Oakland Artists Organize a Town Hall to Shape the City Budget
Artists Team up With Critical Resistance to Make Prison Abolition Irresistible
What Would a Police-Free Oakland Look Like?
How Artists Can Instigate Social Change, According to a New Guide
Meet the Screenprinters and Artists Behind the Oakland Teachers Strike
The Recipe for Radical Visibility and Chilaquiles (with a Side of Kale Salad)
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He has worked as an editor and columnist at the \u003cem>East Bay Express\u003c/em>, \u003cem>SF Weekly \u003c/em>and Impose Magazine, and his journalism and criticism has appeared in \u003cem>The New York Times\u003c/em>, the Guardian and Pitchfork.","avatar":"https://secure.gravatar.com/avatar/143b570c3dec13ae74c6aa2369b04fc8?s=600&d=blank&r=g","twitter":"Lefebvre_Sam","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["author"]}],"headData":{"title":"Sam Lefebvre | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/143b570c3dec13ae74c6aa2369b04fc8?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/143b570c3dec13ae74c6aa2369b04fc8?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/slefebvre"},"cescobar":{"type":"authors","id":"11241","meta":{"index":"authors_1591205172","id":"11241","found":true},"name":"Claudia Escobar","firstName":"Claudia","lastName":"Escobar","slug":"cescobar","email":"cescobar@kqed.org","display_author_email":false,"staff_mastheads":[],"title":"KQED Contributor","bio":"Tropical latin visual story teller extraordinaire! bread maker apprentice.","avatar":"https://secure.gravatar.com/avatar/88fd5f70de3d9e639900002806a7a708?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["author"]},{"site":"news","roles":["author"]}],"headData":{"title":"Claudia Escobar | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/88fd5f70de3d9e639900002806a7a708?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/88fd5f70de3d9e639900002806a7a708?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/cescobar"},"nvoynovskaya":{"type":"authors","id":"11387","meta":{"index":"authors_1591205172","id":"11387","found":true},"name":"Nastia Voynovskaya","firstName":"Nastia","lastName":"Voynovskaya","slug":"nvoynovskaya","email":"nvoynovskaya@kqed.org","display_author_email":false,"staff_mastheads":["arts"],"title":"Associate Editor","bio":"Nastia Voynovskaya is a Russian-born journalist raised in the Bay Area and Tampa, Florida. She's the associate editor at KQED Arts & Culture. She's the recipient of the 2018 Society of Professional Journalists-Northern California award for arts & culture reporting. In 2021, a retrospective of the 2010s she edited and creative directed, Our Turbulent Decade, received the SPJ-NorCal award for web design. Nastia's work has been published in NPR Music, \u003cem>San Francisco Chronicle\u003c/em>, VICE, Paste Magazine, Bandcamp and SF MoMA Open Space. Previously, she served as music editor at \u003cem>East Bay Express\u003c/em> and online editor at \u003cem>Hi-Fructose Magazine\u003c/em>. She holds a B.A. in comparative literature from UC Berkeley.","avatar":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g","twitter":"nananastia","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["administrator"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["administrator"]},{"site":"bayareabites","roles":["editor"]},{"site":"podcasts","roles":["editor"]},{"site":"hiphop","roles":["editor"]}],"headData":{"title":"Nastia Voynovskaya | KQED","description":"Associate Editor","ogImgSrc":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g","twImgSrc":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g"},"isLoading":false,"link":"/author/nvoynovskaya"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13897464":{"type":"posts","id":"arts_13897464","meta":{"index":"posts_1591205157","site":"arts","id":"13897464","score":null,"sort":[1621461374000]},"guestAuthors":[],"slug":"oakland-artists-organize-a-town-hall-to-shape-the-city-budget","title":"Oakland Artists Organize a Town Hall to Shape the City Budget","publishDate":1621461374,"format":"standard","headTitle":"Oakland Artists Organize a Town Hall to Shape the City Budget | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>With the grief and isolation of the pandemic, many have referred to artists as “second responders” to the crisis. It was the creative people in our communities, after all, whose music, poetry and murals got us through this dark time. And in a more literal sense, artists were often on the forefront of protests and mutual aid efforts, advocating for racial justice and community care.\u003c/p>\n\u003cp>In that spirit, a group of Oakland artists wants to help shape the city’s 2021–23 budget, and they’re planning a virtual town hall to advocate for themselves and their communities on May 25.\u003c/p>\n\u003cp>Right now, Oakland residents have an opportunity to give their input before the next city budget is set in stone. Mayor Libby Schaaf published her \u003ca href=\"https://stories.opengov.com/oaklandca/published/2O53-Vkqy\" target=\"_blank\" rel=\"noopener noreferrer\">budget proposal\u003c/a> on May 7, and it includes a plan to allocate $448,731 for arts grants and events in the 2021–22 fiscal year and $573,930 in 2022–23. More controversially, her budget proposal \u003ca href=\"https://oaklandside.org/2021/05/07/mayor-libby-schaaf-2021-2023-oakland-budget-proposal-police-reimagine/\" target=\"_blank\" rel=\"noopener noreferrer\">seeks to increase police spending by 8%\u003c/a> at a time when many community advocates have called to reallocate funds from the police to social services. The city council will need to approve the final budget by June 30, and council members are currently soliciting feedback from their constituents. [aside postid='news_11873608']\u003c/p>\n\u003cp>The \u003ca href=\"https://www.eventbrite.com/e/artists-in-action-virtual-town-hall-on-the-future-of-oakland-artists-tickets-154646476775\" target=\"_blank\" rel=\"noopener noreferrer\">Artists in Action\u003c/a> virtual town hall on May 25 invites participants to bring their ideas and voices, and join a slate of artists and activists advocating for racial and economic justice. Speakers include pianist and MC Kev Choice, who is on the Oakland Cultural Affairs Commission; artist and activist RyanNicole; liz suk of Oakland Rising, an organization that advocates for low-income people of color; James Burch of the Anti Police-Terror Project and Defund Police Coalition; artist Favianna Rodriguez, who is president of the Center for Cultural Power; and many more.\u003c/p>\n\u003cp>More details about the town hall can be found \u003ca href=\"https://www.eventbrite.com/e/artists-in-action-virtual-town-hall-on-the-future-of-oakland-artists-tickets-154646476775\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"A coalition of artists advocating for racial and economic justice invite the community to organize with them.","status":"publish","parent":0,"modified":1705008352,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":7,"wordCount":325},"headData":{"title":"Oakland Artists Organize a Town Hall to Shape the City Budget | KQED","description":"A coalition of artists advocating for racial and economic justice invite the community to organize with them.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Oakland Artists Organize a Town Hall to Shape the City Budget","datePublished":"2021-05-19T21:56:14.000Z","dateModified":"2024-01-11T21:25:52.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13897464/oakland-artists-organize-a-town-hall-to-shape-the-city-budget","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>With the grief and isolation of the pandemic, many have referred to artists as “second responders” to the crisis. It was the creative people in our communities, after all, whose music, poetry and murals got us through this dark time. And in a more literal sense, artists were often on the forefront of protests and mutual aid efforts, advocating for racial justice and community care.\u003c/p>\n\u003cp>In that spirit, a group of Oakland artists wants to help shape the city’s 2021–23 budget, and they’re planning a virtual town hall to advocate for themselves and their communities on May 25.\u003c/p>\n\u003cp>Right now, Oakland residents have an opportunity to give their input before the next city budget is set in stone. Mayor Libby Schaaf published her \u003ca href=\"https://stories.opengov.com/oaklandca/published/2O53-Vkqy\" target=\"_blank\" rel=\"noopener noreferrer\">budget proposal\u003c/a> on May 7, and it includes a plan to allocate $448,731 for arts grants and events in the 2021–22 fiscal year and $573,930 in 2022–23. More controversially, her budget proposal \u003ca href=\"https://oaklandside.org/2021/05/07/mayor-libby-schaaf-2021-2023-oakland-budget-proposal-police-reimagine/\" target=\"_blank\" rel=\"noopener noreferrer\">seeks to increase police spending by 8%\u003c/a> at a time when many community advocates have called to reallocate funds from the police to social services. The city council will need to approve the final budget by June 30, and council members are currently soliciting feedback from their constituents. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11873608","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.eventbrite.com/e/artists-in-action-virtual-town-hall-on-the-future-of-oakland-artists-tickets-154646476775\" target=\"_blank\" rel=\"noopener noreferrer\">Artists in Action\u003c/a> virtual town hall on May 25 invites participants to bring their ideas and voices, and join a slate of artists and activists advocating for racial and economic justice. Speakers include pianist and MC Kev Choice, who is on the Oakland Cultural Affairs Commission; artist and activist RyanNicole; liz suk of Oakland Rising, an organization that advocates for low-income people of color; James Burch of the Anti Police-Terror Project and Defund Police Coalition; artist Favianna Rodriguez, who is president of the Center for Cultural Power; and many more.\u003c/p>\n\u003cp>More details about the town hall can be found \u003ca href=\"https://www.eventbrite.com/e/artists-in-action-virtual-town-hall-on-the-future-of-oakland-artists-tickets-154646476775\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13897464/oakland-artists-organize-a-town-hall-to-shape-the-city-budget","authors":["11387"],"programs":["arts_140"],"categories":["arts_1"],"tags":["arts_3149","arts_831","arts_5371","arts_1143","arts_585"],"featImg":"arts_13881578","label":"arts_140"},"arts_13886700":{"type":"posts","id":"arts_13886700","meta":{"index":"posts_1591205157","site":"arts","id":"13886700","score":null,"sort":[1600817418000]},"guestAuthors":[],"slug":"artists-team-up-with-critical-resistance-to-make-prison-abolition-irresistible","title":"Artists Team up With Critical Resistance to Make Prison Abolition Irresistible","publishDate":1600817418,"format":"standard","headTitle":"Artists Team up With Critical Resistance to Make Prison Abolition Irresistible | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>While the idea of prison abolition hit mainstream consciousness only recently as part of the uprising for racial justice in response to the killing of George Floyd, the concept—and the movement for its realization—has been a rallying cry since at least the 1971 Attica Prison uprising, which brought to national attention the dehumanizing conditions experienced by those in the American prison industrial system. \u003c/p>\n\u003cp>For over two decades, \u003ca href=\"http://criticalresistance.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Critical Resistance\u003c/a>, a national organization founded to challenge the idea of “imprisonment and policing as a solution for social, political and economic problems,” has been issuing those rally cries. And now they’re organizing a series of events, alongside an exhibition and auction, with the aim of ushering in the “last days of the abolitionist movement,” according to exhibition curator Ashara Ekundayo.\u003c/p>\n\u003cp>[aside postID=arts_13863810]If artworks and abolition seem an unlikely pairing, Ekundayo says you’re just not looking closely enough. “Culture workers have always been part of all movement-making on the planet,” she says. The list of participants in \u003ci>\u003ca href=\"http://criticalresistance.org/imaginefreedom2020/\" rel=\"noopener noreferrer\" target=\"_blank\">Imagine Freedom: Art Works for Abolition\u003c/a>\u003c/i> is lengthy and impressive; it includes international art figures like Theaster Gates alongside much-loved Bay Area artists like Sadie Barnette, Lava Thomas and Favianna Rodriguez. And the exhibition (and sale) of works, on view via Artsy Sept. 29–Oct. 13, is just one aspect of an event series meant to educate people about the abolitionist movement as much as it helps fund its future. (Full disclosure: KQED is hosting one of these events.)\u003c/p>\n\u003cp>There’s plenty of accompanying programming to choose from, so a few highlights:\u003c/p>\n\u003cp>\u003cb>Making Abolition Irresistible\u003c/b>\u003cbr>\nTuesday, Sept. 22, 4–5:30pm\u003cbr>\nCritical Resistance hosts a webinar on abolitionist organizing and art practice, featuring artists and activists Ashley Hunt, Fernando Marti (Justseeds), gloria galvez, kai lumumba barrow (Gallery of the Streets), Kate DeCiccio and Melanie Cervantes (Dignidad Rebelde). The conversation will focus on how artists can center images of freedom and guide others to practice the radical imagination needed to envision a world without prisons. \u003ca href=\"https://www.eventbrite.com/e/imagine-freedom-abolitionist-organizing-and-arts-praxis-webinar-tickets-121299300473\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>Imagine Freedom: Art Works for Abolition\u003c/b>\u003cbr>\nWednesday, Sept. 23, 8–9pm\u003cbr>\nKQED’s own Pendarvis Harshaw interviews Deanna Van Buren (Designing Justice + Designing Spaces), artists Sam Vernon and Leslie “Dime” Lopez and curator Ashara Ekundayo about the relationship between art, design and prison abolition. \u003ca href=\"https://www.kqed.org/events/117341745319\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cb>A Portal for Liberatory Practice: A/R, Afrofuturism and Abolition\u003c/b>\u003cbr>\nFriday, Oct. 2, 12–1pm\u003cbr>\nEvery video chat, Zoom meeting and virtual event is a portal of its own kind these days, but not all those portals lead to liberation—of thought, artistic practices and people. The Wakanda Dream Lab hosts an interactive panel that uses augmented reality to bring to life the words of \u003ci>\u003ca href=\"http://thebigwe.com/abolitionday\" rel=\"noopener noreferrer\" target=\"_blank\">Black Freedom Beyond Borders: Memories of Abolition Day\u003c/a>\u003c/i>, a collection of speculative writings looking back on the day we abolished police and prisons. \u003ca href=\"http://criticalresistance.org/imaginefreedom2020/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Artist Talks\u003c/b>\u003cbr>\nThrough Oct. 5\u003cbr>\nThese sessions have already begun, and are thankfully archived on the Critical Resistance Facebook page, including conversations between filmmaker Melinda James and Elena Gross (of MoAD), artist Sadie Barnett with curator and arts writer Essence Harden, and Hank Willis Thomas and representatives of the Black Joy Parade. \u003ca href=\"https://www.facebook.com/critical.resistance\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\n","blocks":[],"excerpt":"A series of online events, an exhibition and auction work to usher in the “last days of the abolitionist movement.”","status":"publish","parent":0,"modified":1705020099,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":549},"headData":{"title":"Artists Team up With Critical Resistance to Make Prison Abolition Irresistible | KQED","description":"A series of online events, an exhibition and auction work to usher in the “last days of the abolitionist movement.”","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Artists Team up With Critical Resistance to Make Prison Abolition Irresistible","datePublished":"2020-09-22T23:30:18.000Z","dateModified":"2024-01-12T00:41:39.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13886700/artists-team-up-with-critical-resistance-to-make-prison-abolition-irresistible","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>While the idea of prison abolition hit mainstream consciousness only recently as part of the uprising for racial justice in response to the killing of George Floyd, the concept—and the movement for its realization—has been a rallying cry since at least the 1971 Attica Prison uprising, which brought to national attention the dehumanizing conditions experienced by those in the American prison industrial system. \u003c/p>\n\u003cp>For over two decades, \u003ca href=\"http://criticalresistance.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Critical Resistance\u003c/a>, a national organization founded to challenge the idea of “imprisonment and policing as a solution for social, political and economic problems,” has been issuing those rally cries. And now they’re organizing a series of events, alongside an exhibition and auction, with the aim of ushering in the “last days of the abolitionist movement,” according to exhibition curator Ashara Ekundayo.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13863810","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>If artworks and abolition seem an unlikely pairing, Ekundayo says you’re just not looking closely enough. “Culture workers have always been part of all movement-making on the planet,” she says. The list of participants in \u003ci>\u003ca href=\"http://criticalresistance.org/imaginefreedom2020/\" rel=\"noopener noreferrer\" target=\"_blank\">Imagine Freedom: Art Works for Abolition\u003c/a>\u003c/i> is lengthy and impressive; it includes international art figures like Theaster Gates alongside much-loved Bay Area artists like Sadie Barnette, Lava Thomas and Favianna Rodriguez. And the exhibition (and sale) of works, on view via Artsy Sept. 29–Oct. 13, is just one aspect of an event series meant to educate people about the abolitionist movement as much as it helps fund its future. (Full disclosure: KQED is hosting one of these events.)\u003c/p>\n\u003cp>There’s plenty of accompanying programming to choose from, so a few highlights:\u003c/p>\n\u003cp>\u003cb>Making Abolition Irresistible\u003c/b>\u003cbr>\nTuesday, Sept. 22, 4–5:30pm\u003cbr>\nCritical Resistance hosts a webinar on abolitionist organizing and art practice, featuring artists and activists Ashley Hunt, Fernando Marti (Justseeds), gloria galvez, kai lumumba barrow (Gallery of the Streets), Kate DeCiccio and Melanie Cervantes (Dignidad Rebelde). The conversation will focus on how artists can center images of freedom and guide others to practice the radical imagination needed to envision a world without prisons. \u003ca href=\"https://www.eventbrite.com/e/imagine-freedom-abolitionist-organizing-and-arts-praxis-webinar-tickets-121299300473\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Imagine Freedom: Art Works for Abolition\u003c/b>\u003cbr>\nWednesday, Sept. 23, 8–9pm\u003cbr>\nKQED’s own Pendarvis Harshaw interviews Deanna Van Buren (Designing Justice + Designing Spaces), artists Sam Vernon and Leslie “Dime” Lopez and curator Ashara Ekundayo about the relationship between art, design and prison abolition. \u003ca href=\"https://www.kqed.org/events/117341745319\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cb>A Portal for Liberatory Practice: A/R, Afrofuturism and Abolition\u003c/b>\u003cbr>\nFriday, Oct. 2, 12–1pm\u003cbr>\nEvery video chat, Zoom meeting and virtual event is a portal of its own kind these days, but not all those portals lead to liberation—of thought, artistic practices and people. The Wakanda Dream Lab hosts an interactive panel that uses augmented reality to bring to life the words of \u003ci>\u003ca href=\"http://thebigwe.com/abolitionday\" rel=\"noopener noreferrer\" target=\"_blank\">Black Freedom Beyond Borders: Memories of Abolition Day\u003c/a>\u003c/i>, a collection of speculative writings looking back on the day we abolished police and prisons. \u003ca href=\"http://criticalresistance.org/imaginefreedom2020/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Artist Talks\u003c/b>\u003cbr>\nThrough Oct. 5\u003cbr>\nThese sessions have already begun, and are thankfully archived on the Critical Resistance Facebook page, including conversations between filmmaker Melinda James and Elena Gross (of MoAD), artist Sadie Barnett with curator and arts writer Essence Harden, and Hank Willis Thomas and representatives of the Black Joy Parade. \u003ca href=\"https://www.facebook.com/critical.resistance\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13886700/artists-team-up-with-critical-resistance-to-make-prison-abolition-irresistible","authors":["61"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_70"],"tags":["arts_3149","arts_5206","arts_1526","arts_7530","arts_585","arts_901"],"featImg":"arts_13886707","label":"arts_140"},"arts_13881942":{"type":"posts","id":"arts_13881942","meta":{"index":"posts_1591205157","site":"arts","id":"13881942","score":null,"sort":[1592258453000]},"guestAuthors":[],"slug":"what-would-a-police-free-oakland-look-like","title":"What Would a Police-Free Oakland Look Like?","publishDate":1592258453,"format":"standard","headTitle":"What Would a Police-Free Oakland Look Like? | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cem>Updated June 22, 11:00am.\u003c/em>\u003c/p>\n\u003cp>With protests across the country calling for cities to defund local police departments, police abolition has entered the mainstream lexicon, along with calls to channel police funding into social services that promote healthier communities.\u003c/p>\n\u003cp>In Oakland, a city that’s seen school closures and a rapid rise in homelessness in recent years, the police budget takes up around 44% of the general fund. And yet, OPD has been under federal oversight for nearly two decades and has failed to meet standards for reform. After the \u003ca href=\"https://www.kqed.org/news/11757557/oakland-releases-heavily-redacted-records-that-shed-light-raise-questions-on-sex-abuse-case\" target=\"_blank\" rel=\"noopener noreferrer\">2016 sex abuse scandal\u003c/a> and \u003ca href=\"http://www.antievictionmappingproject.net/opd.html\" target=\"_blank\" rel=\"noopener noreferrer\">numerous fatal police shootings\u003c/a> over the past decade, activists are \u003ca href=\"https://defund12.org/oakland\" target=\"_blank\" rel=\"noopener noreferrer\">calling for Oakland \u003c/a>to take millions of dollars out of its police budget and invest in social services while the city council grapples with a \u003ca href=\"https://www.berkeleyside.com/2020/06/09/advocates-push-back-on-plan-to-spend-parks-and-homeless-services-funds-on-oakland-police\" target=\"_blank\" rel=\"noopener noreferrer\">budget crisis\u003c/a> due to the COVID-19 economic shutdown.\u003c/p>\n\u003cp>Below, activists, educators and artists imagine what community-driven efforts to keep the peace could look like in Oakland.\u003c/p>\n\u003cp>\u003cem>These interviews have been edited for length and clarity.\u003c/em>\u003c/p>\n\u003ch2>Cat Brooks, \u003ca href=\"https://www.antipoliceterrorproject.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Anti Police-Terror Project\u003c/a>\u003c/h2>\n\u003cp>“In conjunction with our \u003ca href=\"https://www.instagram.com/stories/highlights/18071377099206102/\" target=\"_blank\" rel=\"noopener noreferrer\">defund OPD campaign\u003c/a>, we’ve been very focused on building a model of response to mental health and interpersonal violence that does not rely on law enforcement. We don’t understand why—when we should be sending compassionate care—we’re sending a badge and a gun. We made a very specific demand in the last budget cycle to redirect money from the police to make sure that Oakland had a 24/7 mental health crisis response team.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Even though the school district government and city government are separate, I think it would behoove us to invest that money in our schools and in our children. We could double or triple the summer job program. Cleaning up our city—we have a massive rat infestation in deep East and West Oakland, which brings with it all sorts of health problems that need to be addressed.\u003c/p>\n\u003cp>We need to house people and get the people \u003ca href=\"https://www.mercurynews.com/2019/07/23/oakland-saw-a-47-percent-spike-in-homelessness-this-year/\" target=\"_blank\" rel=\"noopener noreferrer\">sleeping on Oakland’s streets\u003c/a> into shelter and provide them with all the resources and supports they need. We could spend the money ensuring that when people come home from jails and prisons, they have the resources to get back on their feet.\u003c/p>\n\u003cp>We need to invest in co-ops that could create green jobs for Oaklanders. We need to clean up our environment—we have the \u003ca href=\"https://www.edf.org/airqualitymaps/oakland/pollution-and-health-concerns-west-oakland\" target=\"_blank\" rel=\"noopener noreferrer\">dirtiest air\u003c/a> in East and West Oakland. All of that stuff requires funding.\u003c/p>\n\u003cp>We need to invest in humanity, not punitive policing. It doesn’t work—if it worked, we’d be the safest country in the world because we incarcerate more people than any other country on the planet.”\u003c/p>\n\u003cfigure id=\"attachment_13881949\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881949\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/002_KQED_Oakland_GeorgeFloydProtest_06032020-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/002_KQED_Oakland_GeorgeFloydProtest_06032020-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/002_KQED_Oakland_GeorgeFloydProtest_06032020-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/002_KQED_Oakland_GeorgeFloydProtest_06032020-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/002_KQED_Oakland_GeorgeFloydProtest_06032020-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/002_KQED_Oakland_GeorgeFloydProtest_06032020.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ashley Williams and Dujuanna Archable stand during a protest against police violence at 14th and Broadway in Oakland on June 3, 2020. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"http://www.indigomateo.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Indigo Mateo\u003c/a>, musician and activist\u003c/h2>\n\u003cp>“I’m on the side of defunding the police as a way to abolish the police and as a way to abolish prisons and the legal system that entraps mainly Black and brown people for very long periods of time.\u003c/p>\n\u003cp>Oakland is a huge hot spot for child sex trafficking. The money that is defunded from police should go to organizations that are on the ground working against human trafficking, providing mental heath services for young people especially, services for people without homes. Those are what keep our streets safe. Organizations like \u003ca href=\"https://www.cceb.org/claires-house/\" target=\"_blank\" rel=\"noopener noreferrer\">Claire’s House\u003c/a>, \u003ca href=\"https://www.sfchronicle.com/business/article/With-internships-Oakland-boutique-aids-human-6587100.php\" target=\"_blank\" rel=\"noopener noreferrer\">Regina’s Door\u003c/a>, \u003ca href=\"https://misssey.org/\" target=\"_blank\" rel=\"noopener noreferrer\">MISSSEY\u003c/a> and other collectives around the Bay Area doing healing and liberation and therapy, especially for people of color and Black people—those services should be invested into. Those organizations have to be poured into so that we as a community know how to stand on our own two feet to handle harm when it comes up, because it will come up. People who know how to talk to survivors, be respectful of each others’ experiences and know the gravity of trauma.\u003c/p>\n\u003cp>I am a survivor of rape, and when I brought my case to the police, all the emphasis was on catching this predator and putting him behind bars. A lot of survivors of trafficking experience times when their abuser does go behind bars, their trafficker gets incarcerated. And still, the problem of trafficking doesn’t end. Another pimp picks you up, or that pimp gets out of prison and keeps doing the same thing. There’s no transformative work that’s being done. There needs to be more of a compassionate emphasis around the experience of a survivor and what a survivor needs to heal and be safe in community. A lot of the time, a survivor needs visibility and the ability to use their voice. Also to have stable housing and a pathway to a career.\u003c/p>\n\u003cp>Those ideologies are really what make us safe, as opposed to constantly capturing people, putting them away and filtering them back into society, often with more vindication and more trauma than what they had before.”\u003c/p>\n\u003ch2>Rasheed Lockheart, reentry coordinator at \u003ca href=\"https://plantingjustice.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Planting Justice\u003c/a>\u003c/h2>\n\u003cp>“As someone who grew up in the ’80s, when you were pulled over by the police and the first thing they told you was, ‘Don’t fucking move. I’ll shoot you. I promise you.’ We absolutely have to do away with that system. It still exists today, it’s just more relevant now because it’s on camera. We have to defund the police to eventually abolish them. That money needs to be put into reentry programs, taking care of the homeless, education and mental health programs. I remember being a kid and going to a Boys and Girls Club-type thing after school, and when they shut that down I didn’t have anything to do but be in the streets.\u003c/p>\n\u003cp>Communities are more resilient than people give them credit for, but often they don’t have the resources. We have to learn to genuinely care about the next human being no matter what they might be, whether they are Black, white, queer—whatever. We can’t do away with the system and create another system.\u003c/p>\n\u003cp>It’s tricky because there will always be bad seeds, you can’t expect everyone to be great and to care about the next human being altruistically. But we can start going to our youth and plant seeds now of what love looks like, what community looks like, and hope that when we are 10, 15, 20 years down the line that those seeds grow into something sustainable.\u003c/p>\n\u003cp>There are people really impacted by the system, whether it’s the incarceration side of things or the police system. Who knows better what it means to be persecuted than the people who are impacted by the system? We want everybody to be involved. But you should leave it to those impacted by these systems to get the message out there and rally behind them.”\u003c/p>\n\u003cfigure id=\"attachment_13881948\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881948\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/RS43553_012_KQED_Oakland_GeorgeFloydProtest_06032020-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/RS43553_012_KQED_Oakland_GeorgeFloydProtest_06032020-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/RS43553_012_KQED_Oakland_GeorgeFloydProtest_06032020-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/RS43553_012_KQED_Oakland_GeorgeFloydProtest_06032020-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/RS43553_012_KQED_Oakland_GeorgeFloydProtest_06032020-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/RS43553_012_KQED_Oakland_GeorgeFloydProtest_06032020-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Demonstrators fill the intersection at 14th and Broadway in Oakland at a protest against police violence on June 3, 2020. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kortney Ziegler, creator of the \u003ca href=\"https://app.moonclerk.com/c/h27chmplg\" target=\"_blank\" rel=\"noopener noreferrer\">Appolition\u003c/a> bail fund app\u003c/h2>\n\u003cp>“The global pandemic where the whole economy shuts down and everyone has to be inside—I think it’s a perfect time for people to extend that imagination to envisioning the world without police and how we can use the surplus of money that’s being used to terrorize American citizens, as well as anyone that lives here, for so many other things. Education, community spaces, more social services and healthcare. I’m really excited about what’s happening now in the conversation, but I’m worried a lot of the conversation is about defunding and keeping police around rather than figuring out how we can live in the world without police.\u003c/p>\n\u003cp>When people have things they need to lead a healthy life—education, access to healthcare, food, equality, resources—our idea of crime will probably be nonexistent. Living in this country, a very violent country that has significant levels of poverty, people are committing crimes because of that. A lot of people are ill in this country because of the violence. There are a number of things the American public has to address when we discuss abolition because it relates to our mental health, how we relate to each other and what it means to be accountable in a community, and how we institute practices where we hold people accountable without policing them.”\u003c/p>\n\u003ch2>\u003ca href=\"https://kevchoice.wordpress.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Kev Choice\u003c/a>, musician, teacher and member of Oakland’s \u003ca href=\"https://www.oaklandca.gov/news/2020/oakland-cultural-affairs-commission-re-established\" target=\"_blank\" rel=\"noopener noreferrer\">Cultural Affairs Commission\u003c/a>\u003c/h2>\n\u003cp>“There are so many artists out here that need to be supported, especially with COVID-19. Cultural affairs could be one area where we directly divert those funds from [OPD]. At the same time, we can’t take money from anywhere in Oakland without addressing the housing issue, addressing homelessness. That has to be at the top of the list.\u003c/p>\n\u003cp>OUSD has been in budget crisis for years, even to the point where they were taken over by state government years ago because the budget was in disarray. Teachers’ salaries—I’m a teacher involved in the union negotiations trying to fight for fair wages, a wage where we can live in this high-priced market. A lot of our teachers have to move away because they don’t make enough money.\u003c/p>\n\u003cp>There need to be more spaces where our youth can be creators, can be leaders, whether it’s putting more money into places like \u003ca href=\"http://eoydc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">East Oakland Youth Development Center\u003c/a> and \u003ca href=\"https://www.eastsideartsalliance.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Eastside Arts Alliance\u003c/a>. Anything that can help develop these powerful youth. It’s obvious they have ideas and they have civic engagement. They marched to Libby Schaaf’s house. They have all this energy, and we have to find a way to channel this energy into a positive direction.\u003c/p>\n\u003cp>And with COVID, there should be a small business relief fund, especially when it comes to business owned by people of color.\u003c/p>\n\u003cp>We have an Oakland \u003ca href=\"https://www.oaklandca.gov/departments/community-police-review-agency\" target=\"_blank\" rel=\"noopener noreferrer\">Community Police Review Agency\u003c/a>, so that needs to be developed more so people know what it is, who’s involved and how to get involved.”\u003c/p>\n\u003cfigure id=\"attachment_13881411\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881411\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/breonna-taylor-oscar-grant-plaza-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/breonna-taylor-oscar-grant-plaza-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/breonna-taylor-oscar-grant-plaza-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/breonna-taylor-oscar-grant-plaza-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/breonna-taylor-oscar-grant-plaza-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/breonna-taylor-oscar-grant-plaza.jpg 1446w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A memorial at Oscar Grant Plaza for Black lives lost to police violence. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://favianna.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Favianna Rodriguez\u003c/a>, artist and president of the \u003ca href=\"https://www.culturalpower.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Center for Cultural Power\u003c/a>\u003c/h2>\n\u003cp>“Historically, the police are an institution that is built on the foundation of slave catching. Throughout my entire life growing up here [in Oakland] and in Los Angeles, I have never had a good experience with the police. Furthermore, when I was in an abusive relationship with someone with mental health issues, I would never call the police out of fear that they would kill my former partner. I don’t believe we should have police exist in its current form.\u003c/p>\n\u003cp>I want specialized experts who address sexual assault, I want specialized experts to be able to come to somebody’s home when there are mental health issues.\u003c/p>\n\u003cp>I would like to have collaborative program for when I have issues with noise or fireworks in my community, or I notice someone is abusing an animal. I would like for service workers to be easily accessible. I don’t believe the police are necessary for that. We don’t need force of peace keepers who are so heavily militarized.\u003c/p>\n\u003cp>I believe in abolishing the police and I think it starts with defunding them. But I fully believe we have to transition to another way of keeping the peace. That’s something that’s many years away, but it has to evolve from investing in things that work.”\u003c/p>\n\u003ch2>\u003ca href=\"https://www.xaviergbuck.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Xavier Buck\u003c/a>, historian and deputy director of the \u003ca href=\"https://hueypnewtonfoundation.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Dr. Huey P. Newton Foundation\u003c/a>\u003c/h2>\n\u003cp>“Considering that this is a government service, and being from communities where the government has constantly neglected us, I think it is only proper to defund the police and create something that is community oriented and actually serves the people. We pay taxes for it.\u003c/p>\n\u003cp>Millions of dollars were actually put into Black communities in the ’60s and ’70s, but it was through COINTELPRO. It was through the FBI coming in and tearing Black communities apart. For the first time in a very long time, we have the opportunity to control where government money is spent in favor of the Black community. We have to rectify and get reparations for what has already happened.\u003c/p>\n\u003cp>There has to be an integration of the Black Panthers’ ideals and values and history into the Oakland Unified curriculum. I think that’s specifically because, if we’re going to understand how to move forward and what the issues are at hand, we need the entire population of the Bay Area, the entire United States, to jump on board and realize history was not always done right. We should not embrace the American identity that was, that oppressed Black people and other people of color.\u003c/p>\n\u003cp>In order to reimagine [policing], it has to be on a very local scale. I think when we say police abolition, we think nationwide, it’s going to be a sweeping change, it’s going to look uniform. I think it starts in that very grassroots, community local scale.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Correction:\u003c/strong> This article originally stated that the budget for the Oakland Police Department constitutes 44% of Oakland’s total city budget. The OPD budget constitutes 44% of the general fund, not the total city budget. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Seven activists, artists, educators and survivors argue for how Oakland could reinvest police funds.","status":"publish","parent":0,"modified":1705020577,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":36,"wordCount":2303},"headData":{"title":"What Would a Police-Free Oakland Look Like? | KQED","description":"Seven activists, artists, educators and survivors argue for how Oakland could reinvest police funds.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"What Would a Police-Free Oakland Look Like?","datePublished":"2020-06-15T22:00:53.000Z","dateModified":"2024-01-12T00:49:37.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13881942/what-would-a-police-free-oakland-look-like","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Updated June 22, 11:00am.\u003c/em>\u003c/p>\n\u003cp>With protests across the country calling for cities to defund local police departments, police abolition has entered the mainstream lexicon, along with calls to channel police funding into social services that promote healthier communities.\u003c/p>\n\u003cp>In Oakland, a city that’s seen school closures and a rapid rise in homelessness in recent years, the police budget takes up around 44% of the general fund. And yet, OPD has been under federal oversight for nearly two decades and has failed to meet standards for reform. After the \u003ca href=\"https://www.kqed.org/news/11757557/oakland-releases-heavily-redacted-records-that-shed-light-raise-questions-on-sex-abuse-case\" target=\"_blank\" rel=\"noopener noreferrer\">2016 sex abuse scandal\u003c/a> and \u003ca href=\"http://www.antievictionmappingproject.net/opd.html\" target=\"_blank\" rel=\"noopener noreferrer\">numerous fatal police shootings\u003c/a> over the past decade, activists are \u003ca href=\"https://defund12.org/oakland\" target=\"_blank\" rel=\"noopener noreferrer\">calling for Oakland \u003c/a>to take millions of dollars out of its police budget and invest in social services while the city council grapples with a \u003ca href=\"https://www.berkeleyside.com/2020/06/09/advocates-push-back-on-plan-to-spend-parks-and-homeless-services-funds-on-oakland-police\" target=\"_blank\" rel=\"noopener noreferrer\">budget crisis\u003c/a> due to the COVID-19 economic shutdown.\u003c/p>\n\u003cp>Below, activists, educators and artists imagine what community-driven efforts to keep the peace could look like in Oakland.\u003c/p>\n\u003cp>\u003cem>These interviews have been edited for length and clarity.\u003c/em>\u003c/p>\n\u003ch2>Cat Brooks, \u003ca href=\"https://www.antipoliceterrorproject.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Anti Police-Terror Project\u003c/a>\u003c/h2>\n\u003cp>“In conjunction with our \u003ca href=\"https://www.instagram.com/stories/highlights/18071377099206102/\" target=\"_blank\" rel=\"noopener noreferrer\">defund OPD campaign\u003c/a>, we’ve been very focused on building a model of response to mental health and interpersonal violence that does not rely on law enforcement. We don’t understand why—when we should be sending compassionate care—we’re sending a badge and a gun. We made a very specific demand in the last budget cycle to redirect money from the police to make sure that Oakland had a 24/7 mental health crisis response team.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Even though the school district government and city government are separate, I think it would behoove us to invest that money in our schools and in our children. We could double or triple the summer job program. Cleaning up our city—we have a massive rat infestation in deep East and West Oakland, which brings with it all sorts of health problems that need to be addressed.\u003c/p>\n\u003cp>We need to house people and get the people \u003ca href=\"https://www.mercurynews.com/2019/07/23/oakland-saw-a-47-percent-spike-in-homelessness-this-year/\" target=\"_blank\" rel=\"noopener noreferrer\">sleeping on Oakland’s streets\u003c/a> into shelter and provide them with all the resources and supports they need. We could spend the money ensuring that when people come home from jails and prisons, they have the resources to get back on their feet.\u003c/p>\n\u003cp>We need to invest in co-ops that could create green jobs for Oaklanders. We need to clean up our environment—we have the \u003ca href=\"https://www.edf.org/airqualitymaps/oakland/pollution-and-health-concerns-west-oakland\" target=\"_blank\" rel=\"noopener noreferrer\">dirtiest air\u003c/a> in East and West Oakland. All of that stuff requires funding.\u003c/p>\n\u003cp>We need to invest in humanity, not punitive policing. It doesn’t work—if it worked, we’d be the safest country in the world because we incarcerate more people than any other country on the planet.”\u003c/p>\n\u003cfigure id=\"attachment_13881949\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881949\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/002_KQED_Oakland_GeorgeFloydProtest_06032020-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/002_KQED_Oakland_GeorgeFloydProtest_06032020-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/002_KQED_Oakland_GeorgeFloydProtest_06032020-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/002_KQED_Oakland_GeorgeFloydProtest_06032020-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/002_KQED_Oakland_GeorgeFloydProtest_06032020-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/002_KQED_Oakland_GeorgeFloydProtest_06032020.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ashley Williams and Dujuanna Archable stand during a protest against police violence at 14th and Broadway in Oakland on June 3, 2020. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"http://www.indigomateo.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Indigo Mateo\u003c/a>, musician and activist\u003c/h2>\n\u003cp>“I’m on the side of defunding the police as a way to abolish the police and as a way to abolish prisons and the legal system that entraps mainly Black and brown people for very long periods of time.\u003c/p>\n\u003cp>Oakland is a huge hot spot for child sex trafficking. The money that is defunded from police should go to organizations that are on the ground working against human trafficking, providing mental heath services for young people especially, services for people without homes. Those are what keep our streets safe. Organizations like \u003ca href=\"https://www.cceb.org/claires-house/\" target=\"_blank\" rel=\"noopener noreferrer\">Claire’s House\u003c/a>, \u003ca href=\"https://www.sfchronicle.com/business/article/With-internships-Oakland-boutique-aids-human-6587100.php\" target=\"_blank\" rel=\"noopener noreferrer\">Regina’s Door\u003c/a>, \u003ca href=\"https://misssey.org/\" target=\"_blank\" rel=\"noopener noreferrer\">MISSSEY\u003c/a> and other collectives around the Bay Area doing healing and liberation and therapy, especially for people of color and Black people—those services should be invested into. Those organizations have to be poured into so that we as a community know how to stand on our own two feet to handle harm when it comes up, because it will come up. People who know how to talk to survivors, be respectful of each others’ experiences and know the gravity of trauma.\u003c/p>\n\u003cp>I am a survivor of rape, and when I brought my case to the police, all the emphasis was on catching this predator and putting him behind bars. A lot of survivors of trafficking experience times when their abuser does go behind bars, their trafficker gets incarcerated. And still, the problem of trafficking doesn’t end. Another pimp picks you up, or that pimp gets out of prison and keeps doing the same thing. There’s no transformative work that’s being done. There needs to be more of a compassionate emphasis around the experience of a survivor and what a survivor needs to heal and be safe in community. A lot of the time, a survivor needs visibility and the ability to use their voice. Also to have stable housing and a pathway to a career.\u003c/p>\n\u003cp>Those ideologies are really what make us safe, as opposed to constantly capturing people, putting them away and filtering them back into society, often with more vindication and more trauma than what they had before.”\u003c/p>\n\u003ch2>Rasheed Lockheart, reentry coordinator at \u003ca href=\"https://plantingjustice.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Planting Justice\u003c/a>\u003c/h2>\n\u003cp>“As someone who grew up in the ’80s, when you were pulled over by the police and the first thing they told you was, ‘Don’t fucking move. I’ll shoot you. I promise you.’ We absolutely have to do away with that system. It still exists today, it’s just more relevant now because it’s on camera. We have to defund the police to eventually abolish them. That money needs to be put into reentry programs, taking care of the homeless, education and mental health programs. I remember being a kid and going to a Boys and Girls Club-type thing after school, and when they shut that down I didn’t have anything to do but be in the streets.\u003c/p>\n\u003cp>Communities are more resilient than people give them credit for, but often they don’t have the resources. We have to learn to genuinely care about the next human being no matter what they might be, whether they are Black, white, queer—whatever. We can’t do away with the system and create another system.\u003c/p>\n\u003cp>It’s tricky because there will always be bad seeds, you can’t expect everyone to be great and to care about the next human being altruistically. But we can start going to our youth and plant seeds now of what love looks like, what community looks like, and hope that when we are 10, 15, 20 years down the line that those seeds grow into something sustainable.\u003c/p>\n\u003cp>There are people really impacted by the system, whether it’s the incarceration side of things or the police system. Who knows better what it means to be persecuted than the people who are impacted by the system? We want everybody to be involved. But you should leave it to those impacted by these systems to get the message out there and rally behind them.”\u003c/p>\n\u003cfigure id=\"attachment_13881948\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881948\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/RS43553_012_KQED_Oakland_GeorgeFloydProtest_06032020-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/RS43553_012_KQED_Oakland_GeorgeFloydProtest_06032020-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/RS43553_012_KQED_Oakland_GeorgeFloydProtest_06032020-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/RS43553_012_KQED_Oakland_GeorgeFloydProtest_06032020-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/RS43553_012_KQED_Oakland_GeorgeFloydProtest_06032020-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/RS43553_012_KQED_Oakland_GeorgeFloydProtest_06032020-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Demonstrators fill the intersection at 14th and Broadway in Oakland at a protest against police violence on June 3, 2020. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kortney Ziegler, creator of the \u003ca href=\"https://app.moonclerk.com/c/h27chmplg\" target=\"_blank\" rel=\"noopener noreferrer\">Appolition\u003c/a> bail fund app\u003c/h2>\n\u003cp>“The global pandemic where the whole economy shuts down and everyone has to be inside—I think it’s a perfect time for people to extend that imagination to envisioning the world without police and how we can use the surplus of money that’s being used to terrorize American citizens, as well as anyone that lives here, for so many other things. Education, community spaces, more social services and healthcare. I’m really excited about what’s happening now in the conversation, but I’m worried a lot of the conversation is about defunding and keeping police around rather than figuring out how we can live in the world without police.\u003c/p>\n\u003cp>When people have things they need to lead a healthy life—education, access to healthcare, food, equality, resources—our idea of crime will probably be nonexistent. Living in this country, a very violent country that has significant levels of poverty, people are committing crimes because of that. A lot of people are ill in this country because of the violence. There are a number of things the American public has to address when we discuss abolition because it relates to our mental health, how we relate to each other and what it means to be accountable in a community, and how we institute practices where we hold people accountable without policing them.”\u003c/p>\n\u003ch2>\u003ca href=\"https://kevchoice.wordpress.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Kev Choice\u003c/a>, musician, teacher and member of Oakland’s \u003ca href=\"https://www.oaklandca.gov/news/2020/oakland-cultural-affairs-commission-re-established\" target=\"_blank\" rel=\"noopener noreferrer\">Cultural Affairs Commission\u003c/a>\u003c/h2>\n\u003cp>“There are so many artists out here that need to be supported, especially with COVID-19. Cultural affairs could be one area where we directly divert those funds from [OPD]. At the same time, we can’t take money from anywhere in Oakland without addressing the housing issue, addressing homelessness. That has to be at the top of the list.\u003c/p>\n\u003cp>OUSD has been in budget crisis for years, even to the point where they were taken over by state government years ago because the budget was in disarray. Teachers’ salaries—I’m a teacher involved in the union negotiations trying to fight for fair wages, a wage where we can live in this high-priced market. A lot of our teachers have to move away because they don’t make enough money.\u003c/p>\n\u003cp>There need to be more spaces where our youth can be creators, can be leaders, whether it’s putting more money into places like \u003ca href=\"http://eoydc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">East Oakland Youth Development Center\u003c/a> and \u003ca href=\"https://www.eastsideartsalliance.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Eastside Arts Alliance\u003c/a>. Anything that can help develop these powerful youth. It’s obvious they have ideas and they have civic engagement. They marched to Libby Schaaf’s house. They have all this energy, and we have to find a way to channel this energy into a positive direction.\u003c/p>\n\u003cp>And with COVID, there should be a small business relief fund, especially when it comes to business owned by people of color.\u003c/p>\n\u003cp>We have an Oakland \u003ca href=\"https://www.oaklandca.gov/departments/community-police-review-agency\" target=\"_blank\" rel=\"noopener noreferrer\">Community Police Review Agency\u003c/a>, so that needs to be developed more so people know what it is, who’s involved and how to get involved.”\u003c/p>\n\u003cfigure id=\"attachment_13881411\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881411\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/breonna-taylor-oscar-grant-plaza-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/breonna-taylor-oscar-grant-plaza-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/breonna-taylor-oscar-grant-plaza-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/breonna-taylor-oscar-grant-plaza-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/breonna-taylor-oscar-grant-plaza-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/breonna-taylor-oscar-grant-plaza.jpg 1446w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A memorial at Oscar Grant Plaza for Black lives lost to police violence. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://favianna.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Favianna Rodriguez\u003c/a>, artist and president of the \u003ca href=\"https://www.culturalpower.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Center for Cultural Power\u003c/a>\u003c/h2>\n\u003cp>“Historically, the police are an institution that is built on the foundation of slave catching. Throughout my entire life growing up here [in Oakland] and in Los Angeles, I have never had a good experience with the police. Furthermore, when I was in an abusive relationship with someone with mental health issues, I would never call the police out of fear that they would kill my former partner. I don’t believe we should have police exist in its current form.\u003c/p>\n\u003cp>I want specialized experts who address sexual assault, I want specialized experts to be able to come to somebody’s home when there are mental health issues.\u003c/p>\n\u003cp>I would like to have collaborative program for when I have issues with noise or fireworks in my community, or I notice someone is abusing an animal. I would like for service workers to be easily accessible. I don’t believe the police are necessary for that. We don’t need force of peace keepers who are so heavily militarized.\u003c/p>\n\u003cp>I believe in abolishing the police and I think it starts with defunding them. But I fully believe we have to transition to another way of keeping the peace. That’s something that’s many years away, but it has to evolve from investing in things that work.”\u003c/p>\n\u003ch2>\u003ca href=\"https://www.xaviergbuck.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Xavier Buck\u003c/a>, historian and deputy director of the \u003ca href=\"https://hueypnewtonfoundation.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Dr. Huey P. Newton Foundation\u003c/a>\u003c/h2>\n\u003cp>“Considering that this is a government service, and being from communities where the government has constantly neglected us, I think it is only proper to defund the police and create something that is community oriented and actually serves the people. We pay taxes for it.\u003c/p>\n\u003cp>Millions of dollars were actually put into Black communities in the ’60s and ’70s, but it was through COINTELPRO. It was through the FBI coming in and tearing Black communities apart. For the first time in a very long time, we have the opportunity to control where government money is spent in favor of the Black community. We have to rectify and get reparations for what has already happened.\u003c/p>\n\u003cp>There has to be an integration of the Black Panthers’ ideals and values and history into the Oakland Unified curriculum. I think that’s specifically because, if we’re going to understand how to move forward and what the issues are at hand, we need the entire population of the Bay Area, the entire United States, to jump on board and realize history was not always done right. We should not embrace the American identity that was, that oppressed Black people and other people of color.\u003c/p>\n\u003cp>In order to reimagine [policing], it has to be on a very local scale. I think when we say police abolition, we think nationwide, it’s going to be a sweeping change, it’s going to look uniform. I think it starts in that very grassroots, community local scale.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Correction:\u003c/strong> This article originally stated that the budget for the Oakland Police Department constitutes 44% of Oakland’s total city budget. The OPD budget constitutes 44% of the general fund, not the total city budget. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13881942/what-would-a-police-free-oakland-look-like","authors":["11387"],"categories":["arts_1","arts_835"],"tags":["arts_5945","arts_10342","arts_3149","arts_10278","arts_5371","arts_4730"],"featImg":"arts_13881947","label":"arts"},"arts_13881227":{"type":"posts","id":"arts_13881227","meta":{"index":"posts_1591205157","site":"arts","id":"13881227","score":null,"sort":[1591203609000]},"guestAuthors":[],"slug":"how-artists-can-instigate-social-change-according-to-a-new-guide","title":"How Artists Can Instigate Social Change, According to a New Guide","publishDate":1591203609,"format":"standard","headTitle":"How Artists Can Instigate Social Change, According to a New Guide | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Before protests condemning police brutality began across the country last week (again), portraits of recent victims of racist violence—George Floyd, Ahmaud Arbery, Tony McDade and Breonna Taylor—began to circulate on social media along with links to petitions, elected officials’ phone numbers and calls for justice. An illustration of Floyd by the artist \u003ca href=\"https://www.instagram.com/shirien.creates/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Shirien Damra\u003c/a>, flowers surrounding him, his eyes closed, gathered 3.4 million likes on her Instagram profile and was shared by users across the world.\u003c/p>\n\u003cp>Portraits like the ones Damra drew portray the victims with dignity, and allow concerned citizens to circulate images without sharing traumatizing photos or videos of their actual deaths. Damra’s emotionally affecting illustration, coupled with actionable information, moved people to take to the streets and call their representatives before George Floyd became a front-page news story.\u003c/p>\n\u003cp>https://www.instagram.com/p/CAqYhJoA2Us/\u003c/p>\n\u003cp>That’s just one example of the ways artists can play a vital role in social movements, something the \u003ca href=\"https://www.culturalpower.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Center for Cultural Power\u003c/a> hopes to encourage with its new toolkit, \u003cem>No Going Back: A COVID-19 Cultural Strategy Activation Guide for Artists and Activists\u003c/em>. The new, \u003ca href=\"https://backend.ccp.colab.coop/media/pdfs/CCP_Covid-19_3SCNaf1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">free PDF guide\u003c/a>, written by Janelle Treibitz in partnership with Tara Dorabji, Favianna Rodriguez, Haleh Hatami, Chucha Marquez and crystal marich, breaks down how artists can use their work to promote visions of a more equitable world, and how those visions can be leveraged to shift culture, move people into action, put pressure on lawmakers and inspire concrete, systemic changes. [aside postid='arts_13881199']\u003c/p>\n\u003cp>“So often when we talk about social justice, we remain in the realm of action—and action is very important: we need to protest, we need to help shift economic policies through what we buy and don’t buy, we need to contact our elected officials, we need to take to the streets,” says Rodriguez, the Center for Cultural Power’s president. “And we also need to be shaping the ideas that shape the future. Politics is a consequence of culture. And politics reflects what we see in culture.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Rather than exclusively drawing attention to injustice, and flooding feeds with traumatic images of black and brown people being oppressed, \u003cem>No Going Back\u003c/em> promotes the envisioning of more equitable, liberated and joyful futures where all people can thrive. The guide identifies narratives that media and pop culture are lacking—successful examples of mutual aid efforts, stories of the mostly women of color working on the front lines of the pandemic, stories that highlight strategies to expand access to voting. \u003cem>No Going Back\u003c/em> offers ideas for how these narratives can manifest in artwork, whether it’s visual art, creative writing, music, video, photography, social media dance challenges or memes. [aside postid='arts_13880973']\u003c/p>\n\u003cp>“Especially now that we are in a largely digital space, we want to share art that helps propel the imagination,” Rodriguez says. “And when people are interacting with images on their phone, they rapidly can understand and feel something that’s very different than reading a paragraph or, honestly, watching these videos [of police killings] that are very traumatic.”\u003c/p>\n\u003cfigure id=\"attachment_13881312\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881312\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/ClimateWoke2019_brookeanderson-42-800x534.jpg\" alt=\"Center for Cultural Power president Favianna Rodriguez.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/ClimateWoke2019_brookeanderson-42-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/ClimateWoke2019_brookeanderson-42-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/ClimateWoke2019_brookeanderson-42-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/ClimateWoke2019_brookeanderson-42-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/ClimateWoke2019_brookeanderson-42.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Center for Cultural Power president Favianna Rodriguez. \u003ccite>(Brooke Anderson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Discussing examples of how artists have pushed progressive agendas forward, Rodriguez mentions Ryan Coogler’s 2018 film \u003cem>Black Panther\u003c/em>, the #MeToo movement popularized by Hollywood actresses and Colin Kaepernick’s kneeling protest, a symbol of anti-racism used in today’s anti-police brutality demonstrations.\u003c/p>\n\u003cp>But she says even artists without enormous platforms can influence their communities. Illustrator \u003ca href=\"https://www.instagram.com/micahbazant/\" target=\"_blank\" rel=\"noopener noreferrer\">Micah Bazant\u003c/a>, for instance, created images rallying for the release of inmates in jails, prisons and immigration detention centers to stop the spread of COVID-19, and his drawings became a digital rallying cry. “He helped propel a bunch more art that began to get more shared around the fact that people need to be released from prison [during the pandemic],” Rodriguez says. “I think this art made accessible demands that we later saw materialized.”\u003c/p>\n\u003cp>https://www.instagram.com/p/B-G6HtvANqI/\u003c/p>\n\u003cp>The United States is in crisis right now, with a public health emergency, mass unemployment and police brutality ravaging the country, and art might feel like a secondary concern to many. But Rodriguez says that she wants to encourage artists to see their higher purpose and help society imagine new ways of being.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan class=\"s1\">“The overwhelm we are feeling is because of immense, immense transformation that is not going to be easy. As artists, we can hold the hardship while also holding the possibility,” she says. “We can help illuminate a path forward, but we have to do the work.”\u003c/span>\u003c/p>\n\n","blocks":[],"excerpt":"A free guide from the Center for Cultural Power envisions how artists can imagine new ways of being and spur political action.","status":"publish","parent":0,"modified":1705020643,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":790},"headData":{"title":"How Artists Can Instigate Social Change, According to a New Guide | KQED","description":"A free guide from the Center for Cultural Power envisions how artists can imagine new ways of being and spur political action.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How Artists Can Instigate Social Change, According to a New Guide","datePublished":"2020-06-03T17:00:09.000Z","dateModified":"2024-01-12T00:50:43.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13881227/how-artists-can-instigate-social-change-according-to-a-new-guide","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Before protests condemning police brutality began across the country last week (again), portraits of recent victims of racist violence—George Floyd, Ahmaud Arbery, Tony McDade and Breonna Taylor—began to circulate on social media along with links to petitions, elected officials’ phone numbers and calls for justice. An illustration of Floyd by the artist \u003ca href=\"https://www.instagram.com/shirien.creates/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Shirien Damra\u003c/a>, flowers surrounding him, his eyes closed, gathered 3.4 million likes on her Instagram profile and was shared by users across the world.\u003c/p>\n\u003cp>Portraits like the ones Damra drew portray the victims with dignity, and allow concerned citizens to circulate images without sharing traumatizing photos or videos of their actual deaths. Damra’s emotionally affecting illustration, coupled with actionable information, moved people to take to the streets and call their representatives before George Floyd became a front-page news story.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"CAqYhJoA2Us"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>That’s just one example of the ways artists can play a vital role in social movements, something the \u003ca href=\"https://www.culturalpower.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Center for Cultural Power\u003c/a> hopes to encourage with its new toolkit, \u003cem>No Going Back: A COVID-19 Cultural Strategy Activation Guide for Artists and Activists\u003c/em>. The new, \u003ca href=\"https://backend.ccp.colab.coop/media/pdfs/CCP_Covid-19_3SCNaf1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">free PDF guide\u003c/a>, written by Janelle Treibitz in partnership with Tara Dorabji, Favianna Rodriguez, Haleh Hatami, Chucha Marquez and crystal marich, breaks down how artists can use their work to promote visions of a more equitable world, and how those visions can be leveraged to shift culture, move people into action, put pressure on lawmakers and inspire concrete, systemic changes. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13881199","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“So often when we talk about social justice, we remain in the realm of action—and action is very important: we need to protest, we need to help shift economic policies through what we buy and don’t buy, we need to contact our elected officials, we need to take to the streets,” says Rodriguez, the Center for Cultural Power’s president. “And we also need to be shaping the ideas that shape the future. Politics is a consequence of culture. And politics reflects what we see in culture.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Rather than exclusively drawing attention to injustice, and flooding feeds with traumatic images of black and brown people being oppressed, \u003cem>No Going Back\u003c/em> promotes the envisioning of more equitable, liberated and joyful futures where all people can thrive. The guide identifies narratives that media and pop culture are lacking—successful examples of mutual aid efforts, stories of the mostly women of color working on the front lines of the pandemic, stories that highlight strategies to expand access to voting. \u003cem>No Going Back\u003c/em> offers ideas for how these narratives can manifest in artwork, whether it’s visual art, creative writing, music, video, photography, social media dance challenges or memes. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13880973","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Especially now that we are in a largely digital space, we want to share art that helps propel the imagination,” Rodriguez says. “And when people are interacting with images on their phone, they rapidly can understand and feel something that’s very different than reading a paragraph or, honestly, watching these videos [of police killings] that are very traumatic.”\u003c/p>\n\u003cfigure id=\"attachment_13881312\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881312\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/ClimateWoke2019_brookeanderson-42-800x534.jpg\" alt=\"Center for Cultural Power president Favianna Rodriguez.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/ClimateWoke2019_brookeanderson-42-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/ClimateWoke2019_brookeanderson-42-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/ClimateWoke2019_brookeanderson-42-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/ClimateWoke2019_brookeanderson-42-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/ClimateWoke2019_brookeanderson-42.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Center for Cultural Power president Favianna Rodriguez. \u003ccite>(Brooke Anderson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Discussing examples of how artists have pushed progressive agendas forward, Rodriguez mentions Ryan Coogler’s 2018 film \u003cem>Black Panther\u003c/em>, the #MeToo movement popularized by Hollywood actresses and Colin Kaepernick’s kneeling protest, a symbol of anti-racism used in today’s anti-police brutality demonstrations.\u003c/p>\n\u003cp>But she says even artists without enormous platforms can influence their communities. Illustrator \u003ca href=\"https://www.instagram.com/micahbazant/\" target=\"_blank\" rel=\"noopener noreferrer\">Micah Bazant\u003c/a>, for instance, created images rallying for the release of inmates in jails, prisons and immigration detention centers to stop the spread of COVID-19, and his drawings became a digital rallying cry. “He helped propel a bunch more art that began to get more shared around the fact that people need to be released from prison [during the pandemic],” Rodriguez says. “I think this art made accessible demands that we later saw materialized.”\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"B-G6HtvANqI"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The United States is in crisis right now, with a public health emergency, mass unemployment and police brutality ravaging the country, and art might feel like a secondary concern to many. But Rodriguez says that she wants to encourage artists to see their higher purpose and help society imagine new ways of being.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan class=\"s1\">“The overwhelm we are feeling is because of immense, immense transformation that is not going to be easy. As artists, we can hold the hardship while also holding the possibility,” she says. “We can help illuminate a path forward, but we have to do the work.”\u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13881227/how-artists-can-instigate-social-change-according-to-a-new-guide","authors":["11387"],"categories":["arts_1"],"tags":["arts_4459","arts_10126","arts_11014","arts_3149","arts_10278"],"featImg":"arts_13881328","label":"arts"},"arts_13851712":{"type":"posts","id":"arts_13851712","meta":{"index":"posts_1591205157","site":"arts","id":"13851712","score":null,"sort":[1551308417000]},"guestAuthors":[],"slug":"meet-the-screenprinters-and-artists-behind-the-oakland-teachers-strike","title":"Meet the Screenprinters and Artists Behind the Oakland Teachers Strike","publishDate":1551308417,"format":"standard","headTitle":"Meet the Screenprinters and Artists Behind the Oakland Teachers Strike | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>In a parking garage below the Oakland teachers union headquarters on Sunday, dozens of volunteers labored over the banners, posters and picket signs illustrating a historic strike.\u003c/p>\n\u003cp>A crowd of retired and current educators, college students and district parents with their children turned out for the third “art build” supporting the Oakland Education Association, whose 3,000 members are currently \u003ca href=\"https://www.kqed.org/news/11727551/oakland-teachers-go-on-strike-in-fight-for-higher-pay-more-resources\">on strike\u003c/a> as the union negotiates for higher wages and smaller class sizes.\u003c/p>\n\u003cp>They spent the Sunday morning cutting canvas, assembling picket-signs and screen-printing images sourced from local artists, including Melanie Cervantes, Favianna Rodriguez and Micah Bazant. The dominant color was red, while the messages, rendered boldly alongside illustrations of women and backpacked children, centered on fighting for the schools teachers and students deserve.\u003c/p>\n\u003cfigure id=\"attachment_13851747\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851747\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-4-800x533.jpg\" alt=\"Local artists contributed imagery for Oakland teachers strike banners. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-4-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-4-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-4-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-4-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-4-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-4.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Local artists contributed imagery for Oakland teachers strike banners. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>David Solnit, an environmental-justice organizer who’s also married to an educator in Berkeley, brought materials and helped coordinate the event. “About 15 years ago I started reaching out to artists and performers to get involved with actions because, at their core, social movements are really about storytelling,” he said. “And the arts are the most powerful way to tell stories.”\u003c/p>\n\u003cp>The model, common in activist circles, is gaining traction in public education advocacy. After organizing art builds in the Midwest, Joe Brusky and other workers with the Milwaukee Teachers Education Association got the attention of the National Education Association. Since, they’ve traveled to Los Angeles and Oakland to bring people together over pro-union artwork.\u003c/p>\n\u003cfigure id=\"attachment_13851749\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851749\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-6-800x533.jpg\" alt='Dozens of volunteers turned out for the third \"art build\" supporting striking Oakland teachers.' width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-6-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-6-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-6-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-6-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-6.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dozens of volunteers turned out for the third “art build” supporting striking Oakland teachers. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Generally a union gets 5,000 copies of the sign made at the union printer and everyone’s holding the same one,” said Brusky. “That can be powerful, but it’s not as connected, it’s not as grassroots as collecting multiple images from artists in the surrounding community.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In January, Solnit and union supporters logged three 12-hour days to produce more than a thousand posters and signs, including several enormous, hand-painted banners. The event on Sunday served a practical purpose—more signs for picketers at school sites—but it was as much about continuing to build community and momentum for the labor struggle, according to Brusky.\u003c/p>\n\u003cfigure id=\"attachment_13851751\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851751\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-David-Solnit-800x533.jpg\" alt=\"David Solnit, an environmental-justice organizer, co-organized the art build. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-David-Solnit-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-David-Solnit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-David-Solnit-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-David-Solnit-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-David-Solnit-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-David-Solnit.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Solnit, an environmental-justice organizer, co-organized the art build. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It gets artists talking about the movement to their followers, who come to the actions,” said Brusky, crediting art builds with a significant role in striking Los Angeles teachers recent victory. “I do social media for my union, but here, everyone’s doing social media for the union.”\u003c/p>\n\u003cp>So what makes a good pro-labor design? Some artists, he noted, worked from portraits of actual California educators. “Privatizers have made the issue of education in this country really complex,” said Brusky. “So we need to humanize and personalize the issue. In today’s world, the social media world, it’s like memes: one image with a little text goes a long way.”\u003c/p>\n\u003cp>Solnit brought his experience as an activist to the art build. Tall banners, seen resting against Oakland City Hall during recent rallies, were constructed similarly to ones at Standing Rock; they can withstand high-speed wind and rain. And the canvas is fairly thin, Solnit noted, the better to let backlight make the message pop. “So it’s like a stained-glass window,” he said.\u003c/p>\n\u003cfigure id=\"attachment_13851746\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851746\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-3-800x533.jpg\" alt=\"Oakland teachers strike supporters rally at Frank Ogawa Plaza in front of Oakland City Hall. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-3-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-3.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland teachers strike supporters rally at Frank Ogawa Plaza in front of Oakland City Hall. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Solnit said he’s never seen a national union stress art in a labor struggle like the National Education Association, which is subsidizing Brusky and his fellow organizers to spread the art build model to other locals. On Sunday, it seemed to help with recruitment. For some volunteers, including a UC Berkeley student, it was with their first encounter with organized labor.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“There’s magic to seeing something on the picket line and knowing you made it,” Solnit said. “And as any teacher will you, at the end of the day humans are meant to make things together.”\u003c/p>\n\n","blocks":[],"excerpt":"'As any teacher will you, at the end of the day humans are meant to make things together,' says David Solnit.","status":"publish","parent":0,"modified":1705026545,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":730},"headData":{"title":"Meet the Screenprinters and Artists Behind the Oakland Teachers Strike | KQED","description":"'As any teacher will you, at the end of the day humans are meant to make things together,' says David Solnit.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Meet the Screenprinters and Artists Behind the Oakland Teachers Strike","datePublished":"2019-02-27T23:00:17.000Z","dateModified":"2024-01-12T02:29:05.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13851712/meet-the-screenprinters-and-artists-behind-the-oakland-teachers-strike","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In a parking garage below the Oakland teachers union headquarters on Sunday, dozens of volunteers labored over the banners, posters and picket signs illustrating a historic strike.\u003c/p>\n\u003cp>A crowd of retired and current educators, college students and district parents with their children turned out for the third “art build” supporting the Oakland Education Association, whose 3,000 members are currently \u003ca href=\"https://www.kqed.org/news/11727551/oakland-teachers-go-on-strike-in-fight-for-higher-pay-more-resources\">on strike\u003c/a> as the union negotiates for higher wages and smaller class sizes.\u003c/p>\n\u003cp>They spent the Sunday morning cutting canvas, assembling picket-signs and screen-printing images sourced from local artists, including Melanie Cervantes, Favianna Rodriguez and Micah Bazant. The dominant color was red, while the messages, rendered boldly alongside illustrations of women and backpacked children, centered on fighting for the schools teachers and students deserve.\u003c/p>\n\u003cfigure id=\"attachment_13851747\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851747\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-4-800x533.jpg\" alt=\"Local artists contributed imagery for Oakland teachers strike banners. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-4-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-4-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-4-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-4-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-4-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-4.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Local artists contributed imagery for Oakland teachers strike banners. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>David Solnit, an environmental-justice organizer who’s also married to an educator in Berkeley, brought materials and helped coordinate the event. “About 15 years ago I started reaching out to artists and performers to get involved with actions because, at their core, social movements are really about storytelling,” he said. “And the arts are the most powerful way to tell stories.”\u003c/p>\n\u003cp>The model, common in activist circles, is gaining traction in public education advocacy. After organizing art builds in the Midwest, Joe Brusky and other workers with the Milwaukee Teachers Education Association got the attention of the National Education Association. Since, they’ve traveled to Los Angeles and Oakland to bring people together over pro-union artwork.\u003c/p>\n\u003cfigure id=\"attachment_13851749\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851749\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-6-800x533.jpg\" alt='Dozens of volunteers turned out for the third \"art build\" supporting striking Oakland teachers.' width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-6-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-6-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-6-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-6-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-6.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dozens of volunteers turned out for the third “art build” supporting striking Oakland teachers. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Generally a union gets 5,000 copies of the sign made at the union printer and everyone’s holding the same one,” said Brusky. “That can be powerful, but it’s not as connected, it’s not as grassroots as collecting multiple images from artists in the surrounding community.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In January, Solnit and union supporters logged three 12-hour days to produce more than a thousand posters and signs, including several enormous, hand-painted banners. The event on Sunday served a practical purpose—more signs for picketers at school sites—but it was as much about continuing to build community and momentum for the labor struggle, according to Brusky.\u003c/p>\n\u003cfigure id=\"attachment_13851751\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851751\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-David-Solnit-800x533.jpg\" alt=\"David Solnit, an environmental-justice organizer, co-organized the art build. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-David-Solnit-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-David-Solnit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-David-Solnit-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-David-Solnit-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-David-Solnit-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-David-Solnit.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Solnit, an environmental-justice organizer, co-organized the art build. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It gets artists talking about the movement to their followers, who come to the actions,” said Brusky, crediting art builds with a significant role in striking Los Angeles teachers recent victory. “I do social media for my union, but here, everyone’s doing social media for the union.”\u003c/p>\n\u003cp>So what makes a good pro-labor design? Some artists, he noted, worked from portraits of actual California educators. “Privatizers have made the issue of education in this country really complex,” said Brusky. “So we need to humanize and personalize the issue. In today’s world, the social media world, it’s like memes: one image with a little text goes a long way.”\u003c/p>\n\u003cp>Solnit brought his experience as an activist to the art build. Tall banners, seen resting against Oakland City Hall during recent rallies, were constructed similarly to ones at Standing Rock; they can withstand high-speed wind and rain. And the canvas is fairly thin, Solnit noted, the better to let backlight make the message pop. “So it’s like a stained-glass window,” he said.\u003c/p>\n\u003cfigure id=\"attachment_13851746\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851746\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-3-800x533.jpg\" alt=\"Oakland teachers strike supporters rally at Frank Ogawa Plaza in front of Oakland City Hall. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-3-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/OEA-Art-Build-3.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland teachers strike supporters rally at Frank Ogawa Plaza in front of Oakland City Hall. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Solnit said he’s never seen a national union stress art in a labor struggle like the National Education Association, which is subsidizing Brusky and his fellow organizers to spread the art build model to other locals. On Sunday, it seemed to help with recruitment. For some volunteers, including a UC Berkeley student, it was with their first encounter with organized labor.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“There’s magic to seeing something on the picket line and knowing you made it,” Solnit said. “And as any teacher will you, at the end of the day humans are meant to make things together.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13851712/meet-the-screenprinters-and-artists-behind-the-oakland-teachers-strike","authors":["11091"],"categories":["arts_1","arts_835","arts_235"],"tags":["arts_4459","arts_3149","arts_1118","arts_746","arts_596","arts_1143","arts_1756","arts_5375","arts_9159"],"featImg":"arts_13851744","label":"arts"},"arts_12997257":{"type":"posts","id":"arts_12997257","meta":{"index":"posts_1591205157","site":"arts","id":"12997257","score":null,"sort":[1491343377000]},"guestAuthors":[],"slug":"the-recipe-for-radical-visibility-and-chilaquiles-with-a-side-of-kale-salad","title":"The Recipe for Radical Visibility and Chilaquiles (with a Side of Kale Salad)","publishDate":1491343377,"format":"video","headTitle":"The Recipe for Radical Visibility and Chilaquiles (with a Side of Kale Salad) | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Creating radical visibility — for artists of color, queer artists, undocumented artists — is hard work. And people doing hard work need to eat well. Over chilaquiles, a traditional Mexican dish of fried corn tortillas covered in sauce and queso fresco, \u003ca href=\"http://www.culturestrike.org/\" target=\"_blank\" rel=\"noopener\">CultureStrike\u003c/a> co-founder \u003ca href=\"http://favianna.tumblr.com/\" target=\"_blank\" rel=\"noopener\">Favianna Rodriguez\u003c/a> and queer undocumented artist and cartoonist \u003ca href=\"http://juliosalgadoart.com/\" target=\"_blank\" rel=\"noopener\">Julio Salgado\u003c/a> dish out more than just a delicious meal.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12667846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>“The entire ecosystem of the arts does not have enough of us in it,” Rodriguez says of artists of color. “It’s not just about being represented, it’s about us having real power.”\u003c/p>\n\u003cp>For Salgado, whose work is informed by his various identities, but not defined by them, the current political climate makes him question his decision to be out — both as a queer man and an undocumented immigrant. But, he says, “The artist in me is like, ‘No.’”\u003c/p>\n\u003cp>“We definitely need to have stories — especially now,” Rodriguez says “of joy and pleasure and just our complicated humanity.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So cook up some chilaquiles with your friends and loved ones, tell stories of joy and pleasure and buen provecho!\u003c/p>\n\u003ch3>Favi and Julio’s Chilaquiles and Kale Salad\u003c/h3>\n\u003cp>\u003cstrong>Cook time:\u003c/strong> 15 minutes\u003c/p>\n\u003cp>\u003cstrong>Ingredients:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>onions\u003c/li>\n\u003cli>corn tortillas\u003c/li>\n\u003cli>olive oil\u003c/li>\n\u003cli>tomato sauce\u003c/li>\n\u003cli>queso fresco\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Salad directions:\u003c/strong> Mix miso, olive oil, rice vinegar and soy sauce together for the dressing, add to kale salad and let it sit to soften the leaves.\u003c/p>\n\u003cp>\u003cstrong>Chilaquiles directions:\u003c/strong> Cut the onions and saute them in oil. Add more oil, cut the tortillas into quarters and fry them to taste. (Rodriguez recommends “a little soft and a little crispy.”) Add the tomato sauce (or red or green salsa, or mole), stir and serve. Top with queso fresco and as Rodriguez says, “Boom you got chilaquiles!”\u003c/p>\n\u003cp>\u003ci>Text by Sarah Hotchkiss\u003c/i>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>Watch more from the Represent Video Collection\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" class=\"hzframe\" src=\"https://huzzaz.com/proembed/represent-2?layout=grid&vpp=12&search=1&titleoverlay=1\" height=\"0\" width=\"100%\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\">\u003c/iframe>\u003cbr>\n[huzzaz_js]\u003c/p>\n\n","blocks":[],"excerpt":"Favianna Rodriguez and queer undocumented artist Julio Salgado talk about representation, power, identity and art, all over a delicious meal.\r\n\r\n","status":"publish","parent":0,"modified":1705031047,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":true,"iframeSrcs":["https://huzzaz.com/proembed/represent-2"],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":323},"headData":{"title":"The Recipe for Radical Visibility and Chilaquiles (with a Side of Kale Salad) | KQED","description":"Favianna Rodriguez and queer undocumented artist Julio Salgado talk about representation, power, identity and art, all over a delicious meal.\r\n\r\n","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Recipe for Radical Visibility and Chilaquiles (with a Side of Kale Salad)","datePublished":"2017-04-04T22:02:57.000Z","dateModified":"2024-01-12T03:44:07.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"videoEmbed":"https://vimeo.com/211390668","sticky":false,"path":"/arts/12997257/the-recipe-for-radical-visibility-and-chilaquiles-with-a-side-of-kale-salad","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Creating radical visibility — for artists of color, queer artists, undocumented artists — is hard work. And people doing hard work need to eat well. Over chilaquiles, a traditional Mexican dish of fried corn tortillas covered in sauce and queso fresco, \u003ca href=\"http://www.culturestrike.org/\" target=\"_blank\" rel=\"noopener\">CultureStrike\u003c/a> co-founder \u003ca href=\"http://favianna.tumblr.com/\" target=\"_blank\" rel=\"noopener\">Favianna Rodriguez\u003c/a> and queer undocumented artist and cartoonist \u003ca href=\"http://juliosalgadoart.com/\" target=\"_blank\" rel=\"noopener\">Julio Salgado\u003c/a> dish out more than just a delicious meal.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12667846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>“The entire ecosystem of the arts does not have enough of us in it,” Rodriguez says of artists of color. “It’s not just about being represented, it’s about us having real power.”\u003c/p>\n\u003cp>For Salgado, whose work is informed by his various identities, but not defined by them, the current political climate makes him question his decision to be out — both as a queer man and an undocumented immigrant. But, he says, “The artist in me is like, ‘No.’”\u003c/p>\n\u003cp>“We definitely need to have stories — especially now,” Rodriguez says “of joy and pleasure and just our complicated humanity.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So cook up some chilaquiles with your friends and loved ones, tell stories of joy and pleasure and buen provecho!\u003c/p>\n\u003ch3>Favi and Julio’s Chilaquiles and Kale Salad\u003c/h3>\n\u003cp>\u003cstrong>Cook time:\u003c/strong> 15 minutes\u003c/p>\n\u003cp>\u003cstrong>Ingredients:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>onions\u003c/li>\n\u003cli>corn tortillas\u003c/li>\n\u003cli>olive oil\u003c/li>\n\u003cli>tomato sauce\u003c/li>\n\u003cli>queso fresco\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Salad directions:\u003c/strong> Mix miso, olive oil, rice vinegar and soy sauce together for the dressing, add to kale salad and let it sit to soften the leaves.\u003c/p>\n\u003cp>\u003cstrong>Chilaquiles directions:\u003c/strong> Cut the onions and saute them in oil. Add more oil, cut the tortillas into quarters and fry them to taste. (Rodriguez recommends “a little soft and a little crispy.”) Add the tomato sauce (or red or green salsa, or mole), stir and serve. Top with queso fresco and as Rodriguez says, “Boom you got chilaquiles!”\u003c/p>\n\u003cp>\u003ci>Text by Sarah Hotchkiss\u003c/i>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>Watch more from the Represent Video Collection\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" class=\"hzframe\" src=\"https://huzzaz.com/proembed/represent-2?layout=grid&vpp=12&search=1&titleoverlay=1\" height=\"0\" width=\"100%\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\">\u003c/iframe>\u003cbr>\n[huzzaz_js]\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12997257/the-recipe-for-radical-visibility-and-chilaquiles-with-a-side-of-kale-salad","authors":["11241"],"categories":["arts_835","arts_235","arts_70"],"tags":["arts_1642","arts_3149","arts_1118","arts_1297","arts_1773","arts_3152","arts_596","arts_3126","arts_1007","arts_901"],"featImg":"arts_13002769","label":"arts"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. 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On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. 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