Bloodline and the birth of a chef featuring Bay Area’s Tu David Phu
Imitation continues to be the highest form of flattery, in short doc, King of the Road
Emancipating from the foster care system explored in the short documentary, Unadopted.
Doing Stand Up as the Can't Stand up Comedian - The Dan Smith Story
Meet Ale Y Yose, two DREAMers figuring out high school, immigration law and family dynamics.
Devastating Impact on Undocumented Farmworkers From Northern California Fires Explored in Short Documentary, All That Remains.
Love, death and costumes: Meet the SF Pride Grand Marshals who introduced their community to art and reclaimed fashion.
Bay Area Public Hospital closure explored in short documentary 'The Desert'
Out on the Inside: Transgender Women Share Stories From a California Prison
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Chan and Santhosh Daniel discuss \u003c/strong>\u003cem>\u003cstrong>Bloodline, \u003c/strong>\u003c/em>\u003cstrong>a \u003c/strong>\u003cstrong>documentary about Oakland chef Tu David Phu: \u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">How do you transform what we might see as negative into something positive? The is the question at the heart of the short food documentary \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bloodline\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">--a metaphorical, personal exploration by Tu David Phu of his genesis as a chef, as seen through his parents' memories of the Vietnam War and Khmer Rouge, and how US culture often disregards certain seminal life experiences as “scrap,” similar to how the physical bloodline of fish is often thrown away by chefs, even though it carries the animal’s “essence.”\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">The story, directed by James Q. Chan (\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Forever, Chinatown\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">) and Santhosh Daniel, is framed around Tu, just as he returns home to Oakland, California after being a contestant on the competitive cooking series, Top Chef (Season 15). As he and his parents prepare a Saturday dinner, drawing on his mother’s self-taught culinary repertoire (which began in a Thai refugee camp), and his father’s ancestry as a free-diver and fishmonger from \u003c/span>\u003cspan style=\"font-weight: 400\">Phú Quốc\u003c/span>\u003cspan style=\"font-weight: 400\">, Vietnam, Tu reflects on his visibility as a “celebrity chef,” tracing how he went from refugee roots and a childhood in West Oakland, to this new life by relying on things learned from his family kitchen--rather than the “formal” skills and training learned in culinary school--including how to turn something “inedible,” such as fish bloodline, into a beautiful dish.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Bloodline is the first release of First Kitchen, a documentary food series created by Santhosh Daniel co-executive produced with Tu David Phu and produced with James Q. Chan and Miles Ito, that spotlights ‘everyday people with exceptional stories.’ At the series’ core is a belief that ‘every voice deserves a place at the table’ and a vision to cultivate greater equity and equality in food media. Bloodline is the inaugural project of this vision and a template for cultural inclusivity and creativity the producers envision for all films in the series.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>[gallery link=\"file\" ids=\"3352,3351,3349,3350,3348\"]\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Production Credits\u003c/em>\u003c/strong>\u003cbr>\nDirected by: James Q. Chan and Santhosh Daniel\u003cbr>\nStory by: Santhosh Daniel and Tu David Phu\u003cbr>\nEditor: Jeff den Broeder\u003cbr>\nCinematography: James Q. Chan\u003cbr>\nAdditional Camera: Jeff den Broeder and Kat Ma\u003cbr>\nMusic by: Miles Ito\u003cbr>\nSound Mixer: Matthew Kulewicz\u003cbr>\nTitles by: James DiRito\u003cbr>\nProduction Assistant: Jean O\u003cbr>\nAssociate Producers: Matthew Kulewicz, Kat Ma, Kim Phu and Penelope Wong\u003cbr>\nProducers: Jeff den Broeder and Miles Ito\u003cbr>\nExecutive Producers: James Q. Chan, Santhosh Daniel and Tu David Phu\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Presenting Partners\u003c/em>\u003c/strong>\u003cbr>\nKQED\u003cbr>\nCenter for Asian American Media\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Major Funding\u003c/em>\u003c/strong>\u003cbr>\nCorporation for Public Broadcasting (via Center for Asian American Media)\u003cbr>\nPrivate individuals\u003c/p>\n\u003cp>BLOODLINE is now available streaming online via Truly CA, and is presented by American Public Media and broadcasting on your local PBS Station. Check your local listings.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cem>Bloodline is the first release of First Kitchen, a documentary food series created by Santhosh Daniel, James Q. Chan, and The Center for Asian American Media. Funding is provided by The Corporation for Public Broadcasting.\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>Directors' and Producers' Statement:\u003c/strong>\u003c/p>\n\u003cp>\u003cem>The artistic vision for Bloodline, our first story from the First Kitchen series, is to create a visual and narrative environment that is lush, both in terms of food, ingredients, and physical setting, but also emotion. This is evident in the opening scenes, which feature the family garden, but also pay close attention to skin texture and tone as Tu speaks about his tattoos, as well as lighting and color (i.e. most scenes are lit with direct or reflected sunlight, and include distinct color contrasts with clothing, ingredients, etc). The quiet family moments are juxtaposed by bright and vibrant flavors of the family meal that go together which, James Q. Chan, co-director and cinematographer, refracts through his personal history; living in refugee camps after fleeing war-torn Vietnam where he was born, and memories of his mother’s Vietnamese recipes shape the visceral sensibilities of the film.\u003c/em>\u003c/p>\n\u003cp>\u003cem>The narrative approach was to film in multiple settings that contrast one another (i.e. \u003c/em>\u003cem>Phú Quốc\u003c/em>\u003cem>, the wharf, etc) and incorporate “found sounds” from those settings into our soundtrack (i.e. BART train, sewing machine, etc) to demonstrate the rich complexity of the family’s story, and how seemingly disparate elements all eventually lead and merge into Tu. And, we built it in such a way so as to mimic how a chef would build a dish—meaning, a five-act structure that begins with the “raw ingredients” of Tu and his parents, upon which we gradually layer elements (i.e. garden, war, marriage, etc) to create a story whose message is not realized until the conclusion, similar to how a dish is not actualized until plated. This approach, captured beautifully by the camera and dressed with original music by Miles Ito, results in a sense of being with the family, in their kitchen and at their table, which we hope everyone experiences as they watch the film.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1631654863,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":862},"headData":{"title":"Bloodline and the birth of a chef featuring Bay Area’s Tu David Phu - Truly CA","description":"An intimate profile of Vietnamese-American chef, Tu David Phu, and the evolution of his culinary aesthetic.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3346 https://ww2.kqed.org/trulyca/?p=3346","disqusUrl":"https://ww2.kqed.org/trulyca/bloodline-and-the-birth-of-a-chef-featuring-bay-areas-tu-david-phu/","disqusTitle":"Bloodline and the birth of a chef featuring Bay Area’s Tu David Phu","videoEmbed":"https://youtu.be/gD1-Y14duIU","source":"Food","sourceUrl":"/food/","WpOldSlug":"short-doc-explores-culture-and-cuisine-featuring-bay-areas-chef-tu-david-phu","path":"/trulyca/3346/bloodline-and-the-birth-of-a-chef-featuring-bay-areas-tu-david-phu","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Directors James Q. Chan and Santhosh Daniel discuss \u003c/strong>\u003cem>\u003cstrong>Bloodline, \u003c/strong>\u003c/em>\u003cstrong>a \u003c/strong>\u003cstrong>documentary about Oakland chef Tu David Phu: \u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">How do you transform what we might see as negative into something positive? The is the question at the heart of the short food documentary \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bloodline\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">--a metaphorical, personal exploration by Tu David Phu of his genesis as a chef, as seen through his parents' memories of the Vietnam War and Khmer Rouge, and how US culture often disregards certain seminal life experiences as “scrap,” similar to how the physical bloodline of fish is often thrown away by chefs, even though it carries the animal’s “essence.”\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">The story, directed by James Q. Chan (\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Forever, Chinatown\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">) and Santhosh Daniel, is framed around Tu, just as he returns home to Oakland, California after being a contestant on the competitive cooking series, Top Chef (Season 15). As he and his parents prepare a Saturday dinner, drawing on his mother’s self-taught culinary repertoire (which began in a Thai refugee camp), and his father’s ancestry as a free-diver and fishmonger from \u003c/span>\u003cspan style=\"font-weight: 400\">Phú Quốc\u003c/span>\u003cspan style=\"font-weight: 400\">, Vietnam, Tu reflects on his visibility as a “celebrity chef,” tracing how he went from refugee roots and a childhood in West Oakland, to this new life by relying on things learned from his family kitchen--rather than the “formal” skills and training learned in culinary school--including how to turn something “inedible,” such as fish bloodline, into a beautiful dish.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Bloodline is the first release of First Kitchen, a documentary food series created by Santhosh Daniel co-executive produced with Tu David Phu and produced with James Q. Chan and Miles Ito, that spotlights ‘everyday people with exceptional stories.’ At the series’ core is a belief that ‘every voice deserves a place at the table’ and a vision to cultivate greater equity and equality in food media. Bloodline is the inaugural project of this vision and a template for cultural inclusivity and creativity the producers envision for all films in the series.\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"link":"file","ids":"3352,3351,3349,3350,3348","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Production Credits\u003c/em>\u003c/strong>\u003cbr>\nDirected by: James Q. Chan and Santhosh Daniel\u003cbr>\nStory by: Santhosh Daniel and Tu David Phu\u003cbr>\nEditor: Jeff den Broeder\u003cbr>\nCinematography: James Q. Chan\u003cbr>\nAdditional Camera: Jeff den Broeder and Kat Ma\u003cbr>\nMusic by: Miles Ito\u003cbr>\nSound Mixer: Matthew Kulewicz\u003cbr>\nTitles by: James DiRito\u003cbr>\nProduction Assistant: Jean O\u003cbr>\nAssociate Producers: Matthew Kulewicz, Kat Ma, Kim Phu and Penelope Wong\u003cbr>\nProducers: Jeff den Broeder and Miles Ito\u003cbr>\nExecutive Producers: James Q. Chan, Santhosh Daniel and Tu David Phu\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Presenting Partners\u003c/em>\u003c/strong>\u003cbr>\nKQED\u003cbr>\nCenter for Asian American Media\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Major Funding\u003c/em>\u003c/strong>\u003cbr>\nCorporation for Public Broadcasting (via Center for Asian American Media)\u003cbr>\nPrivate individuals\u003c/p>\n\u003cp>BLOODLINE is now available streaming online via Truly CA, and is presented by American Public Media and broadcasting on your local PBS Station. Check your local listings.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cem>Bloodline is the first release of First Kitchen, a documentary food series created by Santhosh Daniel, James Q. Chan, and The Center for Asian American Media. Funding is provided by The Corporation for Public Broadcasting.\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>Directors' and Producers' Statement:\u003c/strong>\u003c/p>\n\u003cp>\u003cem>The artistic vision for Bloodline, our first story from the First Kitchen series, is to create a visual and narrative environment that is lush, both in terms of food, ingredients, and physical setting, but also emotion. This is evident in the opening scenes, which feature the family garden, but also pay close attention to skin texture and tone as Tu speaks about his tattoos, as well as lighting and color (i.e. most scenes are lit with direct or reflected sunlight, and include distinct color contrasts with clothing, ingredients, etc). The quiet family moments are juxtaposed by bright and vibrant flavors of the family meal that go together which, James Q. Chan, co-director and cinematographer, refracts through his personal history; living in refugee camps after fleeing war-torn Vietnam where he was born, and memories of his mother’s Vietnamese recipes shape the visceral sensibilities of the film.\u003c/em>\u003c/p>\n\u003cp>\u003cem>The narrative approach was to film in multiple settings that contrast one another (i.e. \u003c/em>\u003cem>Phú Quốc\u003c/em>\u003cem>, the wharf, etc) and incorporate “found sounds” from those settings into our soundtrack (i.e. BART train, sewing machine, etc) to demonstrate the rich complexity of the family’s story, and how seemingly disparate elements all eventually lead and merge into Tu. And, we built it in such a way so as to mimic how a chef would build a dish—meaning, a five-act structure that begins with the “raw ingredients” of Tu and his parents, upon which we gradually layer elements (i.e. garden, war, marriage, etc) to create a story whose message is not realized until the conclusion, similar to how a dish is not actualized until plated. This approach, captured beautifully by the camera and dressed with original music by Miles Ito, results in a sense of being with the family, in their kitchen and at their table, which we hope everyone experiences as they watch the film.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3346/bloodline-and-the-birth-of-a-chef-featuring-bay-areas-tu-david-phu","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_42"],"tags":["trulyca_949","trulyca_948","trulyca_96","trulyca_950"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3428","label":"source_trulyca_3346"},"trulyca_3323":{"type":"posts","id":"trulyca_3323","meta":{"index":"posts_1591205157","site":"trulyca","id":"3323","score":null,"sort":[1610110842000]},"guestAuthors":[],"slug":"imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road","title":"Imitation continues to be the highest form of flattery, in short doc, King of the Road","publishDate":1610110842,"format":"video","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>Growing up in east San Jose, California the youngest of six children from a single-parent household, Rick Torres had a passion for entertaining. What are the odds for a young boy to achieve his dreams? Depends on your drive and depends on your luck. How badly do you want to achieve your goals? How about rising to the #1 Bay Area Elvis Tribute Artist since 2008 on Gigmasters?\u003c/p>\n\u003cp>As we hear testimony from Rick’s former drama teacher, his bandmates and, those who have hired him to be a part of their special occasions, we learn about Rick’s struggles and what inspires him to keep going.\u003c/p>\n\u003cp>[gallery size=\"medium\" ids=\"3334,3333,3332\"]\u003c/p>\n\u003cp>\u003cstrong>Directors Note:\u003c/strong>\u003cbr>\nLike many people, I am drawn to a good story. We all have special talents to share and unique voices. When I come across something or someone that inspires me, I want to share that inspiration with others.\u003c/p>\n\u003cp>\u003cem>[aside label=\"Check out the interview with director, Cate Celso\" link1=\"\u003ca href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/https://matthewtoffolo.com/2020/08/08/interview-with-filmmaker-cate-celso-king-of-the-road/player/embed/508608745/509179603\u003c/a>, Daily Summary, Matthew Toffolo\"]\u003c/em>\u003c/p>\n\u003cp>I met Rick six years ago when the company I worked for hired him to perform on-site. As I watched his energy fill the room he transformed his audience, I became curious about him and wanted to know more about his path, his story.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Our paths crossed again back in 2017 and for me, it was a sign to tackle my first documentary and share Rick’s inspirational story with you.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\">\u003cimg class=\"size-medium wp-image-3327 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\" alt=\"\" width=\"600\" height=\"300\" data-wp-editing=\"1\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cate Celso\u003c/strong> (Director) – is a filmmaker based in San Francisco, CA. She has worked for several years in live-action and animation film production. Cate started writing and directing short films with some fellow co-workers and eventually joined indie film groups where she continues to contribute her skills. Currently, she is working on building her body of work as a Director. This is her first documentary and third short film.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\">\u003cimg class=\"size-full wp-image-3326 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Ashley Hirt\u003c/strong> (Producer) – Ashley Hirt is a Canadian born filmmaker living in Los Angeles. Her storytelling often reflects her mixed cultural roots of growing up in a Metis and Scottish family. Known for co-producing the feature film \"Black Field\" which has received numerous accolades including the Amazon Video Direct Award (2017) at the Sundance Film Festival (2017). Ashley’s work is usually female-driven content and supports Indigenous artists. She is an alumna of the National Screen Institute of Canada and the Royal Academy of Dramatic Art (London).\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\">\u003cimg class=\"size-full wp-image-3328 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sean Wells\u003c/strong> (Director of Photography) - Sean makes stuff and likes to help other people make stuff. He mostly works in the dark as a colorist but as Director of Photography on King of the Road, he's working with light.\u003c/p>\n\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1610391248,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":474},"headData":{"title":"Imitation continues to be the highest form of flattery, in short doc, King of the Road - Truly CA","description":"Growing up in east San Jose, California the youngest of six children from a single-parent household, Rick Torres had a passion for entertaining. What are the odds for a young boy to achieve his dreams? Depends on your drive and depends on your luck. How badly do you want to achieve your goals? How about","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3323 https://ww2.kqed.org/trulyca/?p=3323","disqusUrl":"https://ww2.kqed.org/trulyca/imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road/","disqusTitle":"Imitation continues to be the highest form of flattery, in short doc, King of the Road","videoEmbed":"https://www.youtube.com/watch?v=v6dw9TsezUQ","path":"/trulyca/3323/imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Growing up in east San Jose, California the youngest of six children from a single-parent household, Rick Torres had a passion for entertaining. What are the odds for a young boy to achieve his dreams? Depends on your drive and depends on your luck. How badly do you want to achieve your goals? How about rising to the #1 Bay Area Elvis Tribute Artist since 2008 on Gigmasters?\u003c/p>\n\u003cp>As we hear testimony from Rick’s former drama teacher, his bandmates and, those who have hired him to be a part of their special occasions, we learn about Rick’s struggles and what inspires him to keep going.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"size":"medium","ids":"3334,3333,3332","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Directors Note:\u003c/strong>\u003cbr>\nLike many people, I am drawn to a good story. We all have special talents to share and unique voices. When I come across something or someone that inspires me, I want to share that inspiration with others.\u003c/p>\n\u003cp>\u003cem>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"Check out the interview with director, Cate Celso link1=\"\u003ca href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/https://matthewtoffolo.com/2020/08/08/interview-with-filmmaker-cate-celso-king-of-the-road/player/embed/508608745/509179603\u003c/a>, Daily Summary, Matthew Toffolo\""},"numeric":["link1=\"\u003ca","href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/https://matthewtoffolo.com/2020/08/08/interview-with-filmmaker-cate-celso-king-of-the-road/player/embed/508608745/509179603\u003c/a>,","Daily","Summary,","Matthew","Toffolo\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/em>\u003c/p>\n\u003cp>I met Rick six years ago when the company I worked for hired him to perform on-site. As I watched his energy fill the room he transformed his audience, I became curious about him and wanted to know more about his path, his story.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Our paths crossed again back in 2017 and for me, it was a sign to tackle my first documentary and share Rick’s inspirational story with you.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\">\u003cimg class=\"size-medium wp-image-3327 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\" alt=\"\" width=\"600\" height=\"300\" data-wp-editing=\"1\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cate Celso\u003c/strong> (Director) – is a filmmaker based in San Francisco, CA. She has worked for several years in live-action and animation film production. Cate started writing and directing short films with some fellow co-workers and eventually joined indie film groups where she continues to contribute her skills. Currently, she is working on building her body of work as a Director. This is her first documentary and third short film.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\">\u003cimg class=\"size-full wp-image-3326 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Ashley Hirt\u003c/strong> (Producer) – Ashley Hirt is a Canadian born filmmaker living in Los Angeles. Her storytelling often reflects her mixed cultural roots of growing up in a Metis and Scottish family. Known for co-producing the feature film \"Black Field\" which has received numerous accolades including the Amazon Video Direct Award (2017) at the Sundance Film Festival (2017). Ashley’s work is usually female-driven content and supports Indigenous artists. She is an alumna of the National Screen Institute of Canada and the Royal Academy of Dramatic Art (London).\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\">\u003cimg class=\"size-full wp-image-3328 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sean Wells\u003c/strong> (Director of Photography) - Sean makes stuff and likes to help other people make stuff. He mostly works in the dark as a colorist but as Director of Photography on King of the Road, he's working with light.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3323/imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_33","trulyca_20","trulyca_31","trulyca_34","trulyca_32"],"tags":["trulyca_944","trulyca_947","trulyca_943","trulyca_946","trulyca_945"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3325","label":"trulyca_771"},"trulyca_3293":{"type":"posts","id":"trulyca_3293","meta":{"index":"posts_1591205157","site":"trulyca","id":"3293","score":null,"sort":[1600434000000]},"guestAuthors":[],"slug":"unadopted","title":"Emancipating from the foster care system explored in the short documentary, Unadopted.","publishDate":1600434000,"format":"video","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cspan style=\"font-weight: 400\">Noel Anaya entered the system at age one, and was never adopted. Since he claimed his independence at age 21, Anaya has a lot to say, and he says it now as writer and producer of \u003cem>Unadopted.\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\"\u003c/strong>\u003cem>\u003cstrong>Your gray hands just taught me how to survive in a world. We never learned how to love ourselves unconditionally. I've been with multiple foster families, I've been with multiple shelters. How does a person like me not end up with a family. ...\"\u003c/strong> - Noel Anaya in an open letter to the foster care system. \u003c/em>\u003c/p>\n\u003cp>\u003cem>[aside label=\"Listen to the original NPR Story from Noel\" link1=\"\u003ca href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/player/embed/508608745/509179603\u003c/a>, NPR, Noel Anaya\"]\u003c/em>\u003c/p>\n\u003cp>\u003cem>Unadopted\u003c/em> follows Noel Anaya in his quest for answers about, his family, and his experience in the foster care system, interweaving his own journey with the stories of three other teens who, like so many foster youth, are at emotional crossroads, confronted with what may be the most important decision of their lives: whether to emancipate from the foster care system, opt into “extended care,” or pursue a \"forever family.\" This documentary is produced by YR Media.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://medium.com/@mitunetwork/noel-anaya-shared-his-story-about-divorcing-the-foster-care-system-f3b8290116c6\">Read more coverage on Noel Anaya and his sunder from the foster care system.\u003c/a> [/pullquote]\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" link=\"file\" ids=\"3296,3305,3301,3306,3304\"]\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">[ad fullwidth]\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"In Unadopted, 22 year-old producer Noel Anaya takes his audience on an insider's tour of what it’s like to grow up in the foster care system. ","status":"publish","parent":0,"modified":1600446412,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":231},"headData":{"title":"Emancipating from the foster care system explored in the short documentary, Unadopted. - Truly CA","description":"In Unadopted, 22 year-old producer Noel Anaya takes his audience on an insider's tour of what it’s like to grow up in the foster care system.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3293 https://ww2.kqed.org/trulyca/?p=3293","disqusUrl":"https://ww2.kqed.org/trulyca/unadopted/","disqusTitle":"Emancipating from the foster care system explored in the short documentary, Unadopted.","videoEmbed":"https://www.youtube.com/watch?v=h6vdKVyNedc","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","path":"/trulyca/3293/unadopted","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Noel Anaya entered the system at age one, and was never adopted. Since he claimed his independence at age 21, Anaya has a lot to say, and he says it now as writer and producer of \u003cem>Unadopted.\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\"\u003c/strong>\u003cem>\u003cstrong>Your gray hands just taught me how to survive in a world. We never learned how to love ourselves unconditionally. I've been with multiple foster families, I've been with multiple shelters. How does a person like me not end up with a family. ...\"\u003c/strong> - Noel Anaya in an open letter to the foster care system. \u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"Listen to the original NPR Story from Noel link1=\"\u003ca href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/player/embed/508608745/509179603\u003c/a>, NPR, Noel Anaya\""},"numeric":["link1=\"\u003ca","href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/player/embed/508608745/509179603\u003c/a>,","NPR,","Noel","Anaya\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/em>\u003c/p>\n\u003cp>\u003cem>Unadopted\u003c/em> follows Noel Anaya in his quest for answers about, his family, and his experience in the foster care system, interweaving his own journey with the stories of three other teens who, like so many foster youth, are at emotional crossroads, confronted with what may be the most important decision of their lives: whether to emancipate from the foster care system, opt into “extended care,” or pursue a \"forever family.\" This documentary is produced by YR Media.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://medium.com/@mitunetwork/noel-anaya-shared-his-story-about-divorcing-the-foster-care-system-f3b8290116c6\">Read more coverage on Noel Anaya and his sunder from the foster care system.\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","link":"file","ids":"3296,3305,3301,3306,3304","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3293/unadopted","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_33","trulyca_41","trulyca_20","trulyca_21","trulyca_36","trulyca_884","trulyca_46"],"tags":["trulyca_927","trulyca_924","trulyca_926","trulyca_928","trulyca_384","trulyca_925","trulyca_920","trulyca_923","trulyca_929","trulyca_921","trulyca_287","trulyca_922"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3307","label":"trulyca_771"},"trulyca_3285":{"type":"posts","id":"trulyca_3285","meta":{"index":"posts_1591205157","site":"trulyca","id":"3285","score":null,"sort":[1599217235000]},"guestAuthors":[],"slug":"doing-stand-up-as-the-cant-stand-up-comedian-the-dan-smith-story","title":"Doing Stand Up as the Can't Stand up Comedian - The Dan Smith Story","publishDate":1599217235,"format":"video","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.facebook.com/CantStandUpComedy\">Dan Smith is the “The Can’t Stand Up Comedian,”\u003c/a> a Sacramento comic born with \u003c/span>\u003cspan style=\"font-weight: 400\">spina bifida\u003c/span>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003cspan style=\"font-weight: 400\">a condition that occurs when the spine and spinal cord don't form properly. His is the most severe form of spina bifida, \u003c/span>\u003cspan style=\"font-weight: 400\">myelomeningocele, because, as Dan jokes, “if you’re going to commit to something, go all the way.” Dan has always been funny but he’d never felt confident enough to get up on stage himself until taking a stand up comedy class in 2017.\u003c/span>\u003cspan style=\"font-weight: 400\"> Now, just 3 years later, Dan is hosting and headlining comedy shows online and around the city. Including the now online Body Posi Comedy Show run by \u003ca href=\"https://www.facebook.com/stabcomedytheater\">STAB! Comedy\u003c/a>.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> In this short documentary, Dan shares his experiences in the Sacramento comedy scene, opens up about his sobriety, and chronicles his evolution as a sitting-down stand up comedian. Writing and performing comedy, along with people's laughter, is what has kept him going through some of his darkest times. \u003c/span>\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=XS7-dR8znvY\">Watch The Dan Smith Story Here By. Ainé Henderson\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I first met Dan Smith on a dare. A dare to try one of the most terrifying things known to humanity: stand up comedy. Dan and I met at an open mic hosted at the famous Italian restaurant, Vince’s, which is delightfully snuggled up in between a Motel 6 parking lot and a Del Taco in South Sacramento. It was my first time doing stand up and Dan, the comedy pro, was hard to miss. He was the only one who took the term “front and center stage” seriously. There was a bar placed horizontally across the stage exactly at hip height, my hip height, which is where Dan’s face height is when he’s sitting in his wheelchair. To be seen, he had to perform in front of the stage. As an outsider and a newcomer, I was full of nerves but Dan greeted me warmly and the rest of the comedians greeted him with love and admiration.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That night, Dan had me rolling with laughter, the kind of laughter that comes from a combination of agony mixing with humor, the kind that makes you feel uncomfortable for laughing, but so uncomfortable you continue to laugh. My favorite type of comedy: dark comedy. I’d never come across a comic who used comedy to express themselves like Dan had. Sure, I’d just been on stage talking about my broken love life and that got some laughs but Dan’s story was unique, just as he is. His jokes ranged from getting a DUI in his wheelchair to “running” not running in the family. After that night, Dan and I stayed in touch and he opened up to the possibility of being the subject of this documentary.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[pullquote size=\"large\" align=\"left\"]I’ve begun to refer to Dan as an onion, not only because he makes me cry laughing, but because the more you get to know him, the more layers you begin to see he has. [/pullquote] Dan is one of the goofiest and sweetest people I’ve met. At first glance, I saw someone with a disability using comedy to express themselves. But the more I got to know him, I saw someone who has used the transformative power of comedy to better themselves. Dan credits stand up comedy for his sobriety, a statement that very few people can identify with as many comedians are notorious for drug use. Dan’s passion for making people laugh and for connecting with his fellow comedians, is what drove him to quit drinking. This drive to self betterment, an evolution of strength and ability to overcome whatever health adversity he is thrown, is inspiring. The love Dan has for his wife is also inspiring. I’m honored to be able to share some of Dan’s story.\u003c/span>\u003c/p>\n\u003cp>[aside label=\"More from Dan Smith\" link1=\"\u003ca href=\"http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\">http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\u003c/a>, Dan Smith on Serious Talk. Seriously. Podcast\"]\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" link=\"file\" ids=\"3286,3287,3288\"]\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">[ad fullwidth]\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Dan Smith Bio: \u003c/strong>\u003c/p>\n\u003cp>Dan Smith (aka Dan the Can’t Stand Up Comedian) was born in Walnut Creek. He was born with a birth defect called Spina Bifida and has been a paraplegic his whole life. Much of his material comes from his experiences spending his life in a wheelchair. He has been performing comedy for 3 years in clubs, including Punch Line, Laughs Unlimited and all over Sacramento, as well as performing in San Francisco, and Reno and numerous other places throughout California and Nevada. When he’s not doing comedy, he enjoys spending time with his wife Anna and their Boston Terrier Kepi Joe.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Credits:\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ainé Henderson\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Asal Ehsanipour\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Alex Irwin\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Janelle Hessig\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Music\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Black Silhouette\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">By. Blockhead & Alan Parker & Eric Allen &\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Frank Reidy & Peter Shade\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">De Wolfe Music // De Wolfe LTD\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Documentary Minimalism\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">By. Benjamin McAvoy\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">De Wolfe Music // De Wolfe LTD \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Special Thanks \u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dan Smith\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Justin Isaacks \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Highwater Restaurant\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Vic Mauleon\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sasha Khokha\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Amy Miller\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Abby Staeble\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Derek Dozier\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Body Posi Comedy Show\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Dan Smith calls himself the “Can’t Stand Up Comedian.” Born with the most severe type of spina bifida, he’s turned to comedy to express himself.","status":"publish","parent":0,"modified":1599232426,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":35,"wordCount":894},"headData":{"title":"Doing Stand Up as the Can't Stand up Comedian - The Dan Smith Story - Truly CA","description":"Dan Smith calls himself the “Can’t Stand Up Comedian.” Born with the most severe type of spina bifida, he’s turned to comedy to express himself.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3285 https://ww2.kqed.org/trulyca/?p=3285","disqusUrl":"https://ww2.kqed.org/trulyca/doing-stand-up-as-the-cant-stand-up-comedian-the-dan-smith-story/","disqusTitle":"Doing Stand Up as the Can't Stand up Comedian - The Dan Smith Story","videoEmbed":"https://www.youtube.com/watch?v=XS7-dR8znvY","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","path":"/trulyca/3285/doing-stand-up-as-the-cant-stand-up-comedian-the-dan-smith-story","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.facebook.com/CantStandUpComedy\">Dan Smith is the “The Can’t Stand Up Comedian,”\u003c/a> a Sacramento comic born with \u003c/span>\u003cspan style=\"font-weight: 400\">spina bifida\u003c/span>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003cspan style=\"font-weight: 400\">a condition that occurs when the spine and spinal cord don't form properly. His is the most severe form of spina bifida, \u003c/span>\u003cspan style=\"font-weight: 400\">myelomeningocele, because, as Dan jokes, “if you’re going to commit to something, go all the way.” Dan has always been funny but he’d never felt confident enough to get up on stage himself until taking a stand up comedy class in 2017.\u003c/span>\u003cspan style=\"font-weight: 400\"> Now, just 3 years later, Dan is hosting and headlining comedy shows online and around the city. Including the now online Body Posi Comedy Show run by \u003ca href=\"https://www.facebook.com/stabcomedytheater\">STAB! Comedy\u003c/a>.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> In this short documentary, Dan shares his experiences in the Sacramento comedy scene, opens up about his sobriety, and chronicles his evolution as a sitting-down stand up comedian. Writing and performing comedy, along with people's laughter, is what has kept him going through some of his darkest times. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=XS7-dR8znvY\">Watch The Dan Smith Story Here By. Ainé Henderson\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I first met Dan Smith on a dare. A dare to try one of the most terrifying things known to humanity: stand up comedy. Dan and I met at an open mic hosted at the famous Italian restaurant, Vince’s, which is delightfully snuggled up in between a Motel 6 parking lot and a Del Taco in South Sacramento. It was my first time doing stand up and Dan, the comedy pro, was hard to miss. He was the only one who took the term “front and center stage” seriously. There was a bar placed horizontally across the stage exactly at hip height, my hip height, which is where Dan’s face height is when he’s sitting in his wheelchair. To be seen, he had to perform in front of the stage. As an outsider and a newcomer, I was full of nerves but Dan greeted me warmly and the rest of the comedians greeted him with love and admiration.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That night, Dan had me rolling with laughter, the kind of laughter that comes from a combination of agony mixing with humor, the kind that makes you feel uncomfortable for laughing, but so uncomfortable you continue to laugh. My favorite type of comedy: dark comedy. I’d never come across a comic who used comedy to express themselves like Dan had. Sure, I’d just been on stage talking about my broken love life and that got some laughs but Dan’s story was unique, just as he is. His jokes ranged from getting a DUI in his wheelchair to “running” not running in the family. After that night, Dan and I stayed in touch and he opened up to the possibility of being the subject of this documentary.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"I’ve begun to refer to Dan as an onion, not only because he makes me cry laughing, but because the more you get to know him, the more layers you begin to see he has. ","name":"pullquote","attributes":{"named":{"size":"large","align":"left","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp> Dan is one of the goofiest and sweetest people I’ve met. At first glance, I saw someone with a disability using comedy to express themselves. But the more I got to know him, I saw someone who has used the transformative power of comedy to better themselves. Dan credits stand up comedy for his sobriety, a statement that very few people can identify with as many comedians are notorious for drug use. Dan’s passion for making people laugh and for connecting with his fellow comedians, is what drove him to quit drinking. This drive to self betterment, an evolution of strength and ability to overcome whatever health adversity he is thrown, is inspiring. The love Dan has for his wife is also inspiring. I’m honored to be able to share some of Dan’s story.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More from Dan Smith link1=\"\u003ca href=\"http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\">http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\u003c/a>, Dan Smith on Serious Talk. Seriously. Podcast\""},"numeric":["link1=\"\u003ca","href=\"http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\">http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\u003c/a>,","Dan","Smith","on","Serious","Talk.","Seriously.","Podcast\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","link":"file","ids":"3286,3287,3288","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Dan Smith Bio: \u003c/strong>\u003c/p>\n\u003cp>Dan Smith (aka Dan the Can’t Stand Up Comedian) was born in Walnut Creek. He was born with a birth defect called Spina Bifida and has been a paraplegic his whole life. Much of his material comes from his experiences spending his life in a wheelchair. He has been performing comedy for 3 years in clubs, including Punch Line, Laughs Unlimited and all over Sacramento, as well as performing in San Francisco, and Reno and numerous other places throughout California and Nevada. When he’s not doing comedy, he enjoys spending time with his wife Anna and their Boston Terrier Kepi Joe.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Credits:\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ainé Henderson\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Asal Ehsanipour\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Alex Irwin\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Janelle Hessig\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Music\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Black Silhouette\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">By. Blockhead & Alan Parker & Eric Allen &\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Frank Reidy & Peter Shade\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">De Wolfe Music // De Wolfe LTD\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Documentary Minimalism\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">By. Benjamin McAvoy\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">De Wolfe Music // De Wolfe LTD \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Special Thanks \u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dan Smith\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Justin Isaacks \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Highwater Restaurant\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Vic Mauleon\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sasha Khokha\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Amy Miller\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Abby Staeble\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Derek Dozier\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Body Posi Comedy Show\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3285/doing-stand-up-as-the-cant-stand-up-comedian-the-dan-smith-story","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_33","trulyca_40","trulyca_39","trulyca_20","trulyca_21","trulyca_34"],"tags":["trulyca_916","trulyca_640","trulyca_71","trulyca_914","trulyca_915","trulyca_918","trulyca_550","trulyca_919","trulyca_804","trulyca_917","trulyca_912","trulyca_911","trulyca_913"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3287","label":"trulyca_771"},"trulyca_3268":{"type":"posts","id":"trulyca_3268","meta":{"index":"posts_1591205157","site":"trulyca","id":"3268","score":null,"sort":[1598616027000]},"guestAuthors":[],"slug":"3268-2","title":"Meet Ale Y Yose, two DREAMers figuring out high school, immigration law and family dynamics.","publishDate":1598616027,"format":"video","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>High school is hard enough, being a DREAMer during the age of immigration laws shifting like sand is even harder. \u003cem>Ale y Yose\u003c/em> is a short documentary film about adolescence, friendship, home, and belonging. The film follows friends and DREAMers Alejandra Matias and Yoselina Bazan over the course of 6 months.\u003c/p>\n\u003cp>Ale and Yose both came to the United States when they were four years old and grew up in Oakland, California. In 2012, both were eligible for and received DACA (Deferred Action for Childhood Arrivals).\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=OVsqfrjNPW8\">Watch Ale Y Yose By. Erin Semine Kökdil\u003c/a> [/pullquote]\u003c/p>\n\u003cp>Often called DREAMers, studies show that DACA recipients achieve better economic opportunity, attain higher education, enroll in health insurance, and participate more in their local communities. However, in the current political environment, Ale and Yose are unsure of what the future holds. While they fear being deported, their other fears parallel young people of their age—not amounting to anything in life. The film takes place in 2017-2018, in Ale’s senior year of high school and Yose’s junior year, and interweaves home movies shot by Ale and Yose, and interview and observational footage shot by the filmmaker.\u003c/p>\n\u003cp>[aside label=\"More from Ale Y Yose\" link1=\"https://www.eskokdil.com/ale-y-yose, Ale Y Yose Website\"]At a time where undocumented immigrants, the Latino community, and DREAMers are under attack, \u003cem>Ale y Yose \u003c/em>offers an intimate glimpse into the lives and perspectives of two girls at the forefront of these intersecting issues. Undocumented yet unafraid, Ale and Yose both fit and break the mold of a US teenager.\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" link=\"file\" ids=\"3271,3272,3273,3274\"]\u003c/p>\n\u003cp>[aside label=\"More coverage of Ale Y Yose\" link1=\"https://www.indiewire.com/2019/06/palm-springs-shortfest-short-filmmakers-awards-1202152381/, Ale Y Yose At Palm Springs Film Festival\" link2=\"https://www.desertsun.com/story/life/entertainment/2019/06/23/palm-springs-shortfest-wraps-up-these-best-best/1542028001/, Best of the Best at Palm Springs Film Festival\"]\u003c/p>\n\u003ch6>\u003cstrong>Director’s Statement: Erin Semine Kökdil -\u003c/strong>\u003c/h6>\n\u003cp>I had the incredible fortune of meeting Ale and Yose through the Oakland-based organization \u003ca href=\"http://67suenos.org/\">67 Sueños\u003c/a>, which works with undocumented youth and youth from mixed status families in Oakland, California. I spent several months getting to know them and building trust before we started filming. When we did start filming, I decided to work in a way that was more collaborative than my past work – providing Ale and Yose with cameras and having them actively film their lives. This decision came from my desire to give them more agency in their image and the way they were portrayed. When we started filming, I was immediately taken aback by their willingness to be so vulnerable and share such personal aspects of their lives—their struggles, fears, and dreams.\u003c/p>\n\u003cp>As a filmmaker, I am interested in leveraging the power of film to build solidarity and incite social change. Each of my past films incorporated a level of collaboration, something that is extremely important to my work. As I continue my career as a filmmaker, I have a continued interest in improving this collaborative practice between the protagonists of the film and myself, ensuring that the process of opening one’s life to the filmmaking process is empowering and strengthening rather than extractive and exploitative. [pullquote size=\"large\" align=\"left\"]I have a continued interest in improving this collaborative practice between the protagonists of the film and myself, ensuring that the process of opening one’s life to the filmmaking process is empowering and strengthening rather than extractive and exploitative. [/pullquote]I learned so much in the process of making this film and will carry this experience of working with Ale and Yose with me forever.\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3275\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3275 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/08/ESK_headshot-800x773.jpg\" alt=\"\" width=\"800\" height=\"773\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/08/ESK_headshot-800x773.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/ESK_headshot-1020x986.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/ESK_headshot-160x155.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/ESK_headshot-768x742.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/ESK_headshot.jpg 1529w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ale Y Yose Director Erin Semine Kökdil\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio:\u003c/strong>\u003c/p>\n\u003cp>Erin Semine Kökdil is a storyteller interested in building solidarity and inciting social change through films. Her work deals with issues of trauma, marginalization, and migration she has screened at IDFA, Hot Docs, Camden International Film Festival, and Palm Springs International ShortFest. Prior to becoming a filmmaker, Erin worked extensively with non-profits and community-led initiatives in the U.S. and Guatemala. Erin holds a B.A. in Latin American Studies and Spanish from Smith College and an M.F.A. in Documentary Film and Video from Stanford University. She is currently in post-production on her short documentary “Since you arrived, my heart stopped belonging to me” and has been awarded a 2020 SFFilm FilmHouse artist residency.\u003c/p>\n\u003cp>\u003cstrong>[ad fullwidth]\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Credits: \u003c/strong>\u003c/p>\n\u003cp>A Film By: Erin Semine Kökdil\u003c/p>\n\u003cp>In Collaboration With: Alejandra Matias and Yoselina Bazan\u003c/p>\n\u003cp>Cinematography: Alejandra Matias, Yoselina Bazan, Erin Semine Kökdil\u003c/p>\n\u003cp>Additional Camera: Eliva Shaw and Paloma Martinez\u003c/p>\n\u003cp>Production Assistance & Sound: Eliva Shaw, Azar Kafaei, Chris Filippone\u003c/p>\n\u003cp>Faculty Advisors: Jamie Meltzer, Srdan Keca, Jan Krawitz\u003c/p>\n\u003cp>Technical Advisors: Mark Urbanek and Paul Meyers\u003c/p>\n\u003cp>Colorist: Mark Sterne\u003c/p>\n\u003cp>Sound Mixer: Erik Reimers\u003c/p>\n\u003cp>Music: “Something Elated” by Broke for Free; “Lucy’s Song” by Ryan Little\u003c/p>\n\u003cp>Poetry: Excerpt from “Let Me Try Again,” \u003cem>Unaccompanied \u003c/em>by Javier Zamora\u003c/p>\n\u003cp>Special Thanks: Linda Sanchez, 67 Sueños, Javier Zamora, Ann Brown, MetWest High School, The Matias and Bazan Families, Zulfiya Hamzaki, Nathan Reich, Nico Sandi, Melissa Langer, Cecil Hooker, Laura Oaksmith, Sami Kökdil, Colleen Oaksmith, Jenn Miller Scarnato, Sarah Kate Heilbrun, Humberto Ortiz-Silva, Priscilla González Sainz, Laura Tejero Núñez, Dinesh Das Sabu, Adam Tobin, Yvette Borja\u003c/p>\n\u003cp>Funded in part through a grant from The Breitrose Awards, by The Enersen Foundation\u003c/p>\n\u003cp>Produced in the Documentary Film M.F.A. Program, Department of Art & Art History, Stanford University\u003c/p>\n\u003cp>© 2018 Erin Semine Kökdil\u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Two friends and DACA-recipients reimagine what it means to be a teenage girl in the United States while struggling with the reality of an unknown future.","status":"publish","parent":0,"modified":1598586934,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":29,"wordCount":986},"headData":{"title":"Meet Ale Y Yose, two DREAMers figuring out high school, immigration law and family dynamics. - Truly CA","description":"Two friends and DACA-recipients reimagine what it means to be a teenage girl in the United States while struggling with the reality of an unknown future.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3268 https://ww2.kqed.org/trulyca/?p=3268","disqusUrl":"https://ww2.kqed.org/trulyca/3268-2/","disqusTitle":"Meet Ale Y Yose, two DREAMers figuring out high school, immigration law and family dynamics.","videoEmbed":"https://www.youtube.com/watch?v=OVsqfrjNPW8","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","path":"/trulyca/3268/3268-2","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>High school is hard enough, being a DREAMer during the age of immigration laws shifting like sand is even harder. \u003cem>Ale y Yose\u003c/em> is a short documentary film about adolescence, friendship, home, and belonging. The film follows friends and DREAMers Alejandra Matias and Yoselina Bazan over the course of 6 months.\u003c/p>\n\u003cp>Ale and Yose both came to the United States when they were four years old and grew up in Oakland, California. In 2012, both were eligible for and received DACA (Deferred Action for Childhood Arrivals).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=OVsqfrjNPW8\">Watch Ale Y Yose By. Erin Semine Kökdil\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Often called DREAMers, studies show that DACA recipients achieve better economic opportunity, attain higher education, enroll in health insurance, and participate more in their local communities. However, in the current political environment, Ale and Yose are unsure of what the future holds. While they fear being deported, their other fears parallel young people of their age—not amounting to anything in life. The film takes place in 2017-2018, in Ale’s senior year of high school and Yose’s junior year, and interweaves home movies shot by Ale and Yose, and interview and observational footage shot by the filmmaker.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More from Ale Y Yose ","link1":"https://www.eskokdil.com/ale-y-yose, Ale Y Yose Website"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>At a time where undocumented immigrants, the Latino community, and DREAMers are under attack, \u003cem>Ale y Yose \u003c/em>offers an intimate glimpse into the lives and perspectives of two girls at the forefront of these intersecting issues. Undocumented yet unafraid, Ale and Yose both fit and break the mold of a US teenager.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","link":"file","ids":"3271,3272,3273,3274","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More coverage of Ale Y Yose ","link1":"https://www.indiewire.com/2019/06/palm-springs-shortfest-short-filmmakers-awards-1202152381/, Ale Y Yose At Palm Springs Film Festival","link2":"https://www.desertsun.com/story/life/entertainment/2019/06/23/palm-springs-shortfest-wraps-up-these-best-best/1542028001/, Best of the Best at Palm Springs Film Festival"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch6>\u003cstrong>Director’s Statement: Erin Semine Kökdil -\u003c/strong>\u003c/h6>\n\u003cp>I had the incredible fortune of meeting Ale and Yose through the Oakland-based organization \u003ca href=\"http://67suenos.org/\">67 Sueños\u003c/a>, which works with undocumented youth and youth from mixed status families in Oakland, California. I spent several months getting to know them and building trust before we started filming. When we did start filming, I decided to work in a way that was more collaborative than my past work – providing Ale and Yose with cameras and having them actively film their lives. This decision came from my desire to give them more agency in their image and the way they were portrayed. When we started filming, I was immediately taken aback by their willingness to be so vulnerable and share such personal aspects of their lives—their struggles, fears, and dreams.\u003c/p>\n\u003cp>As a filmmaker, I am interested in leveraging the power of film to build solidarity and incite social change. Each of my past films incorporated a level of collaboration, something that is extremely important to my work. As I continue my career as a filmmaker, I have a continued interest in improving this collaborative practice between the protagonists of the film and myself, ensuring that the process of opening one’s life to the filmmaking process is empowering and strengthening rather than extractive and exploitative. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"I have a continued interest in improving this collaborative practice between the protagonists of the film and myself, ensuring that the process of opening one’s life to the filmmaking process is empowering and strengthening rather than extractive and exploitative. ","name":"pullquote","attributes":{"named":{"size":"large","align":"left","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>I learned so much in the process of making this film and will carry this experience of working with Ale and Yose with me forever.\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3275\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3275 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/08/ESK_headshot-800x773.jpg\" alt=\"\" width=\"800\" height=\"773\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/08/ESK_headshot-800x773.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/ESK_headshot-1020x986.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/ESK_headshot-160x155.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/ESK_headshot-768x742.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/ESK_headshot.jpg 1529w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ale Y Yose Director Erin Semine Kökdil\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio:\u003c/strong>\u003c/p>\n\u003cp>Erin Semine Kökdil is a storyteller interested in building solidarity and inciting social change through films. Her work deals with issues of trauma, marginalization, and migration she has screened at IDFA, Hot Docs, Camden International Film Festival, and Palm Springs International ShortFest. Prior to becoming a filmmaker, Erin worked extensively with non-profits and community-led initiatives in the U.S. and Guatemala. Erin holds a B.A. in Latin American Studies and Spanish from Smith College and an M.F.A. in Documentary Film and Video from Stanford University. She is currently in post-production on her short documentary “Since you arrived, my heart stopped belonging to me” and has been awarded a 2020 SFFilm FilmHouse artist residency.\u003c/p>\n\u003cp>\u003cstrong>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Credits: \u003c/strong>\u003c/p>\n\u003cp>A Film By: Erin Semine Kökdil\u003c/p>\n\u003cp>In Collaboration With: Alejandra Matias and Yoselina Bazan\u003c/p>\n\u003cp>Cinematography: Alejandra Matias, Yoselina Bazan, Erin Semine Kökdil\u003c/p>\n\u003cp>Additional Camera: Eliva Shaw and Paloma Martinez\u003c/p>\n\u003cp>Production Assistance & Sound: Eliva Shaw, Azar Kafaei, Chris Filippone\u003c/p>\n\u003cp>Faculty Advisors: Jamie Meltzer, Srdan Keca, Jan Krawitz\u003c/p>\n\u003cp>Technical Advisors: Mark Urbanek and Paul Meyers\u003c/p>\n\u003cp>Colorist: Mark Sterne\u003c/p>\n\u003cp>Sound Mixer: Erik Reimers\u003c/p>\n\u003cp>Music: “Something Elated” by Broke for Free; “Lucy’s Song” by Ryan Little\u003c/p>\n\u003cp>Poetry: Excerpt from “Let Me Try Again,” \u003cem>Unaccompanied \u003c/em>by Javier Zamora\u003c/p>\n\u003cp>Special Thanks: Linda Sanchez, 67 Sueños, Javier Zamora, Ann Brown, MetWest High School, The Matias and Bazan Families, Zulfiya Hamzaki, Nathan Reich, Nico Sandi, Melissa Langer, Cecil Hooker, Laura Oaksmith, Sami Kökdil, Colleen Oaksmith, Jenn Miller Scarnato, Sarah Kate Heilbrun, Humberto Ortiz-Silva, Priscilla González Sainz, Laura Tejero Núñez, Dinesh Das Sabu, Adam Tobin, Yvette Borja\u003c/p>\n\u003cp>Funded in part through a grant from The Breitrose Awards, by The Enersen Foundation\u003c/p>\n\u003cp>Produced in the Documentary Film M.F.A. Program, Department of Art & Art History, Stanford University\u003c/p>\n\u003cp>© 2018 Erin Semine Kökdil\u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3268/3268-2","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_33","trulyca_20","trulyca_21","trulyca_36","trulyca_884"],"tags":["trulyca_906","trulyca_896","trulyca_907","trulyca_908","trulyca_306","trulyca_910","trulyca_909","trulyca_905","trulyca_304"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3272","label":"trulyca_771"},"trulyca_3245":{"type":"posts","id":"trulyca_3245","meta":{"index":"posts_1591205157","site":"trulyca","id":"3245","score":null,"sort":[1596801620000]},"guestAuthors":[],"slug":"undocumented-farmworkers-vulnerable-after-northern-california-fires","title":"Devastating Impact on Undocumented Farmworkers From Northern California Fires Explored in Short Documentary, All That Remains.","publishDate":1596801620,"format":"video","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>How do you move forward when your community is ravaged by a natural disaster? Eva Rendle's award winning film All That Remains (Bronze Medal Award, Documentary, Student Academy Awards) is an expose of that very question.\u003c/p>\n\u003cp>[aside label=\"More on All That Remains\" link1=\"http://www.facebook.com/allthatremainsdocumentary, Follow All That Remains on Social Media\" link2=\"https://www.youtube.com/watch?v=ZGP-hr5v6bg, Eva Rendle Accepts Bronze Medal Award at the Student Academy Awards for All That Remains\"]\u003c/p>\n\u003cp>In this short documentary we meet the community that makes wine country as we know it, run. We meet farmworkers and citizens of Northern California, many of them undocumented, who speak to the plight they've experienced when the work and the homes they know go up in smoke. Where do you live when all the apartments have been destroyed and how do you access public aid when your work is seasonal and you're undocumented?\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" ids=\"3251,3250,3249,3248,3247,3246\"]\u003c/p>\n\u003cp>A year after wildfires ravaged Northern California’s Wine Country, its vulnerable population of farmworkers, many of them undocumented, find themselves in a heightened state of insecurity and inequality. All That Remains follows the second responders and vineyard workers who are still dealing with the aftermath of the fires, long after the media has turned away. [pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=CFbP17BvPzA&feature=youtu.be\">Watch All That Remains By. Eva Rendle\u003c/a> [/pullquote]Their stories shed light on the immigration, labor, and housing issues that have been building in Napa and Sonoma for years, only to be brought to the surface by one of the deadliest natural disasters in California history\u003c/p>\n\u003cp>[aside label=\"More on the importance and impact of Farmworkers during COVID19\" link1=\"https://www.nytimes.com/2020/04/02/us/coronavirus-undocumented-immigrant-farmworkers-agriculture.html, Farmworkers, Mostly Undocumented, Become 'Essential' During Pandemic\" link2=\"https://www.kqed.org/news/11808267/farmworkers-cant-pick-crops-remotely-how-can-they-stay-safe, Farmworkers Can't Pick Crops Remotely. How Can They Stay Safe?\"]\u003c/p>\n\u003ch6>\u003cstrong>Director’s Statement:\u003c/strong>\u003c/h6>\n\u003cp>I started covering this story when the North Bay Fires first hit, about six weeks into my first semester at the UC Berkeley Graduate School of Journalism, but it really evolved over the next year and a half. The fires started during harvest season. Since a majority of farmworkers in Wine Country don’t have legal immigration status, right off the bat there was a lot of local and national media coverage on how the undocumented community was impacted by the disaster.\u003c/p>\n\u003cp>But I was struck by the deeper, systemic inequities in Wine Country that the fires brought to the surface. Undocumented immigrants are the backbone of Napa and Sonoma’s agricultural and tourism industries, but they’re forced to live in the shadows because of their immigration status. The fires exposed and exacerbated the immigration, labor, and housing issues that they live with every day.\u003c/p>\n\u003cp>When I set out to make this film, that was what I aimed to explore. While this is a local story, I think the lessons learned in Napa and Sonoma can be applied to communities nationwide. In the end, I hope it can start a conversation about who is most vulnerable after a natural disaster and what kinds of things people with legal immigration status take for granted in their day to day lives.\u003c/p>\n\u003cfigure id=\"attachment_3252\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3252 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/08/EvaRendle_Headshot-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/08/EvaRendle_Headshot-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/EvaRendle_Headshot-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/EvaRendle_Headshot-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/EvaRendle_Headshot-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/EvaRendle_Headshot-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/EvaRendle_Headshot-2048x1365.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/EvaRendle_Headshot-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">All That Remains Filmmaker, Eva Rendle\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003ch6>\u003cstrong>Director Bio:\u003c/strong>\u003c/h6>\n\u003cp>Eva Rendle is an award-winning documentary filmmaker and journalist whose work covers agriculture, immigration, and environmental issues in the West.\u003c/p>\n\u003cp>She received her Master’s degree from the UC Berkeley Graduate School of Journalism in 2019, where she was named the Brian Pollack Documentary Film Fellow. She holds a B.A. in Geography and Environmental Studies from the University of Colorado.\u003c/p>\n\u003cp>In 2015 Rendle was named a National Geographic Explorer, and spent three months photographing family-owned olive farms around the Mediterranean. Since then she has worked on print and video stories in Spain, Greece, Italy, Chile, Hungary, Peru, Israel, and Palestine.\u003c/p>\n\u003cp>She lives and works in Denver, Colorado.\u003c/p>\n\u003cp>\u003cstrong>[ad fullwidth]\u003c/strong>\u003c/p>\n\u003ch6>\u003cstrong>Cast and Crew:\u003c/strong>\u003c/h6>\n\u003cp>FEATURING: Consuelo Medrano, Gustavo Vargas, Jim Regusci, Nicolas De Luna\u003c/p>\n\u003cp>DIRECTED AND EDITED BY: Eva Rendle\u003c/p>\n\u003cp>CINEMATOGRAPHY: Marian Carrasquero and Eva Rendle\u003c/p>\n\u003cp>ADDITIONAL CAMERA: Emma Schwartz and JoeBill Muñoz\u003c/p>\n\u003cp>FIELD TRANSLATION: Marian Carrasquero\u003c/p>\n\u003cp>CREATIVE ADVISORS: Carrie Lozano, Dawn Porter, and Mike Shen\u003c/p>\n\u003cp>TECHNICAL ADVISOR: Chris O’Dea\u003c/p>\n\u003cp>MUSIC SUPERVISOR: Jacob Bloomfield-Misrach\u003c/p>\n\u003cp>MUSIC BY: Andrew Ching, William Ryan Fritch, and Jacob Bloomfield-Misrach POST-PRODUCTION SOUND: Berkeley Sound Artists\u003c/p>\n\u003cp>RERECORDING MIXER: James LeBrecht\u003c/p>\n\u003cp>SOUND DESIGNER: Jacob Bloomfield-Misrach\u003c/p>\n\u003cp>SOUND EFFECTS EDITOR: Ryan Crowther\u003c/p>\n\u003cp>DIALOGUE EDITOR: Jacob Bloomfield-Misrach\u003c/p>\n\u003cp>SOUND SUPERVISOR: Jacob Bloomfield-Misrach\u003c/p>\n\u003cp>COLOR CORRECTION: Chris O’Dea\u003c/p>\n\u003cp>ARCHIVAL MATERIALS: Jim and Laura Regusci, Sonoma County Sheriff’s Office, Michael Short, The Santa Rosa Press Democrat\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"A year after wildfires ravaged Northern California’s Wine Country, its vulnerable population of farmworkers, many of them undocumented, find themselves in a heightened state of insecurity and inequality.","status":"publish","parent":0,"modified":1596742586,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":31,"wordCount":814},"headData":{"title":"Devastating Impact on Undocumented Farmworkers From Northern California Fires Explored in Short Documentary, All That Remains. - Truly CA","description":"A year after wildfires ravaged Northern California’s Wine Country, its vulnerable population of undocumented farmworkers, find themselves in a heightened state of insecurity and inequality.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3245 https://ww2.kqed.org/trulyca/?p=3245","disqusUrl":"https://ww2.kqed.org/trulyca/undocumented-farmworkers-vulnerable-after-northern-california-fires/","disqusTitle":"Devastating Impact on Undocumented Farmworkers From Northern California Fires Explored in Short Documentary, All That Remains.","videoEmbed":"https://www.youtube.com/watch?v=CFbP17BvPzA&feature=youtu.be","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","path":"/trulyca/3245/undocumented-farmworkers-vulnerable-after-northern-california-fires","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>How do you move forward when your community is ravaged by a natural disaster? Eva Rendle's award winning film All That Remains (Bronze Medal Award, Documentary, Student Academy Awards) is an expose of that very question.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More on All That Remains ","link1":"http://www.facebook.com/allthatremainsdocumentary, Follow All That Remains on Social Media","link2":"https://www.youtube.com/watch?v=ZGP-hr5v6bg, Eva Rendle Accepts Bronze Medal Award at the Student Academy Awards for All That Remains"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In this short documentary we meet the community that makes wine country as we know it, run. We meet farmworkers and citizens of Northern California, many of them undocumented, who speak to the plight they've experienced when the work and the homes they know go up in smoke. Where do you live when all the apartments have been destroyed and how do you access public aid when your work is seasonal and you're undocumented?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","ids":"3251,3250,3249,3248,3247,3246","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A year after wildfires ravaged Northern California’s Wine Country, its vulnerable population of farmworkers, many of them undocumented, find themselves in a heightened state of insecurity and inequality. All That Remains follows the second responders and vineyard workers who are still dealing with the aftermath of the fires, long after the media has turned away. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=CFbP17BvPzA&feature=youtu.be\">Watch All That Remains By. Eva Rendle\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Their stories shed light on the immigration, labor, and housing issues that have been building in Napa and Sonoma for years, only to be brought to the surface by one of the deadliest natural disasters in California history\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More on the importance and impact of Farmworkers during COVID19 ","link1":"https://www.nytimes.com/2020/04/02/us/coronavirus-undocumented-immigrant-farmworkers-agriculture.html, Farmworkers, Mostly Undocumented, Become 'Essential' During Pandemic","link2":"https://www.kqed.org/news/11808267/farmworkers-cant-pick-crops-remotely-how-can-they-stay-safe, Farmworkers Can't Pick Crops Remotely. How Can They Stay Safe?"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch6>\u003cstrong>Director’s Statement:\u003c/strong>\u003c/h6>\n\u003cp>I started covering this story when the North Bay Fires first hit, about six weeks into my first semester at the UC Berkeley Graduate School of Journalism, but it really evolved over the next year and a half. The fires started during harvest season. Since a majority of farmworkers in Wine Country don’t have legal immigration status, right off the bat there was a lot of local and national media coverage on how the undocumented community was impacted by the disaster.\u003c/p>\n\u003cp>But I was struck by the deeper, systemic inequities in Wine Country that the fires brought to the surface. Undocumented immigrants are the backbone of Napa and Sonoma’s agricultural and tourism industries, but they’re forced to live in the shadows because of their immigration status. The fires exposed and exacerbated the immigration, labor, and housing issues that they live with every day.\u003c/p>\n\u003cp>When I set out to make this film, that was what I aimed to explore. While this is a local story, I think the lessons learned in Napa and Sonoma can be applied to communities nationwide. In the end, I hope it can start a conversation about who is most vulnerable after a natural disaster and what kinds of things people with legal immigration status take for granted in their day to day lives.\u003c/p>\n\u003cfigure id=\"attachment_3252\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3252 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/08/EvaRendle_Headshot-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/08/EvaRendle_Headshot-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/EvaRendle_Headshot-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/EvaRendle_Headshot-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/EvaRendle_Headshot-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/EvaRendle_Headshot-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/EvaRendle_Headshot-2048x1365.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2020/08/EvaRendle_Headshot-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">All That Remains Filmmaker, Eva Rendle\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003ch6>\u003cstrong>Director Bio:\u003c/strong>\u003c/h6>\n\u003cp>Eva Rendle is an award-winning documentary filmmaker and journalist whose work covers agriculture, immigration, and environmental issues in the West.\u003c/p>\n\u003cp>She received her Master’s degree from the UC Berkeley Graduate School of Journalism in 2019, where she was named the Brian Pollack Documentary Film Fellow. She holds a B.A. in Geography and Environmental Studies from the University of Colorado.\u003c/p>\n\u003cp>In 2015 Rendle was named a National Geographic Explorer, and spent three months photographing family-owned olive farms around the Mediterranean. Since then she has worked on print and video stories in Spain, Greece, Italy, Chile, Hungary, Peru, Israel, and Palestine.\u003c/p>\n\u003cp>She lives and works in Denver, Colorado.\u003c/p>\n\u003cp>\u003cstrong>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/strong>\u003c/p>\n\u003ch6>\u003cstrong>Cast and Crew:\u003c/strong>\u003c/h6>\n\u003cp>FEATURING: Consuelo Medrano, Gustavo Vargas, Jim Regusci, Nicolas De Luna\u003c/p>\n\u003cp>DIRECTED AND EDITED BY: Eva Rendle\u003c/p>\n\u003cp>CINEMATOGRAPHY: Marian Carrasquero and Eva Rendle\u003c/p>\n\u003cp>ADDITIONAL CAMERA: Emma Schwartz and JoeBill Muñoz\u003c/p>\n\u003cp>FIELD TRANSLATION: Marian Carrasquero\u003c/p>\n\u003cp>CREATIVE ADVISORS: Carrie Lozano, Dawn Porter, and Mike Shen\u003c/p>\n\u003cp>TECHNICAL ADVISOR: Chris O’Dea\u003c/p>\n\u003cp>MUSIC SUPERVISOR: Jacob Bloomfield-Misrach\u003c/p>\n\u003cp>MUSIC BY: Andrew Ching, William Ryan Fritch, and Jacob Bloomfield-Misrach POST-PRODUCTION SOUND: Berkeley Sound Artists\u003c/p>\n\u003cp>RERECORDING MIXER: James LeBrecht\u003c/p>\n\u003cp>SOUND DESIGNER: Jacob Bloomfield-Misrach\u003c/p>\n\u003cp>SOUND EFFECTS EDITOR: Ryan Crowther\u003c/p>\n\u003cp>DIALOGUE EDITOR: Jacob Bloomfield-Misrach\u003c/p>\n\u003cp>SOUND SUPERVISOR: Jacob Bloomfield-Misrach\u003c/p>\n\u003cp>COLOR CORRECTION: Chris O’Dea\u003c/p>\n\u003cp>ARCHIVAL MATERIALS: Jim and Laura Regusci, Sonoma County Sheriff’s Office, Michael Short, The Santa Rosa Press Democrat\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3245/undocumented-farmworkers-vulnerable-after-northern-california-fires","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_33","trulyca_20","trulyca_21","trulyca_36","trulyca_884"],"tags":["trulyca_896","trulyca_897","trulyca_898","trulyca_899","trulyca_132","trulyca_900","trulyca_304","trulyca_901"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3251","label":"trulyca_771"},"trulyca_3207":{"type":"posts","id":"trulyca_3207","meta":{"index":"posts_1591205157","site":"trulyca","id":"3207","score":null,"sort":[1595869253000]},"guestAuthors":[],"slug":"love-death-and-costumes-meet-the-sf-pride-grand-marshals-who-introduced-their-community-to-art-and-reclaimed-fashion","title":"Love, death and costumes: Meet the SF Pride Grand Marshals who introduced their community to art and reclaimed fashion.","publishDate":1595869253,"format":"video","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>KQED's documentary acquisition series \u003ca href=\"https://www.youtube.com/playlist?list=PLeGdTT0--8Khz_o0pdGn7RMVcoK6z0zhw\">Truly CA: Our State, Our Stories\u003c/a> brings a feature film adapted from a previous short film released last season. The short, \u003ca href=\"https://www.kqed.org/trulyca/3024/verasphere-a-love-story-in-costume\">\u003cem>Verasphere: A Love Story in Costume\u003c/em>\u003c/a>, followed partners, David Faulk and Michael Johnstone; their story of love, survival, creation and self expression during the AIDS epidemic.\u003c/p>\n\u003cp>Now, the hour long documentary has come to the light, titled Mrs.\u003cem> Vera’s Daybook.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_3213\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3213\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-800x450.jpeg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-768x432.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Micheal Johnstone (L), Photographer and David Faulk (R) pose at their gallery opening at the Harvey Milk Center in San Francisco. \u003ccite>(NuReality Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During one of the darkest periods in US History, two men decide to bring joy and color to a broken community for which an entire movement has emerged.\u003c/p>\n\u003cp>Directed and Produced by Robert James, \u003cem>Mrs. Vera's Daybook, \u003c/em>a NuReality Production, tells a story of historic activism and community art through the works of two San Francisco artists, David Faulk and Michael Johnstone, who also happen to be long-term AIDS survivors.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-3212\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-800x450.jpeg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-768x432.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Becoming the unofficial costumers of the SF Pride Parade, the Verasphere Community has grown as the years go by. Supporters, fellow activists and members of the Queer Art Community join the film to help paint this vivid portrait of perseverance, compassion and outrageous dime-store fashion.[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=dmdhKJqirNI\">Watch Mrs. Vera's Daybook from NuReality Productions \u003c/a> [/pullquote]Having received the coveted Community Grand Marshal appointment for the SF PRIDE Parade in 2019, \u003cem>Daybook\u003c/em> subjects celebrate 25 years of making sensational art together.\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" ids=\"3210,3211,3216,3217,3218,3219,3220,3221,3222\" orderby=\"rand\"]\u003c/p>\n\u003ch4>\u003cb>Directors Statement, \u003c/b> Mrs. Vera’s Daybook\u003c/h4>\n\u003cp>A flamboyant subject from a feature documentary film I made wrote me an email and said ‘You should make a film about Mrs. Vera’. I didn’t know who or what Mrs. Vera was but after speaking with several people in the San Francisco art world, I set up a meeting. I soon learned that Mrs. Vera and the Verapshere was a costume-art collaboration born during desperate times when two people fell in love. Michael Johnstone and David Faulk, both long-term AIDS survivors met at a time when love was the last thing they were looking for.\u003c/p>\n\u003cp>This story turned into the Short Film VERASPHERE: A Love story in Costume in the summer of 2019 and aired on Truly CA thru KQED (PBS); but these two men that have created community art together for 25 years and delighted thousands of people was a much bigger story of historic activism and art, so we kept shooting.\u003c/p>\n\u003cp>This may be the sweetest film I’ve ever made. The idea that something shimmering and magnificent could spring from the plague years in San Francisco may not be the most original story, but the alien art experience offered for free by two loving souls that wish to include everyone sure is.\u003c/p>\n\u003cfigure id=\"attachment_3227\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3227 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1536x1152.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-2048x1536.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mrs. Vera's Daybook Director, Producer & Writer\u003c/figcaption>\u003c/figure>\n\u003ch4>\u003cstrong style=\"background-color: transparent;color: #2b2b2b;font-size: 16px\">Director Bio\u003c/strong>\u003c/h4>\n\u003cp>Robert began his film-making career at the age of 46 in 2009.\u003c/p>\n\u003cp>After 3 semesters of film production classes, he left school to intern for a celebrated documentary filmmaker in Los Angeles. Traveling the world with camera in hand he assisted on several projects learning videography and editing skills. This led to Robert co-directing his first short film ‘Library of Dust’ in 2011.\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>Producing that film and winning several awards inspired him to launch right into future projects and soon after NuReality Productions was born.\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>This small independent documentary film company located in Berkeley has fostered many talented collaborators that would assist in an array of diverse media ventures. Two documentary short films, a doc feature film and a five-part series along with\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>a rich collection of commercial work, music video and web content has Robert and his crew busy with several future projects in the works.\u003c/p>\n\u003ch5>\u003c/h5>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3237\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3237 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Producer, Editor & Co-Writer, Nick Blond\u003c/figcaption>\u003c/figure>\n\u003ch4>\u003cstrong>Producers Bio\u003c/strong>\u003c/h4>\n\u003cp>Since moving from Humboldt County to the SF Bay Area in 2011, Nick Blond has worked as a freelance videographer, capturing and editing commercial productions, corporate events, music videos, and award winning documentaries including R\u003cem>uminations \u003c/em>(2018), \u003cem>VERASPHERE: A Love Story in Costume \u003c/em>(2019), and \u003cem>King of the Road \u003c/em>(2019).\u003c/p>\n\u003cp>Though focusing primarily on editing, Nick has worn almost every hat in the industry at one point or another. With a wide range of projects under his belt, Nick finds most of his passion in telling lesser-known stories that educate, challenge, or otherwise make an impact on viewers and promote positive social change.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside label=\"More from the Verasphere\" link1=\"\u003ca href=\"https://veraspherefilm.com/the-filmmakers\" target=\"_blank\" rel=\"noopener noreferrer\"> https://veraspherefilm.com/the-filmmakers\u003c/a>\" link2=\"\u003ca href=\"https://www.kqed.org/arts/13842612/ever-expanding-verasphere-testifies-to-the-restorative-power-of-creativity\">https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\u003c/a>\"]\u003c/p>\n\u003ch4 style=\"text-align: left\">Production Credits\u003c/h4>\n\u003cp>Written, Produced and Directed by Robert James\u003c/p>\n\u003cp>Executive Producer - Howard Grothe\u003c/p>\n\u003cp>Produced, Edited and Co-Written by Nick Blond\u003c/p>\n\u003cp>Cinematographer - Rudy Behrens\u003c/p>\n\u003cp>Original Music by Steven Clark & Andy Cowitt\u003c/p>\n\u003cp>\u003cstrong>Cast\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Dave Christenson\u003c/p>\n\u003cp>Nicola Bosco-Alvarez\u003c/p>\n\u003cp>Don Bapst\u003c/p>\n\u003cp>Jon Harris\u003c/p>\n\u003cp>Larry Boly\u003c/p>\n\u003cp>Jack Collins\u003c/p>\n\u003cp>Ron Cordova\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>Julie Blankenship\u003c/p>\n\u003cp>Dale Van Dusen\u003c/p>\n\u003cp>Michael Wertz\u003c/p>\n\u003cp>Cameron Wolf\u003c/p>\n\u003cp>Annie Sprinkle\u003c/p>\n\u003cp>Beth Stevens\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Nell Jehu\u003c/p>\n\u003cp>Daniel Dagucon\u003c/p>\n\u003cp>Sean Lord\u003c/p>\n\u003cp>Andy Cowitt\u003c/p>\n\u003cp>\u003cstrong>Crew Cont’d\u003c/strong>\u003c/p>\n\u003cp>Production Sound - Steven Lagosh\u003c/p>\n\u003cp>Camera Operator - Nick Blond\u003c/p>\n\u003cp>Additional Camera - Susan Bradley, Robert James, Julian King, Ruby Rieke\u003c/p>\n\u003cp>Additional Media Provided by - Michael Johnstone, Rick Gerharter, Don Bapst, Ben Iliili, Qi Zheng, Sean Lord\u003c/p>\n\u003cp>Title Design and Motion Graphics - Susan Bradley\u003c/p>\n\u003cp>Additional Motion Graphics - Nick Blond\u003c/p>\n\u003cp>Sound Mixer - Dan Olmsted\u003c/p>\n\u003cp>Colorist - Mark Sterne\u003c/p>\n\u003cp>Archival Footage Courtesy of Michael Johnstone, Emma King, Mark Trevorrow, Eric Smith, Rand McIlvenna, Oddball Films, KPIX CBS Bay Area, Warner Bros. Television, ABC7, Kron 4, KOFY-TV\u003c/p>\n\u003cp>Fiscal Sponsorship Provided by Center for Independent Documentary\u003c/p>\n\u003cp>Legal Clearance - Justine Jacob\u003c/p>\n\u003ch6>Special Thanks\u003c/h6>\n\u003cp>Very Special Thanks - Anthony Cianciola, California Academy of Sciences San Francisco, Carl Linkhart, Carolyn Johnston, D’Arcy Drollinger, Ethan Rayvasg, Frameline, Gabrielle Javier, Heklina, Irene Tsouprake Holombo & Hilarious Family, Jennifer Kroot, Jon Harris, Kat Kai, Mark O’Connell & Elliott Fabian\u003c/p>\n\u003cp>Special Thanks To Our Contributors - Alex Nellas, Anne Whiteside, Antonio Leony, Bruce, Cameron Wolfe, Devon Popora, Francoise Herrmann, Gary Hutton, Gloria Kemper, Jean Johnston, Jeff Jackman, Jennifer Kilpatrick, Kay Jones, Marcello Forte, Mary Lanin, Michael Cullen & Gerald Lawson, Nancy Freedman, Peter Toscani, Radu Raduta, and Sheila-Merle Johnson\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Love, death and costumes. Meet two SF creatives who during the height of the HIV/AIDS crisis created an alter ego who kept them alive and become a community staple. ","status":"publish","parent":0,"modified":1641834644,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":59,"wordCount":1085},"headData":{"title":"Love, death and costumes: Meet the SF Pride Grand Marshals who introduced their community to art and reclaimed fashion. - Truly CA","description":"Love, art, creation and death, two S.F. artists at the height of the AIDS epidemic created a one Mrs. Vera. Her creators, David Faulk and Michael Johnstone created her in order to cope with their own diagnosis but now, many years later, she's become much more than that, watch the full documentary here.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3207 https://ww2.kqed.org/trulyca/?p=3207","disqusUrl":"https://ww2.kqed.org/trulyca/love-death-and-costumes-meet-the-sf-pride-grand-marshals-who-introduced-their-community-to-art-and-reclaimed-fashion/","disqusTitle":"Love, death and costumes: Meet the SF Pride Grand Marshals who introduced their community to art and reclaimed fashion.","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","excludeFromSiteSearch":"Include","path":"/trulyca/3207/love-death-and-costumes-meet-the-sf-pride-grand-marshals-who-introduced-their-community-to-art-and-reclaimed-fashion","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>KQED's documentary acquisition series \u003ca href=\"https://www.youtube.com/playlist?list=PLeGdTT0--8Khz_o0pdGn7RMVcoK6z0zhw\">Truly CA: Our State, Our Stories\u003c/a> brings a feature film adapted from a previous short film released last season. The short, \u003ca href=\"https://www.kqed.org/trulyca/3024/verasphere-a-love-story-in-costume\">\u003cem>Verasphere: A Love Story in Costume\u003c/em>\u003c/a>, followed partners, David Faulk and Michael Johnstone; their story of love, survival, creation and self expression during the AIDS epidemic.\u003c/p>\n\u003cp>Now, the hour long documentary has come to the light, titled Mrs.\u003cem> Vera’s Daybook.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_3213\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3213\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-800x450.jpeg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-768x432.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Micheal Johnstone (L), Photographer and David Faulk (R) pose at their gallery opening at the Harvey Milk Center in San Francisco. \u003ccite>(NuReality Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During one of the darkest periods in US History, two men decide to bring joy and color to a broken community for which an entire movement has emerged.\u003c/p>\n\u003cp>Directed and Produced by Robert James, \u003cem>Mrs. Vera's Daybook, \u003c/em>a NuReality Production, tells a story of historic activism and community art through the works of two San Francisco artists, David Faulk and Michael Johnstone, who also happen to be long-term AIDS survivors.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-3212\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-800x450.jpeg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-768x432.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Becoming the unofficial costumers of the SF Pride Parade, the Verasphere Community has grown as the years go by. Supporters, fellow activists and members of the Queer Art Community join the film to help paint this vivid portrait of perseverance, compassion and outrageous dime-store fashion.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=dmdhKJqirNI\">Watch Mrs. Vera's Daybook from NuReality Productions \u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Having received the coveted Community Grand Marshal appointment for the SF PRIDE Parade in 2019, \u003cem>Daybook\u003c/em> subjects celebrate 25 years of making sensational art together.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","ids":"3210,3211,3216,3217,3218,3219,3220,3221,3222","orderby":"rand","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch4>\u003cb>Directors Statement, \u003c/b> Mrs. Vera’s Daybook\u003c/h4>\n\u003cp>A flamboyant subject from a feature documentary film I made wrote me an email and said ‘You should make a film about Mrs. Vera’. I didn’t know who or what Mrs. Vera was but after speaking with several people in the San Francisco art world, I set up a meeting. I soon learned that Mrs. Vera and the Verapshere was a costume-art collaboration born during desperate times when two people fell in love. Michael Johnstone and David Faulk, both long-term AIDS survivors met at a time when love was the last thing they were looking for.\u003c/p>\n\u003cp>This story turned into the Short Film VERASPHERE: A Love story in Costume in the summer of 2019 and aired on Truly CA thru KQED (PBS); but these two men that have created community art together for 25 years and delighted thousands of people was a much bigger story of historic activism and art, so we kept shooting.\u003c/p>\n\u003cp>This may be the sweetest film I’ve ever made. The idea that something shimmering and magnificent could spring from the plague years in San Francisco may not be the most original story, but the alien art experience offered for free by two loving souls that wish to include everyone sure is.\u003c/p>\n\u003cfigure id=\"attachment_3227\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3227 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1536x1152.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-2048x1536.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mrs. Vera's Daybook Director, Producer & Writer\u003c/figcaption>\u003c/figure>\n\u003ch4>\u003cstrong style=\"background-color: transparent;color: #2b2b2b;font-size: 16px\">Director Bio\u003c/strong>\u003c/h4>\n\u003cp>Robert began his film-making career at the age of 46 in 2009.\u003c/p>\n\u003cp>After 3 semesters of film production classes, he left school to intern for a celebrated documentary filmmaker in Los Angeles. Traveling the world with camera in hand he assisted on several projects learning videography and editing skills. This led to Robert co-directing his first short film ‘Library of Dust’ in 2011.\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>Producing that film and winning several awards inspired him to launch right into future projects and soon after NuReality Productions was born.\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>This small independent documentary film company located in Berkeley has fostered many talented collaborators that would assist in an array of diverse media ventures. Two documentary short films, a doc feature film and a five-part series along with\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>a rich collection of commercial work, music video and web content has Robert and his crew busy with several future projects in the works.\u003c/p>\n\u003ch5>\u003c/h5>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3237\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3237 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Producer, Editor & Co-Writer, Nick Blond\u003c/figcaption>\u003c/figure>\n\u003ch4>\u003cstrong>Producers Bio\u003c/strong>\u003c/h4>\n\u003cp>Since moving from Humboldt County to the SF Bay Area in 2011, Nick Blond has worked as a freelance videographer, capturing and editing commercial productions, corporate events, music videos, and award winning documentaries including R\u003cem>uminations \u003c/em>(2018), \u003cem>VERASPHERE: A Love Story in Costume \u003c/em>(2019), and \u003cem>King of the Road \u003c/em>(2019).\u003c/p>\n\u003cp>Though focusing primarily on editing, Nick has worn almost every hat in the industry at one point or another. With a wide range of projects under his belt, Nick finds most of his passion in telling lesser-known stories that educate, challenge, or otherwise make an impact on viewers and promote positive social change.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More from the Verasphere link1=\"\u003ca rel=\"noopener noreferrer\"> https://veraspherefilm.com/the-filmmakers\u003c/a>\" link2=\"\u003ca href=\"https://www.kqed.org/arts/13842612/ever-expanding-verasphere-testifies-to-the-restorative-power-of-creativity\">https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\u003c/a>\"","href":"https://veraspherefilm.com/the-filmmakers","target":"_blank"},"numeric":["link1=\"\u003ca","rel=\"noopener","noreferrer\">","https://veraspherefilm.com/the-filmmakers\u003c/a>\"","link2=\"\u003ca","href=\"https://www.kqed.org/arts/13842612/ever-expanding-verasphere-testifies-to-the-restorative-power-of-creativity\">https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\u003c/a>\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch4 style=\"text-align: left\">Production Credits\u003c/h4>\n\u003cp>Written, Produced and Directed by Robert James\u003c/p>\n\u003cp>Executive Producer - Howard Grothe\u003c/p>\n\u003cp>Produced, Edited and Co-Written by Nick Blond\u003c/p>\n\u003cp>Cinematographer - Rudy Behrens\u003c/p>\n\u003cp>Original Music by Steven Clark & Andy Cowitt\u003c/p>\n\u003cp>\u003cstrong>Cast\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Dave Christenson\u003c/p>\n\u003cp>Nicola Bosco-Alvarez\u003c/p>\n\u003cp>Don Bapst\u003c/p>\n\u003cp>Jon Harris\u003c/p>\n\u003cp>Larry Boly\u003c/p>\n\u003cp>Jack Collins\u003c/p>\n\u003cp>Ron Cordova\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>Julie Blankenship\u003c/p>\n\u003cp>Dale Van Dusen\u003c/p>\n\u003cp>Michael Wertz\u003c/p>\n\u003cp>Cameron Wolf\u003c/p>\n\u003cp>Annie Sprinkle\u003c/p>\n\u003cp>Beth Stevens\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Nell Jehu\u003c/p>\n\u003cp>Daniel Dagucon\u003c/p>\n\u003cp>Sean Lord\u003c/p>\n\u003cp>Andy Cowitt\u003c/p>\n\u003cp>\u003cstrong>Crew Cont’d\u003c/strong>\u003c/p>\n\u003cp>Production Sound - Steven Lagosh\u003c/p>\n\u003cp>Camera Operator - Nick Blond\u003c/p>\n\u003cp>Additional Camera - Susan Bradley, Robert James, Julian King, Ruby Rieke\u003c/p>\n\u003cp>Additional Media Provided by - Michael Johnstone, Rick Gerharter, Don Bapst, Ben Iliili, Qi Zheng, Sean Lord\u003c/p>\n\u003cp>Title Design and Motion Graphics - Susan Bradley\u003c/p>\n\u003cp>Additional Motion Graphics - Nick Blond\u003c/p>\n\u003cp>Sound Mixer - Dan Olmsted\u003c/p>\n\u003cp>Colorist - Mark Sterne\u003c/p>\n\u003cp>Archival Footage Courtesy of Michael Johnstone, Emma King, Mark Trevorrow, Eric Smith, Rand McIlvenna, Oddball Films, KPIX CBS Bay Area, Warner Bros. Television, ABC7, Kron 4, KOFY-TV\u003c/p>\n\u003cp>Fiscal Sponsorship Provided by Center for Independent Documentary\u003c/p>\n\u003cp>Legal Clearance - Justine Jacob\u003c/p>\n\u003ch6>Special Thanks\u003c/h6>\n\u003cp>Very Special Thanks - Anthony Cianciola, California Academy of Sciences San Francisco, Carl Linkhart, Carolyn Johnston, D’Arcy Drollinger, Ethan Rayvasg, Frameline, Gabrielle Javier, Heklina, Irene Tsouprake Holombo & Hilarious Family, Jennifer Kroot, Jon Harris, Kat Kai, Mark O’Connell & Elliott Fabian\u003c/p>\n\u003cp>Special Thanks To Our Contributors - Alex Nellas, Anne Whiteside, Antonio Leony, Bruce, Cameron Wolfe, Devon Popora, Francoise Herrmann, Gary Hutton, Gloria Kemper, Jean Johnston, Jeff Jackman, Jennifer Kilpatrick, Kay Jones, Marcello Forte, Mary Lanin, Michael Cullen & Gerald Lawson, Nancy Freedman, Peter Toscani, Radu Raduta, and Sheila-Merle Johnson\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3207/love-death-and-costumes-meet-the-sf-pride-grand-marshals-who-introduced-their-community-to-art-and-reclaimed-fashion","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_38","trulyca_21","trulyca_32"],"tags":["trulyca_67","trulyca_891","trulyca_894","trulyca_68","trulyca_69","trulyca_893","trulyca_895","trulyca_890","trulyca_848","trulyca_892","trulyca_889"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3211","label":"trulyca_771"},"trulyca_3185":{"type":"posts","id":"trulyca_3185","meta":{"index":"posts_1591205157","site":"trulyca","id":"3185","score":null,"sort":[1594390947000]},"guestAuthors":[],"slug":"bay-area-hospital-closure-impacted-explored-in-documentary-the-desert","title":"Bay Area Public Hospital closure explored in short documentary 'The Desert'","publishDate":1594390947,"format":"video","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cem>The Desert, \u003c/em>directed by Bo Kovitz is an intimate look into the aftermath of a major public hospital closure in the San Francisco Bay Area, one of the wealthiest regions in the country. [pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=1bjKcfSmVxU\">Watch The Desert By. Bo Kovitz \u003c/a> [/pullquote]Doctors Medical Center in San Pablo was the only full-service public hospital for more than 250,000 residents in West Contra Costa County. Now, the nearest public hospital is more than 15 miles away.\u003c/p>\n\u003cfigure id=\"attachment_3187\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3187 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_01-compressor-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_01-compressor-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_01-compressor-1020x1020.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_01-compressor-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_01-compressor-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_01-compressor.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Locals observe as the Doctors Medical Center is torn down leaving the nearest public hospital 15 miles away. Film still from The Desert.\u003c/figcaption>\u003c/figure>\n\u003cp>Following patients and frontline workers on the ground, \u003cem>The Desert\u003c/em> reveals the multifaceted impact of the loss of a major safety net institution as those in the community travel further and overcome barriers to care. \u003cem>The Desert\u003c/em> begins more than three years after Doctors Medical Center closed in 2015. Across the street from the vacant hospital, we meet an urgent care staff, many of whom worked at the hospital’s emergency department for years. Millie Callen, a non-emergency clinical worker near the previously existing Doctors Medical Center, who describes the influx of patients and the limited resources to meet all the needs of those who come in, some of whom think the clinic is an emergency department.\u003cimg class=\"wp-image-3188 size-medium\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_04-wide-compressor-800x419.jpg\" alt=\"\" width=\"800\" height=\"419\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_04-wide-compressor-800x419.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_04-wide-compressor-1020x534.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_04-wide-compressor-160x84.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_04-wide-compressor-768x402.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_04-wide-compressor-1536x804.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_04-wide-compressor.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>First responders take a call, in The DesertOf the many issues that come with a hospital closure, clinic workers and doctors also cite the unavoidable outcome that comes from serving mostly uninsured and Medi-cal/Medicare patients: the gradual shutdown of major hospital departments over time, and the sacrifices many of the staff made to keep the hospital alive, and the ultimate burden on the patients to find help elsewhere.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Directors Statement\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_3189\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3189 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/Kovitz_Headshot-compressor-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/Kovitz_Headshot-compressor-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/Kovitz_Headshot-compressor-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/Kovitz_Headshot-compressor-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/Kovitz_Headshot-compressor-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/Kovitz_Headshot-compressor-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/Kovitz_Headshot-compressor-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/Kovitz_Headshot-compressor.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Director Bo Kovitz\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>When I began research about Doctors Medical Center, it struck me that it’s not rare in our country for a hospital to close. I read about hospitals closing in rural communities and others moving out of poor, predominantly black and brown neighborhoods into richer ones. I wanted to capture the lived experience and deepen our understanding beyond just reading words on a page. I wanted to see and hear the faces and voices of the people directly impacted by the loss of an institution so many of us take for granted.\u003c/p>\n\u003cp>I knew this film needed to be a 360° view of the community. It was obvious to look for the patients who were impacted but it became clearer every day that the impact is uniquely felt too by the frontline workers — the first responders, the doctors, nurses, clinicians and staffers. Those on the ground, with direct experience navigating the hospital desert, hold the most valuable information and perspective. But their lives and immediate expertise are seldom seen or heard, which I feel is changing now during COVID-19 as people turn to those in the eye of the storm for insight.\u003c/p>\n\u003cp>It’s imperative now more than ever to take a hard and critical look at the cracks in the American health care system. This film is a deep plunge into one community’s grappling with a system that forced a hospital to fail. My hope for \u003cem>The Desert\u003c/em> is that it will encourage people to look in their own backyard and think of the unseen but real lives adapting every day.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside label=\"More on The Desert and Health Care Bias\" link1=\"\u003ca href=\"https://www.thedesertfilm.com/\" target=\"_blank\" rel=\"noopener noreferrer\"> https://www.thedesertfilm.com/\u003c/a>\" link2=\"\u003ca href=\"https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\">https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\u003c/a>]\u003c/p>\n\u003ch3 style=\"text-align: left\">Production Credits\u003c/h3>\n\u003cp style=\"text-align: left\">Director, director of photography, editor - Bo Kovitz\u003c/p>\n\u003cp style=\"text-align: left\">Additional camera - Sarah Cahlan, Lucas Guilkey, Lisa Hornak\u003c/p>\n\u003cp style=\"text-align: left\">Sound recordists - Sarah Cahlan, Jean-Philippe Dobrin, Lucas Guilkey, Hao Guo, Sybil Patten\u003c/p>\n\u003cp style=\"text-align: left\">Translations - Nuria Marquez Martinez, Betty Marquez Rosales, JoeBill Munoz\u003c/p>\n\u003cp style=\"text-align: left\">Advisors - Dawn Porter, Carrie Lozano, Mike Shen, Andres Cediel, Kara Platoni, Tina Sacks, Chris O’ Dea, RIck Johnson\u003c/p>\n\u003cp style=\"text-align: left\">Composers - William Ryan Fritch, Jacob Bloomfield-Misrach, William Sammons\u003c/p>\n\u003cp style=\"text-align: left\">Post Production Sound - Berkeley Sound Artists\u003c/p>\n\u003cp style=\"text-align: left\">Sound Supervisor - Jacob Bloomfield-Misrach\u003c/p>\n\u003cp style=\"text-align: left\">Rerecording Mixer - Bijan Sharifi\u003c/p>\n\u003cp style=\"text-align: left\">Sound Designer - William Sammons\u003c/p>\n\u003cp style=\"text-align: left\">Sound Effects Editor - Ryan Crowther\u003c/p>\n\u003cp style=\"text-align: left\">Dialogue Editor - Alyssa Nevarez\u003c/p>\n\u003cp style=\"text-align: left\">Color Correction - Chris O’ Dea\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"After a major public hospital in the Bay Area closes, patients and frontline workers must navigate a hospital desert and adapt to limited options, longer distances and backlogged systems of care. ","status":"publish","parent":0,"modified":1594393674,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":710},"headData":{"title":"Bay Area Public Hospital closure explored in short documentary 'The Desert' - Truly CA","description":"After a major public hospital in the Bay Area closes, patients and frontline workers must navigate a hospital desert and adapt to limited options, longer distances and backlogged systems of care.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3185 https://ww2.kqed.org/trulyca/?p=3185","disqusUrl":"https://ww2.kqed.org/trulyca/bay-area-hospital-closure-impacted-explored-in-documentary-the-desert/","disqusTitle":"Bay Area Public Hospital closure explored in short documentary 'The Desert'","videoEmbed":"https://www.youtube.com/watch?v=1bjKcfSmVxU&t=887s","path":"/trulyca/3185/bay-area-hospital-closure-impacted-explored-in-documentary-the-desert","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>The Desert, \u003c/em>directed by Bo Kovitz is an intimate look into the aftermath of a major public hospital closure in the San Francisco Bay Area, one of the wealthiest regions in the country. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=1bjKcfSmVxU\">Watch The Desert By. Bo Kovitz \u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Doctors Medical Center in San Pablo was the only full-service public hospital for more than 250,000 residents in West Contra Costa County. Now, the nearest public hospital is more than 15 miles away.\u003c/p>\n\u003cfigure id=\"attachment_3187\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3187 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_01-compressor-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_01-compressor-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_01-compressor-1020x1020.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_01-compressor-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_01-compressor-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_01-compressor.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Locals observe as the Doctors Medical Center is torn down leaving the nearest public hospital 15 miles away. Film still from The Desert.\u003c/figcaption>\u003c/figure>\n\u003cp>Following patients and frontline workers on the ground, \u003cem>The Desert\u003c/em> reveals the multifaceted impact of the loss of a major safety net institution as those in the community travel further and overcome barriers to care. \u003cem>The Desert\u003c/em> begins more than three years after Doctors Medical Center closed in 2015. Across the street from the vacant hospital, we meet an urgent care staff, many of whom worked at the hospital’s emergency department for years. Millie Callen, a non-emergency clinical worker near the previously existing Doctors Medical Center, who describes the influx of patients and the limited resources to meet all the needs of those who come in, some of whom think the clinic is an emergency department.\u003cimg class=\"wp-image-3188 size-medium\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_04-wide-compressor-800x419.jpg\" alt=\"\" width=\"800\" height=\"419\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_04-wide-compressor-800x419.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_04-wide-compressor-1020x534.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_04-wide-compressor-160x84.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_04-wide-compressor-768x402.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_04-wide-compressor-1536x804.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/desert_04-wide-compressor.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>First responders take a call, in The DesertOf the many issues that come with a hospital closure, clinic workers and doctors also cite the unavoidable outcome that comes from serving mostly uninsured and Medi-cal/Medicare patients: the gradual shutdown of major hospital departments over time, and the sacrifices many of the staff made to keep the hospital alive, and the ultimate burden on the patients to find help elsewhere.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Directors Statement\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_3189\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3189 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/Kovitz_Headshot-compressor-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/Kovitz_Headshot-compressor-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/Kovitz_Headshot-compressor-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/Kovitz_Headshot-compressor-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/Kovitz_Headshot-compressor-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/Kovitz_Headshot-compressor-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/Kovitz_Headshot-compressor-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/Kovitz_Headshot-compressor.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Director Bo Kovitz\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>When I began research about Doctors Medical Center, it struck me that it’s not rare in our country for a hospital to close. I read about hospitals closing in rural communities and others moving out of poor, predominantly black and brown neighborhoods into richer ones. I wanted to capture the lived experience and deepen our understanding beyond just reading words on a page. I wanted to see and hear the faces and voices of the people directly impacted by the loss of an institution so many of us take for granted.\u003c/p>\n\u003cp>I knew this film needed to be a 360° view of the community. It was obvious to look for the patients who were impacted but it became clearer every day that the impact is uniquely felt too by the frontline workers — the first responders, the doctors, nurses, clinicians and staffers. Those on the ground, with direct experience navigating the hospital desert, hold the most valuable information and perspective. But their lives and immediate expertise are seldom seen or heard, which I feel is changing now during COVID-19 as people turn to those in the eye of the storm for insight.\u003c/p>\n\u003cp>It’s imperative now more than ever to take a hard and critical look at the cracks in the American health care system. This film is a deep plunge into one community’s grappling with a system that forced a hospital to fail. My hope for \u003cem>The Desert\u003c/em> is that it will encourage people to look in their own backyard and think of the unseen but real lives adapting every day.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More on The Desert and Health Care Bias link1=\"\u003ca rel=\"noopener noreferrer\"> https://www.thedesertfilm.com/\u003c/a>\" link2=\"\u003ca href=\"https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\">https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\u003c/a>","href":"https://www.thedesertfilm.com/","target":"_blank"},"numeric":["link1=\"\u003ca","rel=\"noopener","noreferrer\">","https://www.thedesertfilm.com/\u003c/a>\"","link2=\"\u003ca","href=\"https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\">https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\u003c/a>"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch3 style=\"text-align: left\">Production Credits\u003c/h3>\n\u003cp style=\"text-align: left\">Director, director of photography, editor - Bo Kovitz\u003c/p>\n\u003cp style=\"text-align: left\">Additional camera - Sarah Cahlan, Lucas Guilkey, Lisa Hornak\u003c/p>\n\u003cp style=\"text-align: left\">Sound recordists - Sarah Cahlan, Jean-Philippe Dobrin, Lucas Guilkey, Hao Guo, Sybil Patten\u003c/p>\n\u003cp style=\"text-align: left\">Translations - Nuria Marquez Martinez, Betty Marquez Rosales, JoeBill Munoz\u003c/p>\n\u003cp style=\"text-align: left\">Advisors - Dawn Porter, Carrie Lozano, Mike Shen, Andres Cediel, Kara Platoni, Tina Sacks, Chris O’ Dea, RIck Johnson\u003c/p>\n\u003cp style=\"text-align: left\">Composers - William Ryan Fritch, Jacob Bloomfield-Misrach, William Sammons\u003c/p>\n\u003cp style=\"text-align: left\">Post Production Sound - Berkeley Sound Artists\u003c/p>\n\u003cp style=\"text-align: left\">Sound Supervisor - Jacob Bloomfield-Misrach\u003c/p>\n\u003cp style=\"text-align: left\">Rerecording Mixer - Bijan Sharifi\u003c/p>\n\u003cp style=\"text-align: left\">Sound Designer - William Sammons\u003c/p>\n\u003cp style=\"text-align: left\">Sound Effects Editor - Ryan Crowther\u003c/p>\n\u003cp style=\"text-align: left\">Dialogue Editor - Alyssa Nevarez\u003c/p>\n\u003cp style=\"text-align: left\">Color Correction - Chris O’ Dea\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3185/bay-area-hospital-closure-impacted-explored-in-documentary-the-desert","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_884"],"tags":["trulyca_887","trulyca_886","trulyca_885","trulyca_89","trulyca_888"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3203","label":"trulyca_771"},"trulyca_3165":{"type":"posts","id":"trulyca_3165","meta":{"index":"posts_1591205157","site":"trulyca","id":"3165","score":null,"sort":[1593175534000]},"guestAuthors":[],"slug":"out-on-the-inside-transgender-women-share-stories-from-a-california-prison","title":"Out on the Inside: Transgender Women Share Stories From a California Prison","publishDate":1593175534,"format":"video","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cem>Updated Jan. 14, 2021\u003c/em>\u003cbr>\n\u003cem>On Jan. 1, 2021, \u003ca href=\"https://leginfo.legislature.ca.gov/faces/billTextClient.xhtml?bill_id=201920200SB132\">Senate Bill 132\u003c/a> went into effect in California: The \"Transgender Respect, Agency, and Dignity Act,\" authored by state Sen. Scott Wiener, allows for incarcerated people to “be housed at a correctional facility designated for men or women based on the individual’s preference.”\u003c/em>\u003c/p>\n\u003cp>I arrived at a state prison in Vacaville, California, with a cart full of video equipment and two fellow reporters from KQED. We had come to meet with a group of transgender inmates and learn about their experience behind bars.\u003c/p>\n\u003cp>Prison is a challenging environment by any measure, but for the roughly two dozen transgender women living here alongside nearly 2500 men, there are unique challenges — not just for the women, but also for the prison staff responsible for keeping everyone safe.\u003c/p>\n\u003cp>The California prison system (like most) has long been set up along traditional gender lines — there are prisons for men and other ones for women, with a current total of 35 institutions located in every region of the state. But in recent years, the California Department of Corrections and Rehabilitation (CDCR) has had to contend with a growing number of offenders who do not fit into a binary gender classification system.\u003c/p>\n\u003cp>Take Jazzie Paradize Scott, for example, who said she’s been taking hormones since she was 16.\u003c/p>\n\u003cp>“I've always had my mom and my father's approval of being a trans woman,” she said. “It was just always about getting my life together and stop making so many careless mistakes. Like this — ending up in prison.”\u003c/p>\n\u003cfigure id=\"attachment_3172\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3172\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-800x450.jpg\" alt=\"Jazzie Paradize Scott displays her transgender ID card, issued by the California Department of Corrections and Rehabilitation. The CDCR has designated certain prisons as hubs for transgender inmates, where support services and resources can be clustered.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jazzie Paradize Scott displays her transgender ID card, issued by the California Department of Corrections and Rehabilitation. The CDCR has designated certain prisons as hubs for transgender inmates, where support services and resources can be clustered. \u003ccite>(Monica Lam/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The CDCR has designated certain prisons as hubs for transgender inmates, where support services and resources can be clustered. The prison I visited, California Medical Facility (CMF), is one of those hubs, and it’s also a prison where inmates with medical and mental health needs are placed for better access to health care.\u003c/p>\n\u003cp>Scott is on her third tour of prison and wants to put what remains of her time inside to good use. She was elected to represent other transgender prisoners on the inmate advisory council and successfully lobbied to create a weekly workout club for transgender women, complete with a prison staffer as a fitness coach.\u003c/p>\n\u003cp>“It took a long journey with a long fight, but I was able to work with staff on talking to the right people to get it done,” Scott said.\u003c/p>\n\u003cp>Today’s workout began with a simple, brisk walk around the perimeter of the gym, with a couple of women following along in their wheelchairs. While one group pedaled stationary bikes, another group played a high energy game of half-court basketball that left them drenched in sweat. Afterwards, Scott led the group through a series of stretches to cool down.\u003c/p>\n\u003cfigure id=\"attachment_3169\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3169\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-800x450.jpg\" alt=\"Transgender prisoners at California Medical Facility in Vacaville successfully lobbied to create a weekly workout club for the prison's transgender women, complete with a prison staffer as a fitness coach.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Transgender prisoners at California Medical Facility in Vacaville successfully lobbied to create a weekly workout club for the prison's transgender women, complete with a prison staffer as a fitness coach. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The point of the workout club, said Scott, was “to be able to let our hair down and wear our makeup and our gym shorts” in a safe environment. In fact, while they were inside the gym, the women could take off their prison blues and wear sports bras, tank tops, and leggings. Once the workout was over, they had to once again don their prison-issued pants and loose-fitting blue shirts before exiting the gym.\u003c/p>\n\u003ch3>‘I Never Saw Myself as a Guy’\u003c/h3>\n\u003cp>Gender identity and expression inside prison is more than a matter of getting to dress as one would like. Transgender people face harassment, hatred and violence both outside and inside prison.\u003c/p>\n\u003cp>“Since I was a child, I felt like I was a girl,” said Yekaterina Wesa Patience when we sat down to talk. “No matter what nobody told me, I just never, I never saw myself as a guy.”\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Yekaterina Wesa Patience\"]“I immediately cut all my hair off, grew facial hair and never grew it long again. I had to act like the toughest person I could find.”[/pullquote]\u003c/p>\n\u003cp>Her family, she said, could not accept that.\u003c/p>\n\u003cp>“My father literally would beat me, sometimes every day, just to get me to act like a boy — to toughen me up,” she said.\u003c/p>\n\u003cp>By 14, Patience said she had left home, and before long, ended up in jail. She’s been in prison since 1996 for first-degree murder, a crime she committed when she was 18.\u003c/p>\n\u003cp>Inside prison, the violence continued. Patience said she was raped twice by other prisoners. In response, she tried to hide her identity.\u003c/p>\n\u003cp>“I immediately cut all my hair off, grew facial hair and never grew it long again,” she said. “I had to act like the toughest person I could find.”\u003c/p>\n\u003cp>Even today she searches her memory for what she could have done differently to prevent the assaults.\u003c/p>\n\u003cfigure id=\"attachment_3173\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3173\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-800x450.jpg\" alt=\"Yekaterina Wesa Patience said that in the past, she cut off her hair and grew facial hair to protect herself from the threat of harassment, violence and sexual assault behind bars.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yekaterina Wesa Patience said that in the past, she cut off her hair and grew facial hair to protect herself from the threat of harassment, violence and sexual assault behind bars. \u003ccite>(Monica Lam/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There are too many stories of \u003ca href=\"https://www.kqed.org/news/11794221/could-changing-how-transgender-inmates-are-housed-make-prison-safer-for-them\">transgender prisoners being attacked, beaten, raped or killed behind bars\u003c/a>. While violence and sexual assault inside prison is a widespread problem, a 2007 study by UC Irvine researchers found that transgender prisoners are 13 times more likely to be sexually assaulted than their cisgender counterparts. That statistic is even more striking given that transgender prisoners make up only about 1% of the total prison population in California.\u003c/p>\n\u003cp>Under the pressure of federal law and numerous prisoner-led lawsuits, California's prison system has been making changes to ensure greater safety for all its prisoners and also to make accommodations for the needs of transgender people.\u003c/p>\n\u003cp>In settling a lawsuit brought by transgender inmate Shiloh Quine, the department in 2015 started allowing access to apparel previously reserved for female prisoners at women’s prisons — items like bras, clothing, makeup and jewelry. Similar policies were put into place for transgender men at women’s prisons.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>During one of the weekly meetings of a transgender support group, which gathers in a bright room lined with blue couches, I asked about the makeup. To me, makeup seemed like one of the niceties of life that I hadn’t expected to see on a list of prison canteen items.\u003c/p>\n\u003cp>“I love my pinks,” said Cary CJay Smith, showing me a couple tubes of lip gloss. Her eyelids were also dusted a soft shade of pink. “This one is for my eyes, the volumizing,” she said, holding up a bright yellow tube of mascara.\u003c/p>\n\u003cp>With a wink, she showed me what else she used the mascara for.\u003c/p>\n\u003cp>“I cover up my gray with it,” she said, brushing the wand’s bristles against her hair. “Just a little bit on the side.”\u003c/p>\n\u003cfigure id=\"attachment_3170\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3170\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-800x450.jpg\" alt=\"Cary CJay Smith shows her makeup in her favorite color: pink. The state prison system in 2015 started allowing access to apparel previously reserved for female prisoners at women’s prisons — items like bras, clothing, makeup and jewelry. Similar policies were put into place for transgender men at women’s prisons.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cary CJay Smith shows her makeup in her favorite color: pink. The state prison system in 2015 started allowing access to apparel previously reserved for female prisoners at women’s prisons — items like bras, clothing, makeup and jewelry. Similar policies were put into place for transgender men at women’s prisons. \u003ccite>(Monica Lam/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Many of the prisoners who have been inside for a long time said getting access to makeup was a big deal.\u003c/p>\n\u003cp>“It used to be that we didn't have real makeup and we had to improvise,” said David Bella Birrell. “Like getting China markers for eyebrow stuff.”\u003c/p>\n\u003cp>Or mixing Koolaid and Chapstick to make lipstick, added Birrell, who’s been incarcerated since 1983 for first-degree murder.\u003c/p>\n\u003cp>Smith also shared one of her hacks.\u003c/p>\n\u003cp>“I use a toothpaste box — Colgate — and I get a Q-tip, and I can rub baby oil along the red part of the box,” she said. “I can make me a little eyeshadow, a little pink eyeshadow.”\u003c/p>\n\u003cp>The support group is also where more serious topics get discussed. An animated argument flared up about whether one inmate was adequately dressed on a recent hot day.\u003c/p>\n\u003cp>“I was sitting in my cell and it's almost 90 [degrees]. I'm sitting with just my bra and my shorts, facing the wall,” said Rachael Goosen. When a passing corrections officer reprimanded her for being inappropriately dressed, Goosen was upset. “When I'm at my bed area, that's my area and I can dress as I feel,” she said.\u003c/p>\n\u003cp>But Smith disagreed, advocating that trans women should err on the side of modesty.\u003c/p>\n\u003cp>“As a woman, you should want to be covered,” Smith said. “I keep my mumu on. I mean I don't care how hot it is.”\u003c/p>\n\u003cfigure id=\"attachment_3174\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3174\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-800x450.jpg\" alt=\"Transgender women gather for a weekly support group at California Medical Facility, a state prison in Vacaville, CA.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-1536x864.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Transgender women gather for a weekly support group at California Medical Facility, a state prison in Vacaville, CA. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Women in Men’s Prisons\u003c/h3>\n\u003cp>California prisons don’t have special housing units dedicated to transgender inmates. Instead, they are generally housed in the same type of cells as other men and in some cases share dorms with more than a hundred people.\u003c/p>\n\u003cp>How a prisoner is assigned to a particular cell at a particular prison is based on a complex calculus that incorporates his or her crime, personal profile, past behavior inside prison, requests or preferences and the types and availability of programs at individual prisons.\u003c/p>\n\u003cp>“We have a classification process for our offenders that allows for a case by case review,” said Amy Miller, associate director of the CDCR’s female offender programs.\u003c/p>\n\u003cp>During the support group, we injected ourselves into the discussion to ask the members for their opinion: Should transgender women be housed in a women’s prison?\u003c/p>\n\u003cp>The reactions were mixed.\u003c/p>\n\u003cp>Patience said housing transgender and cisgender women together would alleviate her safety concerns. “If you identify as a female then I think you should be housed around females,” she said. “I think that would eliminate a lot of the problems of being sexually assaulted or being raped, pressured.”\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[pullquote size=\"medium\" align=\"right\" citation=\"Yekaterina Wesa Patience\"]“If you identify as a female then I think you should be housed around females. I think that would eliminate a lot of the problems of being sexually assaulted or being raped, pressured.”[/pullquote]\u003c/span>\u003c/p>\n\u003cp>Ava Marie Fey, who began taking hormones last year, said she hopes to eventually obtain gender affirmation surgery and be transferred to a women’s prison.\u003c/p>\n\u003cp>“I’d love to go over to the female institution instead of this,” Fey said.\u003c/p>\n\u003cp>But Mark Peaches Cates said she was happy where she was.\u003c/p>\n\u003cp>“I wouldn't like it because I love men,” Cates said. “I'd rather be right here with a bunch of men instead of with a bunch of women.”\u003c/p>\n\u003cfigure id=\"attachment_3168\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3168\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-800x450.jpg\" alt=\"Ava Marie Fey, who began taking hormones last year, said she hopes to eventually obtain gender affirmation surgery and be transferred to a women’s prison. \" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ava Marie Fey, who began taking hormones last year, said she hopes to eventually obtain gender affirmation surgery and be transferred to a women’s prison. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Last year, Democratic state Senator Scott Wiener, who represents San Francisco, had advanced legislation to allow transgender prisoners to be housed at the prison of their choice. It stalled in the fall, but Wiener said he plans to push an amended bill this year.\u003c/p>\n\u003cp>Several members of the transgender support group questioned how such a law would be enforced. How would prison officials know if someone was sincere about identifying and living as a woman? What if there are men who game the system simply in order to get inside a women’s facility?\u003c/p>\n\u003cp>CDCR’s Miller said the department was working on updating its housing classification policy but could not comment on what changes it is considering.\u003c/p>\n\u003cp>[aside label=\"More of our reporting\" link1=\"https://www.kqed.org/news/11794850/transgender-prisoners-transition-in-lockup-becoming-more-and-more-of-me,Transgender Prisoners Transition in Lockup\" link2=\"https://www.kqed.org/news/11794221/could-changing-how-transgender-inmates-are-housed-make-prison-safer-for-them,Could Changing How Transgender Inmates Are Housed Make Prison Safer for Them?\"]\u003c/p>\n\u003ch3>A Long Journey\u003c/h3>\n\u003cp>California’s prison system is one of the largest in the country, with around 114,000 inmates in its care. How the department continues to evolve and adapt to an increasingly diverse inmate population is being watched by other states, advocates, and of course, prisoners.\u003c/p>\n\u003cp>Ongoing lawsuits continue to push for further reform, from improving access to healthcare to buttressing prisoner safety, while officials scrutinize yearly whether the prisons have done enough to prevent sexual assault.\u003c/p>\n\u003cp>All the prisoners I spoke with said that things could be better. But they also agreed that life for transgender prisoners has come a long way and that they felt especially safe at CMF.\u003c/p>\n\u003cp>Prison officials said their hub system of grouping transgender prisoners together is working — together with changes to policy and prison culture.\u003c/p>\n\u003cp>“This is the first prison I've ever been to that actually had a transgender community,” Patience said.\u003c/p>\n\u003cp>She said she started growing her hair out again after coming to CMF, as well as wearing jewelry and makeup.\u003c/p>\n\u003cp>“It was actually probably the biggest load I've ever taken off my shoulders, when I just stopped saying I was going to be what everybody else wanted me to be,” said Patience.\u003c/p>\n\u003cp>As the weekly support group wound down, people broke off into smaller clumps, starting personal discussions. Goosen and another woman compared rock ‘n’ roll to hip hop music. Patience had a computer class to attend. Scott got ready to start her shift as a janitor.\u003c/p>\n\u003cp>“It’s been a long journey, but I'm comfortable in my skin,” Scott said. “I’m blessed to be where I'm at right now.”\u003c/p>\n\u003ch3>Production Credits\u003c/h3>\n\u003cp>Director & Producer: Monica Lam\u003cbr>\nEditor: Dina Maria Munsch\u003cbr>\nCamera & Sound: Sruti Mamidanna, Monica Lam\u003cbr>\nCo-Reporter: Miranda Leitsinger\u003cbr>\nExecutive Producer: Annelise Wunderlich\u003cbr>\nPost Production:Roger Chiang, Tony Cox, Simon Hui, Kim McCalla, Amy Miller, Vivian Morales\u003cbr>\nManaging Editor of Digital: Julia B. Chan\u003cbr>\nManaging Editor of News: Vinnee Tong\u003cbr>\nExecutive Editor of News: Ethan Toven-Lindsey\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Transgender women housed at a men's prison in Vacaville, CA, share their stories of surviving, adapting and creating community behind bars.","status":"publish","parent":0,"modified":1610664457,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":63,"wordCount":2470},"headData":{"title":"Out on the Inside: Transgender Women Share Stories From a California Prison - Truly CA","description":"Transgender women housed at a men's prison in Vacaville, CA, share their stories of surviving, adapting and creating community behind bars.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3165 https://ww2.kqed.org/trulyca/?p=3165","disqusUrl":"https://ww2.kqed.org/trulyca/out-on-the-inside-transgender-women-share-stories-from-a-california-prison/","disqusTitle":"Out on the Inside: Transgender Women Share Stories From a California Prison","videoEmbed":"https://youtu.be/y7D-JhtAQpM","path":"/trulyca/3165/out-on-the-inside-transgender-women-share-stories-from-a-california-prison","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Updated Jan. 14, 2021\u003c/em>\u003cbr>\n\u003cem>On Jan. 1, 2021, \u003ca href=\"https://leginfo.legislature.ca.gov/faces/billTextClient.xhtml?bill_id=201920200SB132\">Senate Bill 132\u003c/a> went into effect in California: The \"Transgender Respect, Agency, and Dignity Act,\" authored by state Sen. Scott Wiener, allows for incarcerated people to “be housed at a correctional facility designated for men or women based on the individual’s preference.”\u003c/em>\u003c/p>\n\u003cp>I arrived at a state prison in Vacaville, California, with a cart full of video equipment and two fellow reporters from KQED. We had come to meet with a group of transgender inmates and learn about their experience behind bars.\u003c/p>\n\u003cp>Prison is a challenging environment by any measure, but for the roughly two dozen transgender women living here alongside nearly 2500 men, there are unique challenges — not just for the women, but also for the prison staff responsible for keeping everyone safe.\u003c/p>\n\u003cp>The California prison system (like most) has long been set up along traditional gender lines — there are prisons for men and other ones for women, with a current total of 35 institutions located in every region of the state. But in recent years, the California Department of Corrections and Rehabilitation (CDCR) has had to contend with a growing number of offenders who do not fit into a binary gender classification system.\u003c/p>\n\u003cp>Take Jazzie Paradize Scott, for example, who said she’s been taking hormones since she was 16.\u003c/p>\n\u003cp>“I've always had my mom and my father's approval of being a trans woman,” she said. “It was just always about getting my life together and stop making so many careless mistakes. Like this — ending up in prison.”\u003c/p>\n\u003cfigure id=\"attachment_3172\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3172\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-800x450.jpg\" alt=\"Jazzie Paradize Scott displays her transgender ID card, issued by the California Department of Corrections and Rehabilitation. The CDCR has designated certain prisons as hubs for transgender inmates, where support services and resources can be clustered.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jazzie Paradize Scott displays her transgender ID card, issued by the California Department of Corrections and Rehabilitation. The CDCR has designated certain prisons as hubs for transgender inmates, where support services and resources can be clustered. \u003ccite>(Monica Lam/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The CDCR has designated certain prisons as hubs for transgender inmates, where support services and resources can be clustered. The prison I visited, California Medical Facility (CMF), is one of those hubs, and it’s also a prison where inmates with medical and mental health needs are placed for better access to health care.\u003c/p>\n\u003cp>Scott is on her third tour of prison and wants to put what remains of her time inside to good use. She was elected to represent other transgender prisoners on the inmate advisory council and successfully lobbied to create a weekly workout club for transgender women, complete with a prison staffer as a fitness coach.\u003c/p>\n\u003cp>“It took a long journey with a long fight, but I was able to work with staff on talking to the right people to get it done,” Scott said.\u003c/p>\n\u003cp>Today’s workout began with a simple, brisk walk around the perimeter of the gym, with a couple of women following along in their wheelchairs. While one group pedaled stationary bikes, another group played a high energy game of half-court basketball that left them drenched in sweat. Afterwards, Scott led the group through a series of stretches to cool down.\u003c/p>\n\u003cfigure id=\"attachment_3169\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3169\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-800x450.jpg\" alt=\"Transgender prisoners at California Medical Facility in Vacaville successfully lobbied to create a weekly workout club for the prison's transgender women, complete with a prison staffer as a fitness coach.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Transgender prisoners at California Medical Facility in Vacaville successfully lobbied to create a weekly workout club for the prison's transgender women, complete with a prison staffer as a fitness coach. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The point of the workout club, said Scott, was “to be able to let our hair down and wear our makeup and our gym shorts” in a safe environment. In fact, while they were inside the gym, the women could take off their prison blues and wear sports bras, tank tops, and leggings. Once the workout was over, they had to once again don their prison-issued pants and loose-fitting blue shirts before exiting the gym.\u003c/p>\n\u003ch3>‘I Never Saw Myself as a Guy’\u003c/h3>\n\u003cp>Gender identity and expression inside prison is more than a matter of getting to dress as one would like. Transgender people face harassment, hatred and violence both outside and inside prison.\u003c/p>\n\u003cp>“Since I was a child, I felt like I was a girl,” said Yekaterina Wesa Patience when we sat down to talk. “No matter what nobody told me, I just never, I never saw myself as a guy.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"“I immediately cut all my hair off, grew facial hair and never grew it long again. I had to act like the toughest person I could find.”","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"Yekaterina Wesa Patience","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Her family, she said, could not accept that.\u003c/p>\n\u003cp>“My father literally would beat me, sometimes every day, just to get me to act like a boy — to toughen me up,” she said.\u003c/p>\n\u003cp>By 14, Patience said she had left home, and before long, ended up in jail. She’s been in prison since 1996 for first-degree murder, a crime she committed when she was 18.\u003c/p>\n\u003cp>Inside prison, the violence continued. Patience said she was raped twice by other prisoners. In response, she tried to hide her identity.\u003c/p>\n\u003cp>“I immediately cut all my hair off, grew facial hair and never grew it long again,” she said. “I had to act like the toughest person I could find.”\u003c/p>\n\u003cp>Even today she searches her memory for what she could have done differently to prevent the assaults.\u003c/p>\n\u003cfigure id=\"attachment_3173\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3173\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-800x450.jpg\" alt=\"Yekaterina Wesa Patience said that in the past, she cut off her hair and grew facial hair to protect herself from the threat of harassment, violence and sexual assault behind bars.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yekaterina Wesa Patience said that in the past, she cut off her hair and grew facial hair to protect herself from the threat of harassment, violence and sexual assault behind bars. \u003ccite>(Monica Lam/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There are too many stories of \u003ca href=\"https://www.kqed.org/news/11794221/could-changing-how-transgender-inmates-are-housed-make-prison-safer-for-them\">transgender prisoners being attacked, beaten, raped or killed behind bars\u003c/a>. While violence and sexual assault inside prison is a widespread problem, a 2007 study by UC Irvine researchers found that transgender prisoners are 13 times more likely to be sexually assaulted than their cisgender counterparts. That statistic is even more striking given that transgender prisoners make up only about 1% of the total prison population in California.\u003c/p>\n\u003cp>Under the pressure of federal law and numerous prisoner-led lawsuits, California's prison system has been making changes to ensure greater safety for all its prisoners and also to make accommodations for the needs of transgender people.\u003c/p>\n\u003cp>In settling a lawsuit brought by transgender inmate Shiloh Quine, the department in 2015 started allowing access to apparel previously reserved for female prisoners at women’s prisons — items like bras, clothing, makeup and jewelry. Similar policies were put into place for transgender men at women’s prisons.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>During one of the weekly meetings of a transgender support group, which gathers in a bright room lined with blue couches, I asked about the makeup. To me, makeup seemed like one of the niceties of life that I hadn’t expected to see on a list of prison canteen items.\u003c/p>\n\u003cp>“I love my pinks,” said Cary CJay Smith, showing me a couple tubes of lip gloss. Her eyelids were also dusted a soft shade of pink. “This one is for my eyes, the volumizing,” she said, holding up a bright yellow tube of mascara.\u003c/p>\n\u003cp>With a wink, she showed me what else she used the mascara for.\u003c/p>\n\u003cp>“I cover up my gray with it,” she said, brushing the wand’s bristles against her hair. “Just a little bit on the side.”\u003c/p>\n\u003cfigure id=\"attachment_3170\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3170\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-800x450.jpg\" alt=\"Cary CJay Smith shows her makeup in her favorite color: pink. The state prison system in 2015 started allowing access to apparel previously reserved for female prisoners at women’s prisons — items like bras, clothing, makeup and jewelry. Similar policies were put into place for transgender men at women’s prisons.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cary CJay Smith shows her makeup in her favorite color: pink. The state prison system in 2015 started allowing access to apparel previously reserved for female prisoners at women’s prisons — items like bras, clothing, makeup and jewelry. Similar policies were put into place for transgender men at women’s prisons. \u003ccite>(Monica Lam/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Many of the prisoners who have been inside for a long time said getting access to makeup was a big deal.\u003c/p>\n\u003cp>“It used to be that we didn't have real makeup and we had to improvise,” said David Bella Birrell. “Like getting China markers for eyebrow stuff.”\u003c/p>\n\u003cp>Or mixing Koolaid and Chapstick to make lipstick, added Birrell, who’s been incarcerated since 1983 for first-degree murder.\u003c/p>\n\u003cp>Smith also shared one of her hacks.\u003c/p>\n\u003cp>“I use a toothpaste box — Colgate — and I get a Q-tip, and I can rub baby oil along the red part of the box,” she said. “I can make me a little eyeshadow, a little pink eyeshadow.”\u003c/p>\n\u003cp>The support group is also where more serious topics get discussed. An animated argument flared up about whether one inmate was adequately dressed on a recent hot day.\u003c/p>\n\u003cp>“I was sitting in my cell and it's almost 90 [degrees]. I'm sitting with just my bra and my shorts, facing the wall,” said Rachael Goosen. When a passing corrections officer reprimanded her for being inappropriately dressed, Goosen was upset. “When I'm at my bed area, that's my area and I can dress as I feel,” she said.\u003c/p>\n\u003cp>But Smith disagreed, advocating that trans women should err on the side of modesty.\u003c/p>\n\u003cp>“As a woman, you should want to be covered,” Smith said. “I keep my mumu on. I mean I don't care how hot it is.”\u003c/p>\n\u003cfigure id=\"attachment_3174\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3174\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-800x450.jpg\" alt=\"Transgender women gather for a weekly support group at California Medical Facility, a state prison in Vacaville, CA.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-1536x864.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Transgender women gather for a weekly support group at California Medical Facility, a state prison in Vacaville, CA. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Women in Men’s Prisons\u003c/h3>\n\u003cp>California prisons don’t have special housing units dedicated to transgender inmates. Instead, they are generally housed in the same type of cells as other men and in some cases share dorms with more than a hundred people.\u003c/p>\n\u003cp>How a prisoner is assigned to a particular cell at a particular prison is based on a complex calculus that incorporates his or her crime, personal profile, past behavior inside prison, requests or preferences and the types and availability of programs at individual prisons.\u003c/p>\n\u003cp>“We have a classification process for our offenders that allows for a case by case review,” said Amy Miller, associate director of the CDCR’s female offender programs.\u003c/p>\n\u003cp>During the support group, we injected ourselves into the discussion to ask the members for their opinion: Should transgender women be housed in a women’s prison?\u003c/p>\n\u003cp>The reactions were mixed.\u003c/p>\n\u003cp>Patience said housing transgender and cisgender women together would alleviate her safety concerns. “If you identify as a female then I think you should be housed around females,” she said. “I think that would eliminate a lot of the problems of being sexually assaulted or being raped, pressured.”\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"“If you identify as a female then I think you should be housed around females. I think that would eliminate a lot of the problems of being sexually assaulted or being raped, pressured.”","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"Yekaterina Wesa Patience","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>Ava Marie Fey, who began taking hormones last year, said she hopes to eventually obtain gender affirmation surgery and be transferred to a women’s prison.\u003c/p>\n\u003cp>“I’d love to go over to the female institution instead of this,” Fey said.\u003c/p>\n\u003cp>But Mark Peaches Cates said she was happy where she was.\u003c/p>\n\u003cp>“I wouldn't like it because I love men,” Cates said. “I'd rather be right here with a bunch of men instead of with a bunch of women.”\u003c/p>\n\u003cfigure id=\"attachment_3168\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3168\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-800x450.jpg\" alt=\"Ava Marie Fey, who began taking hormones last year, said she hopes to eventually obtain gender affirmation surgery and be transferred to a women’s prison. \" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ava Marie Fey, who began taking hormones last year, said she hopes to eventually obtain gender affirmation surgery and be transferred to a women’s prison. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Last year, Democratic state Senator Scott Wiener, who represents San Francisco, had advanced legislation to allow transgender prisoners to be housed at the prison of their choice. It stalled in the fall, but Wiener said he plans to push an amended bill this year.\u003c/p>\n\u003cp>Several members of the transgender support group questioned how such a law would be enforced. How would prison officials know if someone was sincere about identifying and living as a woman? What if there are men who game the system simply in order to get inside a women’s facility?\u003c/p>\n\u003cp>CDCR’s Miller said the department was working on updating its housing classification policy but could not comment on what changes it is considering.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More of our reporting ","link1":"https://www.kqed.org/news/11794850/transgender-prisoners-transition-in-lockup-becoming-more-and-more-of-me,Transgender Prisoners Transition in Lockup","link2":"https://www.kqed.org/news/11794221/could-changing-how-transgender-inmates-are-housed-make-prison-safer-for-them,Could Changing How Transgender Inmates Are Housed Make Prison Safer for Them?"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch3>A Long Journey\u003c/h3>\n\u003cp>California’s prison system is one of the largest in the country, with around 114,000 inmates in its care. How the department continues to evolve and adapt to an increasingly diverse inmate population is being watched by other states, advocates, and of course, prisoners.\u003c/p>\n\u003cp>Ongoing lawsuits continue to push for further reform, from improving access to healthcare to buttressing prisoner safety, while officials scrutinize yearly whether the prisons have done enough to prevent sexual assault.\u003c/p>\n\u003cp>All the prisoners I spoke with said that things could be better. But they also agreed that life for transgender prisoners has come a long way and that they felt especially safe at CMF.\u003c/p>\n\u003cp>Prison officials said their hub system of grouping transgender prisoners together is working — together with changes to policy and prison culture.\u003c/p>\n\u003cp>“This is the first prison I've ever been to that actually had a transgender community,” Patience said.\u003c/p>\n\u003cp>She said she started growing her hair out again after coming to CMF, as well as wearing jewelry and makeup.\u003c/p>\n\u003cp>“It was actually probably the biggest load I've ever taken off my shoulders, when I just stopped saying I was going to be what everybody else wanted me to be,” said Patience.\u003c/p>\n\u003cp>As the weekly support group wound down, people broke off into smaller clumps, starting personal discussions. Goosen and another woman compared rock ‘n’ roll to hip hop music. Patience had a computer class to attend. Scott got ready to start her shift as a janitor.\u003c/p>\n\u003cp>“It’s been a long journey, but I'm comfortable in my skin,” Scott said. “I’m blessed to be where I'm at right now.”\u003c/p>\n\u003ch3>Production Credits\u003c/h3>\n\u003cp>Director & Producer: Monica Lam\u003cbr>\nEditor: Dina Maria Munsch\u003cbr>\nCamera & Sound: Sruti Mamidanna, Monica Lam\u003cbr>\nCo-Reporter: Miranda Leitsinger\u003cbr>\nExecutive Producer: Annelise Wunderlich\u003cbr>\nPost Production:Roger Chiang, Tony Cox, Simon Hui, Kim McCalla, Amy Miller, Vivian Morales\u003cbr>\nManaging Editor of Digital: Julia B. Chan\u003cbr>\nManaging Editor of News: Vinnee Tong\u003cbr>\nExecutive Editor of News: Ethan Toven-Lindsey\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3165/out-on-the-inside-transgender-women-share-stories-from-a-california-prison","authors":["244"],"programs":["trulyca_771"],"series":["trulyca_850"],"tags":["trulyca_882","trulyca_69","trulyca_881","trulyca_883","trulyca_879","trulyca_127","trulyca_880"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3176","label":"trulyca_771"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2023/08/possible-5gxfizEbKOJ-pbF5ASgxrs_.1400x1400.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/10/ATC_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0018_AmericanSuburb_iTunesTile_01.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0017_BayCurious_iTunesTile_01.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/BBC_1400.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/12/CodeSwitchLifeKit_StationGraphics_300x300EmailGraphic.png","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2019/07/commonwealthclub.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. Plus, KQED’s Bianca Taylor brings you the local KQED news you need to know.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2022/02/Consider-This_3000_V3-copy-scaled-1.jpg","imageAlt":"Consider This from NPR and KQED","officialWebsiteLink":"/podcasts/considerthis","meta":{"site":"news","source":"kqed","order":"7"},"link":"/podcasts/considerthis","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1503226625?mt=2&at=11l79Y&ct=nprdirectory","npr":"https://rpb3r.app.goo.gl/coronavirusdaily","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM1NS9wb2RjYXN0LnhtbA","spotify":"https://open.spotify.com/show/3Z6JdCS2d0eFEpXHKI6WqH"}},"forum":{"id":"forum","title":"Forum","tagline":"The conversation starts here","info":"KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.","airtime":"MON-FRI 9am-11am, 10pm-11pm","imageSrc":"https://ww2.kqed.org/app/uploads/2022/06/forum-logo-900x900tile-1.gif","imageAlt":"KQED Forum with Mina Kim and Alexis Madrigal","officialWebsiteLink":"/forum","meta":{"site":"news","source":"kqed","order":"8"},"link":"/forum","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz","npr":"https://www.npr.org/podcasts/432307980/forum","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast","rss":"https://feeds.megaphone.fm/KQINC9557381633"}},"freakonomics-radio":{"id":"freakonomics-radio","title":"Freakonomics Radio","info":"Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png","officialWebsiteLink":"http://freakonomics.com/","airtime":"SUN 1am-2am, SAT 3pm-4pm","meta":{"site":"radio","source":"WNYC"},"link":"/radio/program/freakonomics-radio","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519","tuneIn":"https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/","rss":"https://feeds.feedburner.com/freakonomicsradio"}},"fresh-air":{"id":"fresh-air","title":"Fresh Air","info":"Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.","airtime":"MON-FRI 7pm-8pm","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/FreshAir_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/fresh-air/","meta":{"site":"radio","source":"npr"},"link":"/radio/program/fresh-air","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/Fresh-Air-p17/","rss":"https://feeds.npr.org/381444908/podcast.xml"}},"here-and-now":{"id":"here-and-now","title":"Here & Now","info":"A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. 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