The novel captures the widening gap between the suburban formality of Baker’s world and the social upheavals happening on the nightly news. Baker drafts an anti-war editorial; students riot in Paris; RFK is assassinated at the Ambassador Hotel. But at home and at the home, an old-fashioned stiffness prevails — the girls obey a dress code and don fake wedding rings for their trips outside. (Baker is blocked from leaving the premises because her mother fears she’ll be recognized.)
Much of Where the Girls Were is about Baker finding the language to describe her situation to herself. Is she still a good girl? Ruined? Unfit? Can she simply return to her previous plans when the pregnancy ends?
She writes about all of this in her journal, but we’re not privy to those sentences. Instead, we get clipped, euphemistic letters to and from home. Schatz shows how silence and secrecy, especially within a family, allow people to make the same mistakes generation after generation.
A dark mystery at the maternity home ultimately unlocks some of Baker’s resolve, with no small amount of inspiration from Jane Eyre. Less satisfyingly, Schatz lets Baker remain indecisive about motherhood until the very end of the novel. It’s an approach that doesn’t quite fit with the intelligent, sensitive character we’ve come to know. Baker’s uncertainty feels more like the author not wanting to impose a decision onto this teenage everygirl.
We would expect teenagers in 2026 to have more resources at their disposal, but political and societal strictures are working very hard in the present to dissolve reproductive rights. Not long ago, we might have read Where the Girls Were and remarked on how far we had come. Now, we will read Where the Girls Were and wonder just how much of our future will resemble the darkest periods of our past.
Kate Schatz’s ‘Where the Girls Were’ is out from The Dial Press on March 3, 2026. Schatz will be in conversation with Caro de Robertis on March 3, 7–9 p.m. at Booksmith (1727 Haight St., San Francisco), with additional events in Santa Cruz and Alameda.