Welcome to Wolfe Pack Studios, a New Creative Clubhouse in Oakland
Rachel Wolfe-Goldsmith Is Imagining the Future of Murals
The Black Panther Party and the Rev. Cheryl Dawson
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"headTitle": "Welcome to Wolfe Pack Studios, a New Creative Clubhouse in Oakland | KQED",
"content": "\u003cp>On a recent Thursday evening, at a standup show called Holy Ground Comedy, Wolfe Pack Studios felt more like a house party. Squads of mostly 20- and 30-somethings filed into the cozy, downtown Oakland art space. Old friends hugged, and new acquaintances mingled on velvet couches. Upstairs, while a few guests played chess, a smiling Chef Njeri served big plates of Caribbean food — chicken legs, salad, rice and peas.\u003c/p>\n\u003cp>When the evening’s MC, \u003ca href=\"https://www.instagram.com/kinglangbang/?hl=en\">Langstyn Avery\u003c/a>, asked how many in the audience were born and raised in Oakland, a healthy number of cheers erupted from the crowd. And when he asked who was born outside the U.S., audience members enthusiastically shouted out Colombia, Lebanon and Vietnam. In this inclusive atmosphere, compliments and laughs flowed freely, and everyone — not just the comedians on stage — seemed comfortable sharing themselves.\u003c/p>\n\u003cp>That’s the kind of feel-good vibe artists are cultivating at \u003ca href=\"https://www.instagram.com/wolfepack_studios/\">Wolfe Pack Studios\u003c/a>, the new art gallery and event space founded by muralist \u003ca href=\"http://www.rachelwolfegoldsmith.com/\">Rachel Wolfe-Goldsmith\u003c/a>. Since opening in October 2022, the small storefront has become a clubhouse where writing workshops, comedy shows and album release parties bring together the Town’s many creative scenes.\u003c/p>\n\u003cfigure id=\"attachment_13927158\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13927158\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/RS63975_023_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63975_023_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63975_023_KQEDArts_WolfePackStudiosComedy_03232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63975_023_KQEDArts_WolfePackStudiosComedy_03232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63975_023_KQEDArts_WolfePackStudiosComedy_03232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63975_023_KQEDArts_WolfePackStudiosComedy_03232023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63975_023_KQEDArts_WolfePackStudiosComedy_03232023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A crowd at Wolfe Pack Studios in Oakland laugh during Holy Ground Comedy on March 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I think culture is made of experiences, right?” Wolfe-Goldsmith says of her omnivorous programming. “You’re curating these moments in time with specific people to create a certain energy, to inspire people in a certain type of way.” [aside postid='arts_13926316']\u003c/p>\n\u003cp>Wolfe-Goldsmith serves as the creative director at the public art nonprofit \u003ca href=\"https://thebamp.org/\">Bay Area Mural Program\u003c/a> (BAMP), and she’s responsible for some of \u003ca href=\"http://www.rachelwolfegoldsmith.com/murals\">Oakland’s best-known walls\u003c/a>, including a \u003ca href=\"https://www.kqed.org/news/11858928/west-oakland-mural-honors-women-of-black-panther-party\">tribute to the women of the Black Panther Party in West Oakland\u003c/a>. Though most people encounter her art in its static form, she says her practice has always been alive and participatory. She got her start painting at electronic music festivals a decade ago, and years of living in big, communal artist houses left her comfortable in spaces where new ideas and activities are always flowing.\u003c/p>\n\u003cfigure id=\"attachment_13927161\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13927161\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/RS64004_050_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64004_050_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64004_050_KQEDArts_WolfePackStudiosComedy_03232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64004_050_KQEDArts_WolfePackStudiosComedy_03232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64004_050_KQEDArts_WolfePackStudiosComedy_03232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64004_050_KQEDArts_WolfePackStudiosComedy_03232023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64004_050_KQEDArts_WolfePackStudiosComedy_03232023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Comedian Ellie Bonilla walks through the crowd after a set during Holy Ground Comedy at Wolfe Pack Studios in Oakland on March 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Art doesn’t have an R.O.I. [return on investment] or a definite measurement of what it does for you, but you see it when people come experience a space full of music, storytelling, community or the actual art on the walls,” she says. “It’s impactful to the spirit.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Avery, who’s performed comedy for years as Kinglangbang, shares that philosophy. Outside of co-curating events at Wolfe Pack Studios, he runs a group called \u003ca href=\"https://www.negusinnature.com/\">Negus in Nature\u003c/a>, which organizes outdoor excursions for a Black audience. He and Wolfe-Goldsmith met through BAMP and became close on a trip to Oregon, where she painted a mural of him holding a cluster of foraged mushrooms.\u003c/p>\n\u003cp>“I have a tattoo that says ‘Stress less, travel more,’ and that’s a motto I live by,” he says. “Going out into nature definitely releases stress, being in a community around people that you love, going to see new places. Creating art, experiencing art, facilitating art and having comedy shows are kind of like those intersections where you find me.”\u003c/p>\n\u003cfigure id=\"attachment_13927154\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13927154\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/RS63959_007_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63959_007_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63959_007_KQEDArts_WolfePackStudiosComedy_03232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63959_007_KQEDArts_WolfePackStudiosComedy_03232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63959_007_KQEDArts_WolfePackStudiosComedy_03232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63959_007_KQEDArts_WolfePackStudiosComedy_03232023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63959_007_KQEDArts_WolfePackStudiosComedy_03232023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Attendees at Holy Ground Comedy at Wolfe Pack Studios in Oakland chat before the show on March 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In Wolfe-Goldsmith, Avery found a collaborator who was willing to take a chance. After finding the 13th Street storefront on Craigslist, Wolfe-Goldsmith crowdfunded $10,000, put in $5,000 of her own savings and got to work on giving the space a facelift. With the help of a grant, she’s been able to compensate artists and keep programming at Wolfe Pack Studios free or affordable, with most ticketed shows charging $22 or less at the door.\u003c/p>\n\u003cp>“I have this thing called shitter-getter-doners, and those are people who get shit done,” Avery says. “Rachel is definitely a shitter-getter-doner. … How do you push the envelope of what is deemed acceptable as artwork and then create a space for those rebels? Every rebel needs a clubhouse.”\u003c/p>\n\u003cfigure id=\"attachment_13927150\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13927150\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/RS64002_051_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64002_051_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64002_051_KQEDArts_WolfePackStudiosComedy_03232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64002_051_KQEDArts_WolfePackStudiosComedy_03232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64002_051_KQEDArts_WolfePackStudiosComedy_03232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64002_051_KQEDArts_WolfePackStudiosComedy_03232023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64002_051_KQEDArts_WolfePackStudiosComedy_03232023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Comedian Ato Walker (@mratowalker) performs during Holy Ground Comedy at Wolfe Pack Studios in Oakland on March 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That intimate, casual atmosphere was apparent when I visited Wolfe Pack Studios a week prior to Holy Ground Comedy. An artist named \u003ca href=\"https://www.instagram.com/creativeshields/\">Creative Shields\u003c/a> hunched over his tablet, locks spilling out of his beanie as he sketched. \u003ca href=\"https://www.instagram.com/madebydarin/\">Darin\u003c/a>, a painter, sat down below one of his aerosol art pieces and unwrapped a burrito. Warren, a tech professional not quite ready to label himself an artist, shyly introduced himself. The 10 or so people in the room, all at different places on their artistic paths, gathered to listen to creative technologist \u003ca href=\"https://www.instagram.com/wordxlife/?hl=en\">Damien McDuffie\u003c/a> demystify his augmented reality app, \u003ca href=\"https://www.blackterminus.com/\">Black Terminus\u003c/a>, which brings murals, photos and pieces of Oakland Black history to life with videos and animation.\u003c/p>\n\u003cp>“You don’t have to have a desktop, you don’t have to know coding,” he reassured the circle. By the time the session finished, the artists had learned McDuffie’s step-by-step process, and augmented reality no longer felt like sorcery.\u003c/p>\n\u003cfigure id=\"attachment_13927164\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13927164\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/RS64016_062_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64016_062_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64016_062_KQEDArts_WolfePackStudiosComedy_03232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64016_062_KQEDArts_WolfePackStudiosComedy_03232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64016_062_KQEDArts_WolfePackStudiosComedy_03232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64016_062_KQEDArts_WolfePackStudiosComedy_03232023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64016_062_KQEDArts_WolfePackStudiosComedy_03232023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Attendees watch the performers at Holy Ground Comedy from the second floor at Wolfe Pack Studios in Oakland on March 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Tech can be a fraught topic in artist circles, considering the industry’s role in the Bay Area’s sky-high cost of living. But Wolfe-Goldsmith has long embraced the idea of \u003ca href=\"https://www.kqed.org/arts/13897823/nft-artists-bay-area\">democratizing emerging technologies\u003c/a>. McDuffie is gearing up for a solo show at Wolfe Pack Studios in May, when the gallery will host more events centered on augmented reality.\u003c/p>\n\u003cp>“[I’m] really trying to make stuff accessible, futuristic and relevant and fun,” Wolfe-Goldsmith says.\u003c/p>\n\u003cfigure id=\"attachment_13927160\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13927160\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/RS63988_034_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63988_034_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63988_034_KQEDArts_WolfePackStudiosComedy_03232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63988_034_KQEDArts_WolfePackStudiosComedy_03232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63988_034_KQEDArts_WolfePackStudiosComedy_03232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63988_034_KQEDArts_WolfePackStudiosComedy_03232023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63988_034_KQEDArts_WolfePackStudiosComedy_03232023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Comedian Remo (@10dadj) performs during a comedy event at Wolfe Pack Studios in Oakland on March 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The turnout at most events speaks for itself: After three years of pandemic living, it’s clear that artists are eager to be a part of something, and to connect face-to-face. At Wolfe Pack Studios, Deej Letemps’ creative writing group, Writer’s Block, is already attracting regulars; DJ Ignacia and DJ Jambalaya are hosting frequent dance parties; and a soon-to-announced Tiny Desk-inspired live music series is in the works.\u003c/p>\n\u003cp>“There’s a lot of feedback that the space feels like home, and it feels cozy,” Wolfe-Goldsmith says. “It feels like somewhere you want to stay.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>The next \u003ca href=\"https://www.eventbrite.com/e/holy-ground-comedy-four-twenty-edition-tickets-600986616147\">Holy Ground Comedy\u003c/a> takes place on April 20. For upcoming events at Wolfe Pack Studios (306 13th St., Oakland), \u003ca href=\"https://www.instagram.com/wolfepack_studios/\">follow the gallery on Instagram\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On a recent Thursday evening, at a standup show called Holy Ground Comedy, Wolfe Pack Studios felt more like a house party. Squads of mostly 20- and 30-somethings filed into the cozy, downtown Oakland art space. Old friends hugged, and new acquaintances mingled on velvet couches. Upstairs, while a few guests played chess, a smiling Chef Njeri served big plates of Caribbean food — chicken legs, salad, rice and peas.\u003c/p>\n\u003cp>When the evening’s MC, \u003ca href=\"https://www.instagram.com/kinglangbang/?hl=en\">Langstyn Avery\u003c/a>, asked how many in the audience were born and raised in Oakland, a healthy number of cheers erupted from the crowd. And when he asked who was born outside the U.S., audience members enthusiastically shouted out Colombia, Lebanon and Vietnam. In this inclusive atmosphere, compliments and laughs flowed freely, and everyone — not just the comedians on stage — seemed comfortable sharing themselves.\u003c/p>\n\u003cp>That’s the kind of feel-good vibe artists are cultivating at \u003ca href=\"https://www.instagram.com/wolfepack_studios/\">Wolfe Pack Studios\u003c/a>, the new art gallery and event space founded by muralist \u003ca href=\"http://www.rachelwolfegoldsmith.com/\">Rachel Wolfe-Goldsmith\u003c/a>. Since opening in October 2022, the small storefront has become a clubhouse where writing workshops, comedy shows and album release parties bring together the Town’s many creative scenes.\u003c/p>\n\u003cfigure id=\"attachment_13927158\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13927158\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/RS63975_023_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63975_023_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63975_023_KQEDArts_WolfePackStudiosComedy_03232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63975_023_KQEDArts_WolfePackStudiosComedy_03232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63975_023_KQEDArts_WolfePackStudiosComedy_03232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63975_023_KQEDArts_WolfePackStudiosComedy_03232023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63975_023_KQEDArts_WolfePackStudiosComedy_03232023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A crowd at Wolfe Pack Studios in Oakland laugh during Holy Ground Comedy on March 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I think culture is made of experiences, right?” Wolfe-Goldsmith says of her omnivorous programming. “You’re curating these moments in time with specific people to create a certain energy, to inspire people in a certain type of way.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Wolfe-Goldsmith serves as the creative director at the public art nonprofit \u003ca href=\"https://thebamp.org/\">Bay Area Mural Program\u003c/a> (BAMP), and she’s responsible for some of \u003ca href=\"http://www.rachelwolfegoldsmith.com/murals\">Oakland’s best-known walls\u003c/a>, including a \u003ca href=\"https://www.kqed.org/news/11858928/west-oakland-mural-honors-women-of-black-panther-party\">tribute to the women of the Black Panther Party in West Oakland\u003c/a>. Though most people encounter her art in its static form, she says her practice has always been alive and participatory. She got her start painting at electronic music festivals a decade ago, and years of living in big, communal artist houses left her comfortable in spaces where new ideas and activities are always flowing.\u003c/p>\n\u003cfigure id=\"attachment_13927161\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13927161\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/RS64004_050_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64004_050_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64004_050_KQEDArts_WolfePackStudiosComedy_03232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64004_050_KQEDArts_WolfePackStudiosComedy_03232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64004_050_KQEDArts_WolfePackStudiosComedy_03232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64004_050_KQEDArts_WolfePackStudiosComedy_03232023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64004_050_KQEDArts_WolfePackStudiosComedy_03232023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Comedian Ellie Bonilla walks through the crowd after a set during Holy Ground Comedy at Wolfe Pack Studios in Oakland on March 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Art doesn’t have an R.O.I. [return on investment] or a definite measurement of what it does for you, but you see it when people come experience a space full of music, storytelling, community or the actual art on the walls,” she says. “It’s impactful to the spirit.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Avery, who’s performed comedy for years as Kinglangbang, shares that philosophy. Outside of co-curating events at Wolfe Pack Studios, he runs a group called \u003ca href=\"https://www.negusinnature.com/\">Negus in Nature\u003c/a>, which organizes outdoor excursions for a Black audience. He and Wolfe-Goldsmith met through BAMP and became close on a trip to Oregon, where she painted a mural of him holding a cluster of foraged mushrooms.\u003c/p>\n\u003cp>“I have a tattoo that says ‘Stress less, travel more,’ and that’s a motto I live by,” he says. “Going out into nature definitely releases stress, being in a community around people that you love, going to see new places. Creating art, experiencing art, facilitating art and having comedy shows are kind of like those intersections where you find me.”\u003c/p>\n\u003cfigure id=\"attachment_13927154\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13927154\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/RS63959_007_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63959_007_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63959_007_KQEDArts_WolfePackStudiosComedy_03232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63959_007_KQEDArts_WolfePackStudiosComedy_03232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63959_007_KQEDArts_WolfePackStudiosComedy_03232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63959_007_KQEDArts_WolfePackStudiosComedy_03232023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63959_007_KQEDArts_WolfePackStudiosComedy_03232023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Attendees at Holy Ground Comedy at Wolfe Pack Studios in Oakland chat before the show on March 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In Wolfe-Goldsmith, Avery found a collaborator who was willing to take a chance. After finding the 13th Street storefront on Craigslist, Wolfe-Goldsmith crowdfunded $10,000, put in $5,000 of her own savings and got to work on giving the space a facelift. With the help of a grant, she’s been able to compensate artists and keep programming at Wolfe Pack Studios free or affordable, with most ticketed shows charging $22 or less at the door.\u003c/p>\n\u003cp>“I have this thing called shitter-getter-doners, and those are people who get shit done,” Avery says. “Rachel is definitely a shitter-getter-doner. … How do you push the envelope of what is deemed acceptable as artwork and then create a space for those rebels? Every rebel needs a clubhouse.”\u003c/p>\n\u003cfigure id=\"attachment_13927150\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13927150\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/RS64002_051_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64002_051_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64002_051_KQEDArts_WolfePackStudiosComedy_03232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64002_051_KQEDArts_WolfePackStudiosComedy_03232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64002_051_KQEDArts_WolfePackStudiosComedy_03232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64002_051_KQEDArts_WolfePackStudiosComedy_03232023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64002_051_KQEDArts_WolfePackStudiosComedy_03232023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Comedian Ato Walker (@mratowalker) performs during Holy Ground Comedy at Wolfe Pack Studios in Oakland on March 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That intimate, casual atmosphere was apparent when I visited Wolfe Pack Studios a week prior to Holy Ground Comedy. An artist named \u003ca href=\"https://www.instagram.com/creativeshields/\">Creative Shields\u003c/a> hunched over his tablet, locks spilling out of his beanie as he sketched. \u003ca href=\"https://www.instagram.com/madebydarin/\">Darin\u003c/a>, a painter, sat down below one of his aerosol art pieces and unwrapped a burrito. Warren, a tech professional not quite ready to label himself an artist, shyly introduced himself. The 10 or so people in the room, all at different places on their artistic paths, gathered to listen to creative technologist \u003ca href=\"https://www.instagram.com/wordxlife/?hl=en\">Damien McDuffie\u003c/a> demystify his augmented reality app, \u003ca href=\"https://www.blackterminus.com/\">Black Terminus\u003c/a>, which brings murals, photos and pieces of Oakland Black history to life with videos and animation.\u003c/p>\n\u003cp>“You don’t have to have a desktop, you don’t have to know coding,” he reassured the circle. By the time the session finished, the artists had learned McDuffie’s step-by-step process, and augmented reality no longer felt like sorcery.\u003c/p>\n\u003cfigure id=\"attachment_13927164\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13927164\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/RS64016_062_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64016_062_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64016_062_KQEDArts_WolfePackStudiosComedy_03232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64016_062_KQEDArts_WolfePackStudiosComedy_03232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64016_062_KQEDArts_WolfePackStudiosComedy_03232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64016_062_KQEDArts_WolfePackStudiosComedy_03232023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS64016_062_KQEDArts_WolfePackStudiosComedy_03232023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Attendees watch the performers at Holy Ground Comedy from the second floor at Wolfe Pack Studios in Oakland on March 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Tech can be a fraught topic in artist circles, considering the industry’s role in the Bay Area’s sky-high cost of living. But Wolfe-Goldsmith has long embraced the idea of \u003ca href=\"https://www.kqed.org/arts/13897823/nft-artists-bay-area\">democratizing emerging technologies\u003c/a>. McDuffie is gearing up for a solo show at Wolfe Pack Studios in May, when the gallery will host more events centered on augmented reality.\u003c/p>\n\u003cp>“[I’m] really trying to make stuff accessible, futuristic and relevant and fun,” Wolfe-Goldsmith says.\u003c/p>\n\u003cfigure id=\"attachment_13927160\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13927160\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/RS63988_034_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63988_034_KQEDArts_WolfePackStudiosComedy_03232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63988_034_KQEDArts_WolfePackStudiosComedy_03232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63988_034_KQEDArts_WolfePackStudiosComedy_03232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63988_034_KQEDArts_WolfePackStudiosComedy_03232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63988_034_KQEDArts_WolfePackStudiosComedy_03232023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RS63988_034_KQEDArts_WolfePackStudiosComedy_03232023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Comedian Remo (@10dadj) performs during a comedy event at Wolfe Pack Studios in Oakland on March 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The turnout at most events speaks for itself: After three years of pandemic living, it’s clear that artists are eager to be a part of something, and to connect face-to-face. At Wolfe Pack Studios, Deej Letemps’ creative writing group, Writer’s Block, is already attracting regulars; DJ Ignacia and DJ Jambalaya are hosting frequent dance parties; and a soon-to-announced Tiny Desk-inspired live music series is in the works.\u003c/p>\n\u003cp>“There’s a lot of feedback that the space feels like home, and it feels cozy,” Wolfe-Goldsmith says. “It feels like somewhere you want to stay.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>The next \u003ca href=\"https://www.eventbrite.com/e/holy-ground-comedy-four-twenty-edition-tickets-600986616147\">Holy Ground Comedy\u003c/a> takes place on April 20. For upcoming events at Wolfe Pack Studios (306 13th St., Oakland), \u003ca href=\"https://www.instagram.com/wolfepack_studios/\">follow the gallery on Instagram\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Rachel Wolfe-Goldsmith Is Imagining the Future of Murals",
"headTitle": "Rachel Wolfe-Goldsmith Is Imagining the Future of Murals | KQED",
"content": "\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC4354205075\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>On a vacant floor of Oakland’s Tribune Tower, I stood in front of a mural of turfing legend \u003ca href=\"https://www.instagram.com/icecold3000/\">Ice Cold 3000\u003c/a>. In a series of freeze frames, he gigged across the wall, becoming more digitized and pixelated with each progressive painting.\u003c/p>\n\u003cp>“I was really asking myself the question of how to create that kind of transition to move from the physical body into this digital body,” says muralist \u003ca href=\"https://www.instagram.com/wolfe_.pack/\" target=\"_blank\" rel=\"noopener noreferrer\">Rachel Wolfe-Goldsmith.\u003c/a>\u003c/p>\n\u003cp>And that’s not the only thing that went digital in the show.\u003c/p>\n\u003cp>Wolfe-Goldsmith teamed up with a handful of artists (Jet Martinez, Vogue TDK, Joshua Mays, Bud Snow, Yoram Savion, and Brandon Ruffin aka Ruff Draft) to create the \u003ca href=\"https://5thstorynft.com/?ltclid=fa804baf-86ae-4349-868e-bae1cb9441ca\" target=\"_blank\" rel=\"noopener noreferrer\">5th Story NFT art gallery,\u003c/a> where murals were adapted into augmented reality by\u003ca href=\"https://www.instagram.com/blackterminusar/\" target=\"_blank\" rel=\"noopener noreferrer\"> Black Terminus Labs\u003c/a>. They are also converting the art into three dimensional pieces on the blockchain network that will be sold as \u003ca href=\"https://www.kqed.org/arts/13897823/nft-artists-bay-area\" target=\"_blank\" rel=\"noopener noreferrer\">NFTs.\u003c/a> This will allow the creators to have more control over the revenue generated from their work.\u003c/p>\n\u003cp>https://www.instagram.com/p/CQ1aZ0vBHyL/\u003c/p>\n\u003cp>“I mean, what we’re really asking is just like how do muralists fit into the NFT space. Because a lot of people using it are already 3D designers or digital artists of some kind. And we specialize in, like, an analog style of art. But how do we bring that to the digital space?” says Wolfe-Goldsmith.\u003c/p>\n\u003cp>Wolf-Goldsmith also serves as the Creative Director of the \u003ca href=\"https://www.instagram.com/bayareamuralpro/\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Area Mural Program\u003c/a>. She’s the talented muralist behind some of the largest new pieces of public artwork in Oakland, including the two-story mural of the\u003ca href=\"https://www.kqed.org/arts/13893054/the-black-panther-party-and-the-rev-cheryl-dawson\" target=\"_blank\" rel=\"noopener noreferrer\"> women of the Black Panther Party\u003c/a> in West Oakland, and the huge mural of\u003ca href=\"https://www.instagram.com/stoneycreation/\" target=\"_blank\" rel=\"noopener noreferrer\"> Stoney Creation\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13887635/yanni-will-eat-you-up-and-make-you-love-yourself\" target=\"_blank\" rel=\"noopener noreferrer\">Yanni Brump\u003c/a> on Telegraph and 17th Avenue. You can also see her “Our Moment” piece, which depicts an African American woman dancing (inspired by the image of \u003ca href=\"https://www.instagram.com/mizzk.o/\" target=\"_blank\" rel=\"noopener noreferrer\">Kendra “K.O” Oyesanya\u003c/a>) on the side of the Oakland Tribune Tower.\u003c/p>\n\u003cfigure id=\"attachment_13901945\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13901945\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/08/Image-from-iOS-12-800x1067.jpg\" alt=\"Rachel Wolfe-Goldsmith stands in front of the Tribune Tower in Oakland, which features her large colorful mural of an African American woman dancing\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/Image-from-iOS-12-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/Image-from-iOS-12-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/Image-from-iOS-12-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/Image-from-iOS-12-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/Image-from-iOS-12-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/Image-from-iOS-12-1536x2048.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/Image-from-iOS-12-scaled.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rachel Wolfe-Goldsmith stands in front of the Tribune Tower in Oakland, which features her large colorful mural of an African American woman dancing \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But her latest project inside of the building is one she hopes will change the future of murals and hopefully bring more stability into the livelihood of muralists.\u003c/p>\n\u003cp>“Most people never get to collect our works because they just live on this wall. Maybe you make a limited edition print of it or something, this would almost be like that limited edition print. And I think part of it, too, is the idea of collectibles. [The art] gains value over time. So you are also collecting something that you believe will create wealth for you.”\u003c/p>\n\u003cp>This week on the podcast we discuss Wolfe-Goldsmith’s background, how she’s made ends meet, her approach to art making and the future of moving murals from walls to the digital realm.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "The muralist behind some of Oakland's largest new pieces of public artwork wants to bring murals into the digital world using NFTs.",
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"headline": "Rachel Wolfe-Goldsmith Is Imagining the Future of Murals",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC4354205075\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>On a vacant floor of Oakland’s Tribune Tower, I stood in front of a mural of turfing legend \u003ca href=\"https://www.instagram.com/icecold3000/\">Ice Cold 3000\u003c/a>. In a series of freeze frames, he gigged across the wall, becoming more digitized and pixelated with each progressive painting.\u003c/p>\n\u003cp>“I was really asking myself the question of how to create that kind of transition to move from the physical body into this digital body,” says muralist \u003ca href=\"https://www.instagram.com/wolfe_.pack/\" target=\"_blank\" rel=\"noopener noreferrer\">Rachel Wolfe-Goldsmith.\u003c/a>\u003c/p>\n\u003cp>And that’s not the only thing that went digital in the show.\u003c/p>\n\u003cp>Wolfe-Goldsmith teamed up with a handful of artists (Jet Martinez, Vogue TDK, Joshua Mays, Bud Snow, Yoram Savion, and Brandon Ruffin aka Ruff Draft) to create the \u003ca href=\"https://5thstorynft.com/?ltclid=fa804baf-86ae-4349-868e-bae1cb9441ca\" target=\"_blank\" rel=\"noopener noreferrer\">5th Story NFT art gallery,\u003c/a> where murals were adapted into augmented reality by\u003ca href=\"https://www.instagram.com/blackterminusar/\" target=\"_blank\" rel=\"noopener noreferrer\"> Black Terminus Labs\u003c/a>. They are also converting the art into three dimensional pieces on the blockchain network that will be sold as \u003ca href=\"https://www.kqed.org/arts/13897823/nft-artists-bay-area\" target=\"_blank\" rel=\"noopener noreferrer\">NFTs.\u003c/a> This will allow the creators to have more control over the revenue generated from their work.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“I mean, what we’re really asking is just like how do muralists fit into the NFT space. Because a lot of people using it are already 3D designers or digital artists of some kind. And we specialize in, like, an analog style of art. But how do we bring that to the digital space?” says Wolfe-Goldsmith.\u003c/p>\n\u003cp>Wolf-Goldsmith also serves as the Creative Director of the \u003ca href=\"https://www.instagram.com/bayareamuralpro/\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Area Mural Program\u003c/a>. She’s the talented muralist behind some of the largest new pieces of public artwork in Oakland, including the two-story mural of the\u003ca href=\"https://www.kqed.org/arts/13893054/the-black-panther-party-and-the-rev-cheryl-dawson\" target=\"_blank\" rel=\"noopener noreferrer\"> women of the Black Panther Party\u003c/a> in West Oakland, and the huge mural of\u003ca href=\"https://www.instagram.com/stoneycreation/\" target=\"_blank\" rel=\"noopener noreferrer\"> Stoney Creation\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13887635/yanni-will-eat-you-up-and-make-you-love-yourself\" target=\"_blank\" rel=\"noopener noreferrer\">Yanni Brump\u003c/a> on Telegraph and 17th Avenue. You can also see her “Our Moment” piece, which depicts an African American woman dancing (inspired by the image of \u003ca href=\"https://www.instagram.com/mizzk.o/\" target=\"_blank\" rel=\"noopener noreferrer\">Kendra “K.O” Oyesanya\u003c/a>) on the side of the Oakland Tribune Tower.\u003c/p>\n\u003cfigure id=\"attachment_13901945\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13901945\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/08/Image-from-iOS-12-800x1067.jpg\" alt=\"Rachel Wolfe-Goldsmith stands in front of the Tribune Tower in Oakland, which features her large colorful mural of an African American woman dancing\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/Image-from-iOS-12-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/Image-from-iOS-12-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/Image-from-iOS-12-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/Image-from-iOS-12-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/Image-from-iOS-12-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/Image-from-iOS-12-1536x2048.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/Image-from-iOS-12-scaled.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rachel Wolfe-Goldsmith stands in front of the Tribune Tower in Oakland, which features her large colorful mural of an African American woman dancing \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But her latest project inside of the building is one she hopes will change the future of murals and hopefully bring more stability into the livelihood of muralists.\u003c/p>\n\u003cp>“Most people never get to collect our works because they just live on this wall. Maybe you make a limited edition print of it or something, this would almost be like that limited edition print. And I think part of it, too, is the idea of collectibles. [The art] gains value over time. So you are also collecting something that you believe will create wealth for you.”\u003c/p>\n\u003cp>This week on the podcast we discuss Wolfe-Goldsmith’s background, how she’s made ends meet, her approach to art making and the future of moving murals from walls to the digital realm.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he sun shined down on West Oakland last Wednesday as I was greeted with a warm, welcoming, COVID-cautious elbow bump from Ericka Huggins.\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>Huggins, the former director of the Black Panther Party’s Oakland Community School, stood masked among a scattered crowd of people on the 1.3-mile stretch of greenway that bisects Mandela Parkway in West Oakland. It’s here that the Cypress Structure collapsed in the ’89 quake—and also where two months prior in that same year, Black Panther Party cofounder Dr. Huey P. Newton was shot and killed just a few blocks away.\u003c/p>\n\u003cp>And yet—as I overheard one person say during Wednesday’s gathering—“this isn’t where he died, this is where he \u003cem>lived\u003c/em>.”\u003c/p>\n\u003cp>Last Wednesday, Feb. 17, would’ve been Dr. Newton’s 79th birthday. To help celebrate were newly minted street signs on a three-block section of 9th Street, now officially rechristened Dr. Huey P. Newton Way.\u003c/p>\n\u003cp>After Fredrika Newton, Dr. Newton’s widow and president of the \u003ca href=\"https://hueypnewtonfoundation.org/\">Dr. Huey P. Newton Foundation\u003c/a>, ceremoniously removed the cloth that covered the new street sign on 9th Street and Mandela Parkway, the crowd made its way to the intersection of 9th and Center Streets. That’s where a freshly painted mural dedicated to the women of the Black Panther Party now radiates from the broad side of a two-story Victorian home.\u003c/p>\n\u003cfigure id=\"attachment_13893058\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13893058\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/IMG_3053-800x600.jpg\" alt=\"A two-story home on Center street and 9th street in West Oakland is now home to a mural dedicated to the women of the Black Panther Party. Artwork by Rachel Wolfe-Goldsmith. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/IMG_3053-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/IMG_3053-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/IMG_3053-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/IMG_3053-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/IMG_3053.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A two-story home on Center street and 9th Street in West Oakland is now home to a mural dedicated to the women of the Black Panther Party. Artwork by Rachel Wolfe-Goldsmith. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lead artist \u003ca href=\"https://www.instagram.com/wolfe_.pack/\" target=\"_blank\" rel=\"noopener noreferrer\">Rachel Wolfe-Goldsmith\u003c/a> worked with other artists and community members on \u003ca href=\"https://linktr.ee/westoaklandmuralproject\" target=\"_blank\" rel=\"noopener noreferrer\">the #SayHerName: Women of the Black Panther Party Mural Project\u003c/a>, an initiative spearheaded by homeowner \u003ca href=\"https://www.instagram.com/missjilie/\" target=\"_blank\" rel=\"noopener noreferrer\">JiLchristina Vest\u003c/a> that honors the names of the largely overlooked women of the Black Panther Party. Towering images of women supplying groceries and carrying guns, drawn from photos taken by \u003ca href=\"https://stephenshames.com/projects/black-panther-party/\" target=\"_blank\" rel=\"noopener noreferrer\">Stephen Shames\u003c/a>, are accompanied by the written names of over 250 women—all former Panthers.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>There aren’t that many public displays honoring the Black Panthers in Oakland. The new mural and street signs join a meager collection: a \u003ca href=\"https://localwiki.org/oakland/Black_Panther_Party\" target=\"_blank\" rel=\"noopener noreferrer\">small sign\u003c/a> on the corner of 55th and Market Streets, a \u003ca href=\"https://www.kqed.org/arts/13851520/rightnowish-refa-one-spraypaint-in-hand-honors-west-oaklands-history\" target=\"_blank\" rel=\"noopener noreferrer\">mural\u003c/a> on 14th and Peralta Streets, the \u003ca href=\"https://www.merritt.edu/student-life/hue-p-newton-lounge/\" target=\"_blank\" rel=\"noopener noreferrer\">Huey P. Newton Lounge\u003c/a> at Merritt College and \u003ca href=\"https://www.npr.org/2018/04/06/600055767/bobby-hutton-the-killing-that-catapulted-the-black-panthers-to-fame\" target=\"_blank\" rel=\"noopener noreferrer\">Lil Bobby Hutton Grove\u003c/a> in DeFremery Park.\u003c/p>\n\u003cp>But countless Panther flags, shirts, and tattoos on the skin of the people in this community all stand as evidence of a widely-known fact: this is Panther territory.\u003c/p>\n\u003cfigure id=\"attachment_13893145\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13893145\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/FreeHuey.Black_.Panthers-800x524.jpg\" alt=\"Two men hold a 'Free Huey' banner at the newly christened Huey P. Newton Way in West Oakland, Feb. 17, 2021. \" width=\"800\" height=\"524\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/FreeHuey.Black_.Panthers-800x524.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/FreeHuey.Black_.Panthers-1020x668.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/FreeHuey.Black_.Panthers-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/FreeHuey.Black_.Panthers-768x503.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/FreeHuey.Black_.Panthers-1536x1006.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/FreeHuey.Black_.Panthers.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Two men hold a ‘Free Huey’ banner at the newly christened Huey P. Newton Way in West Oakland, Feb. 17, 2021. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">E\u003c/span>ven beyond Oakland’s city limits, the Black Panther Party is once again in the larger public consciousness.\u003c/p>\n\u003cp>Shaka King’s recently released film \u003ca href=\"https://www.kqed.org/arts/13892640/director-shaka-kings-long-journey-to-judas-and-the-black-messiah\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>Judas and the Black Messiah\u003c/i>\u003c/a> has reinvigorated people’s interest in the life, politics, and assassination of the Illinois Black Panther Party chapter’s chairman, Fred Hampton. (The film is told from the perspective of William O’Neal, the informant who assisted the FBI in bringing Hampton down.)\u003c/p>\n\u003cp>But well before \u003cem>Judas and the Black Messiah\u003c/em>, and the murals and new signage in Oakland, the legacy of the Party and the individuals involved has long been a personal interest of mine.\u003c/p>\n\u003cp>I once held back childlike excitement when Ericka Huggins and archivist Lisbet Tellefsen allowed me to look through the \u003ca href=\"https://archive.curbed.com/2016/6/29/12010106/black-panther-school-mova-oakland\" target=\"_blank\" rel=\"noopener noreferrer\">old photos of the Black Panther’s Oakland Community School\u003c/a>. And I defeated pterodactyl-sized stomach butterflies of nervousness before asking Fredrika Newton \u003ca href=\"https://www.kqed.org/arts/13874735/fredrika-newton-huey-p-revolutionary-love\" target=\"_blank\" rel=\"noopener noreferrer\">intimate questions about her relationship with Dr. Newton\u003c/a>.[aside postID='arts_13874735']\u003c/p>\n\u003cp>I’ve talked to educational counselor and former Panther\u003ca href=\"https://ogtoldme.tumblr.com/post/68941837393/sometimes-we-devalue-ourselves-we-dont-really\" target=\"_blank\" rel=\"noopener noreferrer\"> Massai Minters\u003c/a> at UCLA’s Campbell Hall where Bunchy Carter and John Huggins were assassinated, attended an event at Merritt College where famed Black Panther Party illustrator \u003ca href=\"https://ogtoldme.tumblr.com/post/77494359367/culture-is-a-weapon-emory-douglas-emory\" target=\"_blank\" rel=\"noopener noreferrer\">Emory Douglas\u003c/a> spoke about his book \u003cem>Black Panther: The Revolutionary Art of Emory Douglas\u003c/em>, and even sat in a small apartment with a sick \u003ca href=\"https://ogtoldme.tumblr.com/post/49263235572/when-asked-what-guidance-he-would-give-to-a-young\" target=\"_blank\" rel=\"noopener noreferrer\">Ronald “Elder” Freeman\u003c/a>, discussing how to address the ills of society while simultaneously looking for his medicine. Elder has since passed, but his words linger.\u003c/p>\n\u003cp>Through these interactions, as well as reading books and watching documentaries, I’ve gained a certain understanding about the Panthers: terrorized by the government, stigmatized by the media, and loved by the people (well, \u003cem>some\u003c/em> of the people). The Panthers fought to save their community from the failures of a capitalist system, while simultaneously dealing with their own personal issues—issues that were largely the byproducts of a capitalist system.\u003c/p>\n\u003cp>Beyond the legacy of the Black Panther Party as a whole, I often think about the stories of the individual people involved. People whose stories haven’t been fully told. People like the Rev. Cheryl Dawson.\u003c/p>\n\u003cfigure id=\"attachment_13893142\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13893142\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/CherylDawson.2021-800x600.jpg\" alt=\"Rev. Cheryl Dawson.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.2021-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.2021-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.2021-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.2021-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.2021.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Rev. Cheryl Dawson. \u003ccite>(Courtesy Cheryl Dawson.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">“I\u003c/span> took the political structure that I learned in the Party, and combined it with the information that I had about womanist theory and I took that work to the Congo—the Democratic Republic of the Congo—did I tell you about that?” Dawson asks me over the phone.\u003c/p>\n\u003cp>I tell her that during our two previous conversations she hadn’t mentioned that, so I’m glad she called back.\u003c/p>\n\u003cp>She tells me that about a decade ago she led empowerment workshops with women in Uganda and Haiti as well, using principles she developed when she was selling copies of the Black Panther Party newspaper on the corner of Alcatraz Avenue and Adeline Street in Berkeley back in the day.\u003c/p>\n\u003cp>In an earlier conversation, she mentions another chapter in her life that was also heavily influenced by her time with the Party.[aside postID='arts_13884294']\u003c/p>\n\u003cp>Starting in the early ’80s Dawson worked in and out of prisons, developing programs for women who are incarcerated. She spent the final decade of her career working as the Rehabilitation Services Coordinator in the San Francisco County Sheriff Office’s Women’s Resource Center. That’s where she implemented a curriculum to empower women through lectures, through the use of popular media to inspire critical thinking, and by asking class attendees to reflect on “\u003ca href=\"http://ww.sfsheriff.com/newsletter_june2017.html\" target=\"_blank\" rel=\"noopener noreferrer\">their own cultural experiences and injustices\u003c/a>”. Upon leaving her position last year, the San Francisco Sheriff’s Department honored her commitment to the work by naming Dec. 20 “Rev. Cheryl Dawson Day.”\u003c/p>\n\u003cp>I couldn’t help but wonder: \u003ci>How do you pivot from working for a revolutionary liberation organization to working for the very institution that incarcerates people?\u003c/i>\u003c/p>\n\u003cp>“I was working in the same sacred spaces,” explains Dawson. “The same tight corners, the same buried holes in the ground that I had tested, and walked in, and helped raise people up from when I was working in the Party … The pain that women wore in the prison is the same pain that I saw in the community from which they had come.”\u003c/p>\n\u003cp>Simply put, Dawson saw the position as an opportunity to get deeper into the system and make a change from within.\u003c/p>\n\u003cfigure id=\"attachment_13893149\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13893149\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/CherylDawson.1970s.jpg\" alt=\"Cheryl Dawson in the 1970s. \" width=\"600\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.1970s.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.1970s-160x213.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Cheryl Dawson in the 1980s. \u003ccite>(Courtesy Rev. Cheryl Dawson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As a consultant at the federal prison in Dublin, she recalls sitting outside of solitary confinement, kneeling down on the cement floor, and talking through the slit in the steel door where the food was passed through. “I was trying to get a glimpse of the woman I was talking to,” says Dawson. “To just hold her gaze for a moment and try to give her hope for tomorrow.”\u003c/p>\n\u003cp>She did this work while continuing to face “that same deep intimate pain” that she experienced as a young girl; the pain that pushed her to join the Party in the first place.\u003c/p>\n\u003cp>As a child, Dawson lived in \u003ca href=\"https://universityvillage.berkeley.edu/about/village-history\" target=\"_blank\" rel=\"noopener noreferrer\">Codornices Village\u003c/a>, a housing project on land leased from UC Berkeley to house wartime workers and their families in the 40s, many of them African American. It’s no coincidence that in the 1960s, when the housing projects were closed and the property was returned to UC Berkeley, \u003ca href=\"http://www.bayareacensus.ca.gov/cities/Albany50.htm\" target=\"_blank\" rel=\"noopener noreferrer\">the “Negro” population\u003c/a> of Albany went from 1,778 people in 1950 down to just 75 people in 1960.\u003c/p>\n\u003cp>Afterward, Dawson spent some time in Oakland, but Berkeley was her home. She lived one block to the white side of the city’s racial housing dividing line, formerly known as Grove street (now Martin Luther King Jr. Boulevard).\u003c/p>\n\u003cp>At Berkeley’s Longfellow Elementary School, despite being in the Black neighborhood of South Berkeley, she saw racism firsthand. In class, Dawson says, she and the other Black kids were routinely overlooked when they raised their hands and over-punished when they got in trouble.\u003c/p>\n\u003cfigure id=\"attachment_13893150\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13893150\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/CherylDawson.Wicker.jpg\" alt=\"Cheryl Dawson in the 1970s.\" width=\"600\" height=\"832\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.Wicker.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.Wicker-160x222.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Cheryl Dawson in the 1970s. \u003ccite>(Courtesy Rev. Cheryl Dawson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She says a brother as dark as she was once got in trouble, and a white teacher grabbed him by the scruff of his neck and put him under one of those old-fashioned wooden desks. The teacher then sat down and scooted her chair in. “She pinned him in like he was a dog or cat or something,” says Dawson. “The only thing he could do is look out from under the desk.”\u003c/p>\n\u003cp>The memory of the disobedient boy and the heavy-handed punishment stuck with her. Shortly afterward she learned about social workers, and how they helped people; especially people who looked like her. “At a very young age,” says Dawson, “I had a desire to do that, it was stamped in my heart. Unbeknownst to me, it would continue to manifest for the remainder of my life.”\u003c/p>\n\u003cp>She went on to attend Willard Junior High, which was much whiter, and well above the racial dividing line. After attending Berkeley High for the majority of her high school years, she graduated from Oakland Tech and went on to Cal State East Bay.\u003c/p>\n\u003cp>While she was in college, Dawson was invited to an event at Oakland City College where Black Panther Party for Self-Defense co-founder Bobby Seale was speaking. And the rest was history.\u003c/p>\n\u003cfigure id=\"attachment_13893143\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13893143\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/CherylDawson-800x532.jpg\" alt=\"Cheryl Dawson, seen here with her family.\" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson-1020x678.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson-1536x1021.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cheryl Dawson, seen here with her children. \u003ccite>(Courtesy Cheryl Dawson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">R\u003c/span>ev. Dawson has no issue discussing details of her time in the Party, like bundling up her infant daughter at the early hour of “can’t see in the morning” so they could get to the Panther headquarters, serve the people and take political classes, only to return home at “can’t see at night.”\u003c/p>\n\u003cp>But what stands out from our conversation is Dawson periodically pausing to ask her grandchildren to “be careful while you’re doing that.”\u003c/p>\n\u003cp>Community service starts at home.\u003c/p>\n\u003cp>Dawson tells me she’s inspired by her great uncle, who left the south on a flatbed truck after being chased by the Klan. Once he settled in California, he sent for his sister, Dawson’s grandmother. Not too long after arriving in the Bay Area, Dawson’s grandmother and grandfather were wed through a marriage broker in West Oakland.[aside postID='arts_13825847']\u003c/p>\n\u003cp>Speaking highly of her four children, Dawson proudly mentions that two of her sons chose to change their names upon adulthood in an effort to shed their slave names.\u003c/p>\n\u003cp>Dawson holds a master’s degree in womanist theology from the American Baptist Seminary at UC Berkeley’s Graduate Theological Union, as well as an M.A. in women’s spirituality from San Francisco’s California Institute of Integral Studies. She was ordained as a reverend about five years ago, at the same place she served: the historic Beth Eden Baptist Church in West Oakland.\u003c/p>\n\u003cp>She tells me she just recently returned to the church, as nowadays spends most of her time with the grandchildren I heard in the background on our calls. And of course, she plans to take them to see the new mural featuring images of her comrades in West Oakland.\u003c/p>\n\u003cp>“The mural brings us from the margins to the center,” says Dawson of the artwork’s significance. “To turn the light on and say: I see you. And to further extend my view of connectivity and say, ‘I see you, because you are me.’ Just that alone is life-saving. And that’s what we were about in the Party: \u003cem>saving the lives of our people.\u003c/em>”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>The Rev. Cheryl Dawson recently spoke about her experiences with the Black Panther Party on the KQED podcast The Bay. \u003ca href=\"https://www.kqed.org/news/11858928/west-oakland-mural-honors-women-of-black-panther-party\" target=\"_blank\" rel=\"noopener noreferrer\">Hear it here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>As part of ‘The Black Panther Party Celebration of Activism,’ Pendarvis Harshaw interviews Ryan Coogler, Marshawn Lynch, Marcus Roberts, Charles D. King and Josh Johnson, to be broadcast on Facebook Live and YouTube on Wednesday, Feb. 24, at noon PST. \u003ca href=\"https://www.oaklandrootssc.com/news_article/show/1146959\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he sun shined down on West Oakland last Wednesday as I was greeted with a warm, welcoming, COVID-cautious elbow bump from Ericka Huggins.\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>Huggins, the former director of the Black Panther Party’s Oakland Community School, stood masked among a scattered crowd of people on the 1.3-mile stretch of greenway that bisects Mandela Parkway in West Oakland. It’s here that the Cypress Structure collapsed in the ’89 quake—and also where two months prior in that same year, Black Panther Party cofounder Dr. Huey P. Newton was shot and killed just a few blocks away.\u003c/p>\n\u003cp>And yet—as I overheard one person say during Wednesday’s gathering—“this isn’t where he died, this is where he \u003cem>lived\u003c/em>.”\u003c/p>\n\u003cp>Last Wednesday, Feb. 17, would’ve been Dr. Newton’s 79th birthday. To help celebrate were newly minted street signs on a three-block section of 9th Street, now officially rechristened Dr. Huey P. Newton Way.\u003c/p>\n\u003cp>After Fredrika Newton, Dr. Newton’s widow and president of the \u003ca href=\"https://hueypnewtonfoundation.org/\">Dr. Huey P. Newton Foundation\u003c/a>, ceremoniously removed the cloth that covered the new street sign on 9th Street and Mandela Parkway, the crowd made its way to the intersection of 9th and Center Streets. That’s where a freshly painted mural dedicated to the women of the Black Panther Party now radiates from the broad side of a two-story Victorian home.\u003c/p>\n\u003cfigure id=\"attachment_13893058\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13893058\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/IMG_3053-800x600.jpg\" alt=\"A two-story home on Center street and 9th street in West Oakland is now home to a mural dedicated to the women of the Black Panther Party. Artwork by Rachel Wolfe-Goldsmith. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/IMG_3053-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/IMG_3053-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/IMG_3053-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/IMG_3053-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/IMG_3053.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A two-story home on Center street and 9th Street in West Oakland is now home to a mural dedicated to the women of the Black Panther Party. Artwork by Rachel Wolfe-Goldsmith. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lead artist \u003ca href=\"https://www.instagram.com/wolfe_.pack/\" target=\"_blank\" rel=\"noopener noreferrer\">Rachel Wolfe-Goldsmith\u003c/a> worked with other artists and community members on \u003ca href=\"https://linktr.ee/westoaklandmuralproject\" target=\"_blank\" rel=\"noopener noreferrer\">the #SayHerName: Women of the Black Panther Party Mural Project\u003c/a>, an initiative spearheaded by homeowner \u003ca href=\"https://www.instagram.com/missjilie/\" target=\"_blank\" rel=\"noopener noreferrer\">JiLchristina Vest\u003c/a> that honors the names of the largely overlooked women of the Black Panther Party. Towering images of women supplying groceries and carrying guns, drawn from photos taken by \u003ca href=\"https://stephenshames.com/projects/black-panther-party/\" target=\"_blank\" rel=\"noopener noreferrer\">Stephen Shames\u003c/a>, are accompanied by the written names of over 250 women—all former Panthers.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There aren’t that many public displays honoring the Black Panthers in Oakland. The new mural and street signs join a meager collection: a \u003ca href=\"https://localwiki.org/oakland/Black_Panther_Party\" target=\"_blank\" rel=\"noopener noreferrer\">small sign\u003c/a> on the corner of 55th and Market Streets, a \u003ca href=\"https://www.kqed.org/arts/13851520/rightnowish-refa-one-spraypaint-in-hand-honors-west-oaklands-history\" target=\"_blank\" rel=\"noopener noreferrer\">mural\u003c/a> on 14th and Peralta Streets, the \u003ca href=\"https://www.merritt.edu/student-life/hue-p-newton-lounge/\" target=\"_blank\" rel=\"noopener noreferrer\">Huey P. Newton Lounge\u003c/a> at Merritt College and \u003ca href=\"https://www.npr.org/2018/04/06/600055767/bobby-hutton-the-killing-that-catapulted-the-black-panthers-to-fame\" target=\"_blank\" rel=\"noopener noreferrer\">Lil Bobby Hutton Grove\u003c/a> in DeFremery Park.\u003c/p>\n\u003cp>But countless Panther flags, shirts, and tattoos on the skin of the people in this community all stand as evidence of a widely-known fact: this is Panther territory.\u003c/p>\n\u003cfigure id=\"attachment_13893145\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13893145\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/FreeHuey.Black_.Panthers-800x524.jpg\" alt=\"Two men hold a 'Free Huey' banner at the newly christened Huey P. Newton Way in West Oakland, Feb. 17, 2021. \" width=\"800\" height=\"524\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/FreeHuey.Black_.Panthers-800x524.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/FreeHuey.Black_.Panthers-1020x668.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/FreeHuey.Black_.Panthers-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/FreeHuey.Black_.Panthers-768x503.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/FreeHuey.Black_.Panthers-1536x1006.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/FreeHuey.Black_.Panthers.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Two men hold a ‘Free Huey’ banner at the newly christened Huey P. Newton Way in West Oakland, Feb. 17, 2021. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">E\u003c/span>ven beyond Oakland’s city limits, the Black Panther Party is once again in the larger public consciousness.\u003c/p>\n\u003cp>Shaka King’s recently released film \u003ca href=\"https://www.kqed.org/arts/13892640/director-shaka-kings-long-journey-to-judas-and-the-black-messiah\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>Judas and the Black Messiah\u003c/i>\u003c/a> has reinvigorated people’s interest in the life, politics, and assassination of the Illinois Black Panther Party chapter’s chairman, Fred Hampton. (The film is told from the perspective of William O’Neal, the informant who assisted the FBI in bringing Hampton down.)\u003c/p>\n\u003cp>But well before \u003cem>Judas and the Black Messiah\u003c/em>, and the murals and new signage in Oakland, the legacy of the Party and the individuals involved has long been a personal interest of mine.\u003c/p>\n\u003cp>I once held back childlike excitement when Ericka Huggins and archivist Lisbet Tellefsen allowed me to look through the \u003ca href=\"https://archive.curbed.com/2016/6/29/12010106/black-panther-school-mova-oakland\" target=\"_blank\" rel=\"noopener noreferrer\">old photos of the Black Panther’s Oakland Community School\u003c/a>. And I defeated pterodactyl-sized stomach butterflies of nervousness before asking Fredrika Newton \u003ca href=\"https://www.kqed.org/arts/13874735/fredrika-newton-huey-p-revolutionary-love\" target=\"_blank\" rel=\"noopener noreferrer\">intimate questions about her relationship with Dr. Newton\u003c/a>.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I’ve talked to educational counselor and former Panther\u003ca href=\"https://ogtoldme.tumblr.com/post/68941837393/sometimes-we-devalue-ourselves-we-dont-really\" target=\"_blank\" rel=\"noopener noreferrer\"> Massai Minters\u003c/a> at UCLA’s Campbell Hall where Bunchy Carter and John Huggins were assassinated, attended an event at Merritt College where famed Black Panther Party illustrator \u003ca href=\"https://ogtoldme.tumblr.com/post/77494359367/culture-is-a-weapon-emory-douglas-emory\" target=\"_blank\" rel=\"noopener noreferrer\">Emory Douglas\u003c/a> spoke about his book \u003cem>Black Panther: The Revolutionary Art of Emory Douglas\u003c/em>, and even sat in a small apartment with a sick \u003ca href=\"https://ogtoldme.tumblr.com/post/49263235572/when-asked-what-guidance-he-would-give-to-a-young\" target=\"_blank\" rel=\"noopener noreferrer\">Ronald “Elder” Freeman\u003c/a>, discussing how to address the ills of society while simultaneously looking for his medicine. Elder has since passed, but his words linger.\u003c/p>\n\u003cp>Through these interactions, as well as reading books and watching documentaries, I’ve gained a certain understanding about the Panthers: terrorized by the government, stigmatized by the media, and loved by the people (well, \u003cem>some\u003c/em> of the people). The Panthers fought to save their community from the failures of a capitalist system, while simultaneously dealing with their own personal issues—issues that were largely the byproducts of a capitalist system.\u003c/p>\n\u003cp>Beyond the legacy of the Black Panther Party as a whole, I often think about the stories of the individual people involved. People whose stories haven’t been fully told. People like the Rev. Cheryl Dawson.\u003c/p>\n\u003cfigure id=\"attachment_13893142\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13893142\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/CherylDawson.2021-800x600.jpg\" alt=\"Rev. Cheryl Dawson.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.2021-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.2021-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.2021-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.2021-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.2021.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Rev. Cheryl Dawson. \u003ccite>(Courtesy Cheryl Dawson.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">“I\u003c/span> took the political structure that I learned in the Party, and combined it with the information that I had about womanist theory and I took that work to the Congo—the Democratic Republic of the Congo—did I tell you about that?” Dawson asks me over the phone.\u003c/p>\n\u003cp>I tell her that during our two previous conversations she hadn’t mentioned that, so I’m glad she called back.\u003c/p>\n\u003cp>She tells me that about a decade ago she led empowerment workshops with women in Uganda and Haiti as well, using principles she developed when she was selling copies of the Black Panther Party newspaper on the corner of Alcatraz Avenue and Adeline Street in Berkeley back in the day.\u003c/p>\n\u003cp>In an earlier conversation, she mentions another chapter in her life that was also heavily influenced by her time with the Party.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Starting in the early ’80s Dawson worked in and out of prisons, developing programs for women who are incarcerated. She spent the final decade of her career working as the Rehabilitation Services Coordinator in the San Francisco County Sheriff Office’s Women’s Resource Center. That’s where she implemented a curriculum to empower women through lectures, through the use of popular media to inspire critical thinking, and by asking class attendees to reflect on “\u003ca href=\"http://ww.sfsheriff.com/newsletter_june2017.html\" target=\"_blank\" rel=\"noopener noreferrer\">their own cultural experiences and injustices\u003c/a>”. Upon leaving her position last year, the San Francisco Sheriff’s Department honored her commitment to the work by naming Dec. 20 “Rev. Cheryl Dawson Day.”\u003c/p>\n\u003cp>I couldn’t help but wonder: \u003ci>How do you pivot from working for a revolutionary liberation organization to working for the very institution that incarcerates people?\u003c/i>\u003c/p>\n\u003cp>“I was working in the same sacred spaces,” explains Dawson. “The same tight corners, the same buried holes in the ground that I had tested, and walked in, and helped raise people up from when I was working in the Party … The pain that women wore in the prison is the same pain that I saw in the community from which they had come.”\u003c/p>\n\u003cp>Simply put, Dawson saw the position as an opportunity to get deeper into the system and make a change from within.\u003c/p>\n\u003cfigure id=\"attachment_13893149\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13893149\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/CherylDawson.1970s.jpg\" alt=\"Cheryl Dawson in the 1970s. \" width=\"600\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.1970s.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.1970s-160x213.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Cheryl Dawson in the 1980s. \u003ccite>(Courtesy Rev. Cheryl Dawson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As a consultant at the federal prison in Dublin, she recalls sitting outside of solitary confinement, kneeling down on the cement floor, and talking through the slit in the steel door where the food was passed through. “I was trying to get a glimpse of the woman I was talking to,” says Dawson. “To just hold her gaze for a moment and try to give her hope for tomorrow.”\u003c/p>\n\u003cp>She did this work while continuing to face “that same deep intimate pain” that she experienced as a young girl; the pain that pushed her to join the Party in the first place.\u003c/p>\n\u003cp>As a child, Dawson lived in \u003ca href=\"https://universityvillage.berkeley.edu/about/village-history\" target=\"_blank\" rel=\"noopener noreferrer\">Codornices Village\u003c/a>, a housing project on land leased from UC Berkeley to house wartime workers and their families in the 40s, many of them African American. It’s no coincidence that in the 1960s, when the housing projects were closed and the property was returned to UC Berkeley, \u003ca href=\"http://www.bayareacensus.ca.gov/cities/Albany50.htm\" target=\"_blank\" rel=\"noopener noreferrer\">the “Negro” population\u003c/a> of Albany went from 1,778 people in 1950 down to just 75 people in 1960.\u003c/p>\n\u003cp>Afterward, Dawson spent some time in Oakland, but Berkeley was her home. She lived one block to the white side of the city’s racial housing dividing line, formerly known as Grove street (now Martin Luther King Jr. Boulevard).\u003c/p>\n\u003cp>At Berkeley’s Longfellow Elementary School, despite being in the Black neighborhood of South Berkeley, she saw racism firsthand. In class, Dawson says, she and the other Black kids were routinely overlooked when they raised their hands and over-punished when they got in trouble.\u003c/p>\n\u003cfigure id=\"attachment_13893150\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13893150\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/CherylDawson.Wicker.jpg\" alt=\"Cheryl Dawson in the 1970s.\" width=\"600\" height=\"832\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.Wicker.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.Wicker-160x222.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Cheryl Dawson in the 1970s. \u003ccite>(Courtesy Rev. Cheryl Dawson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She says a brother as dark as she was once got in trouble, and a white teacher grabbed him by the scruff of his neck and put him under one of those old-fashioned wooden desks. The teacher then sat down and scooted her chair in. “She pinned him in like he was a dog or cat or something,” says Dawson. “The only thing he could do is look out from under the desk.”\u003c/p>\n\u003cp>The memory of the disobedient boy and the heavy-handed punishment stuck with her. Shortly afterward she learned about social workers, and how they helped people; especially people who looked like her. “At a very young age,” says Dawson, “I had a desire to do that, it was stamped in my heart. Unbeknownst to me, it would continue to manifest for the remainder of my life.”\u003c/p>\n\u003cp>She went on to attend Willard Junior High, which was much whiter, and well above the racial dividing line. After attending Berkeley High for the majority of her high school years, she graduated from Oakland Tech and went on to Cal State East Bay.\u003c/p>\n\u003cp>While she was in college, Dawson was invited to an event at Oakland City College where Black Panther Party for Self-Defense co-founder Bobby Seale was speaking. And the rest was history.\u003c/p>\n\u003cfigure id=\"attachment_13893143\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13893143\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/CherylDawson-800x532.jpg\" alt=\"Cheryl Dawson, seen here with her family.\" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson-1020x678.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson-1536x1021.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/CherylDawson.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cheryl Dawson, seen here with her children. \u003ccite>(Courtesy Cheryl Dawson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">R\u003c/span>ev. Dawson has no issue discussing details of her time in the Party, like bundling up her infant daughter at the early hour of “can’t see in the morning” so they could get to the Panther headquarters, serve the people and take political classes, only to return home at “can’t see at night.”\u003c/p>\n\u003cp>But what stands out from our conversation is Dawson periodically pausing to ask her grandchildren to “be careful while you’re doing that.”\u003c/p>\n\u003cp>Community service starts at home.\u003c/p>\n\u003cp>Dawson tells me she’s inspired by her great uncle, who left the south on a flatbed truck after being chased by the Klan. Once he settled in California, he sent for his sister, Dawson’s grandmother. Not too long after arriving in the Bay Area, Dawson’s grandmother and grandfather were wed through a marriage broker in West Oakland.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Speaking highly of her four children, Dawson proudly mentions that two of her sons chose to change their names upon adulthood in an effort to shed their slave names.\u003c/p>\n\u003cp>Dawson holds a master’s degree in womanist theology from the American Baptist Seminary at UC Berkeley’s Graduate Theological Union, as well as an M.A. in women’s spirituality from San Francisco’s California Institute of Integral Studies. She was ordained as a reverend about five years ago, at the same place she served: the historic Beth Eden Baptist Church in West Oakland.\u003c/p>\n\u003cp>She tells me she just recently returned to the church, as nowadays spends most of her time with the grandchildren I heard in the background on our calls. And of course, she plans to take them to see the new mural featuring images of her comrades in West Oakland.\u003c/p>\n\u003cp>“The mural brings us from the margins to the center,” says Dawson of the artwork’s significance. “To turn the light on and say: I see you. And to further extend my view of connectivity and say, ‘I see you, because you are me.’ Just that alone is life-saving. And that’s what we were about in the Party: \u003cem>saving the lives of our people.\u003c/em>”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>The Rev. Cheryl Dawson recently spoke about her experiences with the Black Panther Party on the KQED podcast The Bay. \u003ca href=\"https://www.kqed.org/news/11858928/west-oakland-mural-honors-women-of-black-panther-party\" target=\"_blank\" rel=\"noopener noreferrer\">Hear it here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>As part of ‘The Black Panther Party Celebration of Activism,’ Pendarvis Harshaw interviews Ryan Coogler, Marshawn Lynch, Marcus Roberts, Charles D. King and Josh Johnson, to be broadcast on Facebook Live and YouTube on Wednesday, Feb. 24, at noon PST. \u003ca href=\"https://www.oaklandrootssc.com/news_article/show/1146959\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"mindshift": {
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
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