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"content": "\u003cp>Climate activist Greta Thunberg who, at age 15, led school strikes every Friday in her home country of Sweden — a practice that \u003ca href=\"https://www.npr.org/2019/09/20/761916356/global-youth-climate-strike-expected-to-draw-large-crowds\">caught on globally\u003c/a> — has now, at 20, managed to bring together more than 100 scientists, environmental activists, journalists and writers to lay out exactly how and why it’s clear that the climate crisis is happening.\u003c/p>\n\u003cp>Impressively, in \u003cem>The Climate Book, \u003c/em>Thunberg and team — which includes well-known names like Margaret Atwood, George Monbiot, Bill McKibben and Robin Wall Kimmerer — explain and offer action items in 84 compelling, bite-size chapters.\u003c/p>\n\u003cp>[aside postid='arts_13921311']Most critically, they — and Thunberg herself in numerous brief essays of her own — explain what steps need to be taken without delay if the world is to have a reasonable chance of limiting global temperature rise as stated in the 2015 Paris Agreement. The document aims to keep the temperature rise to below 2 degrees Celsius (and better yet below 1.5 degrees Celsius).\u003c/p>\n\u003cp>The essays also explain why climate justice must be at the center of these efforts.\u003c/p>\n\u003cp>Reading\u003cem> The Climate Book\u003c/em> at a deliberate pace over some weeks (it’s a lot to absorb), the cumulative impact on my understanding of the crisis through its data, cross-cultural reflections, and paths for step-by-step change became mesmerizing.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>If you think the rich nations of the world are making real progress towards achieving limits on global warming, think again. In one essay, Kevin Anderson, professor of energy and climate change at the Universities of Manchester, Uppsala and Bergen, puts it this way: “Wealthy nations must eliminate their use of fossils fuels by around 2030 for a likely chance of 1.5C, extending only around 2035 to 2040 for 2C … We are where we are precisely because for thirty years we’ve favored make-believe over real mitigation.”\u003c/p>\n\u003cp>What does Anderson mean by “make-believe”? In her own chapter, journalist Alexandra Urisman Otto describes her investigation into Swedish climate policy, specifically its net zero target for 2045. She discovered a discrepancy between the official number of greenhouse gases emitted each year — 50 million tons — and the real figure, 150 million tons. That lower, official figure leaves out “emissions from consumption and the burning of biomass,” which means the target is way off, she writes. If all countries were off by that much, the world would be heading straight for a catastrophic increase of 2.5 to 3C.\u003c/p>\n\u003cp>[aside postid='arts_13910883']What does that mean, emissions from consumption and the burning of biomass? John Barrett, professor of energy and climate policy at the University of Leeds, and Alice Garvey, sustainability researcher at the same university, explain that “emissions from consumption” means emissions are allocated to the country of the consumer, not the producer. Because industrial production is often outsourced to developing economies, in a world where climate justice were front and center, the consumer country (in this example, Sweden) would take the burden of lessening the emissions from consumption.\u003c/p>\n\u003cp>As for biomass, that refers to burning wood for energy, and sometimes other materials like kelp. Burning wood for energy causes more emissions per unit of energy than fossil fuels, explain Karl-Heinz Erb and Simone Gingrich, both social ecology professors at Vienna’s University of Natural Resources and Life Sciences.\u003c/p>\n\u003cfigure id=\"attachment_13924914\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13924914\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/climate_custom-4c299e0360f86c2a4cf5648d23a69dfea2d47fc7-800x1220.jpg\" alt=\"The cover of a book. It's black with large multicolored letters on the front reading THE CLIMATE BOOK, GRETA THUNBERG.\" width=\"800\" height=\"1220\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/climate_custom-4c299e0360f86c2a4cf5648d23a69dfea2d47fc7-800x1220.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/climate_custom-4c299e0360f86c2a4cf5648d23a69dfea2d47fc7-1020x1555.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/climate_custom-4c299e0360f86c2a4cf5648d23a69dfea2d47fc7-160x244.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/climate_custom-4c299e0360f86c2a4cf5648d23a69dfea2d47fc7-768x1171.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/climate_custom-4c299e0360f86c2a4cf5648d23a69dfea2d47fc7-1007x1536.jpg 1007w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/climate_custom-4c299e0360f86c2a4cf5648d23a69dfea2d47fc7-1343x2048.jpg 1343w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/climate_custom-4c299e0360f86c2a4cf5648d23a69dfea2d47fc7.jpg 1679w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘The Climate Book’ by Greta Thunberg. \u003ccite>(Penguin Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Alice Larkin, professor of climate science and energy policy at the University of Manchester, adds “a highly significant complication” to this disturbing picture: international aviation and shipping aren’t typically accounted for in national emission targets, policies, and carbon budgets, either.\u003c/p>\n\u003cp>This under-reporting situation, I would wager, isn’t known even by many climate-literate citizens. It certainly wasn’t to me.\u003c/p>\n\u003cp>One urgent goal, then, is transparency in climate-emission figures. Beyond that, Thunberg says, distribution of climate budgets fairly across countries of the world must be a priority. Without climate justice, policies are unlikely to succeed. An especially effective subsection of the book, “We are not all in the same boat,” brings this point to life.\u003c/p>\n\u003cp>[aside postid='arts_13901163']Saleemul Huq, director of a Bangladeshi international center for climate change, puts the point squarely: The communities most devastated by climate change “are overwhelmingly poor people of colour.” But Bangladeshi citizens shouldn’t be thought of as passive victims, Huq emphasizes. Communities work together to prepare for the effects of climate disasters in ways not often seen in the global north. For example, “An elderly widow living alone will have two children from the high school assigned to go and pick her up” in case of hurricane or other emergency.\u003c/p>\n\u003cp>Globally, then, what to do? First, we can hold industrial and corporate interests accountable and push back on their messages placing the burden solely on the individual, a tactic that allows the worst of the status quo carbon-emissions activities to continue.\u003c/p>\n\u003cp>Beyond this, it’s not enough “to become vegetarian for one day a week, offset our holiday trips to Thailand or switch our diesel SUV for an electric car,” as Thunberg puts it. Participating in recycling may lead to feel-good moments, but in fact, in the words of Greenpeace activist Nina Schrank, it’s “perhaps the greatest example of greenwashing on the planet today.” Even the 9% of plastic that does get recycled ends up (after one or two cycles) dumped or burned.\u003c/p>\n\u003cp>Thunberg herself has given up flying. In the book she writes, “Frequent flying is by far the most climate-destructive individual activity you can engage in.” Though she writes that lowering her personal carbon footprint isn’t her specific goal in sailing (instead of flying) across the Atlantic — she hopes to convey the need for urgent, collective behavioral change. “If we do not see anyone else behaving as if we are in a crisis, then very few will understand that we actually are in a crisis,” she writes.\u003c/p>\n\u003cp>[aside postid='arts_13885195']We can join Thunberg in giving up — or at least reducing — a flying habit if we have one. Three further steps, out of many offered in the book, are these: Switch to plant-based diets. Support natural climate solutions, by protecting forests, salt marshes, mangroves, the oceans, and all the animal and plant life in these habitats. Pressure the media to go beyond the latest story on a heat wave or collapsing glacier to focus on root causes, time urgency, and solutions. Thunberg writes that “No entity other than the media has the opportunity to create the necessary transformation of our global society.”\u003c/p>\n\u003cp>Social norms can and do change, Thunberg emphasizes. That’s our greatest source of hope — but only if we keep climate justice front and center at every step.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Barbara J. King is a biological anthropologist emerita at William & Mary. ‘Animals’ Best Friends: Putting Compassion to Work for Animals in Captivity’ is her seventh book. Find her on Twitter \u003ca href=\"https://urldefense.com/v3/__https:/twitter.com/bjkingape__;!!Iwwt!BAeIwfAGCiX__cFRtM8--3vc8UpSgpcexxGLIloDXMFDIMH1cw4OiwUJuWGhfQ%24\">@bjkingape\u003c/a>\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Greta+Thunberg%27s+%27The+Climate+Book%27+urges+world+to+keep+climate+justice+out+front+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>What does that mean, emissions from consumption and the burning of biomass? John Barrett, professor of energy and climate policy at the University of Leeds, and Alice Garvey, sustainability researcher at the same university, explain that “emissions from consumption” means emissions are allocated to the country of the consumer, not the producer. Because industrial production is often outsourced to developing economies, in a world where climate justice were front and center, the consumer country (in this example, Sweden) would take the burden of lessening the emissions from consumption.\u003c/p>\n\u003cp>As for biomass, that refers to burning wood for energy, and sometimes other materials like kelp. Burning wood for energy causes more emissions per unit of energy than fossil fuels, explain Karl-Heinz Erb and Simone Gingrich, both social ecology professors at Vienna’s University of Natural Resources and Life Sciences.\u003c/p>\n\u003cfigure id=\"attachment_13924914\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13924914\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/climate_custom-4c299e0360f86c2a4cf5648d23a69dfea2d47fc7-800x1220.jpg\" alt=\"The cover of a book. It's black with large multicolored letters on the front reading THE CLIMATE BOOK, GRETA THUNBERG.\" width=\"800\" height=\"1220\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/climate_custom-4c299e0360f86c2a4cf5648d23a69dfea2d47fc7-800x1220.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/climate_custom-4c299e0360f86c2a4cf5648d23a69dfea2d47fc7-1020x1555.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/climate_custom-4c299e0360f86c2a4cf5648d23a69dfea2d47fc7-160x244.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/climate_custom-4c299e0360f86c2a4cf5648d23a69dfea2d47fc7-768x1171.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/climate_custom-4c299e0360f86c2a4cf5648d23a69dfea2d47fc7-1007x1536.jpg 1007w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/climate_custom-4c299e0360f86c2a4cf5648d23a69dfea2d47fc7-1343x2048.jpg 1343w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/climate_custom-4c299e0360f86c2a4cf5648d23a69dfea2d47fc7.jpg 1679w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘The Climate Book’ by Greta Thunberg. \u003ccite>(Penguin Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Alice Larkin, professor of climate science and energy policy at the University of Manchester, adds “a highly significant complication” to this disturbing picture: international aviation and shipping aren’t typically accounted for in national emission targets, policies, and carbon budgets, either.\u003c/p>\n\u003cp>This under-reporting situation, I would wager, isn’t known even by many climate-literate citizens. It certainly wasn’t to me.\u003c/p>\n\u003cp>One urgent goal, then, is transparency in climate-emission figures. Beyond that, Thunberg says, distribution of climate budgets fairly across countries of the world must be a priority. Without climate justice, policies are unlikely to succeed. An especially effective subsection of the book, “We are not all in the same boat,” brings this point to life.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Saleemul Huq, director of a Bangladeshi international center for climate change, puts the point squarely: The communities most devastated by climate change “are overwhelmingly poor people of colour.” But Bangladeshi citizens shouldn’t be thought of as passive victims, Huq emphasizes. Communities work together to prepare for the effects of climate disasters in ways not often seen in the global north. For example, “An elderly widow living alone will have two children from the high school assigned to go and pick her up” in case of hurricane or other emergency.\u003c/p>\n\u003cp>Globally, then, what to do? First, we can hold industrial and corporate interests accountable and push back on their messages placing the burden solely on the individual, a tactic that allows the worst of the status quo carbon-emissions activities to continue.\u003c/p>\n\u003cp>Beyond this, it’s not enough “to become vegetarian for one day a week, offset our holiday trips to Thailand or switch our diesel SUV for an electric car,” as Thunberg puts it. Participating in recycling may lead to feel-good moments, but in fact, in the words of Greenpeace activist Nina Schrank, it’s “perhaps the greatest example of greenwashing on the planet today.” Even the 9% of plastic that does get recycled ends up (after one or two cycles) dumped or burned.\u003c/p>\n\u003cp>Thunberg herself has given up flying. In the book she writes, “Frequent flying is by far the most climate-destructive individual activity you can engage in.” Though she writes that lowering her personal carbon footprint isn’t her specific goal in sailing (instead of flying) across the Atlantic — she hopes to convey the need for urgent, collective behavioral change. “If we do not see anyone else behaving as if we are in a crisis, then very few will understand that we actually are in a crisis,” she writes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>We can join Thunberg in giving up — or at least reducing — a flying habit if we have one. Three further steps, out of many offered in the book, are these: Switch to plant-based diets. Support natural climate solutions, by protecting forests, salt marshes, mangroves, the oceans, and all the animal and plant life in these habitats. Pressure the media to go beyond the latest story on a heat wave or collapsing glacier to focus on root causes, time urgency, and solutions. Thunberg writes that “No entity other than the media has the opportunity to create the necessary transformation of our global society.”\u003c/p>\n\u003cp>Social norms can and do change, Thunberg emphasizes. That’s our greatest source of hope — but only if we keep climate justice front and center at every step.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Barbara J. King is a biological anthropologist emerita at William & Mary. ‘Animals’ Best Friends: Putting Compassion to Work for Animals in Captivity’ is her seventh book. Find her on Twitter \u003ca href=\"https://urldefense.com/v3/__https:/twitter.com/bjkingape__;!!Iwwt!BAeIwfAGCiX__cFRtM8--3vc8UpSgpcexxGLIloDXMFDIMH1cw4OiwUJuWGhfQ%24\">@bjkingape\u003c/a>\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Greta+Thunberg%27s+%27The+Climate+Book%27+urges+world+to+keep+climate+justice+out+front+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Who is Andrew Tate? Your Guide to the Self-Styled Misogynist Influencer",
"headTitle": "Who is Andrew Tate? Your Guide to the Self-Styled Misogynist Influencer | KQED",
"content": "\u003cp>Sports cars, a pizza box, Greta Thunberg, Romania, sex-trafficking and a highly controversial internet celebrity. If you’ve heard someone talking about any of these things this week, chances are you also wanted to ask them: Who, exactly, is Andrew Tate?\u003c/p>\n\u003cp>The man at the center of it all has long been a magnet for such a question. He’s been described as \u003ca href=\"https://www.thedailybeast.com/police-raid-maga-king-of-toxic-masculinity-in-human-trafficking-investigation\">the “King of Toxic Masculinity,”\u003c/a> one of the “\u003ca href=\"https://news.sky.com/story/who-is-andrew-tate-self-styled-king-of-toxic-masculinity-and-butt-of-greta-thunbergs-jokes-12776832\">internet’s most controversial figures\u003c/a>” and “\u003ca href=\"https://www.newsweek.com/everything-we-know-about-top-g-andrew-tate-his-brother-tristan-1770414\">the Top G\u003c/a>.”\u003c/p>\n\u003cp>And in the latest news, \u003ca href=\"https://www.reuters.com/world/romania-detains-ex-kickboxer-andrew-tate-human-trafficking-case-2022-12-30/\">Reuters\u003c/a> and \u003ca href=\"https://www.libertatea.ro/stiri/surse-perchezitii-diicot-tristan-tate-andrew-tate-sechestrare-fete-tristan-tate-bianca-dragusanu-4394856/amp\">Romanian media outlets\u003c/a> say he’s been arrested on charges of human trafficking, rape and forming an organized crime group.\u003c/p>\n\u003cp>Let’s dig into it.\u003c/p>\n\u003ch3>First, here’s a quick overview of Tate’s rise to fame\u003c/h3>\n\u003cp>Tate, a British citizen born in the U.S., first became an international name through his career as a kickboxer, \u003ca href=\"https://cobratate.com/bio\">winning several world titles\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In 2016, he tried his hand at reality TV, but \u003ca href=\"https://www.indy100.com/viral/andrew-tate-fight-big-brother-2659042456\">was kicked off the British version of \u003cem>Big Brother\u003c/em>\u003c/a> over a video of him hitting a woman with a belt. Tate said the video was a “total lie” that had been edited to make him look bad.\u003c/p>\n\u003cp>On social media, Tate became a vocal supporter of former President Trump and was \u003ca href=\"https://www.thedailybeast.com/police-raid-maga-king-of-toxic-masculinity-in-human-trafficking-investigation\">spotted around Washington, D.C., \u003c/a>with prominent conspiracy theorists and on right-wing talk shows like Infowars.\u003c/p>\n\u003cp>After styling himself as a self-help influencer for men, he was banned from Twitter in 2017 for saying women should bear responsibility for being sexually assaulted. His Twitter account was reinstated this November after Elon Musk took ownership of the platform.\u003c/p>\n\u003cp>At various points, Tate \u003ca href=\"https://www.npr.org/2022/08/20/1118624860/andrew-tate-facebook-instagram-banned\">has been banned\u003c/a> from YouTube, Facebook, Instagram and TikTok for similarly misogynistic remarks.\u003c/p>\n\u003cp>[aside postid='arts_13912473']Tate has said women belong in the home, shouldn’t be allowed to drive a car and are man’s property. He’s said he prefers to date 18- and 19-year-old women because they’re more impressionable.\u003c/p>\n\u003cp>These days, Tate claims to be making millions and \u003ca href=\"https://www.buzzfeednews.com/article/ikrd/andrew-tate-hustlers-university\">peddling his life philosophy\u003c/a> to thousands through an online course and community called “Hustlers University.”\u003c/p>\n\u003cp>For $49 a month, anyone can earn thousands per month through skills like copywriting and buying NFTs plus recruiting others to the community for a commission fee. \u003ca href=\"https://www.hustlerslearn.com/\">An ad for the course\u003c/a> claims that Hustlers University has over 168,000 active students, some as young as 13.\u003c/p>\n\u003cp>His polemic style is particularly popular among Gen Zers. One survey conducted by the investment bank Piper Sandler this fall \u003ca href=\"https://www.pipersandler.com/sites/default/files/document/TSWT_Fall22_Infographic.pdf\">found that Tate ranked as the favorite influencer\u003c/a> among those under 18.\u003c/p>\n\u003cp>\u003ca href=\"https://www.theguardian.com/technology/2022/aug/06/andrew-tate-violent-misogynistic-world-of-tiktok-new-star\">An investigation from \u003cem>The Guardian\u003c/em>\u003c/a> discovered that hundreds of Hustler University members repackage Tate clips on platforms like TikTok every day.\u003c/p>\n\u003cp>This summer, while he was banned from top platforms, \u003ca href=\"https://trends.google.com/trends/explore?geo=US&q=Andrew%20Tate,Donald%20Trump,Kim%20Kardashian\">his name was searched more frequently\u003c/a> than Donald Trump’s or Kim Kardashian’s.\u003c/p>\n\u003ch3>Why is everyone talking about Tate now?\u003c/h3>\n\u003cp>Tate and his brother, Tristan, were reportedly detained in Romania late Thursday evening on charges of human trafficking and rape.\u003c/p>\n\u003cp>\u003ca href=\"https://www.diicot.ro/mass-media/3829-comunicat-de-presa-29-12-2022\">Romania’s anti-organized crime agency released a statement \u003c/a>saying four suspects — two British citizens and two Romanians — had recruited women into their scheme, then sexually exploited them by forcing them to perform in pornography with the intention of financial gain.\u003c/p>\n\u003cp>[aside postid='arts_13886833']The statement didn’t name Tate directly, though an accompanying video of the arrest appeared to show Tate, who is British, being led away in handcuffs. Romanian authorities and spokespeople for Tate have not responded to NPR’s requests for confirmation.\u003c/p>\n\u003cp>Romanian media reports \u003ca href=\"https://www.libertatea.ro/stiri/surse-perchezitii-diicot-tristan-tate-andrew-tate-sechestrare-fete-tristan-tate-bianca-dragusanu-4394856/amp\">said Tate had been detained for questioning\u003c/a>, and Reuters reported that it had confirmed the incident with Tate’s lawyer.\u003c/p>\n\u003ch3>OK, so what does Greta Thunberg have to do with it?\u003c/h3>\n\u003cp>Tate had already been in the public eye this week after picking a seemingly random Twitter fight with Thunberg, the 19-year-old climate activist.\u003c/p>\n\u003cp>On Tuesday, he posted a photo of himself standing next to a Bugatti, captioned by the text, “Hello @GretaThunberg. I have 33 cars. […] Please provide your email address so I can send a complete list of my car collection and their respective enormous emissions.”\u003c/p>\n\u003cp>The next day she tweeted back, “Yes, please do enlighten me. Email me at smalldickenergy@getalife.com.” More than 3 million users liked the post.\u003c/p>\n\u003cp>Tate then \u003ca href=\"https://twitter.com/Cobratate/status/1608212791009374208\">posted a video of himself seated in a paneled room\u003c/a>, wearing a Versace robe, smoking a cigar, describing Thunberg as a bitter “slave of the matrix” who’s trying to “convince you to beg your government to tax you into poverty to stop the sun from being hot.”\u003c/p>\n\u003cp>[aside postid='arts_13887488']Midway through the video, he gestures off camera, asking someone to bring him pizza. “Make sure that these boxes are not recycled,” he quips as he sets the two pie-carrying parcels down on the table so the blue and red branding of “Jerry’s Pizza” is clearly visible to the camera.\u003c/p>\n\u003cp>When the video of his alleged arrest began circling, \u003ca href=\"https://twitter.com/Esqueer_/status/1608709173684105217\">some local and international journalists\u003c/a> said that the boxes, which came from a local Romanian pie joint, were just the proof local authorities needed to confirm Tate was in the country.\u003c/p>\n\u003cp>Several have since walked back that claim, saying they merely made an assumption. Romanian authorities haven’t responded to NPR’s request for more information.\u003c/p>\n\u003cp>But that uncertainty didn’t stop Thunberg herself from weighing in.\u003c/p>\n\u003cp>“This is what happens when you don’t recycle your pizza boxes,” she tweeted.\u003c/p>\n\u003ch3>What happens next for Tate?\u003c/h3>\n\u003cp>Tate, who moved to Romania five years ago, \u003ca href=\"https://www.youtube.com/watch?v=gCuBlCF5-p0\">said in a YouTube video\u003c/a> that “40%” of his motivation for moving was because the police were less likely to look into sexual assault allegations.\u003c/p>\n\u003cp>[aside postid='arts_13844829']\u003ca href=\"https://www.gandul.ro/actualitate/anchetatorii-au-descins-in-casa-din-pipera-a-luptatorului-tristan-tate-fost-iubit-al-biancai-dragusanu-ar-fi-sechetrat-o-femeie-alaturi-de-fratele-sau-19775283?utm_source=video_homepage&utm_medium=clicks_video&utm_campaign=video\">Local media report\u003c/a>s confirmed by various U.S. outlets claim that Romanian police raided Tate’s Romanian residence once earlier, on April 11, after claims that an American woman was being held captive at the house.\u003c/p>\n\u003cp>In their statement about the latest raids, Romanian authorities said the suspects would be detained for 24 hours for questioning.\u003c/p>\n\u003cp>On Friday morning, Tate appeared to tweet about the incident, using a reference to \u003cem>The Matrix\u003c/em> that’s become a signature of his Hustlers University philosophy.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ca href=\"https://apnews.com/article/romania-crime-bucharest-organized-human-trafficking-0b65ac32442d995e590ab70c221398a1\">The Associated Press reported a Bucharest judge extended Tate’s arrest warrant by 30 days\u003c/a>. He’ll be held in detention while authorities investigate, but the decision could be appealed at anytime, said a spokesperson for the Romanian anti-crime agency.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Who+is+Andrew+Tate%3F+Your+guide+to+the+self-styled+misogynist+influencer&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sports cars, a pizza box, Greta Thunberg, Romania, sex-trafficking and a highly controversial internet celebrity. If you’ve heard someone talking about any of these things this week, chances are you also wanted to ask them: Who, exactly, is Andrew Tate?\u003c/p>\n\u003cp>The man at the center of it all has long been a magnet for such a question. He’s been described as \u003ca href=\"https://www.thedailybeast.com/police-raid-maga-king-of-toxic-masculinity-in-human-trafficking-investigation\">the “King of Toxic Masculinity,”\u003c/a> one of the “\u003ca href=\"https://news.sky.com/story/who-is-andrew-tate-self-styled-king-of-toxic-masculinity-and-butt-of-greta-thunbergs-jokes-12776832\">internet’s most controversial figures\u003c/a>” and “\u003ca href=\"https://www.newsweek.com/everything-we-know-about-top-g-andrew-tate-his-brother-tristan-1770414\">the Top G\u003c/a>.”\u003c/p>\n\u003cp>And in the latest news, \u003ca href=\"https://www.reuters.com/world/romania-detains-ex-kickboxer-andrew-tate-human-trafficking-case-2022-12-30/\">Reuters\u003c/a> and \u003ca href=\"https://www.libertatea.ro/stiri/surse-perchezitii-diicot-tristan-tate-andrew-tate-sechestrare-fete-tristan-tate-bianca-dragusanu-4394856/amp\">Romanian media outlets\u003c/a> say he’s been arrested on charges of human trafficking, rape and forming an organized crime group.\u003c/p>\n\u003cp>Let’s dig into it.\u003c/p>\n\u003ch3>First, here’s a quick overview of Tate’s rise to fame\u003c/h3>\n\u003cp>Tate, a British citizen born in the U.S., first became an international name through his career as a kickboxer, \u003ca href=\"https://cobratate.com/bio\">winning several world titles\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In 2016, he tried his hand at reality TV, but \u003ca href=\"https://www.indy100.com/viral/andrew-tate-fight-big-brother-2659042456\">was kicked off the British version of \u003cem>Big Brother\u003c/em>\u003c/a> over a video of him hitting a woman with a belt. Tate said the video was a “total lie” that had been edited to make him look bad.\u003c/p>\n\u003cp>On social media, Tate became a vocal supporter of former President Trump and was \u003ca href=\"https://www.thedailybeast.com/police-raid-maga-king-of-toxic-masculinity-in-human-trafficking-investigation\">spotted around Washington, D.C., \u003c/a>with prominent conspiracy theorists and on right-wing talk shows like Infowars.\u003c/p>\n\u003cp>After styling himself as a self-help influencer for men, he was banned from Twitter in 2017 for saying women should bear responsibility for being sexually assaulted. His Twitter account was reinstated this November after Elon Musk took ownership of the platform.\u003c/p>\n\u003cp>At various points, Tate \u003ca href=\"https://www.npr.org/2022/08/20/1118624860/andrew-tate-facebook-instagram-banned\">has been banned\u003c/a> from YouTube, Facebook, Instagram and TikTok for similarly misogynistic remarks.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Tate has said women belong in the home, shouldn’t be allowed to drive a car and are man’s property. He’s said he prefers to date 18- and 19-year-old women because they’re more impressionable.\u003c/p>\n\u003cp>These days, Tate claims to be making millions and \u003ca href=\"https://www.buzzfeednews.com/article/ikrd/andrew-tate-hustlers-university\">peddling his life philosophy\u003c/a> to thousands through an online course and community called “Hustlers University.”\u003c/p>\n\u003cp>For $49 a month, anyone can earn thousands per month through skills like copywriting and buying NFTs plus recruiting others to the community for a commission fee. \u003ca href=\"https://www.hustlerslearn.com/\">An ad for the course\u003c/a> claims that Hustlers University has over 168,000 active students, some as young as 13.\u003c/p>\n\u003cp>His polemic style is particularly popular among Gen Zers. One survey conducted by the investment bank Piper Sandler this fall \u003ca href=\"https://www.pipersandler.com/sites/default/files/document/TSWT_Fall22_Infographic.pdf\">found that Tate ranked as the favorite influencer\u003c/a> among those under 18.\u003c/p>\n\u003cp>\u003ca href=\"https://www.theguardian.com/technology/2022/aug/06/andrew-tate-violent-misogynistic-world-of-tiktok-new-star\">An investigation from \u003cem>The Guardian\u003c/em>\u003c/a> discovered that hundreds of Hustler University members repackage Tate clips on platforms like TikTok every day.\u003c/p>\n\u003cp>This summer, while he was banned from top platforms, \u003ca href=\"https://trends.google.com/trends/explore?geo=US&q=Andrew%20Tate,Donald%20Trump,Kim%20Kardashian\">his name was searched more frequently\u003c/a> than Donald Trump’s or Kim Kardashian’s.\u003c/p>\n\u003ch3>Why is everyone talking about Tate now?\u003c/h3>\n\u003cp>Tate and his brother, Tristan, were reportedly detained in Romania late Thursday evening on charges of human trafficking and rape.\u003c/p>\n\u003cp>\u003ca href=\"https://www.diicot.ro/mass-media/3829-comunicat-de-presa-29-12-2022\">Romania’s anti-organized crime agency released a statement \u003c/a>saying four suspects — two British citizens and two Romanians — had recruited women into their scheme, then sexually exploited them by forcing them to perform in pornography with the intention of financial gain.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The statement didn’t name Tate directly, though an accompanying video of the arrest appeared to show Tate, who is British, being led away in handcuffs. Romanian authorities and spokespeople for Tate have not responded to NPR’s requests for confirmation.\u003c/p>\n\u003cp>Romanian media reports \u003ca href=\"https://www.libertatea.ro/stiri/surse-perchezitii-diicot-tristan-tate-andrew-tate-sechestrare-fete-tristan-tate-bianca-dragusanu-4394856/amp\">said Tate had been detained for questioning\u003c/a>, and Reuters reported that it had confirmed the incident with Tate’s lawyer.\u003c/p>\n\u003ch3>OK, so what does Greta Thunberg have to do with it?\u003c/h3>\n\u003cp>Tate had already been in the public eye this week after picking a seemingly random Twitter fight with Thunberg, the 19-year-old climate activist.\u003c/p>\n\u003cp>On Tuesday, he posted a photo of himself standing next to a Bugatti, captioned by the text, “Hello @GretaThunberg. I have 33 cars. […] Please provide your email address so I can send a complete list of my car collection and their respective enormous emissions.”\u003c/p>\n\u003cp>The next day she tweeted back, “Yes, please do enlighten me. Email me at smalldickenergy@getalife.com.” More than 3 million users liked the post.\u003c/p>\n\u003cp>Tate then \u003ca href=\"https://twitter.com/Cobratate/status/1608212791009374208\">posted a video of himself seated in a paneled room\u003c/a>, wearing a Versace robe, smoking a cigar, describing Thunberg as a bitter “slave of the matrix” who’s trying to “convince you to beg your government to tax you into poverty to stop the sun from being hot.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Midway through the video, he gestures off camera, asking someone to bring him pizza. “Make sure that these boxes are not recycled,” he quips as he sets the two pie-carrying parcels down on the table so the blue and red branding of “Jerry’s Pizza” is clearly visible to the camera.\u003c/p>\n\u003cp>When the video of his alleged arrest began circling, \u003ca href=\"https://twitter.com/Esqueer_/status/1608709173684105217\">some local and international journalists\u003c/a> said that the boxes, which came from a local Romanian pie joint, were just the proof local authorities needed to confirm Tate was in the country.\u003c/p>\n\u003cp>Several have since walked back that claim, saying they merely made an assumption. Romanian authorities haven’t responded to NPR’s request for more information.\u003c/p>\n\u003cp>But that uncertainty didn’t stop Thunberg herself from weighing in.\u003c/p>\n\u003cp>“This is what happens when you don’t recycle your pizza boxes,” she tweeted.\u003c/p>\n\u003ch3>What happens next for Tate?\u003c/h3>\n\u003cp>Tate, who moved to Romania five years ago, \u003ca href=\"https://www.youtube.com/watch?v=gCuBlCF5-p0\">said in a YouTube video\u003c/a> that “40%” of his motivation for moving was because the police were less likely to look into sexual assault allegations.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ca href=\"https://www.gandul.ro/actualitate/anchetatorii-au-descins-in-casa-din-pipera-a-luptatorului-tristan-tate-fost-iubit-al-biancai-dragusanu-ar-fi-sechetrat-o-femeie-alaturi-de-fratele-sau-19775283?utm_source=video_homepage&utm_medium=clicks_video&utm_campaign=video\">Local media report\u003c/a>s confirmed by various U.S. outlets claim that Romanian police raided Tate’s Romanian residence once earlier, on April 11, after claims that an American woman was being held captive at the house.\u003c/p>\n\u003cp>In their statement about the latest raids, Romanian authorities said the suspects would be detained for 24 hours for questioning.\u003c/p>\n\u003cp>On Friday morning, Tate appeared to tweet about the incident, using a reference to \u003cem>The Matrix\u003c/em> that’s become a signature of his Hustlers University philosophy.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://apnews.com/article/romania-crime-bucharest-organized-human-trafficking-0b65ac32442d995e590ab70c221398a1\">The Associated Press reported a Bucharest judge extended Tate’s arrest warrant by 30 days\u003c/a>. He’ll be held in detention while authorities investigate, but the decision could be appealed at anytime, said a spokesperson for the Romanian anti-crime agency.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Who+is+Andrew+Tate%3F+Your+guide+to+the+self-styled+misogynist+influencer&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>By now, regardless of how old you are or what your political affiliations are, you’ve probably heard of Claudia Conway. Like other teens, the outspoken 15-year-old uses \u003ca href=\"https://www.tiktok.com/@claudiamconway?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">her TikTok account\u003c/a> to vent about her mom, the Trump administration and things she sees online. Unlike other teens, Claudia has 1.4 million followers, the ear of the press and the attention of mainstream news media. Not because she’s an activist or especially articulate. Rather, it’s because she’s the daughter of George and Kellyanne Conway—and her content is particularly unfiltered.\u003c/p>\n\u003cp>Claudia has found herself trending on Twitter four times this year—usually for documenting her turbulent relationship with her parents, especially her mom. This month, however, her “lol” and “lmao”-laden online statements were permitted even more gravity than usual, because they concerned the coronavirus outbreak in the White House. [aside postid='pop_103297']\u003c/p>\n\u003cp>The day after the president’s diagnosis was revealed, Claudia posted a video of herself to TikTok, looking unimpressed, captioned: “my mom coughing all around the house after trump tested positive for covid.” The following day, she posted an image of herself wearing a mask, captioned, “update my mom has covid.” Two days later: “hey guys currently dying of covid!”\u003c/p>\n\u003cp>On Monday, Oct. 5, after Trump left hospital and tweeted, “Feeling really good! Don’t be afraid of Covid. Don’t let it dominate your life,” Conway commented on a thread: “guys lmao he’s not doing ‘better’.” Later in the day, she wrote: “he is receiving the world’s best healthcare right now… ‘don’t be afraid’ he is such a joke.” And later still: “he is so ridiculous. apparently he is doing badly lol and they are doing what they can to stabilize him.”\u003c/p>\n\u003cp>She was quickly hailed as both a whistleblower and an excellent “reporter.” Especially by those exhausted by the mixed messages and contradictory information coming out of the White House.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/lorieliebig/status/1313240698162946048\u003c/p>\n\u003cp>https://twitter.com/maddenifico/status/1313261611453382657\u003c/p>\n\u003cp>Elsewhere, she was dismissed as a disrespectful child, undeserving of anyone’s attention—including that of her parents.\u003c/p>\n\u003cp>https://twitter.com/flowerlady61/status/1313487504725680129\u003c/p>\n\u003cp>https://twitter.com/potatoes187/status/1313351282510495744\u003c/p>\n\u003cp>How we as a nation responded en masse to this shit-talking 15-year-old very much reflected how much weight we’ve become accustomed to casually piling onto Generation Z.\u003c/p>\n\u003cp>Malala Yousafzai’s emergence in 2012 signaled that teenagers no longer had to work in activist groups to garner respect from older generations. But the narrow path Malala carved out was rapidly transformed into a highway by the wave of activism that greeted the Trump administration in 2017. And the proliferation of social media, along with a relentless 24-hour news cycle, put young campaigners in the spotlight in an unprecedented way. [aside postid='arts_13850832']\u003c/p>\n\u003cp>It started in earnest in 2018. After 17 people were killed in a mass shooting at their school, the teenagers of Marjory Stoneman Douglas High School were thrust onto the national stage. The teen leaders—including David Hogg, Emma González and Cameron Kasky—that emerged that February went on to organize \u003ca href=\"https://marchforourlives.com/\" target=\"_blank\" rel=\"noopener noreferrer\">March For Our Lives\u003c/a>, a national gun control movement designed for young people.\u003c/p>\n\u003cp>A few months later, 16-year-old Greta Thunberg inspired a global, youth-led movement for climate action. By September, she was addressing the United Nations Climate Change Conference. “This is all wrong,” she scolded the room. “I shouldn’t be standing here. I should be back in school on the other side of the ocean. Yet you all come to me for hope? How dare you.”\u003c/p>\n\u003cp>That same month, 23-year-old Boyan Slat sailed away from San Francisco Bay to try and clean up the Great Pacific Garbage Patch—a plan he had been hatching since the age of 16. The hopes pinned on him have been consistently hyperbolic—“\u003ca href=\"https://www.maritime-executive.com/editorials/boyan-slat-ocean-action-hero-on-a-new-mission\" target=\"_blank\" rel=\"noopener noreferrer\">Ocean Action Hero\u003c/a>,” one headline recently blared.\u003c/p>\n\u003cp>There have been others since, like 13-year-old LGBTQ+ activist Desmond is Amazing, who was the Grand Marshall of Brooklyn’s Pride parade last year. And Isra Hirsi, who founded the U.S. Youth Climate Strike when she was 15. Let’s not forget that several of the Bay Area’s biggest Black Lives Matter marches this year were \u003ca href=\"https://www.sfchronicle.com/projects/2020/visuals/youth-protest-leaders/\" target=\"_blank\" rel=\"noopener noreferrer\">organized by teens\u003c/a>.\u003c/p>\n\u003cp>These young activists are inspiring, no doubt. But the adults watching them have created a narrative that these kids are going to fix national and global problems that currently seem insurmountable—thus absolving themselves of responsibility. On the flip side, glorifying youth activists as saviors has had the unintended effect of exposing them to online harassment and constant scrutiny. Which is why it seemed perfectly reasonable for adults to immediately hail Claudia Conway as both a hero and a villain. [aside postid='pop_105305']\u003c/p>\n\u003cp>Leveling that kind of judgment on teens started in earnest with the Parkland kids. They were presented first as heroes of the gun control movement, then routinely ridiculed and harassed. David Hogg, Emma González and Cameron Kasky have all been singled out for bullying by adults who should know better including Fox News host \u003ca href=\"https://www.nytimes.com/2018/03/29/business/media/laura-ingraham-david-hogg.html\" target=\"_blank\" rel=\"noopener noreferrer\">Laura Ingraham\u003c/a> and \u003ca href=\"https://www.nbcnews.com/feature/nbc-out/gop-candidate-who-called-teen-skinhead-lesbian-quits-race-n857861\" target=\"_blank\" rel=\"noopener noreferrer\">Republican candidate Leslie Gibson\u003c/a>.\u003c/p>\n\u003cp>Greta Thunberg has been subjected to a stunning number of attacks, perpetrated mostly by adult men. On Fox News (one commentator referred to her as a “mentally ill Swedish child”), on the president’s Twitter account repeatedly (“\u003ca href=\"https://twitter.com/realDonaldTrump/status/1205100602025545730\" target=\"_blank\" rel=\"noopener noreferrer\">Chill Greta, Chill!\u003c/a>”), and in too many cruel memes to mention.\u003c/p>\n\u003cp>https://twitter.com/GretaThunberg/status/1176931201342431234\u003c/p>\n\u003cp>Slat’s efforts to clean up the ocean have been dismissed and mocked repeatedly despite the enormity of the task he’s taken on. (Earlier this year, the \u003cem>Vancouver Sun\u003c/em> pondered whether or not his \u003ca href=\"https://theoceancleanup.com/?gclid=EAIaIQobChMIls-O_7Go7AIV6h-tBh0ZDgUcEAAYASAAEgI5ofD_BwE\" target=\"_blank\" rel=\"noopener noreferrer\">Ocean Cleanup\u003c/a> was “\u003ca href=\"https://vancouversun.com/news/plastic-oceans-unwanted-trash-and-a-popular-but-unproven-plan-to-solve-the-problem\" target=\"_blank\" rel=\"noopener noreferrer\">the environmental version of Fyre Fest\u003c/a>.”) Both \u003ca href=\"https://twitter.com/israhirsi/status/1202384424270225408\" target=\"_blank\" rel=\"noopener noreferrer\">Isra Hirsi\u003c/a> and Desmond the Amazing (reminder: he is 13) have received death threats.\u003c/p>\n\u003cp>Youth movements have always been pivotal in transforming America, generation by generation. Throughout the ’50s and ’60s, high schoolers led walk-outs over racial inequality and segregation in education. They protested the Vietnam war and voting access, and found themselves on the nightly news because of it. But never before Gen Z has there been so much focus and weight put on individual teens campaigning for change.\u003c/p>\n\u003cp>Which is why so many people have been able to ignore the fact that Conway, though opinionated, most frequently uses TikTok as a cry for help. Back on Sept. 15, she captioned a video: “no one believes you” “i have never abused you” “all you do is lie for attention.” The next screen read: “why would i lie you broke me.” Last week, when one user posted, “Just saw your mom on the news with out a mask on,” Conway responded: “and you wonder why i have covid.” Recent clips show her checking her blood oxygen and asking the public if she needs to go to the hospital. [aside postid='arts_13882454']\u003c/p>\n\u003cp>America would do well to start remembering that Claudia Conway, though intelligent, engaging and entertaining, is neither going to save us, nor bring down the government. Rather, she’s a teenager trying to navigate a very unhealthy relationship with her family. We’ve just become so accustomed to overburdening Gen Z activists with messes of prior generations’ making, we think nothing of piling them onto her too.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The narrative that Gen Z is going to save the world has been used like an emotional floatation device for adults during this entire presidency. And it is true that this generation is particularly savvy, organized, driven and smart. But if we want them to make a change that badly, it’s time we start leaving them alone. They’ve already proven that they do much better without our interference, and they certainly don’t deserve our abuse.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It started in earnest in 2018. After 17 people were killed in a mass shooting at their school, the teenagers of Marjory Stoneman Douglas High School were thrust onto the national stage. The teen leaders—including David Hogg, Emma González and Cameron Kasky—that emerged that February went on to organize \u003ca href=\"https://marchforourlives.com/\" target=\"_blank\" rel=\"noopener noreferrer\">March For Our Lives\u003c/a>, a national gun control movement designed for young people.\u003c/p>\n\u003cp>A few months later, 16-year-old Greta Thunberg inspired a global, youth-led movement for climate action. By September, she was addressing the United Nations Climate Change Conference. “This is all wrong,” she scolded the room. “I shouldn’t be standing here. I should be back in school on the other side of the ocean. Yet you all come to me for hope? How dare you.”\u003c/p>\n\u003cp>That same month, 23-year-old Boyan Slat sailed away from San Francisco Bay to try and clean up the Great Pacific Garbage Patch—a plan he had been hatching since the age of 16. The hopes pinned on him have been consistently hyperbolic—“\u003ca href=\"https://www.maritime-executive.com/editorials/boyan-slat-ocean-action-hero-on-a-new-mission\" target=\"_blank\" rel=\"noopener noreferrer\">Ocean Action Hero\u003c/a>,” one headline recently blared.\u003c/p>\n\u003cp>There have been others since, like 13-year-old LGBTQ+ activist Desmond is Amazing, who was the Grand Marshall of Brooklyn’s Pride parade last year. And Isra Hirsi, who founded the U.S. Youth Climate Strike when she was 15. Let’s not forget that several of the Bay Area’s biggest Black Lives Matter marches this year were \u003ca href=\"https://www.sfchronicle.com/projects/2020/visuals/youth-protest-leaders/\" target=\"_blank\" rel=\"noopener noreferrer\">organized by teens\u003c/a>.\u003c/p>\n\u003cp>These young activists are inspiring, no doubt. But the adults watching them have created a narrative that these kids are going to fix national and global problems that currently seem insurmountable—thus absolving themselves of responsibility. On the flip side, glorifying youth activists as saviors has had the unintended effect of exposing them to online harassment and constant scrutiny. Which is why it seemed perfectly reasonable for adults to immediately hail Claudia Conway as both a hero and a villain. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Leveling that kind of judgment on teens started in earnest with the Parkland kids. They were presented first as heroes of the gun control movement, then routinely ridiculed and harassed. David Hogg, Emma González and Cameron Kasky have all been singled out for bullying by adults who should know better including Fox News host \u003ca href=\"https://www.nytimes.com/2018/03/29/business/media/laura-ingraham-david-hogg.html\" target=\"_blank\" rel=\"noopener noreferrer\">Laura Ingraham\u003c/a> and \u003ca href=\"https://www.nbcnews.com/feature/nbc-out/gop-candidate-who-called-teen-skinhead-lesbian-quits-race-n857861\" target=\"_blank\" rel=\"noopener noreferrer\">Republican candidate Leslie Gibson\u003c/a>.\u003c/p>\n\u003cp>Greta Thunberg has been subjected to a stunning number of attacks, perpetrated mostly by adult men. On Fox News (one commentator referred to her as a “mentally ill Swedish child”), on the president’s Twitter account repeatedly (“\u003ca href=\"https://twitter.com/realDonaldTrump/status/1205100602025545730\" target=\"_blank\" rel=\"noopener noreferrer\">Chill Greta, Chill!\u003c/a>”), and in too many cruel memes to mention.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Slat’s efforts to clean up the ocean have been dismissed and mocked repeatedly despite the enormity of the task he’s taken on. (Earlier this year, the \u003cem>Vancouver Sun\u003c/em> pondered whether or not his \u003ca href=\"https://theoceancleanup.com/?gclid=EAIaIQobChMIls-O_7Go7AIV6h-tBh0ZDgUcEAAYASAAEgI5ofD_BwE\" target=\"_blank\" rel=\"noopener noreferrer\">Ocean Cleanup\u003c/a> was “\u003ca href=\"https://vancouversun.com/news/plastic-oceans-unwanted-trash-and-a-popular-but-unproven-plan-to-solve-the-problem\" target=\"_blank\" rel=\"noopener noreferrer\">the environmental version of Fyre Fest\u003c/a>.”) Both \u003ca href=\"https://twitter.com/israhirsi/status/1202384424270225408\" target=\"_blank\" rel=\"noopener noreferrer\">Isra Hirsi\u003c/a> and Desmond the Amazing (reminder: he is 13) have received death threats.\u003c/p>\n\u003cp>Youth movements have always been pivotal in transforming America, generation by generation. Throughout the ’50s and ’60s, high schoolers led walk-outs over racial inequality and segregation in education. They protested the Vietnam war and voting access, and found themselves on the nightly news because of it. But never before Gen Z has there been so much focus and weight put on individual teens campaigning for change.\u003c/p>\n\u003cp>Which is why so many people have been able to ignore the fact that Conway, though opinionated, most frequently uses TikTok as a cry for help. Back on Sept. 15, she captioned a video: “no one believes you” “i have never abused you” “all you do is lie for attention.” The next screen read: “why would i lie you broke me.” Last week, when one user posted, “Just saw your mom on the news with out a mask on,” Conway responded: “and you wonder why i have covid.” Recent clips show her checking her blood oxygen and asking the public if she needs to go to the hospital. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>America would do well to start remembering that Claudia Conway, though intelligent, engaging and entertaining, is neither going to save us, nor bring down the government. Rather, she’s a teenager trying to navigate a very unhealthy relationship with her family. We’ve just become so accustomed to overburdening Gen Z activists with messes of prior generations’ making, we think nothing of piling them onto her too.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The narrative that Gen Z is going to save the world has been used like an emotional floatation device for adults during this entire presidency. And it is true that this generation is particularly savvy, organized, driven and smart. But if we want them to make a change that badly, it’s time we start leaving them alone. They’ve already proven that they do much better without our interference, and they certainly don’t deserve our abuse.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "A Russian Duo Prank-Called Prince Harry and Probably Did Him a Favor",
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"content": "\u003cp>This week, Russian prank callers, Vovan and Lexus, released secretly recorded audio of two conversations they had with Prince Harry while they posed as climate activist Greta Thunberg and her father, Svante.\u003c/p>\n\u003cp>Though no official confirmation that it’s the prince has come from either the Sussex household or Buckingham Palace, not only does the voice on the tape sound an awful lot like Mr. Meghan Markle, but \u003cem>ET Canada\u003c/em> is reporting they’ve \u003ca href=\"https://etcanada.com/news/606364/sources-confirm-prince-harry-was-tricked-by-russian-pranksters-pretending-to-be-greta-thunberg-talks-leaving-the-royals-donald-trump-more/\" target=\"_blank\" rel=\"noopener noreferrer\">received confirmation\u003c/a> of the prankee’s identity.\u003c/p>\n\u003cp>Vladimir Kuznetsov and Alexey Stolyarov specialize in trying to catch people off guard and off brand. As such, their targets are usually politicians (Bernie Sanders, Maxine Waters and Lindsey Graham have all been duped), but they do sometimes veer into the world of celebrity. (In 2015, the duo called Elton John, posing as Vladimir Putin.) With that in mind, it was probably only a matter of time before a royal was on the receiving end of one of these calls. [aside postid='arts_13873680']\u003c/p>\n\u003cp>Listening to the content of the just-released audio, and assuming we’ve IDed the prince correctly, it’s difficult to imagine Harry regretting anything he says. For a start, the comments he makes about his and Meghan Markle’s decision \u003ca href=\"https://www.kqed.org/arts/13873680/harry-and-meghan-look-super-happy-despite-the-queens-harsh-megxit-terms\" target=\"_blank\" rel=\"noopener noreferrer\">to step away\u003c/a> from their roles as senior royals are nothing but endearing.\u003c/p>\n\u003cblockquote>\u003cp>“I can assure you, marrying a prince or princess is not all it’s made out to be… This decision certainly wasn’t the easy one but it was the right decision for our family, the right decision to be able to protect my son. And I think there’s a hell of a lot of people around the world that can identify and respect us for putting our family first.”\u003c/p>\u003c/blockquote>\n\u003cp>In addition, when he does get onto the subject of climate change, \u003ca href=\"https://www.youtube.com/watch?v=bg6N0DnDm-I\" target=\"_blank\" rel=\"noopener noreferrer\">Harry speaks\u003c/a> authoritatively and passionately, coming across as a profoundly empathetic person who is desperate to see policy change enacted to protect future generations.\u003c/p>\n\u003cblockquote>\u003cp>“It’s not an easy time, and the world is in a troubled place, and unfortunately the world is being led by some very sick people who stop any change from happening, whether that’s because of their own bias [or] whether that’s because of the fact that it will change how they are able to behave themselves… We have to almost physically shake these people to get them to realize that not only are they stealing from your future… but also that they are directly responsible for actually killing people and wiping out whole communities.”\u003c/p>\u003c/blockquote>\n\u003cp>[aside postid='arts_13872986'] Harry has never been (and probably never \u003cem>will\u003c/em> be) permitted to speak like this in any public, official capacity—even post-Megxit. But given his well-established \u003ca href=\"https://www.kqed.org/arts/13872986/prince-harrys-rejection-of-the-royal-lifestyle-is-only-his-latest-rebellious-move\" target=\"_blank\" rel=\"noopener noreferrer\">rebellious streak\u003c/a>, one has to wonder if the leaking of these \u003ca href=\"https://www.kqed.org/arts/13872986/prince-harrys-rejection-of-the-royal-lifestyle-is-only-his-latest-rebellious-move\" target=\"_blank\" rel=\"noopener noreferrer\">real-life personal views\u003c/a> might be a breath of fresh air for him.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It also must come as a bit of a relief to finally let the public know where he stands when it comes to his uncle. When asked about Prince Andrew—who is currently neck-deep in \u003ca href=\"https://en.wikipedia.org/wiki/Virginia_Roberts_Giuffre\" target=\"_blank\" rel=\"noopener noreferrer\">allegations\u003c/a> of sexual exploitation related to his friendship with Jeffrey Epstein—Harry does not mince words. Not only does he make zero attempt to defend Andrew, he also gets in \u003ca href=\"https://www.youtube.com/watch?v=bg6N0DnDm-I\" target=\"_blank\" rel=\"noopener noreferrer\">a dig\u003c/a> at the relatives he perceives as more concerned about protecting their ranks than looking out for the welfare of the public.\u003c/p>\n\u003cblockquote>\u003cp>“Whatever [Andrew] has done or hasn’t done, is completely separate from me and my wife. We operate in a way of inclusivity and we are focusing on community. And so we are completely separate from the majority of my family.”\u003c/p>\u003c/blockquote>\n\u003cp>The most controversial part of the recording concerns Donald Trump and the current administration’s energy policies. Whether you find \u003ca href=\"https://www.youtube.com/watch?v=bg6N0DnDm-I\" target=\"_blank\" rel=\"noopener noreferrer\">Harry’s comments\u003c/a> about Trump atrocious or a triumph will depend entirely on your political leanings, but either way, one gets the sense that Harry enjoyed getting this off his chest.\u003c/p>\n\u003cblockquote>\u003cp>“I think the mere fact that Donald Trump is pushing the coal industry so big in America, he has blood on his hands. Because the effect that that has on island nations far, far away… Again, out of sight, out of mind. We’ve visited those places and I’m sure you have as well and people’s lives have been completely destroyed. People are dying every single month by some form of natural disaster that has been created from this huge change in our climate.”\u003c/p>\u003c/blockquote>\n\u003cp>Regardless of the controversy that is now swirling around the prince, Harry’s conversation certainly pales in comparison with what his parents, Diana and Prince Charles were previously caught saying over the phone in secret recordings.\u003c/p>\n\u003cp>In \u003ca href=\"https://en.wikipedia.org/wiki/Squidgygate\" target=\"_blank\" rel=\"noopener noreferrer\">a conversation\u003c/a> between Diana and her friend James Gilbey that leaked in 1992, Gilbey affectionately called her “Squidgy” or “Squidge” no less than 53 times, and the Princess said of her then-husband: “He makes my life real torture.” A \u003ca href=\"https://www.mirror.co.uk/news/uk-news/how-camillagate-tapes-exposed-secret-10958350\" target=\"_blank\" rel=\"noopener noreferrer\">1989 conversation\u003c/a> Charles had with his then-mistress Camilla Parker Bowles was even worse, causing such a furor when it leaked years after the fact that it has taken the prince decades to recover. (During the call, Charles memorably told Camilla: “I’ll just live inside your trousers or something. It would be much easier!”)\u003c/p>\n\u003cp>As demonstrated by Harry and Meghan’s recent move to Canada, this is not a couple interested in being trapped within the bounds of British royal protocol. And for Harry, adhering to those standards of public decorum and political neutrality for his entire life must have been inordinately stifling. Harry himself indicates during the recording that he is looking forward to having a louder, more honest voice moving forward. [aside postid='arts_13866072']\u003c/p>\n\u003cp>“Being in a different position now gives us the ability to say things and do things that we might not have been able to do,” he says. “And seeing as everyone under the age of 35 or 36 seems to be carrying out an activist’s role, it gives us the opportunity to try and make more a difference without being criticized.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Vovan and Lexus may have inadvertently given Harry his first major stepping stone on the road to doing just that.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week, Russian prank callers, Vovan and Lexus, released secretly recorded audio of two conversations they had with Prince Harry while they posed as climate activist Greta Thunberg and her father, Svante.\u003c/p>\n\u003cp>Though no official confirmation that it’s the prince has come from either the Sussex household or Buckingham Palace, not only does the voice on the tape sound an awful lot like Mr. Meghan Markle, but \u003cem>ET Canada\u003c/em> is reporting they’ve \u003ca href=\"https://etcanada.com/news/606364/sources-confirm-prince-harry-was-tricked-by-russian-pranksters-pretending-to-be-greta-thunberg-talks-leaving-the-royals-donald-trump-more/\" target=\"_blank\" rel=\"noopener noreferrer\">received confirmation\u003c/a> of the prankee’s identity.\u003c/p>\n\u003cp>Vladimir Kuznetsov and Alexey Stolyarov specialize in trying to catch people off guard and off brand. As such, their targets are usually politicians (Bernie Sanders, Maxine Waters and Lindsey Graham have all been duped), but they do sometimes veer into the world of celebrity. (In 2015, the duo called Elton John, posing as Vladimir Putin.) With that in mind, it was probably only a matter of time before a royal was on the receiving end of one of these calls. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Listening to the content of the just-released audio, and assuming we’ve IDed the prince correctly, it’s difficult to imagine Harry regretting anything he says. For a start, the comments he makes about his and Meghan Markle’s decision \u003ca href=\"https://www.kqed.org/arts/13873680/harry-and-meghan-look-super-happy-despite-the-queens-harsh-megxit-terms\" target=\"_blank\" rel=\"noopener noreferrer\">to step away\u003c/a> from their roles as senior royals are nothing but endearing.\u003c/p>\n\u003cblockquote>\u003cp>“I can assure you, marrying a prince or princess is not all it’s made out to be… This decision certainly wasn’t the easy one but it was the right decision for our family, the right decision to be able to protect my son. And I think there’s a hell of a lot of people around the world that can identify and respect us for putting our family first.”\u003c/p>\u003c/blockquote>\n\u003cp>In addition, when he does get onto the subject of climate change, \u003ca href=\"https://www.youtube.com/watch?v=bg6N0DnDm-I\" target=\"_blank\" rel=\"noopener noreferrer\">Harry speaks\u003c/a> authoritatively and passionately, coming across as a profoundly empathetic person who is desperate to see policy change enacted to protect future generations.\u003c/p>\n\u003cblockquote>\u003cp>“It’s not an easy time, and the world is in a troubled place, and unfortunately the world is being led by some very sick people who stop any change from happening, whether that’s because of their own bias [or] whether that’s because of the fact that it will change how they are able to behave themselves… We have to almost physically shake these people to get them to realize that not only are they stealing from your future… but also that they are directly responsible for actually killing people and wiping out whole communities.”\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp> Harry has never been (and probably never \u003cem>will\u003c/em> be) permitted to speak like this in any public, official capacity—even post-Megxit. But given his well-established \u003ca href=\"https://www.kqed.org/arts/13872986/prince-harrys-rejection-of-the-royal-lifestyle-is-only-his-latest-rebellious-move\" target=\"_blank\" rel=\"noopener noreferrer\">rebellious streak\u003c/a>, one has to wonder if the leaking of these \u003ca href=\"https://www.kqed.org/arts/13872986/prince-harrys-rejection-of-the-royal-lifestyle-is-only-his-latest-rebellious-move\" target=\"_blank\" rel=\"noopener noreferrer\">real-life personal views\u003c/a> might be a breath of fresh air for him.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It also must come as a bit of a relief to finally let the public know where he stands when it comes to his uncle. When asked about Prince Andrew—who is currently neck-deep in \u003ca href=\"https://en.wikipedia.org/wiki/Virginia_Roberts_Giuffre\" target=\"_blank\" rel=\"noopener noreferrer\">allegations\u003c/a> of sexual exploitation related to his friendship with Jeffrey Epstein—Harry does not mince words. Not only does he make zero attempt to defend Andrew, he also gets in \u003ca href=\"https://www.youtube.com/watch?v=bg6N0DnDm-I\" target=\"_blank\" rel=\"noopener noreferrer\">a dig\u003c/a> at the relatives he perceives as more concerned about protecting their ranks than looking out for the welfare of the public.\u003c/p>\n\u003cblockquote>\u003cp>“Whatever [Andrew] has done or hasn’t done, is completely separate from me and my wife. We operate in a way of inclusivity and we are focusing on community. And so we are completely separate from the majority of my family.”\u003c/p>\u003c/blockquote>\n\u003cp>The most controversial part of the recording concerns Donald Trump and the current administration’s energy policies. Whether you find \u003ca href=\"https://www.youtube.com/watch?v=bg6N0DnDm-I\" target=\"_blank\" rel=\"noopener noreferrer\">Harry’s comments\u003c/a> about Trump atrocious or a triumph will depend entirely on your political leanings, but either way, one gets the sense that Harry enjoyed getting this off his chest.\u003c/p>\n\u003cblockquote>\u003cp>“I think the mere fact that Donald Trump is pushing the coal industry so big in America, he has blood on his hands. Because the effect that that has on island nations far, far away… Again, out of sight, out of mind. We’ve visited those places and I’m sure you have as well and people’s lives have been completely destroyed. People are dying every single month by some form of natural disaster that has been created from this huge change in our climate.”\u003c/p>\u003c/blockquote>\n\u003cp>Regardless of the controversy that is now swirling around the prince, Harry’s conversation certainly pales in comparison with what his parents, Diana and Prince Charles were previously caught saying over the phone in secret recordings.\u003c/p>\n\u003cp>In \u003ca href=\"https://en.wikipedia.org/wiki/Squidgygate\" target=\"_blank\" rel=\"noopener noreferrer\">a conversation\u003c/a> between Diana and her friend James Gilbey that leaked in 1992, Gilbey affectionately called her “Squidgy” or “Squidge” no less than 53 times, and the Princess said of her then-husband: “He makes my life real torture.” A \u003ca href=\"https://www.mirror.co.uk/news/uk-news/how-camillagate-tapes-exposed-secret-10958350\" target=\"_blank\" rel=\"noopener noreferrer\">1989 conversation\u003c/a> Charles had with his then-mistress Camilla Parker Bowles was even worse, causing such a furor when it leaked years after the fact that it has taken the prince decades to recover. (During the call, Charles memorably told Camilla: “I’ll just live inside your trousers or something. It would be much easier!”)\u003c/p>\n\u003cp>As demonstrated by Harry and Meghan’s recent move to Canada, this is not a couple interested in being trapped within the bounds of British royal protocol. And for Harry, adhering to those standards of public decorum and political neutrality for his entire life must have been inordinately stifling. Harry himself indicates during the recording that he is looking forward to having a louder, more honest voice moving forward. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Being in a different position now gives us the ability to say things and do things that we might not have been able to do,” he says. “And seeing as everyone under the age of 35 or 36 seems to be carrying out an activist’s role, it gives us the opportunity to try and make more a difference without being criticized.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Greta Thunberg, the activist who has quickly become a leading voice on climate change, is \u003cem>Time’s \u003c/em>\u003ca href=\"https://time.com/person-of-the-year-2019-greta-thunberg-choice/\">Person of the Year for 2019\u003c/a>. At 16, she is the youngest person to earn the title in the magazine’s 92-year history. \u003c/p>\n\u003cp>Thunberg burst onto the world stage in the past year, organizing school strikes and protest marches to call attention to a climate crisis that she says older generations are not taking seriously enough.\u003c/p>\n\u003cp>She has famously called out world leaders for debating scientific facts and failing to stop a global warming trend that will affect the world’s children more than it affects anyone who’s currently in power.\u003c/p>\n\u003cp>Reacting to the honor, Thunberg said she is \u003ca href=\"https://apnews.com/2531fbc81f1a409b9e1f1a218d591289\">“a bit surprised”\u003c/a> to be chosen, according to The Associated Press, which adds that Thunberg dedicated her recognition to other young activists.\u003c/p>\n\u003cp>Thunberg is currently in Madrid, where she delivered a speech at a U.N. climate conference Wednesday morning. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Well, I am telling you there is hope. I have seen it,” she told the audience. “But it does not come from the governments or corporations. It comes from the people.”\u003c/p>\n\u003cp>Thunberg has drawn the support of millions of people, including demonstrators who coordinated an international protest day in September when she was visiting Washington and other U.S. cities.\u003c/p>\n\u003cp>The Swedish teenager has spoken with the pope, the U.N. secretary general and other influential figures. But Thunberg has also been mocked or criticized by climate skeptics — and by powerful leaders such as President Trump, Brazil’s President Jair Bolsonaro and Russia’s President Vladimir Putin. She has shrugged off those attacks, saying she won’t be silenced.\u003c/p>\n\u003cp>https://youtu.be/6_b0Jm8D6Mc\u003c/p>\n\u003cp>“We need a balance of optimism and outrage” in the environmental movement, Thunberg said in Madrid. She added, “We need optimism to keep going and to not give up … and we need outrage to be able to step outside our comfort zones.”\u003c/p>\n\u003cp>\u003cem>Time \u003c/em>says the award is based on the idea that powerful individuals shape the world. It chose Thunberg, the magazine says, for raising the alarm on climate change and “showing us all what it might look like when a new generation leads.”\u003c/p>\n\u003cp>In the past, Thunberg has spoken about how her generation is being burdened both with climate change’s effects and the task of educating people about it. And if the rise in average temperatures goes unchecked, she says, the effects will be cataclysmic.\u003c/p>\n\u003cp>“For about a year, I have been constantly talking about our rapidly declining carbon budgets — over and over again,” Thunberg said on Wednesday. She added, “But since that is still being ignored, I will just keep repeating it.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Because of the clarity and energy she has brought to the discussion over climate change, Thunberg has been named as a contender for a number of international honors, including the Nobel Peace Prize. But she \u003ca href=\"https://www.npr.org/2019/10/30/774693218/start-listening-greta-thunberg-rejects-major-environmental-award\">recently rejected an environmental prize\u003c/a> and cash award from the Nordic Council, saying, “It is a huge honor. But the climate movement does not need any more awards.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Greta+Thunberg+Is+The+%27Time%27+Person+Of+The+Year+For+2019&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Greta Thunberg, the activist who has quickly become a leading voice on climate change, is \u003cem>Time’s \u003c/em>\u003ca href=\"https://time.com/person-of-the-year-2019-greta-thunberg-choice/\">Person of the Year for 2019\u003c/a>. At 16, she is the youngest person to earn the title in the magazine’s 92-year history. \u003c/p>\n\u003cp>Thunberg burst onto the world stage in the past year, organizing school strikes and protest marches to call attention to a climate crisis that she says older generations are not taking seriously enough.\u003c/p>\n\u003cp>She has famously called out world leaders for debating scientific facts and failing to stop a global warming trend that will affect the world’s children more than it affects anyone who’s currently in power.\u003c/p>\n\u003cp>Reacting to the honor, Thunberg said she is \u003ca href=\"https://apnews.com/2531fbc81f1a409b9e1f1a218d591289\">“a bit surprised”\u003c/a> to be chosen, according to The Associated Press, which adds that Thunberg dedicated her recognition to other young activists.\u003c/p>\n\u003cp>Thunberg is currently in Madrid, where she delivered a speech at a U.N. climate conference Wednesday morning. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Well, I am telling you there is hope. I have seen it,” she told the audience. “But it does not come from the governments or corporations. It comes from the people.”\u003c/p>\n\u003cp>Thunberg has drawn the support of millions of people, including demonstrators who coordinated an international protest day in September when she was visiting Washington and other U.S. cities.\u003c/p>\n\u003cp>The Swedish teenager has spoken with the pope, the U.N. secretary general and other influential figures. But Thunberg has also been mocked or criticized by climate skeptics — and by powerful leaders such as President Trump, Brazil’s President Jair Bolsonaro and Russia’s President Vladimir Putin. She has shrugged off those attacks, saying she won’t be silenced.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6_b0Jm8D6Mc'\n title='//www.youtube.com/embed/6_b0Jm8D6Mc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“We need a balance of optimism and outrage” in the environmental movement, Thunberg said in Madrid. She added, “We need optimism to keep going and to not give up … and we need outrage to be able to step outside our comfort zones.”\u003c/p>\n\u003cp>\u003cem>Time \u003c/em>says the award is based on the idea that powerful individuals shape the world. It chose Thunberg, the magazine says, for raising the alarm on climate change and “showing us all what it might look like when a new generation leads.”\u003c/p>\n\u003cp>In the past, Thunberg has spoken about how her generation is being burdened both with climate change’s effects and the task of educating people about it. And if the rise in average temperatures goes unchecked, she says, the effects will be cataclysmic.\u003c/p>\n\u003cp>“For about a year, I have been constantly talking about our rapidly declining carbon budgets — over and over again,” Thunberg said on Wednesday. She added, “But since that is still being ignored, I will just keep repeating it.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Because of the clarity and energy she has brought to the discussion over climate change, Thunberg has been named as a contender for a number of international honors, including the Nobel Peace Prize. But she \u003ca href=\"https://www.npr.org/2019/10/30/774693218/start-listening-greta-thunberg-rejects-major-environmental-award\">recently rejected an environmental prize\u003c/a> and cash award from the Nordic Council, saying, “It is a huge honor. But the climate movement does not need any more awards.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Greta+Thunberg+Is+The+%27Time%27+Person+Of+The+Year+For+2019&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Greta Thunberg did not sail across the Atlantic Ocean\u003ca href=\"https://news.un.org/en/story/2019/08/1045161\"> for two weeks\u003c/a> to become a lead singer. But, just days after the 16-year-old proselytizer\u003ca href=\"https://www.npr.org/2019/09/23/763452863/transcript-greta-thunbergs-speech-at-the-u-n-climate-action-summit\"> censured\u003c/a> a room of world leaders many times her age for their shared “fairy tales of eternal economic growth,” the internet made her one, anyway.\u003c/p>\n\u003cp>The most impassioned moments of Thunberg’s September sermon at the United Nations quickly sprouted musical memes. In New York, a drummer \u003ca href=\"https://www.rollingstone.com/culture/culture-news/greta-thunberg-swedish-death-metal-892000/\">growled\u003c/a> her words above relentless Swedish death metal, a nod to her homeland that doubled as a fundraising blunderbuss for Greenpeace. Two producers turned the speech into bombastic electronica, with roaring choirs and stomping boots\u003ca href=\"https://www.youtube.com/watch?v=5GOoajKDIME\"> set to scenes\u003c/a> of forests burning and children marching. And another\u003ca href=\"https://www.youtube.com/watch?v=ABIbH-LtpFs\"> mashed\u003c/a> the day’s \u003cem>cri de cœur\u003c/em>—”Right here, right now is where we draw the line.”—with the Fatboy Slim hit “Right Here, Right Now.” Just days later, Slim himself slipped it into a live set, \u003ca href=\"https://www.youtube.com/watch?v=bWvFcR7UtAI\">sending \u003c/a>his audience into a tizzy.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zpWftLOWXLY\u003c/p>\n\u003cp>Environmentalism in music is nothing new, of course. A full quarter-century before James Hansen \u003ca href=\"https://www.nytimes.com/1988/06/24/us/global-warming-has-begun-expert-tells-senate.html\">told Congress\u003c/a> that humans were changing their climate, Peter La Farge, an indigenous songwriter from the Southwest, repeatedly warned of environmental devastation on 1963’s\u003ca href=\"https://folkways.si.edu/peter-la-farge/as-long-as-the-grass-shall-grow-sings-of-the-indians/american-folk-american-indian/music/album/smithsonian\"> \u003cem>As Long as the Grass Shall\u003c/em> \u003cem>Grow\u003c/em>\u003c/a>, a remarkable album of Native American laments about the various plagues of pioneers. From Joni Mitchell \u003ca href=\"https://www.youtube.com/watch?v=94bdMSCdw20\">singing\u003c/a> of the birds, bees and DDT to Neil Young\u003ca href=\"https://www.youtube.com/watch?v=33N8M6tQ4e0\"> rhapsodizing\u003c/a> of “Mother Earth / and her healing ways” in 1990 (or\u003ca href=\"https://www.youtube.com/watch?v=LaaJCJvFP9M\"> grousing\u003c/a> about “old white guys trying to kill mother nature” in 2019), the stars of the ’60s and ’70s have often stepped into a\u003ca href=\"https://www.nrdc.org/stories/story-silent-spring\"> post-\u003cem>Silent Spring\u003c/em>\u003c/a> fray.\u003c/p>\n\u003cp>It’s never stopped, really: Depeche Mode\u003ca href=\"https://www.youtube.com/watch?v=VwS5WexDVHI\"> sang\u003c/a> of forests dying and streams putrefying in 1983, presciently alluding to climate-science deniers. One of Dave Matthews’ earliest songs, “\u003ca href=\"https://www.youtube.com/watch?v=sdLj0c9iaEA\">One Sweet World\u003c/a>,” inspired a Ben & Jerry’s flavor that has raised tens of thousands of dollars for an\u003ca href=\"http://saveourenvironment.org/\"> environmental coalition\u003c/a>. There are\u003ca href=\"https://www.youtube.com/watch?v=I3skR9wQL8s\"> entire milieus\u003c/a> of metal and punk devoted to socioecological unsustainability, realms where\u003ca href=\"https://www.youtube.com/watch?v=8uiADLX1ZXc\"> nuclear weapons\u003c/a> and\u003ca href=\"https://www.youtube.com/watch?v=3QjXtrQKf88\"> animal agriculture\u003c/a> share culpability. On her second album, Miley Cyrus wrote a\u003ca href=\"https://www.youtube.com/watch?v=YNEZp8BWGEU\"> rock song\u003c/a> about “going green,” while Anohni sardonically\u003ca href=\"https://www.youtube.com/watch?v=Fi0q0O4V5Qs\"> longed\u003c/a> for it all to burn—”dogs crying for water… fish go belly-up in the sea”—above demonic horns and militant drums on “4 Degrees.” Mos Def has\u003ca href=\"https://www.youtube.com/watch?v=2N5Bk8FMw9Y\"> rapped\u003c/a> about the money-hungry ruining the water supply. And even Smash Mouth tried to alarm us about the corroding ozone layer and melting ice shelf during “All Star,” that song from\u003ca href=\"https://www.youtube.com/watch?v=Uo2SNtFofWI\"> \u003cem>Shrek\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Thunberg’s unlikely ascendance as a source of inspiring samples highlights something that’s missing: a song that helps us sort through our globally mounting anxiety about climate change and our role in our own potential doom, an actual anthem that propels people towards action. Despite its news-cycle ubiquity and increasing threat of globe-altering impacts, songs touching on climate change have rarely crossed the threshold of the mainstream, existing instead as a distant flicker on the radar of our collective awareness. “Big Yellow Taxi,” perhaps as close as we’ve gotten to a unifying environmental ode, turns 50 next year; it’s been so ubiquitous for so long it feels as pat as an advertising jingle.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=94bdMSCdw20\u003c/p>\n\u003cp>In the last few years, however, global warming and the intense feelings it fosters have begun to creep subtly into lyrics where you may overlook them, a quiet corollary to a movement \u003ca href=\"https://pitchfork.com/thepitch/how-experimental-musicians-are-soundtracking-the-end-of-the-world/\">spider-webbing\u003c/a> through electronic music. Songwriters are increasingly treating climate unease like the very air we breathe or the technology we use—a part of life with which we must reckon and reconcile, like love or lust or loss.\u003c/p>\n\u003cp>These new tunes aren’t protest songs as we think of them, and they don’t shoehorn motivational slogans into their choruses; they are reflections of a reality lived under the specter of global collapse, the evidence of our personal adjustments to an anxiously indeterminate present and future. And their writers, unlike Thunberg, aren’t looking to proselytize to world leaders or to synthesize scientific research into an empowering single—they’re not the experts, after all. They’re just people offering others a way to sort through what’s happening, even to mourn what’s already been lost. It’s the difference between a command and a confession, a lecture and a conversation.\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>“We’re afraid of darkness. We’re afraid of endings. We’re afraid of death,”\u003c/strong> says Tamara Lindeman, a Canadian singer whose work as The Weather Station has started \u003ca href=\"https://theweatherstation.bandcamp.com/track/the-most-dangerous-thing-about-you\">to integrate\u003c/a> snippets of impending disaster into her songs. Her next album, due in 2020, commits to the subject. “To look at something so profoundly devastating is so scary, but it’s powerful if you can allow yourself to feel those feelings. You can stop hiding from it. Having that experience through art is healthy.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=mcPDgWMkEiM\u003c/p>\n\u003cp>Some of these newer songs confront global warming like a mammoth sparring partner, squaring up to the subject wielding rhetoric like fists. Andrew Bird’s “\u003ca href=\"https://www.youtube.com/watch?v=Pv68Kivrl5g\">Manifest\u003c/a>” sounds as breezy as a Sunday stroll through the Laurel Canyon, with licks of whistling and gliding strings. But in the first verse, he renounces the United States’ westward sprawl, condemning a country of unfaithful stewards. He gazes at the ocean with anxiety and ponders the way we burn ancient organisms—the fossils in our fossil fuels—just to drive to the grocery store. During 2016’s “\u003ca href=\"https://www.youtube.com/watch?v=X_UKDPR7k_E\">Generation Why\u003c/a>,” Weyes Blood offers her fearful vision like she’s reading the evening news: “It’s not the past that scares me / Now what a great future this is gonna be.” She spells out “YOLO” during the hook, her mind caught in the evermore-tight vice between modern indulgence and future existence.\u003c/p>\n\u003cp>Others, though, are almost subliminal in their climate change invocations. Justin Vernon hides his worry in plain sight during Bon Iver’s “\u003ca href=\"https://www.youtube.com/watch?v=oIzFg4eEvbQ\">Holyfields\u003c/a>.” With his clutched falsetto, he renders “The dawn is rising / the land ain’t rising” almost as an aside, as if the circumstances of\u003ca href=\"https://www.washingtonpost.com/lifestyle/kidspost/high-tides-flood-venice-for-third-time-in-one-week/2019/11/18/ad73a1f8-0701-11ea-ac12-3325d49eacaa_story.html\"> modern Venice\u003c/a> and\u003ca href=\"https://www.nytimes.com/interactive/2019/10/29/climate/coastal-cities-underwater.html\"> future\u003c/a> Mumbai, Bangkok and Miami are so obvious they’re best left coded. Lana Del Rey slips her own stark observations into the final verse of “\u003ca href=\"https://www.youtube.com/watch?v=LrSX_OcpeJg\">The Greatest\u003c/a>,” calmly inserting a note about wildfires and eternal heat waves between lines about Kanye West’s blond hair and Hawaii’s bomb scare. On a song where “the culture is lit,” it’s a lyrical detail that’s easy to miss—just as it’s possible to overlook that, on the album’s \u003ca href=\"https://images.app.goo.gl/NyMxNWrxnBe1idkz5\">cover\u003c/a>, California is burning.\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>Blake Mills knows that coastline in flames well.\u003c/strong>\u003c/p>\n\u003cp>Born in Santa Monica and raised in Malibu, the songwriter and star producer, once\u003ca href=\"https://www.nytimes.com/2014/09/16/arts/music/blake-mills-releases-his-second-album-heigh-ho.html\"> called\u003c/a> “the last guitarist I heard that I thought was phenomenal” by Eric Clapton, is conditioned to months of perpetually balmy days, interrupted with occasional downpours as fall slides into winter. But a few years ago that rain was slow to come, and the landscape around Los Angeles felt like a tinderbox. When, at last, storms arrived, a friend joked to Mills that maybe it would be the last rain ever for Los Angeles. The storm’s petrichor, Mills remembers, smelled of nostalgia.\u003c/p>\n\u003cp>Mills sat down at his piano and began to ponder what that might mean. The result—a sobering, tender ballad called “Summer All Over”—teeters at the threshold of hope and despair. With his sigh caked on the keys like mud at the bottom of some drought-devastated lake, Mills tempers his quiet horror by “looking for laughter, looking for kindness,” for any human quality that aims to right our colossal wrongs. Mills captures that seesaw of feelings musically with a pervasive flicker of melodic dissonance. Electronics drift in the background, like smog hovering above a troubled valley.\u003c/p>\n\u003cp>“Writing about the season of summer inherently evokes a Beach Boys vibe, maybe because I’m in Los Angeles,” says Mills, who penned the song with Cass McCombs and hopes to release it on his third album. “But the implication of the warmest season happening all over the world at the same time is an ‘endless summer.’ ”\u003c/p>\n\u003cp>He notes the sad irony of a term that, less than 50 years ago, belonged to\u003ca href=\"https://open.spotify.com/album/05J8PFXdYKeYNb8YjqqJYr\"> a relatively carefree\u003c/a> Beach Boys collection. But “Summer All Over,” an enticing title that suggests burnished bodies on a California shoreline, is tragically beautiful, a warm hug from an old ghost. Rock and roll can’t be all good times on the bleeding edge of environmental ruin.\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>While touring for the last several years,\u003c/strong> Kentucky songwriter Joan Shelley came to similar epiphanies along the California coast. Not long ago, she was driving north from Los Angeles to Seattle between shows, marveling at the scenery along California’s fabled Highway 1. She remembers the cliffs and the sunlight glittering on the Pacific, a fantasy come to life. That image is captured by “\u003ca href=\"https://joanshelley.bandcamp.com/track/stay-all-night\">Stay All Night\u003c/a>,” a seaside reflection from her quietly uneasy 2019 album,\u003ca href=\"https://joanshelley.bandcamp.com/album/like-the-river-loves-the-sea\"> \u003cem>Like the River Loves the Sea\u003c/em>\u003c/a>. She marvels at the vista but, in the final verse of her reverie, wonders how temporary it may be, hoping that “the waves don’t rise this high.” Actually, it was the opposite: On a recent return visit, that road was closed, nearby cliffs washed into the water by landslides.\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=3&v=3u4Pe2YHH-Y&feature=emb_logo\u003c/p>\n\u003cp>During the album’s arresting centerpiece, “\u003ca href=\"https://www.youtube.com/watch?v=3u4Pe2YHH-Y\">The Fading\u003c/a>,” Shelley retreats to Kentucky, the place Mark Twain (\u003ca href=\"https://oregonscribbler.com/mark-twain-i-want-to-be-in-kentucky-when-the-end-of-the-world-comes-because-they-are-always-20-years-behind/\">allegedly\u003c/a>) joked he’d like to be when the world ended, because it’s always years behind everywhere else. Shelley keys on that idea as she reclines to witness the natural world overrun the order we’ve imposed upon it. “I cheered the flood / when the water hit the wall and won,” she lilts, her cotton-soft voice temporarily stiffening. It’s a love song at, and for, the end of time, an exercise in appreciating what you’ve had the chance to cherish, whether it’s a drink of gin or a gentle lover or a lovely day.\u003c/p>\n\u003cp>Sometimes, Shelley admits, she turns off the news, because the devastation is too much to hear. As a songwriter, then, it was paramount to create a new way of approaching that helplessness, of facing those truths. These songs don’t protest reality—they simply acknowledge it.\u003c/p>\n\u003cp>“With the small rooms I play for, I’m hoping to give people tools for feeling where we may want to be numb. There’s a grief that is hard to admit to,” she says. “But through art, people can express those low-humming anxieties in a way that isn’t so hard to face.”\u003c/p>\n\u003cp>The sweetly wizened voice trailing Shelley’s during “The Fading” belongs to fellow Kentucky native Will Oldham. She, in turn, adds harmonies across \u003cem>I Made a Place\u003c/em>, Oldham’s first record as Bonnie “Prince” Billy in eight years. Moments of intense worry and woe linger in the record’s quiet corners, absorbing the light of these seemingly incandescent songs. During the album’s jaunty first verse, a home burns, part of a personal conflagration that Oldham suggests is spreading. And during the hypnotic “Nothing Is Busted,” a wounded woman and an oblivious man capture the dynamic between our ecosystem and our social order, a relationship hamstrung by the need for new things to sell, buy and discard. “This particular assemblage of molecules and memories someday soon may just run out of gas,” Oldham sings in one song’s closing verse without pausing to take so much as a breath, as if racing against the apocalypse.\u003c/p>\n\u003cp>For most of \u003cem>I Made a Place\u003c/em>, Oldham dances around or with these end times. But during “This Is Far From Over,” an acoustic stunner near the album’s center, he faces them with softness and resolve. Presumably written for his newborn daughter, the song conjures a world where rising tides force her to take to the sea as an adult, a continental refugee who will do her best to persevere. It is a tragic lullaby, a preemptive apology for the mess she will inherit. Despite the title, Oldham is neither blithe nor disingenuous, using the last verse to confront the possibility that new kinds of life will thrive in humanity’s absence. “The whole world’s far from over,” he sings in the final line at the edge of his falsetto, just where his voice might crack into tears.\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>“Our kids are being handed a rotten deal, everyone’s children,”\u003c/strong> says The National’s Matt Berninger, father to a 10-year-old daughter, Isla. “The Industrial Revolution gave the Earth a gaping wound not that long ago in the grand scheme, and it’s bleeding out fast. But a tipping point is happening, I think, in understanding how rigged that system is.”\u003c/p>\n\u003cp>The National have rarely been an overtly political band—Berninger has instead spent two decades mapping the darkest and most dangerous corners of his psyche. He’s worried out loud about\u003ca href=\"https://www.youtube.com/watch?v=gPp-3QSXf1g\"> handing down\u003c/a> his worst habits to Isla, about\u003ca href=\"https://www.youtube.com/watch?v=gsZmE95t2Yw\"> taking love too hard\u003c/a> for his own health, and about\u003ca href=\"https://www.youtube.com/watch?v=MxL_xRM0Wug\"> losing himself\u003c/a> in the\u003ca href=\"https://www.youtube.com/watch?v=dCfWAVRR794\"> strange alchemy\u003c/a> of lust and blood and booze. But now the peril of climate change has entered that matrix of considerations, part of “the soup of everyone’s minds and hearts all the time,” as he puts it, alongside sex and drugs and comedy and general dread.\u003c/p>\n\u003cp>In December 2018, Berninger was at a wedding just north of Los Angeles when a song sketch from The National’s Aaron Dessner arrived. Berninger woke up one morning before sunset and, while wandering the streets, unspooled 17 verses to the loop, a sort of living chronicle of his consciousness. There were headline anxieties about the alt-right and immigration, opinions about R.E.M. and The Bible, an interest in the seemingly infinite minimalism of artist\u003ca href=\"http://www.artnet.com/artists/hanne-darboven/evolution-leibniz-a-bSB3naI0qNnejm9Es8cqXw2\"> Hanne Darboven\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Po61rjjdUPs\u003c/p>\n\u003cp>When he sent the epic to Dessner and filmmaker and producer Mike Mills, they trimmed his diarist sprawl and added an unexpected twist: the dire verses of “\u003ca href=\"https://www.youtube.com/watch?v=FvFrSG37idM\">Noble Experiment\u003c/a>,” a waltz for the end of humanity, released by indie-rock eccentrics Thinking Fellers Union 282 in 1994. During the finished version, “\u003ca href=\"https://open.spotify.com/track/50DAgICmMnWaUVXQiLGlLx\">Not in Kansas\u003c/a>” from this year’s \u003cem>I Am Easy to Find\u003c/em>, a small choir intones those doomed words—”Be a fish or a weed or a sparrow / For the Earth has grown tired and all of your time has expired”—between Berninger’s own verses.\u003c/p>\n\u003cp>The National effectively nest the end of the world inside a laundry list of mundane thoughts; it’s like finding your own death certificate in the day’s otherwise ordinary mail. The world teems with distractions, “Not in Kansas” implies, to keep us from the crisis at the door.\u003c/p>\n\u003cp>“I don’t know how any artist isn’t talking about all of this stuff—sexism, racism, global warming, corporate corruption. I can’t spend time on a song now unless it’s somehow \u003cem>aware\u003c/em> of that stuff,” Berninger says. “Art has the responsibility to try to enlighten, instead of \u003cem>just\u003c/em> entertain. Pop music is still afraid to get into it, but not everyone.”\u003c/p>\n\u003cp>Perhaps the closest that recent pop has come to the subject is “\u003ca href=\"https://www.youtube.com/watch?v=4W9VYY5QpLg\">PARAD(w/m)E\u003c/a>,” a slyly sparkling 2018 single from the North Carolina duo Sylvan Esso. The tune is ebullient, with a chorus that sounds like a mechanized schoolyard chant and verses that shimmer like sunshine on the distant desert horizon. It’s possible to hear and even sing along without ever reflecting on its apocalyptic scenes—the gasless gas stations, the flora-less forests, the reprieve-less heat.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4W9VYY5QpLg\u003c/p>\n\u003cp>Singer Amelia Meath laughs ruefully about fans who show up to shows wearing homemade shirts reading “How’s that for manifesting our destiny,” having misinterpreted the song’s linchpin indictment as a self-help mantra fit for yogis. About halfway in, Nick Sanborn’s keyboards wobble from their glistening perch, slinking briefly into a morass beneath taunting handclaps. In the refrain, Meath’s proclamation of liberation—”We finally got free”—comes only after she reveals the cause: We’ve already ruined everything.\u003c/p>\n\u003cp>While “PARAD(w/m)E” never landed on \u003cem>Billboard\u003c/em>‘s charts, it suggests a clear framework for some future global-warming protest anthem, much like Billie Eilish’s subtly hypnotic “all the good girls go to hell”: lyrics so sharp listeners might not feel the knife, surrounded by music that celebrates whatever it is we’ve salvaged.\u003c/p>\n\u003cp>“No one likes the guy at the party who is just talking about horrible stuff all the time. But that’s me,” says Meath, smiling. She’s worked to weave such concerns into Sylvan Esso’s third LP, likely arriving in 2020, without being didactic. “That song is cloaked, very specifically, to be easy to swallow. That is the dream: Make the funnest music about the heaviest shit.”\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>In Iceland, mourners \u003c/strong>\u003ca href=\"https://www.usatoday.com/story/news/world/2019/08/19/okjokull-glacier-funeral-iceland-activists-establish-plaque/2049194001/\">\u003cstrong>hold\u003c/strong>\u003c/a>\u003cstrong> funerals for dead glaciers.\u003c/strong> In Washington state, a pioneering three-credit \u003ca href=\"https://www.uwb.edu/news/february-2018/environmental-grief\">course\u003c/a> called “Environmental Grief & Climate Anxiety: Coping in the Age of Consequences” teaches students how to sort through their despair and identify its sources. (The class subsequently became a\u003ca href=\"https://www.foxnews.com/us/global-warming-bringing-you-down-washington-state-offers-course-on-eco-anxiety-climate-grief.amp\"> Fox News punchline\u003c/a>.) And in magazines from\u003ca href=\"https://www.vogue.com/article/eco-anxiety-grief-mental-health-climate-change\"> \u003cem>Vogue\u003c/em>\u003c/a> to\u003ca href=\"https://www.vice.com/amp/en_uk/article/gy48d4/environmental-grief-climate-change-anxiety\"> \u003cem>Vice\u003c/em>\u003c/a>, recent articles about “eco-grief” signal the drift of these fears into the mainstream.\u003c/p>\n\u003cp>Songs about climate change are an inevitable, essential, and overdue component of that movement, a necessary response and tool for people “to process the truth and the existential dread,” as Berninger puts it. And while these songs have slowly started to accumulate during the last several years, it seems that we’re just at the edge of a new tide of them.\u003c/p>\n\u003cp>Next year, alongside new records from Sylvan Esso and The Weather Station, Grimes—a fringe pop star who has delighted in dancing at the edge of accessibility for a decade—will release\u003ca href=\"https://pitchfork.com/news/grimes-announces-new-album-miss-anthropocene/\"> \u003cem>Miss Anthropocene\u003c/em>\u003c/a>. “Each song will be a different embodiment of human extinction,” she has written. So far, its singles have mined the power dynamics of abusive relationships and the burden of despondency, topics that get to the nuance of the overarching issue.\u003c/p>\n\u003cp>In a presidential election year, when the United States is officially able \u003ca href=\"https://www.nytimes.com/2019/11/04/climate/trump-paris-agreement-climate.html\">to exit\u003c/a> the Paris Climate Agreement, Grimes likely won’t be alone, either in commiserating peers or coping listeners. The British singer-songwriter Bill Fay, now in his late 70s, touches on the topic for \u003ca href=\"https://pitchfork.com/news/bill-fay-announces-new-album-countless-branches-shares-new-song-listen/\">\u003cem>Countless Branches\u003c/em>\u003c/a>, due in January, while buzzy LA producer \u003ca href=\"http://shallou.com\">Shallou\u003c/a> cloaks concerns about environmental collapse in breakup imagery on an album due next summer.\u003c/p>\n\u003cp>None of these songwriters work under the illusion that these tunes, however poppy or plainspoken, will literally \u003cem>fix\u003c/em> anything, from reversing President Donald Trump’s confusing climate-change \u003ca href=\"https://time.com/5622374/donald-trump-climate-change-hoax-event/\">denial\u003c/a> to adjusting people’s disposable plastic habits. As working musicians, they have practical issues of their own to navigate, anyway, as the mechanisms of distribution for their work—be it a server churning through electricity or\u003ca href=\"https://www.google.com/amp/s/www.vice.com/amp/en_uk/article/9kz3y5/this-is-how-bad-your-vinyl-obsession-is-for-the-world\"> an LP made with petroleum\u003c/a> or a tour bus burning gas—inextricably entail a carbon footprint for now. Coldplay \u003ca href=\"https://news.yahoo.com/coldplay-postpones-future-global-tours-climate-change-fears-135905727.html\">won’t tour\u003c/a> behind their recent \u003cem>Everyday Life\u003c/em> until they can do so in a carbon-neutral way, a powerful stand from one of the world’s biggest bands but a strategy that’s not yet sustainable for small acts working merely for their living. It’s the essential friction of making and selling art that questions capitalist foundations.\u003c/p>\n\u003cp>But for now, these songs simply exist for the people who need them, their writers included. They’re not expressions of what they know or what they want you to do but only how they feel—and implicit permission slips for you to feel that way, too.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“I’m not hoping to shine a light on something for anybody. Everything that needs to be said is being said really clearly,” says Mills, referring to scientists and policy experts who know and can articulate what he cannot. “But my song is about how we’re reacting to that information. And despair in music can help soak up the despair of the people listening.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/em>\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Music+For+Our+Emergency&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Greta Thunberg did not sail across the Atlantic Ocean\u003ca href=\"https://news.un.org/en/story/2019/08/1045161\"> for two weeks\u003c/a> to become a lead singer. But, just days after the 16-year-old proselytizer\u003ca href=\"https://www.npr.org/2019/09/23/763452863/transcript-greta-thunbergs-speech-at-the-u-n-climate-action-summit\"> censured\u003c/a> a room of world leaders many times her age for their shared “fairy tales of eternal economic growth,” the internet made her one, anyway.\u003c/p>\n\u003cp>The most impassioned moments of Thunberg’s September sermon at the United Nations quickly sprouted musical memes. In New York, a drummer \u003ca href=\"https://www.rollingstone.com/culture/culture-news/greta-thunberg-swedish-death-metal-892000/\">growled\u003c/a> her words above relentless Swedish death metal, a nod to her homeland that doubled as a fundraising blunderbuss for Greenpeace. Two producers turned the speech into bombastic electronica, with roaring choirs and stomping boots\u003ca href=\"https://www.youtube.com/watch?v=5GOoajKDIME\"> set to scenes\u003c/a> of forests burning and children marching. And another\u003ca href=\"https://www.youtube.com/watch?v=ABIbH-LtpFs\"> mashed\u003c/a> the day’s \u003cem>cri de cœur\u003c/em>—”Right here, right now is where we draw the line.”—with the Fatboy Slim hit “Right Here, Right Now.” Just days later, Slim himself slipped it into a live set, \u003ca href=\"https://www.youtube.com/watch?v=bWvFcR7UtAI\">sending \u003c/a>his audience into a tizzy.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zpWftLOWXLY'\n title='//www.youtube.com/embed/zpWftLOWXLY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Environmentalism in music is nothing new, of course. A full quarter-century before James Hansen \u003ca href=\"https://www.nytimes.com/1988/06/24/us/global-warming-has-begun-expert-tells-senate.html\">told Congress\u003c/a> that humans were changing their climate, Peter La Farge, an indigenous songwriter from the Southwest, repeatedly warned of environmental devastation on 1963’s\u003ca href=\"https://folkways.si.edu/peter-la-farge/as-long-as-the-grass-shall-grow-sings-of-the-indians/american-folk-american-indian/music/album/smithsonian\"> \u003cem>As Long as the Grass Shall\u003c/em> \u003cem>Grow\u003c/em>\u003c/a>, a remarkable album of Native American laments about the various plagues of pioneers. From Joni Mitchell \u003ca href=\"https://www.youtube.com/watch?v=94bdMSCdw20\">singing\u003c/a> of the birds, bees and DDT to Neil Young\u003ca href=\"https://www.youtube.com/watch?v=33N8M6tQ4e0\"> rhapsodizing\u003c/a> of “Mother Earth / and her healing ways” in 1990 (or\u003ca href=\"https://www.youtube.com/watch?v=LaaJCJvFP9M\"> grousing\u003c/a> about “old white guys trying to kill mother nature” in 2019), the stars of the ’60s and ’70s have often stepped into a\u003ca href=\"https://www.nrdc.org/stories/story-silent-spring\"> post-\u003cem>Silent Spring\u003c/em>\u003c/a> fray.\u003c/p>\n\u003cp>It’s never stopped, really: Depeche Mode\u003ca href=\"https://www.youtube.com/watch?v=VwS5WexDVHI\"> sang\u003c/a> of forests dying and streams putrefying in 1983, presciently alluding to climate-science deniers. One of Dave Matthews’ earliest songs, “\u003ca href=\"https://www.youtube.com/watch?v=sdLj0c9iaEA\">One Sweet World\u003c/a>,” inspired a Ben & Jerry’s flavor that has raised tens of thousands of dollars for an\u003ca href=\"http://saveourenvironment.org/\"> environmental coalition\u003c/a>. There are\u003ca href=\"https://www.youtube.com/watch?v=I3skR9wQL8s\"> entire milieus\u003c/a> of metal and punk devoted to socioecological unsustainability, realms where\u003ca href=\"https://www.youtube.com/watch?v=8uiADLX1ZXc\"> nuclear weapons\u003c/a> and\u003ca href=\"https://www.youtube.com/watch?v=3QjXtrQKf88\"> animal agriculture\u003c/a> share culpability. On her second album, Miley Cyrus wrote a\u003ca href=\"https://www.youtube.com/watch?v=YNEZp8BWGEU\"> rock song\u003c/a> about “going green,” while Anohni sardonically\u003ca href=\"https://www.youtube.com/watch?v=Fi0q0O4V5Qs\"> longed\u003c/a> for it all to burn—”dogs crying for water… fish go belly-up in the sea”—above demonic horns and militant drums on “4 Degrees.” Mos Def has\u003ca href=\"https://www.youtube.com/watch?v=2N5Bk8FMw9Y\"> rapped\u003c/a> about the money-hungry ruining the water supply. And even Smash Mouth tried to alarm us about the corroding ozone layer and melting ice shelf during “All Star,” that song from\u003ca href=\"https://www.youtube.com/watch?v=Uo2SNtFofWI\"> \u003cem>Shrek\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Thunberg’s unlikely ascendance as a source of inspiring samples highlights something that’s missing: a song that helps us sort through our globally mounting anxiety about climate change and our role in our own potential doom, an actual anthem that propels people towards action. Despite its news-cycle ubiquity and increasing threat of globe-altering impacts, songs touching on climate change have rarely crossed the threshold of the mainstream, existing instead as a distant flicker on the radar of our collective awareness. “Big Yellow Taxi,” perhaps as close as we’ve gotten to a unifying environmental ode, turns 50 next year; it’s been so ubiquitous for so long it feels as pat as an advertising jingle.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/94bdMSCdw20'\n title='//www.youtube.com/embed/94bdMSCdw20'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In the last few years, however, global warming and the intense feelings it fosters have begun to creep subtly into lyrics where you may overlook them, a quiet corollary to a movement \u003ca href=\"https://pitchfork.com/thepitch/how-experimental-musicians-are-soundtracking-the-end-of-the-world/\">spider-webbing\u003c/a> through electronic music. Songwriters are increasingly treating climate unease like the very air we breathe or the technology we use—a part of life with which we must reckon and reconcile, like love or lust or loss.\u003c/p>\n\u003cp>These new tunes aren’t protest songs as we think of them, and they don’t shoehorn motivational slogans into their choruses; they are reflections of a reality lived under the specter of global collapse, the evidence of our personal adjustments to an anxiously indeterminate present and future. And their writers, unlike Thunberg, aren’t looking to proselytize to world leaders or to synthesize scientific research into an empowering single—they’re not the experts, after all. They’re just people offering others a way to sort through what’s happening, even to mourn what’s already been lost. It’s the difference between a command and a confession, a lecture and a conversation.\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>“We’re afraid of darkness. We’re afraid of endings. We’re afraid of death,”\u003c/strong> says Tamara Lindeman, a Canadian singer whose work as The Weather Station has started \u003ca href=\"https://theweatherstation.bandcamp.com/track/the-most-dangerous-thing-about-you\">to integrate\u003c/a> snippets of impending disaster into her songs. Her next album, due in 2020, commits to the subject. “To look at something so profoundly devastating is so scary, but it’s powerful if you can allow yourself to feel those feelings. You can stop hiding from it. Having that experience through art is healthy.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/mcPDgWMkEiM'\n title='//www.youtube.com/embed/mcPDgWMkEiM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Some of these newer songs confront global warming like a mammoth sparring partner, squaring up to the subject wielding rhetoric like fists. Andrew Bird’s “\u003ca href=\"https://www.youtube.com/watch?v=Pv68Kivrl5g\">Manifest\u003c/a>” sounds as breezy as a Sunday stroll through the Laurel Canyon, with licks of whistling and gliding strings. But in the first verse, he renounces the United States’ westward sprawl, condemning a country of unfaithful stewards. He gazes at the ocean with anxiety and ponders the way we burn ancient organisms—the fossils in our fossil fuels—just to drive to the grocery store. During 2016’s “\u003ca href=\"https://www.youtube.com/watch?v=X_UKDPR7k_E\">Generation Why\u003c/a>,” Weyes Blood offers her fearful vision like she’s reading the evening news: “It’s not the past that scares me / Now what a great future this is gonna be.” She spells out “YOLO” during the hook, her mind caught in the evermore-tight vice between modern indulgence and future existence.\u003c/p>\n\u003cp>Others, though, are almost subliminal in their climate change invocations. Justin Vernon hides his worry in plain sight during Bon Iver’s “\u003ca href=\"https://www.youtube.com/watch?v=oIzFg4eEvbQ\">Holyfields\u003c/a>.” With his clutched falsetto, he renders “The dawn is rising / the land ain’t rising” almost as an aside, as if the circumstances of\u003ca href=\"https://www.washingtonpost.com/lifestyle/kidspost/high-tides-flood-venice-for-third-time-in-one-week/2019/11/18/ad73a1f8-0701-11ea-ac12-3325d49eacaa_story.html\"> modern Venice\u003c/a> and\u003ca href=\"https://www.nytimes.com/interactive/2019/10/29/climate/coastal-cities-underwater.html\"> future\u003c/a> Mumbai, Bangkok and Miami are so obvious they’re best left coded. Lana Del Rey slips her own stark observations into the final verse of “\u003ca href=\"https://www.youtube.com/watch?v=LrSX_OcpeJg\">The Greatest\u003c/a>,” calmly inserting a note about wildfires and eternal heat waves between lines about Kanye West’s blond hair and Hawaii’s bomb scare. On a song where “the culture is lit,” it’s a lyrical detail that’s easy to miss—just as it’s possible to overlook that, on the album’s \u003ca href=\"https://images.app.goo.gl/NyMxNWrxnBe1idkz5\">cover\u003c/a>, California is burning.\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>Blake Mills knows that coastline in flames well.\u003c/strong>\u003c/p>\n\u003cp>Born in Santa Monica and raised in Malibu, the songwriter and star producer, once\u003ca href=\"https://www.nytimes.com/2014/09/16/arts/music/blake-mills-releases-his-second-album-heigh-ho.html\"> called\u003c/a> “the last guitarist I heard that I thought was phenomenal” by Eric Clapton, is conditioned to months of perpetually balmy days, interrupted with occasional downpours as fall slides into winter. But a few years ago that rain was slow to come, and the landscape around Los Angeles felt like a tinderbox. When, at last, storms arrived, a friend joked to Mills that maybe it would be the last rain ever for Los Angeles. The storm’s petrichor, Mills remembers, smelled of nostalgia.\u003c/p>\n\u003cp>Mills sat down at his piano and began to ponder what that might mean. The result—a sobering, tender ballad called “Summer All Over”—teeters at the threshold of hope and despair. With his sigh caked on the keys like mud at the bottom of some drought-devastated lake, Mills tempers his quiet horror by “looking for laughter, looking for kindness,” for any human quality that aims to right our colossal wrongs. Mills captures that seesaw of feelings musically with a pervasive flicker of melodic dissonance. Electronics drift in the background, like smog hovering above a troubled valley.\u003c/p>\n\u003cp>“Writing about the season of summer inherently evokes a Beach Boys vibe, maybe because I’m in Los Angeles,” says Mills, who penned the song with Cass McCombs and hopes to release it on his third album. “But the implication of the warmest season happening all over the world at the same time is an ‘endless summer.’ ”\u003c/p>\n\u003cp>He notes the sad irony of a term that, less than 50 years ago, belonged to\u003ca href=\"https://open.spotify.com/album/05J8PFXdYKeYNb8YjqqJYr\"> a relatively carefree\u003c/a> Beach Boys collection. But “Summer All Over,” an enticing title that suggests burnished bodies on a California shoreline, is tragically beautiful, a warm hug from an old ghost. Rock and roll can’t be all good times on the bleeding edge of environmental ruin.\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>While touring for the last several years,\u003c/strong> Kentucky songwriter Joan Shelley came to similar epiphanies along the California coast. Not long ago, she was driving north from Los Angeles to Seattle between shows, marveling at the scenery along California’s fabled Highway 1. She remembers the cliffs and the sunlight glittering on the Pacific, a fantasy come to life. That image is captured by “\u003ca href=\"https://joanshelley.bandcamp.com/track/stay-all-night\">Stay All Night\u003c/a>,” a seaside reflection from her quietly uneasy 2019 album,\u003ca href=\"https://joanshelley.bandcamp.com/album/like-the-river-loves-the-sea\"> \u003cem>Like the River Loves the Sea\u003c/em>\u003c/a>. She marvels at the vista but, in the final verse of her reverie, wonders how temporary it may be, hoping that “the waves don’t rise this high.” Actually, it was the opposite: On a recent return visit, that road was closed, nearby cliffs washed into the water by landslides.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3u4Pe2YHH-Y'\n title='//www.youtube.com/embed/3u4Pe2YHH-Y'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>During the album’s arresting centerpiece, “\u003ca href=\"https://www.youtube.com/watch?v=3u4Pe2YHH-Y\">The Fading\u003c/a>,” Shelley retreats to Kentucky, the place Mark Twain (\u003ca href=\"https://oregonscribbler.com/mark-twain-i-want-to-be-in-kentucky-when-the-end-of-the-world-comes-because-they-are-always-20-years-behind/\">allegedly\u003c/a>) joked he’d like to be when the world ended, because it’s always years behind everywhere else. Shelley keys on that idea as she reclines to witness the natural world overrun the order we’ve imposed upon it. “I cheered the flood / when the water hit the wall and won,” she lilts, her cotton-soft voice temporarily stiffening. It’s a love song at, and for, the end of time, an exercise in appreciating what you’ve had the chance to cherish, whether it’s a drink of gin or a gentle lover or a lovely day.\u003c/p>\n\u003cp>Sometimes, Shelley admits, she turns off the news, because the devastation is too much to hear. As a songwriter, then, it was paramount to create a new way of approaching that helplessness, of facing those truths. These songs don’t protest reality—they simply acknowledge it.\u003c/p>\n\u003cp>“With the small rooms I play for, I’m hoping to give people tools for feeling where we may want to be numb. There’s a grief that is hard to admit to,” she says. “But through art, people can express those low-humming anxieties in a way that isn’t so hard to face.”\u003c/p>\n\u003cp>The sweetly wizened voice trailing Shelley’s during “The Fading” belongs to fellow Kentucky native Will Oldham. She, in turn, adds harmonies across \u003cem>I Made a Place\u003c/em>, Oldham’s first record as Bonnie “Prince” Billy in eight years. Moments of intense worry and woe linger in the record’s quiet corners, absorbing the light of these seemingly incandescent songs. During the album’s jaunty first verse, a home burns, part of a personal conflagration that Oldham suggests is spreading. And during the hypnotic “Nothing Is Busted,” a wounded woman and an oblivious man capture the dynamic between our ecosystem and our social order, a relationship hamstrung by the need for new things to sell, buy and discard. “This particular assemblage of molecules and memories someday soon may just run out of gas,” Oldham sings in one song’s closing verse without pausing to take so much as a breath, as if racing against the apocalypse.\u003c/p>\n\u003cp>For most of \u003cem>I Made a Place\u003c/em>, Oldham dances around or with these end times. But during “This Is Far From Over,” an acoustic stunner near the album’s center, he faces them with softness and resolve. Presumably written for his newborn daughter, the song conjures a world where rising tides force her to take to the sea as an adult, a continental refugee who will do her best to persevere. It is a tragic lullaby, a preemptive apology for the mess she will inherit. Despite the title, Oldham is neither blithe nor disingenuous, using the last verse to confront the possibility that new kinds of life will thrive in humanity’s absence. “The whole world’s far from over,” he sings in the final line at the edge of his falsetto, just where his voice might crack into tears.\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>“Our kids are being handed a rotten deal, everyone’s children,”\u003c/strong> says The National’s Matt Berninger, father to a 10-year-old daughter, Isla. “The Industrial Revolution gave the Earth a gaping wound not that long ago in the grand scheme, and it’s bleeding out fast. But a tipping point is happening, I think, in understanding how rigged that system is.”\u003c/p>\n\u003cp>The National have rarely been an overtly political band—Berninger has instead spent two decades mapping the darkest and most dangerous corners of his psyche. He’s worried out loud about\u003ca href=\"https://www.youtube.com/watch?v=gPp-3QSXf1g\"> handing down\u003c/a> his worst habits to Isla, about\u003ca href=\"https://www.youtube.com/watch?v=gsZmE95t2Yw\"> taking love too hard\u003c/a> for his own health, and about\u003ca href=\"https://www.youtube.com/watch?v=MxL_xRM0Wug\"> losing himself\u003c/a> in the\u003ca href=\"https://www.youtube.com/watch?v=dCfWAVRR794\"> strange alchemy\u003c/a> of lust and blood and booze. But now the peril of climate change has entered that matrix of considerations, part of “the soup of everyone’s minds and hearts all the time,” as he puts it, alongside sex and drugs and comedy and general dread.\u003c/p>\n\u003cp>In December 2018, Berninger was at a wedding just north of Los Angeles when a song sketch from The National’s Aaron Dessner arrived. Berninger woke up one morning before sunset and, while wandering the streets, unspooled 17 verses to the loop, a sort of living chronicle of his consciousness. There were headline anxieties about the alt-right and immigration, opinions about R.E.M. and The Bible, an interest in the seemingly infinite minimalism of artist\u003ca href=\"http://www.artnet.com/artists/hanne-darboven/evolution-leibniz-a-bSB3naI0qNnejm9Es8cqXw2\"> Hanne Darboven\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Po61rjjdUPs'\n title='//www.youtube.com/embed/Po61rjjdUPs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>When he sent the epic to Dessner and filmmaker and producer Mike Mills, they trimmed his diarist sprawl and added an unexpected twist: the dire verses of “\u003ca href=\"https://www.youtube.com/watch?v=FvFrSG37idM\">Noble Experiment\u003c/a>,” a waltz for the end of humanity, released by indie-rock eccentrics Thinking Fellers Union 282 in 1994. During the finished version, “\u003ca href=\"https://open.spotify.com/track/50DAgICmMnWaUVXQiLGlLx\">Not in Kansas\u003c/a>” from this year’s \u003cem>I Am Easy to Find\u003c/em>, a small choir intones those doomed words—”Be a fish or a weed or a sparrow / For the Earth has grown tired and all of your time has expired”—between Berninger’s own verses.\u003c/p>\n\u003cp>The National effectively nest the end of the world inside a laundry list of mundane thoughts; it’s like finding your own death certificate in the day’s otherwise ordinary mail. The world teems with distractions, “Not in Kansas” implies, to keep us from the crisis at the door.\u003c/p>\n\u003cp>“I don’t know how any artist isn’t talking about all of this stuff—sexism, racism, global warming, corporate corruption. I can’t spend time on a song now unless it’s somehow \u003cem>aware\u003c/em> of that stuff,” Berninger says. “Art has the responsibility to try to enlighten, instead of \u003cem>just\u003c/em> entertain. Pop music is still afraid to get into it, but not everyone.”\u003c/p>\n\u003cp>Perhaps the closest that recent pop has come to the subject is “\u003ca href=\"https://www.youtube.com/watch?v=4W9VYY5QpLg\">PARAD(w/m)E\u003c/a>,” a slyly sparkling 2018 single from the North Carolina duo Sylvan Esso. The tune is ebullient, with a chorus that sounds like a mechanized schoolyard chant and verses that shimmer like sunshine on the distant desert horizon. It’s possible to hear and even sing along without ever reflecting on its apocalyptic scenes—the gasless gas stations, the flora-less forests, the reprieve-less heat.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4W9VYY5QpLg'\n title='//www.youtube.com/embed/4W9VYY5QpLg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Singer Amelia Meath laughs ruefully about fans who show up to shows wearing homemade shirts reading “How’s that for manifesting our destiny,” having misinterpreted the song’s linchpin indictment as a self-help mantra fit for yogis. About halfway in, Nick Sanborn’s keyboards wobble from their glistening perch, slinking briefly into a morass beneath taunting handclaps. In the refrain, Meath’s proclamation of liberation—”We finally got free”—comes only after she reveals the cause: We’ve already ruined everything.\u003c/p>\n\u003cp>While “PARAD(w/m)E” never landed on \u003cem>Billboard\u003c/em>‘s charts, it suggests a clear framework for some future global-warming protest anthem, much like Billie Eilish’s subtly hypnotic “all the good girls go to hell”: lyrics so sharp listeners might not feel the knife, surrounded by music that celebrates whatever it is we’ve salvaged.\u003c/p>\n\u003cp>“No one likes the guy at the party who is just talking about horrible stuff all the time. But that’s me,” says Meath, smiling. She’s worked to weave such concerns into Sylvan Esso’s third LP, likely arriving in 2020, without being didactic. “That song is cloaked, very specifically, to be easy to swallow. That is the dream: Make the funnest music about the heaviest shit.”\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>In Iceland, mourners \u003c/strong>\u003ca href=\"https://www.usatoday.com/story/news/world/2019/08/19/okjokull-glacier-funeral-iceland-activists-establish-plaque/2049194001/\">\u003cstrong>hold\u003c/strong>\u003c/a>\u003cstrong> funerals for dead glaciers.\u003c/strong> In Washington state, a pioneering three-credit \u003ca href=\"https://www.uwb.edu/news/february-2018/environmental-grief\">course\u003c/a> called “Environmental Grief & Climate Anxiety: Coping in the Age of Consequences” teaches students how to sort through their despair and identify its sources. (The class subsequently became a\u003ca href=\"https://www.foxnews.com/us/global-warming-bringing-you-down-washington-state-offers-course-on-eco-anxiety-climate-grief.amp\"> Fox News punchline\u003c/a>.) And in magazines from\u003ca href=\"https://www.vogue.com/article/eco-anxiety-grief-mental-health-climate-change\"> \u003cem>Vogue\u003c/em>\u003c/a> to\u003ca href=\"https://www.vice.com/amp/en_uk/article/gy48d4/environmental-grief-climate-change-anxiety\"> \u003cem>Vice\u003c/em>\u003c/a>, recent articles about “eco-grief” signal the drift of these fears into the mainstream.\u003c/p>\n\u003cp>Songs about climate change are an inevitable, essential, and overdue component of that movement, a necessary response and tool for people “to process the truth and the existential dread,” as Berninger puts it. And while these songs have slowly started to accumulate during the last several years, it seems that we’re just at the edge of a new tide of them.\u003c/p>\n\u003cp>Next year, alongside new records from Sylvan Esso and The Weather Station, Grimes—a fringe pop star who has delighted in dancing at the edge of accessibility for a decade—will release\u003ca href=\"https://pitchfork.com/news/grimes-announces-new-album-miss-anthropocene/\"> \u003cem>Miss Anthropocene\u003c/em>\u003c/a>. “Each song will be a different embodiment of human extinction,” she has written. So far, its singles have mined the power dynamics of abusive relationships and the burden of despondency, topics that get to the nuance of the overarching issue.\u003c/p>\n\u003cp>In a presidential election year, when the United States is officially able \u003ca href=\"https://www.nytimes.com/2019/11/04/climate/trump-paris-agreement-climate.html\">to exit\u003c/a> the Paris Climate Agreement, Grimes likely won’t be alone, either in commiserating peers or coping listeners. The British singer-songwriter Bill Fay, now in his late 70s, touches on the topic for \u003ca href=\"https://pitchfork.com/news/bill-fay-announces-new-album-countless-branches-shares-new-song-listen/\">\u003cem>Countless Branches\u003c/em>\u003c/a>, due in January, while buzzy LA producer \u003ca href=\"http://shallou.com\">Shallou\u003c/a> cloaks concerns about environmental collapse in breakup imagery on an album due next summer.\u003c/p>\n\u003cp>None of these songwriters work under the illusion that these tunes, however poppy or plainspoken, will literally \u003cem>fix\u003c/em> anything, from reversing President Donald Trump’s confusing climate-change \u003ca href=\"https://time.com/5622374/donald-trump-climate-change-hoax-event/\">denial\u003c/a> to adjusting people’s disposable plastic habits. As working musicians, they have practical issues of their own to navigate, anyway, as the mechanisms of distribution for their work—be it a server churning through electricity or\u003ca href=\"https://www.google.com/amp/s/www.vice.com/amp/en_uk/article/9kz3y5/this-is-how-bad-your-vinyl-obsession-is-for-the-world\"> an LP made with petroleum\u003c/a> or a tour bus burning gas—inextricably entail a carbon footprint for now. Coldplay \u003ca href=\"https://news.yahoo.com/coldplay-postpones-future-global-tours-climate-change-fears-135905727.html\">won’t tour\u003c/a> behind their recent \u003cem>Everyday Life\u003c/em> until they can do so in a carbon-neutral way, a powerful stand from one of the world’s biggest bands but a strategy that’s not yet sustainable for small acts working merely for their living. It’s the essential friction of making and selling art that questions capitalist foundations.\u003c/p>\n\u003cp>But for now, these songs simply exist for the people who need them, their writers included. They’re not expressions of what they know or what they want you to do but only how they feel—and implicit permission slips for you to feel that way, too.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I’m not hoping to shine a light on something for anybody. Everything that needs to be said is being said really clearly,” says Mills, referring to scientists and policy experts who know and can articulate what he cannot. “But my song is about how we’re reacting to that information. And despair in music can help soak up the despair of the people listening.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/em>\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Music+For+Our+Emergency&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"order": 8
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"hyphenacion": {
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
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"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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"latino-usa": {
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"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
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"source": "American Public Media"
},
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"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"meta": {
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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