La Doña, Los Rakas Perform at Estados Unidos De Bass, a Virtual Latin Music Fest
How Sonido Clash Music Fest Became a Hub for Forward-Thinking Latinx Sounds
The Do List: Listen to Our Weekend Picks for Aug. 30–Sept. 5
Summer Guide 2019: How the South Bay Plans to Party This Summer
Bay Brilliant: Quynh-Mai Nguyen
Forget 'Despacito' – Sonido Clash Brings Latin Sounds You've Never Heard
On the Air: Cy, Rachael and Gabe's Do List Picks for Sept. 1, 2017
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"content": "\u003cp>Even though COVID-19 rates have made it unsafe to experience music in person right now, Red Bull’s \u003ca href=\"https://www.redbull.com/us-en/music/events/estados-unidos-2020/broadcast-schedule\" target=\"_blank\" rel=\"noopener noreferrer\">Estados Unidos de Bass\u003c/a> is bringing live performances from a diverse lineup of Latin artists to our computer screens. Streaming from five cities—San Francisco, Miami, Austin, New York and Los Angeles—the three-week fest stars Colombian-American singer Kali Uchis and spotlights a variety of independent artists from each locale.\u003c/p>\n\u003cp>Representing the Bay Area is La Doña, a singer and rapper recently who stepped out as a solo act after getting her start on trumpet in her family’s band. La Doña’s style is a refreshingly San Francisco mix of reggaeton, rancheras and hyphy. While repping her culture and bringing the party, her songs also give voice to her community’s struggles with gentrification and police brutality—most recently, the Vallejo Police Department’s shooting of Sean Monterrosa, whom she honored in \u003ca href=\"https://www.youtube.com/watch?v=E3ZvKAcdDSc&ab_channel=LaDo%C3%B1a\" target=\"_blank\" rel=\"noopener noreferrer\">a tribute\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13861604\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13861604\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/07/Los-Rakas-800x450.jpg\" alt=\"With 'Manes de Negocio,' Los Rakas position themselves as the heirs of a longstanding Black Panamanian reggaeton tradition.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Los-Rakas-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Los-Rakas-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Los-Rakas-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Los-Rakas-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Los-Rakas-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Los-Rakas.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">With ‘Manes de Negocio,’ Los Rakas position themselves as the heirs of a longstanding Black Panamanian reggaeton tradition. \u003ccite>(Ghost)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>La Doña performs on the Dec. 4 stream along with Turbo Sonidero, a San José DJ and founder of the popular cumbia party and Chicano music festival \u003ca href=\"https://www.kqed.org/arts/13865311/how-sonido-clash-music-fest-became-a-hub-for-forward-thinking-latinx-sounds\" target=\"_blank\" rel=\"noopener noreferrer\">Sonido Clash\u003c/a>. On Dec. 5, Estados Unidos de Bass’ Bay Area features \u003ca href=\"https://www.kqed.org/arts/13861579/before-urbano-took-over-the-airwaves-oakland-had-los-rakas\" target=\"_blank\" rel=\"noopener noreferrer\">Los Rakas\u003c/a>, the Panamanian-American rap duo from Oakland whose genre-mixing, bilingual style was ahead of its time when they emerged in the turfing scene over a decade ago. They perform with the Sazon Libre DJ crew, whose tropical bass party has been going strong \u003ca href=\"https://www.twitch.tv/SAZONLIBRE\" target=\"_blank\" rel=\"noopener noreferrer\">on Twitch\u003c/a> during the pandemic.\u003c/p>\n\u003cp>Details for Estados Unidos de Bass can be found \u003ca href=\"https://www.redbull.com/us-en/music/events/estados-unidos-2020/broadcast-schedule\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Even though COVID-19 rates have made it unsafe to experience music in person right now, Red Bull’s \u003ca href=\"https://www.redbull.com/us-en/music/events/estados-unidos-2020/broadcast-schedule\" target=\"_blank\" rel=\"noopener noreferrer\">Estados Unidos de Bass\u003c/a> is bringing live performances from a diverse lineup of Latin artists to our computer screens. Streaming from five cities—San Francisco, Miami, Austin, New York and Los Angeles—the three-week fest stars Colombian-American singer Kali Uchis and spotlights a variety of independent artists from each locale.\u003c/p>\n\u003cp>Representing the Bay Area is La Doña, a singer and rapper recently who stepped out as a solo act after getting her start on trumpet in her family’s band. La Doña’s style is a refreshingly San Francisco mix of reggaeton, rancheras and hyphy. While repping her culture and bringing the party, her songs also give voice to her community’s struggles with gentrification and police brutality—most recently, the Vallejo Police Department’s shooting of Sean Monterrosa, whom she honored in \u003ca href=\"https://www.youtube.com/watch?v=E3ZvKAcdDSc&ab_channel=LaDo%C3%B1a\" target=\"_blank\" rel=\"noopener noreferrer\">a tribute\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13861604\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13861604\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/07/Los-Rakas-800x450.jpg\" alt=\"With 'Manes de Negocio,' Los Rakas position themselves as the heirs of a longstanding Black Panamanian reggaeton tradition.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Los-Rakas-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Los-Rakas-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Los-Rakas-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Los-Rakas-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Los-Rakas-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Los-Rakas.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">With ‘Manes de Negocio,’ Los Rakas position themselves as the heirs of a longstanding Black Panamanian reggaeton tradition. \u003ccite>(Ghost)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>La Doña performs on the Dec. 4 stream along with Turbo Sonidero, a San José DJ and founder of the popular cumbia party and Chicano music festival \u003ca href=\"https://www.kqed.org/arts/13865311/how-sonido-clash-music-fest-became-a-hub-for-forward-thinking-latinx-sounds\" target=\"_blank\" rel=\"noopener noreferrer\">Sonido Clash\u003c/a>. On Dec. 5, Estados Unidos de Bass’ Bay Area features \u003ca href=\"https://www.kqed.org/arts/13861579/before-urbano-took-over-the-airwaves-oakland-had-los-rakas\" target=\"_blank\" rel=\"noopener noreferrer\">Los Rakas\u003c/a>, the Panamanian-American rap duo from Oakland whose genre-mixing, bilingual style was ahead of its time when they emerged in the turfing scene over a decade ago. They perform with the Sazon Libre DJ crew, whose tropical bass party has been going strong \u003ca href=\"https://www.twitch.tv/SAZONLIBRE\" target=\"_blank\" rel=\"noopener noreferrer\">on Twitch\u003c/a> during the pandemic.\u003c/p>\n\u003cp>Details for Estados Unidos de Bass can be found \u003ca href=\"https://www.redbull.com/us-en/music/events/estados-unidos-2020/broadcast-schedule\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "How Sonido Clash Music Fest Became a Hub for Forward-Thinking Latinx Sounds",
"headTitle": "How Sonido Clash Music Fest Became a Hub for Forward-Thinking Latinx Sounds | KQED",
"content": "\u003cp>\u003cstrong>By Azucena Rasilla\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Before Chicanx singer-songwriter Cuco had international buzz, he was handpicked to perform at \u003c/span>\u003ca href=\"http://sonidoclash.com/sonido-clash-music-fest/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">Sonido Clash Music Fest\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, a small but influential upstart out of East San Jose, in the heart of Silicon Valley. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For the past ten years, the \u003c/span>\u003ca href=\"http://sonidoclash.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">Sonido Clash\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> crew has created a platform for emerging, out-there Latinx sounds, curating events with an eclectic mix of genres such as punk, cumbia, alternativo, oldies and hip-hop. The collective (comprised of \u003c/span>\u003ca href=\"http://instagram.com/mextape\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">Angel “Mextape” Luna\u003c/span>\u003c/a>; \u003ca href=\"https://www.instagram.com/turbosonidero/?hl=en\">\u003cspan style=\"font-weight: 400\">Roman Zepeda, a.k.a. Turbo Sonidero\u003c/span>\u003c/a>;\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003ca href=\"http://instagram.com/thereal_chalebrown\">\u003cspan style=\"font-weight: 400\">Thomas Ramon Aguilar, a.k.a. Chale Brown\u003c/span>\u003c/a>;\u003ca href=\"http://instagram.com/sonido_ozzy\">\u003cspan style=\"font-weight: 400\"> Osvaldo Chavez, a.k.a. Sonido Ozzy\u003c/span>\u003c/a>;\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003ca href=\"http://instagram.com/quynhlatifah\">\u003cspan style=\"font-weight: 400\">Quynh-Mai Nguyen\u003c/span>\u003c/a>;\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ca href=\"http://instagram.com/tlacoyo\">\u003cspan style=\"font-weight: 400\">Fernando J. Pérez Fiesco, a.k.a. Tlacoyo\u003c/span>\u003c/a>)\u003cspan style=\"font-weight: 400\"> reflects the Bay Area’s melting pot, and is committed to representing Eastside San Jose’s Latinx community amid ongoing gentrification. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With DJs and culture workers among their ranks, the members of Sonido Clash have a knack for booking buzzworthy acts before they blow up, and for introducing important international artists to the Bay Area music scene. For the festival’s fourth installation on Sept. 1, expect to hear music from Argentine-Spanish perreo artist Ms Nina, cumbia DJ G-Flux from Mexico City and headliners Nina Sky, the Puerto Rican twin duo known for 2000s pop hits like “Move Ya Body.”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13865317\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865317\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/Sonido-Clash-800x550.jpg\" alt=\"Sonido Clash members (from left to right) Fernando J. Pérez Fiesco, Ramon Zepeda, Quynh-Mai Nguyen, Angel Luna, Thomas Aguilar and Osvaldo Chavez.\" width=\"800\" height=\"550\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Sonido-Clash-800x550.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Sonido-Clash-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Sonido-Clash-768x528.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Sonido-Clash-1020x701.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Sonido-Clash-1200x825.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Sonido-Clash.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sonido Clash members (from left to right) Fernando J. Pérez Fiesco, Ramon Zepeda, Quynh-Mai Nguyen, Angel Luna, Thomas Aguilar and Osvaldo Chavez. \u003ccite>(Azucena Rasilla)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sonido Clash’s events represent a multicultural viewpoint familiar to many Latinx folks in the United States, where cumbia and ranchera sounds might be the norm in some households, while soul, hip-hop and oldies are in rotation in others. Previous editions of Sonido Clash Music Fest have featured new and old-school acts alike, such as Mexican dembow producer Chico Sonido, garage-pop band Los Blenders, electronic “cholo goth” duo Prayers and electro-funk pioneer Egyptian Lover. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Keeping it hella San Jose, the festival takes place at the School of Arts and Culture at the Mexican Heritage Plaza. Since 1999, the Mexican Heritage Plaza has been a hub for Chicanx culture in the South Bay, hosting concerts by Mexican bands like Kinky when rock en Español\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cspan style=\"font-weight: 400\">reigned supreme. For the past four summers, Sonido Clash Music Fest has transformed the campus into a vibrant celebration of Latinx youth culture.\u003c/span>\u003cspan style=\"font-weight: 400\"> [aside postid='arts_13864931']\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Every year at Sonido Clash Music Fest, local vendors’ and visual artists’ booths line the pathways of the Mexican Heritage Plaza. In addition to two music stages, there’s one devoted to spoken-word poetry. This year, the Poets of Color podcast crew and San Jose undocu-artist, poet and author Yosimar Reyes are slated to perform.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">While in recent years, reggaeton and Latinx trap have become fixtures on the radio, and collaborations among artists from different genres are no longer uncommon, this was far from the norm when the Sonido Clash crew got their start back in 2009. “Everyone was [musically] segregated,” says Luna, adding that those into rock en Español, cumbia or pop did not mingle with one another. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The crew put their ideas and resources together and got to work. Their first events took place at Silicon Valley De-Bug (where Pérez works), an organization rooted in social-justice organizing through multimedia storytelling. For one of their first events, titled Cultura en Tu Idioma (or Culture in Your Language), they booked Cuban artists DJ Leidis and Las Krudas, as well as Mexican rapper and poet Bocafloja. “We had punk bands with cumbia bands all together,” Zepeda adds. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13865322\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865322\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/71tb573Q-800x450.jpeg\" alt=\"Sonido Clash's eclectic booking has made the collective a force in the South Bay music scene and beyond.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/71tb573Q-800x450.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/71tb573Q-160x90.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/71tb573Q-768x432.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/71tb573Q-1020x574.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/71tb573Q-1200x675.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/71tb573Q.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sonido Clash’s eclectic booking has made the collective a force in the South Bay music scene and beyond. \u003ccite>(Franz Berrato )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">It was through Aguilar’s reputation as a hip-hop DJ that Sonido Clash was able to break into clubs that typically played hip-hop and Top 40, though the crew encountered some resistance from club owners at first. “It was difficult,” Luna says. “[There was] ignorance about the music we were playing, and what we were doing.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">After years of making a name for themselves with monthly parties, the crew’s inaugural Sonido Clash fest in 2016 was well received, with over 600 people in attendance, exceeding the 250 that the collective had anticipated. That year, artists like bilingual hip-hop duo \u003c/span>\u003ca href=\"https://www.kqed.org/arts/13861579/before-urbano-took-over-the-airwaves-oakland-had-los-rakas\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">Los Rakas\u003c/span>\u003c/a>,\u003cspan style=\"font-weight: 400\"> hip-hop and funk band \u003c/span>\u003ca href=\"https://www.eastbayexpress.com/oakland/bang-data-joins-the-resistance/Content?oid=9423362\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">Bang Data\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, East Los Angeles disco-pop artist Tropa Magica and DJ collective Chulita Vinyl Club were on the lineup. By 2018, the number of attendees grew to 1,700. [aside postid='arts_13861579']\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Over the last decade, the members of Sonido Clash have seen their influence grow. This year, they curated a stage at the renowned San Jose Jazz Summer Fest. And former Sonido Clash member \u003c/span>\u003ca href=\"https://www.instagram.com/eazyuno/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">DJ Eazy Uno\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> recently set up a similar event in Los Angeles, El Meneaito at La Cita Bar. “He was the best DJ in our collective,” Zepeda says. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Following in Sonido Clash’s footsteps, new Bay Area party crews specializing in eclectic Latinx sounds have sprung up in recent years, including Chulita Vinyl Club (whose \u003c/span>\u003ca href=\"https://www.instagram.com/mare.e.fresh/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">DJ Mare E. Fresh\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> joined Sonido Clash as a resident DJ) and the Central American DJ collective \u003c/span>\u003ca href=\"https://www.instagram.com/amordigital415/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">Amor Digital\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, comprised of Juanny Depp, Namaste Shawty and 99 Percent Lean.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As the members of Sonido Clash celebrate their 10th anniversary as a crew, they have a clear vision of the work they want to continue in the years to come. As they get older and start families, they want to inspire the next generation to take risks and continue building space for communities of color. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As Luna put it, “We’re not afraid to be who we are and preserve history.”\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>By Azucena Rasilla\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Before Chicanx singer-songwriter Cuco had international buzz, he was handpicked to perform at \u003c/span>\u003ca href=\"http://sonidoclash.com/sonido-clash-music-fest/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">Sonido Clash Music Fest\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, a small but influential upstart out of East San Jose, in the heart of Silicon Valley. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For the past ten years, the \u003c/span>\u003ca href=\"http://sonidoclash.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">Sonido Clash\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> crew has created a platform for emerging, out-there Latinx sounds, curating events with an eclectic mix of genres such as punk, cumbia, alternativo, oldies and hip-hop. The collective (comprised of \u003c/span>\u003ca href=\"http://instagram.com/mextape\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">Angel “Mextape” Luna\u003c/span>\u003c/a>; \u003ca href=\"https://www.instagram.com/turbosonidero/?hl=en\">\u003cspan style=\"font-weight: 400\">Roman Zepeda, a.k.a. Turbo Sonidero\u003c/span>\u003c/a>;\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003ca href=\"http://instagram.com/thereal_chalebrown\">\u003cspan style=\"font-weight: 400\">Thomas Ramon Aguilar, a.k.a. Chale Brown\u003c/span>\u003c/a>;\u003ca href=\"http://instagram.com/sonido_ozzy\">\u003cspan style=\"font-weight: 400\"> Osvaldo Chavez, a.k.a. Sonido Ozzy\u003c/span>\u003c/a>;\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003ca href=\"http://instagram.com/quynhlatifah\">\u003cspan style=\"font-weight: 400\">Quynh-Mai Nguyen\u003c/span>\u003c/a>;\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ca href=\"http://instagram.com/tlacoyo\">\u003cspan style=\"font-weight: 400\">Fernando J. Pérez Fiesco, a.k.a. Tlacoyo\u003c/span>\u003c/a>)\u003cspan style=\"font-weight: 400\"> reflects the Bay Area’s melting pot, and is committed to representing Eastside San Jose’s Latinx community amid ongoing gentrification. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With DJs and culture workers among their ranks, the members of Sonido Clash have a knack for booking buzzworthy acts before they blow up, and for introducing important international artists to the Bay Area music scene. For the festival’s fourth installation on Sept. 1, expect to hear music from Argentine-Spanish perreo artist Ms Nina, cumbia DJ G-Flux from Mexico City and headliners Nina Sky, the Puerto Rican twin duo known for 2000s pop hits like “Move Ya Body.”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13865317\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865317\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/Sonido-Clash-800x550.jpg\" alt=\"Sonido Clash members (from left to right) Fernando J. Pérez Fiesco, Ramon Zepeda, Quynh-Mai Nguyen, Angel Luna, Thomas Aguilar and Osvaldo Chavez.\" width=\"800\" height=\"550\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Sonido-Clash-800x550.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Sonido-Clash-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Sonido-Clash-768x528.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Sonido-Clash-1020x701.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Sonido-Clash-1200x825.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Sonido-Clash.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sonido Clash members (from left to right) Fernando J. Pérez Fiesco, Ramon Zepeda, Quynh-Mai Nguyen, Angel Luna, Thomas Aguilar and Osvaldo Chavez. \u003ccite>(Azucena Rasilla)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sonido Clash’s events represent a multicultural viewpoint familiar to many Latinx folks in the United States, where cumbia and ranchera sounds might be the norm in some households, while soul, hip-hop and oldies are in rotation in others. Previous editions of Sonido Clash Music Fest have featured new and old-school acts alike, such as Mexican dembow producer Chico Sonido, garage-pop band Los Blenders, electronic “cholo goth” duo Prayers and electro-funk pioneer Egyptian Lover. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Keeping it hella San Jose, the festival takes place at the School of Arts and Culture at the Mexican Heritage Plaza. Since 1999, the Mexican Heritage Plaza has been a hub for Chicanx culture in the South Bay, hosting concerts by Mexican bands like Kinky when rock en Español\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cspan style=\"font-weight: 400\">reigned supreme. For the past four summers, Sonido Clash Music Fest has transformed the campus into a vibrant celebration of Latinx youth culture.\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Every year at Sonido Clash Music Fest, local vendors’ and visual artists’ booths line the pathways of the Mexican Heritage Plaza. In addition to two music stages, there’s one devoted to spoken-word poetry. This year, the Poets of Color podcast crew and San Jose undocu-artist, poet and author Yosimar Reyes are slated to perform.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">While in recent years, reggaeton and Latinx trap have become fixtures on the radio, and collaborations among artists from different genres are no longer uncommon, this was far from the norm when the Sonido Clash crew got their start back in 2009. “Everyone was [musically] segregated,” says Luna, adding that those into rock en Español, cumbia or pop did not mingle with one another. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The crew put their ideas and resources together and got to work. Their first events took place at Silicon Valley De-Bug (where Pérez works), an organization rooted in social-justice organizing through multimedia storytelling. For one of their first events, titled Cultura en Tu Idioma (or Culture in Your Language), they booked Cuban artists DJ Leidis and Las Krudas, as well as Mexican rapper and poet Bocafloja. “We had punk bands with cumbia bands all together,” Zepeda adds. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13865322\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865322\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/71tb573Q-800x450.jpeg\" alt=\"Sonido Clash's eclectic booking has made the collective a force in the South Bay music scene and beyond.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/71tb573Q-800x450.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/71tb573Q-160x90.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/71tb573Q-768x432.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/71tb573Q-1020x574.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/71tb573Q-1200x675.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/71tb573Q.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sonido Clash’s eclectic booking has made the collective a force in the South Bay music scene and beyond. \u003ccite>(Franz Berrato )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">It was through Aguilar’s reputation as a hip-hop DJ that Sonido Clash was able to break into clubs that typically played hip-hop and Top 40, though the crew encountered some resistance from club owners at first. “It was difficult,” Luna says. “[There was] ignorance about the music we were playing, and what we were doing.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">After years of making a name for themselves with monthly parties, the crew’s inaugural Sonido Clash fest in 2016 was well received, with over 600 people in attendance, exceeding the 250 that the collective had anticipated. That year, artists like bilingual hip-hop duo \u003c/span>\u003ca href=\"https://www.kqed.org/arts/13861579/before-urbano-took-over-the-airwaves-oakland-had-los-rakas\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">Los Rakas\u003c/span>\u003c/a>,\u003cspan style=\"font-weight: 400\"> hip-hop and funk band \u003c/span>\u003ca href=\"https://www.eastbayexpress.com/oakland/bang-data-joins-the-resistance/Content?oid=9423362\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">Bang Data\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, East Los Angeles disco-pop artist Tropa Magica and DJ collective Chulita Vinyl Club were on the lineup. By 2018, the number of attendees grew to 1,700. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Over the last decade, the members of Sonido Clash have seen their influence grow. This year, they curated a stage at the renowned San Jose Jazz Summer Fest. And former Sonido Clash member \u003c/span>\u003ca href=\"https://www.instagram.com/eazyuno/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">DJ Eazy Uno\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> recently set up a similar event in Los Angeles, El Meneaito at La Cita Bar. “He was the best DJ in our collective,” Zepeda says. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Following in Sonido Clash’s footsteps, new Bay Area party crews specializing in eclectic Latinx sounds have sprung up in recent years, including Chulita Vinyl Club (whose \u003c/span>\u003ca href=\"https://www.instagram.com/mare.e.fresh/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">DJ Mare E. Fresh\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> joined Sonido Clash as a resident DJ) and the Central American DJ collective \u003c/span>\u003ca href=\"https://www.instagram.com/amordigital415/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">Amor Digital\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, comprised of Juanny Depp, Namaste Shawty and 99 Percent Lean.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As the members of Sonido Clash celebrate their 10th anniversary as a crew, they have a clear vision of the work they want to continue in the years to come. As they get older and start families, they want to inspire the next generation to take risks and continue building space for communities of color. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As Luna put it, “We’re not afraid to be who we are and preserve history.”\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>It’s time for Labor Day weekend!\u003c/p>\n\u003cp>Looking for things to do in the Bay Area? Listen to KQED Arts’ Gabe Meline and Sarah Hotchkiss discuss their critic’s picks for this weekend at the audio link above, and read about each event below.\u003c/p>\n\u003cp>\u003cstrong>Hiero Day\u003c/strong>: When East Bay hip-hop crew Hieroglyphics puts on a music festival, it’s more block party than Bonnaroo. The scene is casual, there’s usually people out breakdancing and skateboarding, and the lineup always pulls together underground rappers from all over the country. This year, it’s heavy on the ’90s: that means you’ll see Scarface from the Geto Boys, the producer Pete Rock, a reunion of the duo Little Brother, Black Moon, Smif-n-Wessun, Count Bass D, Diamond D, and a ton more. It all goes down on Labor Day, Sept. 2, along Third Street on the edge of the Jack London district in Oakland. \u003ca href=\"https://www.hieroday.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘Against the Ropes’\u003c/strong>: Many of you know the Netflix show \u003cem>GLOW\u003c/em>. And San Francisco artist Kelly Inouye has a new show of large-scale watercolor paintings that’s inspired in part by her rediscovery of women’s professional wrestling. At the same time, Inouye was reading a lot of feminist writing about empowerment, intersectionality and female rage, and she channeled that need for catharsis into these giant works on paper depicting really powerful, athletic women playing with different personas (the biggest one is 60 x 74 inches). The show opens at Marrow Gallery in the Inner Sunset on Friday, Aug. 30, and runs through September 28. \u003ca href=\"https://www.marrowgallery.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘Tierra de Rosas’\u003c/strong>: This a show of painting and sculpture by Maria de los Angeles, who was born in Mexico, came to Santa Rosa’s Roseland district as a young girl, and for the past 10 years has lived on the East Coast. This exhibit in Santa Rosa serves as a homecoming of sorts, in a city that remembers her well—at the opening last weekend, it was packed. She’s paired her own work with that of 10 other artists who’ve inspired her, much of it unpacking immigration, and much of it joyful. It’s up now, and runs through Nov. 3 at the Museum of Sonoma County in Santa Rosa. \u003ca href=\"https://museumsc.org/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>‘Jodorowsky’s Dune’\u003c/strong>: You may be familiar with David Lynch’s 1984 adaptation of the epic Frank Herbert sci-fi, starring Kyle MacLaughlan and Sting. You may \u003cem>also\u003c/em> know that director Denis Villeneuve is working on his own \u003cem>Dune\u003c/em> for 2020. But before both of these, there was another \u003cem>Dune\u003c/em> that never got made, a visionary film by Chilean director Alejandro Jodorowsky. When he started working on it in 1974, it was going to star Orson Welles, Mick Jagger, David Carradine and even the artist Salvador Dalí, and he commissioned designs from artists like H.R. Giger and Jean Giraud. In this documentary, Jodorowsky gets to describe the film that could have been, as well as its influences on so many movies that followed. It screens Friday, Aug. 30, at the New Parkway in Oakland. \u003ca href=\"https://www.thenewparkway.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sonido Clash\u003c/strong>: Nina Sky headline this year’s Sonido Clash music festival in San Jose, a day-long celebration with two dozen buzzed-about indie and alternative Latino artists—the type of acts you’re likely to see on NPR’s Tiny Desk in a year or two. Katzu Oso, Ms. Nina, Reyna Tropical and a ton more play in the cozy courtyard setting, at the School of Arts and Culture at the Mexican Heritage Plaza, in San Jose. It’s on Sunday, Sept. 1. \u003ca href=\"http://sonidoclash.com/sonido-clash-music-fest/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s time for Labor Day weekend!\u003c/p>\n\u003cp>Looking for things to do in the Bay Area? Listen to KQED Arts’ Gabe Meline and Sarah Hotchkiss discuss their critic’s picks for this weekend at the audio link above, and read about each event below.\u003c/p>\n\u003cp>\u003cstrong>Hiero Day\u003c/strong>: When East Bay hip-hop crew Hieroglyphics puts on a music festival, it’s more block party than Bonnaroo. The scene is casual, there’s usually people out breakdancing and skateboarding, and the lineup always pulls together underground rappers from all over the country. This year, it’s heavy on the ’90s: that means you’ll see Scarface from the Geto Boys, the producer Pete Rock, a reunion of the duo Little Brother, Black Moon, Smif-n-Wessun, Count Bass D, Diamond D, and a ton more. It all goes down on Labor Day, Sept. 2, along Third Street on the edge of the Jack London district in Oakland. \u003ca href=\"https://www.hieroday.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘Against the Ropes’\u003c/strong>: Many of you know the Netflix show \u003cem>GLOW\u003c/em>. And San Francisco artist Kelly Inouye has a new show of large-scale watercolor paintings that’s inspired in part by her rediscovery of women’s professional wrestling. At the same time, Inouye was reading a lot of feminist writing about empowerment, intersectionality and female rage, and she channeled that need for catharsis into these giant works on paper depicting really powerful, athletic women playing with different personas (the biggest one is 60 x 74 inches). The show opens at Marrow Gallery in the Inner Sunset on Friday, Aug. 30, and runs through September 28. \u003ca href=\"https://www.marrowgallery.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘Tierra de Rosas’\u003c/strong>: This a show of painting and sculpture by Maria de los Angeles, who was born in Mexico, came to Santa Rosa’s Roseland district as a young girl, and for the past 10 years has lived on the East Coast. This exhibit in Santa Rosa serves as a homecoming of sorts, in a city that remembers her well—at the opening last weekend, it was packed. She’s paired her own work with that of 10 other artists who’ve inspired her, much of it unpacking immigration, and much of it joyful. It’s up now, and runs through Nov. 3 at the Museum of Sonoma County in Santa Rosa. \u003ca href=\"https://museumsc.org/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "summer-guide-2019-how-the-south-bay-plans-to-party-this-summer",
"title": "Summer Guide 2019: How the South Bay Plans to Party This Summer",
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"content": "\u003cp>Summertime is the right time in the South Bay for getting outdoors, whether your jam is a movie, concert, or strolling after dinner through the art galleries and museums of downtown. People north of the Peninsula may wonder what’s worth driving so far south to see, but let them wonder. We’re drawing big crowds from the neighborhoods nearby as it is.\u003c/p>\n\u003cfigure id=\"attachment_13857558\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13857558\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut.jpg\" alt=\"Henrietta (Maria Giere Marquis) is captivated by a look into the heavens.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-1200x800.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Henrietta (Maria Giere Marquis) is captivated by a look into the heavens. \u003ccite>(Photo: Courtesy of Taylor Sanders)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Silent Sky\u003c/h2>\n\u003cp>\u003ci>May 16–June 16 \u003c/i>\u003cbr>\n\u003cem>City Lights Theater Company, San Jose\u003c/em>\u003cbr>\n\u003ca style=\"font-style: italic\" href=\"http://cltc.org/silent-sky/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/p>\n\u003cp>The 2016 movie \u003cem>Hidden Figures\u003c/em> wasn’t the first to resurrect the previously underreported stories of lady giants of science. But now we’re definitely paying attention to what’s proving to be a rich and varied genre of entertainment, especially here in Silicon Valley. San Francisco playwright Lauren Gunderson’s \u003ca href=\"https://www.kqed.org/arts/13857555/silent-sky-shines-a-spotlight-on-a-woman-in-love-with-astronomy\" target=\"_blank\" rel=\"noopener\">\u003cem>Silent Sky\u003c/em>\u003c/a> focuses on a woman named Henrietta Swan Leavitt, whose scientific breakthroughs at the turn of the 20th century laid the ground for later revelations—like the idea that the universe is much bigger than our little solar system. The play is moving tribute to scientists of every stripe.\u003c/p>\n\u003cfigure id=\"attachment_13857666\" class=\"wp-caption aligncenter\" style=\"max-width: 638px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13857666\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/D60xfioW0AABYHA.jpg-large-2.jpeg\" alt=\"Future Win will be performing live at this year's subZERO Festival in San Jose.\" width=\"638\" height=\"479\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/D60xfioW0AABYHA.jpg-large-2.jpeg 638w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/D60xfioW0AABYHA.jpg-large-2-160x120.jpeg 160w\" sizes=\"(max-width: 638px) 100vw, 638px\">\u003cfigcaption class=\"wp-caption-text\">Future Win will perform live at this year’s subZERO Festival in San Jose. \u003ccite>(Courtesy of Future Win)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>SubZERO Festival\u003c/h2>\n\u003cp>\u003ci>June 7–8\u003c/i>\u003cbr>\n\u003cem>SoFA District, San Jose\u003c/em>\u003cbr>\n\u003ca style=\"font-style: italic\" href=\"https://www.subzerofestival.com\" target=\"_blank\" rel=\"noopener\">More information \u003c/a>\u003c/p>\n\u003cp>Produced by Two Fish Design, SubZERO is a “DIY, artistically bent, hi/lo-techno mashup where street meets geek.” Got it? Bands, dancers, visual artists and the people who love them will fill the streets of downtown San Jose with sound, as well as craft beer and food trucks. Also, there will be wood carving.\u003c/p>\n\u003cdiv class=\"mceTemp\">\u003c/div>\n\u003cp>[youtube https://www.youtube.com/watch?v=ilUCwLLdltQ]\u003c/p>\n\u003cp>[ad fullwidth]\u003cbr>\n\u003cstrong>Music in the Park\u003c/strong>\u003cbr>\n\u003cem>June 21–Aug. 23\u003cbr>\nPlaza de Caesar Chavez, San Jose\u003cbr>\n\u003ca href=\"https://sjdowntown.com/music-in-the-park/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>For Music in the Park, bring a blanket, sunglasses, a jacket (even San Jose can get chilly at night) and some pocket money for snacks. If you wear comfortable shoes, it’s an easy walk from the CalTrain station. This year’s line-up includes a range of artists, but they’re all chill, i.e. likely to please everybody in the family, from junior to grandma: The Delfonics, Ozomatli, Cuco and J Boog.\u003c/p>\n\u003cfigure id=\"attachment_13857659\" class=\"wp-caption aligncenter\" style=\"max-width: 2048px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13857659\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival.jpg\" alt=\"The Chidori Band performs at the Obon festival in San Jose's Japantown on July 9, 2016.\" width=\"2048\" height=\"1368\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-1200x802.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-1920x1282.jpg 1920w\" sizes=\"(max-width: 2048px) 100vw, 2048px\">\u003cfigcaption class=\"wp-caption-text\">The Chidori band performs at the Obon Festival in Japantown in San Jose on Saturday, July 9. \u003ccite>(James Tensuan/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>San Jose Obon Festival\u003c/h2>\n\u003cp>\u003cem>July 13–14\u003cbr>\nSan Jose Buddhist Church\u003cbr>\n\u003ca href=\"http://www.sjbetsuin.com\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>In Japan, the Obon festival is one of year’s most significant religious and cultural events. In San Jose, it’s also a delightful opportunity for the South Bay’s Japanese Americans to celebrate one of the\u003ca href=\"https://www.kqed.org/forum/201503271000/125-years-of-history-and-culture-in-san-joses-japantown\" target=\"_blank\" rel=\"noopener\"> last remaining Japantowns\u003c/a> in the United States. Also, who doesn’t want to watch \u003ca href=\"https://taiko.org\" target=\"_blank\" rel=\"noopener\">San Jose Taiko\u003c/a> and the \u003ca href=\"https://chidoriband.com\" target=\"_blank\" rel=\"noopener\">San Jose Chidori Band\u003c/a> perform while eating teriyaki and tempura?\u003c/p>\n\u003cfigure id=\"attachment_13857661\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13857661\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite.png\" alt=\"Ceremonial huipil, Santa Lucía Utatlán, 1930’s/1940’s\" width=\"1000\" height=\"730\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite.png 1000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite-160x117.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite-800x584.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite-768x561.png 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">Ceremonial huipil, Santa Lucía Utatlán, 1930’s/1940’s \u003ccite>(Courtesy of Friends of the Ixchel Museum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Mayan Traje: A Tradition in Transition\u003c/h2>\n\u003cp>\u003cem>July 21–Oct. 13\u003cbr>\nSan Jose Museum of Quilts and Textiles\u003cbr>\n\u003ca href=\"https://www.sjquiltmuseum.org/upcoming-exhibitions\" target=\"_blank\" rel=\"noopener\">More information \u003c/a>\u003c/em>\u003c/p>\n\u003cp id=\"yui_3_17_2_1_1558317826563_414\" class=\"\">The Maya of Guatemala are known worldwide for their distinctive \u003cem>trajes\u003c/em> (traditional clothing). These were once 100% village-specific, to the extent your hometown could be pegged based on the clothes you wore. Those days have faded, but there’s still a lot of Mayan pride in the tradition and a keen regard for the fact it’s considered “wearable art”. This exhibit focuses on contemporary clothing as well as historical samples dating back to the early 20th century, drawing from the rarely-displayed collection of the \u003ca href=\"http://www.ixchelfriends.org\" target=\"_blank\" rel=\"noopener\">Friends of the Ixchel Museum\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13816938\" class=\"wp-caption aligncenter\" style=\"max-width: 2400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13816938 size-full\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413.jpg\" alt=\"Gregory Porter is just one of a host of nationally known artists performing this year at the 30th annual San Jose Jazz Summer Fest.\" width=\"2400\" height=\"1734\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413.jpg 2400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-800x578.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-768x555.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-1020x737.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-1920x1387.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-1180x853.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-960x694.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-240x173.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-375x271.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-520x376.jpg 520w\" sizes=\"(max-width: 2400px) 100vw, 2400px\">\u003cfigcaption class=\"wp-caption-text\">Gregory Porter is just one of a host of nationally known artists performing this year at the 30th annual San Jose Jazz Summer Fest. \u003ccite>(Photo: Courtesy of Gregory Porter)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>San Jose Jazz Summer Fest\u003c/h2>\n\u003cp>\u003cem>Aug. 9–11\u003cbr>\nVarious venues, San Jose\u003cbr>\n\u003ca href=\"https://summerfest.sanjosejazz.org\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>My, how Summer Fest has grown. The 30 year-old San Jose institution now features 100+ performances in jazz, blues, Latin, R&B and more, at venues throughout downtown. This year, headliners include Dianne Reeves, Gregory Porter, Pink Martini, The O’Jays, Sons of Kemet, Monty Alexander and the Harlem-Kingston Express, Ivan Lins, and the Oakland Interfaith Gospel Choir. Don’t be intimidated! Just try to enjoy as much as you can. Venerable music critic Andy Gilbert suggests a couple South Bay acts, in case you want to support local jazz talent: San Jose vocalist \u003ca href=\"https://www.youtube.com/channel/UCel_i6Vb1cxU2tCSGz0bn7A\" target=\"_blank\" rel=\"noopener\">Amy Dabalos\u003c/a> (aka Amy D), and the \u003ca href=\"https://www.youtube.com/channel/UCN2aaLfyY7rar2gSksq08GQ\" target=\"_blank\" rel=\"noopener\">7th Street Big Band\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13858407\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/NinaSky.jpg\" alt=\"Nina Sky headline this year's Sonido Clash festival in East Side San Jose.\" width=\"750\" height=\"464\" class=\"size-full wp-image-13858407\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/NinaSky.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/NinaSky-160x99.jpg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003cfigcaption class=\"wp-caption-text\">Nina Sky headline this year’s Sonido Clash festival in East Side San Jose.\u003c/figcaption>\u003c/figure>\n\u003ch2>Sonido Clash Music Fest\u003c/h2>\n\u003cp>\u003cem>Sept. 1\u003c/em>\u003cbr>\n\u003cem>School of Arts & Culture, Mexican Heritage Plaza\u003c/em>\u003cbr>\n\u003ca href=\"http://sonidoclash.com\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/p>\n\u003cp>This Latinx collective famous for “cumbia, soul, y más” never fails to deliver a pleasing, all-ages party mix on multiple stages. This year’s lineup includes Nina Sky, Katzo Oso, Ms Nina, Rudy Da Ana, San Cha, and many more. Also, word: this year, San Jose Jazz Summer Fest includes a Sonido Clash Stage. Really, there’s no excuse to miss these guys this summer.\u003c/p>\n\u003cfigure id=\"attachment_11911630\" class=\"wp-caption aligncenter\" style=\"max-width: 840px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11911630 size-full\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums.jpg\" alt=\"'The Royal Tenenbaums' is one of a series of Wes Anderson films featured at History Park in San Jose this summer.\" width=\"840\" height=\"356\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums.jpg 840w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums-400x170.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums-800x339.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums-768x325.jpg 768w\" sizes=\"(max-width: 840px) 100vw, 840px\">\u003cfigcaption class=\"wp-caption-text\">‘The Royal Tenenbaums’ is one of a series of Wes Anderson films featured at History Park in San Jose this summer. \u003ccite>(Courtesy of the Roxie)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Flicks and Grooves\u003c/h2>\n\u003cp>\u003cem>May 10–Oct. 25\u003cbr>\nHistory Park, San Jose\u003cbr>\n\u003ca href=\"https://www.eventbrite.com/e/flicks-and-grooves-a-summertime-film-music-series-tickets-60093563466\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003cdel datetime=\"2019-06-20T22:04:36+00:00\">History San Jose hosts movies and music under the stars, and this year’s outdoor cinema lineup showcases the idiosyncratic genius of director \u003ca href=\"https://www.youtube.com/watch?v=nqfRmceGwUs\" target=\"_blank\" rel=\"noopener\">Wes Anderson\u003c/a> the second Friday of each month. Even if you’ve already seen all of Anderson’s films, they bear a second viewing, given the rich, detailed universes he creates. Though the series is already underway at press time, still to come are \u003cem>The Life Aquatic With Steve Zissou\u003c/em>, \u003cem>Rushmore\u003c/em>, \u003cem>The Grand Budapest Hotel\u003c/em>, \u003cem>The Royal Tenenbaums\u003c/em> and \u003cem>The Fantastic Mr. Fox\u003c/em>.\u003c/del>\u003c/p>\n\u003cp>\u003cstrong>UPDATE: the majority of Flicks and Grooves events have been canceled. \u003c/strong>\u003cem>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Summertime is the right time in the South Bay for getting outdoors, whether your jam is a movie, concert, or strolling after dinner through the art galleries and museums of downtown. People north of the Peninsula may wonder what’s worth driving so far south to see, but let them wonder. We’re drawing big crowds from the neighborhoods nearby as it is.\u003c/p>\n\u003cfigure id=\"attachment_13857558\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13857558\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut.jpg\" alt=\"Henrietta (Maria Giere Marquis) is captivated by a look into the heavens.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-1200x800.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Henrietta (Maria Giere Marquis) is captivated by a look into the heavens. \u003ccite>(Photo: Courtesy of Taylor Sanders)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Silent Sky\u003c/h2>\n\u003cp>\u003ci>May 16–June 16 \u003c/i>\u003cbr>\n\u003cem>City Lights Theater Company, San Jose\u003c/em>\u003cbr>\n\u003ca style=\"font-style: italic\" href=\"http://cltc.org/silent-sky/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/p>\n\u003cp>The 2016 movie \u003cem>Hidden Figures\u003c/em> wasn’t the first to resurrect the previously underreported stories of lady giants of science. But now we’re definitely paying attention to what’s proving to be a rich and varied genre of entertainment, especially here in Silicon Valley. San Francisco playwright Lauren Gunderson’s \u003ca href=\"https://www.kqed.org/arts/13857555/silent-sky-shines-a-spotlight-on-a-woman-in-love-with-astronomy\" target=\"_blank\" rel=\"noopener\">\u003cem>Silent Sky\u003c/em>\u003c/a> focuses on a woman named Henrietta Swan Leavitt, whose scientific breakthroughs at the turn of the 20th century laid the ground for later revelations—like the idea that the universe is much bigger than our little solar system. The play is moving tribute to scientists of every stripe.\u003c/p>\n\u003cfigure id=\"attachment_13857666\" class=\"wp-caption aligncenter\" style=\"max-width: 638px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13857666\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/D60xfioW0AABYHA.jpg-large-2.jpeg\" alt=\"Future Win will be performing live at this year's subZERO Festival in San Jose.\" width=\"638\" height=\"479\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/D60xfioW0AABYHA.jpg-large-2.jpeg 638w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/D60xfioW0AABYHA.jpg-large-2-160x120.jpeg 160w\" sizes=\"(max-width: 638px) 100vw, 638px\">\u003cfigcaption class=\"wp-caption-text\">Future Win will perform live at this year’s subZERO Festival in San Jose. \u003ccite>(Courtesy of Future Win)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>SubZERO Festival\u003c/h2>\n\u003cp>\u003ci>June 7–8\u003c/i>\u003cbr>\n\u003cem>SoFA District, San Jose\u003c/em>\u003cbr>\n\u003ca style=\"font-style: italic\" href=\"https://www.subzerofestival.com\" target=\"_blank\" rel=\"noopener\">More information \u003c/a>\u003c/p>\n\u003cp>Produced by Two Fish Design, SubZERO is a “DIY, artistically bent, hi/lo-techno mashup where street meets geek.” Got it? Bands, dancers, visual artists and the people who love them will fill the streets of downtown San Jose with sound, as well as craft beer and food trucks. Also, there will be wood carving.\u003c/p>\n\u003cdiv class=\"mceTemp\">\u003c/div>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ilUCwLLdltQ'\n title='//www.youtube.com/embed/ilUCwLLdltQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cbr>\n\u003cstrong>Music in the Park\u003c/strong>\u003cbr>\n\u003cem>June 21–Aug. 23\u003cbr>\nPlaza de Caesar Chavez, San Jose\u003cbr>\n\u003ca href=\"https://sjdowntown.com/music-in-the-park/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>For Music in the Park, bring a blanket, sunglasses, a jacket (even San Jose can get chilly at night) and some pocket money for snacks. If you wear comfortable shoes, it’s an easy walk from the CalTrain station. This year’s line-up includes a range of artists, but they’re all chill, i.e. likely to please everybody in the family, from junior to grandma: The Delfonics, Ozomatli, Cuco and J Boog.\u003c/p>\n\u003cfigure id=\"attachment_13857659\" class=\"wp-caption aligncenter\" style=\"max-width: 2048px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13857659\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival.jpg\" alt=\"The Chidori Band performs at the Obon festival in San Jose's Japantown on July 9, 2016.\" width=\"2048\" height=\"1368\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-1200x802.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-1920x1282.jpg 1920w\" sizes=\"(max-width: 2048px) 100vw, 2048px\">\u003cfigcaption class=\"wp-caption-text\">The Chidori band performs at the Obon Festival in Japantown in San Jose on Saturday, July 9. \u003ccite>(James Tensuan/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>San Jose Obon Festival\u003c/h2>\n\u003cp>\u003cem>July 13–14\u003cbr>\nSan Jose Buddhist Church\u003cbr>\n\u003ca href=\"http://www.sjbetsuin.com\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>In Japan, the Obon festival is one of year’s most significant religious and cultural events. In San Jose, it’s also a delightful opportunity for the South Bay’s Japanese Americans to celebrate one of the\u003ca href=\"https://www.kqed.org/forum/201503271000/125-years-of-history-and-culture-in-san-joses-japantown\" target=\"_blank\" rel=\"noopener\"> last remaining Japantowns\u003c/a> in the United States. Also, who doesn’t want to watch \u003ca href=\"https://taiko.org\" target=\"_blank\" rel=\"noopener\">San Jose Taiko\u003c/a> and the \u003ca href=\"https://chidoriband.com\" target=\"_blank\" rel=\"noopener\">San Jose Chidori Band\u003c/a> perform while eating teriyaki and tempura?\u003c/p>\n\u003cfigure id=\"attachment_13857661\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13857661\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite.png\" alt=\"Ceremonial huipil, Santa Lucía Utatlán, 1930’s/1940’s\" width=\"1000\" height=\"730\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite.png 1000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite-160x117.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite-800x584.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite-768x561.png 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">Ceremonial huipil, Santa Lucía Utatlán, 1930’s/1940’s \u003ccite>(Courtesy of Friends of the Ixchel Museum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Mayan Traje: A Tradition in Transition\u003c/h2>\n\u003cp>\u003cem>July 21–Oct. 13\u003cbr>\nSan Jose Museum of Quilts and Textiles\u003cbr>\n\u003ca href=\"https://www.sjquiltmuseum.org/upcoming-exhibitions\" target=\"_blank\" rel=\"noopener\">More information \u003c/a>\u003c/em>\u003c/p>\n\u003cp id=\"yui_3_17_2_1_1558317826563_414\" class=\"\">The Maya of Guatemala are known worldwide for their distinctive \u003cem>trajes\u003c/em> (traditional clothing). These were once 100% village-specific, to the extent your hometown could be pegged based on the clothes you wore. Those days have faded, but there’s still a lot of Mayan pride in the tradition and a keen regard for the fact it’s considered “wearable art”. This exhibit focuses on contemporary clothing as well as historical samples dating back to the early 20th century, drawing from the rarely-displayed collection of the \u003ca href=\"http://www.ixchelfriends.org\" target=\"_blank\" rel=\"noopener\">Friends of the Ixchel Museum\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13816938\" class=\"wp-caption aligncenter\" style=\"max-width: 2400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13816938 size-full\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413.jpg\" alt=\"Gregory Porter is just one of a host of nationally known artists performing this year at the 30th annual San Jose Jazz Summer Fest.\" width=\"2400\" height=\"1734\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413.jpg 2400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-800x578.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-768x555.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-1020x737.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-1920x1387.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-1180x853.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-960x694.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-240x173.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-375x271.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-520x376.jpg 520w\" sizes=\"(max-width: 2400px) 100vw, 2400px\">\u003cfigcaption class=\"wp-caption-text\">Gregory Porter is just one of a host of nationally known artists performing this year at the 30th annual San Jose Jazz Summer Fest. \u003ccite>(Photo: Courtesy of Gregory Porter)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>San Jose Jazz Summer Fest\u003c/h2>\n\u003cp>\u003cem>Aug. 9–11\u003cbr>\nVarious venues, San Jose\u003cbr>\n\u003ca href=\"https://summerfest.sanjosejazz.org\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>My, how Summer Fest has grown. The 30 year-old San Jose institution now features 100+ performances in jazz, blues, Latin, R&B and more, at venues throughout downtown. This year, headliners include Dianne Reeves, Gregory Porter, Pink Martini, The O’Jays, Sons of Kemet, Monty Alexander and the Harlem-Kingston Express, Ivan Lins, and the Oakland Interfaith Gospel Choir. Don’t be intimidated! Just try to enjoy as much as you can. Venerable music critic Andy Gilbert suggests a couple South Bay acts, in case you want to support local jazz talent: San Jose vocalist \u003ca href=\"https://www.youtube.com/channel/UCel_i6Vb1cxU2tCSGz0bn7A\" target=\"_blank\" rel=\"noopener\">Amy Dabalos\u003c/a> (aka Amy D), and the \u003ca href=\"https://www.youtube.com/channel/UCN2aaLfyY7rar2gSksq08GQ\" target=\"_blank\" rel=\"noopener\">7th Street Big Band\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13858407\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/NinaSky.jpg\" alt=\"Nina Sky headline this year's Sonido Clash festival in East Side San Jose.\" width=\"750\" height=\"464\" class=\"size-full wp-image-13858407\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/NinaSky.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/NinaSky-160x99.jpg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003cfigcaption class=\"wp-caption-text\">Nina Sky headline this year’s Sonido Clash festival in East Side San Jose.\u003c/figcaption>\u003c/figure>\n\u003ch2>Sonido Clash Music Fest\u003c/h2>\n\u003cp>\u003cem>Sept. 1\u003c/em>\u003cbr>\n\u003cem>School of Arts & Culture, Mexican Heritage Plaza\u003c/em>\u003cbr>\n\u003ca href=\"http://sonidoclash.com\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/p>\n\u003cp>This Latinx collective famous for “cumbia, soul, y más” never fails to deliver a pleasing, all-ages party mix on multiple stages. This year’s lineup includes Nina Sky, Katzo Oso, Ms Nina, Rudy Da Ana, San Cha, and many more. Also, word: this year, San Jose Jazz Summer Fest includes a Sonido Clash Stage. Really, there’s no excuse to miss these guys this summer.\u003c/p>\n\u003cfigure id=\"attachment_11911630\" class=\"wp-caption aligncenter\" style=\"max-width: 840px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11911630 size-full\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums.jpg\" alt=\"'The Royal Tenenbaums' is one of a series of Wes Anderson films featured at History Park in San Jose this summer.\" width=\"840\" height=\"356\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums.jpg 840w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums-400x170.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums-800x339.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums-768x325.jpg 768w\" sizes=\"(max-width: 840px) 100vw, 840px\">\u003cfigcaption class=\"wp-caption-text\">‘The Royal Tenenbaums’ is one of a series of Wes Anderson films featured at History Park in San Jose this summer. \u003ccite>(Courtesy of the Roxie)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Flicks and Grooves\u003c/h2>\n\u003cp>\u003cem>May 10–Oct. 25\u003cbr>\nHistory Park, San Jose\u003cbr>\n\u003ca href=\"https://www.eventbrite.com/e/flicks-and-grooves-a-summertime-film-music-series-tickets-60093563466\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003cdel datetime=\"2019-06-20T22:04:36+00:00\">History San Jose hosts movies and music under the stars, and this year’s outdoor cinema lineup showcases the idiosyncratic genius of director \u003ca href=\"https://www.youtube.com/watch?v=nqfRmceGwUs\" target=\"_blank\" rel=\"noopener\">Wes Anderson\u003c/a> the second Friday of each month. Even if you’ve already seen all of Anderson’s films, they bear a second viewing, given the rich, detailed universes he creates. Though the series is already underway at press time, still to come are \u003cem>The Life Aquatic With Steve Zissou\u003c/em>, \u003cem>Rushmore\u003c/em>, \u003cem>The Grand Budapest Hotel\u003c/em>, \u003cem>The Royal Tenenbaums\u003c/em> and \u003cem>The Fantastic Mr. Fox\u003c/em>.\u003c/del>\u003c/p>\n\u003cp>\u003cstrong>UPDATE: the majority of Flicks and Grooves events have been canceled. \u003c/strong>\u003cem>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "Bay Brilliant: Quynh-Mai Nguyen",
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"headTitle": "Bay Brilliant: Quynh-Mai Nguyen | KQED",
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"content": "\u003cp>\u003ci>Welcome to KQED Arts’ \u003ca href=\"https://www.kqed.org/arts/tag/bay-brilliant\" rel=\"noopener\" target=\"_blank\">Bay Brilliant\u003c/a>, a series celebrating 10 local artists, creatives and makers who are pushing boundaries in 2018. Driven by passion for their own disciplines—music, dance, theater, visual art, performance, writing, illustration and more—these artists are true vanguards paving the way in their respective communities.\u003c/i>\u003c/p>\n\u003cp>For \u003ca href=\"https://www.quynh-mai.com/\" rel=\"noopener\" target=\"_blank\">Quynh-Mai Nguyen\u003c/a>, the most interesting stories are the ones that often go untold—the stories of women, Asian Americans, immigrants and artists. \u003c/p>\n\u003cp>As a Vietnamese American artist who grew up on the east side of San Jose and still lives there, she’s committed to celebrating the narratives of the under-recognized, or as she calls them, a nation of hustlers.\u003c/p>\n\u003cp>Nguyen is also a poet, a musician and an event curator; everything she creates centers on building community. Whether it’s her \u003ca href=\"http://www.quynh-mai.com/name-dictionary/\" rel=\"noopener\" target=\"_blank\">Name Dictionary\u003c/a> project that gives people “with foreign sounding names” the space they deserve on the page, performing music with her duo Q&A, curating an \u003ca href=\"http://www.metroactive.com/features/columns/All-Womxn-Showcase-Female-Artists.html\" rel=\"noopener\" target=\"_blank\">All Womxn’s Showcase\u003c/a> with over 100 performers, or helping produce events that capture the fiercely vibrant and multicultural soul of San Jose like the \u003ca href=\"http://sonidoclash.com/\" rel=\"noopener\" target=\"_blank\">Sonido Clash\u003c/a> music festival, Nguyen is shaping culture, constantly questioning who gets the mic and why.\u003c/p>\n\u003cp>\u003cstrong>How has being from the South Bay influenced your art? Do you think the South Bay has a sound, a rhythm or a flow? If so: how would you describe it? \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When you turn any corner, you can meet an artist. They could be undercover poets or they could be DJs and you don’t actually know until you speak to them. It’s warm, there’s just a lot of soul here, it doesn’t just come through the art, it comes through the people. \u003c/p>\n\u003cfigure id=\"attachment_13839086\" class=\"wp-caption alignright\" style=\"max-width: 1080px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/QMNguyen_vert.jpg\" alt=\"Quynh-Mai Nguyen.\" width=\"1080\" height=\"1512\" class=\"size-full wp-image-13839086\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert.jpg 1080w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-160x224.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-800x1120.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-768x1075.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-1020x1428.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-857x1200.jpg 857w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-960x1344.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-240x336.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-375x525.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-520x728.jpg 520w\" sizes=\"(max-width: 1080px) 100vw, 1080px\">\u003cfigcaption class=\"wp-caption-text\">Quynh-Mai Nguyen. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>There’s a certain kind of rhythm and tension central to the work you produce, whether that’s art, music, poetry or your events. Can you talk more about that?\u003c/strong>\u003c/p>\n\u003cp>I had an exhibition called \u003ci>Lips Uncurled, Eyes Forward\u003c/i>, and that was a social art exhibition inviting other artists who identified as Asian American to tell their personal narratives of growing up through performance, workshop, seminar, or visual art, pottery and coloring. It was a space to allow people to come in and break down stereotypes and the perception that media has portrayed of us. To allow those people themselves to be those teachers.\u003c/p>\n\u003cp>The art piece that I did, \u003ci>Lips Uncurled, Eyes Forward\u003c/i> was a visual representation of a microaggression. I’ve heard, “I can’t tell you guys apart, I don’t have my eye dictionary with me.” To have that said to you at a very young age is very confusing, and it fills you with anger. So a lot of the art I try to create and a lot of my processing going through these experiences is to create art in order to challenge that narrative. \u003c/p>\n\u003cp>\u003cstrong>How do you see the role of community-building in the events you run and the art you create? Why do you think that’s especially important in the Bay Area today? \u003c/strong>\u003c/p>\n\u003cp>We’re seeing so much gentrification, especially in the east side. The prices are jumping up. But, [that’s why it’s important to create] more of a community. I’ve got your back, what do you need? Do you need more work, more visibility, do you need a favor? I’m going to attend your event or I’m going to promote your event or I’m going to go to your show. \u003c/p>\n\u003cp>And so it’s really the effort of the community, from artists, to organizers, to cultural workers that come together to really try to preserve the essence and the heart. \u003c/p>\n\u003cfigure id=\"attachment_13833629\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes.jpg\" alt=\"\" width=\"1920\" height=\"1200\" class=\"size-full wp-image-13833629\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-520x325.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Sister Mantos perform at Sonido Clash 2017. \u003ccite>(Samuel Reyes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Can you tell me more about the All-Womxn’s Showcase you’ve been putting on with over 100 performers, writers, comedians and artists participating? What are the guiding principles and what’re you trying to achieve?\u003c/strong> \u003c/p>\n\u003cp>Being a performer, I’m fortunate to meet a lot of talented women, but I don’t feel like there are enough spaces out there just dedicated to women to take up space. Not many people know that a lot of the hustlers, a lot of the artists, are women. I see it. I work with them, I’m friends with them, and I’m inspired by them. Whether they’re holding direct positions or holding down the front lines of production, or are part of the art, or organizing the logistics, they are unseen. \u003c/p>\n\u003cp>If you were there last year for the All Womxn’s Showcase, where we took over Forager downtown [in San Jose]—the majority of the comments were around the vibe and the atmosphere. You can really tell when a space is created with a certain focus, whether that’s as a safe space or a space just for women. It was more empowering.\u003c/p>\n\u003cfigure id=\"attachment_13833809\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes.jpg\" alt=\"Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017.\" width=\"1920\" height=\"1200\" class=\"size-full wp-image-13833809\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-520x325.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017. \u003ccite>(Samuel Reyes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Tell me about your work with Sonido Clash, why it’s in the South Bay and what makes it special to you?\u003c/strong>\u003c/p>\n\u003cp>You create an event to allow people to destress and come together for a common interest. This [year’s] \u003ca href=\"http://sonidoclash.com/sonido-clash-music-fest/\" rel=\"noopener\" target=\"_blank\">30-artist lineup\u003c/a> is such an eclectic mix from different genres, from reggaeton, psychedelic punk, tropical, hip hop and rap. The music curation is really guided by the experiences that collective members grew up with, and the experiences of what their parents grew up with and the experiences of their friends. I believe that’s why a lot of people are drawn to Sonido Clash, because they can see that. \u003c/p>\n\u003cp>\u003cstrong>What does your ideal future look like for artists in the Bay Area?\u003c/strong>\u003c/p>\n\u003cp>I can only hope that in the future, as we see more and more of our community developing, especially in San Jose, we can see more of the art integrated into it. Not just murals on walls, but more public art that comes into play and goes into our parks. And into the communities that don’t necessarily get as much funding as the downtown populated areas. More art in the east side and people’s homes and backyards. \u003c/p>\n\u003cp>I remember going to Tucson, Arizona and as I was driving down the street you just saw fences of murals and art. People feeling so freely to make it their own space. As big as San Jose is, I want to see all of that, everywhere. And I want to see artists be able to take seats in the decision making of how the city is developed, viewed and seen. \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ci>Welcome to KQED Arts’ \u003ca href=\"https://www.kqed.org/arts/tag/bay-brilliant\" rel=\"noopener\" target=\"_blank\">Bay Brilliant\u003c/a>, a series celebrating 10 local artists, creatives and makers who are pushing boundaries in 2018. Driven by passion for their own disciplines—music, dance, theater, visual art, performance, writing, illustration and more—these artists are true vanguards paving the way in their respective communities.\u003c/i>\u003c/p>\n\u003cp>For \u003ca href=\"https://www.quynh-mai.com/\" rel=\"noopener\" target=\"_blank\">Quynh-Mai Nguyen\u003c/a>, the most interesting stories are the ones that often go untold—the stories of women, Asian Americans, immigrants and artists. \u003c/p>\n\u003cp>As a Vietnamese American artist who grew up on the east side of San Jose and still lives there, she’s committed to celebrating the narratives of the under-recognized, or as she calls them, a nation of hustlers.\u003c/p>\n\u003cp>Nguyen is also a poet, a musician and an event curator; everything she creates centers on building community. Whether it’s her \u003ca href=\"http://www.quynh-mai.com/name-dictionary/\" rel=\"noopener\" target=\"_blank\">Name Dictionary\u003c/a> project that gives people “with foreign sounding names” the space they deserve on the page, performing music with her duo Q&A, curating an \u003ca href=\"http://www.metroactive.com/features/columns/All-Womxn-Showcase-Female-Artists.html\" rel=\"noopener\" target=\"_blank\">All Womxn’s Showcase\u003c/a> with over 100 performers, or helping produce events that capture the fiercely vibrant and multicultural soul of San Jose like the \u003ca href=\"http://sonidoclash.com/\" rel=\"noopener\" target=\"_blank\">Sonido Clash\u003c/a> music festival, Nguyen is shaping culture, constantly questioning who gets the mic and why.\u003c/p>\n\u003cp>\u003cstrong>How has being from the South Bay influenced your art? Do you think the South Bay has a sound, a rhythm or a flow? If so: how would you describe it? \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When you turn any corner, you can meet an artist. They could be undercover poets or they could be DJs and you don’t actually know until you speak to them. It’s warm, there’s just a lot of soul here, it doesn’t just come through the art, it comes through the people. \u003c/p>\n\u003cfigure id=\"attachment_13839086\" class=\"wp-caption alignright\" style=\"max-width: 1080px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/QMNguyen_vert.jpg\" alt=\"Quynh-Mai Nguyen.\" width=\"1080\" height=\"1512\" class=\"size-full wp-image-13839086\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert.jpg 1080w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-160x224.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-800x1120.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-768x1075.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-1020x1428.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-857x1200.jpg 857w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-960x1344.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-240x336.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-375x525.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/QMNguyen_vert-520x728.jpg 520w\" sizes=\"(max-width: 1080px) 100vw, 1080px\">\u003cfigcaption class=\"wp-caption-text\">Quynh-Mai Nguyen. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>There’s a certain kind of rhythm and tension central to the work you produce, whether that’s art, music, poetry or your events. Can you talk more about that?\u003c/strong>\u003c/p>\n\u003cp>I had an exhibition called \u003ci>Lips Uncurled, Eyes Forward\u003c/i>, and that was a social art exhibition inviting other artists who identified as Asian American to tell their personal narratives of growing up through performance, workshop, seminar, or visual art, pottery and coloring. It was a space to allow people to come in and break down stereotypes and the perception that media has portrayed of us. To allow those people themselves to be those teachers.\u003c/p>\n\u003cp>The art piece that I did, \u003ci>Lips Uncurled, Eyes Forward\u003c/i> was a visual representation of a microaggression. I’ve heard, “I can’t tell you guys apart, I don’t have my eye dictionary with me.” To have that said to you at a very young age is very confusing, and it fills you with anger. So a lot of the art I try to create and a lot of my processing going through these experiences is to create art in order to challenge that narrative. \u003c/p>\n\u003cp>\u003cstrong>How do you see the role of community-building in the events you run and the art you create? Why do you think that’s especially important in the Bay Area today? \u003c/strong>\u003c/p>\n\u003cp>We’re seeing so much gentrification, especially in the east side. The prices are jumping up. But, [that’s why it’s important to create] more of a community. I’ve got your back, what do you need? Do you need more work, more visibility, do you need a favor? I’m going to attend your event or I’m going to promote your event or I’m going to go to your show. \u003c/p>\n\u003cp>And so it’s really the effort of the community, from artists, to organizers, to cultural workers that come together to really try to preserve the essence and the heart. \u003c/p>\n\u003cfigure id=\"attachment_13833629\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes.jpg\" alt=\"\" width=\"1920\" height=\"1200\" class=\"size-full wp-image-13833629\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-2017-Sister-Mantos-Cred-Samuel-Reyes-520x325.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Sister Mantos perform at Sonido Clash 2017. \u003ccite>(Samuel Reyes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Can you tell me more about the All-Womxn’s Showcase you’ve been putting on with over 100 performers, writers, comedians and artists participating? What are the guiding principles and what’re you trying to achieve?\u003c/strong> \u003c/p>\n\u003cp>Being a performer, I’m fortunate to meet a lot of talented women, but I don’t feel like there are enough spaces out there just dedicated to women to take up space. Not many people know that a lot of the hustlers, a lot of the artists, are women. I see it. I work with them, I’m friends with them, and I’m inspired by them. Whether they’re holding direct positions or holding down the front lines of production, or are part of the art, or organizing the logistics, they are unseen. \u003c/p>\n\u003cp>If you were there last year for the All Womxn’s Showcase, where we took over Forager downtown [in San Jose]—the majority of the comments were around the vibe and the atmosphere. You can really tell when a space is created with a certain focus, whether that’s as a safe space or a space just for women. It was more empowering.\u003c/p>\n\u003cfigure id=\"attachment_13833809\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes.jpg\" alt=\"Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017.\" width=\"1920\" height=\"1200\" class=\"size-full wp-image-13833809\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-520x325.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017. \u003ccite>(Samuel Reyes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Tell me about your work with Sonido Clash, why it’s in the South Bay and what makes it special to you?\u003c/strong>\u003c/p>\n\u003cp>You create an event to allow people to destress and come together for a common interest. This [year’s] \u003ca href=\"http://sonidoclash.com/sonido-clash-music-fest/\" rel=\"noopener\" target=\"_blank\">30-artist lineup\u003c/a> is such an eclectic mix from different genres, from reggaeton, psychedelic punk, tropical, hip hop and rap. The music curation is really guided by the experiences that collective members grew up with, and the experiences of what their parents grew up with and the experiences of their friends. I believe that’s why a lot of people are drawn to Sonido Clash, because they can see that. \u003c/p>\n\u003cp>\u003cstrong>What does your ideal future look like for artists in the Bay Area?\u003c/strong>\u003c/p>\n\u003cp>I can only hope that in the future, as we see more and more of our community developing, especially in San Jose, we can see more of the art integrated into it. Not just murals on walls, but more public art that comes into play and goes into our parks. And into the communities that don’t necessarily get as much funding as the downtown populated areas. More art in the east side and people’s homes and backyards. \u003c/p>\n\u003cp>I remember going to Tucson, Arizona and as I was driving down the street you just saw fences of murals and art. People feeling so freely to make it their own space. As big as San Jose is, I want to see all of that, everywhere. And I want to see artists be able to take seats in the decision making of how the city is developed, viewed and seen. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Roman Zepeda remembers a time when strangers scoffed at the fact that he was from East San Jose.\u003c/p>\n\u003cp>“Growing up there, it was looked down upon to be from the Eastside,” he says. “It was like, ‘Oh, that’s the ghetto.’ It’s always had this negative view.”\u003c/p>\n\u003cp>But over the past decade, the DJ and producer better known as \u003ca href=\"https://soundcloud.com/turbosonidero\" target=\"_blank\" rel=\"noopener\">Turbo Sonidero\u003c/a> has made a name for himself curating events that celebrate his neighborhood and its Chicano culture. His biggest party yet, the second annual \u003ca href=\"https://www.eventbrite.com/e/2nd-annual-sonido-clash-music-fest-tickets-35953829873\" target=\"_blank\" rel=\"noopener\">Sonido Clash Music Fest\u003c/a> — coming up at San Jose’s Mexican Heritage Plaza on Sept. 3 — features the sort of buzzed-about indie and alternative Latino artists that can put a neighborhood on the map.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/327035465″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>As we meet over coffee in Oakland, Zepeda laments that when people talk about Bay Area music, they rarely mention his hometown. Through touring the United States and Mexico, Zepeda has become East San Jose’s self-appointed ambassador. (During our interview, he prepares to hit the string of record stores in Oakland’s Temescal neighborhood to pass out flyers for the festival.) \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I’m excited to see people come through from all walks of life, from all over the Bay,” he says.\u003c/p>\n\u003cp>Zepeda curated the festival with his collective, \u003ca href=\"http://sonidoclash.com/\" target=\"_blank\" rel=\"noopener\">Sonido Clash\u003c/a>, a group of mostly Mexican-American musicians, promoters, and artists who, since 2009, have thrown concerts and parties spotlighting Latino artists who don’t make traditional music or cater to mainstream sensibilities. Last year’s festival, originally called “Music and Mezcal,” featured Grammy-nominated rap duo \u003ca href=\"https://soundcloud.com/losrakas\" target=\"_blank\" rel=\"noopener\">Los Rakas\u003c/a>, who hail from Oakland by way of Panama.\u003c/p>\n\u003cp>That inaugural festival planted a flag for Zepeda’s vision: Groups of twenty-somethings soaked up the sun — and mezcal cocktails — on the palm tree-lined lawn in front of the outdoor stage. Kids played in the grass. Older couples showed off their footwork to live cumbia on the indoor dance floor. The music, attendees, and goods by local vendors exuded Mexican and Latin American pride. \u003c/p>\n\u003cp>https://youtu.be/qVvabsXFT7w\u003c/p>\n\u003cp>This year’s festival features nearly a dozen bands and DJs including San Diego “cholo goth” duo \u003ca href=\"http://www.chologoth.com/\" target=\"_blank\" rel=\"noopener\">Prayers\u003c/a>; electro-cumbia band \u003ca href=\"https://soundcloud.com/afrodita-oficial\" target=\"_blank\" rel=\"noopener\">Afrodita\u003c/a> from Mexico City; \u003ca href=\"http://heladonegro.com/\" target=\"_blank\" rel=\"noopener\">Helado Negro\u003c/a>, a soulful, Ecuadorian-American crooner based in Brooklyn; and \u003ca href=\"https://soundcloud.com/chicosonido\" target=\"_blank\" rel=\"noopener\">Chico Sonido\u003c/a>, an underground reggaeton producer from Monterrey, Mexico. \u003c/p>\n\u003cp>“We’re bringing artists who are pushing the boundaries of Latino alternative, or just Latino music in general,” Zepeda explains. \u003c/p>\n\u003cp>https://youtu.be/p0x3aKmEu7M\u003c/p>\n\u003cp>Sonido Clash’s 2016 event drew over 500 attendees, but San Jose’s alternative Latino music scene wasn’t always this popular. Zepeda, who produces surreal, distorted cumbia spiked with rap samples, recalls struggling to find venues for Sonido Clash parties eight years ago. “It was just Top 40, [clubs] were trying to cater to techies. And then we were seeing cool stuff going on in San Francisco and Oakland,” he says. “How come we can’t have it here?”\u003c/p>\n\u003cp>Once the Fairmont Hotel in Downtown San Jose gave Sonido Clash a monthly party in 2010, Zepeda and his collective began to develop an enthusiastic following in and outside their hometown. These days, Zepeda is a frequent guest performer at the popular Oakland party \u003ca href=\"https://ww2.kqed.org/arts/2017/01/18/middle-east-meets-west-oakland-at-party-on-the-rise-club-chai/\" target=\"_blank\" rel=\"noopener\">Club Chai\u003c/a>, a hotbed of electronic artists of diverse immigrant backgrounds. For his own events, he books artists from across the United States, Mexico, and Latin America who often bring Sonido Clash to their cities in return.\u003c/p>\n\u003cp>“We definitely have created a scene in San Jose that wasn’t there,” Zepeda says. “All these other parties have sprung up from Sonido Clash, and it’s dope. We’ve opened those doors because 10 years ago it would have been impossible to do.”\u003c/p>\n\u003cp>https://youtu.be/rAG8v5AzVr8\u003c/p>\n\u003cp>In addition to the music at Sonido Clash, there will also be a car show, live painting, local vendors, and a poetry stage headlined by \u003ca href=\"http://yosimarreyes.com/\" target=\"_blank\" rel=\"noopener\">Yosimar Reyes\u003c/a>, an East San Jose-raised author and activist who has collaborated with guitar legend Carlos Santana. Zepeda says that he wants the festival to showcase the diverse network of Latino artists he’s developed through Sonido Clash over the past decade. \u003c/p>\n\u003cp>“We created kind of like a family. Everything’s organic, everything’s — we’re just trying to create a community. You know?”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Roman Zepeda remembers a time when strangers scoffed at the fact that he was from East San Jose.\u003c/p>\n\u003cp>“Growing up there, it was looked down upon to be from the Eastside,” he says. “It was like, ‘Oh, that’s the ghetto.’ It’s always had this negative view.”\u003c/p>\n\u003cp>But over the past decade, the DJ and producer better known as \u003ca href=\"https://soundcloud.com/turbosonidero\" target=\"_blank\" rel=\"noopener\">Turbo Sonidero\u003c/a> has made a name for himself curating events that celebrate his neighborhood and its Chicano culture. His biggest party yet, the second annual \u003ca href=\"https://www.eventbrite.com/e/2nd-annual-sonido-clash-music-fest-tickets-35953829873\" target=\"_blank\" rel=\"noopener\">Sonido Clash Music Fest\u003c/a> — coming up at San Jose’s Mexican Heritage Plaza on Sept. 3 — features the sort of buzzed-about indie and alternative Latino artists that can put a neighborhood on the map.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/327035465″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/327035465″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>As we meet over coffee in Oakland, Zepeda laments that when people talk about Bay Area music, they rarely mention his hometown. Through touring the United States and Mexico, Zepeda has become East San Jose’s self-appointed ambassador. (During our interview, he prepares to hit the string of record stores in Oakland’s Temescal neighborhood to pass out flyers for the festival.) \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I’m excited to see people come through from all walks of life, from all over the Bay,” he says.\u003c/p>\n\u003cp>Zepeda curated the festival with his collective, \u003ca href=\"http://sonidoclash.com/\" target=\"_blank\" rel=\"noopener\">Sonido Clash\u003c/a>, a group of mostly Mexican-American musicians, promoters, and artists who, since 2009, have thrown concerts and parties spotlighting Latino artists who don’t make traditional music or cater to mainstream sensibilities. Last year’s festival, originally called “Music and Mezcal,” featured Grammy-nominated rap duo \u003ca href=\"https://soundcloud.com/losrakas\" target=\"_blank\" rel=\"noopener\">Los Rakas\u003c/a>, who hail from Oakland by way of Panama.\u003c/p>\n\u003cp>That inaugural festival planted a flag for Zepeda’s vision: Groups of twenty-somethings soaked up the sun — and mezcal cocktails — on the palm tree-lined lawn in front of the outdoor stage. Kids played in the grass. Older couples showed off their footwork to live cumbia on the indoor dance floor. The music, attendees, and goods by local vendors exuded Mexican and Latin American pride. \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/qVvabsXFT7w'\n title='//www.youtube.com/embed/qVvabsXFT7w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>This year’s festival features nearly a dozen bands and DJs including San Diego “cholo goth” duo \u003ca href=\"http://www.chologoth.com/\" target=\"_blank\" rel=\"noopener\">Prayers\u003c/a>; electro-cumbia band \u003ca href=\"https://soundcloud.com/afrodita-oficial\" target=\"_blank\" rel=\"noopener\">Afrodita\u003c/a> from Mexico City; \u003ca href=\"http://heladonegro.com/\" target=\"_blank\" rel=\"noopener\">Helado Negro\u003c/a>, a soulful, Ecuadorian-American crooner based in Brooklyn; and \u003ca href=\"https://soundcloud.com/chicosonido\" target=\"_blank\" rel=\"noopener\">Chico Sonido\u003c/a>, an underground reggaeton producer from Monterrey, Mexico. \u003c/p>\n\u003cp>“We’re bringing artists who are pushing the boundaries of Latino alternative, or just Latino music in general,” Zepeda explains. \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/p0x3aKmEu7M'\n title='//www.youtube.com/embed/p0x3aKmEu7M'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Sonido Clash’s 2016 event drew over 500 attendees, but San Jose’s alternative Latino music scene wasn’t always this popular. Zepeda, who produces surreal, distorted cumbia spiked with rap samples, recalls struggling to find venues for Sonido Clash parties eight years ago. “It was just Top 40, [clubs] were trying to cater to techies. And then we were seeing cool stuff going on in San Francisco and Oakland,” he says. “How come we can’t have it here?”\u003c/p>\n\u003cp>Once the Fairmont Hotel in Downtown San Jose gave Sonido Clash a monthly party in 2010, Zepeda and his collective began to develop an enthusiastic following in and outside their hometown. These days, Zepeda is a frequent guest performer at the popular Oakland party \u003ca href=\"https://ww2.kqed.org/arts/2017/01/18/middle-east-meets-west-oakland-at-party-on-the-rise-club-chai/\" target=\"_blank\" rel=\"noopener\">Club Chai\u003c/a>, a hotbed of electronic artists of diverse immigrant backgrounds. For his own events, he books artists from across the United States, Mexico, and Latin America who often bring Sonido Clash to their cities in return.\u003c/p>\n\u003cp>“We definitely have created a scene in San Jose that wasn’t there,” Zepeda says. “All these other parties have sprung up from Sonido Clash, and it’s dope. We’ve opened those doors because 10 years ago it would have been impossible to do.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/rAG8v5AzVr8'\n title='//www.youtube.com/embed/rAG8v5AzVr8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In addition to the music at Sonido Clash, there will also be a car show, live painting, local vendors, and a poetry stage headlined by \u003ca href=\"http://yosimarreyes.com/\" target=\"_blank\" rel=\"noopener\">Yosimar Reyes\u003c/a>, an East San Jose-raised author and activist who has collaborated with guitar legend Carlos Santana. Zepeda says that he wants the festival to showcase the diverse network of Latino artists he’s developed through Sonido Clash over the past decade. \u003c/p>\n\u003cp>“We created kind of like a family. Everything’s organic, everything’s — we’re just trying to create a community. You know?”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "On the Air: Cy, Rachael and Gabe's Do List Picks for Sept. 1, 2017",
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"content": "\u003cp>On the Do List this week, KQED’s Cy Musiker welcomes co-hosts Rachael Myrow and Gabe Meline for a highly selective preview of the best shows and exhibits of the fall season. (Next week, The Do List picks some of the best upcoming plays.) Listen above for our roundup, and click through the events below for more details.\u003c/p>\n\u003cp>\u003cstrong>Sept. 3:\u003c/strong> \u003ca href=\"http://sonidoclash.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The second annual Sonido Clash Music Fest brings dance and alt-Latino music to San Jose\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 10-11:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VVQ9\" target=\"_blank\" rel=\"noopener noreferrer\"> Samantha Bee, a leader of the new wave of political comedy on TV, comes to Stanford and UC Davis\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Oct. 7:\u003c/strong> \u003ca href=\"https://calperformances.org/performances/2017-18/berkeley-talks/matt-groening-and-lynda-barry-love-hate-comics-the-friendship-that-would-not-die.php\" target=\"_blank\" rel=\"noopener noreferrer\">Matt Groening and Lynda Barry talk about love, hate and comics at Cal Performances\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sept. 14–23:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VVMO\" target=\"_blank\" rel=\"noopener noreferrer\">YBCA presents a new festival featuring dancers and other artists addressing the challenges of citizenship under President Trump\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Sept. 20–24: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VVP9\" target=\"_blank\" rel=\"noopener noreferrer\">Ravi Coltrane revisits his father’s most famous and most spiritual music\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sept. 22–24: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VVLs\" target=\"_blank\" rel=\"noopener noreferrer\">The San Francisco Symphony celebrates the 100th birthday of its conductor’s old friend Leonard Bernstein (and we’ll teach you how to pronounce Bernstein’s name correctly)\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 21–Dec. 10:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VVOE\" target=\"_blank\" rel=\"noopener noreferrer\">Women of the gold rush tell their side of the story on the opera stage in a world premiere\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 4–May 27, 2018\u003c/strong>: \u003ca href=\"https://wp.me/p4oi3Y-VVOe\" target=\"_blank\" rel=\"noopener noreferrer\">The di Rosa gallery and museum in Napa confronts issues dividing the nation in an age of anxiety\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sept. 2–Nov. 17:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VVOn\" target=\"_blank\" rel=\"noopener noreferrer\">A history of the Bracero program at the Napa Valley Museum\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Oct.–Jan. 2018:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VVLl\" target=\"_blank\" rel=\"noopener noreferrer\">San Jose brings the Playa (Burning Man) to the Paseo (downtown San Jose)\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sept. 14\u003c/strong>: \u003ca href=\"https://wp.me/p4oi3Y-VVPP\" target=\"_blank\" rel=\"noopener noreferrer\">Wilsen makes chill neo-folk and it’s our cheap under-the-radar show for the fall preview\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Oct. 20: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VVPU\" target=\"_blank\" rel=\"noopener noreferrer\">Solange brings a black feminist message to a sold-out show at the Greek Theatre in Berkeley\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sept 13–15: \u003c/strong>\u003ca href=\"http://www.hiyhf.org/san-francisco-map-fair-2017/\" target=\"_blank\" rel=\"noopener noreferrer\">A soiree of real paper maps you can touch at the San Francisco Map Fair\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"title": "On the Air: Cy, Rachael and Gabe's Do List Picks for Sept. 1, 2017 | KQED",
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"headline": "On the Air: Cy, Rachael and Gabe's Do List Picks for Sept. 1, 2017",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On the Do List this week, KQED’s Cy Musiker welcomes co-hosts Rachael Myrow and Gabe Meline for a highly selective preview of the best shows and exhibits of the fall season. (Next week, The Do List picks some of the best upcoming plays.) Listen above for our roundup, and click through the events below for more details.\u003c/p>\n\u003cp>\u003cstrong>Sept. 3:\u003c/strong> \u003ca href=\"http://sonidoclash.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The second annual Sonido Clash Music Fest brings dance and alt-Latino music to San Jose\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 10-11:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VVQ9\" target=\"_blank\" rel=\"noopener noreferrer\"> Samantha Bee, a leader of the new wave of political comedy on TV, comes to Stanford and UC Davis\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Oct. 7:\u003c/strong> \u003ca href=\"https://calperformances.org/performances/2017-18/berkeley-talks/matt-groening-and-lynda-barry-love-hate-comics-the-friendship-that-would-not-die.php\" target=\"_blank\" rel=\"noopener noreferrer\">Matt Groening and Lynda Barry talk about love, hate and comics at Cal Performances\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sept. 14–23:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VVMO\" target=\"_blank\" rel=\"noopener noreferrer\">YBCA presents a new festival featuring dancers and other artists addressing the challenges of citizenship under President Trump\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sept. 20–24: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VVP9\" target=\"_blank\" rel=\"noopener noreferrer\">Ravi Coltrane revisits his father’s most famous and most spiritual music\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sept. 22–24: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VVLs\" target=\"_blank\" rel=\"noopener noreferrer\">The San Francisco Symphony celebrates the 100th birthday of its conductor’s old friend Leonard Bernstein (and we’ll teach you how to pronounce Bernstein’s name correctly)\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 21–Dec. 10:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VVOE\" target=\"_blank\" rel=\"noopener noreferrer\">Women of the gold rush tell their side of the story on the opera stage in a world premiere\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 4–May 27, 2018\u003c/strong>: \u003ca href=\"https://wp.me/p4oi3Y-VVOe\" target=\"_blank\" rel=\"noopener noreferrer\">The di Rosa gallery and museum in Napa confronts issues dividing the nation in an age of anxiety\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sept. 2–Nov. 17:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VVOn\" target=\"_blank\" rel=\"noopener noreferrer\">A history of the Bracero program at the Napa Valley Museum\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Oct.–Jan. 2018:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VVLl\" target=\"_blank\" rel=\"noopener noreferrer\">San Jose brings the Playa (Burning Man) to the Paseo (downtown San Jose)\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sept. 14\u003c/strong>: \u003ca href=\"https://wp.me/p4oi3Y-VVPP\" target=\"_blank\" rel=\"noopener noreferrer\">Wilsen makes chill neo-folk and it’s our cheap under-the-radar show for the fall preview\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Oct. 20: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VVPU\" target=\"_blank\" rel=\"noopener noreferrer\">Solange brings a black feminist message to a sold-out show at the Greek Theatre in Berkeley\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sept 13–15: \u003c/strong>\u003ca href=\"http://www.hiyhf.org/san-francisco-map-fair-2017/\" target=\"_blank\" rel=\"noopener noreferrer\">A soiree of real paper maps you can touch at the San Francisco Map Fair\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"radiolab": {
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"reveal": {
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
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"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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