Bob Ross Paintings Raise Over $600K to Help Public TV Stations
Bob Ross Paintings to be Auctioned to Support Public TV After Funding Cuts
The ‘Door’ That Saved (Only) Rose in ‘Titanic’ Just Sold for $718k
This Rare Bob Ross Painting Could Be Yours — for Close to $10 Million
Abbi Jacobson Is Auctioning Off Her Blue ‘Broad City’ Dress to Benefit Striking Writers
Princess Diana’s Iconic Sheep Sweater Could Fetch at Least $50,000 at Auction
An Original Princess Leia Dress Found in an Attic Could Be Yours — for as Much as $2M
Joan Didion’s Possessions Sell for Eye-Popping Prices at Auction
Steve Jobs' Worn-Out Birkenstocks Sell for $218,000 at Auction
A Warhol 'Marilyn' Brings a Record Auction Price, $195 Million
One of Judy Garland's 'Wizard of Oz' Dresses Goes Up for Sale
Online Art Auction Aims to Keep Museum of the African Diaspora Afloat
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"content": "\u003cp>Three paintings from famously chill public television legend \u003ca href=\"https://www.kqed.org/pop/34351/the-real-bob-ross-meet-the-meticulous-artist-behind-those-happy-trees\">Bob Ross\u003c/a> sold Tuesday for more than $600,000 at auction. The paintings were the first of 30 \u003ca href=\"https://www.kqed.org/arts/13982166/bob-ross-paintings-auction-to-fund-public-tv-federal-funding-cuts\">Ross works being sold to benefit public TV\u003c/a> stations hurt by cuts in federal funding.\u003c/p>\n\u003cp>At the live auction at Bonhams in Los Angeles, a serene, snow vista called \u003cem>Winter’s Peace\u003c/em> that Ross painted entirely during a 1993 episode of \u003ca href=\"https://video.kqed.org/show/best-joy-painting/\">\u003cem>The Joy of Painting\u003c/em>\u003c/a> went for $318,000 to a bidder on the phone.\u003c/p>\n\u003cp>[aside postid='arts_13957624']“For a good cause — and you get the painting,” auctioneer Aaron Bastian said during the bidding. He invoked a common sentiment of Ross, who died in 1995, during a brief lull. “Bob would remind you that this is your world, and you can do anything you want.”\u003c/p>\n\u003cp>Another painting done on a 1993 episode, a lush, green landscape called \u003cem>Home in the Valley\u003c/em>, went for $229,100. A third, \u003cem>Cliffside\u003c/em>, sold for $114,800.\u003c/p>\n\u003cp>The final prices include a charge for the auction house added to the final bid known as the buyer’s premium. The identities of the buyers weren’t immediately revealed.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Bids for all three paintings went well past pre-auction estimates of their value, which topped out around $50,000.\u003c/p>\n\u003cp>Three more Ross paintings will be up for auction at Bonhams in Marlborough, Massachusetts, on Jan. 27, with others to follow, including one in New York.\u003c/p>\n\u003cp>All profits are pledged to stations that use content from distributor American Public Television.\u003c/p>\n\u003cp>Ross, a public television staple in the 1980s and ’90s, was known for his dome of hair and warm demeanor.\u003c/p>\n\u003cp>The special sales seek to help stations in need of licensing fees that allow them to show popular programs that along with Ross’ show include \u003ca href=\"https://www.pbs.org/show/americas-test-kitchen-from-cooks-illustrated/\">\u003cem>America’s Test Kitchen\u003c/em>\u003c/a>, \u003cem>J\u003ca href=\"https://video.kqed.org/show/french-chef-julia-child/\">ulia Child’s French Chef\u003c/a> Classics\u003c/em>, and \u003ca href=\"https://www.pbs.org/show/old-house/\">\u003cem>This Old House\u003c/em>\u003c/a>. Small and rural stations are particularly challenged.\u003c/p>\n\u003cp>[aside postid='arts_13867846']The stations “have been the gateway for generations of viewers to discover not just Bob’s gentle teaching, but the transformative power of the arts,” Joan Kowalski, president of Bob Ross Inc., said in a statement.\u003c/p>\n\u003cp>As sought by the Trump Administration, Congress has eliminated $1.1 billion allocated to public broadcasting, leaving about 330 PBS and 246 NPR stations.\u003c/p>\n\u003cp>Ross died at age 52 of complications from cancer after 11 years in production with the therapeutic how-to show, \u003cem>The Joy of Painting\u003c/em>. The former Air Force drill sergeant was a sort of pioneer, known for his calm — and calming — manner and encouraging words.\u003c/p>\n\u003cp>Ross spoke often as he worked on air about painting happy little clouds and trees, and making no mistakes, only “happy accidents.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>He has only became more popular in the decades since his death, and his shows saw a surge in popularity during the lockdowns of the \u003ca href=\"https://www.kqed.org/news/tag/covid-19-pandemic\">COVID-19 pandemic\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cp>Thirty paintings created by the bushy-haired, soft-spoken \u003ca href=\"https://www.kqed.org/pop/34351/the-real-bob-ross-meet-the-meticulous-artist-behind-those-happy-trees\">Bob Ross\u003c/a> will soon be up for auction to defray the costs of programming for small and rural public television stations suffering under cuts in federal funding.\u003c/p>\n\u003cp>Ross, a public television stalwart in the 1980s and ’90s, “dedicated his life to making art accessible to everyone,” said Joan Kowalski, president of Bob Ross Inc. “This auction ensures his legacy continues to support the very medium that brought his joy and creativity into American homes for decades.”\u003c/p>\n\u003cp>[aside postid='arts_13867846']Bonhams in Los Angeles will auction three of Ross’ paintings on Nov. 11. Other auctions will follow in London, New York, Boston and online. All profits are pledged to stations that use content from distributor American Public Television.\u003c/p>\n\u003cp>The idea is to help stations in need with licensing fees that allow them to show popular programs that include \u003ca href=\"https://video.kqed.org/show/best-joy-painting/\">\u003cem>The Best of the Joy of Painting\u003c/em>\u003c/a>, based on Ross’ show, \u003ca href=\"https://video.kqed.org/show/americas-test-kitchen-from-cooks-illustrated/\">\u003cem>America’s Test Kitchen\u003c/em>\u003c/a>, \u003ca href=\"https://video.kqed.org/show/french-chef-classics/\">\u003cem>Julia Child’s French Chef Classics\u003c/em>\u003c/a> and \u003ca href=\"https://www.pbs.org/show/old-house/\">\u003cem>This Old House\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>As desired by President Donald Trump, \u003ca href=\"https://www.kqed.org/forum/2010101910637/congress-votes-to-defund-public-media\">Congress has eliminated $1.1 billion allocated to public broadcasting\u003c/a>, leaving about 330 PBS and 246 NPR stations to find alternative funding sources. Many launched emergency fund drives. Some have been forced to \u003ca href=\"https://www.kqed.org/news/12049836/californias-npr-and-pbs-stations-will-cut-staff-and-programs-after-funding-slashed\">lay off staff and make programming cuts\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The beloved Ross died in 1995 of complications from cancer after 11 years in production with \u003cem>The Joy of Painting\u003c/em>. His how-to program was shown on stations around the U.S. and around the world. The former Air Force drill sergeant known for his calm demeanor and encouraging words enjoyed a resurgence in popularity during the \u003ca href=\"https://www.kqed.org/arts/tag/covid\">lockdowns of the COVID-19 pandemic\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=gYuH4Ilqdhs\u003c/p>\n\u003cp>Ross spoke often as he worked on air about painting happy little clouds and trees, and making no mistakes, only “happy accidents.”\u003c/p>\n\u003cp>[aside postid='arts_13902109']The thirty paintings to be auctioned span Ross’ career and include landscapes depicting serene mountain vistas and lake scenes, his signature aesthetic. He created most of the 30 on-air, each in under 30 minutes, which was the span of a single episode.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Bonhams sold two early 1990s mountain-and-lake scenes of Ross in August for $114,800 and $95,750. The auctions of the 30 paintings soon to be sold have an estimated total value of $850,000 to $1.4 million, Bonhams said.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Thirty paintings created by the bushy-haired, soft-spoken \u003ca href=\"https://www.kqed.org/pop/34351/the-real-bob-ross-meet-the-meticulous-artist-behind-those-happy-trees\">Bob Ross\u003c/a> will soon be up for auction to defray the costs of programming for small and rural public television stations suffering under cuts in federal funding.\u003c/p>\n\u003cp>Ross, a public television stalwart in the 1980s and ’90s, “dedicated his life to making art accessible to everyone,” said Joan Kowalski, president of Bob Ross Inc. “This auction ensures his legacy continues to support the very medium that brought his joy and creativity into American homes for decades.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Bonhams in Los Angeles will auction three of Ross’ paintings on Nov. 11. Other auctions will follow in London, New York, Boston and online. All profits are pledged to stations that use content from distributor American Public Television.\u003c/p>\n\u003cp>The idea is to help stations in need with licensing fees that allow them to show popular programs that include \u003ca href=\"https://video.kqed.org/show/best-joy-painting/\">\u003cem>The Best of the Joy of Painting\u003c/em>\u003c/a>, based on Ross’ show, \u003ca href=\"https://video.kqed.org/show/americas-test-kitchen-from-cooks-illustrated/\">\u003cem>America’s Test Kitchen\u003c/em>\u003c/a>, \u003ca href=\"https://video.kqed.org/show/french-chef-classics/\">\u003cem>Julia Child’s French Chef Classics\u003c/em>\u003c/a> and \u003ca href=\"https://www.pbs.org/show/old-house/\">\u003cem>This Old House\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>As desired by President Donald Trump, \u003ca href=\"https://www.kqed.org/forum/2010101910637/congress-votes-to-defund-public-media\">Congress has eliminated $1.1 billion allocated to public broadcasting\u003c/a>, leaving about 330 PBS and 246 NPR stations to find alternative funding sources. Many launched emergency fund drives. Some have been forced to \u003ca href=\"https://www.kqed.org/news/12049836/californias-npr-and-pbs-stations-will-cut-staff-and-programs-after-funding-slashed\">lay off staff and make programming cuts\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The beloved Ross died in 1995 of complications from cancer after 11 years in production with \u003cem>The Joy of Painting\u003c/em>. His how-to program was shown on stations around the U.S. and around the world. The former Air Force drill sergeant known for his calm demeanor and encouraging words enjoyed a resurgence in popularity during the \u003ca href=\"https://www.kqed.org/arts/tag/covid\">lockdowns of the COVID-19 pandemic\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gYuH4Ilqdhs'\n title='//www.youtube.com/embed/gYuH4Ilqdhs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Ross spoke often as he worked on air about painting happy little clouds and trees, and making no mistakes, only “happy accidents.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The thirty paintings to be auctioned span Ross’ career and include landscapes depicting serene mountain vistas and lake scenes, his signature aesthetic. He created most of the 30 on-air, each in under 30 minutes, which was the span of a single episode.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Bonhams sold two early 1990s mountain-and-lake scenes of Ross in August for $114,800 and $95,750. The auctions of the 30 paintings soon to be sold have an estimated total value of $850,000 to $1.4 million, Bonhams said.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "The ‘Door’ That Saved (Only) Rose in ‘Titanic’ Just Sold for $718k",
"headTitle": "The ‘Door’ That Saved (Only) Rose in ‘Titanic’ Just Sold for $718k | KQED",
"content": "\u003cp>Some of the most iconic props in Hollywood history hit the auction block last week, from Indiana Jones’ trusty whip to Forrest Gump’s assorted chocolates to the infamous axe from \u003cem>The Shining\u003c/em>.\u003c/p>\n\u003cp>But the top-selling item was a piece of debris, albeit one that’s stirred imagination and debate for over a quarter century.\u003c/p>\n\u003cp>[aside postid='arts_13935076']“The wood panel from \u003cem>Titanic \u003c/em>that saved Rose — but, controversially, not Jack — was the king of the auction, realizing $718,750 to float to the top of the five-day event,” auction house Heritage Auctions \u003ca href=\"https://www.ha.com/heritage-auctions-press-releases-and-news/treasures-from-planet-hollywood-bring-more-than-15.6-million-in-historic-event-at-heritage-auctions.s?releaseId=4934\">said in a release\u003c/a>.\u003c/p>\n\u003cp>The “\u003ca href=\"https://entertainment.ha.com/itm/movie-tv-memorabilia/props/titanic-tcf-1997-kate-winslet-rose-dewitt-bukater-hero-floating-wood-panel/a/7356-89979.s?ic4=GalleryView-ShortDescription-071515#auction-description\">Hero Floating Wood Panel\u003c/a>” played an \u003ca href=\"https://www.youtube.com/watch?v=KKY6-9cQ5l8\">iconic role\u003c/a> in the 1997 blockbuster. As the Titanic sinks, stranding passengers in the frigid waters of the Atlantic Ocean, Kate Winslet’s character Rose manages to lie afloat on the piece of a door while Leonardo DiCaprio’s Jack clings to the edge, eventually succumbing to hypothermia.\u003c/p>\n\u003cp>“The biggest scene, really, the climactic scene if you will,” \u003ca href=\"https://www.youtube.com/live/mIK6kHWvUUs?si=S25-q0QRjatgbMgZ&t=1230\">the auctioneer said\u003c/a>, introducing the lot item. “There are several big scenes but this is it, this is the goodbye.”\u003c/p>\n\u003cfigure id=\"attachment_13954959\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13954959\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/gettyimages-1192757498-69537c1a79908bf9fef43bcfdfac41b57248ecb5-scaled-e1711663749139.jpg\" alt=\"A man with wet hair, submerged from the chest down leans on a piece of wooden detritus that a woman with wet hair is propped up on.\" width=\"1920\" height=\"1440\">\u003cfigcaption class=\"wp-caption-text\">Fans have long debated whether there was room for both Jack (Leonardo DiCaprio) and Rose (Kate Winslet) on the makeshift raft in the 1997 blockbuster ‘Titanic.’ \u003ccite>(CBS Photo Archive/ CBS via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bidding started at $60,000 and finished some five minutes later at $575,000 (the total cost included additional fees). In the video livestream, the crowd can be heard clapping heartily as the auctioneer congratulates the winner, whom he refers to as “Mr. Green.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The five-day “Treasures from Planet Hollywood” auction brought in more than $15.6 million from over 5,500 bidders worldwide across some 1,600 lots, according to Heritage Auctions, which said there were so many bidding wars that “we lost track.”\u003c/p>\n\u003cp>[aside postid='arts_13927540']“There has been a generational shift to where these massive franchises and blockbusters of the 1980s and 1990s — the \u003cem>Home Alone\u003c/em>s, the Indiana Jones films, the \u003cem>Die Hard\u003c/em>s and, of course, \u003cem>Titanic\u003c/em> — are now collectors’ favorites,” Executive Vice President Joe Maddalena said in a statement provided to NPR. “Collectors are finally rewarding these artifacts as what they are: cultural artifacts akin to the fine art of old.”\u003c/p>\n\u003cp>Five of the top lots came from \u003cem>Titanic\u003c/em>, including the ship’s helm wheel ($200,000), Rose’s waterlogged chiffon dress ($118,750) and the ship’s brass engine order telegraph ($81,250) — another sign that the public’s fascination with the century-old shipwreck isn’t going anywhere.\u003c/p>\n\u003ch3>The prop is modeled on a real-life structure\u003c/h3>\n\u003cp>The 8-foot-long, 41-inch-wide floating hunk of wood is made of balsa and intricately carved with rococo motifs like floral accents and scrolling curves, according to the auction house.\u003c/p>\n\u003cp>A plaque on the back of it reads: “Leonardo DiCaprio / Kate Winslet / ‘Titanic’ / Twentieth Century Fox / Paramount Pictures, 1997 / Floating panel that he uses to save her life in the sinking sequence of the film, in their roles as ‘Jack Dawson’ and ‘Rose DeWitt Bukater’. Courtesy of Twentieth Century Fox.”\u003c/p>\n\u003cp>Heritage Auctions says the prop was based on the “most famous complete piece of debris from the 1912 tragedy,” which is believed to be part of the door frame just above the first-class lounge entrance.\u003c/p>\n\u003cp>[aside postid='arts_13924870']Researchers theorize that the panel represents the exact area where the ship split in two and that it rose to the water’s surface as the ship sank. The auction house notes that it closely resembles one particular artifact housed at the Maritime Museum in Halifax, Nova Scotia.\u003c/p>\n\u003cp>Director James Cameron visited the museum during the movie production and consulted with an American expert who had assisted with research there, according to the \u003ca href=\"https://maritimemuseum.novascotia.ca/what-see-do/titanics-halifax-connection/frequently-asked-questions#10\">Maritime Museum\u003c/a>.\u003c/p>\n\u003cp>“Among other things this permitted accurate replicas of the deckchairs to be constructed and most notably, a replica of a large piece of carved oak [paneling] to be built,” it added. “It was used in the climactic death scene in the film where the character Rose clings to floating wreckage.”\u003c/p>\n\u003ch3>The piece of wood is at the heart of an enduring debate\u003c/h3>\n\u003cp>Enraged fans have argued for decades that there was room on the board for both paramours and that Rose could have saved Jack — and their star-crossed love story — by simply scooting over.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13954979\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc.jpg\" alt=\"\" width=\"889\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc.jpg 889w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc-768x432.jpg 768w\" sizes=\"(max-width: 889px) 100vw, 889px\">\u003c/p>\n\u003cp>Cameron adamantly disagrees, as he’s \u003ca href=\"https://www.vanityfair.com/hollywood/2019/02/james-cameron-titanic-door-debate\">made clear in multiple interviews\u003c/a> over the years.\u003c/p>\n\u003cp>“When Jack puts Rose on the raft, he tries to get on the raft — he’s not an idiot, he doesn’t want to die — and the raft sinks; it kind of flips,” \u003ca href=\"https://www.ign.com/articles/2012/10/09/titanic-was-there-room-for-jack-on-that-raft\">Cameron told IGN\u003c/a> in 2012. “And so it’s clear that there’s really only enough buoyancy available for one person. So he makes the decision to let her be that person.”\u003c/p>\n\u003cp>[aside postid='pop_95762']\u003cem>MythBusters\u003c/em> even teamed up with Cameron\u003ca href=\"https://www.imdb.com/title/tt2443302/\"> in an episode\u003c/a> that same year to tackle the question, which it called “the most requested myth in MythBuster history.”\u003c/p>\n\u003cp>They \u003ca href=\"https://ew.com/article/2012/10/08/mythbusters-titanic-debate-jack-die/\">concluded\u003c/a> that Rose and Jack could have both stayed afloat and avoided hypothermia, but only if they had thought to tie her life jacket underneath it to help with buoyancy. That’s missing the point, Cameron said at the time (he said \u003ca href=\"https://www.thedailybeast.com/james-cameron-on-the-trump-administration-these-people-are-insane\">five years later\u003c/a> that he loved working with the MythBusters, “but they’re full of s***”).\u003c/p>\n\u003cp>“The script says Jack died. He has to die,” he said in the episode. “So maybe we screwed up and the board should have been a little tiny bit smaller, but the dude’s goin’ down.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=IPDxtclZzVU\u003c/p>\n\u003cp>In 2022, a full 25 years after the movie’s release, Cameron said he had \u003ca href=\"https://www.npr.org/2022/12/19/1144078509/titanic-movie-door-debate-james-cameron\">commissioned a scientific study\u003c/a> to hopefully close the door on the debate once and for all.\u003c/p>\n\u003cp>[aside postid='pop_111446']The results, which aired in a \u003ca href=\"https://www.youtube.com/watch?v=1jXHFEy-ibc\">National Geographic special\u003c/a> last year, suggested that under some scenarios, \u003ca href=\"https://ew.com/movies/james-cameron-confesses-titanic-door-should-have-been-smaller/\">both Jack and Rose could have survived\u003c/a> on the makeshift raft had they known more about hypothermia and thermodynamics.\u003c/p>\n\u003cp>“In an experiment in a test pool, we can’t possibly simulate the terror, the adrenaline, all the things that worked against them,” Cameron said. “He couldn’t have anticipated what we know today about hypothermia. He didn’t get to run a bunch of different experiments to see what worked the best.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>At the end of the day, Cameron maintained Jack’s death was necessary both as a plot device and character choice. But said he would have done it differently based on what he knows now: “I would have made the raft smaller, so there’s no doubt.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+piece+of+wood+that+saved+%28only%29+Rose+in+%27Titanic%27+was+auctioned+off+for+%24718k&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“The wood panel from \u003cem>Titanic \u003c/em>that saved Rose — but, controversially, not Jack — was the king of the auction, realizing $718,750 to float to the top of the five-day event,” auction house Heritage Auctions \u003ca href=\"https://www.ha.com/heritage-auctions-press-releases-and-news/treasures-from-planet-hollywood-bring-more-than-15.6-million-in-historic-event-at-heritage-auctions.s?releaseId=4934\">said in a release\u003c/a>.\u003c/p>\n\u003cp>The “\u003ca href=\"https://entertainment.ha.com/itm/movie-tv-memorabilia/props/titanic-tcf-1997-kate-winslet-rose-dewitt-bukater-hero-floating-wood-panel/a/7356-89979.s?ic4=GalleryView-ShortDescription-071515#auction-description\">Hero Floating Wood Panel\u003c/a>” played an \u003ca href=\"https://www.youtube.com/watch?v=KKY6-9cQ5l8\">iconic role\u003c/a> in the 1997 blockbuster. As the Titanic sinks, stranding passengers in the frigid waters of the Atlantic Ocean, Kate Winslet’s character Rose manages to lie afloat on the piece of a door while Leonardo DiCaprio’s Jack clings to the edge, eventually succumbing to hypothermia.\u003c/p>\n\u003cp>“The biggest scene, really, the climactic scene if you will,” \u003ca href=\"https://www.youtube.com/live/mIK6kHWvUUs?si=S25-q0QRjatgbMgZ&t=1230\">the auctioneer said\u003c/a>, introducing the lot item. “There are several big scenes but this is it, this is the goodbye.”\u003c/p>\n\u003cfigure id=\"attachment_13954959\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13954959\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/gettyimages-1192757498-69537c1a79908bf9fef43bcfdfac41b57248ecb5-scaled-e1711663749139.jpg\" alt=\"A man with wet hair, submerged from the chest down leans on a piece of wooden detritus that a woman with wet hair is propped up on.\" width=\"1920\" height=\"1440\">\u003cfigcaption class=\"wp-caption-text\">Fans have long debated whether there was room for both Jack (Leonardo DiCaprio) and Rose (Kate Winslet) on the makeshift raft in the 1997 blockbuster ‘Titanic.’ \u003ccite>(CBS Photo Archive/ CBS via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bidding started at $60,000 and finished some five minutes later at $575,000 (the total cost included additional fees). In the video livestream, the crowd can be heard clapping heartily as the auctioneer congratulates the winner, whom he refers to as “Mr. Green.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“There has been a generational shift to where these massive franchises and blockbusters of the 1980s and 1990s — the \u003cem>Home Alone\u003c/em>s, the Indiana Jones films, the \u003cem>Die Hard\u003c/em>s and, of course, \u003cem>Titanic\u003c/em> — are now collectors’ favorites,” Executive Vice President Joe Maddalena said in a statement provided to NPR. “Collectors are finally rewarding these artifacts as what they are: cultural artifacts akin to the fine art of old.”\u003c/p>\n\u003cp>Five of the top lots came from \u003cem>Titanic\u003c/em>, including the ship’s helm wheel ($200,000), Rose’s waterlogged chiffon dress ($118,750) and the ship’s brass engine order telegraph ($81,250) — another sign that the public’s fascination with the century-old shipwreck isn’t going anywhere.\u003c/p>\n\u003ch3>The prop is modeled on a real-life structure\u003c/h3>\n\u003cp>The 8-foot-long, 41-inch-wide floating hunk of wood is made of balsa and intricately carved with rococo motifs like floral accents and scrolling curves, according to the auction house.\u003c/p>\n\u003cp>A plaque on the back of it reads: “Leonardo DiCaprio / Kate Winslet / ‘Titanic’ / Twentieth Century Fox / Paramount Pictures, 1997 / Floating panel that he uses to save her life in the sinking sequence of the film, in their roles as ‘Jack Dawson’ and ‘Rose DeWitt Bukater’. Courtesy of Twentieth Century Fox.”\u003c/p>\n\u003cp>Heritage Auctions says the prop was based on the “most famous complete piece of debris from the 1912 tragedy,” which is believed to be part of the door frame just above the first-class lounge entrance.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Researchers theorize that the panel represents the exact area where the ship split in two and that it rose to the water’s surface as the ship sank. The auction house notes that it closely resembles one particular artifact housed at the Maritime Museum in Halifax, Nova Scotia.\u003c/p>\n\u003cp>Director James Cameron visited the museum during the movie production and consulted with an American expert who had assisted with research there, according to the \u003ca href=\"https://maritimemuseum.novascotia.ca/what-see-do/titanics-halifax-connection/frequently-asked-questions#10\">Maritime Museum\u003c/a>.\u003c/p>\n\u003cp>“Among other things this permitted accurate replicas of the deckchairs to be constructed and most notably, a replica of a large piece of carved oak [paneling] to be built,” it added. “It was used in the climactic death scene in the film where the character Rose clings to floating wreckage.”\u003c/p>\n\u003ch3>The piece of wood is at the heart of an enduring debate\u003c/h3>\n\u003cp>Enraged fans have argued for decades that there was room on the board for both paramours and that Rose could have saved Jack — and their star-crossed love story — by simply scooting over.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13954979\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc.jpg\" alt=\"\" width=\"889\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc.jpg 889w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc-768x432.jpg 768w\" sizes=\"(max-width: 889px) 100vw, 889px\">\u003c/p>\n\u003cp>Cameron adamantly disagrees, as he’s \u003ca href=\"https://www.vanityfair.com/hollywood/2019/02/james-cameron-titanic-door-debate\">made clear in multiple interviews\u003c/a> over the years.\u003c/p>\n\u003cp>“When Jack puts Rose on the raft, he tries to get on the raft — he’s not an idiot, he doesn’t want to die — and the raft sinks; it kind of flips,” \u003ca href=\"https://www.ign.com/articles/2012/10/09/titanic-was-there-room-for-jack-on-that-raft\">Cameron told IGN\u003c/a> in 2012. “And so it’s clear that there’s really only enough buoyancy available for one person. So he makes the decision to let her be that person.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cem>MythBusters\u003c/em> even teamed up with Cameron\u003ca href=\"https://www.imdb.com/title/tt2443302/\"> in an episode\u003c/a> that same year to tackle the question, which it called “the most requested myth in MythBuster history.”\u003c/p>\n\u003cp>They \u003ca href=\"https://ew.com/article/2012/10/08/mythbusters-titanic-debate-jack-die/\">concluded\u003c/a> that Rose and Jack could have both stayed afloat and avoided hypothermia, but only if they had thought to tie her life jacket underneath it to help with buoyancy. That’s missing the point, Cameron said at the time (he said \u003ca href=\"https://www.thedailybeast.com/james-cameron-on-the-trump-administration-these-people-are-insane\">five years later\u003c/a> that he loved working with the MythBusters, “but they’re full of s***”).\u003c/p>\n\u003cp>“The script says Jack died. He has to die,” he said in the episode. “So maybe we screwed up and the board should have been a little tiny bit smaller, but the dude’s goin’ down.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/IPDxtclZzVU'\n title='//www.youtube.com/embed/IPDxtclZzVU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In 2022, a full 25 years after the movie’s release, Cameron said he had \u003ca href=\"https://www.npr.org/2022/12/19/1144078509/titanic-movie-door-debate-james-cameron\">commissioned a scientific study\u003c/a> to hopefully close the door on the debate once and for all.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The results, which aired in a \u003ca href=\"https://www.youtube.com/watch?v=1jXHFEy-ibc\">National Geographic special\u003c/a> last year, suggested that under some scenarios, \u003ca href=\"https://ew.com/movies/james-cameron-confesses-titanic-door-should-have-been-smaller/\">both Jack and Rose could have survived\u003c/a> on the makeshift raft had they known more about hypothermia and thermodynamics.\u003c/p>\n\u003cp>“In an experiment in a test pool, we can’t possibly simulate the terror, the adrenaline, all the things that worked against them,” Cameron said. “He couldn’t have anticipated what we know today about hypothermia. He didn’t get to run a bunch of different experiments to see what worked the best.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At the end of the day, Cameron maintained Jack’s death was necessary both as a plot device and character choice. But said he would have done it differently based on what he knows now: “I would have made the raft smaller, so there’s no doubt.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+piece+of+wood+that+saved+%28only%29+Rose+in+%27Titanic%27+was+auctioned+off+for+%24718k&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "This Rare Bob Ross Painting Could Be Yours — for Close to $10 Million",
"headTitle": "This Rare Bob Ross Painting Could Be Yours — for Close to $10 Million | KQED",
"content": "\u003cp>A painting from the very first episode of Bob Ross’ \u003cem>The Joy of Painting\u003c/em> could be yours, but not for cheap.\u003c/p>\n\u003cp>Titled \u003ca href=\"https://modernartifact.com/products/bob-ross-signed-on-air-original-painting-from-season-1-episode-1-of-the-joy-of-painting-1\">\u003cem>A Walk in the Woods\u003c/em>\u003c/a>, the piece is listed at $9.85 million and could be the most expensive and historically resonant Ross piece to ever be sold.\u003c/p>\n\u003cp>The work depicts a meandering stone path, a cerulean pond and a handful of luminescent trees — all elements that were painted in under 30 minutes during the 1983 premiere of what would become the hit PBS show.\u003c/p>\n\u003cp>[aside postid='arts_13902109']The following 31 seasons (403 episodes) of the \u003cem>Joy of Painting \u003c/em>propelled Ross into one of the most recognizable faces in the 20th century art world, not to mention a pop culture icon known for his upbeat attitude and hokey aphorisms.\u003c/p>\n\u003cp>Before he even picks up a paintbrush in Episode 1, Ross lays out what the audience can expect from the show: simple step-by-step instructions rendered with just a few basic tools and the same paint colors from week to week.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“There’s no secret to this. Anyone can paint,” he says later on, dabbing at the canvas in a shape that will later clarify into a tree. “All you need is a dream in your heart and a little practice.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=oh5p5f5_-7A&t=1s\u003c/p>\n\u003cp>The painting is signed “Ross” in red on the lower left corner. Whoever buys the painting will receive a written statement from its original owner — a PBS volunteer who bought the painting at a benefit auction.\u003c/p>\n\u003cp>“I don’t know the exact number that she paid at that point, but knowing what others paid around the same period, I’d assume it was somewhere under $100,” says Ryan Nelson, the owner of Modern Artifact gallery in Minneapolis.\u003c/p>\n\u003cp>[aside postid='arts_13867846']Nelson, whose gallery has become the primary facilitator of the growing Ross market, said he purchased the painting from the PBS volunteer with the intention of selling it, but now isn’t so sure he’s ready to let it go.\u003c/p>\n\u003cp>“I think that the greatest thing we can do with it is travel it. I’d rather we get this in front of the public,” he said. “But there are definitely offers that I would probably have to take.”\u003c/p>\n\u003cp>He’s confident he’ll get his asking price, even if most Ross paintings that he’s traded don’t even break the six-figure range.\u003c/p>\n\u003cp>Part of his confidence comes from the recent cultural resurgence Ross has enjoyed as younger generations discover his appeal through the internet.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=-0PqMKQG7D4\u003c/p>\n\u003cp>That moment could be traced back to 2015, when \u003ca href=\"https://techcrunch.com/2015/11/09/after-pulling-in-5-6m-viewers-twitch-is-keeping-bob-ross-on-the-air/\">the streaming service Twitch marathoned old Ross episodes \u003c/a>and attracted some 5.6 million viewers.\u003c/p>\n\u003cp>Today, the \u003ca href=\"https://www.youtube.com/@bobross_thejoyofpainting\">official Bob Ross YouTube page\u003c/a> boasts over 5.62 million subscribers. Netflix re-launched Ross’s second series, 1991’s \u003cem>Beauty is Everywhere\u003c/em>, in 2016, and reruns of \u003cem>The Joy of Painting\u003c/em> still appear regularly on public television.\u003c/p>\n\u003cp>The increase in popularity has come with increased interest in owning a Ross painting. But, as \u003ca href=\"https://www.nytimes.com/video/arts/100000005865824/bob-ross-paintings-mystery.html\">\u003cem>The\u003c/em> \u003cem>New York Times\u003c/em> put it in a 2019 investigation\u003c/a>, the lack of available Ross work is among “the internet’s greatest mysteries.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.nytimes.com/1991/12/22/arts/television-bob-ross-the-frugal-gourmet-of-painting.html\">Ross once said he painted over 30,000 paintings\u003c/a> in his lifetime, and he likely painted 1,143 alone for the filming of the show: \u003ca href=\"https://fivethirtyeight.com/features/a-statistical-analysis-of-the-work-of-bob-ross/\">An analysis by the website FiveThirtyEight\u003c/a> calculated he produced paintings for 381 of the 403 episodes, and his standard process was to make three of the same paintings for each show; one as a template to copy, one on camera and a third after the show for use in instructional materials.\u003c/p>\n\u003cp>An estimated 1,165 of his pieces are being stored by his surviving company, Bob Ross Inc., which told \u003ca href=\"https://www.nytimes.com/2019/07/12/arts/bob-ross-paintings-mystery.html\">\u003cem>The New York Times\u003c/em> in 2019\u003c/a> that it has no intention of selling off the works, but has \u003ca href=\"https://www.npr.org/2019/10/06/765716441/the-lasting-legacy-of-bob-ross-and-his-colorful-world-of-happy-accidents\">since parted with a few to the Smithsonian’s National Museum of American History. \u003c/a>\u003c/p>\n\u003cp>[aside postid='arts_13934843']What happened to the rest of the work? Some internet aficionados say that Ross didn’t want his paintings available for sale because it would’ve detracted from the joy he derived from his work. Nelson doesn’t buy that theory.\u003c/p>\n\u003cp>“He sold them at malls, he gave them away at paintings lessons and so there are a lot of paintings that went out there,” he said. “I believe, sadly, that a lot of those paintings didn’t make it to the popularity that Ross is today.”\u003c/p>\n\u003cp>But in a way, that’s also how Ross would’ve wanted it, Nelson said. He wasn’t interested in giving his art to well-to-do collector types or seeking fortune alongside his fame.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The one thing that’s clear is that Ross wanted everyone to learn to paint. The rest may have just been a happy accident.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=This+rare+Bob+Ross+painting+could+be+yours+%E2%80%94+for+close+to+%2410+million&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A painting from the very first episode of Bob Ross’ \u003cem>The Joy of Painting\u003c/em> could be yours, but not for cheap.\u003c/p>\n\u003cp>Titled \u003ca href=\"https://modernartifact.com/products/bob-ross-signed-on-air-original-painting-from-season-1-episode-1-of-the-joy-of-painting-1\">\u003cem>A Walk in the Woods\u003c/em>\u003c/a>, the piece is listed at $9.85 million and could be the most expensive and historically resonant Ross piece to ever be sold.\u003c/p>\n\u003cp>The work depicts a meandering stone path, a cerulean pond and a handful of luminescent trees — all elements that were painted in under 30 minutes during the 1983 premiere of what would become the hit PBS show.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“There’s no secret to this. Anyone can paint,” he says later on, dabbing at the canvas in a shape that will later clarify into a tree. “All you need is a dream in your heart and a little practice.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oh5p5f5_-7A'\n title='//www.youtube.com/embed/oh5p5f5_-7A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The painting is signed “Ross” in red on the lower left corner. Whoever buys the painting will receive a written statement from its original owner — a PBS volunteer who bought the painting at a benefit auction.\u003c/p>\n\u003cp>“I don’t know the exact number that she paid at that point, but knowing what others paid around the same period, I’d assume it was somewhere under $100,” says Ryan Nelson, the owner of Modern Artifact gallery in Minneapolis.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Nelson, whose gallery has become the primary facilitator of the growing Ross market, said he purchased the painting from the PBS volunteer with the intention of selling it, but now isn’t so sure he’s ready to let it go.\u003c/p>\n\u003cp>“I think that the greatest thing we can do with it is travel it. I’d rather we get this in front of the public,” he said. “But there are definitely offers that I would probably have to take.”\u003c/p>\n\u003cp>He’s confident he’ll get his asking price, even if most Ross paintings that he’s traded don’t even break the six-figure range.\u003c/p>\n\u003cp>Part of his confidence comes from the recent cultural resurgence Ross has enjoyed as younger generations discover his appeal through the internet.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-0PqMKQG7D4'\n title='//www.youtube.com/embed/-0PqMKQG7D4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>That moment could be traced back to 2015, when \u003ca href=\"https://techcrunch.com/2015/11/09/after-pulling-in-5-6m-viewers-twitch-is-keeping-bob-ross-on-the-air/\">the streaming service Twitch marathoned old Ross episodes \u003c/a>and attracted some 5.6 million viewers.\u003c/p>\n\u003cp>Today, the \u003ca href=\"https://www.youtube.com/@bobross_thejoyofpainting\">official Bob Ross YouTube page\u003c/a> boasts over 5.62 million subscribers. Netflix re-launched Ross’s second series, 1991’s \u003cem>Beauty is Everywhere\u003c/em>, in 2016, and reruns of \u003cem>The Joy of Painting\u003c/em> still appear regularly on public television.\u003c/p>\n\u003cp>The increase in popularity has come with increased interest in owning a Ross painting. But, as \u003ca href=\"https://www.nytimes.com/video/arts/100000005865824/bob-ross-paintings-mystery.html\">\u003cem>The\u003c/em> \u003cem>New York Times\u003c/em> put it in a 2019 investigation\u003c/a>, the lack of available Ross work is among “the internet’s greatest mysteries.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.nytimes.com/1991/12/22/arts/television-bob-ross-the-frugal-gourmet-of-painting.html\">Ross once said he painted over 30,000 paintings\u003c/a> in his lifetime, and he likely painted 1,143 alone for the filming of the show: \u003ca href=\"https://fivethirtyeight.com/features/a-statistical-analysis-of-the-work-of-bob-ross/\">An analysis by the website FiveThirtyEight\u003c/a> calculated he produced paintings for 381 of the 403 episodes, and his standard process was to make three of the same paintings for each show; one as a template to copy, one on camera and a third after the show for use in instructional materials.\u003c/p>\n\u003cp>An estimated 1,165 of his pieces are being stored by his surviving company, Bob Ross Inc., which told \u003ca href=\"https://www.nytimes.com/2019/07/12/arts/bob-ross-paintings-mystery.html\">\u003cem>The New York Times\u003c/em> in 2019\u003c/a> that it has no intention of selling off the works, but has \u003ca href=\"https://www.npr.org/2019/10/06/765716441/the-lasting-legacy-of-bob-ross-and-his-colorful-world-of-happy-accidents\">since parted with a few to the Smithsonian’s National Museum of American History. \u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>What happened to the rest of the work? Some internet aficionados say that Ross didn’t want his paintings available for sale because it would’ve detracted from the joy he derived from his work. Nelson doesn’t buy that theory.\u003c/p>\n\u003cp>“He sold them at malls, he gave them away at paintings lessons and so there are a lot of paintings that went out there,” he said. “I believe, sadly, that a lot of those paintings didn’t make it to the popularity that Ross is today.”\u003c/p>\n\u003cp>But in a way, that’s also how Ross would’ve wanted it, Nelson said. He wasn’t interested in giving his art to well-to-do collector types or seeking fortune alongside his fame.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The one thing that’s clear is that Ross wanted everyone to learn to paint. The rest may have just been a happy accident.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=This+rare+Bob+Ross+painting+could+be+yours+%E2%80%94+for+close+to+%2410+million&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Abbi Jacobson Is Auctioning Off Her Blue ‘Broad City’ Dress to Benefit Striking Writers",
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"content": "\u003cp>There have been many sacrifices made since the WGA and SAG-AFTRA unions began striking in Hollywood. Three months in, writers’ bank accounts are taking a major hit as creatives continue to strike for better contracts and compensation. A week ago, actors joined the strike in solidarity with the writers, grinding Hollywood to an almost complete halt. That means, in turn, that California’s economy is losing millions. (\u003ca href=\"https://www.vox.com/culture/23696617/writers-strike-wga-2023-explained-residuals-streaming-ai\">The 100-day strike in 2007-08 cost the state a whopping $2.1 billion\u003c/a>!) To say it’s an all-hands-on-deck situation would be an understatement.\u003c/p>\n\u003cp>Remarkably, on Thursday morning, yet another extraordinary sacrifice was made. Abbi Jacobson stepped forward clutching the prize of a generation — her blue bodycon dress from \u003cem>Broad City\u003c/em>. The \u003cem>League of Their Own\u003c/em> star hit Instagram to announce she would be auctioning off her character Abbi Abrams’ iconic party garment to benefit \u003ca href=\"https://www.tusctogether.com/\">The Union Solidarity Commission. \u003c/a>(TUSC has been assisting striking workers with living and healthcare expenses.)\u003c/p>\n\u003cfigure id=\"attachment_13931868\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://www.instagram.com/p/Cu7N39lL3Ng/?img_index=1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13931868\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-800x388.png\" alt=\"An Instagram post by Abbi Jacobson, featuring a photo of her wearing a blue dress while standing in a cluttered bedroom. She has her hands on her hips.\" width=\"800\" height=\"388\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-800x388.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-1020x494.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-160x78.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-768x372.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-1536x744.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-1920x930.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM.png 1936w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Abbi Jacobson is parting with her legendary blue dress, all to benefit the writers and actors currently on strike. \u003ccite>(Instagram/ @abbijacobson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jacobson wrote: “Have you ever wanted to own a real piece of Hollywood history? Some would say a priceless iconic garment? Others a treasured sliver of a time gone by? … This will obviously come with a handwritten note from me as this gem is hard to part with (and the Smithsonian hasn’t returned my calls). It’s taken me 5 years just to peel it off my body. Go bid and help a great cause!”\u003c/p>\n\u003cp>Jacobson’s former \u003cem>Broad City\u003c/em> co-star Ilana Glazer was quick to leave a comment asking “how do I win this dress… pls.”\u003c/p>\n\u003cp>Abbi’s blue dress appeared repeatedly throughout \u003cem>Broad City’\u003c/em>s five seasons — an on-screen reflection of the Millennial need to use the one nice thing they own over and over again in order to justify its purchase.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the show, Abbi first bought the dress to attend a fancy rooftop party without looking too “vanilla.” It reappeared at her birthday dinner at a snooty restaurant where she — to her absolute horror — “peed out a condom.” Next up, Abbi and her blue dress went on a yacht date with Ilana, Lincoln, Jaime and way too many lawyers to celebrate Jaime becoming an American citizen. By the time Abbi’s mom showed up and wore the dress on a night out, we all understood the pain of the moment. The blue dress got one last spin around the block when Abbi first went on a date with Trey.\u003c/p>\n\u003cp>[aside postid='pop_96171']At the time of writing, Abbi’s blue dress had received 27 bids and was sitting at $5,010. Other items in the TUSC auction include \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/144742\">a ceramic vase\u003c/a> made by Seth Rogen, \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/148464\">a “private hang” with Woody Harrelson\u003c/a>, \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/144740\">blankets hand-knitted by Justine Bateman\u003c/a>, a bikini \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/149994\">hand-knit by Lena Dunham\u003c/a> and \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/144799\">a writing workshop with Amber Tamblyn\u003c/a>. The dress has far and away the highest bid of any lot in the auction so far, but the price is bound to increase further. The auction is running until 4 p.m. on Aug. 5.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>You can \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/144792\">bid on the blue dress here\u003c/a> or check out \u003ca href=\"https://givebutter.com/c/TUSCauction/auction\">all of TUSC’s auction\u003c/a> items here.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There have been many sacrifices made since the WGA and SAG-AFTRA unions began striking in Hollywood. Three months in, writers’ bank accounts are taking a major hit as creatives continue to strike for better contracts and compensation. A week ago, actors joined the strike in solidarity with the writers, grinding Hollywood to an almost complete halt. That means, in turn, that California’s economy is losing millions. (\u003ca href=\"https://www.vox.com/culture/23696617/writers-strike-wga-2023-explained-residuals-streaming-ai\">The 100-day strike in 2007-08 cost the state a whopping $2.1 billion\u003c/a>!) To say it’s an all-hands-on-deck situation would be an understatement.\u003c/p>\n\u003cp>Remarkably, on Thursday morning, yet another extraordinary sacrifice was made. Abbi Jacobson stepped forward clutching the prize of a generation — her blue bodycon dress from \u003cem>Broad City\u003c/em>. The \u003cem>League of Their Own\u003c/em> star hit Instagram to announce she would be auctioning off her character Abbi Abrams’ iconic party garment to benefit \u003ca href=\"https://www.tusctogether.com/\">The Union Solidarity Commission. \u003c/a>(TUSC has been assisting striking workers with living and healthcare expenses.)\u003c/p>\n\u003cfigure id=\"attachment_13931868\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://www.instagram.com/p/Cu7N39lL3Ng/?img_index=1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13931868\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-800x388.png\" alt=\"An Instagram post by Abbi Jacobson, featuring a photo of her wearing a blue dress while standing in a cluttered bedroom. She has her hands on her hips.\" width=\"800\" height=\"388\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-800x388.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-1020x494.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-160x78.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-768x372.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-1536x744.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-1920x930.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM.png 1936w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Abbi Jacobson is parting with her legendary blue dress, all to benefit the writers and actors currently on strike. \u003ccite>(Instagram/ @abbijacobson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jacobson wrote: “Have you ever wanted to own a real piece of Hollywood history? Some would say a priceless iconic garment? Others a treasured sliver of a time gone by? … This will obviously come with a handwritten note from me as this gem is hard to part with (and the Smithsonian hasn’t returned my calls). It’s taken me 5 years just to peel it off my body. Go bid and help a great cause!”\u003c/p>\n\u003cp>Jacobson’s former \u003cem>Broad City\u003c/em> co-star Ilana Glazer was quick to leave a comment asking “how do I win this dress… pls.”\u003c/p>\n\u003cp>Abbi’s blue dress appeared repeatedly throughout \u003cem>Broad City’\u003c/em>s five seasons — an on-screen reflection of the Millennial need to use the one nice thing they own over and over again in order to justify its purchase.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>At the time of writing, Abbi’s blue dress had received 27 bids and was sitting at $5,010. Other items in the TUSC auction include \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/144742\">a ceramic vase\u003c/a> made by Seth Rogen, \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/148464\">a “private hang” with Woody Harrelson\u003c/a>, \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/144740\">blankets hand-knitted by Justine Bateman\u003c/a>, a bikini \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/149994\">hand-knit by Lena Dunham\u003c/a> and \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/144799\">a writing workshop with Amber Tamblyn\u003c/a>. The dress has far and away the highest bid of any lot in the auction so far, but the price is bound to increase further. The auction is running until 4 p.m. on Aug. 5.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>You can \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/144792\">bid on the blue dress here\u003c/a> or check out \u003ca href=\"https://givebutter.com/c/TUSCauction/auction\">all of TUSC’s auction\u003c/a> items here.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Princess Diana’s Iconic Sheep Sweater Could Fetch at Least $50,000 at Auction",
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"content": "\u003cp>A red sweater adorned with a flock of sheep worn by the young Princess Diana is expected to sell for more than $50,000 at auction.\u003c/p>\n\u003cp>The playfully patterned wool jumper featuring a single black sheep amid a pattern of white ones headlines Sotheby’s online Fashion Icons sale in September.\u003c/p>\n\u003cp>[aside postid='arts_13918461']The 19-year-old Lady Diana Spencer was photographed in the garment at a polo match in June 1981, soon after her engagement to Prince Charles, who was then heir to the British throne.\u003c/p>\n\u003cp>Diana was already becoming a style icon — and one of the world’s most photographed women — and the moment gave a big boost to designers Sally Muir and Joanna Osborne, who made the sweater for their small knitwear label \u003ca href=\"https://warmandwonderful.com/\">Warm & Wonderful\u003c/a>.\u003c/p>\n\u003cp>A few weeks later, Muir and Osborne received an official letter from Buckingham Palace explaining that Diana had damaged the sweater and asking whether it could be repaired or replaced. The original was returned, showing damage to a sleeve the designers thought might have been caused by snagging on Diana’s diamond and sapphire engagement ring.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A new sweater was knitted and dispatched, and Diana was photographed wearing it with white jeans and a black ribbon tie at an event in 1983.\u003c/p>\n\u003cfigure id=\"attachment_13931706\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13931706\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/GettyImages-109346553-scaled-e1689612304213-800x531.jpg\" alt=\"Two women sit in the back row of the stands at a sporting event. Both are engaged in conversation and smiling. One wears a floral blouse, the other a sweater adorned with sheep.\" width=\"800\" height=\"531\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/GettyImages-109346553-scaled-e1689612304213-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/GettyImages-109346553-scaled-e1689612304213-1020x677.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/GettyImages-109346553-scaled-e1689612304213-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/GettyImages-109346553-scaled-e1689612304213-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/GettyImages-109346553-scaled-e1689612304213-1536x1020.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/GettyImages-109346553-scaled-e1689612304213.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Diana, Princess of Wales with Sarah Ferguson at the Guard’s Polo Club, Windsor, June 1983. \u003ccite>(Georges De Keerle/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Some have speculated Diana liked the “black sheep” pattern because she felt like an outsider in the royal family. Emma Corrin sported a replica as the young Diana in season four of \u003cem>The Crown\u003c/em>.\u003c/p>\n\u003cp>[aside postid='arts_13866072']Warm & Wonderful still makes a cotton version of the design, which sells for 190 pounds ($250). Osborne discovered the original lying forgotten in a box in an attic earlier this year.\u003c/p>\n\u003cp>Cynthia Houlton, Sotheby’s global head of fashion and accessories, said “this exceptional garment, meticulously preserved, carries the whispers of Princess Diana’s grace, charm, and her keen eye for fashion.”\u003c/p>\n\u003cp>The sweater, which has an estimated price of $50,000 to $80,000, will be on display at Sotheby’s New York showroom from Sept. 7-13. Online bidding opens Aug. 31 and runs to Sept. 14.\u003c/p>\n\u003cp>The record for a piece of Diana memorabilia is $604,800 for a Victor Edelstein-designed ballgown sold by Sotheby’s in January.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Copyright 2023 Associated Press. To see more, \u003ca href=\"https://apnews.com/\" rel=\"noopener\">visit AP\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"excerpt": "Some have speculated Diana liked the “black sheep” pattern because she felt like an outsider in the royal family.[aside postid='arts_13918461']",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A red sweater adorned with a flock of sheep worn by the young Princess Diana is expected to sell for more than $50,000 at auction.\u003c/p>\n\u003cp>The playfully patterned wool jumper featuring a single black sheep amid a pattern of white ones headlines Sotheby’s online Fashion Icons sale in September.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The 19-year-old Lady Diana Spencer was photographed in the garment at a polo match in June 1981, soon after her engagement to Prince Charles, who was then heir to the British throne.\u003c/p>\n\u003cp>Diana was already becoming a style icon — and one of the world’s most photographed women — and the moment gave a big boost to designers Sally Muir and Joanna Osborne, who made the sweater for their small knitwear label \u003ca href=\"https://warmandwonderful.com/\">Warm & Wonderful\u003c/a>.\u003c/p>\n\u003cp>A few weeks later, Muir and Osborne received an official letter from Buckingham Palace explaining that Diana had damaged the sweater and asking whether it could be repaired or replaced. The original was returned, showing damage to a sleeve the designers thought might have been caused by snagging on Diana’s diamond and sapphire engagement ring.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A new sweater was knitted and dispatched, and Diana was photographed wearing it with white jeans and a black ribbon tie at an event in 1983.\u003c/p>\n\u003cfigure id=\"attachment_13931706\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13931706\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/GettyImages-109346553-scaled-e1689612304213-800x531.jpg\" alt=\"Two women sit in the back row of the stands at a sporting event. Both are engaged in conversation and smiling. One wears a floral blouse, the other a sweater adorned with sheep.\" width=\"800\" height=\"531\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/GettyImages-109346553-scaled-e1689612304213-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/GettyImages-109346553-scaled-e1689612304213-1020x677.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/GettyImages-109346553-scaled-e1689612304213-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/GettyImages-109346553-scaled-e1689612304213-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/GettyImages-109346553-scaled-e1689612304213-1536x1020.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/GettyImages-109346553-scaled-e1689612304213.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Diana, Princess of Wales with Sarah Ferguson at the Guard’s Polo Club, Windsor, June 1983. \u003ccite>(Georges De Keerle/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Some have speculated Diana liked the “black sheep” pattern because she felt like an outsider in the royal family. Emma Corrin sported a replica as the young Diana in season four of \u003cem>The Crown\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Warm & Wonderful still makes a cotton version of the design, which sells for 190 pounds ($250). Osborne discovered the original lying forgotten in a box in an attic earlier this year.\u003c/p>\n\u003cp>Cynthia Houlton, Sotheby’s global head of fashion and accessories, said “this exceptional garment, meticulously preserved, carries the whispers of Princess Diana’s grace, charm, and her keen eye for fashion.”\u003c/p>\n\u003cp>The sweater, which has an estimated price of $50,000 to $80,000, will be on display at Sotheby’s New York showroom from Sept. 7-13. Online bidding opens Aug. 31 and runs to Sept. 14.\u003c/p>\n\u003cp>The record for a piece of Diana memorabilia is $604,800 for a Victor Edelstein-designed ballgown sold by Sotheby’s in January.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Copyright 2023 Associated Press. To see more, \u003ca href=\"https://apnews.com/\" rel=\"noopener\">visit AP\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "An Original Princess Leia Dress Found in an Attic Could Be Yours — for as Much as $2M",
"headTitle": "An Original Princess Leia Dress Found in an Attic Could Be Yours — for as Much as $2M | KQED",
"content": "\u003cfigure id=\"attachment_13930997\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930997\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/gettyimages-1257681638-1ab1977a31eb0d877cdee78173928100dbc65fcd-scaled-e1687974945462-800x600.jpg\" alt=\"The white Princess Leia dress worn by Carrie Fisher in ‘Star Wars’ is displayed between the General Maximus armor worn by Russell Crowe in ‘Gladiator,’ and the clown doll from ‘Poltergeist.’\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1257681638-1ab1977a31eb0d877cdee78173928100dbc65fcd-scaled-e1687974945462-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1257681638-1ab1977a31eb0d877cdee78173928100dbc65fcd-scaled-e1687974945462-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1257681638-1ab1977a31eb0d877cdee78173928100dbc65fcd-scaled-e1687974945462-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1257681638-1ab1977a31eb0d877cdee78173928100dbc65fcd-scaled-e1687974945462-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1257681638-1ab1977a31eb0d877cdee78173928100dbc65fcd-scaled-e1687974945462-1536x1151.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1257681638-1ab1977a31eb0d877cdee78173928100dbc65fcd-scaled-e1687974945462.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A dress worn by actress Carrie Fisher in the 1977 film ‘Star Wars’ is one of 1,400 items up for sale at a live auction of film and TV memorabilia in Los Angeles this week. \u003ccite>(FREDERIC J. BROWN/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Those who’ve ever dreamt of dressing like an authentic \u003cem>Star Wars\u003c/em> princess might find they have a little “New Hope”: A gown worn by Princess Leia (played by the late actress Carrie Fisher) in the first film of the blockbuster space saga is up for sale at this week’s Entertainment Memorabilia Live Auction.\u003c/p>\n\u003cp>But it comes with no small price tag. The gown is expected to fetch \u003ca href=\"https://propstoreauction.com/lot-details/index/catalog/347/lot/113092?url=%2Fauctions%2Fcatalog%2Fid%2F347%3Fpage%3D1%26view%3Dgrid%26catm%3Dany%26order%3Dorder_num%26xclosed%3Dyes%26featured%3Dno%26key%3Dstar%2Bwars\">up to $2 million\u003c/a>, with bids closing Wednesday.\u003c/p>\n\u003cp>The costume is believed to be the only surviving Princess Leia look from the film that launched a cultural phenomenon.\u003c/p>\n\u003ch3>The slim-fitting silk gown features in the final scene of \u003cem>A New Hope \u003c/em>\u003c/h3>\n\u003cp>The 1977 film, later subtitled \u003cem>Episode IV — a New Hope\u003c/em>, features the gown in \u003ca href=\"https://www.youtube.com/watch?v=yixG8pfncOs\">its final scene\u003c/a>, in which Princess Leia presents medals of honor to the newly minted heroes of the rebel alliance, Han Solo and Luke Skywalker.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=yixG8pfncOs\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The white gown serves as the focal point of the mise-en-scène. It’s even the last object visible as the final shot transitions to the director’s credit, in the movie equivalent of what’d be a final bow on stage.\u003c/p>\n\u003cp>“The dress is a real relic. It’s an absolute piece of film history,” said Brandon Alinger, the chief operating officer of Propstore, the company behind Wednesday’s auction.\u003c/p>\n\u003cp>“When \u003cem>Star Wars\u003c/em> fans see it, they stop in their tracks, they gasp a bit at the sight of it, because they recognize the significance of it,” Alinger said.\u003c/p>\n\u003cp>[aside postid='pop_50308']The tone-setting dress helped its designer, John Mollo, win the Oscar for best costume design at \u003ca href=\"https://www.oscars.org/oscars/ceremonies/1978\">the 50th annual Academy Awards in March 1978. \u003c/a>\u003c/p>\n\u003cp>Referred to as Princess Leia’s ceremonial gown, the floor-sweeping frock is made of slim-fitting silk and adorned with a single silver-plated belt.\u003c/p>\n\u003cp>It’s in the senator’s signature color (white), but, notably, features a scooped neckline and empire waist, which leave it less conservative than the hooded, roomy garments Leia wears for most of the franchise.\u003c/p>\n\u003cp>(That excludes the gold bikini get-up, trademarked as “Slave Leia,” that’d come to define her later character transformation. The fact that \u003ca href=\"https://www.theguardian.com/film/2015/nov/05/slave-leia-controversy-star-wars-objectification\">the arguably more iconic\u003c/a> look \u003ca href=\"https://money.cnn.com/2015/10/02/news/princess-leia-bikini-auctioned-for-96000/\">only sold for $96,000 in 2015\u003c/a> underscores the significance of the ceremonial gown.)\u003c/p>\n\u003cfigure id=\"attachment_13930998\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930998\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/gettyimages-473041644-f114f9b653cc82396a80722bca0746271b627c58-scaled-e1687974202250-800x600.jpg\" alt=\"A wax figure of a white woman seated on the ground wearing a gold bikini with purple skirt attachment. Behind her is a large monster that resembles a slug.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-473041644-f114f9b653cc82396a80722bca0746271b627c58-scaled-e1687974202250-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-473041644-f114f9b653cc82396a80722bca0746271b627c58-scaled-e1687974202250-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-473041644-f114f9b653cc82396a80722bca0746271b627c58-scaled-e1687974202250-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-473041644-f114f9b653cc82396a80722bca0746271b627c58-scaled-e1687974202250-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-473041644-f114f9b653cc82396a80722bca0746271b627c58-scaled-e1687974202250-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-473041644-f114f9b653cc82396a80722bca0746271b627c58-scaled-e1687974202250.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A wax recreation of the famous scene featuring Princess Leia in a gold bikini was displayed at London’s Madame Tussauds in May 2015. \u003ccite>(Stuart C. Wilson/ Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The original production had only \u003ca href=\"https://www.slashfilm.com/1231937/george-lucas-first-star-wars-draft-was-completely-different-from-a-new-hope/\">a humble budget of $11 million\u003c/a>, which may be why the costume team made just one single version of the ceremonial gown for filming and photos.\u003c/p>\n\u003cp>Those involved with the film thought that the piece had been destroyed alongside the original sets — until word got out that it was intact, collecting dust in a London attic.\u003c/p>\n\u003ch3>The dress, long thought to be gone, was swiped from the set and stored in an attic\u003c/h3>\n\u003cp>A crew member had swiped the dress from the burn pile, according to Alinger.\u003c/p>\n\u003cp>“It was 10 or 12 years ago that we first became aware of the piece,” he added. “It was such a moment when we first learned of this and then, ultimately, when the Star Wars fandom learned that this piece still existed.”\u003c/p>\n\u003cfigure id=\"attachment_13930999\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930999\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/gettyimages-1252647808-c5332b718901ad4e9327414882779e89ab352ad9-scaled-e1687974451123-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1252647808-c5332b718901ad4e9327414882779e89ab352ad9-scaled-e1687974451123-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1252647808-c5332b718901ad4e9327414882779e89ab352ad9-scaled-e1687974451123-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1252647808-c5332b718901ad4e9327414882779e89ab352ad9-scaled-e1687974451123-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1252647808-c5332b718901ad4e9327414882779e89ab352ad9-scaled-e1687974451123-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1252647808-c5332b718901ad4e9327414882779e89ab352ad9-scaled-e1687974451123-1536x1151.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1252647808-c5332b718901ad4e9327414882779e89ab352ad9-scaled-e1687974451123.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A poster of ‘Star Wars’ character Princess Leia and the refection of a storm trooper are seen at the ceremony for Carrie Fisher being honored posthumously with a star on the Hollywood Walk of Fame on May 04, 2023. \u003ccite>(VALERIE MACON/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Professional textile conservators conducted a “meticulous, museum-caliber” restoration of the garment, according to its auction description. It took a total of eight months for teams to remove the dust that had accumulated on the gown and patch tiny holes that’d appeared in the fabric’s fragile areas.\u003c/p>\n\u003cp>[aside postid='pop_103268']The hem and seams were restitched and restored with the highest archival standards — which ultimately means, the auction catalog implies, you could let the seams out if Fisher’s dimensions don’t match you perfectly.\u003c/p>\n\u003cp>But there’s a decent chance the piece is destined for a display collection and not for personal wear, given the prices.\u003c/p>\n\u003cp>Bidding, which is expected to end on Wednesday evening, opened at $500,000 and had already reached $750,000 in a special preview window as of 11 a.m. ET.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If your tastes match the dress, but not the price, there’s always \u003ca href=\"https://www.shopdisney.com/princess-leia-dress-for-adults-star-wars-2840057900342M.html?CMP=KNC-DSSGoogle&efc=179006\">the official Disney costume\u003c/a>, available in adult sizes, for a relative bargain: $129.99.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=An+original+Princess+Leia+dress+found+in+an+attic+could+be+yours+%E2%80%94+for+as+much+as+%242M&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13930997\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930997\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/gettyimages-1257681638-1ab1977a31eb0d877cdee78173928100dbc65fcd-scaled-e1687974945462-800x600.jpg\" alt=\"The white Princess Leia dress worn by Carrie Fisher in ‘Star Wars’ is displayed between the General Maximus armor worn by Russell Crowe in ‘Gladiator,’ and the clown doll from ‘Poltergeist.’\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1257681638-1ab1977a31eb0d877cdee78173928100dbc65fcd-scaled-e1687974945462-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1257681638-1ab1977a31eb0d877cdee78173928100dbc65fcd-scaled-e1687974945462-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1257681638-1ab1977a31eb0d877cdee78173928100dbc65fcd-scaled-e1687974945462-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1257681638-1ab1977a31eb0d877cdee78173928100dbc65fcd-scaled-e1687974945462-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1257681638-1ab1977a31eb0d877cdee78173928100dbc65fcd-scaled-e1687974945462-1536x1151.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1257681638-1ab1977a31eb0d877cdee78173928100dbc65fcd-scaled-e1687974945462.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A dress worn by actress Carrie Fisher in the 1977 film ‘Star Wars’ is one of 1,400 items up for sale at a live auction of film and TV memorabilia in Los Angeles this week. \u003ccite>(FREDERIC J. BROWN/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Those who’ve ever dreamt of dressing like an authentic \u003cem>Star Wars\u003c/em> princess might find they have a little “New Hope”: A gown worn by Princess Leia (played by the late actress Carrie Fisher) in the first film of the blockbuster space saga is up for sale at this week’s Entertainment Memorabilia Live Auction.\u003c/p>\n\u003cp>But it comes with no small price tag. The gown is expected to fetch \u003ca href=\"https://propstoreauction.com/lot-details/index/catalog/347/lot/113092?url=%2Fauctions%2Fcatalog%2Fid%2F347%3Fpage%3D1%26view%3Dgrid%26catm%3Dany%26order%3Dorder_num%26xclosed%3Dyes%26featured%3Dno%26key%3Dstar%2Bwars\">up to $2 million\u003c/a>, with bids closing Wednesday.\u003c/p>\n\u003cp>The costume is believed to be the only surviving Princess Leia look from the film that launched a cultural phenomenon.\u003c/p>\n\u003ch3>The slim-fitting silk gown features in the final scene of \u003cem>A New Hope \u003c/em>\u003c/h3>\n\u003cp>The 1977 film, later subtitled \u003cem>Episode IV — a New Hope\u003c/em>, features the gown in \u003ca href=\"https://www.youtube.com/watch?v=yixG8pfncOs\">its final scene\u003c/a>, in which Princess Leia presents medals of honor to the newly minted heroes of the rebel alliance, Han Solo and Luke Skywalker.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yixG8pfncOs'\n title='//www.youtube.com/embed/yixG8pfncOs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The white gown serves as the focal point of the mise-en-scène. It’s even the last object visible as the final shot transitions to the director’s credit, in the movie equivalent of what’d be a final bow on stage.\u003c/p>\n\u003cp>“The dress is a real relic. It’s an absolute piece of film history,” said Brandon Alinger, the chief operating officer of Propstore, the company behind Wednesday’s auction.\u003c/p>\n\u003cp>“When \u003cem>Star Wars\u003c/em> fans see it, they stop in their tracks, they gasp a bit at the sight of it, because they recognize the significance of it,” Alinger said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The tone-setting dress helped its designer, John Mollo, win the Oscar for best costume design at \u003ca href=\"https://www.oscars.org/oscars/ceremonies/1978\">the 50th annual Academy Awards in March 1978. \u003c/a>\u003c/p>\n\u003cp>Referred to as Princess Leia’s ceremonial gown, the floor-sweeping frock is made of slim-fitting silk and adorned with a single silver-plated belt.\u003c/p>\n\u003cp>It’s in the senator’s signature color (white), but, notably, features a scooped neckline and empire waist, which leave it less conservative than the hooded, roomy garments Leia wears for most of the franchise.\u003c/p>\n\u003cp>(That excludes the gold bikini get-up, trademarked as “Slave Leia,” that’d come to define her later character transformation. The fact that \u003ca href=\"https://www.theguardian.com/film/2015/nov/05/slave-leia-controversy-star-wars-objectification\">the arguably more iconic\u003c/a> look \u003ca href=\"https://money.cnn.com/2015/10/02/news/princess-leia-bikini-auctioned-for-96000/\">only sold for $96,000 in 2015\u003c/a> underscores the significance of the ceremonial gown.)\u003c/p>\n\u003cfigure id=\"attachment_13930998\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930998\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/gettyimages-473041644-f114f9b653cc82396a80722bca0746271b627c58-scaled-e1687974202250-800x600.jpg\" alt=\"A wax figure of a white woman seated on the ground wearing a gold bikini with purple skirt attachment. Behind her is a large monster that resembles a slug.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-473041644-f114f9b653cc82396a80722bca0746271b627c58-scaled-e1687974202250-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-473041644-f114f9b653cc82396a80722bca0746271b627c58-scaled-e1687974202250-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-473041644-f114f9b653cc82396a80722bca0746271b627c58-scaled-e1687974202250-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-473041644-f114f9b653cc82396a80722bca0746271b627c58-scaled-e1687974202250-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-473041644-f114f9b653cc82396a80722bca0746271b627c58-scaled-e1687974202250-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-473041644-f114f9b653cc82396a80722bca0746271b627c58-scaled-e1687974202250.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A wax recreation of the famous scene featuring Princess Leia in a gold bikini was displayed at London’s Madame Tussauds in May 2015. \u003ccite>(Stuart C. Wilson/ Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The original production had only \u003ca href=\"https://www.slashfilm.com/1231937/george-lucas-first-star-wars-draft-was-completely-different-from-a-new-hope/\">a humble budget of $11 million\u003c/a>, which may be why the costume team made just one single version of the ceremonial gown for filming and photos.\u003c/p>\n\u003cp>Those involved with the film thought that the piece had been destroyed alongside the original sets — until word got out that it was intact, collecting dust in a London attic.\u003c/p>\n\u003ch3>The dress, long thought to be gone, was swiped from the set and stored in an attic\u003c/h3>\n\u003cp>A crew member had swiped the dress from the burn pile, according to Alinger.\u003c/p>\n\u003cp>“It was 10 or 12 years ago that we first became aware of the piece,” he added. “It was such a moment when we first learned of this and then, ultimately, when the Star Wars fandom learned that this piece still existed.”\u003c/p>\n\u003cfigure id=\"attachment_13930999\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930999\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/gettyimages-1252647808-c5332b718901ad4e9327414882779e89ab352ad9-scaled-e1687974451123-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1252647808-c5332b718901ad4e9327414882779e89ab352ad9-scaled-e1687974451123-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1252647808-c5332b718901ad4e9327414882779e89ab352ad9-scaled-e1687974451123-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1252647808-c5332b718901ad4e9327414882779e89ab352ad9-scaled-e1687974451123-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1252647808-c5332b718901ad4e9327414882779e89ab352ad9-scaled-e1687974451123-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1252647808-c5332b718901ad4e9327414882779e89ab352ad9-scaled-e1687974451123-1536x1151.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/gettyimages-1252647808-c5332b718901ad4e9327414882779e89ab352ad9-scaled-e1687974451123.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A poster of ‘Star Wars’ character Princess Leia and the refection of a storm trooper are seen at the ceremony for Carrie Fisher being honored posthumously with a star on the Hollywood Walk of Fame on May 04, 2023. \u003ccite>(VALERIE MACON/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Professional textile conservators conducted a “meticulous, museum-caliber” restoration of the garment, according to its auction description. It took a total of eight months for teams to remove the dust that had accumulated on the gown and patch tiny holes that’d appeared in the fabric’s fragile areas.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The hem and seams were restitched and restored with the highest archival standards — which ultimately means, the auction catalog implies, you could let the seams out if Fisher’s dimensions don’t match you perfectly.\u003c/p>\n\u003cp>But there’s a decent chance the piece is destined for a display collection and not for personal wear, given the prices.\u003c/p>\n\u003cp>Bidding, which is expected to end on Wednesday evening, opened at $500,000 and had already reached $750,000 in a special preview window as of 11 a.m. ET.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If your tastes match the dress, but not the price, there’s always \u003ca href=\"https://www.shopdisney.com/princess-leia-dress-for-adults-star-wars-2840057900342M.html?CMP=KNC-DSSGoogle&efc=179006\">the official Disney costume\u003c/a>, available in adult sizes, for a relative bargain: $129.99.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=An+original+Princess+Leia+dress+found+in+an+attic+could+be+yours+%E2%80%94+for+as+much+as+%242M&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>A pair of faux tortoiseshell sunglasses worn by Joan Didion in a Celine ad sold for $27,000 Wednesday, one of a number of items fetching eye-popping prices at an auction of the late author’s furniture, books and household items\u003c/p>\n\u003cp>The \u003ca href=\"https://www.bidsquare.com/auctions/stair-galleries/an-american-icon-property-from-the-collection-of-joan-didion-10565#catalog\">auction\u003c/a>, at Stair Galleries in Hudson, N.Y., netted nearly $2 million, with even ordinary possessions selling for many times the galleries’ estimated price, evidence of the continuing fascination with Didion’s life and works.\u003c/p>\n\u003cp>[aside postid='arts_13907549']Didion and her husband, author John Gregory Dunne, were friends with many actors, writers and artists, and the auction included signed works by Richard Diebenkorn, Richard Serra, Jennifer Bartlett and Annie Leibovitz.\u003c/p>\n\u003cp>A lithograph by artist Cy Twombly sold for $50,000, nearly ten times the estimated price, while a Diebenkorn work fetched $85,000.\u003c/p>\n\u003cp>Even more surprising were the prices fetched for a number of routine possessions, for no apparent reason other than their connection to Didion and Dunne.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A pair of leather wastebaskets went for $5,500, a Random House dictionary for $11,000. A group of desk items, including scissors, a box of pens and a clipboard, brought in $4,250. A collection of seashells went for $7,000.\u003c/p>\n\u003cp>A small desk clock estimated to be worth no more than $200 ended up going for $35,000, while a silver Revere-style bowl engraved with the monogram JJD and thought to be worth no more than $350 sold for $30,000, nearly 100 times the galleries’ estimate.\u003c/p>\n\u003cp>The item fetching the most money was an oil painting of Didion done by a fan, based on the book jacket cover for her novel \u003cem>A Book of Common Prayer\u003c/em>. Didion hung it in a prominent place in the New York City apartment she shared with Dunne and was sometimes photographed near it. It sold for $110,000.\u003c/p>\n\u003cp>The high prices come at a time when Didion’s popularity is surging. During her decades-long career, she was a much-feted and very influential author, turning out screenplays, best-selling novels and several much-admired books of essays.\u003c/p>\n\u003cp>[aside postid='arts_13891888']But since her death last December at age 87, her popularity has only seemed to grow, especially among young people, said Lisa Thomas, Stair’s director of fine arts.\u003c/p>\n\u003cp>“This young generation of 20- and 30-somethings who are really interested in what was happening culturally, artistically, in the late ‘60s and ‘70s, they’re all interested in her and they’re all reading her anew,” Thomas said.\u003c/p>\n\u003cp>“There are a lot of amazing writers from that period, but Didion seems to be the one that has really persisted. People carry around tote bags in New York City with Joan Didion’s face on it,” said Kelly Burdick, executive editor of the literary magazine Lapham’s Quarterly.\u003c/p>\n\u003cp>Burdick was one of thousands of people who turned out to see the items being sold in the days leading up to the auction.\u003c/p>\n\u003cp>“It’s so incredible to be in this space. To see it all. But just being here is goosebump inducing,” said Ellie Reid, 30, one recent afternoon. She had taken the day off from her job in Vermont and driven more than three hours to see the exhibition.\u003c/p>\n\u003cp>“I have all her books, and there are a couple that I leave one chapter unread because I don’t want to finish reading her and there’s not going to be anything else after that.”\u003c/p>\n\u003cp>Among the most poignant items sold yesterday was the small drop-leaf table where Dunne was sitting when he had a fatal heart attack in 2003, an event Didion wrote about in her much-celebrated treatise on grief, \u003cem>The Year of Magical Thinking\u003c/em>. It sold for $4,250.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Didion suffered from Parkinson’s disease, and proceeds from the sale will go to Parkinson’s research and care at Columbia University and Columbia/Presbyterian Hospital, as well as to the Sacramento Historical Society, for the benefit of a scholarship fund for women writers at Sacramento City College.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org/\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Writer+Joan+Didion%27s+possessions+sell+for+eye-popping+prices+at+auction&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A pair of faux tortoiseshell sunglasses worn by Joan Didion in a Celine ad sold for $27,000 Wednesday, one of a number of items fetching eye-popping prices at an auction of the late author’s furniture, books and household items\u003c/p>\n\u003cp>The \u003ca href=\"https://www.bidsquare.com/auctions/stair-galleries/an-american-icon-property-from-the-collection-of-joan-didion-10565#catalog\">auction\u003c/a>, at Stair Galleries in Hudson, N.Y., netted nearly $2 million, with even ordinary possessions selling for many times the galleries’ estimated price, evidence of the continuing fascination with Didion’s life and works.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>But since her death last December at age 87, her popularity has only seemed to grow, especially among young people, said Lisa Thomas, Stair’s director of fine arts.\u003c/p>\n\u003cp>“This young generation of 20- and 30-somethings who are really interested in what was happening culturally, artistically, in the late ‘60s and ‘70s, they’re all interested in her and they’re all reading her anew,” Thomas said.\u003c/p>\n\u003cp>“There are a lot of amazing writers from that period, but Didion seems to be the one that has really persisted. People carry around tote bags in New York City with Joan Didion’s face on it,” said Kelly Burdick, executive editor of the literary magazine Lapham’s Quarterly.\u003c/p>\n\u003cp>Burdick was one of thousands of people who turned out to see the items being sold in the days leading up to the auction.\u003c/p>\n\u003cp>“It’s so incredible to be in this space. To see it all. But just being here is goosebump inducing,” said Ellie Reid, 30, one recent afternoon. She had taken the day off from her job in Vermont and driven more than three hours to see the exhibition.\u003c/p>\n\u003cp>“I have all her books, and there are a couple that I leave one chapter unread because I don’t want to finish reading her and there’s not going to be anything else after that.”\u003c/p>\n\u003cp>Among the most poignant items sold yesterday was the small drop-leaf table where Dunne was sitting when he had a fatal heart attack in 2003, an event Didion wrote about in her much-celebrated treatise on grief, \u003cem>The Year of Magical Thinking\u003c/em>. It sold for $4,250.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Didion suffered from Parkinson’s disease, and proceeds from the sale will go to Parkinson’s research and care at Columbia University and Columbia/Presbyterian Hospital, as well as to the Sacramento Historical Society, for the benefit of a scholarship fund for women writers at Sacramento City College.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org/\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Writer+Joan+Didion%27s+possessions+sell+for+eye-popping+prices+at+auction&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Sandals worn by \u003ca href=\"https://www.npr.org/2011/10/25/141653658/steve-jobs-a-computer-icon-on-life-death-and-apple\">Steve Jobs\u003c/a> in the early days of Apple sold for $218,750 at an auction in New York City on Sunday.\u003c/p>\n\u003cp>The brown suede Birkenstock Arizonas were worn by Jobs in the 1970s and 1980s during “many pivotal moments in Apple’s history,” according to the auction house.\u003c/p>\n\u003cp>[aside postid='arts_13886943']It’s the highest price ever paid for a pair of sandals at auction, Julien’s Auctions executive director Martin Nolan told NPR, and a record for footwear at the auction house.\u003c/p>\n\u003cp>The sandals came from the collection of Mark Sheff, who managed Jobs’ Albany, Calif., estate in the 1980s. Other items associated with Jobs have \u003ca href=\"https://news.artnet.com/market/black-turtleneck-steve-jobs-auction-634268\">been sold at auctions\u003c/a> in recent years, sometimes reaching hefty prices — an \u003ca href=\"https://www.npr.org/2022/08/20/1118633842/the-apple-1-prototype-steve-jobs-used-has-sold-for-nearly-700-000\">Apple-1 Computer prototype\u003c/a> from the mid-1970s fetched $677,196.\u003c/p>\n\u003cp>The sandals were previously sold for a mere $2,000 at auction in 2016, Nolan said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The winning bidder did not want their name disclosed, but it was sold in the room at the Hard Rock Cafe in Times Square, according to Nolan. The runner-up bid was from a potential buyer in China.\u003c/p>\n\u003cp>This is far from the most someone has paid for footwear at auction.\u003c/p>\n\u003cp>Nike Air Ships worn by Michael Jordan in 1984 sold for \u003ca href=\"https://www.npr.org/2021/10/25/1049009323/michael-jordan-shoes-sneakers-auction\">$1.47 million a year ago\u003c/a>. Black Nikes worn by Kanye West at the 2008 Grammys \u003ca href=\"https://news.artnet.com/art-world/kanye-west-sneakers-sell-sothebys-1961885\">sold for $1.8 million\u003c/a> last year as well.\u003c/p>\n\u003cp>[aside postid='arts_13898598']The auction also included an NFT of images of the Birkenstocks as part of the sale.\u003c/p>\n\u003cp>But perhaps the most pressing question about the sandals, seeing as the auction house notes that they show “heavy wear”: Do they smell?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nolan only answered that they “do smell … of success.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Steve+Jobs%27+worn-out+Birkenstocks+sell+for+%24218%2C000+at+auction&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"title": "A Warhol 'Marilyn' Brings a Record Auction Price, $195 Million",
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"content": "\u003cp>\u003cem> Shot Sage Blue Marilyn\u003c/em> has set a record as stunning as the actress it depicts.\u003c/p>\n\u003cp>[aside postID='arts_13904697,arts_13906250,news_11864704']One of Andy Warhol’s many silkscreened representations of Marilyn Monroe was \u003ca href=\"https://twitter.com/ChristiesInc/status/1523833792959553536\" target=\"_blank\" rel=\"noopener noreferrer\">auctioned by Christie’s in New York\u003c/a> for $195 million. The price, which includes fees, is the highest for a 20th century artwork sold at auction and the highest for an American artwork, topping the $179.4 million mark in 2015 for Pablo Picasso’s \u003ca href=\"https://www.npr.org/sections/thetwo-way/2015/05/11/406036959/photos-sculpture-sells-for-141m-picasso-painting-for-179m-both-records\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Les Femmes d’Alger (Version O)\u003c/em>\u003c/a> and $110.5 million in 2017 for a 1982 painting by Jean-Michel Basquiat.\u003c/p>\n\u003cp>The name of the buyer of \u003cem>Shot Sage Blue Marilyn\u003c/em> was not announced.\u003c/p>\n\u003cp>Warhol’s works have long been among the most coveted by collectors of American art, along with\u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/05/19/529096175/at-110-5-million-basquiat-painting-becomes-priciest-work-ever-sold-by-a-u-s-arti\" target=\"_blank\" rel=\"noopener noreferrer\"> Basquiat\u003c/a>, \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/06/12/532597956/art-collector-sells-lichtenstein-for-165-million-to-fund-criminal-justice-reform\" target=\"_blank\" rel=\"noopener noreferrer\">Roy Lichtenstein\u003c/a> and \u003ca href=\"https://www.npr.org/1998/05/01/1025672/rothkos-abstract-art\" target=\"_blank\" rel=\"noopener noreferrer\">Mark Rothko\u003c/a>. But Warhol’s \u003cem>Marilyn\u003c/em> series carries a singular cultural mystique. Starting in 1964, Warhol churned out more than a dozen portraits of the actress, all based on an image from taken from one of Monroe’s more forgettable films, \u003cem>Niagara, \u003c/em>from 1953.\u003c/p>\n\u003cp>“Once you see the image, you will recognize that you’re actually much more familiar with Warhol’s vision of Marilyn than with the old movie shots from Marilyn herself,” said Alex Rotter, chairman of 20th and 21st Century Art at Christie’s,\u003ca href=\"https://www.npr.org/2022/03/31/1089885285/one-of-andy-warhols-most-famous-paintings-is-going-up-for-auction\" target=\"_blank\" rel=\"noopener noreferrer\"> to \u003cem>Morning Edition \u003c/em>last week.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The final price may be as eyepopping as Warhol’s candy-colored palette. But \u003cem>Shot Sage Blue Marilyn\u003c/em> is not even the most expensive 20th century painting ever sold. A Willem De Kooning piece called \u003cem>Interchange\u003c/em> \u003ca href=\"https://www.nytimes.com/2016/02/19/business/dealbook/kenneth-griffin-joins-elite-rank-of-hedge-fund-art-patrons-with-500-million-deal.html?ref=dealbook&_r=0\">sold for $300 million in 2015 to a hedge fund manager\u003c/a> who also picked up a nice Jackson Pollock for $200 million.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+Warhol+%27Marilyn%27+brings+a+record+auction+price%2C+%24195+million&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>One of Andy Warhol’s many silkscreened representations of Marilyn Monroe was \u003ca href=\"https://twitter.com/ChristiesInc/status/1523833792959553536\" target=\"_blank\" rel=\"noopener noreferrer\">auctioned by Christie’s in New York\u003c/a> for $195 million. The price, which includes fees, is the highest for a 20th century artwork sold at auction and the highest for an American artwork, topping the $179.4 million mark in 2015 for Pablo Picasso’s \u003ca href=\"https://www.npr.org/sections/thetwo-way/2015/05/11/406036959/photos-sculpture-sells-for-141m-picasso-painting-for-179m-both-records\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Les Femmes d’Alger (Version O)\u003c/em>\u003c/a> and $110.5 million in 2017 for a 1982 painting by Jean-Michel Basquiat.\u003c/p>\n\u003cp>The name of the buyer of \u003cem>Shot Sage Blue Marilyn\u003c/em> was not announced.\u003c/p>\n\u003cp>Warhol’s works have long been among the most coveted by collectors of American art, along with\u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/05/19/529096175/at-110-5-million-basquiat-painting-becomes-priciest-work-ever-sold-by-a-u-s-arti\" target=\"_blank\" rel=\"noopener noreferrer\"> Basquiat\u003c/a>, \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/06/12/532597956/art-collector-sells-lichtenstein-for-165-million-to-fund-criminal-justice-reform\" target=\"_blank\" rel=\"noopener noreferrer\">Roy Lichtenstein\u003c/a> and \u003ca href=\"https://www.npr.org/1998/05/01/1025672/rothkos-abstract-art\" target=\"_blank\" rel=\"noopener noreferrer\">Mark Rothko\u003c/a>. But Warhol’s \u003cem>Marilyn\u003c/em> series carries a singular cultural mystique. Starting in 1964, Warhol churned out more than a dozen portraits of the actress, all based on an image from taken from one of Monroe’s more forgettable films, \u003cem>Niagara, \u003c/em>from 1953.\u003c/p>\n\u003cp>“Once you see the image, you will recognize that you’re actually much more familiar with Warhol’s vision of Marilyn than with the old movie shots from Marilyn herself,” said Alex Rotter, chairman of 20th and 21st Century Art at Christie’s,\u003ca href=\"https://www.npr.org/2022/03/31/1089885285/one-of-andy-warhols-most-famous-paintings-is-going-up-for-auction\" target=\"_blank\" rel=\"noopener noreferrer\"> to \u003cem>Morning Edition \u003c/em>last week.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The final price may be as eyepopping as Warhol’s candy-colored palette. But \u003cem>Shot Sage Blue Marilyn\u003c/em> is not even the most expensive 20th century painting ever sold. A Willem De Kooning piece called \u003cem>Interchange\u003c/em> \u003ca href=\"https://www.nytimes.com/2016/02/19/business/dealbook/kenneth-griffin-joins-elite-rank-of-hedge-fund-art-patrons-with-500-million-deal.html?ref=dealbook&_r=0\">sold for $300 million in 2015 to a hedge fund manager\u003c/a> who also picked up a nice Jackson Pollock for $200 million.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+Warhol+%27Marilyn%27+brings+a+record+auction+price%2C+%24195+million&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "One of Judy Garland's 'Wizard of Oz' Dresses Goes Up for Sale",
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"content": "\u003cp>It’s one of the most recognizable outfits in American movie history, the blue-and-white checked gingham dress a young Judy Garland wore as Dorothy in the classic 1939 movie \u003cem>The Wizard of Oz\u003c/em>.\u003c/p>\n\u003cp>For decades, one of the versions of the dress Garland wore in the movie was assumed lost at Catholic University of America, where it had been given to someone in the drama department in the early 1970s. But the clearing out of some office clutter last year led to the finding of the dress in an old shoebox, and now it’s headed for the auction block.\u003c/p>\n\u003cfigure id=\"attachment_13912624\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912624\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/ap22117631384879-b0eb73657f8b2f9a926a3ff14f6c49dcb9f1fcc6-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/ap22117631384879-b0eb73657f8b2f9a926a3ff14f6c49dcb9f1fcc6-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/ap22117631384879-b0eb73657f8b2f9a926a3ff14f6c49dcb9f1fcc6-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/ap22117631384879-b0eb73657f8b2f9a926a3ff14f6c49dcb9f1fcc6-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/ap22117631384879-b0eb73657f8b2f9a926a3ff14f6c49dcb9f1fcc6-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/ap22117631384879-b0eb73657f8b2f9a926a3ff14f6c49dcb9f1fcc6-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/ap22117631384879-b0eb73657f8b2f9a926a3ff14f6c49dcb9f1fcc6.jpg 1715w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A blue and white checked gingham dress, worn by Judy Garland in The Wizard of Oz, hangs on display, Monday, April 25, 2022, at Bonhams in New York. \u003ccite>(AP Photo/Katie Vasquez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When she first saw it, “all I could think about was watching the movie when I was a child and growing up with” it, said Jacqueline Leary-Warsaw, dean of the school of music, drama and art at Catholic University, in Washington, D.C. “In a way it was like I was looking at my past childhood.”\u003c/p>\n\u003cp>[aside postid='arts_10502934']She and others are hopeful that nostalgia factor will come into play when the costume goes up for sale at Bonhams “Classic Hollywood: Film and Television” auction on May 24 in Los Angeles, where it has a presale estimate of $800,000 to $1.2 million. Bonhams has the dress on display this week at the auction house’s New York location before it is sent to California for public view and then auction.\u003c/p>\n\u003cp>Helen Hall, director of popular culture for Bonhams, said that the market for memorabilia, and film costumes in particular, is strong, and that \u003cem>The Wizard of Oz\u003c/em> is a cultural touchstone.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>People “very much remember the first time they saw the film, the effect it had on their lives,” she said. The film is renowned for its music, its dialogue and its visuals, particularly when Dorothy goes from drab, sepia-colored Kansas to gloriously multicolored Oz.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=H_3T4DGw10U\u003c/p>\n\u003cp>There was more than one of the costume made for Garland while filming. Hall said that four are known to exist and that only two, including the one found at Catholic University, are with the blouse she wore underneath. Bonhams sold the other one with a blouse at an auction in 2015 for \u003ca href=\"https://www.npr.org/sections/thetwo-way/2015/11/23/457125432/a-dress-judy-garland-wore-in-the-wizard-of-oz-sells-for-more-than-1-5-million\" target=\"_blank\" rel=\"noopener noreferrer\">more than $1.5 million\u003c/a>.\u003c/p>\n\u003cp>(There are also some surviving pairs of the ruby slippers Garland wore, with one pair in the collection at the Smithsonian.)\u003c/p>\n\u003cp>The rediscovered dress had initially been given to Father Gilbert Hartke, who was then head of the university’s drama department, in 1973 by actress Mercedes McCambridge, Leary-Warsaw said, although it’s not clear how McCambridge came to have it.\u003c/p>\n\u003cp>[aside postid='pop_43089']Somehow, in the years that followed, the department lost track of the costume until it became “something that people had thought was just a myth,” she said. Last year, during preparations for a renovation, a bag containing the shoebox was opened, and there it was—though how it got to where it ended up remains a mystery, Leary-Warsaw said.\u003c/p>\n\u003cp>The dress was in good condition, aside from a piece that had been cut away, while the blouse was more fragile.\u003c/p>\n\u003cp>In researching the dress, it was determined that Garland wore it in the movie in the scene where she is confronted in a castle by a threatening Wicked Witch of the West.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The school decided to auction it off instead of keeping it, and plans to use the proceeds from the auction sale to create a full-fledged film program in the drama department.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+version+of+Dorothy%27s+dress+from+%27Oz%27+goes+up+for+sale&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s one of the most recognizable outfits in American movie history, the blue-and-white checked gingham dress a young Judy Garland wore as Dorothy in the classic 1939 movie \u003cem>The Wizard of Oz\u003c/em>.\u003c/p>\n\u003cp>For decades, one of the versions of the dress Garland wore in the movie was assumed lost at Catholic University of America, where it had been given to someone in the drama department in the early 1970s. But the clearing out of some office clutter last year led to the finding of the dress in an old shoebox, and now it’s headed for the auction block.\u003c/p>\n\u003cfigure id=\"attachment_13912624\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912624\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/ap22117631384879-b0eb73657f8b2f9a926a3ff14f6c49dcb9f1fcc6-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/ap22117631384879-b0eb73657f8b2f9a926a3ff14f6c49dcb9f1fcc6-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/ap22117631384879-b0eb73657f8b2f9a926a3ff14f6c49dcb9f1fcc6-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/ap22117631384879-b0eb73657f8b2f9a926a3ff14f6c49dcb9f1fcc6-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/ap22117631384879-b0eb73657f8b2f9a926a3ff14f6c49dcb9f1fcc6-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/ap22117631384879-b0eb73657f8b2f9a926a3ff14f6c49dcb9f1fcc6-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/ap22117631384879-b0eb73657f8b2f9a926a3ff14f6c49dcb9f1fcc6.jpg 1715w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A blue and white checked gingham dress, worn by Judy Garland in The Wizard of Oz, hangs on display, Monday, April 25, 2022, at Bonhams in New York. \u003ccite>(AP Photo/Katie Vasquez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When she first saw it, “all I could think about was watching the movie when I was a child and growing up with” it, said Jacqueline Leary-Warsaw, dean of the school of music, drama and art at Catholic University, in Washington, D.C. “In a way it was like I was looking at my past childhood.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>She and others are hopeful that nostalgia factor will come into play when the costume goes up for sale at Bonhams “Classic Hollywood: Film and Television” auction on May 24 in Los Angeles, where it has a presale estimate of $800,000 to $1.2 million. Bonhams has the dress on display this week at the auction house’s New York location before it is sent to California for public view and then auction.\u003c/p>\n\u003cp>Helen Hall, director of popular culture for Bonhams, said that the market for memorabilia, and film costumes in particular, is strong, and that \u003cem>The Wizard of Oz\u003c/em> is a cultural touchstone.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>People “very much remember the first time they saw the film, the effect it had on their lives,” she said. The film is renowned for its music, its dialogue and its visuals, particularly when Dorothy goes from drab, sepia-colored Kansas to gloriously multicolored Oz.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/H_3T4DGw10U'\n title='//www.youtube.com/embed/H_3T4DGw10U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>There was more than one of the costume made for Garland while filming. Hall said that four are known to exist and that only two, including the one found at Catholic University, are with the blouse she wore underneath. Bonhams sold the other one with a blouse at an auction in 2015 for \u003ca href=\"https://www.npr.org/sections/thetwo-way/2015/11/23/457125432/a-dress-judy-garland-wore-in-the-wizard-of-oz-sells-for-more-than-1-5-million\" target=\"_blank\" rel=\"noopener noreferrer\">more than $1.5 million\u003c/a>.\u003c/p>\n\u003cp>(There are also some surviving pairs of the ruby slippers Garland wore, with one pair in the collection at the Smithsonian.)\u003c/p>\n\u003cp>The rediscovered dress had initially been given to Father Gilbert Hartke, who was then head of the university’s drama department, in 1973 by actress Mercedes McCambridge, Leary-Warsaw said, although it’s not clear how McCambridge came to have it.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Somehow, in the years that followed, the department lost track of the costume until it became “something that people had thought was just a myth,” she said. Last year, during preparations for a renovation, a bag containing the shoebox was opened, and there it was—though how it got to where it ended up remains a mystery, Leary-Warsaw said.\u003c/p>\n\u003cp>The dress was in good condition, aside from a piece that had been cut away, while the blouse was more fragile.\u003c/p>\n\u003cp>In researching the dress, it was determined that Garland wore it in the movie in the scene where she is confronted in a castle by a threatening Wicked Witch of the West.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The school decided to auction it off instead of keeping it, and plans to use the proceeds from the auction sale to create a full-fledged film program in the drama department.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+version+of+Dorothy%27s+dress+from+%27Oz%27+goes+up+for+sale&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Online Art Auction Aims to Keep Museum of the African Diaspora Afloat",
"headTitle": "Online Art Auction Aims to Keep Museum of the African Diaspora Afloat | KQED",
"content": "\u003cp>An auction benefiting Museum of the African Diaspora (MoAD), one of the many Bay Area cultural organizations experiencing dramatic revenue shortfalls during mandatory closure, opens April 21 via the online marketplace Artsy and features works donated by a growing number of noted artists.\u003c/p>\n\u003cp>“\u003ca href=\"https://www.artsy.net/auction/moad-diaspora-unite-artists-of-african-descent-benefit-auction-2020\">MoAD: Diaspora Unite!\u003c/a>” offers pieces by artists including Otis Kwame Kye Quaicoe, Amoako Boafo, Cassi Namoda, Lava Thomas, Rashaad Newsome, Dewey Crumpler, Adia Millett and American Artist, some of them created specifically to support the San Francisco museum.\u003c/p>\n\u003cp>“In these times of extreme challenge and uncertainty, we must work together as a community to collaboratively sustain our cultural institutions,” Monetta White, MoAD’s director, said in a statement. “We call on artists, donors, businesses, collectors and individuals to support this institution as a foundational platform for artists of African descent in the Bay Area and throughout the world.”\u003c/p>\n\u003cp>Museum of the African Diaspora, a Smithsonian affiliate, opened in 2005 and remains one of few museums in the United States focused exclusively on worldwide African diaspora culture.\u003c/p>\n\u003cp>The auction draws on many donations from artists, galleries and collectors from outside of the Bay Area. Participating galleries include Mariane Ibrahim (Chicago), James Fuentes (New York) and Goodman (South Africa) alongside locals Traywick Contemporary and Jenkins Johnson. Newsome, acclaimed for his video work, is among the participating artists previously exhibited at MoAD.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The museum continues to accept donated works until April 21. The auction closes May 5.\u003c/p>\n\u003cp>MoAD, closed to comply with shelter-in-place orders to stop the spread of the novel coronavirus, last month laid off seven staff members and reduced the hours of its remaining 11 employees, as KQED \u003ca href=\"https://www.kqed.org/arts/13877907/layoffs-hit-museum-of-the-african-diaspora-in-san-francisco\">previously reported\u003c/a>. White announced the “incredibly difficult and painful decision to reduce staff” on May 31, citing the closure’s impact on MoAD’s “already limited operating funds.”\u003c/p>\n\u003cp>Local cultural organizations including the San Francisco Museum of Modern Art, the Exploratorium and Oakland Museum of California have also made workforce reductions. (Oakland Museum of California has temporarily reversed \u003ca href=\"https://www.kqed.org/arts/13878335/oakland-museum-of-california-announces-hours-reductions-affecting-106-workers\">hours reductions\u003c/a> for full-time employees after receiving a federal payroll protection loan.) A survey of 145 arts groups, including MoAD, projects $73 million in losses in the coming months. MoAD reported $2 million in revenue for the fiscal year ending in 2018, tax records show.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Below is a selection of artwork available at the auction.\u003c/p>\n\u003cfigure id=\"attachment_13878868\" class=\"wp-caption aligncenter\" style=\"max-width: 930px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13878868\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/Amoako-Boafo-Untitled-2020-Oil-on-canvas-70cm-x-50cm-Courtesy-of-the-artist-and-Mariane-Ibrahim-Gallery_.jpg\" alt=\"Amoako Boafo, 'Untitled,' 2020, Oil on canvas, 70cm x 50cm\" width=\"930\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Amoako-Boafo-Untitled-2020-Oil-on-canvas-70cm-x-50cm-Courtesy-of-the-artist-and-Mariane-Ibrahim-Gallery_.jpg 930w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Amoako-Boafo-Untitled-2020-Oil-on-canvas-70cm-x-50cm-Courtesy-of-the-artist-and-Mariane-Ibrahim-Gallery_-160x220.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Amoako-Boafo-Untitled-2020-Oil-on-canvas-70cm-x-50cm-Courtesy-of-the-artist-and-Mariane-Ibrahim-Gallery_-800x1101.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Amoako-Boafo-Untitled-2020-Oil-on-canvas-70cm-x-50cm-Courtesy-of-the-artist-and-Mariane-Ibrahim-Gallery_-768x1057.jpg 768w\" sizes=\"(max-width: 930px) 100vw, 930px\">\u003cfigcaption class=\"wp-caption-text\">Amoako Boafo, ‘Untitled,’ 2020, Oil on canvas, 70cm x 50cm \u003ccite>(Courtesy-of-the-artist-and-Mariane-Ibrahim-Gallery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13878865\" class=\"wp-caption aligncenter\" style=\"max-width: 768px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13878865\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/Otis-Kwame-Kye-Quaicoe-Wiyaala-2020-Oil-on-canvas-30-x-24-in.-Courtesy-of-the-artist-and-Roberts-Projects-Los-Angeles-CA..jpg\" alt=\"Otis Kwame Kye Quaicoe, 'Wiyaala,' 2020, Oil on canvas, 30 x 24 in.\" width=\"768\" height=\"1024\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Otis-Kwame-Kye-Quaicoe-Wiyaala-2020-Oil-on-canvas-30-x-24-in.-Courtesy-of-the-artist-and-Roberts-Projects-Los-Angeles-CA..jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Otis-Kwame-Kye-Quaicoe-Wiyaala-2020-Oil-on-canvas-30-x-24-in.-Courtesy-of-the-artist-and-Roberts-Projects-Los-Angeles-CA.-160x213.jpg 160w\" sizes=\"(max-width: 768px) 100vw, 768px\">\u003cfigcaption class=\"wp-caption-text\">Otis Kwame Kye Quaicoe, ‘Wiyaala,’ 2020, Oil on canvas, 30 x 24 in. \u003ccite>(Courtesy of the artist and Roberts Projects, Los Angeles, CA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13878864\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13878864\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/February-James-In-the-spaciousness-of-uncertainty-there-is-room-to-act-2020-Watercolor-and-ink-on-paper-22-x-30-in.-Courtesy-of-the-artist..jpg\" alt=\"February James, 'In the spaciousness of uncertainty there is room to act,' 2020, Watercolor and ink on paper, 22 x 30 in. \" width=\"1920\" height=\"1446\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/February-James-In-the-spaciousness-of-uncertainty-there-is-room-to-act-2020-Watercolor-and-ink-on-paper-22-x-30-in.-Courtesy-of-the-artist..jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/February-James-In-the-spaciousness-of-uncertainty-there-is-room-to-act-2020-Watercolor-and-ink-on-paper-22-x-30-in.-Courtesy-of-the-artist.-160x121.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/February-James-In-the-spaciousness-of-uncertainty-there-is-room-to-act-2020-Watercolor-and-ink-on-paper-22-x-30-in.-Courtesy-of-the-artist.-800x603.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/February-James-In-the-spaciousness-of-uncertainty-there-is-room-to-act-2020-Watercolor-and-ink-on-paper-22-x-30-in.-Courtesy-of-the-artist.-768x578.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/February-James-In-the-spaciousness-of-uncertainty-there-is-room-to-act-2020-Watercolor-and-ink-on-paper-22-x-30-in.-Courtesy-of-the-artist.-1020x768.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">February James, ‘In the spaciousness of uncertainty there is room to act,’ 2020, Watercolor and ink on paper, 22 x 30 in. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13878862\" class=\"wp-caption aligncenter\" style=\"max-width: 1480px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13878862\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/American-Artist-Delvin_s-Dignity-Image-2019-Archival-photograph-on-aluminum-18-x-12-in.-Courtesy-of-the-artist-and-Keonig-_-Clinton-Brooklyn-NY..jpg\" alt=\"American Artist, 'Delvin's Dignity Image,' 2019, Archival photograph on aluminum, 18 x 12 in.\" width=\"1480\" height=\"2218\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/American-Artist-Delvin_s-Dignity-Image-2019-Archival-photograph-on-aluminum-18-x-12-in.-Courtesy-of-the-artist-and-Keonig-_-Clinton-Brooklyn-NY..jpg 1480w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/American-Artist-Delvin_s-Dignity-Image-2019-Archival-photograph-on-aluminum-18-x-12-in.-Courtesy-of-the-artist-and-Keonig-_-Clinton-Brooklyn-NY.-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/American-Artist-Delvin_s-Dignity-Image-2019-Archival-photograph-on-aluminum-18-x-12-in.-Courtesy-of-the-artist-and-Keonig-_-Clinton-Brooklyn-NY.-800x1199.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/American-Artist-Delvin_s-Dignity-Image-2019-Archival-photograph-on-aluminum-18-x-12-in.-Courtesy-of-the-artist-and-Keonig-_-Clinton-Brooklyn-NY.-768x1151.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/American-Artist-Delvin_s-Dignity-Image-2019-Archival-photograph-on-aluminum-18-x-12-in.-Courtesy-of-the-artist-and-Keonig-_-Clinton-Brooklyn-NY.-1020x1529.jpg 1020w\" sizes=\"(max-width: 1480px) 100vw, 1480px\">\u003cfigcaption class=\"wp-caption-text\">American Artist, ‘Delvin’s Dignity Image,’ 2019,\u003cbr>Archival photograph on aluminum, 18 x 12 in. \u003ccite>(Courtesy of the artist and Keonig & Clinton, Brooklyn, NY.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13878863\" class=\"wp-caption aligncenter\" style=\"max-width: 1065px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13878863\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/CASSIN_1-1.jpg\" alt=\"Cassi Namoda, 'Nouricce of Negus, from Abysinnia, posing by the moonlight,' 2020, Acrylic on canvas, 10 x 8 in.\" width=\"1065\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/CASSIN_1-1.jpg 1065w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/CASSIN_1-1-160x192.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/CASSIN_1-1-800x962.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/CASSIN_1-1-768x923.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/CASSIN_1-1-1020x1226.jpg 1020w\" sizes=\"(max-width: 1065px) 100vw, 1065px\">\u003cfigcaption class=\"wp-caption-text\">Cassi Namoda, ‘Nouricce of Negus, from Abysinnia, posing by the moonlight,’ 2020, Acrylic on\u003cbr>canvas, 10 x 8 in. \u003ccite>(Courtesy of the artist and Goodman Gallery (Johannesburg, Cape Town & London).)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>An auction benefiting Museum of the African Diaspora (MoAD), one of the many Bay Area cultural organizations experiencing dramatic revenue shortfalls during mandatory closure, opens April 21 via the online marketplace Artsy and features works donated by a growing number of noted artists.\u003c/p>\n\u003cp>“\u003ca href=\"https://www.artsy.net/auction/moad-diaspora-unite-artists-of-african-descent-benefit-auction-2020\">MoAD: Diaspora Unite!\u003c/a>” offers pieces by artists including Otis Kwame Kye Quaicoe, Amoako Boafo, Cassi Namoda, Lava Thomas, Rashaad Newsome, Dewey Crumpler, Adia Millett and American Artist, some of them created specifically to support the San Francisco museum.\u003c/p>\n\u003cp>“In these times of extreme challenge and uncertainty, we must work together as a community to collaboratively sustain our cultural institutions,” Monetta White, MoAD’s director, said in a statement. “We call on artists, donors, businesses, collectors and individuals to support this institution as a foundational platform for artists of African descent in the Bay Area and throughout the world.”\u003c/p>\n\u003cp>Museum of the African Diaspora, a Smithsonian affiliate, opened in 2005 and remains one of few museums in the United States focused exclusively on worldwide African diaspora culture.\u003c/p>\n\u003cp>The auction draws on many donations from artists, galleries and collectors from outside of the Bay Area. Participating galleries include Mariane Ibrahim (Chicago), James Fuentes (New York) and Goodman (South Africa) alongside locals Traywick Contemporary and Jenkins Johnson. Newsome, acclaimed for his video work, is among the participating artists previously exhibited at MoAD.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The museum continues to accept donated works until April 21. The auction closes May 5.\u003c/p>\n\u003cp>MoAD, closed to comply with shelter-in-place orders to stop the spread of the novel coronavirus, last month laid off seven staff members and reduced the hours of its remaining 11 employees, as KQED \u003ca href=\"https://www.kqed.org/arts/13877907/layoffs-hit-museum-of-the-african-diaspora-in-san-francisco\">previously reported\u003c/a>. White announced the “incredibly difficult and painful decision to reduce staff” on May 31, citing the closure’s impact on MoAD’s “already limited operating funds.”\u003c/p>\n\u003cp>Local cultural organizations including the San Francisco Museum of Modern Art, the Exploratorium and Oakland Museum of California have also made workforce reductions. (Oakland Museum of California has temporarily reversed \u003ca href=\"https://www.kqed.org/arts/13878335/oakland-museum-of-california-announces-hours-reductions-affecting-106-workers\">hours reductions\u003c/a> for full-time employees after receiving a federal payroll protection loan.) A survey of 145 arts groups, including MoAD, projects $73 million in losses in the coming months. MoAD reported $2 million in revenue for the fiscal year ending in 2018, tax records show.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Below is a selection of artwork available at the auction.\u003c/p>\n\u003cfigure id=\"attachment_13878868\" class=\"wp-caption aligncenter\" style=\"max-width: 930px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13878868\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/Amoako-Boafo-Untitled-2020-Oil-on-canvas-70cm-x-50cm-Courtesy-of-the-artist-and-Mariane-Ibrahim-Gallery_.jpg\" alt=\"Amoako Boafo, 'Untitled,' 2020, Oil on canvas, 70cm x 50cm\" width=\"930\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Amoako-Boafo-Untitled-2020-Oil-on-canvas-70cm-x-50cm-Courtesy-of-the-artist-and-Mariane-Ibrahim-Gallery_.jpg 930w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Amoako-Boafo-Untitled-2020-Oil-on-canvas-70cm-x-50cm-Courtesy-of-the-artist-and-Mariane-Ibrahim-Gallery_-160x220.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Amoako-Boafo-Untitled-2020-Oil-on-canvas-70cm-x-50cm-Courtesy-of-the-artist-and-Mariane-Ibrahim-Gallery_-800x1101.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Amoako-Boafo-Untitled-2020-Oil-on-canvas-70cm-x-50cm-Courtesy-of-the-artist-and-Mariane-Ibrahim-Gallery_-768x1057.jpg 768w\" sizes=\"(max-width: 930px) 100vw, 930px\">\u003cfigcaption class=\"wp-caption-text\">Amoako Boafo, ‘Untitled,’ 2020, Oil on canvas, 70cm x 50cm \u003ccite>(Courtesy-of-the-artist-and-Mariane-Ibrahim-Gallery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13878865\" class=\"wp-caption aligncenter\" style=\"max-width: 768px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13878865\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/Otis-Kwame-Kye-Quaicoe-Wiyaala-2020-Oil-on-canvas-30-x-24-in.-Courtesy-of-the-artist-and-Roberts-Projects-Los-Angeles-CA..jpg\" alt=\"Otis Kwame Kye Quaicoe, 'Wiyaala,' 2020, Oil on canvas, 30 x 24 in.\" width=\"768\" height=\"1024\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Otis-Kwame-Kye-Quaicoe-Wiyaala-2020-Oil-on-canvas-30-x-24-in.-Courtesy-of-the-artist-and-Roberts-Projects-Los-Angeles-CA..jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Otis-Kwame-Kye-Quaicoe-Wiyaala-2020-Oil-on-canvas-30-x-24-in.-Courtesy-of-the-artist-and-Roberts-Projects-Los-Angeles-CA.-160x213.jpg 160w\" sizes=\"(max-width: 768px) 100vw, 768px\">\u003cfigcaption class=\"wp-caption-text\">Otis Kwame Kye Quaicoe, ‘Wiyaala,’ 2020, Oil on canvas, 30 x 24 in. \u003ccite>(Courtesy of the artist and Roberts Projects, Los Angeles, CA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13878864\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13878864\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/February-James-In-the-spaciousness-of-uncertainty-there-is-room-to-act-2020-Watercolor-and-ink-on-paper-22-x-30-in.-Courtesy-of-the-artist..jpg\" alt=\"February James, 'In the spaciousness of uncertainty there is room to act,' 2020, Watercolor and ink on paper, 22 x 30 in. \" width=\"1920\" height=\"1446\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/February-James-In-the-spaciousness-of-uncertainty-there-is-room-to-act-2020-Watercolor-and-ink-on-paper-22-x-30-in.-Courtesy-of-the-artist..jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/February-James-In-the-spaciousness-of-uncertainty-there-is-room-to-act-2020-Watercolor-and-ink-on-paper-22-x-30-in.-Courtesy-of-the-artist.-160x121.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/February-James-In-the-spaciousness-of-uncertainty-there-is-room-to-act-2020-Watercolor-and-ink-on-paper-22-x-30-in.-Courtesy-of-the-artist.-800x603.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/February-James-In-the-spaciousness-of-uncertainty-there-is-room-to-act-2020-Watercolor-and-ink-on-paper-22-x-30-in.-Courtesy-of-the-artist.-768x578.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/February-James-In-the-spaciousness-of-uncertainty-there-is-room-to-act-2020-Watercolor-and-ink-on-paper-22-x-30-in.-Courtesy-of-the-artist.-1020x768.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">February James, ‘In the spaciousness of uncertainty there is room to act,’ 2020, Watercolor and ink on paper, 22 x 30 in. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13878862\" class=\"wp-caption aligncenter\" style=\"max-width: 1480px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13878862\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/American-Artist-Delvin_s-Dignity-Image-2019-Archival-photograph-on-aluminum-18-x-12-in.-Courtesy-of-the-artist-and-Keonig-_-Clinton-Brooklyn-NY..jpg\" alt=\"American Artist, 'Delvin's Dignity Image,' 2019, Archival photograph on aluminum, 18 x 12 in.\" width=\"1480\" height=\"2218\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/American-Artist-Delvin_s-Dignity-Image-2019-Archival-photograph-on-aluminum-18-x-12-in.-Courtesy-of-the-artist-and-Keonig-_-Clinton-Brooklyn-NY..jpg 1480w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/American-Artist-Delvin_s-Dignity-Image-2019-Archival-photograph-on-aluminum-18-x-12-in.-Courtesy-of-the-artist-and-Keonig-_-Clinton-Brooklyn-NY.-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/American-Artist-Delvin_s-Dignity-Image-2019-Archival-photograph-on-aluminum-18-x-12-in.-Courtesy-of-the-artist-and-Keonig-_-Clinton-Brooklyn-NY.-800x1199.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/American-Artist-Delvin_s-Dignity-Image-2019-Archival-photograph-on-aluminum-18-x-12-in.-Courtesy-of-the-artist-and-Keonig-_-Clinton-Brooklyn-NY.-768x1151.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/American-Artist-Delvin_s-Dignity-Image-2019-Archival-photograph-on-aluminum-18-x-12-in.-Courtesy-of-the-artist-and-Keonig-_-Clinton-Brooklyn-NY.-1020x1529.jpg 1020w\" sizes=\"(max-width: 1480px) 100vw, 1480px\">\u003cfigcaption class=\"wp-caption-text\">American Artist, ‘Delvin’s Dignity Image,’ 2019,\u003cbr>Archival photograph on aluminum, 18 x 12 in. \u003ccite>(Courtesy of the artist and Keonig & Clinton, Brooklyn, NY.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13878863\" class=\"wp-caption aligncenter\" style=\"max-width: 1065px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13878863\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/CASSIN_1-1.jpg\" alt=\"Cassi Namoda, 'Nouricce of Negus, from Abysinnia, posing by the moonlight,' 2020, Acrylic on canvas, 10 x 8 in.\" width=\"1065\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/CASSIN_1-1.jpg 1065w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/CASSIN_1-1-160x192.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/CASSIN_1-1-800x962.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/CASSIN_1-1-768x923.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/CASSIN_1-1-1020x1226.jpg 1020w\" sizes=\"(max-width: 1065px) 100vw, 1065px\">\u003cfigcaption class=\"wp-caption-text\">Cassi Namoda, ‘Nouricce of Negus, from Abysinnia, posing by the moonlight,’ 2020, Acrylic on\u003cbr>canvas, 10 x 8 in. \u003ccite>(Courtesy of the artist and Goodman Gallery (Johannesburg, Cape Town & London).)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"onourwatch": {
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
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