A New Piece of Public Art Makes a Point Above Yerba Buena Island
As a Filipino American, Dungeness Crab Was Part of My OG San Francisco Childhood
Full Treasure Island 2018 Lineup: Tame Impala, A$AP Rocky, Diplo, More
Treasure Island Music Festival to Return, Relocate to Oakland Shore in 2018
SF Arts Commission to Vote for Three Initial Treasure Island Art Projects
Treasure Island Music Festival Postponed for 2017
Sponsored
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Below is everything you need to know about the new piece of public art by world-renowned artist, \u003ca href=\"https://www.sugimotohiroshi.com/\">Hiroshi Sugimoto\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>So what is it?\u003c/strong>\u003c/p>\n\u003cp>It’s called \u003cem>Point of Infinity\u003c/em>. Sugimoto says an infinity point “means the edge of the universe.” Contemplating that idea, he designed a conceptual piece that he describes as “two lines coming closer and closer, but never meeting. But finding that the meeting point was at the infinity point.”\u003c/p>\n\u003cp>Sugimoto is best known for his black-and-white photography, but over his long career, he has also created a number of \u003ca href=\"https://www.sugimotohiroshi.com/site-specific-arts\">site-specific works\u003c/a> like the one that now sits atop Yerba Buena Island.\u003c/p>\n\u003cfigure id=\"attachment_13930371\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930371\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/Sugimoto-with-Point-of-Infinity-800x1260.jpg\" alt=\"A man in a white coat and jeans stands in front of a large sculpture.\" width=\"800\" height=\"1260\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Sugimoto-with-Point-of-Infinity-800x1260.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Sugimoto-with-Point-of-Infinity-160x252.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Sugimoto-with-Point-of-Infinity-768x1209.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Sugimoto-with-Point-of-Infinity.jpg 813w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The artist, Hiroshi Sugimoto, with his work, “Point of Infinity.” \u003ccite>(Sugimoto Studio)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For this work, he also drew inspiration from Treasure Island’s history. The island was originally built to host the Golden Gate International Exposition (aka the World’s Fair) in 1939, which featured a sundial sculpture called \u003cem>\u003ca href=\"https://calisphere.org/item/f42e9a38615e276872ede846cc59b6d2/\">Tower of the Sun\u003c/a>\u003c/em>. Sugimoto says a sense of time is a key concept in all his art and \u003cem>Point of Infinity\u003c/em> is also meant to serve as a sundial on the spring and autumnal equinoxes.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I think this can be like an ancient ruin. A symbol of this 21st century civilization,” Sugimoto said at a press event earlier this week. “Just in case humans disappeared, this piece would remain, as we look at the Egyptian pyramids [from] 5,000 years before. So I hope this can be a symbol of our time of civilization.”\u003c/p>\n\u003cp>\u003cstrong>Is it a sculpture or …?\u003c/strong>\u003c/p>\n\u003cp>Technically, yes. But more specifically, Sugimoto describes it as “a mathematical model, [that] has a sculptural form.” He’s done this kind of \u003ca href=\"https://www.sugimotohiroshi.com/mathematical-models\">mathematical modeling\u003c/a> with his art before; he actually used math equations to achieve this design.\u003c/p>\n\u003cp>The base is made out of concrete panels reinforced by glass fiber that gives it a slight mosaic look when seen up close, and the upper part is mirror-polished marine-grade stainless steel.\u003c/p>\n\u003cp>\u003cstrong>How big is \u003cem>Point of Infinity\u003c/em>?\u003c/strong>\u003c/p>\n\u003cp>It’s 69 feet tall with a 23-foot base that tapers to the point, which is just a teeny-tiny seven-eighths of an inch.\u003c/p>\n\u003cfigure id=\"attachment_13930380\" class=\"wp-caption aligncenter\" style=\"max-width: 1280px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13930380 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/Point-of-Infinty-Alt-View.jpg\" alt=\"A gray and silver sculpture in a park.\" width=\"1280\" height=\"719\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinty-Alt-View.jpg 1280w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinty-Alt-View-800x449.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinty-Alt-View-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinty-Alt-View-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinty-Alt-View-768x431.jpg 768w\" sizes=\"(max-width: 1280px) 100vw, 1280px\">\u003cfigcaption class=\"wp-caption-text\">“Point of Infinity” sculpture in Hilltop Park on Yerba Buena Island with a view of Treasure Island. \u003ccite>(Sugimoto Studio)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What’s it doing on Yerba Buena Island?\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Point of Infinity\u003c/em> is the inaugural artwork commissioned for the \u003ca href=\"https://www.sfartscommission.org/content/treasure-island-arts-master-plan\">Treasure Island Art Program\u003c/a>, a project run by the San Francisco Arts Commission and the \u003ca href=\"https://sf.gov/information/treasure-islandyerba-buena-island-development-project\">Treasure Island Development Authority\u003c/a>.\u003c/p>\n\u003cp>[aside postID='arts_10826872']In 2005, when plans to redevelop Treasure Island were taking shape, Jill Manton, the director of the SFAC’s Public Art Trust and Special Initiatives, successfully lobbied then-mayor Gavin Newsom to apply a city rule that new building projects set aside one percent of the construction budget for public art. That translates to a fund of up to $50 million for the Treasure Island Art Program.\u003c/p>\n\u003cp>When the program issued a public call for artwork, Sugimoto was one of the first to apply, and was ultimately selected from a finalist pool that included artists Chakaia Booker and Andy Goldsworthy. A number of other to-be-revealed works are currently in progress, but Sugimoto’s \u003cem>Point of Infinity\u003c/em> leads the charge.\u003c/p>\n\u003cp>“When I saw his sculpture on the site, I was moved to tears,” Manton said. “Because it was really the fulfillment of a dream that I had to make Treasure Island this incredible destination for the arts. And what better way than to start with a truly landmark, monumental artwork like this?”\u003c/p>\n\u003cfigure id=\"attachment_13930372\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930372\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/Point-of-Infinity-Nighttime-800x540.jpg\" alt=\"A sculpture on a hill at night.\" width=\"800\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinity-Nighttime-800x540.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinity-Nighttime-1020x689.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinity-Nighttime-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinity-Nighttime-768x518.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinity-Nighttime.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A view of “Point of Infinity” on Yerba Buena Island at night. \u003ccite>(Sugimoto Studio)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Where exactly is it located? \u003c/strong>\u003c/p>\n\u003cp>\u003cem>Point of Infinity\u003c/em> sits in \u003ca href=\"https://www.hooddesignstudio.com/hilltop\">Hilltop Park\u003c/a>, one of two new parks designed by \u003ca href=\"https://www.hooddesignstudio.com/\">Hood Design Studio\u003c/a>, the firm of Bay Area landscape architect and MacArthur ‘Genius’ grant recipient \u003ca href=\"https://www.macfound.org/fellows/class-of-2019/walter-hood#searchresults\">Walter Hood\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Can anyone go to the park and see it up close?\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Soon! Both the park and artwork are expected to open to the public in November. In addition to seeing \u003cem>Point of Infinity\u003c/em>, you will have a beautiful 360-degree view of the Bay. So when you visit, you could say you’re looking to infinity … and beyond.\u003c/p>\n\n","blocks":[],"excerpt":"Have you spied a silvery spire from the freeway? We’ve got the answers to all your questions about Hiroshi Sugimoto’s new sculpture.","status":"publish","parent":0,"modified":1705005390,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":22,"wordCount":765},"headData":{"title":"New Public Art Makes a Point Above Yerba Buena Island | KQED","description":"Have you spied a silvery spire from the freeway? We’ve got the answers to all your questions about Hiroshi Sugimoto’s new sculpture.","ogTitle":"A New Piece of Public Art Makes a Point Above Yerba Buena Island","ogDescription":"","ogImgId":"","twTitle":"A New Piece of Public Art Makes a Point Above Yerba Buena Island","twDescription":"","twImgId":"","socialTitle":"New Public Art Makes a Point Above Yerba Buena Island %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"A New Piece of Public Art Makes a Point Above Yerba Buena Island","datePublished":"2023-06-10T00:14:36.000Z","dateModified":"2024-01-11T20:36:30.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-4[…]f-aaef00f5a073/df24bac7-34c8-4507-a7db-b0200119868c/audio.mp3","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13930310/hiroshi-sugimoto-yerba-buena-island-public-art","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>While crossing the Bay Bridge or looking out from the Embarcadero, you may have noticed a silvery, pointy, futuristic-looking shape atop the western part of Yerba Buena Island. Below is everything you need to know about the new piece of public art by world-renowned artist, \u003ca href=\"https://www.sugimotohiroshi.com/\">Hiroshi Sugimoto\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>So what is it?\u003c/strong>\u003c/p>\n\u003cp>It’s called \u003cem>Point of Infinity\u003c/em>. Sugimoto says an infinity point “means the edge of the universe.” Contemplating that idea, he designed a conceptual piece that he describes as “two lines coming closer and closer, but never meeting. But finding that the meeting point was at the infinity point.”\u003c/p>\n\u003cp>Sugimoto is best known for his black-and-white photography, but over his long career, he has also created a number of \u003ca href=\"https://www.sugimotohiroshi.com/site-specific-arts\">site-specific works\u003c/a> like the one that now sits atop Yerba Buena Island.\u003c/p>\n\u003cfigure id=\"attachment_13930371\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930371\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/Sugimoto-with-Point-of-Infinity-800x1260.jpg\" alt=\"A man in a white coat and jeans stands in front of a large sculpture.\" width=\"800\" height=\"1260\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Sugimoto-with-Point-of-Infinity-800x1260.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Sugimoto-with-Point-of-Infinity-160x252.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Sugimoto-with-Point-of-Infinity-768x1209.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Sugimoto-with-Point-of-Infinity.jpg 813w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The artist, Hiroshi Sugimoto, with his work, “Point of Infinity.” \u003ccite>(Sugimoto Studio)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For this work, he also drew inspiration from Treasure Island’s history. The island was originally built to host the Golden Gate International Exposition (aka the World’s Fair) in 1939, which featured a sundial sculpture called \u003cem>\u003ca href=\"https://calisphere.org/item/f42e9a38615e276872ede846cc59b6d2/\">Tower of the Sun\u003c/a>\u003c/em>. Sugimoto says a sense of time is a key concept in all his art and \u003cem>Point of Infinity\u003c/em> is also meant to serve as a sundial on the spring and autumnal equinoxes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I think this can be like an ancient ruin. A symbol of this 21st century civilization,” Sugimoto said at a press event earlier this week. “Just in case humans disappeared, this piece would remain, as we look at the Egyptian pyramids [from] 5,000 years before. So I hope this can be a symbol of our time of civilization.”\u003c/p>\n\u003cp>\u003cstrong>Is it a sculpture or …?\u003c/strong>\u003c/p>\n\u003cp>Technically, yes. But more specifically, Sugimoto describes it as “a mathematical model, [that] has a sculptural form.” He’s done this kind of \u003ca href=\"https://www.sugimotohiroshi.com/mathematical-models\">mathematical modeling\u003c/a> with his art before; he actually used math equations to achieve this design.\u003c/p>\n\u003cp>The base is made out of concrete panels reinforced by glass fiber that gives it a slight mosaic look when seen up close, and the upper part is mirror-polished marine-grade stainless steel.\u003c/p>\n\u003cp>\u003cstrong>How big is \u003cem>Point of Infinity\u003c/em>?\u003c/strong>\u003c/p>\n\u003cp>It’s 69 feet tall with a 23-foot base that tapers to the point, which is just a teeny-tiny seven-eighths of an inch.\u003c/p>\n\u003cfigure id=\"attachment_13930380\" class=\"wp-caption aligncenter\" style=\"max-width: 1280px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13930380 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/Point-of-Infinty-Alt-View.jpg\" alt=\"A gray and silver sculpture in a park.\" width=\"1280\" height=\"719\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinty-Alt-View.jpg 1280w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinty-Alt-View-800x449.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinty-Alt-View-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinty-Alt-View-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinty-Alt-View-768x431.jpg 768w\" sizes=\"(max-width: 1280px) 100vw, 1280px\">\u003cfigcaption class=\"wp-caption-text\">“Point of Infinity” sculpture in Hilltop Park on Yerba Buena Island with a view of Treasure Island. \u003ccite>(Sugimoto Studio)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What’s it doing on Yerba Buena Island?\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Point of Infinity\u003c/em> is the inaugural artwork commissioned for the \u003ca href=\"https://www.sfartscommission.org/content/treasure-island-arts-master-plan\">Treasure Island Art Program\u003c/a>, a project run by the San Francisco Arts Commission and the \u003ca href=\"https://sf.gov/information/treasure-islandyerba-buena-island-development-project\">Treasure Island Development Authority\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_10826872","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>In 2005, when plans to redevelop Treasure Island were taking shape, Jill Manton, the director of the SFAC’s Public Art Trust and Special Initiatives, successfully lobbied then-mayor Gavin Newsom to apply a city rule that new building projects set aside one percent of the construction budget for public art. That translates to a fund of up to $50 million for the Treasure Island Art Program.\u003c/p>\n\u003cp>When the program issued a public call for artwork, Sugimoto was one of the first to apply, and was ultimately selected from a finalist pool that included artists Chakaia Booker and Andy Goldsworthy. A number of other to-be-revealed works are currently in progress, but Sugimoto’s \u003cem>Point of Infinity\u003c/em> leads the charge.\u003c/p>\n\u003cp>“When I saw his sculpture on the site, I was moved to tears,” Manton said. “Because it was really the fulfillment of a dream that I had to make Treasure Island this incredible destination for the arts. And what better way than to start with a truly landmark, monumental artwork like this?”\u003c/p>\n\u003cfigure id=\"attachment_13930372\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930372\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/Point-of-Infinity-Nighttime-800x540.jpg\" alt=\"A sculpture on a hill at night.\" width=\"800\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinity-Nighttime-800x540.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinity-Nighttime-1020x689.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinity-Nighttime-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinity-Nighttime-768x518.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Point-of-Infinity-Nighttime.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A view of “Point of Infinity” on Yerba Buena Island at night. \u003ccite>(Sugimoto Studio)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Where exactly is it located? \u003c/strong>\u003c/p>\n\u003cp>\u003cem>Point of Infinity\u003c/em> sits in \u003ca href=\"https://www.hooddesignstudio.com/hilltop\">Hilltop Park\u003c/a>, one of two new parks designed by \u003ca href=\"https://www.hooddesignstudio.com/\">Hood Design Studio\u003c/a>, the firm of Bay Area landscape architect and MacArthur ‘Genius’ grant recipient \u003ca href=\"https://www.macfound.org/fellows/class-of-2019/walter-hood#searchresults\">Walter Hood\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Can anyone go to the park and see it up close?\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Soon! Both the park and artwork are expected to open to the public in November. In addition to seeing \u003cem>Point of Infinity\u003c/em>, you will have a beautiful 360-degree view of the Bay. So when you visit, you could say you’re looking to infinity … and beyond.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13930310/hiroshi-sugimoto-yerba-buena-island-public-art","authors":["11296"],"categories":["arts_1","arts_70"],"tags":["arts_10278","arts_2628","arts_1879","arts_1925"],"featImg":"arts_13930376","label":"arts"},"arts_13923127":{"type":"posts","id":"arts_13923127","meta":{"index":"posts_1591205157","site":"arts","id":"13923127","score":null,"sort":[1672772965000]},"guestAuthors":[],"slug":"dungeness-crab-fishing-filipino-american-treasure-island-san-francisco","title":"As a Filipino American, Dungeness Crab Was Part of My OG San Francisco Childhood","publishDate":1672772965,"format":"standard","headTitle":"As a Filipino American, Dungeness Crab Was Part of My OG San Francisco Childhood | KQED","labelTerm":{},"content":"\u003cp>\u003cstrong>\u003cem>Frisco Foodies is a recurring column in which a San Francisco local shares food memories of growing up in a now rapidly changing city.\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[dropcap]I[/dropcap] never learned how to fish when I was growing up in San Francisco, but I did learn how to go crabbing. We lived on Treasure Island — or T.I., as the locals call it — back when the man-made island was still an active naval base. All through my childhood, I was surrounded by the damp, salty smell of waves crashing upon an artificial seawall — the cawing of gulls, faint tapping of metal hooks on flagpoles and ever-present foghorn in the distance.\u003c/p>\n\u003cp>On winter nights, when the weather permitted, my friends and I would bundle up and walk out onto the wooden pier with a crab net, a package of defrosted chicken thighs ready to be strapped into the bait cage. As a kid, it was staying up late that made it exciting — the fattest Dungeness mostly fed at night. As a teenager, it was the camaraderie of wind-whipped faces and timing our beers to when we pulled up the net to examine our haul. I learned how to pick a stray crab up off a net — from behind — before it could scuttle away on the pier, then flip it over to see if we were lucky enough to get some roe out of the catch.\u003c/p>\n\u003cp>When our eyes started drooping and our stomachs started growling, we’d head back to the house for a feast.\u003c/p>\n\u003cfigure id=\"attachment_13923170\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13923170\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg\" alt=\"Rocky Rivera watches from a camping chair while her cousin-in-law prepares a crab net.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Rocky Rivera watches while her cousin-in-law, Alyssa Tiglao (foreground), prepares the crab net at the Pacifica Municipal Pier. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Every Filipino American knows that the first order of duty after placing the crabs in the sink is to cook the rice, which was the only other dish we’d prepare to make it a full meal. Someone would boil the water or fire up the oven, and then each household would cook the crab according to their preferred method. Most of us boiled them in seawater (or salted water) to season the meat. We learned to first freeze the crabs to make them sleepy, then throw them in a steamer pot so that they retained their natural salinity.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>My sister always took the additional step of cracking each joint and pouring melted butter with garlic, tarragon, chili flakes and lemongrass over the crabs, then placing them in a hot oven to roast. Those extra ten minutes elevated the whole experience.\u003c/p>\n\u003cp>When the crab was finally ready to eat, the rice pot went still steaming to the table, along with a saucer of tiltilan for each person so we could dip the crab into the mixture of cane vinegar, smashed garlic, salt and pepper before scooping up rice with our hands. Food always tasted better kamayan-style. After each delicious bite, we’d spoon crab liver and roe over the hot rice and savor the luxurious flavor that had only cost us our sleep and mild hypothermia — a cost we were always willing to pay. Each of us would eat at least three Dungeness apiece.\u003c/p>\n\u003cfigure id=\"attachment_13923173\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13923173\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/RS61768_005_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg\" alt=\"Hands tying the rope knots on a crab net.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61768_005_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61768_005_KQEDArts_RockyRiveraCrabbing_12192022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61768_005_KQEDArts_RockyRiveraCrabbing_12192022-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61768_005_KQEDArts_RockyRiveraCrabbing_12192022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61768_005_KQEDArts_RockyRiveraCrabbing_12192022-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61768_005_KQEDArts_RockyRiveraCrabbing_12192022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Tying the rope knots on the crab net. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For Filipinos, our connection with crabs is baked right into the culture. According to old folk tales, Tambanokano was a gigantic crab who was a child of the Sun and Moon. He lived in a hole in the bottom of the ocean and controlled the tides with his movement. He was so powerful that every time he opened and closed his eyes, a bolt of lightning would flash.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13921079,arts_13915581']\u003c/span>Sometimes when Tambanokano would argue with his parents, he became so upset with his mother, the Moon, that he would chase after her and try to swallow her. The villagers would come out with their drums and scare him away in order to save the Moon — an early explanation for what I assume were lunar eclipses.\u003c/p>\n\u003cp>I thought about those stories during the last dog days of summer this past year, on a day forecasted to be so hot that I’d schemed a coastal escape the night before. I wanted to get an early start toward Highway 1 from Oakland to beat the inland heat, so I called my cousin Nina in Pacifica, crossing my fingers that she was around for an impromptu beach day.\u003c/p>\n\u003cp>I parked at her place, migrating my beach bag to the backseat of her car while she recited, “Hail Mary, full of grace, let us find a parking space.” It must have worked because someone left, and Nina busted a U so fast on the 1, we got honked at. We waved them off. As locals, sometimes audacity is all we got when it comes to prime parking. By 11 a.m. the cars were so backed up along the 1 that they looked like a glittering snake on the cliffside.\u003c/p>\n\u003cfigure id=\"attachment_13923175\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13923175 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/RS61783_022_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg\" alt=\"One tiny crab scuttling along the edge of a crab net.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61783_022_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61783_022_KQEDArts_RockyRiveraCrabbing_12192022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61783_022_KQEDArts_RockyRiveraCrabbing_12192022-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61783_022_KQEDArts_RockyRiveraCrabbing_12192022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61783_022_KQEDArts_RockyRiveraCrabbing_12192022-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61783_022_KQEDArts_RockyRiveraCrabbing_12192022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">One tiny Dungeness crab — too small to keep — scuttles around the edge of the net. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[aside link1='https://youtu.be/4Ewc9krGDBQ?t=122,Watch: Fishing for the Best Catches at Pillar Point Harbor' hero='https://ww2.kqed.org/app/uploads/sites/2/2022/12/Screen-Shot-2022-12-30-at-4.32.13-PM-e1672447239257.png' heroURL='https://youtu.be/4Ewc9krGDBQ?t=122']After soaking up all the rays I could get, I decided to cool off in the surf, which was when a big wave sent something tumbling onto my legs. It was a full-grown Dungeness crab, so close to me I instinctively bent down to pick it up off the sand. In that split second, I thought, “Wait…what do I look like bringing in a whole-ass crab with no cooler to put it in? With my bare hands?!” In that moment of hesitation, the ocean washed the crab away. When I looked over at Nina, I saw a crab at her feet, too, right before it was carried away by an incoming wave.\u003c/p>\n\u003cp>All we could do was shake our heads at the Disney \u003ci>Moana\u003c/i>-like ocean experience. And to both of us?\u003c/p>\n\u003cp>In all the times my cousins and I played in the ocean together as kids, it had never gifted us a Dungeness to our feet. But now, thousands of miles away from our motherland, the ancestors were kind enough to show themselves through this duo of surfing crabs. Maybe the great Tambonokano was still working his magic on the tides and waves, after all.\u003c/p>\n\u003cfigure id=\"attachment_13923178\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13923178\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/RS61769_003_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg\" alt=\"A toddler, bundled up in warm winter clothes, eats a cracker during a family crabbing trip.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61769_003_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61769_003_KQEDArts_RockyRiveraCrabbing_12192022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61769_003_KQEDArts_RockyRiveraCrabbing_12192022-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61769_003_KQEDArts_RockyRiveraCrabbing_12192022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61769_003_KQEDArts_RockyRiveraCrabbing_12192022-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61769_003_KQEDArts_RockyRiveraCrabbing_12192022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The author’s nephew, Kannon Scott-de Leon, on his first crabbing trip. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For the past four years, our family’s crab tradition has been postponed later and later due to the spread of toxic algae in the warming western waters where the Dungeness crabs live. This year’s commercial crab season was supposed to start on Dec. 1, my birthday, before it got pushed back again to the 31st. We’ve played it safe and waited patiently, but the only redeeming quality about having a birthday in December is crab season. Real Frisco heads know this.\u003c/p>\n\u003cp>But with the price of everything in our city going up, and pollution pushing our annual crab feasts further back, this pastime could be soon over by the time my daughter is old enough to throw her own crab net into the Bay.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[pullquote size=\"large\" align=\"right\"]“Maybe that’s the mark of a real San Franciscan: that you love something that no longer exists, or that’s slipping away before your very eyes.”[/pullquote]\u003c/span>The wooden pier on Treasure Island where my family used to crab was condemned, then demolished, a couple years back, replaced by a small ferry pier. And catching Dungeness within the San Francisco Bay hasn’t been legal since the early 2000s anyway. Recently, a young architectural intern showed me a render of plans for the new T.I., in which glass-covered condo skyscrapers would replace the old aviation museum and soldier barracks. Even though those of us who grew up in the tiny island community always knew about the real estate potential and million-dollar view, it’s still strange to see the construction cranes \u003ca href=\"https://youtu.be/qJVTQi1KXzg\">making those changes a reality\u003c/a>.\u003c/p>\n\u003cp>Maybe that’s the mark of a real San Franciscan: that you love something that no longer exists, or that’s slipping away before your very eyes.\u003c/p>\n\u003cfigure id=\"attachment_13923179\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13923179\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/RS61788_024_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg\" alt=\"A nighttime family portrait taken on the pier in Pacifica.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61788_024_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61788_024_KQEDArts_RockyRiveraCrabbing_12192022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61788_024_KQEDArts_RockyRiveraCrabbing_12192022-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61788_024_KQEDArts_RockyRiveraCrabbing_12192022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61788_024_KQEDArts_RockyRiveraCrabbing_12192022-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61788_024_KQEDArts_RockyRiveraCrabbing_12192022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">For Rocky Rivera, crab fishing has always been a family affair. Pictured from left to right: Alyssa Tiglao, Kannon Scott-de Leon, Mark Scott-de Leon, Makai Scott-de Leon, Nina Parks and Rivera. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Yet at the start of every crab season, I still splurge. On Christmas, when my sister is in town, we head over to Ranch 99 or the Pacific Supermarket on Alemany Ave. and prepare a whole platter in the way we know best, extra steps and all. We don’t forget to pick up some newspapers outside of the store — no one reads ’em anyway — and drape them over the table to absorb the butter and hold the shells.\u003c/p>\n\u003cp>I tell myself that with all the practice from childhood, I could have caught Tambanokano himself with my bare hands. But that magical crab wouldn’t have been pleased. Every responsible crabber knows that we only take what’s necessary and leave the rest for next year’s catch.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/arts/13921079/mom-tribute-dia-de-los-muertos-filipino-food-altar-frisco-foodies\">Rocky Rivera\u003c/a> is a journalist, emcee, author and activist from San Francisco. She has four musical projects out, three of those with her label Beatrock Music. She released her first book last year, entitled \u003c/em>Snakeskin: Essays by Rocky Rivera\u003cem>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The author's memories of crab fishing on Treasure Island are in danger of becoming a relic of the past.","status":"publish","parent":0,"modified":1705006019,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":24,"wordCount":1651},"headData":{"title":"As a Filipino American, Dungeness Crab Was Part of My OG San Francisco Childhood | KQED","description":"The author's memories of crab fishing on Treasure Island are in danger of becoming a relic of the past.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"As a Filipino American, Dungeness Crab Was Part of My OG San Francisco Childhood","datePublished":"2023-01-03T19:09:25.000Z","dateModified":"2024-01-11T20:46:59.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Frisco Foodies","sourceUrl":"https://www.kqed.org/arts/tag/frisco-foodies","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13923127/dungeness-crab-fishing-filipino-american-treasure-island-san-francisco","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>\u003cem>Frisco Foodies is a recurring column in which a San Francisco local shares food memories of growing up in a now rapidly changing city.\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">I\u003c/span>\u003c/p>\u003cp> never learned how to fish when I was growing up in San Francisco, but I did learn how to go crabbing. We lived on Treasure Island — or T.I., as the locals call it — back when the man-made island was still an active naval base. All through my childhood, I was surrounded by the damp, salty smell of waves crashing upon an artificial seawall — the cawing of gulls, faint tapping of metal hooks on flagpoles and ever-present foghorn in the distance.\u003c/p>\n\u003cp>On winter nights, when the weather permitted, my friends and I would bundle up and walk out onto the wooden pier with a crab net, a package of defrosted chicken thighs ready to be strapped into the bait cage. As a kid, it was staying up late that made it exciting — the fattest Dungeness mostly fed at night. As a teenager, it was the camaraderie of wind-whipped faces and timing our beers to when we pulled up the net to examine our haul. I learned how to pick a stray crab up off a net — from behind — before it could scuttle away on the pier, then flip it over to see if we were lucky enough to get some roe out of the catch.\u003c/p>\n\u003cp>When our eyes started drooping and our stomachs started growling, we’d head back to the house for a feast.\u003c/p>\n\u003cfigure id=\"attachment_13923170\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13923170\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg\" alt=\"Rocky Rivera watches from a camping chair while her cousin-in-law prepares a crab net.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Rocky Rivera watches while her cousin-in-law, Alyssa Tiglao (foreground), prepares the crab net at the Pacifica Municipal Pier. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Every Filipino American knows that the first order of duty after placing the crabs in the sink is to cook the rice, which was the only other dish we’d prepare to make it a full meal. Someone would boil the water or fire up the oven, and then each household would cook the crab according to their preferred method. Most of us boiled them in seawater (or salted water) to season the meat. We learned to first freeze the crabs to make them sleepy, then throw them in a steamer pot so that they retained their natural salinity.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>My sister always took the additional step of cracking each joint and pouring melted butter with garlic, tarragon, chili flakes and lemongrass over the crabs, then placing them in a hot oven to roast. Those extra ten minutes elevated the whole experience.\u003c/p>\n\u003cp>When the crab was finally ready to eat, the rice pot went still steaming to the table, along with a saucer of tiltilan for each person so we could dip the crab into the mixture of cane vinegar, smashed garlic, salt and pepper before scooping up rice with our hands. Food always tasted better kamayan-style. After each delicious bite, we’d spoon crab liver and roe over the hot rice and savor the luxurious flavor that had only cost us our sleep and mild hypothermia — a cost we were always willing to pay. Each of us would eat at least three Dungeness apiece.\u003c/p>\n\u003cfigure id=\"attachment_13923173\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13923173\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/RS61768_005_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg\" alt=\"Hands tying the rope knots on a crab net.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61768_005_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61768_005_KQEDArts_RockyRiveraCrabbing_12192022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61768_005_KQEDArts_RockyRiveraCrabbing_12192022-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61768_005_KQEDArts_RockyRiveraCrabbing_12192022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61768_005_KQEDArts_RockyRiveraCrabbing_12192022-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61768_005_KQEDArts_RockyRiveraCrabbing_12192022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Tying the rope knots on the crab net. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For Filipinos, our connection with crabs is baked right into the culture. According to old folk tales, Tambanokano was a gigantic crab who was a child of the Sun and Moon. He lived in a hole in the bottom of the ocean and controlled the tides with his movement. He was so powerful that every time he opened and closed his eyes, a bolt of lightning would flash.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13921079,arts_13915581","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>Sometimes when Tambanokano would argue with his parents, he became so upset with his mother, the Moon, that he would chase after her and try to swallow her. The villagers would come out with their drums and scare him away in order to save the Moon — an early explanation for what I assume were lunar eclipses.\u003c/p>\n\u003cp>I thought about those stories during the last dog days of summer this past year, on a day forecasted to be so hot that I’d schemed a coastal escape the night before. I wanted to get an early start toward Highway 1 from Oakland to beat the inland heat, so I called my cousin Nina in Pacifica, crossing my fingers that she was around for an impromptu beach day.\u003c/p>\n\u003cp>I parked at her place, migrating my beach bag to the backseat of her car while she recited, “Hail Mary, full of grace, let us find a parking space.” It must have worked because someone left, and Nina busted a U so fast on the 1, we got honked at. We waved them off. As locals, sometimes audacity is all we got when it comes to prime parking. By 11 a.m. the cars were so backed up along the 1 that they looked like a glittering snake on the cliffside.\u003c/p>\n\u003cfigure id=\"attachment_13923175\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13923175 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/RS61783_022_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg\" alt=\"One tiny crab scuttling along the edge of a crab net.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61783_022_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61783_022_KQEDArts_RockyRiveraCrabbing_12192022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61783_022_KQEDArts_RockyRiveraCrabbing_12192022-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61783_022_KQEDArts_RockyRiveraCrabbing_12192022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61783_022_KQEDArts_RockyRiveraCrabbing_12192022-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61783_022_KQEDArts_RockyRiveraCrabbing_12192022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">One tiny Dungeness crab — too small to keep — scuttles around the edge of the net. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"link1":"https://youtu.be/4Ewc9krGDBQ?t=122,Watch: Fishing for the Best Catches at Pillar Point Harbor","hero":"https://ww2.kqed.org/app/uploads/sites/2/2022/12/Screen-Shot-2022-12-30-at-4.32.13-PM-e1672447239257.png","herourl":"https://youtu.be/4Ewc9krGDBQ?t=122","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>After soaking up all the rays I could get, I decided to cool off in the surf, which was when a big wave sent something tumbling onto my legs. It was a full-grown Dungeness crab, so close to me I instinctively bent down to pick it up off the sand. In that split second, I thought, “Wait…what do I look like bringing in a whole-ass crab with no cooler to put it in? With my bare hands?!” In that moment of hesitation, the ocean washed the crab away. When I looked over at Nina, I saw a crab at her feet, too, right before it was carried away by an incoming wave.\u003c/p>\n\u003cp>All we could do was shake our heads at the Disney \u003ci>Moana\u003c/i>-like ocean experience. And to both of us?\u003c/p>\n\u003cp>In all the times my cousins and I played in the ocean together as kids, it had never gifted us a Dungeness to our feet. But now, thousands of miles away from our motherland, the ancestors were kind enough to show themselves through this duo of surfing crabs. Maybe the great Tambonokano was still working his magic on the tides and waves, after all.\u003c/p>\n\u003cfigure id=\"attachment_13923178\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13923178\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/RS61769_003_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg\" alt=\"A toddler, bundled up in warm winter clothes, eats a cracker during a family crabbing trip.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61769_003_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61769_003_KQEDArts_RockyRiveraCrabbing_12192022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61769_003_KQEDArts_RockyRiveraCrabbing_12192022-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61769_003_KQEDArts_RockyRiveraCrabbing_12192022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61769_003_KQEDArts_RockyRiveraCrabbing_12192022-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61769_003_KQEDArts_RockyRiveraCrabbing_12192022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The author’s nephew, Kannon Scott-de Leon, on his first crabbing trip. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For the past four years, our family’s crab tradition has been postponed later and later due to the spread of toxic algae in the warming western waters where the Dungeness crabs live. This year’s commercial crab season was supposed to start on Dec. 1, my birthday, before it got pushed back again to the 31st. We’ve played it safe and waited patiently, but the only redeeming quality about having a birthday in December is crab season. Real Frisco heads know this.\u003c/p>\n\u003cp>But with the price of everything in our city going up, and pollution pushing our annual crab feasts further back, this pastime could be soon over by the time my daughter is old enough to throw her own crab net into the Bay.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"“Maybe that’s the mark of a real San Franciscan: that you love something that no longer exists, or that’s slipping away before your very eyes.”","name":"pullquote","attributes":{"named":{"size":"large","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>The wooden pier on Treasure Island where my family used to crab was condemned, then demolished, a couple years back, replaced by a small ferry pier. And catching Dungeness within the San Francisco Bay hasn’t been legal since the early 2000s anyway. Recently, a young architectural intern showed me a render of plans for the new T.I., in which glass-covered condo skyscrapers would replace the old aviation museum and soldier barracks. Even though those of us who grew up in the tiny island community always knew about the real estate potential and million-dollar view, it’s still strange to see the construction cranes \u003ca href=\"https://youtu.be/qJVTQi1KXzg\">making those changes a reality\u003c/a>.\u003c/p>\n\u003cp>Maybe that’s the mark of a real San Franciscan: that you love something that no longer exists, or that’s slipping away before your very eyes.\u003c/p>\n\u003cfigure id=\"attachment_13923179\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13923179\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/RS61788_024_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg\" alt=\"A nighttime family portrait taken on the pier in Pacifica.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61788_024_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61788_024_KQEDArts_RockyRiveraCrabbing_12192022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61788_024_KQEDArts_RockyRiveraCrabbing_12192022-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61788_024_KQEDArts_RockyRiveraCrabbing_12192022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61788_024_KQEDArts_RockyRiveraCrabbing_12192022-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61788_024_KQEDArts_RockyRiveraCrabbing_12192022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">For Rocky Rivera, crab fishing has always been a family affair. Pictured from left to right: Alyssa Tiglao, Kannon Scott-de Leon, Mark Scott-de Leon, Makai Scott-de Leon, Nina Parks and Rivera. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Yet at the start of every crab season, I still splurge. On Christmas, when my sister is in town, we head over to Ranch 99 or the Pacific Supermarket on Alemany Ave. and prepare a whole platter in the way we know best, extra steps and all. We don’t forget to pick up some newspapers outside of the store — no one reads ’em anyway — and drape them over the table to absorb the butter and hold the shells.\u003c/p>\n\u003cp>I tell myself that with all the practice from childhood, I could have caught Tambanokano himself with my bare hands. But that magical crab wouldn’t have been pleased. Every responsible crabber knows that we only take what’s necessary and leave the rest for next year’s catch.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/arts/13921079/mom-tribute-dia-de-los-muertos-filipino-food-altar-frisco-foodies\">Rocky Rivera\u003c/a> is a journalist, emcee, author and activist from San Francisco. She has four musical projects out, three of those with her label Beatrock Music. She released her first book last year, entitled \u003c/em>Snakeskin: Essays by Rocky Rivera\u003cem>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13923127/dungeness-crab-fishing-filipino-american-treasure-island-san-francisco","authors":["11846"],"categories":["arts_1","arts_12276"],"tags":["arts_10278","arts_14183","arts_1176","arts_18971","arts_1332","arts_10426","arts_1146","arts_1925"],"featImg":"arts_13923163","label":"source_arts_13923127"},"arts_13832402":{"type":"posts","id":"arts_13832402","meta":{"index":"posts_1591205157","site":"arts","id":"13832402","score":null,"sort":[1526490041000]},"guestAuthors":[],"slug":"tame-impala-aap-rocky-headline-treasure-island-music-festival","title":"Full Treasure Island 2018 Lineup: Tame Impala, A$AP Rocky, Diplo, More","publishDate":1526490041,"format":"image","headTitle":"Full Treasure Island 2018 Lineup: Tame Impala, A$AP Rocky, Diplo, More | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>The Treasure Island Musical Festival lineup has arrived.\u003c/p>\n\u003cp>After taking a year off in 2017, the Treasure Island Music Festival this week announced its return on Oct. 13-14, 2018 — this time, not to its namesake location, but at \u003ca href=\"https://www.kqed.org/arts/13832219/treasure-island-music-festival-to-return-relocate-to-oakland-shore-in-2018\" target=\"_blank\" rel=\"noopener\">Middle Harbor Shoreline Park in Oakland\u003c/a>.\u003c/p>\n\u003cp>Now, just a day later, festival promoters Noise Pop and Another Planet Entertainment have announced the complete lineup, featuring psychedelic indie rockers Tame Impala and rapper A$AP Rocky as headliners. Other acts to look forward to include Pusha T; electro-pop singer Santigold; rapidly rising bedroom pop artist Soccer Mommy; and Silk City, a production duo of Diplo and Mark Ronson.\u003c/p>\n\u003cp>Two-day tickets go on sale this Friday, May 18, at noon. \u003ca href=\"https://www.treasureislandfestival.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Full Lineup: \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Tame Impala\u003cbr>\nA$AP Rocky\u003cbr>\nSilk City (Diplo & Mark Ronson)\u003cbr>\nLord Huron\u003cbr>\nSantigold\u003cbr>\nCourtney Barnett\u003cbr>\nJungle\u003cbr>\nPusha T\u003cbr>\nSharon Van Etten\u003cbr>\nAminé\u003cbr>\nCigarettes After Sex\u003cbr>\nHiatus Kaiyote\u003cbr>\nLaff Trax (Toro y Moi & Nosaj Thing)\u003cbr>\nU.S. Girls\u003cbr>\nPolo & Pan\u003cbr>\nMoses Sumney\u003cbr>\nAlex Cameron\u003cbr>\nPolo & Pan\u003cbr>\nPond\u003cbr>\nShame\u003cbr>\nGeorge Fitzgerald\u003cbr>\nSoccer Mommy\u003cbr>\nserpentwithfeet\u003cbr>\nJPEGMAFIA\u003cbr>\nGilligan Moss\u003c/strong>\u003c/p>\n\n","blocks":[],"excerpt":"Well, that was fast — the lineup for the Treasure Island Music Festval's return in 2018 is here.","status":"publish","parent":0,"modified":1705027851,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":187},"headData":{"title":"Full Treasure Island 2018 Lineup: Tame Impala, A$AP Rocky, Diplo, More | KQED","description":"Well, that was fast — the lineup for the Treasure Island Music Festval's return in 2018 is here.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Full Treasure Island 2018 Lineup: Tame Impala, A$AP Rocky, Diplo, More","datePublished":"2018-05-16T17:00:41.000Z","dateModified":"2024-01-12T02:50:51.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13832402/tame-impala-aap-rocky-headline-treasure-island-music-festival","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Treasure Island Musical Festival lineup has arrived.\u003c/p>\n\u003cp>After taking a year off in 2017, the Treasure Island Music Festival this week announced its return on Oct. 13-14, 2018 — this time, not to its namesake location, but at \u003ca href=\"https://www.kqed.org/arts/13832219/treasure-island-music-festival-to-return-relocate-to-oakland-shore-in-2018\" target=\"_blank\" rel=\"noopener\">Middle Harbor Shoreline Park in Oakland\u003c/a>.\u003c/p>\n\u003cp>Now, just a day later, festival promoters Noise Pop and Another Planet Entertainment have announced the complete lineup, featuring psychedelic indie rockers Tame Impala and rapper A$AP Rocky as headliners. Other acts to look forward to include Pusha T; electro-pop singer Santigold; rapidly rising bedroom pop artist Soccer Mommy; and Silk City, a production duo of Diplo and Mark Ronson.\u003c/p>\n\u003cp>Two-day tickets go on sale this Friday, May 18, at noon. \u003ca href=\"https://www.treasureislandfestival.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Full Lineup: \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Tame Impala\u003cbr>\nA$AP Rocky\u003cbr>\nSilk City (Diplo & Mark Ronson)\u003cbr>\nLord Huron\u003cbr>\nSantigold\u003cbr>\nCourtney Barnett\u003cbr>\nJungle\u003cbr>\nPusha T\u003cbr>\nSharon Van Etten\u003cbr>\nAminé\u003cbr>\nCigarettes After Sex\u003cbr>\nHiatus Kaiyote\u003cbr>\nLaff Trax (Toro y Moi & Nosaj Thing)\u003cbr>\nU.S. Girls\u003cbr>\nPolo & Pan\u003cbr>\nMoses Sumney\u003cbr>\nAlex Cameron\u003cbr>\nPolo & Pan\u003cbr>\nPond\u003cbr>\nShame\u003cbr>\nGeorge Fitzgerald\u003cbr>\nSoccer Mommy\u003cbr>\nserpentwithfeet\u003cbr>\nJPEGMAFIA\u003cbr>\nGilligan Moss\u003c/strong>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13832402/tame-impala-aap-rocky-headline-treasure-island-music-festival","authors":["11387"],"categories":["arts_69","arts_235"],"tags":["arts_1118","arts_831","arts_596","arts_4845","arts_1925"],"featImg":"arts_13832404","label":"arts"},"arts_13832219":{"type":"posts","id":"arts_13832219","meta":{"index":"posts_1591205157","site":"arts","id":"13832219","score":null,"sort":[1526403646000]},"guestAuthors":[],"slug":"treasure-island-music-festival-to-return-relocate-to-oakland-shore-in-2018","title":"Treasure Island Music Festival to Return, Relocate to Oakland Shore in 2018","publishDate":1526403646,"format":"standard","headTitle":"Treasure Island Music Festival to Return, Relocate to Oakland Shore in 2018 | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>In 2016, Treasure Island Music Festival geared up for what was supposed to be a festive 10th anniversary weekend. \u003ca href=\"https://www.kqed.org/arts/12217367/photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island\" target=\"_blank\" rel=\"noopener\">What happened instead\u003c/a> was a torrential rainstorm, which forced highly anticipated acts like Young Thug and James Blake to cancel or significantly delay their sets — an unfortunate way to cap the festival’s decade-long run on its namesake island.\u003c/p>\n\u003cp>With ongoing development at the original festival site on Treasure Island, promoters Noise Pop and Another Planet Entertainment took 2017 off to recalibrate and seek out a new location. Now, they’ve announced that Treasure Island will return this year for its 11th edition, taking place Oct. 13–14 at Middle Harbor Shoreline Park in West Oakland, the site of this month’s \u003ca href=\"https://www.kqed.org/arts/13832104/sza-brockhampton-kamaiyah-bring-blurry-vision-into-focus-in-oakland\" target=\"_blank\" rel=\"noopener\">Blurry Vision festival\u003c/a>. (Though “Treasure Island Music Festival” is now a bit of a misnomer, Middle Harbor Shoreline Park features nearly the same picturesque bayside view of the San Francisco skyline as the original Treasure Island location.)\u003c/p>\n\u003cp>The 2018 Treasure Island lineup has yet to be announced, but past performers have included Outkast, Beck, deadmau5, LCD Soundsystem, Vampire Weekend, Ice Cube, Justice, the National, The xx, Fleet Foxes, Major Lazer and Massive Attack. Stay tuned for updates.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"After taking a year off, the long-running festival will make its East Bay debut Oct 13–14, 2018.","status":"publish","parent":0,"modified":1705027862,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":208},"headData":{"title":"Treasure Island Music Festival to Return, Relocate to Oakland Shore in 2018 | KQED","description":"After taking a year off, the long-running festival will make its East Bay debut Oct 13–14, 2018.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Treasure Island Music Festival to Return, Relocate to Oakland Shore in 2018","datePublished":"2018-05-15T17:00:46.000Z","dateModified":"2024-01-12T02:51:02.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13832219/treasure-island-music-festival-to-return-relocate-to-oakland-shore-in-2018","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 2016, Treasure Island Music Festival geared up for what was supposed to be a festive 10th anniversary weekend. \u003ca href=\"https://www.kqed.org/arts/12217367/photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island\" target=\"_blank\" rel=\"noopener\">What happened instead\u003c/a> was a torrential rainstorm, which forced highly anticipated acts like Young Thug and James Blake to cancel or significantly delay their sets — an unfortunate way to cap the festival’s decade-long run on its namesake island.\u003c/p>\n\u003cp>With ongoing development at the original festival site on Treasure Island, promoters Noise Pop and Another Planet Entertainment took 2017 off to recalibrate and seek out a new location. Now, they’ve announced that Treasure Island will return this year for its 11th edition, taking place Oct. 13–14 at Middle Harbor Shoreline Park in West Oakland, the site of this month’s \u003ca href=\"https://www.kqed.org/arts/13832104/sza-brockhampton-kamaiyah-bring-blurry-vision-into-focus-in-oakland\" target=\"_blank\" rel=\"noopener\">Blurry Vision festival\u003c/a>. (Though “Treasure Island Music Festival” is now a bit of a misnomer, Middle Harbor Shoreline Park features nearly the same picturesque bayside view of the San Francisco skyline as the original Treasure Island location.)\u003c/p>\n\u003cp>The 2018 Treasure Island lineup has yet to be announced, but past performers have included Outkast, Beck, deadmau5, LCD Soundsystem, Vampire Weekend, Ice Cube, Justice, the National, The xx, Fleet Foxes, Major Lazer and Massive Attack. Stay tuned for updates.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13832219/treasure-island-music-festival-to-return-relocate-to-oakland-shore-in-2018","authors":["11387"],"programs":["arts_1272"],"categories":["arts_69","arts_235"],"tags":["arts_1118","arts_596","arts_1925","arts_1539"],"featImg":"arts_13832232","label":"arts_1272"},"arts_13817732":{"type":"posts","id":"arts_13817732","meta":{"index":"posts_1591205157","site":"arts","id":"13817732","score":null,"sort":[1513647660000]},"guestAuthors":[],"slug":"sf-arts-commission-to-vote-for-three-initial-treasure-island-art-projects","title":"SF Arts Commission to Vote for Three Initial Treasure Island Art Projects","publishDate":1513647660,"format":"standard","headTitle":"SF Arts Commission to Vote for Three Initial Treasure Island Art Projects | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>The City of San Francisco is moving closer to finalizing plans for the installation of up to $50 million worth of public art on Treasure Island.\u003c/p>\n\u003cp>On Wednesday, the \u003ca href=\"http://www.sfartscommission.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Arts Commission\u003c/a> will review a short list of artists competing to undertake major projects on three sites as part of the city’s renovation of Treasure Island.\u003c/p>\n\u003cp>Selected from 495 submissions, the list includes art world heavy-hitters like Chinese artist \u003ca href=\"http://aiweiwei.com/\" target=\"_blank\" rel=\"noopener\">Ai Weiwei\u003c/a>, the force behind a highly-trafficked installation on Alcatraz, and Britain’s \u003ca href=\"http://www.artnet.com/artists/andy-goldsworthy/\" target=\"_blank\" rel=\"noopener\">Andy Goldsworthy\u003c/a>, who has several works in the Presidio as well as a piece outside the de Young Museum.\u003c/p>\n\u003cp>“Some of the things that excited the committee were the range of expressions that the artists have,” says \u003ca href=\"http://sftreasureisland.org/\" target=\"_blank\" rel=\"noopener\">Treasure Island Development Authority\u003c/a> director Robert Beck. “They could develop something unique that’s responsive to the site, its history and its environment. They also have a track record of having delivered pieces that are of the scale anticipated for the sites.”\u003c/p>\n\u003cp>Among the finalists is just one Bay Area artist, sculptor \u003ca href=\"http://nedkahn.com/\" target=\"_blank\" rel=\"noopener\">Ned Kahn\u003c/a>, who is listed as an “alternate.”\u003c/p>\n\u003cfigure id=\"attachment_13817748\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13817748\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/rain-oc1.2-800x532.jpg\" alt=\"'Rain Oculus', an environmental art work located in Sigapore by Bay Area artist Ned Kahn.\" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-1020x678.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-1920x1276.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-1180x784.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-960x638.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-240x159.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-375x249.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Rain Oculus’, an environmental art work located in Singapore by Bay Area artist Ned Kahn. \u003ccite>(Photo: Courtesy of Ned Kahn)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“If one of the other artists doesn’t want to do it, or is too busy, they call me,” explains Kahn, who has created around 100 public art projects around the world over the past 30 years, including major local commissions for the San Francisco Transbay Terminal and the San Francisco Utilities Commission. “It’s kind of like losing the last game of your season or not qualifying for the playoffs.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As an artist who has undertaken many projects in foreign cities where his work was prioritized over that of locals, Kahn isn’t too put out about being selected as an alternate at home. He also points out that the city plans to install dozens more art installations beyond the initial three.\u003c/p>\n\u003cp>“This is just chapter one,” Kahn says. “I hope as the project develops that there will be other opportunities that will lend themselves more to local people. So it might be that the feathers get unruffled down the road.”\u003c/p>\n\u003cp>The Treasure Island Development Authority reflects Kahn’s viewpoint. “This will ultimately be a fairly extensive art program,” Beck says. “There has been a desire expressed by the Arts Commission and the Arts Steering Committee to pursue both a range of local, national and international artists.”\u003c/p>\n\u003cp>The Arts Steering Committee comprises members of the San Francisco Arts Commission, the Treasure Island Development Authority, and the real estate developer. Kahn says this committee will have the final say on the selection of artists and placement of their work on the island.\u003c/p>\n\u003cfigure id=\"attachment_13428268\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13428268\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/Treasure-Island-Art-e1497388598574-800x450.jpg\" alt=\"The plaza outside the administrative building, a proposed site for one of the initial three Treasure Island art commissions. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/Treasure-Island-Art-e1497388598574.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/Treasure-Island-Art-e1497388598574-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/Treasure-Island-Art-e1497388598574-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/Treasure-Island-Art-e1497388598574-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/Treasure-Island-Art-e1497388598574-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/Treasure-Island-Art-e1497388598574-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The plaza outside the Navy administration building, a proposed site for one of the initial three Treasure Island art commissions. \u003ccite>(Photo: Courtesy of Treasure Island Development Authority)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After Wednesday’s review, the shortlist will go the Arts Steering Committee, which will then vote on the Arts Commission’s recommendations and authorize the artists to proceed with developing their proposals for the sites.\u003c/p>\n\u003cp>The three initial commissions are expected to have budgets in the range of $1–$2 million. The locations for these projects are:\u003c/p>\n\u003cul>\n\u003cli>The plaza in front of the old Navy administration building, known as Plaza 1.\u003c/li>\n\u003cli>Waterfront Plaza, on the shore facing San Francisco.\u003c/li>\n\u003cli>Yerba Buena Hilltop Park, a new area to be constructed.\u003c/li>\n\u003c/ul>\n\u003cp>Beck says the selected artists’ proposals should be ready for public comment by spring 2018. The plans will be put on display at a location to be determined, most likely at the Veterans Building in San Francisco or on Treasure Island.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"Selected from 495 submissions, the short list includes art world heavy-hitters like Chinese artist Ai Weiwei and Britain’s Andy Goldsworthy.","status":"publish","parent":0,"modified":1705028885,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":650},"headData":{"title":"SF Arts Commission to Vote for Three Initial Treasure Island Art Projects | KQED","description":"Selected from 495 submissions, the short list includes art world heavy-hitters like Chinese artist Ai Weiwei and Britain’s Andy Goldsworthy.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"SF Arts Commission to Vote for Three Initial Treasure Island Art Projects","datePublished":"2017-12-19T01:41:00.000Z","dateModified":"2024-01-12T03:08:05.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13817732/sf-arts-commission-to-vote-for-three-initial-treasure-island-art-projects","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The City of San Francisco is moving closer to finalizing plans for the installation of up to $50 million worth of public art on Treasure Island.\u003c/p>\n\u003cp>On Wednesday, the \u003ca href=\"http://www.sfartscommission.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Arts Commission\u003c/a> will review a short list of artists competing to undertake major projects on three sites as part of the city’s renovation of Treasure Island.\u003c/p>\n\u003cp>Selected from 495 submissions, the list includes art world heavy-hitters like Chinese artist \u003ca href=\"http://aiweiwei.com/\" target=\"_blank\" rel=\"noopener\">Ai Weiwei\u003c/a>, the force behind a highly-trafficked installation on Alcatraz, and Britain’s \u003ca href=\"http://www.artnet.com/artists/andy-goldsworthy/\" target=\"_blank\" rel=\"noopener\">Andy Goldsworthy\u003c/a>, who has several works in the Presidio as well as a piece outside the de Young Museum.\u003c/p>\n\u003cp>“Some of the things that excited the committee were the range of expressions that the artists have,” says \u003ca href=\"http://sftreasureisland.org/\" target=\"_blank\" rel=\"noopener\">Treasure Island Development Authority\u003c/a> director Robert Beck. “They could develop something unique that’s responsive to the site, its history and its environment. They also have a track record of having delivered pieces that are of the scale anticipated for the sites.”\u003c/p>\n\u003cp>Among the finalists is just one Bay Area artist, sculptor \u003ca href=\"http://nedkahn.com/\" target=\"_blank\" rel=\"noopener\">Ned Kahn\u003c/a>, who is listed as an “alternate.”\u003c/p>\n\u003cfigure id=\"attachment_13817748\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13817748\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/rain-oc1.2-800x532.jpg\" alt=\"'Rain Oculus', an environmental art work located in Sigapore by Bay Area artist Ned Kahn.\" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-1020x678.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-1920x1276.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-1180x784.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-960x638.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-240x159.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-375x249.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/rain-oc1.2.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Rain Oculus’, an environmental art work located in Singapore by Bay Area artist Ned Kahn. \u003ccite>(Photo: Courtesy of Ned Kahn)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“If one of the other artists doesn’t want to do it, or is too busy, they call me,” explains Kahn, who has created around 100 public art projects around the world over the past 30 years, including major local commissions for the San Francisco Transbay Terminal and the San Francisco Utilities Commission. “It’s kind of like losing the last game of your season or not qualifying for the playoffs.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As an artist who has undertaken many projects in foreign cities where his work was prioritized over that of locals, Kahn isn’t too put out about being selected as an alternate at home. He also points out that the city plans to install dozens more art installations beyond the initial three.\u003c/p>\n\u003cp>“This is just chapter one,” Kahn says. “I hope as the project develops that there will be other opportunities that will lend themselves more to local people. So it might be that the feathers get unruffled down the road.”\u003c/p>\n\u003cp>The Treasure Island Development Authority reflects Kahn’s viewpoint. “This will ultimately be a fairly extensive art program,” Beck says. “There has been a desire expressed by the Arts Commission and the Arts Steering Committee to pursue both a range of local, national and international artists.”\u003c/p>\n\u003cp>The Arts Steering Committee comprises members of the San Francisco Arts Commission, the Treasure Island Development Authority, and the real estate developer. Kahn says this committee will have the final say on the selection of artists and placement of their work on the island.\u003c/p>\n\u003cfigure id=\"attachment_13428268\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13428268\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/Treasure-Island-Art-e1497388598574-800x450.jpg\" alt=\"The plaza outside the administrative building, a proposed site for one of the initial three Treasure Island art commissions. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/Treasure-Island-Art-e1497388598574.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/Treasure-Island-Art-e1497388598574-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/Treasure-Island-Art-e1497388598574-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/Treasure-Island-Art-e1497388598574-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/Treasure-Island-Art-e1497388598574-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/Treasure-Island-Art-e1497388598574-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The plaza outside the Navy administration building, a proposed site for one of the initial three Treasure Island art commissions. \u003ccite>(Photo: Courtesy of Treasure Island Development Authority)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After Wednesday’s review, the shortlist will go the Arts Steering Committee, which will then vote on the Arts Commission’s recommendations and authorize the artists to proceed with developing their proposals for the sites.\u003c/p>\n\u003cp>The three initial commissions are expected to have budgets in the range of $1–$2 million. The locations for these projects are:\u003c/p>\n\u003cul>\n\u003cli>The plaza in front of the old Navy administration building, known as Plaza 1.\u003c/li>\n\u003cli>Waterfront Plaza, on the shore facing San Francisco.\u003c/li>\n\u003cli>Yerba Buena Hilltop Park, a new area to be constructed.\u003c/li>\n\u003c/ul>\n\u003cp>Beck says the selected artists’ proposals should be ready for public comment by spring 2018. The plans will be put on display at a location to be determined, most likely at the Veterans Building in San Francisco or on Treasure Island.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13817732/sf-arts-commission-to-vote-for-three-initial-treasure-island-art-projects","authors":["8608"],"categories":["arts_235","arts_70"],"tags":["arts_1037","arts_1119","arts_1118","arts_746","arts_596","arts_1925","arts_901"],"featImg":"arts_10826953","label":"arts"},"arts_13538016":{"type":"posts","id":"arts_13538016","meta":{"index":"posts_1591205157","site":"arts","id":"13538016","score":null,"sort":[1498678749000]},"guestAuthors":[],"slug":"treasure-island-music-festival-postponed-for-2017","title":"Treasure Island Music Festival Postponed for 2017","publishDate":1498678749,"format":"standard","headTitle":"Treasure Island Music Festival Postponed for 2017 | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>After 10 years, the Treasure Island Music Festival is taking a breather.\u003c/p>\n\u003cp>The two-day festival, held annually since 2007 on man-made Treasure Island, will not return this year, organizers said Wednesday in a press release. The festival is expected to return in 2018 at a different location.\u003c/p>\n\u003cp>“Although the event will no longer be held on Treasure Island, there are no plans to change the festival’s name, if for no other reason than to pay homage to the historic little island that was home to the event for a decade,” said the release.\u003c/p>\n\u003cp>Festival organizers Another Planet Entertainment and Noise Pop have yet to announce where the festival will take place in 2018.\u003c/p>\n\u003cp>The hiatus comes after \u003ca href=\"https://ww2.kqed.org/arts/2016/10/17/photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island/\">last year’s festival\u003c/a> was fraught with heavy rain and other issues. The decision to relocate was determined prior to the festival, as construction for the landmark Treasure Island Development project began in March last year on the island’s western shoreline. This resulted in a last-minute relocation for the festival from the Great Lawn to a barren area on the southeast corner of the island.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Some acts, including How to Dress Well and Glass Animals, performed abridged sets due to the heavy rain. Others, such as DJs Duke Dumont and Flight Facilities, cancelled their sets outright. To make up for his cancellation, James Blake performed a show at the Fox Theater the Monday after the festival that was free to festival ticketholders.\u003c/p>\n\u003cp class=\"p1\">“Last year’s festival had no impact on the decision to not hold a festival in 2017,” said Alex Scott, executive vice president at Another Planet Entertainment. “We are simply taking the time it takes to finalize the new location, making sure the new site will be one we can settle into for the foreseeable future.”\u003c/p>\n\u003cp>Previous iterations of Treasure Island Music Festival, which officially launched in 2007, were headlined by the likes of Outkast, Beck, LCD Soundsystem and Major Lazer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"The annual two-day festival will return in 2018 at a new location, organizers announced Wednesday. ","status":"publish","parent":0,"modified":1705030198,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":337},"headData":{"title":"Treasure Island Music Festival Postponed for 2017 | KQED","description":"The annual two-day festival will return in 2018 at a new location, organizers announced Wednesday. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Treasure Island Music Festival Postponed for 2017","datePublished":"2017-06-28T19:39:09.000Z","dateModified":"2024-01-12T03:29:58.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13538016/treasure-island-music-festival-postponed-for-2017","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>After 10 years, the Treasure Island Music Festival is taking a breather.\u003c/p>\n\u003cp>The two-day festival, held annually since 2007 on man-made Treasure Island, will not return this year, organizers said Wednesday in a press release. The festival is expected to return in 2018 at a different location.\u003c/p>\n\u003cp>“Although the event will no longer be held on Treasure Island, there are no plans to change the festival’s name, if for no other reason than to pay homage to the historic little island that was home to the event for a decade,” said the release.\u003c/p>\n\u003cp>Festival organizers Another Planet Entertainment and Noise Pop have yet to announce where the festival will take place in 2018.\u003c/p>\n\u003cp>The hiatus comes after \u003ca href=\"https://ww2.kqed.org/arts/2016/10/17/photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island/\">last year’s festival\u003c/a> was fraught with heavy rain and other issues. The decision to relocate was determined prior to the festival, as construction for the landmark Treasure Island Development project began in March last year on the island’s western shoreline. This resulted in a last-minute relocation for the festival from the Great Lawn to a barren area on the southeast corner of the island.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Some acts, including How to Dress Well and Glass Animals, performed abridged sets due to the heavy rain. Others, such as DJs Duke Dumont and Flight Facilities, cancelled their sets outright. To make up for his cancellation, James Blake performed a show at the Fox Theater the Monday after the festival that was free to festival ticketholders.\u003c/p>\n\u003cp class=\"p1\">“Last year’s festival had no impact on the decision to not hold a festival in 2017,” said Alex Scott, executive vice president at Another Planet Entertainment. “We are simply taking the time it takes to finalize the new location, making sure the new site will be one we can settle into for the foreseeable future.”\u003c/p>\n\u003cp>Previous iterations of Treasure Island Music Festival, which officially launched in 2007, were headlined by the likes of Outkast, Beck, LCD Soundsystem and Major Lazer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13538016/treasure-island-music-festival-postponed-for-2017","authors":["11371"],"programs":["arts_1272"],"categories":["arts_69","arts_235"],"tags":["arts_1448","arts_1925","arts_1539"],"featImg":"arts_12217374","label":"arts_1272"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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You ask the questions. You decide what Bay Curious investigates. 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Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.","airtime":"MON-FRI 3am-9am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/morning-edition/","meta":{"site":"news","source":"npr"},"link":"/radio/program/morning-edition"},"onourwatch":{"id":"onourwatch","title":"On Our Watch","tagline":"Police secrets, unsealed","info":"For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us","airtime":"SUN 2pm-3pm, MON 12am-1am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png","officialWebsiteLink":"https://www.wnycstudios.org/shows/otm","meta":{"site":"news","source":"wnyc"},"link":"/radio/program/on-the-media","subscribe":{"apple":"https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2","tuneIn":"https://tunein.com/radio/On-the-Media-p69/","rss":"http://feeds.wnyc.org/onthemedia"}},"our-body-politic":{"id":"our-body-politic","title":"Our Body Politic","info":"Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.","airtime":"SAT 6pm-7pm, SUN 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://our-body-politic.simplecast.com/","meta":{"site":"news","source":"kcrw"},"link":"/radio/program/our-body-politic","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/our-body-politic/id1533069868","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw","spotify":"https://open.spotify.com/show/4ApAiLT1kV153TttWAmqmc","rss":"https://feeds.simplecast.com/_xaPhs1s","tuneIn":"https://tunein.com/podcasts/News--Politics-Podcasts/Our-Body-Politic-p1369211/"}},"pbs-newshour":{"id":"pbs-newshour","title":"PBS NewsHour","info":"Analysis, background reports and updates from the PBS NewsHour putting today's news in context.","airtime":"MON-FRI 3pm-4pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.pbs.org/newshour/","meta":{"site":"news","source":"pbs"},"link":"/radio/program/pbs-newshour","subscribe":{"apple":"https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2","tuneIn":"https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/","rss":"https://www.pbs.org/newshour/feeds/rss/podcasts/show"}},"perspectives":{"id":"perspectives","title":"Perspectives","tagline":"KQED's series of of daily listener commentaries since 1991","info":"KQED's series of of daily listener commentaries since 1991.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Perspectives-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/perspectives/","meta":{"site":"radio","source":"kqed","order":"15"},"link":"/perspectives","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/id73801135","npr":"https://www.npr.org/podcasts/432309616/perspectives","rss":"https://ww2.kqed.org/perspectives/category/perspectives/feed/","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"}},"planet-money":{"id":"planet-money","title":"Planet Money","info":"The economy explained. 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