003cp>\u003cem>Updated Monday, 3:30 p.m. \u003c/em>\u003c/p>\n\u003cp>Noise Pop and Another Planet Entertainment announced Monday that the 2019 edition of Treasure Island Music Festival is cancelled, saying in a statement that the anticipated annual event first launched in 2007 is “on hiatus for the foreseeable future.”\u003c/p>\n\u003cp>The multi-day music festival, focused on indie-rock and increasingly electronic and hip-hop programming, occurred for the first time in Oakland last year, at Middle Harbor Shoreline Park.\u003c/p>\n\u003cp>But last month the Bay Conservation and Development Commission ordered the Port of Oakland, which oversees Middle Harbor, to cease hosting events without the regulatory agency’s approval, throwing the future of events at the shoreline location into question. [aside postID=arts_13843462,arts_13862704]\u003c/p>\n\u003cp>According to minutes from a BCDC enforcement committee meeting in July, the Port has flaunted its obligation to seek permission before reducing public access to the park by hosting ticketed events. “BCDC staff has communicated the issue over the years with the Port,” the minutes read. “Nevertheless, these special events continue to occur without BCDC approval.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Save the Bay, a conservationist group, pressured BCDC after observing adverse effects on Middle Harbor following Treasure Island Music Festival last year.\u003c/p>\n\u003cp>As KQED \u003ca href=\"https://www.kqed.org/arts/13843462/ruffled-feathers-can-birds-and-music-festivals-share-middle-harbor-park\">previously reported\u003c/a>, in 2018 the Port of Oakland-owned and operated park hosted three music festivals attended by more than 4,000 people in addition to Treasure Island and Blurry Vision, which each drew more than 10,000 people across their two-day runs. Last year the Port collected more than $60,000 in rental fees for the events at Middle Harbor.\u003c/p>\n\u003cp>The Port’s contracts with event promoters including APE and Blurry Vision producer Goldenvoice, which KQED previously reviewed, included no park-specific environmental stipulations aside from standard cleanup, even though Middle Harbor Shoreline Park provides important wildlife habitat for migrating and endangered and threatened species of birds.\u003c/p>\n\u003cp>The spat between the Port and BCDC contributed to the festival cancellation. “With the new issues facing the site location…putting on a festival to the degree for which our fans have come to expect over the past decade is simply not possible,” Noise Pop and APE said in a statement.\u003c/p>\n\u003cp>Treasure Island’s move to Oakland was an attempted rebound. The festival’s 2016 installment was marred by a rainstorm, prompting many artists to cancel and leading to litigation from disgruntled and injured attendees. It took a year off in 2017 before resurfacing at Middle Harbor.\u003c/p>\n\u003cp>The festival organizers’ statement goes on to note other opportunities to support local musicians and events, including Outside Lands, Noise Pop Festival and “any of the hundreds of concerts both Another Planet Entertainment and Noise Pop bring to the greater Bay Area each year.”\u003c/p>\n\u003cp>A Port of Oakland spokesperson said in a statement that it notifies BCDC about concerts but acknowledged it has been “remiss in obtaining written approvals.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The spokesperson added, “We’re implementing controls to make sure we fulfill BCDC’s requirements for all future concerts.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Updated Monday, 3:30 p.m. \u003c/em>\u003c/p>\n\u003cp>Noise Pop and Another Planet Entertainment announced Monday that the 2019 edition of Treasure Island Music Festival is cancelled, saying in a statement that the anticipated annual event first launched in 2007 is “on hiatus for the foreseeable future.”\u003c/p>\n\u003cp>The multi-day music festival, focused on indie-rock and increasingly electronic and hip-hop programming, occurred for the first time in Oakland last year, at Middle Harbor Shoreline Park.\u003c/p>\n\u003cp>But last month the Bay Conservation and Development Commission ordered the Port of Oakland, which oversees Middle Harbor, to cease hosting events without the regulatory agency’s approval, throwing the future of events at the shoreline location into question. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>According to minutes from a BCDC enforcement committee meeting in July, the Port has flaunted its obligation to seek permission before reducing public access to the park by hosting ticketed events. “BCDC staff has communicated the issue over the years with the Port,” the minutes read. “Nevertheless, these special events continue to occur without BCDC approval.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Save the Bay, a conservationist group, pressured BCDC after observing adverse effects on Middle Harbor following Treasure Island Music Festival last year.\u003c/p>\n\u003cp>As KQED \u003ca href=\"https://www.kqed.org/arts/13843462/ruffled-feathers-can-birds-and-music-festivals-share-middle-harbor-park\">previously reported\u003c/a>, in 2018 the Port of Oakland-owned and operated park hosted three music festivals attended by more than 4,000 people in addition to Treasure Island and Blurry Vision, which each drew more than 10,000 people across their two-day runs. Last year the Port collected more than $60,000 in rental fees for the events at Middle Harbor.\u003c/p>\n\u003cp>The Port’s contracts with event promoters including APE and Blurry Vision producer Goldenvoice, which KQED previously reviewed, included no park-specific environmental stipulations aside from standard cleanup, even though Middle Harbor Shoreline Park provides important wildlife habitat for migrating and endangered and threatened species of birds.\u003c/p>\n\u003cp>The spat between the Port and BCDC contributed to the festival cancellation. “With the new issues facing the site location…putting on a festival to the degree for which our fans have come to expect over the past decade is simply not possible,” Noise Pop and APE said in a statement.\u003c/p>\n\u003cp>Treasure Island’s move to Oakland was an attempted rebound. The festival’s 2016 installment was marred by a rainstorm, prompting many artists to cancel and leading to litigation from disgruntled and injured attendees. It took a year off in 2017 before resurfacing at Middle Harbor.\u003c/p>\n\u003cp>The festival organizers’ statement goes on to note other opportunities to support local musicians and events, including Outside Lands, Noise Pop Festival and “any of the hundreds of concerts both Another Planet Entertainment and Noise Pop bring to the greater Bay Area each year.”\u003c/p>\n\u003cp>A Port of Oakland spokesperson said in a statement that it notifies BCDC about concerts but acknowledged it has been “remiss in obtaining written approvals.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The spokesperson added, “We’re implementing controls to make sure we fulfill BCDC’s requirements for all future concerts.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The fate of \u003ca href=\"https://www.treasureislandfestival.com/\" target=\"_blank\" rel=\"noopener\">Treasure Island Music Festival\u003c/a> and other events slated at West Oakland’s Middle Harbor Shoreline Park is up in the air after the Bay Conservation and Development Commission (BCDC) sent a cease-and-desist order to the Port of Oakland, according to the BCDC’s enforcement committee.\u003c/p>\n\u003cp>The 40-acre park with views of the San Francisco skyline has become a popular destination for large-scale gatherings in recent years. It’s part of the Port of Oakland, and is overseen by the BCDC. Environmental watchdog groups say that festivals at the park, some of which attract tens of thousands of attendees, have noticeably harmed its terrain. [aside postid='arts_13843462']\u003c/p>\n\u003cp>“Even a month after [Treasure Island Music Festival], you could still see the damage that was done to the park’s landscape and sprinkler system,” Save the Bay Executive Director David Lewis told the \u003ca href=\"https://www.sfchronicle.com/bayarea/philmatier/article/Events-at-Oakland-shoreline-park-in-limbo-until-14270038.php?psid=fshxQ\" target=\"_blank\" rel=\"noopener\">\u003cem>San Francisco\u003c/em> \u003cem>Chronicle\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Furthermore, the Port of Oakland violated its agreement to obtain permission from the BCDC before closing the park for paid events, often turning in its plans late or neglecting to submit them altogether. Advocates say that these closures to the general public deprive local residents of access to one of the neighborhood’s few parks.\u003c/p>\n\u003cp>“BCDC staff has communicated the issue over the years with the Port,” read the BCDC’s enforcement committee meeting minutes from July 11. “Nevertheless, these special events continue to occur without BCDC approval.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s not the first time environmentalists have raised red flags about festivals at Middle Harbor Shoreline Park. In addition to Treasure Island, which Noise Pop and Another Planet Entertainment held there for the first time in 2018, the park hosted last year’s rap festival Blurry Vision and this year’s electronic music-focused Second Sky Festival, both presented by promotions giant Goldenvoice. Last year, \u003ca href=\"https://www.kqed.org/arts/13843462/ruffled-feathers-can-birds-and-music-festivals-share-middle-harbor-park\" target=\"_blank\" rel=\"noopener\">KQED first reported\u003c/a> that environmentalists were concerned events like these could damage the park’s numerous bird habitats.\u003c/p>\n\u003cp>“At all of our events, we’re mindful that the park is adjacent to a sensitive natural habitat,” Port director Michael Zampha told KQED in October 2018. “After all, we helped create the habitat.”\u003c/p>\n\u003cp>The Port of Oakland’s stated mission is to increase “habitat benefits for aquatic birds,” and to “identify any conflicts between public access and habitat development,” according to a 2001 report. Yet it raises up to $100,000 a year in permit fees from festivals. In addition to Treasure Island, the 2019 edition of which hasn’t been formally announced, the \u003ca href=\"https://www.alldayidream.com/\" target=\"_blank\" rel=\"noopener\">All Day I Dream Festival\u003c/a> is slated for late September.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story has been updated.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The fate of \u003ca href=\"https://www.treasureislandfestival.com/\" target=\"_blank\" rel=\"noopener\">Treasure Island Music Festival\u003c/a> and other events slated at West Oakland’s Middle Harbor Shoreline Park is up in the air after the Bay Conservation and Development Commission (BCDC) sent a cease-and-desist order to the Port of Oakland, according to the BCDC’s enforcement committee.\u003c/p>\n\u003cp>The 40-acre park with views of the San Francisco skyline has become a popular destination for large-scale gatherings in recent years. It’s part of the Port of Oakland, and is overseen by the BCDC. Environmental watchdog groups say that festivals at the park, some of which attract tens of thousands of attendees, have noticeably harmed its terrain. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Even a month after [Treasure Island Music Festival], you could still see the damage that was done to the park’s landscape and sprinkler system,” Save the Bay Executive Director David Lewis told the \u003ca href=\"https://www.sfchronicle.com/bayarea/philmatier/article/Events-at-Oakland-shoreline-park-in-limbo-until-14270038.php?psid=fshxQ\" target=\"_blank\" rel=\"noopener\">\u003cem>San Francisco\u003c/em> \u003cem>Chronicle\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Furthermore, the Port of Oakland violated its agreement to obtain permission from the BCDC before closing the park for paid events, often turning in its plans late or neglecting to submit them altogether. Advocates say that these closures to the general public deprive local residents of access to one of the neighborhood’s few parks.\u003c/p>\n\u003cp>“BCDC staff has communicated the issue over the years with the Port,” read the BCDC’s enforcement committee meeting minutes from July 11. “Nevertheless, these special events continue to occur without BCDC approval.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s not the first time environmentalists have raised red flags about festivals at Middle Harbor Shoreline Park. In addition to Treasure Island, which Noise Pop and Another Planet Entertainment held there for the first time in 2018, the park hosted last year’s rap festival Blurry Vision and this year’s electronic music-focused Second Sky Festival, both presented by promotions giant Goldenvoice. Last year, \u003ca href=\"https://www.kqed.org/arts/13843462/ruffled-feathers-can-birds-and-music-festivals-share-middle-harbor-park\" target=\"_blank\" rel=\"noopener\">KQED first reported\u003c/a> that environmentalists were concerned events like these could damage the park’s numerous bird habitats.\u003c/p>\n\u003cp>“At all of our events, we’re mindful that the park is adjacent to a sensitive natural habitat,” Port director Michael Zampha told KQED in October 2018. “After all, we helped create the habitat.”\u003c/p>\n\u003cp>The Port of Oakland’s stated mission is to increase “habitat benefits for aquatic birds,” and to “identify any conflicts between public access and habitat development,” according to a 2001 report. Yet it raises up to $100,000 a year in permit fees from festivals. In addition to Treasure Island, the 2019 edition of which hasn’t been formally announced, the \u003ca href=\"https://www.alldayidream.com/\" target=\"_blank\" rel=\"noopener\">All Day I Dream Festival\u003c/a> is slated for late September.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story has been updated.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Ruffled Feathers: Can Birds and Music Festivals Share Middle Harbor Park?",
"headTitle": "Ruffled Feathers: Can Birds and Music Festivals Share Middle Harbor Park? | KQED",
"content": "\u003cp>Nestled along the southwestern-most corner of Oakland is \u003ca href=\"https://www.portofoakland.com/port/seaport/middle-harbor/\" rel=\"noopener\" target=\"_blank\">Middle Harbor Shoreline Park\u003c/a>, a crescent-shaped greenbelt and public beach stretched beneath Port of Oakland cranes. \u003c/p>\n\u003cp>The remote park is Megan Jankowski’s “patch,” birdwatcher lingo for a site of regular study. Dramatically set against the San Francisco skyline, sandbars and rocks within Middle Harbor’s shallow shore water provide roosting and feeding terrain for myriad species of birds. On Sunday, Jankowski convened a dozen or so binocular-toting birders at the mast of the USS Oakland, which greets visitors in the parking lot, to describe the site’s wintering waterfowl and shorebirds.\u003c/p>\n\u003cfigure id=\"attachment_13843472\" class=\"wp-caption alignright\" style=\"max-width: 450px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/Middle_Harbor_450w_32c.gif\" alt=\"Map of Middle Harbor Shoreline Park.\" width=\"450\" height=\"292\" class=\"size-full wp-image-13843472\">\u003cfigcaption class=\"wp-caption-text\">Map of Middle Harbor Shoreline Park. \u003ccite>(Port of Oakland)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jankowski, 37, who works in real estate, also noted that the park hosted \u003ca href=\"https://www.kqed.org/arts/13842744/treasure-islands-new-oakland-edition-a-success-now-its-time-to-mix-genres\" rel=\"noopener\" target=\"_blank\">Treasure Island Music Festival\u003c/a> a week prior, and that a smaller event featuring DJs and a jump-house was scheduled for that afternoon. “If you don’t like electronic music, you might be annoyed,” she told the crowd.\u003c/p>\n\u003cp>A birder carrying a tripod-mounted telescope asked Jankowski—who records avian activity at the park twice a month as part of her “master birder” training through the \u003ca href=\"https://goldengateaudubon.org/\" rel=\"noopener\" target=\"_blank\">Golden Gate Audubon Society\u003c/a>—a question she’s lately asked herself: “How do the \u003ca href=\"https://www.audubon.org/field-guide/bird/ruddy-duck\" target=\"_blank\" rel=\"noopener\">Ruddy Ducks\u003c/a> feel about electronic music?”\u003c/p>\n\u003cp>Jankowski smiled, “We’ll see.” Then she recognized a passing \u003ca href=\"https://www.audubon.org/field-guide/bird/annas-hummingbird\" rel=\"noopener\" target=\"_blank\">Anna’s Hummingbird\u003c/a> solely by the squeaking sound of its tail-feathers at the bottom of a dive, the first of 38 species observed and identified by the group that afternoon.\u003c/p>\n\u003cfigure id=\"attachment_13843470\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-800x577.jpg\" alt=\"Birders look for waterfowl.\" width=\"800\" height=\"577\" class=\"size-medium wp-image-13843470\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-800x577.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-160x115.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-768x554.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-1020x736.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-1200x866.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-1920x1385.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-1180x851.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-960x692.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-240x173.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-375x270.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-520x375.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl..jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Birders look for waterfowl. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 2018, the Port of Oakland-owned and operated park hosted three music festivals attended by more than 4,000 people; Treasure Island and Blurry Vision each drew more than 10,000 people over both festivals’ two-day runs. Jankowski is among the community members and conservationists concerned about the events’ impact on the park wildlife. She worries that the increasing rate and size of the festivals, and lack of environmentally-conscious conditions, runs against the port’s efforts to improve the habitat for birds, including endangered \u003ca href=\"https://www.audubon.org/field-guide/bird/least-tern\" target=\"_blank\" rel=\"noopener\">Least Terns\u003c/a> and threatened \u003ca href=\"https://www.audubon.org/field-guide/bird/snowy-plover\" target=\"_blank\" rel=\"noopener\">Snowy Plovers\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Non-birders, I call them muggles,” Jankowski said, invoking J.K. Rowling’s term for un-magical people to describe the general population’s indifference to birds. “I know it’s divisive, but I love in \u003cem>Harry Potter\u003c/em> when he asks the guy on the night bus, ‘Don’t the muggles see the night bus?’ And the night bus guy says to him, ‘No, the muggles don’t see anything, do they?’”\u003c/p>\n\u003cp>At Middle Harbor, birds and music festivals are vying for the same physical space. After \u003ca href=\"https://www.kqed.org/arts/13832104/sza-brockhampton-kamaiyah-bring-blurry-vision-into-focus-in-oakland\" rel=\"noopener\" target=\"_blank\">Blurry Vision\u003c/a>, a Goldenvoice production headlined by Migos and SZA in May, Jankowski found killdeer fledglings roaming what’d been the stage area. On Sunday, she pointed out bushtit and crow nests on the Treasure Island Music Festival grounds. \u003c/p>\n\u003cp>Shorebirds visiting in the fall and winter are especially vulnerable to disturbance, she said. “Later in the season ahead of migration, it’s important for them to be constantly eating or resting.” Still, Jankowski admits, the area is a park, not a wildlife refuge, and it’s difficult to quantify the birds’ tolerance for crowds and noise.\u003c/p>\n\u003cp>Bay Area municipalities closely regulate changes of use in public spaces. The San Francisco Recreation & Parks Department requires Another Planet Entertainment (APE), which coproduces the Treasure Island Music Festival with Noise Pop, to rent special forklifts with \u003ca href=\"https://www.eastbayexpress.com/oakland/gregg-perloff-is-the-new-bill-graham/Content?oid=1091223\" target=\"_blank\" rel=\"noopener\">gopher-friendly tires\u003c/a> in order to throw Outside Lands in Golden Gate Park. Berkeley commissioned a \u003ca href=\"https://www.cityofberkeley.info/uploadedFiles/Parks_Rec_Waterfront/Level_3__-General/Aquatic%20Park-finalrpt-V31.pdf\" target=\"_blank\" rel=\"noopener\">study\u003c/a> of the effects of recreational watercraft on the birds at Aquatic Park. But Port of Oakland contracts with APE and Goldenvoice, which KQED reviewed, include no park-specific environmental stipulations aside from cleanup. For this year’s concerts, the festival producers each paid the port more than $30,000 in rental fees. \u003c/p>\n\u003cfigure id=\"attachment_13843453\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_0215-800x533.jpg\" alt=\"Birders and port officials agree the park is underused.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13843453\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0215.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0215-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0215-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0215-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0215-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0215-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Birders and port officials agree the park is underused. \u003ccite>(Estefany Gonzalez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The shoreline is part of the Middle Harbor Enhancement Area, an ambitious port and US Army Corps of Engineers project to restore salt marsh and shallow tideland habitat to some 180 acres of waterfront. A \u003ca href=\"https://www.portofoakland.com/files/PDF/MMM%20Plan%20-%20MHEA.pdf\" rel=\"noopener\" target=\"_blank\">2001 report\u003c/a> by port consultants includes goals such as “increase habitat benefits for aquatic birds” and “identify any conflicts between public access and habitat development.” Port spokesperson Michael Zampa said the festivals are part of balancing public access and environmental stewardship. “At all of our events, we’re mindful that the park is adjacent to a sensitive natural habitat,” he said. “After all, we helped create the habitat.”\u003c/p>\n\u003cp>Jankowski and port officials agree that the park is underused, an oasis separated from West Oakland by acres of shipping containers and barren roads known for late-night sideshows. (One afternoon, Jankowski was robbed in the parking lot.) But Jankowski fears that marketing the park via music festivals threatens part of what makes Middle Harbor a naturalist destination and a “jewel within the port,” saying the agency should better study the effects of crowds, fireworks and noise. \u003c/p>\n\u003cp>In regards to increased festival size and frequency, Zampa said on average, Middle Harbor hosts only two events a year with more than 1,000 people in attendance. In answer to concerns about pyrotechnics during Treasure Island, he said a performer used fireworks for only 15 seconds before officials intervened. And as far as studies informing potential conditions on events, Zampa said the port took the “above-and-beyond step” of hiring Horizon Water and Environment to monitor birds during Treasure Island, but the findings aren’t yet available.\u003c/p>\n\u003cp>“Our intent is to open the shoreline to the public and to develop/preserve the ecosystem,” he said. “We believe those two goals are compatible, but we must be watchful for negative impacts.”\u003c/p>\n\u003cp>At Middle Harbor on Sunday, the main detectable aftermath of Treasure Island Music Festival was a dustbowl where there was once grass. House beats from the small afternoon party, along with the buzz of a gas-powered generator, echoed faintly throughout much of the park, but only as loudly as the beeps and clangs of port machinery offloading an international freighter.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Shorebirds including species of sandpiper, egret, heron, gull and tern sprawled across the sandbars at low tide. When they suddenly up and flocked, the birders looked to the sky for predators, and saw the first \u003ca href=\"https://www.audubon.org/field-guide/bird/northern-harrier\" rel=\"noopener\" target=\"_blank\">Northern Harrier hawk\u003c/a> Jankowski has recorded at Middle Harbor. But there was a conspicuous lack of Ruddy Ducks.\u003c/p>\n\n",
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"excerpt": "Birdwatchers worry an uptick in festival programming runs against the Port of Oakland’s habitat restoration project at Middle Harbor Shoreline Park.",
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"description": "Birdwatchers worry an uptick in festival programming runs against the Port of Oakland’s habitat restoration project at Middle Harbor Shoreline Park.",
"title": "Ruffled Feathers: Can Birds and Music Festivals Share Middle Harbor Park? | KQED",
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"headline": "Ruffled Feathers: Can Birds and Music Festivals Share Middle Harbor Park?",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Nestled along the southwestern-most corner of Oakland is \u003ca href=\"https://www.portofoakland.com/port/seaport/middle-harbor/\" rel=\"noopener\" target=\"_blank\">Middle Harbor Shoreline Park\u003c/a>, a crescent-shaped greenbelt and public beach stretched beneath Port of Oakland cranes. \u003c/p>\n\u003cp>The remote park is Megan Jankowski’s “patch,” birdwatcher lingo for a site of regular study. Dramatically set against the San Francisco skyline, sandbars and rocks within Middle Harbor’s shallow shore water provide roosting and feeding terrain for myriad species of birds. On Sunday, Jankowski convened a dozen or so binocular-toting birders at the mast of the USS Oakland, which greets visitors in the parking lot, to describe the site’s wintering waterfowl and shorebirds.\u003c/p>\n\u003cfigure id=\"attachment_13843472\" class=\"wp-caption alignright\" style=\"max-width: 450px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/Middle_Harbor_450w_32c.gif\" alt=\"Map of Middle Harbor Shoreline Park.\" width=\"450\" height=\"292\" class=\"size-full wp-image-13843472\">\u003cfigcaption class=\"wp-caption-text\">Map of Middle Harbor Shoreline Park. \u003ccite>(Port of Oakland)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jankowski, 37, who works in real estate, also noted that the park hosted \u003ca href=\"https://www.kqed.org/arts/13842744/treasure-islands-new-oakland-edition-a-success-now-its-time-to-mix-genres\" rel=\"noopener\" target=\"_blank\">Treasure Island Music Festival\u003c/a> a week prior, and that a smaller event featuring DJs and a jump-house was scheduled for that afternoon. “If you don’t like electronic music, you might be annoyed,” she told the crowd.\u003c/p>\n\u003cp>A birder carrying a tripod-mounted telescope asked Jankowski—who records avian activity at the park twice a month as part of her “master birder” training through the \u003ca href=\"https://goldengateaudubon.org/\" rel=\"noopener\" target=\"_blank\">Golden Gate Audubon Society\u003c/a>—a question she’s lately asked herself: “How do the \u003ca href=\"https://www.audubon.org/field-guide/bird/ruddy-duck\" target=\"_blank\" rel=\"noopener\">Ruddy Ducks\u003c/a> feel about electronic music?”\u003c/p>\n\u003cp>Jankowski smiled, “We’ll see.” Then she recognized a passing \u003ca href=\"https://www.audubon.org/field-guide/bird/annas-hummingbird\" rel=\"noopener\" target=\"_blank\">Anna’s Hummingbird\u003c/a> solely by the squeaking sound of its tail-feathers at the bottom of a dive, the first of 38 species observed and identified by the group that afternoon.\u003c/p>\n\u003cfigure id=\"attachment_13843470\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-800x577.jpg\" alt=\"Birders look for waterfowl.\" width=\"800\" height=\"577\" class=\"size-medium wp-image-13843470\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-800x577.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-160x115.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-768x554.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-1020x736.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-1200x866.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-1920x1385.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-1180x851.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-960x692.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-240x173.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-375x270.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl.-520x375.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Birders-look-for-waterfowl..jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Birders look for waterfowl. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 2018, the Port of Oakland-owned and operated park hosted three music festivals attended by more than 4,000 people; Treasure Island and Blurry Vision each drew more than 10,000 people over both festivals’ two-day runs. Jankowski is among the community members and conservationists concerned about the events’ impact on the park wildlife. She worries that the increasing rate and size of the festivals, and lack of environmentally-conscious conditions, runs against the port’s efforts to improve the habitat for birds, including endangered \u003ca href=\"https://www.audubon.org/field-guide/bird/least-tern\" target=\"_blank\" rel=\"noopener\">Least Terns\u003c/a> and threatened \u003ca href=\"https://www.audubon.org/field-guide/bird/snowy-plover\" target=\"_blank\" rel=\"noopener\">Snowy Plovers\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Non-birders, I call them muggles,” Jankowski said, invoking J.K. Rowling’s term for un-magical people to describe the general population’s indifference to birds. “I know it’s divisive, but I love in \u003cem>Harry Potter\u003c/em> when he asks the guy on the night bus, ‘Don’t the muggles see the night bus?’ And the night bus guy says to him, ‘No, the muggles don’t see anything, do they?’”\u003c/p>\n\u003cp>At Middle Harbor, birds and music festivals are vying for the same physical space. After \u003ca href=\"https://www.kqed.org/arts/13832104/sza-brockhampton-kamaiyah-bring-blurry-vision-into-focus-in-oakland\" rel=\"noopener\" target=\"_blank\">Blurry Vision\u003c/a>, a Goldenvoice production headlined by Migos and SZA in May, Jankowski found killdeer fledglings roaming what’d been the stage area. On Sunday, she pointed out bushtit and crow nests on the Treasure Island Music Festival grounds. \u003c/p>\n\u003cp>Shorebirds visiting in the fall and winter are especially vulnerable to disturbance, she said. “Later in the season ahead of migration, it’s important for them to be constantly eating or resting.” Still, Jankowski admits, the area is a park, not a wildlife refuge, and it’s difficult to quantify the birds’ tolerance for crowds and noise.\u003c/p>\n\u003cp>Bay Area municipalities closely regulate changes of use in public spaces. The San Francisco Recreation & Parks Department requires Another Planet Entertainment (APE), which coproduces the Treasure Island Music Festival with Noise Pop, to rent special forklifts with \u003ca href=\"https://www.eastbayexpress.com/oakland/gregg-perloff-is-the-new-bill-graham/Content?oid=1091223\" target=\"_blank\" rel=\"noopener\">gopher-friendly tires\u003c/a> in order to throw Outside Lands in Golden Gate Park. Berkeley commissioned a \u003ca href=\"https://www.cityofberkeley.info/uploadedFiles/Parks_Rec_Waterfront/Level_3__-General/Aquatic%20Park-finalrpt-V31.pdf\" target=\"_blank\" rel=\"noopener\">study\u003c/a> of the effects of recreational watercraft on the birds at Aquatic Park. But Port of Oakland contracts with APE and Goldenvoice, which KQED reviewed, include no park-specific environmental stipulations aside from cleanup. For this year’s concerts, the festival producers each paid the port more than $30,000 in rental fees. \u003c/p>\n\u003cfigure id=\"attachment_13843453\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_0215-800x533.jpg\" alt=\"Birders and port officials agree the park is underused.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13843453\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0215.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0215-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0215-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0215-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0215-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0215-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Birders and port officials agree the park is underused. \u003ccite>(Estefany Gonzalez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The shoreline is part of the Middle Harbor Enhancement Area, an ambitious port and US Army Corps of Engineers project to restore salt marsh and shallow tideland habitat to some 180 acres of waterfront. A \u003ca href=\"https://www.portofoakland.com/files/PDF/MMM%20Plan%20-%20MHEA.pdf\" rel=\"noopener\" target=\"_blank\">2001 report\u003c/a> by port consultants includes goals such as “increase habitat benefits for aquatic birds” and “identify any conflicts between public access and habitat development.” Port spokesperson Michael Zampa said the festivals are part of balancing public access and environmental stewardship. “At all of our events, we’re mindful that the park is adjacent to a sensitive natural habitat,” he said. “After all, we helped create the habitat.”\u003c/p>\n\u003cp>Jankowski and port officials agree that the park is underused, an oasis separated from West Oakland by acres of shipping containers and barren roads known for late-night sideshows. (One afternoon, Jankowski was robbed in the parking lot.) But Jankowski fears that marketing the park via music festivals threatens part of what makes Middle Harbor a naturalist destination and a “jewel within the port,” saying the agency should better study the effects of crowds, fireworks and noise. \u003c/p>\n\u003cp>In regards to increased festival size and frequency, Zampa said on average, Middle Harbor hosts only two events a year with more than 1,000 people in attendance. In answer to concerns about pyrotechnics during Treasure Island, he said a performer used fireworks for only 15 seconds before officials intervened. And as far as studies informing potential conditions on events, Zampa said the port took the “above-and-beyond step” of hiring Horizon Water and Environment to monitor birds during Treasure Island, but the findings aren’t yet available.\u003c/p>\n\u003cp>“Our intent is to open the shoreline to the public and to develop/preserve the ecosystem,” he said. “We believe those two goals are compatible, but we must be watchful for negative impacts.”\u003c/p>\n\u003cp>At Middle Harbor on Sunday, the main detectable aftermath of Treasure Island Music Festival was a dustbowl where there was once grass. House beats from the small afternoon party, along with the buzz of a gas-powered generator, echoed faintly throughout much of the park, but only as loudly as the beeps and clangs of port machinery offloading an international freighter.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Shorebirds including species of sandpiper, egret, heron, gull and tern sprawled across the sandbars at low tide. When they suddenly up and flocked, the birders looked to the sky for predators, and saw the first \u003ca href=\"https://www.audubon.org/field-guide/bird/northern-harrier\" rel=\"noopener\" target=\"_blank\">Northern Harrier hawk\u003c/a> Jankowski has recorded at Middle Harbor. But there was a conspicuous lack of Ruddy Ducks.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Treasure Island's New Oakland Edition a Success—Now It's Time to Mix Genres",
"headTitle": "Treasure Island’s New Oakland Edition a Success—Now It’s Time to Mix Genres | KQED",
"content": "\u003cp>At the \u003ca href=\"https://www.kqed.org/arts/13832219/treasure-island-music-festival-to-return-relocate-to-oakland-shore-in-2018\" target=\"_blank\" rel=\"noopener\">newly relocated\u003c/a> Treasure Island Music Festival on Saturday, Santigold thrashed to “L.E.S. Artistes” and swayed to the reggae rhythm of “Run the Road” wearing a red cape covered in money, plastic water bottles and green moss. With its eccentric and eco-conscious attire (“money and plastic are ruining the environment” was the message I got) and textured, pastel-hued set design, Santigold’s performance looked and felt like something out of a ’90s Nickelodeon show—and it was glorious.\u003c/p>\n\u003cp>Her set wasn’t exactly PG, though—during her dancehall bop “Coo Coo Coo,” a dis to men who catcall women, a cartoon pig with six-pack abs and exposed genitals appeared on screen. The audience was clearly there for it: dozens of girls in Vans and tube tops stampeded to the front of the stage to join the singer for her electro-punk anthem “Creator,” about making one’s own rules.\u003c/p>\n\u003cfigure id=\"attachment_13842781\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842781\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3883-800x533.jpg\" alt=\"A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Santigold’s out-there set was a climactic point of this year’s TIMF, which returned this year after a hiatus in 2017. Though it retains the Treasure Island name, the festival now takes place in Oakland’s Middle Harbor Shoreline Park due to \u003ca href=\"https://www.kqed.org/arts/13832219/treasure-island-music-festival-to-return-relocate-to-oakland-shore-in-2018\" target=\"_blank\" rel=\"noopener\">ongoing construction\u003c/a> on the actual Treasure Island.\u003c/p>\n\u003cp>The misnomer might be a little awkward, but the abundance of eclectic talent, warm weather and sweeping views of the San Francisco skyline made the festival’s growing pains easy to forget. Treasure Island was a little more bare this year—no Ferris wheel or silent disco—which kept the focus on the music.\u003c/p>\n\u003cfigure id=\"attachment_13842828\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842828\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-800x533.jpg\" alt=\"Tame Impala perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Still, after Saturday’s colorful and eclectic lineup, the energy waned a bit on Sunday, which leaned toward indie rock. With the new location, Treasure Island could have also benefitted from a new approach to genres. The festival’s dichotomous schedule, with electronic music on the first day and rock on the second, is an institution that dates back to the festival’s beginnings in the late 2000s, when the prevalent hipster aesthetics were bloghouse electro and indie rock. But at this point, the separation between genres feels arcane and unnecessary, especially as Saturday grows more varied with additional hip-hop, pop and electronic subgenres each year and Sunday stays essentially the same.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Saturday, the more exciting day of the fest, was all about impressive vocalists. Moses Sumney, a rising singer-producer with the self-reflectiveness of Frank Ocean and baroque instrumental arrangements of Sigur Rós, wowed the audience with his high-flying falsetto and live vocal manipulations. Throughout his set, he harmonized with his loop pedal and improvised off his violinist’s playing, which swelled from plucked, staccato beats to a chill-inducing solo.\u003c/p>\n\u003cfigure id=\"attachment_13842748\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842748\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3391-800x533.jpg\" alt=\"Hiatus Kaiyote perform at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hiatus Kaiyote perform at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Later, Naomi “Nai Palm” Saalfield from neo-soul group Hiatus Kaiyote stunned festival-goers with her diva-worthy vocal chops. Much like Amy Winehouse, the Australian Saalfield is clearly inspired by African-American jazz, soul and gospel traditions; Hiatus Kaiyote’s raucous instrumentation ignited the band’s R&B and soul compositions and transformed them into chaotic jam sessions. Rapper Aminé, who also played an excellent set Saturday evening, came out from backstage and watched Hiatus Kaiyote from the photo pit, mouth agape.\u003c/p>\n\u003cp>The rest of Saturday’s lineup was stacked: A$AP Rocky’s headlining set sparked several mosh pits; Pusha T’s performance had legions of hip-hop heads rapping along; Silk City (Diplo and Mark Ronson’s DJ duo) spun ’90s house; Laff Trax (Toro y Moi and Nosaj Thing) got a dance party going with self-produced disco and funk. In contrast, Sunday was dedicated to mostly shoegazey indie rock and a bit of post-punk; it felt more mellow and much less eventful. A large contingent of fans, in fact, showed up at the very end for Tame Impala’s excellent headlining set, bypassing the earlier bands.\u003c/p>\n\u003cfigure id=\"attachment_13842777\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842777\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3789-800x533.jpg\" alt=\"Pusha T performs at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pusha T performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year, a majority of the musicians on stage Sunday were white guys; Cigarettes After Sex and Lord Huron’s reverb-laden guitars began to blend together in the hours between Courtney Barnett’s high-energy rock’n’roll and Tame Impala’s ornate psychedelia. The band Jungle got the people moving, but their take on disco sounded a bit too much like Bee Gees karaoke. One earlier band in particular, U.S. Girls, deserves a shoutout for their lively, danceable performance, which included Kate Bush-esque vocals and saxophone solos.\u003c/p>\n\u003cfigure id=\"attachment_13842809\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842809\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4152-800x533.jpg\" alt=\"U.S. Girls perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">U.S. Girls perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Music listeners today are complex, and it doesn’t feel like festival promoters give them enough credit when they split up the days by genre. Mixing up U.K. band Shame’s hyperactive, angry post-punk, for instance, and Aminé’s mosh-worthy rap could’ve created exciting cross-pollination. Still, Treasure Island offers a chance to see internationally touring acts without the same level of sensory overload and overcrowding as bigger fests, and thus is a welcome part of the Bay Area’s music festival ecosystem. It’s good to have it back.\u003c/p>\n\u003ch2>More photos below.\u003c/h2>\n\u003cfigure id=\"attachment_13842749\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842749\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3399-800x533.jpg\" alt=\"Polo and Pan backstage at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Polo and Pan backstage at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842836\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842836\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4619-800x533.jpg\" alt=\"Tame Impala perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842755\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3437-800x533.jpg\" alt=\"Laff Trax perform at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Laff Trax perform at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842831\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842831\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4552-800x533.jpg\" alt=\"The crowd at Treasure Island Music Festival 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Treasure Island Music Festival 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842766\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842766\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3587-800x533.jpg\" alt=\"Aminé performs at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Aminé performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842813\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842813\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4253-800x533.jpg\" alt=\"Courtney Barnett performs at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Courtney Barnett performs at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842769\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842769\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3639-800x533.jpg\" alt=\"The crowd at Treasure Island Music Festival 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Treasure Island Music Festival 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842807\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842807\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4101-800x533.jpg\" alt=\"Sharon Van Etten performs at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sharon Van Etten performs at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842773\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842773\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3745-800x533.jpg\" alt=\"The crowd at Treasure Island Music Festival 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Treasure Island Music Festival 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842803\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842803\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4054-800x533.jpg\" alt=\"Courtney Barnett backstage at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Courtney Barnett backstage at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842804\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842804\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4077-800x533.jpg\" alt=\"Shame perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Shame perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842784\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842784\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3960-800x533.jpg\" alt=\"A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842762\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842762\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3507-800x533.jpg\" alt=\"Laff Trax backstage at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Laff Trax backstage at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842817\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842817\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4337-800x533.jpg\" alt=\"Lord Huron perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lord Huron perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842772\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842772\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3710-800x533.jpg\" alt=\"Silk City perform at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Silk City perform at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842811\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842811\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4189-800x533.jpg\" alt=\"Lord Huron backstage at Treasure Island Music Festival on Oct. 13, 2018. Lord Huron backstage at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lord Huron backstage at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842775\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842775\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3772-800x533.jpg\" alt=\"The crowd at Treasure Island Music Festival 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Treasure Island Music Festival 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842750\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842750\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3406-800x533.jpg\" alt=\"Hiatus Kaiyote backstage at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hiatus Kaiyote backstage at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842779\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842779\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3850-800x533.jpg\" alt=\"A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842756\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842756\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3468-800x533.jpg\" alt=\"Santigold performs at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Santigold performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "After an eventful first year in Oakland, the Treasure Island Music Festival may want to desegregate music genres by day. ",
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"description": "After an eventful first year in Oakland, the Treasure Island Music Festival may want to desegregate music genres by day. ",
"title": "Treasure Island's New Oakland Edition a Success—Now It's Time to Mix Genres | KQED",
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"headline": "Treasure Island's New Oakland Edition a Success—Now It's Time to Mix Genres",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At the \u003ca href=\"https://www.kqed.org/arts/13832219/treasure-island-music-festival-to-return-relocate-to-oakland-shore-in-2018\" target=\"_blank\" rel=\"noopener\">newly relocated\u003c/a> Treasure Island Music Festival on Saturday, Santigold thrashed to “L.E.S. Artistes” and swayed to the reggae rhythm of “Run the Road” wearing a red cape covered in money, plastic water bottles and green moss. With its eccentric and eco-conscious attire (“money and plastic are ruining the environment” was the message I got) and textured, pastel-hued set design, Santigold’s performance looked and felt like something out of a ’90s Nickelodeon show—and it was glorious.\u003c/p>\n\u003cp>Her set wasn’t exactly PG, though—during her dancehall bop “Coo Coo Coo,” a dis to men who catcall women, a cartoon pig with six-pack abs and exposed genitals appeared on screen. The audience was clearly there for it: dozens of girls in Vans and tube tops stampeded to the front of the stage to join the singer for her electro-punk anthem “Creator,” about making one’s own rules.\u003c/p>\n\u003cfigure id=\"attachment_13842781\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842781\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3883-800x533.jpg\" alt=\"A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3883-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Santigold’s out-there set was a climactic point of this year’s TIMF, which returned this year after a hiatus in 2017. Though it retains the Treasure Island name, the festival now takes place in Oakland’s Middle Harbor Shoreline Park due to \u003ca href=\"https://www.kqed.org/arts/13832219/treasure-island-music-festival-to-return-relocate-to-oakland-shore-in-2018\" target=\"_blank\" rel=\"noopener\">ongoing construction\u003c/a> on the actual Treasure Island.\u003c/p>\n\u003cp>The misnomer might be a little awkward, but the abundance of eclectic talent, warm weather and sweeping views of the San Francisco skyline made the festival’s growing pains easy to forget. Treasure Island was a little more bare this year—no Ferris wheel or silent disco—which kept the focus on the music.\u003c/p>\n\u003cfigure id=\"attachment_13842828\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842828\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-800x533.jpg\" alt=\"Tame Impala perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4515-Edit-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Still, after Saturday’s colorful and eclectic lineup, the energy waned a bit on Sunday, which leaned toward indie rock. With the new location, Treasure Island could have also benefitted from a new approach to genres. The festival’s dichotomous schedule, with electronic music on the first day and rock on the second, is an institution that dates back to the festival’s beginnings in the late 2000s, when the prevalent hipster aesthetics were bloghouse electro and indie rock. But at this point, the separation between genres feels arcane and unnecessary, especially as Saturday grows more varied with additional hip-hop, pop and electronic subgenres each year and Sunday stays essentially the same.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Saturday, the more exciting day of the fest, was all about impressive vocalists. Moses Sumney, a rising singer-producer with the self-reflectiveness of Frank Ocean and baroque instrumental arrangements of Sigur Rós, wowed the audience with his high-flying falsetto and live vocal manipulations. Throughout his set, he harmonized with his loop pedal and improvised off his violinist’s playing, which swelled from plucked, staccato beats to a chill-inducing solo.\u003c/p>\n\u003cfigure id=\"attachment_13842748\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842748\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3391-800x533.jpg\" alt=\"Hiatus Kaiyote perform at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3391-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hiatus Kaiyote perform at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Later, Naomi “Nai Palm” Saalfield from neo-soul group Hiatus Kaiyote stunned festival-goers with her diva-worthy vocal chops. Much like Amy Winehouse, the Australian Saalfield is clearly inspired by African-American jazz, soul and gospel traditions; Hiatus Kaiyote’s raucous instrumentation ignited the band’s R&B and soul compositions and transformed them into chaotic jam sessions. Rapper Aminé, who also played an excellent set Saturday evening, came out from backstage and watched Hiatus Kaiyote from the photo pit, mouth agape.\u003c/p>\n\u003cp>The rest of Saturday’s lineup was stacked: A$AP Rocky’s headlining set sparked several mosh pits; Pusha T’s performance had legions of hip-hop heads rapping along; Silk City (Diplo and Mark Ronson’s DJ duo) spun ’90s house; Laff Trax (Toro y Moi and Nosaj Thing) got a dance party going with self-produced disco and funk. In contrast, Sunday was dedicated to mostly shoegazey indie rock and a bit of post-punk; it felt more mellow and much less eventful. A large contingent of fans, in fact, showed up at the very end for Tame Impala’s excellent headlining set, bypassing the earlier bands.\u003c/p>\n\u003cfigure id=\"attachment_13842777\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842777\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3789-800x533.jpg\" alt=\"Pusha T performs at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3789-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pusha T performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year, a majority of the musicians on stage Sunday were white guys; Cigarettes After Sex and Lord Huron’s reverb-laden guitars began to blend together in the hours between Courtney Barnett’s high-energy rock’n’roll and Tame Impala’s ornate psychedelia. The band Jungle got the people moving, but their take on disco sounded a bit too much like Bee Gees karaoke. One earlier band in particular, U.S. Girls, deserves a shoutout for their lively, danceable performance, which included Kate Bush-esque vocals and saxophone solos.\u003c/p>\n\u003cfigure id=\"attachment_13842809\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842809\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4152-800x533.jpg\" alt=\"U.S. Girls perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4152-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">U.S. Girls perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Music listeners today are complex, and it doesn’t feel like festival promoters give them enough credit when they split up the days by genre. Mixing up U.K. band Shame’s hyperactive, angry post-punk, for instance, and Aminé’s mosh-worthy rap could’ve created exciting cross-pollination. Still, Treasure Island offers a chance to see internationally touring acts without the same level of sensory overload and overcrowding as bigger fests, and thus is a welcome part of the Bay Area’s music festival ecosystem. It’s good to have it back.\u003c/p>\n\u003ch2>More photos below.\u003c/h2>\n\u003cfigure id=\"attachment_13842749\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842749\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3399-800x533.jpg\" alt=\"Polo and Pan backstage at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3399-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Polo and Pan backstage at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842836\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842836\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4619-800x533.jpg\" alt=\"Tame Impala perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4619-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842755\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3437-800x533.jpg\" alt=\"Laff Trax perform at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3437-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Laff Trax perform at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842831\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842831\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4552-800x533.jpg\" alt=\"The crowd at Treasure Island Music Festival 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4552-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Treasure Island Music Festival 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842766\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842766\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3587-800x533.jpg\" alt=\"Aminé performs at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3587-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Aminé performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842813\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842813\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4253-800x533.jpg\" alt=\"Courtney Barnett performs at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4253-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Courtney Barnett performs at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842769\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842769\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3639-800x533.jpg\" alt=\"The crowd at Treasure Island Music Festival 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3639-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Treasure Island Music Festival 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842807\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842807\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4101-800x533.jpg\" alt=\"Sharon Van Etten performs at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4101-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sharon Van Etten performs at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842773\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842773\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3745-800x533.jpg\" alt=\"The crowd at Treasure Island Music Festival 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3745-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Treasure Island Music Festival 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842803\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842803\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4054-800x533.jpg\" alt=\"Courtney Barnett backstage at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4054-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Courtney Barnett backstage at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842804\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842804\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4077-800x533.jpg\" alt=\"Shame perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4077-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Shame perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842784\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842784\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3960-800x533.jpg\" alt=\"A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3960-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842762\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842762\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3507-800x533.jpg\" alt=\"Laff Trax backstage at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3507-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Laff Trax backstage at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842817\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842817\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4337-800x533.jpg\" alt=\"Lord Huron perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4337-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lord Huron perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842772\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842772\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3710-800x533.jpg\" alt=\"Silk City perform at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3710-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Silk City perform at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842811\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842811\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_4189-800x533.jpg\" alt=\"Lord Huron backstage at Treasure Island Music Festival on Oct. 13, 2018. Lord Huron backstage at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4189-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lord Huron backstage at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842775\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842775\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3772-800x533.jpg\" alt=\"The crowd at Treasure Island Music Festival 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3772-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Treasure Island Music Festival 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842750\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842750\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3406-800x533.jpg\" alt=\"Hiatus Kaiyote backstage at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3406-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hiatus Kaiyote backstage at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842779\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842779\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3850-800x533.jpg\" alt=\"A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3850-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A$AP Rocky performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13842756\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842756\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_3468-800x533.jpg\" alt=\"Santigold performs at Treasure Island Music Festival on Oct. 13, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_3468-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Santigold performs at Treasure Island Music Festival on Oct. 13, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"title": "On the Air: Gabe & Ariana's Do List Picks for May 18, 2018",
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"content": "\u003cp>This week on the Do List, I’m joined by KQED Youth Media Manager Ariana Proehl for talk about a queer circus, a Saharan film festival, a tribute to a beloved DJ and more. And also, on my first week sitting in his old chair here at the Do List, I want to say thanks to Cy Musiker — for showing us the way.\u003c/p>\n\u003cp>On with this week’s show; click through for details.\u003c/p>\n\u003cp>May 18: \u003ca href=\"https://www.sfsymphony.org/Buy-Tickets/2017-18/An-Evening-with-Audra-McDonald-and-the-SFS.aspx\" rel=\"noopener\" target=\"_blank\">Six-time Tony winner Audra McDonald sings with the San Francisco Symphony\u003c/a>.\u003c/p>\n\u003cp>Friday and Saturday, May 18 and 19: \u003ca href=\"https://www.kqed.org/arts/13832470/life-gets-topsy-turvy-at-this-queer-circus-afrofuturist-trilogy\" rel=\"noopener\" target=\"_blank\">\u003cem>Paradise: Belly of the Beast\u003c/em> from circus troupe \u003cspan style=\"font-weight: 400\">Topsy Turvy pushes the boundaries of imagination and mythology while centering people of color and queer people of color\u003c/span>\u003c/a>. \u003c/p>\n\u003cp>Saturday, May 19: \u003ca href=\"https://www.kqed.org/arts/13832460/an-overflow-of-oakland-culture-at-the-malcolm-x-jazz-arts-festival\" rel=\"noopener\" target=\"_blank\">The Malcolm X Jazz Arts Festival \u003cspan style=\"font-weight: 400\">always has a great vibe and crowd, and features a jazz stage, dance stage, poetry stage, a tribute to Pam the Funkstress and more at San Antonio Park in Oakland\u003c/span>\u003c/a>. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>May 20–June 17: \u003ca href=\"https://www.kqed.org/arts/13832508/its-abbas-year-even-on-the-top-of-mt-tam\" rel=\"noopener\" target=\"_blank\">\u003cspan style=\"font-weight: 400\">\u003cem>Mamma Mia!\u003c/em> is at the Mountain Play at Mt. Tam in Marin, a gorgeous amphitheater where they’ve done summer theater for over 100 years\u003c/span>\u003c/a>.\u003c/p>\n\u003cp>May 24: \u003ca href=\"https://www.kqed.org/arts/13832519/acid-western-zerzura-brings-its-search-for-a-mythical-oasis-to-oakland\" rel=\"noopener\" target=\"_blank\">\u003cspan style=\"font-weight: 400\">The film \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Zerzura\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> screens and the guitarist Mdou Moctar \u003c/span>\u003cspan style=\"font-weight: 400\">performs with the film’s star, Ahmoudou Madassane \u003c/span>\u003cspan style=\"font-weight: 400\">at the Starline Social Club in Oakland\u003c/span>\u003cspan style=\"font-weight: 400\">\u003c/span>\u003c/a>. \u003c/p>\n\u003cp>Through July 17: \u003ca href=\"https://www.kqed.org/arts/13832478/raised-in-the-sf-art-scene-and-having-his-first-solo-show\" rel=\"noopener\" target=\"_blank\">\u003cspan style=\"font-weight: 400\">Yarrow Slaps’ \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">More Water\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> at State Gallery features the artists’ works along with a back room that shows off Slaps’s curatorial side, with a group show by a crew of artists he’s calling the Art Figaz\u003c/span>\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And some special news about the \u003ca href=\"https://www.kqed.org/arts/13832402/tame-impala-aap-rocky-headline-treasure-island-music-festival\" rel=\"noopener\" target=\"_blank\">return of the Treasure Island Music Festival\u003c/a>, including their \u003ca href=\"https://www.kqed.org/arts/13832402/tame-impala-aap-rocky-headline-treasure-island-music-festival\" rel=\"noopener\" target=\"_blank\">just-announced lineup\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week on the Do List, I’m joined by KQED Youth Media Manager Ariana Proehl for talk about a queer circus, a Saharan film festival, a tribute to a beloved DJ and more. And also, on my first week sitting in his old chair here at the Do List, I want to say thanks to Cy Musiker — for showing us the way.\u003c/p>\n\u003cp>On with this week’s show; click through for details.\u003c/p>\n\u003cp>May 18: \u003ca href=\"https://www.sfsymphony.org/Buy-Tickets/2017-18/An-Evening-with-Audra-McDonald-and-the-SFS.aspx\" rel=\"noopener\" target=\"_blank\">Six-time Tony winner Audra McDonald sings with the San Francisco Symphony\u003c/a>.\u003c/p>\n\u003cp>Friday and Saturday, May 18 and 19: \u003ca href=\"https://www.kqed.org/arts/13832470/life-gets-topsy-turvy-at-this-queer-circus-afrofuturist-trilogy\" rel=\"noopener\" target=\"_blank\">\u003cem>Paradise: Belly of the Beast\u003c/em> from circus troupe \u003cspan style=\"font-weight: 400\">Topsy Turvy pushes the boundaries of imagination and mythology while centering people of color and queer people of color\u003c/span>\u003c/a>. \u003c/p>\n\u003cp>Saturday, May 19: \u003ca href=\"https://www.kqed.org/arts/13832460/an-overflow-of-oakland-culture-at-the-malcolm-x-jazz-arts-festival\" rel=\"noopener\" target=\"_blank\">The Malcolm X Jazz Arts Festival \u003cspan style=\"font-weight: 400\">always has a great vibe and crowd, and features a jazz stage, dance stage, poetry stage, a tribute to Pam the Funkstress and more at San Antonio Park in Oakland\u003c/span>\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>May 20–June 17: \u003ca href=\"https://www.kqed.org/arts/13832508/its-abbas-year-even-on-the-top-of-mt-tam\" rel=\"noopener\" target=\"_blank\">\u003cspan style=\"font-weight: 400\">\u003cem>Mamma Mia!\u003c/em> is at the Mountain Play at Mt. Tam in Marin, a gorgeous amphitheater where they’ve done summer theater for over 100 years\u003c/span>\u003c/a>.\u003c/p>\n\u003cp>May 24: \u003ca href=\"https://www.kqed.org/arts/13832519/acid-western-zerzura-brings-its-search-for-a-mythical-oasis-to-oakland\" rel=\"noopener\" target=\"_blank\">\u003cspan style=\"font-weight: 400\">The film \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Zerzura\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> screens and the guitarist Mdou Moctar \u003c/span>\u003cspan style=\"font-weight: 400\">performs with the film’s star, Ahmoudou Madassane \u003c/span>\u003cspan style=\"font-weight: 400\">at the Starline Social Club in Oakland\u003c/span>\u003cspan style=\"font-weight: 400\">\u003c/span>\u003c/a>. \u003c/p>\n\u003cp>Through July 17: \u003ca href=\"https://www.kqed.org/arts/13832478/raised-in-the-sf-art-scene-and-having-his-first-solo-show\" rel=\"noopener\" target=\"_blank\">\u003cspan style=\"font-weight: 400\">Yarrow Slaps’ \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">More Water\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> at State Gallery features the artists’ works along with a back room that shows off Slaps’s curatorial side, with a group show by a crew of artists he’s calling the Art Figaz\u003c/span>\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And some special news about the \u003ca href=\"https://www.kqed.org/arts/13832402/tame-impala-aap-rocky-headline-treasure-island-music-festival\" rel=\"noopener\" target=\"_blank\">return of the Treasure Island Music Festival\u003c/a>, including their \u003ca href=\"https://www.kqed.org/arts/13832402/tame-impala-aap-rocky-headline-treasure-island-music-festival\" rel=\"noopener\" target=\"_blank\">just-announced lineup\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In 2016, Treasure Island Music Festival geared up for what was supposed to be a festive 10th anniversary weekend. \u003ca href=\"https://www.kqed.org/arts/12217367/photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island\" target=\"_blank\" rel=\"noopener\">What happened instead\u003c/a> was a torrential rainstorm, which forced highly anticipated acts like Young Thug and James Blake to cancel or significantly delay their sets — an unfortunate way to cap the festival’s decade-long run on its namesake island.\u003c/p>\n\u003cp>With ongoing development at the original festival site on Treasure Island, promoters Noise Pop and Another Planet Entertainment took 2017 off to recalibrate and seek out a new location. Now, they’ve announced that Treasure Island will return this year for its 11th edition, taking place Oct. 13–14 at Middle Harbor Shoreline Park in West Oakland, the site of this month’s \u003ca href=\"https://www.kqed.org/arts/13832104/sza-brockhampton-kamaiyah-bring-blurry-vision-into-focus-in-oakland\" target=\"_blank\" rel=\"noopener\">Blurry Vision festival\u003c/a>. (Though “Treasure Island Music Festival” is now a bit of a misnomer, Middle Harbor Shoreline Park features nearly the same picturesque bayside view of the San Francisco skyline as the original Treasure Island location.)\u003c/p>\n\u003cp>The 2018 Treasure Island lineup has yet to be announced, but past performers have included Outkast, Beck, deadmau5, LCD Soundsystem, Vampire Weekend, Ice Cube, Justice, the National, The xx, Fleet Foxes, Major Lazer and Massive Attack. Stay tuned for updates.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 2016, Treasure Island Music Festival geared up for what was supposed to be a festive 10th anniversary weekend. \u003ca href=\"https://www.kqed.org/arts/12217367/photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island\" target=\"_blank\" rel=\"noopener\">What happened instead\u003c/a> was a torrential rainstorm, which forced highly anticipated acts like Young Thug and James Blake to cancel or significantly delay their sets — an unfortunate way to cap the festival’s decade-long run on its namesake island.\u003c/p>\n\u003cp>With ongoing development at the original festival site on Treasure Island, promoters Noise Pop and Another Planet Entertainment took 2017 off to recalibrate and seek out a new location. Now, they’ve announced that Treasure Island will return this year for its 11th edition, taking place Oct. 13–14 at Middle Harbor Shoreline Park in West Oakland, the site of this month’s \u003ca href=\"https://www.kqed.org/arts/13832104/sza-brockhampton-kamaiyah-bring-blurry-vision-into-focus-in-oakland\" target=\"_blank\" rel=\"noopener\">Blurry Vision festival\u003c/a>. (Though “Treasure Island Music Festival” is now a bit of a misnomer, Middle Harbor Shoreline Park features nearly the same picturesque bayside view of the San Francisco skyline as the original Treasure Island location.)\u003c/p>\n\u003cp>The 2018 Treasure Island lineup has yet to be announced, but past performers have included Outkast, Beck, deadmau5, LCD Soundsystem, Vampire Weekend, Ice Cube, Justice, the National, The xx, Fleet Foxes, Major Lazer and Massive Attack. Stay tuned for updates.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>After 10 years, the Treasure Island Music Festival is taking a breather.\u003c/p>\n\u003cp>The two-day festival, held annually since 2007 on man-made Treasure Island, will not return this year, organizers said Wednesday in a press release. The festival is expected to return in 2018 at a different location.\u003c/p>\n\u003cp>“Although the event will no longer be held on Treasure Island, there are no plans to change the festival’s name, if for no other reason than to pay homage to the historic little island that was home to the event for a decade,” said the release.\u003c/p>\n\u003cp>Festival organizers Another Planet Entertainment and Noise Pop have yet to announce where the festival will take place in 2018.\u003c/p>\n\u003cp>The hiatus comes after \u003ca href=\"https://ww2.kqed.org/arts/2016/10/17/photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island/\">last year’s festival\u003c/a> was fraught with heavy rain and other issues. The decision to relocate was determined prior to the festival, as construction for the landmark Treasure Island Development project began in March last year on the island’s western shoreline. This resulted in a last-minute relocation for the festival from the Great Lawn to a barren area on the southeast corner of the island.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Some acts, including How to Dress Well and Glass Animals, performed abridged sets due to the heavy rain. Others, such as DJs Duke Dumont and Flight Facilities, cancelled their sets outright. To make up for his cancellation, James Blake performed a show at the Fox Theater the Monday after the festival that was free to festival ticketholders.\u003c/p>\n\u003cp class=\"p1\">“Last year’s festival had no impact on the decision to not hold a festival in 2017,” said Alex Scott, executive vice president at Another Planet Entertainment. “We are simply taking the time it takes to finalize the new location, making sure the new site will be one we can settle into for the foreseeable future.”\u003c/p>\n\u003cp>Previous iterations of Treasure Island Music Festival, which officially launched in 2007, were headlined by the likes of Outkast, Beck, LCD Soundsystem and Major Lazer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After 10 years, the Treasure Island Music Festival is taking a breather.\u003c/p>\n\u003cp>The two-day festival, held annually since 2007 on man-made Treasure Island, will not return this year, organizers said Wednesday in a press release. The festival is expected to return in 2018 at a different location.\u003c/p>\n\u003cp>“Although the event will no longer be held on Treasure Island, there are no plans to change the festival’s name, if for no other reason than to pay homage to the historic little island that was home to the event for a decade,” said the release.\u003c/p>\n\u003cp>Festival organizers Another Planet Entertainment and Noise Pop have yet to announce where the festival will take place in 2018.\u003c/p>\n\u003cp>The hiatus comes after \u003ca href=\"https://ww2.kqed.org/arts/2016/10/17/photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island/\">last year’s festival\u003c/a> was fraught with heavy rain and other issues. The decision to relocate was determined prior to the festival, as construction for the landmark Treasure Island Development project began in March last year on the island’s western shoreline. This resulted in a last-minute relocation for the festival from the Great Lawn to a barren area on the southeast corner of the island.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Some acts, including How to Dress Well and Glass Animals, performed abridged sets due to the heavy rain. Others, such as DJs Duke Dumont and Flight Facilities, cancelled their sets outright. To make up for his cancellation, James Blake performed a show at the Fox Theater the Monday after the festival that was free to festival ticketholders.\u003c/p>\n\u003cp class=\"p1\">“Last year’s festival had no impact on the decision to not hold a festival in 2017,” said Alex Scott, executive vice president at Another Planet Entertainment. “We are simply taking the time it takes to finalize the new location, making sure the new site will be one we can settle into for the foreseeable future.”\u003c/p>\n\u003cp>Previous iterations of Treasure Island Music Festival, which officially launched in 2007, were headlined by the likes of Outkast, Beck, LCD Soundsystem and Major Lazer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Photos and Highlights From TIMF 10: A Rain-Soaked, Final Fest on the Island",
"headTitle": "Photos and Highlights From TIMF 10: A Rain-Soaked, Final Fest on the Island | KQED",
"content": "\u003cp>\u003cem>[Ed. note: This year’s Treasure Island Music Festival, the two-day music fest’s \u003ca href=\"https://ww2.kqed.org/arts/2016/06/14/treasure-island-lineup-announced-sigur-ros-ice-cube-headline-final-year/\" target=\"_blank\" rel=\"noopener\">tenth and final year on its namesake island\u003c/a>, seemed momentous –and potentially fraught — from the start. Another Planet Entertainment delivered a killer lineup to mark the bittersweet occasion; then, a few weeks before the festival, announced that due to \u003ca href=\"https://ww2.kqed.org/arts/2016/09/27/this-years-treasure-island-music-festival-moves-to-eastern-shore/\" target=\"_blank\" rel=\"noopener\">impending development\u003c/a> this year’s party would take place away from its typical, iconic San Francisco skyline views, and instead be held on the island’s eastern shore — a site that up until then had mostly been dirt and concrete. \u003c/em> \u003cem>That was before anyone predicted the weather: Oct. 15 and 16 were \u003ca href=\"http://www.sfgate.com/bayarea/article/Rainfall-eclipses-average-October-totals-for-most-9976112.php\" target=\"_blank\" rel=\"noopener\">two of the wettest days Northern California has seen in months\u003c/a>. \u003c/em> \u003cem>Still, a spirit of “Who cares if we’re muddy, the show must go on” was evident everywhere this past weekend. Here, writer-photographer Estefany Gonzalez shares some images and notes.]\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_12217580\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-04-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217580\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-04-1-800x533.jpg\" alt=\"Creative costumes at TIMF 2016.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-04-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-04-1-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-04-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-04-1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-04-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-04-1-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Creative costumes at TIMF 2016. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rainy weather wreaked havoc on this year’s Treasure Island Music Festival. Saturday got off to a rocky start, with the Ferris wheel and silent disco closed down due to weather by 3pm. An hour later, the storm kicked into high gear — and announcements of pushed back (or canceled) performances began.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Crowd-Day-Two-03-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12217606\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Crowd-Day-Two-03-1-800x533.jpg\" alt=\"Crowd Day Two 03 (1)\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-Day-Two-03-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-Day-Two-03-1-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-Day-Two-03-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-Day-Two-03-1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-Day-Two-03-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-Day-Two-03-1-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12217574\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-03.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217574\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-03-800x500.jpg\" alt=\"Ponchos were the height of festival fashion. \" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-03-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-03-400x250.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-03-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-03-1180x737.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-03-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-03.jpg 1633w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ponchos were the height of festival fashion.\u003c/figcaption>\u003c/figure>\n\u003cp>The Polish Ambassador, a local who was added to the lineup four days prior, played a two-hour set to fill in the gap — and surprisingly did not run out of material.\u003c/p>\n\u003cfigure id=\"attachment_12217377\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Polish-Ambassador-01.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217377\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Polish-Ambassador-01-800x553.jpg\" alt=\"The Polish Ambassador\" width=\"800\" height=\"553\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Polish-Ambassador-01-800x553.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Polish-Ambassador-01-400x277.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Polish-Ambassador-01-768x531.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Polish-Ambassador-01-1180x816.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Polish-Ambassador-01-960x664.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Polish-Ambassador-01.jpg 1462w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Polish Ambassador \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Once the rain really started to pour down, festival-goers piled into lines at the merch booths for rain ponchos, which sold out by 5pm. With no signs of updated set times (\u003ca href=\"https://twitter.com/timfsf/status/787711964596187144\" target=\"_blank\" rel=\"noopener\">festival organizers apologized for the lack of communication in a statement the following morning\u003c/a>).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Kelela-in-crowd.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12217600\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Kelela-in-crowd-800x533.jpg\" alt=\"Kelela in crowd\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kelela-in-crowd-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kelela-in-crowd-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kelela-in-crowd-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kelela-in-crowd-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kelela-in-crowd.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kelela-in-crowd-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>Still, frustrated by the weather and delays, many attendees began to leave the fest.\u003c/p>\n\u003cp>At the height of Saturday’s storm Kamaiyah and her hype men took the stage in attempts to lighten the mood.\u003c/p>\n\u003cfigure id=\"attachment_12217374\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217374\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-02-800x533.jpg\" alt=\"Kamaiyah and her hypemen rocking ponchos with the best of them. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-02-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-02-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-02-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-02-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-02-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kamaiyah and her hypemen rocking ponchos with the best of them. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-03.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12217375\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-03-800x533.jpg\" alt=\"Kamaiyah and Hypemen 03\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-03-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-03-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-03-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-03-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-03.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-03-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>After, once the rain let up and most festival goers were drenched, a large crowd gathered around a fire installation by Charles Gadeken for warmth and shouts of “Fire, fire, fire,” when the artist turned up the flames.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-fire-stat-01-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12217379\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-fire-stat-01-1-800x533.jpg\" alt=\"Day one fire stat 01 (1)\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-fire-stat-01-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-fire-stat-01-1-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-fire-stat-01-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-fire-stat-01-1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-fire-stat-01-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-fire-stat-01-1-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>Young Thug didn’t make it onto the Bridge stage until around 7pm, once the rain had dissipated. Soon after, we saw many people rushing out of his set once he made comments like “This side ain’t turned up enough. What’s wrong with y’all?”\u003c/p>\n\u003cfigure id=\"attachment_12217378\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Young-Thug-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217378\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Young-Thug-02-800x533.jpg\" alt=\"Young Thug\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Young-Thug-02-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Young-Thug-02-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Young-Thug-02-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Young-Thug-02-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Young-Thug-02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Young-Thug-02-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Young Thug \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Luckily, despite technical problems, How To Dress Well had a more positive attitude about the rain. Front man Tom Krell told the audience he normally plays with 36 sound channels but would only be playing with six.\u003c/p>\n\u003cfigure id=\"attachment_12217373\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-How-To-Dress-Well-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217373\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-How-To-Dress-Well-02-800x534.jpg\" alt=\"How To Dress Well\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-How-To-Dress-Well-02-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-How-To-Dress-Well-02-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-How-To-Dress-Well-02-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-How-To-Dress-Well-02-1180x788.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-How-To-Dress-Well-02-960x641.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-How-To-Dress-Well-02.jpg 1434w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">How To Dress Well \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After the first song, the mood seemed to lighten. Krell earned a lot of cheers, but his set was cut down to three songs due to delays.\u003c/p>\n\u003cp>https://twitter.com/HowToDressWell/status/787508057584525312\u003c/p>\n\u003cp>Glass Animals also continued the positive attitude. Singer Dave Bayley thanked the crowd for braving the storm to see the band and even joined it at one point.\u003c/p>\n\u003cfigure id=\"attachment_12217372\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Glass-Animals-02-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217372\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Glass-Animals-02-1-800x533.jpg\" alt=\"Glass Animals\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Glass-Animals-02-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Glass-Animals-02-1-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Glass-Animals-02-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Glass-Animals-02-1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Glass-Animals-02-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Glass-Animals-02-1-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Glass Animals \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Artist response to the situation was, well, variable. Duke Dumont refused to play due to the poor weather. Festival employees told the audience it was “too wet” for Dumont, which he later clarified on Twitter meant that his audio equipment was flooded and the stage was being dismantled.\u003c/p>\n\u003cp>https://twitter.com/flightfac/status/787528714124873728\u003c/p>\n\u003cp>The rest of the festival continued without noticeable problems. ZHU commented on the weather during his set but told his audience not to worry. “Zhu is here for you,” he said.\u003c/p>\n\u003cfigure id=\"attachment_12217380\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Zhu-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12217380 size-medium\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Zhu-02-800x534.jpg\" alt=\"Zhu\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Zhu-02-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Zhu-02-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Zhu-02-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Zhu-02-1180x788.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Zhu-02-960x641.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Zhu-02.jpg 1380w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Zhu \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ice Cube energetically closed out the night on the main stage and reminded everyone that before he “made too many movies,” picking up a mic was where his career started.\u003c/p>\n\u003cfigure id=\"attachment_12217572\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Ice-Cube-03.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217572\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Ice-Cube-03-800x523.jpg\" alt=\"Ice Cube\" width=\"800\" height=\"523\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Ice-Cube-03-800x523.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Ice-Cube-03-400x261.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Ice-Cube-03-768x502.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Ice-Cube-03-1180x771.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Ice-Cube-03-960x627.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Ice-Cube-03.jpg 1414w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ice Cube \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12217598\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Ice-Cube-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217598\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Ice-Cube-02-800x533.jpg\" alt=\"Ice Cube\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Ice-Cube-02-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Ice-Cube-02-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Ice-Cube-02-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Ice-Cube-02-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Ice-Cube-02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Ice-Cube-02-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ice Cube\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day two’s weather started out much better.\u003c/strong> It also helped that attendees came better prepared with rain boots, ponchos and even some saucy two-piece rain gear.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Crowd-day-2-06.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12217597\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Crowd-day-2-06-800x533.jpg\" alt=\"Crowd day 2 06\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-day-2-06-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-day-2-06-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-day-2-06-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-day-2-06-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-day-2-06.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-day-2-06-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-07.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12217577\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-07-800x517.jpg\" alt=\"Day one Crowd 07\" width=\"800\" height=\"517\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-07-800x517.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-07-400x259.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-07-768x497.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-07-1180x763.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-07-960x621.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-07.jpg 1730w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12217588\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-01.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217588\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-01-800x533.jpg\" alt=\"Syvlan Esso\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-01-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-01-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-01-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-01-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-01.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-01-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Syvlan Esso \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sunday, as per the festival’s tradition, featured more electronic and dance bands, like Sylvan Esso and Neon Indian. The crowd seemed to be in a much better mood with the sun out.\u003c/p>\n\u003cfigure id=\"attachment_12217589\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217589\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-02-800x533.jpg\" alt=\"Sylvan Esso\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-02-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-02-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-02-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-02-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-02-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sylvan Esso \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Another highlight was San Francisco’s own Deafheaven, whose brand of metal was vastly different from any other act on the lineup; they gathered a large crowd and had one of the loudest sets at the festival.\u003c/p>\n\u003cfigure id=\"attachment_12217596\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Deafheaven-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217596\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Deafheaven-02-800x533.jpg\" alt=\"Deafheaven\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Deafheaven-02-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Deafheaven-02-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Deafheaven-02-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Deafheaven-02-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Deafheaven-02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Deafheaven-02-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Deafheaven\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12217592\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Neon-Indian-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217592\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Neon-Indian-02-800x541.jpg\" alt=\"Neon Indian\" width=\"800\" height=\"541\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Neon-Indian-02-800x541.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Neon-Indian-02-400x271.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Neon-Indian-02-768x520.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Neon-Indian-02-1180x798.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Neon-Indian-02-960x649.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Neon-Indian-02.jpg 1604w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Neon Indian \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12217587\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Tycho-01.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217587\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Tycho-01-800x538.jpg\" alt=\"Tycho\" width=\"800\" height=\"538\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Tycho-01-800x538.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Tycho-01-400x269.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Tycho-01-768x517.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Tycho-01-1180x794.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Tycho-01-960x646.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Tycho-01.jpg 1494w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tycho \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Overall, day two went smoothly until around 7pm when the rain picked up again and James Blake canceled his set due to high winds. (Earlier today, \u003ca href=\"http://www.apeconcerts.com/events/james-blake/\" target=\"_blank\" rel=\"noopener\">Blake announced a make-up show for tonight at Fox Theater, free to TIMF ticket holders.\u003c/a> Purity Ring and Sigur Ros were also pushed back around an hour.\u003c/p>\n\u003cfigure id=\"attachment_12217593\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Purity-Ring-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217593\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Purity-Ring-02-800x498.jpg\" alt=\"Purity Ring\" width=\"800\" height=\"498\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-02-800x498.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-02-400x249.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-02-768x478.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-02-1180x734.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-02-960x597.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-02.jpg 1564w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Purity Ring\u003c/figcaption>\u003c/figure>\n\u003cp>Despite the delay Purity Ring put on a great set. The band’s light show was beautiful to watch, and singer Megan James had the crowd captivated with her airy vocals.\u003c/p>\n\u003cfigure id=\"attachment_12217591\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Purity-Ring-03.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217591\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Purity-Ring-03-800x533.jpg\" alt=\"Purity Ring\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-03-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-03-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-03-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-03-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-03.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-03-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Purity Ring\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-01.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217573\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-01-800x533.jpg\" alt=\"C\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-01-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-01-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-01-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-01-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-01.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-01-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>Though the rain did put a dent in festival plans, most of the rain-drenched attendees didn’t seem to mind by the time Sigur Ros took the stage and closed out the night.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-02-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12217581\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-02-1-800x533.jpg\" alt=\"Day one Crowd 02 (1)\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-02-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-02-1-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-02-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-02-1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-02-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-02-1-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"excerpt": "For its tenth anniversary, Treasure Island Music Festival holds a muddy, slightly chaotic but very rock 'n' roll party in the middle of the bay -- through rain and shine. ",
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"description": "For its tenth anniversary, Treasure Island Music Festival holds a muddy, slightly chaotic but very rock 'n' roll party in the middle of the bay -- through rain and shine. ",
"title": "Photos and Highlights From TIMF 10: A Rain-Soaked, Final Fest on the Island | KQED",
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"headline": "Photos and Highlights From TIMF 10: A Rain-Soaked, Final Fest on the Island",
"datePublished": "2016-10-17T12:00:05-07:00",
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"slug": "photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island",
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"nprByline": "Estefany Gonzalez",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>[Ed. note: This year’s Treasure Island Music Festival, the two-day music fest’s \u003ca href=\"https://ww2.kqed.org/arts/2016/06/14/treasure-island-lineup-announced-sigur-ros-ice-cube-headline-final-year/\" target=\"_blank\" rel=\"noopener\">tenth and final year on its namesake island\u003c/a>, seemed momentous –and potentially fraught — from the start. Another Planet Entertainment delivered a killer lineup to mark the bittersweet occasion; then, a few weeks before the festival, announced that due to \u003ca href=\"https://ww2.kqed.org/arts/2016/09/27/this-years-treasure-island-music-festival-moves-to-eastern-shore/\" target=\"_blank\" rel=\"noopener\">impending development\u003c/a> this year’s party would take place away from its typical, iconic San Francisco skyline views, and instead be held on the island’s eastern shore — a site that up until then had mostly been dirt and concrete. \u003c/em> \u003cem>That was before anyone predicted the weather: Oct. 15 and 16 were \u003ca href=\"http://www.sfgate.com/bayarea/article/Rainfall-eclipses-average-October-totals-for-most-9976112.php\" target=\"_blank\" rel=\"noopener\">two of the wettest days Northern California has seen in months\u003c/a>. \u003c/em> \u003cem>Still, a spirit of “Who cares if we’re muddy, the show must go on” was evident everywhere this past weekend. Here, writer-photographer Estefany Gonzalez shares some images and notes.]\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_12217580\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-04-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217580\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-04-1-800x533.jpg\" alt=\"Creative costumes at TIMF 2016.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-04-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-04-1-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-04-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-04-1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-04-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-04-1-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Creative costumes at TIMF 2016. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rainy weather wreaked havoc on this year’s Treasure Island Music Festival. Saturday got off to a rocky start, with the Ferris wheel and silent disco closed down due to weather by 3pm. An hour later, the storm kicked into high gear — and announcements of pushed back (or canceled) performances began.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Crowd-Day-Two-03-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12217606\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Crowd-Day-Two-03-1-800x533.jpg\" alt=\"Crowd Day Two 03 (1)\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-Day-Two-03-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-Day-Two-03-1-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-Day-Two-03-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-Day-Two-03-1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-Day-Two-03-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-Day-Two-03-1-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12217574\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-03.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217574\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-03-800x500.jpg\" alt=\"Ponchos were the height of festival fashion. \" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-03-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-03-400x250.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-03-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-03-1180x737.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-03-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-03.jpg 1633w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ponchos were the height of festival fashion.\u003c/figcaption>\u003c/figure>\n\u003cp>The Polish Ambassador, a local who was added to the lineup four days prior, played a two-hour set to fill in the gap — and surprisingly did not run out of material.\u003c/p>\n\u003cfigure id=\"attachment_12217377\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Polish-Ambassador-01.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217377\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Polish-Ambassador-01-800x553.jpg\" alt=\"The Polish Ambassador\" width=\"800\" height=\"553\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Polish-Ambassador-01-800x553.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Polish-Ambassador-01-400x277.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Polish-Ambassador-01-768x531.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Polish-Ambassador-01-1180x816.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Polish-Ambassador-01-960x664.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Polish-Ambassador-01.jpg 1462w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Polish Ambassador \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Once the rain really started to pour down, festival-goers piled into lines at the merch booths for rain ponchos, which sold out by 5pm. With no signs of updated set times (\u003ca href=\"https://twitter.com/timfsf/status/787711964596187144\" target=\"_blank\" rel=\"noopener\">festival organizers apologized for the lack of communication in a statement the following morning\u003c/a>).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Kelela-in-crowd.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12217600\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Kelela-in-crowd-800x533.jpg\" alt=\"Kelela in crowd\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kelela-in-crowd-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kelela-in-crowd-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kelela-in-crowd-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kelela-in-crowd-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kelela-in-crowd.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kelela-in-crowd-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>Still, frustrated by the weather and delays, many attendees began to leave the fest.\u003c/p>\n\u003cp>At the height of Saturday’s storm Kamaiyah and her hype men took the stage in attempts to lighten the mood.\u003c/p>\n\u003cfigure id=\"attachment_12217374\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217374\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-02-800x533.jpg\" alt=\"Kamaiyah and her hypemen rocking ponchos with the best of them. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-02-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-02-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-02-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-02-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-02-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kamaiyah and her hypemen rocking ponchos with the best of them. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-03.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12217375\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-03-800x533.jpg\" alt=\"Kamaiyah and Hypemen 03\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-03-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-03-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-03-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-03-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-03.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Kamaiyah-and-Hypemen-03-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>After, once the rain let up and most festival goers were drenched, a large crowd gathered around a fire installation by Charles Gadeken for warmth and shouts of “Fire, fire, fire,” when the artist turned up the flames.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-fire-stat-01-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12217379\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-fire-stat-01-1-800x533.jpg\" alt=\"Day one fire stat 01 (1)\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-fire-stat-01-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-fire-stat-01-1-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-fire-stat-01-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-fire-stat-01-1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-fire-stat-01-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-fire-stat-01-1-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>Young Thug didn’t make it onto the Bridge stage until around 7pm, once the rain had dissipated. Soon after, we saw many people rushing out of his set once he made comments like “This side ain’t turned up enough. What’s wrong with y’all?”\u003c/p>\n\u003cfigure id=\"attachment_12217378\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Young-Thug-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217378\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Young-Thug-02-800x533.jpg\" alt=\"Young Thug\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Young-Thug-02-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Young-Thug-02-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Young-Thug-02-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Young-Thug-02-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Young-Thug-02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Young-Thug-02-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Young Thug \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Luckily, despite technical problems, How To Dress Well had a more positive attitude about the rain. Front man Tom Krell told the audience he normally plays with 36 sound channels but would only be playing with six.\u003c/p>\n\u003cfigure id=\"attachment_12217373\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-How-To-Dress-Well-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217373\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-How-To-Dress-Well-02-800x534.jpg\" alt=\"How To Dress Well\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-How-To-Dress-Well-02-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-How-To-Dress-Well-02-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-How-To-Dress-Well-02-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-How-To-Dress-Well-02-1180x788.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-How-To-Dress-Well-02-960x641.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-How-To-Dress-Well-02.jpg 1434w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">How To Dress Well \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After the first song, the mood seemed to lighten. Krell earned a lot of cheers, but his set was cut down to three songs due to delays.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Glass Animals also continued the positive attitude. Singer Dave Bayley thanked the crowd for braving the storm to see the band and even joined it at one point.\u003c/p>\n\u003cfigure id=\"attachment_12217372\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Glass-Animals-02-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217372\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Glass-Animals-02-1-800x533.jpg\" alt=\"Glass Animals\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Glass-Animals-02-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Glass-Animals-02-1-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Glass-Animals-02-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Glass-Animals-02-1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Glass-Animals-02-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Glass-Animals-02-1-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Glass Animals \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Artist response to the situation was, well, variable. Duke Dumont refused to play due to the poor weather. Festival employees told the audience it was “too wet” for Dumont, which he later clarified on Twitter meant that his audio equipment was flooded and the stage was being dismantled.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The rest of the festival continued without noticeable problems. ZHU commented on the weather during his set but told his audience not to worry. “Zhu is here for you,” he said.\u003c/p>\n\u003cfigure id=\"attachment_12217380\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Zhu-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12217380 size-medium\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Zhu-02-800x534.jpg\" alt=\"Zhu\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Zhu-02-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Zhu-02-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Zhu-02-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Zhu-02-1180x788.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Zhu-02-960x641.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Zhu-02.jpg 1380w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Zhu \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ice Cube energetically closed out the night on the main stage and reminded everyone that before he “made too many movies,” picking up a mic was where his career started.\u003c/p>\n\u003cfigure id=\"attachment_12217572\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Ice-Cube-03.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217572\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Ice-Cube-03-800x523.jpg\" alt=\"Ice Cube\" width=\"800\" height=\"523\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Ice-Cube-03-800x523.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Ice-Cube-03-400x261.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Ice-Cube-03-768x502.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Ice-Cube-03-1180x771.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Ice-Cube-03-960x627.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Ice-Cube-03.jpg 1414w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ice Cube \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12217598\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Ice-Cube-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217598\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Ice-Cube-02-800x533.jpg\" alt=\"Ice Cube\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Ice-Cube-02-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Ice-Cube-02-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Ice-Cube-02-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Ice-Cube-02-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Ice-Cube-02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Ice-Cube-02-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ice Cube\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day two’s weather started out much better.\u003c/strong> It also helped that attendees came better prepared with rain boots, ponchos and even some saucy two-piece rain gear.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Crowd-day-2-06.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12217597\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Crowd-day-2-06-800x533.jpg\" alt=\"Crowd day 2 06\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-day-2-06-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-day-2-06-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-day-2-06-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-day-2-06-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-day-2-06.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Crowd-day-2-06-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-07.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12217577\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-07-800x517.jpg\" alt=\"Day one Crowd 07\" width=\"800\" height=\"517\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-07-800x517.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-07-400x259.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-07-768x497.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-07-1180x763.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-07-960x621.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-07.jpg 1730w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12217588\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-01.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217588\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-01-800x533.jpg\" alt=\"Syvlan Esso\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-01-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-01-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-01-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-01-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-01.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-01-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Syvlan Esso \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sunday, as per the festival’s tradition, featured more electronic and dance bands, like Sylvan Esso and Neon Indian. The crowd seemed to be in a much better mood with the sun out.\u003c/p>\n\u003cfigure id=\"attachment_12217589\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217589\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-02-800x533.jpg\" alt=\"Sylvan Esso\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-02-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-02-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-02-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-02-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Sylvan-Esso-02-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sylvan Esso \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Another highlight was San Francisco’s own Deafheaven, whose brand of metal was vastly different from any other act on the lineup; they gathered a large crowd and had one of the loudest sets at the festival.\u003c/p>\n\u003cfigure id=\"attachment_12217596\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Deafheaven-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217596\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Deafheaven-02-800x533.jpg\" alt=\"Deafheaven\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Deafheaven-02-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Deafheaven-02-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Deafheaven-02-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Deafheaven-02-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Deafheaven-02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Deafheaven-02-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Deafheaven\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12217592\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Neon-Indian-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217592\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Neon-Indian-02-800x541.jpg\" alt=\"Neon Indian\" width=\"800\" height=\"541\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Neon-Indian-02-800x541.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Neon-Indian-02-400x271.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Neon-Indian-02-768x520.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Neon-Indian-02-1180x798.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Neon-Indian-02-960x649.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Neon-Indian-02.jpg 1604w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Neon Indian \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12217587\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Tycho-01.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217587\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Tycho-01-800x538.jpg\" alt=\"Tycho\" width=\"800\" height=\"538\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Tycho-01-800x538.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Tycho-01-400x269.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Tycho-01-768x517.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Tycho-01-1180x794.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Tycho-01-960x646.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Tycho-01.jpg 1494w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tycho \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Overall, day two went smoothly until around 7pm when the rain picked up again and James Blake canceled his set due to high winds. (Earlier today, \u003ca href=\"http://www.apeconcerts.com/events/james-blake/\" target=\"_blank\" rel=\"noopener\">Blake announced a make-up show for tonight at Fox Theater, free to TIMF ticket holders.\u003c/a> Purity Ring and Sigur Ros were also pushed back around an hour.\u003c/p>\n\u003cfigure id=\"attachment_12217593\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Purity-Ring-02.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217593\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Purity-Ring-02-800x498.jpg\" alt=\"Purity Ring\" width=\"800\" height=\"498\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-02-800x498.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-02-400x249.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-02-768x478.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-02-1180x734.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-02-960x597.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-02.jpg 1564w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Purity Ring\u003c/figcaption>\u003c/figure>\n\u003cp>Despite the delay Purity Ring put on a great set. The band’s light show was beautiful to watch, and singer Megan James had the crowd captivated with her airy vocals.\u003c/p>\n\u003cfigure id=\"attachment_12217591\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Purity-Ring-03.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217591\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Purity-Ring-03-800x533.jpg\" alt=\"Purity Ring\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-03-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-03-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-03-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-03-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-03.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Purity-Ring-03-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Purity Ring\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-01.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12217573\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-01-800x533.jpg\" alt=\"C\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-01-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-01-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-01-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-01-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-01.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-in-rain-01-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>Though the rain did put a dent in festival plans, most of the rain-drenched attendees didn’t seem to mind by the time Sigur Ros took the stage and closed out the night.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-02-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12217581\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-02-1-800x533.jpg\" alt=\"Day one Crowd 02 (1)\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-02-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-02-1-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-02-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-02-1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-02-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Day-one-Crowd-02-1-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"onourwatch": {
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"on-the-media": {
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"order": 5
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5Nzk2MzI2MTEx",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
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"link": "/radio/program/possible",
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