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719px\">\u003cfigcaption class=\"wp-caption-text\">André 3000’s New Blue Sun Live tour comes to San Francisco Feb. 20–24, with a band including Carlos Niño, Nate Mercereau, Surya Botofasina and Deantoni Parks. \u003ccite>(Todd Weaver)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>This post has been updated.\u003c/em>\u003c/p>\n\u003cp>After making one of the more unlikely hit records of 2023, former Outkast rapper André 3000 is taking his flute on the road.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.amyriadofpyramids.com/\">New Blue Sun Live\u003c/a> tour hits San Francisco in late February, with one catch: the venues are small. Like, really small. On \u003ca href=\"https://www.ticketweb.com/event/andr-3000-new-blue-sun-bimbos-365-club-tickets/13452783?pl=365bimbos\">Feb. 20\u003c/a> and \u003ca href=\"https://www.ticketweb.com/event/andr-3000-new-blue-sun-bimbos-365-club-tickets/13452793?pl=365bimbos\">22\u003c/a>, André 3000 plays Bimbo’s 365 Club (capacity 685), while on Feb. 24, he plays \u003ca href=\"https://www.ticketweb.com/event/andr-3000-new-blue-sun-the-independent-tickets/13457903?pl=independentsf\">two\u003c/a> \u003ca href=\"https://www.ticketweb.com/event/andr-3000-new-blue-sun-the-independent-tickets/13457923?pl=independentsf\">shows\u003c/a> at the Independent (capacity 500).\u003c/p>\n\u003cp>\u003cstrong>UPDATE\u003c/strong>: Andre 3000 has announced one more Bay Area show, on Monday, Feb. 19 at Cornerstone in Berkeley. The show is all-ages, and tickets, $100 each, \u003ca href=\"https://www.tixr.com/groups/cornerstoneberkeley/events/andr-3000-new-blue-sun-live-94741\">go on sale here on Friday, Feb. 9 at 10 a.m. PST\u003c/a>.\u003c/p>\n\u003cp>Here’s what to know about the San Francisco shows: Tickets go on sale at 10 a.m. on Wednesday, Jan. 24. Tickets are $99 each plus fees, and there are no presale codes. All four San Francisco shows are 21+, and tickets are general admission. There’s a two-ticket limit per order, and to combat scalping, the ticket order pages alert that “tickets will be delivered day of show.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Another thing to know: tickets are being sold through Ticketweb, not Ticketmaster. So if you don’t yet have a Ticketweb account, you’ll want to \u003ca href=\"https://www.ticketweb.com/\">open one\u003c/a>, and put a credit or debit card on file to speed the checkout process should you get the opportunity to put tickets in your cart.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Other than that, good luck refreshing your browser at 10 a.m. on Wednesday. Find links to tickets \u003ca href=\"https://www.amyriadofpyramids.com/\">here\u003c/a>.\u003c/p>\n\n","blocks":[],"excerpt":"Here's what to know when tickets go on sale Wednesday, Jan. 24 for André 3000's small club dates.","status":"publish","parent":0,"modified":1707423048,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":306},"headData":{"title":"Ticket Alert: André 3000 in Berkeley at Cornerstone | KQED","description":"Here's what to know when tickets go on sale Wednesday, Jan. 24 for André 3000's small club dates.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Ticket Alert: André 3000 in Berkeley at Cornerstone","datePublished":"2024-01-23T19:19:17.000Z","dateModified":"2024-02-08T20:10:48.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"WpOldSlug":"ticket-alert-andre-3000-in-san-francisco-at-bimbos-the-independent","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13950805/andre-3000-tickets-san-francisco-bimbos-the-independent","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13950813\" class=\"wp-caption aligncenter\" style=\"max-width: 719px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13950813\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/Andre3000.sq_.jpg\" alt=\"\" width=\"719\" height=\"719\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/Andre3000.sq_.jpg 719w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/Andre3000.sq_-160x160.jpg 160w\" sizes=\"(max-width: 719px) 100vw, 719px\">\u003cfigcaption class=\"wp-caption-text\">André 3000’s New Blue Sun Live tour comes to San Francisco Feb. 20–24, with a band including Carlos Niño, Nate Mercereau, Surya Botofasina and Deantoni Parks. \u003ccite>(Todd Weaver)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>This post has been updated.\u003c/em>\u003c/p>\n\u003cp>After making one of the more unlikely hit records of 2023, former Outkast rapper André 3000 is taking his flute on the road.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.amyriadofpyramids.com/\">New Blue Sun Live\u003c/a> tour hits San Francisco in late February, with one catch: the venues are small. Like, really small. On \u003ca href=\"https://www.ticketweb.com/event/andr-3000-new-blue-sun-bimbos-365-club-tickets/13452783?pl=365bimbos\">Feb. 20\u003c/a> and \u003ca href=\"https://www.ticketweb.com/event/andr-3000-new-blue-sun-bimbos-365-club-tickets/13452793?pl=365bimbos\">22\u003c/a>, André 3000 plays Bimbo’s 365 Club (capacity 685), while on Feb. 24, he plays \u003ca href=\"https://www.ticketweb.com/event/andr-3000-new-blue-sun-the-independent-tickets/13457903?pl=independentsf\">two\u003c/a> \u003ca href=\"https://www.ticketweb.com/event/andr-3000-new-blue-sun-the-independent-tickets/13457923?pl=independentsf\">shows\u003c/a> at the Independent (capacity 500).\u003c/p>\n\u003cp>\u003cstrong>UPDATE\u003c/strong>: Andre 3000 has announced one more Bay Area show, on Monday, Feb. 19 at Cornerstone in Berkeley. The show is all-ages, and tickets, $100 each, \u003ca href=\"https://www.tixr.com/groups/cornerstoneberkeley/events/andr-3000-new-blue-sun-live-94741\">go on sale here on Friday, Feb. 9 at 10 a.m. PST\u003c/a>.\u003c/p>\n\u003cp>Here’s what to know about the San Francisco shows: Tickets go on sale at 10 a.m. on Wednesday, Jan. 24. Tickets are $99 each plus fees, and there are no presale codes. All four San Francisco shows are 21+, and tickets are general admission. There’s a two-ticket limit per order, and to combat scalping, the ticket order pages alert that “tickets will be delivered day of show.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Another thing to know: tickets are being sold through Ticketweb, not Ticketmaster. So if you don’t yet have a Ticketweb account, you’ll want to \u003ca href=\"https://www.ticketweb.com/\">open one\u003c/a>, and put a credit or debit card on file to speed the checkout process should you get the opportunity to put tickets in your cart.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Other than that, good luck refreshing your browser at 10 a.m. on Wednesday. Find links to tickets \u003ca href=\"https://www.amyriadofpyramids.com/\">here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13950805/andre-3000-tickets-san-francisco-bimbos-the-independent","authors":["185"],"programs":["arts_140"],"categories":["arts_1","arts_69"],"tags":["arts_3747","arts_10278","arts_831","arts_1420","arts_21886","arts_1146","arts_1111"],"featImg":"arts_13950814","label":"arts_140"},"arts_13911606":{"type":"posts","id":"arts_13911606","meta":{"index":"posts_1591205157","site":"arts","id":"13911606","score":null,"sort":[1649362451000]},"guestAuthors":[],"slug":"sons-of-kemet-a-danceable-force-of-jazz-play-two-night-stand-in-sf","title":"Sons of Kemet, a Danceable Force of Jazz, Play Two-Night Stand in SF","publishDate":1649362451,"format":"standard","headTitle":"Sons of Kemet, a Danceable Force of Jazz, Play Two-Night Stand in SF | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Ten years ago, if you’d have told me that one of the most exciting jazz groups in the world would be made up of two drummers, a saxophonist, and a tuba player, I’d probably have said, “Yeah, right. If that happens, I’ll eat my John Coltrane records.”\u003c/p>\n\u003cp>I’m glad I never made such a bet. (Not just because my stomach would hurt.) And not just because Sons of Kemet, led by fiery British tenor saxophonist phenomenon Shabaka Hutchings, have made four exploratory albums that treat improvisation as a savior and rhythm as a deity. But because in a live setting, they’re a revelation, filling a dance floor as few jazz bands can. The first time I saw them, in 2018, at the side room of the SFJAZZ Center, nearly every single body moved in time, nonstop.\u003c/p>\n\u003cp>https://www.instagram.com/p/Boxun1blIs2/\u003c/p>\n\u003cp>Which is part of why Sons of Kemet’s two-night stand at the Independent is a perfect pairing of band and venue. Jazz can suffer from a staid, stuffy atmosphere when presented at performing arts centers. But when it’s on stage at a nightclub, with no seats or tables, and with dancing and beer bottles and sweat and laughter, it brings back the original joy and interaction of jazz, what Miles Davis routinely called “social music.”\u003c/p>\n\u003cp>I witnessed this joyful spirit at the Independent once before, in 2016, when \u003ca href=\"https://www.kqed.org/arts/11369970/carly-vince-and-kamasi-a-tale-of-three-noise-pop-shows\" target=\"_blank\" rel=\"noopener noreferrer\">Kamasi Washington brought his group there as part of the Noise Pop festival\u003c/a>. “Take away all stuffiness, all rules, all two-drink minimums. Play this music loud and proud to a room of people beaming, dancing, soaking in a new experience, a room that’s housed Mos Def and Major Lazer and DJ Shadow and Wilco and M.I.A.,” I \u003ca href=\"https://www.kqed.org/arts/11369970/carly-vince-and-kamasi-a-tale-of-three-noise-pop-shows\" target=\"_blank\" rel=\"noopener noreferrer\">wrote at the time\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Expect the same when Sons of Kemet, that unlikely quartet with, yes, a tuba, brings the crowd to life over two nights, April 11 and 12, at the Independent in San Francisco. \u003ca href=\"http://theindependentsf.com/event/11760155/sons-of-kemet/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\n","blocks":[],"excerpt":"In a standing-room nightclub setting, the quartet is guaranteed to fill the dance floor. ","status":"publish","parent":0,"modified":1705007000,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":7,"wordCount":353},"headData":{"title":"Sons of Kemet, a Danceable Force of Jazz, Play Two-Night Stand in SF | KQED","description":"In a standing-room nightclub setting, the quartet is guaranteed to fill the dance floor. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Sons of Kemet, a Danceable Force of Jazz, Play Two-Night Stand in SF","datePublished":"2022-04-07T20:14:11.000Z","dateModified":"2024-01-11T21:03:20.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","startTime":1649732400,"endTime":1649743200,"excludeFromSiteSearch":"Include","path":"/arts/13911606/sons-of-kemet-a-danceable-force-of-jazz-play-two-night-stand-in-sf","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ten years ago, if you’d have told me that one of the most exciting jazz groups in the world would be made up of two drummers, a saxophonist, and a tuba player, I’d probably have said, “Yeah, right. If that happens, I’ll eat my John Coltrane records.”\u003c/p>\n\u003cp>I’m glad I never made such a bet. (Not just because my stomach would hurt.) And not just because Sons of Kemet, led by fiery British tenor saxophonist phenomenon Shabaka Hutchings, have made four exploratory albums that treat improvisation as a savior and rhythm as a deity. But because in a live setting, they’re a revelation, filling a dance floor as few jazz bands can. The first time I saw them, in 2018, at the side room of the SFJAZZ Center, nearly every single body moved in time, nonstop.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"Boxun1blIs2"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Which is part of why Sons of Kemet’s two-night stand at the Independent is a perfect pairing of band and venue. Jazz can suffer from a staid, stuffy atmosphere when presented at performing arts centers. But when it’s on stage at a nightclub, with no seats or tables, and with dancing and beer bottles and sweat and laughter, it brings back the original joy and interaction of jazz, what Miles Davis routinely called “social music.”\u003c/p>\n\u003cp>I witnessed this joyful spirit at the Independent once before, in 2016, when \u003ca href=\"https://www.kqed.org/arts/11369970/carly-vince-and-kamasi-a-tale-of-three-noise-pop-shows\" target=\"_blank\" rel=\"noopener noreferrer\">Kamasi Washington brought his group there as part of the Noise Pop festival\u003c/a>. “Take away all stuffiness, all rules, all two-drink minimums. Play this music loud and proud to a room of people beaming, dancing, soaking in a new experience, a room that’s housed Mos Def and Major Lazer and DJ Shadow and Wilco and M.I.A.,” I \u003ca href=\"https://www.kqed.org/arts/11369970/carly-vince-and-kamasi-a-tale-of-three-noise-pop-shows\" target=\"_blank\" rel=\"noopener noreferrer\">wrote at the time\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Expect the same when Sons of Kemet, that unlikely quartet with, yes, a tuba, brings the crowd to life over two nights, April 11 and 12, at the Independent in San Francisco. \u003ca href=\"http://theindependentsf.com/event/11760155/sons-of-kemet/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13911606/sons-of-kemet-a-danceable-force-of-jazz-play-two-night-stand-in-sf","authors":["185"],"programs":["arts_140"],"categories":["arts_1","arts_69"],"tags":["arts_10278","arts_1420","arts_1111","arts_585"],"featImg":"arts_13911619","label":"arts_140"},"arts_13847119":{"type":"posts","id":"arts_13847119","meta":{"index":"posts_1591205157","site":"arts","id":"13847119","score":null,"sort":[1544720425000]},"guestAuthors":[],"slug":"pllush-headline-father-daughter-records-showcase-at-the-independent","title":"Pllush Headline Father/Daughter Records Showcase at The Independent","publishDate":1544720425,"format":"standard","headTitle":"Pllush Headline Father/Daughter Records Showcase at The Independent | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>On the one hand, San Francisco musicians have \u003ca href=\"https://www.kqed.org/arts/13839604/moss-street-rehearsal-studio-tenants-evicted-by-luxury-realtor\">fewer places to rehearse\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13846754/in-2018-corporate-monotony-seized-san-francisco-music-venues\">fewer places to play\u003c/a>, especially venues that aren’t controlled by \u003ca href=\"https://pitchfork.com/news/coachella-co-owners-latest-charitable-filing-shows-deep-anti-lgbtq-ties/\">right-wing fundamentalists\u003c/a> or \u003ca href=\"https://www.eastbayexpress.com/SevenDays/archives/2018/06/14/jason-perkins-of-parish-entertainment-group-dubbed-valenciavigilante-accused-of-accosting-homeless-man\">anti-homeless vigilantes\u003c/a>. \u003c/p>\n\u003cp>On the other, there’s Father/Daughter Records. The label, launched in 2010 by Jessi Frick, has built a formidable platform for local artists, and in 2018 it released an outsized amount of the city’s finest indie-rock records. A label showcase Thursday at The Independent attests to its banner year. [contextly_sidebar id=”yBKF1IVdeJXq4vgl6ofkYtraVQG6dO77″]\u003c/p>\n\u003cp>Headliner Pllush in May released \u003cem>Stranger to the Pain\u003c/em>, a heaving, achingly gorgeous full-length debut that’s attracted praise from outlets including The Fader and NPR. Main support Rose Droll, an inventive multi-instrumentalist and agile singer, recently released \u003cem>Your Dog\u003c/em>, which KQED \u003ca href=\"https://www.kqed.org/arts/13847024/the-10-best-bay-area-albums-of-2018-rose-droll-your-dog\">dubbed\u003c/a> one of the year’s best Bay Area albums. Rounding out the bill are the spirited, hook-laden rock outfits SOAR and Pardoner—both likely candidates for Father/Daughter releases in 2019. \u003c/p>\n\u003cp>Co-presented with Mission District internet radio station BFF.fm, \u003ca href=\"https://www.facebook.com/events/1786438898135283/\">the show\u003c/a> partially benefits the nonprofit Sunset Youth Services, and the first 200 arrivals receive Father/Daughter holiday ornaments.\u003c/p>\n\u003cp>\u003ca href=\"http://pllushsf.bandcamp.com/album/stranger-to-the-pain\">Stranger to the Pain by Pllush\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"2018 was a banner year for the local independent label. ","status":"publish","parent":0,"modified":1705026861,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":7,"wordCount":208},"headData":{"title":"Pllush Headline Father/Daughter Records Showcase at The Independent | KQED","description":"2018 was a banner year for the local independent label. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Pllush Headline Father/Daughter Records Showcase at The Independent","datePublished":"2018-12-13T17:00:25.000Z","dateModified":"2024-01-12T02:34:21.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13847119/pllush-headline-father-daughter-records-showcase-at-the-independent","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>On the one hand, San Francisco musicians have \u003ca href=\"https://www.kqed.org/arts/13839604/moss-street-rehearsal-studio-tenants-evicted-by-luxury-realtor\">fewer places to rehearse\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13846754/in-2018-corporate-monotony-seized-san-francisco-music-venues\">fewer places to play\u003c/a>, especially venues that aren’t controlled by \u003ca href=\"https://pitchfork.com/news/coachella-co-owners-latest-charitable-filing-shows-deep-anti-lgbtq-ties/\">right-wing fundamentalists\u003c/a> or \u003ca href=\"https://www.eastbayexpress.com/SevenDays/archives/2018/06/14/jason-perkins-of-parish-entertainment-group-dubbed-valenciavigilante-accused-of-accosting-homeless-man\">anti-homeless vigilantes\u003c/a>. \u003c/p>\n\u003cp>On the other, there’s Father/Daughter Records. The label, launched in 2010 by Jessi Frick, has built a formidable platform for local artists, and in 2018 it released an outsized amount of the city’s finest indie-rock records. A label showcase Thursday at The Independent attests to its banner year. \u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Headliner Pllush in May released \u003cem>Stranger to the Pain\u003c/em>, a heaving, achingly gorgeous full-length debut that’s attracted praise from outlets including The Fader and NPR. Main support Rose Droll, an inventive multi-instrumentalist and agile singer, recently released \u003cem>Your Dog\u003c/em>, which KQED \u003ca href=\"https://www.kqed.org/arts/13847024/the-10-best-bay-area-albums-of-2018-rose-droll-your-dog\">dubbed\u003c/a> one of the year’s best Bay Area albums. Rounding out the bill are the spirited, hook-laden rock outfits SOAR and Pardoner—both likely candidates for Father/Daughter releases in 2019. \u003c/p>\n\u003cp>Co-presented with Mission District internet radio station BFF.fm, \u003ca href=\"https://www.facebook.com/events/1786438898135283/\">the show\u003c/a> partially benefits the nonprofit Sunset Youth Services, and the first 200 arrivals receive Father/Daughter holiday ornaments.\u003c/p>\n\u003cp>\u003ca href=\"http://pllushsf.bandcamp.com/album/stranger-to-the-pain\">Stranger to the Pain by Pllush\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13847119/pllush-headline-father-daughter-records-showcase-at-the-independent","authors":["11091"],"programs":["arts_140"],"categories":["arts_69"],"tags":["arts_1118","arts_596","arts_1111"],"featImg":"arts_13847121","label":"arts_140"},"arts_13840289":{"type":"posts","id":"arts_13840289","meta":{"index":"posts_1591205157","site":"arts","id":"13840289","score":null,"sort":[1536100452000]},"guestAuthors":[],"slug":"mexican-rockers-cafe-tacvba-stand-in-solidarity-with-stateside-latinx-fans","title":"Mexican Rockers Café Tacvba Stand in Solidarity with Stateside Latinx Fans","publishDate":1536100452,"format":"standard","headTitle":"Mexican Rockers Café Tacvba Stand in Solidarity with Stateside Latinx Fans | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>It’s impossible to talk about Mexican rock without mentioning Café Tacvba, a hugely influential band from Ciudad Satélite, a suburban area northeast of Mexico City. Café Tacvba’s music began as an effortless fusion of regional folk sounds and rock, and the band members have been ambassadors of \u003cem>rock en Español\u003c/em> since forming in the 1989, when they began to dominate Mexico’s airwaves.\u003c/p>\n\u003cp>The quartet, comprised of Rubén Albarrán, José Alfredo “Joselo” Rangel Arroyo, Quique Rangel Arroyo and Emmanuel del Real, has long had a reputation for social activism. They raised money for victims of 2017’s destructive Mexico City earthquake and regularly use their music to speak out about important social issues, like the disappearance of 43 students from Ayotzinapa, Mexico on the track “1-2-3.”\u003c/p>\n\u003cp>https://youtu.be/nBVP8QI7320\u003c/p>\n\u003cp>In recent years, Café Tacvba have lent their voices to the fight against violence against women. In fact, don’t expect for their 1994 song “La Ingrata” to make it into any of their upcoming set lists. The band members retired the classic track, about a heartbroken man who wants to inflict pain on his former lover, two years ago. Instead of changing the lyrics, they explained in an \u003ca href=\"https://www.lanacion.com.ar/1957173-cafe-tacvba-este-mundo-en-el-que-estamos-viviendo-no-funciona\" target=\"_blank\" rel=\"noopener noreferrer\">interview\u003c/a> with Argentinian newspaper \u003cem>La Nacion\u003c/em> that, as they’ve gotten older, they’ve become more aware of how violence against women plagues our world.\u003c/p>\n\u003cp>KQED recently chatted with lead guitarist and vocalist Joselo Rangel ahead of Café Tacvba’s \u003ca href=\"http://www.theindependentsf.com/event/1689804-cafe-tacvba-san-francisco/\" target=\"_blank\" rel=\"noopener noreferrer\">five-night residency\u003c/a> at San Francisco’s Independent, which kicks off on Sept. 5. (This interview was conducted in Spanish and translated by the author.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We understand the cultural significance of our music, and how our fans have grown up with us and particular songs,” Rangel says of the band’s nearly three-decade career.\u003c/p>\n\u003cp>Indeed, Café Tacvba’s impact has reached across cultural and generational lines. \u003cem>Rolling Stone\u003c/em> called their 1994 album \u003cem>Re\u003c/em> one of \u003ca href=\"https://www.rollingstone.com/music/music-lists/the-10-greatest-latin-rock-albums-of-all-time-153398/cafe-tacuba-re-1994-157068/\" target=\"_blank\" rel=\"noopener noreferrer\">10 greatest Latin rock albums\u003c/a> of all time. The band has been nominated for five Grammys, winning Best Latin/Rock Alternative Album in 2003 for \u003cem>Cuatro Caminos\u003c/em>. They’ve also been nominated for 16 Latin Grammys and won an impressive seven—most recently, Best Alternative Album for last year’s \u003cem>Jei Beibi\u003c/em>.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> “For some [fans], \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Re\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is the most important album of our discography,” says Rangel. “Yet we often find that others just recently found out who we are, and our newest albums are the most important for them.”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13840299\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840299\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-800x629.jpg\" alt=\"Over their three-decade career, Mexican rock band Café Tacvba have spoken out about important issues like violence against women and the disappearance of the 43 students from Ayotzinapa.\" width=\"800\" height=\"629\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-800x629.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-160x126.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-768x604.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-1020x802.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-1200x944.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-1180x928.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-960x755.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-240x189.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-375x295.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-520x409.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Over their three-decade career, Mexican rock band Café Tacvba have spoken out about important issues like violence against women and the disappearance of the 43 students from Ayotzinapa. \u003ccite>(Courtesy of Café Tacvba)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Millions of listeners have been following Café Tacvba since their 1991 self-titled debut album—and many of those fervent fans reside in the United States, specifically in areas with large Mexican-American populations. In 2009, Café Tacvba became the first Mexican rock band to play the then newly reopened Fox Theater in Oakland, returning for a sold-out show in 2017. For 2018’s NiuGüeis Tour, the band secured rare multi-show residencies in San Francisco, Chicago and Los Angeles, with San Francisco the longest out of the three.\u003c/p>\n\u003cp>“For this tour we wanted to do something different and out of the norm,” Rangel explains. “There have been many instances that we tour in places where fans are not able to get tickets, or we wish we could stay longer and play more shows while we are there.”\u003c/p>\n\u003cp>Café Tacvba’s show run at The Independent is a legendary moment for the Bay Area’s thousands of Mexican immigrants, who’ve been labeled as criminals and rapists by the current administration. Despite constant talk of Trump’s wall, Latinx music remains not only profitable, but well loved on this side of the border.\u003c/p>\n\u003cp>“It is a difficult time to be in right now, but I want to send my strength,” says Rangel. “We can’t wait to see everyone.”\u003c/p>\n\u003cp>With such Café Tacvba’s extensive discography of 12 albums (including eight studio albums, an \u003cem>MTV Unplugged\u003c/em>, a best of, a tribute and a 15th anniversary album), each night at The Independent promises to be different from the last.\u003c/p>\n\u003cp>“This is giving us the opportunity to, perhaps, play a different show every night,” says Rangel. “There are a number of songs that have solely stayed as part of an album. Revisiting them, it’s interesting but also complicated. We have to go back in time and place ourselves in the exact moment when we recorded a particular song. When we are able to do it, it’s incredible.”\u003c/p>\n\u003cp>Is there a secret formula for the band’s longevity? “We love and respect each other,” Rangel says. “We are all family. It’s not so much like a marriage, as many would be led to believe, as it is a brotherhood. We might get mad at each other, or have disagreements, but it is all temporary.”\u003c/p>\n\u003cp>It’s impossible to conduct an interview with Café Tacvba without bringing up politics, and how Mexico and the United States’ relationship has turned into a nefarious political game centered on immigration. Mexico just elected a new President, Andrés Manuel López Obrador, who will be sworn in on Dec. 1. The new leader will have to find ways to re-establish a cordial relationship with the United States under the Trump administration.\u003c/p>\n\u003cp>https://youtu.be/EBWMyfFrtKs\u003c/p>\n\u003cp>“It is such a bizarre political climate,” Rangel says. “I have yet to meet someone who voted for or currently supports Trump. Why did he win? What I discovered is that my social circle has ideas that are the complete opposite of those who voted for him.”\u003c/p>\n\u003cp>He calls the Trump phenomenon, “a sci-fi novel, a political regression.” The video for the band’s 2016 song “Futuro” depicts a Trump lookalike, La Santa Muerte (the deity of death in Mexican folklore), a priest and other surreal figures all aboard a bus throttling through space. Its lyrics deal with humans’ failure to understand the grand scheme of fate.\u003c/p>\n\u003cp>“We want to live in a world different than the one we are in now,” Joselo emphasizes, describing the residency at The Independent as an escape. “For two hours each night, we’ll play this musical ritual where we’ll live in a different world.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Café Tacvba perform at The Independent Sept. 5–9. Details \u003ca href=\"http://www.theindependentsf.com/event/1689804-cafe-tacvba-san-francisco/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The politically outspoken band comes to San Francisco's Independent for a five-night residency starting Sept. 5. ","status":"publish","parent":0,"modified":1705027289,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":22,"wordCount":1175},"headData":{"title":"Mexican Rockers Café Tacvba Stand in Solidarity with Stateside Latinx Fans | KQED","description":"The politically outspoken band comes to San Francisco's Independent for a five-night residency starting Sept. 5. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Mexican Rockers Café Tacvba Stand in Solidarity with Stateside Latinx Fans","datePublished":"2018-09-04T22:34:12.000Z","dateModified":"2024-01-12T02:41:29.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13840289/mexican-rockers-cafe-tacvba-stand-in-solidarity-with-stateside-latinx-fans","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s impossible to talk about Mexican rock without mentioning Café Tacvba, a hugely influential band from Ciudad Satélite, a suburban area northeast of Mexico City. Café Tacvba’s music began as an effortless fusion of regional folk sounds and rock, and the band members have been ambassadors of \u003cem>rock en Español\u003c/em> since forming in the 1989, when they began to dominate Mexico’s airwaves.\u003c/p>\n\u003cp>The quartet, comprised of Rubén Albarrán, José Alfredo “Joselo” Rangel Arroyo, Quique Rangel Arroyo and Emmanuel del Real, has long had a reputation for social activism. They raised money for victims of 2017’s destructive Mexico City earthquake and regularly use their music to speak out about important social issues, like the disappearance of 43 students from Ayotzinapa, Mexico on the track “1-2-3.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nBVP8QI7320'\n title='//www.youtube.com/embed/nBVP8QI7320'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In recent years, Café Tacvba have lent their voices to the fight against violence against women. In fact, don’t expect for their 1994 song “La Ingrata” to make it into any of their upcoming set lists. The band members retired the classic track, about a heartbroken man who wants to inflict pain on his former lover, two years ago. Instead of changing the lyrics, they explained in an \u003ca href=\"https://www.lanacion.com.ar/1957173-cafe-tacvba-este-mundo-en-el-que-estamos-viviendo-no-funciona\" target=\"_blank\" rel=\"noopener noreferrer\">interview\u003c/a> with Argentinian newspaper \u003cem>La Nacion\u003c/em> that, as they’ve gotten older, they’ve become more aware of how violence against women plagues our world.\u003c/p>\n\u003cp>KQED recently chatted with lead guitarist and vocalist Joselo Rangel ahead of Café Tacvba’s \u003ca href=\"http://www.theindependentsf.com/event/1689804-cafe-tacvba-san-francisco/\" target=\"_blank\" rel=\"noopener noreferrer\">five-night residency\u003c/a> at San Francisco’s Independent, which kicks off on Sept. 5. (This interview was conducted in Spanish and translated by the author.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We understand the cultural significance of our music, and how our fans have grown up with us and particular songs,” Rangel says of the band’s nearly three-decade career.\u003c/p>\n\u003cp>Indeed, Café Tacvba’s impact has reached across cultural and generational lines. \u003cem>Rolling Stone\u003c/em> called their 1994 album \u003cem>Re\u003c/em> one of \u003ca href=\"https://www.rollingstone.com/music/music-lists/the-10-greatest-latin-rock-albums-of-all-time-153398/cafe-tacuba-re-1994-157068/\" target=\"_blank\" rel=\"noopener noreferrer\">10 greatest Latin rock albums\u003c/a> of all time. The band has been nominated for five Grammys, winning Best Latin/Rock Alternative Album in 2003 for \u003cem>Cuatro Caminos\u003c/em>. They’ve also been nominated for 16 Latin Grammys and won an impressive seven—most recently, Best Alternative Album for last year’s \u003cem>Jei Beibi\u003c/em>.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> “For some [fans], \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Re\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is the most important album of our discography,” says Rangel. “Yet we often find that others just recently found out who we are, and our newest albums are the most important for them.”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13840299\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840299\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-800x629.jpg\" alt=\"Over their three-decade career, Mexican rock band Café Tacvba have spoken out about important issues like violence against women and the disappearance of the 43 students from Ayotzinapa.\" width=\"800\" height=\"629\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-800x629.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-160x126.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-768x604.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-1020x802.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-1200x944.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-1180x928.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-960x755.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-240x189.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-375x295.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/Cafe-Tacvba-press-photo-2-520x409.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Over their three-decade career, Mexican rock band Café Tacvba have spoken out about important issues like violence against women and the disappearance of the 43 students from Ayotzinapa. \u003ccite>(Courtesy of Café Tacvba)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Millions of listeners have been following Café Tacvba since their 1991 self-titled debut album—and many of those fervent fans reside in the United States, specifically in areas with large Mexican-American populations. In 2009, Café Tacvba became the first Mexican rock band to play the then newly reopened Fox Theater in Oakland, returning for a sold-out show in 2017. For 2018’s NiuGüeis Tour, the band secured rare multi-show residencies in San Francisco, Chicago and Los Angeles, with San Francisco the longest out of the three.\u003c/p>\n\u003cp>“For this tour we wanted to do something different and out of the norm,” Rangel explains. “There have been many instances that we tour in places where fans are not able to get tickets, or we wish we could stay longer and play more shows while we are there.”\u003c/p>\n\u003cp>Café Tacvba’s show run at The Independent is a legendary moment for the Bay Area’s thousands of Mexican immigrants, who’ve been labeled as criminals and rapists by the current administration. Despite constant talk of Trump’s wall, Latinx music remains not only profitable, but well loved on this side of the border.\u003c/p>\n\u003cp>“It is a difficult time to be in right now, but I want to send my strength,” says Rangel. “We can’t wait to see everyone.”\u003c/p>\n\u003cp>With such Café Tacvba’s extensive discography of 12 albums (including eight studio albums, an \u003cem>MTV Unplugged\u003c/em>, a best of, a tribute and a 15th anniversary album), each night at The Independent promises to be different from the last.\u003c/p>\n\u003cp>“This is giving us the opportunity to, perhaps, play a different show every night,” says Rangel. “There are a number of songs that have solely stayed as part of an album. Revisiting them, it’s interesting but also complicated. We have to go back in time and place ourselves in the exact moment when we recorded a particular song. When we are able to do it, it’s incredible.”\u003c/p>\n\u003cp>Is there a secret formula for the band’s longevity? “We love and respect each other,” Rangel says. “We are all family. It’s not so much like a marriage, as many would be led to believe, as it is a brotherhood. We might get mad at each other, or have disagreements, but it is all temporary.”\u003c/p>\n\u003cp>It’s impossible to conduct an interview with Café Tacvba without bringing up politics, and how Mexico and the United States’ relationship has turned into a nefarious political game centered on immigration. Mexico just elected a new President, Andrés Manuel López Obrador, who will be sworn in on Dec. 1. The new leader will have to find ways to re-establish a cordial relationship with the United States under the Trump administration.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/EBWMyfFrtKs'\n title='//www.youtube.com/embed/EBWMyfFrtKs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“It is such a bizarre political climate,” Rangel says. “I have yet to meet someone who voted for or currently supports Trump. Why did he win? What I discovered is that my social circle has ideas that are the complete opposite of those who voted for him.”\u003c/p>\n\u003cp>He calls the Trump phenomenon, “a sci-fi novel, a political regression.” The video for the band’s 2016 song “Futuro” depicts a Trump lookalike, La Santa Muerte (the deity of death in Mexican folklore), a priest and other surreal figures all aboard a bus throttling through space. Its lyrics deal with humans’ failure to understand the grand scheme of fate.\u003c/p>\n\u003cp>“We want to live in a world different than the one we are in now,” Joselo emphasizes, describing the residency at The Independent as an escape. “For two hours each night, we’ll play this musical ritual where we’ll live in a different world.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Café Tacvba perform at The Independent Sept. 5–9. Details \u003ca href=\"http://www.theindependentsf.com/event/1689804-cafe-tacvba-san-francisco/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13840289/mexican-rockers-cafe-tacvba-stand-in-solidarity-with-stateside-latinx-fans","authors":["11624"],"categories":["arts_69"],"tags":["arts_1118","arts_5573","arts_596","arts_905","arts_1111"],"featImg":"arts_13840300","label":"arts"},"arts_13827678":{"type":"posts","id":"arts_13827678","meta":{"index":"posts_1591205157","site":"arts","id":"13827678","score":null,"sort":[1521679468000]},"guestAuthors":[],"slug":"on-the-air-cy-and-tomas-do-list-picks-for-march-23-2018","title":"On the Air: Cy and Tomás' Do List Picks for March 23, 2018","publishDate":1521679468,"format":"audio","headTitle":"On the Air: Cy and Tomás’ Do List Picks for March 23, 2018 | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Our favorite arts administrator Tomás Riley (formerly with CounterPulse) is back as co-host, and the show is music heavy (a good thing), with electro-pop from Emily Afton, a new song cycle about being black in America by Lawrence Brownlee, and the ugly pop of Skating Polly. Enjoy.\u003c/p>\n\u003cp>\u003cstrong>March 23 and 24: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13827711/diana-gameros-gentle-songs-of-protest\" target=\"_blank\" rel=\"noopener\">Emily Afton’s wary but positive songs deserve a wider audience\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 23:\u003c/strong> \u003ca href=\"https://bampfa.org/event/fanny-and-alexander-4\" target=\"_blank\" rel=\"noopener\">Ingmar Bergman’s warmest film, \u003cem>Fanny and Alexander,\u003c/em> plays at the Pacific Film Archive in Berkeley\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 27:\u003c/strong> \u003ca href=\"https://sfpl.org/index.php?pg=1027497701\" target=\"_blank\" rel=\"noopener\">The San Francisco Public Library screens \u003cem>Ferlinghetti – A Rebirth of Wonder\u003c/em>, Christopher Felver’s film about the founder of City Lights Books \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 31:\u003c/strong> \u003ca href=\"https://www.kqed.org/arts/13827700/a-black-opera-singer-broadens-the-repertory-for-art-songs\" target=\"_blank\" rel=\"noopener\">Tenor Lawrence Brownlee’s updates the classical repertory with a new song cycle about Black Lives Matter.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>March 31:\u003c/strong> \u003ca href=\"https://proartsgallery.org/event/affirmative-action/\" target=\"_blank\" rel=\"noopener\">The Living Earth Show presents \u003cem>Affirmative Action\u003c/em> a \u003c/a>\u003ca href=\"https://proartsgallery.org/event/affirmative-action/\" target=\"_blank\" rel=\"noopener\">concert by five composers of color\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 15-July 8:\u003c/strong> \u003ca href=\"https://www.kqed.org/arts/13827570/celebrating-rube-goldbergs-dada-like-cartoon-inventions\" target=\"_blank\" rel=\"noopener\">An exhibition celebrates Rube Goldberg’s slapstick inventions and serious editorial cartoons\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 24 and May 6: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13827711/diana-gameros-gentle-songs-of-protest\" target=\"_blank\" rel=\"noopener\">Diana Gameros makes traditional songs fresh again\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 27: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13827721/skating-pollys-family-friendly-grunge\" target=\"_blank\" rel=\"noopener\">Skating Polly makes ugly pop that is so beautiful\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 29-April 1: \u003c/strong>\u003ca href=\"http://www.zspace.org/birthdaylottery\" target=\"_blank\" rel=\"noopener\">Richard Fouts play about how the Vietnam era draft changed the lives of a generation \u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>April 14:\u003c/strong> \u003ca href=\"http://youthspeaks.org/youth-speaks-teen-poetry-slam/\" target=\"_blank\" rel=\"noopener\">The Teen Poetry Slam returns to Youth Speaks\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13812638\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13812638\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-800x558.jpg\" alt=\"\" width=\"800\" height=\"558\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-800x558.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-768x535.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-1020x711.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-1920x1339.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-1180x823.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-960x669.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-240x167.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-375x261.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-520x363.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tomas Riley and Cy Musiker of KQED \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n","blocks":[],"excerpt":"On The Do List this week we cover a new song cycle about Black Lives Matter and Skating Polly's ugly pop.","status":"publish","parent":0,"modified":1705028214,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":237},"headData":{"title":"On the Air: Cy and Tomás' Do List Picks for March 23, 2018 | KQED","description":"On The Do List this week we cover a new song cycle about Black Lives Matter and Skating Polly's ugly pop.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"On the Air: Cy and Tomás' Do List Picks for March 23, 2018","datePublished":"2018-03-22T00:44:28.000Z","dateModified":"2024-01-12T02:56:54.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio/thedolist/2018/03/TDL20180323.mp3","sticky":false,"path":"/arts/13827678/on-the-air-cy-and-tomas-do-list-picks-for-march-23-2018","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Our favorite arts administrator Tomás Riley (formerly with CounterPulse) is back as co-host, and the show is music heavy (a good thing), with electro-pop from Emily Afton, a new song cycle about being black in America by Lawrence Brownlee, and the ugly pop of Skating Polly. Enjoy.\u003c/p>\n\u003cp>\u003cstrong>March 23 and 24: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13827711/diana-gameros-gentle-songs-of-protest\" target=\"_blank\" rel=\"noopener\">Emily Afton’s wary but positive songs deserve a wider audience\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 23:\u003c/strong> \u003ca href=\"https://bampfa.org/event/fanny-and-alexander-4\" target=\"_blank\" rel=\"noopener\">Ingmar Bergman’s warmest film, \u003cem>Fanny and Alexander,\u003c/em> plays at the Pacific Film Archive in Berkeley\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 27:\u003c/strong> \u003ca href=\"https://sfpl.org/index.php?pg=1027497701\" target=\"_blank\" rel=\"noopener\">The San Francisco Public Library screens \u003cem>Ferlinghetti – A Rebirth of Wonder\u003c/em>, Christopher Felver’s film about the founder of City Lights Books \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 31:\u003c/strong> \u003ca href=\"https://www.kqed.org/arts/13827700/a-black-opera-singer-broadens-the-repertory-for-art-songs\" target=\"_blank\" rel=\"noopener\">Tenor Lawrence Brownlee’s updates the classical repertory with a new song cycle about Black Lives Matter.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>March 31:\u003c/strong> \u003ca href=\"https://proartsgallery.org/event/affirmative-action/\" target=\"_blank\" rel=\"noopener\">The Living Earth Show presents \u003cem>Affirmative Action\u003c/em> a \u003c/a>\u003ca href=\"https://proartsgallery.org/event/affirmative-action/\" target=\"_blank\" rel=\"noopener\">concert by five composers of color\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 15-July 8:\u003c/strong> \u003ca href=\"https://www.kqed.org/arts/13827570/celebrating-rube-goldbergs-dada-like-cartoon-inventions\" target=\"_blank\" rel=\"noopener\">An exhibition celebrates Rube Goldberg’s slapstick inventions and serious editorial cartoons\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 24 and May 6: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13827711/diana-gameros-gentle-songs-of-protest\" target=\"_blank\" rel=\"noopener\">Diana Gameros makes traditional songs fresh again\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 27: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13827721/skating-pollys-family-friendly-grunge\" target=\"_blank\" rel=\"noopener\">Skating Polly makes ugly pop that is so beautiful\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 29-April 1: \u003c/strong>\u003ca href=\"http://www.zspace.org/birthdaylottery\" target=\"_blank\" rel=\"noopener\">Richard Fouts play about how the Vietnam era draft changed the lives of a generation \u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>April 14:\u003c/strong> \u003ca href=\"http://youthspeaks.org/youth-speaks-teen-poetry-slam/\" target=\"_blank\" rel=\"noopener\">The Teen Poetry Slam returns to Youth Speaks\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13812638\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13812638\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-800x558.jpg\" alt=\"\" width=\"800\" height=\"558\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-800x558.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-768x535.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-1020x711.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-1920x1339.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-1180x823.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-960x669.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-240x167.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-375x261.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-520x363.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tomas Riley and Cy Musiker of KQED \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13827678/on-the-air-cy-and-tomas-do-list-picks-for-march-23-2018","authors":["32"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_71","arts_74","arts_69","arts_235","arts_70"],"tags":["arts_1118","arts_977","arts_1006","arts_2519","arts_4012","arts_1275","arts_3573","arts_4308","arts_4317","arts_1111","arts_2102","arts_626"],"featImg":"arts_13827542","label":"arts_140"},"arts_13827721":{"type":"posts","id":"arts_13827721","meta":{"index":"posts_1591205157","site":"arts","id":"13827721","score":null,"sort":[1521677211000]},"guestAuthors":[],"slug":"skating-pollys-family-friendly-grunge","title":"Skating Polly's Family-Friendly Grunge","publishDate":1521677211,"format":"standard","headTitle":"Skating Polly’s Family-Friendly Grunge | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>The stepsisters of Skating Polly, Peyton Bighorse and Kelli Mayo, were just 14 and 9 years old when they started playing together in 2009. So how are their songs so catchy and smart? They play what they call ugly pop, but the songs are a lot of fun. The band is a family affair, as they have their brother Kurtis Mayo on drums. They’ve also gone outside of their family circle, having collaborated with Exene Cervenka, singer from the seminal L.A. punk band X. My co-host Tomás Riley says likes the confluence of folk and fuzzed-out distorted guitars, and how the songs tell good stories. \u003c/p>\n\u003cp>Skating Polly opens for the The Go! Team at The Independent in San Francisco on March 27. \u003ca href=\"https://www.ticketfly.com/event/1577211-go-team-san-francisco/\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=dZa1KmTDW9g\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Skating Polly's ugly pop sounds quite beautiful to us.","status":"publish","parent":0,"modified":1705028216,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":143},"headData":{"title":"Skating Polly's Family-Friendly Grunge | KQED","description":"Skating Polly's ugly pop sounds quite beautiful to us.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Skating Polly's Family-Friendly Grunge","datePublished":"2018-03-22T00:06:51.000Z","dateModified":"2024-01-12T02:56:56.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13827721/skating-pollys-family-friendly-grunge","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The stepsisters of Skating Polly, Peyton Bighorse and Kelli Mayo, were just 14 and 9 years old when they started playing together in 2009. So how are their songs so catchy and smart? They play what they call ugly pop, but the songs are a lot of fun. The band is a family affair, as they have their brother Kurtis Mayo on drums. They’ve also gone outside of their family circle, having collaborated with Exene Cervenka, singer from the seminal L.A. punk band X. My co-host Tomás Riley says likes the confluence of folk and fuzzed-out distorted guitars, and how the songs tell good stories. \u003c/p>\n\u003cp>Skating Polly opens for the The Go! Team at The Independent in San Francisco on March 27. \u003ca href=\"https://www.ticketfly.com/event/1577211-go-team-san-francisco/\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dZa1KmTDW9g'\n title='//www.youtube.com/embed/dZa1KmTDW9g'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13827721/skating-pollys-family-friendly-grunge","authors":["32"],"programs":["arts_140"],"categories":["arts_69"],"tags":["arts_1006","arts_596","arts_1111"],"featImg":"arts_13827729","label":"arts_140"},"arts_13826363":{"type":"posts","id":"arts_13826363","meta":{"index":"posts_1591205157","site":"arts","id":"13826363","score":null,"sort":[1520472962000]},"guestAuthors":[],"slug":"on-the-air-cy-and-a-lans-do-list-picks-for-march-9-2018","title":"On the Air: Cy and A-lan's Do List Picks for March 9, 2018","publishDate":1520472962,"format":"audio","headTitle":"On the Air: Cy and A-lan’s Do List Picks for March 9, 2018 | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>My co-host this week is A-lan Holt, a playwright and co-director for the Center for Diversity in the Arts at Stanford. To no one’s surprise, we talked about the plays we’re most excited about at Bay Area theaters. But there’s lots of music on the show too, including a new violin concerto by film score master Danny Elfman and tropical rocker Hollie Cook. Check it out.\u003c/p>\n\u003cp>\u003cstrong>March 10: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13826532/the-whip-smart-folk-music-of-henry-jamison\" target=\"_blank\" rel=\"noopener\">Vermont folkie Henry Jamison’s tells eloquent love stories in song.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Feb. 16-April 7: \u003c/strong>\u003ca href=\"https://www.kqed.org/news/11650964/bay-area-artist-retrieves-missing-young-black-women\" target=\"_blank\" rel=\"noopener\">Kenyatta A. C. Hinkle’s smokey portraits work to rescue the victims of sex trafficking. \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 1-24: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13826571/tearing-down-the-patriarchy-in-crowded-fires-revolt-she-said-revolt-again\" target=\"_blank\" rel=\"noopener\">The women in Crowded Fire Theater’s production \u003cstrong>of \u003c/strong>\u003cem>Revolt. She Said. Revolt Again.\u003c/em> tear down the patriarchy\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 9-11: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13826595/the-marsh-offers-a-theater-alternative-to-march-madness\" target=\"_blank\" rel=\"noopener\">Theater with brackets in ‘Marsh Madness ‘at The Marsh Theater.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>March 16-31:\u003c/strong> \u003ca href=\"http://www.ubuntutheaterproject.com/dance/\" target=\"_blank\" rel=\"noopener\">The Ubuntu Theater Project offers the West Coast premiere of Oakland native Marcus Gardley’s memory play \u003cem>Dance of the Holy Ghosts.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 10 and 11\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13826509/danny-elfmans-genre-defying-music-at-stanford\" target=\"_blank\" rel=\"noopener\">The Stanford Symphony features the genre hopping music of Danny Elfman.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 28:\u003c/strong> \u003ca href=\"https://www.kqed.org/arts/13826399/luscious-tropical-pop-from-hollie-cook\" target=\"_blank\" rel=\"noopener\">The luscious “tropical pop” of singer Hollie Cook.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>SHOUTOUTS: \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>March 16\u003c/strong>: \u003ca href=\"https://www.ncco.org/concert-tickets/2017-2018-season/zurichchamberorchestra\" target=\"_blank\" rel=\"noopener\">The New Century Chamber Orchestra teams up with the Zurich Chamber Orchestra under Daniel Hope, music director for both ensembles. \u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>March 15: \u003c/strong>\u003ca href=\"https://www.brava.org/all-events/2017/11/20/so-soul-san-francisco-black-art-salon-f3gh9-b8t68\" target=\"_blank\" rel=\"noopener\">Brava in the Mission continues its salon series with a discussion by choreographer Amara Tabor Smith, director Ellen Sebastian Chang, multi-media artist Alexa C. Burell (aka LEXAGON), and somatic scholar Amber McZeal \u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13818818\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13818818\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-800x461.jpg\" alt=\"Do List co-hosts A-lan Holt and Cy Musiker\" width=\"800\" height=\"461\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-800x461.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-160x92.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-768x442.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-1020x587.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-1920x1105.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-1180x679.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-960x553.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-240x138.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-375x216.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-520x299.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507.jpg 2001w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Do List co-hosts A-lan Holt and Cy Musiker \u003ccite>(Photo: Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n","blocks":[],"excerpt":"KQED's Cy Musiker and A-lan Holt find the best Bay Area shows on The Do List","status":"publish","parent":0,"modified":1705028311,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":285},"headData":{"title":"On the Air: Cy and A-lan's Do List Picks for March 9, 2018 | KQED","description":"KQED's Cy Musiker and A-lan Holt find the best Bay Area shows on The Do List","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"On the Air: Cy and A-lan's Do List Picks for March 9, 2018","datePublished":"2018-03-08T01:36:02.000Z","dateModified":"2024-01-12T02:58:31.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio/thedolist/2018/03/TDL20180309.mp3","sticky":false,"path":"/arts/13826363/on-the-air-cy-and-a-lans-do-list-picks-for-march-9-2018","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>My co-host this week is A-lan Holt, a playwright and co-director for the Center for Diversity in the Arts at Stanford. To no one’s surprise, we talked about the plays we’re most excited about at Bay Area theaters. But there’s lots of music on the show too, including a new violin concerto by film score master Danny Elfman and tropical rocker Hollie Cook. Check it out.\u003c/p>\n\u003cp>\u003cstrong>March 10: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13826532/the-whip-smart-folk-music-of-henry-jamison\" target=\"_blank\" rel=\"noopener\">Vermont folkie Henry Jamison’s tells eloquent love stories in song.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Feb. 16-April 7: \u003c/strong>\u003ca href=\"https://www.kqed.org/news/11650964/bay-area-artist-retrieves-missing-young-black-women\" target=\"_blank\" rel=\"noopener\">Kenyatta A. C. Hinkle’s smokey portraits work to rescue the victims of sex trafficking. \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 1-24: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13826571/tearing-down-the-patriarchy-in-crowded-fires-revolt-she-said-revolt-again\" target=\"_blank\" rel=\"noopener\">The women in Crowded Fire Theater’s production \u003cstrong>of \u003c/strong>\u003cem>Revolt. She Said. Revolt Again.\u003c/em> tear down the patriarchy\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 9-11: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13826595/the-marsh-offers-a-theater-alternative-to-march-madness\" target=\"_blank\" rel=\"noopener\">Theater with brackets in ‘Marsh Madness ‘at The Marsh Theater.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>March 16-31:\u003c/strong> \u003ca href=\"http://www.ubuntutheaterproject.com/dance/\" target=\"_blank\" rel=\"noopener\">The Ubuntu Theater Project offers the West Coast premiere of Oakland native Marcus Gardley’s memory play \u003cem>Dance of the Holy Ghosts.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 10 and 11\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13826509/danny-elfmans-genre-defying-music-at-stanford\" target=\"_blank\" rel=\"noopener\">The Stanford Symphony features the genre hopping music of Danny Elfman.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March 28:\u003c/strong> \u003ca href=\"https://www.kqed.org/arts/13826399/luscious-tropical-pop-from-hollie-cook\" target=\"_blank\" rel=\"noopener\">The luscious “tropical pop” of singer Hollie Cook.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>SHOUTOUTS: \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>March 16\u003c/strong>: \u003ca href=\"https://www.ncco.org/concert-tickets/2017-2018-season/zurichchamberorchestra\" target=\"_blank\" rel=\"noopener\">The New Century Chamber Orchestra teams up with the Zurich Chamber Orchestra under Daniel Hope, music director for both ensembles. \u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>March 15: \u003c/strong>\u003ca href=\"https://www.brava.org/all-events/2017/11/20/so-soul-san-francisco-black-art-salon-f3gh9-b8t68\" target=\"_blank\" rel=\"noopener\">Brava in the Mission continues its salon series with a discussion by choreographer Amara Tabor Smith, director Ellen Sebastian Chang, multi-media artist Alexa C. Burell (aka LEXAGON), and somatic scholar Amber McZeal \u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13818818\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13818818\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-800x461.jpg\" alt=\"Do List co-hosts A-lan Holt and Cy Musiker\" width=\"800\" height=\"461\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-800x461.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-160x92.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-768x442.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-1020x587.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-1920x1105.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-1180x679.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-960x553.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-240x138.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-375x216.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-520x299.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507.jpg 2001w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Do List co-hosts A-lan Holt and Cy Musiker \u003ccite>(Photo: Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13826363/on-the-air-cy-and-a-lans-do-list-picks-for-march-9-2018","authors":["32"],"programs":["arts_140"],"categories":["arts_69","arts_1003","arts_967"],"tags":["arts_15393","arts_1185","arts_879","arts_1118","arts_1006","arts_6387","arts_596","arts_4193","arts_4028","arts_1111","arts_4190","arts_626","arts_1072","arts_3879"],"featImg":"arts_13826647","label":"arts_140"},"arts_13824660":{"type":"posts","id":"arts_13824660","meta":{"index":"posts_1591205157","site":"arts","id":"13824660","score":null,"sort":[1518662103000]},"guestAuthors":[],"slug":"on-the-air-cy-and-jamedras-do-list-picks-for-feb-16-2018","title":"On the Air: Cy And Jamedra’s Do List Picks for Feb. 16, 2018","publishDate":1518662103,"format":"audio","headTitle":"On the Air: Cy And Jamedra’s Do List Picks for Feb. 16, 2018 | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Jamedra Brown Fleischman is back as co-host this week, with her twins adding to the fun, watching from the control room of the studio. The picks this week are a reminder that we’re deep into Black History Month, but every month should feature such deeply intriguing and emotionally satisfying music and theater. Take a listen.\u003c/p>\n\u003cp>\u003cstrong>Feb. 22-24: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/what-viewers-didnt-see-changed-everything/\" target=\"_blank\" rel=\"noopener\">A musical performance about the troubling history of blackface, Ben Vereen and the 1981 Reagan Inauguration\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 14-17:\u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/the-effortlessly-hip-comedy-of-zainab-johnson/\" target=\"_blank\" rel=\"noopener\"> The effortlessly funny hipness of Zainab Johnson\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 22-24:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/wp-admin/post.php?post=13824549&action=edit\" target=\"_blank\" rel=\"noopener\">The long pauses of funnyman Ron Funches\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 22 and 28\u003c/strong>:\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/rapper-caleborate-is-still-a-real-person-despite-his-success/\" target=\"_blank\" rel=\"noopener\"> Rapper Caleborate still a “real person,” despite success\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Feb. 25: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/all-welcome-at-a-parade-of-black-joy-in-oakland/\" target=\"_blank\" rel=\"noopener\">A parade and street fair promise an afternoon of black joy\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Oct. 17-March 11: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/tales-of-seeking-sanctuary-woven-into-36-rugs-at-fort-mason/\" target=\"_blank\" rel=\"noopener\">For-Site gathers an exhibition of beautiful rugs on the theme of sanctuary for refugees\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 19 and 26: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/garage-rock-band-the-coathangers-have-plenty-to-be-pissed-off-about/\" target=\"_blank\" rel=\"noopener\">The Coathangers rock out with songs about men and other irritants\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb 19, 22, and 23: \u003c/strong>\u003ca href=\"http://www.leeannwomack.com/p/tour-dates\" target=\"_blank\" rel=\"noopener\">Lee Ann Womack brings her earthy Texas country rock to the Bay Area\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Feb. 18:\u003c/strong> \u003ca href=\"https://www.belovedoakland.org/\" target=\"_blank\" rel=\"noopener\">Beloved Oakland is a chance to celebrate The Town and some of its civic and artistic leaders at the Paramount\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13824627\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13824627\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-800x601.jpg\" alt=\"\" width=\"800\" height=\"601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-768x577.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-1920x1442.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-1180x886.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-960x721.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-375x282.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-520x391.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A rug designed by Ammar al-Beik in For-Site’s show ‘Sanctuary’ at the Fort Mason Chapel \u003ccite>(Photo: Robert Divers Herrick/For-Site Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n","blocks":[],"excerpt":"The Do List this week features a show about Ben Vereen’s ill-fated blackface performance, and a chance to celebrate black joy.","status":"publish","parent":0,"modified":1705028490,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":228},"headData":{"title":"On the Air: Cy And Jamedra’s Do List Picks for Feb. 16, 2018 | KQED","description":"The Do List this week features a show about Ben Vereen’s ill-fated blackface performance, and a chance to celebrate black joy.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"On the Air: Cy And Jamedra’s Do List Picks for Feb. 16, 2018","datePublished":"2018-02-15T02:35:03.000Z","dateModified":"2024-01-12T03:01:30.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio/thedolist/2018/02/TDL20180216.mp3","sticky":false,"path":"/arts/13824660/on-the-air-cy-and-jamedras-do-list-picks-for-feb-16-2018","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Jamedra Brown Fleischman is back as co-host this week, with her twins adding to the fun, watching from the control room of the studio. The picks this week are a reminder that we’re deep into Black History Month, but every month should feature such deeply intriguing and emotionally satisfying music and theater. Take a listen.\u003c/p>\n\u003cp>\u003cstrong>Feb. 22-24: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/what-viewers-didnt-see-changed-everything/\" target=\"_blank\" rel=\"noopener\">A musical performance about the troubling history of blackface, Ben Vereen and the 1981 Reagan Inauguration\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 14-17:\u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/the-effortlessly-hip-comedy-of-zainab-johnson/\" target=\"_blank\" rel=\"noopener\"> The effortlessly funny hipness of Zainab Johnson\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 22-24:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/wp-admin/post.php?post=13824549&action=edit\" target=\"_blank\" rel=\"noopener\">The long pauses of funnyman Ron Funches\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 22 and 28\u003c/strong>:\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/rapper-caleborate-is-still-a-real-person-despite-his-success/\" target=\"_blank\" rel=\"noopener\"> Rapper Caleborate still a “real person,” despite success\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Feb. 25: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/all-welcome-at-a-parade-of-black-joy-in-oakland/\" target=\"_blank\" rel=\"noopener\">A parade and street fair promise an afternoon of black joy\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Oct. 17-March 11: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/tales-of-seeking-sanctuary-woven-into-36-rugs-at-fort-mason/\" target=\"_blank\" rel=\"noopener\">For-Site gathers an exhibition of beautiful rugs on the theme of sanctuary for refugees\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 19 and 26: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/garage-rock-band-the-coathangers-have-plenty-to-be-pissed-off-about/\" target=\"_blank\" rel=\"noopener\">The Coathangers rock out with songs about men and other irritants\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb 19, 22, and 23: \u003c/strong>\u003ca href=\"http://www.leeannwomack.com/p/tour-dates\" target=\"_blank\" rel=\"noopener\">Lee Ann Womack brings her earthy Texas country rock to the Bay Area\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Feb. 18:\u003c/strong> \u003ca href=\"https://www.belovedoakland.org/\" target=\"_blank\" rel=\"noopener\">Beloved Oakland is a chance to celebrate The Town and some of its civic and artistic leaders at the Paramount\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13824627\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13824627\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-800x601.jpg\" alt=\"\" width=\"800\" height=\"601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-768x577.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-1920x1442.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-1180x886.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-960x721.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-375x282.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-520x391.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A rug designed by Ammar al-Beik in For-Site’s show ‘Sanctuary’ at the Fort Mason Chapel \u003ccite>(Photo: Robert Divers Herrick/For-Site Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13824660/on-the-air-cy-and-jamedras-do-list-picks-for-feb-16-2018","authors":["32"],"programs":["arts_140"],"categories":["arts_1","arts_968","arts_71","arts_69","arts_235","arts_1003","arts_75","arts_967","arts_990","arts_70"],"tags":["arts_1604","arts_549","arts_3972","arts_1118","arts_1006","arts_6387","arts_596","arts_3986","arts_1111","arts_626","arts_1955"],"featImg":"arts_13824374","label":"arts_140"},"arts_13824649":{"type":"posts","id":"arts_13824649","meta":{"index":"posts_1591205157","site":"arts","id":"13824649","score":null,"sort":[1518655707000]},"guestAuthors":[],"slug":"garage-rock-band-the-coathangers-have-plenty-to-be-pissed-off-about","title":"Garage Rock Band the Coathangers Have Plenty to Be Pissed Off About","publishDate":1518655707,"format":"standard","headTitle":"Garage Rock Band the Coathangers Have Plenty to Be Pissed Off About | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>We’re so glad the Coathangers are back in town. This Atlanta-based garage rock band led by guitarist Julia Kugel — with Meredith Franco on bass and Stephanie Luke on drums — likes to write songs about stuff that pisses them off. These days, women have plenty to be pissed about, and the Coathangers make terrifically rocking music about it all. \u003c/p>\n\u003cp>My co-host Jamedra Brown Fleischman notes that the band formed as a joke back in 2006, but since then they’ve developed quite a following. Their name is a reference to the use of coat hangers in the horrifying history self-induced abortions. The band chose the name because they liked the shock value, so if makes you uncomfortable, you’ll just have to deal with it. \u003c/p>\n\u003cp>Details for their shows at The Independent in San Francisco Feb. 19, and at the Catalyst in Santa Cruz Feb. 26 \u003ca href=\"http://thecoathangers.com/tour/\" target=\"_blank\" rel=\"noopener\">are here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=J3bqo4tuTYM\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The Coathangers are three women garage rock band with songs about stuff that pisses them off","status":"publish","parent":0,"modified":1705028491,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":165},"headData":{"title":"Garage Rock Band the Coathangers Have Plenty to Be Pissed Off About | KQED","description":"The Coathangers are three women garage rock band with songs about stuff that pisses them off","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Garage Rock Band the Coathangers Have Plenty to Be Pissed Off About","datePublished":"2018-02-15T00:48:27.000Z","dateModified":"2024-01-12T03:01:31.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13824649/garage-rock-band-the-coathangers-have-plenty-to-be-pissed-off-about","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>We’re so glad the Coathangers are back in town. This Atlanta-based garage rock band led by guitarist Julia Kugel — with Meredith Franco on bass and Stephanie Luke on drums — likes to write songs about stuff that pisses them off. These days, women have plenty to be pissed about, and the Coathangers make terrifically rocking music about it all. \u003c/p>\n\u003cp>My co-host Jamedra Brown Fleischman notes that the band formed as a joke back in 2006, but since then they’ve developed quite a following. Their name is a reference to the use of coat hangers in the horrifying history self-induced abortions. The band chose the name because they liked the shock value, so if makes you uncomfortable, you’ll just have to deal with it. \u003c/p>\n\u003cp>Details for their shows at The Independent in San Francisco Feb. 19, and at the Catalyst in Santa Cruz Feb. 26 \u003ca href=\"http://thecoathangers.com/tour/\" target=\"_blank\" rel=\"noopener\">are here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/J3bqo4tuTYM'\n title='//www.youtube.com/embed/J3bqo4tuTYM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13824649/garage-rock-band-the-coathangers-have-plenty-to-be-pissed-off-about","authors":["32"],"programs":["arts_140"],"categories":["arts_1","arts_71","arts_69","arts_235","arts_75"],"tags":["arts_902","arts_1006","arts_6387","arts_596","arts_1111"],"featImg":"arts_13824651","label":"arts_140"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. 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